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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,310 --> 00:00:07,224 - IN ONE MINUTE, I'LL BRING YOU BACK. 3 00:00:07,398 --> 00:00:09,705 - 3, 2... - WAIT. WE'RE GOOD. 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:09,879 --> 00:00:12,229 AND WE'RE BACK WITH THE ONE AND ONLY ASHLEY BOYD, 6 00:00:12,403 --> 00:00:13,796 FASHION WRITER FOR THE LOS ANGELES POST. 7 00:00:13,970 --> 00:00:15,102 [cheers and applause] 8 00:00:15,276 --> 00:00:16,973 NOW THE MAKEOVER'S COMPLETE... - YES. 9 00:00:17,147 --> 00:00:19,497 - AND NOW FOR THE MOMENT OF TRUTH, 10 00:00:19,671 --> 00:00:21,021 BUT FIRST, LET'S TAKE A LOOK 11 00:00:21,195 --> 00:00:25,982 AT WHAT ASHLEY HAD TO WORK WITH. 12 00:00:26,156 --> 00:00:28,811 OKAY. - THERE'S KIM BEFORE. 13 00:00:28,985 --> 00:00:31,074 - ASHLEY. - MM-HMM. 14 00:00:31,248 --> 00:00:33,120 - IT'S MAGIC TIME. 15 00:00:33,294 --> 00:00:34,860 - THANK YOU SO MUCH, TARYN. 16 00:00:35,035 --> 00:00:37,559 LADIES, I'D LIKE TO PRESENT TO YOU 17 00:00:37,733 --> 00:00:39,082 THE NEW KIM. 18 00:00:39,256 --> 00:00:41,041 [cheers and applause] 19 00:00:41,215 --> 00:00:43,652 - OH, MY GOSH. WHO IS THIS WOMAN? 20 00:00:43,826 --> 00:00:46,046 WHO ARE YOU? YOU ARE HOT, HOT, HOT. 21 00:00:46,220 --> 00:00:47,656 - I KNOW. I CAN FEEL THE HEAT. 22 00:00:47,830 --> 00:00:49,049 LADIES, CAN YOU FEEL THE HEAT? 23 00:00:49,223 --> 00:00:51,660 [applause] 24 00:00:51,834 --> 00:00:53,836 KIM HAS SUCH WONDERFULLY BRIGHT EYES. 25 00:00:54,010 --> 00:00:55,185 I HAD ERIC T. LOWE GO IN 26 00:00:55,359 --> 00:00:56,882 AND DO SOME HIGHLIGHTS IN HER BANGS, 27 00:00:57,057 --> 00:00:59,842 AND NOW THEY ARE POSITIVELY ON FIRE. 28 00:01:00,016 --> 00:01:02,279 - BEAUTIFUL. AND, UH, WHO ARE WE WEARING? 29 00:01:02,453 --> 00:01:04,194 - OH, IT HAD TO BE JEFFREY BEAUMAN. 30 00:01:04,368 --> 00:01:07,284 IT'S SOPHISTICATED, IT'S SASSY, 31 00:01:07,458 --> 00:01:10,157 AND IT DEFINITELY SAYS, "LOOK OUT, HERE I COME." 32 00:01:10,331 --> 00:01:12,637 - OH, WELL, I SAY, "FABU, ASHLEY BOYD." 33 00:01:12,811 --> 00:01:14,248 WE KNOW WHO EVERYONE IN THE COUNTRY 34 00:01:14,422 --> 00:01:15,727 WILL BE TALKING ABOUT TOMORROW. 35 00:01:15,901 --> 00:01:16,728 [upbeat music] 36 00:01:16,902 --> 00:01:18,861 ♪ 37 00:01:19,035 --> 00:01:26,173 [phone ringing] 38 00:01:26,347 --> 00:01:27,826 - ASHLEY, YOU'RE WANTED UPSTAIRS. 39 00:01:28,000 --> 00:01:29,785 - OH, NO. WHAT DID I DO? 40 00:01:46,410 --> 00:01:48,717 [bell dings] 41 00:01:48,891 --> 00:01:50,719 - GOOD LUCK. 42 00:01:55,376 --> 00:01:57,682 - I'M SO SORRY, MRS. FRIEDLANDER, 43 00:01:57,856 --> 00:01:59,641 IF YOU WEREN'T HAPPY WITH MY TARYNAPPEARANCE. 44 00:01:59,815 --> 00:02:01,033 YOU KNOW HOW I WANT THINGS TO BE PERFECT, 45 00:02:01,208 --> 00:02:03,732 AND I PLANNED FOR THIS FOR WEEKS. 46 00:02:03,906 --> 00:02:05,342 WAS IT THAT I DIDN'T MENTION THE POSTENOUGH? 47 00:02:05,516 --> 00:02:08,911 - STOP. I WATCHED THE SHOW AND YOU DID A FABULOUS JOB. 48 00:02:09,085 --> 00:02:11,000 - THANK YOU, MRS. FRIEDLANDER. 49 00:02:11,174 --> 00:02:13,220 IT WAS NOTHING, REALLY. 50 00:02:13,394 --> 00:02:14,525 THANK YOU SO MUCH FOR WATCHING AS WELL. 51 00:02:14,699 --> 00:02:15,831 I MEAN, I WAS TRULY HONORED. 52 00:02:16,005 --> 00:02:17,920 - DON'T GET TOO HONORED. 53 00:02:18,094 --> 00:02:20,792 I AM PLANNING A NEW SUPPLEMENT FOR THE POST 54 00:02:20,966 --> 00:02:22,794 WHICH I'M CALLING "FIRST LOOK," 55 00:02:22,968 --> 00:02:26,320 A SUPPLEMENT FOR WHICH I INTEND TO NAME YOU EDITOR. 56 00:02:26,494 --> 00:02:29,149 - OH, MY GOD, I WANT THAT SO BADLY! 57 00:02:29,323 --> 00:02:30,802 EVER SINCE I WAS A LITTLE GIRL, 58 00:02:30,976 --> 00:02:33,196 I ALWAYS DREAMED OF HAVING AN OPPORTUNITY LIKE THIS-- 59 00:02:33,370 --> 00:02:36,634 BEING FIRST VOICE OF WEST COAST FASHION, 60 00:02:36,808 --> 00:02:38,941 MAKING THE WORLD A BEAUTIFUL PLACE. 61 00:02:39,115 --> 00:02:41,204 THANK YOU SO MUCH FOR MAKING MY DREAM COME TRUE. 62 00:02:41,378 --> 00:02:42,945 - IF-- - THERE'S AN "IF"? 63 00:02:43,119 --> 00:02:44,686 - IF YOU CAN COMPLETE THE FIRST COVER STORY 64 00:02:44,860 --> 00:02:46,818 AND A SERIES OF ARTICLES WITH IT. 65 00:02:46,992 --> 00:02:48,255 - THAT'S THE "IF"? 66 00:02:48,429 --> 00:02:50,213 I WOULD NEVER TURN DOWN A COVER STORY. 67 00:02:50,387 --> 00:02:52,346 - I'LL HOLD YOU TO THAT. 68 00:02:52,520 --> 00:02:56,654 FOR THIS PIECE, I NEED FOR YOU TO DO ANOTHER MAKEOVER. 69 00:02:56,828 --> 00:03:00,136 A REPORTER HERE NEEDS A FULL TRANSFORMATION. 70 00:03:00,310 --> 00:03:02,834 - WHO IS SHE? - NOT SHE, HE. 71 00:03:03,008 --> 00:03:05,359 A MALE MAKEOVER. 72 00:03:05,533 --> 00:03:09,189 HE'S WRITTEN A BOOK THAT THE LOS ANGELES POSTORGANIZATION 73 00:03:09,363 --> 00:03:11,060 IS PUBLISHING SOON, 74 00:03:11,234 --> 00:03:15,456 AND I WANT YOUR MAKEOVER AND THE FIRST LOOK COVERS 75 00:03:15,630 --> 00:03:18,894 TO BE PART OF A WHOLE PUBLICITY PUSH. 76 00:03:19,068 --> 00:03:22,941 YOUR SERIES IS OUR OPPORTUNITY TO INTRODUCE HIM 77 00:03:23,115 --> 00:03:25,770 TO A FEMALE AUDIENCE. 78 00:03:25,944 --> 00:03:28,991 HE'S A BIT OF A MESS. A REAL GUY'S GUY. 79 00:03:29,165 --> 00:03:30,427 HE NEVER REALLY GREW UP, 80 00:03:30,601 --> 00:03:32,734 WHICH WORKS ON OUR SPORTS PAGES 81 00:03:32,908 --> 00:03:36,781 BUT REALLY WON'T PLAY IN PERSON OR ON NATIONAL TV. 82 00:03:36,955 --> 00:03:38,392 - ARE YOU TALKING ABOUT-- 83 00:03:38,566 --> 00:03:41,743 - YOU'LL NEED TO ADJUST HIS LOOK, HIS PERSONALITY-- 84 00:03:41,917 --> 00:03:43,179 - WAIT A SECOND. 85 00:03:43,353 --> 00:03:44,224 - MAKE HIM READY FOR THE BOOK TOUR. 86 00:03:44,398 --> 00:03:46,008 - PLEASE, NO. 87 00:03:46,182 --> 00:03:48,967 - YOUR NEW MAKEOVER SUBJECT WILL BE... 88 00:03:49,141 --> 00:03:50,099 [overlapping chatter] 89 00:03:50,273 --> 00:03:52,580 - YEAH! - OUR OWN PETE CAMDEN. 90 00:03:52,754 --> 00:03:54,843 THAT GUY. 91 00:03:55,017 --> 00:03:58,455 - LAZY. NO HELP. BUT LOOK, COME ON. 92 00:03:58,629 --> 00:04:01,284 I'M GONNA MAKE THAT RECYCLE BIN. TEN BUCKS. WHO'S IN? 93 00:04:01,458 --> 00:04:03,417 - OH, YOU'RE ON. - 10 BUCKS. - OH! 94 00:04:03,591 --> 00:04:06,768 - I GOT YOU, I GOT YOU, I GOT YOU. 95 00:04:06,942 --> 00:04:09,423 - HEY, CHEERLEADERS WELCOME. DO ME A FAVOR, PLEASE. 96 00:04:09,597 --> 00:04:12,164 CLEAR THE COURT. LET'S GO, LET'S GO. THANK YOU. 97 00:04:12,339 --> 00:04:14,906 - YOU WANT ME TO MAKE-OVER PETE CAMDEN? 98 00:04:15,080 --> 00:04:17,126 - [mimics] "I'D NEVER TURN DOWN A COVER STORY." 99 00:04:17,300 --> 00:04:19,171 - AH! 100 00:04:19,346 --> 00:04:21,348 - CAMDEN! - PARKER, COME ON. 101 00:04:21,522 --> 00:04:23,785 FAN INTERFERENCE. WHAT'S UP WITH THAT? 102 00:04:23,959 --> 00:04:28,268 - NAN, GOOD TO SEE YOU VISITING THE TRENCHES. 103 00:04:28,442 --> 00:04:30,748 ALL RIGHT, YOU DINGBATS, YOU GOT WORK TO DO. 104 00:04:30,922 --> 00:04:33,229 - AH, PARKER, I'M SORRY. 105 00:04:33,403 --> 00:04:35,971 YOU KNOW, SOMETIMES I FORGET THAT HERE AT THE POST, 106 00:04:36,145 --> 00:04:38,887 WE CAN'T AFFORD TO TAKE OUR EYE OFF THE PRIZE, 107 00:04:39,061 --> 00:04:41,542 WHICH OF COURSE IS DELIVERING THE BEST COVERAGE 108 00:04:41,716 --> 00:04:44,458 OF NEWS, ENTERTAINMENT, AND SPORTS IN THESE UNITED STATES. 109 00:04:44,632 --> 00:04:49,811 I PROMISE, GUYS, THIS WON'T HAPPEN AGAIN. 110 00:04:49,985 --> 00:04:54,685 BALL. THANKS. 111 00:04:54,859 --> 00:04:56,383 [recycle bin clanks] 112 00:04:56,557 --> 00:05:00,343 OH, YEAH, TEN BUCKS, TEN BUCKS, TEN BUCKS, ALL OF YOU. 113 00:05:00,517 --> 00:05:02,867 EXPECT TO SEE IT ON MY DESK BY THE END OF THE DAY. 114 00:05:03,041 --> 00:05:04,521 [groans] 115 00:05:04,695 --> 00:05:05,957 - PETE CAMDEN DOESN'T NEED A MAKEOVER. 116 00:05:06,131 --> 00:05:07,437 HE NEEDS A COMPLETE TEARDOWN. 117 00:05:07,611 --> 00:05:09,526 - HIS SPORTS COVERAGE HAS MORE READERS 118 00:05:09,700 --> 00:05:11,485 THAN THE REST OF THE PAPER COMBINED. 119 00:05:11,659 --> 00:05:13,138 YOU CAN'T BEGIN TO IMAGINE 120 00:05:13,313 --> 00:05:16,098 HOW MUCH THE POST HAS RIDING ON HIS BOOK. 121 00:05:16,272 --> 00:05:18,753 NOW GO, TALK TO HIM. 122 00:05:18,927 --> 00:05:22,191 - OH. 123 00:05:22,365 --> 00:05:25,194 PETE, UH, CAN I TALK TO YOU FOR A MINUTE? 124 00:05:25,368 --> 00:05:27,065 - HEY, BEAUTIFUL. 125 00:05:27,239 --> 00:05:29,546 YOU SEE THAT SHOT THAT I JUST MADE? 126 00:05:29,720 --> 00:05:31,200 THERE ARE ONLY TWO OTHER GUYS IN THE WHOLE WORLD 127 00:05:31,374 --> 00:05:32,897 THAT CAN MAKE THAT SHOT. 128 00:05:33,071 --> 00:05:36,031 - REALLY? AND WHO IS THE OTHER? 129 00:05:36,205 --> 00:05:39,556 - WHO CARES? AIN'T GOT ME. 130 00:05:39,730 --> 00:05:44,953 - I GOT YOU IN MY REAR VIEW MIRROR. 131 00:05:45,127 --> 00:05:46,781 I CAN'T DO THIS. 132 00:05:46,955 --> 00:05:48,696 - [laughs] 133 00:05:52,874 --> 00:05:54,571 [knock on door] 134 00:05:54,745 --> 00:05:56,704 - DOOR'S OPEN, CHRISTOPHER. COME ON IN. 135 00:05:56,878 --> 00:05:59,533 [door opens] 136 00:05:59,707 --> 00:06:03,885 - OKAY, I'M HERE. SO WHAT'S THE BIG NEWS? 137 00:06:04,059 --> 00:06:07,105 - MRS. FRIEDLANDER IS GIVING ME A SHOT 138 00:06:07,279 --> 00:06:10,282 TO BECOME EDITOR OF "FIRST LOOK." 139 00:06:10,457 --> 00:06:13,416 MY FIRST COVER STORY-- A MALE MAKEOVER. 140 00:06:13,590 --> 00:06:16,506 - CONGRATS! YOU'RE NOT MAKING ME OVER, I HOPE? 141 00:06:16,680 --> 00:06:20,380 - NO. A SPORTSWRITER. HE'S A REAL MAN-CHILD. 142 00:06:20,554 --> 00:06:23,339 YOU ARE PERFECT. - AS ARE YOU. 143 00:06:23,513 --> 00:06:26,037 - HERE YOU GO. NON-FAT, HALF-CAF, 144 00:06:26,211 --> 00:06:28,431 SUGAR-FREE EXTRA FOAM LATTE, JUST THE WAY YOU LIKE IT. 145 00:06:28,605 --> 00:06:29,824 - I'M AFRAID IT'S GOING TO HAVE TO BE TO GO. 146 00:06:29,998 --> 00:06:31,565 I JUST HAVE A MINUTE. - MMM. 147 00:06:31,739 --> 00:06:32,914 I THOUGHT WE WERE GONNA BE ABLE TO SIT DOWN 148 00:06:33,088 --> 00:06:34,481 AND TALK ABOUT THIS. 149 00:06:34,655 --> 00:06:36,874 I NEED A CRASH COURSE IN NAVIGATING THE MALE EGO. 150 00:06:37,048 --> 00:06:38,267 - OH, I CAN'T STAY. 151 00:06:38,441 --> 00:06:40,008 I'M IN STUDIO TO BREAK IN FOR AN UPDATE. 152 00:06:40,182 --> 00:06:41,226 WE HAVE TEAM COVERAGE FOR STORM VIEW. 153 00:06:41,401 --> 00:06:43,011 - OH, NO. 154 00:06:43,185 --> 00:06:45,056 I'M SUPPOSED TO VISIT MANDY AT HER PHOTO SHOOT. 155 00:06:45,230 --> 00:06:46,362 WELL, I CAN'T GO OUT THERE LIKE THIS. 156 00:06:46,536 --> 00:06:47,929 I'M WEARING SILK. 157 00:06:48,103 --> 00:06:50,148 - OOH, WE CAN'T BE TOO CAREFUL WITH SILK. 158 00:06:50,322 --> 00:06:52,194 HMM. WELL, SORRY, BABE. 159 00:06:52,368 --> 00:06:53,848 I GOTTA GO. LOVE YOU. [kiss] 160 00:06:54,022 --> 00:06:57,373 - [kiss] LOVE YOU MORE. 161 00:07:00,158 --> 00:07:02,378 - OKAY, NOW, ARCH YOUR BACK, MANDY, DEAR. 162 00:07:02,552 --> 00:07:06,121 OH, THAT'S IT. FANTASTIC. 163 00:07:06,295 --> 00:07:08,863 - [groans] SORRY I'M LATE. 164 00:07:09,037 --> 00:07:10,995 [groans] THE RAIN! 165 00:07:11,169 --> 00:07:14,216 - OR, AS THE REST OF THE COUNTRY CALLS IT, DRIZZLE. 166 00:07:14,390 --> 00:07:16,174 SO, ASH, WHAT DO YOU THINK? 167 00:07:16,348 --> 00:07:18,046 - WHAT ARE YOU SELLING? 168 00:07:18,220 --> 00:07:20,527 THE LINGERIE OR THE CHAMPAGNE? 169 00:07:20,701 --> 00:07:22,354 - THE LAMP. - ENOUGH CROSS-TALK. 170 00:07:22,529 --> 00:07:25,227 MANDY, YOU'RE TOO ACCESSIBLE. 171 00:07:25,401 --> 00:07:29,231 UM, SCOWL FOR ME, SWEETIE. 172 00:07:29,405 --> 00:07:31,538 OH, THAT'S IT. THAT'S IT. 173 00:07:31,712 --> 00:07:33,191 - I HAVE A CRAZY NEW ASSIGNMENT 174 00:07:33,365 --> 00:07:34,323 THAT I NEED YOUR HELP WITH. 175 00:07:34,497 --> 00:07:38,458 I'M MAKING OVER PETE CAMDEN. 176 00:07:38,632 --> 00:07:41,765 - PETE CAMDEN, THE SPORTS COLUMNIST? 177 00:07:41,939 --> 00:07:43,506 - I THINK I MAY BE IN OVER MY HEAD ON THIS ONE. 178 00:07:43,680 --> 00:07:45,726 - I'VE NEVER KNOWN YOU TO RUN FROM A CHALLENGE. 179 00:07:45,900 --> 00:07:47,292 HEY, EVER SINCE WE FIRST MET IN FAT CAMP-- 180 00:07:47,467 --> 00:07:48,511 - YOU DIDN'T HEAR THAT. 181 00:07:48,685 --> 00:07:50,470 - FIRST MET IN SUMMER CAMP, 182 00:07:50,644 --> 00:07:52,559 YOU'VE ALWAYS BEEN UP FOR A CHALLENGE. 183 00:07:52,733 --> 00:07:54,561 - YES, BUT YOU CAN'T CHANGE GUYS 184 00:07:54,735 --> 00:07:55,953 THAT DON'T WANT TO BE CHANGED, 185 00:07:56,127 --> 00:07:58,347 AND I HAVE A FEELING THAT PETE LIKES HIMSELF 186 00:07:58,521 --> 00:08:01,481 JUST THE WAY HE IS, GOD KNOWS WHY. 187 00:08:01,655 --> 00:08:03,700 - WELL, DON'T BE SO SURE PETE LIKES THE WAY HE IS. 188 00:08:03,874 --> 00:08:06,137 I MEAN, EVERY MAN WANTS TO BE CHANGED. 189 00:08:06,311 --> 00:08:07,965 WE JUST DON'T WANT TO ADMIT IT. 190 00:08:08,139 --> 00:08:09,706 IT'S PART OF THE MALE MYSTIQUE. 191 00:08:09,880 --> 00:08:13,449 YOU KNOW, WE PLAY THE ROLE OF THIS SELF-SATISFIED STUD. 192 00:08:13,623 --> 00:08:16,234 DEEP DOWN, WE'D LIKE NOTHING MORE THAN TO HAVE SOME WOMAN 193 00:08:16,408 --> 00:08:18,454 COME AROUND AND MAKE US MORE APPEALING. 194 00:08:18,628 --> 00:08:20,630 - REALLY? - OH, ABSOLUTELY. 195 00:08:20,804 --> 00:08:23,372 SELF-ESTEEM GOES THROUGH THE ROOF. 196 00:08:23,546 --> 00:08:26,375 YOU DIDN'T HEAR THAT. 197 00:08:26,549 --> 00:08:27,768 - SO VINCENT, YOU THINK THIS IS A GOOD IDEA, 198 00:08:27,942 --> 00:08:30,248 ME PUTTING UP WITH ALL OF PETE'S NONSENSE 199 00:08:30,422 --> 00:08:32,076 SO THAT I CAN MAKE HIM A BETTER PERSON? 200 00:08:32,250 --> 00:08:34,383 - THINK OF IT THIS WAY. 201 00:08:34,557 --> 00:08:37,212 YOU'RE TAKING MERCY ON HIS POOR SOUL, RIGHT? 202 00:08:48,049 --> 00:08:52,532 [overlapping chatter] 203 00:08:57,711 --> 00:08:59,364 - [groans] 204 00:09:07,372 --> 00:09:10,462 HI, PETE, I THINK IT'S TIME THAT WE OFFICIALLY MET. 205 00:09:10,637 --> 00:09:12,073 I'M ASHLEY BOYD. 206 00:09:12,247 --> 00:09:13,378 I'M A FASHION REPORTER AT THE POST. 207 00:09:13,553 --> 00:09:15,990 - YEAH, WE'VE MET BEFORE, ACTUALLY. 208 00:09:16,164 --> 00:09:17,513 OR ALMOST, ANYWAY. 209 00:09:17,687 --> 00:09:19,689 I SAT DOWN NEXT TO YOU AT A STAFF MEETING ONE TIME, 210 00:09:19,863 --> 00:09:21,386 AND YOU GOT UP, TOOK YOUR STUFF, 211 00:09:21,561 --> 00:09:23,258 AND MOVED TWO SEATS DOWN. 212 00:09:23,432 --> 00:09:25,739 IT WAS A REALLY CLASSY MOVE. THANKS. MADE ME FEEL GOOD. 213 00:09:25,913 --> 00:09:30,613 - LET'S LET BYGONES BE BYGONES, SHALL WE? 214 00:09:30,787 --> 00:09:34,922 - SMITTY, A CHILI-BURGER, HEAVY ON THE CHILI, 215 00:09:35,096 --> 00:09:38,099 EXTRA CHILI ON THE SIDE, JUST THE WAY I LIKE IT. 216 00:09:38,273 --> 00:09:41,015 AW, THANK YOU. 217 00:09:41,189 --> 00:09:42,712 - MA'AM. - OH, NO. 218 00:09:42,886 --> 00:09:43,844 NOTHING FOR ME, THANKS. 