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1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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00:00:06,310 --> 00:00:07,224
- IN ONE MINUTE,
I'LL BRING YOU BACK.
3
00:00:07,398 --> 00:00:09,705
- 3, 2...
- WAIT. WE'RE GOOD.
4
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
5
00:00:09,879 --> 00:00:12,229
AND WE'RE BACK WITH THE
ONE AND ONLY ASHLEY BOYD,
6
00:00:12,403 --> 00:00:13,796
FASHION WRITER FOR
THE LOS ANGELES POST.
7
00:00:13,970 --> 00:00:15,102
[cheers and applause]
8
00:00:15,276 --> 00:00:16,973
NOW THE MAKEOVER'S COMPLETE...
- YES.
9
00:00:17,147 --> 00:00:19,497
- AND NOW FOR
THE MOMENT OF TRUTH,
10
00:00:19,671 --> 00:00:21,021
BUT FIRST,
LET'S TAKE A LOOK
11
00:00:21,195 --> 00:00:25,982
AT WHAT ASHLEY
HAD TO WORK WITH.
12
00:00:26,156 --> 00:00:28,811
OKAY.
- THERE'S KIM BEFORE.
13
00:00:28,985 --> 00:00:31,074
- ASHLEY.
- MM-HMM.
14
00:00:31,248 --> 00:00:33,120
- IT'S MAGIC TIME.
15
00:00:33,294 --> 00:00:34,860
- THANK YOU SO MUCH,
TARYN.
16
00:00:35,035 --> 00:00:37,559
LADIES, I'D LIKE
TO PRESENT TO YOU
17
00:00:37,733 --> 00:00:39,082
THE NEW KIM.
18
00:00:39,256 --> 00:00:41,041
[cheers and applause]
19
00:00:41,215 --> 00:00:43,652
- OH, MY GOSH.
WHO IS THIS WOMAN?
20
00:00:43,826 --> 00:00:46,046
WHO ARE YOU?
YOU ARE HOT, HOT, HOT.
21
00:00:46,220 --> 00:00:47,656
- I KNOW.
I CAN FEEL THE HEAT.
22
00:00:47,830 --> 00:00:49,049
LADIES,
CAN YOU FEEL THE HEAT?
23
00:00:49,223 --> 00:00:51,660
[applause]
24
00:00:51,834 --> 00:00:53,836
KIM HAS SUCH WONDERFULLY
BRIGHT EYES.
25
00:00:54,010 --> 00:00:55,185
I HAD ERIC T. LOWE GO IN
26
00:00:55,359 --> 00:00:56,882
AND DO SOME HIGHLIGHTS
IN HER BANGS,
27
00:00:57,057 --> 00:00:59,842
AND NOW THEY ARE
POSITIVELY ON FIRE.
28
00:01:00,016 --> 00:01:02,279
- BEAUTIFUL. AND, UH,
WHO ARE WE WEARING?
29
00:01:02,453 --> 00:01:04,194
- OH, IT HAD TO BE
JEFFREY BEAUMAN.
30
00:01:04,368 --> 00:01:07,284
IT'S SOPHISTICATED,
IT'S SASSY,
31
00:01:07,458 --> 00:01:10,157
AND IT DEFINITELY SAYS,
"LOOK OUT, HERE I COME."
32
00:01:10,331 --> 00:01:12,637
- OH, WELL, I SAY,
"FABU, ASHLEY BOYD."
33
00:01:12,811 --> 00:01:14,248
WE KNOW WHO
EVERYONE IN THE COUNTRY
34
00:01:14,422 --> 00:01:15,727
WILL BE
TALKING ABOUT TOMORROW.
35
00:01:15,901 --> 00:01:16,728
[upbeat music]
36
00:01:16,902 --> 00:01:18,861
♪
37
00:01:19,035 --> 00:01:26,173
[phone ringing]
38
00:01:26,347 --> 00:01:27,826
- ASHLEY,
YOU'RE WANTED UPSTAIRS.
39
00:01:28,000 --> 00:01:29,785
- OH, NO.
