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1
00:00:05,930 --> 00:00:06,763
- ( dance music playing )
- Sonny: THIS IS
2
00:00:08,427 --> 00:00:08,660
"Tu crezi ca poti face dansul pipi"
3
00:00:09,421 --> 00:00:09,987
FLO!
4
00:00:12,265 --> 00:00:16,302
( swing music playing )
5
00:00:16,965 --> 00:00:17,531
PIA!
6
00:00:20,160 --> 00:00:21,861
( balet )
7
00:00:22,558 --> 00:00:23,124
AQUA!
8
00:00:25,019 --> 00:00:26,520
( Latin music playing )
9
00:00:27,607 --> 00:00:28,241
AND WEE DIDDY!
10
00:00:31,667 --> 00:00:35,737
( hip-hop music playing )
11
00:00:36,398 --> 00:00:37,331
WHAT'S UP, PEEPS?
12
00:00:40,073 --> 00:00:41,073
I KNOW YOU'RE ALL
FLUSHED WITH EXCITEMENT
13
00:00:43,878 --> 00:00:44,643
BECAUSE WE ARE STREAMING
LIVE ACROSS THE WORLD.
14
00:00:45,603 --> 00:00:46,569
THE FINAL VOTES
HAVE TRICKLED IN
15
00:00:47,585 --> 00:00:48,585
AND WE'RE ABOUT TO FIND OUT
WHICH ONE OF YOU
16
00:00:52,060 --> 00:00:52,627
WILL BECOME NUMBER ONE
AT HOLDING NUMBER ONE.
17
00:00:54,617 --> 00:00:55,517
RIGHT AFTER THIS-S-S-S.
18
00:00:57,302 --> 00:00:57,967
"SO YOU THINK YOU CANP.P. DANCE"
19
00:00:59,826 --> 00:01:00,326
IS BROUGHT TO YOU
BY WATER.
20
00:01:01,904 --> 00:01:02,304
( jingle playing )
21
00:01:05,070 --> 00:01:05,502
♪ Water. ♪
22
00:01:06,891 --> 00:01:11,060
( all exclaim )
23
00:01:14,946 --> 00:01:15,646
GREAT REHEARSAL, GUYS.
NOW I NEED A P.P. BREAK.
24
00:01:17,598 --> 00:01:18,598
- ( rings )
- ( screams )
25
00:01:20,316 --> 00:01:21,416
♪ OFF TO THE RACES,I'M GOING PLACES ♪
26
00:01:23,193 --> 00:01:24,359
♪ MIGHT BE A LONG SHOT, NOT GONNA WASTE IT ♪
27
00:01:27,762 --> 00:01:28,162
♪ THIS IS THE BIG BREAKAND IT'S CALLING MY NAME ♪
28
00:01:29,457 --> 00:01:30,357
♪ YEAH! ♪
29
00:01:32,942 --> 00:01:33,842
♪ SO FAR, SO GREAT,GET WITH IT ♪
30
00:01:35,754 --> 00:01:36,720
♪ AT LEAST THAT'SHOW I SEE IT ♪
31
00:01:39,015 --> 00:01:39,914
♪ HAVING A DREAMIS JUST THE BEGINNING ♪
32
00:01:42,084 --> 00:01:42,984
♪ SO FAR, SO GREAT,BELIEVE IT ♪
33
00:01:44,928 --> 00:01:45,895
♪ CAN'T TAKE AWAYTHIS FEELING ♪
34
00:01:48,094 --> 00:01:48,693
♪ TAKING A RIDEWITH CHANCE ON MY SIDE ♪
35
00:01:50,778 --> 00:01:51,512
♪ YEAH, I CAN'T WAIT ♪
36
00:01:53,463 --> 00:01:54,029
♪ SO FAR, SO GREAT ♪
37
00:01:55,445 --> 00:01:55,877
♪ SO FAR, SO GREAT ♪
38
00:01:57,873 --> 00:02:00,942
( vocalizing )
39
00:02:03,116 --> 00:02:04,049
♪ YAOOWW! ♪
40
00:02:06,119 --> 00:02:06,853
HI, THIS IS SONNY
AND YOU'VE REACHED ME
41
00:02:08,933 --> 00:02:09,199
AT MY NEW CELL PHONE
AT 555-
42
00:02:10,755 --> 00:02:11,321
0125.
43
00:02:12,801 --> 00:02:13,701
THAT WAS WAY TOO PERKY.
44
00:02:14,112 --> 00:02:15,278
I DON'T KNOW WHAT IT IS
ABOUT THAT SKETCH,
45
00:02:16,635 --> 00:02:17,235
BUT EVERY TIME WE REHEARSE IT
I GOTTA GO TO THE BATHROOM.
46
00:02:19,609 --> 00:02:20,442
NOT IF I GET THERE FIRST.
47
00:02:21,942 --> 00:02:22,642
OH. HEY, JOSH.
48
00:02:23,764 --> 00:02:24,864
- HEY, SONNY, WHAT'S UP?
- HEY.
49
00:02:26,416 --> 00:02:27,016
CHAD, WHAT ARE YOU DOING?
AND WHY ARE YOU DOING IT
50
00:02:27,600 --> 00:02:28,634
OVER HERE AT "SO RANDOM!"?
51
00:02:30,349 --> 00:02:31,081
WELL, I'M NOT JUST THE STAR
OF "MacKENZIE FALLS,"
52
00:02:32,906 --> 00:02:33,673
AMERICA'S NUMBER-ONE
TWEEN DRAMA.
53
00:02:34,217 --> 00:02:35,151
I ALSO GOT A PART
IN A MOVIE.
54
00:02:37,861 --> 00:02:38,126
HMM, I STILL DON'T KNOW
WHY YOU'RE HERE.
55
00:02:40,546 --> 00:02:41,346
I'M PLAYING
A MALE DELIVERY GUY.
56
00:02:42,272 --> 00:02:42,971
HE WORKS AT A HIGH-POWERED
LAW FIRM.
57
00:02:43,615 --> 00:02:44,781
IT'S A SMALL
BUT CRUCIAL ROLE.
58
00:02:46,299 --> 00:02:46,999
SO I'M FOLLOWING
MY GOOD BUDDY JEFF HERE AROUND.
59
00:02:48,505 --> 00:02:49,104
- IT'S JOSH.
- WHO'S JOSH?
60
00:02:50,039 --> 00:02:50,805
THAT WOULD BE ME.
