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RACHEL: Come on, girls.

You know it's a big day for me,
and I don't want to be late.

And, more importantly,
I don't want

to keep your Uncle
Marty waiting this time.

Lizzie, come on.

You've got to get up.

Mom's gonna lose it.

Lizzie, get up, bum.

Lizzie?

[SCREAM]
Ha, ha.

- That's not funny.
- You should have seen your face.

Then get out of my
side of the room.

RACHEL: Guys, I'm
starting to lose it.

Lizzie's up.

Oh, finally.

Oh, Sweetie, Mom has
got to get in here.

Hang on.

Oh, really pretty, baby.

Mom, Molly's side
of the closet has now

become the entire closet.

You're such a drama queen.

And you're a slob.

I can't find anything
I want to wear.

Sweetie, you look beautiful.

[SIGH]

You said you were
going to tell me today.

Tell you what?

RACHEL: Can we just
talk about this later?

'Cause I'm... honey, I'm
really nervous about today,

- you know that.
- Yeah, and that means no.

- you know that.
- Yeah, and that means no.
- No, it...

No, it...

What means no?

Hm!

I'm just not exactly excited
about my 16-year-old daughter

running around New
York by herself.

But I wouldn't be alone.

I'd be with Dad.

You're going to see Dad?

No, Sweetie, she's not.

Mom!

Your father works.

He works all the time.
You know that.

- What are you gonna do all day?
- Explore the city.

Go see NYU.

Look, I'm old enough.

I'm gonna be going to
college in a year and a half.

What's the difference?

Sweetie, your
father only asked you

to come spend the summer
to get under my skin.

It's just complicated.

You're making it complicated.

Honey, I just think
it's important for us

to spend time together
right now, OK?

Fine.
Another lame summer.

Bum.

What?

[PHONE RINGING]

Hello.

You are such a freak.

Yeah, we're outside.

Sweetie, you have
to stop doing that.

I mean, we really should just
send you off to the circus.

Fine by me, circus goes
to New York, doesn't it?

Ah, there you are.

Come on.

Hey, hey, hey.

Hi, Uncle Marty.

Hey, love you, OK?

Come on.

OK.

Hi, Uncle Marty.

MARTY: Hi.

Thanks for taking them, again.

Listen, if you guys go
to another Pistons game

- today, no junk food, OK?
- What?

No junk food?

Seriously, that's half the
reason they go to the game.

- Marty.
- OK, fine.

No junk food.

Thank you.

How do I look?

Um, frazzled.

Thank you, very much.

No, it's... I have worked
in eight years, OK?

I'm a little nervous.

All right, let me just be the
one to tell ya, it still sucks.

How about a little
bit of optimism?

I'm trying to be an
independent woman, here.

That makes two of us.

I'm sure she'll tell
you all about it.

Listen, I love you.

Goodbye.

Mu-ah!

I'll see you.
Thank you.

OK.

You sure you don't
want me to drive you?

No, no, no, no.

I'm fine taking the bus.

The traffic could kill
you on the way back.

I love you.
Be good, OK?

OK.

Let's go.

This is going to be a fun
day with Uncle "Mar-tay."

[GIGGLING]

OK.

Mom's frantic.

Yeah, she's always frantic.

All right, take it easy, kiddo.

She's doing the best she can.

Who wants some junk food?
MOLLY: Me!

Yeah!

PUBLIC ADDRESS: Attention all

Wait!

PUBLIC ADDRESS:... to Ferndale.

Attention all passengers,
last boarding call...

Thanks.

Again, I'm so sorry to be late.

I had to transfer
buses, and I just

didn't expect the commute
to take this long.

Where you coming from?

Uh, Downtown.

Well, that is quite a commute.

It... it'll be fine, now.

I... I know how much
time to give myself.

So there's about five
years of patient files that

need to be transferred to
our electronic database.

But if you have any problems,
or have any questions,

don't hesitate to ask.

Five years?

How many patients is that?

- About 5,000.
- Oh.

Your father's
spirit is at peace.

I don't sense any
restless energy.

Oh!

I... can you tell us
if he's still in pain?

No, no, no pain.

He's beyond this world.

He's... he's ascended.

Excuse me.

One minute.

Now don't you worry,
he's found his way.

- Oh.
- OK?

WOMAN: Yes, yes.

Oh, yes.

It's OK.

All right.

Oh, thank you, so much.

You're welcome.

Yes.

You take care now.
OK.

I didn't know.

I'm sorry.

It's OK.

I don't usually
moonlight at work,

but they're friends
of the family.

I'm the head nurse, Belle.

You must be Rachel, right?

Yes, nice to meet you.

Their father passed
last week, and they just

wanted to know that
he found his way.

You were talking to spirits?

No.

He didn't answer.

- Excuse me.
STELLA: Yeah?

Can you help me?

I'm... I'm trying to find
the Tillman Street bus line.

Oh, yeah, yeah.

It's just one block down,
and then another over.

- Thanks.
- Do you work around here?

Yeah, actually.

Today was my first day.

Oh, well, it's a
wonderful neighborhood.

I'm Stella Morgo, the
agent for this listing.

Rachel, Rachel Easton.

Nice to meet you.

Nice to meet you.

You know, the outside doesn't
do this house justice.

Here, why don't you take a look?

It's really a terrific
property, one of a kind.

You know, my 5:00
just stood me up,

so if you want to
look inside, I'd, um...

Oh, I'm sure it's
beautiful, but it's

way out of my price range.

Oh, you really should
see the inside, Rachel.

You know, price is
always flexible.

It doesn't hurt to take a peak.

Come on, what do you say?

Yeah, I guess it
can't hurt, right?

Great.
Great, come on.

Come on in.

Oh, wow.

Wow.

So, it's a Dutch
Revival built in 1910.

As you can see, there
are three bedrooms up

the stairs from this
grand staircase.

All the wood floors
are the originals.

And right through here
is the living room.

It's beautiful.

It is, isn't it?

Very majestic.

Ugh, let me just get
some light in here.

There, that's better.

Oh, I would have
to take all the rest

of my furniture out of storage.

There are so many fun things you

could do with a room like this.
Come here.

