All language subtitles for The.French.Sex.Murders.1972.두en

(police siren wailing)

- Don't!

(man screaming)

(gentle music)

It all began the last
night of Carnival.

(ominous music)

(ominous music)

(upbeat music)
(group laughing)

(group chattering)

(group laughing)

- [Driver] Take care
of yourself gentlemen.

"Colette House Beauty Care
Massages for Men"

- Oh, come in please.

I'm happy you've come tonight.

The girls are waiting.

You, go away!

The mistress doesn't want to
see you here anymore.

- [Antoine] Tell her,
I'm here as a client.

- [Florence] Excuse me,
gentlemen, this way.

Go right in.

(Mr. Randall laughing)

- Well, what's in
the cards tonight?

- It looks like you're
going on a long journey.

- [Francine] That
sounds nice, huh?

- Fascinating journey.

- Ah.

- What does that card mean?

[Florence] Come quick.

- We've got some
customers, VIPs.

Francine, Alice, Kiki,
come to the green room.

- Who is it?

- The big man.

- Uh-huh.

All right, then you
three girls go up.

Florence, bring some
champagne, please.

- All right.

- Wait for me.

(Alice and Kiki laughing)

- Antoine, what are
you doing here, huh?

(Alice laughing)

- Shall we.

- Antoine, what are
you doing in my house?

What do you want?

I've asked you not
to come here again.

- I'll pay more.

Much more than the others.

- Very well.

- Come on, let's go.
- Wait.

This will be the
last time for you.

And Francine, hurry up.

They have asked for
your special services.

(Francine giggles)

(Mr. Randall laughing)

(Francine giggling)
(light suspenseful music)

You are so beautiful, Francine.

If you only knew how I love jewelry,
I wish I had so many wonderful ones.

You are wonderful Francine.

They are for you. All for you.

They're all for you.

But you must only be mine.

Florence, why doesn't madame Colette
want that man hanging

out at this house?

Who are you talking about?

About that guy who's up
there with Francine.

Mr. Randall, have you
been to Vietnam?

Yes.

And so you can understand how here,
like in Vietnam, there is

no place for love.

That man is seriously in
love with Francine.

[music]

Mine, mine, mine.

You will no longer go
with the others.

Yes, yes.

- The research in my book

is going to give the reading
public the real insight.

I'll have a shot of that.

Can't miss I tell ya.

In the states the women
are really fascinated

on the subject of prostitution.

They'll sneak the book home,

and Madame Colette
will become famous.

- [Colette] You're lucky I
let you gather material here.

- Madame Colette,
who are the clients

in the masked costumes?

- I can't tell you.

In this profession you
don't tell those things.

- Oh, I see.

How about calling Francine?

I've got a couple
of minutes to spare.

(door knocking)

- [Florence] Hurry up, Francine.

They're waiting for you.

- Okay, I'm coming.

- No, don't go, you promised.

- Next time we'll
decide everything.

(Francine groans)

- I say no!

You filthy whore!

- Don't get excited.

Please don't.

- No!

No!

You are nothing but a broad!

A bloody whore!

- Get yourself the
hell out of here.

I must be crazy to ever see you!

(fist thuds)

(Francine crying)

(fist thuds)

(Francine crying)

Whore!

(fist thudding)
(Francine crying)

You bloody whore!

- Madame Colette. -Yes?

I would like to know more about that
strange guy who is

upstairs with Francine.

(suspenseful music)

Where's Francine?

(ominous music)

(suspenseful music)

- [Officer] Hey!

Stop!

(whistle shrills)

(ominous music)

- [Mr. Randall] Madame
Colette, come quickly.

- What's wrong?

- She's been murdered.

- [Colette] No!

- [Florence] Trouble,
you must leave.

Hurry.

Please hurry.

- Inspector, that's exactly
the way we found her.

- Mestril, get her
off to the morgue.

- Yes, sir.

- The last person with her
was Antoine Gottvalles.

You're sure Mr. Randall?

- I am.

- Seems cut and dry.

Mestril.