219 00:09:44,018 --> 00:09:46,063 I SEEM TO HAVE LOST MY APPETITE. 220 00:09:49,719 --> 00:09:54,419 - YOU REALLY SHOULD TRY THEM. OH! 221 00:09:54,594 --> 00:09:55,769 - UH... [clears throat] 222 00:09:55,943 --> 00:09:58,075 I'D LIKE TO ASK YOU TO WORK WITH ME. 223 00:09:58,249 --> 00:09:59,729 - REALLY? 224 00:09:59,903 --> 00:10:03,603 WHAT CAN A SPORTSWRITER DO FOR THE LADY SECTION? 225 00:10:03,777 --> 00:10:05,953 - ACTUALLY, IT'S WHAT I CAN DO FOR YOU. 226 00:10:06,127 --> 00:10:07,476 - NO, NO, NO. 227 00:10:07,650 --> 00:10:08,782 SEE, IT'S ALWAYS ABOUT WHAT I CAN DO FOR YOU. 228 00:10:08,956 --> 00:10:10,653 - [gasps] - OH, SORRY ABOUT THAT. 229 00:10:10,827 --> 00:10:11,567 OH, HOLD ON, COME HERE. NO, NO, I GOT IT. 230 00:10:11,741 --> 00:10:13,395 - OH, NO. OH! OH! 231 00:10:13,569 --> 00:10:15,440 - NO, I GOT IT. OH, YOU KNOW WHAT? WE'VE GOT BEER. 232 00:10:15,615 --> 00:10:17,312 IT'S ALL GOOD. IT'S LIKE A MAN'S SELTZER. 233 00:10:17,486 --> 00:10:19,401 - PLEASE. OH, MY GOSH. - TAKING IT RIGHT OUT OF THERE. 234 00:10:19,575 --> 00:10:21,446 I WAS TRYING TO HELP. I'M SORRY. 235 00:10:21,621 --> 00:10:24,362 IT'S NOT THAT BAD. - YEAH, IT'S FINE. I'M GOOD. 236 00:10:24,536 --> 00:10:27,931 IT'S--IT'S-- IT'S GONNA BE FINE. 237 00:10:28,105 --> 00:10:30,934 WHAT I'D LIKE TO DO IS CALLED A MAKEOVER. 238 00:10:31,108 --> 00:10:32,762 - PASS. 239 00:10:32,936 --> 00:10:35,199 - IT'S SUPPOSED TO BE TO HELP YOU 240 00:10:35,373 --> 00:10:37,158 FOR YOUR UPCOMING BOOK TOUR. - I DON'T NEED YOUR HELP. 241 00:10:37,332 --> 00:10:39,900 - YOU'RE GONNA BE OUT THERE SELLING A BOOK, OKAY? 242 00:10:40,074 --> 00:10:41,597 IN TODAY'S MARKET, WHAT THAT MEANS IS, 243 00:10:41,771 --> 00:10:44,165 YOU'RE ALSO GONNA BE SELLING YOURSELF. 244 00:10:44,339 --> 00:10:45,645 THERE'S SOMETHING IN IT FOR YOU AS WELL. 245 00:10:45,819 --> 00:10:47,385 - REALLY? - OH, YEAH. 246 00:10:47,559 --> 00:10:49,213 WOMEN LOVE A GUY WHO LOOKS GOOD. 247 00:10:49,387 --> 00:10:50,650 - THE THING IS, 248 00:10:50,824 --> 00:10:52,347 WOMEN ALREADY LIKE ME THE WAY I AM. 249 00:10:52,521 --> 00:10:53,609 I GET PLENTY OF DATES. 250 00:10:53,783 --> 00:10:57,004 - ALL RIGHT. COME ON, PETE. 251 00:10:57,178 --> 00:10:58,396 GIVE IT A TRY. 252 00:10:58,570 --> 00:11:00,660 IT'LL CHANGE YOUR LIFE, I PROMISE. 253 00:11:00,834 --> 00:11:04,794 AND ANYWAYS, WHAT HAVE YOU GOT TO LOSE? 254 00:11:04,968 --> 00:11:06,840 - THAT WAS SUCH A NICE THING TO SAY. 255 00:11:07,014 --> 00:11:10,104 THANKS A LOT. REALLY SWEET OF YOU. 256 00:11:10,278 --> 00:11:12,236 - I DIDN'T MEAN IT LIKE THAT. 257 00:11:12,410 --> 00:11:14,238 - OKAY, I'LL BE HONEST. 258 00:11:14,412 --> 00:11:16,719 I'M NOT PERFECT LIKE YOU. I GOT THAT. 259 00:11:16,893 --> 00:11:20,505 BUT I HAVE SOMETHING THAT'S WORKING RIGHT NOW, OKAY? 260 00:11:20,680 --> 00:11:22,769 NOBODY WILL SAY THAT I'M NOT ONE OF THE GUYS. 261 00:11:22,943 --> 00:11:27,425 IN FACT, I'M KING OF THEM, AND THAT MEANS A LOT TO ME. 262 00:11:27,599 --> 00:11:30,341 SO IF I LET YOU COME IN HERE 263 00:11:30,515 --> 00:11:31,691 AND START MESSING AROUND WITH THAT 264 00:11:31,865 --> 00:11:34,911 AND IT DOESN'T WORK, 265 00:11:35,085 --> 00:11:36,608 WELL, THEN, THERE'S NO TURNING BACK, 266 00:11:36,783 --> 00:11:41,309 AND I AM JUST A CERTIFIED LOSER. 267 00:11:41,483 --> 00:11:44,312 SO, NO THANK YOU. 268 00:11:44,486 --> 00:11:46,357 HEY, SMITTY. - YO. 269 00:11:46,531 --> 00:11:48,403 - SUSIE STYLE, SHE'S GOT THE CHECK, OKAY? 270 00:11:48,577 --> 00:11:51,362 - YOU GOT IT, PETE. 271 00:11:51,536 --> 00:11:54,278 - OKAY, SO WHY ME? 272 00:11:54,452 --> 00:11:56,280 - WELL, LOOK, THEY JUST WANT YOU TO CUT YOUR HAIR, 273 00:11:56,454 --> 00:11:58,543 WASH YOUR CLOTHES, SOMETHING SOMETHING. 274 00:11:58,718 --> 00:12:00,241 - CUT ME A BREAK HERE, OKAY? 275 00:12:00,415 --> 00:12:02,939 I DESERVE A LITTLE RESPECT. I'M THE FRANCHISE. 276 00:12:03,113 --> 00:12:06,638 PEOPLE BUY THIS PAPER JUST TO READ MY COLUMN. 277 00:12:06,813 --> 00:12:08,249 - THAT'S BECAUSE THEY HAVEN'T MET YOU. 278 00:12:08,423 --> 00:12:09,946 - YEAH, WELL, I'VE GOT THE BOOK COMING OUT, 279 00:12:10,120 --> 00:12:11,818 I'VE GOT THE WHOLE PUBLICITY TOUR SET UP, SO-- 280 00:12:11,992 --> 00:12:13,254 - EXACTLY. 281 00:12:13,428 --> 00:12:15,909 YOU SEE, YOUR BOOK TOUR WILL UNSELL BOOKS. 282 00:12:16,083 --> 00:12:18,563 NOW, DON'T THINK FOR A SECOND 283 00:12:18,738 --> 00:12:20,304 THAT THEY WON'T CANCEL THAT BOOK TOUR 284 00:12:20,478 --> 00:12:21,828 IF YOU DON'T DO IT. 285 00:12:22,002 --> 00:12:25,222 NAN CAN BE VERY PERSUASIVE. - OH, OKAY. 286 00:12:25,396 --> 00:12:26,571 THE WHOLE "WHO SIGNS YOUR PAYCHECK" THING AGAIN? 287 00:12:26,746 --> 00:12:29,749 - THAT'S RIGHT. 288 00:12:29,923 --> 00:12:33,274 - [sighs] 289 00:12:33,448 --> 00:12:37,452 - SO, I UNDERSTAND YOU'RE IN. 290 00:12:37,626 --> 00:12:40,672 - I THINK I'M GOING TO HURL. - WHY? 291 00:12:40,847 --> 00:12:43,501 BECAUSE YOU DIDN'T RUIN MY OUTFIT ENOUGH ALREADY TODAY? 292 00:12:43,675 --> 00:12:46,809 BE AT VINCENT VERDIN'S PHOTO STUDIO FIRST THING TOMORROW 293 00:12:46,983 --> 00:12:50,900 FOR THE BEFORE PHOTOS. 294 00:12:51,074 --> 00:12:53,598 - [sighs] 295 00:12:53,773 --> 00:12:56,036 - SO TODAY WE TAKE HIS BEFORE PICTURES, 296 00:12:56,210 --> 00:12:57,646 AND THEN I CLEAN HIM UP AND WE TAKE HIS AFTER PICTURES, 297 00:12:57,820 --> 00:13:00,344 AND POOF, I'M AN EDITOR. 298 00:13:00,518 --> 00:13:02,956 OH, I JUST WISH THAT MY ENTIRE PROFESSIONAL FUTURE 299 00:13:03,130 --> 00:13:05,001 WASN'T RESTING ON SOMEBODY LIKE PETE CAMDEN. 300 00:13:05,175 --> 00:13:06,307 - DID I TELL YOU I THINK I GOT THAT INTERVIEW 301 00:13:06,481 --> 00:13:07,264 FOR THE WEEKEND ANCHOR JOB? 302 00:13:07,438 --> 00:13:08,700 - [gasps] 303 00:13:08,875 --> 00:13:10,833 CHRISTOPHER, THAT'S PERFECT! 304 00:13:11,007 --> 00:13:12,443 OH, THIS IS JUST LIKE WE FANTASIZED ABOUT 305 00:13:12,617 --> 00:13:14,402 ON OUR FIRST DATE. 306 00:13:14,576 --> 00:13:17,318 I'LL BE A FASHION EDITOR AND YOU'LL BE A NEWS ANCHOR. 307 00:13:17,492 --> 00:13:19,624 THE ONLY THING LEFT IS THE STORYBOOK WEDDING, 308 00:13:19,799 --> 00:13:22,932 THE TWO ADORABLE CHILDREN, AND THE HAPPILY EVER AFTER. 309 00:13:23,106 --> 00:13:24,586 - IT FEELS GREAT TO HAVE OUR WHOLE LIFE MAPPED OUT. 310 00:13:24,760 --> 00:13:26,022 WE'RE RIGHT ON SCHEDULE. 311 00:13:26,196 --> 00:13:28,895 - [laughs] - WHOA! I GOTTA GO. 312 00:13:29,069 --> 00:13:33,247 - BUT I WANTED TO TALK. - WE JUST DID. 313 00:13:33,421 --> 00:13:35,423 - OH. 314 00:13:41,516 --> 00:13:43,605 - HEY, YOU VINCENT? I'M PETE. 315 00:13:43,779 --> 00:13:46,260 I'M HERE FOR MY, UH, BEFORE PHOTOS. 316 00:13:46,434 --> 00:13:48,653 - BEFORE, INDEED. 317 00:13:48,828 --> 00:13:52,962 UH, LET'S LEAVE THE LAUNDRY OUTSIDE THE BUILDING. 318 00:13:53,136 --> 00:13:54,703 - LAUNDRY? NO, NO, NO. 319 00:13:54,877 --> 00:13:56,357 THEY ASKED ME TO BRING THREE CHANGES OF CLOTHES, 320 00:13:56,531 --> 00:13:58,359 SO I GOT 'EM. 321 00:13:58,533 --> 00:14:00,665 JUST TELL ME WHAT YOU WANT ME TO DO WITH THEM. 322 00:14:00,840 --> 00:14:03,103 - HAVE THEM CARBON-DATED. 323 00:14:03,277 --> 00:14:06,802 NOW THAT'S AN OUTFIT I WOULDN'T HAVE GUESSED YOU FOR, 324 00:14:06,976 --> 00:14:10,327 ALTHOUGH IT SHOWS MORE COURAGE 325 00:14:10,501 --> 00:14:11,763 THAN IT DOES GOOD SENSE, DOESN'T IT? 326 00:14:11,938 --> 00:14:14,679 - YEAH, THAT ONE'S ASHLEY'S. 327 00:14:14,854 --> 00:14:16,899 - TELL ME THE REST OF HER IS NOT IN THE TRUCK OF YOUR CAR. 328 00:14:17,073 --> 00:14:20,860 - OH, I WISH. NO, SHE'S JUST RUNNING LATE. 329 00:14:21,034 --> 00:14:22,992 - I KNOW GUYS WHO WOULD KILL 330 00:14:23,166 --> 00:14:24,864 FOR A MAKEOVER FROM ASHLEY BOYD. 331 00:14:25,038 --> 00:14:27,692 - YEAH, BUT ANYBODY WHO KNOWS WHO SHE IS DOESN'T NEED ONE. 332 00:14:27,867 --> 00:14:30,086 - YEAH, WELL, EXCEPT ONE. 333 00:14:30,260 --> 00:14:33,263 - COME ON, MAN, I DON'T NEED THAT MUCH WORK. 334 00:14:33,437 --> 00:14:35,483 - THE CAMERA NEVER LIES. 335 00:14:42,533 --> 00:14:43,883 - WHAT A MESS. 336 00:14:44,057 --> 00:14:46,537 - WHAT A SLOB. 337 00:14:46,711 --> 00:14:48,496 both: PERFECT. 338 00:14:59,899 --> 00:15:03,641 - "'FIXING PETE' BY ASHLEY BOYD. 339 00:15:03,815 --> 00:15:05,992 "THE ASSIGNMENT WAS CLEAR. 340 00:15:06,166 --> 00:15:07,950 "IN EVERY MAN, THERE IS A LITTLE BOY. 341 00:15:08,124 --> 00:15:09,691 "AND LIKE EVERY LITTLE BOY, 342 00:15:09,865 --> 00:15:14,739 "PETE CAMDEN NEEDED AN ADULT TO HELP HIM GROW UP. 343 00:15:14,914 --> 00:15:18,656 I HAD MY WORK CUT OUT FOR ME..." 344 00:15:18,830 --> 00:15:25,837 - SKEETER. AH... 345 00:15:26,012 --> 00:15:27,752 - ALL RIGHT, DON'T GET TOO COMFORTABLE. 346 00:15:27,927 --> 00:15:29,580 BOB GAZARIAN CALLED IN SICK. 347 00:15:29,754 --> 00:15:31,887 I WANT YOU TO COVER COLLEGE BASKETBALL. 348 00:15:32,061 --> 00:15:36,500 - COLLEGE. WOMEN'S BASKETBALL? NO. 349 00:15:36,674 --> 00:15:38,676 I DON'T DO WOMEN'S SPORTS. I'M THE MAN. 350 00:15:38,850 --> 00:15:40,243 - JUST AS A REMINDER, 351 00:15:40,417 --> 00:15:41,636 I'LL BE AT YOUR PLACE TOMORROW MORNING AT 10:00 352 00:15:41,810 --> 00:15:42,985 TO GO THROUGH YOUR WARDROBE. 353 00:15:43,159 --> 00:15:46,162 YOU MUST HAVE SOME CLOTHES THAT WE COULD USE. 354 00:15:46,336 --> 00:15:51,863 JUST IN CASE, DON'T FORGET. - YES, DEAR. 355 00:15:52,038 --> 00:15:54,127 - AND DON'T GO ONLINE FOR THE RESULTS. 356 00:15:54,301 --> 00:15:57,565 I NEED YOU TO DO POST-GAME INTERVIEWS WITH THE GIRLS. 357 00:15:57,739 --> 00:16:00,742 DON'T FORGET. - YES, DEAR. 358 00:16:04,702 --> 00:16:09,272 [overlapping chatter] 359 00:16:09,446 --> 00:16:12,580 - AND I KNEW WHEN LINDA BLOCKED THREE SHOTS IN A ROW, 360 00:16:12,754 --> 00:16:13,624 THE MOMENTUM WAS GOING OUR WAY. 361 00:16:13,798 --> 00:16:15,844 - [groans] 362 00:16:16,018 --> 00:16:19,500 - YOU GOT A QUESTION? 363 00:16:19,674 --> 00:16:22,111 - YES, I DO. 364 00:16:22,285 --> 00:16:26,072 MISS TAYLOR, GREAT JOB OUT THERE TODAY. 365 00:16:26,246 --> 00:16:28,117 AGAINST OTHER GIRLS, GREAT JOB. 366 00:16:28,291 --> 00:16:29,423 - WHAT DOES THAT MEAN? 367 00:16:29,597 --> 00:16:30,859 - WELL, LET'S BE HONEST FOR A SECOND. 368 00:16:31,033 --> 00:16:32,992 I MEAN, IT'S NOT LIKE THIS IS REAL BASKETBALL. 369 00:16:33,166 --> 00:16:34,689 ANY GUY COULD BEAT ANY GIRL. 370 00:16:34,863 --> 00:16:37,953 BUT MY QUESTION IS, UH, WHO ARE YOU TRYING TO FOOL? 371 00:16:38,127 --> 00:16:40,390 - OH, I'M GONNA GET YOU BANNED FROM THIS CAMPUS 372 00:16:40,564 --> 00:16:42,088 FOR AS LONG AS YOU LIVE! 373 00:16:42,262 --> 00:16:44,960 - THANK YOU. THANK YOU VERY MUCH. 374 00:16:47,093 --> 00:16:48,964 [knocks] 375 00:16:52,620 --> 00:16:55,840 HELLO. WELCOME TO THE MAN CAVE. 376 00:16:56,015 --> 00:17:00,193 I HAD A DECORATOR BUT, OF COURSE, I WORKED WITH HIM. 377 00:17:00,367 --> 00:17:04,414 SO COME ON IN. DON'T BE SHY. ENTER, ENTER. 378 00:17:04,588 --> 00:17:07,896 WIPE YOUR FEET, PLEASE. 379 00:17:08,070 --> 00:17:10,899 - YEAH, ON THE WAY OUT. 380 00:17:11,073 --> 00:17:13,380 - I MEANT ON THE WAY IN. 381 00:17:15,947 --> 00:17:19,603 - [laughs] 382 00:17:19,777 --> 00:17:23,825 ALL THAT'S MISSING IS THE MUSHROOM CLOUD. 383 00:17:23,999 --> 00:17:30,266 NO, DEFINITELY NO, ABSOLUTELY NOT. 384 00:17:30,440 --> 00:17:33,008 - UH-UH-UH-UH, ABSOLUTELY NOT IS RIGHT. 385 00:17:33,182 --> 00:17:35,271 THAT'S MY LUCKY JACKET. PUT THAT BACK. 386 00:17:35,445 --> 00:17:39,145 - NOTHING IN HERE IS A LUCKY ANYTHING, OKAY? 387 00:17:39,319 --> 00:17:41,930 I MEAN, DO YOU HAVE ANY CLOTHES 388 00:17:42,104 --> 00:17:43,888 THAT DON'T HAVE TEAM LOGOS? 389 00:17:44,063 --> 00:17:47,153 - HELLO. - NO. 390 00:17:47,327 --> 00:17:48,763 I'M ASSUMING YOU DON'T HAVE ANY SUITS. 391 00:17:48,937 --> 00:17:50,112 - HA! YOU'RE WRONG. 392 00:17:50,286 --> 00:17:51,679 LET'S GO. OUT OF THE CLOSET. 393 00:17:51,853 --> 00:17:53,855 - WITH PLEASURE. 394 00:17:58,207 --> 00:17:59,556 [laughs] 395 00:17:59,730 --> 00:18:01,863 WHAT IS THAT? IS THAT YOUR PROM TUX? 396 00:18:02,037 --> 00:18:04,083 - EXACTLY. 397 00:18:04,257 --> 00:18:06,824 SEE, I TOLD YOU, I HAD A DATE ONCE. 398 00:18:06,998 --> 00:18:08,217 - I CAN'T BELIEVE THIS. 399 00:18:08,391 --> 00:18:10,915 YOU DON'T HAVE ANYTHING NICE. 400 00:18:11,090 --> 00:18:12,787 OR ANYTHING CLEAN, FOR THAT MATTER. 401 00:18:12,961 --> 00:18:14,267 - OH, WHAT A SHAME. 402 00:18:14,441 --> 00:18:16,007 I GUESS WE'LL HAVE TO CANCEL THIS MAKEOVER. 403 00:18:16,182 --> 00:18:18,706 - NO, WHAT IT MEANS IS, WE HAVE TO GET YOU NEW CLOTHES. 404 00:18:18,880 --> 00:18:20,708 [sighs] 405 00:18:20,882 --> 00:18:23,276 [doorbell rings] 406 00:18:23,450 --> 00:18:24,755 JUST WARNING YOU, HE CAN BE A LITTLE COARSE 407 00:18:24,929 --> 00:18:26,322 AND A LITTLE RUDE. 408 00:18:26,496 --> 00:18:28,977 - OH, I'M SURE IT'S NOT GONNA BE THAT BAD. 409 00:18:31,197 --> 00:18:33,721 - HEY, THINK FAST. - OH! 410 00:18:33,895 --> 00:18:35,940 YOU'RE LATE. - UH, YEAH. 411 00:18:36,115 --> 00:18:37,812 BUT AT LEAST I SHOWED UP, DIDN'T I? 412 00:18:37,986 --> 00:18:40,249 WOW, CHECK THIS PLACE OUT. UNBELIEVABLE. 413 00:18:40,423 --> 00:18:42,512 AND WHO'S BACHELORETTE NUMBER TWO? 414 00:18:42,686 --> 00:18:44,340 - HER NAME IS MANDY, 415 00:18:44,514 --> 00:18:46,995 AND SHE'S GOING TO BE OUR FASHION CONSULTANT. 416 00:18:47,169 --> 00:18:50,085 - OH, I'M LOVING THAT. MANDY, WOW. SO PRETTY. 417 00:18:50,259 --> 00:18:52,261 UH, YOU COULD BE A MODEL. - I AM A MODEL. 