All language subtitles for Evil Town [1977] 720p BluRay - HJ

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gJ�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���M��S��T�gS��I&�O�I�f@�*ױ�B@M��libebml v1.3.10 + libmatroska v1.5.2WA�mkvmerge v44.0.0 ('Domino') 64-bitD��ARҽDa��㳀�{��Evil Town [1977] 720p BluRay - HJs����⒁oJ:�t����(T�k���ׁsňH}u\�6R���������S_TEXT/UTF8Sn�SDH�D%C�u�������(upbeat music)��@C�u@��A,�����- [Cathy] Dad, are we at Disneyland yet?���������- [Dad] Cathy, for the last time,��������we've still got a long way to go.���C�u@��XO�����- [Cathy] How long is a long way?�������� - [Brother] You're so dumb, Cathy.��ˠ���� �Why do you ask so many stupid questions?��������- [Cathy] Dad, he called me stupid.��PC�u@��o������- [Mom] Will all three of you be quiet?�������UYou're giving me a splitting headache.��r����� �- [Brother] Cathy, you're nothing but a complainer.��I�����@- [Cathy] Leave me alone, lizard breath.���C�u@�炆蠷���- [Dad] Alright, alright kids, just stop it.�� I����� �Quiet, I want some peace.��������iI don't want any more talking until we get there.���C�u@�炯������- [Cathy] I've got to go to the bathroom.��@�����~- [Brother] Again?��蠠��� �- [Dad] Oh God, Cathy,�������Ewe just stopped for you 20 minutes ago.���C�u��������- [Cathy] Honest Dad, I gotta go.��a����� - [Dad] Alright, I'll stop at the next gas station.���C�u@���[�����- [Radio DJ] That was another fine tune���������from your friendly KDAR radio, music and news station.��̠�����Talking about news, still no word from the authorities�� C�u@���N�����and no clue about the disappearance of five campers��̠���� in Smalltown Campground,��<������but folks I wouldn't worry if I were you.��yC�u@��������You know how kids are nowadays,��ؠ���� they disappear for a while��g�š�� �and then when they need something they're back home again.���á���But the sheriff believes that those campers will show up�� DC�u��66�����and well things like this always seem to happen��0�����~this time of year.���C�u��S �����- [Dad] There's a gas station over there.������� (ominous music)�� �C�u���������(banging)�������� 2- Hey, how much longer on that door?��x������- New lock didn't fit.���C�u@���������God damn modern equipment.��[������- I'll let Earl know when he wakes up.�� �������Besides, he kind of likes it that way.��UC�u���?�����Especially when there's someone inside.��~����� �- I kind of like it that way myself.�� C�u���,�����(laughing)��+C�u��������Hey Earl, wake up!���������We got some company.�� s������(radio DJ chattering)�� �C�u@��S������- Howdy do'll.��נ����%- Hi. - What can I do for ya?���������- Do you have a restroom that the ladies can use?�� C�u@��n �����- Sure thing, mister.��䠴���1I'll get my wife Norma to show it to you.��������- Alright. - Norma!��蠳���- There's a soft drink, can I have some?��C�u���������- You don't need anymore soft drinks.��ʠ����- Hey Norma!������� mCome on out here, honey.��+C�u��������Got some nice people here, honey,�������and these nice young ladies want to use the facility.�� C�u���h�����You go show them where it is, hey Norma.�� �C�u��� �����- Say fill her up, regular. - Sure thing.�� �C�u@���Š����You been traveling far?��O����� �- Yeah, all the way from Boston.��������o- Oh, smack across the country, eh?�� C�u@��������That's darn far.��Z������- Well instead of teaching school this summer,�������PI decided to show my family America.�� �C�u@��������- Is that right?��<������Hey, what do you teach?�������� g- I teach high school history.��������9And I'll tell you after 10 months grind���C�u@��:0�����it sure is terrific to be able to take a break.�� ����� h- I'm sure I can see how it would be.��H������Kids ain't what they used to be.�� C�u��QS�����Now they're just plain little old gangsters.��Ҡ����P- You live around here?��fC�u��fW�����- Yeah, right in back of the station there.���������- Uh huh.��蠪����- That'll be seven dollars even.��OC�u���������- How far is the closest town?��+����� >- About three miles east.���C�u@��������- I wonder what's taking them so long.��Ƞ�����- Well now that beats me.�������� �- Women are something else.���C�u��Ӏ�����- They sure are, mister, they sure are.�� s����� �- Say Brenda!���C�u���W�����Brenda!��蠑��� sBrenda!���C�u��젔���(knocking)�������TBrenda!���C�u��(������(door rattling)��<������(banging)���C�u��J젓���(sighing)��%C�u��^̠����- Good work, Earl.��㠝��� hWe sure needed 'em.��������:- Thank you Dr. Schaeffer.�� C�u@��x`�����- I'm sure Doc Cooper will be real pleased too.����¡���Now some of the folks might object to unscreened donors��WC�u���������but in this case I think it was a necessity.�� b������They look healthy, their vital signs are excellent.��uC�u���b�����They should make exceptional donors.�������OEven the children will make a significant contribution���C�u���Q�����to the donor pool, huh?���C�u@��������- You know Doc was might pleased with that family.���������In fact, he told Earl that we were doing a great job.�� gC�u@��*�����- Yeah, well I ain't so pleased.��7����� �- Well, why, what's the matter?�������c- Oh, listen Wally, look it's been a long time��C�u@����¡��since we had any fun and I'm talking about a long time.�� \������Remember all the fun we used to have with the girls?���C�u��6�����The hitchhikers?�� �����ZThey'd run out of gas�� ����� �or they'd run out of dough out in the road.��UC�u@��K]�����Well I miss that, Wally, I mean I really miss it.��O����� �- Yeah, I know what you mean,��O�����but we have a commitment to the doctor�� sC�u@��d �����and a commitment to the community.��7������- Oh, what about a commitment to ourselves?�������� �A little enjoyment?���C�u@��w������- Well why don't we do something about it?��������- Ahh, what can we?��<�����W- Look Harry, we can kill two birds with one stone.�� �C�u@���6�����- How's that?�������`- Well, first we take the girls into the storage room�� ������:and then after we're finished with them,��TC�u��������then we take them to the clinic.��U������- Now that's not a bad idea.