WHAT DID I DO?
40
00:01:46,410 --> 00:01:48,717
[bell dings]
41
00:01:48,891 --> 00:01:50,719
- GOOD LUCK.
42
00:01:55,376 --> 00:01:57,682
- I'M SO SORRY,
MRS. FRIEDLANDER,
43
00:01:57,856 --> 00:01:59,641
IF YOU WEREN'T HAPPY
WITH MY TARYNAPPEARANCE.
44
00:01:59,815 --> 00:02:01,033
YOU KNOW HOW I WANT
THINGS TO BE PERFECT,
45
00:02:01,208 --> 00:02:03,732
AND I PLANNED FOR THIS
FOR WEEKS.
46
00:02:03,906 --> 00:02:05,342
WAS IT THAT I DIDN'T MENTION
THE POSTENOUGH?
47
00:02:05,516 --> 00:02:08,911
- STOP. I WATCHED THE SHOW
AND YOU DID A FABULOUS JOB.
48
00:02:09,085 --> 00:02:11,000
- THANK YOU,
MRS. FRIEDLANDER.
49
00:02:11,174 --> 00:02:13,220
IT WAS NOTHING, REALLY.
50
00:02:13,394 --> 00:02:14,525
THANK YOU SO MUCH
FOR WATCHING AS WELL.
51
00:02:14,699 --> 00:02:15,831
I MEAN,
I WAS TRULY HONORED.
52
00:02:16,005 --> 00:02:17,920
- DON'T GET TOO HONORED.
53
00:02:18,094 --> 00:02:20,792
I AM PLANNING A NEW SUPPLEMENT
FOR THE POST
54
00:02:20,966 --> 00:02:22,794
WHICH I'M CALLING
"FIRST LOOK,"
55
00:02:22,968 --> 00:02:26,320
A SUPPLEMENT FOR WHICH
I INTEND TO NAME YOU EDITOR.
56
00:02:26,494 --> 00:02:29,149
- OH, MY GOD,
I WANT THAT SO BADLY!
57
00:02:29,323 --> 00:02:30,802
EVER SINCE I WAS
A LITTLE GIRL,
58
00:02:30,976 --> 00:02:33,196
I ALWAYS DREAMED OF HAVING
AN OPPORTUNITY LIKE THIS--
59
00:02:33,370 --> 00:02:36,634
BEING FIRST VOICE
OF WEST COAST FASHION,
60
00:02:36,808 --> 00:02:38,941
MAKING THE WORLD
A BEAUTIFUL PLACE.
61
00:02:39,115 --> 00:02:41,204
THANK YOU SO MUCH FOR MAKING
MY DREAM COME TRUE.
62
00:02:41,378 --> 00:02:42,945
- IF--
- THERE'S AN "IF"?
63
00:02:43,119 --> 00:02:44,686
- IF YOU CAN COMPLETE
THE FIRST COVER STORY
64
00:02:44,860 --> 00:02:46,818
AND A SERIES OF ARTICLES
WITH IT.
65
00:02:46,992 --> 00:02:48,255
- THAT'S THE "IF"?
66
00:02:48,429 --> 00:02:50,213
I WOULD NEVER TURN DOWN
A COVER STORY.
67
00:02:50,387 --> 00:02:52,346
- I'LL HOLD YOU TO THAT.
68
00:02:52,520 --> 00:02:56,654
FOR THIS PIECE, I NEED FOR YOU
TO DO ANOTHER MAKEOVER.
69
00:02:56,828 --> 00:03:00,136
A REPORTER HERE
NEEDS A FULL TRANSFORMATION.
70
00:03:00,310 --> 00:03:02,834
- WHO IS SHE?
- NOT SHE, HE.
71
00:03:03,008 --> 00:03:05,359
A MALE MAKEOVER.
