Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
A digital copy in 2K elaborated in 2012 by the Cinemateque Francaise
after a negative was traced in its archives.
The colors that were introduced during Henri Colpi's restoration in 1984
have been digitally reworked by the Digimage laboratory.
Music composed orchestrated and directed by Raymond Alessandrini
Featuring three Maurice Jaubert's themes
Cinemateque Francaise presents
The Swallow and the Titmouse
At Summer's end 1920, Andre Antoine
filmed The Swallow and the Titmouse, in Belgium.
Surprised by the documentary nature of the footage, the distributor
refused to exhibit the film in its theatres.
In 1982 the Cinemateque Francaise
found the negative of this film in its archives
six hours of rushes perfectly preserved,
and decided to restore to public viewing
this priceless heritage.
The Willow and the Titmouse is a trailblazing work
of the 1920s French cinema.
A stress on realism, refusal of studio sets, multi camera set-ups,
not to mention the understated acting style, unusual for the time.
Camera effects - irises, fades and dissolves were all done in camera.
Andre Antoine himself supplied almost all the intertitles.
The footage was edited to its current form in 1983
by Henri Colpi, assisted by Sophie Durand.
Philippe Esnault was the historical adviser.
The Swallow and the Titmouse
Original Screenplay Gustave Grillet
Directed by Antoine
Master boatman Pierre Van Groot...
...with his 2 barges, The Swallow and the Titmouse...
...carries various goods but mainly builders' materials...
...for the areas devastated by the war.
He spends his life on the waterways
of the Campine, Flanders and Brabant
with his wife Griet...
...and little Martha, Griet's sister.
The other inhabitants of the barges.
Their lives continue quietly and peacefully...
...like the still waters around the barges.
Van Groot is thought of, above all, along the water's edge...
as a brave and devoted man.
Antwerp
Like all the barge men, Van Groot does a bit of...
...smuggling and various mysterious errands.
Griet too is not averse to her own little deals.
Whilst at Antwerp, Van Groot looks to replace
his pilot, who has quit.
Dining on the bridge,
Van Groot sees the new pilot arrive.
You may be an old sea-dog Michel,
but from now on you'll be a fresh water fish.
With Sunday free before tomorrow's journey east...
they spend their time visiting the sights of Antwerp.
The Plantin Museum
The famous Ommegang takes place in Antwerp
only every 25 years
The Ommegang procession
The Ommegang Queen
The Ommegang
Ruben's chariot
The next day, the opening of the great lock-gates...
Leaving for the waterways of the interior.
The Scheldt at Antwerp
The two men soon get on well together.
Griet sees Michel as a good boatman but remains distant.
Martha, on the other hand, is in good spirits since their departure.
Bornheim bridge
Sometimes Van Groot watches the manoeuvring,
his boat-hook in his hand.
Tamise bridge
Michel accompanies Martha on a shopping trip.
The Tamise fish market.
Martha feeds the other occupants of the two barges.
Martha, dreamy eyed, her mind elsewhere.
Michel would make a good husband. Martha is of age.
When there are no tug boats,
they must put on their harnesses.
Today is the turn of Martha and Michel
You like her, eh?
Then why don't you ask her?
Dinner over.
Give her a kiss.
As soon as we're over the border, we'll celebrate the engagement.
An expedition on dry land.
You know, if Pierre really wanted...
you could soon get rich with these two barges...
In what way?
Smuggling.
What are you carrying and where do you hide it?
I can't tell, it's a secret!
Ghent
Approaching the Franco-Belgian border.
But Griet finds something odd in Michel's behaviour.
The last lock before the frontier.
Griet warns her husband.
That evening.
The customs.
The accident.
Bandaging.
That afternoon.
Griet's denunciation.
Griet, what have you got against that fellow?
- Nothing. Just watch out.
No! He'll denounce us. He knows our hiding place.
Yes, you're right.
Tomorrow I'll pay him off... and then...
That evening Michel invited Van Groot
to Kruydewier's, for a drink.
The Swallow and the Titmouse glide slowly
over the waters, which keep their secret.
The End
Subtitles: Corvusalbus Re-sync, additions, revisions: hobsbaum
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.