���������Wally, you're a genius.�� gC�u���Z�����- Yeah!��蠭��� - Hey, let's have a drink on that.��(C�u��盠����(upbeat music)�� C�u��*g�����- Hey this is it, this is the campground.�������� �- You finally found it, let's see the rest of it.�� �C�u��H������♪ Every dancing craze gives me happy feet��C�u��f٠ơ��♪ Let me count the ways that I love the beat of the music���C�u@���������So quiet around here.��1�����Nobody around.�� ����� �- Well look at it this way, this is all to ourselves.�� �C�u���G�����Our own paradise.��Z������Come on, let's go check out the rest of the area.���C�u@���Ƞ����(pop music)�������� J♪ The paint is true the portrait is lame��%������♪ The fire's raging beside your name�� �C�u���d�����- Oh wow, what pretty flowers.�� mC�u���������(laughing)�� ������ (romantic music)�� �C�u��v�����- Listen, no cars, no stereos,��FC�u��7�����just birds and crickets,��͠���� and monkeys and tigers and wolves and lions�� C�u@��L������and grizzly bears.��頧���7- And boys who won't grow up.��`����� �- Well whoever said when we were growing up�������that you'd be such a gorgeous woman?�� C�u��i�����I mean, you were so short and pudgy.�� >����� �- Well, you're not exactly Tom Cruise either.��&C�u�������- I'm not?�� �����[(pop music)�������@♪ Another defeat�� gC�u��������♪ If no one sees or cares to understand��Ԡ����!♪ I'll take this matter into my hands���C�u���E�����(romantic music)�� �C�u���������That wasn't fair.�������� b(kissing)��%C�u��p�����Come on, let's unload the car.���C�u��ࠕ���(pop music)��蠨���f♪ It's time to draw the line�� ������♪ Find out and take what's mine�� �C�u��6������♪ Too far, they have gone too far��������E♪ Who do they think they are�� �C�u��v������(church bells ringing)��-�����z- Hello there.��H�����- Hi. - How do?���C�u@���;�����- Do you have a restroom?��Ҡ���� - Oh sure thing, you just go right on in.��@������Miss Phelps will show you.���C�u��������- Thank you.��蠨���- Lyle's my name, Lyle Phelps.���C�u@���K�����- How do you do, sir?��蠭����Christopher Fuller. - Christopher?��w����� I- Yeah.��蠛��� �- Mike Segal, hi.��蠧����- Mike, do you need some gas?���C�u@��������- Well no sir, what we really need is a mechanic.���������- Did you come far?�������� �- We were just uh... - You've been camping out.�� C�u���U�����- It looks like something's wrong with the water pump.�� Ǡ���� - Well that's a possibility.��`C�u�� ������(romantic music)�� �C�u�� i͠����- Did you really think I was ugly when we were kids?�������� �- No, I never said you were ugly.���C�u@� �������- Pudgy, ugly, isn't it the same thing?�������O- No, you had that certain,�������:charm, personality.�� �C�u@�� �ޠ����- Charm?�������aLike the time I put goo on the seat of your bike?��B����� �- That was you?��蠳����You know I never found out who that was.��C�u@�� ������- Or the time I saw you smoking behind the market�� Ơ���� and I told your Mom.�������i- Yeah, I guess you were a brat.�� C�u@�� �Š����- Me?��ʠ����What about you?��蠚���+- What about me?������� �- I used to hate it when you call my dolls names�� �C�u�� ꃠ����and throw dirt in my Barbie stroller.�� ����� m- I would wait until you went into your house���C�u�� �ࠥ���and I would grab your dolls�� Ǡ���� and bury them up to their neck in the ground.�� �C�u�� ٠����- Would you get me Fred please?�� ������'Fred, Lyle.�� C�u�� /m�����I hate to bother you like this, but is Earl there?�� 3������Earl's there!���C�u�� Hؠ����Earl, Lyle.��Z������Have you had your supper?��1�����'(laughing)��+C�u@�� g��š��Say Earl, we've got four real nice young people over here,�� ������ they just stopped by.�� �����cThey were driving through in one of those camper vans.��HC�u�� �������Hmm, well it seemed like it's overheating on them�������Pand we'd kind of like you to come over���C�u�� ������and take a look at it.��������Do you think you can do that?�������� �(romantic music)�� �C�u�� �à����(ominous music)�� mC�u�� 4������- Honey, I don't feel comfortable here.�� �������- Why, what's wrong?���C�u�� I������- Nothing's wrong, I just have a feeling�� m����� �all these trees are watching us.���C�u�� _������- Watching us?��蠣���~- Let's do it in the car.��������- Okay, if that's what you want.���C�u�� yY�����- It's what I want.���C�u�� �d�����- Dianne, go get the other sleeping bag.�������[- Okay.���C�u�� +頓���(banging)��%C�u�� \#�����(screaming)�� s����� �Tony!���C�u�� q'�����(suspenseful music)�� >C�u�� d�����- How far did you drive it today?�� s����� �- From Fresno, about�� sC�u�� {۠����- That's quite a walk.��頱��� hThat's where you come from down there?�� C�u�� �������- No, they come all the way from Los Angeles.���C�u�� �g�����- You come up through the valley?���������- Yeah, most of the way.��蠥����- Well, that'll sure do it.��OC�u�� õ�����Alright, see there's your trouble.��O����� �Right in there.��6�����!- What's that? - The water pump.�� �C�u�� ������- What's the matter with it?�� I����� �- I don't know yet.���C�u��~�����- Tony, help, Tony!��aC�u��H������(suspenseful music)��������(screaming)��~C�u���頹���- Well, can't get it fixed till tomorrow noon.��������'- What?���C�u@���������- Oh Mildred, these folks are going to have to find��Р�����a place to stay tonight,��㠺���'why don't we just put them up out at our house?���C�u�� ۠����- Well, why not?��蠭��� - No, really, thank you very much.��ޠ���� 8- We've imposed enough already.��C�u��#ɠ����- Can you fix it, Earl?���������- Oh sure, but I have to go to Casper for a part.���C�u��HĠ����- Goodnight, Earl, see you tomorrow.�� C�u��^������- Adios.��蠭����- We'd love to have you stay over.���C�u��|�����I'll tell you a secret.��=����� It'd be kind of a thrill for us.���C�u���E�����It's been a long while��蠱��� since we had young folks at breakfast.��0�����&Hasn't it, Lyle?�� hC�u���!�����- It's been a long while, Mildred.��N�����f- Really, we couldn't.�������� C- He's right, really.��OC�u@��������- Mildred, they want to camp out.��ޠ����+- Alright.���á��z- I think the best place would be the old logging trail.