All language subtitles for Dallas S11E23

NARRATOR:
Last on Dallas:

-Don't do this to me.
-Without your shares...

...I don't have proxies.
If I don't have proxies, goodbye pipeline.

He threatened to tell my wife
I've been seeing you.

But that's blackmail.

-Wait a minute, what is this all about?
-I'll be in touch as soon as I can.

-So you want me to keep on seeing her?
-Well, why not?

Maybe you'll get
a little information on her.

-That'd be my pleasure.
-Knowing Kimberly, it may be.

You're tempting me to do something
I'm not going to do until I know you better.

Miss Stevens?

[STEVENS SCREAMS]

EDDIE:
Be a good girl and you won't get hurt.

Now, I'm gonna slowly take my hand
off your mouth...

...and you're not gonna scream.

We're gonna ask questions
and you're going to answer them.

EDDIE:
I'm gonna ask you nicely.

Where do we find Joey Lombardi?

Joey who?

Miss Stevens,
do we look like we're playing games?

I'm sorry, I just don't know
any Joey Lombardi. Uh!

Now, where do we find Joey Lombardi?

What do you want with him?

We just want to talk to him.
We don't want to hurt him.

Look, I am a very wealthy woman.

I will give you a million dollars
if you'll just leave us alone.

Money won't buy you a new face
after I'm finished with it.

His name is Nicholas Pearce.

Pearce?

Joey Lombardi is now Nicholas Pearce.

Good.

You're doing much better.

Now what we want is an address.

There.

Now, will you just leave me alone?

AI. Help the lady to her feet, AI.

No.

No, I won't tell anybody about this.
I promise.

-You promise?
-Yes.

A friend of ours
is gonna take care of you.

What does that mean?

Oh, don't worry, you won't be bored.

What about Nicholas?
What are you gonna do to him?

We told you,
we're just gonna talk to him, that's all.

J.R.: Hello, Sly. What a beautiful day, huh?
-Good morning, J.R.

-Get your telephone book, come in the office.
-Yes, sir.

Get April Stevens on the phone for me,
will you?

-Mm-hm. You're looking very happy today.
-Well, why not?

Did you happen to catch the figures
on Westar?

-Mm-hm. The stock is still falling.
-I figure it ought to bottom out pretty soon.

Yeah? How do you know that?

Because when it drops two more points,
that's when we start to buy.

And I want Miss Stevens ready for that.

Oh, all I get is her answering machine.
Should I leave a message?

Oh, keep on trying.
She's just probably getting her nails done.

-Listen, get a hold of Ray Krebbs, will you?
-Did you say Ray Krebbs?

Yeah, that's right, darling.

Good old Ray Krebbs.

STEVENS [ON RECORDING]: Hi, this is April.

Leave a message. Bye.

[BEEPS]

April, it's Nicholas.
I'm getting worried. Give me a call.

[DOORBELL RINGS]

SUE ELLEN:
Nicholas, I have to talk to you.

Damn it.

-Good morning.
-What do you want?

Don't leave me standing here
in the hallway.

Thank you.

What is it?

-I don't understand what happened last night.
-I already explained.

You didn't explain anything. All you said
was, you couldn't talk to me and see me.

For a while. Now, that's all I'm gonna say.
Now, if you'll excuse me.

Nicholas, I deserve better than this.

Why have you changed?

-Is it something that I have done or what?
-Sue Ellen, it is not you, it's me.

Now, I want you to leave,
and I don't want you to come back.

I don't wanna repeat myself.

Goodbye.

Yeah, hi, it's Joey.
Look, we gotta talk, man.

Yeah. Right.

MAN [ON TV]: And at the close
of business yesterday...

...the Dow Jones was holding steady
in relatively light trading.

Gainers finished
ahead of losers eight to five.

The biggest news was Westar 0“,
taking another plunge, dropping 12 points.

Westar Oil is HOW--

In serious trouble.

And so am I.

[PHONE RINGS]

Good morning. Barnes-Wentworth.

CUFF:
Jackie, I'm not gonna come in today.

Cliff, are you all right? You sound--

Westar is going down the tubes.

Damn you, J.R.

[PHONES RINGING]

STYLES: Well, all right. Here and then.
Oh, no.

We've been on top of the situation
for several months.

Yes, but no. But it's--

MAN:
Dr. Styles.

