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[ CHEERS AND APPLAUSE ]
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BUDDY YOU'RE A BOY
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MAKE A BIG NOISE
PLAYIN' IN THE STREET
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GONNA BE A BIG MAN SOME DAY
YOU GOT MUD ON YOUR FACE
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YOU BIG DISGRACE
KICKIN' YOUR CAN
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ALL OVER THE PLACE
WE WILL, WE WILL ROCK YOU
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WE WILL, WE WILL ROCK YOU
EVERY WE WILL WE WILL ROCK YOU
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WE WILL, WE WILL ROCK YOU
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[ CHEERS AND APPLAUSE ]
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I'VE PAID MY DUES
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TIME AFTER TIME
I'VE DONE MY SENTENCE
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BUT COMMITTED NO CRIME
AND BAD MISTAKES
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I'VE MADE A FEW
I'VE HAD MY SHARE OF SAND
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KICKED IN MY FACE
BUT I'VE COME THROUGH
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WE ARE THE CHAMPIONS
MY FRIENDS
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AND WE'LL KEEP ON FIGHTING
TIL THE END
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WE ARE THE CHAMPIONS
WE ARE THE CHAMPIONS
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NO TIME FOR LOSERS
'CAUSE WE ARE THE CHAMPIONS
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WE ARE THE CHAMPIONS
MY FRIENDS
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AND WE'LL KEEP ON FIGHTING
TIL THE END
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WE ARE THE CHAMPIONS
WE ARE THE CHAMPIONS
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NO TIME FOR LOSERS
'CAUSE WE ARE THE CHAMPIONS
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OF THE WORLD
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[ CHEERS AND APPLAUSE ]
YEAH
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>> WELCOME TO THE OSCAR!
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[ CHEERS AND APPLAUSE ]
>> LIVE FROM THE DOLBY THEATRE
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AT HOLLYWOOD AND HIGHLAND, IT'S
THE 91st ACADEMY AWARDS.
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TONIGHT, WE CELEBRATE THE ACTORS
AND ACTRESSES, THE ARTISTS AND
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FILMMAKERS, FROM THE BIGGEST
MOVIES OF THE YEAR, INCLUDING
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00:04:15,826 --> 00:04:17,526
BEST PICTURE NOMINEES --
"A STAR IS BORN"
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"BLACK PANTHER"
"BLACKKKLANSMAN"
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"BOHEMIAN RHAPSODY"
"GREEN BOOK"
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"ROMA"
"THE FAVOURITE"
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"VICE"
WELCOME TO THE OSCARS.
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>> DO YOU REALIZE HOW MANY
EVENTS HAD TO OCCUR SINCE THE
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BIRTH OF THE UNIVERSE, LEADING
TO THE MAKING OF YOU.
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>> AND WHEN YOU'RE DOWN HERE,
AND YOU DON'T THINK ABOUT IT TOO
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MUCH, WHEN YOU GET A DIFFERENT
VANTAGE POINT, IT CHANGES YOUR
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00:04:53,697 --> 00:04:54,864
PERSP
PERSPECTIVE.
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>> I THINK OF THAT LITTLE KID I
WAS, I SAY, WOULD HE HAVE BEEN
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PROUD OF ME?
IF THE ANSWER IS YES, I KNOW I'M
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EXACTLY WHERE I'M SUPPOSED TO
BE.
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>> NO LOOKING BACK.
ONLY FORWARDS.
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00:05:09,780 --> 00:05:15,751
>> IN EVERY FILM, THERE'S A
MOMENT WHEN THE HERO HITS ROCK
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BOTTOM.
>> YOU'LL DO WHAT YOU HAVE TO
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DO, AND THEN YOU'LL DO IT AGAIN.
>> FIND SOMETHING YOU LOVE, AND
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THEN GO AFTER IT.
>> THE BEST THINGS IN LIFE
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HAPPEN UNEXPECTEDLY.
>> THAT'S WHAT MAKES THINGS
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EXCITING.
AND FUN.
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>> YOU HAVE TO FIND THE TRUTH OF
IT.
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>> WE'RE ABOUT TO BLAST OFF!
>> OFF WE GO.
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>> WE WILL HAVE A TRANSFORMATIVE
EXPERIENCE.
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>> LET THE PARTY COMMENCE.
>> LET'S TAKE SOME TIME TO THINK
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OF PEOPLE WHO HAVE SUNG YOU INTO
SINGING, SMILED YOU INT
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SMILING.
LOVED YOU INTO LOVING.
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>> PEOPLE WILL REMEMBER OUR
MOVIES.
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[ CHEERS AND APPLAUSE ]
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>> AND NOW, PLEASE WELCOME TINA
FEY, MAYA RUDOLPH, AND AMY
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POEHLER.
[ CHEERS AND APPLAUSE ]
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>> GOOD EVENING AND WELCOME TO
THE 1 MILLIONTH ACADEMY AWARDS.
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WE ARE NOT YOUR HOSTS.
BUT WE'RE GOING TO STAND HERE A
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LITTLE TOO LONG SO THAT THE
PEOPLE WHO GET "USA TODAY"
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TOMORROW WILL THINK THAT WE
HOSTED.
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>> THAT'S GREAT.
SO, JUST A QUICK UPDATE, IN CASE
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YOU'RE CONFUSED.
THERE IS NO HOST TONIGHT.
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THERE WON'T BE A POPULAR MOVIE
CATEGORY, AND MEXICO IS NOT
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PAYING FOR THE WALL.
[ CHEERS AND APPLAUSE ]
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>> THAT'S RIGHT.
AND WE WON'T BE DOING AWARDS
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DURING THE COMMERCIALS, BUT WE
WILL BE PRESENTING COMMERCIALS
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DURING THE AWARDS.
SO IF ALL THE WINNERS COULD
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00:07:15,939 --> 00:07:21,076
PLEASE SAY "HELLMAN'S
MAYONNAISE: WE'RE ON THE SIDE OF
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FOOD" INSTEAD OF SPEECHES, THAT
WOULD BE GREAT.
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>> AGAIN, WE ARE NOT YOUR HOSTS
THIS YEAR, BUT IF WE HAD HOSTED,
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IT WOULD HAVE PROBABLY GONE LIKE
THIS --
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>> I'M FREDDIE MERCURY.
>> BUSTER SCRUGGS, I HARDLY KNOW
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HER.
>> THAT'S A GOOD ONE.
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HEY, CHADWICK BOSEMAN, WAKANDA
PLANS DO YOU HAVE LATER?
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>> THESE SPANX ARE SO TIGHT
THEY'VE ENTERED MY SPIDER-VERSE.
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>> I'M SAM ELLIOTT FROM SAM
ELLIOTT MUSTACHE WAX.
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00:07:57,981 --> 00:08:05,287
>> DON'T WORRY, BRADLEY, AFTER
FOUR KIDS, I, TOO, HAVE PEED
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00:08:05,422 --> 00:08:11,594
MYSELF AT THE GRAMMYS.
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>> EVERYONE, LOOK UNDER YOUR
SEATS.
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YOU'RE ALL GETTING ONE OF THOSE
CHEESE SANDWICHES FROM THE FYRE
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FESTIVAL.
>> YAY!
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>> WE'RE NOT GOING TO DO ANY OF
THAT.
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>> NOPE.
>> WE'RE HERE TO PRESENT THE
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00:08:23,573 --> 00:08:27,243
AWARD FOR OUTSTANDING SUPPORTING
ACTRESS.
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00:08:27,377 --> 00:08:34,350
ALTHOUGH, IN MY EXPERIENCE,
THEY'RE ALL OUTSTANDING, BECAUSE
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00:08:34,484 --> 00:08:35,417
WOMEN NATURALLY SUPPORT EACH
OTHER.
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00:08:35,552 --> 00:08:37,887
>> YES, THAT'S TRUE.
[ APPLAUSE ]
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00:08:38,021 --> 00:08:41,023
>> THAT'S VERY, VERY TRUE.
FOR EXAMPLE, I SUPPORT BOTH OF
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YOU FINANCIALLY.
>> YES.
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00:08:45,362 --> 00:08:51,133
>> AND I HOLD YOUR BOOBS WHILE
YOU JOG.
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00:08:51,268 --> 00:08:58,574
>> AND I DUB ALL YOUR DIALOGUE
INTERNATIONALLY.
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00:08:58,708 --> 00:09:00,009
[ SPEAKING FOREIGN LANGUAGE ]
>> THE NOMINEES FOR OUTSTANDING
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00:09:00,143 --> 00:09:04,547
SUPPORTING ACTRESS ARE --
>> AMY ADAMS.
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"VICE."
>> THE V.P. JUST SITS AROUND AND
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00:09:07,951 --> 00:09:10,786
WAITS FOR THE PRESIDENT TO DIE.
YOU SAID SO YOURSELF.
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00:09:10,921 --> 00:09:17,126
>> IT'S A CRUDDY JOB.
>> YEAH.
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00:09:17,260 --> 00:09:19,895
>> IT'S JUST A MEETING.
>> IS IT JUST A MEETING?
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00:09:20,030 --> 00:09:30,339
>> IT'S JUST A MEETING.
>> GOOD.
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00:09:30,473 --> 00:09:35,144
[ APPLAUSE ]
>> MARINA DE TAVIRA.
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"ROMA."
[ SPEAKING FOREIGN LANGUAGE ]
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[ APPLAUSE ]
>> REGINA KING.
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"IF BEALE STREET COULD TALK."
>> IT'S YOUR GRANDCHILD.
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00:10:08,612 --> 00:10:12,414
I DON'T UNDERSTAND YOU.
WHAT DIFFERENCE DOES IT MAKE HOW
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00:10:12,549 --> 00:10:15,017
HE GETS HERE?
THE CHILD AIN'T GOT NOTHING TO
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00:10:15,151 --> 00:10:18,153
DO WITH THAT.
AIN'T NONE OF US GOT NOTHING TO
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DO WITH THAT.
[ APPLAUSE ]
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00:10:19,122 --> 00:10:25,694
>> EMMA STONE.
"THE FAVOURITE."
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00:10:25,829 --> 00:10:30,833
>> I HOPE I MIGHT BE EMPLOYED BY
YOU.
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00:10:30,967 --> 00:10:33,736
>> A MONSTER FOR THE CHILDREN TO
PLAY WITH PERHAPS.
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>> YES, IF YOU LIKE.
ARR!
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AHH!
[ APPLAUSE ]
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00:10:41,077 --> 00:10:48,050
>> RACHEL WEISZ.
"THE FAVOURITE."
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00:10:48,184 --> 00:10:52,521
>> OH!
>> IF YOU FORGET TO LOAD THE
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PELLET, THE GUN MAKES A SOUND,
BUT RELEASES NO SHOT.
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IT'S A GREAT JAPE, DO YOU AGREE?
>> YES.
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00:10:59,663 --> 00:11:02,164
>> MAYBE WE'LL THINK OF A USE
FOR IT ONE DAY.
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00:11:02,298 --> 00:11:04,633
SOMETIMES IT IS HARD TO REMEMBER
WHETHER YOU'VE LOADED THE PELLET
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00:11:04,768 --> 00:11:09,171
OR NOT.
I DO FEAR CONFUSION, AND
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ACCIDENTS.
[ APPLAUSE ]
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00:11:15,845 --> 00:11:20,949
>> AND THE OSCAR GOES TO REGINA
KING!
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00:11:21,084 --> 00:11:32,628
[ APPLAUSE ]
>> THIS IS THE FIRST OSCAR AND
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00:11:32,762 --> 00:11:54,516
NOMINATION FOR REGINA KING.
[ CHEERS AND APPLAUSE ]
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00:12:01,624 --> 00:12:07,496
>> TO BE STANDING HERE,
REPRESENTING ONE OF THE GREATEST
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00:12:07,630 --> 00:12:16,538
ARTISTS OF OUR TIME, JAMES
BALDWIN.
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00:12:16,673 --> 00:12:19,374
[ APPLAUSE ]
IT'S A LITTLE SURREAL.
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00:12:19,509 --> 00:12:28,584
JAMES BALDWIN BIRTHED THIS BABY.
AND BARRY, YOU NURTURED HER,
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00:12:28,718 --> 00:12:31,553
SURROUNDED HER WITH SO MUCH LOVE
AND SUPPORT.
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00:12:31,688 --> 00:12:36,391
SO, IT'S APPROPRIATE FOR ME TO
BE STANDING HERE, BECAUSE I'M AN
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00:12:36,526 --> 00:12:43,499
EXAMPLE OF WHAT IT LOOKS LIKE
WHEN SUPPORT AND LOVE IS POURED
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INTO SOMEONE.
MOM, I LOVE YOU SO MUCH.
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00:12:45,001 --> 00:12:56,545
[ CHEERS AND APPLAUSE ]
THANK YOU FOR TEACHING ME THAT
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00:12:56,679 --> 00:13:04,520
GOD IS ALWAYS LEANING, ALWAYS
HAS BEEN LEANING IN MY
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DIRECTION.
GOMOSIS, ASK ME ABOUT THAT
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00:13:08,691 --> 00:13:16,131
LATER.
SO MANY PEOPLE TO THANK, CHELSEA
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00:13:16,266 --> 00:13:22,237
BARNARD, MEGAN ELLENSON, PLAN B,
THIS AMAZING CAST.
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00:13:22,372 --> 00:13:32,548
MY SISTERS IN ART.
MARINA, AMY.
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00:13:32,682 --> 00:13:38,287
EMMA, RACHEL, IT'S AN HONOR TO
HAVE MY NAME TO BE SAID WITH
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00:13:38,421 --> 00:13:40,189
YOURS.
THIS WHOLE STEP OF THE WAY HAS
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00:13:40,323 --> 00:13:46,128
BEEN PRETTY AMAZING.
THE RIVERS FAMILY, KIKI,
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00:13:46,262 --> 00:13:52,534
COLEMAN, KIANA, STEFON.
GOD IS GOOD, ALL THE TIME.
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[ CHEERS AND APPLAUSE ]
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00:13:59,709 --> 00:14:04,513
>> PLEASE WELCOME JASON MOMOA
AND ACADEMY AWARD-WINNING
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00:14:04,647 --> 00:14:20,829
ACTRESS, HELEN MIRREN.
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00:14:24,567 --> 00:14:29,905
>> YOU KNOW, HONESTLY, I SWEAR
TO GOD, JASON AND I CAN'T
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00:14:30,039 --> 00:14:33,075
COORDINATE OUR OUTFITS TONIGHT.
THIS IS PURELY ACCIDENTAL.
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00:14:33,209 --> 00:14:41,049
BUT IT JUST GOES TO SHOW, THESE
DAYS, A HAWAIIAN GOD, AND A VERY
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00:14:41,184 --> 00:14:44,286
MATURE ENGLISH WOMAN CAN BOTH
WEAR PINK.
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00:14:44,420 --> 00:14:46,655
>> FINALLY.
THE TIMES ARE CHANGING.
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00:14:46,789 --> 00:14:50,859
>> YES.
>> BOOM.
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00:14:50,994 --> 00:14:52,561
DOCUMENTARY FILMMAKERS BRING US
STORIES OF REAL PEOPLE, DOING
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00:14:52,695 --> 00:14:56,565
REAL THINGS, AND IN DOING SO,
THEY CAN OFTEN OPEN OUR EYES TO
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00:14:56,699 --> 00:15:00,068
THE MOST IMPORTANT ISSUES OF
YESTERDAY, TODAY, AND TOMORROW.
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00:15:00,203 --> 00:15:02,971
>> THEY ARE INSIGHTFUL AND
ILLUMINATING, SOMETIMES
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00:15:03,106 --> 00:15:12,014
ASTONISHING, AND ALWAYS
AUTHENTIC.
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00:15:12,148 --> 00:15:16,885
AND REVELATORY.
HERE ARE THE NOMINEES FOR BEST
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00:15:17,020 --> 00:15:20,455
DOCUMENTARY FEATURE.
"FREE SOLO."
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00:15:20,590 --> 00:15:26,128
>> THE CHANCE OF ME FALLING OFF
IS QUITE LOW, EVEN THOUGH THE
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00:15:26,262 --> 00:15:28,664
CONSEQUENCES WITH EXTREMELY
HIGH.
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00:15:28,798 --> 00:15:33,635
>> "HALE COUNTY THIS MORNING,
THIS EVENING."
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00:15:33,770 --> 00:15:36,939
>> I WANT MY SON TO KNOW, I JUST
WANT TO MAKE LIFE BETTER FOR
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00:15:37,073 --> 00:15:41,944
HIM.
>> "MINDING THE GAP."
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00:15:42,078 --> 00:15:45,847
>> I'M MAKING THIS FILM BECAUSE
I WAS PHYSICALLY DISCIPLINED BY
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00:15:45,982 --> 00:15:48,550
MY STEPFATHER, IT DIDN'T MAKE
SENSE TO ME.
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00:15:48,685 --> 00:15:49,985
AND I SAW MYSELF IN YOUR OWN
STORY.
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00:15:50,119 --> 00:16:06,368
>> "OF FATHERS AND SONS."
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00:16:08,671 --> 00:16:10,605
[ SPEAKING FOREIGN LANGUAGE ]
>> "RBG."
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00:16:10,740 --> 00:16:17,412
>> I ASKED NO FAVOR FOR MY SEX.
ALL I ASK OF OUR BRETHREN IS
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00:16:17,547 --> 00:16:20,515
THAT THEY TAKE THEIR FEET OFF
OUR NECKS.
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00:16:20,650 --> 00:16:30,525
[ APPLAUSE ]
>> AND THE OSCAR GOES TO "FREE
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00:16:30,660 --> 00:16:33,161
SOLO."
[ CHEERS AND APPLAUSE ]
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00:16:33,296 --> 00:16:40,769
>> THIS IS THE FIRST OSCAR
175
00:16:40,903 --> 00:16:52,781
NOMINATION FOR THE TEAM.
176
00:16:52,915 --> 00:17:03,358
[ APPLAUSE ]
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00:17:10,767 --> 00:17:15,070
>> OH -- WOW.
BREATHE.
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00:17:15,204 --> 00:17:16,638
>> WOW.
THANK YOU.
179
00:17:16,773 --> 00:17:27,149
THANK YOU.
THANK YOU, "NATIONAL GEOGRAPHIC"
180
00:17:27,283 --> 00:17:30,652
FOR BELIEVING IN US, AND HIRING
WOMEN AND PEOPLE OF COLOR,
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00:17:30,787 --> 00:17:32,654
BECAUSE WE ONLY HELP MAKE THE
FILMS BETTER.
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00:17:32,789 --> 00:17:37,392
THANK YOU TO ALL THE AMAZING
PEOPLE WHO WORKED ON THIS FILM.
183
00:17:37,527 --> 00:17:39,261
EVAN, SHANNON.
>> OUR HIGH ANGLE TEAM.
184
00:17:39,395 --> 00:17:43,732
>> I MEAN, IT WAS A WORK OF AN
ARMY, AND WE APPRECIATE YOU IN
185
00:17:43,866 --> 00:17:47,269
EVERY WAY.
THANK YOU TO OUR FAMILIES.
186
00:17:47,403 --> 00:17:53,208
ESPECIALLY OUR TWO KIDS.
MARINA, I KNOW YOU'RE HERE.
187
00:17:53,342 --> 00:18:03,885
>> JAMES.
>> AND THEN THANK YOU TO SONNY
188
00:18:04,020 --> 00:18:06,388
McCANDLESS.
YOU CLIMBED YOUR OWN MOUNTAIN
189
00:18:06,522 --> 00:18:11,560
THAT DAY.
THANK YOU.
190
00:18:11,694 --> 00:18:13,195
THIS FILM WOULD BE SO BORING
WITHOUT YOU.
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00:18:13,329 --> 00:18:18,800
I'M JUST SAYING, OKAY?
ANYWAY, THANK YOU, ALEX, FOR
192
00:18:18,935 --> 00:18:23,605
GIVING US COURAGE AND TEACHING
US HOW TO BELIEVE IN THE
193
00:18:23,739 --> 00:18:28,543
IMPOSSIBLE, AND INSPIRING US.
THIS FILM IS FOR EVERYONE WHO
194
00:18:28,678 --> 00:18:29,644
BELIEVES IN THE IMPOSSIBLE.
>> THANK YOU.
195
00:18:29,779 --> 00:18:40,522
THANK YOU.
[ APPLAUSE ]
196
00:18:40,656 --> 00:18:44,526
>> COMING UP, A LOOK AT "VICE."
AND THE AWARDS FOR MAKEUP AND
197
00:18:44,660 --> 00:18:49,397
HAIRSTYLING AND COSTUME DESIGN.
AND LATER, MELISSA McCARTHY,
198
00:18:49,532 --> 00:18:54,903
[ APPLAUSE ]
199
00:18:55,037 --> 00:19:00,809
>>> FROM RAGE AGAINST THE
MACHINE, HERE IS TOM MORELLO.
200
00:19:00,943 --> 00:19:04,513
[ APPLAUSE ]
>> MOVIES, LIKE MUSIC, CAN DO
201
00:19:04,647 --> 00:19:06,815
MORE THAN ENTERTAIN.
A GREAT MOVIE CAN BECOME A PART
202
00:19:06,949 --> 00:19:11,219
OF THE CONVERSATION OF HISTORY.
AND, LIKE OUR NEXT MOVIE, AND
203
00:19:11,354 --> 00:19:15,957
THE KIND OF SONGS I LIKE TO
MAKE, IT CAN DO IT WITH
204
00:19:16,092 --> 00:19:17,492
FEEDBACK, NOISE, AND, YES,
ANGER.
205
00:19:17,627 --> 00:19:18,894
ADAM McKAY'S "VICE" IS SUCH A
FILM.
206
00:19:19,028 --> 00:19:22,297
SHREDDING THE TRADITIONAL
BIOPIC STRUCTURE WITH PASSION
207
00:19:22,431 --> 00:19:24,432
AND HUMOR, "VICE" SEEKS TO PUT A
SPOTLIGHT ON A MAN WHO AVOIDED
208
00:19:24,567 --> 00:19:27,869
IT HIS WHOLE CAREER --
DICK CHENEY.
209
00:19:28,004 --> 00:19:29,604
BRILLIANTLY ACTED, THE FILM IS A
LESSON ABOUT THE PAST THAT
210
00:19:29,739 --> 00:19:36,845
SERVES AS A WARNING ABOUT THE
PRESENT AND THE FUTURE.
211
00:19:36,979 --> 00:19:40,882
WAR, GREED, TRUTH, LIES,
FATHERHOOD, LOVE, TORTURE, AND
212
00:19:41,017 --> 00:19:42,817
BETRAYAL ALL SWIRL AROUND IN
"VICE" WITH A HARD BACKBEAT AND
213
00:19:42,952 --> 00:19:45,620
A KILLER BASSLINE.
SOME WILL DIG IT.
214
00:19:45,755 --> 00:19:48,857
SOME WILL COVER THEIR EARS.
BUT EVERYONE WILL DO THE ONE
215
00:19:48,991 --> 00:19:50,258
THING THE MOVIE BEGS US TO DO,
REACT.
216
00:19:50,393 --> 00:19:57,899
THIS IS "VICE."
>> SO, WHAT'S THE PLAN?
217
00:19:58,034 --> 00:20:04,005
>> THE PLAN IS TO TAKE OVER THE
DAMN PLACE.
218
00:20:04,140 --> 00:20:10,812
>> GEORGE, YOU MAKE DECISIONS
BASED ON INSTINCT.
219
00:20:10,947 --> 00:20:16,418
>> NO ONE HAS SHOWN THE WORLD
THE TRUE POWER OF THE AMERICAN
220
00:20:16,552 --> 00:20:17,919
PRESIDENCY.
>> THAT'S NOT SOMETHING THE VICE
221
00:20:18,054 --> 00:20:19,387
PRESIDENT REALLY DOES.
>> IT IS NOW.
222
00:20:19,522 --> 00:20:22,991
>> YOU NEED TO REMEMBER THAT IF
YOU HAVE POWER, PEOPLE WILL
223
00:20:23,125 --> 00:20:29,631
ALWAYS TRY TO TAKE IT FROM YOU.
[ APPLAUSE ]
224
00:20:29,765 --> 00:20:33,602
>> PLEASE WELCOME ELSIE FISHER
225
00:20:33,736 --> 00:20:42,844
AND STEPHAN JAMES.
>> IT DOESN'T TAKE A MAGIC WAND
226
00:20:42,979 --> 00:20:46,348
TO TRANSFORM AN ACTOR INTO A
CHARACTER WHOSE LOOK IS
227
00:20:46,482 --> 00:20:49,484
MEMORABLE AND MEANINGFUL TO THE
STORY.
228
00:20:49,619 --> 00:20:53,588
>> ALL IT TAKES ARE THIS YEAR'S
NOMINEES FOR ACHIEVEMENT IN
229
00:20:53,723 --> 00:21:01,596
MAKEUP AND HAIRSTYLING.
>> "BORDER."
230
00:21:01,731 --> 00:21:13,375
"MARY QUEEN OF SCOTS."
"VICE."
231
00:21:13,509 --> 00:21:29,157
>> AND THE OSCAR GOES TO "VICE."
[ APPLAUSE ]
232
00:21:29,292 --> 00:21:35,463
>> THIS IS THE FIRST OSCAR AND
NOMINATION FOR KIT AND PATRICIA,
233
00:21:35,598 --> 00:21:41,603
THE FOURTH OSCAR AND TENTH
NOMINATION FOR GREG.
234
00:21:41,737 --> 00:21:48,843
OSCARS IN THIS CATEGORY HAVE
BEEN AWARDED SINCE 1981.
235
00:21:48,978 --> 00:21:53,581
[ CHEERS AND APPLAUSE ]
236
00:21:53,716 --> 00:22:03,792
>> THANK YOU, ADAM, OUR GREAT
237
00:22:03,926 --> 00:22:12,734
DIRECTOR, CHRISTIAN BALE.