I want to show you
the room in the back.

Do you like gardening?

Yeah.

Well, come this way.

You are in for a real treat.

Now this is the grand atrium.

Isn't that great?

Oh!

Oh!
Oh!

Oh!

Wow.

Ha!

It is so special, isn't it?

Oh, it's amazing.

I told you.

All right. do you want to
take a look upstairs then?

Yeah, I'd love to.

OK.

So all of the railings on the
banister are made from birch.

And this is only open staircase
in the entire neighborhood.

It's so great.

All of the wall sconces
and the light fixtures

are original to the house, and
they all come with the house,

as well.

Good.

This one, in fact, is a turn
of the century English bronze

chandelier.

Isn't it gorgeous?

Yeah, really.

Now the master bedroom
is right through here.

As you can see, there's a ton of
light and lots of closet space.

And right through there
is the master bath.

Oh, I love this.

My girls and I have been sharing
a bathroom for the last six

- months.
- Oh, you have children.

Yeah, I have two daughters.

It's just the three of us.

So you divorced?

Yeah.

Well, you know what
they say, home ownership

is the first step to
real independence.

Oh, there's a bonus room in the
basement I've got to show you.

Follow me.

OK, this is the room I
was telling you about.

There's a very large
closet, right over here.

And there's even a functioning
sink with plumbing,

so you could add a full bath at
some point, if you would like.

I wonder how long
this has been up?

Oh, I'm sure it's the original.

It's pretty dated,
if you ask me.

I think it's pretty.

But it does fit the
room, doesn't it?

[CLANG]

What was that?

[CLANG]

Ah, well, with period
homes like this,

there's always a few creaks and
bumps that come along with it.

Just part of the charm.

- Shall we?
- Yeah.

Oh, well, it is beautiful.

But it's a lot of space.

Maybe too much.

Well, you know, in this
market, with the economy the way

it is, I'm pretty
sure you can get

into this house for much
less than the asking.

And in this neighborhood,
Rachel, houses like this

don't come up very often.

Well, take my card
and think about it, OK?

- OK.
- Great.

It was so nice to meet you.

You too, thanks.

See you later.

- So how was your first day?
- It was good.

I mean, there's a
lot for me to do,

but I think I can handle it.

I think it's going
to be good for me.

Also, ahem, when I was working
through the neighborhood,

looking for the bus,
I looked at a house.

What?

Wait, we're not moving, are we?

No.
We're not moving, Sweetie.

I was just looking.

But why would you be looking
if you're not interested?

MOLLY: Is it bigger
than our apartment?

Oh, it's a lot bigger, Sweetie.

Well tell us about it.

Wait, wait, wait.

Would we have to change
schools and everything?

Lizzie, we're not
there yet, sweetheart.

And even if we were.

OK, but Mom, I'm
in my junior year.

Honey, I know it's
your junior year.

And... and Molly, I mean,
she has a really hard

time making friends at her age.

I... I don't mind.

OK.

You have no idea what
you're talking about.

But... but, Mom, this
is a huge decision.

And it involves everybody.

Did you think about that?

Of course, I did.

You know, Mom, I'm... I'm done.

Bye.

Would I have my own room?

LIZZIE: Molly, come on.

So where was it?

It's a couple blocks away
from my work, in Ferndale.

Ferndale?
That's like 10 minutes away.

You would be so close to us.

I'd love to see the
girls more often.

And you got to get
out of that cubicle

that you call an apartment.

Oh, you guys.

It was so perfect.

A beautiful tree-lined street.

The kind of house that
you dream about living

in when you grow up, you know?

It does need, ahem,
a little work.

[CLEARING THROAT]

I'm not cheap.

Yeah, but you would cut your
big sister as break, right?

He'd do It for free.

Hey, don't tell her that.

Aw, it doesn't matter, anyway.

They would have
to drop the price

so much before I could
even think about it.

You going to keep looking?

[SIGH]

I don't know.

Probably not.

I mean, with work
and everything,

I'll probably just
let fate decide, hm?

Ew, pickles and peanut
butter on a sandwich?

That's disgusting.

You never even tried it.

And I never will.

Wait a second.

Phone.

[PHONE RINGS]

We've got to get
you on a game show.

Hello?

Hi, Rachel?

It's Stella Morgo, from
Stanton Road Properties.

We met a few weeks ago when you
looked at a house in Ferndale.

Yeah, the house.

Hi, how are you?

STELLA (ON PHONE):
Oh, fine, fine.

Hey, listen, I know that price
was an issue before, so I just

wanted to call and
let you know that it's

been reduced considerably.

Really?

Why did they lower the price?

STELLA (ON PHONE): Well,
the property was inherited,

and the current owner
lives in Florida now,

so he just wants to
sell it real quick.

I see.

STELLA (ON PHONE):
Yeah, so I thought

I would just give you a
call and let you know.

And see if you and
your girls maybe

wanted to come
take another look?

When?

Um, you know, we'll...
we'll be there today.

STELLA (ON PHONE): Wonderful.
How is 2:30?

It's perfect.

We'll see you then.

Thanks.

Are you serious?

We're just going
to look, Sweetie.

And like you said, whenever
we decide, we decide together.

Well, I'm not moving.

Hey, girls, I'm not
doing this by myself.

Hey.

Where's Erin?

I thought she was
coming with you?

Ah, she got held up at work.

She said she's sorry, but she
can't wait to come by later

and see the house.

Well, tell her I'm going to need

some help with the whole
interior design thing.

I know she's got
a good eye for it.

Well, you can tell her yourself,

when you drop me off
later, in you new car.

Shut up.

Come on, everything's new.

You got a new house.

You got a new job.

You need a new car.

It's kind of a used new car,
but still, it's a new car.

I don't know what to say.

Huh?
How about say anything?

Oh, my god.

Thank you.

Mm.

Ah, ha, ha.

Wow.

This is all yours, huh?

Oh, it's all mine.

MARTY: I thought you said
it needed a little work?

Did I say a little?

I don't remember
saying a little.

- You said a little.
- What do I know?

You're the contractor.

- MOLLY: Uncle Marty!
- Hey, hey.