Dr. Styles, New York is on Line 1.
Tokyo is on Line 2.

STYLES:
All right, fine.

Tell New York we'll get back to them.

Mr. Takamura,
it's always a pleasure to hear from you.

Oh, of course I'm not
concerned about Westar.

Well, it's a temporary condition.
Due no doubt to--

Mr. Takamura, can I get back to you?

Yeah. Yeah.

Sayonara.

Hi, Kimberly.

-What do you think you're doing, Daddy?
-I'm having the time of my life.

Now, what brings you here?

Well, I was worried about your health.

Now I'm even more worried.
This is ridiculous.

I've never felt better.

If you keep this up,
you're going to kill yourself.

Why, I'm having too much fun to die.

Daddy, please.
I'm begging you. Stop this.

Send these people home.

And crawl off in a come!
and wait for Westar to go down?

That's not my style.

How long do you think
you can keep this up?

Just as long as J.R. and I are at war.

Daddy.

None of this would be happening
it I hadn't brought that man into our lives.

Kimberly, honey, I was a dying old man.

Now I'm having the best time
I've had in years.

I'm alive.

Thank the Lord you met JR. Ewing.

Hello, Joey.

-Dora Mae.
-Well, hello, Mr. Krebbs.

It's nice to see you.
Are you meeting someone?

J.R. Ewing.

He's already here.
I'll show you to his table.

-Never mind. I'll find him myself, thank you.
-Okay.

-J.R.
-Oh, Ray.

Well, I'm glad you could join me.

-Curiosity kept me from turning you down.
-Yeah.

Well, curiosity is a good place to start.

-Here's your bourbon and branch, Mr. Ewing.
-Thank you.

-May I get anything for you, sir?
-I'll just have a beer, thanks.

Well, how's your pretty wife?

What do you want?

Well, a little polite conversation,
to start with.

So why don't you just cut the crap, JR?

Ray, I'd like to do
a little business with you.

[LAUGHS]

You and me?

Stranger things have happened.

Now, let me guess...

...you want me to do something for you.

As a matter of fact,
I'm going to do something for you.

I want you to buy some stock.
Westar stock, to be exact.

Well, that's a very interesting offer...

...seeing as how all the papers
are talking about Westar taking a big dive.

Well, that's my point.
You can get a good deal on a sick horse.

What are you up to?

Ray, I'll be honest with you.

I wanna get back at the people who took
our daddy's company away from us.

Well, that is the first time
you ever called Jock our daddy...

...or Ewing Oil our company.

Well, it's the way you look at it,
I suppose.

You help me with this one thing,
and we'll bury Westar.

I'm not buying any stock.

You're not gonna help me get the people
who stole our company?

They didn't steal it.

Well, it sure as hell wasn't for sale.
You got a short memory, Ray.

You made a fortune when the government
took Ewing Oil away from us.

Yeah, and you got your son kidnapped
and almost killed.

You lost Jock's company.

And if you think I'm gonna help you get
it back, then you're out of your damn mind.

You really are a half-breed, aren't you?

You think like one, you act like one.

No son of Jock Ewing would stop
until he get revenge on his enemies.

WAITRESS:
Your beer, sir.

No, that's okay, thanks.

[GRUNTING]

PEARCE:
I told you a hundred times.

My father died in prison.

Now, what more do you want?

We're in no hurry, Joey.
We've got all night.

Then you're gonna get tired of beating up on
me because I'm not telling you nothing else.

Oh, I think you will, Joey.

Hey, Eddie, look what Joey
was gonna surprise us with.

PEARCE:
Don't flatter yourselves.

-I always keep a gun in my house.
-Do you know what I think?

I think you were expecting company.
Now, cut the bull. Where's your father?

I told you, he died in prison.

Right, he was lucky.
He only served two days...

...and then he died.

Amazing how the whole family
disappeared after that.

We didn't disappear, we moved.

Only a move?

For that, you changed your name?

My mother did that.

She was ashamed of what happened.

EDDIE:
Hey, Joey, do you think we're stupid?

Your father never died in prison, Joey.

The feds released him
because he turned state's evidence.

The Witness Protection Program.

You're familiar with that one, aren't you?

Your father turned against the family.

He broke the code of silence.
That, the family never forgives.

AL:
Are you gonna tell us where he is?