OH, YOU'RE HERE.
238
00:22:12,868 --> 00:22:15,970
GO AHEAD.
>> CAN YOU READ THAT?
239
00:22:16,105 --> 00:22:18,807
>> I ALREADY DID.
GO AHEAD.
240
00:22:18,941 --> 00:22:25,313
>> PLAN B, GARY SANCHEZ.
>> THE VOTING ACADEMY MEMBERS,
241
00:22:25,448 --> 00:22:30,685
AND OUR FELLOW NOMINEES FROM THE
UK AND SWEDEN, THANK YOU.
242
00:22:30,820 --> 00:22:33,588
[ APPLAUSE ]
>> CHRISTIAN BALE, YOU'RE
243
00:22:33,723 --> 00:22:36,024
FANTASTIC.
SO GREAT TO WORK WITH, AND
244
00:22:36,158 --> 00:22:37,459
CREATE WITH, AND EVERYTHING.
THANK YOU.
245
00:22:37,593 --> 00:22:43,998
>> AMY ADAMS, THANK YOU FOR
BRINGING US UP TO YOUR LEVEL OF
246
00:22:44,133 --> 00:22:47,702
COMMITMENT.
>> SAM ROCKWELL, AND THE 150
247
00:22:47,837 --> 00:22:52,607
OTHER S.A.G. MEMBERS, GREAT JOB.
[ APPLAUSE ]
248
00:22:52,742 --> 00:22:59,047
>> SUSAN MATHESON.
>> JEFF WAXMAN.
249
00:22:59,181 --> 00:23:13,094
>> AND JENNIFER MADELOFF.
>> PAULA WILLIAMS, LESLIE
250
00:23:13,229 --> 00:23:16,331
WOFFORD.
>> CHRIS GALLAHER.
251
00:23:16,465 --> 00:23:19,367
>> KENNY MYERS.
GO AHEAD.
252
00:23:19,502 --> 00:23:24,939
>> ERIC, BRIAN WADE.
253
00:23:25,074 --> 00:23:31,479
[ APPLAUSE ]
>> PLEASE WELCOME BRIAN TYREE
254
00:23:31,614 --> 00:23:36,851
HENRY, AND A NOMINEE TONIGHT FOR
ACTRESS IN A LEADING ROLE,
255
00:23:36,986 --> 00:23:41,856
MELISSA McCARTHY.
256
00:23:41,991 --> 00:23:55,103
[ CHEERS AND APPLAUSE ]
257
00:24:06,949 --> 00:24:12,887
>> A RAKISH TILT TO A HAT.
THE DRAPE OF FABRIC, JUST SO.
258
00:24:13,022 --> 00:24:18,293
NUANCE AND SOPHISTICATION ARE
JUST TWO QUALITIES OF THE MOST
259
00:24:18,427 --> 00:24:24,833
EFFECTIVE COSTUME DESIGN.
>> THESE ARTISTS CREATE A
260
00:24:24,967 --> 00:24:29,604
PASTICHE OF TEXTILES WITH
AUTHENTICITY, YET NEVER DISTRACT
261
00:24:29,738 --> 00:24:36,811
FROM THE STORY.
COSTUME DESIGNERS CONSTRUCT THE
262
00:24:36,946 --> 00:24:41,583
LOOKS THAT GROUND A CHARACTER TO
A PARTICULAR TIME AND PLACE IN
263
00:24:41,717 --> 00:24:50,592
THE SUBTLEST OF WAYS.
>> SO TRUE.
264
00:24:50,726 --> 00:24:51,326
SO TRUE.
SO TRUE.
265
00:24:51,460 --> 00:24:53,795
>> SO TRUE.
>> HERE ARE THE NOMINEES FOR
266
00:24:53,929 --> 00:25:00,835
ACHIEVEMENT IN COSTUME DESIGN.
>> "THE BALLAD OF BUSTER
267
00:25:00,970 --> 00:25:09,611
SCRUGGS."
"BLACK PANTHER."
268
00:25:09,745 --> 00:25:21,589
"THE FAVOURITE."
"MARY POPPINS RETURNS."
269
00:25:21,724 --> 00:25:32,300
"MARY QUEEN OF SCOTS."
[ APPLAUSE ]
270
00:25:32,434 --> 00:25:41,609
>> AND THE OSCAR GOES TO -- GET
IT.
271
00:25:41,744 --> 00:25:48,816
>> I GOT IT.
OKAY.
272
00:25:48,951 --> 00:25:53,588
>> OKAY.
"BLACK PANTHER," RUTH CARTER!
273
00:25:53,722 --> 00:25:58,760
>> THIS IS THE FIRST OSCAR AND
THIRD NOMINATION FOR RUTH
274
00:25:58,894 --> 00:26:01,329
CARTER.
SHE WAS PREVIOUSLY NOMINATED
275
00:26:01,463 --> 00:26:09,637
FOR "MALCOLM X" AND "AMISTAD."
[ CHEERS AND APPLAUSE ]
276
00:26:09,772 --> 00:26:17,612
>> WOW.
277
00:26:17,746 --> 00:26:21,583
WOW.
I GOT IT.
278
00:26:21,717 --> 00:26:25,553
WOW.
THIS HAS BEEN A LONG TIME
279
00:26:25,688 --> 00:26:33,661
COMING.
SPIKE LEE, THANK YOU FOR MY
280
00:26:33,796 --> 00:26:38,833
START.
I HOPE THIS MAKES YOU PROUD.
281
00:26:38,968 --> 00:26:46,007
[ APPLAUSE ]
MARVEL MAY HAVE CREATED THE
282
00:26:46,141 --> 00:26:51,245
FIRST BLACK SUPERHERO, BUT
THROUGH COSTUME DESIGN, WE
283
00:26:51,380 --> 00:26:55,550
TURNED HIM INTO AN AFRICAN KING.
[ CHEERS AND APPLAUSE ]
284
00:26:55,684 --> 00:26:59,253
IT'S BEEN MY LIFE'S HONOR TO
CREATE COSTUMES.
285
00:26:59,388 --> 00:27:03,992
THANK YOU TO THE ACADEMY, THANK
YOU FOR HONORING AFRICAN
286
00:27:04,126 --> 00:27:09,697
ROYALTY, AND THE EMPOWERED WAY
WOMEN CAN LOOK AND LEAD
287
00:27:09,832 --> 00:27:15,470
ONSCREEN.
THANK YOU TO MY CREWS AROUND THE
288
00:27:15,604 --> 00:27:24,345
WORLD WHO HELPED BRING WIAKANDA
TO LIFE, OUR GENIUS DIRECTOR,
289
00:27:24,480 --> 00:27:29,617
RYAN COOGLER.
YOU ARE A GUIDING FORCE.
290
00:27:29,752 --> 00:27:35,823
THANK YOU FOR YOUR TRUST AND
UNDERSTANDING MY ROLE IN TELLING
291
00:27:35,958 --> 00:27:45,500
THE AFRICAN-AMERICAN STORY.
ADDING VIBRANIUM TO COSTUMES IS
292
00:27:45,634 --> 00:27:51,472
VERY EXPENSIVE, SO THANK YOU.
MY CAREER IS BUILT WITH PASSION
293
00:27:51,607 --> 00:27:54,909
TO TELL STORIES THAT ALLOW US TO
KNOW OURSELVES BETTER.
294
00:27:55,044 --> 00:28:00,515
THIS IS FOR MY 97-YEAR-OLD
MOTHER, WATCHING IN
295
00:28:00,649 --> 00:28:02,550
MASSACHUSETTS.
MOM, THANK YOU FOR TEACHING ME
296
00:28:02,685 --> 00:28:06,888
ABOUT PEOPLE AND THEIR STORIES.
YOU ARE THE ORIGINAL SUPERHERO.
297
00:28:07,022 --> 00:28:08,022
THANK YOU!
[ CHEERS AND APPLAUSE ]
298
00:28:08,157 --> 00:28:15,863
>> COMING UP, JENNIFER LOPEZ,
299
00:28:15,998 --> 00:28:20,168
CHRIS EVANS, AND TYLER PERRY,
THE AWARD FOR CINEMATOGRAPHY,
300
00:28:20,302 --> 00:28:23,104
AND A LOOK AT BEST PICTURE
NOMINEE "A STAR IS BORN."
301
00:28:23,238 --> 00:28:24,672
THEN LATER, ANGELA BASSETT AND
JAVIER BARDEM.
302
00:28:24,807 --> 00:28:28,309
PLUS, A PERFORMANCE FROM
JENNIFER HUDSON.
303
00:28:28,444 --> 00:28:34,382
ALL HERE ON THE OSCARS AT THE
DOLBY THEATER.
304
00:28:34,516 --> 00:28:37,752
>>> PLEASE WELCOME JENNIFER
305
00:28:37,886 --> 00:28:50,098
LOPEZ AND CHRIS EVANS.
[ CHEERS AND APPLAUSE ]
306
00:28:55,537 --> 00:28:57,739
>> TONIGHT IS NOT ONLY ABOUT
CELEBRATING THE PEOPLE IN FRONT
307
00:28:57,873 --> 00:29:01,109
OF THE CAMERA, IT'S ALSO ABOUT
RECOGNIZING THE ARTISTS WHO
308
00:29:01,243 --> 00:29:03,711
DESIGN THE BEAUTIFUL WORLDS OUR
CHARACTERS INHABIT.
309
00:29:03,846 --> 00:29:05,379
>> LET'S TAKE A LOOK AT THE
INCREDIBLE WORK THEY DO,
310
00:29:05,514 --> 00:29:08,382
CREATING THE OVERALL APPEARANCE
OF THEIR FILMS.
311
00:29:08,517 --> 00:29:09,751
HERE ARE TONIGHT'S NOMINEES FOR
ACHIEVEMENT IN PRODUCTION
312
00:29:09,885 --> 00:29:21,729
DESIGN.
>> "BLACK PANTHER."
313
00:29:21,864 --> 00:29:36,310
"THE FAVOURITE."
"FIRST MAN."
314
00:29:36,445 --> 00:29:50,258
"MARY POPPINS RETURNS
"ROMA."
315
00:29:50,392 --> 00:30:01,235
>> AND THE OSCAR GOES TO "BLACK
PANTHER."
316
00:30:01,370 --> 00:30:06,541
>> THIS IS THE FIRST OSCAR AND
NOMINATION FOR HANNAH, SHE'S THE
317
00:30:06,675 --> 00:30:20,321
FIRST AFRICAN-AMERICAN TO BE NOM
T
318
00:30:20,455 --> 00:30:21,756
NOMINATED IN THIS CATEGORY.
JAY HART WAS PREVIOUSLY
319
00:30:21,890 --> 00:30:34,001
NOMINATED TWO TIMES.
320
00:30:34,136 --> 00:30:41,008
[ CHEERS AND APPLAUSE ]
>> THANK YOU.
321
00:30:41,143 --> 00:30:41,709
THANKS.
THANK YOU.
322
00:30:41,844 --> 00:30:43,377
>> CONGRATULATIONS.
>> THANK YOU SO MUCH.
323
00:30:43,512 --> 00:30:49,217
CAN YOU HOLD THIS FOR ME?
I DIDN'T EVEN -- OKAY, YOU'RE ON
324
00:30:49,351 --> 00:30:53,688
MY DRESS.
ALL RIGHT, I GOT TO PUT THESE
325
00:30:53,822 --> 00:30:56,891
ON.
I DON'T EVEN KNOW WHERE I PUT MY
326
00:30:57,025 --> 00:31:01,429
SPEECH, I'M REALLY SHAKING HARD.
I PUT IT IN MY PHONE, I CAN'T
327
00:31:01,563 --> 00:31:03,064
FIND IT.
I LOVE YOU GUYS.
328
00:31:03,198 --> 00:31:11,038
I WANT TO THANK ALL OF THE
NOMINEES IN THIS CATEGORY FOR
329
00:31:11,173 --> 00:31:13,808
THE EXTRAORDINARY WORLDS THEY
BUILT.
330
00:31:13,942 --> 00:31:18,312
I WANT TO THANK THE ACADEMY.
THANK YOU SO MUCH.
331
00:31:18,447 --> 00:31:25,419
RYAN COOGLER.
I STAND HERE STRONGER THAN I WAS
332
00:31:25,554 --> 00:31:28,256
YESTERDAY.
I STAND HERE WITH AGENCY AND
333
00:31:28,390 --> 00:31:33,761
SELF-WORTH BECAUSE OF RYAN
COOGLER, WHO NOT ONLY MADE ME A
334
00:31:33,896 --> 00:31:38,366
BETTER DESIGNER, STORYTELLER, A
BETTER PERSON.
335
00:31:38,500 --> 00:31:43,838
THIS MAN OFFERED ME A DIFFERENT
PERSPECTIVE OF LIFE, WHO OFFERED
336
00:31:43,972 --> 00:31:49,777
ME A SAFE SPACE, WAS PATIENT,
AND GAVE ME AIR, HUMANITY, AND
337
00:31:49,912 --> 00:31:51,679
BROTHERHOOD.
THANK YOU, RYAN, I LOVE YOU.
338
00:31:51,813 --> 00:31:54,815
I'M STRONGER BECAUSE OF MARVEL,
WHO GAVE ME THE OPPORTUNITY TO
339
00:31:54,950 --> 00:31:59,387
DO MY BEST.
WHO SUPPORTED THE VISION OF THIS
340
00:31:59,521 --> 00:32:08,996
FILM, AND LIFTED US OF UP DAY.
VICTORIA, KEVIN, LOU, AND NATE
341
00:32:09,131 --> 00:32:14,402
MOORE, THANK YOU.
AND I'M STRONGER BECAUSE OF THE
342
00:32:14,536 --> 00:32:21,742
HART DEPARTMENT CREW, WHO
BROUGHT THEIR COURAGE AND
343
00:32:21,877 --> 00:32:25,746
HUMILITY TO THE TABLE.
AND THANK YOU TO THE WONDERFUL
344
00:32:25,881 --> 00:32:27,949
CAST, WHO BREATHED LIFE INTO
THIS WORLD.
345
00:32:28,083 --> 00:32:30,751
BECAUSE OF RUTH CARTER AND
RACHEL MORRISON, AND EVERYTHING
346
00:32:30,886 --> 00:32:32,954
THEY DID BEHIND THE CAMERA WITH
ME.
347
00:32:33,088 --> 00:32:46,968
I'M STRONGER BECAUSE OF A WOMAN
WHO SUPPORTED ME EVERY DAY,
348
00:32:47,102 --> 00:32:52,406
CAROL TREVINO, REST IN POWER.
I'M STRONGER BECAUSE OF MY
349
00:32:52,541 --> 00:32:55,343
FAMILY, I GIVE THE STRENGTH TO
ALL OF THOSE WHO COME NEXT, TO
350
00:32:55,477 --> 00:32:59,680
KEEP GOING, TO NEVER GIVE UP.
WHEN YOU THINK IT'S IMPOSSIBLE,
351
00:32:59,815 --> 00:33:05,419
JUST REMEMBER TO SAY THIS PIECE
OF ADVICE, I DID MY BEST, AND MY
352
00:33:05,554 --> 00:33:06,687
BEST IS GOOD ENOUGH.
THANK YOU.
353
00:33:06,822 --> 00:33:11,425
[ CHEERS AND APPLAUSE ]
354
00:33:11,560 --> 00:33:21,736
>> I JUST WANT TO THANK MY CREW!
355
00:33:21,870 --> 00:33:41,422
[ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME TYLER PERRY.
356
00:33:41,556 --> 00:33:43,024
[ APPLAUSE ]
357
00:33:43,158 --> 00:33:47,428
>> COMMUNITY.
WE OFTEN USE THAT WORD TO
358
00:33:47,562 --> 00:33:51,866
DESCRIBE WHO WE ARE AND WHAT
CONNECTS ALL OF US INVOLVED IN
359
00:33:52,000 --> 00:33:54,135
THE DIFFERENT ELEMENTS THAT
BRING A FILM FROM AN IDEA IN THE
360
00:33:54,269 --> 00:33:57,738
WRITER'S MIND TO ITS PREMIERE ON
THE BIG SCREEN.
361
00:33:57,873 --> 00:34:01,742
EACH PERSON, EACH CRAFT, EACH
DISCIPLINE IS ESSENTIAL TO THE
362
00:34:01,877 --> 00:34:02,877
PROCESS.
DEEP DOWN, WE KNOW THAT.
363
00:34:03,011 --> 00:34:05,980
WE ALWAYS HAVE.
IN THE END, THIS TRULY
364
00:34:06,114 --> 00:34:10,317
COLLABORATIVE COMMUNITY COMES
TOGETHER ON A NIGHT LIKE THIS TO
365
00:34:10,452 --> 00:34:13,187
CELEBRATE THIS PAST YEAR AND TO
LOOK FORWARD TO THE NEXT.
366
00:34:13,321 --> 00:34:18,959
IT IS A TRUE HONOR FOR ME TO
PRESENT THIS NEXT AWARD.
367
00:34:19,094 --> 00:34:22,296
LIVE ON CAMERA, NOT DURING THE
COMMERCIAL BREAK.
368
00:34:22,431 --> 00:34:23,464
THANK YOU, ACADEMY.
HERE ARE THE NOMINEES FOR
369
00:34:23,598 --> 00:34:33,574
ACHIEVEMENT IN CINEMATOGRAPHY.
>> "COLD WAR," LUKASZ ZAL.
370
00:34:33,708 --> 00:34:35,409
"THE FAVOURITE," ROBBIE RYAN.
"NEVER LOOK AWAY," CALEB
371
00:34:35,544 --> 00:34:42,483
DESCHANEL.
"ROMA," ALFONSO CUARON.
372
00:34:42,617 --> 00:34:49,757
"A STAR IS BORN," MATTHEW
LIBATIQUE.
373
00:34:49,891 --> 00:35:03,270
>> AND THE OSCAR GOES TO ALFONSO
CUARON, "ROMA."
374
00:35:03,405 --> 00:35:09,243
>> ALFONSO CUARON IS THE FOURTH
PERSON TO RECEIVE NOMINATIONS IN
375
00:35:09,377 --> 00:35:15,149
FOUR DIFFERENT CATEGORIES FOR
THE SAME FILM.
376
00:35:15,283 --> 00:35:19,753
THIS IS HIS FOURTH OSCAR AND
TENTH NOMINATION.
377
00:35:19,888 --> 00:35:23,424
>> THANK YOU.
THANK YOU SO MUCH.
378
00:35:23,558 --> 00:35:27,962
IT'S AN AMAZING HONOR.
THANK YOU, ACADEMY.
379
00:35:28,096 --> 00:35:34,869
TO CREATE A SINGLE FRAME OF
FILM, AS YOU KNOW, REQUIRES THE
380
00:35:35,003 --> 00:35:41,408
HARD WORK OF A LOT OF PEOPLE.
I WANT TO THANK THE AMAZING CAST
381
00:35:41,543 --> 00:35:53,154
AND CREW.
THE PRODUCERS, NETFLIX.
382
00:35:53,288 --> 00:35:57,057
AND IF THIS FILM WAS CREATED BY
MY OWN MEMORIES, THE FILM WAS
383
00:35:57,192 --> 00:36:05,466
CRAFTED THROUGH THE MEMORIES OF
WHAT THIS GREAT MASTER OF
384
00:36:05,600 --> 00:36:10,337
CINEMATOGRAPHY HAS GIVEN TO US.
IT'S WELL KNOWN THAT IN BILLY
385
00:36:10,472 --> 00:36:19,713
WILDER'S OFFICE, THERE WAS A
SIGN THAT SAID, WHAT WOULD
386
00:36:19,848 --> 00:36:23,350
LUBISCH HAVE DONE?
AND THIS IS FOR YOU, THANK YOU
387
00:36:23,485 --> 00:36:32,126
VERY MUCH, MEXICO.
MY FAMILY.
388
00:36:32,260 --> 00:36:33,527
A
I LOVE YOU GUYS.
389
00:36:33,662 --> 00:36:34,495
THANK YOU.
[ CHEERS AND APPLAUSE ]
390
00:36:34,629 --> 00:36:41,435
>> LADIES AND GENTLEMEN, PLEASE
391
00:36:41,570 --> 00:36:47,908
WELCOME EMILIA CLARKE.
[ APPLAUSE ]
392
00:36:48,043 --> 00:36:56,116
>> THE FIRST NOMINEE FOR
393
00:36:56,251 --> 00:37:04,792
ORIGINAL SONG WAS COMPOSED FOR
THE DOCUMENTARY FEATURE, "RBG".
394
00:37:04,926 --> 00:37:06,193
SUNG AS A RALLYING CRY, AN
ANTHEM AND A PERSONAL PROMISE,
395
00:37:06,328 --> 00:37:09,763
THE SONG EMBODIES THE SEEMINGLY
ENDLESS STRENGTH AND COMMITMENT
396
00:37:09,898 --> 00:37:13,667
OF ITS SUBJECT, SUPREME COURT
JUSTICE RUTH BADER GINSBURG, A
397
00:37:13,802 --> 00:37:16,770
WOMAN WHO HAS SPENT HER CAREER
AT THE FOREFRONT OF THE FIGHT
398
00:37:16,905 --> 00:37:20,441
AGAINST GENDER DISCRIMINATION.
KHALEESI HAS NOTHING ON HER.
399
00:37:20,575 --> 00:37:22,109
JUSTICE GINSBURG, IF YOU'D EVER
LIKE TO BORROW THE DRAGONS,
400
00:37:22,244 --> 00:37:28,215
RING ME.
ALTHOUGH THE SONG'S SUBJECT IS
401
00:37:28,350 --> 00:37:30,017
SOFT-SPOKEN, ITS SINGER IS A
VOCAL POWERHOUSE, PRESENTING ITS
402
00:37:30,151 --> 00:37:33,754
MESSAGE WITH THE PASSION IT
DESERVES.
403
00:37:33,888 --> 00:37:37,558
AND NOW, PERFORMING "I'LL FIGHT"
BY SONGWRITER DIANE WARREN,
404
00:37:37,692 --> 00:37:45,566
PLEASE WELCOME ACADEMY AWARD
WINNER JENNIFER HUDSON.
405
00:37:45,700 --> 00:37:46,100
[ CHEERS AND APPLAUSE ]
406
00:37:47,636 --> 00:37:55,609
WHEN YOU FEEL YOU'RE TAKING
407
00:37:55,744 --> 00:37:57,745
ALL THAT YOU CAN TAKE
AND YOU'RE SURE YOU'RE NEVER
408
00:37:57,879 --> 00:38:01,749
GONNA CATCH A BREAK
AND THE TEARS ARE RIVERS
409
00:38:01,883 --> 00:38:05,653
RUNNING DOWN YOUR FACE
YEAH
410
00:38:05,787 --> 00:38:09,423
WHEN YOUR FAITH IS LOW
AND YOU'VE GOT NO STRENGTH LEFT
411
00:38:09,557 --> 00:38:11,492
WHEN YOU THINK YOU'VE GONE
AS FAR AS YOU CAN GET
412
00:38:11,626 --> 00:38:17,231
AND YOU'RE TOO UNDONE
TO TAKE ANOTHER STEP
413
00:38:17,365 --> 00:38:23,470
OH I WILL TAKE UP
THE STRUGGLE
414
00:38:23,605 --> 00:38:33,747
OH, I KNOW IT'S A FIGHT
SO I'LL FIGHT
415
00:38:33,882 --> 00:38:40,120
FIGHT THAT WAR FOR YOU
I'LL FIGHT
416
00:38:40,255 --> 00:38:47,494
STAND AND DEFEND YOU
TAKE YOUR SIDE
417
00:38:47,629 --> 00:38:51,031
THAT'S WHAT I'M HERE TO DO
I'LL BE THERE TO BE STRONG
418
00:38:51,166 --> 00:38:57,271
OH, I'LL KEEP ON
KEEP ON
419
00:38:57,405 --> 00:39:01,742
I'LL HAVE YOUR BACK WHEN
YOUR BACK'S TO THE WALL
420
00:39:01,876 --> 00:39:11,485
AND I'LL CATCH THE TEARS WHEN
YOUR TEARS FALL
421
00:39:11,619 --> 00:39:17,491
I'LL GIVE IT ALL
I WON'T GIVE UP
422
00:39:17,625 --> 00:39:29,770
I'LL FIGHT
YEAH I'LL FIGHT
423
00:39:29,904 --> 00:39:33,741
THAT'S WHAT I'M HERE TO DO
I'LL BE THERE TO BE STRONG
424
00:39:33,875 --> 00:39:37,745
OH, I'LL KEEP ON
KEEP ON
425
00:39:37,879 --> 00:39:46,420
I'LL FIGHT
I'LL FIGHT
426
00:39:46,554 --> 00:40:01,535
[ CHEERS AND APPLAUSE ]
427
00:40:01,669 --> 00:40:05,506
>> KEEP WATCHING FOR MORE
HIGHLIGHTS OF THIS YEAR'S BEST
428
00:40:05,640 --> 00:40:11,044
PICTURE NOMINEES.
AND A PERFORMANCE BY BETTE
429
00:40:11,179 --> 00:40:15,282
MIDLER.
AND NEXT, JAMES McAVOY AND DANAI
430
00:40:20,822 --> 00:40:21,855
>>> PLEASE WELCOME SERENA
431
00:40:21,990 --> 00:40:37,337
WILLIAMS.
[ APPLAUSE ]
432
00:40:37,472 --> 00:40:42,342
>> WHEN WE'RE YOUNG, WE ALL HAVE
DREAMS OF WHAT WE CAN ACCOMPLISH
433
00:40:42,477 --> 00:40:49,383
IN LIFE.
HAVING THE DREAM IS EASY.