418 00:18:52,435 --> 00:18:54,481 - MAYBE I'VE SEEN YOU. WHAT MONTH WERE YOU? 419 00:18:54,655 --> 00:18:56,178 - TOLD YOU. 420 00:18:56,352 --> 00:19:01,183 HERE, PUT THESE ON AND SHUT UP. 421 00:19:01,357 --> 00:19:02,663 - NICE. 422 00:19:02,837 --> 00:19:05,535 [upbeat music] 423 00:19:05,709 --> 00:19:11,324 ♪ 424 00:19:11,498 --> 00:19:12,760 - ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 425 00:19:12,934 --> 00:19:14,283 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 426 00:19:14,457 --> 00:19:16,242 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 427 00:19:16,416 --> 00:19:18,157 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 428 00:19:18,331 --> 00:19:20,246 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 429 00:19:20,420 --> 00:19:21,682 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 430 00:19:21,856 --> 00:19:23,292 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 431 00:19:23,466 --> 00:19:25,251 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 432 00:19:25,425 --> 00:19:27,209 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 433 00:19:27,383 --> 00:19:28,863 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 434 00:19:29,037 --> 00:19:34,216 ♪ BABY, BABY, YOU'RE A SUP-ER-STAR ♪ 435 00:19:34,390 --> 00:19:37,959 ♪ 436 00:19:38,133 --> 00:19:39,656 ♪ BURNING BRIGHT IN THE SKY ♪ 437 00:19:39,830 --> 00:19:41,354 ♪ GONNA SET THE NIGHT ON FIRE ♪ 438 00:19:41,528 --> 00:19:43,007 ♪ BURNING BRIGHT IN THE SKY ♪ 439 00:19:43,182 --> 00:19:44,835 ♪ GONNA SET THE NIGHT ON FIRE ♪ 440 00:19:45,009 --> 00:19:46,359 ♪ BURNING BRIGHT IN THE SKY ♪ 441 00:19:46,533 --> 00:19:48,187 ♪ GONNA SET THE NIGHT ON FIRE ♪ 442 00:19:48,361 --> 00:19:50,189 ♪ BURNING BRIGHT IN THE SKY ♪ 443 00:19:50,363 --> 00:19:51,842 ♪ GONNA SET THE NIGHT ON FIRE ♪ 444 00:19:52,016 --> 00:19:55,846 - ♪ I KNOW WHO YOU ARE 445 00:19:56,020 --> 00:19:59,154 ♪ I KNOW WHO YOU ARE ♪ 446 00:19:59,328 --> 00:20:02,810 ♪ I KNOW WHO YOU ARE 447 00:20:02,984 --> 00:20:06,117 ♪ I KNOW WHO YOU ARE ♪ 448 00:20:06,292 --> 00:20:10,861 ♪ I WANT TO SEE THE GUY FROM BEVERLY HILLS ♪ 449 00:20:11,035 --> 00:20:13,299 ♪ I KNOW WHO YOU ARE 450 00:20:13,473 --> 00:20:14,996 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 451 00:20:15,170 --> 00:20:16,780 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 452 00:20:16,954 --> 00:20:18,347 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 453 00:20:18,521 --> 00:20:20,436 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 454 00:20:20,610 --> 00:20:22,090 ♪ DON'T YOU KNOW WHO YOU ARE? ♪ 455 00:20:22,264 --> 00:20:24,788 ♪ BABY, BABY, YOU'RE A SUPERSTAR ♪ 456 00:20:24,962 --> 00:20:27,443 - WHAT DO YOU THINK? 457 00:20:27,617 --> 00:20:31,969 - WELL, I HATE TO ADMIT IT, BUT I THINK THIS COULD WORK. 458 00:20:32,143 --> 00:20:34,145 [doorbell rings] 459 00:20:34,320 --> 00:20:38,976 - ERIC T. LOWE, RIGHT ON TIME. 460 00:20:39,150 --> 00:20:41,065 LISTEN, THIS IS THE BEST HAIRSTYLIST IN BEVERLY HILLS. 461 00:20:41,240 --> 00:20:42,415 - THE BEST. 462 00:20:42,589 --> 00:20:43,807 - WELL, WHAT'S WRONG WITH MY BARBER? 463 00:20:43,981 --> 00:20:46,157 - I'M GUESSING HE DRINKS. 464 00:20:46,332 --> 00:20:49,030 - HE CUTS MODELS, HE CUTS MOVIE STARS. 465 00:20:49,204 --> 00:20:51,641 - WELL, I'M FEELING THE NEED TO CUT ONE RIGHT NOW. 466 00:20:51,815 --> 00:20:55,819 - SIT. 467 00:20:55,993 --> 00:20:58,605 [exhales] 468 00:20:58,779 --> 00:21:01,085 - ASHLEY! 469 00:21:01,260 --> 00:21:02,391 - HI! MWAH! MWAH! 470 00:21:02,565 --> 00:21:04,263 - YOU LOOK DELICIOUS. - THANK YOU. 471 00:21:04,437 --> 00:21:06,221 - MANDY. MWAH! 472 00:21:28,635 --> 00:21:31,899 ERIC T. LOWE WILL NOT TOUCH THIS MAN. 473 00:21:32,073 --> 00:21:34,336 - LOOK, I KNOW THAT YOU'RE USED TO HAVING 474 00:21:34,510 --> 00:21:36,947 SOMETHING TO WORK WITH. 475 00:21:37,121 --> 00:21:41,387 - ERIC T. LOWE CREATES LOOKS FOR SUPERMODELS, 476 00:21:41,561 --> 00:21:44,825 NOT SPORTSWRITERS. 477 00:21:44,999 --> 00:21:46,130 - I'M RIGHT HERE. 478 00:21:46,305 --> 00:21:49,699 - YES, I SEE. 479 00:21:49,873 --> 00:21:54,095 ERIC T. LOWE, STYLIST. 480 00:21:54,269 --> 00:21:56,097 NOT A MAGICIAN. 481 00:21:56,271 --> 00:21:58,882 - OKAY, ALL RIGHT. 482 00:21:59,056 --> 00:22:01,537 PETE L. CAMDEN IS A MAN, 483 00:22:01,711 --> 00:22:05,367 NOT A VOLUNTEER FROM THE AUDIENCE. 484 00:22:05,541 --> 00:22:08,022 - GRANTED, HE'S NOT YOUR TYPICAL CUSTOMER. 485 00:22:08,196 --> 00:22:14,202 HOWEVER, THIS MAKEOVER WILL BE A COVER STORY. 486 00:22:14,376 --> 00:22:17,466 - COVER STORY, YOU SAY? - YES. 487 00:22:17,640 --> 00:22:24,168 - WELL, THEN, ERIC T. LOWE SAYS, ABRACADABRA! 488 00:22:25,300 --> 00:22:26,170 [pop music] 489 00:22:26,345 --> 00:22:29,913 ♪ 490 00:22:30,087 --> 00:22:33,439 - ♪ DOO DOO DOO DOO DOO-OOH ♪ 491 00:22:33,613 --> 00:22:37,356 ♪ DOO DOO DOO DOO DOO DOO DOOOO ♪ 492 00:22:37,530 --> 00:22:40,054 ♪ DOO DOO DOO DOO DOO DOO DOO ♪ 493 00:22:40,228 --> 00:22:44,624 ♪ DOO DOO DOO DOO 494 00:22:44,798 --> 00:22:48,497 ♪ DOO DOO DOO DOO DOO DOO DOOOO ♪ 495 00:22:48,671 --> 00:22:52,849 ♪ DOO DOO DOO DOO DOO DOO DOO DOO ♪ 496 00:22:53,023 --> 00:22:55,809 - O-- - M-- 497 00:22:55,983 --> 00:22:57,811 - G. 498 00:23:02,511 --> 00:23:03,991 - O-M-G. 499 00:23:04,165 --> 00:23:06,080 [laughter] 500 00:23:06,254 --> 00:23:12,042 - "STEP ONE COMPLETE. 501 00:23:12,216 --> 00:23:16,438 "THERE'S AN OLD SAYING THAT THE CLOTHES MAKE THE MAN. 502 00:23:16,612 --> 00:23:21,225 "IT SHOULD BE AMENDED TO ADD 503 00:23:21,400 --> 00:23:27,884 THAT A GOOD HAIRCUT DOESN'T HURT EITHER." 504 00:23:28,058 --> 00:23:29,669 [knock on door] 505 00:23:32,106 --> 00:23:36,240 SHOW NO MERCY. 506 00:23:36,415 --> 00:23:38,329 HOW DO YOU LIVE LIKE THIS? 507 00:23:38,504 --> 00:23:41,942 IT'S SO-- - LIVED IN. 508 00:23:42,116 --> 00:23:43,944 YOU LOOK CRAZY IN THOSE THINGS. 509 00:23:44,118 --> 00:23:46,816 [upbeat music] 510 00:23:46,990 --> 00:23:55,216 ♪ 511 00:23:55,390 --> 00:23:58,306 - YOU NEVER GOT RID OF THE CLOTHES WE GOT RID OF? 512 00:23:58,480 --> 00:24:01,178 OH, THIS IS--UH-UH. 513 00:24:01,352 --> 00:24:06,532 MM-MM. NO. 514 00:24:06,706 --> 00:24:07,794 - ♪ OH, YEAH 515 00:24:07,968 --> 00:24:09,056 - OH! 516 00:24:09,230 --> 00:24:13,103 THIS IS DISGUSTING. OH, HEY, NOW. 517 00:24:13,277 --> 00:24:17,368 ♪ 518 00:24:17,543 --> 00:24:20,284 - ♪ GOTTA GET THAT MONEY 519 00:24:20,459 --> 00:24:24,288 ♪ OH, YEAH, OH, YEAH ♪ 520 00:24:24,463 --> 00:24:28,118 ♪ SOMETIMES I CAN'T BELIEVE ♪ 521 00:24:28,292 --> 00:24:30,817 ♪ YOU DO THE THINGS YOU DO ♪ 522 00:24:30,991 --> 00:24:33,559 ♪ 523 00:24:33,733 --> 00:24:36,779 ♪ THERE ARE THINGS I CANNOT SAY ♪ 524 00:24:36,953 --> 00:24:37,867 - ALL RIGHT. 525 00:24:38,041 --> 00:24:38,999 - ♪ OH, YEAH 526 00:24:39,173 --> 00:24:41,001 - WHAT ELSE? 527 00:24:41,175 --> 00:24:44,700 YOU NEED NEW WINDOW TREATMENTS, NEW WALL HANGINGS. 528 00:24:44,874 --> 00:24:48,051 AND, I'M SORRY, BUT THE COUCH HAS GOT TO GO. 529 00:24:48,225 --> 00:24:49,618 IT STILL LOOKS TERRIBLE. 530 00:24:49,792 --> 00:24:51,751 - OKAY, WELL, I'LL HAVE YOU KNOW 531 00:24:51,925 --> 00:24:55,319 THAT EVERY NICK, SCRATCH, AND SCUFF ON THIS COUCH 532 00:24:55,494 --> 00:24:58,975 IS A TESTAMENT TO THE FACT THAT I HAVE FUN IN MY LIFE. 533 00:24:59,149 --> 00:25:01,412 [spraying] 534 00:25:01,587 --> 00:25:06,200 - ARE YOU SUGGESTING THAT I DON'T KNOW HOW TO HAVE FUN? 535 00:25:06,374 --> 00:25:08,463 - WELL, I'M JUST SAYING, 536 00:25:08,637 --> 00:25:10,596 IT SEEMS LIKE IT'S ALL ABOUT PERFECT WITH YOU. 537 00:25:10,770 --> 00:25:13,033 - WELL, FOR YOUR INFORMATION, 538 00:25:13,207 --> 00:25:15,252 YOU CAN HAVE FUN IN THE PURSUIT OF PERFECTION. 539 00:25:15,426 --> 00:25:17,341 - OH, THAT SOUNDS FUN. 540 00:25:17,516 --> 00:25:20,083 - FOR EXAMPLE... 541 00:25:20,257 --> 00:25:22,651 THERE. I HAD FUN. 542 00:25:22,825 --> 00:25:25,045 - WOW. THIS IS HOW YOU WANT IT TO BE, HUH? 543 00:25:25,219 --> 00:25:27,438 OH, I'M TELLING YOU, DO NOT CHALLENGE ME. 544 00:25:27,613 --> 00:25:28,831 - OOH. 545 00:25:29,005 --> 00:25:29,919 [sprays] 546 00:25:30,093 --> 00:25:32,182 - OOH! 547 00:25:32,356 --> 00:25:34,663 [spraying] - [gasping] - OH! 548 00:25:34,837 --> 00:25:36,926 - WHAT DID YOU GET ON YOUR SHIRT? 549 00:25:37,100 --> 00:25:38,188 - OH! 550 00:25:38,362 --> 00:25:43,411 - [laughing] 551 00:25:48,111 --> 00:25:49,373 - OH! 552 00:25:49,548 --> 00:25:51,506 - [laughs] 553 00:25:51,680 --> 00:25:52,551 [squeals] 554 00:25:52,725 --> 00:25:55,902 [both laughing] 555 00:25:56,076 --> 00:25:56,946 - [groans] 556 00:25:57,120 --> 00:26:00,820 - "'FIXING PETE.' 557 00:26:00,994 --> 00:26:03,213 "IT WAS FINALLY TIME FOR THE MAN-CHILD 558 00:26:03,387 --> 00:26:06,782 "TO CLEAN HIS ROOM. 559 00:26:06,956 --> 00:26:08,436 "IT TOOK A HAZ-MAT TEAM TO DO IT, 560 00:26:08,610 --> 00:26:11,395 "BUT WE GOT THE JOB DONE. 561 00:26:11,570 --> 00:26:14,529 "A FEW WELL-CHOSEN PIECES WOULD TURN THIS FRAT HOUSE 562 00:26:14,703 --> 00:26:17,706 INTO A HOME." 563 00:26:17,880 --> 00:26:20,666 [upbeat music] 564 00:26:20,840 --> 00:26:22,450 ♪ 565 00:26:22,624 --> 00:26:24,017 [laughs] 566 00:26:24,191 --> 00:26:31,851 ♪ 567 00:26:33,592 --> 00:26:36,159 - ♪ I CAN'T SAY YEAH, SAY YEAH ♪ 568 00:26:36,333 --> 00:26:38,292 ♪ IF I'M ON A DATE 569 00:26:38,466 --> 00:26:42,252 ♪ ALL I REALLY WANT TO DO IS SEE YOU ♪ 570 00:26:42,426 --> 00:26:44,603 ♪ BREAK THROUGH ONE HIT 571 00:26:44,777 --> 00:26:47,518 ♪ YOU KNOW WHAT I'M WAITING FOR ♪ 572 00:26:47,693 --> 00:26:49,825 ♪ I'M GOIN' 'ROUND AND 'ROUND ♪ 573 00:26:49,999 --> 00:26:52,567 ♪ SITTIN' HERE, JUST WATCHING THE WORLD ♪ 574 00:26:52,741 --> 00:26:55,614 ♪ ROLL BY 575 00:26:55,788 --> 00:26:59,400 ♪ AND IF BY CHANCE THE RADIO ♪ 576 00:26:59,574 --> 00:27:03,447 ♪ STARTS PLAYING OUR FAVORITE SONG ♪ 577 00:27:03,622 --> 00:27:05,232 ♪ HEY, I WISH YOU WERE 578 00:27:05,406 --> 00:27:06,668 ♪ WISH YOU WERE 579 00:27:06,842 --> 00:27:08,235 ♪ I WISH YOU WERE, I WISH YOU WERE ♪ 580 00:27:08,409 --> 00:27:11,107 ♪ WISH YOU WERE AROUND HERE ♪ 581 00:27:11,281 --> 00:27:12,761 ♪ HEY, I WISH YOU WERE 582 00:27:12,935 --> 00:27:14,284 ♪ WISH YOU WERE 583 00:27:14,458 --> 00:27:15,721 ♪ I WISH YOU WERE, I WISH YOU WERE ♪ 584 00:27:15,895 --> 00:27:18,549 ♪ WISH YOU WERE AROUND HERE ♪ 585 00:27:18,724 --> 00:27:22,031 - WOW, I THINK IT LOOKS GOOD. 586 00:27:22,205 --> 00:27:23,990 - GIVE US A SMILE. 587 00:27:26,819 --> 00:27:32,041 - [laughs] 588 00:27:32,215 --> 00:27:37,264 AND... 589 00:27:37,438 --> 00:27:38,700 IT'S MY WAY OF CELEBRATING. 590 00:27:38,874 --> 00:27:40,920 - WOW. 591 00:27:48,275 --> 00:27:49,711 - [laughs] 592 00:27:49,885 --> 00:27:54,281 - THANK YOU. THAT'S VERY SWEET. 593 00:27:54,455 --> 00:27:56,849 HEY, WHY DON'T WE GO OUT AND CELEBRATE FOR REAL? 594 00:27:57,023 --> 00:28:04,247 - UM, SURE, I HAVE TIME FOR A DRINK, 595 00:28:04,421 --> 00:28:06,293 BUT I'M MEETING SOMEBODY FOR DINNER. 596 00:28:06,467 --> 00:28:07,990 - OKAY. 597 00:28:12,516 --> 00:28:13,692 [man whistles] 598 00:28:18,000 --> 00:28:19,654 IT'S FUNNY, 'CAUSE I ALWAYS THOUGHT 599 00:28:19,828 --> 00:28:21,351 THAT THAT FUZZY STUFF ON MY BATHROOM FLOOR 600 00:28:21,525 --> 00:28:23,440 WAS CARPETING. 601 00:28:23,614 --> 00:28:26,574 - FUNNY NOW. THAT WAS DISGUSTING. 602 00:28:26,748 --> 00:28:30,796 AND DON'T YOU DARE TRY THE "LIVED-IN" DEFENSE. 603 00:28:30,970 --> 00:28:32,841 DA-DA-DA-DA-DA. - EXCUSE ME? 604 00:28:33,015 --> 00:28:36,410 - I DON'T WANT YOU TO GET YOUR SUIT DIRTY. 605 00:28:36,584 --> 00:28:38,368 - YEAH, YOU'RE RIGHT. 606 00:28:38,542 --> 00:28:41,154 I PROMISE I WON'T EVER EAT ANYTHING AGAIN. 607 00:28:41,328 --> 00:28:44,070 - THAT'LL WORK. 608 00:28:44,244 --> 00:28:45,375 - YOU WANT TO DANCE? 609 00:28:45,549 --> 00:28:47,247 - OKAY, SURE. 610 00:28:47,421 --> 00:28:49,815 [piano music] 611 00:28:49,989 --> 00:28:57,997 ♪ 612 00:29:00,477 --> 00:29:01,783 [laughs] 613 00:29:01,957 --> 00:29:03,611 - WHAT? 614 00:29:03,785 --> 00:29:05,091 - YOU SUCK AT THIS. 615 00:29:05,265 --> 00:29:06,788 - YEAH. 616 00:29:06,962 --> 00:29:09,660 I DIDN'T REALLY EXPECT YOU WERE GONNA SAY YES. 617 00:29:09,835 --> 00:29:12,402 - OH, I SEE. ALL RIGHT. 618 00:29:12,576 --> 00:29:14,491 WELL, LET ME DRIVE, THEN. 619 00:29:14,665 --> 00:29:19,932 THIS ONE GOES HERE. THIS ONE GOES THERE. 620 00:29:20,106 --> 00:29:23,544 ALL RIGHT, YOU'VE GOT IT. - ALL RIGHT. THANKS, COACH. 621 00:29:23,718 --> 00:29:27,287 YEAH, I THINK I GET THE KNACK OF THIS, UH, DANCING. 622 00:29:27,461 --> 00:29:28,636 - I GUESS I SHOULDN'T EXPECT TOO MUCH DANCING 623 00:29:28,810 --> 00:29:30,290 OUT OF A JOCK LIKE YOU. 624 00:29:30,464 --> 00:29:33,162 - AW, COME ON, I'M NOT A REAL JOCK ANYMORE. 625 00:29:33,336 --> 00:29:34,729 - NO? - NO. 626 00:29:34,903 --> 00:29:36,905 I WAS AN ATHLETE IN HIGH SCHOOL AND COLLEGE, 627 00:29:37,079 --> 00:29:40,517 BUT, UH, IT'S REALLY ALL JUST POSTURING THESE DAYS. 628 00:29:40,691 --> 00:29:41,910 - WHY DIDN'T YOU GO PRO? 629 00:29:42,084 --> 00:29:46,567 - I MEAN, IT'S NOT THAT EASY. 630 00:29:46,741 --> 00:29:47,829 YOU'VE GOT TO BE THE BEST OF THE BEST, 631 00:29:48,003 --> 00:29:49,613 AND I WASN'T THAT GOOD. 632 00:29:49,788 --> 00:29:51,050 - WAS THAT DISAPPOINTING? 633 00:29:51,224 --> 00:29:53,356 - NO. I MEAN, I ALWAYS WANTED TO WRITE. 634 00:29:53,530 --> 00:29:55,358 AND, AS A SPORTSWRITER, 635 00:29:55,532 --> 00:29:58,405 I GET TO HANG ON TO WHO I'VE ALWAYS BEEN. 636 00:29:58,579 --> 00:30:00,799 IT WORKED OUT. 637 00:30:00,973 --> 00:30:02,278 MORE THAN WORKED OUT. I LOVE MY JOB. 638 00:30:02,452 --> 00:30:03,845 SERIOUSLY, I WOULDN'T TRADE IT FOR ANYTHING. 639 00:30:04,019 --> 00:30:06,456 - I HEAR, AS A SPORTSWRITER, YOU ARE THE BEST OF THE BEST. 640 00:30:06,630 --> 00:30:07,849 - OH? - YES. 641 00:30:08,023 --> 00:30:11,287 YOU, UH, KNOCK IT OUT OF THE PARK? 642 00:30:11,461 --> 00:30:14,943 - YES, THAT'S HOW YOU SAY IT. THANK YOU. 643 00:30:15,117 --> 00:30:16,902 I KNOW YOU DON'T READ MY COLUMN. 644 00:30:17,076 --> 00:30:19,818 THAT'S OKAY. I DON'T READ YOURS EITHER. 645 00:30:19,992 --> 00:30:21,994 BUT I WILL. I'LL START READING IT EVERY DAY. 646 00:30:22,168 --> 00:30:24,039 - REALLY? - SURE. 647 00:30:24,213 --> 00:30:27,303 - NO, IT'S TRUE, I REALLY DON'T KNOW THAT MUCH, 648 00:30:27,477 --> 00:30:31,438 UM, WELL, ANYTHING ABOUT SPORTS, BUT I CAN LEARN. 649 00:30:31,612 --> 00:30:34,615 AND I'LL START READING YOUR COLUMN. 650 00:30:34,789 --> 00:30:36,965 - ALL RIGHT. YOU SHOULD READ MY BOOK, THOUGH. 651 00:30:37,139 --> 00:30:38,793 UM, IT'S DIFFERENT FROM MY COLUMN, 652 00:30:38,967 --> 00:30:41,056 'CAUSE I DON'T ACTUALLY JUST REPORT ON THINGS. 653 00:30:41,230 --> 00:30:43,580 I ACTUALLY, UH, REALLY EXPRESS MY OPINIONS. 654 00:30:43,754 --> 00:30:47,933 AND I KIND OF LOOK AT BASEBALL AS A THING OF BEAUTY. 655 00:30:48,107 --> 00:30:51,023 YOU KNOW, JUST FINDING AND CREATING THOSE PERFECT MOMENTS. 656 00:30:51,197 --> 00:30:54,591 - HMM. WELL, I WRITE ABOUT BEAUTY AS WELL. 657 00:30:54,765 --> 00:30:56,028 MAYBE WE'RE NOT SO DIFFERENT. 658 00:30:56,202 --> 00:30:58,595 - [laughs] THAT SOUNDS GREAT. 659 00:30:58,769 --> 00:31:00,467 - YOU KNOW, GOING INTO THIS, I HAVE TO ADMIT, I WAS-- 660 00:31:00,641 --> 00:31:04,384 - OH, SORRY. - ANYWAY, I GOTTA GO. 661 00:31:04,558 --> 00:31:05,951 SORRY I'M LATE. 662 00:31:06,125 --> 00:31:07,561 I TRIED TO CALL YOU. IS YOUR CELL OFF? 663 00:31:07,735 --> 00:31:09,693 - OH, I DON'T KNOW. 664 00:31:09,868 --> 00:31:11,652 CHRISTOPHER, PETE CAMDEN. 665 00:31:11,826 --> 00:31:14,394 PETE, THIS IS CHRISTOPHER HERNANDEZ, MY BOYFRIEND. 666 00:31:14,568 --> 00:31:16,918 - BOYFRIEND, RIGHT. THE, UH, THE TV REPORTER. 667 00:31:17,092 --> 00:31:19,225 - GUILTY. AND YOU'RE THE HUMAN GUINEA PIG. 668 00:31:19,399 --> 00:31:20,704 - GUILTY. 