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[music playing]
[horses galloping]
[train whistle]
[music playing]
[crash]
Hey!
This is a fine way to meet the new boss.
[train whistle]
Come on, snap into it.
Get that wagon fixed.
Well, it took him two weeks to get here from England.
It ain't going to hurt him to wait four or five minutes more.
Where is he?
I wish he'd hurry.
I can hardly wait to see the ranch.
I wouldn't allow myself to become
too interested in it, Edward.
The place is so burdened with debts that you can't
possibly keep it, you know.
[gunshots]
[whooping]
[gunshots]
Hi there, folks.
You're Gene Autry, the steward of the estate, I presume?
The foreman, yes, sir.
I'm Henry Wyndham, the new solicitor.
This is your employer, Edward, the Earl of Granville.
How do you do, Mr. Autry?
Just call me Gene, young fellow.
How are you?
Very well, thank you.
Get these bags in the rig, fellas.
My father spoke very highly of you.
Thanks.
Fine fellow, Old Spud was.
Spud?
You called him Spud?
Yeah.
He had a weakness for potatoes.
Besides, we all liked him.
My word.
Your dad was just like one of the boys.
I think you'll like the ranch, too.
Sorry, but you needn't make plans for me.
I'm selling the place today.
Why, he can't do that, Gene.
Why, we promised Old Spud we'd make
a real westerner out of him.
Don't worry. We will.
I'll drive alone, thank you.
[cheers]
[music playing]
[applause]
I say, Autry.
Why haven't you reported the rents from all those tenants?
Tenants?
Well, they're not tenants.
They're ranch help.
They've been taking care of this place for your father
for a long time.
Now they look to you to take care of them.
Better change into your riding clothes, Edward,
if you're to see the place before the buyer arrives.
Yes, sir.
You'll have the saddles, Mr. Autry.
Yes, they'll be ready.
[music playing]
Well, he's Spud's boy, all right,
but he ain't a bit like him.
I'll say he isn't.
It can't be real.
That bay horse is well broke.
You'd better ride him.
[horse whinny]
That sorrel looks sporting.
Yeah, but it takes a real rider to top him.
I've had the advantage of the very best instruction,
thank you, Mr. Autry.
I'll ride the sorrel.
OK with me.
Leg up, please.
Are you hurt, son?
No.
You better rest before you try it again.
I don't recall asking your advice, Mr. Autry.
If you'd please open that gate, he'd run instead of pitching.
Maybe.
[music playing]
[whooping]
[dramatic music playing]
Hold!
[music playing]
Mr. Autry, will you accept my apology?
I should have listened to you.
GENE AUTRY: Ah, forget it.
We all make mistakes.
The big thing is to admit 'em.
And thank you for your help, mister-- uh.
Well, just call me Frog.
You're a regular fella after all.
We can make a swell Westerner out of you.
That would be splendid.
All right.
Let's go.
[music playing]
What a glorious view.
Can we wait a minute?
Sure.
That was your dad's favorite look-out.
Go on up if you want to.
We'll wait.
[music playing]
He's a fine boy, Frog, and it's up to us to see him through.
Nice view up there, Spud.
Sometimes the wind kind of blows dust in your eyes.
You know, Gene, I have the strangest feeling.
This all seems like home to me.
I do wish I didn't have to sell the ranch.
Maybe you won't have to sell it.
[music playing]
HENRY WYNDHAM: Hello, Edward.
Mr. Neale is here to close for the purchase of the ranch.
Mr. Neale, the Earl of Granville.
How are you?
How do you do, Mr. Neale?
This is Mr. Autry, my foreman.
He can answer any questions you'd
like to ask about the place.
I'm familiar enough with it, thanks.
Had my eye on it for some time now.
Still rough for farming, but it's all right for horses.
-You in the horse business? -Yes.
I break and train them for the Army.
There ought to be pretty good money in that.
It pays pretty well.
I'm glad to hear it.
There's the answer to our problems, Spud.
What problem?
How to hang on to the ranch.
What are you talking about?
We've got hundreds of fine horses on this ranch.
We'll break them and train them and sell them to the Army.
How about it?
Right you are, Gene.
HENRY WYNDHAM: Look here, Autry.
You're taking entirely too much upon yourself.
I don't think so, Mr. Wyndham.
I think it's a splendid idea.
