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The directers.
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Bernardo Bertolucci
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Mike Figgis
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Jirí Menzel
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István Szabó
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Claire Denis
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Volker Schlondorff
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Michael Radford
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Jean-Luc Goddard
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That seems like the mountains.
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Cross millions of years.
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Up and down.
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Just like a water ripple.
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Ten Years Old
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The Cello
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Director:Bernardo Bertolucci
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Histoire d'eaux
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Come down, come down.
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Get damn down.
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Wait! Where are you going?
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Hey! Where are you going?
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Brue, this is my name.
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You will know me.
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I cannot believe this.
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The damn rubbish car.
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I can help you.
27
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Put it down.
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Want some drink?
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Really nice...good.
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Really nice...good! I can't understand your words.
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You'd better speak Italian, Italian.
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Italian?
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John Wayne.
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What? Name, I am John Wayne.
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What, me?
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Nothing.
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Follow me.
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Honey.
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Honey, my water broke.
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Did you see that?
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Come on!
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Here!
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Brue!
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I know you will come, and we have a long way to go.
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There should be some trouble on the road.
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Director: Mike Figgis
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Ten minutes
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Our lifes are not longer
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Ten minutes
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Director 4 : Istvan Szabo
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Ten Minutes After
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My grandma is buying fish in the market
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Buy fish in the market
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My grandma is buying fish in the market
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My grandma is buying fish in the market
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Fish....
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Your grandma is buying fish in the market
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His grandma is buying fish in the market
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Her grandma is buying fish in the market
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Our grandma is buying fish in the market
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Your grandma is buying fish in the market
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Their grandma is buying fish in the market
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Cake!
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I wish my sister was here...
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I wish
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I wish my sister was here
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You wish your sister was here
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He wish his sister was here
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Coming!
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I'm coming!
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You are back. We bring him back!
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Thank you! No problem,we are leaving.
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No problem, come in. Thanks
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Darling
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Have you drunk?
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I want wine!
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Wine?
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00:40:43,000 --> 00:40:45,000
Why you still want wine?
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Give me the wine
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Come on,darling,today is our commemoration day.
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Commemoration day?
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Wait! What's wrong with you?
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Wait! Where's the wine?Come on
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What's wrong with you?
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Don't be like this,where's the wine?
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00:41:23,000 --> 00:41:26,000
Stop drinking,darling,today is a special day to us,isn't it?
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Where's the wine?
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00:41:29,000 --> 00:41:33,000
Something happen to you,right?
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Tell me. Cake.
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What?
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What? Get away!
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But..... Don't touch me!
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What happen to you?
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00:42:40,000 --> 00:42:41,991
What?
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Forget it
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Go sleep!
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How about you going to sleep?
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Take a rest.
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Sleep....
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Then you'll feel better,right?
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Sit down. Let me help you take off the shoes, then just lie down in the bed...
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Sleep.
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Have a sweet dream
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I wanna drink. Lie down,don't move.
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No,no no!
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Lie down,don't go. Let go of me
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Gábor, have a good sleep.
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00:43:32,000 --> 00:43:35,993
Let go of me,let go! Or I'll kill you,you hear me?
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00:43:41,000 --> 00:43:43,000
What's wrong with you,tonight is our...
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Let go! Get out...
111
00:43:46,000 --> 00:43:50,000
What's wrong with you? Get out,don't you hear me?
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Get out,understand? Get out!
113
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Let go!
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00:44:27,000 --> 00:44:29,000
What's wrong?
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00:44:29,000 --> 00:44:32,993
Gábor,what's wrong with you?
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00:44:43,000 --> 00:44:46,993
Hello! Please come here! There's an accident here....
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The address is George Uptown
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Left side cells,16th mansions
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4th room,3th floor.
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Gábor Máté
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What?
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Mrs. Máté
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My husband
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Anything,anybody....
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I don't talk about anything with anybody
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Calm down.
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You don't talk about anything with anybody...
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Are they coming?
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Gábor!
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Gábor,no...come on,over here!
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Where's the wounded people? Over here.
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Over here,come on,here.
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He won't die
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He won't die
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Come on!
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Come on!
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He won't die,right?
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Bring his coat
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He won't die
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He won't die
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Is it here? Yes. A lady stabbed her husband.
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Is it her? Yes
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Lady! Please come here!
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Is that you stabbed your husband?
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Please come with us,we need to make some notes.
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No! I've to look after my husband!
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No,no! Let go!
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The crime scene is here, right? Yes.
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Go in.
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No.
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In. NO!
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What's wrong with you? You must cooperate with us.
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Hey? Help her in.
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Go in.
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No one has ever noticed.
156
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Is there someone that noticed he smoked?
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Director:Claire Denis
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Facing Nancy.