434
00:40:49,517 --> 00:40:56,356
MAKING IT COME TRUE IS HARD.
WHETHER THAT DREAM IS BECOMING
435
00:40:56,491 --> 00:40:57,825
AN ACTOR, A TENNIS PLAYER, OR A
SINGER LIKE ALLIE IN "A STAR IS
436
00:40:57,959 --> 00:40:59,193
BORN."
IN TONIGHT'S NEXT NOMINEE FOR
437
00:40:59,327 --> 00:41:03,730
BEST PICTURE, WE SEE, THROUGH
ALLIE'S EYES, THE HIGHS AND LOWS
438
00:41:03,865 --> 00:41:06,834
ON THE JOURNEY TO STARDOM.
THE RUSH OF FAME, THE PRESSURE
439
00:41:06,968 --> 00:41:11,672
OF SUCCESS, AND THE HEARTACHE
THAT COMES WITH SACRIFICING LOVE
440
00:41:11,806 --> 00:41:17,177
FOR CAREER, OR CAREER FOR LOVE.
THIS IS "A STAR IS BORN."
441
00:41:17,312 --> 00:41:39,233
[ CHEERS AND APPLAUSE ]
442
00:41:44,839 --> 00:41:57,384
[ CHEERS AND APPLAUSE ]
443
00:41:57,519 --> 00:42:08,762
McAVOY AND DANAI GURIRA.
[ APPLAUSE ]
444
00:42:08,897 --> 00:42:12,366
>> THE NOMINEES FOR SOUND
EDITING THIS YEAR RUN THE GAMUT.
445
00:42:12,500 --> 00:42:14,968
>> FROM THE CACOPHONY OF BATTLE
IN "BLACK PANTHER."
446
00:42:15,103 --> 00:42:19,673
>> AND THE ARENA ROCK OF
"BOHEMIAN RHAPSODY."
447
00:42:19,807 --> 00:42:23,176
>> TO THE QUIET TENSIONS OF HOME
IN "ROMA."
448
00:42:23,311 --> 00:42:29,216
>> AND THE SUSPENSEFUL SILENCE
OF "A QUIET PLACE."
449
00:42:29,350 --> 00:42:32,653
>> AND THE UTTER SILENCE OF
SPACE IN "FIRST MAN."
450
00:42:32,787 --> 00:42:37,424
>> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN SOUND EDITING.
451
00:42:37,559 --> 00:42:53,206
>> "BLACK PANTHER."
"BOHEMIAN RHAPSODY."
452
00:42:53,341 --> 00:43:09,356
"FIRST MAN."
"A QUIET PLACE."
453
00:43:09,490 --> 00:43:25,339
"ROMA."
>> AND THE OSCAR GOES TO
454
00:43:25,473 --> 00:43:35,282
"BOHEMIAN RHAPSODY"!
>> THIS IS THE FIRST OSCAR AND
455
00:43:35,416 --> 00:43:40,420
NOMINATION FOR JOHN AND NINA.
"BOHEMIAN RHAPSODY" IS NOMINATED
456
00:43:40,555 --> 00:43:45,359
IN FIVE CATEGORIES TONIGHT,
INCLUDING BEST PICTURE.
457
00:43:45,493 --> 00:44:01,875
[ CHEERS AND APPLAUSE ]
458
00:44:07,115 --> 00:44:12,419
[ CHEERS AND APPLAUSE ]
459
00:44:13,488 --> 00:44:20,160
>> WOW.
THAT'S INCREDIBLE.
460
00:44:20,294 --> 00:44:23,997
WE'D LIKE TO THANK THE ACADEMY.
THIS TRULY IS AN HONOR,
461
00:44:24,132 --> 00:44:29,703
ESPECIALLY IN A CATEGORY WITH SO
MANY AMAZING-SOUNDING FILMS.
462
00:44:29,837 --> 00:44:31,938
WORKING ON "BOHEMIAN RHAPSODY"
REALLY WAS AN HONOR.
463
00:44:32,073 --> 00:44:36,977
WE GOT TO WORK WITH QUEEN FOR
OUR DAY JOB, WHICH WAS
464
00:44:37,111 --> 00:44:37,778
WONDERFUL.
[ APPLAUSE ]
465
00:44:37,912 --> 00:44:41,915
WE'D LIKE TO THANK ALL OF QUEEN,
AND THE FULL TEAM.
466
00:44:42,050 --> 00:44:46,420
FOR THE, JUST FOR THE GREAT
MUSIC, FOR THE SUPPORT.
467
00:44:46,554 --> 00:44:49,456
AND, YEAH, A SPECIAL NOD TO
FREDDIE AS WELL.
468
00:44:49,590 --> 00:44:58,699
[ APPLAUSE ]
AND QUICK SHOUT-OUT, SO MANY
469
00:44:58,833 --> 00:44:59,900
THANKS, STEPH, MY KIDS.
NINA?
470
00:45:00,034 --> 00:45:02,736
>> I WOULD LIKE TO THANK OUR
FULL TEAM.
471
00:45:02,870 --> 00:45:07,207
ALL THE PEOPLE WHO ARE HERE, AND
ALSO EVERYONE IN LONDON, WHO ARE
472
00:45:07,341 --> 00:45:09,543
WATCHING RIGHT NOW.
AND OBVIOUSLY, MY HUSBAND KEVIN
473
00:45:09,677 --> 00:45:15,215
IS UP THERE.
MY FAMILY, MY KIDS, MY MOM AND
474
00:45:15,349 --> 00:45:19,686
DAD, WHO ARE LOOKING AFTER THEM.
MOM, WE'LL BE HOME SOON.
475
00:45:19,821 --> 00:45:21,354
>> THANK YOU.
>> THANK YOU, THANK YOU.
476
00:45:21,489 --> 00:45:33,100
[ APPLAUSE ]
>> AND NOW, IT'S TIME FOR THE
477
00:45:33,234 --> 00:45:34,201
NEXT AWARD.
>> HERE ARE THE NOMINEES FOR
478
00:45:34,335 --> 00:45:43,543
ACHIEVEMENT IN SOUND MIXING.
>> "BLACK PANTHER."
479
00:45:43,678 --> 00:46:05,198
"BOHEMIAN RHAPSODY."
"FIRST MAN."
480
00:46:05,333 --> 00:46:22,249
"ROMA."
"A STAR IS BORN."
481
00:46:22,383 --> 00:46:33,360
>> AND THE OSCAR GOES TO
"BOHEMIAN RHAPSODY"!
482
00:46:33,494 --> 00:46:38,965
>> THIS IS THE FIRST OSCAR WIN
FOR THIS SOUND MIXING TEAM.
483
00:46:39,100 --> 00:46:42,235
PAUL HAS EIGHT PREVIOUS
NOMINATIONS, RECEIVING HIS FIRST
484
00:46:42,370 --> 00:46:45,005
FOR HIS WORK ON "LEGENDS OF THE
FALL."
485
00:46:45,139 --> 00:46:49,509
TIM WAS PREVIOUSLY NOMINATED IN
THIS CATEGORY FOR "BABY DRIVER."
486
00:46:49,644 --> 00:46:53,180
THIS IS THE FIRST NOMINATION FOR
JOHN.
487
00:46:53,314 --> 00:47:01,721
[ CHEERS AND APPLAUSE ]
488
00:47:01,856 --> 00:47:09,362
>> THANK YOU.
THANK YOU, ACADEMY.
489
00:47:09,497 --> 00:47:14,267
HUGE HONOR.
I'D LIKE TO THANK OUR PRODUCERS,
490
00:47:14,402 --> 00:47:19,139
GRAHAM, DENNIS, TED FROM FOX,
AND OUR WHOLE SOUND CREW, THANK
491
00:47:19,273 --> 00:47:24,344
YOU.
MASSIVE SHOUT-OUT TO BRIAN AND
492
00:47:24,478 --> 00:47:26,012
ROGER.
THANK YOU SO MUCH FOR YOUR
493
00:47:26,147 --> 00:47:27,814
MUSIC, COLLABORATION, AND
SUPPORT.
494
00:47:27,949 --> 00:47:32,786
AND I WOULD LIKE TO DEDICATE
THIS TO MY KIDS, SHAWN, ANDREW,
495
00:47:32,920 --> 00:47:35,155
SOPHIE, TAYLOR, I LOVE YOU ALL.
THANK YOU.
496
00:47:35,289 --> 00:47:49,369
>> I WANT TO THANK MY WIFE.
MY KIDS, AND HONOR MY TEAM.
497
00:47:49,503 --> 00:47:53,173
FOR CHRIS, THANKS, MATE.
THANK YOU.
498
00:47:53,307 --> 00:47:57,210
>> I'D LIKE TO THANK MY TEAM,
OUR CIRCUIT, EVERYONE ELSE WHO
499
00:47:57,345 --> 00:48:04,150
WORKED ON THE SOUND, MY MOM AND
DAD, MY AMAZING BROTHERS, AND MY
500
00:48:04,285 --> 00:48:06,620
FRIENDS WATCHING TONIGHT.
THANK YOU.
501
00:48:06,754 --> 00:48:11,491
>> COMING UP, THE AWARD FOR
FOREIGN LANGUAGE FILM.
502
00:48:11,626 --> 00:48:16,863
AND A PERFORMANCE BY BETTE
MIDLER.
503
00:48:16,998 --> 00:48:22,269
THEN WE FIND OUT WHO WINS FOR
504
00:48:34,148 --> 00:48:35,715
>>> PLEASE WELCOME
OSCAR-NOMINATED ACTRESS QUEEN
505
00:48:35,850 --> 00:48:39,920
LATIFAH.
>> IT'S AN HONOR TO BE HERE TO
506
00:48:40,054 --> 00:48:45,926
INTRODUCE ONE OF TONIGHT'S
NOMINEES FOR BEST PICTURE, "THE
507
00:48:46,060 --> 00:48:50,630
FAVOURITE."
THE FILM TAKES US TO
508
00:48:50,765 --> 00:48:53,533
18th CENTURY BRITAIN WITH A
MONARCH LACKING THE INTEREST,
509
00:48:53,668 --> 00:48:56,403
AND MAYBE THE ABILITY, TO LEAD.
DECISION MAKING IS TAKEN OVER BY
510
00:48:56,537 --> 00:48:59,472
AN INNER CIRCLE.
THERE IS INFIGHTING FOR THE
511
00:48:59,607 --> 00:49:03,109
RULER'S AFFECTION.
AS THE STAKES GET HIGHER, WE SEE
512
00:49:03,244 --> 00:49:05,512
CORRUPTION LEAD TO THE DOWNFALL
OF ONE UNDERLING AFTER ANOTHER.
513
00:49:05,646 --> 00:49:15,588
IT'S NOT EASY BEING QUEEN.
THIS IS "THE FAVOURITE."
514
00:49:15,723 --> 00:49:20,660
>> I HOPE YOU HAVEN'T FOUND YOUR
TIME WITH THE QUEEN TOO TEDIOUS.
515
00:49:20,795 --> 00:49:26,266
>> YES, I'M BEAUTIFUL.
IF I WERE A MAN, I WOULD RAVISH
516
00:49:26,400 --> 00:49:27,500
YOU.
>> YOU'RE JEALOUS.
517
00:49:27,635 --> 00:49:31,338
>> SHE'S A VIPER.
>> I'M ON MY SIDE, ALWAYS.
518
00:49:31,472 --> 00:49:33,773
>> STOP IT.
STOP!
519
00:49:33,908 --> 00:49:39,245
>> IT IS FUN TO BE QUEEN,
SOMETIMES.
520
00:49:39,380 --> 00:49:40,213
>> YOU HAVE WON.
>> HAVEN'T I?
521
00:49:40,348 --> 00:49:45,752
>> TAKE YOUR SHOT.
[ APPLAUSE ]
522
00:49:45,886 --> 00:49:50,423
>> PLEASE WELCOME ACADEMY
AWARD-NOMINATED ACTRESS ANGELA
523
00:49:50,558 --> 00:49:52,158
BASSETT AND ACADEMY
AWARD-WINNING ACTOR JAVIER
524
00:49:52,293 --> 00:49:56,096
BARDEM.
[ CHEERS AND APPLAUSE ]
525
00:49:56,230 --> 00:50:07,674
[ SPEAKING FOREIGN LANGUAGE ]
526
00:50:07,808 --> 00:50:18,284
[ CHEERS AND APPLAUSE ]
527
00:50:23,657 --> 00:50:32,799
[ SPEAKING FOREIGN LANGUAGE ]
[ APPLAUSE ]
528
00:50:32,933 --> 00:50:35,535
>> MEMBERS OF THE MOVIE ACADEMY
COME FROM ACROSS THE GLOBE, SO
529
00:50:35,669 --> 00:50:39,773
IT IS TRULY FITTING THAT THIS
YEAR, FOREIGN LANGUAGE FILMS ARE
530
00:50:39,907 --> 00:50:43,676
NOT JUST RECOGNIZED IN THIS
CATEGORY, BUT IN ALMOST EVERY
531
00:50:43,811 --> 00:50:48,281
CATEGORY.
[ APPLAUSE ]
532
00:50:48,416 --> 00:50:58,825
HERE ARE THE NOMINEES FOR BEST
FOREIGN LANGUAGE FILM.
533
00:50:58,959 --> 00:51:14,307
>> FROM LEBANON, "CAPERNAUM."
FROM POLAND, "COLD WAR."
534
00:51:14,442 --> 00:51:29,222
FROM GERMANY, "NEVER LOOK AWAY."
"ROMA," FROM MEXICO.
535
00:51:29,356 --> 00:51:35,528
"SHOPLIFTERS," FROM JAPAN.
>> AND THE OSCAR GOES TO "ROMA"!
536
00:51:35,663 --> 00:51:40,133
[ CHEERS AND APPLAUSE ]
537
00:51:40,267 --> 00:51:43,870
>> THIS IS THE NINTH MOVIE FROM
MEXICO TO BE NOMINATED, AND THE
538
00:51:44,004 --> 00:52:03,823
FIRST TO WIN THE OSCAR FOR
FOREIGN LANGUAGE FILM.
539
00:52:04,158 --> 00:52:05,058
[ CHEERS AND APPLAUSE ]
>> THANK YOU.
540
00:52:05,192 --> 00:52:10,864
AM I GOING TO GET SUBTITLED AS
WELL?
541
00:52:10,998 --> 00:52:19,506
THANK YOU, YALITZA, MARINA,
GABRIELA, NICO, ALL THE CAST AND
542
00:52:19,640 --> 00:52:22,142
CREW.
I GREW UP WATCHING FOREIGN
543
00:52:22,276 --> 00:52:29,048
LANGUAGE FILMS, LEARNING SO MUCH
FROM THEM, BEING INSPIRED.
544
00:52:29,183 --> 00:52:43,363
FILMS LIKE "CITIZEN
KANE," "JAWS."
545
00:52:43,497 --> 00:52:46,099
AND THERE ARE NO WAVES, THERE'S
ONLY THE OCEAN.
546
00:52:46,233 --> 00:52:52,572
I THINK THE NOMINEES TONIGHT
HAVE PROVEN THAT WE ARE PART OF
547
00:52:52,706 --> 00:53:01,781
THE SAME OCEAN.
I WANT TO THANK MY FAMILY,
548
00:53:01,916 --> 00:53:04,984
MEXICO, FOR THE BEACH WHERE THIS
FILM COMES FROM.
549
00:53:05,119 --> 00:53:11,524
AND ALSO TO OLMO, BOO, FOR BEING
THE CURRENT THAT PUSHES MY
550
00:53:11,659 --> 00:53:17,530
DRIFT.
THANK YOU SO MUCH.
551
00:53:17,665 --> 00:53:20,033
[ CHEERS AND APPLAUSE ]
552
00:53:20,167 --> 00:53:25,271
>> AND NOW, DROPPING INTO THE
OSCARS FROM ABOVE, PLEASE
553
00:53:25,406 --> 00:53:30,210
WELCOME KEEGAN-MICHAEL KEY.
[ CHEERS AND APPLAUSE ]
554
00:53:30,344 --> 00:53:50,797
>> THIS THING.
555
00:53:50,931 --> 00:53:52,865
THIS EVENING'S NEXT NOMINEE FOR
BEST ORIGINAL SONG WAS WRITTEN
556
00:53:53,000 --> 00:53:54,167
BY MARC SHAIMAN AND SCOTT
WITTMAN FOR THE FILM "MARY
557
00:53:54,301 --> 00:53:59,539
POPPINS RETURNS."
[ APPLAUSE ]
558
00:53:59,673 --> 00:54:02,208
IN ADDITION TO LIFTING THE BANKS
CHILDREN'S SPIRITS THROUGH A
559
00:54:02,343 --> 00:54:05,578
SERIES OF MAGICAL ADVENTURES,
MARY POPPINS OFFERS COMFORT AND
560
00:54:05,713 --> 00:54:11,517
COMPASSION WITH THIS TENDER
LULLABY, UNDERSCORING THE NOTION
561
00:54:11,652 --> 00:54:14,320
THAT A LOVED ONE WHO IS
LOST CAN STILL BE VERY MUCH
562
00:54:14,455 --> 00:54:15,688
PRESENT.
PERFORMING "THE PLACE WHERE LOST
563
00:54:15,823 --> 00:54:25,098
THINGS GO" WITH MARC SHAIMAN ON
PI
564
00:54:25,232 --> 00:54:31,704
PIANO, PLEASE WELCOME THE DIVINE
MISS "M."
565
00:54:31,839 --> 00:54:32,238
[ CHEERS AND APPLAUSE ]
566
00:54:35,676 --> 00:54:41,514
DO YOU EVER LIE
567
00:54:41,649 --> 00:54:47,520
AWAKE AT NIGHT
JUST BETWEEN THE DARK
568
00:54:47,655 --> 00:54:53,559
AND THE MORNING LIGHT
SEARCHING FOR THE THINGS
569
00:54:53,694 --> 00:54:59,999
YOU USED TO KNOW
LOOKING FOR THE PLACE
570
00:55:00,134 --> 00:55:05,538
WHERE THE LOST THINGS GO
DO YOU EVER DREAM
571
00:55:05,673 --> 00:55:15,682
OR REMINISCE
WONDERING WHERE TO FIND
572
00:55:15,816 --> 00:55:21,287
WHAT YOU TRULY MISS
WELL MAYBE ALL THOSE THINGS
573
00:55:21,422 --> 00:55:27,727
THAT YOU LOVE SO
ARE WAITING IN THE PLACE
574
00:55:27,861 --> 00:55:31,664
WHERE THE LOST THINGS GO
MEMORIES YOU'VE SHARED
575
00:55:31,799 --> 00:55:39,706
GONE FOR GOOD YOU FEARED
THEY'RE ALL AROUND YOU STILL
576
00:55:39,840 --> 00:55:42,608
THOUGH THEY'VE DISAPPEARED
MAYBE TO THE MOON
577
00:55:42,743 --> 00:55:51,718
OR MAYBE SOMEWHERE NEW
MAYBE ALL YOU'RE MISSING
578
00:55:51,852 --> 00:55:59,592
LIVES INSIDE OF YOU
SO WHEN YOU NEED HER TOUCH
579
00:55:59,727 --> 00:56:05,531
AND LOVING GAZE
GONE BUT NOT FORGOTTEN
580
00:56:05,666 --> 00:56:14,841
IS THE PERFECT PHRASE
SMILING FROM A STAR
581
00:56:14,975 --> 00:56:19,679
THAT SHE MAKES GLOW TRUST
SHE'S ALWAYS THERE
582
00:56:19,813 --> 00:56:29,522
WATCHING AS YOU GROW
FIND HER IN THE PLACE
583
00:56:29,656 --> 00:56:40,066
WHERE THE LOST THINGS GO
584
00:56:40,200 --> 00:56:52,378
[ CHEERS AND APPLAUSE ]
585
00:56:55,816 --> 00:57:00,019
>> COMING UP, A LOOK AT BEST
PICTURE NOMINEE "BLACK PANTHER,"
586
00:57:00,154 --> 00:57:03,689
THE OSCARS FOR FILM EDITING AND
BEST SUPPORTING ACTOR, MICHAEL
587
00:57:03,824 --> 00:57:07,693
KEATON, AND A PERFORMANCE OF
"SHALLOW" BY OSCAR NOMINEES LADY
588
00:57:07,828 --> 00:57:11,864
GAGA AND BRADLEY COOPER.
AND LATER, CHARLIZE THERON,
589
00:57:11,999 --> 00:57:13,766
KACEY MUSGRAVES, AND LAURA DERN,
590
00:57:20,407 --> 00:57:28,080
>>> PLEASE WELCOME TREVOR NOAH.
591
00:57:28,215 --> 00:57:36,255
[ APPLAUSE ]
>> "BLACK PANTHER" MAY BE AN
592
00:57:36,390 --> 00:57:39,826
AFRICAN HERO, BUT HIS STORY AND
HIS APPEAL ARE UNIVERSAL.
593
00:57:39,960 --> 00:57:41,294
I KNOW THIS PERSONALLY, BECAUSE
OF ALL THE PEOPLE WHO CONSTANTLY
594
00:57:41,428 --> 00:57:46,098
COME UP TO ME AND SAY,
"WAKANDA FOREVER."
595
00:57:46,233 --> 00:57:52,104
EVERYWHERE IN THE WORLD.
MY AFRICAN FRIENDS ARE LIKE,
596
00:57:52,239 --> 00:57:55,141
"WANKANDA FOREVER."
IN FRANCE, PEOPLE SAY, "HELLO,
597
00:57:55,275 --> 00:57:56,275
TREVOR NOAH, HOW YOU SAY,
WAKANDA FOREVER?"
598
00:57:56,410 --> 00:57:58,711
EVEN BACKSTAGE, MEL GIBSON CAME
UP TO ME, LIKE, "WAKANDA
599
00:57:58,846 --> 00:58:00,313
FOREVER."
HE SAID ANOTHER WORD TO ME AFTER
600
00:58:00,447 --> 00:58:04,217
THAT, BUT THE WAKANDA PART WAS
NICE.
601
00:58:04,351 --> 00:58:07,386
GROWING UP AS A YOUNG BOY IN
WAKANDA, I WOULD SEE KING
602
00:58:07,521 --> 00:58:10,089
T'CHALLA FLYING OVER OUR VILLAGE
AND HE WOULD REMIND ME OF A
603
00:58:10,224 --> 00:58:14,193
GREAT XHOSA PHRASE.
[ SPEAKING FOREIGN LANGUAGE ]
604
00:58:14,328 --> 00:58:17,296
WHICH MEANS, "IN TIMES LIKE
THESE, WE ARE STRONGER WHEN WE
605
00:58:17,431 --> 00:58:19,932
FIGHT TOGETHER THAN WHEN WE TRY
TO FIGHT APART."
606
00:58:20,067 --> 00:58:24,270
THIS IS BEST PICTURE NOMINEE,
"BLACK PANTHER."
607
00:58:24,404 --> 00:58:29,242
[ CHEERS AND APPLAUSE ]
608
00:58:29,376 --> 00:58:38,918
>> I WANT TO BE A GREAT KING,
JUST LIKE YOU.
609
00:58:39,052 --> 00:58:42,021
.
>> YOU'RE A GOOD MAN WITH A GOOD
610
00:58:42,155 --> 00:58:44,257
HEART.
AND IT'S HARD FOR A GOOD MAN TO
611
00:58:44,391 --> 00:58:48,327
BE KING.
>> THE BLACK PANTHER LIVES.
612
00:58:48,462 --> 00:58:54,901
YOU GET TO DECIDE WHAT KIND OF
KING YOU ARE GOING TO BE.
613
00:58:55,035 --> 00:59:04,210
>> WAKANDA FOREVER!
>> WAKANDA FOREVER!
614
00:59:04,344 --> 00:59:05,077
[ CHEERS AND APPLAUSE ]
615
00:59:05,212 --> 00:59:14,587
>> PLEASE WELCOME OSCAR
NOMINATED ACTOR MICHAEL KEATON.
616
00:59:14,721 --> 00:59:18,691
[ APPLAUSE ]
>> IF YOU THINK OF SHOOTING A
617
00:59:18,825 --> 00:59:20,293
MOVIE AND MAKING A MOVIE AS THE
SAME THING, YOU'VE OVERLOOKED
618
00:59:20,427 --> 00:59:24,263
ONE OF THE MOST IMPORTANT
ELEMENTS OF FILMMAKING --
619
00:59:24,398 --> 00:59:25,598
THE EDITING.
EDITORS INFUSE A FILM WITH
620
00:59:25,732 --> 00:59:30,169
RHYTHM.
THEY BUILD SUSPENSE.
621
00:59:30,304 --> 00:59:32,338
AND THEY CREATE MOMENTS THAT
WOULD OTHERWISE NOT HAVE
622
00:59:32,472 --> 00:59:38,377
EXISTED.
AND AS AN ACTOR, THEY CAN MAKE
623
00:59:38,512 --> 00:59:42,949
THINGS LIKE YOUR PERFORMANCE A
WHOLE LOT BETTER.
624
00:59:43,083 --> 00:59:44,250
TRUST ME.
HERE ARE THE NOMINEES FOR
625
00:59:44,384 --> 00:59:46,619
ACHIEVEMENT IN FILM EDITING.
>> "BLACKKKLANSMAN,"
626
00:59:46,753 --> 00:59:52,091
BARRY ALEXANDER BROWN.
"BOHEMIAN RHAPSODY,"
627
00:59:52,225 --> 00:59:54,360
JOHN OTTMAN.
"THE FAVOURITE,"
628
00:59:54,494 --> 00:59:58,130
YORGOS MAVROPSARIDIS.
"GREEN BOOK,"
629
00:59:58,265 --> 01:00:07,106
PATRICK J. DON VITO.
"VICE," HANK CORWIN.