669 00:31:20,879 --> 00:31:22,837 - SO WHEN DO YOU START THE MAKEOVER? 670 00:31:25,927 --> 00:31:30,932 - UM, I REALLY--I HAD A GREAT TIME WITH YOU TODAY. 671 00:31:31,106 --> 00:31:33,717 I'LL SEE YOU BACK IN THE OFFICE. 672 00:31:33,892 --> 00:31:36,459 OH, EXCUSE ME. YEAH. 673 00:31:36,633 --> 00:31:38,070 'CAUSE I THINK, UH, WE'RE GONNA NEED TO 674 00:31:38,244 --> 00:31:39,680 PRACTICE A LITTLE MORE, YOU KNOW? 675 00:31:47,296 --> 00:31:50,517 - MAYBE WE COULD, UH, TRY THAT LOOK ON YOU. 676 00:31:50,691 --> 00:31:52,345 OH! [laughs] 677 00:31:52,519 --> 00:31:53,476 - I HAVE TO BE ON CAMERA LATER. 678 00:31:53,650 --> 00:31:54,869 WHAT ARE YOU THINKING? 679 00:31:55,043 --> 00:31:56,305 - I WAS JUST MESSING AROUND. 680 00:31:56,479 --> 00:31:58,917 I, UM, I'M SORRY. 681 00:32:03,617 --> 00:32:07,534 [phone ringing] 682 00:32:07,708 --> 00:32:09,057 - HELLO. 683 00:32:09,231 --> 00:32:10,667 - HEY, MARTY, WHAT ARE YOU DOING? 684 00:32:10,841 --> 00:32:12,060 - HEY, PETE, NOTHING. 685 00:32:12,234 --> 00:32:13,627 I'M JUST, UH, WAITING ON A FARE. 686 00:32:13,801 --> 00:32:14,845 - WELL, I WAS THINKING ABOUT GOING TO GRAB A DRINK. 687 00:32:15,020 --> 00:32:16,195 YOU WANT TO COME? 688 00:32:16,369 --> 00:32:18,762 - THAT IS MUSIC TO MY EARS, MY FRIEND. 689 00:32:18,937 --> 00:32:19,720 [phone beeps] 690 00:32:29,469 --> 00:32:33,647 [overlapping chatter] 691 00:32:33,821 --> 00:32:34,561 SMITTY! 692 00:32:34,735 --> 00:32:35,692 - MARTY. 693 00:32:35,866 --> 00:32:36,606 - WHERE'S PETE? 694 00:32:36,780 --> 00:32:38,391 - RIGHT THERE. 695 00:32:38,565 --> 00:32:41,960 - [gasps] 696 00:32:42,134 --> 00:32:45,006 SHE RUINED YOU. 697 00:32:45,180 --> 00:32:46,834 - IS IT THAT BAD? 698 00:32:47,008 --> 00:32:49,750 - THAT BAD? IT'S WORSE. 699 00:32:49,924 --> 00:32:52,796 [sniffs] WHAT'S THAT SMELL? 700 00:32:52,971 --> 00:32:54,146 - OH, THAT'S NOT A SMELL. 701 00:32:54,320 --> 00:32:57,845 THAT'S, UH, THAT'S THE ABSENCE OF SMELL. 702 00:32:58,019 --> 00:33:02,589 - I DON'T LIKE IT. I DON'T LIKE IT AT ALL. 703 00:33:02,763 --> 00:33:03,938 WHEW! 704 00:33:10,858 --> 00:33:12,816 - HEY, WHAT'S UP? 705 00:33:12,991 --> 00:33:16,951 - I DON'T EVEN KNOW WHO YOU ARE ANYMORE. 706 00:33:17,125 --> 00:33:19,258 WHAT ARE YOU LOOKING AT, HUH? 707 00:33:23,088 --> 00:33:28,310 PETE, THEY WERE LOOKING AT YOU. 708 00:33:28,484 --> 00:33:31,183 - HOW DO YOU KNOW? - BECAUSE THEY WERE SMILING. 709 00:33:31,357 --> 00:33:34,055 SO EVIDENTLY, THEY WEREN'T LOOKING AT ME. 710 00:33:34,229 --> 00:33:38,103 ERGO, THEY WERE LOOKING AT YOU. 711 00:33:38,277 --> 00:33:41,628 COME WITH ME. COME ON. 712 00:33:45,632 --> 00:33:47,373 COME HERE. COME HERE, MEAN BOY. 713 00:33:47,547 --> 00:33:48,983 COME HERE FOR A SECOND. COME HERE, DO ME A FAVOR. 714 00:33:49,157 --> 00:33:51,638 YOU STAND RIGHT HERE, OKAY? - WHY? 715 00:33:51,812 --> 00:33:54,728 - JUST PLEASE, STAND THERE, OKAY? 716 00:33:59,080 --> 00:34:02,910 [overlapping chatter] 717 00:34:03,084 --> 00:34:04,303 - HI, HOW ARE YOU DOING? 718 00:34:07,001 --> 00:34:13,399 [cheering] 719 00:34:13,573 --> 00:34:16,271 - CHICK MAGNET. 720 00:34:16,445 --> 00:34:19,970 YOU ARE A CHICK-FREAKIN'-MAGNET. 721 00:34:20,145 --> 00:34:21,711 - OKAY, BUT IF I'M A CHICK MAGNET, 722 00:34:21,885 --> 00:34:23,713 WHAT ARE WE DOING, STANDING HERE BY OURSELVES? 723 00:34:23,887 --> 00:34:25,672 - RIGHT NOW, WE'VE GOT TO STRATEGIZE. 724 00:34:25,846 --> 00:34:27,761 [women chatting] 725 00:34:27,935 --> 00:34:30,459 WHERE ARE THEY GOING? WHERE'S EVERYONE GOING? 726 00:34:30,633 --> 00:34:31,678 WHERE ARE THEY GOING? 727 00:34:31,852 --> 00:34:33,332 - I GUESS TO THAT CLUB OVER THERE. 728 00:34:33,506 --> 00:34:35,029 - HEY. - LET'S DO THIS THING, HUH? 729 00:34:35,203 --> 00:34:37,553 - YOU THINK WE'RE GONNA FIT IN THERE? 730 00:34:37,727 --> 00:34:40,252 - IF NOT NOW, WHEN? 731 00:34:40,426 --> 00:34:45,257 YOU MAY NEVER LOOK THIS GOOD AGAIN. 732 00:34:45,431 --> 00:34:48,216 [overlapping chatter] 733 00:34:48,390 --> 00:34:51,176 [music playing] 734 00:34:51,350 --> 00:34:55,832 ♪ 735 00:34:56,006 --> 00:34:59,880 - WOW, MAN, THIS IS WHERE ALL THE BEAUTIFUL PEOPLE HANG OUT. 736 00:35:00,054 --> 00:35:01,316 - YEAH, I HATE TO SAY IT, 737 00:35:01,490 --> 00:35:04,232 BUT EVEN THE MEN ARE GIVING ME GOOSEBUMPS. 738 00:35:04,406 --> 00:35:07,235 - [clears throat] LISTEN, WITH YOUR NEW LOOKS, 739 00:35:07,409 --> 00:35:10,456 THIS IS GONNA BE LIKE SHOOTING FISH IN A BARREL. 740 00:35:10,630 --> 00:35:12,153 - ALL RIGHT. 741 00:35:12,327 --> 00:35:14,242 - NOW, UH, START WORKING THE HANDSOME THING 742 00:35:14,416 --> 00:35:17,811 SO I CAN SCRAPE UP SOME OF YOUR CASTOFFS. 743 00:35:17,985 --> 00:35:20,640 [overlapping chatter] 744 00:35:20,814 --> 00:35:23,164 - HI, I'M NAOMI. 745 00:35:23,338 --> 00:35:25,688 - HEY. - HEY, NAOMI. 746 00:35:25,862 --> 00:35:30,389 WOW. JEEZ, YOU'RE HOT. 747 00:35:30,563 --> 00:35:32,565 REALLY. I MEAN, YOU'RE, WHAT, LIKE AN 8? 748 00:35:32,739 --> 00:35:34,306 - UH-HUH. 749 00:35:34,480 --> 00:35:36,134 - YEAH, BUT I BET IF WE PUT YOU IN THE RIGHT LIGHT, 750 00:35:36,308 --> 00:35:39,441 YOU COULD PROBABLY BE, LIKE, AN 8 1/2, 8.6, YOU KNOW? 751 00:35:39,615 --> 00:35:44,403 - WOW, SO YOU CAN DRESS 'EM UP BUT YOU CAN'T TAKE 'EM OUT. 752 00:35:44,577 --> 00:35:48,015 - OKAY. NO CHEMISTRY HERE, BOY, SERIOUSLY. 753 00:35:48,189 --> 00:35:51,105 UH, WHERE ARE YOU FROM? 754 00:35:51,279 --> 00:35:53,847 [hard slap] 755 00:35:54,021 --> 00:35:57,459 [overlapping chatter] 756 00:35:57,633 --> 00:35:59,287 THAT'S RUDE. 757 00:35:59,461 --> 00:36:00,723 - YOU'RE JUST GONNA LET THEM GET AWAY? 758 00:36:00,897 --> 00:36:04,249 - I JUST GOT SLAPPED, MARTY. 759 00:36:04,423 --> 00:36:06,033 I THINK SHE WAS RIGHT, TOO. 760 00:36:06,207 --> 00:36:08,166 - NO. SHE SAID HELLO FIRST. 761 00:36:08,340 --> 00:36:09,732 - SHE DIDN'T SAY HELLO TO ME. 762 00:36:09,906 --> 00:36:11,865 SHE SAID HELLO TO THE CLOTHES AND THE HAIRCUT, YOU KNOW? 763 00:36:12,039 --> 00:36:13,475 - AND THE ABSENCE OF SMELL. 764 00:36:13,649 --> 00:36:15,869 - I DON'T EVEN KNOW WHAT TO SAY TO A BEAUTIFUL WOMAN. 765 00:36:16,043 --> 00:36:18,088 SERIOUSLY, I DON'T KNOW WHAT'S EXPECTED OF ME. 766 00:36:18,263 --> 00:36:20,439 I MEAN, BEFORE THEY'D COME UP AND THEY'D SEE A FRAT GUY, 767 00:36:20,613 --> 00:36:22,354 AND THAT'S WHAT THEY GOT, YOU KNOW? 768 00:36:22,528 --> 00:36:26,836 BUT I HAVE NO IDEA HOW TO BE THIS NEW GUY. 769 00:36:27,010 --> 00:36:30,362 - WOW. YOU'RE BEING KIND OF HARD ON YOURSELF. 770 00:36:30,536 --> 00:36:32,277 - NO. I SHOULD HAVE NEVER AGREED TO THIS. 771 00:36:32,451 --> 00:36:34,104 I HAD A GOOD THING GOING. 772 00:36:34,279 --> 00:36:35,976 SERIOUSLY, NOW, LOOK AT ME. 773 00:36:36,150 --> 00:36:38,718 I JUST--I FEEL SILLY AND PATHETIC. 774 00:36:38,892 --> 00:36:41,242 THIS WHOLE MAKEOVER THING, IT'S NOT WORKING. 775 00:36:41,416 --> 00:36:44,376 - NO, NO, IT IS WORKING. IT'S JUST INCOMPLETE. 776 00:36:44,550 --> 00:36:46,378 - YEAH? HOW DO YOU FIGURE THAT? 777 00:36:46,552 --> 00:36:48,945 - YOUR HEIGHTENED SENSE OF SELF-AWARENESS 778 00:36:49,119 --> 00:36:51,209 SHOWS EMOTIONAL GROWTH. 779 00:36:51,383 --> 00:36:52,688 - WHERE DID YOU COME UP WITH THAT? 780 00:36:52,862 --> 00:36:54,473 - A FORTUNE COOKIE. 781 00:36:54,647 --> 00:36:56,431 LOOK, DON'T WORRY ABOUT IT, OKAY? 782 00:36:56,605 --> 00:36:59,129 YOU'RE JUST MISSING SOME OF THE PIECES STILL. 783 00:36:59,304 --> 00:37:00,740 - MAYBE YOU'RE ON TO SOMETHING. 784 00:37:00,914 --> 00:37:03,699 OR CONFUCIUS WAS. 785 00:37:03,873 --> 00:37:07,877 - CONFUCIUS. 786 00:37:08,051 --> 00:37:09,183 - THANKS, CHANTAL. 787 00:37:09,357 --> 00:37:11,229 I AM CHRISTOPHER HERNANDEZ. 788 00:37:11,403 --> 00:37:14,362 I'M OUTSIDE WHERE WE ARE CAUTIOUSLY AWAITING THE RAIN. 789 00:37:14,536 --> 00:37:16,103 NOW IF YOU HAVE AN UMBRELLA AT HOME... 790 00:37:16,277 --> 00:37:17,887 - OH, YOU NEVER TOLD ME. 791 00:37:18,061 --> 00:37:20,194 I GUESS YOU SURVIVED THE APARTMENT CLEANING? 792 00:37:20,368 --> 00:37:23,197 - OH, YEAH. IT WAS FUN. 793 00:37:23,371 --> 00:37:27,245 - FUN? - WELL, WE GOT IT ALL CLEANED. 794 00:37:27,419 --> 00:37:29,464 - AND NOBODY KILLED EACH OTHER? 795 00:37:29,638 --> 00:37:33,120 - NO. PETE WAS GREAT. WE EVEN HAD A NICE TIME. 796 00:37:33,294 --> 00:37:35,078 - WHO ARE YOU AND WHAT HAVE YOU DONE WITH ASHLEY? 797 00:37:35,253 --> 00:37:38,125 - I'M TELLING YOU THE TRUTH. 798 00:37:38,299 --> 00:37:39,387 WE WENT OUT FOR DRINKS AFTER, 799 00:37:39,561 --> 00:37:41,041 AND WHEN HE'S NOT BEING ONE OF THE BOYS, 800 00:37:41,215 --> 00:37:43,870 HE'S KIND OF A CHARMER. 801 00:37:44,044 --> 00:37:45,828 OH, I FORGOT TO TELL YOU. 802 00:37:46,002 --> 00:37:48,135 THE COLOR OF THE SPORT COAT WE PICKED OUT? PERFECT. 803 00:37:48,309 --> 00:37:50,964 I CAN'T BELIEVE HOW GOOD HE LOOKED THAT NIGHT. 804 00:37:51,138 --> 00:37:54,489 I MEAN, HE LOOKED GOOD, THAT'S HOW GOOD HE LOOKED. 805 00:37:54,663 --> 00:37:56,883 - YEAH, BUT BENEATH THE SURFACE, HE'S STILL A PIG. 806 00:37:57,057 --> 00:38:01,104 - NO, BENEATH THE SURFACE, HE'S A REALLY GOOD GUY. 807 00:38:03,368 --> 00:38:05,152 - [sighs] 808 00:38:12,768 --> 00:38:13,943 [sniffs] 809 00:38:21,560 --> 00:38:25,477 - OKAY, YEAH, THAT SOUNDS GREAT. 810 00:38:25,651 --> 00:38:27,087 THANKS, CHRISTOPHER. TALK TO YOU LATER. 811 00:38:27,261 --> 00:38:29,829 GREAT. BYE. 812 00:38:30,003 --> 00:38:31,091 [phone beeps] 813 00:38:31,265 --> 00:38:32,614 HI. 814 00:38:32,788 --> 00:38:36,531 - APPLE FOR THE TEACHER. - THANK YOU, PETE. 815 00:38:36,705 --> 00:38:39,578 SO FAR, YOU'RE MY FAVORITE STUDENT. 816 00:38:39,752 --> 00:38:45,627 - SO YOU AND CHRISTOPHER, UM, I'VE BEEN MEANING TO ASK. 817 00:38:45,801 --> 00:38:49,414 UM, YOU KNOW, YOU'RE, LIKE, THIS PERFECT WOMAN. 818 00:38:49,588 --> 00:38:51,764 SO I, UH, WAS JUST WONDERING HOW 819 00:38:51,938 --> 00:38:53,200 CHRISTOPHER WON YOU OVER? 820 00:38:53,374 --> 00:38:55,463 - WE'RE PERFECT FOR EACH OTHER. 821 00:38:55,637 --> 00:38:57,857 WE HAVE THE SAME TASTES AND THE SAME INTERESTS. 822 00:38:58,031 --> 00:39:04,124 AND, WELL, WE BOTH LIKE THINGS A CERTAIN WAY. 823 00:39:04,298 --> 00:39:06,082 WE'RE PRACTICALLY THE SAME PERSON. 824 00:39:06,256 --> 00:39:09,999 BUT YOU DON'T HAVE TO COMPARE YOURSELF TO CHRISTOPHER. 825 00:39:10,173 --> 00:39:13,873 YOU CAN BE YOUR OWN KIND OF PERFECT. 826 00:39:14,047 --> 00:39:18,181 - YOU SHOULD PROBABLY TALK TO SOMEONE ABOUT THAT. 827 00:39:18,356 --> 00:39:21,010 - WHAT? YOU KNOW I'M KIND OF A PERFECTIONIST. 828 00:39:21,184 --> 00:39:23,230 - YOU SAY "KIND OF A PERFECTIONIST," 829 00:39:23,404 --> 00:39:26,581 I SAY, "KIND OF CRAZY." 830 00:39:26,755 --> 00:39:29,410 - WHAT CAN I SAY? I LIKE THINGS PERFECT. 831 00:39:29,584 --> 00:39:31,717 I WAS MY PARENTS' ONLY CHILD, 832 00:39:31,891 --> 00:39:34,328 AND I GUESS I GREW UP TRYING TO PLEASE THEM. 833 00:39:34,502 --> 00:39:36,199 I SPENT HALF MY CHILDHOOD TRYING TO MAKE SURE 834 00:39:36,374 --> 00:39:38,027 EVERYTHING WAS JUST RIGHT, YOU KNOW? 835 00:39:38,201 --> 00:39:40,334 - YEAH, SEE, I SPENT MOST OF MY CHILDHOOD 836 00:39:40,508 --> 00:39:42,380 JUST RUNNING AROUND ON THE PLAYGROUND 837 00:39:42,554 --> 00:39:44,512 TILL MY MOM GOT HOARSE CALLING ME IN FOR DINNER. 838 00:39:44,686 --> 00:39:47,080 - WOW. YEAH. NO PLAYGROUNDS FOR ME. 839 00:39:47,254 --> 00:39:48,734 I NEVER WANTED TO GET DIRTY. 840 00:39:48,908 --> 00:39:50,953 - COME ON, YOU MUST HAVE WANTED TO AT SOME POINT, RIGHT? 841 00:39:51,127 --> 00:39:52,564 I MEAN, ALL KIDS DO. THEY HAVE TO. 842 00:39:52,738 --> 00:39:57,395 - WELL, SOMETIMES I WOULD WATCH THE KIDS 843 00:39:57,569 --> 00:40:02,922 PLAYING IN THE SCHOOLYARD AND--ANYHOW, UH, 844 00:40:03,096 --> 00:40:05,664 WE'RE HERE FOR YOU, NOT ME, SO LET'S GET STARTED. 845 00:40:07,448 --> 00:40:10,538 I INVITED A FRIEND OVER TO PORTRAY YOUR DATE. 846 00:40:10,712 --> 00:40:13,019 - SO WE MEET AGAIN, MR. CAMDEN. 847 00:40:13,193 --> 00:40:14,194 - [laughs] 848 00:40:14,368 --> 00:40:15,413 ALL RIGHT, LET'S FIND OUT 849 00:40:15,587 --> 00:40:17,240 WHERE THIS PROJECT HAS GONE SOUTH. 850 00:40:17,415 --> 00:40:18,807 WE'RE GONNA START WITH A LITTLE BIT OF ROLE PLAYING. 851 00:40:18,981 --> 00:40:20,374 - OOH. 852 00:40:20,548 --> 00:40:22,550 - MANDY, YOU'RE GOING TO BE A LADY FRIEND 853 00:40:22,724 --> 00:40:23,856 WHO'S JUST RETURNED FROM THE SALON. 854 00:40:24,030 --> 00:40:25,074 - OKAY. 855 00:40:25,248 --> 00:40:26,989 [inhales] 856 00:40:27,163 --> 00:40:31,080 [exhales] 857 00:40:31,254 --> 00:40:33,126 I'VE BEEN STUDYING AT THE SANTA MONICA PLAYHOUSE. 858 00:40:33,300 --> 00:40:36,477 - OH, CONGRATULATIONS. - WONDERFUL. UPSTAGE. 859 00:40:36,651 --> 00:40:39,001 THANK YOU. ALL RIGHT, PETE. 860 00:40:39,175 --> 00:40:41,613 I WANT YOU TO NOTICE AND COMPLIMENT HER. 861 00:40:41,787 --> 00:40:45,965 ARE YOU READY? ACTION. 862 00:40:46,139 --> 00:40:48,402 - A WOMAN COMING FROM THE SALON. OKAY, GO. 863 00:40:58,804 --> 00:41:00,806 - MANDY, WOW. WHAT A GREAT HAIRCUT. 864 00:41:00,980 --> 00:41:02,677 - VERY GOOD. 865 00:41:02,851 --> 00:41:05,550 OKAY, NOW SAY SOMETHING ELSE NICE. 866 00:41:05,724 --> 00:41:07,552 UH, COMPLIMENT HER OUTFIT OR SOMETHING. 867 00:41:07,726 --> 00:41:08,988 - OKAY, EASY ENOUGH. I CAN DO THAT. 868 00:41:09,162 --> 00:41:11,947 MANDY, WHAT A LOVELY OUTFIT YOU'RE WEARING. 869 00:41:12,121 --> 00:41:13,601 - THANK YOU. 870 00:41:13,775 --> 00:41:16,212 IT'S A ONE-OF-A-KIND LESTER SHANE. 871 00:41:16,386 --> 00:41:17,997 I DID HIS FIRST RUNWAY SHOW IN NEW YORK, 872 00:41:18,171 --> 00:41:19,738 THEN HE WASN'T SURE IF HE WAS GONNA BE 873 00:41:19,912 --> 00:41:21,435 AS BIG IN THE U.S. AS HE IS IN EUROPE. 874 00:41:21,609 --> 00:41:23,176 - OKAY. HANG ON A SECOND. TIME OUT. 875 00:41:23,350 --> 00:41:26,309 SERIOUSLY, LIKE, GUYS DON'T CARE ABOUT THIS STUFF. 876 00:41:26,484 --> 00:41:27,746 NOT AT ALL. 877 00:41:27,920 --> 00:41:29,661 - PETE, IF YOU WANT SOMEONE ELSE TO CARE 878 00:41:29,835 --> 00:41:31,271 ABOUT YOUR SIDE OF THE CONVERSATION, 879 00:41:31,445 --> 00:41:34,492 BEGIN BY CARING ABOUT THEIRS. 880 00:41:34,666 --> 00:41:37,059 - OKAY, BUT WHAT IF I REALLY DON'T CARE? 881 00:41:37,233 --> 00:41:39,497 - WHEN YOU MEET SOMEONE THAT YOU'RE REALLY INTERESTED IN, 882 00:41:39,671 --> 00:41:41,455 YOU WILL CARE WHAT THEY HAVE TO SAY, 883 00:41:41,629 --> 00:41:42,761 BUT IT'LL JUST COME NATURALLY. 884 00:41:42,935 --> 00:41:44,980 LIKE--LIKE IT HAS BEEN WITH YOU AND ME 885 00:41:45,154 --> 00:41:46,460 FOR THE LAST COUPLE OF DAYS. 886 00:41:46,634 --> 00:41:47,679 - YEAH, BUT I MEAN, YOU'RE NOT SOMEONE SPECIAL. 