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These are the user uploaded subtitles that are being translated: 1 00:00:05,930 --> 00:00:06,763 - ( dance music playing ) - Sonny: THIS IS 2 00:00:08,427 --> 00:00:08,660 "Tu crezi ca poti face dansul pipi" 3 00:00:09,421 --> 00:00:09,987 FLO! 4 00:00:12,265 --> 00:00:16,302 ( swing music playing ) 5 00:00:16,965 --> 00:00:17,531 PIA! 6 00:00:20,160 --> 00:00:21,861 ( balet ) 7 00:00:22,558 --> 00:00:23,124 AQUA! 8 00:00:25,019 --> 00:00:26,520 ( Latin music playing ) 9 00:00:27,607 --> 00:00:28,241 AND WEE DIDDY! 10 00:00:31,667 --> 00:00:35,737 ( hip-hop music playing ) 11 00:00:36,398 --> 00:00:37,331 WHAT'S UP, PEEPS? 12 00:00:40,073 --> 00:00:41,073 I KNOW YOU'RE ALL FLUSHED WITH EXCITEMENT 13 00:00:43,878 --> 00:00:44,643 BECAUSE WE ARE STREAMING LIVE ACROSS THE WORLD. 14 00:00:45,603 --> 00:00:46,569 THE FINAL VOTES HAVE TRICKLED IN 15 00:00:47,585 --> 00:00:48,585 AND WE'RE ABOUT TO FIND OUT WHICH ONE OF YOU 16 00:00:52,060 --> 00:00:52,627 WILL BECOME NUMBER ONE AT HOLDING NUMBER ONE. 17 00:00:54,617 --> 00:00:55,517 RIGHT AFTER THIS-S-S-S. 18 00:00:57,302 --> 00:00:57,967 "SO YOU THINK YOU CAN P.P. DANCE" 19 00:00:59,826 --> 00:01:00,326 IS BROUGHT TO YOU BY WATER. 20 00:01:01,904 --> 00:01:02,304 ( jingle playing ) 21 00:01:05,070 --> 00:01:05,502 ♪ Water. ♪ 22 00:01:06,891 --> 00:01:11,060 ( all exclaim ) 23 00:01:14,946 --> 00:01:15,646 GREAT REHEARSAL, GUYS. NOW I NEED A P.P. BREAK. 24 00:01:17,598 --> 00:01:18,598 - ( rings ) - ( screams ) 25 00:01:20,316 --> 00:01:21,416 ♪ OFF TO THE RACES, I'M GOING PLACES ♪ 26 00:01:23,193 --> 00:01:24,359 ♪ MIGHT BE A LONG SHOT, NOT GONNA WASTE IT ♪ 27 00:01:27,762 --> 00:01:28,162 ♪ THIS IS THE BIG BREAK AND IT'S CALLING MY NAME ♪ 28 00:01:29,457 --> 00:01:30,357 ♪ YEAH! ♪ 29 00:01:32,942 --> 00:01:33,842 ♪ SO FAR, SO GREAT, GET WITH IT ♪ 30 00:01:35,754 --> 00:01:36,720 ♪ AT LEAST THAT'S HOW I SEE IT ♪ 31 00:01:39,015 --> 00:01:39,914 ♪ HAVING A DREAM IS JUST THE BEGINNING ♪ 32 00:01:42,084 --> 00:01:42,984 ♪ SO FAR, SO GREAT, BELIEVE IT ♪ 33 00:01:44,928 --> 00:01:45,895 ♪ CAN'T TAKE AWAY THIS FEELING ♪ 34 00:01:48,094 --> 00:01:48,693 ♪ TAKING A RIDE WITH CHANCE ON MY SIDE ♪ 35 00:01:50,778 --> 00:01:51,512 ♪ YEAH, I CAN'T WAIT ♪ 36 00:01:53,463 --> 00:01:54,029 ♪ SO FAR, SO GREAT ♪ 37 00:01:55,445 --> 00:01:55,877 ♪ SO FAR, SO GREAT ♪ 38 00:01:57,873 --> 00:02:00,942 ( vocalizing ) 39 00:02:03,116 --> 00:02:04,049 ♪ YAOOWW! ♪ 40 00:02:06,119 --> 00:02:06,853 HI, THIS IS SONNY AND YOU'VE REACHED ME 41 00:02:08,933 --> 00:02:09,199 AT MY NEW CELL PHONE AT 555- 42 00:02:10,755 --> 00:02:11,321 0125. 43 00:02:12,801 --> 00:02:13,701 THAT WAS WAY TOO PERKY. 44 00:02:14,112 --> 00:02:15,278 I DON'T KNOW WHAT IT IS ABOUT THAT SKETCH, 45 00:02:16,635 --> 00:02:17,235 BUT EVERY TIME WE REHEARSE IT I GOTTA GO TO THE BATHROOM. 46 00:02:19,609 --> 00:02:20,442 NOT IF I GET THERE FIRST. 47 00:02:21,942 --> 00:02:22,642 OH. HEY, JOSH. 48 00:02:23,764 --> 00:02:24,864 - HEY, SONNY, WHAT'S UP? - HEY. 49 00:02:26,416 --> 00:02:27,016 CHAD, WHAT ARE YOU DOING? AND WHY ARE YOU DOING IT 50 00:02:27,600 --> 00:02:28,634 OVER HERE AT "SO RANDOM!"? 51 00:02:30,349 --> 00:02:31,081 WELL, I'M NOT JUST THE STAR OF "MacKENZIE FALLS," 52 00:02:32,906 --> 00:02:33,673 AMERICA'S NUMBER-ONE TWEEN DRAMA. 53 00:02:34,217 --> 00:02:35,151 I ALSO GOT A PART IN A MOVIE. 54 00:02:37,861 --> 00:02:38,126 HMM, I STILL DON'T KNOW WHY YOU'RE HERE. 55 00:02:40,546 --> 00:02:41,346 I'M PLAYING A MALE DELIVERY GUY. 56 00:02:42,272 --> 00:02:42,971 HE WORKS AT A HIGH-POWERED LAW FIRM. 57 00:02:43,615 --> 00:02:44,781 IT'S A SMALL BUT CRUCIAL ROLE. 58 00:02:46,299 --> 00:02:46,999 SO I'M FOLLOWING MY GOOD BUDDY JEFF HERE AROUND. 