Molly.

Where's your sister?

Inside.

Ah, OK.
Mm, mm.

You have to come and see.

OK.
Here we go.

- OK. Here we go.
RACHEL: I can't believe you gave me a car.

RACHEL: I can't believe
you gave me a car.

MARTY: Well, you know,
you kind of need a car.

We can't drive you to the
bus all the time, can we?

Look at this.

My goodness.

That's pretty nice.

Hey, Lizzie?

LIZZIE: I'm downstairs.

Ah.

OK, could... could you
be a little careful.

I'm breaking the house.

[GIGGLES]

Hey.

Mom, this is my room.

I can feel it.

Honey, there's three bedrooms
upstairs, one for each of us.

I know, but, I really
wanted my own space.

It's so far away, down here.

It's awesome down here.

All right, if it's
what you really want.

It really is.

I think it's creepy.

Well, fine.

You can just stay upstairs.

Uh, it is pretty cool.

Thank you.

And did you see the closet?

Yes.

It is a very large closet.

Oh, I see lots of shoes.

All my shoes, and my jeans.

- Hey, what's going on here?
LIZZIE: What are you doing?

The wall board is
totally rotted through.

[SIGH]

Let me see.

Ugh.

Wow.

Look at that.

It seems like there's a
whole other room in there.

There's a grate back there, too.

MARTY: It's so weird.

What?

I just don't... I don't
understand this wall.

If they had used the
original dimensions,

they would have an extra
foot of floor space.

So what's the grate for?

Ah, it could just be a
plumbing chase, or something.

Can you fix it?

No, I can do more than fix it.

We can just tear down this wall
and set up a whole new room.

Yeah, what kind of deal
are we talking about here?

Oh, I'm still thinking about it.

I'll let you know.
RACHEL: Oh, great.

All right, you.

Let's get the rest
of these bags in.

And you are staying for dinner,
whether you want to or not.

Can we order in?

Oh!
You're so hilarious.

- Oh!
- You're so hilarious. You're so hilarious. Ugh.

You're so hilarious.
Ugh.

Bye, Mom.

Have a good day.

OK.

Your Dad is picking you up.

Hey, wait up.

You know, you didn't
have to drive us.

Hey, it's your
first day of school.

I want to give you guys
the royal treatment, right?

And listen, you know
it's OK to be nervous.

- I'm not nervous.
- Hm, that makes one of us.

Hey, remember why I
named you Elizabeth?

Because of Elizabeth
Bennett from...

"Pride and Prejudice,"
which you still need to read,

- by the way.
- I know.

And you remember what
I told you about her?

She was a beautiful,
strong, independent woman,

just like you've become.

I think you should have
named us both Lizzie.

That would have
been a little weird.

Listen, you guys
just be yourselves,

and you'll be great, OK?

- I love you.
- I love you, too.

- Have a good day.
- Right, Mom.

[SCHOOL BELL RINGING]

LIZZIE: You got my back?

MOLLY: If you've got mine.

LIZZIE: Let's do this.

BELLE: So did you get finished
moving in this weekend?

RACHEL: Oh, the move was easy.

And being five minutes
from work is even better.

And how are you settling in?

Oh, good.

- I mean, the house is terrific.
- Um, hm.

I feel like I can finally
breathe again, you know?

Hm.

Still trying to get used to
the idea that I've actually got

a place my own.

And how are the girls?

Uh, Lizzie, my oldest, she
has her own room now, so...

So you'll see once
a day until it's

time for her to
leave for college.

If I'm lucky.

You know, I have Less than
two years left with her.

And then...

And Molly?

She's good.

No they're... they're
both doing really well.

It's just... no
they're... they're fine.

What is it?

Oh it's nothing.

I... I just worry about them.

Yeah, well, you're their mom.

Worrying comes
with the territory.

You know, when I
was married, I think

I worried about half as much.

Well, do they see your ex?

He moved to New York
after we split up.

So not much.

But they're close.

I mean, as close as
they can be, considering

everything that's happened.

And he's a good man.

It just didn't work
out between us.

Never, in a million
years, did I think

I would ever be a single mother.

I just hope I can give
them what they need.

Yeah, well, they need
to know that they're loved.

And I'm sure that they do.

Oh, I know you're right.

I just...

I just worry that I'm moving
things too fast, you know?

A new school, a new
house, me taking this job.

You do what you think
is best for them.

And you just gotta trust them.

I'm trying.

But I got to tell
you, it's exhausting.

I'm sure it is.

MARTY: Rach!

Hey, hey!

Rach!

RACHEL: Hey, there.

You ready to get started
on some demolition?

RACHEL: Me, no.

The girls, yes.

Oh, come on, you
gotta get in on this.

All right.

It does sound like fun.

That's what I'm talking about.

Ugh.

Spread it out.
Walk it out.

Walk it out.
Walk it out.

OK, get back.

You ready?

Right, 1, 2, bring it down.

[SCREAMS]

Ah, very nice.

Go.
Go.

All right.

Not bad.

Not bad.

- Not bad, ladies.
- Wow.

It's a good thing that
it ain't going back up.

A shed this is...

- Be careful.
- These come down next, Rachel.

- Right.
MARTY: Ha, ha, ha.

So I'll have to just sand
this brick down a little bit.

RACHEL: Is it a lot of work?

MARTY: No, it's
easier than it sounds.

[MUSICAL CHIMES]

RACHEL: Lizzie?

Yeah, Mom.

[KNOCKING]

Hey, what are you doing?

Hey, uh, I'm just,
um, unpacking.

What's up?

I'm just checking on you.

You don't have to
check on me, Mom.

RACHEL: Well, you just seem so
far away, down here, you know?

And before we were practically
on top of each other.

So...

What's going on, Mom?

I just... I mean, it's been a
tough year, with everything.

And, you know, you're going to
be going off to college soon.

- And...
- In a year and a half.

I know.

I just want to make sure that
we make the most of our time

together.
You know what I mean?

And you may be itching
to get out of here,

but I'm not sure I'm
ready to let you go yet.

- Mom, it's gonna be fine.
- I know.