61
00:02:53,619 --> 00:02:54,252
- WELL, GOOD LUCK.
- THANK YOU.
62
00:02:56,400 --> 00:02:58,168
I WAS TALKING
TO JOSH.
63
00:03:00,524 --> 00:03:00,890
HI, THIS IS SONNY
AND YOU'VE REACHED ME
64
00:03:02,025 --> 00:03:02,926
AT 555-0125.
65
00:03:04,518 --> 00:03:05,218
- YOU KNOW WHAT TO DO.
- ( cow moos )
66
00:03:07,299 --> 00:03:07,565
HEY, MY FIRST
PHONE CALL.
67
00:03:08,067 --> 00:03:08,866
HELLO.
68
00:03:10,240 --> 00:03:11,107
YEAH, IT'S ME.
CAN YOU KEEP IT DOWN?
69
00:03:12,989 --> 00:03:13,655
I HAVE 20 LBS OF FAN MAIL
TO GO THROUGH.
70
00:03:15,801 --> 00:03:16,934
FAN MAIL?
DID I GET ANY?
71
00:03:18,135 --> 00:03:18,368
( cow moos )
72
00:03:19,542 --> 00:03:20,409
HELLO.
73
00:03:22,386 --> 00:03:23,352
AW, I WAS HOPING
TO GET YOUR MACHINE.
74
00:03:25,391 --> 00:03:25,757
ANYWAY, NO FAN MAIL
FOR YOU.
75
00:03:27,053 --> 00:03:27,719
THAT'S OKAY.
76
00:03:29,866 --> 00:03:30,232
I SAID YOU HAVE
NO FAN MAIL.
77
00:03:31,752 --> 00:03:32,518
I HEARD YOU.
78
00:03:33,669 --> 00:03:34,435
WELL, DOESN'T THAT
BOTHER YOU?
79
00:03:34,628 --> 00:03:35,562
I MEAN,
WHEN I JOINED THE SHOW
80
00:03:36,834 --> 00:03:37,300
MY FAN MAIL STARTED
ARRIVING RIGHT AWAY.
81
00:03:38,274 --> 00:03:38,672
DOESN'T BOTHER ME.
82
00:03:39,743 --> 00:03:40,009
( cow moos )
83
00:03:41,629 --> 00:03:42,295
HELLO.
84
00:03:43,228 --> 00:03:44,662
DOES IT
BOTHER YOU NOW?
85
00:03:47,638 --> 00:03:48,137
I'M OFF TO REHEARSAL.
BESIDES, I'M NOT GONNA LET THIS BOTHER ME.
86
00:03:50,067 --> 00:03:57,674
I'M WAY TOO MATURE.
87
00:03:59,369 --> 00:04:00,035
HEY, MARSHALL.
88
00:04:01,574 --> 00:04:02,541
HEY, KIDDO.
GREAT REHEARSAL.
89
00:04:04,451 --> 00:04:04,751
I LOVED YOU IN THAT
"BABY WAA-WAA" SKETCH.
90
00:04:05,538 --> 00:04:06,371
THANKS.
91
00:04:07,744 --> 00:04:08,644
WHEN YOU SPIT UP
ON THE CHANGING TABLE
92
00:04:11,164 --> 00:04:11,931
I LAUGHED SO HARD
I GOT THAT PAIN I LIKE.
93
00:04:13,274 --> 00:04:14,708
GOOD. GOOD.
LOOK, MARSHALL,
94
00:04:16,693 --> 00:04:17,092
DO YOU THINK IT'S WEIRD
THAT I HAVEN'T GOTTEN ANY FAN MAIL YET?
95
00:04:18,388 --> 00:04:19,221
NO, NOT AT ALL.
96
00:04:20,242 --> 00:04:20,975
YOU KNOW, NOT EVERYBODY
GETS FAN MAIL.
97
00:04:22,416 --> 00:04:23,282
HERE'S YOUR FAN MAIL,
MARSHALL.
98
00:04:26,220 --> 00:04:26,685
"ANNOUNCE MAIL,
THEN PRESENT MAIL."
99
00:04:27,625 --> 00:04:28,159
YOU GET FAN MAIL?
100
00:04:29,128 --> 00:04:30,261
NO, IT'S NOT FAN MAIL.
101
00:04:32,452 --> 00:04:33,052
I GET LETTERS
FROM PEOPLE I DON'T KNOW WHO ADMIRE ME.
102
00:04:33,411 --> 00:04:34,344
THAT WOULD BE
FAN MAIL.
103
00:04:36,448 --> 00:04:37,080
WELL, IF YOU WANT
TO PUT A LABEL ON IT.
104
00:04:37,854 --> 00:04:39,020
LOOK AT ALL THIS
FAN MAIL.
105
00:04:41,211 --> 00:04:41,810
I KNOW.
ARE WE THE LUCKIEST GUYS IN THE WORLD OR WHAT?
106
00:04:43,511 --> 00:04:43,943
OOH, PICTURES FROM GIRLS.
107
00:04:44,566 --> 00:04:45,199
PROM INVITATIONS?
108
00:04:47,060 --> 00:04:47,559
LOCK OF HAI--
OH, NO.
109
00:04:48,657 --> 00:04:49,424
AND NONE OF IT MATTERS
110
00:04:50,927 --> 00:04:51,559
BECAUSE ALL I CAN
THINK ABOUT
111
00:04:54,251 --> 00:04:54,651
IS WHAT'S INSIDE
THAT BOX.
112
00:04:55,115 --> 00:04:55,848
LET'S OPEN IT.
113
00:04:56,392 --> 00:04:57,492
NO NO NO,
WE CAN'T DO THAT.
114
00:04:59,333 --> 00:04:59,733
IT'S ZORA'S AND IT SAYS,
"PRIVATE AND CONFIDENTIAL.
115
00:05:00,644 --> 00:05:01,478
DO NOT OPEN."
116
00:05:03,904 --> 00:05:04,705
YEAH, BUT IF YOU STAND
LIKE THIS--
117
00:05:07,772 --> 00:05:10,307
( chuckles )
IT JUST SAYS "OPEN."
118
00:05:11,703 --> 00:05:14,171
GRAB THE TAPE.
119
00:05:15,379 --> 00:05:16,346
OH!
120
00:05:19,855 --> 00:05:22,957
BACK AWAY FROM THE BOX
OR IT'S GONNA GET MESSY.
121
00:05:24,745 --> 00:05:25,878
WHOA WHOA WHOA.