59 00:02:48,505 --> 00:02:49,104 - IT'S JOSH. - WHO'S JOSH? 60 00:02:50,039 --> 00:02:50,805 THAT WOULD BE ME. 61 00:02:53,619 --> 00:02:54,252 - WELL, GOOD LUCK. - THANK YOU. 62 00:02:56,400 --> 00:02:58,168 I WAS TALKING TO JOSH. 63 00:03:00,524 --> 00:03:00,890 HI, THIS IS SONNY AND YOU'VE REACHED ME 64 00:03:02,025 --> 00:03:02,926 AT 555-0125. 65 00:03:04,518 --> 00:03:05,218 - YOU KNOW WHAT TO DO. - ( cow moos ) 66 00:03:07,299 --> 00:03:07,565 HEY, MY FIRST PHONE CALL. 67 00:03:08,067 --> 00:03:08,866 HELLO. 68 00:03:10,240 --> 00:03:11,107 YEAH, IT'S ME. CAN YOU KEEP IT DOWN? 69 00:03:12,989 --> 00:03:13,655 I HAVE 20 LBS OF FAN MAIL TO GO THROUGH. 70 00:03:15,801 --> 00:03:16,934 FAN MAIL? DID I GET ANY? 71 00:03:18,135 --> 00:03:18,368 ( cow moos ) 72 00:03:19,542 --> 00:03:20,409 HELLO. 73 00:03:22,386 --> 00:03:23,352 AW, I WAS HOPING TO GET YOUR MACHINE. 74 00:03:25,391 --> 00:03:25,757 ANYWAY, NO FAN MAIL FOR YOU. 75 00:03:27,053 --> 00:03:27,719 THAT'S OKAY. 76 00:03:29,866 --> 00:03:30,232 I SAID YOU HAVE NO FAN MAIL. 77 00:03:31,752 --> 00:03:32,518 I HEARD YOU. 78 00:03:33,669 --> 00:03:34,435 WELL, DOESN'T THAT BOTHER YOU? 79 00:03:34,628 --> 00:03:35,562 I MEAN, WHEN I JOINED THE SHOW 80 00:03:36,834 --> 00:03:37,300 MY FAN MAIL STARTED ARRIVING RIGHT AWAY. 81 00:03:38,274 --> 00:03:38,672 DOESN'T BOTHER ME. 82 00:03:39,743 --> 00:03:40,009 ( cow moos ) 83 00:03:41,629 --> 00:03:42,295 HELLO. 84 00:03:43,228 --> 00:03:44,662 DOES IT BOTHER YOU NOW? 85 00:03:47,638 --> 00:03:48,137 I'M OFF TO REHEARSAL. BESIDES, I'M NOT GONNA LET THIS BOTHER ME. 86 00:03:50,067 --> 00:03:57,674 I'M WAY TOO MATURE. 87 00:03:59,369 --> 00:04:00,035 HEY, MARSHALL. 88 00:04:01,574 --> 00:04:02,541 HEY, KIDDO. GREAT REHEARSAL. 89 00:04:04,451 --> 00:04:04,751 I LOVED YOU IN THAT "BABY WAA-WAA" SKETCH. 90 00:04:05,538 --> 00:04:06,371 THANKS. 91 00:04:07,744 --> 00:04:08,644 WHEN YOU SPIT UP ON THE CHANGING TABLE 92 00:04:11,164 --> 00:04:11,931 I LAUGHED SO HARD I GOT THAT PAIN I LIKE. 93 00:04:13,274 --> 00:04:14,708 GOOD. GOOD. LOOK, MARSHALL, 94 00:04:16,693 --> 00:04:17,092 DO YOU THINK IT'S WEIRD THAT I HAVEN'T GOTTEN ANY FAN MAIL YET? 95 00:04:18,388 --> 00:04:19,221 NO, NOT AT ALL. 96 00:04:20,242 --> 00:04:20,975 YOU KNOW, NOT EVERYBODY GETS FAN MAIL. 97 00:04:22,416 --> 00:04:23,282 HERE'S YOUR FAN MAIL, MARSHALL. 98 00:04:26,220 --> 00:04:26,685 "ANNOUNCE MAIL, THEN PRESENT MAIL." 99 00:04:27,625 --> 00:04:28,159 YOU GET FAN MAIL? 100 00:04:29,128 --> 00:04:30,261 NO, IT'S NOT FAN MAIL. 101 00:04:32,452 --> 00:04:33,052 I GET LETTERS FROM PEOPLE I DON'T KNOW WHO ADMIRE ME. 102 00:04:33,411 --> 00:04:34,344 THAT WOULD BE FAN MAIL. 103 00:04:36,448 --> 00:04:37,080 WELL, IF YOU WANT TO PUT A LABEL ON IT. 104 00:04:37,854 --> 00:04:39,020 LOOK AT ALL THIS FAN MAIL. 105 00:04:41,211 --> 00:04:41,810 I KNOW. ARE WE THE LUCKIEST GUYS IN THE WORLD OR WHAT? 106 00:04:43,511 --> 00:04:43,943 OOH, PICTURES FROM GIRLS. 107 00:04:44,566 --> 00:04:45,199 PROM INVITATIONS? 108 00:04:47,060 --> 00:04:47,559 LOCK OF HAI-- OH, NO. 109 00:04:48,657 --> 00:04:49,424 AND NONE OF IT MATTERS 110 00:04:50,927 --> 00:04:51,559 BECAUSE ALL I CAN THINK ABOUT 111 00:04:54,251 --> 00:04:54,651 IS WHAT'S INSIDE THAT BOX. 112 00:04:55,115 --> 00:04:55,848 LET'S OPEN IT. 113 00:04:56,392 --> 00:04:57,492 NO NO NO, WE CAN'T DO THAT. 114 00:04:59,333 --> 00:04:59,733 IT'S ZORA'S AND IT SAYS, "PRIVATE AND CONFIDENTIAL. 115 00:05:00,644 --> 00:05:01,478 DO NOT OPEN." 116 00:05:03,904 --> 00:05:04,705 YEAH, BUT IF YOU STAND LIKE THIS-- 117 00:05:07,772 --> 00:05:10,307 ( chuckles ) IT JUST SAYS "OPEN." 118 00:05:11,703 --> 00:05:14,171 GRAB THE TAPE. 119 00:05:15,379 --> 00:05:16,346 OH! 120 00:05:19,855 --> 00:05:22,957 BACK AWAY FROM THE BOX OR IT'S GONNA GET MESSY. 