887 00:41:47,853 --> 00:41:49,463 YOU'RE JUST--YOU'RE YOU, YOU KNOW? AND IT-- 888 00:41:57,123 --> 00:41:59,778 I'M SORRY. 889 00:41:59,952 --> 00:42:01,519 OKAY, LOOK, THIS ISN'T GONNA WORK. 890 00:42:01,693 --> 00:42:05,305 RIGHT NOW, I CAN'T EVEN TALK TO YOU RIGHT. 891 00:42:05,479 --> 00:42:08,351 - PETE. 892 00:42:08,526 --> 00:42:09,701 [door closes] 893 00:42:09,875 --> 00:42:12,051 COME ON, PETE, JUST GIVE IT A CHANCE. 894 00:42:12,225 --> 00:42:13,226 - ASHLEY, I GAVE IT A CHANCE 895 00:42:13,400 --> 00:42:15,141 AND THEN ANOTHER CHANCE, 896 00:42:15,315 --> 00:42:17,404 AND I'M STILL BATTING ZERO. 897 00:42:17,578 --> 00:42:18,840 - I KNOW, BUT IT'S SIMPLE. 898 00:42:19,014 --> 00:42:20,320 THE KEY TO A TRULY MEANINGFUL CONVERSATION 899 00:42:20,494 --> 00:42:21,582 IS JUST LISTENING. 900 00:42:21,756 --> 00:42:24,237 - OKAY, I'M LISTENING. 901 00:42:24,411 --> 00:42:27,719 - ALL RIGHT, LET'S GIVE IT ONE MORE TRY, ALL RIGHT? 902 00:42:27,893 --> 00:42:29,329 IF YOU START WITH SOMETHING YOU KNOW, 903 00:42:29,503 --> 00:42:30,504 THEN IF THE GIRL'S INTERESTED, 904 00:42:30,678 --> 00:42:32,071 YOU'LL KNOW RIGHT AWAY 905 00:42:32,245 --> 00:42:34,116 WHETHER YOU GUYS HAVE A CONNECTION OR NOT, ALL RIGHT? 906 00:42:34,290 --> 00:42:36,292 SO YOU BE THE BOY AND I'LL BE THE GIRL. 907 00:42:36,466 --> 00:42:39,600 - OKAY, NOW, HOLD ON. 908 00:42:39,774 --> 00:42:42,255 A BOY. - [laughs] 909 00:42:42,429 --> 00:42:45,345 - I'VE BEEN STUDYING AT THE PLAYHOUSE IN SANTA MONICA. 910 00:42:45,519 --> 00:42:49,131 - NICE. - SORRY. UH, GO AHEAD. 911 00:42:49,305 --> 00:42:51,525 - HI, I'M ASHLEY. 912 00:42:51,699 --> 00:42:59,098 - HI, UH, I'M A BOY NAMED PETE. 913 00:42:59,272 --> 00:43:03,058 SO, HOW 'BOUT THOSE LAKERS? 914 00:43:03,232 --> 00:43:06,235 - I LOVE THE LAKERS. 915 00:43:06,409 --> 00:43:08,847 YEAH, I THINK THIS, UH, COULD BE THEIR YEAR 916 00:43:09,021 --> 00:43:11,414 BECAUSE, YOU KNOW, BABE RUTH HAS, UH, BEEN HITTING WELL 917 00:43:11,589 --> 00:43:14,940 AND, UM, THEY, UH, THEY BROUGHT UP THAT, UM, 918 00:43:15,114 --> 00:43:16,376 JOE NAMATH. 919 00:43:16,550 --> 00:43:18,247 - OH, YEAH. BROADWAY JOE. 920 00:43:18,421 --> 00:43:20,293 SURE. WE HAVEN'T SEEN WHAT HE'S MADE OF YET. 921 00:43:20,467 --> 00:43:24,340 - I LOVE TO WATCH HIM THROW THE PUCK, UH, 922 00:43:24,514 --> 00:43:27,343 BUT I DON'T GET TO GAMES AS OFTEN AS I'D LIKE TO. 923 00:43:27,517 --> 00:43:29,215 - NO, CLEARLY YOU DON'T. 924 00:43:29,389 --> 00:43:32,218 YOU KNOW, HONESTLY, I THINK YOU WOULD LOVE, UH, 925 00:43:32,392 --> 00:43:35,830 FOOT--BASEBALL, UH, KAYAKING, LAWN DARTS, 926 00:43:36,004 --> 00:43:38,746 WHATEVER IT IS YOU'RE ACTUALLY TALKING ABOUT OVER THERE. 927 00:43:38,920 --> 00:43:40,661 UM, THE DODGERS HAVE GOT A HOME GAME ON THURSDAY, 928 00:43:40,835 --> 00:43:41,880 AND I'M GONNA BE COVERING IT, 929 00:43:42,054 --> 00:43:43,272 SO I'LL BE SITTING IN THE PRESS BOX. 930 00:43:43,446 --> 00:43:44,883 IF YOU WANT TO COME, 931 00:43:45,057 --> 00:43:46,580 THAT'D BE A GREAT WAY TO WATCH THE GAME. 932 00:43:46,754 --> 00:43:48,713 - COOL. YEAH. THAT SOUNDS GREAT. 933 00:43:48,887 --> 00:43:50,758 - NICE. OKAY, I'LL PICK YOU UP. 934 00:43:50,932 --> 00:43:54,327 SAY, LIKE, 1:00? - IT'S A DATE. 935 00:43:54,501 --> 00:43:56,634 SEE? 936 00:43:56,808 --> 00:43:58,113 - WHAT'S THAT? WHAT-- 937 00:43:58,287 --> 00:43:59,462 - YOU DID IT. 938 00:43:59,637 --> 00:44:00,725 YOU TALKED AND I LISTENED, 939 00:44:00,899 --> 00:44:01,856 AND THEN I TALKED AND YOU LISTENED, 940 00:44:02,030 --> 00:44:04,163 AND IT BECAME AN ADULT CONVERSATION. 941 00:44:04,337 --> 00:44:05,643 THAT'S GREAT. 942 00:44:05,817 --> 00:44:07,122 YOU EVEN CHARMED ME INTO GOING OUT WITH YOU. 943 00:44:07,296 --> 00:44:09,124 - I DID, DIDN'T I? 944 00:44:09,298 --> 00:44:13,041 WOW. WELL DONE, PETE. UM, THAT'S GREAT. 945 00:44:13,215 --> 00:44:14,695 AND YOU'RE GONNA LOVE THURSDAY. IT'S GONNA BE REALLY FUN. 946 00:44:14,869 --> 00:44:15,783 - WHAT ARE YOU TALKING ABOUT? 947 00:44:15,957 --> 00:44:18,220 - THE GAME, THE PRESS BOX, THE-- 948 00:44:18,394 --> 00:44:20,745 - OH, THURSDAY NHT, 949 00:44:20,919 --> 00:44:23,312 JEAN LaCAZE IS ACTUALLY PREMIERING HIS FALL COLLECTION. 950 00:44:23,486 --> 00:44:24,923 IT'S GONNA BE, LIKE, THE BIGGEST SHOW OF THE YEAR, 951 00:44:25,097 --> 00:44:26,272 AND I'M INTERVIEWING HIM BEFORE THE SHOW. 952 00:44:26,446 --> 00:44:28,840 - YEAH, YEAH, NO, NO, I WAS JUST JOKING AROUND. 953 00:44:29,014 --> 00:44:31,277 I WAS STILL ROLE-PLAYING, YOU KNOW. 954 00:44:31,451 --> 00:44:34,802 - I'M SORRY. THURSDAY'S KIND OF IMPORTANT. 955 00:44:34,976 --> 00:44:38,153 HEY, WHY DON'T YOU COME WITH ME? 956 00:44:38,327 --> 00:44:40,503 YEAH, I COULD EVEN TAKE YOU BACKSTAGE 957 00:44:40,678 --> 00:44:42,680 AND WE COULD USE IT SORT OF AS LIKE A ROAD TEST, YOU KNOW? 958 00:44:42,854 --> 00:44:44,203 THERE WILL BE TONS OF BEAUTIFUL WOMEN THERE. 959 00:44:44,377 --> 00:44:46,031 IT'S PERFECT. 960 00:44:46,205 --> 00:44:49,861 - UH, YOU'RE NOT BRINGING SENOR HERNANDEZ? 961 00:44:50,035 --> 00:44:52,559 - [laughs] UH, NO, HE CAN'T MAKE IT. 962 00:44:52,733 --> 00:44:53,865 THEY'RE STILL ON STORM VIEW. 963 00:44:54,039 --> 00:44:56,084 IT'S ALL HANDS ON DECK. 964 00:44:56,258 --> 00:44:58,826 - OKAY, WELL, I'LL, UH, 965 00:44:59,000 --> 00:45:00,480 I'LL COME BY AFTER THE GAME, THEN. 966 00:45:00,654 --> 00:45:03,483 IT IS A DATE. - PERFECT. 967 00:45:07,269 --> 00:45:11,491 OOH. 968 00:45:11,665 --> 00:45:14,189 [overlapping chatter] 969 00:45:51,444 --> 00:45:53,925 - "'FIXING PETE.' 970 00:45:54,099 --> 00:45:56,101 "I CAN ADMIT NOW THAT I HAD MY DOUBTS 971 00:45:56,275 --> 00:45:59,800 "GOING INTO THIS, BUT NOW I CAN ALSO ADMIT 972 00:45:59,974 --> 00:46:04,762 I CAN'T WAIT TO SEE HOW FAR WE CAN GO." 973 00:46:04,936 --> 00:46:07,634 [electronica] 974 00:46:07,808 --> 00:46:10,637 ♪ 975 00:46:10,811 --> 00:46:18,427 [overlapping chatter] 976 00:46:18,601 --> 00:46:20,429 ISN'T THIS SO GREAT? 977 00:46:20,603 --> 00:46:21,779 - I DON'T KNOW. 978 00:46:21,953 --> 00:46:22,736 I MEAN, I DON'T REALLY GET IT. 979 00:46:22,910 --> 00:46:24,782 LIKE, WHAT IS THIS STUFF? 980 00:46:24,956 --> 00:46:27,654 - IT'S NEW FASHION. IT'S FUN, THOUGH, RIGHT? 981 00:46:27,828 --> 00:46:30,570 - IT'S FUNNY. - OH, COME ON. 982 00:46:30,744 --> 00:46:31,745 WHY ARE THEIR CLOTHES ANY MORE RIDICULOUS 983 00:46:31,919 --> 00:46:33,834 THAN WHAT YOU'RE WEARING? 984 00:46:34,008 --> 00:46:35,793 STYLE'S NOT ALWAYS ABOUT HOW YOU LOOK. 985 00:46:35,967 --> 00:46:37,969 IT'S ABOUT THE WAY YOU FEEL. 986 00:46:38,143 --> 00:46:40,928 - OKAY, BUT THEY DO LOOK RIDICULOUS. 987 00:46:41,102 --> 00:46:42,930 - OF COURSE. IT'S HAUTE COUTURE. 988 00:46:43,104 --> 00:46:44,976 I MEAN, IT'S SUPPOSED TO BE OUTLANDISH. 989 00:46:45,150 --> 00:46:46,804 EVEN IF YOU WOULDN'T ACTUALLY WEAR SOME OF THESE OUTFITS, 990 00:46:46,978 --> 00:46:48,544 THEY'RE JUST MEANT TO INSPIRE YOU 991 00:46:48,718 --> 00:46:50,329 AND MAKE YOU BREAK OUT. 992 00:46:50,503 --> 00:46:52,505 - YEAH, OKAY. 993 00:46:52,679 --> 00:46:53,854 SO WE'RE SUPPOSED TO BE HAVING FUN WITH THIS, HUH? 994 00:46:54,028 --> 00:46:57,684 - YES. 995 00:46:57,858 --> 00:47:00,252 - OKAY. I CAN DO THAT. HOO-HAH. 996 00:47:00,426 --> 00:47:03,951 - OH. OH, GOD. - THERE YOU GO. 997 00:47:04,125 --> 00:47:07,999 LOOK HOW FUN THIS IS. YOU LIKE? 998 00:47:08,173 --> 00:47:09,696 - MM, YEAH. IT'S A GOOD LOOK ON YOU. 999 00:47:09,870 --> 00:47:11,959 - DID YOU SEE THAT ONE? 1000 00:47:12,133 --> 00:47:13,743 YOU WOULD LOOK GREAT IN THAT ONE. 1001 00:47:13,918 --> 00:47:15,571 - YOU THINK? - FOR SURE. 1002 00:47:15,745 --> 00:47:17,486 I MEAN, BETTER THAN HER, ANYWAY, 1003 00:47:17,660 --> 00:47:18,748 AND SHE LOOKS REALLY GOOD. 1004 00:47:18,923 --> 00:47:19,967 - ALL RIGHT. - COME ON. 1005 00:47:20,141 --> 00:47:22,622 - LET'S GIVE IT A GO. 1006 00:47:22,796 --> 00:47:26,844 I THINK I CAN DO THIS ONE ALL ON MY OWN. 1007 00:47:27,018 --> 00:47:32,066 - OH, FABULOUS. BRAVO, BRAVO. 1008 00:47:32,240 --> 00:47:35,200 - GIVE ME THIS. GO GET US A DRINK. 1009 00:47:35,374 --> 00:47:36,854 - OKAY. THAT'LL HELP. 1010 00:47:37,028 --> 00:47:39,682 - [laughs] 1011 00:47:39,857 --> 00:47:42,903 [overlapping chatter] 1012 00:47:43,077 --> 00:47:45,471 HMM. 1013 00:47:45,645 --> 00:47:48,909 I DO BELIEVE THERE'S A WOMAN WHO'S GOT YOU IN HER SIGHTS. 1014 00:47:49,083 --> 00:47:51,433 - REALLY? WHERE? - MM-MM-MM. COOL IT, COOL IT. 1015 00:47:51,607 --> 00:47:55,176 REDHEAD AT THE BAR. 1016 00:47:55,350 --> 00:47:57,570 - OKAY. 1017 00:47:57,744 --> 00:47:59,354 PARIS, KIM, GREAT TO SEE YOU. 1018 00:47:59,528 --> 00:48:01,791 THANKS FOR COMING. 1019 00:48:01,966 --> 00:48:02,880 THAT REDHEAD? - MM-HMM. 1020 00:48:03,054 --> 00:48:04,882 - YOU KIDDING ME? 1021 00:48:05,056 --> 00:48:08,668 OH, MAN, UM, ALL RIGHT, I GUESS, UH, 1022 00:48:08,842 --> 00:48:10,583 I'D REALLY LIKE TO MAKE HER ACQUAINTANCE 1023 00:48:10,757 --> 00:48:11,801 WITH YOUR PLEASURE. 1024 00:48:11,976 --> 00:48:14,804 - SO GET GOING. - [exhales] 1025 00:48:14,979 --> 00:48:17,982 - REMEMBER, THE KEY TO HAVING 1026 00:48:18,156 --> 00:48:21,507 A TRULY MEANINGFUL CONVERSATION IS... 1027 00:48:21,681 --> 00:48:23,248 both: LISTENING. 1028 00:48:27,905 --> 00:48:33,693 - SO, UH, HOW ABOUT THOSE LAKERS? 1029 00:48:33,867 --> 00:48:36,348 - EXCUSE ME? 1030 00:48:36,522 --> 00:48:37,958 - SORRY, THAT WORKED ONCE. 1031 00:48:38,132 --> 00:48:40,918 UM, MY NAME'S PETE CAMDEN. 1032 00:48:41,092 --> 00:48:42,745 I'M A SPORTSWRITER FOR THE POST. 1033 00:48:42,920 --> 00:48:44,791 - WOW, THIS IS REALLY OFF YOUR BEAT THEN, ISN'T IT? 1034 00:48:44,965 --> 00:48:47,054 - YEAH, IT REALLY IS. 1035 00:48:47,228 --> 00:48:50,057 UM, YOU KNOW, BUT WE ALL WEAR CLOTHES, DON'T WE? 1036 00:48:50,231 --> 00:48:52,146 WE ALL PUT 'EM ON, WE ALL TAKE 'EM OFF. 1037 00:48:52,320 --> 00:48:53,843 NOT THAT I'M SUGGESTING YOU TAKE YOURS OFF, 1038 00:48:54,018 --> 00:48:55,410 OR THAT YOU DON'T. 1039 00:48:55,584 --> 00:48:57,891 I JUST... 1040 00:49:00,720 --> 00:49:03,636 UH... 1041 00:49:03,810 --> 00:49:04,985 YOU KNOW, BUT I-- 1042 00:49:05,159 --> 00:49:06,595 I HAVEN'T EVEN REALLY NOTICED 1043 00:49:06,769 --> 00:49:10,077 WHAT A BODY YOU HAVE 'CAUSE OF YOUR GREAT EARS 1044 00:49:10,251 --> 00:49:12,950 FOR, YOU KNOW, FOR PUTTING YOUR EARRINGS IN. 1045 00:49:13,124 --> 00:49:14,908 UM, AND THEY'RE BEAUTIFUL, THOSE EARRINGS. 1046 00:49:15,082 --> 00:49:16,736 I REALLY LIKE THEM. THEY'RE BIG. 1047 00:49:20,783 --> 00:49:23,047 OH, GOSH. 1048 00:49:23,221 --> 00:49:25,527 YOU KNOW, YOU--YOU SURE CAN DANCE. 1049 00:49:25,701 --> 00:49:28,487 I MEAN, I WAS-- I WAS WATCHING YOU, 1050 00:49:28,661 --> 00:49:32,795 AND IT'S GREAT. 1051 00:49:32,970 --> 00:49:36,016 SHOE? - SHOE? 1052 00:49:36,190 --> 00:49:38,845 - YEAH, LOOK AT YOUR SHOES. THEY'RE LOVELY. 1053 00:49:39,019 --> 00:49:41,979 THEY'RE BLACK AND THEY'VE GOT THOSE ZIPPERS. 1054 00:49:42,153 --> 00:49:45,112 THEY'RE REALLY NICE. - KENNETH COLE. 1055 00:49:45,286 --> 00:49:47,941 - NO, IT'S PETE. CAMDEN. - [laughs] 1056 00:49:48,115 --> 00:49:50,944 - BUT THAT'S OKAY. I CAN'T REMEMBER A NAME EITHER. 1057 00:49:59,735 --> 00:50:01,563 WOULD YOU LIKE A DRINK? 1058 00:50:01,737 --> 00:50:03,174 I-I CAN GET YOU A DRINK. 1059 00:50:03,348 --> 00:50:05,741 - CYNTHIA. CHAMPAGNE WOULD BE LOVELY. 1060 00:50:05,915 --> 00:50:07,526 - GREAT. UH, YOU FIRST. 1061 00:50:14,141 --> 00:50:17,014 HEY, BEEN LOOKING ALL OVER FOR YOU. 1062 00:50:17,188 --> 00:50:18,711 ARE YOU GOING? 1063 00:50:18,885 --> 00:50:22,628 - THANKS. YEAH. IT'S 2:00 A.M. 1064 00:50:22,802 --> 00:50:25,283 I JUST DIDN'T WANT TO INTERRUPT YOU AND CYNTHIA. 1065 00:50:25,457 --> 00:50:27,198 - OH, NO, SHE HAD TO-- SHE HAD TO LEAVE. 1066 00:50:27,372 --> 00:50:28,503 SHE'S GOT AN EARLY MORNING. 1067 00:50:28,677 --> 00:50:31,985 - THE, UH, EARLY MORNING EXCUSE, HUH? 1068 00:50:32,159 --> 00:50:34,205 YEAH, I'VE USED THAT ONE MYSELF. 1069 00:50:34,379 --> 00:50:36,946 - UH, NO, I THINK, UH, I THINK THIS WAS FOR REAL. 1070 00:50:37,121 --> 00:50:40,124 I GOT HER NUMBER. - THAT'S GREAT. 1071 00:50:40,298 --> 00:50:44,519 WOW, PETE! GRADUATING AT THE TOP OF YOUR CLASS. 1072 00:50:44,693 --> 00:50:46,391 - YEAH, WELL, IT'S THANKS TO YOUR TEACHING. 1073 00:50:46,565 --> 00:50:49,176 [both laugh] 1074 00:50:49,350 --> 00:50:50,786 ALL RIGHT, WELL, I GUESS WE'RE BOTH GOING THEN. 1075 00:50:50,960 --> 00:50:55,095 LET'S GO. 1076 00:50:55,269 --> 00:50:57,271 WHAT ARE YOU WAITING FOR? 1077 00:50:57,445 --> 00:51:00,579 - UM, MY CAR IS IN THE LOT ACROSS THE STREET. 1078 00:51:00,753 --> 00:51:02,276 - YEAH? 1079 00:51:02,450 --> 00:51:04,278 - I'M WAITING FOR THE RAIN TO STOP, 1080 00:51:04,452 --> 00:51:06,019 BECAUSE I DON'T WANT TO GET WET. 1081 00:51:06,193 --> 00:51:08,152 - WHY? YOU'RE JUST GOING HOME. 1082 00:51:08,326 --> 00:51:10,589 - YEAH, BUT WHAT ABOUT MY CLOTHES? 1083 00:51:10,763 --> 00:51:12,939 - COME ON, GO CRAZY. YOU KNOW YOU WANT TO. 1084 00:51:13,113 --> 00:51:15,594 - NO. - IT WILL INSPIRE YOU. 1085 00:51:15,768 --> 00:51:21,078 IT WILL HELP YOU BREAK OUT. - OH! OKAY. 1086 00:51:23,689 --> 00:51:25,995 ONE... 1087 00:51:26,170 --> 00:51:28,694 both: TWO, THREE. 1088 00:51:28,868 --> 00:51:30,609 - [laughs] 1089 00:51:30,783 --> 00:51:33,002 - [squeals] 1090 00:51:33,177 --> 00:51:34,526 - WHOO! 1091 00:51:34,700 --> 00:51:36,093 AH! 1092 00:51:36,267 --> 00:51:38,921 - COME ON, LET'S GO! COME ON! 1093 00:51:39,096 --> 00:51:41,750 [squeals] 1094 00:51:41,924 --> 00:51:43,578 - FEELS SO GOOD! 1095 00:51:43,752 --> 00:51:45,493 - AAH! - COME ON. 1096 00:51:45,667 --> 00:51:47,234 - OH! 1097 00:51:47,408 --> 00:51:50,063 WHAT ARE YOU DOING? 1098 00:51:50,237 --> 00:51:51,020 - COME HERE. 1099 00:51:51,195 --> 00:51:53,632 - AAH! 1100 00:51:53,806 --> 00:51:54,633 - AH. 1101 00:51:54,807 --> 00:51:57,636 [pop music] 1102 00:51:57,810 --> 00:52:05,557 ♪ 1103 00:52:13,608 --> 00:52:16,655 [both laughing] 1104 00:52:16,829 --> 00:52:19,005 - OH. - OOH. 1105 00:52:19,179 --> 00:52:22,226 - THAT WAS FUN. - AH, SEE? I TOLD YOU. 1106 00:52:22,400 --> 00:52:25,098 A LITTLE WATER NEVER CAN HURT ANYBODY. 1107 00:52:25,272 --> 00:52:26,752 - NO, I MEAN THE WHOLE NIGHT. 1108 00:52:26,926 --> 00:52:29,755 IT WAS GREAT. [laughs] 1109 00:52:29,929 --> 00:52:32,758 [kiss] 1110 00:52:32,932 --> 00:52:34,977 [sighs] 1111 00:52:35,152 --> 00:52:36,544 WELL, I GUESS I'LL SEE YOU TOMORROW. 1112 00:52:36,718 --> 00:52:39,591 - YEAH. TOMORROW IT IS. 1113 00:52:39,765 --> 00:52:42,724 - THANKS. 