HOLD UP, ZO.
122
00:05:28,101 --> 00:05:28,801
WHAT'S THE BIG DEAL?
WE WEREN'T REALLY GONNA OPEN IT.
123
00:05:29,571 --> 00:05:30,738
YEAH, RIGHT.
YOU GUYS OPEN
124
00:05:32,321 --> 00:05:32,987
EVERY SINGLE
PACKAGE I GET AND EAT WHAT'S INSIDE,
125
00:05:35,133 --> 00:05:36,200
WHETHER IT'S FOOD
OR NOT.
126
00:05:38,361 --> 00:05:39,026
OH, COME ON.
TELL US WHAT'S INSIDE THE BOX.
127
00:05:40,311 --> 00:05:40,710
YOU REALLY
WANT TO KNOW?
128
00:05:41,684 --> 00:05:42,485
YEAH, TELL US.
129
00:05:44,434 --> 00:05:45,134
OKAY, COME REAL CLOSE.
I'LL TELL YOU.
130
00:05:48,046 --> 00:05:49,046
NONE OF YOUR BUSINESS!
131
00:05:52,201 --> 00:05:54,502
SO KEEP YOUR MITTS
OFF MY MAIL, PUNKS!
132
00:05:56,868 --> 00:05:57,300
WAA WAA WAA.
133
00:05:59,649 --> 00:05:59,981
THAT'S NO GOOD.
134
00:06:02,173 --> 00:06:02,940
WAA WAA WAA.
135
00:06:04,060 --> 00:06:04,993
STILL CRYING ABOUT
NO FAN MAIL?
136
00:06:08,247 --> 00:06:08,848
NO, I TOLD YOU
I'M TOTALLY FINE WITH THAT.
137
00:06:09,783 --> 00:06:10,783
RIGHT.
MAYBE SOMEDAY
138
00:06:11,891 --> 00:06:12,725
YOU'LL GET A FAN LETTER
LIKE EVERYONE ELSE--
139
00:06:16,463 --> 00:06:16,729
ME, ZORA, GRADY,
NICO, MARSHALL, ME.
140
00:06:21,193 --> 00:06:21,592
WELL, FOR YOUR INFORMATION,
I DID GET A FAN LETTER
141
00:06:23,367 --> 00:06:23,766
FROM ROYALTY,
142
00:06:25,572 --> 00:06:26,239
A KING, NO LESS.
143
00:06:27,107 --> 00:06:27,840
- OH, REALLY?
- YEAH.
144
00:06:30,623 --> 00:06:31,523
COULD IT BE
THE HUNAN KING?
145
00:06:33,659 --> 00:06:34,593
AND DOES HE LIVE
IN THE NOODLE PALACE?
146
00:06:37,495 --> 00:06:38,429
ACTUALLY, HE'S GOT
SEVEN LOCATIONS.
147
00:06:40,274 --> 00:06:41,075
ALL RIGHT, FINE.
IT'S JUST A MENU.
148
00:06:41,458 --> 00:06:42,692
I DIDN'T GET ANY
STUPID FAN MAIL.
149
00:06:45,613 --> 00:06:46,546
OH, SWEETIE,
I KNOW IT MUST HURT TO BE SO UNPOPULAR.
150
00:06:49,258 --> 00:06:50,024
WELL, I DON'T KNOW.
I CAN ONLY IMAGINE,
151
00:06:50,632 --> 00:06:51,465
JUST LIKE YOU CAN
ONLY IMAGINE
152
00:06:52,230 --> 00:06:53,397
WHAT IT'S LIKE
TO ACTUALLY BE POPULAR.
153
00:06:56,705 --> 00:06:57,438
SEE, EACH FAN LETTER
IS LIKE A HUG FROM A FRIEND.
154
00:06:58,815 --> 00:06:59,281
IS THIS PEP TALK
ALMOST OVER?
155
00:06:59,997 --> 00:07:00,830
WELL, LET'S SEE...
156
00:07:01,499 --> 00:07:02,733
I GOT MORE PEP,
SO YEAH, ALL DONE.
157
00:07:04,824 --> 00:07:05,223
I HAVE FANS.
THEY JUST HAVEN'T HAD TIME TO WRITE YET.
158
00:07:06,454 --> 00:07:09,289
KEEP DREAMING.
159
00:07:12,336 --> 00:07:12,735
IT'S TIME.
160
00:07:16,076 --> 00:07:20,011
"DEAR SONNY...
161
00:07:22,276 --> 00:07:23,242
DUDE, DO YOU SEE
WHAT I SEE?
162
00:07:24,706 --> 00:07:25,471
CHOCOLATE-COVERED
CARAMEL-FILLED NUT CLUSTERS.
163
00:07:27,038 --> 00:07:27,771
NO, BUT GRAB ME
A FEW OF THOSE
164
00:07:28,381 --> 00:07:29,148
WHILE I TELL YOU
THE OTHER THING.
165
00:07:31,993 --> 00:07:39,700
OVER THERE--
THE FORBIDDEN BOX.
166
00:07:40,847 --> 00:07:41,147
AND NO ZORA.
167
00:07:42,604 --> 00:07:51,346
NO ZORA.
168
00:07:52,674 --> 00:07:53,841
JOSH, COME ON.
I THINK I'M READY.
169
00:07:55,806 --> 00:07:56,205
- I DON'T.
- BUT I JUST WANT TO PUSH THE CART.
170
00:07:58,140 --> 00:07:59,607
THIS IS MY CART.
171
00:08:01,816 --> 00:08:02,282
HEY, GUYS.
SORRY I'M LATE.
172
00:08:03,125 --> 00:08:04,125
DID I MISS ANYTHING?
173
00:08:05,971 --> 00:08:06,537
HEY, MAIL'S HERE.
THIS DOESN'T CONCERN YOU.
174
00:08:07,504 --> 00:08:08,071
SONNY, HERE'S A LETTER.
175
00:08:10,317 --> 00:08:10,617
- FOR ME?
- FOR HER?
176
00:08:12,108 --> 00:08:14,843
FOR YOU.
177
00:08:16,711 --> 00:08:17,578
HEY, I TOLD YOU
YOU'D GET A FAN LETTER.
178
00:08:18,948 --> 00:08:19,749
WAY TO GO, KIDDO.
READ IT OUT LOUD.
179
00:08:22,656 --> 00:08:23,323
OH, NO NO.
I DON'T WANT TO BRAG.