121 00:05:24,745 --> 00:05:25,878 WHOA WHOA WHOA. HOLD UP, ZO. 122 00:05:28,101 --> 00:05:28,801 WHAT'S THE BIG DEAL? WE WEREN'T REALLY GONNA OPEN IT. 123 00:05:29,571 --> 00:05:30,738 YEAH, RIGHT. YOU GUYS OPEN 124 00:05:32,321 --> 00:05:32,987 EVERY SINGLE PACKAGE I GET AND EAT WHAT'S INSIDE, 125 00:05:35,133 --> 00:05:36,200 WHETHER IT'S FOOD OR NOT. 126 00:05:38,361 --> 00:05:39,026 OH, COME ON. TELL US WHAT'S INSIDE THE BOX. 127 00:05:40,311 --> 00:05:40,710 YOU REALLY WANT TO KNOW? 128 00:05:41,684 --> 00:05:42,485 YEAH, TELL US. 129 00:05:44,434 --> 00:05:45,134 OKAY, COME REAL CLOSE. I'LL TELL YOU. 130 00:05:48,046 --> 00:05:49,046 NONE OF YOUR BUSINESS! 131 00:05:52,201 --> 00:05:54,502 SO KEEP YOUR MITTS OFF MY MAIL, PUNKS! 132 00:05:56,868 --> 00:05:57,300 WAA WAA WAA. 133 00:05:59,649 --> 00:05:59,981 THAT'S NO GOOD. 134 00:06:02,173 --> 00:06:02,940 WAA WAA WAA. 135 00:06:04,060 --> 00:06:04,993 STILL CRYING ABOUT NO FAN MAIL? 136 00:06:08,247 --> 00:06:08,848 NO, I TOLD YOU I'M TOTALLY FINE WITH THAT. 137 00:06:09,783 --> 00:06:10,783 RIGHT. MAYBE SOMEDAY 138 00:06:11,891 --> 00:06:12,725 YOU'LL GET A FAN LETTER LIKE EVERYONE ELSE-- 139 00:06:16,463 --> 00:06:16,729 ME, ZORA, GRADY, NICO, MARSHALL, ME. 140 00:06:21,193 --> 00:06:21,592 WELL, FOR YOUR INFORMATION, I DID GET A FAN LETTER 141 00:06:23,367 --> 00:06:23,766 FROM ROYALTY, 142 00:06:25,572 --> 00:06:26,239 A KING, NO LESS. 143 00:06:27,107 --> 00:06:27,840 - OH, REALLY? - YEAH. 144 00:06:30,623 --> 00:06:31,523 COULD IT BE THE HUNAN KING? 145 00:06:33,659 --> 00:06:34,593 AND DOES HE LIVE IN THE NOODLE PALACE? 146 00:06:37,495 --> 00:06:38,429 ACTUALLY, HE'S GOT SEVEN LOCATIONS. 147 00:06:40,274 --> 00:06:41,075 ALL RIGHT, FINE. IT'S JUST A MENU. 148 00:06:41,458 --> 00:06:42,692 I DIDN'T GET ANY STUPID FAN MAIL. 149 00:06:45,613 --> 00:06:46,546 OH, SWEETIE, I KNOW IT MUST HURT TO BE SO UNPOPULAR. 150 00:06:49,258 --> 00:06:50,024 WELL, I DON'T KNOW. I CAN ONLY IMAGINE, 151 00:06:50,632 --> 00:06:51,465 JUST LIKE YOU CAN ONLY IMAGINE 152 00:06:52,230 --> 00:06:53,397 WHAT IT'S LIKE TO ACTUALLY BE POPULAR. 153 00:06:56,705 --> 00:06:57,438 SEE, EACH FAN LETTER IS LIKE A HUG FROM A FRIEND. 154 00:06:58,815 --> 00:06:59,281 IS THIS PEP TALK ALMOST OVER? 155 00:06:59,997 --> 00:07:00,830 WELL, LET'S SEE... 156 00:07:01,499 --> 00:07:02,733 I GOT MORE PEP, SO YEAH, ALL DONE. 157 00:07:04,824 --> 00:07:05,223 I HAVE FANS. THEY JUST HAVEN'T HAD TIME TO WRITE YET. 158 00:07:06,454 --> 00:07:09,289 KEEP DREAMING. 159 00:07:12,336 --> 00:07:12,735 IT'S TIME. 160 00:07:16,076 --> 00:07:20,011 "DEAR SONNY... 161 00:07:22,276 --> 00:07:23,242 DUDE, DO YOU SEE WHAT I SEE? 162 00:07:24,706 --> 00:07:25,471 CHOCOLATE-COVERED CARAMEL-FILLED NUT CLUSTERS. 163 00:07:27,038 --> 00:07:27,771 NO, BUT GRAB ME A FEW OF THOSE 164 00:07:28,381 --> 00:07:29,148 WHILE I TELL YOU THE OTHER THING. 165 00:07:31,993 --> 00:07:39,700 OVER THERE-- THE FORBIDDEN BOX. 166 00:07:40,847 --> 00:07:41,147 AND NO ZORA. 167 00:07:42,604 --> 00:07:51,346 NO ZORA. 168 00:07:52,674 --> 00:07:53,841 JOSH, COME ON. I THINK I'M READY. 169 00:07:55,806 --> 00:07:56,205 - I DON'T. - BUT I JUST WANT TO PUSH THE CART. 170 00:07:58,140 --> 00:07:59,607 THIS IS MY CART. 171 00:08:01,816 --> 00:08:02,282 HEY, GUYS. SORRY I'M LATE. 172 00:08:03,125 --> 00:08:04,125 DID I MISS ANYTHING? 173 00:08:05,971 --> 00:08:06,537 HEY, MAIL'S HERE. THIS DOESN'T CONCERN YOU. 174 00:08:07,504 --> 00:08:08,071 SONNY, HERE'S A LETTER. 175 00:08:10,317 --> 00:08:10,617 - FOR ME? - FOR HER? 176 00:08:12,108 --> 00:08:14,843 FOR YOU. 177 00:08:16,711 --> 00:08:17,578 HEY, I TOLD YOU YOU'D GET A FAN LETTER. 