This is ridiculous, Wyndham.
We made a deal and you've got to stick to it.
I can't dispose of this boy's inheritance
without his consent.
What about the ranch's creditors?
What about the money old man Granville owed me?
How are you going to pay off?
They will be taken care of in due time, Mr. Neale.
And that time expires in exactly 60 days.
I am quite aware of that.
What is your decision, Edward.
I am leaving it up to Gene, whatever he says.
Then we'll keep the ranch.
Come on, Spud.
We got a lot of work to take care of.
We'll be seeing you, Mr. Neale.
[music playing]
COWBOYS [SINGING]: Riding the range all day.
Holding the range all day.
Riding until my bones are weary.
[inaudible] all day.
Cattle and plains all day.
With the blistering sun, lots of work
will be done while cattle graze, cattle graze.
When they're on the run and the stampede's begun,
my saddle strains rounding up strays.
I'm riding the range all day.
Out in the plains all day.
Riding until my bones are weary.
Riding my hide all day.
We'll all go down, we're going to leave
Cheyenne with the setting sun.
Cross the great divide, then our boss
will decide our glory's won, chores are done.
Riding, riding, riding, riding, riding the range.
We're riding the range all day.
Champ's acting strange all day.
Guess that he knows my days are dreary.
Riding the range all day.
Riding my life away.
It's been a swell round-up, Spud,
and I'm mighty proud of you.
Why, you're turning out to be a real Westerner.
I never knew the West would be like this, Gene.
It seems as if I've lived here all my life.
Don't you hanker to go back to England, son?
Never heard of the place, son.
You know, Betsy is a swell animal.
She and I are like crumpets and tea, that close.
Clear the road, you stupid yokels!
What's the hurry?
You idiot.
I say move over.
GENE AUTRY: Now wait a minute.
I don't wait for anybody.
Well, that's too bad.
Hold the road, boys.
We're not climbing cliffs for anybody that talks like that.
Push through, driver.
Get up, bag.
Ha.
Please, Dad.
I can't stand this.
Slow down.
Yeah.
Why won't you give us the road?
You want the road?
I'll give you the dusty road.
[SINGING] Folks keep raving about the west,
saying that they guess that they'll like it best,
but there's one thing that they sure forgot.
It's these dusty roads when it gets hot.
Oh, dusty deserts and dusty hills,
keep up the blowin' till your ears are filled.
Dusty daytime and dusty dreams, the fish leave a cloud
of dust swimming upstream.
Ground his bat as hard as a rock,
now ain't no water for all of our stock.
And all of the hogs down by the shoot
have to double header just to root.
Dusty deserts, dusty hills, keep up the blowin'
till your ears are filled.
Oh, dusty daytime, dusty dreams, the fish
leave a cloud of dust swimming upstream.
Yee!
Well, I went home to get a pail of water.
I stubbed my toe and I fell down.
I rushed back home to get another pail.
Then I caught the water fore it hit the ground.
[coughing]
[carriage rattling]
You smart aleck!
Let's step on it, boys.
We got horses to sell.
[bugle]
Halt.
Hello, partner.
Say, who would we see about selling
some horses to the Calvary?
Colonel Allen, QMC.
The last house on officer's row.
Well, me and Spud will stay out here.
You go on in.
-Tired? -Oh, no.
Not tired.
I'm hot. This heat gets me.
Looks cool in that tent.
Don't it.
I had a pup tent one time.
Well, what kind of puppies did you have, Frog?
I didn't have any puppies.
Oh.
Here's a bugle.
Do you know how to play it?
Oh, sure.
I can really play one of them things.
[bugle notes]
What do you want me to play?
Here's one called "Assembly."
I play that with one hand.
[bugle music]
I don't need no music to play that.
[bugle music]
Here's a harder one.
"Boots and Saddles."
[bugle music]
Oh, try the next. "Prepare the Mount."
[bugle music]
[horses galloping]
Oh, come on, Frog.
Just this one more.
"Charge."
[bugle music]
[horses galloping]
[bugle music]
[horses galloping]
[water splashing]
How am I doing?
Not bad for a beginner.
Good afternoon, Colonel Allen.
Sit down, gentlemen.
I'm sorry to be late, but I was delayed
by a spot of the dumbest, stupidest yokels
that ever blocked the road.
There's the fire code.