�� DC�u���8�����- [Girl] Thank you very much.���������- [Man] Goodbye.���C�u���㠝���(suspenseful music)�� >C�u��w������(screaming)���C�u���������- Alright, get her.��1C�u���l�����- Yes, Harry!��7������- Yeah, oh yes, oh yes.���C�u���Ƞ����- Timothy two-fifteen, studied his shot�� >����� �proved to God, not to be ashamed���C�u�� u�����brightly defending the word of truth,��+�����yI like that, I like that.�� C�u��4x�����(ominous music)�� �C�u��oƠ����(muffled screaming)�� >C�u@���������- [Woman] George! - Yes?��6������- George, I need your help in the research room.��Ҡ�����- But I have to take William to see Dr. Schaeffer.���C�u���f�����- George, I have an uncontrollable patient�������Oand I need your help immediately.���C�u��dϠ����(alarm ringing)�� �C�u@��y������(groaning)�� 𠜡�� >- What's happened?��ˠ����W- Williams escaped.��������@- You must catch him immediately.��NC�u@���&�����Take Charles with you. - Yes ma'am.��$�����<- I'll notify Dr. Schaeffer.������� �And remember, he must be brought back alive.�� �C�u���ؠ����- Let's go, Charlie.���C�u��� �����- You go around that way and I'll meet you��Ơ�����in a half an hour.��`C�u��Ȣ�����(punching)��yC�u���K�����(grunting)��xC�u��*������(laughing)��H������Hold him.��蠔��� b(coughing)��yC�u��|�����- That sure was something.��ؠ����&I sure needed that.�� C�u@���������- Are you satisfied now?��蠧����- Satisfied, are you kidding?��ؠ���� �I'm coming back for some more tomorrow.���C�u���6�����- Great idea, Harry, great idea.��ݠǡ�� a- Oh and uh, Wally, don't say anything about her to anybody.��oC�u@���T�����- Not a word, cross my legs.�������� I(laughing)��蠙��� \- Right, Wally.���ǡ���Alright I think I'm going to go dump him over at the clinic.�� 1C�u���0�����- See you tomorrow. - [Harry] Okay.���������- Say hi to Doc.���C�u��,�����(ominous music)�� mC�u���/�����It's okay.��蠕��� �(screaming)�������?No, no, no!���C�u@���ɠ����- Okay, Chris.���������(chattering)��7����� m- If I'm not here when you get back, don't be scared.��I�š���- You better be here, you play the music while we're gone.�� �C�u��ڟ�����- Yes ma'am.��蠜��� (guitar strumming)��������- I think it's in tune.���C�u���ܠ����- Here you go.��<C�u��������(gargling)���C�u��fi�����Oh yeah, yee-ha!�� C�u@��Ԡ����- Hey, hey, hey, hey, hey, I'm not kidding you,���¡��+I think there's somebody out there watching those guys.�� ������(ominous music)��OC�u���������- Where's Chris?�������a- Probably saw somebody.��נ����K- Oh no, Christopher! - Yo.��%C�u@��������I think there's somebody out there watching you guys.�� �����O- Oh, oh, oh great.���������- I'm not kidding you,��=C�u@��������there was somebody out there watching you guys.��N�����f- Sure.��蠱��� s- You guys think I'm drunk, don't you?�������� �- Yes. - Maybe it was Earl.��C�u��������- I don't know, maybe it.�������� (laughing)���C�u��%2�����You ready for bed, darling? - Mm-hmm.��������1- Well then let's go to bed.��~C�u@��@g�����You want me to put out the fire, you guys?��h������- No, keep it on.��頡��� - Keeps us warm, Chris.��頿���E- Yeah, and I'll be able to keep watch for you guys.���C�u��[𠩡��- Okay, sweet dreams, you guys.���C�u���������(ominous music)�� �C�u���ˠ����- [Dorothy] Dr. Schaeffer, don't worry about a thing.�� �����%I have everything under control.�� DC�u@���������William will be back here by the time you arrive.�� n����� �Goodbye.��蠬���- Sorry to come so late, Dorothy,���C�u��������but I knew that you could use him.��1�����- We sure can, Harry.��<�����- Yeah, you better watch him,��$C�u@��*٠����he's a little anxious to get away.��%�����=- Don't worry, he won't.�������� 8Not after what I have to give him.���C�u��?7�����- No, no, no please, no.��頴���- Besides, we don't need anymore escapes.�� C�u@��]������- Why, who escaped?��蠔����- William.��蠳��� �I sent Charlie and George out after him.��������- I better call Wally���C�u@��t������and have him take a look at the main road.���������- That's a good idea.��蠴���-Why don't you put him in the waiting room���C�u���������and I'll take him to Dr. Schaeffer.��y����� �(phone ringing)�� C�u���:�����This is Dorothy.��蠙����Oh, Dr. Hooper!���������Uh, no, no he's with patients right now.��'C�u��������Not now, not here.��Ҡ���� No doctor, I didn't say.��1C�u���ʠ����Oh that feels so good.��蠕����No, doctor.��蠥����I mean, I mean yes, doctor.���C�u��k�����Right there.��=������Ooh, yes, mmm.���C�u��,D�����Um, that will be fine, doctor, I'll tell him.�� �C�u��C䠥���- You've been working hard.�� �ġ��[As a matter of fact, you've been working too hard lately.�� C�u��Zݠ����I think you ought to take tomorrow night off, huh?��Ҡ���� I have just the spot for a little relaxation,�� �C�u��r�����a little enjoyable time.���������- Harry, thank you for your concern�� �C�u��������but I'm 100 percent dedicated to this project.�� ������ �I don't have time to go out.��+C�u@���v�����- Well you've gotta make time for yourself.��נ����%You can't be selfish.��1������You gotta treat yourself.���C�u���]�����Hey, the work is always there, it never leaves, never.���C�u��*�����(romantic music)��+�����y♪ Hey mister lonely and unhappy���C�u��#B�����♪ I see you standing over there���C�u��:�����♪ You got some eyes that need some drying��C�u��Vk�����♪ And a heart that needs some care��tC�u��n������- Don't. - Why not?��7������- Because. - Because why not?��~������- Because.���C�u���������- Don't you want to make love to me?��+�����y- You know I do.���C�u���X�����But not here.���������- What do you mean not here?���C�u@���^�����What is the matter with you?�������� D- Mike and Linda are just five feet away.��������?- Well so what, they don't care.���C�u@���W�����If anybody knows about getting it on,��1����� mit's Mike and Linda darling.��ؠ�����- Chris is right, Joy, we won't care.��~C�u���������We'll just watch.�� ����� >- Alright, Mike.�� C�u�� 7�����Come on.��蠓����(moaning)��&C�u��#ݠ����♪ When you got someone looking out for you��oC�u��u}�����(beeping)��%C�u���⠜���- See what I mean?��蠕���I gotta go.��蠛����- Tomorrow night.