72
00:03:05,533 --> 00:03:09,189
HE'S WRITTEN A BOOK THAT THE
LOS ANGELES POSTORGANIZATION
73
00:03:09,363 --> 00:03:11,060
IS PUBLISHING SOON,
74
00:03:11,234 --> 00:03:15,456
AND I WANT YOUR MAKEOVER
AND THE FIRST LOOK COVERS
75
00:03:15,630 --> 00:03:18,894
TO BE PART OF
A WHOLE PUBLICITY PUSH.
76
00:03:19,068 --> 00:03:22,941
YOUR SERIES IS OUR OPPORTUNITY
TO INTRODUCE HIM
77
00:03:23,115 --> 00:03:25,770
TO A FEMALE AUDIENCE.
78
00:03:25,944 --> 00:03:28,991
HE'S A BIT OF A MESS.
A REAL GUY'S GUY.
79
00:03:29,165 --> 00:03:30,427
HE NEVER REALLY GREW UP,
80
00:03:30,601 --> 00:03:32,734
WHICH WORKS
ON OUR SPORTS PAGES
81
00:03:32,908 --> 00:03:36,781
BUT REALLY WON'T PLAY
IN PERSON OR ON NATIONAL TV.
82
00:03:36,955 --> 00:03:38,392
- ARE YOU TALKING ABOUT--
83
00:03:38,566 --> 00:03:41,743
- YOU'LL NEED TO ADJUST
HIS LOOK, HIS PERSONALITY--
84
00:03:41,917 --> 00:03:43,179
- WAIT A SECOND.
85
00:03:43,353 --> 00:03:44,224
- MAKE HIM READY
FOR THE BOOK TOUR.
86
00:03:44,398 --> 00:03:46,008
- PLEASE, NO.
87
00:03:46,182 --> 00:03:48,967
- YOUR NEW MAKEOVER
SUBJECT WILL BE...
88
00:03:49,141 --> 00:03:50,099
[overlapping chatter]
89
00:03:50,273 --> 00:03:52,580
- YEAH!
- OUR OWN PETE CAMDEN.
90
00:03:52,754 --> 00:03:54,843
THAT GUY.
91
00:03:55,017 --> 00:03:58,455
- LAZY. NO HELP.
BUT LOOK, COME ON.
92
00:03:58,629 --> 00:04:01,284
I'M GONNA MAKE
THAT RECYCLE BIN. TEN BUCKS.
WHO'S IN?
93
00:04:01,458 --> 00:04:03,417
- OH, YOU'RE ON.
- 10 BUCKS.
- OH!
94
00:04:03,591 --> 00:04:06,768
- I GOT YOU, I GOT YOU,
I GOT YOU.
95
00:04:06,942 --> 00:04:09,423
- HEY, CHEERLEADERS WELCOME.
DO ME A FAVOR, PLEASE.
96
00:04:09,597 --> 00:04:12,164
CLEAR THE COURT. LET'S GO,
LET'S GO. THANK YOU.
97
00:04:12,339 --> 00:04:14,906
- YOU WANT ME TO MAKE-OVER
PETE CAMDEN?
98
00:04:15,080 --> 00:04:17,126
- [mimics] "I'D NEVER
TURN DOWN A COVER STORY."
99
00:04:17,300 --> 00:04:19,171
- AH!
100
00:04:19,346 --> 00:04:21,348
- CAMDEN!
- PARKER, COME ON.
101
00:04:21,522 --> 00:04:23,785
FAN INTERFERENCE.
WHAT'S UP WITH THAT?
102
00:04:23,959 --> 00:04:28,268
- NAN, GOOD TO SEE YOU
VISITING THE TRENCHES.
103
00:04:28,442 --> 00:04:30,748
ALL RIGHT, YOU DINGBATS,
YOU GOT WORK TO DO.
104
00:04:30,922 --> 00:04:33,229
- AH, PARKER, I'M SORRY.