Our bids are on a contract for 1,000 horses.
We'll be open here as advertised at nine o'clock
tomorrow morning.
[bugle music]
Fire call!
[bugle music]
Everybody's running.
It must be time to eat.
Come on.
Say, where's the fire?
Fire?
Is there a fire?
You again, eh?
Why you-- you--
Well, I was just a-practicing.
Practicing?
You've demoralized the entire post with your practicing.
Keep these two out of here.
Even if you have to shoot 'em.
Oh, it's no use, Jim.
We'll never get the dust out of them.
You're not going to let a fresh cowboy spoil your entire day,
are you?
He's done it already.
And if I ever lay my hands on him--
[buzzer]
Well?
How do you do?
Is your boss home?
My boss?
Yes.
Oh.
No, sir.
Well, that's too bad.
I came all the way from Custer to sell him some horses.
You did?
Oh.
I-- I'm so sorry he isn't in to take care of you.
Uh, won't you come in, sir?
He'll be back most any minute.
I believe I will.
Won't you sit down, mister--
Autry's the name, ma'am.
Gene Autry.
Mr. Autry.
Excuse me a minute.
I've got something to attend to.
Jim.
It's that cowboy.
He wants to sell some horses to Dad.
And when I get through with Mr. Gene Autry,
he's going to be the laughingstock of this county.
Autry? Did you say Gene Autry?
Yes.
Of course you'll help him sell his horses.
It'll be a pleasure.
[music playing]
I hope you don't mind waiting, sir.
No, not at all, now.
Say, miss, is your boss as easy to get along with,
or is he an old crab?
Well, that depends.
The old crab can be handled if you know the trick.
Well, that's just what I want to know, how to handle him.
I've got to get that horse contract tomorrow,
and you can help me if you will.
Oh.
I see.
GENE AUTRY: What's the matter?
Oh, you men are all alike.
Make a girl think you like her and all you really want is just
information on Army contracts.
But that isn't all I want.
Say, I'd like to take you out tonight.
You aren't teasing me?
Why, certainly not.
How about going to the Spanish cafe, the Casa Granda?
Oh.
Wouldn't you be ashamed to be seen in such an elegant place
with a servant girl?
Why, stand up.
There you are.
Anyone that didn't know you would
think you were a real lady.
Oh, thank you, sir.
You say the sweetest things.
Ah, that's nothing really.
Well, I guess I'd better be going.
Would you get my hat?
Looks like a horse jumped in the middle of it, doesn't it?
Does it?
GENE AUTRY: I'll call for you at eight.
[music playing]
[SINGING] Ya ha ha ha ho.
[singing in spanish]
[applause]
You know, you're the best dressed girl in the place.
Oh.
The dress looks like it costs plenty.
It did.
The boss's daughter paid for it.
Oh.
She gives you her old clothes, huh? Oh, yes.
Sometimes she lets me wear her new ones, too.
What's she like, anyway?
Oh, she's a very charming girl with one weakness.
What's that?
She has a mad desire to shoot every cowboy she sees.
That sounds pretty bad, doesn't it?
Does she like music?
Yes.
Maybe I could tame her by singing to her.
[SINGING] You're as sweet as valeros in June, dear.
I love you, adore you, I do.
Why, each night through love lands,
we wander, sweetheart, telling love stories anew.
Out of a blue sky, the dark clouds came rolling,
breaking my heart in two.
Don't leave me alone, I love only you.
You're the one rose that's left in my heart.
[applause]
That might interest you.
But I'm not interested in the colonel's daughter.
It's the colonel I'm worrying about.
How do I handle him?
By his ears.
His ears?
Yes.
He's very hard of hearing, on account of all the shooting
in the Army, you know.
You mean you've got to yell at him?
Yes.
You stand right up close and shout right into his ear.
He'll do most anything.
He likes it.
Thanks for telling me.
Don't forget.
Closer the better, and shout right out loud.
[SHOUTING] Don't worry.
When I present my bid to the colonel in the morning,
he'll hear me all right.
[laughter]
GENE AUTRY [SHOUTING]: Good morning, colonel.
Who are you?
[SHOUTING] I'm Gene Autry.
Sorry I didn't know who you were yesterday.
Here's my bid for the contract.
All right. All right.
Sit down.
[SHOUTING] Thank you.
