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These are the user uploaded subtitles that are being translated: 1 00:00:00,671 --> 00:00:17,987 [ CHEERS AND APPLAUSE ] 2 00:00:20,657 --> 00:00:24,594 BUDDY YOU'RE A BOY 3 00:00:24,728 --> 00:00:27,930 MAKE A BIG NOISE PLAYIN' IN THE STREET 4 00:00:28,065 --> 00:00:29,499 GONNA BE A BIG MAN SOME DAY YOU GOT MUD ON YOUR FACE 5 00:00:29,633 --> 00:00:32,535 YOU BIG DISGRACE KICKIN' YOUR CAN 6 00:00:32,669 --> 00:00:43,012 ALL OVER THE PLACE WE WILL, WE WILL ROCK YOU 7 00:00:43,147 --> 00:00:53,423 WE WILL, WE WILL ROCK YOU EVERY WE WILL WE WILL ROCK YOU 8 00:00:53,557 --> 00:01:10,673 WE WILL, WE WILL ROCK YOU 9 00:01:12,676 --> 00:01:28,291 [ CHEERS AND APPLAUSE ] 10 00:01:29,460 --> 00:01:40,536 I'VE PAID MY DUES 11 00:01:40,671 --> 00:01:47,410 TIME AFTER TIME I'VE DONE MY SENTENCE 12 00:01:47,544 --> 00:01:53,449 BUT COMMITTED NO CRIME AND BAD MISTAKES 13 00:01:53,584 --> 00:02:00,556 I'VE MADE A FEW I'VE HAD MY SHARE OF SAND 14 00:02:00,691 --> 00:02:09,832 KICKED IN MY FACE BUT I'VE COME THROUGH 15 00:02:09,967 --> 00:02:16,539 WE ARE THE CHAMPIONS MY FRIENDS 16 00:02:16,673 --> 00:02:23,513 AND WE'LL KEEP ON FIGHTING TIL THE END 17 00:02:23,647 --> 00:02:32,522 WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS 18 00:02:32,656 --> 00:02:43,132 NO TIME FOR LOSERS 'CAUSE WE ARE THE CHAMPIONS 19 00:02:43,267 --> 00:02:50,406 WE ARE THE CHAMPIONS MY FRIENDS 20 00:02:50,541 --> 00:02:56,546 AND WE'LL KEEP ON FIGHTING TIL THE END 21 00:02:56,680 --> 00:03:04,520 WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS 22 00:03:04,655 --> 00:03:16,532 NO TIME FOR LOSERS 'CAUSE WE ARE THE CHAMPIONS 23 00:03:16,667 --> 00:03:24,574 OF THE WORLD 24 00:03:24,708 --> 00:03:40,556 [ CHEERS AND APPLAUSE ] YEAH 25 00:03:40,691 --> 00:03:47,763 >> WELCOME TO THE OSCAR! 26 00:03:47,898 --> 00:04:04,547 [ CHEERS AND APPLAUSE ] >> LIVE FROM THE DOLBY THEATRE 27 00:04:04,681 --> 00:04:08,551 AT HOLLYWOOD AND HIGHLAND, IT'S THE 91st ACADEMY AWARDS. 28 00:04:08,685 --> 00:04:12,521 TONIGHT, WE CELEBRATE THE ACTORS AND ACTRESSES, THE ARTISTS AND 29 00:04:12,656 --> 00:04:15,691 FILMMAKERS, FROM THE BIGGEST MOVIES OF THE YEAR, INCLUDING 30 00:04:15,826 --> 00:04:17,526 BEST PICTURE NOMINEES -- "A STAR IS BORN" 31 00:04:17,661 --> 00:04:20,529 "BLACK PANTHER" "BLACKKKLANSMAN" 32 00:04:20,664 --> 00:04:23,466 "BOHEMIAN RHAPSODY" "GREEN BOOK" 33 00:04:23,600 --> 00:04:28,170 "ROMA" "THE FAVOURITE" 34 00:04:28,305 --> 00:04:34,910 "VICE" WELCOME TO THE OSCARS. 35 00:04:35,045 --> 00:04:40,916 >> DO YOU REALIZE HOW MANY EVENTS HAD TO OCCUR SINCE THE 36 00:04:41,051 --> 00:04:44,920 BIRTH OF THE UNIVERSE, LEADING TO THE MAKING OF YOU. 37 00:04:45,055 --> 00:04:48,090 >> AND WHEN YOU'RE DOWN HERE, AND YOU DON'T THINK ABOUT IT TOO 38 00:04:48,225 --> 00:04:53,562 MUCH, WHEN YOU GET A DIFFERENT VANTAGE POINT, IT CHANGES YOUR 39 00:04:53,697 --> 00:04:54,864 PERSP PERSPECTIVE. 40 00:04:54,998 --> 00:04:59,335 >> I THINK OF THAT LITTLE KID I WAS, I SAY, WOULD HE HAVE BEEN 41 00:04:59,469 --> 00:05:05,308 PROUD OF ME? IF THE ANSWER IS YES, I KNOW I'M 42 00:05:05,442 --> 00:05:06,542 EXACTLY WHERE I'M SUPPOSED TO BE. 43 00:05:06,677 --> 00:05:09,645 >> NO LOOKING BACK. ONLY FORWARDS. 44 00:05:09,780 --> 00:05:15,751 >> IN EVERY FILM, THERE'S A MOMENT WHEN THE HERO HITS ROCK 45 00:05:15,886 --> 00:05:17,453 BOTTOM. >> YOU'LL DO WHAT YOU HAVE TO 46 00:05:17,587 --> 00:05:21,157 DO, AND THEN YOU'LL DO IT AGAIN. >> FIND SOMETHING YOU LOVE, AND 47 00:05:21,291 --> 00:05:24,260 THEN GO AFTER IT. >> THE BEST THINGS IN LIFE 48 00:05:24,394 --> 00:05:27,463 HAPPEN UNEXPECTEDLY. >> THAT'S WHAT MAKES THINGS 49 00:05:27,597 --> 00:05:28,164 EXCITING. AND FUN. 50 00:05:28,298 --> 00:05:31,067 >> YOU HAVE TO FIND THE TRUTH OF IT. 51 00:05:31,201 --> 00:05:37,707 >> WE'RE ABOUT TO BLAST OFF! >> OFF WE GO. 52 00:05:37,841 --> 00:05:44,547 >> WE WILL HAVE A TRANSFORMATIVE EXPERIENCE. 53 00:05:44,681 --> 00:05:50,419 >> LET THE PARTY COMMENCE. >> LET'S TAKE SOME TIME TO THINK 54 00:05:50,554 --> 00:05:57,760 OF PEOPLE WHO HAVE SUNG YOU INTO SINGING, SMILED YOU INT 55 00:05:57,894 --> 00:06:08,537 SMILING. LOVED YOU INTO LOVING. 56 00:06:08,672 --> 00:06:11,540 >> PEOPLE WILL REMEMBER OUR MOVIES. 57 00:06:11,675 --> 00:06:12,408 [ CHEERS AND APPLAUSE ] 58 00:06:12,542 --> 00:06:13,809 >> AND NOW, PLEASE WELCOME TINA FEY, MAYA RUDOLPH, AND AMY 59 00:06:13,944 --> 00:06:27,356 POEHLER. [ CHEERS AND APPLAUSE ] 60 00:06:27,491 --> 00:06:32,528 >> GOOD EVENING AND WELCOME TO THE 1 MILLIONTH ACADEMY AWARDS. 61 00:06:32,662 --> 00:06:35,564 WE ARE NOT YOUR HOSTS. BUT WE'RE GOING TO STAND HERE A 62 00:06:35,699 --> 00:06:38,467 LITTLE TOO LONG SO THAT THE PEOPLE WHO GET "USA TODAY" 63 00:06:38,602 --> 00:06:46,809 TOMORROW WILL THINK THAT WE HOSTED. 64 00:06:46,943 --> 00:06:48,043 >> THAT'S GREAT. SO, JUST A QUICK UPDATE, IN CASE 65 00:06:48,178 --> 00:06:49,145 YOU'RE CONFUSED. THERE IS NO HOST TONIGHT. 66 00:06:49,279 --> 00:06:52,548 THERE WON'T BE A POPULAR MOVIE CATEGORY, AND MEXICO IS NOT 67 00:06:52,682 --> 00:07:04,527 PAYING FOR THE WALL. [ CHEERS AND APPLAUSE ] 68 00:07:04,661 --> 00:07:07,463 >> THAT'S RIGHT. AND WE WON'T BE DOING AWARDS 69 00:07:07,597 --> 00:07:08,931 DURING THE COMMERCIALS, BUT WE WILL BE PRESENTING COMMERCIALS 70 00:07:09,065 --> 00:07:15,805 DURING THE AWARDS. SO IF ALL THE WINNERS COULD 71 00:07:15,939 --> 00:07:21,076 PLEASE SAY "HELLMAN'S MAYONNAISE: WE'RE ON THE SIDE OF 72 00:07:21,211 --> 00:07:23,212 FOOD" INSTEAD OF SPEECHES, THAT WOULD BE GREAT. 73 00:07:23,346 --> 00:07:24,680 >> AGAIN, WE ARE NOT YOUR HOSTS THIS YEAR, BUT IF WE HAD HOSTED, 74 00:07:24,815 --> 00:07:28,484 IT WOULD HAVE PROBABLY GONE LIKE THIS -- 75 00:07:28,618 --> 00:07:29,819 >> I'M FREDDIE MERCURY. >> BUSTER SCRUGGS, I HARDLY KNOW 76 00:07:29,953 --> 00:07:36,826 HER. >> THAT'S A GOOD ONE. 77 00:07:36,960 --> 00:07:43,098 HEY, CHADWICK BOSEMAN, WAKANDA PLANS DO YOU HAVE LATER? 78 00:07:43,233 --> 00:07:47,002 >> THESE SPANX ARE SO TIGHT THEY'VE ENTERED MY SPIDER-VERSE. 79 00:07:47,137 --> 00:07:57,847 >> I'M SAM ELLIOTT FROM SAM ELLIOTT MUSTACHE WAX. 80 00:07:57,981 --> 00:08:05,287 >> DON'T WORRY, BRADLEY, AFTER FOUR KIDS, I, TOO, HAVE PEED 81 00:08:05,422 --> 00:08:11,594 MYSELF AT THE GRAMMYS. 82 00:08:11,728 --> 00:08:12,595 >> EVERYONE, LOOK UNDER YOUR SEATS. 83 00:08:12,729 --> 00:08:16,098 YOU'RE ALL GETTING ONE OF THOSE CHEESE SANDWICHES FROM THE FYRE 84 00:08:16,233 --> 00:08:18,100 FESTIVAL. >> YAY! 85 00:08:18,235 --> 00:08:20,836 >> WE'RE NOT GOING TO DO ANY OF THAT. 86 00:08:20,971 --> 00:08:23,439 >> NOPE. >> WE'RE HERE TO PRESENT THE 87 00:08:23,573 --> 00:08:27,243 AWARD FOR OUTSTANDING SUPPORTING ACTRESS. 88 00:08:27,377 --> 00:08:34,350 ALTHOUGH, IN MY EXPERIENCE, THEY'RE ALL OUTSTANDING, BECAUSE 89 00:08:34,484 --> 00:08:35,417 WOMEN NATURALLY SUPPORT EACH OTHER. 90 00:08:35,552 --> 00:08:37,887 >> YES, THAT'S TRUE. [ APPLAUSE ] 91 00:08:38,021 --> 00:08:41,023 >> THAT'S VERY, VERY TRUE. FOR EXAMPLE, I SUPPORT BOTH OF 92 00:08:41,157 --> 00:08:45,227 YOU FINANCIALLY. >> YES. 93 00:08:45,362 --> 00:08:51,133 >> AND I HOLD YOUR BOOBS WHILE YOU JOG. 94 00:08:51,268 --> 00:08:58,574 >> AND I DUB ALL YOUR DIALOGUE INTERNATIONALLY. 95 00:08:58,708 --> 00:09:00,009 [ SPEAKING FOREIGN LANGUAGE ] >> THE NOMINEES FOR OUTSTANDING 96 00:09:00,143 --> 00:09:04,547 SUPPORTING ACTRESS ARE -- >> AMY ADAMS. 97 00:09:04,681 --> 00:09:07,816 "VICE." >> THE V.P. JUST SITS AROUND AND 98 00:09:07,951 --> 00:09:10,786 WAITS FOR THE PRESIDENT TO DIE. YOU SAID SO YOURSELF. 99 00:09:10,921 --> 00:09:17,126 >> IT'S A CRUDDY JOB. >> YEAH. 100 00:09:17,260 --> 00:09:19,895 >> IT'S JUST A MEETING. >> IS IT JUST A MEETING? 101 00:09:20,030 --> 00:09:30,339 >> IT'S JUST A MEETING. >> GOOD. 102 00:09:30,473 --> 00:09:35,144 [ APPLAUSE ] >> MARINA DE TAVIRA. 103 00:09:35,278 --> 00:09:45,621 "ROMA." [ SPEAKING FOREIGN LANGUAGE ] 104 00:09:52,662 --> 00:10:03,505 [ APPLAUSE ] >> REGINA KING. 105 00:10:03,640 --> 00:10:08,477 "IF BEALE STREET COULD TALK." >> IT'S YOUR GRANDCHILD. 106 00:10:08,612 --> 00:10:12,414 I DON'T UNDERSTAND YOU. WHAT DIFFERENCE DOES IT MAKE HOW 107 00:10:12,549 --> 00:10:15,017 HE GETS HERE? THE CHILD AIN'T GOT NOTHING TO 108 00:10:15,151 --> 00:10:18,153 DO WITH THAT. AIN'T NONE OF US GOT NOTHING TO 109 00:10:18,288 --> 00:10:18,988 DO WITH THAT. [ APPLAUSE ] 110 00:10:19,122 --> 00:10:25,694 >> EMMA STONE. "THE FAVOURITE." 111 00:10:25,829 --> 00:10:30,833 >> I HOPE I MIGHT BE EMPLOYED BY YOU. 112 00:10:30,967 --> 00:10:33,736 >> A MONSTER FOR THE CHILDREN TO PLAY WITH PERHAPS. 113 00:10:33,870 --> 00:10:36,605 >> YES, IF YOU LIKE. ARR! 114 00:10:36,740 --> 00:10:40,943 AHH! [ APPLAUSE ] 115 00:10:41,077 --> 00:10:48,050 >> RACHEL WEISZ. "THE FAVOURITE." 116 00:10:48,184 --> 00:10:52,521 >> OH! >> IF YOU FORGET TO LOAD THE 117 00:10:52,656 --> 00:10:56,525 PELLET, THE GUN MAKES A SOUND, BUT RELEASES NO SHOT. 118 00:10:56,660 --> 00:10:59,528 IT'S A GREAT JAPE, DO YOU AGREE? >> YES. 119 00:10:59,663 --> 00:11:02,164 >> MAYBE WE'LL THINK OF A USE FOR IT ONE DAY. 120 00:11:02,298 --> 00:11:04,633 SOMETIMES IT IS HARD TO REMEMBER WHETHER YOU'VE LOADED THE PELLET 121 00:11:04,768 --> 00:11:09,171 OR NOT. I DO FEAR CONFUSION, AND 122 00:11:09,305 --> 00:11:15,711 ACCIDENTS. [ APPLAUSE ] 123 00:11:15,845 --> 00:11:20,949 >> AND THE OSCAR GOES TO REGINA KING! 124 00:11:21,084 --> 00:11:32,628 [ APPLAUSE ] >> THIS IS THE FIRST OSCAR AND 125 00:11:32,762 --> 00:11:54,516 NOMINATION FOR REGINA KING. [ CHEERS AND APPLAUSE ] 126 00:12:01,624 --> 00:12:07,496 >> TO BE STANDING HERE, REPRESENTING ONE OF THE GREATEST 127 00:12:07,630 --> 00:12:16,538 ARTISTS OF OUR TIME, JAMES BALDWIN. 128 00:12:16,673 --> 00:12:19,374 [ APPLAUSE ] IT'S A LITTLE SURREAL. 129 00:12:19,509 --> 00:12:28,584 JAMES BALDWIN BIRTHED THIS BABY. AND BARRY, YOU NURTURED HER, 130 00:12:28,718 --> 00:12:31,553 SURROUNDED HER WITH SO MUCH LOVE AND SUPPORT. 131 00:12:31,688 --> 00:12:36,391 SO, IT'S APPROPRIATE FOR ME TO BE STANDING HERE, BECAUSE I'M AN 132 00:12:36,526 --> 00:12:43,499 EXAMPLE OF WHAT IT LOOKS LIKE WHEN SUPPORT AND LOVE IS POURED 133 00:12:43,633 --> 00:12:44,867 INTO SOMEONE. MOM, I LOVE YOU SO MUCH. 134 00:12:45,001 --> 00:12:56,545 [ CHEERS AND APPLAUSE ] THANK YOU FOR TEACHING ME THAT 135 00:12:56,679 --> 00:13:04,520 GOD IS ALWAYS LEANING, ALWAYS HAS BEEN LEANING IN MY 136 00:13:04,654 --> 00:13:08,557 DIRECTION. GOMOSIS, ASK ME ABOUT THAT 137 00:13:08,691 --> 00:13:16,131 LATER. SO MANY PEOPLE TO THANK, CHELSEA 138 00:13:16,266 --> 00:13:22,237 BARNARD, MEGAN ELLENSON, PLAN B, THIS AMAZING CAST. 139 00:13:22,372 --> 00:13:32,548 MY SISTERS IN ART. MARINA, AMY. 140 00:13:32,682 --> 00:13:38,287 EMMA, RACHEL, IT'S AN HONOR TO HAVE MY NAME TO BE SAID WITH 141 00:13:38,421 --> 00:13:40,189 YOURS. THIS WHOLE STEP OF THE WAY HAS 142 00:13:40,323 --> 00:13:46,128 BEEN PRETTY AMAZING. THE RIVERS FAMILY, KIKI, 143 00:13:46,262 --> 00:13:52,534 COLEMAN, KIANA, STEFON. GOD IS GOOD, ALL THE TIME. 144 00:13:52,669 --> 00:13:59,575 [ CHEERS AND APPLAUSE ] 145 00:13:59,709 --> 00:14:04,513 >> PLEASE WELCOME JASON MOMOA AND ACADEMY AWARD-WINNING 146 00:14:04,647 --> 00:14:20,829 ACTRESS, HELEN MIRREN. 147 00:14:24,567 --> 00:14:29,905 >> YOU KNOW, HONESTLY, I SWEAR TO GOD, JASON AND I CAN'T 148 00:14:30,039 --> 00:14:33,075 COORDINATE OUR OUTFITS TONIGHT. THIS IS PURELY ACCIDENTAL. 149 00:14:33,209 --> 00:14:41,049 BUT IT JUST GOES TO SHOW, THESE DAYS, A HAWAIIAN GOD, AND A VERY 150 00:14:41,184 --> 00:14:44,286 MATURE ENGLISH WOMAN CAN BOTH WEAR PINK. 151 00:14:44,420 --> 00:14:46,655 >> FINALLY. THE TIMES ARE CHANGING. 152 00:14:46,789 --> 00:14:50,859 >> YES. >> BOOM. 153 00:14:50,994 --> 00:14:52,561 DOCUMENTARY FILMMAKERS BRING US STORIES OF REAL PEOPLE, DOING 154 00:14:52,695 --> 00:14:56,565 REAL THINGS, AND IN DOING SO, THEY CAN OFTEN OPEN OUR EYES TO 155 00:14:56,699 --> 00:15:00,068 THE MOST IMPORTANT ISSUES OF YESTERDAY, TODAY, AND TOMORROW. 156 00:15:00,203 --> 00:15:02,971 >> THEY ARE INSIGHTFUL AND ILLUMINATING, SOMETIMES 157 00:15:03,106 --> 00:15:12,014 ASTONISHING, AND ALWAYS AUTHENTIC. 158 00:15:12,148 --> 00:15:16,885 AND REVELATORY. HERE ARE THE NOMINEES FOR BEST 159 00:15:17,020 --> 00:15:20,455 DOCUMENTARY FEATURE. "FREE SOLO." 160 00:15:20,590 --> 00:15:26,128 >> THE CHANCE OF ME FALLING OFF IS QUITE LOW, EVEN THOUGH THE 161 00:15:26,262 --> 00:15:28,664 CONSEQUENCES WITH EXTREMELY HIGH. 162 00:15:28,798 --> 00:15:33,635 >> "HALE COUNTY THIS MORNING, THIS EVENING." 163 00:15:33,770 --> 00:15:36,939 >> I WANT MY SON TO KNOW, I JUST WANT TO MAKE LIFE BETTER FOR 164 00:15:37,073 --> 00:15:41,944 HIM. >> "MINDING THE GAP." 165 00:15:42,078 --> 00:15:45,847 >> I'M MAKING THIS FILM BECAUSE I WAS PHYSICALLY DISCIPLINED BY 166 00:15:45,982 --> 00:15:48,550 MY STEPFATHER, IT DIDN'T MAKE SENSE TO ME. 167 00:15:48,685 --> 00:15:49,985 AND I SAW MYSELF IN YOUR OWN STORY. 168 00:15:50,119 --> 00:16:06,368 >> "OF FATHERS AND SONS." 169 00:16:08,671 --> 00:16:10,605 [ SPEAKING FOREIGN LANGUAGE ] >> "RBG." 170 00:16:10,740 --> 00:16:17,412 >> I ASKED NO FAVOR FOR MY SEX. ALL I ASK OF OUR BRETHREN IS 171 00:16:17,547 --> 00:16:20,515 THAT THEY TAKE THEIR FEET OFF OUR NECKS. 172 00:16:20,650 --> 00:16:30,525 [ APPLAUSE ] >> AND THE OSCAR GOES TO "FREE 173 00:16:30,660 --> 00:16:33,161 SOLO." [ CHEERS AND APPLAUSE ] 174 00:16:33,296 --> 00:16:40,769 >> THIS IS THE FIRST OSCAR 175 00:16:40,903 --> 00:16:52,781 NOMINATION FOR THE TEAM. 176 00:16:52,915 --> 00:17:03,358 [ APPLAUSE ] 177 00:17:10,767 --> 00:17:15,070 >> OH -- WOW. BREATHE. 178 00:17:15,204 --> 00:17:16,638 >> WOW. THANK YOU. 179 00:17:16,773 --> 00:17:27,149 THANK YOU. THANK YOU, "NATIONAL GEOGRAPHIC" 180 00:17:27,283 --> 00:17:30,652 FOR BELIEVING IN US, AND HIRING WOMEN AND PEOPLE OF COLOR, 181 00:17:30,787 --> 00:17:32,654 BECAUSE WE ONLY HELP MAKE THE FILMS BETTER. 182 00:17:32,789 --> 00:17:37,392 THANK YOU TO ALL THE AMAZING PEOPLE WHO WORKED ON THIS FILM. 183 00:17:37,527 --> 00:17:39,261 EVAN, SHANNON. >> OUR HIGH ANGLE TEAM. 184 00:17:39,395 --> 00:17:43,732 >> I MEAN, IT WAS A WORK OF AN ARMY, AND WE APPRECIATE YOU IN 185 00:17:43,866 --> 00:17:47,269 EVERY WAY. THANK YOU TO OUR FAMILIES. 186 00:17:47,403 --> 00:17:53,208 ESPECIALLY OUR TWO KIDS. MARINA, I KNOW YOU'RE HERE. 187 00:17:53,342 --> 00:18:03,885 >> JAMES. >> AND THEN THANK YOU TO SONNY 188 00:18:04,020 --> 00:18:06,388 McCANDLESS. YOU CLIMBED YOUR OWN MOUNTAIN 189 00:18:06,522 --> 00:18:11,560 THAT DAY. THANK YOU. 190 00:18:11,694 --> 00:18:13,195 THIS FILM WOULD BE SO BORING WITHOUT YOU. 191 00:18:13,329 --> 00:18:18,800 I'M JUST SAYING, OKAY? ANYWAY, THANK YOU, ALEX, FOR 192 00:18:18,935 --> 00:18:23,605 GIVING US COURAGE AND TEACHING US HOW TO BELIEVE IN THE 193 00:18:23,739 --> 00:18:28,543 IMPOSSIBLE, AND INSPIRING US. THIS FILM IS FOR EVERYONE WHO 194 00:18:28,678 --> 00:18:29,644 BELIEVES IN THE IMPOSSIBLE. >> THANK YOU. 195 00:18:29,779 --> 00:18:40,522 THANK YOU. [ APPLAUSE ] 196 00:18:40,656 --> 00:18:44,526 >> COMING UP, A LOOK AT "VICE." AND THE AWARDS FOR MAKEUP AND 197 00:18:44,660 --> 00:18:49,397 HAIRSTYLING AND COSTUME DESIGN. AND LATER, MELISSA McCARTHY, 198 00:18:49,532 --> 00:18:54,903 [ APPLAUSE ] 199 00:18:55,037 --> 00:19:00,809 >>> FROM RAGE AGAINST THE MACHINE, HERE IS TOM MORELLO. 200 00:19:00,943 --> 00:19:04,513 [ APPLAUSE ] >> MOVIES, LIKE MUSIC, CAN DO 201 00:19:04,647 --> 00:19:06,815 MORE THAN ENTERTAIN. A GREAT MOVIE CAN BECOME A PART 202 00:19:06,949 --> 00:19:11,219 OF THE CONVERSATION OF HISTORY. AND, LIKE OUR NEXT MOVIE, AND 203 00:19:11,354 --> 00:19:15,957 THE KIND OF SONGS I LIKE TO MAKE, IT CAN DO IT WITH 204 00:19:16,092 --> 00:19:17,492 FEEDBACK, NOISE, AND, YES, ANGER. 