1114 00:52:42,898 --> 00:52:44,987 - ALL RIGHT. I'LL TAKE YOU BACK TO YOUR CAR NOW. 1115 00:52:45,162 --> 00:52:46,859 [engine starts] 1116 00:53:37,997 --> 00:53:40,173 [clears throat] 1117 00:53:40,347 --> 00:53:43,785 - HI, PETE. 1118 00:53:43,959 --> 00:53:45,439 - AH, YOU CLEAN UP PRETTY GOOD. 1119 00:53:45,613 --> 00:53:49,182 - THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 1120 00:53:49,356 --> 00:53:51,053 I HOPE YOU LEARNED SOMETHING LAST NIGHT. 1121 00:53:51,228 --> 00:53:52,838 I KNOW I DID. 1122 00:53:53,012 --> 00:53:55,144 - YEAH. I'M, UH, I'M GETTING THERE. 1123 00:53:55,319 --> 00:53:57,930 - [laughs] 1124 00:53:58,104 --> 00:54:01,368 - HEY, I BROUGHT YOU A COPY OF MY BOOK. 1125 00:54:01,542 --> 00:54:02,848 LET ME KNOW WHAT YOU THINK. 1126 00:54:03,022 --> 00:54:05,198 - OH. 1127 00:54:05,372 --> 00:54:08,332 - I THINK, UH, BEING OUT LAST NIGHT 1128 00:54:08,506 --> 00:54:10,203 MADE ME UNDERSTAND THAT-- 1129 00:54:16,035 --> 00:54:18,516 BYE. - BYE. 1130 00:54:18,690 --> 00:54:21,606 - SO, UH, WHAT ARE YOU DOING HERE? 1131 00:54:21,780 --> 00:54:23,042 - WHAT'S THIS? 1132 00:54:23,216 --> 00:54:25,000 - IT'S A NEWSPAPER, PARKER. 1133 00:54:25,174 --> 00:54:27,002 BUT BY TOMORROW MORNING, I'LL BET IT'LL BE LINING 1134 00:54:27,176 --> 00:54:28,482 THE FLOOR OF SOMEONE'S BIRDCAGE. 1135 00:54:28,656 --> 00:54:30,179 - WELL, I'M TALKING ABOUT YOUR COLUMN. 1136 00:54:30,354 --> 00:54:31,572 "SURE, THERE WAS ANOTHER LOSS, 1137 00:54:31,746 --> 00:54:33,748 "BUT THE NIGHT WASN'T WITHOUT ITS SUCCESSES. 1138 00:54:33,922 --> 00:54:36,316 "THE TEAM'S NEW UNIFORM"-- [laughs]-- 1139 00:54:36,490 --> 00:54:41,190 "A PLAYFUL MELANGE OF TANGERINE"--TANGERINE-- 1140 00:54:41,365 --> 00:54:44,019 "AND DUSKY DAWN IS A BOLD STATEMENT 1141 00:54:44,193 --> 00:54:48,154 THAT WE HOPE REFLECTS A BOLD NEW ATTITUDE IN THE CLUBHOUSE." 1142 00:54:48,328 --> 00:54:51,026 "DUSKY DAWN"? - IT'S A COLOR. 1143 00:54:51,200 --> 00:54:54,203 IT'S SORT OF HALFWAY IN BETWEEN NEW MOON AND GARDEN STONE. 1144 00:54:54,378 --> 00:54:58,512 YOUR CREDENZA IS DUSKY DAWN. - OH, I DON'T WANT TO KNOW. 1145 00:54:58,686 --> 00:55:01,167 I SHOULD HAVE LET YOU STAY A SLOB. 1146 00:55:04,170 --> 00:55:06,912 [overlapping chatter] 1147 00:55:07,086 --> 00:55:09,654 [music playing] 1148 00:55:09,828 --> 00:55:17,662 ♪ 1149 00:55:26,105 --> 00:55:28,325 - HEY. 1150 00:55:28,499 --> 00:55:33,286 - UH, THIS PLACE? REALLY? YOU? 1151 00:55:33,460 --> 00:55:36,985 - I AM TRYING TO LET MYSELF GO. 1152 00:55:37,159 --> 00:55:39,379 - YEAH, BUT WHY DO I HAVE TO SUFFER? 1153 00:55:39,553 --> 00:55:41,076 - OH, I ALREADY ORDERED FOR US. 1154 00:55:41,250 --> 00:55:42,991 I HAVE IT ON GOOD AUTHORITY 1155 00:55:43,165 --> 00:55:46,081 THAT THE CHILI-BURGERS HERE ARE THE BEST IN L.A. 1156 00:55:46,255 --> 00:55:48,997 - TWO CHILI-BURGERS DELUXE, LADIES. 1157 00:55:49,171 --> 00:55:50,869 BON APPETIT. 1158 00:55:51,043 --> 00:55:52,958 - IN BASKETS? 1159 00:55:53,132 --> 00:55:54,699 - [clears throat] 1160 00:56:00,879 --> 00:56:02,315 BABY STEPS. 1161 00:56:10,105 --> 00:56:11,019 - MMM, YOU'RE RIGHT. NOT BAD. 1162 00:56:16,242 --> 00:56:18,462 WHAT ARE YOU READING? - I HAVEN'T STARTED IT YET. 1163 00:56:18,636 --> 00:56:20,507 IT'S PETE'S BOOK. HE GAVE IT TO ME. 1164 00:56:20,681 --> 00:56:26,557 OH, HE WROTE... 1165 00:56:26,731 --> 00:56:28,994 - WHAT'S THE MATTER? - OH, NOTHING. 1166 00:56:29,168 --> 00:56:31,344 UH... 1167 00:56:38,307 --> 00:56:40,222 - THANK YOU SO MUCH. THANK YOU. 1168 00:56:40,397 --> 00:56:42,007 - HI. 1169 00:56:42,181 --> 00:56:43,400 - JANICE. - THANK YOU. 1170 00:56:43,574 --> 00:56:44,966 - JANICE, QUICK QUESTION FOR YOU. 1171 00:56:45,140 --> 00:56:48,100 - OKAY. - THANKS. 1172 00:56:48,274 --> 00:56:50,450 - SO WITH ALL THIS TALK ABOUT YOU AS THE PLAYOFF MVP, 1173 00:56:50,624 --> 00:56:51,799 I JUST WANT TO KNOW HOW IT IS 1174 00:56:51,973 --> 00:56:53,932 THAT YOU MANAGED TO STAY DOWN-TO-EARTH ENOUGH 1175 00:56:54,106 --> 00:56:55,803 TO BE THE KIND OF TEAM PLAYER YOU WERE TODAY. 1176 00:56:55,977 --> 00:56:59,067 - WELL, IT'S THE TEAM THAT MAKES THE MVP, YOU KNOW? 1177 00:56:59,241 --> 00:57:01,418 NOT THE OTHER WAY AROUND. 1178 00:57:01,592 --> 00:57:03,507 HEY, WAIT, I KNOW YOU. 1179 00:57:03,681 --> 00:57:06,553 - I DON'T THINK SO. - YEAH, YEAH. 1180 00:57:06,727 --> 00:57:09,382 YOU'RE THE GUY I HAD BANNED FOR LIFE. 1181 00:57:09,556 --> 00:57:11,384 - OKAY, SO I HAVE A NEW LIFE 1182 00:57:11,558 --> 00:57:13,168 AND A NEW CREDO, I PROMISE. 1183 00:57:13,342 --> 00:57:15,606 AN ATHLETE IS AN ATHLETE 1184 00:57:15,780 --> 00:57:16,998 NO MATTER WHICH LOCKER ROOM THEY CHANGE IN. 1185 00:57:17,172 --> 00:57:18,478 - OH, REALLY? 1186 00:57:18,652 --> 00:57:20,001 THEN I GUESS YOU WOULDN'T HAVE A PROBLEM 1187 00:57:20,175 --> 00:57:21,568 WITH A LITTLE ONE-ON-ONE, HMM? 1188 00:57:21,742 --> 00:57:23,178 - BRING IT ON, BABY. 1189 00:57:23,352 --> 00:57:25,180 - SEE WHO'S FOOLIN' WHO. 1190 00:57:25,354 --> 00:57:28,270 [overlapping chatter and cheering] 1191 00:57:28,445 --> 00:57:31,273 [upbeat music] 1192 00:57:31,448 --> 00:57:39,281 ♪ 1193 00:58:21,280 --> 00:58:24,196 - [groans] 1194 00:58:32,900 --> 00:58:37,296 - THAT IDIOT'S GONNA KILL HIS OWN REPUTATION. 1195 00:58:37,470 --> 00:58:43,781 [overlapping chatter] 1196 00:58:43,955 --> 00:58:47,654 PETE, PETE, PETE. WHAT HAVE YOU DONE? 1197 00:58:47,828 --> 00:58:51,484 WHAT THE HECK WERE YOU THINKING? 1198 00:58:51,658 --> 00:58:54,313 - BRAVO. 1199 00:58:54,487 --> 00:59:02,321 [applause] 1200 00:59:05,324 --> 00:59:07,282 - GOOD JOB. 1201 00:59:07,456 --> 00:59:11,025 - [laughs] 1202 00:59:11,199 --> 00:59:15,508 [applause] 1203 00:59:15,682 --> 00:59:18,380 - WELL, BUT THEN AGAIN, WHAT THE HECK DO I KNOW? 1204 00:59:18,555 --> 00:59:21,645 [applause] 1205 00:59:21,819 --> 00:59:24,212 - YAY! HE LOOKS WONDERFUL. 1206 00:59:24,386 --> 00:59:25,300 - IT'S AMAZING. 1207 00:59:25,474 --> 00:59:26,345 - YES. 1208 00:59:34,266 --> 00:59:37,443 - HEY, LOOK, IT'S YOUR FRIEND THE FROG PRINCE 1209 00:59:37,617 --> 00:59:40,577 AND HE'S GOT HIMSELF A-- WOW! 1210 00:59:43,580 --> 00:59:46,234 - ASHLEY, WOW. I--YOU-- 1211 00:59:46,408 --> 00:59:47,453 - I DIDN'T KNOW. 1212 00:59:47,627 --> 00:59:49,411 - HOW ARE YOU, GUY? 1213 00:59:49,586 --> 00:59:52,197 - GOOD, GUY. 1214 00:59:52,371 --> 00:59:54,112 UM, ASHLEY, CHRIS, THIS IS CYNTHIA. 1215 00:59:54,286 --> 00:59:59,378 CYNTHIA, ASHLEY BOYD AND CHRISTOPHER HERNANDEZ. 1216 00:59:59,552 --> 01:00:01,336 - NICE TO MEET YOU. 1217 01:00:01,510 --> 01:00:03,077 I THINK I SAW YOU AT THE LaCAZE SHOW? 1218 01:00:03,251 --> 01:00:07,081 - I REMEMBER. 1219 01:00:07,255 --> 01:00:08,300 SHALL WE? 1220 01:00:08,474 --> 01:00:09,562 - WHY? WHERE ARE YOU RUNNING? 1221 01:00:09,736 --> 01:00:10,781 SO WHAT DO YOU THINK OF THE ANGELS 1222 01:00:10,955 --> 01:00:12,565 TRADING THEIR STAR OUTFIELDER, HUH? 1223 01:00:12,739 --> 01:00:15,742 - YOU KNOW, CHRISTOPHER, UM, I PROMISED CYNTHIA 1224 01:00:15,916 --> 01:00:17,614 THERE WOULD BE NO SPORTS TALK TONIGHT, SO... 1225 01:00:17,788 --> 01:00:18,919 - WOW. WHAT DOES THAT LEAVE YOU WITH? 1226 01:00:19,093 --> 01:00:24,621 [laughs] 1227 01:00:24,795 --> 01:00:25,578 - I DIDN'T KNOW YOU WERE DATING. 1228 01:00:25,752 --> 01:00:28,059 - WELL, WE-- - OH. 1229 01:00:28,233 --> 01:00:29,974 - YEAH. 1230 01:00:30,148 --> 01:00:33,455 - IT, UH, STARTED WITH A CUTE LATE NIGHT PHONE CALL. 1231 01:00:33,630 --> 01:00:37,329 PETE REALLY KNOWS HOW TO, UH, TALK TO SOMEONE SPECIAL. 1232 01:00:37,503 --> 01:00:38,591 AND HE'S SUCH A GOOD LISTENER. 1233 01:00:38,765 --> 01:00:39,636 - REALLY? 1234 01:00:39,810 --> 01:00:41,159 - PETE SAYS THAT THE KEY 1235 01:00:41,333 --> 01:00:43,683 TO A TRULY MEANINGFUL CONVERSATION IS LISTENING. 1236 01:00:43,857 --> 01:00:45,772 - YES, WELL, IT WAS REALLY NICE MEETING YOU 1237 01:00:45,946 --> 01:00:47,513 AND I WILL SEE YOU AT THE OFFICE. 1238 01:00:47,687 --> 01:00:49,428 LET'S GO. - OH. 1239 01:00:49,602 --> 01:00:51,430 - OKAY. 1240 01:00:52,910 --> 01:00:56,565 - SO HERE'S MY GREAT NEWS. 1241 01:00:56,740 --> 01:00:58,263 I WAS GOING TO WAIT UNTIL DESSERT, 1242 01:00:58,437 --> 01:01:00,178 BUT I CAN'T HOLD BACK ANY LONGER. 1243 01:01:00,352 --> 01:01:02,223 REMEMBER THAT WEEKEND ANCHOR JOB I TOLD YOU ABOUT? 1244 01:01:02,397 --> 01:01:03,834 - MM-HMM. 1245 01:01:04,008 --> 01:01:05,357 - WELL, I'M ON THE SHORT LIST FOR IT. 1246 01:01:05,531 --> 01:01:06,358 AND HERE'S THE BEST PART. 1247 01:01:06,532 --> 01:01:07,620 IT'S IN NEW YORK. 1248 01:01:07,794 --> 01:01:09,317 NEW YORK! 1249 01:01:09,491 --> 01:01:11,276 I GOT THE CALL THAT I NEED TO FLY OUT IN THE MORNING 1250 01:01:11,450 --> 01:01:12,756 TO MAKE SURE THAT THE CHEMISTRY'S THERE 1251 01:01:12,930 --> 01:01:14,583 BETWEEN ME AND PENNY TAKAMURA. 1252 01:01:14,758 --> 01:01:16,194 IT'S PROBABLY JUST A FORMALITY. 1253 01:01:16,368 --> 01:01:18,326 - THAT'S GREAT. 1254 01:01:18,500 --> 01:01:19,588 THAT'S REALLY GREAT. 1255 01:01:19,763 --> 01:01:21,416 BUT, UM, NEW YORK? 1256 01:01:21,590 --> 01:01:24,289 YOU DIDN'T--YOU DIDN'T TELL ME THAT IT WAS IN NEW YORK. 1257 01:01:24,463 --> 01:01:25,725 - WELL, I THOUGHT YOU'D LIKE THE SURPRISE. 1258 01:01:25,899 --> 01:01:27,161 I'M SEEING YOU AND ME 1259 01:01:27,335 --> 01:01:28,728 IN A PENTHOUSE ON CENTRAL PARK, 1260 01:01:28,902 --> 01:01:30,251 JUST LIKE WE'VE ALWAYS WANTED. 1261 01:01:30,425 --> 01:01:31,862 - HMM. 1262 01:01:32,036 --> 01:01:34,778 YOU'VE ALWAYS WANTED TO LIVE IN NEW YORK. 1263 01:01:34,952 --> 01:01:37,302 - WELL, I'VE ALWAYS WANTED TO LIVE IN NEW YORK WITH YOU. 1264 01:01:37,476 --> 01:01:38,651 - YES, BUT I HAVE A JOB HERE. 1265 01:01:38,825 --> 01:01:40,174 A CAREER. 1266 01:01:40,348 --> 01:01:42,742 I MEAN, I CAN'T JUST PICK UP AND GO. 1267 01:01:42,916 --> 01:01:45,614 - I KNOW, BUT THIS IS A GREAT OPPORTUNITY FOR US. 1268 01:01:45,789 --> 01:01:46,659 IT'S PERFECT. 1269 01:01:46,833 --> 01:01:47,791 - [chuckles] 1270 01:01:47,965 --> 01:01:49,575 YES. 1271 01:01:49,749 --> 01:01:52,273 JUST LIKE WE'VE ALWAYS WANTED. 1272 01:01:52,447 --> 01:01:54,058 - THAT'S THE ATTITUDE. 1273 01:01:54,232 --> 01:01:56,147 - YOU KNOW WHAT, WILL YOU EXCUSE ME FOR A SECOND? 1274 01:02:08,725 --> 01:02:11,205 - HELLO AGAIN. 1275 01:02:13,338 --> 01:02:15,514 - HI. 1276 01:02:15,688 --> 01:02:17,081 - PARDON ME, SIR. 1277 01:02:20,519 --> 01:02:22,695 - SO... 1278 01:02:22,869 --> 01:02:24,349 CYNTHIA SEEMS NICE. 1279 01:02:26,394 --> 01:02:27,439 - SHE IS. 1280 01:02:27,613 --> 01:02:29,833 I'M DOING ALL RIGHT. 1281 01:02:30,007 --> 01:02:32,444 COURSE, IT'S ALL BECAUSE OF YOU, COACH. 1282 01:02:34,925 --> 01:02:37,318 - NAH, YOU HAD IT IN YOU ALL ALONG. 1283 01:02:37,492 --> 01:02:39,407 IT WAS JUST HIDDEN. 1284 01:02:39,581 --> 01:02:42,628 - EVERYTHING'S OKAY WITH CHRISTOPHER? 1285 01:02:42,802 --> 01:02:44,543 - CHRISTOPHER'S PERFECT. 1286 01:02:44,717 --> 01:02:47,459 YEP, EVERYBODY LOVES CHRISTOPHER. 1287 01:02:50,810 --> 01:02:51,724 - EXCUSE ME, SIR. 1288 01:02:55,554 --> 01:03:01,342 - SO, UM... CYNTHIA SEEMS NICE. 1289 01:03:01,516 --> 01:03:04,084 - OH, CYNTHIA, YEAH, UM... 1290 01:03:04,258 --> 01:03:07,218 - SORRY. 1291 01:03:07,392 --> 01:03:08,393 - YEAH. 1292 01:03:12,571 --> 01:03:14,660 SHE SEEMS NICE. 1293 01:03:29,588 --> 01:03:33,418 OH, MAN. 1294 01:03:33,592 --> 01:03:36,377 I HAVE TO GO BACK TO CHRISTOPHER. 1295 01:03:36,551 --> 01:03:39,250 - YEAH, I GUESS I HAVE TO GO BACK TO... 1296 01:03:39,424 --> 01:03:40,338 - CYNTHIA. 1297 01:03:40,512 --> 01:03:41,774 - YES. - YEAH. 1298 01:03:41,948 --> 01:03:42,688 - CYNTHIA. THANKS. 1299 01:03:47,824 --> 01:03:50,739 - THIS ISN'T RIGHT, RIGHT? 1300 01:03:50,914 --> 01:03:52,611 - RIGHT. 1301 01:03:52,785 --> 01:03:56,571 IT'S NOT RIGHT. 1302 01:03:56,745 --> 01:03:59,574 YOU HAVE CHRISTOPHER. 1303 01:03:59,748 --> 01:04:00,880 - RIGHT. 1304 01:04:01,054 --> 01:04:03,448 AND YOU ARE THE NEW YOU, 1305 01:04:03,622 --> 01:04:05,842 AND YOU SHOULD GO ON THE ROAD WITH THAT, RIGHT? 1306 01:04:08,453 --> 01:04:09,628 - RIGHT. 1307 01:04:09,802 --> 01:04:11,282 YEAH. 1308 01:04:14,241 --> 01:04:16,722 - COURSE IF I BECOME A NETWORK CORRESPONDENT, 1309 01:04:16,896 --> 01:04:19,203 I HOPE IT'S PARIS OR ROME AND NOT THE UKRAINE. 1310 01:04:19,377 --> 01:04:21,596 I MEAN, SURE, I'M A DEDICATED JOURNALIST AND ALL, 1311 01:04:21,770 --> 01:04:22,641 BUT THERE ARE LIMITS. 1312 01:04:29,039 --> 01:04:30,431 ARE YOU ALL RIGHT? YOU DON'T LOOK WELL. 1313 01:04:30,605 --> 01:04:34,305 - YOU KNOW, I'M NOT ACTUALLY FEELING THAT GREAT. 1314 01:04:34,479 --> 01:04:35,349 I THINK I'M GONNA GO HOME. 1315 01:04:35,523 --> 01:04:37,351 - I UNDERSTAND. 1316 01:04:37,525 --> 01:04:38,613 IT'S ALL THE EXCITEMENT OF MY NEWS. 1317 01:04:38,787 --> 01:04:39,571 HERE, LET ME GET THE CHECK. 1318 01:04:39,745 --> 01:04:40,615 - OH, NO, NO, NO, NO. 1319 01:04:40,789 --> 01:04:42,443 UM, REALLY, STAY. 1320 01:04:42,617 --> 01:04:43,836 I'LL BE FINE. 1321 01:04:44,010 --> 01:04:44,837 I'LL CALL YOU TOMORROW, OKAY? 1322 01:04:57,502 --> 01:04:58,851 [engine starts] 1323 01:05:17,435 --> 01:05:19,002 - WHAT GREAT GLASSES. 1324 01:05:19,176 --> 01:05:20,655 - YEAH, THANKS. THEY'RE NICE, RIGHT? 1325 01:05:20,829 --> 01:05:22,570 ASHLEY PICKED THOSE OUT. 1326 01:05:22,744 --> 01:05:24,790 - TO ASHLEY... 1327 01:05:24,964 --> 01:05:27,532 SINCE YOU'VE BEEN TALKING ABOUT HER FOR THE LAST HOUR ANYWAY. 1328 01:05:27,706 --> 01:05:28,663 - OKAY. 1329 01:05:28,837 --> 01:05:33,364 OKAY, FORGET ABOUT ASHLEY. 1330 01:05:33,538 --> 01:05:34,931 WHEN I LOOK IN YOUR EYES 1331 01:05:35,105 --> 01:05:36,845 AND HOLD YOUR HAND, 1332 01:05:37,020 --> 01:05:38,543 THE WHOLE WORLD FADES AWAY. 1333 01:05:38,717 --> 01:05:42,199 - THAT'S-- THAT'S REALLY NICE. 1334 01:05:42,373 --> 01:05:44,375 - YEAH, ASHLEY SAID THAT IT'S NICE TO-- 1335 01:05:44,549 --> 01:05:47,508 - OKAY, I'M DONE. 1336 01:05:47,682 --> 01:05:50,468 - OKAY, I'M SORRY. 1337 01:05:50,642 --> 01:05:52,122 UH, I'M REALLY SORRY. 1338 01:05:52,296 --> 01:05:55,647 - PETE, YOU'RE A VERY CHARMING MAN, 1339 01:05:55,821 --> 01:05:57,127 AND I'D LOVE TO HEAR FROM YOU 1340 01:05:57,301 --> 01:05:58,563 WHEN YOU FINALLY GET OVER YOUR EX. 1341 01:06:01,783 --> 01:06:03,524 - MY EX? WHAT ARE YOU TALKING ABOUT? 1342 01:06:03,698 --> 01:06:05,004 - ASHLEY. 1343 01:06:05,178 --> 01:06:07,354 - OH. NO, NO, NO. 1344 01:06:07,528 --> 01:06:08,703 ASHLEY'S NOT MY EX. 1345 01:06:08,877 --> 01:06:11,010 I MEAN, ASHLEY AND I ARE JUST FRIENDS. 1346 01:06:11,184 --> 01:06:13,317 - WELL, THEN MAYBE THAT'S THE PROBLEM. 