I... you still, um, thinking
about University of Michigan?

Yeah, um, but also, NYU.

OK.

Um, yeah, NYU is a
good school, too.

I just think U of M has
a lot to offer for...

- Mom.
- OK.

I get it.

Just... just promise me you'll

weigh all the options, OK?

Of course, I promise.

All right.

Uh, "Pride and Prejudice."

I thought it was time.

You know, before I
go off to college

and never come home again
and disappear forever.

Funny.

That's a funny girl,
considering I love you.

I love you, too.

And I'll be upstairs
if you need me.

MOLLY: Mom, there's no towels.

RACHEL: Look in my bathroom.

[SCREAM]

RACHEL: Molly?

Molly, what happened, baby?

Are you all right?

What happened?

OK, honey.

What was it, baby?

I... I... I saw something.

What did you see?

There... there was a girl.

And... and she was... sh-sh-she
was in the bathroom crying.

What?

What girl?
Who?

OK, OK.

I'm here, baby.

All right, let's... we'll
go look together, OK?

All right?

See nothing.

There's nobody here.

Listen, you have a
wonderful imagination.

But you can't let
it get to you, OK?

Come here.

Listen, you want to
watch some TV before bed?

OK, come on downstairs.

[GASP]

Come on, you guys.

We gotta get moving/
You don't want to be late.

Oh, how are you doing, baby?

I don't like it here, Mom.

Oh, honey, listen.

It's a big new
house, and it's going

to take some
getting used to, OK?

But like I said
last night, you let

your imagination get
to you like that.

But something
doesn't feel right.

What are you guys talking about?

Uh, Molly just got a scared
last night, that's all.

- That's not it.
- What?

You finally have your own
room and you're complaining?

I'm not complaining.

Do you remember the
last place we lived?

Perfect storm, three
women, one bathroom.

You guys, we gotta go, OK?

Fine.

- I'll talk to her.
- Thank you.

Hey.

Morning.

Hey.

We on for lunch again?

Yeah.

Ooh.

Sorry.

- Late night?
- No, it's nothing.

It took me a while to get
Molly to sleep last night.

Oh.

- Good morning.
- Hey.

Hi.

Ah, she got a little spooked
last night, that's all.

She thinks she saw a girl.

Really?

[SIGH]

It's a big house.

It was nothing.

She's just very
sensitive, and, you know,

sometimes I think she
gets herself so worked up,

she just scares herself.

Hm.

What?

Look, when I was a
little girl, that's

exactly how my
parents described me.

But as I got older, I started
to realize that I wasn't just

sensitive, that I actually have
an ability to sense and see

things that other people can't.

So you... you think that
Molly's psychic or something?

BELLE: All I'm saying is that
maybe she's scared of something

that you don't
necessarily understand.

[SIGH]

So now you're suggesting
that my house is haunted?

Rachel, Ferndale is a
very old neighborhood.

There's a lot of history there.

Belle, you see
ghosts in everything.

BELLE: Only when they're there.

Look, I've got to get going.

But we'll do lunch.

Yes.

You're on.

LIZZIE: You actually
pay attention in class?

What about your teachers?

MOLLY: You know, my math
teacher, he's kind of funny.

What about the kids?
Are they nice to you?

Are you nice to them?

You know, same old.

I know that smile.

What about the boys?

What about them?

Well, are there any that are cute,

or that you maybe sort of like?

They're seventh grade boys.

They're so immature.

I know, but you kind of
have to get used to that.

I mean, they never
really do grow up.

[GIGGLING]

What's wrong?

Did you see her?

Who's there?

I saw the girl,
the one from before.

I saw her.

She was there.

Molly, you have to stop
freaking yourself out, OK?

Now come on.

She was there.

Molly, come on.

Lizzie!

Lizzie!
Lizzie!

Lizzie!

Lizzie!

Lizzie!

Lizzie!

Lizzie, honey?
What happened?

Are you all right?

Yeah, I'm fine.

What happened?

Uh, I don't know.

I... I got dizzy all of a sudden.

I must have fallen down.

Well, OK.

Just take it easy.

Just sit here for a
second, all right?

Honey, did you
see what happened?

Moll?

I saw the girl, again, Mom.

Molly.

I did.

When Lizzie came in,
she ran into her.

I saw it.

All right, honey,

But... but, Mom, she
was at the window and...

Molly, please.

Sweetheart, can you stand up?

- Yeah.
- All right.

Just go slow, OK?
Can you get some ice?

Let me get you some water.

Yeah, did you hit your
head when you fell?

[MUSIC BOX PLAYING]

Oh, Molly, honey, you OK?

Something's wrong.

[SCREAMS]

MARTY: Lizzie!

LIZZIE: Please,
somebody help me!

Somebody get me out of here!

Lizzie, open the
door, honey, it's me.

LIZZIE: Hurry up, please,
get me out of here.

Lizzie!
Open the door now.

LIZZIE: It's so dark.

Please!

- Please.
- Ugh!

Lizzie!

LIZZIE: I can't breathe.

- Please.
- Lizzie!

- Please.
- Lizzie!
- Lizzie! Honey!

Lizzie!
Honey!

LIZZIE: Get me out
of here, please!

I can't breathe.

I can't...

Honey?

Oh, god, baby.

OK.

OK.

Mom!

Oh, baby.

Oh, my god.

I'm here.

OK.

OK.

PUBLIC ADDRESS: Dr. Holmes
please dial extension 17.

DOCTOR: Well, she lost
a couple of nails.

I had to put in some
stitches, but there's

no permanent damage.

She might be in a little
pain for a few days,

but she'll be OK.

Yeah, but why would she do
something like this to herself?

Well, she doesn't seem
to remember what happened.

And there's no
clinical name for it.

But I think it's safe to say
Lizzie had a night terror.

Uh, I don't understand.

Think of it as a nightmare
while sleep walking.

She's never done
anything like this before.

Has she been
experiencing any stress?

Stress?

Well, I mean, there's been a
lot going on the last year,

but we talk through everything.
And she seemed OK with it.

Well, sometimes
teenagers her age

like to keep things inside,
handle things on their own.