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There were many times in the past.
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I wanted to come here.
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Came to France, because...
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...it has a good impression on my heart, and I don't know.
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It's just like a love.
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Yes, I can understand.
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But to this...
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...it is not easy...
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...to describe within several words.
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Not the things on the surface.
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It's hard to explain.
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But now you are stepping to the hope.
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At this moment what are you thinking?
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This is very complex.
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Becasue it is pale to use the words to express that.
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Because something deposits...
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...under the surface and it cannot be through.
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But my feeling is totally exciting.
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The excitement in the travel.
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From one place to the other.
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Though these travels make me a little tired,
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yet I have the feeling of satisfaction.
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It's the normal human feelings.
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And including the travel in the time.
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From one space to the other.
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This deed, it's just the happiness that the life journey brings.
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So you can do whatever you like.
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This is a kind of extrication of the thought.
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It's the satisfaction in the process.
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It's beyond the form of the surface.
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When you are in a strange environment,
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Can you have that kind of feelings?
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Can you feel strange?
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First, you centainly will have that feeling.
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But when the time let you enjoy yourself slowly...
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...you will forget something.
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You won't separate yourself from that environment.
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This is your gain whenm you come to the strange place.
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And then, you will feel..
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...that's a "stable point".
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I know it's hard to describe that.
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But the fact is just like this.
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When you do something, the feeling of you...
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...lies in the process.
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It's only you who can realize that.
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The other people cannot replace your feeling.
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But it truly exists and there's no need to prove that.
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You have more words on this aspect than the others.
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These words are very serious.
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How about the time-space change in the life?
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I like this feeling.
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France gives me so many feelings, and not merely France.
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Because they make me know myself.
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Anf I can choose my suitable space after that.
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I also agree with that point.
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Do you have muck ecperience? Because...
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That depends on the age, doesn't that?
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Yes, if you try to keep with one thing.
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For instance on the aspect of learning French.
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I just pratice by speaking.
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French is the one that you need the courage to express.
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You must have the courage to say it out, whether it is good or bad.
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There are many things like that, just keep trying.
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To try and you will gain much.
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This is where the interest lies.
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No matter how long you have kept trying...
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...something is not satisfactory, and you must force yourself.
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That is different with what you said.
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That makes me sad...I don't know how to express.
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Is there any effective ways to solve that?
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Because I have some experience like that.
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Of course.
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The key to solve these things is themselves.
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What the others say is just the indirect experience.
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That is not something uncessary that I mentioned just now.
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It's connected.
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In fact it is also another way.
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Transfer between two different space.
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Even change the identity.
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To release one's own heart.
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When you are in a space, you just escape from the other.
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And it gives you time to solve that.
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Because to the space you are not connected.
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This is my thought.
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I think that would help.
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So I did this.
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One time in a space and change the time.
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You come to another space and feel good.
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The experience of life.
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I maybe understand something.
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It showed me some resonance.
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Did you have some bad time?
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Of course, and for instance.
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There are some accidents that make you wordless.
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It's a complete abnormal track.
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Sometimes you can call that abnormity.
255
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You have to accept that.
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Because that cannot happen only once or two times, and you cannot avoid that.
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So you must find the key and solve that.
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Especially when it was severe you must be patient.
259
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Of course, it is not that easy.
260
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I feel your words are a little theoretical.
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But the fact is just like this, and you will feel that actually.
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That's the same thing, perhaps.
263
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Maybe they are just my personal summary.
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That's my experience, and they truly exist.
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Though it is a little theoretical.
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I should say it is suitable, because...
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...the experience of everyone are the same.
268
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This makes the communication between people lack of limits.
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The two completely different worlds always have something in common.
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Because it is necessary.
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This is necessary in large scales.
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Though it is very delicate, yet it's actual.
273
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Yes, you are right. And what's more...
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...many things are beyond their imagination, right?
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Yes, for instance, acception and rejection, rejection and acception.
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Not merely the surface meaning.
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Sometimes, perhapse.
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It's just opposite.
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Or some hint.
280
00:58:46,000 --> 00:58:50,000
And there are genius in this crowd.
281
00:58:50,000 --> 00:58:54,000
There are some things that only genius can complete.
282
00:58:54,000 --> 00:58:55,991
This is correct.
283
00:58:57,000 --> 00:59:00,993
But there are some other aspects of them...
284
00:59:04,000 --> 00:59:07,993
...under the surface.
285
00:59:09,000 --> 00:59:12,993
According to what you said strangeness has some other aspects.
286
00:59:14,000 --> 00:59:17,000
The aspect that is familiar.
287
00:59:17,000 --> 00:59:20,993
Something enthusiastic.
288
00:59:22,000 --> 00:59:25,993
We welcome you and that's the lot.