205 00:19:17,627 --> 00:19:18,894 ADAM McKAY'S "VICE" IS SUCH A FILM. 206 00:19:19,028 --> 00:19:22,297 SHREDDING THE TRADITIONAL BIOPIC STRUCTURE WITH PASSION 207 00:19:22,431 --> 00:19:24,432 AND HUMOR, "VICE" SEEKS TO PUT A SPOTLIGHT ON A MAN WHO AVOIDED 208 00:19:24,567 --> 00:19:27,869 IT HIS WHOLE CAREER -- DICK CHENEY. 209 00:19:28,004 --> 00:19:29,604 BRILLIANTLY ACTED, THE FILM IS A LESSON ABOUT THE PAST THAT 210 00:19:29,739 --> 00:19:36,845 SERVES AS A WARNING ABOUT THE PRESENT AND THE FUTURE. 211 00:19:36,979 --> 00:19:40,882 WAR, GREED, TRUTH, LIES, FATHERHOOD, LOVE, TORTURE, AND 212 00:19:41,017 --> 00:19:42,817 BETRAYAL ALL SWIRL AROUND IN "VICE" WITH A HARD BACKBEAT AND 213 00:19:42,952 --> 00:19:45,620 A KILLER BASSLINE. SOME WILL DIG IT. 214 00:19:45,755 --> 00:19:48,857 SOME WILL COVER THEIR EARS. BUT EVERYONE WILL DO THE ONE 215 00:19:48,991 --> 00:19:50,258 THING THE MOVIE BEGS US TO DO, REACT. 216 00:19:50,393 --> 00:19:57,899 THIS IS "VICE." >> SO, WHAT'S THE PLAN? 217 00:19:58,034 --> 00:20:04,005 >> THE PLAN IS TO TAKE OVER THE DAMN PLACE. 218 00:20:04,140 --> 00:20:10,812 >> GEORGE, YOU MAKE DECISIONS BASED ON INSTINCT. 219 00:20:10,947 --> 00:20:16,418 >> NO ONE HAS SHOWN THE WORLD THE TRUE POWER OF THE AMERICAN 220 00:20:16,552 --> 00:20:17,919 PRESIDENCY. >> THAT'S NOT SOMETHING THE VICE 221 00:20:18,054 --> 00:20:19,387 PRESIDENT REALLY DOES. >> IT IS NOW. 222 00:20:19,522 --> 00:20:22,991 >> YOU NEED TO REMEMBER THAT IF YOU HAVE POWER, PEOPLE WILL 223 00:20:23,125 --> 00:20:29,631 ALWAYS TRY TO TAKE IT FROM YOU. [ APPLAUSE ] 224 00:20:29,765 --> 00:20:33,602 >> PLEASE WELCOME ELSIE FISHER 225 00:20:33,736 --> 00:20:42,844 AND STEPHAN JAMES. >> IT DOESN'T TAKE A MAGIC WAND 226 00:20:42,979 --> 00:20:46,348 TO TRANSFORM AN ACTOR INTO A CHARACTER WHOSE LOOK IS 227 00:20:46,482 --> 00:20:49,484 MEMORABLE AND MEANINGFUL TO THE STORY. 228 00:20:49,619 --> 00:20:53,588 >> ALL IT TAKES ARE THIS YEAR'S NOMINEES FOR ACHIEVEMENT IN 229 00:20:53,723 --> 00:21:01,596 MAKEUP AND HAIRSTYLING. >> "BORDER." 230 00:21:01,731 --> 00:21:13,375 "MARY QUEEN OF SCOTS." "VICE." 231 00:21:13,509 --> 00:21:29,157 >> AND THE OSCAR GOES TO "VICE." [ APPLAUSE ] 232 00:21:29,292 --> 00:21:35,463 >> THIS IS THE FIRST OSCAR AND NOMINATION FOR KIT AND PATRICIA, 233 00:21:35,598 --> 00:21:41,603 THE FOURTH OSCAR AND TENTH NOMINATION FOR GREG. 234 00:21:41,737 --> 00:21:48,843 OSCARS IN THIS CATEGORY HAVE BEEN AWARDED SINCE 1981. 235 00:21:48,978 --> 00:21:53,581 [ CHEERS AND APPLAUSE ] 236 00:21:53,716 --> 00:22:03,792 >> THANK YOU, ADAM, OUR GREAT 237 00:22:03,926 --> 00:22:12,734 DIRECTOR, CHRISTIAN BALE. OH, YOU'RE HERE. 238 00:22:12,868 --> 00:22:15,970 GO AHEAD. >> CAN YOU READ THAT? 239 00:22:16,105 --> 00:22:18,807 >> I ALREADY DID. GO AHEAD. 240 00:22:18,941 --> 00:22:25,313 >> PLAN B, GARY SANCHEZ. >> THE VOTING ACADEMY MEMBERS, 241 00:22:25,448 --> 00:22:30,685 AND OUR FELLOW NOMINEES FROM THE UK AND SWEDEN, THANK YOU. 242 00:22:30,820 --> 00:22:33,588 [ APPLAUSE ] >> CHRISTIAN BALE, YOU'RE 243 00:22:33,723 --> 00:22:36,024 FANTASTIC. SO GREAT TO WORK WITH, AND 244 00:22:36,158 --> 00:22:37,459 CREATE WITH, AND EVERYTHING. THANK YOU. 245 00:22:37,593 --> 00:22:43,998 >> AMY ADAMS, THANK YOU FOR BRINGING US UP TO YOUR LEVEL OF 246 00:22:44,133 --> 00:22:47,702 COMMITMENT. >> SAM ROCKWELL, AND THE 150 247 00:22:47,837 --> 00:22:52,607 OTHER S.A.G. MEMBERS, GREAT JOB. [ APPLAUSE ] 248 00:22:52,742 --> 00:22:59,047 >> SUSAN MATHESON. >> JEFF WAXMAN. 249 00:22:59,181 --> 00:23:13,094 >> AND JENNIFER MADELOFF. >> PAULA WILLIAMS, LESLIE 250 00:23:13,229 --> 00:23:16,331 WOFFORD. >> CHRIS GALLAHER. 251 00:23:16,465 --> 00:23:19,367 >> KENNY MYERS. GO AHEAD. 252 00:23:19,502 --> 00:23:24,939 >> ERIC, BRIAN WADE. 253 00:23:25,074 --> 00:23:31,479 [ APPLAUSE ] >> PLEASE WELCOME BRIAN TYREE 254 00:23:31,614 --> 00:23:36,851 HENRY, AND A NOMINEE TONIGHT FOR ACTRESS IN A LEADING ROLE, 255 00:23:36,986 --> 00:23:41,856 MELISSA McCARTHY. 256 00:23:41,991 --> 00:23:55,103 [ CHEERS AND APPLAUSE ] 257 00:24:06,949 --> 00:24:12,887 >> A RAKISH TILT TO A HAT. THE DRAPE OF FABRIC, JUST SO. 258 00:24:13,022 --> 00:24:18,293 NUANCE AND SOPHISTICATION ARE JUST TWO QUALITIES OF THE MOST 259 00:24:18,427 --> 00:24:24,833 EFFECTIVE COSTUME DESIGN. >> THESE ARTISTS CREATE A 260 00:24:24,967 --> 00:24:29,604 PASTICHE OF TEXTILES WITH AUTHENTICITY, YET NEVER DISTRACT 261 00:24:29,738 --> 00:24:36,811 FROM THE STORY. COSTUME DESIGNERS CONSTRUCT THE 262 00:24:36,946 --> 00:24:41,583 LOOKS THAT GROUND A CHARACTER TO A PARTICULAR TIME AND PLACE IN 263 00:24:41,717 --> 00:24:50,592 THE SUBTLEST OF WAYS. >> SO TRUE. 264 00:24:50,726 --> 00:24:51,326 SO TRUE. SO TRUE. 265 00:24:51,460 --> 00:24:53,795 >> SO TRUE. >> HERE ARE THE NOMINEES FOR 266 00:24:53,929 --> 00:25:00,835 ACHIEVEMENT IN COSTUME DESIGN. >> "THE BALLAD OF BUSTER 267 00:25:00,970 --> 00:25:09,611 SCRUGGS." "BLACK PANTHER." 268 00:25:09,745 --> 00:25:21,589 "THE FAVOURITE." "MARY POPPINS RETURNS." 269 00:25:21,724 --> 00:25:32,300 "MARY QUEEN OF SCOTS." [ APPLAUSE ] 270 00:25:32,434 --> 00:25:41,609 >> AND THE OSCAR GOES TO -- GET IT. 271 00:25:41,744 --> 00:25:48,816 >> I GOT IT. OKAY. 272 00:25:48,951 --> 00:25:53,588 >> OKAY. "BLACK PANTHER," RUTH CARTER! 273 00:25:53,722 --> 00:25:58,760 >> THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR RUTH 274 00:25:58,894 --> 00:26:01,329 CARTER. SHE WAS PREVIOUSLY NOMINATED 275 00:26:01,463 --> 00:26:09,637 FOR "MALCOLM X" AND "AMISTAD." [ CHEERS AND APPLAUSE ] 276 00:26:09,772 --> 00:26:17,612 >> WOW. 277 00:26:17,746 --> 00:26:21,583 WOW. I GOT IT. 278 00:26:21,717 --> 00:26:25,553 WOW. THIS HAS BEEN A LONG TIME 279 00:26:25,688 --> 00:26:33,661 COMING. SPIKE LEE, THANK YOU FOR MY 280 00:26:33,796 --> 00:26:38,833 START. I HOPE THIS MAKES YOU PROUD. 281 00:26:38,968 --> 00:26:46,007 [ APPLAUSE ] MARVEL MAY HAVE CREATED THE 282 00:26:46,141 --> 00:26:51,245 FIRST BLACK SUPERHERO, BUT THROUGH COSTUME DESIGN, WE 283 00:26:51,380 --> 00:26:55,550 TURNED HIM INTO AN AFRICAN KING. [ CHEERS AND APPLAUSE ] 284 00:26:55,684 --> 00:26:59,253 IT'S BEEN MY LIFE'S HONOR TO CREATE COSTUMES. 285 00:26:59,388 --> 00:27:03,992 THANK YOU TO THE ACADEMY, THANK YOU FOR HONORING AFRICAN 286 00:27:04,126 --> 00:27:09,697 ROYALTY, AND THE EMPOWERED WAY WOMEN CAN LOOK AND LEAD 287 00:27:09,832 --> 00:27:15,470 ONSCREEN. THANK YOU TO MY CREWS AROUND THE 288 00:27:15,604 --> 00:27:24,345 WORLD WHO HELPED BRING WIAKANDA TO LIFE, OUR GENIUS DIRECTOR, 289 00:27:24,480 --> 00:27:29,617 RYAN COOGLER. YOU ARE A GUIDING FORCE. 290 00:27:29,752 --> 00:27:35,823 THANK YOU FOR YOUR TRUST AND UNDERSTANDING MY ROLE IN TELLING 291 00:27:35,958 --> 00:27:45,500 THE AFRICAN-AMERICAN STORY. ADDING VIBRANIUM TO COSTUMES IS 292 00:27:45,634 --> 00:27:51,472 VERY EXPENSIVE, SO THANK YOU. MY CAREER IS BUILT WITH PASSION 293 00:27:51,607 --> 00:27:54,909 TO TELL STORIES THAT ALLOW US TO KNOW OURSELVES BETTER. 294 00:27:55,044 --> 00:28:00,515 THIS IS FOR MY 97-YEAR-OLD MOTHER, WATCHING IN 295 00:28:00,649 --> 00:28:02,550 MASSACHUSETTS. MOM, THANK YOU FOR TEACHING ME 296 00:28:02,685 --> 00:28:06,888 ABOUT PEOPLE AND THEIR STORIES. YOU ARE THE ORIGINAL SUPERHERO. 297 00:28:07,022 --> 00:28:08,022 THANK YOU! [ CHEERS AND APPLAUSE ] 298 00:28:08,157 --> 00:28:15,863 >> COMING UP, JENNIFER LOPEZ, 299 00:28:15,998 --> 00:28:20,168 CHRIS EVANS, AND TYLER PERRY, THE AWARD FOR CINEMATOGRAPHY, 300 00:28:20,302 --> 00:28:23,104 AND A LOOK AT BEST PICTURE NOMINEE "A STAR IS BORN." 301 00:28:23,238 --> 00:28:24,672 THEN LATER, ANGELA BASSETT AND JAVIER BARDEM. 302 00:28:24,807 --> 00:28:28,309 PLUS, A PERFORMANCE FROM JENNIFER HUDSON. 303 00:28:28,444 --> 00:28:34,382 ALL HERE ON THE OSCARS AT THE DOLBY THEATER. 304 00:28:34,516 --> 00:28:37,752 >>> PLEASE WELCOME JENNIFER 305 00:28:37,886 --> 00:28:50,098 LOPEZ AND CHRIS EVANS. [ CHEERS AND APPLAUSE ] 306 00:28:55,537 --> 00:28:57,739 >> TONIGHT IS NOT ONLY ABOUT CELEBRATING THE PEOPLE IN FRONT 307 00:28:57,873 --> 00:29:01,109 OF THE CAMERA, IT'S ALSO ABOUT RECOGNIZING THE ARTISTS WHO 308 00:29:01,243 --> 00:29:03,711 DESIGN THE BEAUTIFUL WORLDS OUR CHARACTERS INHABIT. 309 00:29:03,846 --> 00:29:05,379 >> LET'S TAKE A LOOK AT THE INCREDIBLE WORK THEY DO, 310 00:29:05,514 --> 00:29:08,382 CREATING THE OVERALL APPEARANCE OF THEIR FILMS. 311 00:29:08,517 --> 00:29:09,751 HERE ARE TONIGHT'S NOMINEES FOR ACHIEVEMENT IN PRODUCTION 312 00:29:09,885 --> 00:29:21,729 DESIGN. >> "BLACK PANTHER." 313 00:29:21,864 --> 00:29:36,310 "THE FAVOURITE." "FIRST MAN." 314 00:29:36,445 --> 00:29:50,258 "MARY POPPINS RETURNS "ROMA." 315 00:29:50,392 --> 00:30:01,235 >> AND THE OSCAR GOES TO "BLACK PANTHER." 316 00:30:01,370 --> 00:30:06,541 >> THIS IS THE FIRST OSCAR AND NOMINATION FOR HANNAH, SHE'S THE 317 00:30:06,675 --> 00:30:20,321 FIRST AFRICAN-AMERICAN TO BE NOM T 318 00:30:20,455 --> 00:30:21,756 NOMINATED IN THIS CATEGORY. JAY HART WAS PREVIOUSLY 319 00:30:21,890 --> 00:30:34,001 NOMINATED TWO TIMES. 320 00:30:34,136 --> 00:30:41,008 [ CHEERS AND APPLAUSE ] >> THANK YOU. 321 00:30:41,143 --> 00:30:41,709 THANKS. THANK YOU. 322 00:30:41,844 --> 00:30:43,377 >> CONGRATULATIONS. >> THANK YOU SO MUCH. 323 00:30:43,512 --> 00:30:49,217 CAN YOU HOLD THIS FOR ME? I DIDN'T EVEN -- OKAY, YOU'RE ON 324 00:30:49,351 --> 00:30:53,688 MY DRESS. ALL RIGHT, I GOT TO PUT THESE 325 00:30:53,822 --> 00:30:56,891 ON. I DON'T EVEN KNOW WHERE I PUT MY 326 00:30:57,025 --> 00:31:01,429 SPEECH, I'M REALLY SHAKING HARD. I PUT IT IN MY PHONE, I CAN'T 327 00:31:01,563 --> 00:31:03,064 FIND IT. I LOVE YOU GUYS. 328 00:31:03,198 --> 00:31:11,038 I WANT TO THANK ALL OF THE NOMINEES IN THIS CATEGORY FOR 329 00:31:11,173 --> 00:31:13,808 THE EXTRAORDINARY WORLDS THEY BUILT. 330 00:31:13,942 --> 00:31:18,312 I WANT TO THANK THE ACADEMY. THANK YOU SO MUCH. 331 00:31:18,447 --> 00:31:25,419 RYAN COOGLER. I STAND HERE STRONGER THAN I WAS 332 00:31:25,554 --> 00:31:28,256 YESTERDAY. I STAND HERE WITH AGENCY AND 333 00:31:28,390 --> 00:31:33,761 SELF-WORTH BECAUSE OF RYAN COOGLER, WHO NOT ONLY MADE ME A 334 00:31:33,896 --> 00:31:38,366 BETTER DESIGNER, STORYTELLER, A BETTER PERSON. 335 00:31:38,500 --> 00:31:43,838 THIS MAN OFFERED ME A DIFFERENT PERSPECTIVE OF LIFE, WHO OFFERED 336 00:31:43,972 --> 00:31:49,777 ME A SAFE SPACE, WAS PATIENT, AND GAVE ME AIR, HUMANITY, AND 337 00:31:49,912 --> 00:31:51,679 BROTHERHOOD. THANK YOU, RYAN, I LOVE YOU. 338 00:31:51,813 --> 00:31:54,815 I'M STRONGER BECAUSE OF MARVEL, WHO GAVE ME THE OPPORTUNITY TO 339 00:31:54,950 --> 00:31:59,387 DO MY BEST. WHO SUPPORTED THE VISION OF THIS 340 00:31:59,521 --> 00:32:08,996 FILM, AND LIFTED US OF UP DAY. VICTORIA, KEVIN, LOU, AND NATE 341 00:32:09,131 --> 00:32:14,402 MOORE, THANK YOU. AND I'M STRONGER BECAUSE OF THE 342 00:32:14,536 --> 00:32:21,742 HART DEPARTMENT CREW, WHO BROUGHT THEIR COURAGE AND 343 00:32:21,877 --> 00:32:25,746 HUMILITY TO THE TABLE. AND THANK YOU TO THE WONDERFUL 344 00:32:25,881 --> 00:32:27,949 CAST, WHO BREATHED LIFE INTO THIS WORLD. 345 00:32:28,083 --> 00:32:30,751 BECAUSE OF RUTH CARTER AND RACHEL MORRISON, AND EVERYTHING 346 00:32:30,886 --> 00:32:32,954 THEY DID BEHIND THE CAMERA WITH ME. 347 00:32:33,088 --> 00:32:46,968 I'M STRONGER BECAUSE OF A WOMAN WHO SUPPORTED ME EVERY DAY, 348 00:32:47,102 --> 00:32:52,406 CAROL TREVINO, REST IN POWER. I'M STRONGER BECAUSE OF MY 349 00:32:52,541 --> 00:32:55,343 FAMILY, I GIVE THE STRENGTH TO ALL OF THOSE WHO COME NEXT, TO 350 00:32:55,477 --> 00:32:59,680 KEEP GOING, TO NEVER GIVE UP. WHEN YOU THINK IT'S IMPOSSIBLE, 351 00:32:59,815 --> 00:33:05,419 JUST REMEMBER TO SAY THIS PIECE OF ADVICE, I DID MY BEST, AND MY 352 00:33:05,554 --> 00:33:06,687 BEST IS GOOD ENOUGH. THANK YOU. 353 00:33:06,822 --> 00:33:11,425 [ CHEERS AND APPLAUSE ] 354 00:33:11,560 --> 00:33:21,736 >> I JUST WANT TO THANK MY CREW! 355 00:33:21,870 --> 00:33:41,422 [ CHEERS AND APPLAUSE ] >> PLEASE WELCOME TYLER PERRY. 356 00:33:41,556 --> 00:33:43,024 [ APPLAUSE ] 357 00:33:43,158 --> 00:33:47,428 >> COMMUNITY. WE OFTEN USE THAT WORD TO 358 00:33:47,562 --> 00:33:51,866 DESCRIBE WHO WE ARE AND WHAT CONNECTS ALL OF US INVOLVED IN 359 00:33:52,000 --> 00:33:54,135 THE DIFFERENT ELEMENTS THAT BRING A FILM FROM AN IDEA IN THE 360 00:33:54,269 --> 00:33:57,738 WRITER'S MIND TO ITS PREMIERE ON THE BIG SCREEN. 361 00:33:57,873 --> 00:34:01,742 EACH PERSON, EACH CRAFT, EACH DISCIPLINE IS ESSENTIAL TO THE 362 00:34:01,877 --> 00:34:02,877 PROCESS. DEEP DOWN, WE KNOW THAT. 363 00:34:03,011 --> 00:34:05,980 WE ALWAYS HAVE. IN THE END, THIS TRULY 364 00:34:06,114 --> 00:34:10,317 COLLABORATIVE COMMUNITY COMES TOGETHER ON A NIGHT LIKE THIS TO 365 00:34:10,452 --> 00:34:13,187 CELEBRATE THIS PAST YEAR AND TO LOOK FORWARD TO THE NEXT. 366 00:34:13,321 --> 00:34:18,959 IT IS A TRUE HONOR FOR ME TO PRESENT THIS NEXT AWARD. 367 00:34:19,094 --> 00:34:22,296 LIVE ON CAMERA, NOT DURING THE COMMERCIAL BREAK. 368 00:34:22,431 --> 00:34:23,464 THANK YOU, ACADEMY. HERE ARE THE NOMINEES FOR 369 00:34:23,598 --> 00:34:33,574 ACHIEVEMENT IN CINEMATOGRAPHY. >> "COLD WAR," LUKASZ ZAL. 370 00:34:33,708 --> 00:34:35,409 "THE FAVOURITE," ROBBIE RYAN. "NEVER LOOK AWAY," CALEB 371 00:34:35,544 --> 00:34:42,483 DESCHANEL. "ROMA," ALFONSO CUARON. 372 00:34:42,617 --> 00:34:49,757 "A STAR IS BORN," MATTHEW LIBATIQUE. 373 00:34:49,891 --> 00:35:03,270 >> AND THE OSCAR GOES TO ALFONSO CUARON, "ROMA." 374 00:35:03,405 --> 00:35:09,243 >> ALFONSO CUARON IS THE FOURTH PERSON TO RECEIVE NOMINATIONS IN 375 00:35:09,377 --> 00:35:15,149 FOUR DIFFERENT CATEGORIES FOR THE SAME FILM. 376 00:35:15,283 --> 00:35:19,753 THIS IS HIS FOURTH OSCAR AND TENTH NOMINATION. 377 00:35:19,888 --> 00:35:23,424 >> THANK YOU. THANK YOU SO MUCH. 378 00:35:23,558 --> 00:35:27,962 IT'S AN AMAZING HONOR. THANK YOU, ACADEMY. 379 00:35:28,096 --> 00:35:34,869 TO CREATE A SINGLE FRAME OF FILM, AS YOU KNOW, REQUIRES THE 380 00:35:35,003 --> 00:35:41,408 HARD WORK OF A LOT OF PEOPLE. I WANT TO THANK THE AMAZING CAST 381 00:35:41,543 --> 00:35:53,154 AND CREW. THE PRODUCERS, NETFLIX. 382 00:35:53,288 --> 00:35:57,057 AND IF THIS FILM WAS CREATED BY MY OWN MEMORIES, THE FILM WAS 383 00:35:57,192 --> 00:36:05,466 CRAFTED THROUGH THE MEMORIES OF WHAT THIS GREAT MASTER OF 384 00:36:05,600 --> 00:36:10,337 CINEMATOGRAPHY HAS GIVEN TO US. IT'S WELL KNOWN THAT IN BILLY 385 00:36:10,472 --> 00:36:19,713 WILDER'S OFFICE, THERE WAS A SIGN THAT SAID, WHAT WOULD 386 00:36:19,848 --> 00:36:23,350 LUBISCH HAVE DONE? AND THIS IS FOR YOU, THANK YOU 387 00:36:23,485 --> 00:36:32,126 VERY MUCH, MEXICO. MY FAMILY. 388 00:36:32,260 --> 00:36:33,527 A I LOVE YOU GUYS. 389 00:36:33,662 --> 00:36:34,495 THANK YOU. [ CHEERS AND APPLAUSE ] 390 00:36:34,629 --> 00:36:41,435 >> LADIES AND GENTLEMEN, PLEASE 391 00:36:41,570 --> 00:36:47,908 WELCOME EMILIA CLARKE. [ APPLAUSE ] 392 00:36:48,043 --> 00:36:56,116 >> THE FIRST NOMINEE FOR 393 00:36:56,251 --> 00:37:04,792 ORIGINAL SONG WAS COMPOSED FOR THE DOCUMENTARY FEATURE, "RBG". 394 00:37:04,926 --> 00:37:06,193 SUNG AS A RALLYING CRY, AN ANTHEM AND A PERSONAL PROMISE, 395 00:37:06,328 --> 00:37:09,763 THE SONG EMBODIES THE SEEMINGLY ENDLESS STRENGTH AND COMMITMENT 396 00:37:09,898 --> 00:37:13,667 OF ITS SUBJECT, SUPREME COURT JUSTICE RUTH BADER GINSBURG, A 397 00:37:13,802 --> 00:37:16,770 WOMAN WHO HAS SPENT HER CAREER AT THE FOREFRONT OF THE FIGHT 398 00:37:16,905 --> 00:37:20,441 AGAINST GENDER DISCRIMINATION. KHALEESI HAS NOTHING ON HER. 399 00:37:20,575 --> 00:37:22,109 JUSTICE GINSBURG, IF YOU'D EVER LIKE TO BORROW THE DRAGONS, 400 00:37:22,244 --> 00:37:28,215 RING ME. ALTHOUGH THE SONG'S SUBJECT IS 401 00:37:28,350 --> 00:37:30,017 SOFT-SPOKEN, ITS SINGER IS A VOCAL POWERHOUSE, PRESENTING ITS 402 00:37:30,151 --> 00:37:33,754 MESSAGE WITH THE PASSION IT DESERVES. 