- Yes, sir.

- I want you to
check this address.

- Right.

- [Fontaine] Gottvalles, he
was the girl's last customer?

- Yes, he was the last.

- No one was here.

No one but us.

- Where were the others?

- Kiki and Alice, both were
preparing the sauna room.

We have people
that come at night,

and pay overtime for
a sauna and a massage.

- Massage?

Of course, a massage, yeah.

Mr. Randall, where do you
figure in this operation?

- What else do you have to know?

It was that maniac
Antoine Gottvalles.

He threatened her life before.

That poor girl.

If only I kept him out.

- Mestril, Mestril.

- I got their information.

- Get out an all-points bulletin

to bring the suspected
Antoine Gottvalles.

He could be dangerous.

- Right, Chief.
- He's wanted

for suspicion of murder.

- Right away.

(vocalizing)

(heavy breathing)

(gentle music)

(vocalizing)

It is love.

True love finally.

Don't disappoint me Pepi, please.

(door knocking)

- Keep still.

(door knocking)

Stay here!

- Wait.

Who is it?

- Marianne, it's me Antoine.

Open the door.

(door knocking)

Open the door!

- [Pepi] Tell him to go to hell.

- Open this door!

- Go away, Antoine.

- [Antoine] Open it!

- I told you to go away.

- Open it up or I'll
break the door down!

(gentle music)

Marianne, I'm in
a horrible mess.

And I don't know where to go.

- I don't want you
here anymore, Antoine.

You only come here
when you're in trouble.

Go away please.

Please.

- She told you to
go away compre?.

So get the hell out of here!

Get out!

- I'll kill you!

(police siren wailing)

- Over here, Sergeant!

We've got him cornered.

Get the Inspector!

(tires screeching)

(tires screeching)

(foot thuds)

- How about a cigarette kid?

(handcuff clicks)

- You son of a bitch.

- In my opinion
Gottvalles is paranoid.

Incapable of logical reasoning.

However, there are many
people in such a condition.

- Hmm.

Have you read the
autopsy report?

- Yes.

The brain was
crushed by the force

from the blow of the lamp.

- This is not my favorite
luncheon conversation.

Let's go into the
living room for coffee.

- Yes.

- This trial should
be a brief one

for you to judge this time.

Well, in confidence, I have never
seen such obvious guilt

since the first investigations, but
I can't discuss the case, Theodore.

Oh, sure, I understand you, sorry.

- Please sit down.

I imagine the press will have
a field day with this case.

- Ah, newspapers, they
have too much liberty.

- Now, George, that's not
the way for a judge to talk.

- You always have
my favorite kind.

- [Theodore] I have
some Davidoffs coming.

I hear they're the very
best Cubans ever made.

- [George] Expensive though.

- [Theodore] Oh, Rogee.

Judge, this is my new assistant.

- [Rogee] Good
evening, Professor.

- Rogee Delluc.

- A pleasure.
- How do you do, Doctor?

- Important man, Rogee.

This is Judge Teschi.

He will be center of
attention for awhile.

He'll be presiding over
the Gottvalles trial.

- I don't envy you.

Professor, I would
like to take Eleonora

to the Olympia tonight.

- Sorry, but I need her to
copy some notes for me tonight.

I'm quite a bit
behind in my work.

- You know the saying,
Father, all work and no play.

- The notes I need you to copy

happen to be
important, Eleonora.

By the way Rogee,

tomorrow I want you to
go to the Palais Justice,

the trial is starting

and I need the psychiatric
reports on Gottvalles.

- Yes, sir.

- Want a coffee, Rogee?

- No, thank you.

- Nice meeting you Judge Teschi.

- [George] My pleasure also.

- [Eleonora] Oh, wait, Rogee.

I'll walk ya to the door.

- I'm sorry we can't go tonight.

Maybe we should of
sneaked instead.

- I can't do that, Rogee.

I couldn't be dishonest with
him, as I couldn't with you.

Are you mad?

If father saw us like this
I could never see you again.

Anyway I liked it.

Don't please.

