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These are the user uploaded subtitles that are being translated: 1 00:00:01,639 --> 00:00:09,410 it is the most famous most expensive and 2 00:00:05,339 --> 00:00:12,480 most mysterious painting in the world 3 00:00:09,410 --> 00:00:15,740 each year millions of people visit the 4 00:00:12,480 --> 00:00:15,740 portrait in the Louvre 5 00:00:19,030 --> 00:00:26,020 the Mona Lisa has remained a star among 6 00:00:21,429 --> 00:00:27,969 works of art for centuries because 7 00:00:26,019 --> 00:00:30,278 fanatics attempted to destroy the 8 00:00:27,969 --> 00:00:33,269 painting it can now only be admired from 9 00:00:30,278 --> 00:00:33,270 behind armored glass 10 00:00:37,869 --> 00:00:44,890 but what makes a Mona Lisa so special 11 00:00:42,119 --> 00:00:48,609 the small painting shows nothing more 12 00:00:44,890 --> 00:00:51,899 than a portrait of a woman or does it 13 00:00:48,609 --> 00:00:51,899 reveal something more 14 00:00:55,380 --> 00:01:00,969 [Music] 15 00:01:01,109 --> 00:01:07,618 it was painted by one of the greatest 16 00:01:03,609 --> 00:01:11,109 geniuses who ever left Leonardo da Vinci 17 00:01:07,618 --> 00:01:20,829 and with Mona Lisa he left behind more 18 00:01:11,109 --> 00:01:23,709 than just an image of a woman her gaze 19 00:01:20,829 --> 00:01:25,329 appears to wander off yet always meets 20 00:01:23,709 --> 00:01:28,109 the viewer 21 00:01:25,329 --> 00:01:31,329 [Music] 22 00:01:28,109 --> 00:01:34,239 she wears no jewellery her clothing is 23 00:01:31,329 --> 00:01:43,179 dark as if she were in mourning and yet 24 00:01:34,239 --> 00:01:45,099 she smiles mysteriously Leonardo didn't 25 00:01:43,180 --> 00:01:50,110 leave behind any sketches of the 26 00:01:45,099 --> 00:01:52,329 portrait no visible brushstrokes Mona 27 00:01:50,109 --> 00:01:58,989 Lisa appears to be made out of flesh and 28 00:01:52,329 --> 00:02:01,868 blood yet her biggest secret remains who 29 00:01:58,989 --> 00:02:04,469 was she whose portrait is Leonardo 30 00:02:01,868 --> 00:02:04,469 showing us 31 00:02:05,280 --> 00:02:08,818 [Music] 32 00:02:09,050 --> 00:02:14,130 to solve this puzzle the Louvre placed 33 00:02:12,300 --> 00:02:16,620 its most famous painting under 34 00:02:14,129 --> 00:02:24,509 scientific scrutiny using the most 35 00:02:16,620 --> 00:02:28,640 modern techniques the painting was 36 00:02:24,509 --> 00:02:31,439 examined using x-rays Raman spectroscopy 37 00:02:28,639 --> 00:02:35,149 ultraviolet and infrared pictures among 38 00:02:31,439 --> 00:02:35,150 other techniques to uncover its secrets 39 00:02:37,969 --> 00:02:41,080 [Music] 40 00:02:41,250 --> 00:02:46,050 the Masters painting technique was 41 00:02:43,530 --> 00:02:48,150 examined beyond the surface where 42 00:02:46,050 --> 00:02:51,420 Corrections made to the painting was 43 00:02:48,150 --> 00:02:53,640 anything over painted did Leonardo paint 44 00:02:51,419 --> 00:02:56,449 the piece in one session or did he work 45 00:02:53,639 --> 00:02:56,449 on it for decades 46 00:03:01,879 --> 00:03:05,870 these questions must be answered in 47 00:03:04,400 --> 00:03:09,289 order to resolve the most puzzling 48 00:03:05,870 --> 00:03:12,420 question of the more who is the woman 49 00:03:09,289 --> 00:03:17,310 behind the smiling yet melancholy face 50 00:03:12,419 --> 00:03:22,750 [Music] 51 00:03:17,310 --> 00:03:26,229 who was Leonardo's Mona Lisa or is this 52 00:03:22,750 --> 00:03:30,090 not a portrait but rather an imaginary 53 00:03:26,229 --> 00:03:30,090 image of an ideal beauty 54 00:03:31,080 --> 00:03:35,559 [Music] 55 00:03:36,129 --> 00:03:40,780 experts have been wondering this for 56 00:03:38,569 --> 00:03:40,780 centuries 57 00:03:42,780 --> 00:03:48,270 there seems to be proof of only two 58 00:03:45,090 --> 00:03:51,270 explanations but each cancels the other 59 00:03:48,270 --> 00:03:53,819 out documentation comes from two 60 00:03:51,270 --> 00:03:55,709 different chroniclers but these written 61 00:03:53,818 --> 00:03:57,439 records are not compatible with one 62 00:03:55,709 --> 00:04:00,569 another 63 00:03:57,439 --> 00:04:00,568 [Music] 64 00:04:00,628 --> 00:04:06,908 the most accepted theory is based on 65 00:04:03,579 --> 00:04:09,159 biographer Giorgio Vasari according to 66 00:04:06,908 --> 00:04:12,310 him the portrait depicts Lisa del 67 00:04:09,158 --> 00:04:15,188 Giocondo the wife of the Florentine silk 68 00:04:12,310 --> 00:04:26,709 merchant Francesco del Giocondo who 69 00:04:15,188 --> 00:04:28,599 commissioned the piece in 1503 this 70 00:04:26,709 --> 00:04:32,379 contradicts our notify the chronicler 71 00:04:28,600 --> 00:04:34,210 Antonio to be artists from 1517 in which 72 00:04:32,379 --> 00:04:41,680 Leonardo da Vinci claims to have been 73 00:04:34,209 --> 00:04:43,810 commissioned by Giuliano de Medici just 74 00:04:41,680 --> 00:04:46,209 like the two chroniclers contemporary 75 00:04:43,810 --> 00:04:51,160 Leonardo scholars also have divergent 76 00:04:46,209 --> 00:04:53,739 theories Giuseppe pa'lante 77 00:04:51,160 --> 00:04:55,840 an art historian from Florence believes 78 00:04:53,740 --> 00:04:59,699 the officially recognized theory that 79 00:04:55,839 --> 00:04:59,698 the painting depicts Lisa del Giocondo 80 00:05:00,870 --> 00:05:06,519 I believe that slayin Ardo actually 81 00:05:03,728 --> 00:05:10,408 painted Lisa Gherardini the wife of 82 00:05:06,519 --> 00:05:15,219 Francesco del Giocondo probably around 83 00:05:10,408 --> 00:05:17,228 1503 and animal 18% to three Roman 84 00:05:15,220 --> 00:05:19,659 historian Roberta Perry 85 00:05:17,228 --> 00:05:22,209 considers a new and revolutionary theory 86 