Drop dead.

The both of you.

Sooner or later,
you're gonna see things our way.

Now, Joey...

...do you wanna arrive at your father's
house alive son or a dead son?

[GUNSHOTS ON TV]

[TIRES SCREECHING ON TV]

STEVENS:
When am I gonna get out of here?

When your pal, Joey.
gives us what we want.

-What do you want?
-I want you to shut your mouth.

Look, I told you
where Nicholas Pearce was.

There's no reason
for you to keep me here.

Well, when Joey decides to cooperate,
we'll talk about letting you go.

Is Joey--?

Is Nicholas Pearce all right?

If he's not all right, you're not all right.

RAY:
Can you believe his nerve?

I should have known better
than to ever meet with J.R.

The only one he ever thinks about
is himself.

[DOORKNOB CLICKS]

She's home.

Hi.

JENNA:
Have a good time with Mamie?

It was okay.

What's up?

Well, Charlie.
we're gonna have a little talk.

I figured as much.

Ray and I have been discussing things.

Meaning me, naturally.

RAY:
You have had some problems.

And they haven't been getting any better.

RAY: Charlie, we've tried discipline
and we've tried reason...

...and nothing seems to work for you.

So your mother and I have decided
that it's time to try other measures.

JENNA: We feel that if you went away
to school...

You're sending me away?

You would do anything
to break me up with Randy.

We found a wonderful boarding school
in Switzerland.

Switzerland?

Randy is not the whole problem, Charlie.
he's only part of it.

This house has become a battleground.

And do you think that's all my fault?

Honey, you gotta admit,
things have gotten a little bit out of control.

Control, that's all you ever think about.

You want to control how I think,
how I look, how I feel.

-That's not true.
-How come I don't have any choice...

...on whether I want to go
to this stupid school or not?

Don't I get to say anything
about my own life?

Of course you do.

When you're old enough
to know what's best for you.

Oh, and you think you know
what's best for me?

You're not even my father.

Maybe not.

But I have tried to love you
as though you were my own daughter.

-Bu

Boarding school may be the only place
that you ever do learn discipline.

I won't go.

Charlie, honey.
It's not the end of the world.

It's the best for all of us.

You're doing what's best for you, not me.

You're trying to get rid of me.

I'll always hate you for this.

PEARCE:
House on the left. That's it.

-This is it.
EDDIE: It better be, Joey.

Yes? Can I help you?

-Who are you?
WOMAN: Who are you?

We're looking for Joseph Pearce.
Does he live here?

-Who is it, honey?
-Some people looking for the Pearces.

Mr. and Mrs. Joseph Pearce.
They live here.

They used to live here.

We bought this house
about six months ago.

That's impossible.

-Do you know where the Pearces moved to?
-They didn't move.

If they'd have moved, I'd have known.

I guess you didn't hear.

Hear what?

I don't know how close you were,
but there was an automobile accident.

Accident?

That's how we got this house, in probate.

Mr. and Mrs. Pearce were killed.

No.

I don't believe you.

EDDIE: Hey, Joey, come back here.
Where the hell is he going?

PEARCE: Mrs. Harris.
-Yes?

It's me, Nicholas Pearce.

Joseph Pearce's son from next door.
Let me in.

-Oh, Nicky.
-Mrs. Harris.

-Tell me, my parents.
-Oh, it's a terrible tragedy, isn't it?

You mean the accident?

It was really true?

Oh, you didn't know. Oh, you poor boy.

We can hardly believe that they're--

They're gone.

I'm so sorry, Nicky.

-Hey.
-Hi. You look pretty good out there.

Thanks. I think I invited you out here
because I wanted to show off a little.

SLY: Oh, I knew you'd be good.
I knew about your athletic scholarship.

University of Oklahoma, right?

How did you know about that?

You can't work for J.R. as long as I have
and not learn how to play detective.

Kind of makes me wonder
what else you know about me.

Well, I know that as good as you were
on the basketball court...

...you didn't get to play that often.

Yeah, I was always a foot too short,
no matter how fast I was.

You look tall enough to me.

I never could figure why some people
just get things so easy.

For me, things never seem to work out.

Never?

I always come close, though.

Well, when I got that call from J.R.,
I thought, “This is gonna be it.“

I guess I was wrong.

Are you so sure about that?