They don't like to tell
Mom or Dad everything

because it makes them feel weak.

I can recommend a psychologist,
if you would like.

But you should decide together.

Uh, yeah, I'll... I'll
talk to her about it.

Try not to worry.

She seems like a very
healthy young woman.

It's probably just
a one time event.

These things usually work
themselves out on their own.

- She should be fine.
- Can I go in and see her?

Of course.

She's sedated, so the best thing
for her right now is to sleep.

But if she has another episode,
please, don't hesitate to call.

OK?

Thank you.

PUBLIC ADDRESS: We
need a technician

to report to Out Patients.

Any available technician,
please report to Out Patients.

(WHISPERING) Hey.

Oh, thanks, Marty.

Well, at least
they're both sleeping.

Mm, yeah.

The doctor said her fingers
are going to be fine.

Good.

How you holding up?

Ahem, the doctor said
she had a night terror.

He suggested we go
see a psychologist.

MARTY: Well, you
know, that might help.

- Right?
- Maybe.

What scares me is, if she's
this unhappy and worried,

why didn't I know it?

You know, why
didn't she tell me.

She's 16, Rach.

Hey, you didn't tell
Mom and Dad anything

- when you were that age.
- Not cause I didn't want to.

You knew how Mom
was always trying

to make everything look perfect.

She didn't want to
talk about anything.

I just wanted it to
be different my girls.

I wanted us to be able to
talk and share things and know

that we're always
there for each other.

Yeah, well, they know that.

What if this is my fault.

MARTY: What are
you talking about?

I don't know.

What if I'm... what
if I'm pushing

all of us to move on too fast?

What if she's feeling like
this because of what I've done?

OK, listen to me.

You have done nothing wrong.

OK?

They are both incredible
girls, and that

is only because of you.

Don't you ever doubt that.

Look, your cooking
sucks, but you're

a hell of a mother, Rach.

MARTY: There you go.

So, honey, you know, um, if
there's something bothering you

that you don't feel comfortable
talking with me about,

you know, we could always
find something else for you.

You mean like a therapist?

Yeah.

But only if you want to.

I'm fine, Mom.

OK.

But you know,
sometimes we think we

feel fine when we really don't.

It's hard to know,
sometimes, when you're

stressed out, or... or
confused, or depressed.

I'm not depressed.

I just had a bad dream.

Do you remember
what it was about?

Nope, just a blur.

Honey, I really
think we should talk...

Mom, look.

I really appreciate
the effort, but I just

want to forget about it.

OK.

And everything is
going to be OK, honey.

Trust me.
You're going to be fine.

Thanks for the tea, Mom.

[SIGH]

RACHEL: Honey, come on, we
need to let Lizzie sleep now.

She wants something.

Who?

The girl.

She wants us to know something.

All right, come on.

Come on.

Remember when you

and you used to believe
in the Easter Bunny?

Yeah.

Only you're older, and
you know that the Easter

Bunny doesn't
really exist, right?

I'm not making anything up here.

I know what I saw.

OK, baby, it is
gonna get better.

I promise.

And I'm here for
both of you guys, OK?

OK, Mom.

Listen, moving
here scares me, too.

I mean, this is a really
big step for all of us.

So that means that we need
to help each other out.

Right?

We just need to work together.

And we're going to be fine.

And I love you.

I love you too, Mom.

OK.

That's my girl.
Come here.

Hm.

It's gonna be all right.

[MUSIC BOX PLAYING]

[FOOTSTEPS]

[MUSIC BOX PLAYING]

[MUSIC BOX PLAYING]

LIZZIE (VOICEOVER): Let me out!

Oh, I'm sorry, Belle.

I think I'm going to
need to take another day.

I have plenty of work
I can do from here.

OK.

How is Lizzie doing?
RACHEL (ON PHONE): She's OK.

Uh, you know, she slept
most of the day yesterday.

Um, so I think she's fine,
but last night, something huh,

happened to me, actually,
um, that I can't explain.

Tell me.

RACHEL (ON PHONE):
I don't know, Belle.

I was late, and I think
a fuse must have tripped,

or something, because the
lights were acting weird.

And I thought I heard...

BELLE (ON PHONE):
What did you hear?

I'm a rational person, Belle.

So am I.

It's just, Molly keeps
talking about seeing

this girl in the house.

And then last
night, I don't know.

Rachel, every house has a past.

And some more than others.

Maybe you should start
taking Molly seriously.

LIZZIE: Mom!

Listen, can we talk
about this later?

I'm sorry.
I just, I have to go.

I'm sorry. I just, I have to go. I just, I have to go.
BELLE (ON PHONE): OK, sure.

I just, I have to go.
BELLE (ON PHONE): OK, sure.

Sure but... I'm... I'm
here if you need me, OK?

I know.
Thanks, Belle.

[SIGH]

Good morning.

How are you doing?

Good.

You OK, Mom?

Yeah, yeah, I'm fine.

Did you sleep OK?

Yeah, it was fine.

Ah, about you?

You feel better today?

Yeah.

I... I didn't think I
could sleep that well.

Oh, good.

Listen, you want to take
another day off from school,

it's OK, No, I'm good.

I've got that college
adviser meeting.

And... and I really
should be there.

- All right.
- OK?

- All right.
- OK?
- OK?
- Sure.

- OK?
- Sure.

- If you change your mind though.
- I know, I'm good.

I love you, Mom.

- I love you.
- Bye, Mom.

Have a great day, you guys.

- Oh, my god.
- Shh.

17-year-old Greta Friedrich
disappeared two days ago.

According to her husband,
Joseph Friedrich,

Greta left the house around
8:00 PM, but never returned.

Police are investigating
all possible leads.

Investigators speculate
Greta may have run away,

and are contacting friends and
relatives for more information.

So far, no witnesses have
reported anything suspicious.

STELLA: So upstairs is the
master bedroom and bath,

which has a walk-in shower.

And then there are the closets,
which, I am telling you,

are to die for.
Now you have two kids, right?

WOMAN: Yes, a boy and a girl.
MAN: Yeah.

STELLA: Oh, well, this
would be the perfect house

to raise them.