00:05:19,658 --> 00:05:25,439 in which the portrayed woman is an 87 00:05:22,209 --> 00:05:28,299 entirely different person 88 00:05:25,439 --> 00:05:31,990 I think the painting is connected with 89 00:05:28,300 --> 00:05:33,668 Ron Donnie and then it has nothing to do 90 00:05:31,990 --> 00:05:36,150 with Mona Lisa thank you be there for 91 00:05:33,668 --> 00:05:36,149 Mona Lisa 92 00:05:37,310 --> 00:05:42,180 the first clue leads to Florence the 93 00:05:40,920 --> 00:05:45,060 majority of the great Renaissance 94 00:05:42,180 --> 00:05:51,600 artists lived and worked here as did 95 00:05:45,060 --> 00:05:53,939 Leonardo da Vinci Giorgio Vasari also 96 00:05:51,600 --> 00:06:01,980 worked in Florence he chronicled the 97 00:05:53,939 --> 00:06:03,420 biographies of many Italian artists next 98 00:06:01,980 --> 00:06:05,340 day's work as an architect 99 00:06:03,420 --> 00:06:08,730 Vasari documented the biographies of 100 00:06:05,339 --> 00:06:10,859 great Italian artists today these make 101 00:06:08,730 --> 00:06:14,790 up one of the most important foundations 102 00:06:10,860 --> 00:06:18,660 of art history la vita de PUE HL NT 103 00:06:14,790 --> 00:06:22,010 hockey ttp torre escalatory italiani was 104 00:06:18,660 --> 00:06:31,680 first published in 1550 and revised in 105 00:06:22,009 --> 00:06:35,240 1568 today the original manuscripts are 106 00:06:31,680 --> 00:06:35,240 housed in the effete C library 107 00:06:38,158 --> 00:06:43,319 most of the artists whose lives verse re 108 00:06:41,050 --> 00:06:50,889 chronicled were already dead at the time 109 00:06:43,319 --> 00:06:54,129 but Vasari researched very carefully so 110 00:06:50,889 --> 00:06:54,819 - with Leonardo da Vinci on just a few 111 00:06:54,129 --> 00:06:58,259 pages 112 00:06:54,819 --> 00:07:01,300 Vasari wrote down his whole life story 113 00:06:58,259 --> 00:07:03,509 in it he also mentions that Leonardo 114 00:07:01,300 --> 00:07:06,639 painted the portrait of Mona Lisa for 115 00:07:03,509 --> 00:07:08,889 Francesco del Giocondo her husband and 116 00:07:06,639 --> 00:07:13,240 it's in the possession of King Francis 117 00:07:08,889 --> 00:07:16,598 the first to France he labored on it for 118 00:07:13,240 --> 00:07:23,288 four years and ultimately left it 119 00:07:16,598 --> 00:07:28,319 unfinished these words gave the painting 120 00:07:23,288 --> 00:07:28,318 its name Mona Lisa 121 00:07:28,680 --> 00:07:35,920 who was this Mona Lisa of whom Vasari 122 00:07:32,319 --> 00:07:43,959 wrote and who was her husband Francesco 123 00:07:35,920 --> 00:07:45,910 del Giocondo Francesco was a silk 124 00:07:43,959 --> 00:07:49,599 merchant who had acquired some wealth 125 00:07:45,910 --> 00:07:53,400 but wasn't part of Florence's elite he 126 00:07:49,600 --> 00:07:53,400 was a nouveau riche businessman 127 00:07:56,300 --> 00:08:01,139 was it really possible that a renowned 128 00:07:59,040 --> 00:08:04,590 painter like Leonardo accepted a 129 00:08:01,139 --> 00:08:07,110 commission by an ordinary businessman or 130 00:08:04,589 --> 00:08:10,729 did Francesco del Giocondo and his wife 131 00:08:07,110 --> 00:08:10,730 climbed the ranks of society 132 00:08:13,389 --> 00:08:18,439 dr. Francesco del Giocondo 133 00:08:15,350 --> 00:08:21,950 Francesco del Giocondo was well-known in 134 00:08:18,439 --> 00:08:24,680 the city he wasn't just an ordinary 135 00:08:21,949 --> 00:08:28,399 merchant he was also a public and 136 00:08:24,680 --> 00:08:36,799 charismatic figure he live answer 137 00:08:28,399 --> 00:08:40,728 pública lizard ah 138 00:08:36,799 --> 00:08:44,149 queenie ELISA was very young and facade 139 00:08:40,729 --> 00:08:44,660 redefines her as very beautiful to see 140 00:08:44,149 --> 00:08:46,879 what I mean 141 00:08:44,659 --> 00:08:49,569 Dean Mary her husband also spoke very 142 00:08:46,879 --> 00:08:52,610 highly of her determined in his 143 00:08:49,570 --> 00:08:57,500 Testaments Francesco refers to her as a 144 00:08:52,610 --> 00:09:01,310 bona fides this is an unusual 145 00:08:57,500 --> 00:09:03,470 description for a woman Janie I have yet 146 00:09:01,309 --> 00:09:09,109 to find a similar description in other 147 00:09:03,470 --> 00:09:12,019 Testaments a bona fide a woman can 148 00:09:09,110 --> 00:09:15,110 signify a noblewoman with high 149 00:09:12,019 --> 00:09:19,909 principles who works hard and has 150 00:09:15,110 --> 00:09:21,680 personality in she become devaluated 151 00:09:19,909 --> 00:09:30,639 tossed o salty 152 00:09:21,679 --> 00:09:33,979 [Music] 153 00:09:30,639 --> 00:09:34,649 Lisa del Giocondo was Francesco's third 154 00:09:33,980 --> 00:09:37,710 wife 155 00:09:34,649 --> 00:09:37,709 [Music] 156 00:09:41,590 --> 00:09:46,960 the birth of their second child and move 157 00:09:44,679 --> 00:09:49,609 into a new home could have been the 158 00:09:46,960 --> 00:09:52,250 occasion for the commissioned portrait 159 00:09:49,610 --> 00:09:55,820 [Music] 160 00:09:52,250 --> 00:09:57,820 and yet up until then Leonardo only 161 00:09:55,820 --> 00:10:00,650 portrayed men and women of nobility 162 00:09:57,820 --> 00:10:04,010 these people were interesting to him a 163 00:10:00,649 --> 00:10:07,370 star such as himself could choose his 164 00:10:04,009 --> 00:10:09,029 own subjects why did he paint Lisa del 165 00:10:07,370 --> 00:10:18,350 Giocondo 166 00:10:09,029 --> 00:10:20,789 [Music] 167 00:10:18,350 --> 00:10:24,329 Leonardo returned to Florence around 168 00:10:20,789 --> 00:10:27,688 1500 from Milan he was 48 years old 169 00:10:24,328 --> 00:10:31,578 Restless without family and didn't have 170 00:10:27,688 --> 00:10:31,578 any large Commission's on the horizon 171 