I think you know the answer to that, Sly.

Hey, why didn't you stop me?

I usually don't go on about myself
like this.

I'm glad you did.

Say, you wanna make this along Sunday?

I'll take you to lunch, movie.
anything you'd like.

I would like all of the above.

And I would also like to know
a lot more about you.

About me?

Well, there is something more.

Yeah? What is it?

Well, I have to show you, but later.

Come on, give me a little hint.

Let's just say it means a lot more to me
than that scholarship used to.

RAY: What do you mean
you're having second thoughts?

I don't know.

I just don't feel right
about what we're doing.

Jenna, we have talked
and talked about this.

Sending Charlie to a boarding school
is the right thing for all of us.

Is it?

I feel like I'm betraying my own child.

You're not betraying anyone.

-We can't let Charlie run our life.
-That's true.

But there's another side to this, Ray.
Charlie and I have always been a team.

We've always been able to
count on each other.

I am not trying to split anybody up.

I know that.

It's just from Charlie's point of view,
you and Lucas are crowding her out.

Hey, we're a new family.
We're all trying to make an adjustment.

Oh, Ray, can't you see?

Charlie has never had
to do that before, she's...

This is very hard for her.

I know. The part that really kills me.

I would do anything for her.

But there comes a time when a man
and a woman have to make a decision.

Who comes first, them or their child?

As long as Charlie's been a pan of my life,
she's always come first.

What about us?

I can't let Charlie think
I'm pushing her out of my life.

Ray, I've made a decision.

What decision?

-I'm gonna go to Switzerland with her.
-Jenna.

It won't be for very long.

I just want to make sure that
the school is gonna be all right and that--

That Charlie's gonna be all right.

You're talking about a week or two.

For as long as Charlie needs me.

I just hate to see you go.

I hope you miss me like crazy.

Thank you. Oh, it's good to be home.

-Would you like help with your luggage?
-Yes.

You can bring it inside and take it upstairs.
Teresa will help you.

-Grandma! Hi!
ELLIE: Well, hello. Hello.

Come and give me a big hug, you two.

-Oh, I'm glad to see you.
-Where's that place you went to again?

St. Croix in the Virgin Islands.
Then went to Atlanta to see your Aunt Lucy.

-Did you bring us presents?
-Yes, of course I did.

One present or a lot of presents?

Well, if you'll help me with this,
you'll find out.

Okay, come along.
Oh, I'm so glad to see you.

-Here you go, Sue Ellen.
-Thanks, Bobby.

JOHN ROSS: Come on, Grandma,
tell me what you got me.

CHRISTOPHER:
What do we have? Come on.

Hey, everybody, look who's home.

-Welcome home, Mama.
-Thank you, Bobby.

-How was your trip?
-It was just fine.

-Wonderful.
-Hello, Sue Ellen.

SUE ELLEN:
Hello, Miss Ellie. How are you?

Oh, the trip did me lots of good.

Christopher and John Ross,
take those upstairs and open your presents.

-Okay.
-Come on, Christopher.

-Can I get you a drink, Mama?
-Yes, I'd like a glass of white wine.

-You got it.
-Thank you.

Mama, this sudden vacation of yours...

J.R. and I weren't the reason
that you left, were we?

Oh, I just needed to getaway
from everybody for a while, that's all.

Because if we were the reason, I'm sorry.

But I just couldn't put up with him
any longer, and I hope you understand that.

J.R.:
Well, hello, Mama.

ELLIE:
Hello, J.R.

Are the Virgin Islands
everything they're cracked up to be?

-Where's Clayton?
-Oh, he's still in Texas City.

SUE ELLEN:
Tell us about your trip, Miss Ellie.

-We

Miss Ellie, you look wonderful.

-He's been gone a long time.
-Come on, Mama, you know what it's like...

...when you start a company like that.
He's a busy man right now.

What time tomorrow, Sue Ellen?

J.R.: Don't worry about Clayton, Mama.
he'll be home.

I'm not worried, J.R.

CASEY:
Well, this is it.

SLY:
This is what?

Casey Denault's suite of offices,
complete with fabulous view.

-It's yours?
-We

After that, I'm giving it up.

I don't understand, I mean--
When did you get this? Why?

Well, I got it
after I pulled off a deal for J.R.