289
00:59:28,000 --> 00:59:30,000
This is true.
290
00:59:30,000 --> 00:59:32,000
But may not be completely possible.
291
00:59:32,000 --> 00:59:35,993
Because in my opinion I need something.
292
00:59:37,000 --> 00:59:41,000
Something mystic.
293
00:59:41,000 --> 00:59:45,000
This is the normal life.
294
00:59:45,000 --> 00:59:47,000
There are some curiosity there.
295
00:59:47,000 --> 00:59:50,993
So I cannot deny its strange aspect.
296
00:59:52,000 --> 00:59:56,000
Especially in such a place.
297
00:59:56,000 --> 00:59:59,000
My feeling is pretty right, OK?
298
00:59:59,000 --> 01:00:02,000
I think it no problem here.
299
01:00:02,000 --> 01:00:05,000
I also think so, no problem.
300
01:00:05,000 --> 01:00:08,000
And you can enjoy that very much.
301
01:00:08,000 --> 01:00:11,993
Yes, but that's not enough.
302
01:00:13,000 --> 01:00:16,993
I think that's a process full of familiary and strangeness.
303
01:00:19,000 --> 01:00:22,000
All is in the process.
304
01:00:22,000 --> 01:00:25,993
All kinds of flavor in the life.
305
01:00:27,000 --> 01:00:31,000
I always feel happy about that.
306
01:00:31,000 --> 01:00:34,993
What I can do is about the regulations.
307
01:00:39,000 --> 01:00:42,000
No, you won't.
308
01:00:42,000 --> 01:00:45,993
That will make you lose interest.
309
01:00:57,000 --> 01:00:59,000
Are we on the stop?
310
01:00:59,000 --> 01:01:02,993
We will get to the stop soon, the final stop? Ten miniutes later.
311
01:01:05,000 --> 01:01:09,000
Yes? What a good talk you have.
312
01:01:09,000 --> 01:01:12,993
But time can finish this, is that right?
313
01:02:03,000 --> 01:02:06,993
Director 6 : Volker Schlöndorff
314
01:12:44,000 --> 01:12:47,993
Director 7 : Michael Radford
315
01:23:50,000 --> 01:23:53,993
Director:Jean-Luc Goddard
316
01:23:57,000 --> 01:24:01,000
During the time....
317
01:24:01,000 --> 01:24:02,000
Why light the torch?
318
01:24:02,000 --> 01:24:03,991
The noon of darkness.
319
01:24:07,000 --> 01:24:10,993
Maybe this world lacks of brightness.
320
01:24:12,000 --> 01:24:16,000
It needs the torch to light.
321
01:24:16,000 --> 01:24:19,993
Drive something away and bring something back.
322
01:24:22,000 --> 01:24:26,000
Especially facing the crowd.
323
01:24:26,000 --> 01:24:29,993
I always think it necessary.
324
01:24:36,000 --> 01:24:39,993
The last minutes...
325
01:24:41,000 --> 01:24:42,991
...of the youth.
326
01:24:45,000 --> 01:24:48,000
Among these several guns...
327
01:24:48,000 --> 01:24:51,000
...which one should I choose?
328
01:24:51,000 --> 01:24:54,993
I want to finish someone's life with it.
329
01:24:56,000 --> 01:24:59,000
I really don't know.
330
01:24:59,000 --> 01:25:01,000
Whether he will like this.
331
01:25:01,000 --> 01:25:02,991
I want you to choose.
332
01:25:04,000 --> 01:25:07,993
You like to die slowly or quickly?
333
01:25:09,000 --> 01:25:10,991
Come on now.
334
01:25:15,000 --> 01:25:17,000
Mom.
335
01:25:17,000 --> 01:25:21,000
He just left like that.
336
01:25:21,000 --> 01:25:22,991
Taking with everything.
337
01:25:27,000 --> 01:25:28,000
Oh, Paula, I don't know whether you're fearful.
338
01:25:28,000 --> 01:25:32,000
The courage.
339
01:25:32,000 --> 01:25:33,991
The last minutes.
340
01:25:59,000 --> 01:26:03,000
THe thought.
341
01:26:03,000 --> 01:26:04,991
The last minutes.
342
01:26:16,000 --> 01:26:19,000
"With the thought I'm happy"
343
01:26:19,000 --> 01:26:22,993
The happy thought and the happiness of thought.
344
01:26:25,000 --> 01:26:26,991
Why?
345
01:26:31,000 --> 01:26:34,993
Maybe I will betray this "happiness".
346
01:26:38,000 --> 01:26:41,000
When I betray the thought,
347
01:26:41,000 --> 01:26:44,993
I think I cannot possess this "happiness".