Now the house was
actually built in 1925.

So in the kitchen,
you'll see there's

authentic tile from
that time period.

It's absolutely beautiful.

Excuse me.

Oh, yeah.

If... if you could just excuse
me for one moment, please?

- Sure.
- Yes.

Hello, Miss Easton, how are you?

Hi.

Your office told me
where to find you.

I need to ask you
some questions.

Oh, OK.

Well, right now is not
exactly the best time,

so why don't we said
something up at the office.

And we can chat then, OK?

Yeah, I'd really
rather talk now.

OK, then.

Um, if you don't mind
just taking a look around,

I'll catch up in a bit.

Thank you, so much.

I... I'm working
here, Miss Easton.

Yeah, I know.

And I'm really
sorry to bother you,

but I need to know if the
previous owners mentioned

anything about the house?

Well, first of all, I never
met the prior occupants.

And, as I told you
before, it was inherited,

and I was just hired to sell it.

OK.

But, did you know that a
girl who used to live there

went missing in the '50s?

What does that have
to do with anything?

Well, my girls and I have...

been experiencing some things.
Experiencing things?

Yeah, like hearing
and seeing things

that we don't understand.

OK, Miss Easton, I'm not exactly

sure what you're getting at.

[PHONE RINGING]
I'm sorry.

Give me one second, OK?
Hello.

Yes, this is Rachel Easton.

I'm so sorry.

Let's go on in
and see the house.

Y... yeah, I'll be right there.
Thank you.

These are Molly's drawings.

Now she's very gifted.

But as you can see, the
subject matter is a bit... well,

it's a bit disturbing.

I tried to speak to her
about them, Miss Easton,

and she became very upset.

She won't speak to me
anymore about them.

That's why I thought it
best to speak with you.

Oh, of course.

Um, I appreciate you calling me.

My concern is that
in her fantasy life,

there lies something very dark.

And if the girl in these
drawings is meant to be Molly,

her feelings need be addressed.

Um, absolutely.

I'll... I'll have to speak
with her right away.

Thank you, very much.

Oh, you're welcome.

Molly, we have to talk
about the drawings.

Am I in trouble?

No, Sweetie, but I need
you to tell me about them.

Is it the girl in the house?

The girl in the house?
That's what this is about?

Lizzie, please.

I thought you didn't believe me.

Honey, I know
what I said before.

Molly, you're too old
for imaginary friends.

She's not my friend.

And she's not imaginary.

Look, this isn't good for you.
You have to grow up.

OK, Lizzie, would you just
let me handle this, please?

Fine, I'll be in the car.

Thank you.

Molly, can you tell me
about the drawings, honey?

I know what I said before.

But it's OK.

OK.

You can tell me.

I want to know.

Is this the girl
you keep seeing?

Sweetheart, listen.

I promise, I'm not
going to get mad.

She's somewhere dark.

And trapped in a
very scary place.

And I think she
wants to get out.

OK, Sweetie.

OK.

Oh, thanks.

- So this is about the house.
- I don't know.

All this time I've
been thinking it's

my fault for pushing us to
get past the divorce too fast.

But, I don't know.

I'm starting to
think maybe there

is something wrong
with the house.

Can you tell me about the girl
that Molly has been seeing?

Molly says she's trapped,
and trying to get out.

And I... I found this
in Lizzie's room.

It was in an old music box.

They used to live in the house.

When I went to the library
I saw the same picture

in an old newspaper.

Her name was Greta, she was 17
and an immigrant from Germany

who sent here to get married.

Apparently her
husband was abusive.

And, uh, one day she
just up and disappeared.

The police said she ran away,
but she was never seen again.

So what do you think?

It's more important
what you think.

[GASP]

I think that up until last night

I didn't believe
in ghosts, Belle.

So this is all a
little bit new to me.

You don't think she
ran away, do you?

Well, what if she didn't?

What if something or
someone never let her leave?

But you... you mean, like what
if she's still in the house?

Well, whether you
believe it or not,

you can't deny what you and
your girls are experiencing.

I know, Belle, but...

She's been calling out
to you and your family.

It's up to you whether you
decide to listen to her.

So what do I do?

You search the house.

[KNOCKING]

Hey.

Hey, what's the big emergency?

The girls all right?

Yeah.

The girls are fine.

Molly is sleeping and Liz is
watching a movie with Erin.

What's going on?

Follow me.

You feel that?

So what?

It's a vent.

You said it was plumbing chase.

OK.

So it's a plumbing chase.

So what?

So where is all this
cold air coming from then?

Well, where you going?

I'm gonna go get my tools.

Ugh!

Are you going?

Yeah, I'm going.

I'm going.

[GRUNTING]
Do you see anything?

MARTY: Hang on.

Huh?

Huh, what?

What's huh?
There's a wall down here.

But it's really kind of sloppy.

Hand me the pry bar.

I'm going to see if
I can break through.

RACHEL: Be careful.

[GRUNTING]

Here, grab these.

[GRUNTING]

Damn.

I think I see something.

[GRUNTING]

[SCREAMS]
What?

What is it?

Is it bad?

Ha, That's, uh, yeah, that's...
it's... it's pretty bad.

Um, OK, I'm gonna
get out of here now.

So I looked into
it at the library,

and there was a girl
who lived here and went

missing in the '50s.
Do you think that could be her?

I couldn't say.

We'll have the wait for
forensics to verify it,

but, uh, from the clothes we
found on her, I'd say, yeah.

You're pretty close
to the right decade.

Look, uh, I don't want to
go to the gory details,

but it looks like somebody
walled her up in there alive.

Oh, my, god.

What a horrible way to die.

We'll keep this quiet so
there's no media circus.

What's gonna happen to her now?

Well, we'll open
up an investigation,

once the individual
has been identifying

and the forensics
have been taken.

And we'll try to contact
any living relatives.

Well, what if she doesn't
have any relatives?

Well, then, the
state will handle it.

Usually it's a
cremation, simple burial.

If this that girl that
you were telling me about,

I'll make sure that
we take care of her.

I appreciate that.

Here's my number.

If you have any questions
just give me a call.

Hey, thank you.