178 00:08:18,948 --> 00:08:19,749 WAY TO GO, KIDDO. READ IT OUT LOUD. 179 00:08:22,656 --> 00:08:23,323 OH, NO NO. I DON'T WANT TO BRAG. 180 00:08:25,692 --> 00:08:26,559 "DEAR SONNY, MY NAME IS ERIC 181 00:08:28,154 --> 00:08:28,988 AND 'SO RANDOM!' IS MY FAVORITE SHOW. 182 00:08:30,296 --> 00:08:31,062 I DIDN'T THINK IT COULD GET ANY BETTER, 183 00:08:32,917 --> 00:08:33,750 BUT THEN YOU JOINED THE CAST. 184 00:08:35,794 --> 00:08:36,593 I THINK YOU'RE AWESOME AND TALENTED 185 00:08:38,862 --> 00:08:39,362 AND PLEASE SAY HI TO NICO, ZORA, 186 00:08:41,995 --> 00:08:42,560 GRADY AND MARSHALL." 187 00:08:44,679 --> 00:08:45,079 HEY, I GOT A SHOUT-OUT. 188 00:08:46,790 --> 00:08:47,322 BORED ALREADY. 189 00:08:48,483 --> 00:08:49,316 HOW NICE IS THAT LETTER? 190 00:08:51,168 --> 00:08:51,802 YOU KNOW WHAT? WE SHOULD CALL THIS KID. 191 00:08:52,670 --> 00:08:53,804 YEAH. WHAT? NO. WHY? 192 00:08:55,420 --> 00:08:56,853 BECAUSE HE'S YOUR FIRST FAN. THIS IS A VERY BIG DEAL. 193 00:08:58,903 --> 00:08:59,770 AND HOW EXCITING WOULD IT BE FOR HIM TO GET A PHONE CALL FROM YOU? 194 00:09:01,715 --> 00:09:02,615 WELL, I WOULD LOVE TO CALL MY FIRST FAN, 195 00:09:04,945 --> 00:09:05,878 BUT TOO BAD WE DON'T EVEN HAVE HIS NUMBER. 196 00:09:07,886 --> 00:09:09,119 SURE WE DO. HE LEFT IT ON THIS POST-IT. 197 00:09:11,082 --> 00:09:12,049 WAIT, YOU CAN'T JUST CALL PEOPLE OUT OF THE BLUE LIKE THAT. 198 00:09:14,118 --> 00:09:14,918 SURE WE CAN. YOU WERE SO DOWN IN THE DUMPS. 199 00:09:15,236 --> 00:09:16,437 THIS IS THE PERFECT PICK-ME-UP. 200 00:09:19,552 --> 00:09:20,018 BUT I'M NOT DOWN ANYMORE. IN FACT, I'M OUT OF THE DUMPS. 201 00:09:21,150 --> 00:09:21,584 SHH, IT'S RINGING. 202 00:09:23,612 --> 00:09:27,448 ( cow mooing ) 203 00:09:29,141 --> 00:09:29,875 IS THAT A COW? 204 00:09:32,561 --> 00:09:34,229 YEAH, AND IT'S RIGHT BEHIND YOU. 205 00:09:36,429 --> 00:09:37,095 ( grunting ) 206 00:09:39,178 --> 00:09:40,078 HOW DID ZORA MOVE THIS THING? 207 00:09:43,045 --> 00:09:43,479 - IT WEIGHS A TON. - QUIT YOUR BEEFING. 208 00:09:45,156 --> 00:09:45,722 ( cow mooing ) 209 00:09:48,128 --> 00:09:49,595 WELL, QUIT YOUR MOOING. 210 00:09:53,018 --> 00:09:53,351 YO. SSUP? 211 00:09:53,914 --> 00:09:54,947 IT'S ERIC. 212 00:09:56,822 --> 00:09:57,588 ERIC, THIS IS MARSHALL PIKE, THE EXECUTIVE PRODUCER 213 00:09:58,676 --> 00:09:59,509 OF YOUR FAVORITE SHOW "SO RANDOM!" 214 00:10:01,745 --> 00:10:02,278 I HAVE SOMEBODY I WANT YOU TO TALK TO. 215 00:10:05,164 --> 00:10:05,464 WHERE'S SONNY? SONNY! 216 00:10:07,275 --> 00:10:11,911 Sonny! 217 00:10:14,243 --> 00:10:14,976 HEY, SORRY. I JUST WENT TO GO GET A SNACK. 218 00:10:17,407 --> 00:10:17,606 OH, YOUR FAN'S ON THE PHONE. 219 00:10:19,070 --> 00:10:19,770 OH. 220 00:10:21,338 --> 00:10:21,704 HEY, ERIC, HOW'S IT GOING? 221 00:10:22,713 --> 00:10:23,412 OH, NOTHING. 222 00:10:25,015 --> 00:10:26,382 JUST EATING A TURKEY LEG. 223 00:10:29,137 --> 00:10:29,504 OH, HEY, I GOT AN IDEA. LET'S INVITE HIM DOWN TO THE STUDIO. 224 00:10:30,576 --> 00:10:31,443 WHAT? NO. 225 00:10:32,750 --> 00:10:33,816 OH, YOU'RE SHY ABOUT YOUR FIRST FAN. 226 00:10:34,347 --> 00:10:35,481 - GIVE ME THE PHONE. I'LL DO IT. - NO NO. 227 00:10:37,703 --> 00:10:38,369 SO, ERIC, LISTEN, WE JUST WANTED TO INVITE YOU 228 00:10:39,653 --> 00:10:40,319 DOWN TO THE SET TO MEET ME. 229 00:10:41,986 --> 00:10:42,620 WHAT'S THAT? YOU CAN'T COME? 230 00:10:45,023 --> 00:10:46,056 TWO BROKEN ARMS? ( mouths ) 231 00:10:47,549 --> 00:10:48,349 TELL HIM WE'LL COME TO HIM. 232 00:10:49,115 --> 00:10:49,949 - WE CAN'T GO TO HIM. - WHY NOT? 233 00:10:53,942 --> 00:10:54,474 UH, WHY CAN'T WE COME TO YOU, ERIC? 234 00:10:56,083 --> 00:10:56,983 UH-HUH. UH-HUH. 235 00:10:59,919 --> 00:11:00,686 - WHAT'S HE SAYING? - UH-HUH, UH-HUH. 236 00:11:01,644 --> 00:11:02,343 - GIVE ME THE PHONE. - UH-HUH. 237 00:11:03,563 --> 00:11:04,229 SO YOU CAN COME? THAT'S GREAT. 238 00:11:05,896 --> 00:11:06,129 OKAY, SO I'LL SEE YOU LATER. 