What's the matter with that maniac?
Probably a little deaf.
Most deaf people shout without knowing it.
Oh.
[SHOUTING] Before you open the bids, I'd like
to show you some of my horses.
[SHOUTING] I've already seen the best part of your horses.
[SHOUTING] But I've got some fine horses to sell you.
[SHOUTING] I know.
Good cow horses.
I don't want them at any price.
Can't use them.
[SHOUTING] But Colonel, listen--
Spud.
Just to look at me, you'd never think
that I was a champion shotputter in my college, now, would you?
Just to look?
No, Frog.
I don't think I would.
Just to look.
Well, I ain't a-kidding.
I was.
I could throw one of these things
further than anybody in the reform school--
or I mean the college.
You know, I don't know what they put this thing on here for.
Must be some kind of a new thing.
Now you watch.
I might break one of my old records here.
[bomb exploding]
[dramatic music playing]
That's my horse.
Get him, Champ.
[dramatic music playing]
Look at that horse!
He's got more sense than some of the cowboys around here.
That's the kind of animal I want for the service.
Who's the owner of that horse?
[SHOUTING] I am, sir.
Well, let's see your bid.
Autry, your bid is exactly the same as Neale's.
[SHOUTING] But my horses are better.
Who says they are?
Say, how about a test.
Are you each willing to pick your best dozen horses
and race them around the reservation?
The winner to get the contract?
[SHOUTING] That's all right with me.
You're on.
All right.
We run the race tomorrow morning over the training ground.
Agreed?
[SHOUTING] Yes, sir!
Can you give me a stable where my horse will be safe tonight?
I'm camped right outside the fort.
Orderly.
Put Mr. Autry's horses in stable 11A.
[SHOUTING] Thank you, Colonel.
Keep your eyes open, boys.
I'm going to look the racecourse over.
If you want me for anything, I'll be at the colonel's horse.
Give her our regards, Romeo.
[music playing]
Nice work, Champ.
[dramatic music playing]
[gunshot]
[gunshots]
[dramatic music playing]
[gunshots]
[dramatic music playing]
[thud]
[dramatic music playing]
[thud]
Drop those guns.
Now take off your boots, both of you.
Tell Neale that if I ever see you fellas again,
he's going to start looking for a couple of new hands.
Now start running.
[gunshots]
[music playing]
I sure hope old Windy gets here with them boys before the race
tomorrow.
Mr. Wyndham has my instructions.
He'll be here.
Who's in charge here?
Gene Autry.
What did you want to see him about?
I got a court order here attaching any and all property
of the Granville Ranch.
Jim Neale is the complainer.
Now you look here.
You can't serve an order like that.
We got to race them horses in the morning
and Jim Neale knows it.
I don't make the laws.
I carry them out.
Where's Autry? Well, he went over--
He--he's in the tack room repairing the saddles.
I'll show you.
All right.
You'll find him in here.
[thud]
Spud, you're almost as smart as me.
Now you stay here.
I'm going over and find Gene.
[knocking] -Help.
Help.
Let me out of here.
Halt. Who's there?
I got to get in.
Come on. Move out of the way.
No admittance to you.
Commanding officer's orders.
-Well, it's important. -Come on.
Move along or I'll call the guard.
OFFICER: Close up here, you fellas. [inaudible].
Hep.
Hep.
Come on.
Get in step and close up.
Left, right, left.
Hep.
Hep.
Hep.
Come on.
Hep.
Hep.
Hep.
Hep.
One, two, three, four.
Close up.
Hey, you!
Fall in.
Hep.
Hep.
Hep. Hep.
Detail.
Halt. Come on, close up.
[whistling]
OFFICER: Hey!
Get back in line.
Come on out, you rookies, and fall in.
Well, please sir--
Fall in.
Come on, make it snappy.
Attention.
Right shoulder, arm.
Gene.
Hey, Gene.
Shut up and stay in line!
Oh, mister-- Quiet!
Hard time.
Right.
One, two, three, four.
One, two.
Forward march.
Oh! I'm sorry, mister.
Don't you know enough to salute before you address an officer?
Uh huh.
-Oh, clowning, eh? -Yeah.
Or-- oh, no. No.
Sergeant.
This rookie needs special drill instructions.
See that he gets them.
Yes, sir.
Follow me.
There's that loudmouth Autry again.