403 00:37:33,888 --> 00:37:37,558 AND NOW, PERFORMING "I'LL FIGHT" BY SONGWRITER DIANE WARREN, 404 00:37:37,692 --> 00:37:45,566 PLEASE WELCOME ACADEMY AWARD WINNER JENNIFER HUDSON. 405 00:37:45,700 --> 00:37:46,100 [ CHEERS AND APPLAUSE ] 406 00:37:47,636 --> 00:37:55,609 WHEN YOU FEEL YOU'RE TAKING 407 00:37:55,744 --> 00:37:57,745 ALL THAT YOU CAN TAKE AND YOU'RE SURE YOU'RE NEVER 408 00:37:57,879 --> 00:38:01,749 GONNA CATCH A BREAK AND THE TEARS ARE RIVERS 409 00:38:01,883 --> 00:38:05,653 RUNNING DOWN YOUR FACE YEAH 410 00:38:05,787 --> 00:38:09,423 WHEN YOUR FAITH IS LOW AND YOU'VE GOT NO STRENGTH LEFT 411 00:38:09,557 --> 00:38:11,492 WHEN YOU THINK YOU'VE GONE AS FAR AS YOU CAN GET 412 00:38:11,626 --> 00:38:17,231 AND YOU'RE TOO UNDONE TO TAKE ANOTHER STEP 413 00:38:17,365 --> 00:38:23,470 OH I WILL TAKE UP THE STRUGGLE 414 00:38:23,605 --> 00:38:33,747 OH, I KNOW IT'S A FIGHT SO I'LL FIGHT 415 00:38:33,882 --> 00:38:40,120 FIGHT THAT WAR FOR YOU I'LL FIGHT 416 00:38:40,255 --> 00:38:47,494 STAND AND DEFEND YOU TAKE YOUR SIDE 417 00:38:47,629 --> 00:38:51,031 THAT'S WHAT I'M HERE TO DO I'LL BE THERE TO BE STRONG 418 00:38:51,166 --> 00:38:57,271 OH, I'LL KEEP ON KEEP ON 419 00:38:57,405 --> 00:39:01,742 I'LL HAVE YOUR BACK WHEN YOUR BACK'S TO THE WALL 420 00:39:01,876 --> 00:39:11,485 AND I'LL CATCH THE TEARS WHEN YOUR TEARS FALL 421 00:39:11,619 --> 00:39:17,491 I'LL GIVE IT ALL I WON'T GIVE UP 422 00:39:17,625 --> 00:39:29,770 I'LL FIGHT YEAH I'LL FIGHT 423 00:39:29,904 --> 00:39:33,741 THAT'S WHAT I'M HERE TO DO I'LL BE THERE TO BE STRONG 424 00:39:33,875 --> 00:39:37,745 OH, I'LL KEEP ON KEEP ON 425 00:39:37,879 --> 00:39:46,420 I'LL FIGHT I'LL FIGHT 426 00:39:46,554 --> 00:40:01,535 [ CHEERS AND APPLAUSE ] 427 00:40:01,669 --> 00:40:05,506 >> KEEP WATCHING FOR MORE HIGHLIGHTS OF THIS YEAR'S BEST 428 00:40:05,640 --> 00:40:11,044 PICTURE NOMINEES. AND A PERFORMANCE BY BETTE 429 00:40:11,179 --> 00:40:15,282 MIDLER. AND NEXT, JAMES McAVOY AND DANAI 430 00:40:20,822 --> 00:40:21,855 >>> PLEASE WELCOME SERENA 431 00:40:21,990 --> 00:40:37,337 WILLIAMS. [ APPLAUSE ] 432 00:40:37,472 --> 00:40:42,342 >> WHEN WE'RE YOUNG, WE ALL HAVE DREAMS OF WHAT WE CAN ACCOMPLISH 433 00:40:42,477 --> 00:40:49,383 IN LIFE. HAVING THE DREAM IS EASY. 434 00:40:49,517 --> 00:40:56,356 MAKING IT COME TRUE IS HARD. WHETHER THAT DREAM IS BECOMING 435 00:40:56,491 --> 00:40:57,825 AN ACTOR, A TENNIS PLAYER, OR A SINGER LIKE ALLIE IN "A STAR IS 436 00:40:57,959 --> 00:40:59,193 BORN." IN TONIGHT'S NEXT NOMINEE FOR 437 00:40:59,327 --> 00:41:03,730 BEST PICTURE, WE SEE, THROUGH ALLIE'S EYES, THE HIGHS AND LOWS 438 00:41:03,865 --> 00:41:06,834 ON THE JOURNEY TO STARDOM. THE RUSH OF FAME, THE PRESSURE 439 00:41:06,968 --> 00:41:11,672 OF SUCCESS, AND THE HEARTACHE THAT COMES WITH SACRIFICING LOVE 440 00:41:11,806 --> 00:41:17,177 FOR CAREER, OR CAREER FOR LOVE. THIS IS "A STAR IS BORN." 441 00:41:17,312 --> 00:41:39,233 [ CHEERS AND APPLAUSE ] 442 00:41:44,839 --> 00:41:57,384 [ CHEERS AND APPLAUSE ] 443 00:41:57,519 --> 00:42:08,762 McAVOY AND DANAI GURIRA. [ APPLAUSE ] 444 00:42:08,897 --> 00:42:12,366 >> THE NOMINEES FOR SOUND EDITING THIS YEAR RUN THE GAMUT. 445 00:42:12,500 --> 00:42:14,968 >> FROM THE CACOPHONY OF BATTLE IN "BLACK PANTHER." 446 00:42:15,103 --> 00:42:19,673 >> AND THE ARENA ROCK OF "BOHEMIAN RHAPSODY." 447 00:42:19,807 --> 00:42:23,176 >> TO THE QUIET TENSIONS OF HOME IN "ROMA." 448 00:42:23,311 --> 00:42:29,216 >> AND THE SUSPENSEFUL SILENCE OF "A QUIET PLACE." 449 00:42:29,350 --> 00:42:32,653 >> AND THE UTTER SILENCE OF SPACE IN "FIRST MAN." 450 00:42:32,787 --> 00:42:37,424 >> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN SOUND EDITING. 451 00:42:37,559 --> 00:42:53,206 >> "BLACK PANTHER." "BOHEMIAN RHAPSODY." 452 00:42:53,341 --> 00:43:09,356 "FIRST MAN." "A QUIET PLACE." 453 00:43:09,490 --> 00:43:25,339 "ROMA." >> AND THE OSCAR GOES TO 454 00:43:25,473 --> 00:43:35,282 "BOHEMIAN RHAPSODY"! >> THIS IS THE FIRST OSCAR AND 455 00:43:35,416 --> 00:43:40,420 NOMINATION FOR JOHN AND NINA. "BOHEMIAN RHAPSODY" IS NOMINATED 456 00:43:40,555 --> 00:43:45,359 IN FIVE CATEGORIES TONIGHT, INCLUDING BEST PICTURE. 457 00:43:45,493 --> 00:44:01,875 [ CHEERS AND APPLAUSE ] 458 00:44:07,115 --> 00:44:12,419 [ CHEERS AND APPLAUSE ] 459 00:44:13,488 --> 00:44:20,160 >> WOW. THAT'S INCREDIBLE. 460 00:44:20,294 --> 00:44:23,997 WE'D LIKE TO THANK THE ACADEMY. THIS TRULY IS AN HONOR, 461 00:44:24,132 --> 00:44:29,703 ESPECIALLY IN A CATEGORY WITH SO MANY AMAZING-SOUNDING FILMS. 462 00:44:29,837 --> 00:44:31,938 WORKING ON "BOHEMIAN RHAPSODY" REALLY WAS AN HONOR. 463 00:44:32,073 --> 00:44:36,977 WE GOT TO WORK WITH QUEEN FOR OUR DAY JOB, WHICH WAS 464 00:44:37,111 --> 00:44:37,778 WONDERFUL. [ APPLAUSE ] 465 00:44:37,912 --> 00:44:41,915 WE'D LIKE TO THANK ALL OF QUEEN, AND THE FULL TEAM. 466 00:44:42,050 --> 00:44:46,420 FOR THE, JUST FOR THE GREAT MUSIC, FOR THE SUPPORT. 467 00:44:46,554 --> 00:44:49,456 AND, YEAH, A SPECIAL NOD TO FREDDIE AS WELL. 468 00:44:49,590 --> 00:44:58,699 [ APPLAUSE ] AND QUICK SHOUT-OUT, SO MANY 469 00:44:58,833 --> 00:44:59,900 THANKS, STEPH, MY KIDS. NINA? 470 00:45:00,034 --> 00:45:02,736 >> I WOULD LIKE TO THANK OUR FULL TEAM. 471 00:45:02,870 --> 00:45:07,207 ALL THE PEOPLE WHO ARE HERE, AND ALSO EVERYONE IN LONDON, WHO ARE 472 00:45:07,341 --> 00:45:09,543 WATCHING RIGHT NOW. AND OBVIOUSLY, MY HUSBAND KEVIN 473 00:45:09,677 --> 00:45:15,215 IS UP THERE. MY FAMILY, MY KIDS, MY MOM AND 474 00:45:15,349 --> 00:45:19,686 DAD, WHO ARE LOOKING AFTER THEM. MOM, WE'LL BE HOME SOON. 475 00:45:19,821 --> 00:45:21,354 >> THANK YOU. >> THANK YOU, THANK YOU. 476 00:45:21,489 --> 00:45:33,100 [ APPLAUSE ] >> AND NOW, IT'S TIME FOR THE 477 00:45:33,234 --> 00:45:34,201 NEXT AWARD. >> HERE ARE THE NOMINEES FOR 478 00:45:34,335 --> 00:45:43,543 ACHIEVEMENT IN SOUND MIXING. >> "BLACK PANTHER." 479 00:45:43,678 --> 00:46:05,198 "BOHEMIAN RHAPSODY." "FIRST MAN." 480 00:46:05,333 --> 00:46:22,249 "ROMA." "A STAR IS BORN." 481 00:46:22,383 --> 00:46:33,360 >> AND THE OSCAR GOES TO "BOHEMIAN RHAPSODY"! 482 00:46:33,494 --> 00:46:38,965 >> THIS IS THE FIRST OSCAR WIN FOR THIS SOUND MIXING TEAM. 483 00:46:39,100 --> 00:46:42,235 PAUL HAS EIGHT PREVIOUS NOMINATIONS, RECEIVING HIS FIRST 484 00:46:42,370 --> 00:46:45,005 FOR HIS WORK ON "LEGENDS OF THE FALL." 485 00:46:45,139 --> 00:46:49,509 TIM WAS PREVIOUSLY NOMINATED IN THIS CATEGORY FOR "BABY DRIVER." 486 00:46:49,644 --> 00:46:53,180 THIS IS THE FIRST NOMINATION FOR JOHN. 487 00:46:53,314 --> 00:47:01,721 [ CHEERS AND APPLAUSE ] 488 00:47:01,856 --> 00:47:09,362 >> THANK YOU. THANK YOU, ACADEMY. 489 00:47:09,497 --> 00:47:14,267 HUGE HONOR. I'D LIKE TO THANK OUR PRODUCERS, 490 00:47:14,402 --> 00:47:19,139 GRAHAM, DENNIS, TED FROM FOX, AND OUR WHOLE SOUND CREW, THANK 491 00:47:19,273 --> 00:47:24,344 YOU. MASSIVE SHOUT-OUT TO BRIAN AND 492 00:47:24,478 --> 00:47:26,012 ROGER. THANK YOU SO MUCH FOR YOUR 493 00:47:26,147 --> 00:47:27,814 MUSIC, COLLABORATION, AND SUPPORT. 494 00:47:27,949 --> 00:47:32,786 AND I WOULD LIKE TO DEDICATE THIS TO MY KIDS, SHAWN, ANDREW, 495 00:47:32,920 --> 00:47:35,155 SOPHIE, TAYLOR, I LOVE YOU ALL. THANK YOU. 496 00:47:35,289 --> 00:47:49,369 >> I WANT TO THANK MY WIFE. MY KIDS, AND HONOR MY TEAM. 497 00:47:49,503 --> 00:47:53,173 FOR CHRIS, THANKS, MATE. THANK YOU. 498 00:47:53,307 --> 00:47:57,210 >> I'D LIKE TO THANK MY TEAM, OUR CIRCUIT, EVERYONE ELSE WHO 499 00:47:57,345 --> 00:48:04,150 WORKED ON THE SOUND, MY MOM AND DAD, MY AMAZING BROTHERS, AND MY 500 00:48:04,285 --> 00:48:06,620 FRIENDS WATCHING TONIGHT. THANK YOU. 501 00:48:06,754 --> 00:48:11,491 >> COMING UP, THE AWARD FOR FOREIGN LANGUAGE FILM. 502 00:48:11,626 --> 00:48:16,863 AND A PERFORMANCE BY BETTE MIDLER. 503 00:48:16,998 --> 00:48:22,269 THEN WE FIND OUT WHO WINS FOR 504 00:48:34,148 --> 00:48:35,715 >>> PLEASE WELCOME OSCAR-NOMINATED ACTRESS QUEEN 505 00:48:35,850 --> 00:48:39,920 LATIFAH. >> IT'S AN HONOR TO BE HERE TO 506 00:48:40,054 --> 00:48:45,926 INTRODUCE ONE OF TONIGHT'S NOMINEES FOR BEST PICTURE, "THE 507 00:48:46,060 --> 00:48:50,630 FAVOURITE." THE FILM TAKES US TO 508 00:48:50,765 --> 00:48:53,533 18th CENTURY BRITAIN WITH A MONARCH LACKING THE INTEREST, 509 00:48:53,668 --> 00:48:56,403 AND MAYBE THE ABILITY, TO LEAD. DECISION MAKING IS TAKEN OVER BY 510 00:48:56,537 --> 00:48:59,472 AN INNER CIRCLE. THERE IS INFIGHTING FOR THE 511 00:48:59,607 --> 00:49:03,109 RULER'S AFFECTION. AS THE STAKES GET HIGHER, WE SEE 512 00:49:03,244 --> 00:49:05,512 CORRUPTION LEAD TO THE DOWNFALL OF ONE UNDERLING AFTER ANOTHER. 513 00:49:05,646 --> 00:49:15,588 IT'S NOT EASY BEING QUEEN. THIS IS "THE FAVOURITE." 514 00:49:15,723 --> 00:49:20,660 >> I HOPE YOU HAVEN'T FOUND YOUR TIME WITH THE QUEEN TOO TEDIOUS. 515 00:49:20,795 --> 00:49:26,266 >> YES, I'M BEAUTIFUL. IF I WERE A MAN, I WOULD RAVISH 516 00:49:26,400 --> 00:49:27,500 YOU. >> YOU'RE JEALOUS. 517 00:49:27,635 --> 00:49:31,338 >> SHE'S A VIPER. >> I'M ON MY SIDE, ALWAYS. 518 00:49:31,472 --> 00:49:33,773 >> STOP IT. STOP! 519 00:49:33,908 --> 00:49:39,245 >> IT IS FUN TO BE QUEEN, SOMETIMES. 520 00:49:39,380 --> 00:49:40,213 >> YOU HAVE WON. >> HAVEN'T I? 521 00:49:40,348 --> 00:49:45,752 >> TAKE YOUR SHOT. [ APPLAUSE ] 522 00:49:45,886 --> 00:49:50,423 >> PLEASE WELCOME ACADEMY AWARD-NOMINATED ACTRESS ANGELA 523 00:49:50,558 --> 00:49:52,158 BASSETT AND ACADEMY AWARD-WINNING ACTOR JAVIER 524 00:49:52,293 --> 00:49:56,096 BARDEM. [ CHEERS AND APPLAUSE ] 525 00:49:56,230 --> 00:50:07,674 [ SPEAKING FOREIGN LANGUAGE ] 526 00:50:07,808 --> 00:50:18,284 [ CHEERS AND APPLAUSE ] 527 00:50:23,657 --> 00:50:32,799 [ SPEAKING FOREIGN LANGUAGE ] [ APPLAUSE ] 528 00:50:32,933 --> 00:50:35,535 >> MEMBERS OF THE MOVIE ACADEMY COME FROM ACROSS THE GLOBE, SO 529 00:50:35,669 --> 00:50:39,773 IT IS TRULY FITTING THAT THIS YEAR, FOREIGN LANGUAGE FILMS ARE 530 00:50:39,907 --> 00:50:43,676 NOT JUST RECOGNIZED IN THIS CATEGORY, BUT IN ALMOST EVERY 531 00:50:43,811 --> 00:50:48,281 CATEGORY. [ APPLAUSE ] 532 00:50:48,416 --> 00:50:58,825 HERE ARE THE NOMINEES FOR BEST FOREIGN LANGUAGE FILM. 533 00:50:58,959 --> 00:51:14,307 >> FROM LEBANON, "CAPERNAUM." FROM POLAND, "COLD WAR." 534 00:51:14,442 --> 00:51:29,222 FROM GERMANY, "NEVER LOOK AWAY." "ROMA," FROM MEXICO. 535 00:51:29,356 --> 00:51:35,528 "SHOPLIFTERS," FROM JAPAN. >> AND THE OSCAR GOES TO "ROMA"! 536 00:51:35,663 --> 00:51:40,133 [ CHEERS AND APPLAUSE ] 537 00:51:40,267 --> 00:51:43,870 >> THIS IS THE NINTH MOVIE FROM MEXICO TO BE NOMINATED, AND THE 538 00:51:44,004 --> 00:52:03,823 FIRST TO WIN THE OSCAR FOR FOREIGN LANGUAGE FILM. 539 00:52:04,158 --> 00:52:05,058 [ CHEERS AND APPLAUSE ] >> THANK YOU. 540 00:52:05,192 --> 00:52:10,864 AM I GOING TO GET SUBTITLED AS WELL? 541 00:52:10,998 --> 00:52:19,506 THANK YOU, YALITZA, MARINA, GABRIELA, NICO, ALL THE CAST AND 542 00:52:19,640 --> 00:52:22,142 CREW. I GREW UP WATCHING FOREIGN 543 00:52:22,276 --> 00:52:29,048 LANGUAGE FILMS, LEARNING SO MUCH FROM THEM, BEING INSPIRED. 544 00:52:29,183 --> 00:52:43,363 FILMS LIKE "CITIZEN KANE," "JAWS." 545 00:52:43,497 --> 00:52:46,099 AND THERE ARE NO WAVES, THERE'S ONLY THE OCEAN. 546 00:52:46,233 --> 00:52:52,572 I THINK THE NOMINEES TONIGHT HAVE PROVEN THAT WE ARE PART OF 547 00:52:52,706 --> 00:53:01,781 THE SAME OCEAN. I WANT TO THANK MY FAMILY, 548 00:53:01,916 --> 00:53:04,984 MEXICO, FOR THE BEACH WHERE THIS FILM COMES FROM. 549 00:53:05,119 --> 00:53:11,524 AND ALSO TO OLMO, BOO, FOR BEING THE CURRENT THAT PUSHES MY 550 00:53:11,659 --> 00:53:17,530 DRIFT. THANK YOU SO MUCH. 551 00:53:17,665 --> 00:53:20,033 [ CHEERS AND APPLAUSE ] 552 00:53:20,167 --> 00:53:25,271 >> AND NOW, DROPPING INTO THE OSCARS FROM ABOVE, PLEASE 553 00:53:25,406 --> 00:53:30,210 WELCOME KEEGAN-MICHAEL KEY. [ CHEERS AND APPLAUSE ] 554 00:53:30,344 --> 00:53:50,797 >> THIS THING. 555 00:53:50,931 --> 00:53:52,865 THIS EVENING'S NEXT NOMINEE FOR BEST ORIGINAL SONG WAS WRITTEN 556 00:53:53,000 --> 00:53:54,167 BY MARC SHAIMAN AND SCOTT WITTMAN FOR THE FILM "MARY 557 00:53:54,301 --> 00:53:59,539 POPPINS RETURNS." [ APPLAUSE ] 558 00:53:59,673 --> 00:54:02,208 IN ADDITION TO LIFTING THE BANKS CHILDREN'S SPIRITS THROUGH A 559 00:54:02,343 --> 00:54:05,578 SERIES OF MAGICAL ADVENTURES, MARY POPPINS OFFERS COMFORT AND 560 00:54:05,713 --> 00:54:11,517 COMPASSION WITH THIS TENDER LULLABY, UNDERSCORING THE NOTION 561 00:54:11,652 --> 00:54:14,320 THAT A LOVED ONE WHO IS LOST CAN STILL BE VERY MUCH 562 00:54:14,455 --> 00:54:15,688 PRESENT. PERFORMING "THE PLACE WHERE LOST 563 00:54:15,823 --> 00:54:25,098 THINGS GO" WITH MARC SHAIMAN ON PI 564 00:54:25,232 --> 00:54:31,704 PIANO, PLEASE WELCOME THE DIVINE MISS "M." 565 00:54:31,839 --> 00:54:32,238 [ CHEERS AND APPLAUSE ] 566 00:54:35,676 --> 00:54:41,514 DO YOU EVER LIE 567 00:54:41,649 --> 00:54:47,520 AWAKE AT NIGHT JUST BETWEEN THE DARK 568 00:54:47,655 --> 00:54:53,559 AND THE MORNING LIGHT SEARCHING FOR THE THINGS 569 00:54:53,694 --> 00:54:59,999 YOU USED TO KNOW LOOKING FOR THE PLACE 570 00:55:00,134 --> 00:55:05,538 WHERE THE LOST THINGS GO DO YOU EVER DREAM 571 00:55:05,673 --> 00:55:15,682 OR REMINISCE WONDERING WHERE TO FIND 572 00:55:15,816 --> 00:55:21,287 WHAT YOU TRULY MISS WELL MAYBE ALL THOSE THINGS 573 00:55:21,422 --> 00:55:27,727 THAT YOU LOVE SO ARE WAITING IN THE PLACE 574 00:55:27,861 --> 00:55:31,664 WHERE THE LOST THINGS GO MEMORIES YOU'VE SHARED 575 00:55:31,799 --> 00:55:39,706 GONE FOR GOOD YOU FEARED THEY'RE ALL AROUND YOU STILL 576 00:55:39,840 --> 00:55:42,608 THOUGH THEY'VE DISAPPEARED MAYBE TO THE MOON 577 00:55:42,743 --> 00:55:51,718 OR MAYBE SOMEWHERE NEW MAYBE ALL YOU'RE MISSING 578 00:55:51,852 --> 00:55:59,592 LIVES INSIDE OF YOU SO WHEN YOU NEED HER TOUCH 579 00:55:59,727 --> 00:56:05,531 AND LOVING GAZE GONE BUT NOT FORGOTTEN 580 00:56:05,666 --> 00:56:14,841 IS THE PERFECT PHRASE SMILING FROM A STAR 581 00:56:14,975 --> 00:56:19,679 THAT SHE MAKES GLOW TRUST SHE'S ALWAYS THERE 582 00:56:19,813 --> 00:56:29,522 WATCHING AS YOU GROW FIND HER IN THE PLACE 583 00:56:29,656 --> 00:56:40,066 WHERE THE LOST THINGS GO 584 00:56:40,200 --> 00:56:52,378 [ CHEERS AND APPLAUSE ] 585 00:56:55,816 --> 00:57:00,019 >> COMING UP, A LOOK AT BEST PICTURE NOMINEE "BLACK PANTHER," 586 00:57:00,154 --> 00:57:03,689 THE OSCARS FOR FILM EDITING AND BEST SUPPORTING ACTOR, MICHAEL 587 00:57:03,824 --> 00:57:07,693 KEATON, AND A PERFORMANCE OF "SHALLOW" BY OSCAR NOMINEES LADY 588 00:57:07,828 --> 00:57:11,864 GAGA AND BRADLEY COOPER. AND LATER, CHARLIZE THERON, 589 00:57:11,999 --> 00:57:13,766 KACEY MUSGRAVES, AND LAURA DERN, 590 00:57:20,407 --> 00:57:28,080 >>> PLEASE WELCOME TREVOR NOAH. 591 00:57:28,215 --> 00:57:36,255 [ APPLAUSE ] >> "BLACK PANTHER" MAY BE AN 592 00:57:36,390 --> 00:57:39,826 AFRICAN HERO, BUT HIS STORY AND HIS APPEAL ARE UNIVERSAL. 593 00:57:39,960 --> 00:57:41,294 I KNOW THIS PERSONALLY, BECAUSE OF ALL THE PEOPLE WHO CONSTANTLY 594 00:57:41,428 --> 00:57:46,098 COME UP TO ME AND SAY, "WAKANDA FOREVER." 595 00:57:46,233 --> 00:57:52,104 EVERYWHERE IN THE WORLD. MY AFRICAN FRIENDS ARE LIKE, 596 00:57:52,239 --> 00:57:55,141 "WANKANDA FOREVER." IN FRANCE, PEOPLE SAY, "HELLO, 597 00:57:55,275 --> 00:57:56,275 TREVOR NOAH, HOW YOU SAY, WAKANDA FOREVER?" 598 00:57:56,410 --> 00:57:58,711 EVEN BACKSTAGE, MEL GIBSON CAME UP TO ME, LIKE, "WAKANDA 599 00:57:58,846 --> 00:58:00,313 FOREVER." HE SAID ANOTHER WORD TO ME AFTER 600 00:58:00,447 --> 00:58:04,217 THAT, BUT THE WAKANDA PART WAS NICE. 601 00:58:04,351 --> 00:58:07,386 GROWING UP AS A YOUNG BOY IN WAKANDA, I WOULD SEE KING 602 00:58:07,521 --> 00:58:10,089 T'CHALLA FLYING OVER OUR VILLAGE AND HE WOULD REMIND ME OF A 603 00:58:10,224 --> 00:58:14,193 GREAT XHOSA PHRASE. [ SPEAKING FOREIGN LANGUAGE ] 604 00:58:14,328 --> 00:58:17,296 WHICH MEANS, "IN TIMES LIKE THESE, WE ARE STRONGER WHEN WE 605 00:58:17,431 --> 00:58:19,932 FIGHT TOGETHER THAN WHEN WE TRY TO FIGHT APART." 