And I got it because having an office
like this is something I always dreamed of.

Why haven't you furnished it yet?

Well, I can't afford it.

Like I told you, Sly.
my dreams don't always seem to work out.

What were you gonna do
with all this space?

I was gonna make it into
a real show place.

Some place my daddy would have liked.

Some place he never had.

It's the first time
you've mentioned your father to me.

Well, you already know all about him.

He did a lot of deals for J.R.

Helped other folks get rich.

And died broke.

You blame J.R. for that, don't you?

Oh, he had a big hand in it.
Always one step ahead of my daddy.

Every time my daddy believed J.R.,
J.R. would sucker him right in.

But then I got the call in Tulsa
that J.R. wanted Daddy to come to Dallas.

After all those years doing business together,
J.R. didn't even know my daddy was dead.

I knew it was my chance.

Come to Dallas, make my fortune.

After that I'd get back at J.R.
for all those rotten things he'd done.

You didn't really think
you could outsmart J.R., did you?

Oh, I was hoping I could.

But you know what happened.

The first time I got out of line,
J.R. slapped me down.

Just like he did my daddy.

Hell, I'm no better off now
than I was in Tulsa.

Still on the outside, looking in.

Casey, I think you can make it.

With or without J.R.

Thanks.

I wish I felt the same way.

There's something about you
that makes me believe in you.

I mean it, Casey.

When next month comes,
I think you should pay the rent.

Sly...

...I think you're the first friend I've had
in a long time.

That's why I wanted to bring you here.

I just wanted you to know
I'm not some kind of hustler out to use you.

I think I knew that all along.

I was just a little unsure there for a while.

Come on.

Let's go.

That's too bad about your folks, Joey.

PEARCE:
Leave me alone.

A car accident.
Must have been a real mess.

PEARCE: Damn you.
-Now, don't be too upset.

AI and I aren't gonna leave your side
until you feel better.

Look, my parents are dead.
What more do you want from me?

How come you didn't know that?
Don't you talk to your parents, Joey?

My father was very secretive.

He never wanted any contact.

We talked maybe once a year.

EDDIE: Well, maybe they're dead,
and maybe they're not.

If someone is dead,
there's gonna be death certificates...

...newspaper articles...

...tombstones in the cemetery.

What are you getting at?

Well, tomorrow we're gonna find out
just how dead they really are.

CLAYTON:
JR.

Well, Clayton. Mama's been wondering
what you've been up to.

-Ellie back?
-Yeah. Look who I found.

Good morning, everyone.
John Ross, Christopher, Sue Ellen.

Hello.

Ellie.

Hello, Clayton.

You didn't tell me
when you'd come home.

I didn't think that would be necessary.

-Grandma brought me some great gifts.
-She did?

Yeah.

ELLIE:
How was Texas City?

It was kind of hectic,
but I got a lot of business done.

I'm sure you did.

But I still had time to miss you.

-Did you?
-Mm.

I'd like to hear all about your trip.

Well, it was just a trip.

I'm sure yours was a lot more interesting.

[DOOR OPENS]

Phyllis, is that you?

It's not Phyllis.

Kay.

Sometimes I get a little crazy
and impulsive.

I'm all for crazy and impulsive.
Come on in.

I'd offer you a cup of coffee,
but Phyllis isn't in yet.

-And you don't know how to make coffee?
-I make a great cup of coffee.

She doesn't like me fooling around
the kitchen, so she locks the door.

With or without coffee,
I'm real glad you're here.

Well, I'm only here for the day.

And it's Dallas I came to see.

And I'm looking for an expert guide.

I know a guy born and raised
right here in Dallas.

He knows all the high spots,
and the low spots and the highlights...

-...the lowlights and everything else.
-Where do I find this fellow?

Stick with me
and we'll look for him together.

He promises to make this
a most memorable day.

Now, that's an offer I can't refuse.

What happened to all this work
that you had piled up in Washington?

Are we gonna talk about my workload?

Or are you gonna show me
some of those highlights and lowlights?

-It could take a long time.
-My plane leaves at midnight.

-That soon?
-Mm.

[DOOR OPENS]

Well, if the lady wants to see Dallas,
I can show it to her.

-Bobby, I'm here.
-Phyllis, hi. This is Kay.

-Kay, this is Phyllis.
-Hi.