Goodbye, Rogee.

- Ciao.

"Witness Room"

- I'd like to see him dead.

Poor Francine.

- I don't know I
still have my doubts.

After all he was my husband.

And he did have a
terrible temper,

but a murderer, I don't
believe it's possible.

- In my mind there's no
doubt about it he did it.

Doctor Delluc, do
you remember me?

- Why yes, you're Mr. Randall.

We met at the
inquest last month.

- All right.

- You talked with the
professor, Waldemar.

- Yes, certainly.

But he's time is too
precious you see.

I would like to talk to
you if you don't mind.

- Very well, but another time.

I have to get back to the lab.

- Let's meet later
and have a drink.

- Fine, it's okay with me.
- Okay.

- Come to my place.

I think we all need a
drink after this ordeal.

And you can all hear
Marianne's latest song there.

- You can come to
my house later.

We'll have a party.

The police have
closed it for awhile,

but Mr. Randall is
always welcome there.

- Antoine Gottvalles,
you've been tried and judged

by your peers for the
murder of Francine Boulert.

The court has found you guilty.

- No.

No, I didn't kill her.

Are you mad?

- [George] Silence
from the prisoner.

I repeat.

- I'm not guilty.

- For the charge of murder
of Francine Boulert, guilty.

The court condemns you to
death by the guillotine.

- You'll find out
I'm not guilty!

- Silence!
- No, I'm not the murderer!

You won't believe
I didn't commit it.

My friends all watching
happy to see my die

for something I didn't do.

(ominous music)

It was one of you out there,

one of you killed her.

You're happy to let
me pay for your crime.

There's no justice
in this world.

And if there's a second world
I promise you all something,

from the grave I'll come back,

and I promise to
repay all of you.

- Makes good reading.

Antoine Gottvalles promises
to return from the grave.

This sells newspapers.

All who condemned him will
die violently by his curse.

George, you're on the
list, doesn't it worry you?

- If I paid attention
to everyone's threats

why I'd be in the loony bin now.

(Reporter speaking
in foreign language)

- Coffee?

(Reporter speaking
in foreign language)

- None for me, thank you.

- Here buy yourself a dress.

- Oh, thank you.

(Reporter speaking
in foreign language)

- When do I see you again?

- [Tina] Whenever you want.

(Reporter speaking
in foreign language)

- Tina.

How about tonight?

- Just call me.

Bye, lover.

- Attention please, we
have a flash bulletin.

The convicted killer
Antoine Gottvalles

escaped this morning while
being transferred to death row.

Everyone is asked to help the
police capture this killer.

Familiarize yourself
with this photograph.

He is tall, has brown
hair, green eyes,

and a scar on his right hand.

Everyone seeing him is asked

to call the following
numbers 346-2627.

- Madame Colette.

(suspenseful music)

(group chattering)

- Soon as we do
we'll let you know.

Just keep in contact
with us, yeah.

Call section two, that's right.

Bye.

(phone ringing)

- Give me radio control.

(suspenseful music)

- [Motorcycle Owner]
Hey, hey, stop him!

Hey, he's stealing my bike!

Hey, stop him!

- Fontaine.

Yeah.

(group chattering)

I'll get to it right away.

Fine.

Our boy has changed his
mode of transportation.

He's stolen a motorcycle.

- This gives him an
edge in Paris traffic.

- Yeah.
- I'll contact

central control, we'll get him.

(motorcycle engine roaring)

- [Officer]
Identification please.

Wait, hold it!

Stop him!

- [Officer] Don't
let him get away.

After him!

- [Officer] Hold it!

(police siren wailing)

- He's headed for the river.

(gun firing)

- [Detective] Just got a report,
he's in the Parc De Bercy.

- Let's get out there.

- Right, Chief, let's go.

(tires screeching)

(motorcycle crashing)

(ominous music)

(dramatic music)

(light jazz music)

(singing in foreign language)

(singing in foreign language)

(singing in foreign language)

- Good evening, Rogee.
- Hi, Pepi.

- Whiskey.
- Right Chief.