00:10:36,379 --> 00:10:41,639 Leonardo wondered when Leonardo came to 172 00:10:39,178 --> 00:10:46,289 Florence he didn't have any commissions 173 00:10:41,639 --> 00:10:49,948 or work and we know that portraits are 174 00:10:46,289 --> 00:10:51,899 the bread and butter of painters that is 175 00:10:49,948 --> 00:10:55,528 to say they are the simplest commissions 176 00:10:51,899 --> 00:10:57,589 and also the best paid so it is easily 177 00:10:55,528 --> 00:11:02,688 possible that Francesco del Giocondo 178 00:10:57,589 --> 00:11:02,689 Commission's Leonardo to betray his wife 179 00:11:03,889 --> 00:11:09,928 but doubts arise the G Kondo family 180 00:11:07,828 --> 00:11:12,528 trade register resides in the lock Evo 181 00:11:09,928 --> 00:11:17,269 story code El Instituto de lino Tonti 182 00:11:12,528 --> 00:11:17,269 and it is the basis of their tax report 183 00:11:20,028 --> 00:11:26,730 Florence had a highly advanced tax 184 00:11:22,589 --> 00:11:29,100 system the so called catastro as part of 185 00:11:26,730 --> 00:11:32,629 this its citizens had to claim all of 186 00:11:29,100 --> 00:11:32,629 their incomes and expenditures 187 00:11:40,100 --> 00:11:45,449 in this trade register all movement of 188 00:11:43,528 --> 00:11:49,078 money and assets were meticulously 189 00:11:45,448 --> 00:11:52,409 recorded Vasari mentions that Leonardo 190 00:11:49,078 --> 00:11:54,808 received the Commission in 1503 so a 191 00:11:52,409 --> 00:11:57,769 record of the expensive portrait must 192 00:11:54,808 --> 00:11:57,769 certainly have been made 193 00:11:58,830 --> 00:12:07,650 [Music] 194 00:12:03,320 --> 00:12:12,870 but in 1503 there is no referenced the 195 00:12:07,649 --> 00:12:14,789 expense of a painting there is no record 196 00:12:12,870 --> 00:12:20,370 of a commission to Leonardo in the 197 00:12:14,789 --> 00:12:22,349 entire trade register there is also no 198 00:12:20,370 --> 00:12:25,129 mention of such a valuable painting in 199 00:12:22,350 --> 00:12:25,129 the inheritance 200 00:12:27,759 --> 00:12:32,899 playmate you can imagine how desperately 201 00:12:30,649 --> 00:12:36,799 I searched for clues of a commission or 202 00:12:32,899 --> 00:12:38,090 payments not even in the Testament is 203 00:12:36,799 --> 00:12:41,839 there mentioned that this painting 204 00:12:38,090 --> 00:12:43,820 existed I think Francesco would have 205 00:12:41,840 --> 00:12:46,370 certainly claimed it since it was a 206 00:12:43,820 --> 00:12:50,210 painting with arising and secured value 207 00:12:46,370 --> 00:12:53,200 the whole thing is incomprehensible ei 208 00:12:50,210 --> 00:12:53,200 Gugino Co bishop 209 00:12:54,159 --> 00:12:58,189 Francesca would have most likely shown 210 00:12:56,450 --> 00:13:00,350 the portrait by the famous painter 211 00:12:58,190 --> 00:13:03,530 publicly and would not have risked 212 00:13:00,350 --> 00:13:06,080 eventual tax evasion in Leonardo's 213 00:13:03,529 --> 00:13:09,439 records there is also no traces of a 214 00:13:06,080 --> 00:13:12,820 commission by francesco money apparently 215 00:13:09,440 --> 00:13:12,820 didn't change hands 216 00:13:15,940 --> 00:13:21,770 Francesco's testament is archived in 217 00:13:18,500 --> 00:13:23,899 Florence's arc Evo de staat oh they're 218 00:13:21,769 --> 00:13:26,199 in there is also no mention of the great 219 00:13:23,899 --> 00:13:29,059 masters valuable artwork 220 00:13:26,200 --> 00:13:32,320 Leonardo apparently never delivered the 221 00:13:29,059 --> 00:13:32,319 painting to Francesco 222 00:13:34,589 --> 00:13:40,480 Vasari writes about an incomplete 223 00:13:37,269 --> 00:13:43,328 portrait with a Mona Lisa in the Louvre 224 00:13:40,480 --> 00:13:45,959 however is completed down to the very 225 00:13:43,328 --> 00:13:48,729 last detail 226 00:13:45,958 --> 00:13:51,188 seguramente Louie Paris 227 00:13:48,730 --> 00:13:54,938 surely he accepted the Commission at a 228 00:13:51,188 --> 00:13:56,769 time in which he had no work he 229 00:13:54,938 --> 00:13:59,289 introduced himself to the merchant who 230 00:13:56,769 --> 00:14:03,028 wanted a painting of his wife and simply 231 00:13:59,289 --> 00:14:05,230 agreed then he painted only the head a 232 00:14:03,028 --> 00:14:06,458 flat dollar saw a taste that the 233 00:14:05,230 --> 00:14:09,399 interrupted the work for other 234 00:14:06,458 --> 00:14:11,799 commissions and left it unfinished never 235 00:14:09,399 --> 00:14:16,089 delivering the painting to the merchant 236 00:14:11,799 --> 00:14:19,269 not even the head there are no traces of 237 00:14:16,089 --> 00:14:21,430 this painting in Florence traces left by 238 00:14:19,269 --> 00:14:26,459 the merchant couple must be available in 239 00:14:21,429 --> 00:14:29,948 the archives in documents or Testaments 240 00:14:26,458 --> 00:14:35,049 yet this painting by Leonardo shows up 241 00:14:29,948 --> 00:14:36,789 with nowhere just a me if he had 242 00:14:35,049 --> 00:14:39,399 finished the painting and delivered it 243 00:14:36,789 --> 00:14:42,789 then a record within the family would 244 00:14:39,399 --> 00:14:46,289 exist a painting by a famous artist like 245 00:14:42,789 --> 00:14:49,448 Leonardo was a very valuable commodity 246 00:14:46,289 --> 00:14:51,458 testimony answer nella for me ever care 247 00:14:49,448 --> 00:14:55,028 to disappeared we know absolutely 248 00:14:51,458 --> 00:15:00,039 nothing about it s peridot known series 249 00:14:55,028 --> 00:15:01,389 as rudimental ending has it really been 250 00:15:00,039 --> 00:15:04,360 lost 251 00:15:01,389 --> 00:15:08,049 was the Mona Lisa as described by Vasari 252 00:15:04,360 --> 00:15:10,620 lost is the painting in the Louvre the 253 