606 00:58:20,067 --> 00:58:24,270 THIS IS BEST PICTURE NOMINEE, "BLACK PANTHER." 607 00:58:24,404 --> 00:58:29,242 [ CHEERS AND APPLAUSE ] 608 00:58:29,376 --> 00:58:38,918 >> I WANT TO BE A GREAT KING, JUST LIKE YOU. 609 00:58:39,052 --> 00:58:42,021 . >> YOU'RE A GOOD MAN WITH A GOOD 610 00:58:42,155 --> 00:58:44,257 HEART. AND IT'S HARD FOR A GOOD MAN TO 611 00:58:44,391 --> 00:58:48,327 BE KING. >> THE BLACK PANTHER LIVES. 612 00:58:48,462 --> 00:58:54,901 YOU GET TO DECIDE WHAT KIND OF KING YOU ARE GOING TO BE. 613 00:58:55,035 --> 00:59:04,210 >> WAKANDA FOREVER! >> WAKANDA FOREVER! 614 00:59:04,344 --> 00:59:05,077 [ CHEERS AND APPLAUSE ] 615 00:59:05,212 --> 00:59:14,587 >> PLEASE WELCOME OSCAR NOMINATED ACTOR MICHAEL KEATON. 616 00:59:14,721 --> 00:59:18,691 [ APPLAUSE ] >> IF YOU THINK OF SHOOTING A 617 00:59:18,825 --> 00:59:20,293 MOVIE AND MAKING A MOVIE AS THE SAME THING, YOU'VE OVERLOOKED 618 00:59:20,427 --> 00:59:24,263 ONE OF THE MOST IMPORTANT ELEMENTS OF FILMMAKING -- 619 00:59:24,398 --> 00:59:25,598 THE EDITING. EDITORS INFUSE A FILM WITH 620 00:59:25,732 --> 00:59:30,169 RHYTHM. THEY BUILD SUSPENSE. 621 00:59:30,304 --> 00:59:32,338 AND THEY CREATE MOMENTS THAT WOULD OTHERWISE NOT HAVE 622 00:59:32,472 --> 00:59:38,377 EXISTED. AND AS AN ACTOR, THEY CAN MAKE 623 00:59:38,512 --> 00:59:42,949 THINGS LIKE YOUR PERFORMANCE A WHOLE LOT BETTER. 624 00:59:43,083 --> 00:59:44,250 TRUST ME. HERE ARE THE NOMINEES FOR 625 00:59:44,384 --> 00:59:46,619 ACHIEVEMENT IN FILM EDITING. >> "BLACKKKLANSMAN," 626 00:59:46,753 --> 00:59:52,091 BARRY ALEXANDER BROWN. "BOHEMIAN RHAPSODY," 627 00:59:52,225 --> 00:59:54,360 JOHN OTTMAN. "THE FAVOURITE," 628 00:59:54,494 --> 00:59:58,130 YORGOS MAVROPSARIDIS. "GREEN BOOK," 629 00:59:58,265 --> 01:00:07,106 PATRICK J. DON VITO. "VICE," HANK CORWIN. 630 01:00:07,240 --> 01:00:11,243 AND THE OSCAR GOES TO "BOHEMIAN RHAPSODY," 631 01:00:11,378 --> 01:00:16,349 JOHN OTTMAN. 632 01:00:16,483 --> 01:00:28,094 >> THIS IS THE FIRST OSCAR AND NOMINATION FOR JOHN OTTMAN. 633 01:00:28,228 --> 01:00:28,761 [ APPLAUSE ] 634 01:00:28,895 --> 01:00:38,537 >> THANK YOU. >> HE ASKED IF I WOULD LIKE 635 01:00:38,672 --> 01:00:44,276 THIS, I SAID, SURE, MY MOM WOULD LIKE IT. 636 01:00:44,411 --> 01:00:49,181 OVER HERE, SHE'S 85 YEARS OLD. WOW, YOU GET UP HERE, AND YOU 637 01:00:49,316 --> 01:00:52,451 COMPLETELY BLANK. THIS FILM, I LIKE TO SAY, THE 638 01:00:52,586 --> 01:00:57,123 CAST AND CREW LIKES TO SAY, WAS A LABOR OF LOVE. 639 01:00:57,257 --> 01:01:02,294 I THINK FREDDIE MERCURY BROUGHT US TOGETHER, FROM WHEREVER HE 640 01:01:02,429 --> 01:01:06,198 IS, JUST LIKE HE DID HIS AUDIENCE. 641 01:01:06,333 --> 01:01:11,137 I'M SO THANKFUL FOR EVERYBODY BONDING TOGETHER, AND TRUSTING 642 01:01:11,271 --> 01:01:14,640 ME, AND THERE'S TOO MANY PEOPLE TO THANK. 643 01:01:14,775 --> 01:01:17,576 RAMI, LOOKING AT ME, YOU HAD BETTER THANK ME. 644 01:01:17,711 --> 01:01:21,280 I GOT THE BAND OVER HERE, THANK YOU SO MUCH, BRIAN AND ROGER. 645 01:01:21,415 --> 01:01:27,853 AND I HAVE TO MENTION, OF COURSE, GRAHAM KING AND DENNIS 646 01:01:27,988 --> 01:01:31,891 O'SULLIVAN, TWO OF THE HARDEST-WORKING PRODUCERS. 647 01:01:32,025 --> 01:01:39,365 AND MY PARENTS, THIS GOES TO THEM ON THEIR MANTEL, THEY 648 01:01:39,499 --> 01:01:43,002 ENCOURAGED ME TO DO WHATEVER I WANTED AS A KID, WRITING MUSIC, 649 01:01:43,136 --> 01:01:46,939 OR WRITING FILMS IN THEIR GARAGE IN CALIFORNIA. 650 01:01:47,074 --> 01:01:50,042 SO, AS FREDDIE'S FATHER WOULD SAY, GOOD THOUGHTS, GOOD WORDS, 651 01:01:50,177 --> 01:01:54,547 GOOD DEEDS. THANK YOU. 652 01:01:54,681 --> 01:01:55,214 [ APPLAUSE ] 653 01:01:55,348 --> 01:01:57,183 >> PLEASE WELCOME DANIEL CRAIG AND ACADEMY AWARD WINNER 654 01:01:57,317 --> 01:02:04,590 CHARLIZE THERON. [ APPLAUSE ] 655 01:02:04,725 --> 01:02:15,000 >> AS ACTORS, WE SHOW UP, WE 656 01:02:15,135 --> 01:02:20,239 WORK HARD, AND HOPEFULLY WE TAKE OUR JOBS SERIOUSLY WITHOUT 657 01:02:20,373 --> 01:02:26,245 TAKING OURSELVES TOO SERIOUSLY. SERIOUSLY, CHARLIZE COULD KICK 658 01:02:26,379 --> 01:02:29,181 MY -- WE ASPIRE TO TRANSFORM OURSELVES 659 01:02:29,316 --> 01:02:30,916 INTO THE CHARACTERS WE PLAY, AND TO TRANSPORT THE MOVIEGOER IN 660 01:02:31,051 --> 01:02:33,853 THE PROCESS. >> AMONG A SEA OF BRILLIANT 661 01:02:33,987 --> 01:02:36,288 PERFORMANCES EACH YEAR, CERTAIN OF THEM STAND OUT FOR THEIR 662 01:02:36,423 --> 01:02:40,092 ARTISTRY, THEIR HONESTY, AND THE MASTERFUL CHOICES MADE IN 663 01:02:40,227 --> 01:02:43,729 INTERPRETING THE ROLE. WE HONOR THOSE INDIVIDUALS 664 01:02:43,864 --> 01:02:45,297 TONIGHT. >> HERE ARE THE NOMINEES FOR 665 01:02:45,432 --> 01:02:52,271 PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE. 666 01:02:52,405 --> 01:02:56,008 >> MAHERSHALA ALI, "GREEN BOOK." >> I JUST PUT THE ATTORNEY 667 01:02:56,143 --> 01:03:00,079 GENERAL OF THE UNITED STATES IN AN INCREDIBLY AWKWARD POSITION. 668 01:03:00,213 --> 01:03:02,948 >> SO WHAT? THAT'S WHAT HE GETS PAID FOR. 669 01:03:03,083 --> 01:03:07,953 >> THAT MAN AND HIS BROTHER ARE TRYING TO CHANGE THIS COUNTRY. 670 01:03:08,088 --> 01:03:09,922 THAT'S WHAT ELSE HE HAS GOT TO DO. 671 01:03:10,056 --> 01:03:17,496 >> NOW HE THINKS I'M SOME KIND OF -- CRAWLING FROM SOME 672 01:03:17,631 --> 01:03:20,199 BACKWOODS SWAMP JAIL. WHO DOES THAT? 673 01:03:20,333 --> 01:03:23,869 GARBAGE, THAT'S WHO. [ APPLAUSE ] 674 01:03:24,004 --> 01:03:28,140 >> ADAM DRIVER, "BLACKKKLANSMAN." 675 01:03:28,275 --> 01:03:32,645 >> I'M JEWISH, YES, BUT I WASN'T RAISED TO BE. 676 01:03:32,779 --> 01:03:38,384 IT WASN'T PART OF MY LIFE. I NEVER THOUGHT MUCH ABOUT BEING 677 01:03:38,518 --> 01:03:41,086 JEWISH, NOBODY AROUND ME WAS JEWISH. 678 01:03:41,221 --> 01:03:46,692 I WASN'T GOING TO A BUNCH OF BAR MITZVAHS. 679 01:03:46,827 --> 01:03:53,699 NOW I'M IN SOME BASEMENT. [ APPLAUSE ] 680 01:03:53,834 --> 01:03:58,604 >> SAM ELLIOTT, "A STAR IS BORN." 681 01:03:58,738 --> 01:04:02,174 >> IT ISN'T YOUR FAULT. IT JUST ISN'T. 682 01:04:02,309 --> 01:04:06,712 YOU KNOW WHOSE FAULT IT WAS? JACK. 683 01:04:06,847 --> 01:04:15,354 THAT'S IT. NO ONE ELSE. 684 01:04:15,488 --> 01:04:16,455 [ APPLAUSE ] >> RICHARD E. GRANT, "CAN YOU 685 01:04:16,590 --> 01:04:22,194 EVER FORGIVE ME?" >> SHE DIED. 686 01:04:22,329 --> 01:04:24,597 >> SHE DID? THAT'S YOUNG. 687 01:04:24,731 --> 01:04:29,235 >> MAYBE SHE DIDN'T DIE. MAYBE SHE JUST MOVED BACK TO THE 688 01:04:29,369 --> 01:04:31,003 SUBURBS. I WAS CONFUSED. 689 01:04:31,137 --> 01:04:35,341 THAT'S RIGHT, SHE GOT MARRIED AND HAD TWINS. 690 01:04:35,475 --> 01:04:40,179 >> BETTER TO HAVE DIED. >> INDEED. 691 01:04:40,313 --> 01:04:44,149 [ APPLAUSE ] >> SAM ROCKWELL, "VICE." 692 01:04:44,284 --> 01:04:49,288 >> YOU'RE ONE OF THE MOST EXPERIENCED GUYS AROUND. 693 01:04:49,422 --> 01:04:52,358 WILL YOU JUMP ONBOARD, BE MY VICE? 694 01:04:52,492 --> 01:04:54,526 >> I'M HONORED. >> SAY YES. 695 01:04:54,661 --> 01:04:56,929 >> I HAVE TO SAY NO. >> DICK, COME ON, WE'LL HAVE A 696 01:04:57,063 --> 01:04:59,698 LOT OF FUN. WHAT ARE YOU DOING RIGHT NOW? 697 01:04:59,833 --> 01:05:01,800 IN THE PRIVATE SECTOR? >> YEAH. 698 01:05:01,935 --> 01:05:09,708 >> COME ON. I KNOW YOU LOVE POLITICS. 699 01:05:09,843 --> 01:05:11,477 >> GEORGE, L. >> LET'S GO. 700 01:05:11,611 --> 01:05:16,181 >> NOT GOING TO HAPPEN. >> COME ON, NOW. 701 01:05:16,316 --> 01:05:23,889 [ APPLAUSE ] >> AND THE OSCAR GOES TO 702 01:05:24,024 --> 01:05:24,957 MAHERSHALA ALI. [ CHEERS AND APPLAUSE ] 703 01:05:25,091 --> 01:05:27,059 >> THIS IS THE SECOND OSCAR AND 704 01:05:27,193 --> 01:05:30,195 SECOND NOMINATION FOR MAHERSHALA ALI. 705 01:05:30,330 --> 01:05:37,136 HE TOOK HOME HIS FIRST OSCAR IN THIS CATEGORY FOR "MOONLIGHT." 706 01:05:37,270 --> 01:05:41,974 [ CHEERS AND APPLAUSE ] 707 01:05:48,381 --> 01:05:55,454 >> THE ACADEMY, THANK YOU. I WANT TO THANK DR. SHIRLEY FOR 708 01:05:55,588 --> 01:05:59,658 JUST TRYING TO CAPTURE HIS ESSENCE. 709 01:05:59,793 --> 01:06:05,998 JUST TRYING TO CAPTURE DR. SHIRLEY'S ESSENCE, PUSHED ME TO 710 01:06:06,132 --> 01:06:08,267 MY ENDS. WHICH IS A REFLECTION OF THE 711 01:06:08,401 --> 01:06:09,735 PERSON HE WAS AND THE LIFE THAT HE LIVED. 712 01:06:09,869 --> 01:06:18,644 AND I THANK HIM. I THANK MY PARTNER, VIGGO. 713 01:06:18,778 --> 01:06:23,449 IT WAS EXTRAORDINARY WORKING WITH YOU. 714 01:06:23,583 --> 01:06:25,718 [ APPLAUSE ] PETER FAIRLEY, THANK YOU FOR 715 01:06:25,852 --> 01:06:30,122 YOUR LEADERSHIP AND GUIDANCE. AND ALSO FOR GIVING US SPACE, 716 01:06:30,256 --> 01:06:34,626 LIKE, REALLY GIVING US SPACE TO WORK IT OUT, AND COMING IN AND 717 01:06:34,761 --> 01:06:38,797 TWEAKING. REALLY APPRECIATE AND LOVE YOU. 718 01:06:38,932 --> 01:06:44,269 OCTAVIA SPENCER. [ APPLAUSE ] 719 01:06:44,404 --> 01:06:50,042 CHRIS BOWERS, MY DOUBLE. I WANT TO DEDICATE THIS TO MY 720 01:06:50,176 --> 01:06:53,379 GRANDMOTHER, WHO HAS BEEN IN MY EAR MY ENTIRE LIFE. 721 01:06:53,513 --> 01:06:57,916 TELLING ME THAT IF I FIRST I DON'T SUCCEED, TRY, TRY AGAIN. 722 01:06:58,051 --> 01:07:02,021 THAT I CAN DO ANYTHING I PUT MY MIND TO. 723 01:07:02,155 --> 01:07:07,526 ALWAYS, ALWAYS PUSHING ME TO THINK POSITIVELY AND I KNOW THAT 724 01:07:07,660 --> 01:07:13,932 I WOULD NOT BE HERE WITHOUT HER, THAT SHE'S GOTTEN ME OVER THE 725 01:07:14,067 --> 01:07:20,539 HUMP IN A LOT OF WAYS. MY WIFE, MY DAUGHTER, EVERYONE 726 01:07:20,673 --> 01:07:23,976 WHO CONTRIBUTED WITH THE MOVIE. AGAIN, THANK YOU SO MUCH. 727 01:07:24,110 --> 01:07:25,010 APPRECIATE IT. [ CHEERS AND APPLAUSE ] 728 01:07:25,145 --> 01:07:28,247 >> COMING UP NEXT, THE AWARD FOR 729 01:07:28,381 --> 01:07:32,851 ANIMATED FEATURE. THEN LATER, A LOOK AT 730 01:07:32,986 --> 01:07:36,255 "BOHEMIAN RHAPSODY" AND "ROMA." AND A PERFORMANCE OF "SHALLOW" 731 01:07:36,389 --> 01:07:42,194 FROM "A STAR IS BORN." >> LAST YEAR, MOVIES TOOK US 732 01:07:42,328 --> 01:07:45,330 ACROSS THE GLOBE, FROM THE MAGIC OF SINGAPORE, TO THE MYSTERIES 733 01:07:45,465 --> 01:07:48,167 OF AFRICA, ENCHANTING US WITH THE JOY OF TRAVEL. 734 01:07:57,243 --> 01:08:09,054 >>> LADIES AND GENTLEMEN, PLEASE WELCOME LAURA DERN. 735 01:08:09,189 --> 01:08:13,092 >> GROWING UP IN LOS ANGELES, CAN YOU BELIEVE IT WAS ONLY A 736 01:08:13,226 --> 01:08:17,129 DREAM THAT THERE WOULD EVER BE A PLACE WHERE PEOPLE COULD GO TO 737 01:08:17,263 --> 01:08:21,733 IMMERSE THEMSELVES IN THE PASSION AND MAGIC OF MOVIES. 738 01:08:21,868 --> 01:08:27,039 EVEN AS A CHILD OF ACTORS, THERE WAS NOTHING. 739 01:08:27,173 --> 01:08:29,408 TRUST ME. BUT, GUESS WHAT, THE DREAM IS 740 01:08:29,542 --> 01:08:39,051 HAPPENING. WHEN WE ENTER THE NEW ACADEMY 741 01:08:39,185 --> 01:08:43,322 MUSEUM OF MOTION PICTURES, WE WILL OPEN A DOOR AND WALK INTO 742 01:08:43,456 --> 01:08:49,027 THE TECHNICOLOR LAND OF OZ. WE WILL TRAVEL THROUGH THE 743 01:08:49,162 --> 01:08:51,063 ANIMATED WORLD OF MIYAZAKI, PERHAPS ENCOUNTER THE SHARK FROM 744 01:08:51,197 --> 01:08:55,801 "JAWS," AND SEE THE RUBY RED SLIPPERS. 745 01:08:55,935 --> 01:08:57,569 THE DREAM IS A REALITY, NOT JUST FOR THE CHILD IN ME, BUT FOR ALL 746 01:08:57,704 --> 01:09:01,106 OF US, FROM ALL AROUND THE WORLD. 747 01:09:01,241 --> 01:09:05,110 COMING SOON. [ CHEERS AND APPLAUSE ] 748 01:09:05,245 --> 01:09:09,214 >> PLEASE WELCOME MICHELLE YEOH AND OSCAR-NOMINATED COMPOSER AND 749 01:09:09,349 --> 01:09:13,452 PRODUCER, PHARRELL WILLIAMS. [ CHEERS AND APPLAUSE ] 750 01:09:13,586 --> 01:09:25,097 >> THE BIBLE SAYS, "WHEN I WAS A 751 01:09:25,231 --> 01:09:27,166 CHILD, I SPOKE AS A CHILD, I UNDERSTOOD AS A CHILD, I THOUGHT 752 01:09:27,300 --> 01:09:32,704 AS A CHILD. AND WHEN I BECAME A MAN, I PUT 753 01:09:32,839 --> 01:09:36,275 AWAY CHILDISH THINGS." >> WHEN WE MOVE THROUGH 754 01:09:36,409 --> 01:09:40,979 ADULTHOOD WE LOOK BACK FONDLY ON THOSE SIMPLER TIMES. 755 01:09:41,114 --> 01:09:45,050 THE CREATIVITY WE EXHIBITED, OUR FEARLESSNESS, HOW WE APPROACHED 756 01:09:45,185 --> 01:09:49,121 NEW THINGS WITH WONDER. >> THE FILMS NOMINATED FOR BEST 757 01:09:49,255 --> 01:09:52,925 ANIMATED FEATURE POSSESS THE ABILITY TO MOVE US ALL. 758 01:09:53,059 --> 01:09:56,195 NO NEED TO PUT THINGS AWAY, BUT INSTEAD EMBRACE AND ENJOY A 759 01:09:56,329 --> 01:10:01,433 SHARED EXPERIENCE. >> HERE ARE THE NOMINEES FOR 760 01:10:01,568 --> 01:10:10,108 BEST ANIMATED FEATURE FILM. >> "INCREDIBLES 2," BRAD BIRD, 761 01:10:10,243 --> 01:10:13,111 JOHN WALKER, AND NICOLE PARADIS GRINDLE. 762 01:10:13,246 --> 01:10:17,115 "ISLE OF DOGS," WES ANDERSON, SCOTT RUDIN, STEVEN RALES, AND 763 01:10:17,250 --> 01:10:21,186 JEREMY DAWSON. "MIRAI," MAMORU HOSODA AND 764 01:10:21,321 --> 01:10:27,059 YUICHIRO SAITO. "RALPH BREAKS THE INTERNET," 765 01:10:27,193 --> 01:10:32,464 RICH MOORE, PHIL JOHNSTON, AND CLARK SPENCER. 766 01:10:32,599 --> 01:10:37,169 "SPIDER-MAN: INTO THE SPIDER-VERSE," BOB PERSICHETTI, 767 01:10:37,303 --> 01:10:39,071 PETER RAMSEY, RODNEY ROTHMAN, PHIL LORD, AND 768 01:10:39,205 --> 01:10:54,653 CHRISTOPHER MILLER. >> AND THE OSCAR GOES TO, YOU 769 01:10:54,787 --> 01:10:57,055 WERE RIGHT. "SPIDER-MAN: INTO THE 770 01:10:57,190 --> 01:11:04,896 SPIDER-VERSE." >> I WANTED TO DO THE NAMES. 771 01:11:05,031 --> 01:11:07,499 >> BOB PERSICHETTI, PETER RAMSEY, RODNEY ROTHMAN, 772 01:11:07,634 --> 01:11:11,036 PHIL LORD, AND CHRISTOPHER MILLER. 773 01:11:11,170 --> 01:11:17,109 >> THIS IS THE FIRST OSCAR NOMINATION FOR BOB, PHIL, 774 01:11:17,243 --> 01:11:20,012 RODNEY, PETER, AND CHRISTOPHER. >> THERE'S A LOT OF US. 775 01:11:20,146 --> 01:11:23,982 >> WOW. >> HEY, WOW. 776 01:11:24,117 --> 01:11:26,852 THANK YOU, ACADEMY. >> THANK YOU, SONY. 777 01:11:26,986 --> 01:11:35,460 WE SHARE THIS WITH OUR FELLOW PRODUCERS, CAST, CREW, THERE'S 778 01:11:35,595 --> 01:11:41,700 800 FILMMAKERS WHO TOOK RISKS TO MAKE PEOPLE FEEL POWERFUL AND 779 01:11:41,834 --> 01:11:44,803 SEEN. >> SO, WHEN WE HEAR THAT 780 01:11:44,937 --> 01:11:47,572 SOMEBODY'S KID WAS WATCHING THE MOVIE AND TURNED TO THEM AND 781 01:11:47,707 --> 01:11:52,577 SAID, HE LOOKS LIKE ME, OR THEY SPEAK SPANISH LIKE US, WE FEEL 782 01:11:52,712 --> 01:11:58,583 LIKE WE ALREADY WON. [ APPLAUSE ] 783 01:11:58,718 --> 01:12:00,852 >> TO OUR AUDIENCE, THANK YOU SO MUCH. 784 01:12:00,987 --> 01:12:05,123 WE LOVE YOU, AND WE JUST WANT YOU ALL TO KNOW, WE SEE YOU, 785 01:12:05,258 --> 01:12:09,027 YOU'RE POWERFUL. THIS WORLD NEEDS YOU. 786 01:12:09,162 --> 01:12:13,098 OKAY? THIS WORLD NEEDS YOU. 787 01:12:13,232 --> 01:12:14,166 SO, PLEASE, WE'RE ALL COUNTING ON YOU. 788 01:12:14,300 --> 01:12:16,968 THANK YOU. [ APPLAUSE ] 789 01:12:17,103 --> 01:12:21,039 >> ON BEHALF OF EVERYONE, WE WANT TO THANK OUR FAMILIES, WHO 790 01:12:21,174 --> 01:12:23,275 STAYED WITH US FOR FOUR YEARS ON THIS. 791 01:12:23,409 --> 01:12:25,110 THIS IS FOR YOU. WE LOVE YOU ALL. 792 01:12:25,244 --> 01:12:29,114 >> AND FINALLY -- [ APPLAUSE ] 793 01:12:29,248 --> 01:12:39,424 >> PLEASE WELCOME KACEY 794 01:12:39,559 --> 01:12:43,362 MUSGRAVES. 795 01:12:43,496 --> 01:12:56,608 [ CHEERS AND APPLAUSE ] >> "THE BALLAD OF 796 01:12:56,743 --> 01:13:00,746 BUSTER SCRUGGS" BROUGHT NEW LIFE INTO WESTERNS WITH ITS MIX OF 797 01:13:00,880 --> 01:13:04,416 SATIRE, SENTIMENT, REALISM, AND ROMANCE. 798 01:13:04,550 --> 01:13:07,519 ALL OF THESE QUALITIES ARE ON DISPLAY IN THIS HAUNTING SONG. 799 01:13:07,653 --> 01:13:09,821 IT'S FRESH AND YET YOU FEEL LIKE YOU'VE HEARD IT YOUR WHOLE LIFE. 800 01:13:09,956 --> 01:13:13,458 IT COULD HAVE BEEN AN ABSURD AND COMICAL MOMENT IN THE FILM, BUT 801 01:13:13,593 --> 01:13:15,260 THE SONG ELEVATES IT INTO SOMETHING AUTHENTIC AND 802 01:13:15,395 --> 01:13:25,103 BEAUTIFUL. HERE ARE THE WONDERFUL 803 01:13:25,238 --> 01:13:31,443 GILLIAN WELCH AND DAVID RAWLINGS WITH THE OSCAR NOMINATED SONG, 804 01:13:31,577 --> 01:13:36,248 "WHEN A COWBOY TRADES HIS SPURS FOR WINGS." 