239 00:11:07,430 --> 00:11:08,397 BYE. 240 00:11:09,669 --> 00:11:10,969 I HAVE A FEELING THAT KID'S NOT GONNA SHOW UP. 241 00:11:13,471 --> 00:11:14,772 WELL, IF HE DOESN'T, I'M GONNA CALL HIM EVERY DAY UNTIL HE DOES. 242 00:11:18,075 --> 00:11:22,812 YOU'RE MEETING YOUR FIRST FAN WHETHER HE LIKES IT OR NOT. 243 00:11:27,025 --> 00:11:29,293 Woman over P.A.: Marshall, the boy who wr 244 00:11:31,243 --> 00:11:31,542 YOU MUST BE ERIC. 245 00:11:33,769 --> 00:11:34,702 WOW, YOU-- 246 00:11:36,550 --> 00:11:37,316 YOU WEREN'T KIDDING ABOUT THOSE BROKEN ARMS. 247 00:11:39,107 --> 00:11:39,673 WHAT, YOU THINK THIS IS FUNNY, 248 00:11:40,193 --> 00:11:41,360 HAVING TWO BROKEN ARMS? 249 00:11:42,687 --> 00:11:43,353 HOW ABOUT I COME OVER THERE AND BREAK YOUR ARMS 250 00:11:43,645 --> 00:11:44,845 AND YOU SEE HOW FUNNY IT IS? 251 00:11:48,376 --> 00:11:49,543 YOU-- YOU SEEM A LITTLE DIFFERENT FROM YOUR LETTER. 252 00:11:51,509 --> 00:11:52,376 LOOK, IF YOU DON'T WANT ME HERE, I'LL JUST LEAVE. 253 00:11:54,162 --> 00:11:54,561 BESIDES, I DON'T SEE SONNY HERE ANYWAYS. 254 00:11:55,184 --> 00:11:55,850 SEE YOU LATER. 255 00:11:57,166 --> 00:11:57,765 HOLD UP. WHERE ARE YOU GOING? 256 00:11:58,924 --> 00:11:59,290 RELAX. HAVE A NECTARINE. 257 00:12:01,034 --> 00:12:01,868 A NECTARINE? 258 00:12:03,654 --> 00:12:04,320 WHAT, IS THIS A POOR MAN'S PEACH? 259 00:12:06,564 --> 00:12:07,030 NO, THANKS. I'M OUT OF HERE. 260 00:12:08,195 --> 00:12:09,328 WAIT WAIT WAIT WAIT. 261 00:12:12,317 --> 00:12:12,917 LOOK, YOU CAME ALL THE WAY DOWN HERE TO MEET SONNY-- 262 00:12:13,788 --> 00:12:14,321 YOU'RE GONNA MEET SONNY. 263 00:12:14,875 --> 00:12:15,941 WELL, MAKE IT SNAPPY, 264 00:12:17,527 --> 00:12:18,226 'CAUSE I GOT PLACES TO GO AND PEOPLE TO SEE 265 00:12:20,436 --> 00:12:20,702 WHEN I GET TO THOSE PLACES. 266 00:12:22,289 --> 00:12:23,189 MARSHALL, I NEED TO TALK TO YOU. 267 00:12:24,688 --> 00:12:25,455 TAWNI, YOU'RE JUST IN TIME. THIS IS ERIC. 268 00:12:26,893 --> 00:12:27,760 HE WROTE THAT FAN LETTER TO SONNY. 269 00:12:30,505 --> 00:12:31,138 OH, THE ONE THAT DIDN'T MENTION ME. 270 00:12:32,359 --> 00:12:33,459 YEAH YEAH, THAT'S THE ONE. 271 00:12:35,907 --> 00:12:36,740 TAWNI, CAN YOU KEEP HIM COMPANY WHILE I GO FIND HER? 272 00:12:39,071 --> 00:12:39,871 I DON'T REALLY THINK SHE WANTS TO. 273 00:12:40,733 --> 00:12:41,967 NO, ACTUALLY, I'D BE DELIGHTED. 274 00:12:43,962 --> 00:12:44,395 I MEAN, ANY FAN OF SONNY'S IS A FAN OF MINE, RIGHT? 275 00:12:46,839 --> 00:12:53,278 NOT NECESSARILY. 276 00:12:56,684 --> 00:12:56,984 WELL, THANKS FOR SHOWING ME AROUND. 277 00:12:57,674 --> 00:12:58,007 GOTTA GO. 278 00:12:58,601 --> 00:12:59,634 WAIT WAIT. 279 00:13:00,679 --> 00:13:01,712 YOU KNOW, THERE'S SOMETHING THAT'S BEEN BUGGING ME 280 00:13:02,628 --> 00:13:03,795 EVER SINCE YOU WROTE THAT FAN LETTER TO SONNY. 281 00:13:05,856 --> 00:13:06,322 AND THAT IS, WHY WOULD YOU WRITE A FAN LETTER TO SONNY? 282 00:13:07,775 --> 00:13:08,241 'CAUSE I LIKE HER. 283 00:13:09,085 --> 00:13:09,819 WHY DO YOU LIKE HER? 284 00:13:11,067 --> 00:13:11,834 WHY DON'T YOU LIKE HER? 285 00:13:12,602 --> 00:13:13,368 HOW DO YOU KNOW I DON'T LIKE HER? 286 00:13:15,862 --> 00:13:16,728 UH, CALL IT DUDE'S INTUITION. 287 00:13:19,346 --> 00:13:20,813 OKAY, IT'S NOT THAT I DON'T LIKE HER, 288 00:13:23,949 --> 00:13:24,548 IT'S JUST SHE'S A LOT BETTER THAN I THOUGHT SHE WAS GONNA BE. 289 00:13:25,387 --> 00:13:26,087 ( normal voice ) REALLY? 290 00:13:26,985 --> 00:13:27,818 ( deep voice ) I MEAN, REALLY? 291 00:13:30,373 --> 00:13:30,573 YEAH, BUT I'D NEVER TELL HER THAT. 292 00:13:31,908 --> 00:13:32,808 WHY? 293 00:13:34,721 --> 00:13:34,986 YOU'RE NOT THREATENED BY HER, ARE YOU? 294 00:13:36,126 --> 00:13:36,926 WHAT? 295 00:13:38,109 --> 00:13:38,909 WHY WOULD I BE THREATENED BY HER? 296 00:13:41,145 --> 00:13:41,878 I MEAN, I'M PRETTIER AND I'M FUNNIER 297 00:13:42,904 --> 00:13:43,904 AND MY HAIR HAS MORE VOLUME. 