180
00:08:25,692 --> 00:08:26,559
"DEAR SONNY,
MY NAME IS ERIC
181
00:08:28,154 --> 00:08:28,988
AND 'SO RANDOM!'
IS MY FAVORITE SHOW.
182
00:08:30,296 --> 00:08:31,062
I DIDN'T THINK
IT COULD GET ANY BETTER,
183
00:08:32,917 --> 00:08:33,750
BUT THEN YOU JOINED
THE CAST.
184
00:08:35,794 --> 00:08:36,593
I THINK YOU'RE AWESOME
AND TALENTED
185
00:08:38,862 --> 00:08:39,362
AND PLEASE SAY HI
TO NICO, ZORA,
186
00:08:41,995 --> 00:08:42,560
GRADY AND MARSHALL."
187
00:08:44,679 --> 00:08:45,079
HEY, I GOT A SHOUT-OUT.
188
00:08:46,790 --> 00:08:47,322
BORED ALREADY.
189
00:08:48,483 --> 00:08:49,316
HOW NICE IS THAT LETTER?
190
00:08:51,168 --> 00:08:51,802
YOU KNOW WHAT?
WE SHOULD CALL THIS KID.
191
00:08:52,670 --> 00:08:53,804
YEAH. WHAT?
NO. WHY?
192
00:08:55,420 --> 00:08:56,853
BECAUSE HE'S
YOUR FIRST FAN. THIS IS A VERY BIG DEAL.
193
00:08:58,903 --> 00:08:59,770
AND HOW EXCITING
WOULD IT BE FOR HIM TO GET A PHONE CALL FROM YOU?
194
00:09:01,715 --> 00:09:02,615
WELL, I WOULD LOVE
TO CALL MY FIRST FAN,
195
00:09:04,945 --> 00:09:05,878
BUT TOO BAD WE DON'T
EVEN HAVE HIS NUMBER.
196
00:09:07,886 --> 00:09:09,119
SURE WE DO.
HE LEFT IT ON THIS POST-IT.
197
00:09:11,082 --> 00:09:12,049
WAIT, YOU CAN'T
JUST CALL PEOPLE OUT OF THE BLUE LIKE THAT.
198
00:09:14,118 --> 00:09:14,918
SURE WE CAN.
YOU WERE SO DOWN IN THE DUMPS.
199
00:09:15,236 --> 00:09:16,437
THIS IS THE PERFECT
PICK-ME-UP.
200
00:09:19,552 --> 00:09:20,018
BUT I'M NOT DOWN ANYMORE.
IN FACT, I'M OUT OF THE DUMPS.
201
00:09:21,150 --> 00:09:21,584
SHH, IT'S RINGING.
202
00:09:23,612 --> 00:09:27,448
( cow mooing )
203
00:09:29,141 --> 00:09:29,875
IS THAT A COW?
204
00:09:32,561 --> 00:09:34,229
YEAH, AND IT'S
RIGHT BEHIND YOU.
205
00:09:36,429 --> 00:09:37,095
( grunting )
206
00:09:39,178 --> 00:09:40,078
HOW DID ZORA
MOVE THIS THING?
207
00:09:43,045 --> 00:09:43,479
- IT WEIGHS A TON.
- QUIT YOUR BEEFING.
208
00:09:45,156 --> 00:09:45,722
( cow mooing )
209
00:09:48,128 --> 00:09:49,595
WELL, QUIT YOUR MOOING.
210
00:09:53,018 --> 00:09:53,351
YO. SSUP?
211
00:09:53,914 --> 00:09:54,947
IT'S ERIC.
212
00:09:56,822 --> 00:09:57,588
ERIC, THIS IS MARSHALL PIKE,
THE EXECUTIVE PRODUCER
213
00:09:58,676 --> 00:09:59,509
OF YOUR FAVORITE SHOW
"SO RANDOM!"
214
00:10:01,745 --> 00:10:02,278
I HAVE SOMEBODY
I WANT YOU TO TALK TO.
215
00:10:05,164 --> 00:10:05,464
WHERE'S SONNY?
SONNY!
216
00:10:07,275 --> 00:10:11,911
Sonny!
217
00:10:14,243 --> 00:10:14,976
HEY, SORRY.
I JUST WENT TO GO GET A SNACK.
218
00:10:17,407 --> 00:10:17,606
OH, YOUR FAN'S
ON THE PHONE.
219
00:10:19,070 --> 00:10:19,770
OH.
220
00:10:21,338 --> 00:10:21,704
HEY, ERIC,
HOW'S IT GOING?
221
00:10:22,713 --> 00:10:23,412
OH, NOTHING.
222
00:10:25,015 --> 00:10:26,382
JUST EATING
A TURKEY LEG.
223
00:10:29,137 --> 00:10:29,504
OH, HEY, I GOT AN IDEA.
LET'S INVITE HIM DOWN TO THE STUDIO.
224
00:10:30,576 --> 00:10:31,443
WHAT? NO.
225
00:10:32,750 --> 00:10:33,816
OH, YOU'RE SHY
ABOUT YOUR FIRST FAN.
226
00:10:34,347 --> 00:10:35,481
- GIVE ME THE PHONE.
I'LL DO IT. - NO NO.
227
00:10:37,703 --> 00:10:38,369
SO, ERIC, LISTEN,
WE JUST WANTED TO INVITE YOU
228
00:10:39,653 --> 00:10:40,319
DOWN TO THE SET
TO MEET ME.
229
00:10:41,986 --> 00:10:42,620
WHAT'S THAT?
YOU CAN'T COME?
230
00:10:45,023 --> 00:10:46,056
TWO BROKEN ARMS?
( mouths )
231
00:10:47,549 --> 00:10:48,349
TELL HIM
WE'LL COME TO HIM.
232
00:10:49,115 --> 00:10:49,949
- WE CAN'T GO TO HIM.
- WHY NOT?
233
00:10:53,942 --> 00:10:54,474
UH, WHY CAN'T WE
COME TO YOU, ERIC?
234
00:10:56,083 --> 00:10:56,983
UH-HUH.
UH-HUH.
235
00:10:59,919 --> 00:11:00,686
- WHAT'S HE SAYING?
- UH-HUH, UH-HUH.
236
00:11:01,644 --> 00:11:02,343
- GIVE ME THE PHONE.
- UH-HUH.
237
00:11:03,563 --> 00:11:04,229
SO YOU CAN COME?
THAT'S GREAT.