348
01:26:46,000 --> 01:26:50,000
Oh, so many books have been treated as the rubbish.
349
01:26:50,000 --> 01:26:53,000
Some of them...
350
01:26:53,000 --> 01:26:57,000
...seem to be pretty new.
351
01:26:57,000 --> 01:27:00,993
Think it clearly that whether to give up all or not.
352
01:27:02,000 --> 01:27:05,993
Once you give up it will never come back again.
353
01:27:09,000 --> 01:27:12,993
Rubbish car is its end-result.
354
01:27:16,000 --> 01:27:19,993
The last minutes...
355
01:27:21,000 --> 01:27:22,991
...of memory.
356
01:27:31,000 --> 01:27:32,991
It will never expire.
357
01:27:40,000 --> 01:27:43,000
The love.
358
01:27:43,000 --> 01:27:44,000
Tell me you won't leave.
359
01:27:44,000 --> 01:27:45,991
The last minutes.
360
01:27:48,000 --> 01:27:50,000
We will have the smile.
361
01:27:50,000 --> 01:27:54,000
OK, the past and all the past, stop now.
362
01:27:54,000 --> 01:27:57,000
This is our finale, bye.
363
01:27:57,000 --> 01:28:01,000
I always have nothing, nothing.
364
01:28:01,000 --> 01:28:05,000
Before you tell me I know I have nothing.
365
01:28:05,000 --> 01:28:09,000
But I hoe that you won't become like that.
366
01:28:09,000 --> 01:28:12,000
We cannot do this and this is our destiny.
367
01:28:12,000 --> 01:28:15,993
The silent...
368
01:28:17,000 --> 01:28:18,991
...and the last minutes.
369
01:28:32,000 --> 01:28:35,000
They are here, aren't they?
370
01:28:35,000 --> 01:28:37,000
What's the number?
371
01:28:37,000 --> 01:28:40,993
What's the number?
372
01:28:46,000 --> 01:28:49,993
What's the number?
373
01:28:54,000 --> 01:28:57,993
They are in your hand, aren't they?
374
01:29:01,000 --> 01:29:02,991
What's the number?
375
01:29:04,000 --> 01:29:07,993
What's the number?
376
01:29:19,000 --> 01:29:22,993
The last minutes...
377
01:29:24,000 --> 01:29:25,991
...of the story.
378
01:29:27,000 --> 01:29:30,000
We are lead upward.
379
01:29:30,000 --> 01:29:33,993
That place is full of brightness and effulgence.
380
01:29:35,000 --> 01:29:39,000
I know agian that I have the new desire.
381
01:29:39,000 --> 01:29:42,000
Something rise from my heart.
382
01:29:42,000 --> 01:29:45,993
Just like the horse that steps on the road first time.
383
01:29:49,000 --> 01:29:52,993
To be against you I will taste the bitter.
384
01:29:54,000 --> 01:29:55,991
The new way.
385
01:29:58,000 --> 01:29:59,991
Oh, death.
386
01:30:01,000 --> 01:30:02,991
She left forever.
387
01:30:10,000 --> 01:30:11,991
She left forever.
388
01:30:14,000 --> 01:30:17,993
She left forever, I know, she left alone.
389
01:30:19,000 --> 01:30:22,993
I know that someone left means he died.
390
01:30:29,000 --> 01:30:32,993
The horrible...
391
01:30:34,000 --> 01:30:35,991
and the last minutes.
392
01:30:53,000 --> 01:30:55,000
Cruety, war.
393
01:30:55,000 --> 01:30:58,993
But it's the vision we often see and the horror just lies in it.
394
01:31:00,000 --> 01:31:03,000
They seem not to shock the people.
395
01:31:03,000 --> 01:31:07,000
But they make me so shocking.
396
01:31:07,000 --> 01:31:10,993
If I can escape and reject, if I can...
397
01:31:13,000 --> 01:31:16,993
I would rather believe this is just fake.
398
01:31:19,000 --> 01:31:23,000
The last minutes...
399
01:31:23,000 --> 01:31:24,991
...of the forever.
400
01:31:53,000 --> 01:31:54,991
Immortal.
401
01:32:02,000 --> 01:32:05,993
The last minutes...
402
01:32:07,000 --> 01:32:08,991
...of the movie.
403
01:32:43,000 --> 01:32:44,991
The last imago.
404
01:32:48,000 --> 01:32:49,000
The last imago.
405
01:32:49,000 --> 01:32:50,991
The last imago.
406
01:32:59,000 --> 01:33:01,000
He said, dark night.
407
01:33:01,000 --> 01:33:03,000
She said, dark night.
408
01:33:03,000 --> 01:33:06,993
They said, dark night.
409
01:33:26,000 --> 01:33:29,993
The End.
27821
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