630
01:00:07,240 --> 01:00:11,243
AND THE OSCAR GOES TO
"BOHEMIAN RHAPSODY,"
631
01:00:11,378 --> 01:00:16,349
JOHN OTTMAN.
632
01:00:16,483 --> 01:00:28,094
>> THIS IS THE FIRST OSCAR AND
NOMINATION FOR JOHN OTTMAN.
633
01:00:28,228 --> 01:00:28,761
[ APPLAUSE ]
634
01:00:28,895 --> 01:00:38,537
>> THANK YOU.
>> HE ASKED IF I WOULD LIKE
635
01:00:38,672 --> 01:00:44,276
THIS, I SAID, SURE, MY MOM WOULD
LIKE IT.
636
01:00:44,411 --> 01:00:49,181
OVER HERE, SHE'S 85 YEARS OLD.
WOW, YOU GET UP HERE, AND YOU
637
01:00:49,316 --> 01:00:52,451
COMPLETELY BLANK.
THIS FILM, I LIKE TO SAY, THE
638
01:00:52,586 --> 01:00:57,123
CAST AND CREW LIKES TO SAY, WAS
A LABOR OF LOVE.
639
01:00:57,257 --> 01:01:02,294
I THINK FREDDIE MERCURY BROUGHT
US TOGETHER, FROM WHEREVER HE
640
01:01:02,429 --> 01:01:06,198
IS, JUST LIKE HE DID HIS
AUDIENCE.
641
01:01:06,333 --> 01:01:11,137
I'M SO THANKFUL FOR EVERYBODY
BONDING TOGETHER, AND TRUSTING
642
01:01:11,271 --> 01:01:14,640
ME, AND THERE'S TOO MANY PEOPLE
TO THANK.
643
01:01:14,775 --> 01:01:17,576
RAMI, LOOKING AT ME, YOU HAD
BETTER THANK ME.
644
01:01:17,711 --> 01:01:21,280
I GOT THE BAND OVER HERE, THANK
YOU SO MUCH, BRIAN AND ROGER.
645
01:01:21,415 --> 01:01:27,853
AND I HAVE TO MENTION, OF
COURSE, GRAHAM KING AND DENNIS
646
01:01:27,988 --> 01:01:31,891
O'SULLIVAN, TWO OF THE
HARDEST-WORKING PRODUCERS.
647
01:01:32,025 --> 01:01:39,365
AND MY PARENTS, THIS GOES TO
THEM ON THEIR MANTEL, THEY
648
01:01:39,499 --> 01:01:43,002
ENCOURAGED ME TO DO WHATEVER I
WANTED AS A KID, WRITING MUSIC,
649
01:01:43,136 --> 01:01:46,939
OR WRITING FILMS IN THEIR GARAGE
IN CALIFORNIA.
650
01:01:47,074 --> 01:01:50,042
SO, AS FREDDIE'S FATHER WOULD
SAY, GOOD THOUGHTS, GOOD WORDS,
651
01:01:50,177 --> 01:01:54,547
GOOD DEEDS.
THANK YOU.
652
01:01:54,681 --> 01:01:55,214
[ APPLAUSE ]
653
01:01:55,348 --> 01:01:57,183
>> PLEASE WELCOME DANIEL CRAIG
AND ACADEMY AWARD WINNER
654
01:01:57,317 --> 01:02:04,590
CHARLIZE THERON.
[ APPLAUSE ]
655
01:02:04,725 --> 01:02:15,000
>> AS ACTORS, WE SHOW UP, WE
656
01:02:15,135 --> 01:02:20,239
WORK HARD, AND HOPEFULLY WE TAKE
OUR JOBS SERIOUSLY WITHOUT
657
01:02:20,373 --> 01:02:26,245
TAKING OURSELVES TOO SERIOUSLY.
SERIOUSLY, CHARLIZE COULD KICK
658
01:02:26,379 --> 01:02:29,181
MY --
WE ASPIRE TO TRANSFORM OURSELVES
659
01:02:29,316 --> 01:02:30,916
INTO THE CHARACTERS WE PLAY, AND
TO TRANSPORT THE MOVIEGOER IN
660
01:02:31,051 --> 01:02:33,853
THE PROCESS.
>> AMONG A SEA OF BRILLIANT
661
01:02:33,987 --> 01:02:36,288
PERFORMANCES EACH YEAR, CERTAIN
OF THEM STAND OUT FOR THEIR
662
01:02:36,423 --> 01:02:40,092
ARTISTRY, THEIR HONESTY, AND THE
MASTERFUL CHOICES MADE IN
663
01:02:40,227 --> 01:02:43,729
INTERPRETING THE ROLE.
WE HONOR THOSE INDIVIDUALS
664
01:02:43,864 --> 01:02:45,297
TONIGHT.
>> HERE ARE THE NOMINEES FOR
665
01:02:45,432 --> 01:02:52,271
PERFORMANCE BY AN ACTOR IN A
SUPPORTING ROLE.
666
01:02:52,405 --> 01:02:56,008
>> MAHERSHALA ALI, "GREEN BOOK."
>> I JUST PUT THE ATTORNEY
667
01:02:56,143 --> 01:03:00,079
GENERAL OF THE UNITED STATES IN
AN INCREDIBLY AWKWARD POSITION.
668
01:03:00,213 --> 01:03:02,948
>> SO WHAT?
THAT'S WHAT HE GETS PAID FOR.
669
01:03:03,083 --> 01:03:07,953
>> THAT MAN AND HIS BROTHER ARE
TRYING TO CHANGE THIS COUNTRY.
670
01:03:08,088 --> 01:03:09,922
THAT'S WHAT ELSE HE HAS GOT TO
DO.
671
01:03:10,056 --> 01:03:17,496
>> NOW HE THINKS I'M SOME KIND
OF -- CRAWLING FROM SOME
672
01:03:17,631 --> 01:03:20,199
BACKWOODS SWAMP JAIL.
WHO DOES THAT?
673
01:03:20,333 --> 01:03:23,869
GARBAGE, THAT'S WHO.
[ APPLAUSE ]
674
01:03:24,004 --> 01:03:28,140
>> ADAM DRIVER,
"BLACKKKLANSMAN."
675
01:03:28,275 --> 01:03:32,645
>> I'M JEWISH, YES, BUT I WASN'T
RAISED TO BE.
676
01:03:32,779 --> 01:03:38,384
IT WASN'T PART OF MY LIFE.
I NEVER THOUGHT MUCH ABOUT BEING
677
01:03:38,518 --> 01:03:41,086
JEWISH, NOBODY AROUND ME WAS
JEWISH.
678
01:03:41,221 --> 01:03:46,692
I WASN'T GOING TO A BUNCH OF BAR
MITZVAHS.
679
01:03:46,827 --> 01:03:53,699
NOW I'M IN SOME BASEMENT.
[ APPLAUSE ]
680
01:03:53,834 --> 01:03:58,604
>> SAM ELLIOTT, "A STAR IS
BORN."
681
01:03:58,738 --> 01:04:02,174
>> IT ISN'T YOUR FAULT.
IT JUST ISN'T.
682
01:04:02,309 --> 01:04:06,712
YOU KNOW WHOSE FAULT IT WAS?
JACK.
683
01:04:06,847 --> 01:04:15,354
THAT'S IT.
NO ONE ELSE.
684
01:04:15,488 --> 01:04:16,455
[ APPLAUSE ]
>> RICHARD E. GRANT, "CAN YOU
685
01:04:16,590 --> 01:04:22,194
EVER FORGIVE ME?"
>> SHE DIED.
686
01:04:22,329 --> 01:04:24,597
>> SHE DID?
THAT'S YOUNG.
687
01:04:24,731 --> 01:04:29,235
>> MAYBE SHE DIDN'T DIE.
MAYBE SHE JUST MOVED BACK TO THE
688
01:04:29,369 --> 01:04:31,003
SUBURBS.
I WAS CONFUSED.
689
01:04:31,137 --> 01:04:35,341
THAT'S RIGHT, SHE GOT MARRIED
AND HAD TWINS.
690
01:04:35,475 --> 01:04:40,179
>> BETTER TO HAVE DIED.
>> INDEED.
691
01:04:40,313 --> 01:04:44,149
[ APPLAUSE ]
>> SAM ROCKWELL, "VICE."
692
01:04:44,284 --> 01:04:49,288
>> YOU'RE ONE OF THE MOST
EXPERIENCED GUYS AROUND.
693
01:04:49,422 --> 01:04:52,358
WILL YOU JUMP ONBOARD, BE MY
VICE?
694
01:04:52,492 --> 01:04:54,526
>> I'M HONORED.
>> SAY YES.
695
01:04:54,661 --> 01:04:56,929
>> I HAVE TO SAY NO.
>> DICK, COME ON, WE'LL HAVE A
696
01:04:57,063 --> 01:04:59,698
LOT OF FUN.
WHAT ARE YOU DOING RIGHT NOW?
697
01:04:59,833 --> 01:05:01,800
IN THE PRIVATE SECTOR?
>> YEAH.
698
01:05:01,935 --> 01:05:09,708
>> COME ON.
I KNOW YOU LOVE POLITICS.
699
01:05:09,843 --> 01:05:11,477
>> GEORGE, L.
>> LET'S GO.
700
01:05:11,611 --> 01:05:16,181
>> NOT GOING TO HAPPEN.
>> COME ON, NOW.
701
01:05:16,316 --> 01:05:23,889
[ APPLAUSE ]
>> AND THE OSCAR GOES TO
702
01:05:24,024 --> 01:05:24,957
MAHERSHALA ALI.
[ CHEERS AND APPLAUSE ]
703
01:05:25,091 --> 01:05:27,059
>> THIS IS THE SECOND OSCAR AND
704
01:05:27,193 --> 01:05:30,195
SECOND NOMINATION FOR MAHERSHALA
ALI.
705
01:05:30,330 --> 01:05:37,136
HE TOOK HOME HIS FIRST OSCAR IN
THIS CATEGORY FOR "MOONLIGHT."
706
01:05:37,270 --> 01:05:41,974
[ CHEERS AND APPLAUSE ]
707
01:05:48,381 --> 01:05:55,454
>> THE ACADEMY, THANK YOU.
I WANT TO THANK DR. SHIRLEY FOR
708
01:05:55,588 --> 01:05:59,658
JUST TRYING TO CAPTURE HIS
ESSENCE.
709
01:05:59,793 --> 01:06:05,998
JUST TRYING TO CAPTURE DR.
SHIRLEY'S ESSENCE, PUSHED ME TO
710
01:06:06,132 --> 01:06:08,267
MY ENDS.
WHICH IS A REFLECTION OF THE
711
01:06:08,401 --> 01:06:09,735
PERSON HE WAS AND THE LIFE THAT
HE LIVED.
712
01:06:09,869 --> 01:06:18,644
AND I THANK HIM.
I THANK MY PARTNER, VIGGO.
713
01:06:18,778 --> 01:06:23,449
IT WAS EXTRAORDINARY WORKING
WITH YOU.
714
01:06:23,583 --> 01:06:25,718
[ APPLAUSE ]
PETER FAIRLEY, THANK YOU FOR
715
01:06:25,852 --> 01:06:30,122
YOUR LEADERSHIP AND GUIDANCE.
AND ALSO FOR GIVING US SPACE,
716
01:06:30,256 --> 01:06:34,626
LIKE, REALLY GIVING US SPACE TO
WORK IT OUT, AND COMING IN AND
717
01:06:34,761 --> 01:06:38,797
TWEAKING.
REALLY APPRECIATE AND LOVE YOU.
718
01:06:38,932 --> 01:06:44,269
OCTAVIA SPENCER.
[ APPLAUSE ]
719
01:06:44,404 --> 01:06:50,042
CHRIS BOWERS, MY DOUBLE.
I WANT TO DEDICATE THIS TO MY
720
01:06:50,176 --> 01:06:53,379
GRANDMOTHER, WHO HAS BEEN IN MY
EAR MY ENTIRE LIFE.
721
01:06:53,513 --> 01:06:57,916
TELLING ME THAT IF I FIRST I
DON'T SUCCEED, TRY, TRY AGAIN.
722
01:06:58,051 --> 01:07:02,021
THAT I CAN DO ANYTHING I PUT MY
MIND TO.
723
01:07:02,155 --> 01:07:07,526
ALWAYS, ALWAYS PUSHING ME TO
THINK POSITIVELY AND I KNOW THAT
724
01:07:07,660 --> 01:07:13,932
I WOULD NOT BE HERE WITHOUT HER,
THAT SHE'S GOTTEN ME OVER THE
725
01:07:14,067 --> 01:07:20,539
HUMP IN A LOT OF WAYS.
MY WIFE, MY DAUGHTER, EVERYONE
726
01:07:20,673 --> 01:07:23,976
WHO CONTRIBUTED WITH THE MOVIE.
AGAIN, THANK YOU SO MUCH.
727
01:07:24,110 --> 01:07:25,010
APPRECIATE IT.
[ CHEERS AND APPLAUSE ]
728
01:07:25,145 --> 01:07:28,247
>> COMING UP NEXT, THE AWARD FOR
729
01:07:28,381 --> 01:07:32,851
ANIMATED FEATURE.
THEN LATER, A LOOK AT
730
01:07:32,986 --> 01:07:36,255
"BOHEMIAN RHAPSODY" AND "ROMA."
AND A PERFORMANCE OF "SHALLOW"
731
01:07:36,389 --> 01:07:42,194
FROM "A STAR IS BORN."
>> LAST YEAR, MOVIES TOOK US
732
01:07:42,328 --> 01:07:45,330
ACROSS THE GLOBE, FROM THE MAGIC
OF SINGAPORE, TO THE MYSTERIES
733
01:07:45,465 --> 01:07:48,167
OF AFRICA, ENCHANTING US WITH
THE JOY OF TRAVEL.
734
01:07:57,243 --> 01:08:09,054
>>> LADIES AND GENTLEMEN, PLEASE
WELCOME LAURA DERN.
735
01:08:09,189 --> 01:08:13,092
>> GROWING UP IN LOS ANGELES,
CAN YOU BELIEVE IT WAS ONLY A
736
01:08:13,226 --> 01:08:17,129
DREAM THAT THERE WOULD EVER BE A
PLACE WHERE PEOPLE COULD GO TO
737
01:08:17,263 --> 01:08:21,733
IMMERSE THEMSELVES IN THE
PASSION AND MAGIC OF MOVIES.
738
01:08:21,868 --> 01:08:27,039
EVEN AS A CHILD OF ACTORS, THERE
WAS NOTHING.
739
01:08:27,173 --> 01:08:29,408
TRUST ME.
BUT, GUESS WHAT, THE DREAM IS
740
01:08:29,542 --> 01:08:39,051
HAPPENING.
WHEN WE ENTER THE NEW ACADEMY
741
01:08:39,185 --> 01:08:43,322
MUSEUM OF MOTION PICTURES, WE
WILL OPEN A DOOR AND WALK INTO
742
01:08:43,456 --> 01:08:49,027
THE TECHNICOLOR LAND OF OZ.
WE WILL TRAVEL THROUGH THE
743
01:08:49,162 --> 01:08:51,063
ANIMATED WORLD OF MIYAZAKI,
PERHAPS ENCOUNTER THE SHARK FROM
744
01:08:51,197 --> 01:08:55,801
"JAWS," AND SEE THE RUBY RED
SLIPPERS.
745
01:08:55,935 --> 01:08:57,569
THE DREAM IS A REALITY, NOT JUST
FOR THE CHILD IN ME, BUT FOR ALL
746
01:08:57,704 --> 01:09:01,106
OF US, FROM ALL AROUND THE
WORLD.
747
01:09:01,241 --> 01:09:05,110
COMING SOON.
[ CHEERS AND APPLAUSE ]
748
01:09:05,245 --> 01:09:09,214
>> PLEASE WELCOME MICHELLE YEOH
AND OSCAR-NOMINATED COMPOSER AND
749
01:09:09,349 --> 01:09:13,452
PRODUCER, PHARRELL WILLIAMS.
[ CHEERS AND APPLAUSE ]
750
01:09:13,586 --> 01:09:25,097
>> THE BIBLE SAYS, "WHEN I WAS A
751
01:09:25,231 --> 01:09:27,166
CHILD, I SPOKE AS A CHILD, I
UNDERSTOOD AS A CHILD, I THOUGHT
752
01:09:27,300 --> 01:09:32,704
AS A CHILD.
AND WHEN I BECAME A MAN, I PUT
753
01:09:32,839 --> 01:09:36,275
AWAY CHILDISH THINGS."
>> WHEN WE MOVE THROUGH
754
01:09:36,409 --> 01:09:40,979
ADULTHOOD WE LOOK BACK FONDLY ON
THOSE SIMPLER TIMES.
755
01:09:41,114 --> 01:09:45,050
THE CREATIVITY WE EXHIBITED, OUR
FEARLESSNESS, HOW WE APPROACHED
756
01:09:45,185 --> 01:09:49,121
NEW THINGS WITH WONDER.
>> THE FILMS NOMINATED FOR BEST
757
01:09:49,255 --> 01:09:52,925
ANIMATED FEATURE POSSESS THE
ABILITY TO MOVE US ALL.
758
01:09:53,059 --> 01:09:56,195
NO NEED TO PUT THINGS AWAY, BUT
INSTEAD EMBRACE AND ENJOY A
759
01:09:56,329 --> 01:10:01,433
SHARED EXPERIENCE.
>> HERE ARE THE NOMINEES FOR
760
01:10:01,568 --> 01:10:10,108
BEST ANIMATED FEATURE FILM.
>> "INCREDIBLES 2," BRAD BIRD,
761
01:10:10,243 --> 01:10:13,111
JOHN WALKER, AND
NICOLE PARADIS GRINDLE.
762
01:10:13,246 --> 01:10:17,115
"ISLE OF DOGS," WES ANDERSON,
SCOTT RUDIN, STEVEN RALES, AND
763
01:10:17,250 --> 01:10:21,186
JEREMY DAWSON.
"MIRAI," MAMORU HOSODA AND
764
01:10:21,321 --> 01:10:27,059
YUICHIRO SAITO.
"RALPH BREAKS THE INTERNET,"
765
01:10:27,193 --> 01:10:32,464
RICH MOORE, PHIL JOHNSTON, AND
CLARK SPENCER.
766
01:10:32,599 --> 01:10:37,169
"SPIDER-MAN: INTO THE
SPIDER-VERSE," BOB PERSICHETTI,
767
01:10:37,303 --> 01:10:39,071
PETER RAMSEY, RODNEY ROTHMAN,
PHIL LORD, AND
768
01:10:39,205 --> 01:10:54,653
CHRISTOPHER MILLER.
>> AND THE OSCAR GOES TO, YOU
769
01:10:54,787 --> 01:10:57,055
WERE RIGHT.
"SPIDER-MAN: INTO THE
770
01:10:57,190 --> 01:11:04,896
SPIDER-VERSE."
>> I WANTED TO DO THE NAMES.
771
01:11:05,031 --> 01:11:07,499
>> BOB PERSICHETTI,
PETER RAMSEY, RODNEY ROTHMAN,
772
01:11:07,634 --> 01:11:11,036
PHIL LORD, AND
CHRISTOPHER MILLER.
773
01:11:11,170 --> 01:11:17,109
>> THIS IS THE FIRST OSCAR
NOMINATION FOR BOB, PHIL,
774
01:11:17,243 --> 01:11:20,012
RODNEY, PETER, AND CHRISTOPHER.
>> THERE'S A LOT OF US.
775
01:11:20,146 --> 01:11:23,982
>> WOW.
>> HEY, WOW.
776
01:11:24,117 --> 01:11:26,852
THANK YOU, ACADEMY.
>> THANK YOU, SONY.
777
01:11:26,986 --> 01:11:35,460
WE SHARE THIS WITH OUR FELLOW
PRODUCERS, CAST, CREW, THERE'S
778
01:11:35,595 --> 01:11:41,700
800 FILMMAKERS WHO TOOK RISKS TO
MAKE PEOPLE FEEL POWERFUL AND
779
01:11:41,834 --> 01:11:44,803
SEEN.
>> SO, WHEN WE HEAR THAT
780
01:11:44,937 --> 01:11:47,572
SOMEBODY'S KID WAS WATCHING THE
MOVIE AND TURNED TO THEM AND
781
01:11:47,707 --> 01:11:52,577
SAID, HE LOOKS LIKE ME, OR THEY
SPEAK SPANISH LIKE US, WE FEEL
782
01:11:52,712 --> 01:11:58,583
LIKE WE ALREADY WON.
[ APPLAUSE ]
783
01:11:58,718 --> 01:12:00,852
>> TO OUR AUDIENCE, THANK YOU SO
MUCH.
784
01:12:00,987 --> 01:12:05,123
WE LOVE YOU, AND WE JUST WANT
YOU ALL TO KNOW, WE SEE YOU,
785
01:12:05,258 --> 01:12:09,027
YOU'RE POWERFUL.
THIS WORLD NEEDS YOU.
786
01:12:09,162 --> 01:12:13,098
OKAY?
THIS WORLD NEEDS YOU.
787
01:12:13,232 --> 01:12:14,166
SO, PLEASE, WE'RE ALL COUNTING
ON YOU.
788
01:12:14,300 --> 01:12:16,968
THANK YOU.
[ APPLAUSE ]
789
01:12:17,103 --> 01:12:21,039
>> ON BEHALF OF EVERYONE, WE
WANT TO THANK OUR FAMILIES, WHO
790
01:12:21,174 --> 01:12:23,275
STAYED WITH US FOR FOUR YEARS ON
THIS.
791
01:12:23,409 --> 01:12:25,110
THIS IS FOR YOU.
WE LOVE YOU ALL.
792
01:12:25,244 --> 01:12:29,114
>> AND FINALLY --
[ APPLAUSE ]
793
01:12:29,248 --> 01:12:39,424
>> PLEASE WELCOME KACEY
794
01:12:39,559 --> 01:12:43,362
MUSGRAVES.
795
01:12:43,496 --> 01:12:56,608
[ CHEERS AND APPLAUSE ]
>> "THE BALLAD OF
796
01:12:56,743 --> 01:13:00,746
BUSTER SCRUGGS" BROUGHT NEW LIFE
INTO WESTERNS WITH ITS MIX OF
797
01:13:00,880 --> 01:13:04,416
SATIRE, SENTIMENT, REALISM, AND
ROMANCE.
798
01:13:04,550 --> 01:13:07,519
ALL OF THESE QUALITIES ARE ON
DISPLAY IN THIS HAUNTING SONG.
799
01:13:07,653 --> 01:13:09,821
IT'S FRESH AND YET YOU FEEL LIKE
YOU'VE HEARD IT YOUR WHOLE LIFE.
800
01:13:09,956 --> 01:13:13,458
IT COULD HAVE BEEN AN ABSURD AND
COMICAL MOMENT IN THE FILM, BUT
801
01:13:13,593 --> 01:13:15,260
THE SONG ELEVATES IT INTO
SOMETHING AUTHENTIC AND
802
01:13:15,395 --> 01:13:25,103
BEAUTIFUL.
HERE ARE THE WONDERFUL
803
01:13:25,238 --> 01:13:31,443
GILLIAN WELCH AND DAVID RAWLINGS
WITH THE OSCAR NOMINATED SONG,
804
01:13:31,577 --> 01:13:36,248
"WHEN A COWBOY TRADES HIS SPURS
FOR WINGS."
805
01:13:36,382 --> 01:13:36,581
[ APPLAUSE ]
806
01:13:39,452 --> 01:13:48,560
LET ME TELL YOU BUDDY
807
01:13:48,694 --> 01:13:50,128
THERE'S A FASTER GUN
COMING OVER YONDER
808
01:13:50,263 --> 01:14:03,241
WHEN TOMORROW COMES
LET ME TELL YOU BUDDY
809
01:14:03,376 --> 01:14:09,080
AND IT WON'T BE LONG TILL
YOU FIND YOURSELF SINGING
810
01:14:09,215 --> 01:14:15,253
YOUR LAST COWBOY SONG
YIPPEE KI-YI-YAY
811
01:14:15,388 --> 01:14:25,096
WHEN THE ROUNDUP ENDS
YIPPEE KI-YI-YAY
812
01:14:25,231 --> 01:14:33,104
AND THE CAMPFIRE DIMS
YIPPEE KI-YI-YAY
813
01:14:33,239 --> 01:14:39,244
HE SHOUTS AND HE SINGS
WHEN A COWBOY TRADES
814
01:14:39,378 --> 01:14:55,560
HIS SPURS FOR WINGS
815
01:14:57,230 --> 01:15:03,235
YIPPEE KI-YI-YAY
I'M GLORY BOUND
816
01:15:03,369 --> 01:15:13,111
NO MORE JINGLE JANGLE
I'LL LAY MY GUNS DOWN
817
01:15:13,246 --> 01:15:21,152
YIPPEE KI-YI-YAY
HE SHOUTS AND HE SINGS
818
01:15:21,287 --> 01:15:26,858
WHEN A COWBOY TRADES
HIS SPURS FOR WINGS
819
01:15:26,993 --> 01:15:38,370
[ CHEERS AND APPLAUSE ]
820
01:15:38,504 --> 01:15:43,542
>> COMING UP, HIGHLIGHTS FROM
BEST PICTURE NOMINEES
821
01:15:43,676 --> 01:15:45,176
"BOHEMIAN RHAPSODY," "ROMA,"
"BLACKKKLANSMAN," AND "GREEN
822
01:15:45,311 --> 01:15:49,114
BOOK."
PLUS, MIKE MYERS AND DANA CARVEY
823
01:15:49,248 --> 01:15:56,021
TOGETHER ONSTAGE,
CHADWICK BOSEMAN, CONSTANCE WU,
824
01:16:07,033 --> 01:16:12,370
>>> I THINK WE'LL GO WITH A
LITTLE "BOHEMIAN RHAPSODY,"
825
01:16:12,505 --> 01:16:16,408
GENTLEMEN.