���C�u@��� �����At the gas station, nine o'clock.��+�����y- I can't at nine, make it 11.����¡��iAnd don't forget, we need more donors for the hospital.��tC�u���'�����♪ Come on and smile�� ߠ����,♪ I need your smile�� 9C�u��٠����♪ Come on and smile�� �C�u���꠸���- Hello there, did you have a pleasant night?�� ꠡ��� 8- Uh, don't ask. - Oh?�� �C�u@���������- Where's Earl?��H������- Oh, he'll be back in a minute.�������� n- Did he get the pump fixed?��`�š���- Well yes he did but when he went to start up that motor,���C�u@�� �����you just never heard anything like it in your life.�������� I(bell ringing)��頵����- Morning, and a very good morning, is it?���C�u��"w�����Come on inside and have some coffee.�� ������c- Yeah, you guys go on in, I'll take care of the gear.�� >C�u��\������Oh boy.���C�u@���������- What a drag, huh?��蠨����- Oh you could say that again.���������- I guess you gotta make the best of it.��wC�u��������- Oh, as Lyle says? - Yes.��������- Those are pretty flowers.��U�����o- They're from Mrs. Phelps.��8C�u���������- You know something?��蠣����You are a beautiful lady.��UC�u���<�����You want?��7������- Uh-huh, you mind?���C�u���������Yeah? - Yeah.��蠿��� n- Come on in here, I want you to meet my good friend�� �C�u@��p�����and neighbor Mrs. Wiley.��H������Alice, this is Julie and Chris.��+����� - Hello.�������d- You guys, you've got to see what this lady's making.��<C�u��(�����She's just fantastic.��,�����y- Oh, just something to keep me busy.��������Q- Oh, it's beautiful.��1C�u@��5������- Well, Mrs. Phelps tells me��`����� that you're all from Los Angeles.��������V- Yes ma'am.��H������- Oh, well not originally.��qC�u��K������We all migrated there.�� I����� �(clock ticking)�� �C�u@��br�����- With your families?��蠦���- No, we just flew the nest.�� 𠳡��Q- Folks move around too much these days,���C�u��y������especially youngsters.��0�����~They're just not content to stay where they belong.�� �C�u���G�����(ominous music)�� �C�u��T�����- Oh, awesome.��蠧����Come on, let's go, it's free!�� IC�u��1�����(squealing)���C�u��HT�����- Oh, I'm starving.��=������- Let's get something to eat, come on!�� �C�u@��uv�����- Boys, I'm afraid this is gonna be a bigger job�� �š�� mthan I thought, but I'll have it for you as soon as I can.���C�u���������- Well how long will that be?��ݠ����+- Hey boys!��蠨��� gLike you come meet Doc Hooper!���C�u���_�����Doc, this is Chris and Mike,�� C����� �you know, I don't recall your last names.���C�u@��������- I haven't used a last name in 30 years, Lyle.�� ������ Just call me Doc.���������I understand you're serving an internship in LA.�� �C�u��������- Word gets around here, yes sir.�� s����� �Actually, I'm just completing my residency.��%C�u@���D�����- Good morning, Doc.�������U- Morning, Mildred.��蠡��� gAlice. - Morning, Doc.��������- This is Doc Hooper.���C�u@�� f�����They're going to spend the night with us.��@������We're so pleased.������� - That'll be a real treat for you, Mildred.���C�u�� $G�����- Oh yes.��6������- I'll have to run along,��H����� it's nice to have met you folks.�������P- Yes.���C�u�� ;������- Oh and Alice, remind Lester, meeting tonight.��������E- Yes, I will.�� sC�u@�� u������(whistling)��蠜��� - It's about time.�������� Did you find William?��頾���E- Not yet, but we think he's around here someplace.�� �C�u@�� ������- I don't think he'll go far, I hit him awfully hard.�� D����� �- Well I'll keep my eye on the road.��I������Where's Charlie?��1C�u@�� �������- We dropped him off at the house.��ޠ����,- Oh by the way, we got some glaze at the campground�� 𠜡��ifor later tonight.���C�u@�� �������- Yeah, well it better be early��ؠ����6'cause I got me a hot date tonight.�������� 2- Hey listen, I'm gonna take George here��C�u�� ք�����back to the clinic and then we'll be right back.��̠���� - Okay.���C�u@�� �񠾡��- Did you guys decide what we're going to do today?��Ҡ���� - Mrs. Phelps said there was a cove down the way�� �C�u��!O�����with a sandy beach.��㠤��� �We could swim or whatever.���C�u��!(������- [Chris] That sounds good.��[������(adventurous music)�� �C�u@��!ċ�����- What's the matter?��������- I don't know.�������� �My head's not into running.��8������- [Mike] Hey, I thought you were a big jogger.��C�u@��!ܨ�����- Hey man, look up there.��������There's a guy watching us.�������� �That's the same guy I saw last night, I swear to God.���C�u��!�H�����You go check on the girls, I'm going after that guy.�� >����� �(suspenseful music)�� �C�u��"J������(church bells ringing)�� gC�u��"� �����- Will you hand me my bag?��1�����~Thanks.���C�u@��"�堶���- Looks like he got everything out of here.���������- I know he knows how to put it back, the creep.���������- Who tied my bag? - Didn't you?���C�u��"�͠����- I never tie it.��蠘��� >- Hello there!��蠖����- Hi. - Hi.��C�u��"�P�����- Mrs. Phelps is home fixing supper.��y����� �I'll give her a ring, tell her we'll be right along.���C�u��#0�����Take me just a minute to close up the store.���C�u��#3Ơ����- Is there anything missing?��y������- I don't think so.���C�u��#L������- Are you sure?��蠸���%- Well there's nothing valuable in it anyway.���C�u��#a�����Just my ID.��蠙����And here it is.���C�u��#� �����- Looks like the Wylie's stopped by.��xC�u��#�R�����- Oh, doesn't that look good?��������`- I'll do this, dear.��蠧��� DJust let me get the biscuits.���C�u��#�젧���- Tell them about last night.�������� �- Why don't you tell them about last night?�� C�u��#������- Well, the same man was watching us last night�� �������when we were camping out.���C�u@��$�����- We think, Linda.�������l- And it was obviously the same man��0����� �because there were footprints barefoot.��C�u��$.�š��- Do you think it ought to be reported to the authorities?�� ������ �- Well, yes, I think so, definitely.��%C�u@��$H������- Let me ask you, would you prefer coffee or tea?�� g����� �And we're having apple pie, still warm from the oven.�� C�u��$c������- Apple pie, that calls for coffee.�� 堳��� 2- Lester prizes your apple pie, Mildred.