105
00:04:33,403 --> 00:04:35,971
YOU KNOW, SOMETIMES I FORGET
THAT HERE AT THE POST,
106
00:04:36,145 --> 00:04:38,887
WE CAN'T AFFORD TO TAKE
OUR EYE OFF THE PRIZE,
107
00:04:39,061 --> 00:04:41,542
WHICH OF COURSE IS DELIVERING
THE BEST COVERAGE
108
00:04:41,716 --> 00:04:44,458
OF NEWS, ENTERTAINMENT, AND
SPORTS IN THESE UNITED STATES.
109
00:04:44,632 --> 00:04:49,811
I PROMISE, GUYS,
THIS WON'T HAPPEN AGAIN.
110
00:04:49,985 --> 00:04:54,685
BALL.
THANKS.
111
00:04:54,859 --> 00:04:56,383
[recycle bin clanks]
112
00:04:56,557 --> 00:05:00,343
OH, YEAH, TEN BUCKS, TEN BUCKS,
TEN BUCKS, ALL OF YOU.
113
00:05:00,517 --> 00:05:02,867
EXPECT TO SEE IT ON MY DESK
BY THE END OF THE DAY.
114
00:05:03,041 --> 00:05:04,521
[groans]
115
00:05:04,695 --> 00:05:05,957
- PETE CAMDEN DOESN'T
NEED A MAKEOVER.
116
00:05:06,131 --> 00:05:07,437
HE NEEDS
A COMPLETE TEARDOWN.
117
00:05:07,611 --> 00:05:09,526
- HIS SPORTS COVERAGE
HAS MORE READERS
118
00:05:09,700 --> 00:05:11,485
THAN THE REST OF THE PAPER
COMBINED.
119
00:05:11,659 --> 00:05:13,138
YOU CAN'T BEGIN TO IMAGINE
120
00:05:13,313 --> 00:05:16,098
HOW MUCH THE POST
HAS RIDING ON HIS BOOK.
121
00:05:16,272 --> 00:05:18,753
NOW GO, TALK TO HIM.
122
00:05:18,927 --> 00:05:22,191
- OH.
123
00:05:22,365 --> 00:05:25,194
PETE, UH, CAN I TALK TO YOU
FOR A MINUTE?
124
00:05:25,368 --> 00:05:27,065
- HEY, BEAUTIFUL.
125
00:05:27,239 --> 00:05:29,546
YOU SEE THAT SHOT
THAT I JUST MADE?
126
00:05:29,720 --> 00:05:31,200
THERE ARE ONLY TWO OTHER GUYS
IN THE WHOLE WORLD
127
00:05:31,374 --> 00:05:32,897
THAT CAN MAKE THAT SHOT.
128
00:05:33,071 --> 00:05:36,031
- REALLY?
AND WHO IS THE OTHER?
129
00:05:36,205 --> 00:05:39,556
- WHO CARES?
AIN'T GOT ME.
130
00:05:39,730 --> 00:05:44,953
- I GOT YOU
IN MY REAR VIEW MIRROR.
131
00:05:45,127 --> 00:05:46,781
I CAN'T DO THIS.
132
00:05:46,955 --> 00:05:48,696
- [laughs]
133
00:05:52,874 --> 00:05:54,571
[knock on door]
134
00:05:54,745 --> 00:05:56,704
- DOOR'S OPEN, CHRISTOPHER.
COME ON IN.
135
00:05:56,878 --> 00:05:59,533
[door opens]
136
00:05:59,707 --> 00:06:03,885
- OKAY, I'M HERE.
SO WHAT'S THE BIG NEWS?
137
00:06:04,059 --> 00:06:07,105
- MRS. FRIEDLANDER
IS GIVING ME A SHOT
138
00:06:07,279 --> 00:06:10,282
TO BECOME EDITOR
OF "FIRST LOOK."
139
00:06:10,457 --> 00:06:13,416
MY FIRST COVER STORY--
A MALE MAKEOVER.
140
00:06:13,590 --> 00:06:16,506
- CONGRATS! YOU'RE NOT
MAKING ME OVER, I HOPE?
141
00:06:16,680 --> 00:06:20,380
- NO. A SPORTSWRITER.
HE'S A REAL MAN-CHILD.
142
00:06:20,554 --> 00:06:23,339
YOU ARE PERFECT.