00:15:08,049 --> 00:15:10,620 different one 254 00:15:17,409 --> 00:15:20,509 [Music] 255 00:15:21,250 --> 00:15:27,458 much about Leonardo seems unexplainable 256 00:15:24,309 --> 00:15:31,599 today very few artists have captivated 257 00:15:27,458 --> 00:15:33,729 people's imaginations as he has one 258 00:15:31,600 --> 00:15:35,699 reason for this is that he started so 259 00:15:33,730 --> 00:15:38,289 many paintings that he never finished 260 00:15:35,698 --> 00:15:44,889 like that of Saint Jerome in the 261 00:15:38,289 --> 00:15:51,969 wilderness yet these works count among 262 00:15:44,889 --> 00:15:54,789 art history's most famous as with the 263 00:15:51,970 --> 00:15:56,740 adoration of the Magi Leonardo often 264 00:15:54,789 --> 00:15:58,828 lost interest in his paintings after he 265 00:15:56,740 --> 00:16:02,019 solved challenges of figuration and 266 00:15:58,828 --> 00:16:04,919 Composition finishing the pieces became 267 00:16:02,019 --> 00:16:04,919 too tedious 268 00:16:09,600 --> 00:16:15,080 this was also the case with the fresco 269 00:16:11,789 --> 00:16:17,990 for the council Hall of Palazzo Vecchio 270 00:16:15,080 --> 00:16:20,160 it was to become his largest work 271 00:16:17,990 --> 00:16:22,950 commissioned by the city government 272 00:16:20,159 --> 00:16:26,519 Leonardo chose the Battle of Anghiari as 273 00:16:22,950 --> 00:16:29,220 his motif Leonardo received the 274 00:16:26,519 --> 00:16:31,139 Commission in 1503 the same period 275 00:16:29,220 --> 00:16:31,769 during which he worked on Lisa del 276 00:16:31,139 --> 00:16:36,059 Giocondo 277 00:16:31,769 --> 00:16:38,100 portrait restless as he was Leonardo 278 00:16:36,059 --> 00:16:41,219 left even the biggest project that 279 00:16:38,100 --> 00:16:44,070 Florence commissioned incomplete is it 280 00:16:41,220 --> 00:16:46,860 plausible that he behaved similarly with 281 00:16:44,070 --> 00:16:50,790 Mona Lisa abandoning it only to finish 282 00:16:46,860 --> 00:16:53,580 it later motor be made they it is very 283 00:16:50,789 --> 00:16:57,480 likely that Leonardo puts the painting 284 00:16:53,580 --> 00:17:00,090 aside he didn't finish it and never 285 00:16:57,480 --> 00:17:03,980 delivered it it was most likely 286 00:17:00,090 --> 00:17:03,980 completed at a later time 287 00:17:04,220 --> 00:17:10,230 Caputo blase Z so I think that's this 288 00:17:08,220 --> 00:17:15,059 theory in which the painting was begun 289 00:17:10,230 --> 00:17:18,019 in 1503 and finished later is the most 290 00:17:15,059 --> 00:17:21,208 plausible and it's also the one I 291 00:17:18,019 --> 00:17:24,139 personally believe any wheel but it did 292 00:17:21,209 --> 00:17:24,140 I mean derivative you 293 00:17:26,608 --> 00:17:34,980 [Music] 294 00:17:31,409 --> 00:17:39,278 when did Leonardo finish the painting 295 00:17:34,980 --> 00:17:44,740 let's assume in old age long after he 296 00:17:39,278 --> 00:17:46,419 started it then Leonardo must have 297 00:17:44,740 --> 00:17:53,950 carried the painting with him throughout 298 00:17:46,419 --> 00:17:55,990 much of his life if there was such a 299 00:17:53,950 --> 00:17:58,269 time span between the start and the 300 00:17:55,990 --> 00:18:00,159 completion of the painting then we can 301 00:17:58,269 --> 00:18:02,759 determine that with today's modern 302 00:18:00,159 --> 00:18:02,760 methods 303 00:18:08,019 --> 00:18:15,608 and again modern technology has a go at 304 00:18:12,739 --> 00:18:15,608 the Mona Lisa 305 00:18:17,349 --> 00:18:22,128 the results show that the color pigments 306 00:18:20,388 --> 00:18:27,158 were applied without significant 307 00:18:22,128 --> 00:18:29,449 interruption using infrared technology 308 00:18:27,159 --> 00:18:33,440 historians searched for over painted 309 00:18:29,450 --> 00:18:36,019 areas or Corrections the genius Leonardo 310 00:18:33,440 --> 00:18:38,950 made hardly a single correction from the 311 00:18:36,019 --> 00:18:41,868 first brushstroke to the finished piece 312 00:18:38,950 --> 00:18:44,960 the only over painting occurred on Mona 313 00:18:41,868 --> 00:18:50,089 Lisa's left hand here leonardo corrected 314 00:18:44,960 --> 00:18:52,639 the gesture of her finger aside from 315 00:18:50,089 --> 00:18:53,238 that the painting was made in one 316 00:18:52,638 --> 00:18:55,908 session 317 00:18:53,239 --> 00:18:59,538 an unbelievable achievement by the 318 00:18:55,909 --> 00:19:01,549 master according to art historian 319 00:18:59,538 --> 00:19:04,358 Alexander Parekh these discoveries 320 00:19:01,548 --> 00:19:08,298 further confound the Mona Lisa theory 321 00:19:04,358 --> 00:19:11,658 the countersue hung the entire study 322 00:19:08,298 --> 00:19:14,749 confirms the absurdity of the identity 323 00:19:11,659 --> 00:19:21,580 of the louver painting or louver 324 00:19:14,749 --> 00:19:21,579 painting depicting Mona Lisa Mona Lisa 325 00:19:22,089 --> 00:19:28,189 it was determined that the painterly 326 00:19:25,368 --> 00:19:31,339 process was fairly continuous in 327 00:19:28,190 --> 00:19:33,349 continued little they're mostly 328 00:19:31,339 --> 00:19:39,528 armed he would have had to paint it in 329 00:19:33,348 --> 00:19:41,989 two completely separate stages would 330 00:19:39,528 --> 00:19:48,048 clearly be identified with today's 331 00:19:41,989 --> 00:19:51,950 methods and tools the face stolen for 332 00:19:48,048 --> 00:19:54,979 album at tagong salon chav the landscape 333 00:19:51,950 --> 00:19:55,819 would have had to have been new since 334 00:19:54,979 --> 00:19:59,169 Vasari 335 00:19:55,819 --> 00:19:59,168 didn't mention one at all 336 00:20:01,190 --> 00:20:08,210 the great biographer airs in another 337 00:20:04,039 --> 00:20:11,119 aspect as well in describing the Mona 338 00:20:08,210 --> 00:20:12,620 Lisa he talks about her eyelashes which 339 00:20:11,119 --> 00:20:15,199 could be rendered only by the most 340 00:20:12,619 --> 00:20:16,669 delicate of brushes on her brows you 341 00:20:15,200 --> 00:20:19,250 witnessed them at their fullest and 342 00:20:16,670 --> 00:20:21,830 Sparsit and how they emerge from the 343 00:20:19,250 --> 00:20:23,390 pores of her skin and arch as naturally 344 00:20:21,829 --> 00:20:26,898 as one can only imagine 345 00:20:23,390 --> 00:20:26,899 [Music] 346 00:20:29,049 --> 00:20:35,149 but the Mona Lisa that hangs in the 347 00:20:31,549 --> 00:20:40,789 Louvre today has neither eyelashes nor I 348 00:20:35,150 --> 00:20:44,120 browse these are also not detectable 349 00:20:40,789 --> 00:20:46,399 using relief imaging Vasari 350 00:20:44,119 --> 00:20:49,189 one of the main attests us to the Mona 351 00:20:46,400 --> 00:20:50,200 Lisa theory never saw the painting 352 00:20:49,190 --> 00:20:53,269 himself 353 00:20:50,200 --> 00:20:55,990 Vasari no never fault discreetly 354 00:20:53,269 --> 00:20:59,690 Vasari didn't have any written sources 355 00:20:55,990 --> 00:21:02,589 his biography is based on mere oral 356 00:20:59,690 --> 00:21:07,610 accounts that circulated in Florence e 357 00:21:02,589 --> 00:21:10,309 lui a script or a be over a fee yet 358 00:21:07,609 --> 00:21:11,929 trail a path did i bill graffia the you 359 00:21:10,309 --> 00:21:13,579 got that which took this means he wrote 360 00:21:11,930 --> 00:21:17,390 part of the history of true calmness 361 00:21:13,579 --> 00:21:19,639 portrait the Mona Lisa whole based on 362 00:21:17,390 --> 00:21:22,610 such oral accounts the fast from person 363 00:21:19,640 --> 00:21:25,130 to person the best own imbecile Louie 364 00:21:22,609 --> 00:21:28,039 himself never saw the painter he had 365 00:21:25,130 --> 00:21:30,940 this he describes what he invented and 366 00:21:28,039 --> 00:21:30,940 that does it 367 00:21:31,410 --> 00:21:35,700 [Music] 368 00:21:33,690 --> 00:21:39,240 but from where does the painting in the 369 00:21:35,700 --> 00:21:43,170 Louvre stem are there two portraits one 370 00:21:39,240 --> 00:21:45,819 of them lost this new idea takes us to 371 00:21:43,170 --> 00:21:49,279 the emboss on the Loire France 372 00:21:45,819 --> 00:21:52,649 [Music] 373 00:21:49,279 --> 00:21:58,109 Leonardo died here in 1519 at the 374 00:21:52,650 --> 00:22:00,390 advanced age of 67 the chapel in which 375 00:21:58,109 --> 00:22:02,519 he was entombed is located directly next 376 00:22:00,390 --> 00:22:04,770 to the king's chateau 377 00:22:02,519 --> 00:22:07,269 [Music] 378 00:22:04,769 --> 00:22:10,480 Leonardo came to ham Waze by invitation 379 00:22:07,269 --> 00:22:12,819 of the French King Francis the fast by 380 00:22:10,480 --> 00:22:14,730 them the artistic genius had already 381 00:22:12,819 --> 00:22:21,450 achieved cult status 382 00:22:14,730 --> 00:22:21,450 [Music] 383 00:22:22,000 --> 00:22:31,009 Leonardo lived in a manor next to the 384 00:22:24,440 --> 00:22:32,750 Chateau called clue Lucy an incident 385 00:22:31,009 --> 00:22:35,150 occurred in this small French manner 386 00:22:32,750 --> 00:22:37,630 that steers the Mona Lisa investigation 387 00:22:35,150 --> 00:22:44,480 in an entirely new and revolutionary 388 00:22:37,630 --> 00:22:47,120 direction leonardo brought three 389 00:22:44,480 --> 00:22:50,089 paintings with him the one that today is 390 00:22:47,119 --> 00:22:52,579 referred to as the Mona Lisa painting 391 00:22:50,089 --> 00:22:55,970 gives some drama Baptist and that arson 392 00:22:52,579 --> 00:22:59,589 town he stayed in this Manor inclusive 393 00:22:55,970 --> 00:22:59,589 they also had his studio 394 00:23:01,359 --> 00:23:04,469 [Music] 395 00:23:06,630 --> 00:23:11,919 the chronicler Antonio to be artists 396 00:23:09,640 --> 00:23:14,799 witnessed Cardinal Ludwig of arrogance 397 00:23:11,919 --> 00:23:18,880 visit with Leonardo in Clos lucé a on 398 00:23:14,798 --> 00:23:20,769 October the 10th 1517 he relates the 399 00:23:18,880 --> 00:23:23,220 three paintings he saw at the aging 400 00:23:20,769 --> 00:23:23,220 masters 401 00:23:32,880 --> 00:23:37,890 one of the works is of a certain 402 00:23:34,920 --> 00:23:39,720 Florentine lady painted from life that 403 00:23:37,890 --> 00:23:41,520 was made in honor of the passing of 404 00:23:39,720 --> 00:23:43,950 Giuliano de Medici 405 00:23:41,519 --> 00:23:47,009 another one is of the young Saint Joan 406 00:23:43,950 --> 00:23:50,400 the Baptist the third of Madonna with 407 00:23:47,009 --> 00:23:54,289 her child seated on st. Anna's lap the 408 00:23:50,400 --> 00:23:54,290 latter was the most perfect of them all 409 00:24:00,230 --> 00:24:05,190 today the painting of st. Anna with 410 00:24:02,910 --> 00:24:10,290 Maria and baby Jesus on her lap is 411 00:24:05,190 --> 00:24:12,210 housed in the Louvre so too is the 412 00:24:10,289 --> 00:24:16,500 painting that be artists described of 413 00:24:12,210 --> 00:24:18,890 Saint John the Baptist is the painting 414 00:24:16,500 --> 00:24:24,859 that was made for Giuliano de Medici 415 00:24:18,890 --> 00:24:24,860 also in the Louvre is it the Mona Lisa 416 00:24:24,920 --> 00:24:30,570 acuerdo 417 00:24:26,900 --> 00:24:35,070 the painting was commissioned in Rome by 418 00:24:30,569 --> 00:24:37,379 Giuliano de Medici as a result of an 419 00:24:35,069 --> 00:24:41,929 affair he had with a woman from the OB 420 00:24:37,380 --> 00:24:45,660 know Giuliano de Medici figure brandonna 421 00:24:41,930 --> 00:24:48,560 also called Adam at your be no but she 422 