�� �C�u��$} �����- Coffee for everyone then?��O����� �And Lyle will have his tea.�� �C�u@��$��ǡ��- Oh, and I'll just have some hot water with a sliced lemon.�� ������ - I'll report it at the meeting tonight.�������d- Well there's nothing the church council�� gC�u��$�������can do about it, Lester.���C�u��$�ޠ����- I don't see it would do any harm.���C�u@��$�e�����- I'll report it to the highway patrol on Friday.�������� D- Why wait till then?����á��- Well that's when they come through here, every Friday.���C�u@��$�q�����- Won't they want to talk to us?�������1We're going to be leaving tomorrow.��ؠ����V- Yes, I think you'd best telephone them up loud.�� �C�u@��%������- I'll do it first thing in the morning.���������- I think that will be best.��g����� �- Would you like me to cut the pie, Mildred?���C�u��%$������- Oh yes, thank you.������� �- Sounds to me like it might be one from that hospital�� �C�u��%:\�����got loose.��蠚��� C- What hospital?��蠳���9- The state hospital over beyond Casper.��yC�u��%f�á��Don't you remember years ago when one of them got loose?��C�u��%������- That's right.��㠤���V- I agree with you, Alice.���C�u@��%�o�����I was just trying to think who it was��+�����xbut somebody come in the store just the other day��Ơ����Vand they mentioned something to that effect.��+C�u��%�٠����I just can't recall who.���������Well I will.���C�u@��%ʌ�����(laughing)��蠩���<- Come on Dora, tell me. - No.��������O- Yeah. - No.��`������- Please.��蠥���9- Pass me a napkin, please.��+C�u��%�젝���Wow, what a talent.��+�ǡ��y- When I was a kid, I used to use my toes on lots of things.���C�u@��&򠡡��I even opened up doors.��ݠ����+- Oh, that's impossible.�������� 2- No, it was easy, I just lie on my back like this�� �C�u��&" �����and I'd open the door.���á��V- What else did you do when you were lying on your back?�� �C�u��&;J�����- Almost everything.���������- Everything, Terri?��蠲����- Now you're getting a little personal.���C�u@��&RC�����Come on, let's clean up and get ready for bed.�������~I'm dead tired.�� ������- Mildred dear, we'll say goodnight.��TC�u��&k������Lester has meeting.���C�u��&�G�����- Goodnight. - Goodnight, sir.��7����� �- Oh Mildred, it's just occurred to me,���C�u@��&�K�����where were you planning to put the young people?�������,You just have the one spare room.��`����� �- Oh, don't worry, dear.�� IC�u@��&�������I have it all planned out.��������- Well, I don't see how you could have, dear.�� �������- Well if you must know...���C�u��&�z�����- Lester and I have a lovely spare room�� Ơ���� and it's just empty there waiting.��OC�u��&�+�����And there's a double bed so the unmarrieds,�� m����� �well they can just come right along with us.�� �C�u��' \�����- What you thinking?���������- Let's not talk about it here, huh?�������EGo for a walk. - Kay.��C�u@��'=2�����- Mr. and Mrs. Phelps, we're gonna go for a walk.��������O- Don't be gone too long now.��+������- Don't worry, we won't. - See you later.��%C�u��'tC�ġ��This is paranoid, okay, but yesterday Earl, the mechanic,��@C�u��'�Р����said it was the water pump, right?��������Then the next day he says it's a rod.�� mC�u@��'�X�����So that means we are stuck here for another entire day�� m����� �and Mrs. Phelps gets us to stay over��1�����9which is exactly what she wanted in the first place.�� �C�u��'�v�����- Come on, Christopher, you can understand that.�� ����� \- Did she just happen to think that up?��C�u��'�^�����Or did she have it planned ahead of time?�� ������ �- What for?���C�u��'�b�����- I don't know.��7������You know something else? - Mm.���������- We haven't been in town five minutes�� �C�u��(��¡��when everybody knew who we were and where we came from.�������� DAnd an awful lot of questions went down���C�u��(������last night and this morning from old Mrs. Wiley.��̠����V- Chris, it's a small town.�� �C�u��(36�����Everybody knows everybody else's business.��~����� They don't have anything else to talk about.���C�u��(TƠġ��- You're not gonna lock your door on me tonight, are you?�� ������Afraid of all their gossip, huh?��C�u��(o*�����- I don't know.�������� �(screaming)���C�u��(�b�����Oh my God.��蠯��� �- Here, go get help, go on. - Chris.��C�u��(�p�����- Go on, honey, go get some help.��C�u��(�L�����- Doc, it's Lyle.��`����� �We found William.���C�u��(�z�����That's right.��蠴��� �It seems he saw the young folks yesterday�� bC�u��)�����and he's followed them.��蠭��� �- I've been wondering about these.��ؠ����Who is it?��C�u��)s�����- That's our son, Mark.�� sC�u��)8 �����- He's very handsome.��`����� �- He was a good boy, a lovely boy.�� �C�u��)\������He's gone.�������O- Mrs. Phelps, I'm so sorry.��������WI didn't mean to.��1C�u��)r`�����- Please don't, no, no.�������UI don't know why, it's not like me to do that.�� �C�u��)�V�����Oh, I'm sorry, Lyle.��ޠ���� �I don't know what came over me.���C�u��)������- Well it's alright, Mildred.��+�����y- It's my fault.��㠪����- No, you truly didn't know, no.���C�u��)�������It's not like me to cry, is it, Lyle?��W������- Well there's nothing wrong with crying.���C�u��)޸�����We miss him, he's a good boy.��1����� �But we accept what had to be.��UC�u@��)�e�����- Why do the young have to go?���������- He died in a worthy cause�� �����-to make a better world for others, Mildred.���C�u��*������(sobbing)�������� 3Hey, that's Doc.���C�u��*/������Now we don't want Doc to see you crying, do we?��%����� s- No.���C�u��*[�����- Thanks for coming, Doc.��C�u��*}>�����- Evening, young fella.��a������- Doc, he's upstairs.���C�u��*�������- Was that ever the wrong idea?��`C�u��*������Anyway, William is not the son.�� �C�u��+=�����(squealing)��������{(door slamming)�� bC�u@��+$g�����- Oh, I want to soak up more of this atmosphere.��X�����&My system is just begging to be purified.����ơ��i- After that party last night, you don't need purification.��C�u��+F!�����You need forgiveness.���������- Are you talking about my, my association with Roger?��?C�u@��+fc�����- Association?�� �����[I've seen rabbits who associate less than you.