>> GOOD CALL.
826
01:16:16,542 --> 01:16:28,286
MAMA MIA MAMA MIA LET ME GO
THE DEVIL HAS A SITE SET ASIDE
827
01:16:28,421 --> 01:16:31,623
FOR ME
>> LADIES AND GENTLEMEN, PLEASE
828
01:16:31,757 --> 01:16:47,872
WELCOME MIKE MYERS AND DANA
CARVEY!
829
01:16:48,007 --> 01:16:50,208
[ SCREAMING ]
>> WE'RE NOT WORTHY!
830
01:16:50,343 --> 01:16:51,610
>> I THINK I'M GONNA HURL.
>> DON'T HURL.
831
01:16:51,744 --> 01:16:52,944
'CAUSE IF YOU HONK, I'LL SPEW.
>> IF YOU SPEW, I'LL BLOW
832
01:16:53,079 --> 01:16:58,249
CHUNKS.
SO I SHALL NOT HURL.
833
01:16:58,384 --> 01:17:06,691
>> GOOD CALL.
GOOD CALL.
834
01:17:06,826 --> 01:17:09,527
BUT SERIOUSLY, "BOHEMIAN
RHAPSODY" PLAYED A LARGE PART IN
835
01:17:09,662 --> 01:17:12,864
THE SUCCESS OF "WAYNE'S WORLD."
WE ARE HUMBLED TO BE ASSOCIATED
836
01:17:12,999 --> 01:17:17,869
WITH THAT BRILLIANT SONG.
>> IT IS OUR PLEASURE TO
837
01:17:18,004 --> 01:17:20,605
INTRODUCE A BEST PICTURE NOMINEE
THAT CELEBRATES THE LIFE OF
838
01:17:20,740 --> 01:17:24,376
FREDDIE MERCURY THROUGH THE
GENIUS OF QUEEN'S MUSIC.
839
01:17:24,510 --> 01:17:38,289
LADIES AND GENTLEMEN --
>> Both: "BOHEMIAN RHAPSODY!"
840
01:17:38,424 --> 01:17:42,927
[ APPLAUSE ]
>> I KNOW THEY'RE LISTENING.
841
01:17:43,062 --> 01:17:49,934
I'M NOT AFRAID OF ANYTHING.
NO ONE WILL PLAY QUEEN.
842
01:17:50,069 --> 01:17:57,742
FORTUNE FAVORS THE BOLD.
>> THOUGHTS, GOOD WORDS, GOOD
843
01:17:57,877 --> 01:17:59,844
DEEDS.
THAT'S WHAT YOU SHOULD ASPIRE
844
01:17:59,979 --> 01:18:00,679
TO.
>> I NEED SOME TIME.
845
01:18:00,813 --> 01:18:08,620
>> YOU DON'T HAVE TIME.
846
01:18:08,754 --> 01:18:11,122
[ APPLAUSE ]
>> PLEASE WELCOME AWKWAFINA AND
847
01:18:11,257 --> 01:18:22,667
JOHN MULANEY.
848
01:18:22,802 --> 01:18:27,072
[ APPLAUSE ]
>> OKAY.
849
01:18:27,206 --> 01:18:31,209
>> OH, YEAH, JOHN.
YOU'RE HERE, TOO?
850
01:18:31,343 --> 01:18:32,377
THAT'S GOOD.
>> THEY TOLD ME BACKSTAGE YOU'RE
851
01:18:32,511 --> 01:18:34,746
DOING THIS WITH AWKWAFINA AND I
WAS LIKE, THANK GOD I'M NOT
852
01:18:34,880 --> 01:18:39,517
PRESENTING ALONE.
>> THIS IS MY FIRST TIME EVER AT
853
01:18:39,652 --> 01:18:40,852
THE OSCARS, LIKE, EVER.
>> THIS IS MY FIRST TIME AT THE
854
01:18:40,986 --> 01:18:44,389
OSCARS, TOO.
>> OH, MY GOD.
855
01:18:44,523 --> 01:18:48,359
>> YES!
>> YES.
856
01:18:48,494 --> 01:18:53,498
I'M HAVING A PANIC ATTACK.
>> I'M SO SCARED.
857
01:18:53,632 --> 01:18:55,400
WHY AM I SO SCARED?
YOU SEE THE COMMERCIALS LIKE,
858
01:18:55,534 --> 01:18:56,801
THE OSCARS, IT'S HOLLYWOOD'S
BIGGEST NIGHT, AND I'M ALWAYS
859
01:18:56,936 --> 01:19:02,707
LIKE, "WHATEVER, SHUT UP."
AND I'M HERE, AND I'M LIKE, THIS
860
01:19:02,842 --> 01:19:07,145
IS HOLLYWOOD'S BIGGEST NIGHT.
I WANT THEM TO LIKE ME TO A
861
01:19:07,279 --> 01:19:08,613
DEGREE THAT I FIND EMBARRASSING.
>> WHO WERE YOU MOST NERVOUS TO
862
01:19:08,748 --> 01:19:14,419
SEE?
BECAUSE WHEN I WALKED OUT, I SAW
863
01:19:14,553 --> 01:19:17,422
SPIKE LEE, AND I WAS LIKE,
"WHAT?"
864
01:19:17,556 --> 01:19:20,191
>> THAT'S WHAT YOU SAID?
>> I WAS LIKE --
865
01:19:20,326 --> 01:19:28,366
>> THAT'S GREAT.
DO YOU KNOW WHO I SAW AND I
866
01:19:28,501 --> 01:19:30,335
LEGIT FREAKED OUT?
JORDAN PEELE.
867
01:19:30,469 --> 01:19:33,338
>> DON'T YOU KNOW HIM?
>> YEAH, THAT'S WHY IT'S WEIRD.
868
01:19:33,472 --> 01:19:34,606
>> ALL RIGHT, THIS IS AWESOME.
LET'S DO THIS.
869
01:19:34,740 --> 01:19:36,374
WE ARE HERE TO PRESENT THE AWARD
FOR BEST ANIMATED SHORT.
870
01:19:36,509 --> 01:19:40,378
>> DUDE, THEY GAVE US ONE OF THE
BIG ONES.
871
01:19:40,513 --> 01:19:44,816
>> IT'S A BIG ONE.
>> ALL RIGHT.
872
01:19:44,950 --> 01:19:46,618
>> IT'S A BIG ONE.
HERE ARE THE NOMINEES FOR BEST
873
01:19:46,752 --> 01:19:48,386
ANIMATED SHORT FILM.
>> "ANIMAL BEHAVIOUR,"
874
01:19:48,521 --> 01:19:56,361
ALISON SNOWDEN AND DAVID FINE.
"BAO," DOMEE SHI AND
875
01:19:56,495 --> 01:20:00,131
BECKY NEIMAN-COBB.
"LATE AFTERNOON," LOUISE BAGNALL
876
01:20:00,266 --> 01:20:06,905
AND NURIA GONZLEZ BLANCO.
"ONE SMALL STEP,"
877
01:20:07,039 --> 01:20:12,377
ANDREW CHESWORTH AND
BOBBY PONTILLAS.
878
01:20:12,511 --> 01:20:26,524
"WEEKENDS," TREVOR JIMENEZ.
>> AND THE OSCAR GOES TO "BAO."
879
01:20:26,659 --> 01:20:27,392
[ CHEERS AND APPLAUSE ]
880
01:20:27,526 --> 01:20:35,967
>> THIS IS THE FIRST OSCAR AND
NOMINATION FOR DOMEE AND BECKY.
881
01:20:36,101 --> 01:20:44,375
ACADEMY AWARDS IN THIS CATEGORY
HAVE BEEN PRESENTED SINCE 1932.
882
01:20:44,510 --> 01:20:54,953
[ APPLAUSE ]
883
01:20:55,087 --> 01:21:02,427
>> CONGRATULATIONS.
>> CONGRATULATIONS.
884
01:21:02,561 --> 01:21:04,596
>> OKAY, HOLY -- IT'S OUR FIRST
TIME, TOO.
885
01:21:04,730 --> 01:21:09,200
THANK YOU TO THE ACADEMY, THANK
YOU TO MY FELLOW NOMINEES, THANK
886
01:21:09,335 --> 01:21:15,907
YOU FOR SUPPORTING SHORTS.
TO ALL OF THE NERDY GIRLS WHO
887
01:21:16,041 --> 01:21:19,477
HIDE BEHIND THEIR SKETCHBOOKS,
DON'T BE AFRAID TO TELL YOUR
888
01:21:19,612 --> 01:21:22,614
STORIES TO THE WORLD.
YOU'RE GOING TO FREAK PEOPLE
889
01:21:22,748 --> 01:21:26,017
OUT, BUT YOU'LL PROBABLY CONNECT
WITH THEM, TOO, AND THAT'S AN
890
01:21:26,151 --> 01:21:28,987
AMAZING FEELING TO HAVE.
THANK YOU TO PETE FOR BELIEVING
891
01:21:29,121 --> 01:21:33,558
IN MY WEIRDNESS, AND GIVING ME A
VOICE AT THE STUDIO.
892
01:21:33,692 --> 01:21:39,764
AND THANK YOU TO MY MOM AND MY
DAD, MY MUSES, AND MY PARTNER
893
01:21:39,899 --> 01:21:44,869
DARREN FOR BEING THERE WITH ME.
>> WE WANT TO THANK THE
894
01:21:45,004 --> 01:21:51,042
ENTIRE "BAO" CREW, THEY BROUGHT
THEIR HEART TO THE SHORT.
895
01:21:51,176 --> 01:21:57,048
AND EVERYONE AT PIXAR, DISNEY,
TO MY FRIENDS AND FAMILY,
896
01:21:57,182 --> 01:21:59,317
PARENTS AND SISTER.
I LOVE YOU SO MUCH.
897
01:21:59,451 --> 01:22:04,322
I GOT TO HELP MAKE A SHORT THAT
WAS ABOUT A MOTHER JUST AS I WAS
898
01:22:04,456 --> 01:22:10,595
BECOMING ONE.
TO MY LITTLE BAO LUCY AND TO
899
01:22:10,729 --> 01:22:15,233
DEANNE, I LOVE YOU.
WITHOUT YOU, NONE OF THIS WOULD
900
01:22:15,367 --> 01:22:22,607
BE POSSIBLE.
[ APPLAUSE ]
901
01:22:22,741 --> 01:22:27,478
>> WHY ARE WE STILL HERE?
WHY ARE WE STILL HERE?
902
01:22:27,613 --> 01:22:28,746
WE'RE DOING ANOTHER ONE.
>> YES, DOCUMENTARY SHORT
903
01:22:28,881 --> 01:22:33,484
SUBJECT.
>> THAT'S A GOOD ONE.
904
01:22:33,619 --> 01:22:36,254
THAT'S A GOOD ONE.
>> HERE ARE THE NOMINEES.
905
01:22:36,388 --> 01:22:40,358
>> "BLACK SHEEP," ED PERKINS AND
JONATHAN CHINN.
906
01:22:40,492 --> 01:22:46,664
"END GAME," ROB EPSTEIN AND
JEFFREY FRIEDMAN.
907
01:22:46,799 --> 01:22:51,369
"LIFEBOAT," SKYE FITZGERALD AND
BRYN MOOSER.
908
01:22:51,503 --> 01:22:56,074
"A NIGHT AT THE GARDEN,"
MARSHALL CURRY.
909
01:22:56,208 --> 01:22:58,643
"PERIOD. END OF SENTENCE."
RAYKA ZEHTABCHI AND
910
01:22:58,777 --> 01:23:07,618
MELISSA BERTON.
>> AND THE OSCAR GOES
911
01:23:07,753 --> 01:23:15,259
TO "PERIOD.
END OF SENTENCE."
912
01:23:15,394 --> 01:23:26,104
>> THIS IS THEIR FIRST OSCAR
NOMINATION.
913
01:23:26,238 --> 01:23:27,105
[ CHEERS AND APPLAUSE ]
914
01:23:27,239 --> 01:23:32,143
>> OH, MY GOD.
I'M NOT CRYING BECAUSE I'M ON MY
915
01:23:32,277 --> 01:23:34,645
PERIOD OR ANYTHING.
I CAN'T BELIEVE A FILM ABOUT
916
01:23:34,780 --> 01:23:40,351
MENSTRUATION JUST WON AN OSCAR.
[ CHEERS AND APPLAUSE ]
917
01:23:40,486 --> 01:23:46,424
THANK YOU.
THANK YOU, NETFLIX, FOR GIVING
918
01:23:46,558 --> 01:23:52,663
US A PLATFORM, THANK YOU TO MY
CREATIVE PARTNER, SAM, I SHARE
919
01:23:52,798 --> 01:23:56,300
THIS WITH YOU.
THANK YOU TO MY MOM AND SISTER,
920
01:23:56,435 --> 01:24:00,638
I LOVE YOU.
TO LISA AND GARRETT.
921
01:24:00,773 --> 01:24:04,942
TO THE WOMEN, KNOW THAT YOU ARE
EMPOWERING WOMEN ALL OVER THE
922
01:24:05,077 --> 01:24:13,151
WORLD TO FIGHT FOR MENSTRUAL
EQUALITY.
923
01:24:13,285 --> 01:24:17,221
[ APPLAUSE ]
>> THIS FILM BEGAN BECAUSE HIGH
924
01:24:17,356 --> 01:24:20,391
SCHOOL STUDENTS HERE AND OUR
GREAT PARTNERS AT ACTION INDIA
925
01:24:20,526 --> 01:24:23,094
WANTED TO MAKE A HUMAN RIGHTS
DIFFERENCE.
926
01:24:23,228 --> 01:24:31,369
I SHARE THIS AWARD WITH THE
FEMINIST MAJORITY FOUNDATION.
927
01:24:31,503 --> 01:24:34,472
WITH THE ENTIRE PAD PROJECT
TEAM.
928
01:24:34,606 --> 01:24:40,211
WITH THE OAKWOOD SCHOOL.
I SHARE THIS -- I SHARE THIS
929
01:24:40,345 --> 01:24:43,347
WITH TEACHERS AND WITH STUDENTS
AROUND THE WORLD.
930
01:24:43,482 --> 01:24:52,356
A PERIOD SHOULD END A SENTENCE,
NOT A GIRL'S EDUCATION.
931
01:24:52,491 --> 01:24:53,224
[ CHEERS AND APPLAUSE ]
932
01:24:53,358 --> 01:24:56,861
>> SOME OF THE BIGGEST AWARDS OF
THE NIGHT ARE AHEAD.
933
01:24:56,995 --> 01:25:02,567
AND RIGHT NOW, WE'RE HEADING TO
THE BACKSTAGE GREEN ROOM TO SEE
934
01:25:02,701 --> 01:25:05,203
THE STARS AS THEY GET READY TO
GO ONSTAGE, AND WHERE THE
935
01:25:05,337 --> 01:25:10,608
WINNERS COME TO CELEBRATE AFTER
THEIR BIG MOMENT.
936
01:25:10,742 --> 01:25:14,178
COMING UP NEXT, DIEGO LUNA,
JOSE ANDRES, PAUL RUDD, AND
937
01:25:14,313 --> 01:25:17,115
SARAH PAULSON.
PLUS, A PERFORMANCE OF "SHALLOW"
938
01:25:17,249 --> 01:25:22,520
BY LADY GAGA AND BRADLEY COOPER.
939
01:25:24,289 --> 01:25:33,865
>>> PLEASE WELCOME DIEGO LUNA
AND CHEF JOSE ANDRES.
940
01:25:33,999 --> 01:25:37,602
[ APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
941
01:25:37,736 --> 01:25:40,238
>> I'M A CHEF.
I FOLLOW THE RECIPE.
942
01:25:40,372 --> 01:25:50,047
[ SPEAKING FOREIGN LANGUAGE ]
>> SO, PEOPLE OF THE WORLD, EACH
943
01:25:50,182 --> 01:25:55,153
PERSON'S LIFE IS A RECIPE ALL ON
ITS OWN.
944
01:25:55,287 --> 01:26:00,158
WITH DIFFERENT MEASURES OF JOY
AND SADNESS, STRUGGLE AND
945
01:26:00,292 --> 01:26:04,162
SUCCESS, LOVE AND LOSS.
THE RESULTS ARE UNIQUE EVERY
946
01:26:04,296 --> 01:26:08,766
TIME, EVEN THOUGH ALL OF THE
INGREDIENTS ARE UNIVERSAL.
947
01:26:08,901 --> 01:26:11,469
>> IN "ROMA," ALFONSO CUARON
PRESENTS AN HONEST AND VITAL
948
01:26:11,603 --> 01:26:14,505
PORTRAIT OF THE MEXICO CITY OF
HIS CHILDHOOD.
949
01:26:14,640 --> 01:26:20,211
A PLACE FULL OF CONTRASTS AND
CONTRADICTIONS.
950
01:26:20,345 --> 01:26:26,350
THIS IS A STORY OF LONELY WOMEN
AND ABSENT MEN, OF PAINFUL CLASS
951
01:26:26,485 --> 01:26:28,186
DIVISIONS AND RACIAL DYNAMICS,
BUT LOVE IS WHERE EVERYONE
952
01:26:28,320 --> 01:26:32,890
MEETS.
>> AND THIS BEAUTIFUL, INTIMATE
953
01:26:33,025 --> 01:26:38,396
FILM, ONE THAT GIVES A VOICE TO
THE VOICELESS, REMINDS US OF THE
954
01:26:38,530 --> 01:26:42,466
UNDERSTANDING AND COMPASSION
THAT WE ALL OWE TO THE INVISIBLE
955
01:26:42,601 --> 01:26:50,408
PEOPLE IN OUR LIVES WHO MOVE
HUMANITY FORWARD.
956
01:26:50,542 --> 01:27:04,155
IMMIGRANTS AND WOMEN.
[ CHEERS AND APPLAUSE ]
957
01:27:04,289 --> 01:27:07,925
[ SPEAKING FOREIGN LANGUAGE ]
958
01:27:12,297 --> 01:27:27,044
959
01:27:32,284 --> 01:27:46,364
[ CHEERS AND APPLAUSE ]
960
01:27:46,498 --> 01:27:50,668
>> PLEASE WELCOME PAUL RUDD AND
SARAH PAULSON.
961
01:27:50,802 --> 01:27:59,510
[ APPLAUSE ]
962
01:27:59,645 --> 01:28:00,878
>> IN "DUCK SOUP," CHICO MARX
ASKS, "WHO ARE YOU GOING TO
963
01:28:01,013 --> 01:28:04,148
BELIEVE?
ME OR YOUR OWN EYES?"
964
01:28:04,283 --> 01:28:07,818
WHEN IT COMES TO VISUAL EFFECTS,
THE ANSWER'S NOT SO SIMPLE.
965
01:28:07,953 --> 01:28:10,921
>> TODAY'S EFFECTS ARTISTS
COLLABORATE WITH EVERY OTHER
966
01:28:11,056 --> 01:28:12,356
DEPARTMENT TO CONVINCE AUDIENCES
OF EVEN THE MOST IMPLAUSIBLE
967
01:28:12,491 --> 01:28:16,360
REALITIES.
THIS IS THE KIND OF MAGIC THAT
968
01:28:16,495 --> 01:28:20,197
ALLOWS THE AUDIENCE TO BELIEVE I
WAS ACTUALLY OBLITERATED BY A
969
01:28:20,332 --> 01:28:24,201
TRUCK IN "BIRD BOX."
>> AND THE SAME KIND OF MAGIC
970
01:28:24,336 --> 01:28:28,072
THAT ALLOWS THE AUDIENCE TO
BELIEVE THAT I'M AN ACTOR.
971
01:28:28,206 --> 01:28:32,143
>> HERE ARE THIS YEAR'S NOMINEES
FOR ACHIEVEMENT IN VISUAL
972
01:28:32,277 --> 01:28:36,147
EFFECTS.
>> "AVENGERS: INFINITY WAR,"
973
01:28:36,281 --> 01:28:40,151
DAN DELEEUW, KELLY PORT,
RUSSELL EARL, AND DAN SUDICK.
974
01:28:40,285 --> 01:28:44,155
"CHRISTOPHER ROBIN,"
CHRISTOPHER LAWRENCE,
975
01:28:44,289 --> 01:28:50,394
MICHAEL EAMES, THEO JONES, AND
CHRIS CORBOULD.
976
01:28:50,529 --> 01:28:52,763
"FIRST MAN," PAUL LAMBERT,
IAN HUNTER, TRISTAN MYLES, AND
977
01:28:52,898 --> 01:28:59,837
J.D. SCHWALM.
"READY PLAYER ONE,"
978
01:28:59,971 --> 01:29:02,406
ROGER GUYETT, GRADY COFER,
MATTHEW E. BUTLER, AND DAVID
979
01:29:02,541 --> 01:29:08,145
SHIRK.
"SOLO: A STAR WARS STORY,"
980
01:29:08,280 --> 01:29:15,886
ROB BREDOW, PATRICK TUBACH,
NEAL SCANLAN, AND DOMINIC TUOHY.
981
01:29:16,021 --> 01:29:27,798
>> AND THE OSCAR GOES TO "FIRST
MAN."
982
01:29:27,933 --> 01:29:32,403
PAUL LAMBERT, IAN HUNTER,
TRISTAN MYLES, AND J.D. SCHWALM.
983
01:29:32,537 --> 01:29:37,908
>> THIS IS THE FIRST OSCAR
NOMINATION FOR TRISTAN AND J.D.
984
01:29:38,043 --> 01:29:48,152
THE SECOND TIME FOR PAUL AND
IAN.
985
01:29:48,286 --> 01:29:53,357
986
01:29:57,429 --> 01:30:06,337
>> OH, MY GOODNESS.
A TRULY MAGNIFICENT MOMENT, AND
987
01:30:06,471 --> 01:30:12,610
TO BE RECOGNIZED BY THE ACADEMY
IS THAT MUCH MORE SPECIAL.
988
01:30:12,744 --> 01:30:22,753
THANKS TO KEVIN AND JENNIFER,
THANK YOU TO DAMIAN, WHO IS AN
989
01:30:22,888 --> 01:30:23,587
INSPIRATION.
990
01:30:23,722 --> 01:30:35,332
AND OUR AMAZING CAST, AND LINUS,
TOM, JUSTIN, MILDRED, WHO MADE
991
01:30:35,467 --> 01:30:42,840
THIS FILM SO MEMORABLE.
AND A BIG SHOUT-OUT TO THE TEAM
992
01:30:42,974 --> 01:30:47,845
IN VANCOUVER.
>> THANK YOU TO DAMIAN, MY WIFE,
993
01:30:47,979 --> 01:30:53,417
MY TWO BOYS, AND MY DAD, WHO
TAUGHT ME HOW TO PUT THE MAGIC
994
01:30:53,552 --> 01:30:56,387
IN MOVIES.
>> THANKS TO THE CREW, WITHOUT
995
01:30:56,521 --> 01:30:59,523
WHOSE HARD WORK WE WOULDN'T BE
HERE TONIGHT.
996
01:30:59,658 --> 01:31:03,761
THANKS TO MY WIFE AND OUR
CHILDREN FOR ALL THEIR SUPPORT
997
01:31:03,895 --> 01:31:07,798
OVER THE YEARS.
>> AND IT'S AN HONOR, IT'S
998
01:31:07,933 --> 01:31:15,706
HUMBLING TO HONOR NEAL ARMSTRONG
AND ALL THE MEN AND WOMEN AT
999
01:31:15,841 --> 01:31:22,513
NASA.
THANK YOU SO MUCH.
1000
01:31:22,647 --> 01:31:22,847
[ APPLAUSE ]
1001
01:31:24,316 --> 01:31:34,725
1002
01:31:40,298 --> 01:31:49,974
[ CHEERS AND APPLAUSE ]
1003
01:31:52,444 --> 01:32:02,486
TELL ME SOMETHIN' GIRL
1004
01:32:02,621 --> 01:32:08,492
ARE YOU HAPPY
IN THIS MODERN WORLD
1005
01:32:08,627 --> 01:32:14,498
OR DO YOU NEED MORE
IS THERE SOMETHIN' ELSE
1006
01:32:14,633 --> 01:32:24,141
YOU'RE SEARCHIN' FOR
I'M FALLING
1007
01:32:24,276 --> 01:32:28,178
IN ALL THE GOOD TIMES
I FIND MYSELF LONGIN'
1008
01:32:28,313 --> 01:32:33,918
FOR CHANGE
AND IN THE BAD TIMES
1009
01:32:34,052 --> 01:32:44,762
I FEAR MYSELF
[ CHEERS AND APPLAUSE ]
1010
01:32:44,896 --> 01:32:55,339
TELL ME SOMETHING BOY
1011
01:32:55,473 --> 01:33:00,144
AREN'T YOU TIRED
TRYIN' TO FILL THAT VOID
1012
01:33:00,278 --> 01:33:08,152
OR DO YOU NEED MORE
AIN'T IT HARD
1013
01:33:08,286 --> 01:33:14,491
KEEPING IT SO HARDCORE I'M
FALLING
1014
01:33:14,626 --> 01:33:20,197
IN ALL THE GOOD TIMES
I FIND MYSELF LONGING
1015
01:33:20,332 --> 01:33:24,969
FOR CHANGE
AND IN THE BAD TIMES
1016
01:33:25,103 --> 01:33:32,376
I FEAR MYSELF
I'M OFF THE DEEP END
1017
01:33:32,510 --> 01:33:38,716
WATCH AS I DIVE IN
I'LL NEVER MEET THE GROUND
1018
01:33:38,850 --> 01:33:43,253
CRASH THROUGH THE SURFACE
WHERE THEY CAN'T HURT US
1019
01:33:43,388 --> 01:33:52,029
WE'RE FAR FROM
THE SHALLOW NOW
1020
01:33:52,163 --> 01:33:56,166
IN THE SHA-HA
SHA-HA-LOW
1021
01:33:56,301 --> 01:34:02,473
IN THE SHA-HA
SHA-LA-LA-LA-LOW
1022
01:34:02,607 --> 01:34:06,043
IN THE SHA-HA
SHA-HA-LOW
1023
01:34:06,177 --> 01:34:12,149
WE'RE FAR FROM
THE SHALLOW NOW
1024
01:34:12,283 --> 01:34:29,099
OH OH OH OH OH OH
1025
01:34:29,234 --> 01:34:36,140
OH OH OH
I'M OFF THE DEEP END
1026
01:34:36,274 --> 01:34:40,144
WATCH AS I DIVE IN
I'LL NEVER MEET THE GROUND
1027
01:34:40,278 --> 01:34:48,152
CRASH THROUGH THE SURFACE
WHERE THEY CAN'T HURT US
1028
01:34:48,286 --> 01:34:56,160
WE'RE FAR FROM THE SHALLOW NOW
IN THE SHA-HA
1029
01:34:56,294 --> 01:35:02,566
SHA-HA-LOW
IN THE SHA-SHA-LA-LA-LA-LOW
1030
01:35:02,701 --> 01:35:06,403
IN THE SHA-HA
SHA-HA-LOW
1031
01:35:06,538 --> 01:35:09,573
WE'RE FAR FROM
THE SHALLOW NOW
1032
01:35:09,708 --> 01:35:26,557
[ CHEERS AND APPLAUSE ]
1033
01:35:26,691 --> 01:35:28,158
>> COMING UP, THE OSCARS FOR
ORIGINAL AND ADAPTED
1034
01:35:28,293 --> 01:35:32,162
SCREENPLAYS.