00:24:45,660 --> 00:24:48,560 figure better than 423 00:24:48,619 --> 00:24:51,809 [Music] 424 00:24:54,329 --> 00:25:04,949 a new name services Medici the ruling 425 00:25:01,919 --> 00:25:07,100 family of Florence this name is most 426 00:25:04,950 --> 00:25:10,769 associated with the Renaissance period 427 00:25:07,099 --> 00:25:17,730 they were rich scrupulous obsessed with 428 00:25:10,769 --> 00:25:19,679 power and patrons of the Arts Giuliano 429 00:25:17,730 --> 00:25:23,630 de Medici was one of the two brothers 430 00:25:19,679 --> 00:25:23,630 that lived during da Vinci's time 431 00:25:23,750 --> 00:25:30,159 [Music] 432 00:25:25,808 --> 00:25:33,249 he was a womanizer and a squanderer he 433 00:25:30,159 --> 00:25:36,989 was charismatic had a powerful name and 434 00:25:33,249 --> 00:25:36,989 an influential brother 435 00:25:38,619 --> 00:25:42,969 [Music] 436 00:25:47,220 --> 00:25:53,409 his brother lived in Rome 437 00:25:49,839 --> 00:25:56,709 his name was Giovanni de'medici and he 438 00:25:53,409 --> 00:26:01,390 had high aspirations later he became 439 00:25:56,710 --> 00:26:04,419 Cardinal and finally Pope as Pope Leo 440 00:26:01,390 --> 00:26:07,150 the tenth he made history as a sensitive 441 00:26:04,419 --> 00:26:10,350 art patron as well as a scrupulous and 442 00:26:07,150 --> 00:26:10,350 powerful politician 443 00:26:14,169 --> 00:26:18,860 he strengthened the clergies power and 444 00:26:17,000 --> 00:26:21,619 influence over the battling Italian 445 00:26:18,859 --> 00:26:24,729 city-states and had a weakness for the 446 00:26:21,619 --> 00:26:24,729 beautiful things in life 447 00:26:27,279 --> 00:26:30,420 [Music] 448 00:26:32,980 --> 00:26:36,019 [Music] 449 00:26:37,429 --> 00:26:43,440 Juliano his extravagant brother arrived 450 00:26:40,859 --> 00:26:47,189 in Urbino where he was a guest at the 451 00:26:43,440 --> 00:26:49,919 palazzo do Carla here he had several 452 00:26:47,190 --> 00:27:00,929 chambers known as the magnificence 453 00:26:49,919 --> 00:27:03,960 quarter Giuliano a pair of boy Delano 454 00:27:00,929 --> 00:27:07,559 was a poet he had been raised by his 455 00:27:03,960 --> 00:27:09,929 father Lorenzo who was a great writer he 456 00:27:07,558 --> 00:27:12,029 wrote poetry and was interested in women 457 00:27:09,929 --> 00:27:13,980 he hadn't the slightest interest in 458 00:27:12,029 --> 00:27:21,690 politics no nerve even is really 459 00:27:13,980 --> 00:27:24,480 stressful Leone Fred elevation Graham 460 00:27:21,690 --> 00:27:29,370 politically bleona's brother 461 00:27:24,480 --> 00:27:32,009 it was a great the exact opposite he was 462 00:27:29,369 --> 00:27:35,609 wrong about everything and yet his great 463 00:27:32,009 --> 00:27:38,759 passion was politics we do complemented 464 00:27:35,609 --> 00:27:42,500 evasion I was an avid hunter the only 465 00:27:38,759 --> 00:27:46,490 PABA prema to talk like a certain a 466 00:27:42,500 --> 00:27:49,609 politician horrible idiot 467 00:27:46,490 --> 00:27:51,470 Giovanni de Medici Pope Leo the tenth 468 00:27:49,609 --> 00:27:54,859 took care of his brother Giuliano 469 00:27:51,470 --> 00:28:04,880 throughout his life he also financed his 470 00:27:54,859 --> 00:28:13,099 extravagant lifestyle Giuliano had 471 00:28:04,880 --> 00:28:25,250 countless affairs but one of these 472 00:28:13,099 --> 00:28:28,219 flames had serious consequences Urbino 473 00:28:25,250 --> 00:28:31,429 in the marker region the palazzo de 474 00:28:28,220 --> 00:28:33,529 carla looms over the town here the 475 00:28:31,429 --> 00:28:35,750 tragedy involving Giuliano de Medici 476 00:28:33,529 --> 00:28:39,379 that would eventually lead to the Mona 477 00:28:35,750 --> 00:28:42,380 Lisa took place well afford the pure 478 00:28:39,380 --> 00:28:44,720 that they a the most important source is 479 00:28:42,380 --> 00:28:47,840 a document that is housed in the library 480 00:28:44,720 --> 00:28:51,160 of the University of Urbino this 481 00:28:47,839 --> 00:28:54,159 document is a page in a book a foundling 482 00:28:51,160 --> 00:28:54,160 disposed 483 00:28:56,579 --> 00:29:01,859 records were found in the university 484 00:28:58,929 --> 00:29:08,528 library of Urbino regarding a certain 485 00:29:01,859 --> 00:29:10,748 hipolito de Medici hippolyta would later 486 00:29:08,528 --> 00:29:19,898 become cardinal but was poisoned at the 487 00:29:10,749 --> 00:29:23,829 age of 24 but he was born an orphan how 488 00:29:19,898 --> 00:29:26,008 did he acquire the name Medici who were 489 00:29:23,829 --> 00:29:26,009 his parents 490 00:29:29,690 --> 00:29:39,500 further records document his birth how 491 00:29:33,480 --> 00:29:39,500 he became an orphan and later a Medici 492 00:29:39,890 --> 00:29:46,070 the name of his mother also appears at 493 00:29:43,220 --> 00:29:52,130 Jiffy co-brand Danny a young woman from 494 00:29:46,069 --> 00:29:54,558 Urbino not much is known about Pacifica 495 00:29:52,130 --> 00:29:57,080 brand Danny she was a guest to the 496 00:29:54,558 --> 00:30:05,839 pelota to Carla by invitation of 497 00:29:57,079 --> 00:30:08,449 Giuliano de Medici it is unclear if she 498 00:30:05,839 --> 00:30:11,869 offered him her labors of love if he 499 00:30:08,450 --> 00:30:15,490 seduced her or as recorded by one of the 500 00:30:11,869 --> 00:30:15,489 documents was raped 501 00:30:18,529 --> 00:30:27,970 [Music] 502 00:30:25,140 --> 00:30:37,620 in any case she spent a night with 503 00:30:27,970 --> 00:30:40,240 Julianna and this likely involuntarily 504 00:30:37,619 --> 00:30:42,539 but how should she have opposed the rich 505 00:30:40,240 --> 00:30:42,539 ruler 506 00:30:54,660 --> 00:31:00,400 she was