��������Q- Oh, you're exaggerating.���C�u@��+}٠á��Besides, can't a girl have a little fun once in a while?�� \������- That's what you said after the SC-UCLA game�� C�u��+�꠴���and you never even made it in the stands.��,�����y- Well, who goes to watch football anyhow�� nC�u��+��¡��when the real games are going on behind the grandstand?���������- It's okay to like guys, Karen.���C�u��+�_�����It's just that you've gotta discriminate.��y����� �I mean, you can't go to bed with all of them.�� sC�u��+�栤���- I don't do it that much!�� ������ �- Karen, this is your best friend you're lying to.�� C�u@��+�'�����I know you.�������UI'm surprised you didn't fill up the van��������'with a bunch of guys for the weekend.���C�u��, &�����- Oh, that's not true!��<����� �It's just that, well, they get this look in their eyes���C�u��,%�����and I can't say no.���������I mean, like they get desperate and well,�� �C�u@�,=�ơ��if I don't help them out, they might turn gay or something.�� m����� �- Who has been feeding you that line?���C�u��,R#�����- It's not a line, it's true.�� D����� �Two different guys have told me that�� sC�u��,hu�����and at different times.�������U- Let me guess, one was Roger.���������- How did you know?���C�u@��,������- Because Roger's been using that line��ݠ����+ever since he was in ninth grade.�� ������The other one must've been Chuck, right?�� mC�u��,�c�����- That's right.��0�����~Well how did you guess?���������- It wasn't a guess.���C�u��,������Chuck and Roger are best friends.���������They share everything together, including lines.�� �C�u��,������Come on, let's get the rest of the stuff, Laura, okay?�� s�����,- Okay.���C�u@��,������Thanks, for being my friend and all,�� s����� �for not making fun of me.�� �����I guess I'm just a little dumb sometimes, huh?��tC�u��-������- We all are sometimes.�������� - Children, a couple of neighbors have stopped by���C�u@�-Ϡ����wanting to meet you.��㠡���1This is Mike and Linda.��������'May I introduce Howard and Clarissa Roscoe��C�u��-4F�����and Jesse and Grace Jarvis.�� n����� �- How do you do? - Fine, thank you.�� �C�u��-K?�����- Well, what you got there, Clarissa?��ؠ����&- Oh, my buttermilk donuts as if you didn't know.�� \C�u@��-b�����- Well I never was one to take things for granted.�� �ǡ�� b- Made them for the meeting but we never got around to them.�� �C�u��-y������- Clarissa's famous for her buttermilk donuts�� ����� band you'll soon see why.��[C�u��-� �����I'll go and put up some water for tea.��Ƞ����- Let me help you, Alice.��=C�u��-�ᠢ���- I gave him a sedative.��`������That's about all I can do for him right now.���C�u@��-ԗ�����Judging from that tag on his wrist�������� he belongs up at state hospital.���������- You know I heard somebody broke out of there�� �C�u@��-����but I cannot remember who it was.���������- Well, let's not speculate, Lyle.��(����� �I'll phone out there in the morning and we'll know.���C�u@��.6�¡��If that's where he belongs, I'll drive him up tomorrow.�� =�ġ�� �Now let's give me a hand so I can get him out in the car.�� C�u��.6�����- Sarah said to Michael that maybe we ought to look��f�����~for an old house, I mean an older house.�� �C�u��.2젖���(chattering)�� D����� �- Just fine neighbor. - Oh, how nice.��������@Thank you. - Thank you.���C�u��.T|�����Do you have any cream and sugar?��a����� (ominous music)�� tC�u��.tA�����- Goodnight, Doc. - Goodnight.��[������- Don't stay out too long, kid.�� �C�u��.�������- Hey.��蠚���+Everything okay?�������� - Yeah, sure babe.���C�u@��.�͠á��Listen, I want to take a quick walk over to the Wiley's.���������I want to fill Mike in on what's been going on here.�������Is that okay with you?���C�u��.�I�����- Okay.��蠝���+(suspenseful music)�� >C�u��/������(voices distorted by echoing)��VC�u��/�Ҡ����(groaning)�������� (banging)��%C�u��0.렕���(screaming)���C�u��1$Šá��- We'll get the rest of the stuff on the way back, okay?�� C����� �- Okay.���C�u��1F������- I know, can you believe it?��������- Scary, we'll be okay though.��PC�u@�1]N�����- Are you gonna tell the joke or not?��������- No. - Come on, tell me.��%�����z- No! - I wanna know.��C�u��1r(�����- Come on.���C�u��1�������- Hey? - Yeah?��蠥���- Can guys really go blind?��!C�u��1�������- No!��蠶����And it won't fall off if they don't use it.�� �������(laughing)���C�u��1������And they don't get cancer either.�� C����� �- You mean it won't help get cancer?���C�u��1�*�����- No, silly!���������Hey!��蠔����(laughing)���C�u��1������- Come on.��������B(screaming)��yC�u��27u�����- Well there you are.�� �����[We wondered what had happened to you.��C�u@��2S'�¡��- Folks, this is Chris that we've talked so much about.�� ����� nChris, we had some friends drop in.��1������This is Clarissa and Howard Roscoe.��C�u@��2lh�����- Howdy, Chris. - How do?��ؠ����&- And this is Vernon and Libby Patterson.��������i- Hi. - Nice to meet you.���C�u��2�������- Hi.��H������- Now Clarissa brought donuts.���������She is famous for her buttermilk donuts.�� C�u��2� �����- Sure is.��蠲���V- Have a cup of tea, it'll do you good.�� �C�u��2�頥���- Julie, how are you, babe?���C�u��2�������Come on, let's go.�������UCome on babe, let's get a good night.�� C�u��2�������Come on.��蠧��� �Come on, let's say goodnight.�� IC�u��33������- Don't disturb her, Chris, she's resting.��V������- Get off me!��`C�u��3I������Jesus Christ!��蠓����(banging)��%C�u��3t������- Watch it, he's fast.���C�u��3�������(voices distorted by echoing)��PC�u��3�y�����- Hold onto his hair!��㠕���1(screaming)��C�u��4������- Hang on!��蠥���z- Back him into the corner.���C�u��4A#�����- Watch out. - Stay away.��������(voices distorted by echoing)���C�u��4n렘���- Lyle, don't!��=�����Q- You put that down.��+C�u��4�������'Cause I mean to use this.���C�u��4�������- [Lyle] The rifle, Jesse!������� >- [Woman] He's gonna get away!��OC�u��4�������(glass breaking)�� ������ �- [Man] Don't shoot him, Roscoe.���C�u��4�������- The boy got away.��ؠ����&Tell Matthew.��������-Tell Doc.