I'm not gonna be back the rest of the day,
take care of things?

-Sure.
-Great. Thank you.

Now, first thing we have to do
is find you a proper hat, okay?

PEARCE:
We've already been to the hall of records.

You've seen your newspaper articles.

You've seen your death certificates.

What do we have to come here for?

AL: Gee, Joey.
don't you wanna show your respects?

Yeah, but not with you two jerks around.

Why can't I have this time for myself?

[PEARCE SOBBING]

Leave me alone, please.

We didn't come this far
to miss the best part, Joey.

Oh, Mama.

Papa.

Want a handkerchief, Joey?

Now do you have your proof?
What more do you want?

You want to take their bodies
out of their grave?

Pearce, Lombardi, what's the difference?

As long as they're dead.

[JOHNNY LEE'S “LOOKIN' FOR LOVE“
PLAYS OVER SPEAKERS]

Oh, Bobby, this is wonderful.

Well, we could have gone some place
a little fancier.

-No, this is perfect.
-Yeah?

-It's so...
-Texas?

Texas. I like Texas.

I like everything about it.

Well, I'm glad y'all approve. I wasn't sure
if you had a down-home bone in your body.

I'm strictly small-town.

Like a lot of girls
who come to Washington.

We all have three things in common:

A good education,
a fascination with politics...

...and lots of ambition.

I like a lady with ambition.

I like a man
who likes a girl with ambition.

What time did you say your plane leaves?

In a few hours.

There's no rule that says
you have to catch it.

I have a lot of work waiting for me.

What happened to
crazy and impulsive anyway?

I always limit myself
to one impulsive act a day.

Would you like to go for two?

What is that dance?

That is the Texas two-step.

Will you teach me?

Come on.

Kay...

...there's something I've wanted to do
since I first met you.

Ellie.

Clayton, we've got to talk.

All right.

You have to come all the way up here
just to talk?

It's more private here.

How do you like my new office?

It's nice.

Clayton, I've been waiting for you
to tell me about something...

...and you haven't.

I've given you every chance,
and you've said nothing.

What are you talking about?

Ellie, why don't you sit down?

Oh, damn it, Clayton!

Damn it!

Who is she?

-Who?
-Oh, don't play games! Her!

She's a girl in a painting.

Who is she?

She's a model, I suppose.

And?

And nothing.

Clayton...

...I saw you with her, in a restaurant.

I saw her kiss you.

I saw you leave this building together.

The building
that you wouldn't let me visit.

Ellie, it was all so innocent.

If it was so innocent,
why didn't you tell me about it?

I didn't think you'd understand.

It was just a friendship.
A man's allowed to have friends.

Not that kind of friend.

Nothing happened, Ellie.

Are you trying to tell me...?

Are you trying to tell me you--?

You didn't go to bed with her?

That's right.

But you wanted to.

It was nothing like that.

Then why?
Why have you been seeing her?

She made me feel like a man again.

Everybody else was treating me
like a damned invalid. Most of all, you.

Don't you try to lay your guilt on me.

I don't feel guilty.

Well...

Well, I find that very remarkable.

Ellie, try to understand.

I wasn't getting something that I needed.

Call it my male ego
or the fear of growing old...

...or whatever happens to a man my age.

But what about me?

What about me?

What am I supposed to do
while you chase your lost youth?

I'm getting older.

And I have an ego.

Oh, Clayton.

I--

I trusted you.

Well, nothing's changed.

The way I feel about you hasn't changed.

What's changed is...

...how I feel about you.

I can't live with a man
who I can't trust anymore.

Ellie, it's allover
between the girl and me.

It's too late.

Don't you see?

Don't you see what you've done to me?

Let's go home and talk about this.

No.

No, you--

You go home...

...and get your things.

I want you out.

NARRATOR:
Next on Dallas:

-I didn't go to bed with Laurel Ellis.
-That's not what David Shulton told me.

I was worried about you.

And all you have to do
is worry about yourself.

I'm really glad I came down.

-There is a plane in the morning.
-I know.

You don't understand. The man's had me
over a barrel all of my life.

What a beautiful home you have.
You wouldn't expect that in a single cowboy.

-Two and a half million for that piece of dirt?
-Dry din?

If it had been worth anything, do you think
I'd have given it to your daddy?

About time you showed up.

[ENGLISH SDH]