plagued with severe remorse 507 00:30:57,430 --> 00:31:02,460 after her affair with Giuliano 508 00:31:00,400 --> 00:31:05,320 [Music] 509 00:31:02,460 --> 00:31:10,210 some sources state that she was married 510 00:31:05,319 --> 00:31:12,399 at the time brand Dani fell into a 511 00:31:10,210 --> 00:31:13,930 crisis that deepened when she found out 512 00:31:12,400 --> 00:31:16,669 that she was with child 513 00:31:13,930 --> 00:31:19,700 [Music] 514 00:31:16,669 --> 00:31:32,899 a child out of wedlock from a brief 515 00:31:19,700 --> 00:31:36,460 encounter in the court of Urbino then 516 00:31:32,898 --> 00:31:36,459 she drew up a terrible plan 517 00:31:39,019 --> 00:31:44,250 she confided in her friend and midwife 518 00:31:41,819 --> 00:31:47,339 that she didn't want the child and that 519 00:31:44,250 --> 00:31:49,440 she could not take the disgrace the 520 00:31:47,339 --> 00:31:52,519 Midwife should kill the newborn in case 521 00:31:49,440 --> 00:31:52,519 Prandini dies in childbirth 522 00:32:02,700 --> 00:32:10,980 brand Danny did in fact die of pure Pro 523 00:32:05,549 --> 00:32:17,069 fever but the Midwife didn't take the 524 00:32:10,980 --> 00:32:19,680 newborns life on April the 19th 1511 the 525 00:32:17,069 --> 00:32:21,450 night before Easter Sunday she dropped 526 00:32:19,680 --> 00:32:35,039 the child off from the steps of the 527 00:32:21,450 --> 00:32:37,559 santa chiara church in her OB note the 528 00:32:35,039 --> 00:32:40,829 baby wrapped in a white sheet was 529 00:32:37,559 --> 00:32:43,919 Giuliana's son he had a coin on him as a 530 00:32:40,829 --> 00:32:46,939 token of his heritage in the absence of 531 00:32:43,920 --> 00:32:51,050 a legitimate heir Giuliano de Medici 532 00:32:46,940 --> 00:33:00,059 recognized him as his son he named him 533 00:32:51,049 --> 00:33:02,609 Ippolito Giuliano left will be now with 534 00:33:00,059 --> 00:33:05,539 his son ippolito a move to his brother 535 00:33:02,609 --> 00:33:05,539 the Pope in Rome 536 00:33:11,509 --> 00:33:16,049 Leonardo da Vinci resided in the 537 00:33:13,890 --> 00:33:22,350 chambers of the Vatican where he worked 538 00:33:16,049 --> 00:33:24,649 for the Medicis during this time but 539 00:33:22,349 --> 00:33:27,359 commissions from the Pope were sparse 540 00:33:24,650 --> 00:33:29,040 here Giuliano must have given him the 541 00:33:27,359 --> 00:33:32,969 commission of which Leonardo rights 542 00:33:29,039 --> 00:33:39,029 include Lucy Leonardo was the painter 543 00:33:32,970 --> 00:33:42,299 painting to comfort little Eppolito he 544 00:33:39,029 --> 00:33:44,519 badly he said to Leonardo paint me a 545 00:33:42,299 --> 00:33:48,269 picture of a mother that I can give to 546 00:33:44,519 --> 00:33:50,759 my son is an image of his mother doe 547 00:33:48,269 --> 00:33:53,220 Larry I'm your feet look painted as you 548 00:33:50,759 --> 00:33:56,519 imagine it how a portrait of a mother 549 00:33:53,220 --> 00:34:00,900 should look like Leonardo painted the 550 00:33:56,519 --> 00:34:05,400 painting that we call Mona Lisa today El 551 00:34:00,900 --> 00:34:07,230 Dorado le bateau it must have been a 552 00:34:05,400 --> 00:34:08,400 great challenge to paint an image of a 553 00:34:07,230 --> 00:34:11,449 mother for a Paulito 554 00:34:08,400 --> 00:34:11,449 [Music] 555 00:34:13,639 --> 00:34:17,230 since he suffered a similar fate 556 00:34:16,190 --> 00:34:25,510 Hippolyta 557 00:34:17,230 --> 00:34:28,608 [Music] 558 00:34:25,510 --> 00:34:34,339 he too was an illegitimate child who was 559 00:34:28,608 --> 00:34:36,289 recognized by his father his mother 560 00:34:34,338 --> 00:34:38,779 didn't die in childbirth 561 00:34:36,289 --> 00:34:40,909 she was his father's maid and he 562 00:34:38,780 --> 00:34:43,760 probably used her dependency on him for 563 00:34:40,909 --> 00:34:45,690 labors of love as had Juliana with his 564 00:34:43,760 --> 00:34:50,480 mistress Brand Ani 565 00:34:45,690 --> 00:34:50,480 [Music] 566 00:34:53,969 --> 00:34:59,098 a pollito and Leonardo shared a similar 567 00:34:56,639 --> 00:35:01,559 fate and this inspired Leonardo to paint 568 00:34:59,099 --> 00:35:05,670 a painting that upheld the memory of a 569 00:35:01,559 --> 00:35:08,699 mother the painting should lend comfort 570 00:35:05,670 --> 00:35:12,599 to young Hippolyta who himself never saw 571 00:35:08,699 --> 00:35:18,029 his mother shiteru he undoubtedly 572 00:35:12,599 --> 00:35:22,260 painted the image so he develops the 573 00:35:18,030 --> 00:35:25,410 portraits out of his imaginations we 574 00:35:22,260 --> 00:35:28,609 cooked Leonardo Leonardo didn't need a 575 00:35:25,409 --> 00:35:32,009 model he was an illegitimate child 576 00:35:28,608 --> 00:35:34,409 himself and could easily relate to the 577 00:35:32,010 --> 00:35:38,849 feelings of such a child 578 00:35:34,409 --> 00:35:41,730 so in this kindest Giuliano de Medici 579 00:35:38,849 --> 00:35:44,180 must have known this has Leonardo's 580 00:35:41,730 --> 00:35:44,179 friend 581 00:35:44,860 --> 00:35:48,630 [Music] 582 00:35:46,250 --> 00:35:55,829 Leonardo took himself back to the time 583 00:35:48,630 --> 00:36:00,720 of his childhood he was born in 1452 on 584 00:35:55,829 --> 00:36:03,809 a farm his birth house still stands 585 00:36:00,719 --> 00:36:05,849 today it's located in midst of an olive 586 00:36:03,809 --> 00:36:13,860 grove near the small Tuscan village of 587 00:36:05,849 --> 00:36:16,549 Vinci the great master got his name from 588 00:36:13,860 --> 00:36:18,470 the small Italian village 589 00:36:16,550 --> 00:36:22,099 [Music] 590 00:36:18,469 --> 00:36:25,759 a church with a side chapel and a 591 00:36:22,099 --> 00:36:27,519 