(singing in foreign language)

(singing in foreign language)

- Randall should be here by now.

- It's late, and I
have to be up early.

- Better make it another time.

- Stop it.
- Goodbye.

- Sure, call me
anytime you want.

- Okay, Pepi.
- Bye, ciao.

(singing in foreign language)

- Stop, stop, leave me alone.

No.

Leave me alone.

Get away.

(singing in foreign language)

Stop, stop.

(singing in foreign language)

No.

(singing in foreign language)

Get away!

- Hey!

(fist thuds)
(Thug grunts)

(fist thuds)
(Thug grunts)

- [Pepi] You just
need sobering up.

Harry, get him out of here.

But don't bruise him.

(upbeat music)

- How is it you show so
much interest in Tina?

- Just a minute, Marianne.

I wanna speak with you.

You heard about Antoine?

You know I've always
had this thought,

the evidence was too
obviously against him.

- Are you trying to make amends?

- For me or for him?

- Only you know the
answer, Inspector.

- Okay, okay, but
in your statement

you said, "Antoine was violent

when you refused to
help him last night."

- [Pepi] Hello, Inspector.

- [Fontaine] Hello, Pepi.

- Marianne, get changed
for the next number.

- Sorry, I couldn't
help you, Inspector.

- You run a tight ship, Pepi.

Better keep it on an even keel.

- This is Professor Waldemar.

May I speak to Judge
Teschi, please.

Hello, George, how are you?

Yes, just fine.

George, I would like to
ask a big favor of you.

Now don't think I've all
of the sudden gone mad,

but after all you know my work.

- Of course, I'm always glad

to cooperate with you, Theodore.

- I would like to have
the head of Gottvalles

for some research.

I know you're the only
possibility for me to have it.

- Hmm, it might be difficult.

Of course, I'll
do whatever I can.

But don't expect any
miracles from me.

- He performed the miracle.

It must have been difficult

getting permission
to have the head.

I want the right eye
excised, see to it.

- Yes, sir.

(light suspenseful music)

Professor.

I saw the eyes move.

- Nonsense, no muscle can
move 24 hours after death.

- It wasn't the muscle.

I saw the iris contract.

I swear it.

- Now look here, Rogee.

(phone ringing)

Yes.

Oh, all right, I'll
come right away.

Judge Teschi is
paying a visit to me.

So let's not talk about
the eyes Rogee, huh.

- But.

- I doubt if he'd understand.

I invited you here
to see the specimen

you were so kind as
to obtain for me.

- The whole thing's gruesome.

- You must remember, George,

that you were the one that
condemned him to death.

- But that was in
the court of law,

and it was my duty
as presiding judge.

I guess maybe that the accident
was another form of justice.

- Could be George.

There are many facets of faith

that a scientist can't explain.

(cat meows)

Hello, Chan.

(funky dramatic music)

- We've got to tell your father.

Why is it can't have a romance,

a romance like any
other normal couple?

No, doesn't make sense.

I don't believe it.

- Believe what?

- Look, don't be a baby.

Why is it so difficult
to be alone with you?

- Are you mad?

Can't you be patient?

I really love you, Rogee.

- And in the full fury
of Antoine’s passion

he struck the lovely Francine
with an alabaster lamp.

They say it was an accident
when his head was severed,

but it was a higher
court that judged him.

A mighty power
that judges us all.

And the house of Madame Colette
is shuttered by the police.

Is Madame Colette's house
of love a thing of the past?

- [Colette] You
write well, Randall.

But you've also reminded me I
have to get back in business.

- [Randall] What
are you going to do?

- [Colette] I'm going to
speak to Inspector Fontaine.

(phone ringing)

- Fontaine.

I got the message from
your man Serandrei.

I'm afraid there's nothing we
can do about your situation.

Judge Teschi.

I wouldn't talk to him about
this at all if I were you.

(dramatic music)

Okay, bye.

Madame Colette.

- What's her problem?

- She didn't like the idea

of having her massage
parlor closed up.

(dog barking)

- Alice, you look worried.