Tell him I'm not in.
Well, he may be coming to see me.
You?
Yes, you see, he thinks I'm the maid.
I'm getting even for the way he treated us on the road.
You rascal.
But I warn you to put on ear muffs.
You keep out of the way and I'll have him on his knees
to me yelling uncle.
[buzzer]
Oh, hello.
Hello.
I'm sorry, sir.
The colonel isn't in.
Well, you don't think I came to see old sour puss, do you?
May I take your hat?
Oh, no.
How about you and I going out after you finish your work?
Well, maybe.
But you see, I have to clean this room first.
Won't you sit down, sir?
[humming]
Must keep you pretty busy, keeping
a big place like this clean.
Yes, it is hard work.
But I don't mind.
Gosh, this room's dirty.
Looks like it needs a thorough cleaning.
So it does.
Look at that floor.
Why don't you scrub it?
Me? Well, sure.
You just said you didn't mind hard work.
Oh, so I don't, but--
Where's the buckets and brushes?
The sooner you get it cleaned, the quicker we get out of here.
[SINGING] Come gather all around me,
you boys that want a wife.
You'd better take my warning, you'll
thank me all of your life.
My brother was a bachelor and he wished he was again.
He'd never give up that single bliss to wear a ball and chain.
Oh, why did he get married?
Why did he don this neck-yoke?
If he talks back, she'll give him a smack
and he's liable to get his neck broke.
[yodeling]
When he popped the question, here's the answer that he got.
You'll have to build a house on it before I share your lot.
He went to see her father.
He cussed to beat the band.
So before he got the old man's boot,
he took the daughter's hand.
Oh, why did he get married?
Look what he's went and done.
It takes three times as much for two to live as cheap as one.
Oh, why did he get married?
He wish he was single again.
Old Solomon didn't have the thousand wives.
The thousand wives had him.
[yodeling]
There.
That's enough for today.
Oh, no.
There's two more rooms yet.
I said that's enough.
[thud]
[thud]
[giggling]
[thud]
[giggling]
That's it.
Right face.
Left face.
Left face.
Right face.
Order arm.
At ease.
Attention!
Let me hear those heels click.
Right shoulder arm.
About face.
Forward march.
One, two, three.
Rear.
March.
Halt!
Attention.
Forward march.
Have it quick, you slugger.
Faster, faster.
Faster, faster.
Haul 'em right.
March.
Faster, faster.
Double quick.
Nice Polly.
Pretty Polly.
[machine guns whirring]
[shouting]
The attachment hasn't been served yet, boss.
I can't locate the constable.
I want you to make sure that Autry's
horses won't be ready for the race in the morning.
Understand?
Right.
I suppose if you win the race tomorrow,
you'll forget all about me.
Not a chance.
I'll have something very important to say to you.
Couldn't you tell me what it is now?
Well, you see, I need someone like you on the ranch.
We have a big house to keep clean and, uh, a lot of ranch
hands to feed.
And with your experience in house work, you'd be a cinch.
And I'll pay you a good salary.
Oh.
Oh, no.
That isn't really what I meant to say.
JIM NEALE: Good evening.
Aren't you carrying this joke a little too far?
Easy there, Neale.
If the lady prefers my company to yours,
that proves she has good taste.
Isn't that right, Ms. Allen?
Ms. Allen?
Why, yes.
Haven't you two met before?
Oh, so the joke wasn't on him.
It was on me.
Why I think you're just a cheap--
[punch]
I'm sorry to have spoiled your fun, Ms. Allen, but you see,
I don't like to be made a fool of.
Neither do I. Why didn't you tell me you knew who I was?
Why didn't you tell me who you were?
That's beside the point.
A gentleman wouldn't do what you did.
And a lady wouldn't do what you did.
Now do you want me to tell you what I really think of you?
Frankly, it doesn't make a bit of difference to me.
You're the worst spoiled brat that ever
an Army officer could have the hard luck of being saddled to.
And you tell the colonel he has my sympathy.
[slap]
[door slam]
[bugle music]
[fire roaring]
[bugle music]
[dramatic music playing]
I've got to save Betsy, Frog!
She'll burn to death!
Spud, come back here.
Don't go in there!
No, Spud!
Hey, Spud.
Come out of there.
[dramatic music playing]
Hey, Spud!