THEN LATER, WE'LL FIND OUT WHO
1035
01:35:32,297 --> 01:35:36,166
BRINGS HOME THE OSCARS FOR BEST
ACTOR AND ACTRESS.
1036
01:35:36,301 --> 01:35:39,803
PLUS, BRIE LARSON,
SAMUEL L. JACKSON,
1037
01:35:39,938 --> 01:35:47,845
TESSA THOMPSON,
>>> PLEASE WELCOME
1038
01:35:47,979 --> 01:35:52,249
KRYSTEN RITTER AND KIKI LAYNE.
[ APPLAUSE ]
1039
01:35:52,383 --> 01:36:03,861
>> THIS YEAR'S SHORT FILMS ARE
1040
01:36:03,995 --> 01:36:07,831
INNOVATIVE, PROFOUNDLY MOVING,
AND WORTHY OF NOMINATIONS IN
1041
01:36:07,966 --> 01:36:11,401
EVERY CATEGORY.
>> SET IN LOCATIONS AROUND THE
1042
01:36:11,536 --> 01:36:13,504
WORLD, THEY SHOW US THE BEST AND
WORST IN OURSELVES.
1043
01:36:13,638 --> 01:36:19,843
IF YOU LOVE MOVIES, YOU NEED TO
SEE THEM.
1044
01:36:19,978 --> 01:36:23,347
>> HERE ARE THE NOMINEES FOR
BEST LIVE ACTION SHORT FILM.
1045
01:36:23,481 --> 01:36:27,518
>> "DETAINMENT," VINCENT LAMBE
AND DARREN MAHON.
1046
01:36:27,652 --> 01:36:31,855
"FAUVE," JEREMY COMTE AND
MARIA GRACIA TURGEON.
1047
01:36:31,990 --> 01:36:37,427
"MARGUERITE," MARIANNE FARLEY
AND MARIE-HELENE PANISSET.
1048
01:36:37,562 --> 01:36:41,064
"MOTHER," RODRIGO SOROGOYEN AND
MARIA DEL PUY ALVARADO.
1049
01:36:41,199 --> 01:36:48,272
"SKIN," GUY NATTIV AND
JAIME RAY NEWMAN.
1050
01:36:48,406 --> 01:36:55,846
>> AND THE OSCAR GOES TO -- YES!
"SKIN," GUY NATTIV AND
1051
01:36:55,980 --> 01:37:01,919
JAIME RAY NEWMAN.
>> THIS IS THE FIRST OSCAR AND
1052
01:37:02,053 --> 01:37:07,524
NOMINATION FOR GUY AND JAIME
RAY.
1053
01:37:07,659 --> 01:37:10,260
ACADEMY AWARDS FOR LIVE ACTION
SHORT FILMS HAVE BEEN PRESENTED
1054
01:37:10,395 --> 01:37:20,103
FOR OVER 80 YEARS.
1055
01:37:20,238 --> 01:37:27,878
[ APPLAUSE ]
>> YES!
1056
01:37:28,012 --> 01:37:32,282
OH, MY GOD!
>> OH, MY GOD.
1057
01:37:32,417 --> 01:37:40,257
I MOVED HERE FIVE YEARS AGO FROM
ISRAEL.
1058
01:37:40,391 --> 01:37:47,664
AND MY GRANDPARENTS ARE
HOLOCAUST SURVIVORS.
1059
01:37:47,799 --> 01:37:51,535
WE SEE BIGOTRY EVERY DAY IN
AMERICA AND EUROPE, AND THIS
1060
01:37:51,669 --> 01:37:55,505
FILM IS ABOUT EDUCATION, IT'S
ABOUT TEACHING YOUR KIDS A
1061
01:37:55,640 --> 01:37:58,275
BETTER WAY.
>> WE DEDICATE THIS TO OUR --
1062
01:37:58,409 --> 01:38:05,215
OH, MY GOD, OUR 5-MONTH-OLD
BABY, AT HOME WITH MY PARENTS.
1063
01:38:05,350 --> 01:38:10,420
WE HOPE YOU GROW UP IN A WORLD
WHERE THESE THINGS DON'T HAPPEN,
1064
01:38:10,555 --> 01:38:15,425
BECAUSE PEOPLE LEARN TO LOVE
EACH OTHER.
1065
01:38:15,560 --> 01:38:22,833
I WANT THIS THANK OUR TEAM,
EVERYONE AT FOX SEARCHLIGHT.
1066
01:38:22,967 --> 01:38:28,138
WE LOVE YOU.
YES!
1067
01:38:28,273 --> 01:38:29,072
>> WHOO!
[ CHEERS AND APPLAUSE ]
1068
01:38:29,207 --> 01:38:34,244
>> PLEASE WELCOME
1069
01:38:34,379 --> 01:38:36,446
ACADEMY AWARD-NOMINATED ACTOR,
SAMUEL L. JACKSON, AND
1070
01:38:36,581 --> 01:38:40,250
ACADEMY AWARD WINNER,
BRIE LARSON.
1071
01:38:40,385 --> 01:38:56,767
[ CHEERS AND APPLAUSE ]
1072
01:38:57,168 --> 01:39:03,307
>> FIRST OF ALL, SPIKE, SO GLAD
YOU'RE SITTING DOWN.
1073
01:39:03,441 --> 01:39:07,277
AFTER 18 CONSECUTIVE HOME
LOSSES, THE KNICKS WON TONIGHT.
1074
01:39:07,412 --> 01:39:11,315
I REPEAT, THE KNICKS WON
TONIGHT.
1075
01:39:11,449 --> 01:39:22,225
DEFEATING SAN ANTONIO, 130-118.
>> AND NOW, TO GET BACK
1076
01:39:22,360 --> 01:39:25,362
ON-SCRIPT.
THE LEGENDARY FILMMAKER
1077
01:39:25,496 --> 01:39:27,898
FRANK CAPRA SAID, SCRIPTWRITING
IS THE TOUGHEST PART OF THE
1078
01:39:28,032 --> 01:39:29,132
WHOLE RACKET, THE LEAST
UNDERSTOOD, AND THE LEAST
1079
01:39:29,267 --> 01:39:39,910
NOTICED.
>> OH, WE NOTICE.
1080
01:39:40,044 --> 01:39:40,777
>> OF COURSE.
>> WE NOTICE.
1081
01:39:40,912 --> 01:39:42,346
>> BRIE AND I DON'T SHOW UP ON A
MOVIE SET AND AD LIB FOR
1082
01:39:42,480 --> 01:39:43,914
12 HOURS.
WE'RE NOT WINGING IT.
1083
01:39:44,048 --> 01:39:46,283
WE NEED WORDS.
WHICH IS WHY WE TRULY APPRECIATE
1084
01:39:46,417 --> 01:39:47,751
WHAT THE LATE, GREAT
WILLIAM GOLDMAN SAID ABOUT HIS
1085
01:39:47,885 --> 01:39:55,859
CRAFT.
THE LATEST -- THE EASIEST THING
1086
01:39:55,994 --> 01:40:00,430
TO DO ON EARTH IS NOT TO WRITE.
>> TRUTH.
1087
01:40:00,565 --> 01:40:01,999
LUCKILY, THESE WRITERS TOOK THE
HARD PATH.
1088
01:40:02,133 --> 01:40:06,737
THEY ARE THE NOMINEES FOR
ORIGINAL SCREENPLAY.
1089
01:40:06,871 --> 01:40:11,375
>> "THE FAVOURITE," WRITTEN BY
DEBORAH DAVIS AND TONY McNAMARA.
1090
01:40:11,509 --> 01:40:15,045
"FIRST REFORMED," WRITTEN BY
PAUL SCHRADER.
1091
01:40:15,179 --> 01:40:19,850
"GREEN BOOK," WRITTEN BY
NICK VALLELONGA, BRIAN CURRIE,
1092
01:40:19,984 --> 01:40:25,389
PETER FARRELLY.
"ROMA," WRITTEN BY
1093
01:40:25,523 --> 01:40:33,497
ALFONSO CUARON.
"VICE," WRITTEN BY ADAM McKAY.
1094
01:40:33,631 --> 01:40:35,766
>> YEAH, I DID IT.
>> ALL RIGHT.
1095
01:40:35,900 --> 01:40:46,243
AND THE OSCAR GOES TO --
NICK VALLELONGA, BRIAN CURRIE,
1096
01:40:46,377 --> 01:40:57,354
PETER FARRELLY FOR "GREEN BOOK."
1097
01:40:57,488 --> 01:40:58,288
.
>> THEY ARE ALSO NOMINATED IN
1098
01:40:58,423 --> 01:41:01,324
THE BEST PICTURE CATEGORY.
1099
01:41:05,596 --> 01:41:11,835
>> I'D LIKE TO THANK UNIVERSAL
STUDIOS, DREAMWORKS.
1100
01:41:11,969 --> 01:41:17,974
AS WRITERS, WHEN YOU HAVE
MAHERSHALA ALI, VIGGO MORTENSEN,
1101
01:41:18,109 --> 01:41:23,880
AND LINDA CARDELLINI SAYING YOUR
WORDS, YOU PINCH YOURSELF.
1102
01:41:24,015 --> 01:41:30,087
I WANT TO THANK MY FAMILY, AND
PARTICULARLY GEORGE AND IRENE,
1103
01:41:30,221 --> 01:41:31,888
THE BEST PARENTS ANYBODY COULD
HAVE.
1104
01:41:32,023 --> 01:41:34,825
>> THEY SAY IF YOU WANT TO GO
SOMEWHERE FAST, GO ALONE.
1105
01:41:34,959 --> 01:41:36,960
IF YOU WANT TO GO FAR, GO
TOGETHER.
1106
01:41:37,095 --> 01:41:42,032
I HAVE A LOT OF PEOPLE TO THANK.
STARTING WITH THE ENTIRE STATE
1107
01:41:42,166 --> 01:41:45,102
OF RHODE ISLAND.
THANK YOU VERY MUCH.
1108
01:41:45,236 --> 01:41:50,340
I WANT TO THANK VIGGO,
MAHERSHALA, AND LINDA.
1109
01:41:50,475 --> 01:41:59,182
I WANT TO THANK MY WIFE, KIDS,
BOB, RICHARD, JOE, PETER,
1110
01:41:59,317 --> 01:42:09,192
AMANDA, STACEY, JONATHAN,
ROBERT, J.B., CHARLIE, JIM, TED,
1111
01:42:09,327 --> 01:42:14,131
SHAWN, TOM, AND SHINOLA WATCHES,
UNBELIEVABLE, THEY'RE SAVING
1112
01:42:14,265 --> 01:42:21,304
DETROIT.
AND I WANT TO THANK MY BROTHER,
1113
01:42:21,439 --> 01:42:24,474
AND BENNETT, I'M NOTHING WITHOUT
YOU.
1114
01:42:24,609 --> 01:42:28,812
>> THANK YOU FOR VOTING FOR US,
THANK YOU TO THE OTHER AMAZING
1115
01:42:28,946 --> 01:42:32,182
NOMINEES.
THIS IS AN AMAZING ROOM OF
1116
01:42:32,316 --> 01:42:38,321
FILMMAKERS.
EMBRACE OURSELVES AND LOVE EACH
1117
01:42:38,456 --> 01:42:39,389
OTHER.
THANK YOU ALL.
1118
01:42:39,524 --> 01:42:46,429
MY MOTHER AND FATHER, I LOVE
YOU, WE DID IT.
1119
01:42:46,564 --> 01:42:54,004
[ APPLAUSE ]
>> OKAY.
1120
01:42:54,138 --> 01:42:55,839
>> AND NOW, HERE ARE THE
NOMINEES FOR BEST ADAPTED
1121
01:42:55,973 --> 01:42:58,441
SCREENPLAY.
>> CORRECT.
1122
01:42:58,576 --> 01:43:03,613
>> "THE BALLAD OF
BUSTER SCRUGGS," WRITTEN BY
1123
01:43:03,748 --> 01:43:04,981
JOEL COEN AND ETHAN COEN.
"ALL GOLD CANYON" IS BASED ON A
1124
01:43:05,116 --> 01:43:07,417
STORY BY JACK LONDON.
"THE GAL WHO GOT RATTLED" IS
1125
01:43:07,552 --> 01:43:11,454
INSPIRED BY A STORY BY
STEWART EDWARD WHITE.
1126
01:43:11,589 --> 01:43:16,092
"BLACKKKLANSMAN," WRITTEN BY
CHARLIE WACHTEL AND
1127
01:43:16,227 --> 01:43:18,161
DAVID RABINOWITZ AND KEVIN
WILLMOTT AND SPIKE LEE.
1128
01:43:18,296 --> 01:43:22,432
BASED ON THE BOOK BY
RON STALLWORTH.
1129
01:43:22,567 --> 01:43:26,503
"CAN YOU EVER FORGIVE ME?"
SCREENPLAY BY NICOLE HOLOFCENER
1130
01:43:26,637 --> 01:43:30,640
AND JEFF WHITTY.
BASED ON THE BOOK BY LEE ISRAEL.
1131
01:43:30,775 --> 01:43:32,309
"IF BEALE STREET COULD TALK,"
WRITTEN FOR THE SCREEN BY
1132
01:43:32,443 --> 01:43:34,477
BARRY JENKINS.
BASED ON THE BOOK BY
1133
01:43:34,612 --> 01:43:42,085
JAMES BALDWIN.
"A STAR IS BORN," SCREENPLAY BY
1134
01:43:42,220 --> 01:43:45,722
ERIC ROTH AND BRADLEY COOPER AND
WILL FETTERS.
1135
01:43:45,856 --> 01:43:47,857
BASED ON THE 1954 SCREENPLAY BY
MOSS HART AND THE
1136
01:43:47,992 --> 01:43:51,828
1976 SCREENPLAY BY
JOHN GREGORY DUNNE AND
1137
01:43:51,963 --> 01:43:54,064
JOAN DIDION AND FRANK PIERSON.
BASED ON A STORY BY
1138
01:43:54,198 --> 01:44:02,772
WILLIAM WELLMAN AND
ROBERT CARSON.
1139
01:44:02,907 --> 01:44:10,513
>> OKAY.
AND THE OSCAR GOES TO --
1140
01:44:10,648 --> 01:44:23,627
>> OH!
CHARLIE WACHTEL,
1141
01:44:23,761 --> 01:44:26,529
DAVID RABINOWITZ, KEVIN WILLMOTT
AND SPIKE LEE.
1142
01:44:26,664 --> 01:44:36,673
>> IT'S THE FIRST NOMINATION FOR
CHARLIE, DAVID, AND KEVIN.
1143
01:44:36,807 --> 01:44:39,876
IT'S THE FIRST WIN FOR SPIKE
LEE.
1144
01:44:40,011 --> 01:44:46,516
>> ALL RIGHT.
[ CHEERS AND APPLAUSE ]
1145
01:44:46,651 --> 01:44:58,528
ALL RIGHT.
I WANT TO THANK TANYA, THE WORD
1146
01:44:58,663 --> 01:45:02,832
TODAY IS IRONY.
THE DATE, THE 24th.
1147
01:45:02,967 --> 01:45:06,503
THE MONTH, FEBRUARY, WHICH ALSO
HAPPENS TO BE THE SHORTEST MONTH
1148
01:45:06,637 --> 01:45:09,005
OF THE YEAR.
WHICH ALSO HAPPENS TO BE BLACK
1149
01:45:09,140 --> 01:45:11,708
HISTORY MONTH.
THE YEAR, 2019.
1150
01:45:11,842 --> 01:45:19,015
THE YEAR, 1619.
HISTORY, HERSTORY.
1151
01:45:19,150 --> 01:45:25,855
1619, 2019.
400 YEARS, OUR ANCESTORS WERE
1152
01:45:25,990 --> 01:45:33,530
STOLEN FROM AFRICA AND ENSLAVED.
THEY WORKED THE LAND FROM
1153
01:45:33,664 --> 01:45:38,868
MORNING TO NIGHT.
MY GRANDMOTHERS, WHO LIVED 100
1154
01:45:39,003 --> 01:45:44,674
YEARS YOUNG, A COLLEGE GRADUATE
EVEN THOUGH HER MOTHER WAS A
1155
01:45:44,809 --> 01:45:49,379
SLAVE.
MY GRANDMOTHER, WHO SAVED 50
1156
01:45:49,513 --> 01:45:55,618
YEARS OF SOCIAL SECURITY CHECKS
TO PUT ME THROUGH COLLEGE.
1157
01:45:55,753 --> 01:46:02,559
SHE CALLED ME SPIKY POO.
SHE PUT ME THROUGH FILM SCHOOL.
1158
01:46:02,693 --> 01:46:05,061
NYU!
BEFORE THE WORLD TONIGHTS I GIVE
1159
01:46:05,196 --> 01:46:11,201
PRAISE TO MY ANCESTORS WHO BUILT
OUR COUNTRY, ALONG WITH THE
1160
01:46:11,335 --> 01:46:16,673
GENOCIDE OF OUR NATIVE PEOPLE.
WE ALL CONNECT WITH ANCESTORS,
1161
01:46:16,807 --> 01:46:20,577
TO REGAIN OUR HUMANITY.
IT WILL BE A POWERFUL MOMENT.
1162
01:46:20,711 --> 01:46:24,848
THE 2020 PRESIDENTIAL ELECTION
IS AROUND THE CORNER.
1163
01:46:24,982 --> 01:46:28,518
[ APPLAUSE ]
LET'S ALL MOBILIZE, LET'S ALL BE
1164
01:46:28,652 --> 01:46:34,424
ON THE RIGHT SIDE OF HISTORY.
MAKE THE MORAL CHOICE BETWEEN
1165
01:46:34,558 --> 01:46:36,893
LOVE VERSUS HATE.
LET'S DO THE RIGHT THING!
1166
01:46:37,027 --> 01:46:43,833
YOU KNOW I HAD TO GET THAT IN
THERE.
1167
01:46:43,968 --> 01:46:54,811
[ CHEERS AND APPLAUSE ]
1168
01:46:54,945 --> 01:46:57,914
>> COMING UP, BARBRA STREISAND,
AND A LOOK AT THE FINAL TWO BEST
1169
01:46:58,048 --> 01:46:59,015
PICTURE NOMINEES,
"BLACKKKLANSMAN" AND
1170
01:46:59,150 --> 01:47:03,853
"GREEN BOOK."
THEN LATER, THE OSCARS FOR BEST
1171
01:47:03,988 --> 01:47:09,325
ACTOR AND ACTRESS.
AND JULIA ROBERTS PRESENTS BEST
1172
01:47:09,460 --> 01:47:10,527
PICTURE.
PLUS, CHADWICK BOSEMAN,
1173
01:47:10,661 --> 01:47:16,366
CONSTANCE WU, AND OSCAR WINNERS
1174
01:47:17,201 --> 01:47:22,272
>>> WELCOME BACK TO THE OSCARS
AT THE DOLBY THEATRE.
1175
01:47:22,406 --> 01:47:30,447
TONIGHT'S BAND IS LED BY MUSIC
DIRECTOR RICKEY MINOR.
1176
01:47:30,581 --> 01:47:35,151
AND NOW, PLEASE WELCOME TESSA
THOMPSON AND MICHAEL B. JORDAN.
1177
01:47:35,286 --> 01:47:46,396
[ APPLAUSE ]
1178
01:47:46,530 --> 01:47:49,265
>> THE SCORE SERVES AS A MUSICAL
THROUGHLINE THAT IMPACTS OUR
1179
01:47:49,400 --> 01:47:53,369
FEELINGS IN ANY GIVEN SCENE.
>> LIKE WHEN WE HEAR THIS OSCAR
1180
01:47:53,504 --> 01:48:00,477
WINNING SCORE --
1181
01:48:00,611 --> 01:48:04,080
>> IT'S TIME TO TAKE MY -- OUT
OF THE WATER, BECAUSE SOMETHING
1182
01:48:04,215 --> 01:48:06,382
BAD IS PROBABLY GOING TO HAPPEN
IN THE OCEAN.
1183
01:48:06,517 --> 01:48:11,254
>> BUT YOU CAN SWIM, RIGHT?
>> YEAH, WHY WOULD YOU ASK THAT?
1184
01:48:11,388 --> 01:48:16,960
>> BECAUSE A LOT OF PEOPLE DON'T
KNOW THAT ABOUT US.
1185
01:48:17,094 --> 01:48:22,866
>> TOUCHE, TOUCHE.
HOW ABOUT THIS?
1186
01:48:23,000 --> 01:48:24,634
>> WE KNOW PEOPLE ARE GOING TO
1187
01:48:24,768 --> 01:48:27,737
FALL IN LOVE BEFORE SOMETHING
ELSE BAD HAPPENS IN THE OCEAN.
1188
01:48:27,872 --> 01:48:33,977
A GREAT SCORE MOVES US AS AN
AUDIENCE.
1189
01:48:34,111 --> 01:48:35,545
>> WHILE REMINDING US THAT
REALLY BAD THINGS CAN HAPPEN IN
1190
01:48:35,679 --> 01:48:37,313
THE OCEAN.
>> HERE ARE THE NOMINEES FOR
1191
01:48:37,448 --> 01:48:54,430
BEST ORIGINAL SCORE.
"BLACK PANTHER."
1192
01:48:54,565 --> 01:49:10,413
"BLACKKKLANSMAN."
"IF BEALE STREET COULD TALK."
1193
01:49:10,548 --> 01:49:26,863
"ISLE OF DOGS."
"MARY POPPINS RETURNS."
1194
01:49:26,997 --> 01:49:45,682
[ APPLAUSE ]
>> AND THE OSCAR GOES TO LUDWIG
1195
01:49:45,816 --> 01:49:47,083
GORANSSON AND "BLACK PANTHER."
>> THIS IS HIS FIRST OSCAR
1196
01:49:47,217 --> 01:49:58,861
NOMINATION.
>> THANK YOU.
1197
01:49:58,996 --> 01:50:05,535
[ APPLAUSE ]
>> WOW.
1198
01:50:05,669 --> 01:50:10,540
THANK YOU, RYAN COOGLER.
RYAN, RYAN, WORKING WITH YOU HAS
1199
01:50:10,674 --> 01:50:15,878
BEEN AN INCREDIBLE HONOR.
I REMEMBER 12 YEARS AGO, WE WERE
1200
01:50:16,013 --> 01:50:20,116
SITTING IN OUR DORM AT UC,
WRITING YOUR FIRST, THE SCORE
1201
01:50:20,250 --> 01:50:24,220
FOR YOUR FIRST SHORT FILM.
12 YEARS LATER, WE'RE HERE, YOU
1202
01:50:24,355 --> 01:50:26,689
KNOW, CELEBRATING ONE OF THE
MOST IMPORTANT CINEMATIC MOMENTS
1203
01:50:26,824 --> 01:50:32,528
IN HISTORY.
I WANT TO SHARE THIS AWARD WITH
1204
01:50:32,663 --> 01:50:37,500
ALL OF THE INCREDIBLE AFRICAN
ARTISTS THAT I WORKED WITH ON
1205
01:50:37,635 --> 01:50:43,006
THE SCORE.
AND ALL THE CLASSICAL MUSICIANS
1206
01:50:43,140 --> 01:50:48,544
IN LONDON THAT RECORDED ON THE
SCORE.
1207
01:50:48,679 --> 01:50:53,116
AND EVERYONE ELSE, I WANT TO
SHARE THIS WITH MY MOM, DAD, AND
1208
01:50:53,250 --> 01:50:56,019
SISTER, THAT INSISTED I PLAY
GUITAR.
1209
01:50:56,153 --> 01:50:59,922
AND MY WIFE, I LOVE YOU SO MUCH,
THANK YOU.
1210
01:51:00,057 --> 01:51:03,092
[ APPLAUSE ]
1211
01:51:03,227 --> 01:51:17,807
>> PLEASE WELCOME CONSTANCE WU
AND CHADWICK BOSEMAN.
1212
01:51:17,941 --> 01:51:18,474
[ APPLAUSE ]
1213
01:51:18,609 --> 01:51:21,944
>> "OVER THE RAINBOW" AND THE
THEME FROM "SHAFT."