238
00:11:05,896 --> 00:11:06,129
OKAY, SO I'LL
SEE YOU LATER.
239
00:11:07,430 --> 00:11:08,397
BYE.
240
00:11:09,669 --> 00:11:10,969
I HAVE A FEELING THAT KID'S
NOT GONNA SHOW UP.
241
00:11:13,471 --> 00:11:14,772
WELL, IF HE DOESN'T,
I'M GONNA CALL HIM EVERY DAY UNTIL HE DOES.
242
00:11:18,075 --> 00:11:22,812
YOU'RE MEETING
YOUR FIRST FAN WHETHER HE LIKES IT OR NOT.
243
00:11:27,025 --> 00:11:29,293
Woman over P.A.:
Marshall, the boy who wr
244
00:11:31,243 --> 00:11:31,542
YOU MUST BE ERIC.
245
00:11:33,769 --> 00:11:34,702
WOW, YOU--
246
00:11:36,550 --> 00:11:37,316
YOU WEREN'T KIDDING
ABOUT THOSE BROKEN ARMS.
247
00:11:39,107 --> 00:11:39,673
WHAT, YOU THINK
THIS IS FUNNY,
248
00:11:40,193 --> 00:11:41,360
HAVING TWO
BROKEN ARMS?
249
00:11:42,687 --> 00:11:43,353
HOW ABOUT
I COME OVER THERE AND BREAK YOUR ARMS
250
00:11:43,645 --> 00:11:44,845
AND YOU SEE
HOW FUNNY IT IS?
251
00:11:48,376 --> 00:11:49,543
YOU-- YOU SEEM
A LITTLE DIFFERENT FROM YOUR LETTER.
252
00:11:51,509 --> 00:11:52,376
LOOK, IF YOU
DON'T WANT ME HERE, I'LL JUST LEAVE.
253
00:11:54,162 --> 00:11:54,561
BESIDES, I DON'T SEE
SONNY HERE ANYWAYS.
254
00:11:55,184 --> 00:11:55,850
SEE YOU LATER.
255
00:11:57,166 --> 00:11:57,765
HOLD UP.
WHERE ARE YOU GOING?
256
00:11:58,924 --> 00:11:59,290
RELAX.
HAVE A NECTARINE.
257
00:12:01,034 --> 00:12:01,868
A NECTARINE?
258
00:12:03,654 --> 00:12:04,320
WHAT, IS THIS
A POOR MAN'S PEACH?
259
00:12:06,564 --> 00:12:07,030
NO, THANKS.
I'M OUT OF HERE.
260
00:12:08,195 --> 00:12:09,328
WAIT WAIT WAIT WAIT.
261
00:12:12,317 --> 00:12:12,917
LOOK, YOU CAME
ALL THE WAY DOWN HERE TO MEET SONNY--
262
00:12:13,788 --> 00:12:14,321
YOU'RE GONNA
MEET SONNY.
263
00:12:14,875 --> 00:12:15,941
WELL, MAKE IT SNAPPY,
264
00:12:17,527 --> 00:12:18,226
'CAUSE I GOT
PLACES TO GO AND PEOPLE TO SEE
265
00:12:20,436 --> 00:12:20,702
WHEN I GET
TO THOSE PLACES.
266
00:12:22,289 --> 00:12:23,189
MARSHALL, I NEED
TO TALK TO YOU.
267
00:12:24,688 --> 00:12:25,455
TAWNI, YOU'RE JUST IN TIME.
THIS IS ERIC.
268
00:12:26,893 --> 00:12:27,760
HE WROTE THAT FAN LETTER
TO SONNY.
269
00:12:30,505 --> 00:12:31,138
OH, THE ONE
THAT DIDN'T MENTION ME.
270
00:12:32,359 --> 00:12:33,459
YEAH YEAH,
THAT'S THE ONE.
271
00:12:35,907 --> 00:12:36,740
TAWNI, CAN YOU
KEEP HIM COMPANY WHILE I GO FIND HER?
272
00:12:39,071 --> 00:12:39,871
I DON'T REALLY THINK
SHE WANTS TO.
273
00:12:40,733 --> 00:12:41,967
NO, ACTUALLY,
I'D BE DELIGHTED.
274
00:12:43,962 --> 00:12:44,395
I MEAN,
ANY FAN OF SONNY'S IS A FAN OF MINE, RIGHT?
275
00:12:46,839 --> 00:12:53,278
NOT NECESSARILY.
276
00:12:56,684 --> 00:12:56,984
WELL, THANKS FOR
SHOWING ME AROUND.
277
00:12:57,674 --> 00:12:58,007
GOTTA GO.
278
00:12:58,601 --> 00:12:59,634
WAIT WAIT.
279
00:13:00,679 --> 00:13:01,712
YOU KNOW, THERE'S SOMETHING
THAT'S BEEN BUGGING ME
280
00:13:02,628 --> 00:13:03,795
EVER SINCE YOU WROTE
THAT FAN LETTER TO SONNY.
281
00:13:05,856 --> 00:13:06,322
AND THAT IS,
WHY WOULD YOU WRITE A FAN LETTER TO SONNY?
282
00:13:07,775 --> 00:13:08,241
'CAUSE I LIKE HER.
283
00:13:09,085 --> 00:13:09,819
WHY DO YOU LIKE HER?
284
00:13:11,067 --> 00:13:11,834
WHY DON'T YOU
LIKE HER?
285
00:13:12,602 --> 00:13:13,368
HOW DO YOU KNOW
I DON'T LIKE HER?
286
00:13:15,862 --> 00:13:16,728
UH, CALL IT
DUDE'S INTUITION.
287
00:13:19,346 --> 00:13:20,813
OKAY, IT'S NOT
THAT I DON'T LIKE HER,
288
00:13:23,949 --> 00:13:24,548
IT'S JUST SHE'S
A LOT BETTER THAN I THOUGHT SHE WAS GONNA BE.
289
00:13:25,387 --> 00:13:26,087
( normal voice )
REALLY?
290
00:13:26,985 --> 00:13:27,818
( deep voice )
I MEAN, REALLY?
291
00:13:30,373 --> 00:13:30,573
YEAH, BUT I'D NEVER
TELL HER THAT.
292
00:13:31,908 --> 00:13:32,808
WHY?
293
00:13:34,721 --> 00:13:34,986
YOU'RE NOT THREATENED
BY HER, ARE YOU?
294
00:13:36,126 --> 00:13:36,926
WHAT?