805 01:13:36,382 --> 01:13:36,581 [ APPLAUSE ] 806 01:13:39,452 --> 01:13:48,560 LET ME TELL YOU BUDDY 807 01:13:48,694 --> 01:13:50,128 THERE'S A FASTER GUN COMING OVER YONDER 808 01:13:50,263 --> 01:14:03,241 WHEN TOMORROW COMES LET ME TELL YOU BUDDY 809 01:14:03,376 --> 01:14:09,080 AND IT WON'T BE LONG TILL YOU FIND YOURSELF SINGING 810 01:14:09,215 --> 01:14:15,253 YOUR LAST COWBOY SONG YIPPEE KI-YI-YAY 811 01:14:15,388 --> 01:14:25,096 WHEN THE ROUNDUP ENDS YIPPEE KI-YI-YAY 812 01:14:25,231 --> 01:14:33,104 AND THE CAMPFIRE DIMS YIPPEE KI-YI-YAY 813 01:14:33,239 --> 01:14:39,244 HE SHOUTS AND HE SINGS WHEN A COWBOY TRADES 814 01:14:39,378 --> 01:14:55,560 HIS SPURS FOR WINGS 815 01:14:57,230 --> 01:15:03,235 YIPPEE KI-YI-YAY I'M GLORY BOUND 816 01:15:03,369 --> 01:15:13,111 NO MORE JINGLE JANGLE I'LL LAY MY GUNS DOWN 817 01:15:13,246 --> 01:15:21,152 YIPPEE KI-YI-YAY HE SHOUTS AND HE SINGS 818 01:15:21,287 --> 01:15:26,858 WHEN A COWBOY TRADES HIS SPURS FOR WINGS 819 01:15:26,993 --> 01:15:38,370 [ CHEERS AND APPLAUSE ] 820 01:15:38,504 --> 01:15:43,542 >> COMING UP, HIGHLIGHTS FROM BEST PICTURE NOMINEES 821 01:15:43,676 --> 01:15:45,176 "BOHEMIAN RHAPSODY," "ROMA," "BLACKKKLANSMAN," AND "GREEN 822 01:15:45,311 --> 01:15:49,114 BOOK." PLUS, MIKE MYERS AND DANA CARVEY 823 01:15:49,248 --> 01:15:56,021 TOGETHER ONSTAGE, CHADWICK BOSEMAN, CONSTANCE WU, 824 01:16:07,033 --> 01:16:12,370 >>> I THINK WE'LL GO WITH A LITTLE "BOHEMIAN RHAPSODY," 825 01:16:12,505 --> 01:16:16,408 GENTLEMEN. >> GOOD CALL. 826 01:16:16,542 --> 01:16:28,286 MAMA MIA MAMA MIA LET ME GO THE DEVIL HAS A SITE SET ASIDE 827 01:16:28,421 --> 01:16:31,623 FOR ME >> LADIES AND GENTLEMEN, PLEASE 828 01:16:31,757 --> 01:16:47,872 WELCOME MIKE MYERS AND DANA CARVEY! 829 01:16:48,007 --> 01:16:50,208 [ SCREAMING ] >> WE'RE NOT WORTHY! 830 01:16:50,343 --> 01:16:51,610 >> I THINK I'M GONNA HURL. >> DON'T HURL. 831 01:16:51,744 --> 01:16:52,944 'CAUSE IF YOU HONK, I'LL SPEW. >> IF YOU SPEW, I'LL BLOW 832 01:16:53,079 --> 01:16:58,249 CHUNKS. SO I SHALL NOT HURL. 833 01:16:58,384 --> 01:17:06,691 >> GOOD CALL. GOOD CALL. 834 01:17:06,826 --> 01:17:09,527 BUT SERIOUSLY, "BOHEMIAN RHAPSODY" PLAYED A LARGE PART IN 835 01:17:09,662 --> 01:17:12,864 THE SUCCESS OF "WAYNE'S WORLD." WE ARE HUMBLED TO BE ASSOCIATED 836 01:17:12,999 --> 01:17:17,869 WITH THAT BRILLIANT SONG. >> IT IS OUR PLEASURE TO 837 01:17:18,004 --> 01:17:20,605 INTRODUCE A BEST PICTURE NOMINEE THAT CELEBRATES THE LIFE OF 838 01:17:20,740 --> 01:17:24,376 FREDDIE MERCURY THROUGH THE GENIUS OF QUEEN'S MUSIC. 839 01:17:24,510 --> 01:17:38,289 LADIES AND GENTLEMEN -- >> Both: "BOHEMIAN RHAPSODY!" 840 01:17:38,424 --> 01:17:42,927 [ APPLAUSE ] >> I KNOW THEY'RE LISTENING. 841 01:17:43,062 --> 01:17:49,934 I'M NOT AFRAID OF ANYTHING. NO ONE WILL PLAY QUEEN. 842 01:17:50,069 --> 01:17:57,742 FORTUNE FAVORS THE BOLD. >> THOUGHTS, GOOD WORDS, GOOD 843 01:17:57,877 --> 01:17:59,844 DEEDS. THAT'S WHAT YOU SHOULD ASPIRE 844 01:17:59,979 --> 01:18:00,679 TO. >> I NEED SOME TIME. 845 01:18:00,813 --> 01:18:08,620 >> YOU DON'T HAVE TIME. 846 01:18:08,754 --> 01:18:11,122 [ APPLAUSE ] >> PLEASE WELCOME AWKWAFINA AND 847 01:18:11,257 --> 01:18:22,667 JOHN MULANEY. 848 01:18:22,802 --> 01:18:27,072 [ APPLAUSE ] >> OKAY. 849 01:18:27,206 --> 01:18:31,209 >> OH, YEAH, JOHN. YOU'RE HERE, TOO? 850 01:18:31,343 --> 01:18:32,377 THAT'S GOOD. >> THEY TOLD ME BACKSTAGE YOU'RE 851 01:18:32,511 --> 01:18:34,746 DOING THIS WITH AWKWAFINA AND I WAS LIKE, THANK GOD I'M NOT 852 01:18:34,880 --> 01:18:39,517 PRESENTING ALONE. >> THIS IS MY FIRST TIME EVER AT 853 01:18:39,652 --> 01:18:40,852 THE OSCARS, LIKE, EVER. >> THIS IS MY FIRST TIME AT THE 854 01:18:40,986 --> 01:18:44,389 OSCARS, TOO. >> OH, MY GOD. 855 01:18:44,523 --> 01:18:48,359 >> YES! >> YES. 856 01:18:48,494 --> 01:18:53,498 I'M HAVING A PANIC ATTACK. >> I'M SO SCARED. 857 01:18:53,632 --> 01:18:55,400 WHY AM I SO SCARED? YOU SEE THE COMMERCIALS LIKE, 858 01:18:55,534 --> 01:18:56,801 THE OSCARS, IT'S HOLLYWOOD'S BIGGEST NIGHT, AND I'M ALWAYS 859 01:18:56,936 --> 01:19:02,707 LIKE, "WHATEVER, SHUT UP." AND I'M HERE, AND I'M LIKE, THIS 860 01:19:02,842 --> 01:19:07,145 IS HOLLYWOOD'S BIGGEST NIGHT. I WANT THEM TO LIKE ME TO A 861 01:19:07,279 --> 01:19:08,613 DEGREE THAT I FIND EMBARRASSING. >> WHO WERE YOU MOST NERVOUS TO 862 01:19:08,748 --> 01:19:14,419 SEE? BECAUSE WHEN I WALKED OUT, I SAW 863 01:19:14,553 --> 01:19:17,422 SPIKE LEE, AND I WAS LIKE, "WHAT?" 864 01:19:17,556 --> 01:19:20,191 >> THAT'S WHAT YOU SAID? >> I WAS LIKE -- 865 01:19:20,326 --> 01:19:28,366 >> THAT'S GREAT. DO YOU KNOW WHO I SAW AND I 866 01:19:28,501 --> 01:19:30,335 LEGIT FREAKED OUT? JORDAN PEELE. 867 01:19:30,469 --> 01:19:33,338 >> DON'T YOU KNOW HIM? >> YEAH, THAT'S WHY IT'S WEIRD. 868 01:19:33,472 --> 01:19:34,606 >> ALL RIGHT, THIS IS AWESOME. LET'S DO THIS. 869 01:19:34,740 --> 01:19:36,374 WE ARE HERE TO PRESENT THE AWARD FOR BEST ANIMATED SHORT. 870 01:19:36,509 --> 01:19:40,378 >> DUDE, THEY GAVE US ONE OF THE BIG ONES. 871 01:19:40,513 --> 01:19:44,816 >> IT'S A BIG ONE. >> ALL RIGHT. 872 01:19:44,950 --> 01:19:46,618 >> IT'S A BIG ONE. HERE ARE THE NOMINEES FOR BEST 873 01:19:46,752 --> 01:19:48,386 ANIMATED SHORT FILM. >> "ANIMAL BEHAVIOUR," 874 01:19:48,521 --> 01:19:56,361 ALISON SNOWDEN AND DAVID FINE. "BAO," DOMEE SHI AND 875 01:19:56,495 --> 01:20:00,131 BECKY NEIMAN-COBB. "LATE AFTERNOON," LOUISE BAGNALL 876 01:20:00,266 --> 01:20:06,905 AND NURIA GONZLEZ BLANCO. "ONE SMALL STEP," 877 01:20:07,039 --> 01:20:12,377 ANDREW CHESWORTH AND BOBBY PONTILLAS. 878 01:20:12,511 --> 01:20:26,524 "WEEKENDS," TREVOR JIMENEZ. >> AND THE OSCAR GOES TO "BAO." 879 01:20:26,659 --> 01:20:27,392 [ CHEERS AND APPLAUSE ] 880 01:20:27,526 --> 01:20:35,967 >> THIS IS THE FIRST OSCAR AND NOMINATION FOR DOMEE AND BECKY. 881 01:20:36,101 --> 01:20:44,375 ACADEMY AWARDS IN THIS CATEGORY HAVE BEEN PRESENTED SINCE 1932. 882 01:20:44,510 --> 01:20:54,953 [ APPLAUSE ] 883 01:20:55,087 --> 01:21:02,427 >> CONGRATULATIONS. >> CONGRATULATIONS. 884 01:21:02,561 --> 01:21:04,596 >> OKAY, HOLY -- IT'S OUR FIRST TIME, TOO. 885 01:21:04,730 --> 01:21:09,200 THANK YOU TO THE ACADEMY, THANK YOU TO MY FELLOW NOMINEES, THANK 886 01:21:09,335 --> 01:21:15,907 YOU FOR SUPPORTING SHORTS. TO ALL OF THE NERDY GIRLS WHO 887 01:21:16,041 --> 01:21:19,477 HIDE BEHIND THEIR SKETCHBOOKS, DON'T BE AFRAID TO TELL YOUR 888 01:21:19,612 --> 01:21:22,614 STORIES TO THE WORLD. YOU'RE GOING TO FREAK PEOPLE 889 01:21:22,748 --> 01:21:26,017 OUT, BUT YOU'LL PROBABLY CONNECT WITH THEM, TOO, AND THAT'S AN 890 01:21:26,151 --> 01:21:28,987 AMAZING FEELING TO HAVE. THANK YOU TO PETE FOR BELIEVING 891 01:21:29,121 --> 01:21:33,558 IN MY WEIRDNESS, AND GIVING ME A VOICE AT THE STUDIO. 892 01:21:33,692 --> 01:21:39,764 AND THANK YOU TO MY MOM AND MY DAD, MY MUSES, AND MY PARTNER 893 01:21:39,899 --> 01:21:44,869 DARREN FOR BEING THERE WITH ME. >> WE WANT TO THANK THE 894 01:21:45,004 --> 01:21:51,042 ENTIRE "BAO" CREW, THEY BROUGHT THEIR HEART TO THE SHORT. 895 01:21:51,176 --> 01:21:57,048 AND EVERYONE AT PIXAR, DISNEY, TO MY FRIENDS AND FAMILY, 896 01:21:57,182 --> 01:21:59,317 PARENTS AND SISTER. I LOVE YOU SO MUCH. 897 01:21:59,451 --> 01:22:04,322 I GOT TO HELP MAKE A SHORT THAT WAS ABOUT A MOTHER JUST AS I WAS 898 01:22:04,456 --> 01:22:10,595 BECOMING ONE. TO MY LITTLE BAO LUCY AND TO 899 01:22:10,729 --> 01:22:15,233 DEANNE, I LOVE YOU. WITHOUT YOU, NONE OF THIS WOULD 900 01:22:15,367 --> 01:22:22,607 BE POSSIBLE. [ APPLAUSE ] 901 01:22:22,741 --> 01:22:27,478 >> WHY ARE WE STILL HERE? WHY ARE WE STILL HERE? 902 01:22:27,613 --> 01:22:28,746 WE'RE DOING ANOTHER ONE. >> YES, DOCUMENTARY SHORT 903 01:22:28,881 --> 01:22:33,484 SUBJECT. >> THAT'S A GOOD ONE. 904 01:22:33,619 --> 01:22:36,254 THAT'S A GOOD ONE. >> HERE ARE THE NOMINEES. 905 01:22:36,388 --> 01:22:40,358 >> "BLACK SHEEP," ED PERKINS AND JONATHAN CHINN. 906 01:22:40,492 --> 01:22:46,664 "END GAME," ROB EPSTEIN AND JEFFREY FRIEDMAN. 907 01:22:46,799 --> 01:22:51,369 "LIFEBOAT," SKYE FITZGERALD AND BRYN MOOSER. 908 01:22:51,503 --> 01:22:56,074 "A NIGHT AT THE GARDEN," MARSHALL CURRY. 909 01:22:56,208 --> 01:22:58,643 "PERIOD. END OF SENTENCE." RAYKA ZEHTABCHI AND 910 01:22:58,777 --> 01:23:07,618 MELISSA BERTON. >> AND THE OSCAR GOES 911 01:23:07,753 --> 01:23:15,259 TO "PERIOD. END OF SENTENCE." 912 01:23:15,394 --> 01:23:26,104 >> THIS IS THEIR FIRST OSCAR NOMINATION. 913 01:23:26,238 --> 01:23:27,105 [ CHEERS AND APPLAUSE ] 914 01:23:27,239 --> 01:23:32,143 >> OH, MY GOD. I'M NOT CRYING BECAUSE I'M ON MY 915 01:23:32,277 --> 01:23:34,645 PERIOD OR ANYTHING. I CAN'T BELIEVE A FILM ABOUT 916 01:23:34,780 --> 01:23:40,351 MENSTRUATION JUST WON AN OSCAR. [ CHEERS AND APPLAUSE ] 917 01:23:40,486 --> 01:23:46,424 THANK YOU. THANK YOU, NETFLIX, FOR GIVING 918 01:23:46,558 --> 01:23:52,663 US A PLATFORM, THANK YOU TO MY CREATIVE PARTNER, SAM, I SHARE 919 01:23:52,798 --> 01:23:56,300 THIS WITH YOU. THANK YOU TO MY MOM AND SISTER, 920 01:23:56,435 --> 01:24:00,638 I LOVE YOU. TO LISA AND GARRETT. 921 01:24:00,773 --> 01:24:04,942 TO THE WOMEN, KNOW THAT YOU ARE EMPOWERING WOMEN ALL OVER THE 922 01:24:05,077 --> 01:24:13,151 WORLD TO FIGHT FOR MENSTRUAL EQUALITY. 923 01:24:13,285 --> 01:24:17,221 [ APPLAUSE ] >> THIS FILM BEGAN BECAUSE HIGH 924 01:24:17,356 --> 01:24:20,391 SCHOOL STUDENTS HERE AND OUR GREAT PARTNERS AT ACTION INDIA 925 01:24:20,526 --> 01:24:23,094 WANTED TO MAKE A HUMAN RIGHTS DIFFERENCE. 926 01:24:23,228 --> 01:24:31,369 I SHARE THIS AWARD WITH THE FEMINIST MAJORITY FOUNDATION. 927 01:24:31,503 --> 01:24:34,472 WITH THE ENTIRE PAD PROJECT TEAM. 928 01:24:34,606 --> 01:24:40,211 WITH THE OAKWOOD SCHOOL. I SHARE THIS -- I SHARE THIS 929 01:24:40,345 --> 01:24:43,347 WITH TEACHERS AND WITH STUDENTS AROUND THE WORLD. 930 01:24:43,482 --> 01:24:52,356 A PERIOD SHOULD END A SENTENCE, NOT A GIRL'S EDUCATION. 931 01:24:52,491 --> 01:24:53,224 [ CHEERS AND APPLAUSE ] 932 01:24:53,358 --> 01:24:56,861 >> SOME OF THE BIGGEST AWARDS OF THE NIGHT ARE AHEAD. 933 01:24:56,995 --> 01:25:02,567 AND RIGHT NOW, WE'RE HEADING TO THE BACKSTAGE GREEN ROOM TO SEE 934 01:25:02,701 --> 01:25:05,203 THE STARS AS THEY GET READY TO GO ONSTAGE, AND WHERE THE 935 01:25:05,337 --> 01:25:10,608 WINNERS COME TO CELEBRATE AFTER THEIR BIG MOMENT. 936 01:25:10,742 --> 01:25:14,178 COMING UP NEXT, DIEGO LUNA, JOSE ANDRES, PAUL RUDD, AND 937 01:25:14,313 --> 01:25:17,115 SARAH PAULSON. PLUS, A PERFORMANCE OF "SHALLOW" 938 01:25:17,249 --> 01:25:22,520 BY LADY GAGA AND BRADLEY COOPER. 939 01:25:24,289 --> 01:25:33,865 >>> PLEASE WELCOME DIEGO LUNA AND CHEF JOSE ANDRES. 940 01:25:33,999 --> 01:25:37,602 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 941 01:25:37,736 --> 01:25:40,238 >> I'M A CHEF. I FOLLOW THE RECIPE. 942 01:25:40,372 --> 01:25:50,047 [ SPEAKING FOREIGN LANGUAGE ] >> SO, PEOPLE OF THE WORLD, EACH 943 01:25:50,182 --> 01:25:55,153 PERSON'S LIFE IS A RECIPE ALL ON ITS OWN. 944 01:25:55,287 --> 01:26:00,158 WITH DIFFERENT MEASURES OF JOY AND SADNESS, STRUGGLE AND 945 01:26:00,292 --> 01:26:04,162 SUCCESS, LOVE AND LOSS. THE RESULTS ARE UNIQUE EVERY 946 01:26:04,296 --> 01:26:08,766 TIME, EVEN THOUGH ALL OF THE INGREDIENTS ARE UNIVERSAL. 947 01:26:08,901 --> 01:26:11,469 >> IN "ROMA," ALFONSO CUARON PRESENTS AN HONEST AND VITAL 948 01:26:11,603 --> 01:26:14,505 PORTRAIT OF THE MEXICO CITY OF HIS CHILDHOOD. 949 01:26:14,640 --> 01:26:20,211 A PLACE FULL OF CONTRASTS AND CONTRADICTIONS. 950 01:26:20,345 --> 01:26:26,350 THIS IS A STORY OF LONELY WOMEN AND ABSENT MEN, OF PAINFUL CLASS 951 01:26:26,485 --> 01:26:28,186 DIVISIONS AND RACIAL DYNAMICS, BUT LOVE IS WHERE EVERYONE 952 01:26:28,320 --> 01:26:32,890 MEETS. >> AND THIS BEAUTIFUL, INTIMATE 953 01:26:33,025 --> 01:26:38,396 FILM, ONE THAT GIVES A VOICE TO THE VOICELESS, REMINDS US OF THE 954 01:26:38,530 --> 01:26:42,466 UNDERSTANDING AND COMPASSION THAT WE ALL OWE TO THE INVISIBLE 955 01:26:42,601 --> 01:26:50,408 PEOPLE IN OUR LIVES WHO MOVE HUMANITY FORWARD. 956 01:26:50,542 --> 01:27:04,155 IMMIGRANTS AND WOMEN. [ CHEERS AND APPLAUSE ] 957 01:27:04,289 --> 01:27:07,925 [ SPEAKING FOREIGN LANGUAGE ] 958 01:27:12,297 --> 01:27:27,044 959 01:27:32,284 --> 01:27:46,364 [ CHEERS AND APPLAUSE ] 960 01:27:46,498 --> 01:27:50,668 >> PLEASE WELCOME PAUL RUDD AND SARAH PAULSON. 961 01:27:50,802 --> 01:27:59,510 [ APPLAUSE ] 962 01:27:59,645 --> 01:28:00,878 >> IN "DUCK SOUP," CHICO MARX ASKS, "WHO ARE YOU GOING TO 963 01:28:01,013 --> 01:28:04,148 BELIEVE? ME OR YOUR OWN EYES?" 964 01:28:04,283 --> 01:28:07,818 WHEN IT COMES TO VISUAL EFFECTS, THE ANSWER'S NOT SO SIMPLE. 965 01:28:07,953 --> 01:28:10,921 >> TODAY'S EFFECTS ARTISTS COLLABORATE WITH EVERY OTHER 966 01:28:11,056 --> 01:28:12,356 DEPARTMENT TO CONVINCE AUDIENCES OF EVEN THE MOST IMPLAUSIBLE 967 01:28:12,491 --> 01:28:16,360 REALITIES. THIS IS THE KIND OF MAGIC THAT 968 01:28:16,495 --> 01:28:20,197 ALLOWS THE AUDIENCE TO BELIEVE I WAS ACTUALLY OBLITERATED BY A 969 01:28:20,332 --> 01:28:24,201 TRUCK IN "BIRD BOX." >> AND THE SAME KIND OF MAGIC 970 01:28:24,336 --> 01:28:28,072 THAT ALLOWS THE AUDIENCE TO BELIEVE THAT I'M AN ACTOR. 971 01:28:28,206 --> 01:28:32,143 >> HERE ARE THIS YEAR'S NOMINEES FOR ACHIEVEMENT IN VISUAL 972 01:28:32,277 --> 01:28:36,147 EFFECTS. >> "AVENGERS: INFINITY WAR," 973 01:28:36,281 --> 01:28:40,151 DAN DELEEUW, KELLY PORT, RUSSELL EARL, AND DAN SUDICK. 974 01:28:40,285 --> 01:28:44,155 "CHRISTOPHER ROBIN," CHRISTOPHER LAWRENCE, 975 01:28:44,289 --> 01:28:50,394 MICHAEL EAMES, THEO JONES, AND CHRIS CORBOULD. 976 01:28:50,529 --> 01:28:52,763 "FIRST MAN," PAUL LAMBERT, IAN HUNTER, TRISTAN MYLES, AND 977 01:28:52,898 --> 01:28:59,837 J.D. SCHWALM. "READY PLAYER ONE," 978 01:28:59,971 --> 01:29:02,406 ROGER GUYETT, GRADY COFER, MATTHEW E. BUTLER, AND DAVID 979 01:29:02,541 --> 01:29:08,145 SHIRK. "SOLO: A STAR WARS STORY," 980 01:29:08,280 --> 01:29:15,886 ROB BREDOW, PATRICK TUBACH, NEAL SCANLAN, AND DOMINIC TUOHY. 981 01:29:16,021 --> 01:29:27,798 >> AND THE OSCAR GOES TO "FIRST MAN." 982 01:29:27,933 --> 01:29:32,403 PAUL LAMBERT, IAN HUNTER, TRISTAN MYLES, AND J.D. SCHWALM. 983 01:29:32,537 --> 01:29:37,908 >> THIS IS THE FIRST OSCAR NOMINATION FOR TRISTAN AND J.D. 984 01:29:38,043 --> 01:29:48,152 THE SECOND TIME FOR PAUL AND IAN. 985 01:29:48,286 --> 01:29:53,357 986 01:29:57,429 --> 01:30:06,337 >> OH, MY GOODNESS. A TRULY MAGNIFICENT MOMENT, AND 987 01:30:06,471 --> 01:30:12,610 TO BE RECOGNIZED BY THE ACADEMY IS THAT MUCH MORE SPECIAL. 988 01:30:12,744 --> 01:30:22,753 THANKS TO KEVIN AND JENNIFER, THANK YOU TO DAMIAN, WHO IS AN 989 01:30:22,888 --> 01:30:23,587 INSPIRATION. 990 01:30:23,722 --> 01:30:35,332 AND OUR AMAZING CAST, AND LINUS, TOM, JUSTIN, MILDRED, WHO MADE 991 01:30:35,467 --> 01:30:42,840 THIS FILM SO MEMORABLE. AND A BIG SHOUT-OUT TO THE TEAM 992 01:30:42,974 --> 01:30:47,845 IN VANCOUVER. >> THANK YOU TO DAMIAN, MY WIFE, 993 01:30:47,979 --> 01:30:53,417 MY TWO BOYS, AND MY DAD, WHO TAUGHT ME HOW TO PUT THE MAGIC 994 01:30:53,552 --> 01:30:56,387 IN MOVIES. >> THANKS TO THE CREW, WITHOUT 995 01:30:56,521 --> 01:30:59,523 WHOSE HARD WORK WE WOULDN'T BE HERE TONIGHT. 