1214
01:51:22,079 --> 01:51:23,546
>> "MONA LISA" AND "LOSE
YOURSELF."
1215
01:51:23,681 --> 01:51:26,115
>> "THE WAY WE WERE" AND "MAN OR
MUPPET."
1216
01:51:26,250 --> 01:51:30,286
>> "STREETS OF PHILADELPHIA" AND
"REMEMBER ME."
1217
01:51:30,421 --> 01:51:33,423
THE ONLY THING THESE SONGS COULD
POSSIBLY HAVE IN COMMON IS THE
1218
01:51:33,557 --> 01:51:35,992
PLACE THEY'VE EARNED IN HISTORY
AS ACADEMY AWARD WINNERS.
1219
01:51:36,126 --> 01:51:40,163
TONIGHT, ANOTHER WILL JOIN THEIR
RANKS.
1220
01:51:40,297 --> 01:51:42,265
>> THIS YEAR'S NOMINATED SONGS
ARE AS ECLECTIC AND
1221
01:51:42,399 --> 01:51:46,436
STYLISTICALLY DISTINCTIVE AS THE
STORIES THEY TELL.
1222
01:51:46,570 --> 01:51:49,305
>> ONCE AGAIN, HERE ARE THIS
YEAR'S NOMINEES FOR BEST
1223
01:51:49,440 --> 01:51:53,910
ORIGINAL SONG.
>> "ALL THE STARS," FROM "BLACK
1224
01:51:54,044 --> 01:52:10,860
PANTHER."
"I'LL FIGHT," FROM "RBG."
1225
01:52:10,994 --> 01:52:13,229
"THE PLACE WHERE LOST THINGS
GO," FROM "MARY POPPINS
1226
01:52:13,363 --> 01:52:22,405
RETURNS."
"SHALLOW," FROM "A STAR IS
1227
01:52:22,539 --> 01:52:29,779
BORN."
"WHEN A COWBOY TRADES HIS SPURS
1228
01:52:29,913 --> 01:52:39,655
FOR WINGS," FROM "THE BALLAD OF
BUSTER SCRUGGS."
1229
01:52:39,790 --> 01:52:58,674
[ APPLAUSE ]
>> AND THE OSCAR GOES
1230
01:52:58,809 --> 01:53:03,913
TO "SHALLOW".
>> THIS IS THEIR FIRST OSCAR
1231
01:53:04,047 --> 01:53:06,582
NOMINATION, THE FIRST WIN AND
THIRD NOMINATION FOR LADY GAGA,
1232
01:53:06,717 --> 01:53:19,362
WHO IS ALSO NOMINATED IN THE
LEADING ACTRESS CATEGORY.
1233
01:53:19,496 --> 01:53:25,034
[ CHEERS AND APPLAUSE ]
1234
01:53:25,169 --> 01:53:30,006
>> THANK YOU SO MUCH.
THANK YOU SO MUCH.
1235
01:53:30,140 --> 01:53:33,109
TO THE ACADEMY FOR THIS
WONDERFUL HONOR, THANK YOU TO
1236
01:53:33,243 --> 01:53:37,780
EVERY PERSON IN THE ROOM, TO
MARC, ANTHONY, ANDREW, MY
1237
01:53:37,915 --> 01:53:41,818
CO-WRITERS, I LOVE THEM SO MUCH.
TO MY SISTER, MY SOUL MATE, I
1238
01:53:41,952 --> 01:53:43,085
LOVE YOU.
MY FAMILY'S HERE.
1239
01:53:43,220 --> 01:53:46,823
I LOVE YOU, MOM AND DAD.
BRADLEY.
1240
01:53:46,957 --> 01:53:49,625
THERE'S NOT A SINGLE PERSON ON
THE PLANET THAT COULD HAVE SANG
1241
01:53:49,760 --> 01:53:54,230
THIS SONG WITH ME BUT YOU.
THANK YOU FOR BELIEVING IN US.
1242
01:53:54,364 --> 01:53:56,265
THANK YOU SO MUCH.
[ APPLAUSE ]
1243
01:53:56,400 --> 01:53:59,569
AND IF YOU ARE AT HOME AND
YOU'RE SITTING ON YOUR COUCH,
1244
01:53:59,703 --> 01:54:05,007
AND YOU ARE WATCHING THIS RIGHT
NOW, ALL I HAVE TO SAY IS THAT
1245
01:54:05,142 --> 01:54:08,411
THIS IS HARD WORK.
I'VE WORKED HARD FOR A LONG
1246
01:54:08,545 --> 01:54:13,316
TIME, AND IT'S NOT ABOUT, YOU
KNOW, IT'S NOT ABOUT WINNING.
1247
01:54:13,450 --> 01:54:15,818
BUT WHAT IT'S ABOUT IS NOT
GIVING UP.
1248
01:54:15,953 --> 01:54:18,688
IF YOU HAVE A DREAM, FIGHT FOR
IT.
1249
01:54:18,822 --> 01:54:21,891
THERE'S A DISCIPLINE FOR
PASSION, AND IT'S NOT ABOUT HOW
1250
01:54:22,025 --> 01:54:26,729
MANY TIMES YOU GET REJECTED OR
YOU FALL DOWN, OR YOU'RE BEATEN
1251
01:54:26,864 --> 01:54:29,365
UP.
IT'S ABOUT HOW MANY TIMES YOU
1252
01:54:29,499 --> 01:54:30,499
STAND UP, AND ARE BRAVE, AND YOU
KEEP GOING.
1253
01:54:30,634 --> 01:54:36,405
THANK YOU.
[ APPLAUSE ]
1254
01:54:36,540 --> 01:54:39,475
>> ONLY BECAUSE YOU CAN'T REALLY
THANK YOURSELF, I THINK WHEN
1255
01:54:39,610 --> 01:54:43,312
YOU'RE IN THE ROOM WITH THIS
PERSON, YOU DON'T HAVE TO DO TOO
1256
01:54:43,447 --> 01:54:48,184
MUCH.
SHE ACTS, WRITES, SINGS THE
1257
01:54:48,318 --> 01:54:50,319
SONG.
LADY GAGA, WE SALUTE YOU FOR
1258
01:54:50,454 --> 01:54:51,020
THIS.
[ APPLAUSE ]
1259
01:54:51,154 --> 01:55:06,836
1260
01:55:07,471 --> 01:55:11,073
>> PLEASE WELCOME THE PRESIDENT
OF THE ACADEMY OF MOTION PICTURE
1261
01:55:11,208 --> 01:55:22,418
ARTS AND SCIENCES, JOHN BAILEY.
[ APPLAUSE ]
1262
01:55:22,552 --> 01:55:28,991
>> THIS EVENING, WE CELEBRATE
THE ACHIEVEMENTS NOT ONLY OF OUR
1263
01:55:29,126 --> 01:55:30,459
AWARD WINNERS, BUT ALL
212 NOMINEES OF THE ACADEMY'S
1264
01:55:30,594 --> 01:55:35,231
CLASS OF 2018.
WE ALSO PAUSE TO HONOR ALL THOSE
1265
01:55:35,365 --> 01:55:42,405
ARTISTS WHO HAVE LEFT US SINCE
OUR LAST AWARDS CEREMONY, THE
1266
01:55:42,539 --> 01:55:46,175
MEN AND WOMEN WHOSE MOVIES HAVE
SO ENTERTAINED AND INSPIRED US.
1267
01:55:46,310 --> 01:55:49,378
ONLY A FEW OF THEM CAN BE
HIGHLIGHTED HERE.
1268
01:55:49,513 --> 01:55:55,318
BUT LET'S NOW GIVE TRIBUTE TO
ALL THEIR EXTRAORDINARY LIVES
1269
01:55:55,452 --> 01:55:59,155
AND WORKS IN THIS MUSIC OF JOHN
WILLIAMS, WITH THE LOS ANGELES
1270
01:55:59,289 --> 01:56:04,360
PHILHARMONIC CELEBRATING ITS
CENTENNIAL YEAR UNDER THE
1271
01:56:04,494 --> 01:56:07,330
DIRECTION OF MAESTRO GUSTAVO
DUDAMEL.
1272
01:56:07,464 --> 01:56:11,867
[ CHEERS AND APPLAUSE ]
1273
01:56:13,470 --> 01:56:29,352
1274
01:56:46,536 --> 01:57:00,349
1275
01:57:06,556 --> 01:57:22,438
1276
01:57:26,543 --> 01:57:41,390
1277
01:57:43,560 --> 01:57:55,071
1278
01:57:58,542 --> 01:58:12,555
1279
01:58:18,528 --> 01:58:33,943
1280
01:58:38,548 --> 01:58:52,862
1281
01:58:58,535 --> 01:59:12,214
1282
01:59:18,522 --> 01:59:31,100
1283
01:59:37,807 --> 01:59:52,354
1284
01:59:58,528 --> 02:00:25,621
1285
02:00:25,755 --> 02:00:41,770
[ APPLAUSE ]
1286
02:00:56,419 --> 02:01:03,492
>>> IN NOVEMBER, THE ACADEMY
HELD THE GOVERNOR'S AWARDS.
1287
02:01:03,627 --> 02:01:05,060
HONORARY OSCARS WERE PRESENTED
TO ACTRESS CICELY TYSON,
1288
02:01:05,195 --> 02:01:07,162
COMPOSER LALO SCHIFRIN AND
PUBLICIST MARVIN LEVY.
1289
02:01:07,297 --> 02:01:08,564
THE THALBERG AWARD WENT TO
PRODUCERS KATHLEEN KENNEDY AND
1290
02:01:08,698 --> 02:01:10,332
FRANK MARSHALL.
KENNEDY IS THE FIRST WOMAN TO
1291
02:01:10,467 --> 02:01:13,402
RECEIVE THE THALBERG.
AND ON FEBRUARY 9th, DAVID
1292
02:01:13,536 --> 02:01:15,004
OYELOWO HOSTED THE ACADEMY'S
ANNUAL SCI-TECH AWARDS.
1293
02:01:15,138 --> 02:01:17,039
NINE SCIENTIFIC AND TECHNICAL
ACHIEVEMENTS REPRESENTED BY
1294
02:01:17,173 --> 02:01:23,812
27 INDIVIDUAL AWARD RECIPIENTS
WERE HONORED THAT NIGHT.
1295
02:01:23,947 --> 02:01:26,649
AND NOW, PLEASE WELCOME TWO-TIME
ACADEMY AWARD WINNER, BARBRA
1296
02:01:26,783 --> 02:01:32,955
STREISAND.
[ CHEERS AND APPLAUSE ]
1297
02:01:33,089 --> 02:01:48,070
>> THANK YOU SO MUCH.
1298
02:01:48,204 --> 02:01:56,679
THANK YOU.
THANK YOU.
1299
02:01:56,813 --> 02:02:00,316
THANK YOU.
WHEN I FIRST SAW
1300
02:02:00,450 --> 02:02:09,692
"BLACKKKLANSMAN," I WAS STUNNED
AND WAS VERY EXCITED, AND WAS
1301
02:02:09,826 --> 02:02:12,328
VERY MOVED.
IT HAD EVERYTHING A GREAT FILM
1302
02:02:12,462 --> 02:02:18,367
SHOULD HAVE.
IT WAS SO REAL, SO FUNNY, AND
1303
02:02:18,501 --> 02:02:22,538
YET SO HORRIFYING, BECAUSE IT
WAS BASED ON THE TRUTH.
1304
02:02:22,672 --> 02:02:28,277
AND TRUTH IS ESPECIALLY PRECIOUS
THESE DAYS.
1305
02:02:28,411 --> 02:02:35,951
[ APPLAUSE ]
I HAD TO -- THANK YOU.
1306
02:02:36,086 --> 02:02:40,522
SO, I HAD TO TWEET ABOUT IT, YOU
KNOW, ABOUT HOW GOOD IT WAS.
1307
02:02:40,657 --> 02:02:45,694
AND THEN I GOT A LOVELY THANK
YOU FROM SPIKE HIMSELF.
1308
02:02:45,829 --> 02:02:51,967
THE CONVERSATION AFTER THAT WAS
VERY EASY, BECAUSE WE WERE BOTH
1309
02:02:52,102 --> 02:03:00,008
RAISED IN BROOKLYN.
[ CHEERS AND APPLAUSE ]
1310
02:03:00,143 --> 02:03:08,317
AND, SPIKE, WE BOTH LOVE HATS.
SO, AFTER A LIFETIME OF BOLD,
1311
02:03:08,451 --> 02:03:15,124
GAMECHANGING WORK, HERE IS
SPIKE LEE'S MASTERPIECE, THE
1312
02:03:15,258 --> 02:03:18,761
STORY OF THE FIRST
AFRICAN-AMERICAN DETECTIVE IN
1313
02:03:18,895 --> 02:03:21,363
THE COLORADO SPRINGS POLICE
DEPARTMENT WHO JOINS FORCES WITH
1314
02:03:21,498 --> 02:03:27,603
HIS JEWISH COLLEAGUE TO
INFILTRATE THE KU KLUX KLAN.
1315
02:03:27,737 --> 02:03:36,278
NOW, THAT IS FUNNY ALREADY.
BUT IT'S AN UNFLINCHING LOOK AT
1316
02:03:36,413 --> 02:03:43,318
RACE RELATIONS IN AMERICA BACK
IN THE 1970s.
1317
02:03:43,453 --> 02:03:48,290
THAT WAS THEN, BUT IT'S JUST AS
RELEVANT TODAY.
1318
02:03:48,425 --> 02:03:51,560
>> THIS IS RON STALLWORTH.
I'M ANXIOUS TO MEET YOU.
1319
02:03:51,694 --> 02:03:56,832
>> I'M JUST HAPPY TO MEET A TRUE
WHITE AMERICAN.
1320
02:03:56,966 --> 02:03:59,935
>> THEY WANT TO MEET ME FIRST.
>> YOU PROBABLY SHOULDN'T GO TO
1321
02:04:00,069 --> 02:04:02,638
THAT MEETING.
>> YOU NEED TO WAKE UP.
1322
02:04:02,772 --> 02:04:06,208
>> DON'T THINK THAT I DON'T CARE
ABOUT MY PEOPLE!
1323
02:04:06,342 --> 02:04:08,310
>> BLACK POWER!
1324
02:04:08,445 --> 02:04:12,781
>> WHITE POWER!
>> YOU'RE JEWISH, BROTHER.
1325
02:04:12,916 --> 02:04:16,552
>> WHY ARE YOU ACTING LIKE YOU
DON'T HAVE SKIN IN THE GAME?
1326
02:04:16,686 --> 02:04:21,490
>> THAT'S MY BUSINESS.
>> IT'S OUR BUSINESS.
1327
02:04:21,624 --> 02:04:22,458
>> PLEASE WELCOME LAST YEAR'S
1328
02:04:22,592 --> 02:04:26,695
WINNERS FOR ACTRESS IN A
SUPPORTING ROLE AND ACTOR IN A
1329
02:04:26,830 --> 02:04:32,334
LEADING ROLE, ALLISON JANNEY AND
GARY OLDMAN.
1330
02:04:32,469 --> 02:04:44,046
[ APPLAUSE ]
1331
02:04:44,180 --> 02:04:45,614
>> YOU KNOW, YOU AND I COULDN'T
HAVE WON OSCARS FOR PORTRAYING
1332
02:04:45,748 --> 02:04:48,283
TWO MORE DIFFERENT PEOPLE.
>> THAT'S SO TRUE.
1333
02:04:48,418 --> 02:04:52,054
ONE OF US PLAYING A BRASH AND
CONTROVERSIAL LEADER, KNOWN FOR
1334
02:04:52,188 --> 02:04:53,489
LOVING WHISKY AND ALWAYS BEING
ENSHROUDED IN THAT TRADEMARK
1335
02:04:53,623 --> 02:04:55,457
CLOUD OF SMOKE.
>> YES.
1336
02:04:55,592 --> 02:05:01,864
AND THEN, OF COURSE, YOU PLAYED
CHURCHILL.
1337
02:05:01,998 --> 02:05:02,931
>> YES.
>> AND HERE ARE THE NOMINEES FOR
1338
02:05:03,066 --> 02:05:08,303
PERFORMANCE BY AN ACTOR IN A
LEADING ROLE.
1339
02:05:08,438 --> 02:05:13,775
>> CHRISTIAN BALE, "VICE."
>> 3,000 INNOCENT PEOPLE BURNED
1340
02:05:13,910 --> 02:05:20,215
TO DEATH BY THOSE MONSTERS.
AND YET YOU OBJECT WHEN I REFUSE
1341
02:05:20,350 --> 02:05:24,987
TO KISS THOSE MONSTERS ON THE
CHEEK AND SAY PRETTY PLEASE.
1342
02:05:25,121 --> 02:05:30,125
YOU ANSWER ME THIS.
WHAT TERRORIST ATTACK WOULD YOU
1343
02:05:30,260 --> 02:05:36,431
HAVE LET GO FORWARD SO YOU
WOULDN'T SEEM LIKE A MEAN AND
1344
02:05:36,566 --> 02:05:38,400
NASTY FELLA?
[ APPLAUSE ]
1345
02:05:38,535 --> 02:05:43,038
>> BRADLEY COOPER, "A STAR IS
BORN."
1346
02:05:43,172 --> 02:05:51,647
>> CAN I TELL YOU A SECRET?
I THINK YOU MIGHT BE A
1347
02:05:51,781 --> 02:05:58,020
SONGWRITER.
DON'T WORRY, I WON'T TELL
1348
02:05:58,154 --> 02:06:03,926
ANYBODY.
BUT I'M NOT VERY GOOD AT KEEPING
1349
02:06:04,060 --> 02:06:11,433
SECRETS.
[ APPLAUSE ]
1350
02:06:11,568 --> 02:06:14,336
>> WILLEM DAFOE, "AT ETERNITY'S
GATE."
1351
02:06:14,470 --> 02:06:19,741
>> I BELIEVE I HAVE A MENACING
SPIRIT AROUND ME.
1352
02:06:19,876 --> 02:06:26,715
AN INVISIBLE BEING.
I FEEL IT, I DON'T SEE IT.
1353
02:06:26,849 --> 02:06:32,321
HE SPEAKS TO ME, AND THREATENS
ME, AND ALL HE WANTS TO DO IS
1354
02:06:32,455 --> 02:06:39,595
PLUNGE A KNIFE INTO MY HEART.
I SAW HIM, AND I TRIED TO CUT
1355
02:06:39,729 --> 02:06:44,266
HIM OUT OF MYSELF.
[ APPLAUSE ]
1356
02:06:44,400 --> 02:06:45,701
>> RAMI MALEK, "BOHEMIAN
RHAPSODY."
1357
02:06:45,835 --> 02:06:55,644
COME ON I DON'T WANT TO DIE
1358
02:06:55,778 --> 02:07:03,285
SOMETIMES WISH I NEVER HAD BEEN
BORN AT ALL
1359
02:07:03,419 --> 02:07:04,353
[ APPLAUSE ]
>> VIGGO MORTENSEN, "GREEN
1360
02:07:04,487 --> 02:07:08,323
BOOK."
>> YOU SPEAK GERMAN, HUH?
1361
02:07:08,458 --> 02:07:12,995
>> THAT WAS RUSSIAN.
>> I WAS STATIONED IN GERMANY,
1362
02:07:13,129 --> 02:07:19,668
IN THE ARMY.
I COULD PICK UP A LITTLE BIT OF
1363
02:07:19,802 --> 02:07:24,339
WHAT YOU SAID.
WATCH OUT FOR THEM KRAUTS,
1364
02:07:24,474 --> 02:07:29,244
THEY'RE ALL SNEAKS.
[ APPLAUSE ]
1365
02:07:29,379 --> 02:07:38,020
>> AND THE OSCAR GOES TO RAMI
MALEK!
1366
02:07:38,154 --> 02:07:38,887
[ CHEERS AND APPLAUSE ]
1367
02:07:39,022 --> 02:07:49,431
>> THIS IS THE FIRST OSCAR AND
NOMINATION FOR RAMI MALEK.
1368
02:07:49,565 --> 02:08:04,613
[ CHEERS AND APPLAUSE ]
1369
02:08:09,852 --> 02:08:16,158
>> OH, MY GOD.
MY MOM IS IN HERE SOMEWHERE.
1370
02:08:16,292 --> 02:08:20,295
[ CHEERS AND APPLAUSE ]
OH, I LOVE YOU.
1371
02:08:20,430 --> 02:08:22,431
I LOVE YOU, LADY.
MY FAMILY, THANK YOU FOR ALL OF
1372
02:08:22,565 --> 02:08:28,637
THIS.
YOU KNOW, MY DAD DIDN'T GET TO
1373
02:08:28,771 --> 02:08:33,608
SEE ME DO ANY OF THIS.
BUT I THINK HE'S LOOKING DOWN ON
1374
02:08:33,743 --> 02:08:40,315
ME RIGHT NOW.
SO, THIS IS A MONUMENTAL MOMENT.
1375
02:08:40,450 --> 02:08:43,618
ONE I'M SO APPRECIATIVE OF ALL
OF YOU, TO EVERYONE WHO HAS HAD
1376
02:08:43,753 --> 02:08:49,858
A HAND IN GETTING ME HERE.
TO THE ACADEMY, TO PEOPLE WHO
1377
02:08:49,992 --> 02:08:52,928
TOOK A CHANCE ON ME.
EVERY STEP OF THE WAY.
1378
02:08:53,062 --> 02:08:59,935
GRAHAM KING.
DENNIS O'SULLIVAN, EVERYONE AT
1379
02:09:00,069 --> 02:09:05,741
FOX.
AND NEW REGENCY.
1380
02:09:05,875 --> 02:09:10,245
I KNOW I WASN'T THE OBVIOUS
CHOICE, BUT I GUESS IT WORKED
1381
02:09:10,379 --> 02:09:11,947
OUT.
THANK YOU, QUEEN.
1382
02:09:12,081 --> 02:09:16,451
THANK YOU GUYS FOR BEING, FOR
ALLOWING ME TO BE THE TINIEST
1383
02:09:16,586 --> 02:09:21,757
PART OF YOUR PHENOMENAL,
EXTRAORDINARY LEGACY.
1384
02:09:21,891 --> 02:09:30,499
I AM FOREVER IN YOUR DEBT.
[ APPLAUSE ]
1385
02:09:30,633 --> 02:09:34,002
MY CREW, AND MY CAST.
I LOVE YOU.
1386
02:09:34,137 --> 02:09:40,475
YOU ARE MY EQUALS, MY BETTERS.
I COULD HAVE NEVER BEEN HERE
1387
02:09:40,610 --> 02:09:46,381
WITHOUT YOU.
I THINK ABOUT WHAT IT WOULD HAVE
1388
02:09:46,516 --> 02:09:51,787
BEEN LIKE TO TELL LITTLE BUBBA
RAMI THAT ONE DAY THIS MIGHT
1389
02:09:51,921 --> 02:09:56,291
HAPPEN TO HIM.
AND I THINK HIS CURLY-HAIRED
1390
02:09:56,425 --> 02:10:02,164
LITTLE MIND WOULD BE BLOWN.
HE WAS STRUGGLING WITH HIS
1391
02:10:02,298 --> 02:10:04,032
IDENTITY, TRYING TO FIGURE
HIMSELF OUT.
1392
02:10:04,167 --> 02:10:08,303
AND I THINK TO ANYONE STRUGGLING
WITH THEIRS, AND TRYING TO
1393
02:10:08,437 --> 02:10:14,576
DISCOVER THEIR VOICE, LISTEN, WE
MADE A FILM ABOUT A GAY MAN, AN
1394
02:10:14,710 --> 02:10:19,281
IMMIGRANT, WHO LIVED HIS LIFE
JUST UNAPOLOGETICALLY HIMSELF.
1395
02:10:19,415 --> 02:10:24,319
THE FACT THAT I'M CELEBRATING
HIM AND THIS STORY WITH YOU
1396
02:10:24,453 --> 02:10:28,690
TONIGHT IS PROOF THAT WE'RE
LONGING FOR STORIES LIKE THIS.
1397
02:10:28,825 --> 02:10:33,361
I AM THE SON OF IMMIGRANTS FROM
EGYPT, A FIRST-GENERATION
1398
02:10:33,496 --> 02:10:39,768
AMERICAN.
[ APPLAUSE ]
1399
02:10:39,902 --> 02:10:43,772
AND PART OF MY STORY IS BEING
WRITTEN RIGHT NOW.
1400
02:10:43,906 --> 02:10:51,346
AND I COULD NOT BE MORE GRATEFUL
TO EACH AND EVERY ONE OF YOU,
1401
02:10:51,480 --> 02:10:56,218
AND EVERYONE WHO BELIEVED IN ME
FOR THIS MOMENT.
1402
02:10:56,352 --> 02:11:01,256
IT'S SOMETHING I WILL TREASURE
FOR THE REST OF MY LIFE.
1403
02:11:01,390 --> 02:11:05,126
LUCY, YOU'RE THE HEART OF THIS
FILM.
1404
02:11:05,261 --> 02:11:07,095
YOU ARE BEYOND IMMENSELY
TALENTED.
1405
02:11:07,230 --> 02:11:12,300
YOU HAVE CAPTURED MY HEART.
THANK YOU SO MUCH.
1406
02:11:12,435 --> 02:11:16,338
[ CHEERS AND APPLAUSE ]
1407
02:11:16,472 --> 02:11:19,441
>> COMING UP NEXT, A LOOK AT
BEST PICTURE NOMINEE "GREEN
1408
02:11:19,575 --> 02:11:24,279
BOOK," AND THE AWARD FOR BEST
ACTRESS.
1409
02:11:24,413 --> 02:11:28,817
WILL THE OSCAR GO TO YALITZA
APARACIO, GLENN CLOSE, OLIVIA
1410
02:11:28,951 --> 02:11:32,888
COLMAN, LADY GAGA, OR MELISSA
McCARTHY?