Spud, where are you?
[coughing]
[fire crackling]
[music playing]
Take him to a hospital, quick.
Here, give him to me.
How did that fire start?
I don't know.
I saw a blaze in the barn and I run in there to put it out,
and somebody clunked me right on the head.
I kept on him but he got away.
Did you recognize him?
Oh, no.
It was too dark in there.
But I grabbed his watch.
I'm going to use it to catch him.
Well, let's go see how many horses
we have left for the race.
All right.
There now, see?
You're not going to miss the race after all.
Here we have seats right on top of the grand stand.
12 against each side.
They haven't got a chance.
Don't be too sure.
Now listen, men. Don't forgot my orders.
We're in this race to win, and I don't care how we win.
A fine way to lose Edward's ranch for him.
I should have known better than to trust you.
We haven't lost it yet, have we, Champ?
And don't you forget, Windy, I'm in this race, too.
I might surprise somebody.
[bugle music]
COLONEL ALLEN: This race is over the Calvary training grounds
and back to here.
All hurdles and obstacles must be taken by the horses.
Autry's riders will wear white hats.
Neale's men will wear black.
[bugle music]
CONSTABLE: Help!
Let me out of here!
Help!
Help, let me out.
Has the race started yet?
[bugle music]
COLONEL ALLEN: Four judges are stationed along the course
and each rider will be checked by them.
Good luck, Autry!
[SHOUTING] Thank you, Colonel!
Wait! Stop!
Wait a minute! Stop!
OFFICER: Halt! [gunshot]
[shouts]
[music playing]
Hey, you lost your watch.
[music playing]
[thud]
One down, four to go.
[horses galloping]
[music playing]
[snap]
[thud]
[horses galloping]
[music playing]
Hey, is this yours?
No.
Check point number two reporting.
Neale has 11 horses still in the race.
Autry, three.
Neale is leading.
Where's Autry?
At the tenth, I believe.
Frog just passed him.
Good for the croaker!
Come on, Frog!
[music playing]
Hey, is this your watch?
Oh, so you're the guy, huh?
[music playing]
[horses galloping]
[punch]
[music playing]
Hey, come back with our bikes!
[music playing]
Neale is leading.
Autry 20 necks behind and losing ground fast.
[music playing]
[horses galloping]
[punching]
Come on, boy.
Get him, Champ.
[music playing]
[horses galloping]
[music playing]
Yikes!
Gene!
Tally ho!
[shouting]
[cheers]
COLONEL ALLEN: Autry wins!
Pip pip!
And an extra pip for Autry!
I have a stake of my own in this race, Ms. Allen.
You see, I shall lose everything if Gene
doesn't win that contract.
Why, I didn't know the race meant so much to you, Spud.
I don't know what I would have done without Gene.
He's been swell.
You're awfully fond of him. aren't you?
Well, sure.
Everyone is.
Aren't you?
Oh.
[cheers]
[SHOUTING] Congratulations, Autry.
[SHOUTING] Thank you, Colonel!
Look at that.
Colonel, it's the man that set the stable on fire.
I got him.
You're in a tough spot, Larkin.
You have only one chance.
Who made you try to burn up my horses?
He did.
That's a lie.
Sergeant, place these men under arrest.
Come on, you two.
Well, we put her over, Windy.
My good man, don't call me Windy.
If you must be familiar, my first name is Babington.
OK, Babe.
[laughter]
Gene, I don't know what to say to you.
Tell it to Champ.
He won the race.
I only went along for the ride.
I'm sorry, too, Gene.
I don't know what to say, either.
Looks like I'm the only one who does.
BERNICE ALLEN: And I want to hear you say it.
[SHOUTING] I thought you were deaf, Autry?
[SHOUTING] Gosh, no.
I'm not deaf, Colonel.
I thought you were.
Now, don't shout.
I'm not, either.
[SINGING] Take me back to my boots and saddles.
Ooh.
Let me see that general's fort, let
me ride the range once more.
Give me my boots and saddles.
Got a hankering to be with my banjo on my knee,
strumming a pretty Western tune.
There's a girl in Cherokee and she's waiting there for me,
way 'neath the Texas moon.
Take me back to my boots and saddles.
Ooh.
Let me greet these plains and more
on the range where I was born.
Give me my boots and saddles.
Ooh.
[music playing]
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