Baptistery stands in the center of town 592 00:36:25,760 --> 00:36:31,070 [Music] 593 00:36:27,519 --> 00:36:33,139 leonardo was baptized here a memorial 594 00:36:31,070 --> 00:36:36,140 stone commemorates that illegitimate 595 00:36:33,139 --> 00:36:37,799 leonardo was recognized as a son by his 596 00:36:36,139 --> 00:36:47,150 father Piero da Vinci 597 00:36:37,800 --> 00:36:49,280 [Music] 598 00:36:47,150 --> 00:36:51,710 it was always puzzling why Leonardo 599 00:36:49,280 --> 00:36:54,740 portrayed the wife of a sub merchant in 600 00:36:51,710 --> 00:36:57,440 dark clothing her silk merchant is proud 601 00:36:54,739 --> 00:36:59,689 of his colorful fabrics her clothes on 602 00:36:57,440 --> 00:37:03,110 the other hand recall morning and 603 00:36:59,690 --> 00:37:05,090 reverie if Leonardo painted the image of 604 00:37:03,110 --> 00:37:08,090 a woman that had passed away then the 605 00:37:05,090 --> 00:37:11,059 dark colors make sense a smile also 606 00:37:08,090 --> 00:37:13,900 becomes explainable since it is directed 607 00:37:11,059 --> 00:37:13,900 at her own child 608 00:37:18,380 --> 00:37:24,329 [Music] 609 00:37:21,708 --> 00:37:27,449 Giuliano de Medici died before the 610 00:37:24,329 --> 00:37:29,910 painting was completed leonardo took it 611 00:37:27,449 --> 00:37:31,468 with him to France where Debbie artists 612 00:37:29,909 --> 00:37:41,068 saw it and took note of it in his 613 00:37:31,469 --> 00:37:44,338 travelogue my right is the painting in 614 00:37:41,068 --> 00:37:47,278 the Louvre er is certainly not identical 615 00:37:44,338 --> 00:37:54,538 to the portrait that Leonardo painted of 616 00:37:47,278 --> 00:37:55,489 Mona Lisa the real Mona Lisa Lisa del 617 00:37:54,539 --> 00:38:01,380 Giocondo 618 00:37:55,489 --> 00:38:03,239 the soap merchants wife Amal thought but 619 00:38:01,380 --> 00:38:03,869 where is the portrait of Lisa del 620 00:38:03,239 --> 00:38:09,900 Giocondo 621 00:38:03,869 --> 00:38:13,349 as described by Vasari a trace leads us 622 00:38:09,900 --> 00:38:14,969 to Joan Giacomo Capote called Sally who 623 00:38:13,349 --> 00:38:17,509 is said to have had a relationship with 624 00:38:14,969 --> 00:38:17,509 the master 625 00:38:17,750 --> 00:38:22,059 [Music] 626 00:38:28,039 --> 00:38:35,250 Sal I was a rapscallion but Leonardo 627 00:38:31,320 --> 00:38:37,350 liked him anyway he accompanied the 628 00:38:35,250 --> 00:38:40,980 master through his life on many travels 629 00:38:37,349 --> 00:38:44,940 and was his studio assistant before 630 00:38:40,980 --> 00:38:49,400 Arbor Leonardo several months or weeks 631 00:38:44,940 --> 00:38:53,400 before Leonardo left for France in 1516 632 00:38:49,400 --> 00:38:58,410 Sal I returned to his hometown of Manasa 633 00:38:53,400 --> 00:39:02,430 lay my London sand I might also get 634 00:38:58,409 --> 00:39:04,710 soaked by this on the occasion he must 635 00:39:02,429 --> 00:39:07,710 have received several paintings from 636 00:39:04,710 --> 00:39:11,400 Leonardo the common huh 637 00:39:07,710 --> 00:39:11,970 and so I remotely presumably in complete 638 00:39:11,400 --> 00:39:14,849 works' 639 00:39:11,969 --> 00:39:17,879 Kamil the hidden files inside the 640 00:39:14,849 --> 00:39:21,889 painting appears in his estate that is 641 00:39:17,880 --> 00:39:27,200 referred to as La Gioconda 642 00:39:21,889 --> 00:39:30,299 bond of Quattro dicto logic andhe a 643 00:39:27,199 --> 00:39:35,849 painting called gioconda this is how it 644 00:39:30,300 --> 00:39:38,039 appears in his estate an incomplete work 645 00:39:35,849 --> 00:39:43,069 of the great Leonardo da Vinci was very 646 00:39:38,039 --> 00:39:46,199 valuable to Sal I solo at this 647 00:39:43,070 --> 00:39:52,320 theoretically Sal I could have completed 648 00:39:46,199 --> 00:39:55,829 it right he was a painter trained by 649 00:39:52,320 --> 00:39:59,100 Leonardo many paintings are attributed 650 00:39:55,829 --> 00:40:01,769 to him he could have also sold them 651 00:39:59,099 --> 00:40:05,429 under Leonardo's name for a lot of money 652 00:40:01,769 --> 00:40:07,380 Fuko from Conan but that never happened 653 00:40:05,429 --> 00:40:09,719 Sal I died under mysterious 654 00:40:07,380 --> 00:40:13,829 circumstances just a few years after 655 00:40:09,719 --> 00:40:16,829 Leonardo's own death the incomplete 656 00:40:13,829 --> 00:40:19,529 portrait of Lisa del Giocondo was in 657 00:40:16,829 --> 00:40:23,279 Sally's estate along with Leonardo's 658 00:40:19,530 --> 00:40:26,960 painting later and the Swan both of 659 00:40:23,280 --> 00:40:26,960 these paintings were lost 660 00:40:33,449 --> 00:40:39,759 in all likelihood it is the imaginary 661 00:40:37,028 --> 00:40:42,670 ideal image of a mother that hangs in 662 00:40:39,759 --> 00:40:46,389 the Louvre commissioned by Giuliano de 663 00:40:42,670 --> 00:40:48,838 Medici we must say goodbye to the Mona 664 00:40:46,389 --> 00:40:48,838 Lisa 665 00:40:52,769 --> 00:40:55,860 [Music] 666 00:41:00,050 --> 00:41:04,380 [Music] 667 00:41:01,550 --> 00:41:08,039 it is the most famous painting in the 668 00:41:04,380 --> 00:41:11,160 world none other has been studied more 669 00:41:08,039 --> 00:41:20,130 thoroughly or more often now the Mona 670 00:41:11,159 --> 00:41:22,829 Lisa has revealed its true face the same 671 00:41:20,130 --> 00:41:25,740 face was found over and over again 672 00:41:22,829 --> 00:41:28,199 beneath each of the coats of paint the 673 00:41:25,739 --> 00:41:32,549 face with its loving gaze in its 674 00:41:28,199 --> 00:42:26,549 comforting smile the image of a mother 675 00:41:32,550 --> 00:42:26,550 [Music] 48924

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