What's the matter?

- Nothing.

- What's bothering you?

- Nothing.

(ominous music)

(dog barking)

(ominous music)

(insects chirping)

(dog barking)

(dog barking)

(dog barking)

(suspenseful music)

(dog barking)

(Colette groaning)

(Colette screaming)

(dramatic music)

- Fontaine] Look Hassan,
you've been a regular

at Madame Colette's
for some time

where there's been two murders,

what do you gotta
say for yourself?

- I go there for pleasure.

I wouldn't kill for it.

- Get this joker out of
here before I lock him up.

- Let's go.

(phone ringing)

- Fontaine.

Yeah, yeah, I know, Chief.

It's pretty hectic.

As soon as I have something
concrete I'll bring it in to ya.

Fine.

Okay.

Hello, Randall.

- [Randall] You
wanted to see me.

- I've asked you here, Randall,

so that maybe you could shed

some light on the
latest killing.

It appears that the
conviction of Gottvalles

was a little premature.

Madame Colette's
murder has proven that.

I want you to dig in that
factual mind of yours,

recall every detail
during the time

you spent in Madame
Colette's house.

- I told you everything
the last time.

I've checked all my notes.

In my opinion the
motive was money.

- A rather brutal
way of stealing.

What did you know
about her money?

- Everyone in that house
knew about her eccentricity.

She allegedly had
large amounts of money.

She didn't trust banks.

- Beside your curiosity,
anyone else interested enough

to remark about it?

- Come to think of
it, yes, there was.

One of the girls Alice, seemed
to have a special interest,

but she left the house,

and no one knows
what happened to her.

Maybe she has financing
for some traveling.

Could be as much as
a million francs.

- Get on this, check with
the Pigalle informers,

and bring Alice in.

- All right, Chief.

- Randall, I've never
been completely convinced

that a writer must live among
whores just for a story.

Weren't there other motives?

- I don't care what you think.

Do you wanna arrest me for that?

- Get out.

- [George] It doesn't pay
to hide the king, old man.

- Don't make a hasty
judgment, George.

You scoffed at
Gottvalles's curse.

The murder of Madame Colette
makes one think, George.

- Poppycock.

- I wouldn't take it so
lightly if I were on his list.

Check.

- Darling, why can't
we go somewhere?

I want to be alone with you,

so we can talk about our future.

- Just be patient.

It's going to take time.

You know how Father
feels about us.

- [Rogee] Yes, yes, I do.

- How are those experiments
going with Gottvalles's head?

- I've discovered something
every interesting.

There were traces of abnormal
tissues in his brain,

which would of contributed

to his abnormal
emotional condition.

I'm sure that he was
congenitally schizophrenic.

- Could be.

But with Madame Colette's murder

we definitely convicted
the wrong man.

I'm reopening the case.

I have all the files and
the transcripts at home.

I wanna erase any
judicial mistake.

That's why I've asked
Inspector Fontaine

to open up a full investigation.

- Checkmate.

- Professor, if
you will excuse me.

Oh.

- Something wrong, Father?

- No, nothing just a
little dizzy spell.

Here drink this.

There.

- I feel better.

I'm sorry.

- I think I better let
Rogee take you home.

Get a good night's rest.

- Thank you, Rogee.

- [Rogee] Are you
feeling better?

- [George] Yes.

- You have a lovely
villa, Judge Teschi.

- Thank you, it's been
my family's home now

for three generations.

- You're okay now?

- I'm feeling better.

- [Rogee] Need anything?

- No, I'm fine.

Thank you very much.

Goodnight.
- Goodnight.

- Good evening.
- Good evening, Doris.

(dog barking)

(ominous music)

- I wanted to say
goodnight, Father.

- Goodnight, darling.

- Goodnight.

- [Theodore] Just
a moment Eleonora.

- Yes.

- I want to tell you something.

- Okay, tell me.

- I noticed the way
that Rogee looked at you

when you both went into the
other room this afternoon.

I don't really want to
see him bothering you.