1411
02:11:40,830 --> 02:11:42,130
>>> LADIES AND GENTLEMEN, PLEASE
WELCOME AMANDLA STENBERG AND
1412
02:11:42,265 --> 02:11:49,738
CONGRESSMAN JOHN LEWIS.
[ APPLAUSE ]
1413
02:11:49,872 --> 02:11:56,111
>> THANK YOU.
1414
02:11:57,446 --> 02:12:12,794
[ CHEERS AND APPLAUSE ]
>> THANK YOU.
1415
02:12:20,903 --> 02:12:25,307
>> OUR FINAL NOMINEE FOR BEST
PICTURE IS A FILM ABOUT BIGOTRY,
1416
02:12:25,441 --> 02:12:28,576
FRIENDSHIP, AND GROWTH, BASED ON
THE STORY OF A WHITE MAN AND AN
1417
02:12:28,711 --> 02:12:32,781
AFRICAN-AMERICAN MAN ON A
JOURNEY THROUGH THE SEGREGATED
1418
02:12:32,915 --> 02:12:38,787
SOUTH.
>> I CAN BEAR WITNESS THAT THE
1419
02:12:38,921 --> 02:12:41,690
PORTRAIT PAINTED OF THAT TIME
AND PLACE IN OUR HISTORY IS VERY
1420
02:12:41,824 --> 02:12:48,763
REAL.
IT'S SEARED IN MY MEMORY, BLACK
1421
02:12:48,898 --> 02:12:52,934
MEN AND WOMEN, OUR BROTHERS AND
SISTERS, TREATED AS SECOND CLASS
1422
02:12:53,069 --> 02:12:56,771
CITIZENS, THREATENED FOR RAISING
THEIR FAMILIES OR EARNING A
1423
02:12:56,906 --> 02:13:01,309
LIVING, BEATEN AND SOMETIMES
KILLED FOR THE CRIME OF TRYING
1424
02:13:01,444 --> 02:13:05,313
TO LIVE A LIFE WITH DIGNITY.
OUR NATION BEARS THE SCARS OF
1425
02:13:05,448 --> 02:13:19,361
THAT TIME, AS DO I.
[ APPLAUSE ]
1426
02:13:19,495 --> 02:13:21,930
>> THE CHARACTERS IN "GREEN
BOOK" GRADUALLY TORE DOWN THE
1427
02:13:22,064 --> 02:13:26,134
WALLS BETWEEN THEM, TRANSFORMING
EACH OTHER IN THE PROCESS.
1428
02:13:26,268 --> 02:13:32,841
AS THIS FILM DEMONSTRATES, ANY
JOURNEY THAT OPENS SOMEONE'S
1429
02:13:32,975 --> 02:13:37,312
EYES AND SOFTENS THEIR HEART IS
ONE THAT IS WORTH TAKING.
1430
02:13:37,446 --> 02:13:44,619
[ APPLAUSE ]
>> YOUNG OR OLD, I ENCOURAGE YOU
1431
02:13:44,754 --> 02:13:48,656
TO BE AN ACTIVE PARTICIPANT IN
THE JOURNEY.
1432
02:13:48,791 --> 02:13:53,261
THIS IS "GREEN BOOK."
[ CHEERS AND APPLAUSE ]
1433
02:13:53,396 --> 02:13:55,964
>> HAVE YOU EVER DRIVEN
PROFESSIONALLY BEFORE?
1434
02:13:56,098 --> 02:13:58,967
>> I CAN DRIVE ANYTHING.
>> WHAT OTHER EXPERIENCE DO YOU
1435
02:13:59,101 --> 02:14:01,136
HAVE?
>> PUBLIC RELATIONS.
1436
02:14:01,270 --> 02:14:05,140
>> I'M ABOUT TO EMBARK ON A
CONCERT TOUR IN THE DEEP SOUTH.
1437
02:14:05,274 --> 02:14:09,077
>> YOU, IN THE DEEP SOUTH?
THERE WILL BE PROBLEMS.
1438
02:14:09,211 --> 02:14:19,954
GET YOUR HANDS OFF OF HIM, NOW!
>> DEAR DELORES, THE DISTANCE
1439
02:14:20,089 --> 02:14:25,193
BETWEEN US IS SO DIFFICULT.
>> IT TAKES COURAGE TO CHANGE
1440
02:14:25,327 --> 02:14:26,061
PEOPLE'S HEARTS.
[ APPLAUSE ]
1441
02:14:26,195 --> 02:14:36,938
>> PLEASE WELCOME ACADEMY AWARD
1442
02:14:37,073 --> 02:14:38,073
WINNERS FRANCES McDORMAND AND
SAM ROCKWELL.
1443
02:14:38,207 --> 02:14:41,309
[ APPLAUSE ]
1444
02:14:41,444 --> 02:14:44,245
>> IT'S AN HONOR FOR US TO BE
BACK ONSTAGE.
1445
02:14:44,380 --> 02:14:45,313
FRANCES, DO YOU HAVE ANYTHING TO
ADD?
1446
02:14:45,448 --> 02:14:53,288
>> NO.
NO, NO, THANK YOU VERY MUCH.
1447
02:14:53,422 --> 02:14:56,891
>> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTRESS IN A
1448
02:14:57,026 --> 02:15:02,864
LEADING ROLE.
>> YALITZA APARICIO, "ROMA."
1449
02:15:02,998 --> 02:15:13,741
[ SPEAKING FOREIGN LANGUAGE ]
1450
02:15:18,614 --> 02:15:27,555
[ APPLAUSE ]
>> GLENN CLOSE, "THE WIFE."
1451
02:15:27,690 --> 02:15:31,759
>> WHAT WE WERE TALKING ABOUT
THE OTHER DAY?
1452
02:15:31,894 --> 02:15:36,598
>> YES?
>> I WANT TO SAY THAT WHAT YOU
1453
02:15:36,732 --> 02:15:41,970
IMPLIED ISN'T TRUE.
AND IF YOU MALIGN JOE'S TALENT
1454
02:15:42,104 --> 02:15:48,543
IN ANY WAY, I'LL TAKE YOU TO
COURT.
1455
02:15:48,677 --> 02:15:53,548
GOOD LUCK, NATHANIEL, I'M SURE
YOU'LL WRITE A FINE BOOK.
1456
02:15:53,682 --> 02:15:57,018
[ APPLAUSE ]
>> OLIVIA COLMAN, "THE
1457
02:15:57,153 --> 02:16:01,122
FAVOURITE."
>> I HAVE BEEN WANTING TO GIVE
1458
02:16:01,257 --> 02:16:04,125
YOU SOMETHING FOR QUITE SOME
TIME NOW.
1459
02:16:04,260 --> 02:16:13,301
THE PERFECT OPPORTUNITY.
>> IT'S A MONSTROUS
1460
02:16:13,435 --> 02:16:20,975
EXTRAVAGANCE.
>> OH, I DID NOT KNOW THAT.
1461
02:16:21,110 --> 02:16:26,014
[ APPLAUSE ]
>> LADY GAGA, "A STAR IS BORN."
1462
02:16:26,148 --> 02:16:30,952
>> I WON'T DO THAT AGAIN.
I WON'T COME AND FIND YOU.
1463
02:16:31,086 --> 02:16:35,190
NEXT TIME, YOU CAN CLEAN UP YOUR
OWN MESS.
1464
02:16:35,324 --> 02:16:37,292
[ APPLAUSE ]
>> MELISSA McCARTHY, "CAN YOU
1465
02:16:37,426 --> 02:16:44,098
EVER FORGIVE ME?"
>> IT WASN'T MY WORK, WAS IT?
1466
02:16:44,233 --> 02:16:56,611
IF I HAD PUT IN MY WORK, I WOULD
HAVE BEEN OPENING MYSELF UP.
1467
02:16:56,745 --> 02:17:00,081
AND I'M TOO MUCH OF A COWARD TO
DO THAT.
1468
02:17:00,216 --> 02:17:17,365
[ APPLAUSE ]
>> AND THE OSCAR GOES TO OLIVIA
1469
02:17:17,499 --> 02:17:22,704
COLMAN.
>> THIS IS THE FIRST OSCAR AND
1470
02:17:22,838 --> 02:17:25,306
NOMINATION FOR OLIVIA COLMAN.
[ APPLAUSE ]
1471
02:17:25,441 --> 02:17:41,322
1472
02:17:57,239 --> 02:18:12,787
[ CHEERS AND APPLAUSE ]
>> I'M -- OH.
1473
02:18:12,921 --> 02:18:25,166
IT'S GENUINELY QUITE STRESSFUL.
THIS IS HILARIOUS.
1474
02:18:25,301 --> 02:18:29,937
I GOT AN OSCAR.
OKAY.
1475
02:18:30,072 --> 02:18:34,609
I HAVE TO THANK LOTS OF PEOPLE.
IF I FORGET ANYBODY, I'LL FIND
1476
02:18:34,743 --> 02:18:42,317
YOU LATER AND GIVE YOU A MASSIVE
SNOG, I'M SORRY I MIGHT FORGET
1477
02:18:42,451 --> 02:18:45,320
NOW.
MY BEST DIRECTOR, AND WITH EMILY
1478
02:18:45,454 --> 02:18:48,856
AND RACHEL, THE TWO LOVELIEST
WOMEN IN THE WORLD TO FALL IN
1479
02:18:48,991 --> 02:18:51,826
LOVE WITH AND TO DO TO WORK WITH
EVERY DAY.
1480
02:18:51,960 --> 02:18:54,962
YOU CAN IMAGINE, IT WASN'T A
HARDSHIP.
1481
02:18:55,097 --> 02:19:00,001
AND TO BE IN THIS CATEGORY WITH
THESE EXTRAORDINARY WOMEN.
1482
02:19:00,135 --> 02:19:02,937
GLENN CLOSE, YOU'VE BEEN MY IDOL
FOR SO LONG.
1483
02:19:03,072 --> 02:19:06,974
THIS IS NOT HOW I WANTED TO IT
TO BE, AND I THINK YOU'RE
1484
02:19:07,109 --> 02:19:08,976
AMAZING, AND I LOVE YOU VERY
MUCH.
1485
02:19:09,111 --> 02:19:14,849
I LOVE YOU ALL.
THANK YOU, LINDY KING, MY AGENT
1486
02:19:14,983 --> 02:19:17,352
WHO TOOK ME ON OVER 20 YEARS
AGO.
1487
02:19:17,486 --> 02:19:27,028
THANK YOU SO MUCH.
AND OLIVE, HILDY, BRYNNA, MY MOM
1488
02:19:27,162 --> 02:19:35,069
AND DAD.
YOU KNOW.
1489
02:19:35,204 --> 02:19:38,406
AND MY KIDS, WHO ARE AT HOME AND
WATCHING.
1490
02:19:38,540 --> 02:19:44,979
IF YOU'RE NOT, THEN, WELL DONE.
BUT I SORT OF HOPE YOU ARE.
1491
02:19:45,114 --> 02:19:51,052
THIS IS NOT GOING TO HAPPEN
AGAIN.
1492
02:19:51,186 --> 02:19:55,890
AND ANY LITTLE GIRL WHO IS
PRACTICING THEIR SPEECH ON THE
1493
02:19:56,024 --> 02:19:58,693
TELLY, YOU NEVER KNOW.
AND I USED TO WORK AS A CLEANER,
1494
02:19:58,827 --> 02:20:06,401
AND I LOVED THAT JOB.
I DID SPEND QUITE A LOT OF TIME
1495
02:20:06,535 --> 02:20:09,070
IMAGINING THIS.
OH, PLEASE WRAP UP.
1496
02:20:09,204 --> 02:20:13,307
OKAY.
MY HUSBAND, ED.
1497
02:20:13,442 --> 02:20:16,811
MY BEST FRIEND, I LOVE YOU SO
MUCH.
1498
02:20:16,945 --> 02:20:19,814
25 YEARS, YOU'VE BEEN MY BEST
1499
02:20:19,948 --> 02:20:20,681
SUPPORTER.
HE'S GOING TO CRY.
1500
02:20:20,816 --> 02:20:26,320
I'M NOT.
THANK YOU SO MUCH.
1501
02:20:26,455 --> 02:20:38,966
FOX, EVERYBODY, THE CAST, THE
CREW, FRANCIES, SAM, THANK YOU O
1502
02:20:39,101 --> 02:20:41,302
MUCH.
LADY GAGA.
1503
02:20:41,437 --> 02:20:49,343
[ CHEERS AND APPLAUSE ]
1504
02:20:49,478 --> 02:20:55,082
>> COMING UP, THE ACADEMY AWARDS
1505
02:20:59,021 --> 02:21:02,723
>>> PLEASE WELCOME LAST YEAR'S
1506
02:21:02,858 --> 02:21:10,731
WINNER OF THE ACADEMY AWARD FOR
DIRECTING, GUILLERMO DEL TORO.
1507
02:21:10,866 --> 02:21:14,469
[ CHEERS AND APPLAUSE ]
1508
02:21:14,603 --> 02:21:20,741
>> THANK YOU.
YESTERDAY, I HAD A FEVER, I WAS
1509
02:21:20,876 --> 02:21:25,580
VERY SICK.
BUT I WOULDN'T MISS THIS FOR THE
1510
02:21:25,714 --> 02:21:28,883
WORLD.
BECAUSE I FEEL A GREAT KINSHIP
1511
02:21:29,017 --> 02:21:31,219
WITH THIS AWARD, AND WITH THE
PEOPLE IT HONORS.
1512
02:21:31,353 --> 02:21:36,123
NO MATTER WHAT NAME IS IN THIS
ENVELOPE, AND I HAVE NOT PEEKED,
1513
02:21:36,258 --> 02:21:39,260
I WANT TO BE HERE AT THIS VERY
MOMENT.
1514
02:21:39,394 --> 02:21:44,899
BECAUSE EACH OF THE NOMINEES IN
THIS CATEGORY HAS MADE
1515
02:21:45,033 --> 02:21:48,002
PASSIONATE, PERSONAL FILMS, AND
EVERY ONE WILL LEAVE TONIGHT
1516
02:21:48,136 --> 02:21:52,340
WITH FILMS UNTOUCHED, THEY WILL
BE THE VERY SAME THEY WERE WHEN
1517
02:21:52,474 --> 02:21:56,477
THEY WALKED INTO THIS CEREMONY.
AND FOR THAT, YOU CAN BE VERY
1518
02:21:56,612 --> 02:21:58,746
PROUD.
[ APPLAUSE ]
1519
02:21:58,881 --> 02:22:06,754
HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN DIRECTING.
1520
02:22:06,889 --> 02:22:15,463
SPIKE LEE, "BLACKKKLANSMAN."
PAWEL PAWLIKOWSKI, "COLD WAR."
1521
02:22:15,597 --> 02:22:23,437
YORGOS LANTHIMOS.
"THE FAVOURITE."
1522
02:22:23,572 --> 02:22:28,509
ALFONSO CUARON, "ROMA."
ADAM McKAY, "VICE."
1523
02:22:28,644 --> 02:22:35,783
[ APPLAUSE ]
>> AND THE OSCAR GOES TO, THIS
1524
02:22:35,918 --> 02:22:41,088
NAME I CAN PRONOUNCE, ALFONSO
CUARON.
1525
02:22:41,223 --> 02:22:43,958
>> THIS IS THE FOURTH OSCAR FOR
ALFONSO CUARON.
1526
02:22:44,092 --> 02:22:50,898
HIS SECOND WIN TONIGHT.
[ APPLAUSE ]
1527
02:22:51,033 --> 02:23:00,841
1528
02:23:02,611 --> 02:23:14,455
[ CHEERS AND APPLAUSE ]
>> THANK YOU SO MUCH.
1529
02:23:14,590 --> 02:23:26,534
BEING HERE DOESN'T GET OLD.
I WANT TO THANK SO MANY PEOPLE.
1530
02:23:26,668 --> 02:23:30,805
OBVIOUSLY, YALITZA APARICIO AND
MARINA, THEY WERE THE FILM, THEY
1531
02:23:30,939 --> 02:23:39,447
ARE TRULY THE FILM.
THE AMAZING CAST AND CREW.
1532
02:23:39,581 --> 02:23:44,285
GABRIELLA AND NICHOLAS, THE
PRODUCERS.
1533
02:23:44,419 --> 02:23:58,265
DAVID AND JONATHAN.
TED AND JULIA AT NETFLIX.
1534
02:23:58,400 --> 02:24:10,344
KELLY BUSH AND DAVID LERNER.
AND HENRY HOLMES.
1535
02:24:10,479 --> 02:24:17,551
NOW, I HAVE TO SAY, I HAD BETTER
TAKE OUT MY NOTES.
1536
02:24:17,686 --> 02:24:23,791
OH, YEAH, I WANT TO THANK THE
ACADEMY FOR RECOGNIZING THE FILM
1537
02:24:23,925 --> 02:24:27,261
CENTERED AROUND AN INDIGENOUS
WOMAN.
1538
02:24:27,396 --> 02:24:33,434
ONE OF THE MILLIONS OF THE
DOMESTIC WORKERS AROUND THE
1539
02:24:33,568 --> 02:24:43,377
WORLD WITHOUT RIGHTS, WHO HAVE
BEEN HISTORICALLY REGULALEGATED
1540
02:24:43,512 --> 02:24:46,914
THE BACKGROUND IN CINEMA.
THIS IS MUCH MORE IMPORTANT IN
1541
02:24:47,049 --> 02:24:50,484
TIMES WHEN WE'RE BEING
ENCOURAGED TO LOOK AWAY.
1542
02:24:50,619 --> 02:25:03,064
[ SPEAKING FOREIGN LANGUAGE ]
[ CHEERS AND APPLAUSE ]
1543
02:25:03,198 --> 02:25:13,974
>> COMING UP NEXT, THE FINAL
1544
02:25:21,850 --> 02:25:26,587
>>> LADIES AND GENTLEMEN, PLEASE
WELCOME ACADEMY AWARD WINNER,
1545
02:25:26,722 --> 02:25:27,621
JULIA ROBERTS.
[ CHEERS AND APPLAUSE ]
1546
02:25:27,756 --> 02:25:38,966
>>> OVER THE COURSE OF THE
1547
02:25:39,101 --> 02:25:42,136
EVENING, WE'VE SEEN HIGHLIGHTS
FROM EIGHT FILMS NOMINATED FOR
1548
02:25:42,270 --> 02:25:46,107
BEST PICTURE.
EACH IS UNIQUE IN THE STORY
1549
02:25:46,241 --> 02:25:50,611
BEING TOLD.
EACH IS DIFFERENT IN ITS APPEAL.
1550
02:25:50,746 --> 02:25:56,484
BUT THEY PROVE ONCE AGAIN THAT
REGARDLESS OF WHO YOU ARE OR
1551
02:25:56,618 --> 02:26:04,125
WHERE YOU LIVE, THESE ARE FILMS
THAT CONNECT US TO ONE ANOTHER.
1552
02:26:04,259 --> 02:26:06,594
ONCE AGAIN, HERE ARE THE
NOMINEES FOR BEST PICTURE.
1553
02:26:06,728 --> 02:26:14,602
>> "BLACK PANTHER."
"BLACKKKLANSMAN."
1554
02:26:14,736 --> 02:26:20,608
"BOHEMIAN RHAPSODY."
"THE FAVOURITE."
1555
02:26:20,742 --> 02:26:30,851
"GREEN BOOK."
"ROMA."
1556
02:26:30,986 --> 02:26:39,426
"A STAR IS BORN."
"VICE."
1557
02:26:39,561 --> 02:26:40,661
[ APPLAUSE ]
>> OH.
1558
02:26:40,796 --> 02:26:46,834
AND THE OSCAR GOES TO "GREEN
BOOK."
1559
02:26:46,968 --> 02:26:50,604
[ CHEERS AND APPLAUSE ]
1560
02:26:50,739 --> 02:26:55,209
>> "GREEN BOOK" HAS FIVE ACADEMY
AWARD NOMINATIONS THIS YEAR,
1561
02:26:55,343 --> 02:27:02,616
WINNING THREE OSCARS.
ACTOR IN A SUPPORTING ROLE,
1562
02:27:02,751 --> 02:27:03,651
ORIGINAL SCREENPLAY, AND BEST
PICTURE.
1563
02:27:03,785 --> 02:27:19,967
[ CHEERS AND APPLAUSE ]
1564
02:27:26,741 --> 02:27:34,582
[ CHEERS AND APPLAUSE ]
>> ALOHA.
1565
02:27:34,716 --> 02:27:38,886
AND THANK YOU TO THE MEMBERS OF
THE ACADEMY.
1566
02:27:39,020 --> 02:27:43,557
IT'S SUCH A PRIVILEGE.
THIS IS LIKE A DREAM.
1567
02:27:43,692 --> 02:27:47,828
WE NEED TO START BY THANKING OUR
FRIENDS AT PARTICIPANT MEDIA,
1568
02:27:47,963 --> 02:27:50,865
WHO HAVE BEEN WITH US ALL ALONG
THE WAY.
1569
02:27:50,999 --> 02:27:53,701
THANKS FOR THEIR BELIEF.
YEAH.
1570
02:27:53,835 --> 02:27:57,638
[ APPLAUSE ]
WE CAN'T OVERLOOK UNIVERSAL AND
1571
02:27:57,772 --> 02:28:08,582
E1 AND LIONS GATE, AND I
PERSONALLY WANT TO THANK
1572
02:28:08,717 --> 02:28:12,753
CHRISTINA AND MATTY.
WE MADE THIS FILM WITH LOVE,
1573
02:28:12,888 --> 02:28:17,992
TENDERNESS, AND RESPECT.
AND IT WAS ALL DONE UNDER THE
1574
02:28:18,126 --> 02:28:23,898
DIRECTION OF PETE FARRELLY.
IT'S BEEN AN HONOR AND A
1575
02:28:24,032 --> 02:28:24,932
PRIVILEGE.
>> THANK YOU VERY MUCH.
1576
02:28:25,066 --> 02:28:29,003
HE'S RIGHT, THIS IS, THE WHOLE
STORY IS ABOUT LOVE, IT'S ABOUT
1577
02:28:29,137 --> 02:28:34,541
LOVING EACH OTHER, DESPITE OUR
DIFFERENCES, AND FINDING OUT THE
1578
02:28:34,676 --> 02:28:36,810
TRUTH ABOUT WHO WE ARE, WE'RE
THE SAME PEOPLE.
1579
02:28:36,945 --> 02:28:39,680
THIS DOESN'T START, BY THE WAY,
WITHOUT VIGGO MORTENSEN.
1580
02:28:39,814 --> 02:28:44,985
RIGHT THERE, WE HAVE NO MOVIE,
ALL THESE AWARDS ARE BECAUSE
1581
02:28:45,120 --> 02:28:49,957
VIGGO AND MAHERSHALA AND LINDA,
BUT IT STARTED WITH VIGGO.
1582
02:28:50,091 --> 02:28:54,395
AND I GIVE YOU THIS, MY FRIEND.
I DIDN'T GET TO THANK A LOT OF
1583
02:28:54,529 --> 02:29:00,734
PEOPLE BEFORE.
I WANT TO THANK STEPHEN
1584
02:29:00,869 --> 02:29:08,008
SPIELBERG, OCTAVIA SPENCER,
CHRIS BOWERS, DONNA LANGLY,
1585
02:29:08,143 --> 02:29:14,949
ELLEN, BILL CURRY, THE FIRST
WRITER I EVER KNEW.
1586
02:29:15,083 --> 02:29:20,587
B
BETSY, TIM, CORDO WILFORD, AND
1587
02:29:20,722 --> 02:29:25,859
MY SISTER KATHY, SHE DIED A WEEK
BEFORE WE STARTED SHOOTING THIS,
1588
02:29:25,994 --> 02:29:29,697
BUT SHE NEVER LEFT MY SIDE.
>> THANKS VERY MUCH.
1589
02:29:29,831 --> 02:29:33,267
I WANT TO DEDICATE THIS TO --
OH, YOU CAN'T HEAR ME?
1590
02:29:33,401 --> 02:29:38,706
I WANT TO DEDICATE THIS TO OUR
GREAT FRIEND CARRIE FISHER.
1591
02:29:38,840 --> 02:29:47,581
[ APPLAUSE ]
1592
02:29:47,716 --> 02:29:54,888
>> WELL, APPARENTLY, THAT WRAPS
UP THE 91st ACADEMY AWARDS.
1593
02:29:55,023 --> 02:30:02,730
CONGRATULATIONS TO ALL THE
NOMINEES AND WINNERS.
1594
02:30:02,864 --> 02:30:06,300
GOOD NIGHT TO MY CHILDREN.
AND THANK YOU FOR WATCHING.
1595
02:30:06,434 --> 02:30:07,868
>> CONGRATULATIONS TO ALL OF
TONIGHT'S HONOREES FROM MARRIOTT
1596
02:30:08,036 --> 02:30:09,436
BONVOY.
30 HOTEL BRANDS.
1597
02:30:09,571 --> 02:30:10,871
ENDLESS EXPERIENCES.
REWARDS REIMAGINED.
1598
02:30:11,006 --> 02:30:14,708
EXPLORE THE PROGRAM AT
MARRIOTT.COM.
1599
02:30:14,843 --> 02:30:18,846
AIR TRANSPORTATION FOR THE
ACADEMY AWARDS PROVIDED BY DELTA
1600
02:30:18,980 --> 02:30:26,687
AIRLINES.
L.E.D. AND PROJECTION SERVICES
1601
02:30:26,821 --> 02:30:35,129
PROVIDED IN PART BY SENOVVA.
1602
02:30:43,004 --> 02:30:54,081
1603
02:30:56,818 --> 02:31:12,699
150947
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