298 00:13:45,236 --> 00:13:46,103 THAT'S JUST BECAUSE YOU USE SO MUCH PRODUCT. 299 00:13:49,776 --> 00:13:50,876 OH, I LIKE A GUY WHO KNOWS ABOUT PRODUCT. 300 00:13:53,451 --> 00:13:54,618 AND I LIKED IT MUCH BETTER WHEN YOU STAYED OVER THERE. 301 00:13:55,913 --> 00:13:56,913 SO WHAT DOES YOUR DUDE'S INTUITION TELL YOU NOW? 302 00:13:58,918 --> 00:13:59,184 IT'S TIME TO TAKE THESE BROKEN WINGS AND FLY. 303 00:14:01,059 --> 00:14:01,459 WAIT. 304 00:14:02,753 --> 00:14:03,286 YOU'LL BE BACK. 305 00:14:05,214 --> 00:14:05,847 THEY ALWAYS COME BACK. 306 00:14:08,091 --> 00:14:09,058 ...TWO, ONE TWO, ONE AND TWO. 307 00:14:10,872 --> 00:14:11,605 WHOA WHOA WHOA, WATCH WHERE YOU'RE GOING. 308 00:14:12,502 --> 00:14:13,236 - WHO ARE YOU? - WHO ARE YOU? 309 00:14:13,557 --> 00:14:14,657 - WHO ARE YOU? - WHO ARE YOU? 310 00:14:15,955 --> 00:14:16,721 I'M JUST GONNA BREAK THE ICE HERE. I'M GRADY. 311 00:14:18,384 --> 00:14:19,184 DON'T BE GIVING AWAY YOUR IDENTITY. 312 00:14:20,716 --> 00:14:20,948 WE'RE IN THE MIDDLE OF A CRIME. 313 00:14:21,580 --> 00:14:22,480 OH. 314 00:14:25,224 --> 00:14:25,557 THE NAME'S DARLINGTON-- RUSTY DARLINGTON. 315 00:14:26,406 --> 00:14:26,805 AND YOU ARE? 316 00:14:27,525 --> 00:14:28,225 WHAT'S IT TO YA? 317 00:14:29,027 --> 00:14:30,160 FOR THE ANSWER TO THAT QUESTION 318 00:14:33,086 --> 00:14:33,353 I WILL HAVE TO REFER TO MY BROTHER, JACOB DARLINGTON. 319 00:14:33,790 --> 00:14:34,656 JACOB? 320 00:14:36,603 --> 00:14:36,935 REALLY? THAT'S THE BEST YOU CAN DO? 321 00:14:38,520 --> 00:14:39,220 I'M NERVOUS. 322 00:14:41,014 --> 00:14:41,813 I GOT A QUESTION FOR YOU, KID. 323 00:14:42,964 --> 00:14:43,463 WHERE'S YOUR VISITOR'S PASS, HUH? 324 00:14:45,648 --> 00:14:46,348 WELL, I DON'T KNOW. 325 00:14:48,301 --> 00:14:49,168 BUT WHY ARE YOU LUGGING AROUND 326 00:14:50,826 --> 00:14:51,459 A BOX THAT SAYS "PROPERTY OF ZORA"? 327 00:14:53,607 --> 00:14:54,206 AND WE ACCEPT THAT ANSWER 328 00:14:55,461 --> 00:14:55,794 AS YOUR VISITOR'S PASS. 329 00:14:57,218 --> 00:14:57,984 ( laughs ) 330 00:15:00,959 --> 00:15:01,859 ENJOY YOUR VISIT AT "SO RANDOM!" 331 00:15:05,402 --> 00:15:09,138 OKAY, I'M GONNA SHOW YOU ONE MORE TIME. 332 00:15:12,083 --> 00:15:14,485 ALL RIGHT. ALL RIGHT, I GOT IT. 333 00:15:15,566 --> 00:15:16,599 ( groans ) 334 00:15:18,284 --> 00:15:18,649 - I GIVE UP. - WHAT WAS WRONG WITH THAT ONE? 335 00:15:19,754 --> 00:15:20,387 EVERYTHING. 336 00:15:21,928 --> 00:15:22,327 ( normal voice ) OH, SORRY. 337 00:15:23,430 --> 00:15:23,830 DO I KNOW YOU? 338 00:15:25,476 --> 00:15:26,076 NOBODY KNOWS ME. 339 00:15:28,769 --> 00:15:31,938 NO ONE WILL EVER KNOW ME. 340 00:15:33,403 --> 00:15:36,537 WEIRD BEARD. 341 00:15:38,997 --> 00:15:39,530 I KNOW YOU'D BE BACK. 342 00:15:41,170 --> 00:15:43,338 THEY ALWAYS COME BACK. 343 00:15:46,858 --> 00:15:47,158 - ( slow jazz playing ) - NOW WHERE WERE WE? 344 00:15:49,449 --> 00:15:52,217 MAIL CALL. 345 00:15:55,617 --> 00:15:56,284 SORRY, TAWNI. I DIDN'T KNOW YOU WERE ENTERTAINING. 346 00:15:58,654 --> 00:15:59,320 I'M ALWAYS ENTERTAINING. 347 00:16:00,444 --> 00:16:01,778 WHAT DO YOU WANT, JOSH? 348 00:16:04,312 --> 00:16:04,745 I HAVE SOME FAN MAIL FOR SONNY. WILL YOU MAKE SURE SHE GETS IT? 349 00:16:06,229 --> 00:16:12,067 DON'T I ALWAYS? 350 00:16:15,116 --> 00:16:15,382 - THOSE ARE ALL FOR ME. - NO, THEY'RE ALL FOR-- 351 00:16:16,330 --> 00:16:17,096 SONNY? 352 00:16:18,535 --> 00:16:19,368 YOU'VE BEEN HIDING MY FAN MAIL. 353 00:16:21,348 --> 00:16:22,048 YOU'RE PRETENDING TO BE YOUR OWN FAN? 354 00:16:22,755 --> 00:16:23,454 YOU COMMITTED MAIL FRAUD. 355 00:16:24,512 --> 00:16:25,112 WELL, YOU COMMITTED FAN FRAUD. 356 00:16:25,695 --> 00:16:26,495 FAN FRAUD'S NOT ILLEGAL. 357 00:16:28,093 --> 00:16:28,560 WELL, MAIL FRAUD'S NOT EMBARRASSING. 