- AS ARE YOU.
143
00:06:23,513 --> 00:06:26,037
- HERE YOU GO.
NON-FAT, HALF-CAF,
144
00:06:26,211 --> 00:06:28,431
SUGAR-FREE EXTRA FOAM LATTE,
JUST THE WAY YOU LIKE IT.
145
00:06:28,605 --> 00:06:29,824
- I'M AFRAID IT'S GOING TO
HAVE TO BE TO GO.
146
00:06:29,998 --> 00:06:31,565
I JUST HAVE A MINUTE.
- MMM.
147
00:06:31,739 --> 00:06:32,914
I THOUGHT WE WERE GONNA
BE ABLE TO SIT DOWN
148
00:06:33,088 --> 00:06:34,481
AND TALK ABOUT THIS.
149
00:06:34,655 --> 00:06:36,874
I NEED A CRASH COURSE IN
NAVIGATING THE MALE EGO.
150
00:06:37,048 --> 00:06:38,267
- OH, I CAN'T STAY.
151
00:06:38,441 --> 00:06:40,008
I'M IN STUDIO TO BREAK IN
FOR AN UPDATE.
152
00:06:40,182 --> 00:06:41,226
WE HAVE TEAM COVERAGE
FOR STORM VIEW.
153
00:06:41,401 --> 00:06:43,011
- OH, NO.
154
00:06:43,185 --> 00:06:45,056
I'M SUPPOSED TO VISIT MANDY
AT HER PHOTO SHOOT.
155
00:06:45,230 --> 00:06:46,362
WELL, I CAN'T GO OUT THERE
LIKE THIS.
156
00:06:46,536 --> 00:06:47,929
I'M WEARING SILK.
157
00:06:48,103 --> 00:06:50,148
- OOH, WE CAN'T BE
TOO CAREFUL WITH SILK.
158
00:06:50,322 --> 00:06:52,194
HMM.
WELL, SORRY, BABE.
159
00:06:52,368 --> 00:06:53,848
I GOTTA GO. LOVE YOU.
[kiss]
160
00:06:54,022 --> 00:06:57,373
- [kiss]
LOVE YOU MORE.
161
00:07:00,158 --> 00:07:02,378
- OKAY, NOW, ARCH YOUR BACK,
MANDY, DEAR.
162
00:07:02,552 --> 00:07:06,121
OH, THAT'S IT.
FANTASTIC.
163
00:07:06,295 --> 00:07:08,863
- [groans]
SORRY I'M LATE.
164
00:07:09,037 --> 00:07:10,995
[groans]
THE RAIN!
165
00:07:11,169 --> 00:07:14,216
- OR, AS THE REST OF THE
COUNTRY CALLS IT, DRIZZLE.
166
00:07:14,390 --> 00:07:16,174
SO, ASH,
WHAT DO YOU THINK?
167
00:07:16,348 --> 00:07:18,046
- WHAT ARE YOU SELLING?
168
00:07:18,220 --> 00:07:20,527
THE LINGERIE
OR THE CHAMPAGNE?
169
00:07:20,701 --> 00:07:22,354
- THE LAMP.
- ENOUGH CROSS-TALK.
170
00:07:22,529 --> 00:07:25,227
MANDY,
YOU'RE TOO ACCESSIBLE.
171
00:07:25,401 --> 00:07:29,231
UM, SCOWL FOR ME, SWEETIE.
172
00:07:29,405 --> 00:07:31,538
OH, THAT'S IT.
THAT'S IT.
173
00:07:31,712 --> 00:07:33,191
- I HAVE A CRAZY
NEW ASSIGNMENT
174
00:07:33,365 --> 00:07:34,323
THAT I NEED
YOUR HELP WITH.
175
00:07:34,497 --> 00:07:38,458
I'M MAKING OVER
PETE CAMDEN.
176
00:07:38,632 --> 00:07:41,765
- PETE CAMDEN,
THE SPORTS COLUMNIST?