���C�u��5������(dogs barking)�� IC�u��5�B�����(bell ringing)�� C�u��5�͠����(suspenseful music)�� =C�u��6�n�����(grunting)���������(intense music)�� C�u��7r\�����- I can't.���C�u��7�렓���(banging)��%�����9(laughing)���C�u��8�������(shouting)��頦���7- Alright, alright, alright.��y������Go on, get out.��C�u@�8�C�����Sorry about your having to get tied up there, Chris,��Q������but the knew you'd give us a little trouble.��mC�u@��8�f�����You've been a little difficult.�������U- Look mister, who in the hell are you?��H����� �What in the hell is going on here?��C�u@��8�p�����Where's Doc Cooper, huh?��������Where's Julie and my friends?�������� >I wanna know where Julie is, alright?��r������- We'll take you to Julie eventually��xC�u@��8鼠����and Doc Cooper, he's out on a house call.��̠š�� He's over to Mrs. Phelps, she's not too well this morning,�� �C�u@��9٠����I don't think she will recover.���������- I don't care about Doc Cooper, okay?��ݠ����'I don't care about Mrs. Phelps.��7C�u@��9������Why don't you just let me and my friends go?��O����� �Why not just let us go?��+�����- Sit down, you'll soon find out.�� C�u��95������I'll tell you.��蠚��� �Sit down, Chris.���C�u��9KS�����Sit down or I'll knock you down.��[����� - Knock me down.���C�u��9hT�����Knock me down.��<C�u��9~������- You know a miracle has happened here, Chris.�� �C�u��9�W�����An astounding, fabulous, medical miracle��͠����that is staggering in its implications.�� mC�u��9�-�����- What in the hell is going on here?��������i(squealing)���C�u��9�C�����- Turn around.��<C�u@��:hĠá��- Hey, think you can take care of them by yourself, huh?����á���- Hey listen, I can take care of a whole group of women,�� DC�u@��:�G�����it's a piece of cake.��g������- Alright, alright, hey Wally,�������� you can do me a favor, alright?���������Would you lock the place up by yourself?��1C�u@��:�������It's getting late and I wanna go.��Ҡ���� - What's the rush?��蠱��� �- I got a little date with the nursey.��UC�u��:������I gotta get all cleaned up for my honey, alright?�� ����� n- Okay.���C�u��:�֠����(engine starting)�� m�á��- Get out of that chair and come over here and sit down.�� �C�u��;f�����- Sure.��蠔��� �(mumbling)��yC�u��;C�����- This is how our success all began, Chris.�� 8����� �Arturo Mick-a-nee-kee.�� �C�u��;[٠����Yeah, convicted of rape and murder.�������OA totally despicable character.��uC�u@��;u�¡��Nevertheless it would soon be that he redeemed himself.��������EYou see, experimentation on Mick-a-nee-kee,�� C�u��;�������it contributed greatly to our understanding��E������of extracted chemical in the pituitary.�� �C�u@��;�������And here it is.���������The pituitary itself, isolated within the skull�� t������and made to unlock the secret it contains.���C�u��<^������(choking)��%C�u��<�5�����- Oh God, what do we do?��U����� �- Let's get the hell out of here.�� C�u@��<ⴠ����- Oh, thank you so much.��f������- What are you doing out here all alone?�������- The research program that I had, Chris,���C�u��<������is devoted to the study of the process of aging��C�u��= �����with the ultimate objective of prolonging life�� ]������far beyond that which is now possible.�� JC�u��=.L�����You see, it's well known, Chris,��ؠá��&that there's one gland of the body, the pituitary gland,�� C�u��=DȠ����that plays the major role in the aging process��-�����zand yet that no one knows why,���C�u@��=[D�����no one on the outside that is.�� Ơ���� - You're the only one that knows why, right?���������- That's correct.���C�u��=s �����You see our research has demonstrated��ޠġ��+that decreased secretion of a certain extracted chemical,��EC�u��=�ˠ����we can allow people to live far beyond��K������their normal expectations.��C�u��=�������- And uh, you've been able to accomplish this, right?��Ƞ����- We have, Chris.��=C�u@��=�R�����- We gotta get to the police.���������Nearest phone before that other creep gets here.��y������- But what about my boyfriend?�� C�u��=�o�����- We've gotta call the police first.�� �C�u@��=�Ǡ����- You guys give me a hand,�� �����[we've got to get rid of him!��Z�����- I'm trying to preserve people,�������cI'm trying to get people to go to help the old,���C�u@��>K�ġ��to protect the old, they're kicking the old people around����¡�� Dand I'm gonna protect them, I'm gonna help them, Chris.���C�u@��>#�����- [Chris] I understand.��H������- They're kicking old people.��$������They're pushing them in a corner��a������and we're not gonna have it.��aC�u��>8��š��I'm gonna help them to live until they get to be 150, 175,��@C�u@��>QG�����I'm gonna help them to live and to live forever.��r������We're gonna keep it, we're gonna stop war,���������we're gonna stop destruction.��&C�u��>i:�¡��Can't stop me, why the hell shouldn't I kill a few kids��o������to get what I want?�� 8C�u��>�}�����I'll take this God damn thing off.�������� II'm not the least bit troubled about you.�� �C�u��>�������Come on.��������- We're gonna go see Julie?��=����� �- I'm gonna show you, Chris, come on, get out.���C�u��>�������Now here's Julie.��蠚��� �Now, she's fine,��蠹���Eshe's been sedated and is resting comfortably.���C�u��>토á��I'm sorry I can't say the same thing for Mike and Linda.�� �C�u��?̠����- What the hell are you talking about?����ġ���- Well they had a very bad reaction to Clarissa's donuts.�� �C�u@��?Ѡ����And they died. - What?��蠟���- They died. - What?��ˠ����+- They died, yes.��蠭���And I've got further news for you.��1C�u��?4e�����You're gonna stay here and help me.�� �����VYou're gonna work right along with me.���C�u��?L������But one way or another you're gonna stay here.���C�u��?�������(sobbing)��%C�u��?�Ġ����- Come on!���C�u��?�j�����(easy listening music)�� ������E- Chris, it's unfortunate but it's true�� �C�u��@��š��that at about age 40 the human body begins to deteriorate.���C�u��@+9�����Degenerate at an ever increasing rate�������Oand all the accumulated wisdom of all those years���C�u��@CӠ����is held prisoner inside a doomed biological machine,�������idid you ever think of that?