1347 01:06:19,105 --> 01:06:20,498 woman on TV: OH, REGINALD, 1348 01:06:20,672 --> 01:06:21,716 WHY CAN'T I FIND THE WORDS 1349 01:06:21,890 --> 01:06:23,370 TO SAY HOW MUCH I LOVE YOU? 1350 01:06:23,544 --> 01:06:24,415 WHY CAN'T YOU SEE IT-- 1351 01:06:24,589 --> 01:06:25,982 [changes channel] 1352 01:06:26,156 --> 01:06:27,853 man: I KNOW YOU AND I ARE FROM DIFFERENT PLANETS, 1353 01:06:28,027 --> 01:06:29,550 BUT LOVE IS ONE TRUE INTERGALACTIC LANGUAGE. 1354 01:06:29,724 --> 01:06:31,074 [changes channels] 1355 01:06:31,248 --> 01:06:32,379 woman: JIM, I CAN'T GO TO DODGE WITH YOU. 1356 01:06:32,553 --> 01:06:34,251 - OH! 1357 01:06:34,425 --> 01:06:35,817 woman: THE TRUTH IS I'M REALLY IN LOVE WITH ANOTHER-- 1358 01:06:35,992 --> 01:06:37,732 male announcer: IT'S A TIE BALLGAME. 1359 01:06:37,906 --> 01:06:39,430 TONIGHT'S BROADCAST IS BROUGHT TO YOU 1360 01:06:39,604 --> 01:06:40,953 BY THE LOS ANGELES POST, 1361 01:06:41,127 --> 01:06:44,783 THE BEST SPORTS COVERAGE IN TOWN. 1362 01:06:47,742 --> 01:06:50,441 - READY FOR LUNCH? 1363 01:06:50,615 --> 01:06:51,703 - SURE. 1364 01:06:51,877 --> 01:06:52,878 - LOVE THE SHADES. 1365 01:06:53,052 --> 01:06:54,619 WORK THOSE ACCESSORIES. 1366 01:06:57,230 --> 01:06:59,145 OH, MY GOSH, ASH, 1367 01:06:59,319 --> 01:07:02,105 WHAT'S WRONG? 1368 01:07:02,279 --> 01:07:03,454 - [sighs] 1369 01:07:03,628 --> 01:07:05,108 IT'S BAD. 1370 01:07:05,282 --> 01:07:06,239 - CHRISTOPHER BROKE UP WITH YOU. 1371 01:07:06,413 --> 01:07:09,199 YOU KNOW, YOU DON'T NEED THAT LOSER. 1372 01:07:09,373 --> 01:07:12,593 THAT PERFECT LOSER. 1373 01:07:12,767 --> 01:07:13,855 - NO, IT'S NOT CHRISTOPHER. 1374 01:07:14,030 --> 01:07:15,335 - YOU'RE SICK. 1375 01:07:15,509 --> 01:07:16,597 I KNEW IT. 1376 01:07:16,771 --> 01:07:17,859 I KNEW THAT YOU LOOKED TERRIBLE. 1377 01:07:18,034 --> 01:07:19,078 IT'S CANCER, ISN'T IT? 1378 01:07:19,252 --> 01:07:21,080 YOU POOR, BRAVE SOUL. 1379 01:07:21,254 --> 01:07:22,429 YOU HAVE CANCER. 1380 01:07:22,603 --> 01:07:23,604 - NO. 1381 01:07:23,778 --> 01:07:25,389 NO, IT'S NOTHING LIKE THAT. 1382 01:07:25,563 --> 01:07:26,912 IT'S WORSE. 1383 01:07:27,086 --> 01:07:30,176 I THINK I'VE FALLEN IN LOVE WITH PETE CAMDEN. 1384 01:07:30,350 --> 01:07:32,700 - THAT IS WORSE. 1385 01:07:32,874 --> 01:07:33,962 I MEAN, CANCER AT LEAST WE CAN TREAT. 1386 01:07:34,137 --> 01:07:34,963 BUT... 1387 01:07:35,138 --> 01:07:36,008 LOVE? 1388 01:07:38,402 --> 01:07:44,147 I GUESS IF HE'S THE ONE, THEN HE'S THE ONE. 1389 01:07:44,321 --> 01:07:46,671 - IT'S JUST WITH CHRISTOPHER AND ME, 1390 01:07:46,845 --> 01:07:48,107 EVERYBODY ALWAYS SAID THAT WE LOOKED PERFECT TOGETHER. 1391 01:07:48,281 --> 01:07:49,935 I DON'T KNOW, IT ALWAYS FELT 1392 01:07:50,109 --> 01:07:51,632 LIKE SOMETHING WAS MISSING. 1393 01:07:51,806 --> 01:07:54,244 - SO WHAT WAS MISSING? 1394 01:07:54,418 --> 01:07:57,421 - EVERYTHING THAT THE EYE CAN'T SEE. 1395 01:07:57,595 --> 01:07:59,727 - WHAT CAN I SAY? 1396 01:07:59,901 --> 01:08:01,338 LOVE IS LOVE. 1397 01:08:04,080 --> 01:08:05,733 - BUT HE'S NOT INTERESTED. 1398 01:08:05,907 --> 01:08:06,995 - NOT INTERESTED? 1399 01:08:07,170 --> 01:08:08,997 NOT YET, YOU MEAN. 1400 01:08:09,172 --> 01:08:11,783 COMPARED TO ALL THE OTHER THINGS YOU'VE CHANGED ABOUT HIM, 1401 01:08:11,957 --> 01:08:13,306 THIS ONE'S A GIMME. 1402 01:08:13,480 --> 01:08:15,569 - YEAH, BUT CHRISTOPHER... AND CYNTHIA. 1403 01:08:15,743 --> 01:08:17,223 HE'S DATING SOME GIRL NAMED CYNTHIA, 1404 01:08:17,397 --> 01:08:19,573 AND I THINK HE REALLY LIKES HER. 1405 01:08:19,747 --> 01:08:21,706 OH! THE WHOLE THING WILL JUST GET TOO MESSY. 1406 01:08:21,880 --> 01:08:23,229 - THEN GET MESSY. 1407 01:08:23,403 --> 01:08:24,578 GET MESSY, GIRL. 1408 01:08:24,752 --> 01:08:27,538 - YOU'RE RIGHT. 1409 01:08:27,712 --> 01:08:28,669 - OF COURSE, I AM. 1410 01:08:28,843 --> 01:08:31,324 - [laughing] 1411 01:08:31,498 --> 01:08:34,197 - A FULL HOUR WITH WRITER PETE CAMDEN 1412 01:08:34,371 --> 01:08:35,937 ON TODAY'S TARYN. DON'T MISS IT. 1413 01:08:36,112 --> 01:08:37,287 AND LATER WE WILL TELL YOU 1414 01:08:37,461 --> 01:08:38,679 HOW TO STRETCH YOUR DOLLAR FARTHER... 1415 01:08:38,853 --> 01:08:40,203 - HEY, PETE. 1416 01:08:40,377 --> 01:08:41,813 YOU'RE ABOUT TO BE A BEST-SELLING AUTHOR. 1417 01:08:41,987 --> 01:08:45,121 WHAT'S THE MATTER WITH YOU? 1418 01:08:45,295 --> 01:08:47,862 - [sighs] 1419 01:08:48,036 --> 01:08:50,430 I'M FINE. 1420 01:08:50,604 --> 01:08:51,866 - WELL, YOU LOOK LIKE YOUR DOG JUST DIED. 1421 01:08:52,040 --> 01:08:52,780 - IS THAT WHAT HAPPENED? 1422 01:08:52,954 --> 01:08:54,913 - NO. 1423 01:08:55,087 --> 01:08:56,958 I DON'T HAVE A DOG. 1424 01:08:57,133 --> 01:08:58,351 - SO WHAT'S THE PROBLEM? 1425 01:08:58,525 --> 01:09:00,005 - THINK I'M IN LOVE WITH MY TEACHER. 1426 01:09:00,179 --> 01:09:02,877 - YOU'RE NOT IN SCHOOL. 1427 01:09:03,051 --> 01:09:05,924 - MY CHARM SCHOOL TEACHER. 1428 01:09:06,098 --> 01:09:07,143 - DOES THE GIRL KNOW HOW YOU FEEL? 1429 01:09:08,666 --> 01:09:09,884 - NO, SHE DOESN'T. 1430 01:09:10,058 --> 01:09:12,060 AND, UH, I CAN'T TELL HER, 1431 01:09:12,235 --> 01:09:14,237 'CAUSE SHE'S GOT SOMEBODY. 1432 01:09:14,411 --> 01:09:15,673 IT'S A TV NEWS GUY NAMED CHRISTOPHER. 1433 01:09:15,847 --> 01:09:17,631 - CHRISTOPHER. 1434 01:09:17,805 --> 01:09:18,632 HERNANDEZ? 1435 01:09:20,460 --> 01:09:22,680 HEY, YOU TALKING ABOUT ASHLEY BOYD? 1436 01:09:22,854 --> 01:09:24,116 - YOU KNOW, PETEY, 1437 01:09:24,290 --> 01:09:25,596 YOU'RE NOT EXACTLY CHOPPED LIVER. 1438 01:09:25,770 --> 01:09:26,901 - YEAH. 1439 01:09:27,075 --> 01:09:28,773 YEAH, THERE'S A LOT OF GIRLS 1440 01:09:28,947 --> 01:09:30,905 OUT THERE, THAT'S FOR SURE. 1441 01:09:31,079 --> 01:09:34,387 AND I'VE TRIED GOING OUT WITH THEM. 1442 01:09:34,561 --> 01:09:37,956 BUT, UH, THERE'S ONLY ONE GIRL FOR ME. 1443 01:09:38,130 --> 01:09:39,000 THERE'S ONLY ONE ASHLEY. 1444 01:09:39,175 --> 01:09:40,785 - THEN GO GET ASHLEY. 1445 01:09:46,660 --> 01:09:49,489 - [sighs] 1446 01:09:49,663 --> 01:09:51,709 [TV show theme music playing in background] 1447 01:09:51,883 --> 01:09:54,842 [stage manager giving orders] 1448 01:09:55,016 --> 01:09:58,542 ASHLEY, I HAVE SOMETHING THAT I WANT TO TELL YOU. 1449 01:09:58,716 --> 01:10:00,370 NO, UM... 1450 01:10:00,544 --> 01:10:03,764 [cheers and applause] 1451 01:10:03,938 --> 01:10:05,375 - HEY! ALL RIGHT! 1452 01:10:05,549 --> 01:10:06,985 WE'RE GONNA START THE SHOW IN JUST A MINUTE, 1453 01:10:07,159 --> 01:10:08,987 BUT TODAY'S YOUR LUCKY DAY. 1454 01:10:09,161 --> 01:10:12,251 MY GUEST IS THE AUTHOR OF THE PERFECT PAST TIME, 1455 01:10:12,425 --> 01:10:15,167 NONE OTHER THAN STAR SPORTSWRITER PETE CAMDEN. 1456 01:10:15,341 --> 01:10:16,168 [cheers and applause] HUH? 1457 01:10:20,041 --> 01:10:21,956 AND MY AUDIENCES HAVE THEIR CAKE AND EAT IT, TOO. 1458 01:10:22,130 --> 01:10:23,958 WE'RE CALLED TARYN LIVE, 1459 01:10:24,132 --> 01:10:25,830 BUT WE'RE ONLY LIVE ON THE EAST COAST. 1460 01:10:26,004 --> 01:10:27,353 SO THAT MEANS YOU HAVE TIME TO GO HOME 1461 01:10:27,527 --> 01:10:29,225 AND WATCH YOURSELVES ON TV! 1462 01:10:29,399 --> 01:10:31,357 [cheers and applause] 1463 01:10:31,531 --> 01:10:33,664 - YOU KNOW, ASHLEY, IN THESE PAST FEW WEEKS, 1464 01:10:33,838 --> 01:10:35,709 I HAVE REALIZED THAT MY SEARCH 1465 01:10:35,883 --> 01:10:39,800 FOR MEANING IN MY LIFE HAS COME TO AN END, 1466 01:10:39,974 --> 01:10:43,195 BECAUSE I HAVE FOUND THE PERSON WHO COMPLETES ME. 1467 01:10:43,369 --> 01:10:45,545 [sighs] 1468 01:10:45,719 --> 01:10:46,938 [groans] 1469 01:10:47,112 --> 01:10:48,679 [cheers and applause] 1470 01:10:48,853 --> 01:10:50,942 - OKAY, ALL RIGHT. WELL, YOU READY? 1471 01:10:51,116 --> 01:10:51,986 LET'S MAKE A TV SHOW. 1472 01:10:52,160 --> 01:10:55,076 [cheers and applause] 1473 01:10:55,251 --> 01:10:57,992 - ASHLEY, I'VE FINALLY REACHED THE END ZONE 1474 01:10:58,166 --> 01:11:00,125 IN MY QUEST FOR LOVE. 1475 01:11:01,866 --> 01:11:03,041 THE END ZONE? 1476 01:11:03,215 --> 01:11:04,129 ARE YOU KIDDING ME? 1477 01:11:04,303 --> 01:11:06,131 PETE, YOU SOUND RIDICULOUS. OH! 1478 01:11:07,741 --> 01:11:09,308 - PETE! 1479 01:11:09,482 --> 01:11:11,310 I AM SORRY I'M SO LATE. 1480 01:11:11,484 --> 01:11:12,224 THE TRAFFIC WAS STOPPED. 1481 01:11:12,398 --> 01:11:14,574 - OKAY, ASHLEY, 1482 01:11:14,748 --> 01:11:16,315 THERE'S SOMETHING THAT I WANT TO TELL YOU. 1483 01:11:16,489 --> 01:11:17,795 OKAY. NOW THAT WE'RE FRIENDS... 1484 01:11:17,969 --> 01:11:19,666 COMPLETE FRIENDS... 1485 01:11:19,840 --> 01:11:21,233 - I KNOW, BUT THERE'S SOMETHING I WANT TO TELL YOU, TOO. 1486 01:11:21,407 --> 01:11:22,756 - NO, HOLD ON, I'VE BEEN WORKING ON THIS, SO... 1487 01:11:22,930 --> 01:11:24,062 - LET ME GO FIRST. - YOU FIRST. 1488 01:11:24,236 --> 01:11:25,193 both: OKAY, YOU FIRST. 1489 01:11:25,368 --> 01:11:26,804 - [laughs] - OKAY, LOOK, 1490 01:11:26,978 --> 01:11:28,153 NOW THAT WE'VE BEEN SPENDING SO MUCH TIME-- 1491 01:11:28,327 --> 01:11:29,676 - YOU'RE ON. - WAIT! 1492 01:11:29,850 --> 01:11:32,853 I'M SORRY, MY HEAD IS JUST SPINNING RIGHT NOW. 1493 01:11:33,027 --> 01:11:34,986 I REALLY WANT TO TELL YOU-- 1494 01:11:35,160 --> 01:11:36,292 - YOU NEED TO TELL HIM LATER. 1495 01:11:36,466 --> 01:11:37,641 - WE'RE LIVE IN FIVE, FOUR... - [groans] 1496 01:11:37,815 --> 01:11:39,077 - THREE, TWO... 1497 01:11:39,251 --> 01:11:41,862 - EVERYBODY, LET'S WELCOME PETE CAMDEN! 1498 01:11:42,036 --> 01:11:43,124 - AH! 1499 01:11:43,299 --> 01:11:44,822 [cheers and applause] 1500 01:11:44,996 --> 01:11:46,171 - I'M SO PLEASED YOU CAME BY TO SEE ME. 1501 01:11:46,345 --> 01:11:47,738 - YEAH, THANKS A LOT, TARYN, 1502 01:11:47,912 --> 01:11:48,739 AND THANK YOU ALL. 1503 01:11:48,913 --> 01:11:50,480 APPRECIATE IT. 1504 01:11:50,654 --> 01:11:54,135 - OKAY, SO YOU KNOW I'M KIND OF A GIRLY GIRL. 1505 01:11:54,310 --> 01:11:56,007 [laughter] 1506 01:11:56,181 --> 01:11:58,357 SO I WAS A LITTLE WORRIED ABOUT A BOOK ABOUT BASEBALL, 1507 01:11:58,531 --> 01:11:59,532 BUT YOU PULLED ME IN. 1508 01:11:59,706 --> 01:12:01,055 THE PERFECT PAST TIMEIS HOT. 1509 01:12:01,229 --> 01:12:03,144 - WELL, THAT'S GREAT. 1510 01:12:03,319 --> 01:12:07,061 YEAH, I TRIED TO WRITE IT FOR EVEN NON-SPORTS FANS, SO... 1511 01:12:07,235 --> 01:12:09,150 - YEAH. WELL, AND EVERYONE IN OUR STUDIO AUDIENCE TODAY 1512 01:12:09,325 --> 01:12:10,761 IS GOING HOME WITH A FREE COPY. 1513 01:12:10,935 --> 01:12:12,589 - WHOO! 1514 01:12:15,505 --> 01:12:16,854 - SO WHAT YOU'RE SAYING IS THAT, 1515 01:12:17,028 --> 01:12:18,029 EVEN THOUGH THE GAME IS A COMPETITION... 1516 01:12:18,203 --> 01:12:19,552 [cell phone vibrating] 1517 01:12:19,726 --> 01:12:22,033 EVERYONE ON THE FIELD IS STILL PLAYING FOR THE SAME TEAM. 1518 01:12:22,207 --> 01:12:23,556 - YEAH, THAT'S A GREAT WAY OF PUTTING IT, TARYN. 1519 01:12:23,730 --> 01:12:25,341 - CHRISTOPHER, CAN I CALL YOU RIGHT BACK? 1520 01:12:25,515 --> 01:12:27,168 - I GOT THE JOB! 1521 01:12:27,343 --> 01:12:28,779 YOU'RE TALKING TO THE NEW WEEKEND ANCHOR 1522 01:12:28,953 --> 01:12:30,433 AT WMET TV 3. 1523 01:12:30,607 --> 01:12:32,696 - THAT'S REALLY GREAT, CHRISTOPHER. 1524 01:12:32,870 --> 01:12:34,350 - HA! I KNOW! 1525 01:12:34,524 --> 01:12:36,090 - WELL, ENOUGH ABOUT BASEBALL. 1526 01:12:36,264 --> 01:12:37,353 I WANT TO HEAR ABOUT YOU 1527 01:12:37,527 --> 01:12:38,876 AND YOUR LIFE. 1528 01:12:39,050 --> 01:12:41,008 IS THERE ANYONE SPECIAL WE SHOULD KNOW ABOUT? 1529 01:12:41,182 --> 01:12:42,227 GIVE US THE SCOOP. 1530 01:12:42,401 --> 01:12:44,577 IS THERE ANYONE YOU HAVE YOUR EYE ON? 1531 01:12:44,751 --> 01:12:48,276 - UM, WE'VE BEEN SPENDING A LOT OF TIME TOGETHER LATELY, 1532 01:12:48,451 --> 01:12:50,017 AND IT'S SOMEONE THAT I WOULD HAVE NEVER GOTTEN TO KNOW 1533 01:12:50,191 --> 01:12:51,367 IF IT WEREN'T FOR MY PUBLISHER 1534 01:12:51,541 --> 01:12:54,065 THINKING THAT I NEEDED A LITTLE SPRUCING UP. 1535 01:12:54,239 --> 01:12:55,240 - OKAY. [laughter] 1536 01:12:56,502 --> 01:12:58,199 - CYNTHIA. 1537 01:12:58,374 --> 01:12:59,984 - NO, STILL ME. 1538 01:13:00,158 --> 01:13:02,247 COME OUT TO NEW YORK WITH ME RIGHT NOW. 1539 01:13:02,421 --> 01:13:04,249 I KNOW THE TIMING'S BAD, BUT LET'S JUST DO IT. 1540 01:13:04,423 --> 01:13:07,470 - RIGHT, RIGHT, YEAH. - UM... 1541 01:13:07,644 --> 01:13:11,778 NO, UM, ACTUALLY, CHRISTOPHER, 1542 01:13:11,952 --> 01:13:13,954 THE TIMING IS PERFECT. 1543 01:13:14,128 --> 01:13:15,260 - GREAT! I'LL CALL YOU FROM MY HOTEL. 1544 01:13:15,434 --> 01:13:16,392 - WHERE ARE YOU NOW? 1545 01:13:16,566 --> 01:13:17,393 - I DON'T KNOW WHERE I AM, 1546 01:13:17,567 --> 01:13:19,003 AND NOBODY WILL HELP ME. 1547 01:13:19,177 --> 01:13:21,048 LOOK, I GOTTA GO. 1548 01:13:21,222 --> 01:13:22,572 - I MEAN, WHEN WE FIRST MET, 1549 01:13:22,746 --> 01:13:25,270 UH, I COULD BARELY EVEN TALK TO HER, 1550 01:13:25,444 --> 01:13:27,011 BUT SHE HAS CHANGED MY LIFE 1551 01:13:27,185 --> 01:13:30,057 IN WAYS THAT I CAN'T EVEN DESCRIBE. 1552 01:13:30,231 --> 01:13:31,407 [door closes] 1553 01:13:31,581 --> 01:13:32,451 BUT IT'S NOT WHAT SHE'S DONE FOR ME 1554 01:13:32,625 --> 01:13:34,018 THAT MAKES ME LOVE HER. 1555 01:13:34,192 --> 01:13:35,236 IT'S, UH... IT'S WHO SHE IS. 1556 01:13:35,411 --> 01:13:37,325 - AWW! 1557 01:13:37,500 --> 01:13:39,240 - TARYN, CYNTHIA AND I ARE GREAT FRIENDS, 1558 01:13:39,415 --> 01:13:41,242 BUT THAT'S NOT WHO I'M IN LOVE WITH. 1559 01:13:41,417 --> 01:13:42,983 - JUST SAY HER NAME ALREADY. 1560 01:13:43,157 --> 01:13:44,245 [laughter] 1561 01:13:44,420 --> 01:13:46,030 - OKAY, WELL, YOU, UH... 1562 01:13:46,204 --> 01:13:47,553 YOU ALL KNOW HER. 1563 01:13:47,727 --> 01:13:50,121 UM, ASHLEY BOYD. 1564 01:13:50,295 --> 01:13:52,297 [cheers and applause] 1565 01:13:52,471 --> 01:13:55,343 - I DON'T MIND PACKING UP YOUR APARTMENT FOR THE MOVERS, 1566 01:13:55,518 --> 01:13:57,171 BUT WHY DO YOU HAVE TO LEAVE SO SUDDENLY? 1567 01:13:57,345 --> 01:13:59,913 - BECAUSE I'M SO HAPPY! 1568 01:14:00,087 --> 01:14:02,612 - YOU ARE? 1569 01:14:02,786 --> 01:14:04,962 - YES. I LOVE CHRISTOPHER. 1570 01:14:05,136 --> 01:14:07,399 WE'RE GONNA LIVE IN A PENTHOUSE ON CENTRAL PARK, 1571 01:14:07,573 --> 01:14:09,053 AND HE'S GONNA BE A REALLY GOOD LISTENER. 1572 01:14:09,227 --> 01:14:10,750 WHICH IS THE KEY 1573 01:14:10,924 --> 01:14:12,926 TO A TRULY MEANINGFUL CONVERSATION, BY THE WAY. 1574 01:14:13,100 --> 01:14:14,232 - ASH, WHAT ARE YOU TALKING ABOUT? 1575 01:14:14,406 --> 01:14:16,974 - I'M FINE. 1576 01:14:20,804 --> 01:14:23,415 PETE PROFESSED HIS LOVE TO CYNTHIA ON TARYNTODAY. 1577 01:14:26,592 --> 01:14:28,464 I LOST HIM. 1578 01:14:38,169 --> 01:14:40,780 AND I HATE CHILI. 1579 01:14:40,954 --> 01:14:44,001 UNH! 1580 01:14:44,175 --> 01:14:45,742 STUPID JACKET. 1581 01:14:45,916 --> 01:14:47,570 - WELL, IT WAS GONNA GET WRINKLED ON THE TRIP ANYWAY. 