996 01:30:59,658 --> 01:31:03,761 THANKS TO MY WIFE AND OUR CHILDREN FOR ALL THEIR SUPPORT 997 01:31:03,895 --> 01:31:07,798 OVER THE YEARS. >> AND IT'S AN HONOR, IT'S 998 01:31:07,933 --> 01:31:15,706 HUMBLING TO HONOR NEAL ARMSTRONG AND ALL THE MEN AND WOMEN AT 999 01:31:15,841 --> 01:31:22,513 NASA. THANK YOU SO MUCH. 1000 01:31:22,647 --> 01:31:22,847 [ APPLAUSE ] 1001 01:31:24,316 --> 01:31:34,725 1002 01:31:40,298 --> 01:31:49,974 [ CHEERS AND APPLAUSE ] 1003 01:31:52,444 --> 01:32:02,486 TELL ME SOMETHIN' GIRL 1004 01:32:02,621 --> 01:32:08,492 ARE YOU HAPPY IN THIS MODERN WORLD 1005 01:32:08,627 --> 01:32:14,498 OR DO YOU NEED MORE IS THERE SOMETHIN' ELSE 1006 01:32:14,633 --> 01:32:24,141 YOU'RE SEARCHIN' FOR I'M FALLING 1007 01:32:24,276 --> 01:32:28,178 IN ALL THE GOOD TIMES I FIND MYSELF LONGIN' 1008 01:32:28,313 --> 01:32:33,918 FOR CHANGE AND IN THE BAD TIMES 1009 01:32:34,052 --> 01:32:44,762 I FEAR MYSELF [ CHEERS AND APPLAUSE ] 1010 01:32:44,896 --> 01:32:55,339 TELL ME SOMETHING BOY 1011 01:32:55,473 --> 01:33:00,144 AREN'T YOU TIRED TRYIN' TO FILL THAT VOID 1012 01:33:00,278 --> 01:33:08,152 OR DO YOU NEED MORE AIN'T IT HARD 1013 01:33:08,286 --> 01:33:14,491 KEEPING IT SO HARDCORE I'M FALLING 1014 01:33:14,626 --> 01:33:20,197 IN ALL THE GOOD TIMES I FIND MYSELF LONGING 1015 01:33:20,332 --> 01:33:24,969 FOR CHANGE AND IN THE BAD TIMES 1016 01:33:25,103 --> 01:33:32,376 I FEAR MYSELF I'M OFF THE DEEP END 1017 01:33:32,510 --> 01:33:38,716 WATCH AS I DIVE IN I'LL NEVER MEET THE GROUND 1018 01:33:38,850 --> 01:33:43,253 CRASH THROUGH THE SURFACE WHERE THEY CAN'T HURT US 1019 01:33:43,388 --> 01:33:52,029 WE'RE FAR FROM THE SHALLOW NOW 1020 01:33:52,163 --> 01:33:56,166 IN THE SHA-HA SHA-HA-LOW 1021 01:33:56,301 --> 01:34:02,473 IN THE SHA-HA SHA-LA-LA-LA-LOW 1022 01:34:02,607 --> 01:34:06,043 IN THE SHA-HA SHA-HA-LOW 1023 01:34:06,177 --> 01:34:12,149 WE'RE FAR FROM THE SHALLOW NOW 1024 01:34:12,283 --> 01:34:29,099 OH OH OH OH OH OH 1025 01:34:29,234 --> 01:34:36,140 OH OH OH I'M OFF THE DEEP END 1026 01:34:36,274 --> 01:34:40,144 WATCH AS I DIVE IN I'LL NEVER MEET THE GROUND 1027 01:34:40,278 --> 01:34:48,152 CRASH THROUGH THE SURFACE WHERE THEY CAN'T HURT US 1028 01:34:48,286 --> 01:34:56,160 WE'RE FAR FROM THE SHALLOW NOW IN THE SHA-HA 1029 01:34:56,294 --> 01:35:02,566 SHA-HA-LOW IN THE SHA-SHA-LA-LA-LA-LOW 1030 01:35:02,701 --> 01:35:06,403 IN THE SHA-HA SHA-HA-LOW 1031 01:35:06,538 --> 01:35:09,573 WE'RE FAR FROM THE SHALLOW NOW 1032 01:35:09,708 --> 01:35:26,557 [ CHEERS AND APPLAUSE ] 1033 01:35:26,691 --> 01:35:28,158 >> COMING UP, THE OSCARS FOR ORIGINAL AND ADAPTED 1034 01:35:28,293 --> 01:35:32,162 SCREENPLAYS. THEN LATER, WE'LL FIND OUT WHO 1035 01:35:32,297 --> 01:35:36,166 BRINGS HOME THE OSCARS FOR BEST ACTOR AND ACTRESS. 1036 01:35:36,301 --> 01:35:39,803 PLUS, BRIE LARSON, SAMUEL L. JACKSON, 1037 01:35:39,938 --> 01:35:47,845 TESSA THOMPSON, >>> PLEASE WELCOME 1038 01:35:47,979 --> 01:35:52,249 KRYSTEN RITTER AND KIKI LAYNE. [ APPLAUSE ] 1039 01:35:52,383 --> 01:36:03,861 >> THIS YEAR'S SHORT FILMS ARE 1040 01:36:03,995 --> 01:36:07,831 INNOVATIVE, PROFOUNDLY MOVING, AND WORTHY OF NOMINATIONS IN 1041 01:36:07,966 --> 01:36:11,401 EVERY CATEGORY. >> SET IN LOCATIONS AROUND THE 1042 01:36:11,536 --> 01:36:13,504 WORLD, THEY SHOW US THE BEST AND WORST IN OURSELVES. 1043 01:36:13,638 --> 01:36:19,843 IF YOU LOVE MOVIES, YOU NEED TO SEE THEM. 1044 01:36:19,978 --> 01:36:23,347 >> HERE ARE THE NOMINEES FOR BEST LIVE ACTION SHORT FILM. 1045 01:36:23,481 --> 01:36:27,518 >> "DETAINMENT," VINCENT LAMBE AND DARREN MAHON. 1046 01:36:27,652 --> 01:36:31,855 "FAUVE," JEREMY COMTE AND MARIA GRACIA TURGEON. 1047 01:36:31,990 --> 01:36:37,427 "MARGUERITE," MARIANNE FARLEY AND MARIE-HELENE PANISSET. 1048 01:36:37,562 --> 01:36:41,064 "MOTHER," RODRIGO SOROGOYEN AND MARIA DEL PUY ALVARADO. 1049 01:36:41,199 --> 01:36:48,272 "SKIN," GUY NATTIV AND JAIME RAY NEWMAN. 1050 01:36:48,406 --> 01:36:55,846 >> AND THE OSCAR GOES TO -- YES! "SKIN," GUY NATTIV AND 1051 01:36:55,980 --> 01:37:01,919 JAIME RAY NEWMAN. >> THIS IS THE FIRST OSCAR AND 1052 01:37:02,053 --> 01:37:07,524 NOMINATION FOR GUY AND JAIME RAY. 1053 01:37:07,659 --> 01:37:10,260 ACADEMY AWARDS FOR LIVE ACTION SHORT FILMS HAVE BEEN PRESENTED 1054 01:37:10,395 --> 01:37:20,103 FOR OVER 80 YEARS. 1055 01:37:20,238 --> 01:37:27,878 [ APPLAUSE ] >> YES! 1056 01:37:28,012 --> 01:37:32,282 OH, MY GOD! >> OH, MY GOD. 1057 01:37:32,417 --> 01:37:40,257 I MOVED HERE FIVE YEARS AGO FROM ISRAEL. 1058 01:37:40,391 --> 01:37:47,664 AND MY GRANDPARENTS ARE HOLOCAUST SURVIVORS. 1059 01:37:47,799 --> 01:37:51,535 WE SEE BIGOTRY EVERY DAY IN AMERICA AND EUROPE, AND THIS 1060 01:37:51,669 --> 01:37:55,505 FILM IS ABOUT EDUCATION, IT'S ABOUT TEACHING YOUR KIDS A 1061 01:37:55,640 --> 01:37:58,275 BETTER WAY. >> WE DEDICATE THIS TO OUR -- 1062 01:37:58,409 --> 01:38:05,215 OH, MY GOD, OUR 5-MONTH-OLD BABY, AT HOME WITH MY PARENTS. 1063 01:38:05,350 --> 01:38:10,420 WE HOPE YOU GROW UP IN A WORLD WHERE THESE THINGS DON'T HAPPEN, 1064 01:38:10,555 --> 01:38:15,425 BECAUSE PEOPLE LEARN TO LOVE EACH OTHER. 1065 01:38:15,560 --> 01:38:22,833 I WANT THIS THANK OUR TEAM, EVERYONE AT FOX SEARCHLIGHT. 1066 01:38:22,967 --> 01:38:28,138 WE LOVE YOU. YES! 1067 01:38:28,273 --> 01:38:29,072 >> WHOO! [ CHEERS AND APPLAUSE ] 1068 01:38:29,207 --> 01:38:34,244 >> PLEASE WELCOME 1069 01:38:34,379 --> 01:38:36,446 ACADEMY AWARD-NOMINATED ACTOR, SAMUEL L. JACKSON, AND 1070 01:38:36,581 --> 01:38:40,250 ACADEMY AWARD WINNER, BRIE LARSON. 1071 01:38:40,385 --> 01:38:56,767 [ CHEERS AND APPLAUSE ] 1072 01:38:57,168 --> 01:39:03,307 >> FIRST OF ALL, SPIKE, SO GLAD YOU'RE SITTING DOWN. 1073 01:39:03,441 --> 01:39:07,277 AFTER 18 CONSECUTIVE HOME LOSSES, THE KNICKS WON TONIGHT. 1074 01:39:07,412 --> 01:39:11,315 I REPEAT, THE KNICKS WON TONIGHT. 1075 01:39:11,449 --> 01:39:22,225 DEFEATING SAN ANTONIO, 130-118. >> AND NOW, TO GET BACK 1076 01:39:22,360 --> 01:39:25,362 ON-SCRIPT. THE LEGENDARY FILMMAKER 1077 01:39:25,496 --> 01:39:27,898 FRANK CAPRA SAID, SCRIPTWRITING IS THE TOUGHEST PART OF THE 1078 01:39:28,032 --> 01:39:29,132 WHOLE RACKET, THE LEAST UNDERSTOOD, AND THE LEAST 1079 01:39:29,267 --> 01:39:39,910 NOTICED. >> OH, WE NOTICE. 1080 01:39:40,044 --> 01:39:40,777 >> OF COURSE. >> WE NOTICE. 1081 01:39:40,912 --> 01:39:42,346 >> BRIE AND I DON'T SHOW UP ON A MOVIE SET AND AD LIB FOR 1082 01:39:42,480 --> 01:39:43,914 12 HOURS. WE'RE NOT WINGING IT. 1083 01:39:44,048 --> 01:39:46,283 WE NEED WORDS. WHICH IS WHY WE TRULY APPRECIATE 1084 01:39:46,417 --> 01:39:47,751 WHAT THE LATE, GREAT WILLIAM GOLDMAN SAID ABOUT HIS 1085 01:39:47,885 --> 01:39:55,859 CRAFT. THE LATEST -- THE EASIEST THING 1086 01:39:55,994 --> 01:40:00,430 TO DO ON EARTH IS NOT TO WRITE. >> TRUTH. 1087 01:40:00,565 --> 01:40:01,999 LUCKILY, THESE WRITERS TOOK THE HARD PATH. 1088 01:40:02,133 --> 01:40:06,737 THEY ARE THE NOMINEES FOR ORIGINAL SCREENPLAY. 1089 01:40:06,871 --> 01:40:11,375 >> "THE FAVOURITE," WRITTEN BY DEBORAH DAVIS AND TONY McNAMARA. 1090 01:40:11,509 --> 01:40:15,045 "FIRST REFORMED," WRITTEN BY PAUL SCHRADER. 1091 01:40:15,179 --> 01:40:19,850 "GREEN BOOK," WRITTEN BY NICK VALLELONGA, BRIAN CURRIE, 1092 01:40:19,984 --> 01:40:25,389 PETER FARRELLY. "ROMA," WRITTEN BY 1093 01:40:25,523 --> 01:40:33,497 ALFONSO CUARON. "VICE," WRITTEN BY ADAM McKAY. 1094 01:40:33,631 --> 01:40:35,766 >> YEAH, I DID IT. >> ALL RIGHT. 1095 01:40:35,900 --> 01:40:46,243 AND THE OSCAR GOES TO -- NICK VALLELONGA, BRIAN CURRIE, 1096 01:40:46,377 --> 01:40:57,354 PETER FARRELLY FOR "GREEN BOOK." 1097 01:40:57,488 --> 01:40:58,288 . >> THEY ARE ALSO NOMINATED IN 1098 01:40:58,423 --> 01:41:01,324 THE BEST PICTURE CATEGORY. 1099 01:41:05,596 --> 01:41:11,835 >> I'D LIKE TO THANK UNIVERSAL STUDIOS, DREAMWORKS. 1100 01:41:11,969 --> 01:41:17,974 AS WRITERS, WHEN YOU HAVE MAHERSHALA ALI, VIGGO MORTENSEN, 1101 01:41:18,109 --> 01:41:23,880 AND LINDA CARDELLINI SAYING YOUR WORDS, YOU PINCH YOURSELF. 1102 01:41:24,015 --> 01:41:30,087 I WANT TO THANK MY FAMILY, AND PARTICULARLY GEORGE AND IRENE, 1103 01:41:30,221 --> 01:41:31,888 THE BEST PARENTS ANYBODY COULD HAVE. 1104 01:41:32,023 --> 01:41:34,825 >> THEY SAY IF YOU WANT TO GO SOMEWHERE FAST, GO ALONE. 1105 01:41:34,959 --> 01:41:36,960 IF YOU WANT TO GO FAR, GO TOGETHER. 1106 01:41:37,095 --> 01:41:42,032 I HAVE A LOT OF PEOPLE TO THANK. STARTING WITH THE ENTIRE STATE 1107 01:41:42,166 --> 01:41:45,102 OF RHODE ISLAND. THANK YOU VERY MUCH. 1108 01:41:45,236 --> 01:41:50,340 I WANT TO THANK VIGGO, MAHERSHALA, AND LINDA. 1109 01:41:50,475 --> 01:41:59,182 I WANT TO THANK MY WIFE, KIDS, BOB, RICHARD, JOE, PETER, 1110 01:41:59,317 --> 01:42:09,192 AMANDA, STACEY, JONATHAN, ROBERT, J.B., CHARLIE, JIM, TED, 1111 01:42:09,327 --> 01:42:14,131 SHAWN, TOM, AND SHINOLA WATCHES, UNBELIEVABLE, THEY'RE SAVING 1112 01:42:14,265 --> 01:42:21,304 DETROIT. AND I WANT TO THANK MY BROTHER, 1113 01:42:21,439 --> 01:42:24,474 AND BENNETT, I'M NOTHING WITHOUT YOU. 1114 01:42:24,609 --> 01:42:28,812 >> THANK YOU FOR VOTING FOR US, THANK YOU TO THE OTHER AMAZING 1115 01:42:28,946 --> 01:42:32,182 NOMINEES. THIS IS AN AMAZING ROOM OF 1116 01:42:32,316 --> 01:42:38,321 FILMMAKERS. EMBRACE OURSELVES AND LOVE EACH 1117 01:42:38,456 --> 01:42:39,389 OTHER. THANK YOU ALL. 1118 01:42:39,524 --> 01:42:46,429 MY MOTHER AND FATHER, I LOVE YOU, WE DID IT. 1119 01:42:46,564 --> 01:42:54,004 [ APPLAUSE ] >> OKAY. 1120 01:42:54,138 --> 01:42:55,839 >> AND NOW, HERE ARE THE NOMINEES FOR BEST ADAPTED 1121 01:42:55,973 --> 01:42:58,441 SCREENPLAY. >> CORRECT. 1122 01:42:58,576 --> 01:43:03,613 >> "THE BALLAD OF BUSTER SCRUGGS," WRITTEN BY 1123 01:43:03,748 --> 01:43:04,981 JOEL COEN AND ETHAN COEN. "ALL GOLD CANYON" IS BASED ON A 1124 01:43:05,116 --> 01:43:07,417 STORY BY JACK LONDON. "THE GAL WHO GOT RATTLED" IS 1125 01:43:07,552 --> 01:43:11,454 INSPIRED BY A STORY BY STEWART EDWARD WHITE. 1126 01:43:11,589 --> 01:43:16,092 "BLACKKKLANSMAN," WRITTEN BY CHARLIE WACHTEL AND 1127 01:43:16,227 --> 01:43:18,161 DAVID RABINOWITZ AND KEVIN WILLMOTT AND SPIKE LEE. 1128 01:43:18,296 --> 01:43:22,432 BASED ON THE BOOK BY RON STALLWORTH. 1129 01:43:22,567 --> 01:43:26,503 "CAN YOU EVER FORGIVE ME?" SCREENPLAY BY NICOLE HOLOFCENER 1130 01:43:26,637 --> 01:43:30,640 AND JEFF WHITTY. BASED ON THE BOOK BY LEE ISRAEL. 1131 01:43:30,775 --> 01:43:32,309 "IF BEALE STREET COULD TALK," WRITTEN FOR THE SCREEN BY 1132 01:43:32,443 --> 01:43:34,477 BARRY JENKINS. BASED ON THE BOOK BY 1133 01:43:34,612 --> 01:43:42,085 JAMES BALDWIN. "A STAR IS BORN," SCREENPLAY BY 1134 01:43:42,220 --> 01:43:45,722 ERIC ROTH AND BRADLEY COOPER AND WILL FETTERS. 1135 01:43:45,856 --> 01:43:47,857 BASED ON THE 1954 SCREENPLAY BY MOSS HART AND THE 1136 01:43:47,992 --> 01:43:51,828 1976 SCREENPLAY BY JOHN GREGORY DUNNE AND 1137 01:43:51,963 --> 01:43:54,064 JOAN DIDION AND FRANK PIERSON. BASED ON A STORY BY 1138 01:43:54,198 --> 01:44:02,772 WILLIAM WELLMAN AND ROBERT CARSON. 1139 01:44:02,907 --> 01:44:10,513 >> OKAY. AND THE OSCAR GOES TO -- 1140 01:44:10,648 --> 01:44:23,627 >> OH! CHARLIE WACHTEL, 1141 01:44:23,761 --> 01:44:26,529 DAVID RABINOWITZ, KEVIN WILLMOTT AND SPIKE LEE. 1142 01:44:26,664 --> 01:44:36,673 >> IT'S THE FIRST NOMINATION FOR CHARLIE, DAVID, AND KEVIN. 1143 01:44:36,807 --> 01:44:39,876 IT'S THE FIRST WIN FOR SPIKE LEE. 1144 01:44:40,011 --> 01:44:46,516 >> ALL RIGHT. [ CHEERS AND APPLAUSE ] 1145 01:44:46,651 --> 01:44:58,528 ALL RIGHT. I WANT TO THANK TANYA, THE WORD 1146 01:44:58,663 --> 01:45:02,832 TODAY IS IRONY. THE DATE, THE 24th. 1147 01:45:02,967 --> 01:45:06,503 THE MONTH, FEBRUARY, WHICH ALSO HAPPENS TO BE THE SHORTEST MONTH 1148 01:45:06,637 --> 01:45:09,005 OF THE YEAR. WHICH ALSO HAPPENS TO BE BLACK 1149 01:45:09,140 --> 01:45:11,708 HISTORY MONTH. THE YEAR, 2019. 1150 01:45:11,842 --> 01:45:19,015 THE YEAR, 1619. HISTORY, HERSTORY. 1151 01:45:19,150 --> 01:45:25,855 1619, 2019. 400 YEARS, OUR ANCESTORS WERE 1152 01:45:25,990 --> 01:45:33,530 STOLEN FROM AFRICA AND ENSLAVED. THEY WORKED THE LAND FROM 1153 01:45:33,664 --> 01:45:38,868 MORNING TO NIGHT. MY GRANDMOTHERS, WHO LIVED 100 1154 01:45:39,003 --> 01:45:44,674 YEARS YOUNG, A COLLEGE GRADUATE EVEN THOUGH HER MOTHER WAS A 1155 01:45:44,809 --> 01:45:49,379 SLAVE. MY GRANDMOTHER, WHO SAVED 50 1156 01:45:49,513 --> 01:45:55,618 YEARS OF SOCIAL SECURITY CHECKS TO PUT ME THROUGH COLLEGE. 1157 01:45:55,753 --> 01:46:02,559 SHE CALLED ME SPIKY POO. SHE PUT ME THROUGH FILM SCHOOL. 1158 01:46:02,693 --> 01:46:05,061 NYU! BEFORE THE WORLD TONIGHTS I GIVE 1159 01:46:05,196 --> 01:46:11,201 PRAISE TO MY ANCESTORS WHO BUILT OUR COUNTRY, ALONG WITH THE 1160 01:46:11,335 --> 01:46:16,673 GENOCIDE OF OUR NATIVE PEOPLE. WE ALL CONNECT WITH ANCESTORS, 1161 01:46:16,807 --> 01:46:20,577 TO REGAIN OUR HUMANITY. IT WILL BE A POWERFUL MOMENT. 1162 01:46:20,711 --> 01:46:24,848 THE 2020 PRESIDENTIAL ELECTION IS AROUND THE CORNER. 1163 01:46:24,982 --> 01:46:28,518 [ APPLAUSE ] LET'S ALL MOBILIZE, LET'S ALL BE 1164 01:46:28,652 --> 01:46:34,424 ON THE RIGHT SIDE OF HISTORY. MAKE THE MORAL CHOICE BETWEEN 1165 01:46:34,558 --> 01:46:36,893 LOVE VERSUS HATE. LET'S DO THE RIGHT THING! 1166 01:46:37,027 --> 01:46:43,833 YOU KNOW I HAD TO GET THAT IN THERE. 1167 01:46:43,968 --> 01:46:54,811 [ CHEERS AND APPLAUSE ] 1168 01:46:54,945 --> 01:46:57,914 >> COMING UP, BARBRA STREISAND, AND A LOOK AT THE FINAL TWO BEST 1169 01:46:58,048 --> 01:46:59,015 PICTURE NOMINEES, "BLACKKKLANSMAN" AND 1170 01:46:59,150 --> 01:47:03,853 "GREEN BOOK." THEN LATER, THE OSCARS FOR BEST 1171 01:47:03,988 --> 01:47:09,325 ACTOR AND ACTRESS. AND JULIA ROBERTS PRESENTS BEST 1172 01:47:09,460 --> 01:47:10,527 PICTURE. PLUS, CHADWICK BOSEMAN, 1173 01:47:10,661 --> 01:47:16,366 CONSTANCE WU, AND OSCAR WINNERS 1174 01:47:17,201 --> 01:47:22,272 >>> WELCOME BACK TO THE OSCARS AT THE DOLBY THEATRE. 1175 01:47:22,406 --> 01:47:30,447 TONIGHT'S BAND IS LED BY MUSIC DIRECTOR RICKEY MINOR. 1176 01:47:30,581 --> 01:47:35,151 AND NOW, PLEASE WELCOME TESSA THOMPSON AND MICHAEL B. JORDAN. 1177 01:47:35,286 --> 01:47:46,396 [ APPLAUSE ] 1178 01:47:46,530 --> 01:47:49,265 >> THE SCORE SERVES AS A MUSICAL THROUGHLINE THAT IMPACTS OUR 1179 01:47:49,400 --> 01:47:53,369 FEELINGS IN ANY GIVEN SCENE. >> LIKE WHEN WE HEAR THIS OSCAR 1180 01:47:53,504 --> 01:48:00,477 WINNING SCORE -- 1181 01:48:00,611 --> 01:48:04,080 >> IT'S TIME TO TAKE MY -- OUT OF THE WATER, BECAUSE SOMETHING 1182 01:48:04,215 --> 01:48:06,382 BAD IS PROBABLY GOING TO HAPPEN IN THE OCEAN. 1183 01:48:06,517 --> 01:48:11,254 >> BUT YOU CAN SWIM, RIGHT? >> YEAH, WHY WOULD YOU ASK THAT? 1184 01:48:11,388 --> 01:48:16,960 >> BECAUSE A LOT OF PEOPLE DON'T KNOW THAT ABOUT US. 1185 01:48:17,094 --> 01:48:22,866 >> TOUCHE, TOUCHE. HOW ABOUT THIS? 1186 01:48:23,000 --> 01:48:24,634 >> WE KNOW PEOPLE ARE GOING TO 1187 01:48:24,768 --> 01:48:27,737 FALL IN LOVE BEFORE SOMETHING ELSE BAD HAPPENS IN THE OCEAN. 1188 01:48:27,872 --> 01:48:33,977 A GREAT SCORE MOVES US AS AN AUDIENCE. 1189 01:48:34,111 --> 01:48:35,545 >> WHILE REMINDING US THAT REALLY BAD THINGS CAN HAPPEN IN 1190 01:48:35,679 --> 01:48:37,313 THE OCEAN. >> HERE ARE THE NOMINEES FOR 1191 01:48:37,448 --> 01:48:54,430 BEST ORIGINAL SCORE. "BLACK PANTHER." 1192 01:48:54,565 --> 01:49:10,413 "BLACKKKLANSMAN." "IF BEALE STREET COULD TALK." 1193 01:49:10,548 --> 01:49:26,863 "ISLE OF DOGS." "MARY POPPINS RETURNS." 1194 01:49:26,997 --> 01:49:45,682 [ APPLAUSE ] >> AND THE OSCAR GOES TO LUDWIG 1195 01:49:45,816 --> 01:49:47,083 GORANSSON AND "BLACK PANTHER." >> THIS IS HIS FIRST OSCAR 1196 01:49:47,217 --> 01:49:58,861 NOMINATION. >> THANK YOU. 1197 01:49:58,996 --> 01:50:05,535 [ APPLAUSE ] >> WOW. 1198 01:50:05,669 --> 01:50:10,540 THANK YOU, RYAN COOGLER. RYAN, RYAN, WORKING WITH YOU HAS 1199 01:50:10,674 --> 01:50:15,878 BEEN AN INCREDIBLE HONOR. I REMEMBER 12 YEARS AGO, WE WERE 1200 01:50:16,013 --> 01:50:20,116 SITTING IN OUR DORM AT UC, WRITING YOUR FIRST, THE SCORE 1201 01:50:20,250 --> 01:50:24,220 FOR YOUR FIRST SHORT FILM. 12 YEARS LATER, WE'RE HERE, YOU 1202 01:50:24,355 --> 01:50:26,689 KNOW, CELEBRATING ONE OF THE MOST IMPORTANT CINEMATIC MOMENTS 1203 01:50:26,824 --> 01:50:32,528 IN HISTORY. I WANT TO SHARE THIS AWARD WITH 1204 01:50:32,663 --> 01:50:37,500 ALL OF THE INCREDIBLE AFRICAN ARTISTS THAT I WORKED WITH ON 1205 01:50:37,635 --> 01:50:43,006 THE SCORE. AND ALL THE CLASSICAL MUSICIANS 1206 01:50:43,140 --> 01:50:48,544 IN LONDON THAT RECORDED ON THE SCORE. 