��8C�u@��@Z̠����- [Chris] Mm-hmm.���������- Hello, Earl. - Howdy, Earl.�������� 2- [Earl] Howdy, y'all.��蠤����- Earl. - I know, we met.��7C�u��@r頟���- You did? - Mm-hmm.��ݠ����+- 96 years old! - You're kidding.�� ������9- No, I'm not kidding.���C�u��@�ܠ����It's true, 96.��6������(laughing)��蠘��� �I'm not crazy.��`C�u��@� �����- That's amazing.��蠦��� - Look at me, it is amazing.�������� Take a good look at me.���C�u��@�Ӡ����I'm 96 years old.�� C�u��@�O�����96 years old.��蠴��� �Mr. Wiley is three years older than I am.�� �C�u��@�頡���Mr. Phelps is over 100.��Ҡ���� I don't know how much, but, quite a lot of years.���C�u��A*�����He's healthier, he's sturdier, he's wiser��������Ethan he was 30 years ago.���C�u��A��ơ��All the beauty, Chris think of all the beauty in the world.�� ������Hello, you beautiful.���C�u��A4󠦡��Thank you, you're beautiful.���ǡ��OHello, as long as you can smile like that, you're beautiful.�� C�u��AK������The older we get, the wiser we become.��񠣡��?Chris, you look fabulous.�� �C�u��Aw頲���That which is finite, becomes infinite.���C�u��A������- Oh God, what happened to them?�������� D- I'm not sure.�������dSo their reaction to the potion,�� aC�u@��A�^�š��total breakdown of body resistance, any number of reasons.��z������It's still one of the great problems left to conquer.�� >C�u��A�蠾���See, we've been researching solutions for years now�� Ǡ���� and we won't give up the quest, Chris.�� �C�u��A�۠����After all, most great medical accomplishments�� �����Wtook the sacrifice of time and lives.�� mC�u��B������Let's go down here.���ġ���- Doctor, what I want to know is what are you going to do���C�u��B8������for these people?��蠘����- Do for them?���C�u��BP�����Well the only humanitary thing that there is to do.�� �����WLike animals, we put them to sleep.�� IC�u��Bk{�����Are you kidding?���������Get over your cold?��6C�u��B�������Chis, you someday, someday it will be possible���������for donors to give up their pituitary fluid�� IC�u��B�������the way that they now give blood.��%������You remember the idea once of giving was unthinkable.�� 8C�u��B�٠����The very thought of giving a still beating heart�� �����Vor a living kidney,��=C�u��B͹�����they were considered the fancy of a madman.�� �������But those of us that are presently engaged��hC�u@��B������in the type of work and all pulling together,�������� Dwe're bound eventually to lick��������all of the remaining problems.�� sC�u��C֠����- You mean to tell me that there are more doctors�� ߠ����-like yourself, there are more hospitals��HC�u��Cc�����doing this kind of work?�������� �- Sure.���C�u��C9�����- Hello, Teddy.��f������Teddy, I have a friend here that wants to meet you.�� I�����KThis is Chris.�� C�u@��CO������- Hello, Chris.��蠳����- Now everyone has high hopes for Teddy.��ؠ���� Chris, we believe he might very well prove���C�u��Cd령���as important to our progress as Raymond Crosby�� ����� gsome 30 years ago, don't we Teddy?�� �C�u@��C{=�����Teddy's been a donor now for more than 10 years.��z������He's outlived any other donor by more than four years.���C�u@��C�P�ơ��It's a record, it's unmatched anywhere else in the country.��������JShow Chris your point, isn't that fabulous?���C�u��C�������Oh Teddy, he's an amazing man.��V������Teddy's kept in isolation here to protect him�� C�u@��C�Ǡ����from chance infection.��ؠ����%We wouldn't want anything to happen to you,��𠚡��-would we, Teddy?��蠚���iWould we, teddy?���C�u��C�=�����(slapping)��ˠ����(shouting)��%C�u��D������- Who do you think you are?���C�u��DԢ�����- Son of a bitch, how about that?��-�����{She even came early.��6C�u��E�����(tires screeching)�� J����� �(intense music)�� C�u��E�������- That's right, yeah.��C�u��E�x�����- [Woman] David!�� C�u��E�������- Come on, Harry, answer the phone.�� �C�u��F�����Where are you?��蠔��� �- Dorothy?��=�����cDr. Schaeffer's been killed.��fC�u��F-�����- What?��蠯��� �What the hell are you talking about?���������- One of the patients killed him.��`C�u��FGI�����- My God, oh my God, where is he?���������- Well he's in Teddy's room, but he's dead.���C�u��Fkt�����- Um, hide the body.�� ����� mDon't let anyone see him.���C�u��F+�����- Well then what do we do?��ݠ����+- Block all the exits and lock the patients in.��QC�u��F�Р����(alarm ringing)�� �C�u��F㇠����- Come on.���C�u��G������(intense music)�� ������?(glass breaking)�� �C�u��G1������(chattering)�� sC�u��G|Z�����- There they are!��fC�u��G�=�����(crashing)��yC�u��HO������(banging)���C�u��Hk٠����(tires screeching)�� ����� g- Stop it!���C�u��H�$�����(crashing)��~C�u��H�v�����- Let's get the hell out of here.��C�u��I������(fire roaring)�� C�u��Ie���- What about Mike and Linda?���C�u��I�������- Gotta get some help, get the police.�� C�u��I�6�����(helicopter chopping)�� �������(sirens wailing)�� IC�u��J0s�����(upbeat music)�� C�u��JSP�����♪ Flying over��̠���� ♪ I see the tears go���C�u��JoV�����♪ The paint is true the portrait is lame��V������♪ The fire's raging beside your name��QC�u��J�������♪ A call goes up�� �������♪ He has to stand another defeat���C�u��J�࠴���♪ If no one sees or cares to understand��-�����{♪ I'll take this matter into my hands��JC�u��J�󠱡��♪ Too far they have crossed the line�� ������ ♪ Too far took away what's mine���C�u��J������♪ Too far they have gone too far��P������♪ Who do they think they are ♪���C�u��K�����♪ It's time to draw the line�� h����� �♪ Fight back, they can't take what's mine���C�u��K+נ����♪ Too far, they have gone too far���������♪ Who do they think they are ♪��-S�k e�������������@����A,�����$���������J"�����$��9�������O/�����$��g��һ���XO���������������]\��������2��˻���b?��������a������iA�����������P����o���������������v�������8��r����|z��������k��I�����۷����������������跎���q���� I����������q��=��������Q�����q��b������������������@�����!�������:��軔�����������X�������跎�����z��һ��������������a�������������2��������[�����B���������������B��8��̻����)�����B��{�� �����N���������̻��� 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