295
00:13:38,109 --> 00:13:38,909
WHY WOULD I BE
THREATENED BY HER?
296
00:13:41,145 --> 00:13:41,878
I MEAN, I'M PRETTIER
AND I'M FUNNIER
297
00:13:42,904 --> 00:13:43,904
AND MY HAIR
HAS MORE VOLUME.
298
00:13:45,236 --> 00:13:46,103
THAT'S JUST BECAUSE
YOU USE SO MUCH PRODUCT.
299
00:13:49,776 --> 00:13:50,876
OH, I LIKE A GUY
WHO KNOWS ABOUT PRODUCT.
300
00:13:53,451 --> 00:13:54,618
AND I LIKED IT MUCH BETTER
WHEN YOU STAYED OVER THERE.
301
00:13:55,913 --> 00:13:56,913
SO WHAT DOES
YOUR DUDE'S INTUITION TELL YOU NOW?
302
00:13:58,918 --> 00:13:59,184
IT'S TIME TO TAKE
THESE BROKEN WINGS AND FLY.
303
00:14:01,059 --> 00:14:01,459
WAIT.
304
00:14:02,753 --> 00:14:03,286
YOU'LL BE BACK.
305
00:14:05,214 --> 00:14:05,847
THEY ALWAYS COME BACK.
306
00:14:08,091 --> 00:14:09,058
...TWO, ONE TWO,
ONE AND TWO.
307
00:14:10,872 --> 00:14:11,605
WHOA WHOA WHOA,
WATCH WHERE YOU'RE GOING.
308
00:14:12,502 --> 00:14:13,236
- WHO ARE YOU?
- WHO ARE YOU?
309
00:14:13,557 --> 00:14:14,657
- WHO ARE YOU?
- WHO ARE YOU?
310
00:14:15,955 --> 00:14:16,721
I'M JUST GONNA
BREAK THE ICE HERE. I'M GRADY.
311
00:14:18,384 --> 00:14:19,184
DON'T BE GIVING AWAY
YOUR IDENTITY.
312
00:14:20,716 --> 00:14:20,948
WE'RE IN THE MIDDLE
OF A CRIME.
313
00:14:21,580 --> 00:14:22,480
OH.
314
00:14:25,224 --> 00:14:25,557
THE NAME'S DARLINGTON--
RUSTY DARLINGTON.
315
00:14:26,406 --> 00:14:26,805
AND YOU ARE?
316
00:14:27,525 --> 00:14:28,225
WHAT'S IT TO YA?
317
00:14:29,027 --> 00:14:30,160
FOR THE ANSWER
TO THAT QUESTION
318
00:14:33,086 --> 00:14:33,353
I WILL HAVE TO
REFER TO MY BROTHER, JACOB DARLINGTON.
319
00:14:33,790 --> 00:14:34,656
JACOB?
320
00:14:36,603 --> 00:14:36,935
REALLY?
THAT'S THE BEST YOU CAN DO?
321
00:14:38,520 --> 00:14:39,220
I'M NERVOUS.
322
00:14:41,014 --> 00:14:41,813
I GOT A QUESTION
FOR YOU, KID.
323
00:14:42,964 --> 00:14:43,463
WHERE'S YOUR
VISITOR'S PASS, HUH?
324
00:14:45,648 --> 00:14:46,348
WELL, I DON'T KNOW.
325
00:14:48,301 --> 00:14:49,168
BUT WHY ARE YOU
LUGGING AROUND
326
00:14:50,826 --> 00:14:51,459
A BOX THAT SAYS
"PROPERTY OF ZORA"?
327
00:14:53,607 --> 00:14:54,206
AND WE ACCEPT
THAT ANSWER
328
00:14:55,461 --> 00:14:55,794
AS YOUR
VISITOR'S PASS.
329
00:14:57,218 --> 00:14:57,984
( laughs )
330
00:15:00,959 --> 00:15:01,859
ENJOY YOUR VISIT
AT "SO RANDOM!"
331
00:15:05,402 --> 00:15:09,138
OKAY, I'M GONNA SHOW YOU
ONE MORE TIME.
332
00:15:12,083 --> 00:15:14,485
ALL RIGHT.
ALL RIGHT, I GOT IT.
333
00:15:15,566 --> 00:15:16,599
( groans )
334
00:15:18,284 --> 00:15:18,649
- I GIVE UP.
- WHAT WAS WRONG WITH THAT ONE?
335
00:15:19,754 --> 00:15:20,387
EVERYTHING.
336
00:15:21,928 --> 00:15:22,327
( normal voice )
OH, SORRY.
337
00:15:23,430 --> 00:15:23,830
DO I KNOW YOU?
338
00:15:25,476 --> 00:15:26,076
NOBODY KNOWS ME.
339
00:15:28,769 --> 00:15:31,938
NO ONE WILL EVER
KNOW ME.
340
00:15:33,403 --> 00:15:36,537
WEIRD BEARD.
341
00:15:38,997 --> 00:15:39,530
I KNOW YOU'D BE BACK.
342
00:15:41,170 --> 00:15:43,338
THEY ALWAYS COME BACK.
343
00:15:46,858 --> 00:15:47,158
- ( slow jazz playing )
- NOW WHERE WERE WE?
344
00:15:49,449 --> 00:15:52,217
MAIL CALL.
345
00:15:55,617 --> 00:15:56,284
SORRY, TAWNI.
I DIDN'T KNOW YOU WERE ENTERTAINING.
346
00:15:58,654 --> 00:15:59,320
I'M ALWAYS
ENTERTAINING.
347
00:16:00,444 --> 00:16:01,778
WHAT DO YOU WANT,
JOSH?
348
00:16:04,312 --> 00:16:04,745
I HAVE SOME FAN MAIL FOR SONNY.
WILL YOU MAKE SURE SHE GETS IT?
349
00:16:06,229 --> 00:16:12,067
DON'T I ALWAYS?
350
00:16:15,116 --> 00:16:15,382
- THOSE ARE ALL FOR ME.
- NO, THEY'RE ALL FOR--
351
00:16:16,330 --> 00:16:17,096
SONNY?
352
00:16:18,535 --> 00:16:19,368
YOU'VE BEEN HIDING
MY FAN MAIL.
353
00:16:21,348 --> 00:16:22,048
YOU'RE PRETENDING
TO BE YOUR OWN FAN?
354
00:16:22,755 --> 00:16:23,454
YOU COMMITTED
MAIL FRAUD.