358 00:16:29,403 --> 00:16:30,503 I'M NOT EMBARRASSED. 359 00:16:31,641 --> 00:16:32,474 BUT APPARENTLY I'M BETTER THAN YOU THOUGHT I'D BE. 360 00:16:34,294 --> 00:16:35,060 I TOLD THAT TO ERIC IN CONFIDENCE. 361 00:16:36,499 --> 00:16:37,232 WELL, ONE THING ABOUT ERIC IS 362 00:16:37,650 --> 00:16:39,251 HE'S BAD AT KEEPING SECRETS. 363 00:16:40,911 --> 00:16:41,677 - ( knocks on door ) - KNOCK KNOCK, IT'S MARSHALL. CAN I COME IN? 364 00:16:42,860 --> 00:16:43,359 GUESS WHO ELSE CAN'T KEEP A SECRET. 365 00:16:45,034 --> 00:16:47,869 COME ON IN, MARSHALL. 366 00:16:49,828 --> 00:16:50,561 HAVE YOU SEEN SONNY? I CAN'T FIND HER ANYWHERE. 367 00:16:51,715 --> 00:16:52,415 YOU CAN'T FIND HER BECAUSE-- 368 00:16:53,919 --> 00:16:54,952 BECAUSE SHE'S RIGHT HERE. 369 00:16:57,500 --> 00:16:57,899 NO, YOU'RE NOT. YOU'RE ERIC. SHE'S ERIC. 370 00:16:59,417 --> 00:17:00,517 NO, I'M SONNY. 371 00:17:02,966 --> 00:17:03,498 AND THIS IS MARSHALL. AND YOU'RE TAWNI, REMEMBER? 372 00:17:05,332 --> 00:17:06,064 MARSHALL, SHE'S ERIC. 373 00:17:07,313 --> 00:17:07,979 SHE PUT ON A COSTUME AND A BEARD 374 00:17:09,199 --> 00:17:10,166 AND SHE BROKE HER ARMS. 375 00:17:11,244 --> 00:17:12,445 - I SEE WHAT'S GOING ON HERE. - FINALLY. 376 00:17:14,729 --> 00:17:15,095 SOMEBODY'S A LITTLE JEALOUS ABOUT SOMEBODY'S FIRST FAN. 377 00:17:16,263 --> 00:17:16,495 ( guffaws ) 378 00:17:17,894 --> 00:17:18,660 FINE. 379 00:17:19,491 --> 00:17:20,291 LET'S SEE WHO GETS THE LAST LAUGH. 380 00:17:22,656 --> 00:17:23,823 MARSHALL, I SAY WE TRACK DOWN ERIC, 381 00:17:26,108 --> 00:17:27,108 BRING HIM BACK HERE AND INTRODUCE HIM TO SONNY ONSTAGE 382 00:17:28,794 --> 00:17:29,427 DURING THE SHOW IN FRONT OF THE WHOLE WORLD. 383 00:17:30,007 --> 00:17:30,641 WHAT DO YOU THINK OF THAT? 384 00:17:32,054 --> 00:17:32,487 I DON'T LIKE THAT IDEA. 385 00:17:34,642 --> 00:17:35,076 I LIKE THAT IDEA. 386 00:17:36,176 --> 00:17:37,010 I LOVE THAT IDEA. 387 00:17:37,967 --> 00:17:38,666 I'M GONNA GO CALL HIM RIGHT AWAY. 388 00:17:41,322 --> 00:17:41,955 - ( laughs ) - ( cow mooing ) 389 00:17:43,049 --> 00:17:43,415 DON'T EVEN THINK ABOUT IT. 390 00:17:44,486 --> 00:17:48,123 ALREADY DID. 391 00:17:50,144 --> 00:17:52,913 OH, I'LL GET IT. 392 00:17:54,685 --> 00:17:55,251 ( mooing continues ) 393 00:17:56,826 --> 00:17:57,126 - NO! - GET BACK HERE! 394 00:17:59,190 --> 00:17:59,490 NO! NO! 395 00:18:00,374 --> 00:18:00,840 NO-O-O! 396 00:18:03,505 --> 00:18:05,807 - YES. - NO. 397 00:18:06,957 --> 00:18:08,225 ( deep voice ) YO, SSUP? 398 00:18:10,313 --> 00:18:11,313 YOU WANT ME TO MEET SONNY IN FRONT OF A LIVE AUDIENCE? 399 00:18:13,446 --> 00:18:14,380 YOU'LL HAVE TO BREAK MY LEGS TO KEEP ME AWAY. 400 00:18:16,483 --> 00:18:19,618 ( normal voice ) TURNS OUT IT WAS FOR YOU. 401 00:18:22,621 --> 00:18:22,887 ( phone rings ) 402 00:18:23,675 --> 00:18:24,174 HELLO. 403 00:18:25,689 --> 00:18:26,088 WILL YOU GET OFF ME? 404 00:18:29,045 --> 00:18:29,878 Announcer: Now let's get back to "So Random!" 405 00:18:31,538 --> 00:18:32,070 SO LONG, EVERYBODY, AND STAY TUNED 406 00:18:34,830 --> 00:18:37,232 FOR "AMERICA'S GOT GAS." 407 00:18:38,634 --> 00:18:39,667 GREAT SHOW, EVERYBODY. 408 00:18:41,446 --> 00:18:55,827 WE'RE BACK FOR THE SIGN-OFF IN TWO MINUTES. 409 00:18:57,365 --> 00:18:57,864 I KNEW I RECOGNIZED YOU. 410 00:18:59,762 --> 00:19:00,362 YOU'RE WEIRD BEARD. 411 00:19:01,840 --> 00:19:02,239 WHY ARE YOU WEIRD BEARD? 412 00:19:02,895 --> 00:19:03,694 WHY DO YOU CARE? 413 00:19:05,100 --> 00:19:05,900 I DON'T KNOW, LET'S GIVE IT A SHOT. 414 00:19:08,073 --> 00:19:08,773 WELL, I SENT MYSELF A FAN LETTER 415 00:19:09,670 --> 00:19:10,470 PRETENDING TO BE MY OWN FAN 416 00:19:11,429 --> 00:19:12,395 AND NOW I GET TO GO OUT ONSTAGE 417 00:19:13,347 --> 00:19:14,246 TO MEET THE FAN THAT I'M PRETENDING TO BE. 418 00:19:16,543 --> 00:19:17,243 WHY WOULD YOU WRITE YOURSELF A FAN LETTER? 