1207 01:50:48,679 --> 01:50:53,116 AND EVERYONE ELSE, I WANT TO SHARE THIS WITH MY MOM, DAD, AND 1208 01:50:53,250 --> 01:50:56,019 SISTER, THAT INSISTED I PLAY GUITAR. 1209 01:50:56,153 --> 01:50:59,922 AND MY WIFE, I LOVE YOU SO MUCH, THANK YOU. 1210 01:51:00,057 --> 01:51:03,092 [ APPLAUSE ] 1211 01:51:03,227 --> 01:51:17,807 >> PLEASE WELCOME CONSTANCE WU AND CHADWICK BOSEMAN. 1212 01:51:17,941 --> 01:51:18,474 [ APPLAUSE ] 1213 01:51:18,609 --> 01:51:21,944 >> "OVER THE RAINBOW" AND THE THEME FROM "SHAFT." 1214 01:51:22,079 --> 01:51:23,546 >> "MONA LISA" AND "LOSE YOURSELF." 1215 01:51:23,681 --> 01:51:26,115 >> "THE WAY WE WERE" AND "MAN OR MUPPET." 1216 01:51:26,250 --> 01:51:30,286 >> "STREETS OF PHILADELPHIA" AND "REMEMBER ME." 1217 01:51:30,421 --> 01:51:33,423 THE ONLY THING THESE SONGS COULD POSSIBLY HAVE IN COMMON IS THE 1218 01:51:33,557 --> 01:51:35,992 PLACE THEY'VE EARNED IN HISTORY AS ACADEMY AWARD WINNERS. 1219 01:51:36,126 --> 01:51:40,163 TONIGHT, ANOTHER WILL JOIN THEIR RANKS. 1220 01:51:40,297 --> 01:51:42,265 >> THIS YEAR'S NOMINATED SONGS ARE AS ECLECTIC AND 1221 01:51:42,399 --> 01:51:46,436 STYLISTICALLY DISTINCTIVE AS THE STORIES THEY TELL. 1222 01:51:46,570 --> 01:51:49,305 >> ONCE AGAIN, HERE ARE THIS YEAR'S NOMINEES FOR BEST 1223 01:51:49,440 --> 01:51:53,910 ORIGINAL SONG. >> "ALL THE STARS," FROM "BLACK 1224 01:51:54,044 --> 01:52:10,860 PANTHER." "I'LL FIGHT," FROM "RBG." 1225 01:52:10,994 --> 01:52:13,229 "THE PLACE WHERE LOST THINGS GO," FROM "MARY POPPINS 1226 01:52:13,363 --> 01:52:22,405 RETURNS." "SHALLOW," FROM "A STAR IS 1227 01:52:22,539 --> 01:52:29,779 BORN." "WHEN A COWBOY TRADES HIS SPURS 1228 01:52:29,913 --> 01:52:39,655 FOR WINGS," FROM "THE BALLAD OF BUSTER SCRUGGS." 1229 01:52:39,790 --> 01:52:58,674 [ APPLAUSE ] >> AND THE OSCAR GOES 1230 01:52:58,809 --> 01:53:03,913 TO "SHALLOW". >> THIS IS THEIR FIRST OSCAR 1231 01:53:04,047 --> 01:53:06,582 NOMINATION, THE FIRST WIN AND THIRD NOMINATION FOR LADY GAGA, 1232 01:53:06,717 --> 01:53:19,362 WHO IS ALSO NOMINATED IN THE LEADING ACTRESS CATEGORY. 1233 01:53:19,496 --> 01:53:25,034 [ CHEERS AND APPLAUSE ] 1234 01:53:25,169 --> 01:53:30,006 >> THANK YOU SO MUCH. THANK YOU SO MUCH. 1235 01:53:30,140 --> 01:53:33,109 TO THE ACADEMY FOR THIS WONDERFUL HONOR, THANK YOU TO 1236 01:53:33,243 --> 01:53:37,780 EVERY PERSON IN THE ROOM, TO MARC, ANTHONY, ANDREW, MY 1237 01:53:37,915 --> 01:53:41,818 CO-WRITERS, I LOVE THEM SO MUCH. TO MY SISTER, MY SOUL MATE, I 1238 01:53:41,952 --> 01:53:43,085 LOVE YOU. MY FAMILY'S HERE. 1239 01:53:43,220 --> 01:53:46,823 I LOVE YOU, MOM AND DAD. BRADLEY. 1240 01:53:46,957 --> 01:53:49,625 THERE'S NOT A SINGLE PERSON ON THE PLANET THAT COULD HAVE SANG 1241 01:53:49,760 --> 01:53:54,230 THIS SONG WITH ME BUT YOU. THANK YOU FOR BELIEVING IN US. 1242 01:53:54,364 --> 01:53:56,265 THANK YOU SO MUCH. [ APPLAUSE ] 1243 01:53:56,400 --> 01:53:59,569 AND IF YOU ARE AT HOME AND YOU'RE SITTING ON YOUR COUCH, 1244 01:53:59,703 --> 01:54:05,007 AND YOU ARE WATCHING THIS RIGHT NOW, ALL I HAVE TO SAY IS THAT 1245 01:54:05,142 --> 01:54:08,411 THIS IS HARD WORK. I'VE WORKED HARD FOR A LONG 1246 01:54:08,545 --> 01:54:13,316 TIME, AND IT'S NOT ABOUT, YOU KNOW, IT'S NOT ABOUT WINNING. 1247 01:54:13,450 --> 01:54:15,818 BUT WHAT IT'S ABOUT IS NOT GIVING UP. 1248 01:54:15,953 --> 01:54:18,688 IF YOU HAVE A DREAM, FIGHT FOR IT. 1249 01:54:18,822 --> 01:54:21,891 THERE'S A DISCIPLINE FOR PASSION, AND IT'S NOT ABOUT HOW 1250 01:54:22,025 --> 01:54:26,729 MANY TIMES YOU GET REJECTED OR YOU FALL DOWN, OR YOU'RE BEATEN 1251 01:54:26,864 --> 01:54:29,365 UP. IT'S ABOUT HOW MANY TIMES YOU 1252 01:54:29,499 --> 01:54:30,499 STAND UP, AND ARE BRAVE, AND YOU KEEP GOING. 1253 01:54:30,634 --> 01:54:36,405 THANK YOU. [ APPLAUSE ] 1254 01:54:36,540 --> 01:54:39,475 >> ONLY BECAUSE YOU CAN'T REALLY THANK YOURSELF, I THINK WHEN 1255 01:54:39,610 --> 01:54:43,312 YOU'RE IN THE ROOM WITH THIS PERSON, YOU DON'T HAVE TO DO TOO 1256 01:54:43,447 --> 01:54:48,184 MUCH. SHE ACTS, WRITES, SINGS THE 1257 01:54:48,318 --> 01:54:50,319 SONG. LADY GAGA, WE SALUTE YOU FOR 1258 01:54:50,454 --> 01:54:51,020 THIS. [ APPLAUSE ] 1259 01:54:51,154 --> 01:55:06,836 1260 01:55:07,471 --> 01:55:11,073 >> PLEASE WELCOME THE PRESIDENT OF THE ACADEMY OF MOTION PICTURE 1261 01:55:11,208 --> 01:55:22,418 ARTS AND SCIENCES, JOHN BAILEY. [ APPLAUSE ] 1262 01:55:22,552 --> 01:55:28,991 >> THIS EVENING, WE CELEBRATE THE ACHIEVEMENTS NOT ONLY OF OUR 1263 01:55:29,126 --> 01:55:30,459 AWARD WINNERS, BUT ALL 212 NOMINEES OF THE ACADEMY'S 1264 01:55:30,594 --> 01:55:35,231 CLASS OF 2018. WE ALSO PAUSE TO HONOR ALL THOSE 1265 01:55:35,365 --> 01:55:42,405 ARTISTS WHO HAVE LEFT US SINCE OUR LAST AWARDS CEREMONY, THE 1266 01:55:42,539 --> 01:55:46,175 MEN AND WOMEN WHOSE MOVIES HAVE SO ENTERTAINED AND INSPIRED US. 1267 01:55:46,310 --> 01:55:49,378 ONLY A FEW OF THEM CAN BE HIGHLIGHTED HERE. 1268 01:55:49,513 --> 01:55:55,318 BUT LET'S NOW GIVE TRIBUTE TO ALL THEIR EXTRAORDINARY LIVES 1269 01:55:55,452 --> 01:55:59,155 AND WORKS IN THIS MUSIC OF JOHN WILLIAMS, WITH THE LOS ANGELES 1270 01:55:59,289 --> 01:56:04,360 PHILHARMONIC CELEBRATING ITS CENTENNIAL YEAR UNDER THE 1271 01:56:04,494 --> 01:56:07,330 DIRECTION OF MAESTRO GUSTAVO DUDAMEL. 1272 01:56:07,464 --> 01:56:11,867 [ CHEERS AND APPLAUSE ] 1273 01:56:13,470 --> 01:56:29,352 1274 01:56:46,536 --> 01:57:00,349 1275 01:57:06,556 --> 01:57:22,438 1276 01:57:26,543 --> 01:57:41,390 1277 01:57:43,560 --> 01:57:55,071 1278 01:57:58,542 --> 01:58:12,555 1279 01:58:18,528 --> 01:58:33,943 1280 01:58:38,548 --> 01:58:52,862 1281 01:58:58,535 --> 01:59:12,214 1282 01:59:18,522 --> 01:59:31,100 1283 01:59:37,807 --> 01:59:52,354 1284 01:59:58,528 --> 02:00:25,621 1285 02:00:25,755 --> 02:00:41,770 [ APPLAUSE ] 1286 02:00:56,419 --> 02:01:03,492 >>> IN NOVEMBER, THE ACADEMY HELD THE GOVERNOR'S AWARDS. 1287 02:01:03,627 --> 02:01:05,060 HONORARY OSCARS WERE PRESENTED TO ACTRESS CICELY TYSON, 1288 02:01:05,195 --> 02:01:07,162 COMPOSER LALO SCHIFRIN AND PUBLICIST MARVIN LEVY. 1289 02:01:07,297 --> 02:01:08,564 THE THALBERG AWARD WENT TO PRODUCERS KATHLEEN KENNEDY AND 1290 02:01:08,698 --> 02:01:10,332 FRANK MARSHALL. KENNEDY IS THE FIRST WOMAN TO 1291 02:01:10,467 --> 02:01:13,402 RECEIVE THE THALBERG. AND ON FEBRUARY 9th, DAVID 1292 02:01:13,536 --> 02:01:15,004 OYELOWO HOSTED THE ACADEMY'S ANNUAL SCI-TECH AWARDS. 1293 02:01:15,138 --> 02:01:17,039 NINE SCIENTIFIC AND TECHNICAL ACHIEVEMENTS REPRESENTED BY 1294 02:01:17,173 --> 02:01:23,812 27 INDIVIDUAL AWARD RECIPIENTS WERE HONORED THAT NIGHT. 1295 02:01:23,947 --> 02:01:26,649 AND NOW, PLEASE WELCOME TWO-TIME ACADEMY AWARD WINNER, BARBRA 1296 02:01:26,783 --> 02:01:32,955 STREISAND. [ CHEERS AND APPLAUSE ] 1297 02:01:33,089 --> 02:01:48,070 >> THANK YOU SO MUCH. 1298 02:01:48,204 --> 02:01:56,679 THANK YOU. THANK YOU. 1299 02:01:56,813 --> 02:02:00,316 THANK YOU. WHEN I FIRST SAW 1300 02:02:00,450 --> 02:02:09,692 "BLACKKKLANSMAN," I WAS STUNNED AND WAS VERY EXCITED, AND WAS 1301 02:02:09,826 --> 02:02:12,328 VERY MOVED. IT HAD EVERYTHING A GREAT FILM 1302 02:02:12,462 --> 02:02:18,367 SHOULD HAVE. IT WAS SO REAL, SO FUNNY, AND 1303 02:02:18,501 --> 02:02:22,538 YET SO HORRIFYING, BECAUSE IT WAS BASED ON THE TRUTH. 1304 02:02:22,672 --> 02:02:28,277 AND TRUTH IS ESPECIALLY PRECIOUS THESE DAYS. 1305 02:02:28,411 --> 02:02:35,951 [ APPLAUSE ] I HAD TO -- THANK YOU. 1306 02:02:36,086 --> 02:02:40,522 SO, I HAD TO TWEET ABOUT IT, YOU KNOW, ABOUT HOW GOOD IT WAS. 1307 02:02:40,657 --> 02:02:45,694 AND THEN I GOT A LOVELY THANK YOU FROM SPIKE HIMSELF. 1308 02:02:45,829 --> 02:02:51,967 THE CONVERSATION AFTER THAT WAS VERY EASY, BECAUSE WE WERE BOTH 1309 02:02:52,102 --> 02:03:00,008 RAISED IN BROOKLYN. [ CHEERS AND APPLAUSE ] 1310 02:03:00,143 --> 02:03:08,317 AND, SPIKE, WE BOTH LOVE HATS. SO, AFTER A LIFETIME OF BOLD, 1311 02:03:08,451 --> 02:03:15,124 GAMECHANGING WORK, HERE IS SPIKE LEE'S MASTERPIECE, THE 1312 02:03:15,258 --> 02:03:18,761 STORY OF THE FIRST AFRICAN-AMERICAN DETECTIVE IN 1313 02:03:18,895 --> 02:03:21,363 THE COLORADO SPRINGS POLICE DEPARTMENT WHO JOINS FORCES WITH 1314 02:03:21,498 --> 02:03:27,603 HIS JEWISH COLLEAGUE TO INFILTRATE THE KU KLUX KLAN. 1315 02:03:27,737 --> 02:03:36,278 NOW, THAT IS FUNNY ALREADY. BUT IT'S AN UNFLINCHING LOOK AT 1316 02:03:36,413 --> 02:03:43,318 RACE RELATIONS IN AMERICA BACK IN THE 1970s. 1317 02:03:43,453 --> 02:03:48,290 THAT WAS THEN, BUT IT'S JUST AS RELEVANT TODAY. 1318 02:03:48,425 --> 02:03:51,560 >> THIS IS RON STALLWORTH. I'M ANXIOUS TO MEET YOU. 1319 02:03:51,694 --> 02:03:56,832 >> I'M JUST HAPPY TO MEET A TRUE WHITE AMERICAN. 1320 02:03:56,966 --> 02:03:59,935 >> THEY WANT TO MEET ME FIRST. >> YOU PROBABLY SHOULDN'T GO TO 1321 02:04:00,069 --> 02:04:02,638 THAT MEETING. >> YOU NEED TO WAKE UP. 1322 02:04:02,772 --> 02:04:06,208 >> DON'T THINK THAT I DON'T CARE ABOUT MY PEOPLE! 1323 02:04:06,342 --> 02:04:08,310 >> BLACK POWER! 1324 02:04:08,445 --> 02:04:12,781 >> WHITE POWER! >> YOU'RE JEWISH, BROTHER. 1325 02:04:12,916 --> 02:04:16,552 >> WHY ARE YOU ACTING LIKE YOU DON'T HAVE SKIN IN THE GAME? 1326 02:04:16,686 --> 02:04:21,490 >> THAT'S MY BUSINESS. >> IT'S OUR BUSINESS. 1327 02:04:21,624 --> 02:04:22,458 >> PLEASE WELCOME LAST YEAR'S 1328 02:04:22,592 --> 02:04:26,695 WINNERS FOR ACTRESS IN A SUPPORTING ROLE AND ACTOR IN A 1329 02:04:26,830 --> 02:04:32,334 LEADING ROLE, ALLISON JANNEY AND GARY OLDMAN. 1330 02:04:32,469 --> 02:04:44,046 [ APPLAUSE ] 1331 02:04:44,180 --> 02:04:45,614 >> YOU KNOW, YOU AND I COULDN'T HAVE WON OSCARS FOR PORTRAYING 1332 02:04:45,748 --> 02:04:48,283 TWO MORE DIFFERENT PEOPLE. >> THAT'S SO TRUE. 1333 02:04:48,418 --> 02:04:52,054 ONE OF US PLAYING A BRASH AND CONTROVERSIAL LEADER, KNOWN FOR 1334 02:04:52,188 --> 02:04:53,489 LOVING WHISKY AND ALWAYS BEING ENSHROUDED IN THAT TRADEMARK 1335 02:04:53,623 --> 02:04:55,457 CLOUD OF SMOKE. >> YES. 1336 02:04:55,592 --> 02:05:01,864 AND THEN, OF COURSE, YOU PLAYED CHURCHILL. 1337 02:05:01,998 --> 02:05:02,931 >> YES. >> AND HERE ARE THE NOMINEES FOR 1338 02:05:03,066 --> 02:05:08,303 PERFORMANCE BY AN ACTOR IN A LEADING ROLE. 1339 02:05:08,438 --> 02:05:13,775 >> CHRISTIAN BALE, "VICE." >> 3,000 INNOCENT PEOPLE BURNED 1340 02:05:13,910 --> 02:05:20,215 TO DEATH BY THOSE MONSTERS. AND YET YOU OBJECT WHEN I REFUSE 1341 02:05:20,350 --> 02:05:24,987 TO KISS THOSE MONSTERS ON THE CHEEK AND SAY PRETTY PLEASE. 1342 02:05:25,121 --> 02:05:30,125 YOU ANSWER ME THIS. WHAT TERRORIST ATTACK WOULD YOU 1343 02:05:30,260 --> 02:05:36,431 HAVE LET GO FORWARD SO YOU WOULDN'T SEEM LIKE A MEAN AND 1344 02:05:36,566 --> 02:05:38,400 NASTY FELLA? [ APPLAUSE ] 1345 02:05:38,535 --> 02:05:43,038 >> BRADLEY COOPER, "A STAR IS BORN." 1346 02:05:43,172 --> 02:05:51,647 >> CAN I TELL YOU A SECRET? I THINK YOU MIGHT BE A 1347 02:05:51,781 --> 02:05:58,020 SONGWRITER. DON'T WORRY, I WON'T TELL 1348 02:05:58,154 --> 02:06:03,926 ANYBODY. BUT I'M NOT VERY GOOD AT KEEPING 1349 02:06:04,060 --> 02:06:11,433 SECRETS. [ APPLAUSE ] 1350 02:06:11,568 --> 02:06:14,336 >> WILLEM DAFOE, "AT ETERNITY'S GATE." 1351 02:06:14,470 --> 02:06:19,741 >> I BELIEVE I HAVE A MENACING SPIRIT AROUND ME. 1352 02:06:19,876 --> 02:06:26,715 AN INVISIBLE BEING. I FEEL IT, I DON'T SEE IT. 1353 02:06:26,849 --> 02:06:32,321 HE SPEAKS TO ME, AND THREATENS ME, AND ALL HE WANTS TO DO IS 1354 02:06:32,455 --> 02:06:39,595 PLUNGE A KNIFE INTO MY HEART. I SAW HIM, AND I TRIED TO CUT 1355 02:06:39,729 --> 02:06:44,266 HIM OUT OF MYSELF. [ APPLAUSE ] 1356 02:06:44,400 --> 02:06:45,701 >> RAMI MALEK, "BOHEMIAN RHAPSODY." 1357 02:06:45,835 --> 02:06:55,644 COME ON I DON'T WANT TO DIE 1358 02:06:55,778 --> 02:07:03,285 SOMETIMES WISH I NEVER HAD BEEN BORN AT ALL 1359 02:07:03,419 --> 02:07:04,353 [ APPLAUSE ] >> VIGGO MORTENSEN, "GREEN 1360 02:07:04,487 --> 02:07:08,323 BOOK." >> YOU SPEAK GERMAN, HUH? 1361 02:07:08,458 --> 02:07:12,995 >> THAT WAS RUSSIAN. >> I WAS STATIONED IN GERMANY, 1362 02:07:13,129 --> 02:07:19,668 IN THE ARMY. I COULD PICK UP A LITTLE BIT OF 1363 02:07:19,802 --> 02:07:24,339 WHAT YOU SAID. WATCH OUT FOR THEM KRAUTS, 1364 02:07:24,474 --> 02:07:29,244 THEY'RE ALL SNEAKS. [ APPLAUSE ] 1365 02:07:29,379 --> 02:07:38,020 >> AND THE OSCAR GOES TO RAMI MALEK! 1366 02:07:38,154 --> 02:07:38,887 [ CHEERS AND APPLAUSE ] 1367 02:07:39,022 --> 02:07:49,431 >> THIS IS THE FIRST OSCAR AND NOMINATION FOR RAMI MALEK. 1368 02:07:49,565 --> 02:08:04,613 [ CHEERS AND APPLAUSE ] 1369 02:08:09,852 --> 02:08:16,158 >> OH, MY GOD. MY MOM IS IN HERE SOMEWHERE. 1370 02:08:16,292 --> 02:08:20,295 [ CHEERS AND APPLAUSE ] OH, I LOVE YOU. 1371 02:08:20,430 --> 02:08:22,431 I LOVE YOU, LADY. MY FAMILY, THANK YOU FOR ALL OF 1372 02:08:22,565 --> 02:08:28,637 THIS. YOU KNOW, MY DAD DIDN'T GET TO 1373 02:08:28,771 --> 02:08:33,608 SEE ME DO ANY OF THIS. BUT I THINK HE'S LOOKING DOWN ON 1374 02:08:33,743 --> 02:08:40,315 ME RIGHT NOW. SO, THIS IS A MONUMENTAL MOMENT. 1375 02:08:40,450 --> 02:08:43,618 ONE I'M SO APPRECIATIVE OF ALL OF YOU, TO EVERYONE WHO HAS HAD 1376 02:08:43,753 --> 02:08:49,858 A HAND IN GETTING ME HERE. TO THE ACADEMY, TO PEOPLE WHO 1377 02:08:49,992 --> 02:08:52,928 TOOK A CHANCE ON ME. EVERY STEP OF THE WAY. 1378 02:08:53,062 --> 02:08:59,935 GRAHAM KING. DENNIS O'SULLIVAN, EVERYONE AT 1379 02:09:00,069 --> 02:09:05,741 FOX. AND NEW REGENCY. 1380 02:09:05,875 --> 02:09:10,245 I KNOW I WASN'T THE OBVIOUS CHOICE, BUT I GUESS IT WORKED 1381 02:09:10,379 --> 02:09:11,947 OUT. THANK YOU, QUEEN. 1382 02:09:12,081 --> 02:09:16,451 THANK YOU GUYS FOR BEING, FOR ALLOWING ME TO BE THE TINIEST 1383 02:09:16,586 --> 02:09:21,757 PART OF YOUR PHENOMENAL, EXTRAORDINARY LEGACY. 1384 02:09:21,891 --> 02:09:30,499 I AM FOREVER IN YOUR DEBT. [ APPLAUSE ] 1385 02:09:30,633 --> 02:09:34,002 MY CREW, AND MY CAST. I LOVE YOU. 1386 02:09:34,137 --> 02:09:40,475 YOU ARE MY EQUALS, MY BETTERS. I COULD HAVE NEVER BEEN HERE 1387 02:09:40,610 --> 02:09:46,381 WITHOUT YOU. I THINK ABOUT WHAT IT WOULD HAVE 1388 02:09:46,516 --> 02:09:51,787 BEEN LIKE TO TELL LITTLE BUBBA RAMI THAT ONE DAY THIS MIGHT 1389 02:09:51,921 --> 02:09:56,291 HAPPEN TO HIM. AND I THINK HIS CURLY-HAIRED 1390 02:09:56,425 --> 02:10:02,164 LITTLE MIND WOULD BE BLOWN. HE WAS STRUGGLING WITH HIS 1391 02:10:02,298 --> 02:10:04,032 IDENTITY, TRYING TO FIGURE HIMSELF OUT. 1392 02:10:04,167 --> 02:10:08,303 AND I THINK TO ANYONE STRUGGLING WITH THEIRS, AND TRYING TO 1393 02:10:08,437 --> 02:10:14,576 DISCOVER THEIR VOICE, LISTEN, WE MADE A FILM ABOUT A GAY MAN, AN 1394 02:10:14,710 --> 02:10:19,281 IMMIGRANT, WHO LIVED HIS LIFE JUST UNAPOLOGETICALLY HIMSELF. 1395 02:10:19,415 --> 02:10:24,319 THE FACT THAT I'M CELEBRATING HIM AND THIS STORY WITH YOU 1396 02:10:24,453 --> 02:10:28,690 TONIGHT IS PROOF THAT WE'RE LONGING FOR STORIES LIKE THIS. 1397 02:10:28,825 --> 02:10:33,361 I AM THE SON OF IMMIGRANTS FROM EGYPT, A FIRST-GENERATION 1398 02:10:33,496 --> 02:10:39,768 AMERICAN. [ APPLAUSE ] 1399 02:10:39,902 --> 02:10:43,772 AND PART OF MY STORY IS BEING WRITTEN RIGHT NOW. 1400 02:10:43,906 --> 02:10:51,346 AND I COULD NOT BE MORE GRATEFUL TO EACH AND EVERY ONE OF YOU, 1401 02:10:51,480 --> 02:10:56,218 AND EVERYONE WHO BELIEVED IN ME FOR THIS MOMENT. 1402 02:10:56,352 --> 02:11:01,256 IT'S SOMETHING I WILL TREASURE FOR THE REST OF MY LIFE. 1403 02:11:01,390 --> 02:11:05,126 LUCY, YOU'RE THE HEART OF THIS FILM. 1404 02:11:05,261 --> 02:11:07,095 YOU ARE BEYOND IMMENSELY TALENTED. 