177
00:07:41,939 --> 00:07:43,506
- I THINK I MAY BE IN
OVER MY HEAD ON THIS ONE.
178
00:07:43,680 --> 00:07:45,726
- I'VE NEVER KNOWN YOU
TO RUN FROM A CHALLENGE.
179
00:07:45,900 --> 00:07:47,292
HEY, EVER SINCE
WE FIRST MET IN FAT CAMP--
180
00:07:47,467 --> 00:07:48,511
- YOU DIDN'T HEAR THAT.
181
00:07:48,685 --> 00:07:50,470
- FIRST MET IN SUMMER CAMP,
182
00:07:50,644 --> 00:07:52,559
YOU'VE ALWAYS BEEN UP
FOR A CHALLENGE.
183
00:07:52,733 --> 00:07:54,561
- YES, BUT YOU CAN'T
CHANGE GUYS
184
00:07:54,735 --> 00:07:55,953
THAT DON'T
WANT TO BE CHANGED,
185
00:07:56,127 --> 00:07:58,347
AND I HAVE A FEELING
THAT PETE LIKES HIMSELF
186
00:07:58,521 --> 00:08:01,481
JUST THE WAY HE IS,
GOD KNOWS WHY.
187
00:08:01,655 --> 00:08:03,700
- WELL, DON'T BE SO SURE PETE
LIKES THE WAY HE IS.
188
00:08:03,874 --> 00:08:06,137
I MEAN, EVERY MAN
WANTS TO BE CHANGED.
189
00:08:06,311 --> 00:08:07,965
WE JUST DON'T WANT TO
ADMIT IT.
190
00:08:08,139 --> 00:08:09,706
IT'S PART OF
THE MALE MYSTIQUE.
191
00:08:09,880 --> 00:08:13,449
YOU KNOW, WE PLAY THE ROLE
OF THIS SELF-SATISFIED STUD.
192
00:08:13,623 --> 00:08:16,234
DEEP DOWN, WE'D LIKE NOTHING
MORE THAN TO HAVE SOME WOMAN
193
00:08:16,408 --> 00:08:18,454
COME AROUND AND MAKE US
MORE APPEALING.
194
00:08:18,628 --> 00:08:20,630
- REALLY?
- OH, ABSOLUTELY.
195
00:08:20,804 --> 00:08:23,372
SELF-ESTEEM
GOES THROUGH THE ROOF.
196
00:08:23,546 --> 00:08:26,375
YOU DIDN'T HEAR THAT.
197
00:08:26,549 --> 00:08:27,768
- SO VINCENT, YOU THINK
THIS IS A GOOD IDEA,
198
00:08:27,942 --> 00:08:30,248
ME PUTTING UP WITH
ALL OF PETE'S NONSENSE
199
00:08:30,422 --> 00:08:32,076
SO THAT I CAN MAKE HIM
A BETTER PERSON?
200
00:08:32,250 --> 00:08:34,383
- THINK OF IT THIS WAY.
201
00:08:34,557 --> 00:08:37,212
YOU'RE TAKING MERCY
ON HIS POOR SOUL, RIGHT?
202
00:08:48,049 --> 00:08:52,532
[overlapping chatter]
203
00:08:57,711 --> 00:08:59,364
- [groans]
204
00:09:07,372 --> 00:09:10,462
HI, PETE, I THINK IT'S TIME
THAT WE OFFICIALLY MET.
205
00:09:10,637 --> 00:09:12,073
I'M ASHLEY BOYD.
206
00:09:12,247 --> 00:09:13,378
I'M A FASHION REPORTER
AT THE POST.
207
00:09:13,553 --> 00:09:15,990
- YEAH, WE'VE MET BEFORE,
ACTUALLY.
208
00:09:16,164 --> 00:09:17,513
OR ALMOST, ANYWAY.
209
00:09:17,687 --> 00:09:19,689
I SAT DOWN NEXT TO YOU
AT A STAFF MEETING ONE TIME,
210
00:09:19,863 --> 00:09:21,386
AND YOU GOT UP,
TOOK YOUR STUFF,
211
00:09:21,561 --> 00:09:23,258
AND MOVED TWO SEATS DOWN.