- I know you feel, Father,

and I've respected
your wishes, but.

- [Theodore] But what?

- Well, it isn't my fault

if he bothers me
with his attention.

- I've told him to
stay away from you.

I think I better
talk to him again.

- [Eleonora] Father,
please don't say anything,

it's too embarrassing.

And I promise you that I.

(phone ringing)

- Hello.

Oh, it's you George.

Are you all right?

- Yeah, I'm all right now.

- Ah, that's good.

A shot of cognac and
a good night sleep

and you'll be a new man in
the morning, you'll see.

- Yeah, sure, I'm going to bed.

- [Theodore] Well, if you
need anything just call me.

- First I think I'll read up
on the Gottvalles transcript.

- Goodnight.

All right, darling, I won't
cause you any embarrassment.

- [Eleonora] Thanks, Father.

- And now young lady go
to bed, and don't worry.

- [Eleonora] Goodnight, Daddy.

"Trial"

(upbeat music)
(group chattering)

- Tina.

I want to talk to you.

- Talk then.

- I overheard Pepi
talking to you.

Have you been seeing him?

- Marianne, Pepi is just a
business acquaintance for me.

- Just what way, Tina?

- I'm going to change.

- I would like an
answer from you.

- Really?

- Sometimes Pepi disappears
for hours, like tonight.

I'm sure you know where
he goes and with whom.

- [Alice] Are you sure
no one knows about us?

- No one, Alice.

Just think of all that money.

- Yeah.
- Pack and get ready to go.

- Okay.

And Marianne?

- I'll take care of her.

- [Alice] When will I see you?

- Very soon, darling.

Now I got something
important to do.

Get packed.

- [Alice] All right, darling.

(suspenseful music)

(dog barking)

- [Doris] Over here.

- And the old man?

- He's a asleep.

- That's good.

(suspenseful music)

- [Doris] Oh, Mike, I love you.

Close the door.

(suspenseful music)

(dog barking)

(dog barking)

(something scratching)

- Doris?

Is that you, Doris?

(dog barking)

(shutter thuds)

(shutter thuds)

(dog barking)

(suspenseful music)

(dramatic music)

(Eleonora gasps)

(suspenseful music)

(ominous music)

(dog barking)

- Eleonora.

Eleonora.

What's the matter?

- It was a nightmare,
but I feel better now.

It was a confused
terrible dream.

It seemed that someone
dear to us was being hurt.

I couldn't understand
who it was.

(phone ringing)

- Wait.

Hello.

Yes, it's me, Doris.

What's that?

It's impossible.

- What's the matter?

What's wrong, Father?

- It was Doris, George's maid.

He's been murdered.

- Murdered?

(birds chirping)

- You wonder why
Teschi was murdered.

- To make Gottvalles's
prediction come true.

- Then according
to that, Professor,

there's still Pepi and
Marianne on the list.

- And you Randall,
you're on the list.

That is we're believe
the curse of Antoine’s,

and the possibility of
taking revenge post-mortem.

- [Randall] I see your point.

- Inspector Fontaine,
there must be a link

between these stranger murders.

They're beyond comprehension.

Yes, very difficult
to explain it.

- It's a literary case
without precedent,

that's why I'm fascinated by it.

And the story will
make me very famous.

- It must be a coincidence.

The murderer is clever, but
he won't escape justice.

- Well, if I read
correctly I understand

that you have two
suspects in custody.

Morning news said, "That
you've arrested Doris,

Teschi's maid, and her lover.

- Well, she's only
an accomplice.

She's not strong enough
to have done it you see.

It took a man.

- Yes.

Mike, Mike, her lover,
huh, that makes sense.

Coincidence, not a curse.

Well, gentlemen, I
must be on my way.

Goodbye.

- Goodbye, Professor.
- Bye.

- Well, if you don't need
me anymore, Inspector,

I'll be going.

- No.

- Goodbye.

- Ah, just a moment.

I guess I made a mistake.

I thought I saw some scratches.

- Yeah.
- Sorry.

- Goodbye.

- Goodbye.