Good evening.

Well, that was fun.

Oh, Marty.

You know, I'm sorry.

I just... it's so tragic.

She was so young.

Ah, are you really sure
that this was the girl?

[SIGH]

If Belle was right, then
she should be at peace now,

and everything should
go back to normal.

You know, I never thought of
you as the spiritual type, sis.

Me either.

Listen, um, don't say
anything to the girls, OK?

I mean, it's a
pretty big secret.

No, it would terrify
them, Marty, OK?

Nobody needs to know anything.

We just need to put it
behind us, and move on.

OK?
OK.

It's your call.

Yeah.

Good night.
Thank you.

Bye.
Yay.

MOLLY: Bye, Uncle Marty.
MARTY: Bye, sweetie.

RACHEL: Thanks, again.

ERIN: Bye.

ERIN: Bye.
- I hope you guys didn't mind

I hope you guys didn't mind

No, it was fun.

LIZZIE: All's good.

Uncle Marty's the best, right?

- Yes.
RACHEL: Sure.

So, I was thinking we could
make this a girls day.

What do you think?

Do a little shopping.

You want to look cool
for school, right?

Yay.

Yes, and Molly wants
to not do her homework.

- Always.
- All right, ladies.

Let's spend a little money.
LIZZIE: Yeah.

MOLLY: Ha, ha.
Woo hoo.

RACHEL: All right, girls,
let's see what we got.

LIZZIE: Hey, I'm gonna
go grab my heels.

They'll go great with
this dress I just bought.

RACHEL: Oh, yeah, OK.

Um, just come up
when you're done.

I want to see it
all put together.

LIZZIE: OK.

Come on, honey.

There's nothing to
be scared of, OK?

I promise.

Come on, I want to see
you in a new outfit

in under five minutes, kiddo.

LIZZIE: I'm almost ready.

Be there in a second.

I have waited so
long for this moment.

When I would finally
be free of this house.

It's my turn now.

You're so beautiful.

You're mine!

[SCREAM]

Molly, what's wrong?

You OK?

Uh, I thought I heard something.

Well, honey,
everything's fine now.

Don't you just love it?

Oh!

Isn't it beautiful?

No, you are beautiful.

Do I look really nice, Mother?

Yes, you do, daughter.

That's pretty.

Did you get that today?

It's a friend's.

She let me borrow it.

I might have to
borrow it from you.

We'll see.

Come on, Molly.

Ha, ha, ha.

Come on, Sweetie.

[THUNDER]

[THUNDER]

[KNOCKING]

Thank you for coming.

Hey.

Ooh.

Come on in.

So, I found this last night.

Hm?

What is happening, Belle?

How old did you say
Greta was when she died?

17.

Yeah.

I believe she's drawn to Lizzie.

She sees in her the life she
didn't have a chance to live.

But I... I thought
we took care of this

when we found the skeleton.

I know.

You know, sometimes
things don't always

work out the way we want 'em to.

So she's still here?

Yeah.

I can feel her.

The spirit here is
restless, and very angry.

[SIGH]

So what do we do?

We send her away.

I thought you said
that this was all over.

That everything would
go back to normal.

Yeah, I thought it would
too, but it didn't, OK?

OK.

I still think you
should tell them.

Marty, I told you I
don't want them to know.

MOLLY: Don't want
us to know what?

You found a skeleton in my room?

Yeah.

And we thought we
had it taken care of.

But I realized last night
that she's still in the house.

Well, we can't
say there anymore.

We have to move, right, Molly?

You don't want to
stay there, now.

I'm scared, Mom.

Honey, I know.

I know it's scary.

And I know we've
been through a lot.

But it's almost over.

OK.

Belle is going to
help her move on.

She's there now?

Yeah, she is.

And she's going to
free the girl's spirit?

She's going to try.

What if she can't?

Then we cross that
bridge when we come to it.

Listen, guys, I'm... I'm
sorry I didn't tell you.

I should have.

But this is our home.

And I want us to
fight to stay there.

But I can't do it alone.

We're a family.

You're never alone.

Moll?

Greta, I'm a friend.

I've come to set you free.

You were trapped and
I will release you.

You were lost, and I'll
set you on your path.

It's time for you to leave
this family in peace.

And by the time I'm
finished on this night,

no spirit shall
live in this home.

Oh, you scared me, Lizzie.

I'm sorry, Molly.

Your hair is so pretty, Molly.

I could braid it
for you tomorrow.

Would you like that?

Thank you.

We can't go back to
that house, Molly.

You know that, right?

We're going to have to move.

We're going to have to work
together to convince Mother.

You understand, right?

We're going to
have to be a team.

I... I understand.

Come on, Sweetie, we're
starting the movie.

Lizzie is not Lizzie.

We need to go home now, Mom.

We're starting.

Everything OK?

Yeah, I'm fine.
I'm fine.

I'm just a little tired.

Is it OK if I go lay
down for a little bit?

I'll come down later.

Yeah, of course, baby.

It's going to be OK.

- Are you ready?
- Yeah.

You're confused, Greta.

You need to find your
way to the higher plane.

Don't be scared, Greta.

Don't be scared.

MAN (ON TV): What
the hell is that?

MAN (ON TV): Well, exactly
what are you looking for?

WOMAN (ON TV): It's not
what I've been looking for.

And I strongly suggest we
go back, find another way.

WOMAN (ON TV): I'm
with Catherine.

MAN (ON TV): Wait a
minute, wait a minute.

Catherine, wait a minute.

It's too late to walk.
WOMAN (ON TV): That's true.

MAN (ON TV): I think we
should just keep quiet.

It'll be dark soon.

We just don't have the time.

WOMAN (ON TV):
Where's the Marshall?

You have no right
to [INAUDIBLE].

Molly?

Moll?

Molly.
Molly!

Molly?

Molly?

Molly's gone.

MARTY: What?

Rachel, what?

RACHEL: She's gone.

MARTY: What... what are you...
what are you talking about?

RACHEL: She's gone, Marty.

Why would she do
something like that?

- I don't know.
MARTY: Wait a minute.

Are you... did she
say anything to you?

No.