355
00:16:24,512 --> 00:16:25,112
WELL, YOU COMMITTED
FAN FRAUD.
356
00:16:25,695 --> 00:16:26,495
FAN FRAUD'S
NOT ILLEGAL.
357
00:16:28,093 --> 00:16:28,560
WELL, MAIL FRAUD'S
NOT EMBARRASSING.
358
00:16:29,403 --> 00:16:30,503
I'M NOT EMBARRASSED.
359
00:16:31,641 --> 00:16:32,474
BUT APPARENTLY
I'M BETTER THAN YOU THOUGHT I'D BE.
360
00:16:34,294 --> 00:16:35,060
I TOLD THAT TO ERIC
IN CONFIDENCE.
361
00:16:36,499 --> 00:16:37,232
WELL, ONE THING
ABOUT ERIC IS
362
00:16:37,650 --> 00:16:39,251
HE'S BAD
AT KEEPING SECRETS.
363
00:16:40,911 --> 00:16:41,677
- ( knocks on door )
- KNOCK KNOCK, IT'S MARSHALL. CAN I COME IN?
364
00:16:42,860 --> 00:16:43,359
GUESS WHO ELSE
CAN'T KEEP A SECRET.
365
00:16:45,034 --> 00:16:47,869
COME ON IN, MARSHALL.
366
00:16:49,828 --> 00:16:50,561
HAVE YOU SEEN SONNY?
I CAN'T FIND HER ANYWHERE.
367
00:16:51,715 --> 00:16:52,415
YOU CAN'T FIND HER
BECAUSE--
368
00:16:53,919 --> 00:16:54,952
BECAUSE SHE'S
RIGHT HERE.
369
00:16:57,500 --> 00:16:57,899
NO, YOU'RE NOT.
YOU'RE ERIC. SHE'S ERIC.
370
00:16:59,417 --> 00:17:00,517
NO, I'M SONNY.
371
00:17:02,966 --> 00:17:03,498
AND THIS IS MARSHALL.
AND YOU'RE TAWNI, REMEMBER?
372
00:17:05,332 --> 00:17:06,064
MARSHALL, SHE'S ERIC.
373
00:17:07,313 --> 00:17:07,979
SHE PUT ON A COSTUME
AND A BEARD
374
00:17:09,199 --> 00:17:10,166
AND SHE BROKE
HER ARMS.
375
00:17:11,244 --> 00:17:12,445
- I SEE
WHAT'S GOING ON HERE. - FINALLY.
376
00:17:14,729 --> 00:17:15,095
SOMEBODY'S A LITTLE JEALOUS
ABOUT SOMEBODY'S FIRST FAN.
377
00:17:16,263 --> 00:17:16,495
( guffaws )
378
00:17:17,894 --> 00:17:18,660
FINE.
379
00:17:19,491 --> 00:17:20,291
LET'S SEE WHO GETS
THE LAST LAUGH.
380
00:17:22,656 --> 00:17:23,823
MARSHALL, I SAY
WE TRACK DOWN ERIC,
381
00:17:26,108 --> 00:17:27,108
BRING HIM BACK HERE
AND INTRODUCE HIM TO SONNY ONSTAGE
382
00:17:28,794 --> 00:17:29,427
DURING THE SHOW
IN FRONT OF THE WHOLE WORLD.
383
00:17:30,007 --> 00:17:30,641
WHAT DO YOU THINK
OF THAT?
384
00:17:32,054 --> 00:17:32,487
I DON'T LIKE
THAT IDEA.
385
00:17:34,642 --> 00:17:35,076
I LIKE THAT IDEA.
386
00:17:36,176 --> 00:17:37,010
I LOVE THAT IDEA.
387
00:17:37,967 --> 00:17:38,666
I'M GONNA GO CALL HIM
RIGHT AWAY.
388
00:17:41,322 --> 00:17:41,955
- ( laughs )
- ( cow mooing )
389
00:17:43,049 --> 00:17:43,415
DON'T EVEN
THINK ABOUT IT.
390
00:17:44,486 --> 00:17:48,123
ALREADY DID.
391
00:17:50,144 --> 00:17:52,913
OH, I'LL GET IT.
392
00:17:54,685 --> 00:17:55,251
( mooing continues )
393
00:17:56,826 --> 00:17:57,126
- NO!
- GET BACK HERE!
394
00:17:59,190 --> 00:17:59,490
NO! NO!
395
00:18:00,374 --> 00:18:00,840
NO-O-O!
396
00:18:03,505 --> 00:18:05,807
- YES.
- NO.
397
00:18:06,957 --> 00:18:08,225
( deep voice )
YO, SSUP?
398
00:18:10,313 --> 00:18:11,313
YOU WANT ME
TO MEET SONNY IN FRONT OF A LIVE AUDIENCE?
399
00:18:13,446 --> 00:18:14,380
YOU'LL HAVE
TO BREAK MY LEGS TO KEEP ME AWAY.
400
00:18:16,483 --> 00:18:19,618
( normal voice )
TURNS OUT IT WAS FOR YOU.
401
00:18:22,621 --> 00:18:22,887
( phone rings )
402
00:18:23,675 --> 00:18:24,174
HELLO.
403
00:18:25,689 --> 00:18:26,088
WILL YOU GET OFF ME?
404
00:18:29,045 --> 00:18:29,878
Announcer:
Now let's get back to"So Random!"
405
00:18:31,538 --> 00:18:32,070
SO LONG, EVERYBODY,
AND STAY TUNED
406
00:18:34,830 --> 00:18:37,232
FOR "AMERICA'S GOT GAS."
407
00:18:38,634 --> 00:18:39,667
GREAT SHOW, EVERYBODY.
408
00:18:41,446 --> 00:18:55,827
WE'RE BACK
FOR THE SIGN-OFF IN TWO MINUTES.
409
00:18:57,365 --> 00:18:57,864
I KNEW
I RECOGNIZED YOU.
410
00:18:59,762 --> 00:19:00,362
YOU'RE WEIRD BEARD.
411
00:19:01,840 --> 00:19:02,239
WHY ARE YOU
WEIRD BEARD?
412
00:19:02,895 --> 00:19:03,694
WHY DO YOU CARE?
413
00:19:05,100 --> 00:19:05,900
I DON'T KNOW,
LET'S GIVE IT A SHOT.