Oh, by the way Randall,

I'd like you to come down
headquarters this afternoon.

There's a couple of things
I'd like to clear up with you.

Let's say around four.

Might think you'll find it
very interesting for your book.

- Okay.

- You were the last one
seen leaving Teschi's villa.

The morning after
he was murdered.

Oh, Doris confirms your alibi.

I find it a little weak.

- Well, what reason
would I have to kill him?

- Cigarette?

Okay, give it to me.

All right, Martin sign.

Release him.

- Come on.

- Just a minute.

Martin, don't leave Paris.

We might wanna
question you further.

He's clean.

- Are you sure?

- Well, Martin with a cigarette

and signed his
statement, left-handed.

The killer is right-handed.

Club Tresantene.

I wanna speak to
Mademoiselle Marianne.

She's not there.

I see, thanks.

(phone ringing)

(dog barking)

(suspenseful music)

(dramatic music)

(suspenseful music)

(dramatic music)

(insects chirping)

(dog barking)

(Eleonora screams)

- Rogee.

You frightened me.

Don't.

I promised to meet
you to talk, Rogee.

No more than that.

- What's happened to us?

You've changed so much.

- You know how Father feels
about anything between us.

- I don't understand.

Doesn't he want you
to have a boyfriend?

- I told you before it'll
take time with Father.

He's a bit old-fashioned.

Rogee, I do care for you.

So for my sake please be
patient a little longer.

(Eleonora gasps)

- I thought I heard you.

Get out, Rogee.

You hear?

You understand?

Get out of my house!

Get out and don't
ever come back!

You're finished here!

- Did you go through that?

- Yes, quite interesting.

How many girls worked
at Madame Colette's?

- There were five,
Kiki, Rosie, Marlene,

Francine, the dead girl Alice,

who we found in Pepi's house.

Only five.

Why, Inspector?

- I count six.

Randall has written about
another on page 137.

He writes about Eleonora.

I think we better have
another talk with Randall.

(upbeat music)
(group chattering)

- No, Randall was here
earlier, but he didn't stay.

Picked up Tina and left.

- It seems the death of Pepi
hasn't hurt the business.

That's life.

Marianne, is she here?

- Uh-uh, haven't
seen her tonight.

- Hey, Bartender, whiskey.

- Gotta go to work.

- Doctor, I'd like to
have a word with you.

- Don't wanna talk
about anything with you.

- Well, you can decided to
talk here or in my office.

Take your choice.

- Well, Inspector,
I propose it here.

- Were you ever a client
of Madame Colette?

- Huh, me?

You're kidding.

- You happen to be
the only one I know

who's been in love
with Eleonora.

- What are you talking about?

- I came here
looking for Randall

to find out why he mentions
her name in his manuscript.

- I think that there are
other Eleonoras' in the world.

- I agree.

But I'm sure when
I talk to Randall

we'll find out that there
aren't too many Eleonoras'.

(insects chirping)

(upbeat music)

(glass screeching)

- Would you like to dance?

- I prefer to watch.

(doorbell buzzing)

Dammit.

Marianne.
- Hello, Rowland.

- What do you want?

- I'm sorry to bother you,
but I knew Tina was here

and I wanted to talk to her.

Hello, Tina.

- Hello, Marianne.

- You look like
you need a drink.

- I know you're a bit angry
because I accused you and Pepi,

but now I know it was
Alice he was seeing.

I've been out of my mind

with Pepi being murdered and
the police questioning me.

- Here's a whiskey, Marianne.

- Thanks.

I know Tina, you made an
appointment with Pepi.

He told me, "That he
was going to see you

after the club was closed,"
the night he was killed.

- We met that night, it
was for business only,

but nothing else.

- It doesn't matter now.

But you were the last
to see him, Tina.

- I suppose.

- Alone?

- He was with Alice.

I told you it was business,

and he had to give me some money

for an arrangement
he made for me.

(sighs) I don't wanna
discuss it anymore.

- I'll be right with you, Tina.

I don't understand the purpose
of your questions, Marianne.