I mean, she did but
not... oh, my god.

Wait a minute.

Where are you going?

Rach?

Mastah spirit.

Find your way.

Leave this home and go in peace.

Ascend to the higher plane.
GHOST: Stop!

Ascend lost spirit.

GHOST: Please,
please don't do this.

Ascend.

GHOST: Don't listen to it.

There's a better
place waiting for you.

GHOST: Please, don't do this.

Please.

You are not welcome here.

Stop!

I'm not who you think I am.

No!

Lizzie, you pushed her too hard.

Here you go.

Thanks, I'll be fine.

RACHEL: You sure?

You sure you don't want
to go the emergency room?

No.
No.

I'll be OK.

You gave me quite a
fright young lady.

I'm sorry you hurt your head.

Ah, it's just a bump.

But what I really want to know
is why you came back home?

Because, I didn't want
you to send Lizzie away.

Lizzie?
Your... your sister, Lizzie?

She's the one who pushed you.

I don't understand.

I tried to tell you, Mom.

I know, you did, baby.

But I'm listening now, OK?

Lizzie's not Lizzie.

The girl at Uncle Marty's is
someone else, inside Lizzie.

Lizzie's spirit is
here in the house.

RACHEL: How do you know this?

Because Lizzie told me, mom.

Before you got here.

You have to believe me.

RACHEL: Is she
talking to you now?

No.

She's scared, Mom.

She so scared.

She doesn't want to be
trapped here, like Greta was.

And it was Lizzie's
spirit that sent you

the message in the book.

How?

I thought you said...
BELLE: I know.

I know, and I'm so sorry.

I thought that by
finding the bones

you would be able
to set her free,

but instead, for
some reason, it's

just given her the power
to take Lizzie over.

So what am gonna do?

All right.

Look, Rachel, I
know you're scared,

but, there is something that
you can use against Greta.

There's nothing more
powerful than the bond

between a mother and child.

You're going to have to use
that bond to get Lizzie back.

Good morning.

How's Molly?

She's fine, Sweetie.

Where did she go last night?

We just had a little fight.

That's all. but we
talked everything out,

and everything is fine.

So listen, I was
thinking you and I

could spend the day together.

How's that sound?

Go grab some breakfast,
and then maybe

look at some houses for sale.

Really?

Yeah, I mean, I know Belle
said that whatever was in house

is gone now, but I'm
beginning to think,

maybe you and Molly are right.

Time for a fresh start.

Thank you.

Thank you, so much.

Sure, Sweetie.

I just want us all to be happy.

LIZZIE: What are we doing here?

Oh, I forgot to
tell you, Uncle Marty

wanted to borrow that
old trunk of mine.

It will just take a second.

He wants me to
bring it over today.

Can you help me carry it?

It's a little heavy.

Honey, it's fine.

We're gonna be quick
in and out, OK.

It will just take a second.

OK.

Come on.

It's upstairs in my room.

Honey, do you remember
why I named you Lizzie?

Of course, I do, Mother.

Could you tell me?

Uh, be... because of, uh, um,

You don't know, do you?

My daughter knows.

What are you talking about?

I love you, Lizzie.

I love you, too, Mother.

Honey, I need to be
strong for me, now.

You hear me?

I'm right in front
of you, Mother.

I'm sorry it took
me so long, baby,

but now I need you to fight.

I need your help.

I need you to fight
to come back to me.

You're beginning
to scare me, Mother.

Well, it's about time, Greta.

And I'm not your Mother.

Lizzie, I know
you're here honey.

Let go of me.

Lizzie, Lizzie, I need
you to fight, baby.

I'm not leaving her.

Please, I need you to fight.

You'll never get her back.

Never.

Leave my family alone!

Lizzie, come back.
Mom?

Lizzie?
No!

Lizzie!
No!

Oh, my god!
Lizzie!

No, ba... baby.

No.

No, no, no, no, no, no.

Breathe, honey, come on.

Come on, honey.

Come on, breathe, honey!

Please, breathe.

Come on.

Come on, please.

Don't leave me yet, baby.

Please.

I'm not ready to let you go yet.

[CHOKING]
Lizzie?

Lizzie?

Lizzie, are you all right?
Mom?

You named me Elizabeth...
Mm hm.

Because she was strong.

Baby, that's right.

Yes, she was strong like you.

MARTY: I still can't believe the bank

just bought it back so fast.

RACHEL: Ha!

It was either that
or a lawsuit, and I

made it clear they didn't
want to mess with me.

Yeah, no.

I wouldn't want
to mess with you.

Ha, ha, ha.
Come on, guys.

MOLLY: We're coming.

That the last of it?

MOLLY: Yep.

So you guys excited
for the new place?

Ha!

The only thing we care about
it that it was built last year.

Me and Lizzie are
sharing a room again.

Yeah, somebody's got
to watch your back.

STELLA: Isn't it beautiful?

ERIN: It's got
great curb appeal.

It does.

You're kidding?

STELLA: So it's a Dutch Revival.

It was built in...

Be nice.

I just to let them know.

Excuse me, could I speak
to you for a second.

Excuse me.

MAN: Oh, well, why
don't you guys go ahead?

I'll catch up over here.

Hi. could I talk
to you for a second?

Hi.

I know this might
seem a little crazy,

but my family and I
recently lived in this house

and I just thought
it was fair to let

you know that it was haunted.

Haunted?

Yeah, and I know how
this sounds, but, um,

I'm legally obligated to let
you know, so there you go.

But don't worry,
we dealt with it.

We had the house
properly cleansed.

OK.

Cleansed?

Yeah, cleansed, you know.

Released the spirit, sent
her to a higher plane.

It should be fine now.

Well, I appreciate
the head's up,

but we don't believe in ghosts.

You should.

- What did she want, honey?
- Oh, it's nothing.

I just think she's, uh, a
little messed up in the head.

Yeah, I couldn't agree more.

Shall we?

Would you mind me asking
if you have children?

WOMAN: We do.

Two teenage girls.

STELLA: Oh, well, I
think you'll agree,

this is a perfect home
to raise a family.

ERIN: Feels like home.

[MUSIC PLAYING]