414
00:19:08,073 --> 00:19:08,773
WELL, I SENT MYSELF
A FAN LETTER
415
00:19:09,670 --> 00:19:10,470
PRETENDING TO BE
MY OWN FAN
416
00:19:11,429 --> 00:19:12,395
AND NOW I GET
TO GO OUT ONSTAGE
417
00:19:13,347 --> 00:19:14,246
TO MEET THE FAN THAT
I'M PRETENDING TO BE.
418
00:19:16,543 --> 00:19:17,243
WHY WOULD YOU WRITE
YOURSELF A FAN LETTER?
419
00:19:18,557 --> 00:19:19,324
BECAUSE I LOST FAITH
IN MYSELF.
420
00:19:21,210 --> 00:19:21,976
CLASSIC CASE
OF ACTOR INSECURITY--
421
00:19:22,936 --> 00:19:23,735
YOU START DOUBTING
YOUR ABILITIES,
422
00:19:24,565 --> 00:19:25,365
WONDERING WHETHER
YOU'RE GOOD ENOUGH
423
00:19:26,101 --> 00:19:26,767
AND WHETHER YOU DESERVE
TO BE ON TV.
424
00:19:27,890 --> 00:19:28,123
SO YOU'VE BEEN
THROUGH THIS?
425
00:19:29,392 --> 00:19:29,725
NO.
426
00:19:29,967 --> 00:19:31,334
NO. NO.
427
00:19:35,146 --> 00:19:36,280
BUT I MADE YOU THINK I HAD,
WHICH IS WHY I'LL NEVER GO THROUGH IT.
428
00:19:37,768 --> 00:19:38,467
YOU'RE UNBELIEVABLE.
429
00:19:39,909 --> 00:19:41,009
I KNEW IT.
YOU DON'T CARE.
430
00:19:43,553 --> 00:19:44,053
I THOUGHT
WE WERE HAVING A REAL MOMENT HERE.
431
00:19:44,352 --> 00:19:45,486
( jingle playing )
432
00:19:46,398 --> 00:19:47,431
Marshall:
Now please welcome backto the stage
433
00:19:48,859 --> 00:19:49,325
- the cast of "So Random!"
- ( cheering )
434
00:19:50,617 --> 00:19:51,250
WELL, THAT'S MY CUE.
435
00:19:51,991 --> 00:19:52,691
SO WHAT ARE YOU
GONNA DO?
436
00:19:54,260 --> 00:19:54,594
YOU DON'T CARE,
REMEMBER?
437
00:19:55,762 --> 00:19:56,529
BUT I DO.
438
00:19:57,904 --> 00:19:58,437
NOW EXCUSE ME
WHILE I GO OUT THERE
439
00:20:00,366 --> 00:20:12,877
AND EMBARRASS MYSELF.
440
00:20:14,174 --> 00:20:14,907
WELL, THAT'S OUR SHOW,
EVERYBODY,
441
00:20:15,356 --> 00:20:16,390
BUT BEFORE WE SAY
GOOD NIGHT,
442
00:20:17,369 --> 00:20:18,470
WE WANT TO INTRODUCE YOU
TO A VERY SPECIAL GUEST--
443
00:20:20,503 --> 00:20:21,603
THE GUY WHO WROTE SONNY
HER VERY FIRST FAN LETTER.
444
00:20:23,923 --> 00:20:24,389
LET'S GIVE IT UP FOR ERIC--
WHAT'S HIS NAME AGAIN?
445
00:20:26,160 --> 00:20:26,794
DOESN'T-EXISTOWITZ.
446
00:20:29,421 --> 00:20:34,258
LET'S GIVE IT UP
FOR ERIC!
447
00:20:37,541 --> 00:20:39,074
ERIC, COME OUT, COME OUT
WHEREVER YOU'RE NOT.
448
00:20:41,440 --> 00:20:42,273
ALL RIGHT, LET'S JUST
GET THIS OVER WITH.
449
00:20:44,380 --> 00:20:44,679
MARSHALL, I HAVE
TO SAY SOMETHING.
450
00:20:46,171 --> 00:20:46,636
ERIC IS...
451
00:20:48,535 --> 00:20:53,673
YOUR BIGGEST FAN.
452
00:20:57,198 --> 00:20:57,865
THAT'S IMPOSSIBLE.
ERIC IS NOT REAL.
453
00:21:00,426 --> 00:21:01,059
BUT I'M STANDING
RIGHT HERE.
454
00:21:02,217 --> 00:21:02,716
LET'S GIVE IT UP
FOR SONNY!
455
00:21:05,381 --> 00:21:05,914
( jingle playing )
456
00:21:07,714 --> 00:21:08,181
WHY ARE YOU HELPING ME?
457
00:21:08,960 --> 00:21:09,726
I'M NOT HELPING YOU.
458
00:21:12,157 --> 00:21:12,823
I JUST WANTED
TO TRY ON THE BEARD.
459
00:21:13,627 --> 00:21:14,494
SOUNDS LIKE
SOMEBODY CARES.
460
00:21:17,400 --> 00:21:18,166
SOMEBODY WANTED
TO TRY ON A WEIRD BEARD.
461
00:21:19,124 --> 00:21:19,690
- ( coughs ) CARES.
- BEARDS.
462
00:21:20,211 --> 00:21:20,777
- CARES.
- BEARDS.
463
00:21:21,458 --> 00:21:22,024
- CARES.
- BEARDS.
464
00:21:22,993 --> 00:21:23,259
- BEARDS.
- CARES.
465
00:21:25,006 --> 00:21:35,215
GOT YOU.
466
00:21:37,568 --> 00:21:41,037
EADY.
467
00:21:43,321 --> 00:21:49,860
WE'RE GONNA NEED
A CROWBAR.
468
00:21:52,496 --> 00:21:55,064
WE'RE GONNA NEED
SOME SCISSORS.
469
00:21:55,884 --> 00:21:56,283
MAY I?
470
00:21:57,833 --> 00:21:58,032
STUPID RIBBON.
471
00:21:58,440 --> 00:21:59,274
OOH.
472
00:22:01,446 --> 00:22:02,613
- ONE, TWO...
- DUDE, YOU SMELL THAT?
473
00:22:05,729 --> 00:22:06,463
SMELLS LIKE HER GRANDMA'S
HOMEMADE CHOCOLATE-CHIP COOKIES.
474
00:22:09,405 --> 00:22:10,838
( laughs )
WHO WANTS COOKIES?
475
00:22:13,145 --> 00:22:19,650
WORKS EVERY TIME.
476
00:22:19,700 --> 00:22:24,250
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