1405 02:11:07,230 --> 02:11:12,300 YOU HAVE CAPTURED MY HEART. THANK YOU SO MUCH. 1406 02:11:12,435 --> 02:11:16,338 [ CHEERS AND APPLAUSE ] 1407 02:11:16,472 --> 02:11:19,441 >> COMING UP NEXT, A LOOK AT BEST PICTURE NOMINEE "GREEN 1408 02:11:19,575 --> 02:11:24,279 BOOK," AND THE AWARD FOR BEST ACTRESS. 1409 02:11:24,413 --> 02:11:28,817 WILL THE OSCAR GO TO YALITZA APARACIO, GLENN CLOSE, OLIVIA 1410 02:11:28,951 --> 02:11:32,888 COLMAN, LADY GAGA, OR MELISSA McCARTHY? 1411 02:11:40,830 --> 02:11:42,130 >>> LADIES AND GENTLEMEN, PLEASE WELCOME AMANDLA STENBERG AND 1412 02:11:42,265 --> 02:11:49,738 CONGRESSMAN JOHN LEWIS. [ APPLAUSE ] 1413 02:11:49,872 --> 02:11:56,111 >> THANK YOU. 1414 02:11:57,446 --> 02:12:12,794 [ CHEERS AND APPLAUSE ] >> THANK YOU. 1415 02:12:20,903 --> 02:12:25,307 >> OUR FINAL NOMINEE FOR BEST PICTURE IS A FILM ABOUT BIGOTRY, 1416 02:12:25,441 --> 02:12:28,576 FRIENDSHIP, AND GROWTH, BASED ON THE STORY OF A WHITE MAN AND AN 1417 02:12:28,711 --> 02:12:32,781 AFRICAN-AMERICAN MAN ON A JOURNEY THROUGH THE SEGREGATED 1418 02:12:32,915 --> 02:12:38,787 SOUTH. >> I CAN BEAR WITNESS THAT THE 1419 02:12:38,921 --> 02:12:41,690 PORTRAIT PAINTED OF THAT TIME AND PLACE IN OUR HISTORY IS VERY 1420 02:12:41,824 --> 02:12:48,763 REAL. IT'S SEARED IN MY MEMORY, BLACK 1421 02:12:48,898 --> 02:12:52,934 MEN AND WOMEN, OUR BROTHERS AND SISTERS, TREATED AS SECOND CLASS 1422 02:12:53,069 --> 02:12:56,771 CITIZENS, THREATENED FOR RAISING THEIR FAMILIES OR EARNING A 1423 02:12:56,906 --> 02:13:01,309 LIVING, BEATEN AND SOMETIMES KILLED FOR THE CRIME OF TRYING 1424 02:13:01,444 --> 02:13:05,313 TO LIVE A LIFE WITH DIGNITY. OUR NATION BEARS THE SCARS OF 1425 02:13:05,448 --> 02:13:19,361 THAT TIME, AS DO I. [ APPLAUSE ] 1426 02:13:19,495 --> 02:13:21,930 >> THE CHARACTERS IN "GREEN BOOK" GRADUALLY TORE DOWN THE 1427 02:13:22,064 --> 02:13:26,134 WALLS BETWEEN THEM, TRANSFORMING EACH OTHER IN THE PROCESS. 1428 02:13:26,268 --> 02:13:32,841 AS THIS FILM DEMONSTRATES, ANY JOURNEY THAT OPENS SOMEONE'S 1429 02:13:32,975 --> 02:13:37,312 EYES AND SOFTENS THEIR HEART IS ONE THAT IS WORTH TAKING. 1430 02:13:37,446 --> 02:13:44,619 [ APPLAUSE ] >> YOUNG OR OLD, I ENCOURAGE YOU 1431 02:13:44,754 --> 02:13:48,656 TO BE AN ACTIVE PARTICIPANT IN THE JOURNEY. 1432 02:13:48,791 --> 02:13:53,261 THIS IS "GREEN BOOK." [ CHEERS AND APPLAUSE ] 1433 02:13:53,396 --> 02:13:55,964 >> HAVE YOU EVER DRIVEN PROFESSIONALLY BEFORE? 1434 02:13:56,098 --> 02:13:58,967 >> I CAN DRIVE ANYTHING. >> WHAT OTHER EXPERIENCE DO YOU 1435 02:13:59,101 --> 02:14:01,136 HAVE? >> PUBLIC RELATIONS. 1436 02:14:01,270 --> 02:14:05,140 >> I'M ABOUT TO EMBARK ON A CONCERT TOUR IN THE DEEP SOUTH. 1437 02:14:05,274 --> 02:14:09,077 >> YOU, IN THE DEEP SOUTH? THERE WILL BE PROBLEMS. 1438 02:14:09,211 --> 02:14:19,954 GET YOUR HANDS OFF OF HIM, NOW! >> DEAR DELORES, THE DISTANCE 1439 02:14:20,089 --> 02:14:25,193 BETWEEN US IS SO DIFFICULT. >> IT TAKES COURAGE TO CHANGE 1440 02:14:25,327 --> 02:14:26,061 PEOPLE'S HEARTS. [ APPLAUSE ] 1441 02:14:26,195 --> 02:14:36,938 >> PLEASE WELCOME ACADEMY AWARD 1442 02:14:37,073 --> 02:14:38,073 WINNERS FRANCES McDORMAND AND SAM ROCKWELL. 1443 02:14:38,207 --> 02:14:41,309 [ APPLAUSE ] 1444 02:14:41,444 --> 02:14:44,245 >> IT'S AN HONOR FOR US TO BE BACK ONSTAGE. 1445 02:14:44,380 --> 02:14:45,313 FRANCES, DO YOU HAVE ANYTHING TO ADD? 1446 02:14:45,448 --> 02:14:53,288 >> NO. NO, NO, THANK YOU VERY MUCH. 1447 02:14:53,422 --> 02:14:56,891 >> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A 1448 02:14:57,026 --> 02:15:02,864 LEADING ROLE. >> YALITZA APARICIO, "ROMA." 1449 02:15:02,998 --> 02:15:13,741 [ SPEAKING FOREIGN LANGUAGE ] 1450 02:15:18,614 --> 02:15:27,555 [ APPLAUSE ] >> GLENN CLOSE, "THE WIFE." 1451 02:15:27,690 --> 02:15:31,759 >> WHAT WE WERE TALKING ABOUT THE OTHER DAY? 1452 02:15:31,894 --> 02:15:36,598 >> YES? >> I WANT TO SAY THAT WHAT YOU 1453 02:15:36,732 --> 02:15:41,970 IMPLIED ISN'T TRUE. AND IF YOU MALIGN JOE'S TALENT 1454 02:15:42,104 --> 02:15:48,543 IN ANY WAY, I'LL TAKE YOU TO COURT. 1455 02:15:48,677 --> 02:15:53,548 GOOD LUCK, NATHANIEL, I'M SURE YOU'LL WRITE A FINE BOOK. 1456 02:15:53,682 --> 02:15:57,018 [ APPLAUSE ] >> OLIVIA COLMAN, "THE 1457 02:15:57,153 --> 02:16:01,122 FAVOURITE." >> I HAVE BEEN WANTING TO GIVE 1458 02:16:01,257 --> 02:16:04,125 YOU SOMETHING FOR QUITE SOME TIME NOW. 1459 02:16:04,260 --> 02:16:13,301 THE PERFECT OPPORTUNITY. >> IT'S A MONSTROUS 1460 02:16:13,435 --> 02:16:20,975 EXTRAVAGANCE. >> OH, I DID NOT KNOW THAT. 1461 02:16:21,110 --> 02:16:26,014 [ APPLAUSE ] >> LADY GAGA, "A STAR IS BORN." 1462 02:16:26,148 --> 02:16:30,952 >> I WON'T DO THAT AGAIN. I WON'T COME AND FIND YOU. 1463 02:16:31,086 --> 02:16:35,190 NEXT TIME, YOU CAN CLEAN UP YOUR OWN MESS. 1464 02:16:35,324 --> 02:16:37,292 [ APPLAUSE ] >> MELISSA McCARTHY, "CAN YOU 1465 02:16:37,426 --> 02:16:44,098 EVER FORGIVE ME?" >> IT WASN'T MY WORK, WAS IT? 1466 02:16:44,233 --> 02:16:56,611 IF I HAD PUT IN MY WORK, I WOULD HAVE BEEN OPENING MYSELF UP. 1467 02:16:56,745 --> 02:17:00,081 AND I'M TOO MUCH OF A COWARD TO DO THAT. 1468 02:17:00,216 --> 02:17:17,365 [ APPLAUSE ] >> AND THE OSCAR GOES TO OLIVIA 1469 02:17:17,499 --> 02:17:22,704 COLMAN. >> THIS IS THE FIRST OSCAR AND 1470 02:17:22,838 --> 02:17:25,306 NOMINATION FOR OLIVIA COLMAN. [ APPLAUSE ] 1471 02:17:25,441 --> 02:17:41,322 1472 02:17:57,239 --> 02:18:12,787 [ CHEERS AND APPLAUSE ] >> I'M -- OH. 1473 02:18:12,921 --> 02:18:25,166 IT'S GENUINELY QUITE STRESSFUL. THIS IS HILARIOUS. 1474 02:18:25,301 --> 02:18:29,937 I GOT AN OSCAR. OKAY. 1475 02:18:30,072 --> 02:18:34,609 I HAVE TO THANK LOTS OF PEOPLE. IF I FORGET ANYBODY, I'LL FIND 1476 02:18:34,743 --> 02:18:42,317 YOU LATER AND GIVE YOU A MASSIVE SNOG, I'M SORRY I MIGHT FORGET 1477 02:18:42,451 --> 02:18:45,320 NOW. MY BEST DIRECTOR, AND WITH EMILY 1478 02:18:45,454 --> 02:18:48,856 AND RACHEL, THE TWO LOVELIEST WOMEN IN THE WORLD TO FALL IN 1479 02:18:48,991 --> 02:18:51,826 LOVE WITH AND TO DO TO WORK WITH EVERY DAY. 1480 02:18:51,960 --> 02:18:54,962 YOU CAN IMAGINE, IT WASN'T A HARDSHIP. 1481 02:18:55,097 --> 02:19:00,001 AND TO BE IN THIS CATEGORY WITH THESE EXTRAORDINARY WOMEN. 1482 02:19:00,135 --> 02:19:02,937 GLENN CLOSE, YOU'VE BEEN MY IDOL FOR SO LONG. 1483 02:19:03,072 --> 02:19:06,974 THIS IS NOT HOW I WANTED TO IT TO BE, AND I THINK YOU'RE 1484 02:19:07,109 --> 02:19:08,976 AMAZING, AND I LOVE YOU VERY MUCH. 1485 02:19:09,111 --> 02:19:14,849 I LOVE YOU ALL. THANK YOU, LINDY KING, MY AGENT 1486 02:19:14,983 --> 02:19:17,352 WHO TOOK ME ON OVER 20 YEARS AGO. 1487 02:19:17,486 --> 02:19:27,028 THANK YOU SO MUCH. AND OLIVE, HILDY, BRYNNA, MY MOM 1488 02:19:27,162 --> 02:19:35,069 AND DAD. YOU KNOW. 1489 02:19:35,204 --> 02:19:38,406 AND MY KIDS, WHO ARE AT HOME AND WATCHING. 1490 02:19:38,540 --> 02:19:44,979 IF YOU'RE NOT, THEN, WELL DONE. BUT I SORT OF HOPE YOU ARE. 1491 02:19:45,114 --> 02:19:51,052 THIS IS NOT GOING TO HAPPEN AGAIN. 1492 02:19:51,186 --> 02:19:55,890 AND ANY LITTLE GIRL WHO IS PRACTICING THEIR SPEECH ON THE 1493 02:19:56,024 --> 02:19:58,693 TELLY, YOU NEVER KNOW. AND I USED TO WORK AS A CLEANER, 1494 02:19:58,827 --> 02:20:06,401 AND I LOVED THAT JOB. I DID SPEND QUITE A LOT OF TIME 1495 02:20:06,535 --> 02:20:09,070 IMAGINING THIS. OH, PLEASE WRAP UP. 1496 02:20:09,204 --> 02:20:13,307 OKAY. MY HUSBAND, ED. 1497 02:20:13,442 --> 02:20:16,811 MY BEST FRIEND, I LOVE YOU SO MUCH. 1498 02:20:16,945 --> 02:20:19,814 25 YEARS, YOU'VE BEEN MY BEST 1499 02:20:19,948 --> 02:20:20,681 SUPPORTER. HE'S GOING TO CRY. 1500 02:20:20,816 --> 02:20:26,320 I'M NOT. THANK YOU SO MUCH. 1501 02:20:26,455 --> 02:20:38,966 FOX, EVERYBODY, THE CAST, THE CREW, FRANCIES, SAM, THANK YOU O 1502 02:20:39,101 --> 02:20:41,302 MUCH. LADY GAGA. 1503 02:20:41,437 --> 02:20:49,343 [ CHEERS AND APPLAUSE ] 1504 02:20:49,478 --> 02:20:55,082 >> COMING UP, THE ACADEMY AWARDS 1505 02:20:59,021 --> 02:21:02,723 >>> PLEASE WELCOME LAST YEAR'S 1506 02:21:02,858 --> 02:21:10,731 WINNER OF THE ACADEMY AWARD FOR DIRECTING, GUILLERMO DEL TORO. 1507 02:21:10,866 --> 02:21:14,469 [ CHEERS AND APPLAUSE ] 1508 02:21:14,603 --> 02:21:20,741 >> THANK YOU. YESTERDAY, I HAD A FEVER, I WAS 1509 02:21:20,876 --> 02:21:25,580 VERY SICK. BUT I WOULDN'T MISS THIS FOR THE 1510 02:21:25,714 --> 02:21:28,883 WORLD. BECAUSE I FEEL A GREAT KINSHIP 1511 02:21:29,017 --> 02:21:31,219 WITH THIS AWARD, AND WITH THE PEOPLE IT HONORS. 1512 02:21:31,353 --> 02:21:36,123 NO MATTER WHAT NAME IS IN THIS ENVELOPE, AND I HAVE NOT PEEKED, 1513 02:21:36,258 --> 02:21:39,260 I WANT TO BE HERE AT THIS VERY MOMENT. 1514 02:21:39,394 --> 02:21:44,899 BECAUSE EACH OF THE NOMINEES IN THIS CATEGORY HAS MADE 1515 02:21:45,033 --> 02:21:48,002 PASSIONATE, PERSONAL FILMS, AND EVERY ONE WILL LEAVE TONIGHT 1516 02:21:48,136 --> 02:21:52,340 WITH FILMS UNTOUCHED, THEY WILL BE THE VERY SAME THEY WERE WHEN 1517 02:21:52,474 --> 02:21:56,477 THEY WALKED INTO THIS CEREMONY. AND FOR THAT, YOU CAN BE VERY 1518 02:21:56,612 --> 02:21:58,746 PROUD. [ APPLAUSE ] 1519 02:21:58,881 --> 02:22:06,754 HERE ARE THE NOMINEES FOR ACHIEVEMENT IN DIRECTING. 1520 02:22:06,889 --> 02:22:15,463 SPIKE LEE, "BLACKKKLANSMAN." PAWEL PAWLIKOWSKI, "COLD WAR." 1521 02:22:15,597 --> 02:22:23,437 YORGOS LANTHIMOS. "THE FAVOURITE." 1522 02:22:23,572 --> 02:22:28,509 ALFONSO CUARON, "ROMA." ADAM McKAY, "VICE." 1523 02:22:28,644 --> 02:22:35,783 [ APPLAUSE ] >> AND THE OSCAR GOES TO, THIS 1524 02:22:35,918 --> 02:22:41,088 NAME I CAN PRONOUNCE, ALFONSO CUARON. 1525 02:22:41,223 --> 02:22:43,958 >> THIS IS THE FOURTH OSCAR FOR ALFONSO CUARON. 1526 02:22:44,092 --> 02:22:50,898 HIS SECOND WIN TONIGHT. [ APPLAUSE ] 1527 02:22:51,033 --> 02:23:00,841 1528 02:23:02,611 --> 02:23:14,455 [ CHEERS AND APPLAUSE ] >> THANK YOU SO MUCH. 1529 02:23:14,590 --> 02:23:26,534 BEING HERE DOESN'T GET OLD. I WANT TO THANK SO MANY PEOPLE. 1530 02:23:26,668 --> 02:23:30,805 OBVIOUSLY, YALITZA APARICIO AND MARINA, THEY WERE THE FILM, THEY 1531 02:23:30,939 --> 02:23:39,447 ARE TRULY THE FILM. THE AMAZING CAST AND CREW. 1532 02:23:39,581 --> 02:23:44,285 GABRIELLA AND NICHOLAS, THE PRODUCERS. 1533 02:23:44,419 --> 02:23:58,265 DAVID AND JONATHAN. TED AND JULIA AT NETFLIX. 1534 02:23:58,400 --> 02:24:10,344 KELLY BUSH AND DAVID LERNER. AND HENRY HOLMES. 1535 02:24:10,479 --> 02:24:17,551 NOW, I HAVE TO SAY, I HAD BETTER TAKE OUT MY NOTES. 1536 02:24:17,686 --> 02:24:23,791 OH, YEAH, I WANT TO THANK THE ACADEMY FOR RECOGNIZING THE FILM 1537 02:24:23,925 --> 02:24:27,261 CENTERED AROUND AN INDIGENOUS WOMAN. 1538 02:24:27,396 --> 02:24:33,434 ONE OF THE MILLIONS OF THE DOMESTIC WORKERS AROUND THE 1539 02:24:33,568 --> 02:24:43,377 WORLD WITHOUT RIGHTS, WHO HAVE BEEN HISTORICALLY REGULALEGATED 1540 02:24:43,512 --> 02:24:46,914 THE BACKGROUND IN CINEMA. THIS IS MUCH MORE IMPORTANT IN 1541 02:24:47,049 --> 02:24:50,484 TIMES WHEN WE'RE BEING ENCOURAGED TO LOOK AWAY. 1542 02:24:50,619 --> 02:25:03,064 [ SPEAKING FOREIGN LANGUAGE ] [ CHEERS AND APPLAUSE ] 1543 02:25:03,198 --> 02:25:13,974 >> COMING UP NEXT, THE FINAL 1544 02:25:21,850 --> 02:25:26,587 >>> LADIES AND GENTLEMEN, PLEASE WELCOME ACADEMY AWARD WINNER, 1545 02:25:26,722 --> 02:25:27,621 JULIA ROBERTS. [ CHEERS AND APPLAUSE ] 1546 02:25:27,756 --> 02:25:38,966 >>> OVER THE COURSE OF THE 1547 02:25:39,101 --> 02:25:42,136 EVENING, WE'VE SEEN HIGHLIGHTS FROM EIGHT FILMS NOMINATED FOR 1548 02:25:42,270 --> 02:25:46,107 BEST PICTURE. EACH IS UNIQUE IN THE STORY 1549 02:25:46,241 --> 02:25:50,611 BEING TOLD. EACH IS DIFFERENT IN ITS APPEAL. 1550 02:25:50,746 --> 02:25:56,484 BUT THEY PROVE ONCE AGAIN THAT REGARDLESS OF WHO YOU ARE OR 1551 02:25:56,618 --> 02:26:04,125 WHERE YOU LIVE, THESE ARE FILMS THAT CONNECT US TO ONE ANOTHER. 1552 02:26:04,259 --> 02:26:06,594 ONCE AGAIN, HERE ARE THE NOMINEES FOR BEST PICTURE. 1553 02:26:06,728 --> 02:26:14,602 >> "BLACK PANTHER." "BLACKKKLANSMAN." 1554 02:26:14,736 --> 02:26:20,608 "BOHEMIAN RHAPSODY." "THE FAVOURITE." 1555 02:26:20,742 --> 02:26:30,851 "GREEN BOOK." "ROMA." 1556 02:26:30,986 --> 02:26:39,426 "A STAR IS BORN." "VICE." 1557 02:26:39,561 --> 02:26:40,661 [ APPLAUSE ] >> OH. 1558 02:26:40,796 --> 02:26:46,834 AND THE OSCAR GOES TO "GREEN BOOK." 1559 02:26:46,968 --> 02:26:50,604 [ CHEERS AND APPLAUSE ] 1560 02:26:50,739 --> 02:26:55,209 >> "GREEN BOOK" HAS FIVE ACADEMY AWARD NOMINATIONS THIS YEAR, 1561 02:26:55,343 --> 02:27:02,616 WINNING THREE OSCARS. ACTOR IN A SUPPORTING ROLE, 1562 02:27:02,751 --> 02:27:03,651 ORIGINAL SCREENPLAY, AND BEST PICTURE. 1563 02:27:03,785 --> 02:27:19,967 [ CHEERS AND APPLAUSE ] 1564 02:27:26,741 --> 02:27:34,582 [ CHEERS AND APPLAUSE ] >> ALOHA. 1565 02:27:34,716 --> 02:27:38,886 AND THANK YOU TO THE MEMBERS OF THE ACADEMY. 1566 02:27:39,020 --> 02:27:43,557 IT'S SUCH A PRIVILEGE. THIS IS LIKE A DREAM. 1567 02:27:43,692 --> 02:27:47,828 WE NEED TO START BY THANKING OUR FRIENDS AT PARTICIPANT MEDIA, 1568 02:27:47,963 --> 02:27:50,865 WHO HAVE BEEN WITH US ALL ALONG THE WAY. 1569 02:27:50,999 --> 02:27:53,701 THANKS FOR THEIR BELIEF. YEAH. 1570 02:27:53,835 --> 02:27:57,638 [ APPLAUSE ] WE CAN'T OVERLOOK UNIVERSAL AND 1571 02:27:57,772 --> 02:28:08,582 E1 AND LIONS GATE, AND I PERSONALLY WANT TO THANK 1572 02:28:08,717 --> 02:28:12,753 CHRISTINA AND MATTY. WE MADE THIS FILM WITH LOVE, 1573 02:28:12,888 --> 02:28:17,992 TENDERNESS, AND RESPECT. AND IT WAS ALL DONE UNDER THE 1574 02:28:18,126 --> 02:28:23,898 DIRECTION OF PETE FARRELLY. IT'S BEEN AN HONOR AND A 1575 02:28:24,032 --> 02:28:24,932 PRIVILEGE. >> THANK YOU VERY MUCH. 1576 02:28:25,066 --> 02:28:29,003 HE'S RIGHT, THIS IS, THE WHOLE STORY IS ABOUT LOVE, IT'S ABOUT 1577 02:28:29,137 --> 02:28:34,541 LOVING EACH OTHER, DESPITE OUR DIFFERENCES, AND FINDING OUT THE 1578 02:28:34,676 --> 02:28:36,810 TRUTH ABOUT WHO WE ARE, WE'RE THE SAME PEOPLE. 1579 02:28:36,945 --> 02:28:39,680 THIS DOESN'T START, BY THE WAY, WITHOUT VIGGO MORTENSEN. 1580 02:28:39,814 --> 02:28:44,985 RIGHT THERE, WE HAVE NO MOVIE, ALL THESE AWARDS ARE BECAUSE 1581 02:28:45,120 --> 02:28:49,957 VIGGO AND MAHERSHALA AND LINDA, BUT IT STARTED WITH VIGGO. 1582 02:28:50,091 --> 02:28:54,395 AND I GIVE YOU THIS, MY FRIEND. I DIDN'T GET TO THANK A LOT OF 1583 02:28:54,529 --> 02:29:00,734 PEOPLE BEFORE. I WANT TO THANK STEPHEN 1584 02:29:00,869 --> 02:29:08,008 SPIELBERG, OCTAVIA SPENCER, CHRIS BOWERS, DONNA LANGLY, 1585 02:29:08,143 --> 02:29:14,949 ELLEN, BILL CURRY, THE FIRST WRITER I EVER KNEW. 1586 02:29:15,083 --> 02:29:20,587 B BETSY, TIM, CORDO WILFORD, AND 1587 02:29:20,722 --> 02:29:25,859 MY SISTER KATHY, SHE DIED A WEEK BEFORE WE STARTED SHOOTING THIS, 1588 02:29:25,994 --> 02:29:29,697 BUT SHE NEVER LEFT MY SIDE. >> THANKS VERY MUCH. 1589 02:29:29,831 --> 02:29:33,267 I WANT TO DEDICATE THIS TO -- OH, YOU CAN'T HEAR ME? 1590 02:29:33,401 --> 02:29:38,706 I WANT TO DEDICATE THIS TO OUR GREAT FRIEND CARRIE FISHER. 1591 02:29:38,840 --> 02:29:47,581 [ APPLAUSE ] 1592 02:29:47,716 --> 02:29:54,888 >> WELL, APPARENTLY, THAT WRAPS UP THE 91st ACADEMY AWARDS. 1593 02:29:55,023 --> 02:30:02,730 CONGRATULATIONS TO ALL THE NOMINEES AND WINNERS. 1594 02:30:02,864 --> 02:30:06,300 GOOD NIGHT TO MY CHILDREN. AND THANK YOU FOR WATCHING. 1595 02:30:06,434 --> 02:30:07,868 >> CONGRATULATIONS TO ALL OF TONIGHT'S HONOREES FROM MARRIOTT 1596 02:30:08,036 --> 02:30:09,436 BONVOY. 30 HOTEL BRANDS. 1597 02:30:09,571 --> 02:30:10,871 ENDLESS EXPERIENCES. REWARDS REIMAGINED. 1598 02:30:11,006 --> 02:30:14,708 EXPLORE THE PROGRAM AT MARRIOTT.COM. 1599 02:30:14,843 --> 02:30:18,846 AIR TRANSPORTATION FOR THE ACADEMY AWARDS PROVIDED BY DELTA 1600 02:30:18,980 --> 02:30:26,687 AIRLINES. L.E.D. AND PROJECTION SERVICES 1601 02:30:26,821 --> 02:30:35,129 PROVIDED IN PART BY SENOVVA. 1602 02:30:43,004 --> 02:30:54,081 1603 02:30:56,818 --> 02:31:12,699 150947

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