1582 01:14:47,744 --> 01:14:48,701 - I HAVE TO GO BY THE OFFICE, 1583 01:14:48,875 --> 01:14:52,096 AND THEN I'M OFF TO THE AIRPORT. 1584 01:14:52,270 --> 01:14:55,099 DUMB...HANGER! 1585 01:14:55,273 --> 01:14:59,146 [bag zips] 1586 01:14:59,320 --> 01:15:01,148 PROMISE YOU'LL VISIT ME. 1587 01:15:08,504 --> 01:15:09,374 I HAVE TO GO. 1588 01:15:14,901 --> 01:15:16,468 - THAT'S ALL THE TIME THAT WE HAVE FOR TODAY. 1589 01:15:16,642 --> 01:15:17,687 THANKS, EVERYBODY. THANK YOU. 1590 01:15:17,861 --> 01:15:19,297 AND YOU, GO GET BUSY. 1591 01:15:19,471 --> 01:15:21,908 [laughs] 1592 01:15:22,082 --> 01:15:25,129 [cheers and applause] 1593 01:15:28,698 --> 01:15:29,525 - ASHLEY, DID YOU HEAR WHAT I SAID? 1594 01:15:29,699 --> 01:15:30,656 I MEANT EVERY-- 1595 01:15:30,830 --> 01:15:32,571 HEY, HAVE YOU SEEN ASHLEY? 1596 01:15:32,745 --> 01:15:33,529 - UH, SHE GOT A CALL IN THE MIDDLE OF THE SHOW 1597 01:15:33,703 --> 01:15:34,878 AND TOOK OFF. 1598 01:15:43,103 --> 01:15:46,977 - I'M SUCH AN IDIOT. 1599 01:15:47,151 --> 01:15:48,282 - YOU DON'T WANT TO GO OUT, 1600 01:15:48,456 --> 01:15:50,067 YOU DON'T WANT TO STAY IN, 1601 01:15:50,241 --> 01:15:51,895 YOU DON'T WANT TO TALK ABOUT IT. 1602 01:15:55,725 --> 01:15:57,509 HEY! LOOK AT THIS! 1603 01:15:57,683 --> 01:16:03,167 MICHAEL JORDAN IS COMING OUT OF RETIREMENT AGAIN. 1604 01:16:03,341 --> 01:16:04,951 WOW! LEBRON IS QUITTING TO BECOME AN ARUGULA FARMER! 1605 01:16:05,125 --> 01:16:07,127 WHOA. 1606 01:16:07,301 --> 01:16:08,520 DIDN'T SEE THAT COMIN'. 1607 01:16:08,694 --> 01:16:11,305 AND KOBE IS RELEASING A CD OF POLKA HITS. 1608 01:16:11,479 --> 01:16:13,090 DUDE, 1609 01:16:13,264 --> 01:16:14,526 SAY SOMETHIN'. 1610 01:16:16,310 --> 01:16:17,311 - USE A COASTER. 1611 01:16:17,485 --> 01:16:18,704 - [sighs] 1612 01:16:18,878 --> 01:16:20,401 WHAT'S YOUR PROBLEM? 1613 01:16:20,576 --> 01:16:22,316 - THE PROBLEM? 1614 01:16:22,490 --> 01:16:25,102 THE PROBLEM IS I'M IN LOVE WITH A GIRL 1615 01:16:25,276 --> 01:16:26,494 I CAN'T HAVE. 1616 01:16:26,669 --> 01:16:27,974 - YOU REALLY DO LOVE HER, HUH? 1617 01:16:28,148 --> 01:16:30,324 - YEAH. 1618 01:16:30,498 --> 01:16:33,197 - WELL, THEN MAYBE YOU SHOULD CALL HER. 1619 01:16:33,371 --> 01:16:34,851 - AND SAY WHAT? 1620 01:16:35,025 --> 01:16:36,548 SHE'S ALREADY GOT CHRISTOPHER HERNANDEZ. 1621 01:16:36,722 --> 01:16:37,767 HE'S PERFECT. 1622 01:16:37,941 --> 01:16:40,247 - COME ON, MAN, SO ARE YOU. 1623 01:16:40,421 --> 01:16:42,336 JUST CALL HER. 1624 01:16:42,510 --> 01:16:43,599 - [sighs] 1625 01:16:43,773 --> 01:16:44,991 COME ON. WHAT'S THE POINT? 1626 01:16:45,165 --> 01:16:46,427 SHE LEFT THE STUDIO, 1627 01:16:46,602 --> 01:16:48,168 EVEN AFTER I PROCLAIMED MY LOVE 1628 01:16:48,342 --> 01:16:50,475 FROM COAST TO COAST, SO... 1629 01:16:50,649 --> 01:16:54,000 LOOK, CLEARLY, SHE DOESN'T CARE ABOUT ME, SO. 1630 01:16:54,174 --> 01:16:56,481 - YOU GOTTA GIVE IT A SHOT. 1631 01:16:56,655 --> 01:16:58,004 I SHOULD HAVE PUSHED YOU 1632 01:16:58,178 --> 01:16:59,615 WHEN YOU FIRST STARTED TALKING NICE ABOUT HER, 1633 01:16:59,789 --> 01:17:01,268 BUT I DIDN'T. 1634 01:17:01,442 --> 01:17:02,792 I DON'T KNOW WHY. 1635 01:17:02,966 --> 01:17:04,620 OKAY, MAYBE I DIDN'T WANT TO MEDDLE. 1636 01:17:04,794 --> 01:17:09,407 MAYBE I DIDN'T WANT TO LOSE MY CHICK MAGNET PARTNER. 1637 01:17:09,581 --> 01:17:11,539 MAYBE MY EYES WERE CLOUDED 1638 01:17:11,714 --> 01:17:13,237 BY A TOUCH OF A JEALOUS BROMANCE. 1639 01:17:13,411 --> 01:17:15,239 I DON'T KNOW. 1640 01:17:15,413 --> 01:17:16,327 - OKAY, GIVE ME-- 1641 01:17:16,501 --> 01:17:17,720 JUST GIVE ME THAT THING, WILL YA? 1642 01:17:17,894 --> 01:17:19,417 [sighs] 1643 01:17:19,591 --> 01:17:21,245 - SIT RIGHT HERE. 1644 01:17:21,419 --> 01:17:22,463 [phone dialing] WHY ARE YOU LEAVING? 1645 01:17:22,638 --> 01:17:25,075 [line ringing] 1646 01:17:25,249 --> 01:17:26,119 [rings] 1647 01:17:26,293 --> 01:17:27,991 [TV playing] 1648 01:17:28,165 --> 01:17:29,209 - HELLO. 1649 01:17:29,383 --> 01:17:30,297 - HI. 1650 01:17:30,471 --> 01:17:31,647 IS ASHLEY THERE? 1651 01:17:31,821 --> 01:17:33,344 - PETE? IT'S MANDY. 1652 01:17:33,518 --> 01:17:34,824 - OH, HEY, MANDY. 1653 01:17:34,998 --> 01:17:37,478 UM, YEAH, I WANT TO TALK TO ASHLEY. 1654 01:17:37,653 --> 01:17:39,567 YOU KNOW, I NEED TO TALK TO ASHLEY. 1655 01:17:39,742 --> 01:17:41,482 - WELL, I'M SURE THAT SHE WANTS TO TALK TO YOU, TOO, 1656 01:17:41,657 --> 01:17:43,876 WHETHER OR NOT SHE'LL ADMIT IT. 1657 01:17:44,050 --> 01:17:46,139 BUT, UNFORTUNATELY, SHE'S ALREADY ON HER WAY TO NEW YORK. 1658 01:17:46,313 --> 01:17:47,401 - NEW YORK? 1659 01:17:47,575 --> 01:17:48,707 - I HEARD ALL ABOUT YOU 1660 01:17:48,881 --> 01:17:50,622 AND THAT COW CYNTHIA AND ALL. 1661 01:17:50,796 --> 01:17:52,580 - WAIT, WAIT, WAIT. WHAT ARE YOU TALKING ABOUT? 1662 01:17:52,755 --> 01:17:54,278 - ON THE TARYNSHOW, 1663 01:17:54,452 --> 01:17:55,496 YOU SAID YOU HAVE SOMEONE SPECIAL. 1664 01:17:55,671 --> 01:17:57,194 - YEAH, I DID, 1665 01:17:57,368 --> 01:17:58,543 BUT NOT CYNTHIA. 1666 01:17:58,717 --> 01:18:00,501 I SAID ASHLEY WAS THAT SPECIAL PERSON. 1667 01:18:00,676 --> 01:18:02,025 YOU DIDN'T WATCH THE SHOW? 1668 01:18:02,199 --> 01:18:05,419 - HOW COULD I? IT'S JUST COMING ON RIGHT NOW. 1669 01:18:05,593 --> 01:18:07,247 OH, NO. 1670 01:18:07,421 --> 01:18:08,814 THAT MEANS ASHLEY HASN'T WATCHED-- 1671 01:18:08,988 --> 01:18:10,511 UM, AND SHE'S ON THE WAY TO THE AIRPORT. 1672 01:18:10,686 --> 01:18:11,556 YOU HAVE TO STOP HER! CALL HER CELL! 1673 01:18:11,730 --> 01:18:13,514 - OKAY, I GOT IT. THANKS. 1674 01:18:13,689 --> 01:18:15,516 [phone beeps] 1675 01:18:19,390 --> 01:18:21,218 [line ringing] 1676 01:18:21,392 --> 01:18:24,003 [cell phone ringing] 1677 01:18:25,483 --> 01:18:27,224 [rings] 1678 01:18:27,398 --> 01:18:28,921 - WELL, I GUESS THAT DIDN'T WORK. 1679 01:18:29,095 --> 01:18:30,793 - OKAY, HEY, DO YOU KNOW WHAT FLIGHT SHE'S ON? 1680 01:18:30,967 --> 01:18:32,708 - NO. I, UM... 1681 01:18:32,882 --> 01:18:35,275 OH! UM, SHE SAID SHE HAD TO STOP BY THE OFFICE FIRST. 1682 01:18:35,449 --> 01:18:36,494 GO! GO, GO, GO, GO! 1683 01:18:36,668 --> 01:18:38,061 - OKAY, THANKS. 1684 01:18:43,588 --> 01:18:45,590 LOOK, IF I RUSH, I CAN CATCH HER AT THE POST. 1685 01:18:45,764 --> 01:18:46,591 - LISTEN, IF YOU GOTTA HURRY, 1686 01:18:46,765 --> 01:18:47,723 LEAVE IT TO A PROFESSIONAL. 1687 01:18:47,897 --> 01:18:48,680 I'M GONNA DRIVE, OKAY? 1688 01:18:48,854 --> 01:18:49,986 - ALL RIGHT. 1689 01:18:54,425 --> 01:18:55,687 [horn honks] 1690 01:18:55,861 --> 01:18:57,471 - COME ON! 1691 01:18:57,645 --> 01:19:00,213 WHAT ARE YOU, STUPID? 1692 01:19:00,387 --> 01:19:02,215 [horns honking] 1693 01:19:02,389 --> 01:19:05,479 I'M LOOKIN' AT YOU. 1694 01:19:05,653 --> 01:19:07,090 - WHY AREN'T WE MOVING? 1695 01:19:07,264 --> 01:19:09,396 - 'CAUSE IT'S RAINING, AND IT'S LOS ANGELES. 1696 01:19:09,570 --> 01:19:10,571 WHAT ARE YOU, NEW HERE? 1697 01:19:10,746 --> 01:19:12,182 - I DON'T GET IT. 1698 01:19:12,356 --> 01:19:13,487 IT STARTS TO RAIN, 1699 01:19:13,661 --> 01:19:14,575 AND SUDDENLY PEOPLE CAN'T DRIVE? 1700 01:19:14,750 --> 01:19:16,708 IT'S GONNA TAKE US THREE HOURS 1701 01:19:16,882 --> 01:19:18,492 TO GO THE FIVE MILES TO THE OFFICE. 1702 01:19:18,666 --> 01:19:21,278 - BUT WHY LEAVE US NOW? 1703 01:19:21,452 --> 01:19:22,845 AND SO SUDDENLY. 1704 01:19:23,019 --> 01:19:24,368 - I'M SORRY, MRS. FRIEDLANDER, 1705 01:19:24,542 --> 01:19:25,499 BUT WE'RE MOVING TO NEW YORK. 1706 01:19:25,673 --> 01:19:27,327 CHRISTOPHER GOT THE JOB. 1707 01:19:27,501 --> 01:19:28,415 - OH, THAT'S WONDERFUL. 1708 01:19:28,589 --> 01:19:29,634 WONDERFUL FOR HIM. 1709 01:19:29,808 --> 01:19:31,636 TERRIBLE FOR US. 1710 01:19:31,810 --> 01:19:33,594 YOU EVEN TOLD ME, 1711 01:19:33,769 --> 01:19:35,814 YOUR BIGGEST DREAM WAS TO BECOME THE FIRST VOICE 1712 01:19:35,988 --> 01:19:37,773 OF WEST COAST GLAMOUR. 1713 01:19:37,947 --> 01:19:40,253 "FIRST LOOK" IS YOURS. 1714 01:19:40,427 --> 01:19:43,561 - I'M SORRY. 1715 01:19:43,735 --> 01:19:47,434 I'LL EMAIL YOU THE FINAL ARTICLE FROM NEW YORK, OKAY? 1716 01:19:47,608 --> 01:19:49,132 - YOU MUST REALLY BE IN LOVE. 1717 01:19:52,265 --> 01:19:53,527 - I AM. 1718 01:19:53,701 --> 01:19:56,052 THAT'S WHY I'M LEAVING. 1719 01:19:57,444 --> 01:19:58,358 THANK YOU... 1720 01:19:58,532 --> 01:19:59,969 FOR EVERYTHING. 1721 01:20:00,143 --> 01:20:01,666 - YOU'RE MOST WELCOME. 1722 01:20:05,104 --> 01:20:06,758 - IF YOU HAD TOLD ME TWO WEEKS AGO 1723 01:20:06,932 --> 01:20:08,194 THAT I'D BE SITTING HERE RIGHT NOW 1724 01:20:08,368 --> 01:20:10,196 TELLING YOU THAT ASHLEY BOYD 1725 01:20:10,370 --> 01:20:11,981 WAS MY SOUL MATE, 1726 01:20:12,155 --> 01:20:13,504 I WOULD HAVE THOUGHT YOU WERE CRAZY. 1727 01:20:13,678 --> 01:20:15,680 YOU KNOW, ONE DAY, WE WERE STANDING ON THE STREET, 1728 01:20:15,854 --> 01:20:18,814 AND SHE PRETENDED THAT SHE KNEW SOMETHING ABOUT SPORTS, 1729 01:20:18,988 --> 01:20:22,643 AND, I SWEAR, I FELT LIKE 1730 01:20:22,818 --> 01:20:25,342 I COULD HAVE MARRIED HER RIGHT THERE ON THE SPOT. 1731 01:20:25,516 --> 01:20:26,473 [rain falling] 1732 01:20:26,647 --> 01:20:28,345 [horns blaring] 1733 01:20:31,000 --> 01:20:32,392 [honks horn] 1734 01:20:32,566 --> 01:20:34,177 - LET'S GO, PEOPLE! 1735 01:20:34,351 --> 01:20:36,527 IT'S CALLED RAIN AND IT'S MADE OUT OF WATER! 1736 01:20:36,701 --> 01:20:39,443 GET OVER IT! [horn honks] 1737 01:20:39,617 --> 01:20:42,576 I FEAR MY APPEAL TO LOGIC 1738 01:20:42,750 --> 01:20:44,274 HAS FALLEN UPON DEAF EARS. 1739 01:20:57,635 --> 01:20:59,680 - BUT SHE HAS CHANGED MY LIFE 1740 01:20:59,855 --> 01:21:02,379 IN WAYS THAT I CAN'T EVEN DESCRIBE. 1741 01:21:03,946 --> 01:21:06,122 GO, GO, GO, GO, GO, GO, GO, GO! 1742 01:21:09,734 --> 01:21:10,996 I...I MEAN, THAT'S IT. 1743 01:21:11,170 --> 01:21:12,476 GAME'S OVER. 1744 01:21:12,650 --> 01:21:13,999 THE FAT LADY SUNG. 1745 01:21:14,173 --> 01:21:15,566 - "SANG." 1746 01:21:15,740 --> 01:21:16,697 - NO, IT'S "SUNG." 1747 01:21:16,872 --> 01:21:18,874 - I'M SORRY, AMIGO. 1748 01:21:19,048 --> 01:21:21,920 MARTY GIORDANO, 1749 01:21:22,094 --> 01:21:24,705 PROFESSIONAL CAB DRIVER, HAS FAILED YOU. 1750 01:21:24,880 --> 01:21:26,751 - YOU KNOW WHAT? 1751 01:21:26,925 --> 01:21:28,709 THIS GAME ISN'T OVER. 1752 01:21:28,884 --> 01:21:29,754 WE ARE JUST ABOUT TO START OVERTIME. 1753 01:21:29,928 --> 01:21:31,060 - WHAT ARE YOU DOIN'? 1754 01:21:31,234 --> 01:21:32,409 - I'M MAKIN' A RUN FOR IT. 1755 01:21:32,583 --> 01:21:33,845 - NO! YOU CAN'T GO OUT THERE! 1756 01:21:34,019 --> 01:21:35,716 NOT IN...WEATHER. 1757 01:21:35,891 --> 01:21:36,848 - IT'S RAIN, MARTY. 1758 01:21:37,022 --> 01:21:38,589 [horns blaring] 1759 01:21:41,461 --> 01:21:42,506 - HE'S GONNA GET WET. 1760 01:21:53,082 --> 01:21:56,041 - YOU KNOW, AND SHE IS BACKSTAGE RIGHT NOW. 1761 01:21:56,215 --> 01:21:58,739 AND AS SOON AS THIS SHOW IS OVER, 1762 01:21:58,914 --> 01:22:00,741 I AM GONNA GO BACK THERE... - [blows nose, sniffles] 1763 01:22:00,916 --> 01:22:04,920 - AND I'M GONNA ASK HER TO MARRY ME. 1764 01:22:05,094 --> 01:22:06,573 I DIDN'T EVEN MAKE THIS CHOICE. 1765 01:22:06,747 --> 01:22:09,185 I MEAN, MY HEART JUST MADE THIS CHOICE FOR ME. 1766 01:22:09,359 --> 01:22:12,144 IT JUST FEELS ABSOLUTELY LIKE IT WAS MEANT TO BE. 1767 01:22:12,318 --> 01:22:17,628 - THAT'S BECAUSE IT W MEANT TO BE. 1768 01:22:17,802 --> 01:22:19,412 - WHOA! WHOA, WHOA! 1769 01:22:19,586 --> 01:22:21,588 [panting] 1770 01:22:23,460 --> 01:22:24,765 - SO, MARK AND OWEN... 1771 01:22:27,551 --> 01:22:30,728 Pete on TV: YEAH, IT'S CORNY, 1772 01:22:30,902 --> 01:22:31,729 BUT IT'S, UH...IT'S TRUE. 1773 01:22:31,903 --> 01:22:34,166 - [whispers] NO, NO, NO, NO. 1774 01:22:34,340 --> 01:22:35,907 [audio from TV continues indistinctly] 1775 01:22:43,001 --> 01:22:46,091 - ...BUT SHE HAS CHANGED MY LIFE 1776 01:22:46,265 --> 01:22:48,006 IN WAYS THAT I CAN'T EVEN DESCRIBE. 1777 01:22:48,180 --> 01:22:50,966 BUT IT'S NOT WHAT SHE'S DONE FOR ME THAT MAKES ME LOVE HER. 1778 01:22:51,140 --> 01:22:51,967 IT'S, UH... 1779 01:22:52,141 --> 01:22:53,533 IT'S WHO SHE IS. 1780 01:22:53,707 --> 01:22:55,448 [applause] 1781 01:22:55,622 --> 01:22:57,929 - [deep breath] 1782 01:22:58,103 --> 01:23:00,845 [Pete continues speaking on TV] 1783 01:23:01,019 --> 01:23:02,586 Pete: [clearly] ASHLEY. 1784 01:23:09,636 --> 01:23:11,682 ASHLEY, I DON'T WANT YOU TO GO. 1785 01:23:14,728 --> 01:23:15,773 I WANT YOU TO STAY HERE 1786 01:23:15,947 --> 01:23:17,340 WITH ME. 1787 01:23:21,039 --> 01:23:23,607 I'VE NEVER FELT THIS WAY ABOUT ANYBODY BEFORE. 1788 01:23:27,785 --> 01:23:29,961 I MEAN, ALL KINDS OF WOMEN ARE FINALLY NOTICING ME. 1789 01:23:30,135 --> 01:23:31,571 - [laughs, sniffles] 1790 01:23:31,745 --> 01:23:33,443 - I COULD LIVE THE LIFE THAT MOST GUYS DREAM ABOUT. 1791 01:23:37,882 --> 01:23:39,840 ALL I DREAM ABOUT IS YOU. 1792 01:23:40,015 --> 01:23:42,539 - WHAT ABOUT THE SHOW 1793 01:23:42,713 --> 01:23:44,671 AND CYNTHIA? 1794 01:23:44,845 --> 01:23:48,240 - NO, NO. YOU LEFT THE STUDIO BEFORE I HAD A CHANCE TO... 1795 01:23:48,414 --> 01:23:49,720 Pete on TV: YOU ALL KNOW HER. 1796 01:23:49,894 --> 01:23:53,767 I LOVE ASHLEY BOYD. 1797 01:23:53,941 --> 01:23:55,508 YEAH. 1798 01:23:55,682 --> 01:23:58,772 I LOVE ASHLEY BOYD. 1799 01:23:58,946 --> 01:24:00,078 [applause] 1800 01:24:00,252 --> 01:24:03,864 I LOVE YOU, ASHLEY BOYD. 1801 01:24:04,039 --> 01:24:05,649 I'VE SAID IT. I'LL SAY IT AGAIN. 1802 01:24:05,823 --> 01:24:09,653 I LOVE ASHLEY BOYD. - I LOVE YOU, ASHLEY. 1803 01:24:09,827 --> 01:24:10,915 I LOVE YOU. 1804 01:24:13,352 --> 01:24:16,355 - AND I LOVE YOU, PETE CAMDEN. 1805 01:24:26,017 --> 01:24:27,540 [laughs] 1806 01:24:27,714 --> 01:24:28,672 [gasps] WHA-- 1807 01:24:28,846 --> 01:24:30,065 - ASHLEY... 1808 01:24:32,893 --> 01:24:34,765 WILL YOU MARRY ME? 1809 01:24:34,939 --> 01:24:37,072 - [sniffles, laughs] 1810 01:24:40,162 --> 01:24:44,340 THIS IS SO NOT HOW I PLANNED MY MARRIAGE PROPOSAL TO BE. 1811 01:24:50,694 --> 01:24:54,741 YES. 1812 01:24:54,915 --> 01:24:56,047 - AWW! [applause] 1813 01:25:22,160 --> 01:25:25,903 [cheers and applause] 1814 01:25:26,077 --> 01:25:27,078 - THAT A WAY, PETE! 1815 01:25:52,147 --> 01:25:54,366 - THE TRANSFORMATION WAS COMPLETE, 1816 01:25:54,540 --> 01:25:56,803 BUT IN A WAY I NEVER WOULD HAVE PREDICTED. 1817 01:25:56,977 --> 01:25:58,631 HE WAS FIXED, 1818 01:25:58,805 --> 01:26:00,024 BUT SO WAS I. 1819 01:26:02,853 --> 01:26:05,464 Captioning byCaptionMax www.captionmax.com 119102

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