- The truth is I'm frightened.

I was close to Pepi and I
don't know why he was killed.

- What about Antoine's curse?

- I don't believe in that,
and I know you don't.

It is strange, everyone
that's been involved

with him has been killed.

- I have to go now, Marianne.

I have something to do.

I'll call you tomorrow.

(suspenseful music)

(sword thudding)
(dramatic music)

(dramatic music)

(dramatic music)
(Randall screams)

(Randall groaning)

(Tina screaming)

(Tina screaming)

(Tina groaning)

- Cover the back way.

(door knocking)

Get the lights on.
(suspenseful music)

Martin.

- Mike, Mike, her
lover, that make sense.

(doorbell rings)

(doorbell ringing)

- Doris, I'm sorry to disturb
you but it's very important,

it's about your boyfriend.

I must have some information.

- I'll get Martin for you.

- No, it's you I wanna talk to.

It's a rather personal question,

but do you have a boyfriend
other than Martin?

- No, of course not.

Martin and I are
engaged to be married.

- Then who is Mike?

- Martin is his real name.

- What do you mean
his real name?

Come on Doris, out with it.

- When Martin and I make
love I, I call him Mike.

You see.

(suspenseful music)

- Thanks Doris.

- It's late.

You promised you
wouldn't work anymore

as late as this, Daddy.

Daddy.

(suspenseful music)

Are you all right?

- [Theodore] Eleonora.

Eleonora, I love you.

- Daddy, Daddy!

- Eleonora.
- Are you crazy?

(suspenseful music)

(Eleonora screams)

- [Eleonora] No, no, no.

- [Rogee] What the hell?

- [Eleonora] Oh, Rogee.

- So that's why you didn't
want me to see your daughter.

A case like you should be
considered psychopathological.

How would you classify yourself?

You depraved, filthy pig.

You were jealous of anyone
who got near your daughter.

And every time you visited
Madame Colette's for girls

in reality they all
were Eleonora to you.

- Rogee!

Don't.

(Theodore groaning)

- Hold it!

I said hold it.

A miscalculation or I
had been here sooner.

This is the end of the
line for you, Waldemar.

Before dying Randall managed

to write in his own
blood the letter M.

But it was a W that he wrote
to identify you, Waldemar.

You and Teschi were Madame
Colette's VIP clients.

You know where we
found this mask?

In Judge Teschi's house.

I'm sure we'll find the other
one somewhere in your house.

Francine was your first victim.

(suspenseful music)

(Francine crying)

- What's wrong?

- Go away.

- Eleonora, my little darling.

My little one.

Eleonora, what's the matter?

Tell me.
- Go away, you disgust me!

- Don't talk like
that, Eleonora.

- Go away you
demented silly fool!

Get out of here!

Do you hear me?

- Shut up.

- [Francine] Get out.

- Will you shut up?

- I'm a filthy whore yet
you, you can't have me!

- I told you to shut up!

- [Francine] And
I'm not Eleonora!

- Shut up!

Are you ever going to shut up?

- [Francine] I don't
want you or your money!

(Francine screams)
(dramatic music)

- After the first killing you
had to cover it with another.

This started a chain reaction.

And you became your own victim.

Perhaps it was blackmail
that caused you to do it.

Perhaps you were plain stupid.

I made the mistake of
not following through

on the investigation
of Francine's murder.

If I had I would of
linked you and the Judge

at her place the same
time as Gottvalles.

This of course led to
the Judge's demise.

And then came the others,

Pepi, Alice, Marianne,
Randall, and Tina.

It's been a very bloody trail.

- It was, it was Gottvalles!

Gottvalles and his bloody eyes!

He drove me to it.

- If you're lucky maybe the jury

will take it in consideration

the influence of those
eyes on your sick mind.

The same influence that tried
to shift the guilt to Rogee.

(Eleonora screams)

Get after him!

(suspenseful music)

Stop him!

He's getting out the back way!

(police siren wailing)

Don't!
(Theodore screaming)

(gentle music)

(singing in foreign language)