419 00:19:18,557 --> 00:19:19,324 BECAUSE I LOST FAITH IN MYSELF. 420 00:19:21,210 --> 00:19:21,976 CLASSIC CASE OF ACTOR INSECURITY-- 421 00:19:22,936 --> 00:19:23,735 YOU START DOUBTING YOUR ABILITIES, 422 00:19:24,565 --> 00:19:25,365 WONDERING WHETHER YOU'RE GOOD ENOUGH 423 00:19:26,101 --> 00:19:26,767 AND WHETHER YOU DESERVE TO BE ON TV. 424 00:19:27,890 --> 00:19:28,123 SO YOU'VE BEEN THROUGH THIS? 425 00:19:29,392 --> 00:19:29,725 NO. 426 00:19:29,967 --> 00:19:31,334 NO. NO. 427 00:19:35,146 --> 00:19:36,280 BUT I MADE YOU THINK I HAD, WHICH IS WHY I'LL NEVER GO THROUGH IT. 428 00:19:37,768 --> 00:19:38,467 YOU'RE UNBELIEVABLE. 429 00:19:39,909 --> 00:19:41,009 I KNEW IT. YOU DON'T CARE. 430 00:19:43,553 --> 00:19:44,053 I THOUGHT WE WERE HAVING A REAL MOMENT HERE. 431 00:19:44,352 --> 00:19:45,486 ( jingle playing ) 432 00:19:46,398 --> 00:19:47,431 Marshall: Now please welcome back to the stage 433 00:19:48,859 --> 00:19:49,325 - the cast of "So Random!" - ( cheering ) 434 00:19:50,617 --> 00:19:51,250 WELL, THAT'S MY CUE. 435 00:19:51,991 --> 00:19:52,691 SO WHAT ARE YOU GONNA DO? 436 00:19:54,260 --> 00:19:54,594 YOU DON'T CARE, REMEMBER? 437 00:19:55,762 --> 00:19:56,529 BUT I DO. 438 00:19:57,904 --> 00:19:58,437 NOW EXCUSE ME WHILE I GO OUT THERE 439 00:20:00,366 --> 00:20:12,877 AND EMBARRASS MYSELF. 440 00:20:14,174 --> 00:20:14,907 WELL, THAT'S OUR SHOW, EVERYBODY, 441 00:20:15,356 --> 00:20:16,390 BUT BEFORE WE SAY GOOD NIGHT, 442 00:20:17,369 --> 00:20:18,470 WE WANT TO INTRODUCE YOU TO A VERY SPECIAL GUEST-- 443 00:20:20,503 --> 00:20:21,603 THE GUY WHO WROTE SONNY HER VERY FIRST FAN LETTER. 444 00:20:23,923 --> 00:20:24,389 LET'S GIVE IT UP FOR ERIC-- WHAT'S HIS NAME AGAIN? 445 00:20:26,160 --> 00:20:26,794 DOESN'T-EXISTOWITZ. 446 00:20:29,421 --> 00:20:34,258 LET'S GIVE IT UP FOR ERIC! 447 00:20:37,541 --> 00:20:39,074 ERIC, COME OUT, COME OUT WHEREVER YOU'RE NOT. 448 00:20:41,440 --> 00:20:42,273 ALL RIGHT, LET'S JUST GET THIS OVER WITH. 449 00:20:44,380 --> 00:20:44,679 MARSHALL, I HAVE TO SAY SOMETHING. 450 00:20:46,171 --> 00:20:46,636 ERIC IS... 451 00:20:48,535 --> 00:20:53,673 YOUR BIGGEST FAN. 452 00:20:57,198 --> 00:20:57,865 THAT'S IMPOSSIBLE. ERIC IS NOT REAL. 453 00:21:00,426 --> 00:21:01,059 BUT I'M STANDING RIGHT HERE. 454 00:21:02,217 --> 00:21:02,716 LET'S GIVE IT UP FOR SONNY! 455 00:21:05,381 --> 00:21:05,914 ( jingle playing ) 456 00:21:07,714 --> 00:21:08,181 WHY ARE YOU HELPING ME? 457 00:21:08,960 --> 00:21:09,726 I'M NOT HELPING YOU. 458 00:21:12,157 --> 00:21:12,823 I JUST WANTED TO TRY ON THE BEARD. 459 00:21:13,627 --> 00:21:14,494 SOUNDS LIKE SOMEBODY CARES. 460 00:21:17,400 --> 00:21:18,166 SOMEBODY WANTED TO TRY ON A WEIRD BEARD. 461 00:21:19,124 --> 00:21:19,690 - ( coughs ) CARES. - BEARDS. 462 00:21:20,211 --> 00:21:20,777 - CARES. - BEARDS. 463 00:21:21,458 --> 00:21:22,024 - CARES. - BEARDS. 464 00:21:22,993 --> 00:21:23,259 - BEARDS. - CARES. 465 00:21:25,006 --> 00:21:35,215 GOT YOU. 466 00:21:37,568 --> 00:21:41,037 EADY. 467 00:21:43,321 --> 00:21:49,860 WE'RE GONNA NEED A CROWBAR. 468 00:21:52,496 --> 00:21:55,064 WE'RE GONNA NEED SOME SCISSORS. 469 00:21:55,884 --> 00:21:56,283 MAY I? 470 00:21:57,833 --> 00:21:58,032 STUPID RIBBON. 471 00:21:58,440 --> 00:21:59,274 OOH. 472 00:22:01,446 --> 00:22:02,613 - ONE, TWO... - DUDE, YOU SMELL THAT? 473 00:22:05,729 --> 00:22:06,463 SMELLS LIKE HER GRANDMA'S HOMEMADE CHOCOLATE-CHIP COOKIES. 474 00:22:09,405 --> 00:22:10,838 ( laughs ) WHO WANTS COOKIES? 475 00:22:13,145 --> 00:22:19,650 WORKS EVERY TIME. 476 00:22:19,700 --> 00:22:24,250 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 33620

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