212
00:09:23,432 --> 00:09:25,739
IT WAS A REALLY CLASSY MOVE.
THANKS. MADE ME FEEL GOOD.
213
00:09:25,913 --> 00:09:30,613
- LET'S LET BYGONES
BE BYGONES, SHALL WE?
214
00:09:30,787 --> 00:09:34,922
- SMITTY, A CHILI-BURGER,
HEAVY ON THE CHILI,
215
00:09:35,096 --> 00:09:38,099
EXTRA CHILI ON THE SIDE,
JUST THE WAY I LIKE IT.
216
00:09:38,273 --> 00:09:41,015
AW, THANK YOU.
217
00:09:41,189 --> 00:09:42,712
- MA'AM.
- OH, NO.
218
00:09:42,886 --> 00:09:43,844
NOTHING FOR ME, THANKS.
219
00:09:44,018 --> 00:09:46,063
I SEEM TO HAVE LOST
MY APPETITE.
220
00:09:49,719 --> 00:09:54,419
- YOU REALLY SHOULD
TRY THEM. OH!
221
00:09:54,594 --> 00:09:55,769
- UH...
[clears throat]
222
00:09:55,943 --> 00:09:58,075
I'D LIKE TO ASK YOU
TO WORK WITH ME.
223
00:09:58,249 --> 00:09:59,729
- REALLY?
224
00:09:59,903 --> 00:10:03,603
WHAT CAN A SPORTSWRITER DO
FOR THE LADY SECTION?
225
00:10:03,777 --> 00:10:05,953
- ACTUALLY, IT'S
WHAT I CAN DO FOR YOU.
226
00:10:06,127 --> 00:10:07,476
- NO, NO, NO.
227
00:10:07,650 --> 00:10:08,782
SEE, IT'S ALWAYS ABOUT
WHAT I CAN DO FOR YOU.
228
00:10:08,956 --> 00:10:10,653
- [gasps]
- OH, SORRY ABOUT THAT.
229
00:10:10,827 --> 00:10:11,567
OH, HOLD ON, COME HERE.
NO, NO, I GOT IT.
230
00:10:11,741 --> 00:10:13,395
- OH, NO. OH! OH!
231
00:10:13,569 --> 00:10:15,440
- NO, I GOT IT. OH, YOU KNOW
WHAT? WE'VE GOT BEER.
232
00:10:15,615 --> 00:10:17,312
IT'S ALL GOOD. IT'S LIKE
A MAN'S SELTZER.
233
00:10:17,486 --> 00:10:19,401
- PLEASE. OH, MY GOSH.
- TAKING IT RIGHT OUT OF THERE.
234
00:10:19,575 --> 00:10:21,446
I WAS TRYING TO HELP.
I'M SORRY.
235
00:10:21,621 --> 00:10:24,362
IT'S NOT THAT BAD.
- YEAH, IT'S FINE. I'M GOOD.
236
00:10:24,536 --> 00:10:27,931
IT'S--IT'S--
IT'S GONNA BE FINE.
237
00:10:28,105 --> 00:10:30,934
WHAT I'D LIKE TO DO
IS CALLED A MAKEOVER.
238
00:10:31,108 --> 00:10:32,762
- PASS.
239
00:10:32,936 --> 00:10:35,199
- IT'S SUPPOSED TO BE
TO HELP YOU
240
00:10:35,373 --> 00:10:37,158
FOR YOUR UPCOMING BOOK TOUR.
- I DON'T NEED YOUR HELP.
241
00:10:37,332 --> 00:10:39,900
- YOU'RE GONNA BE OUT THERE
SELLING A BOOK, OKAY?
242
00:10:40,074 --> 00:10:41,597
IN TODAY'S MARKET,
WHAT THAT MEANS IS,
243
00:10:41,771 --> 00:10:44,165
YOU'RE ALSO GONNA BE
SELLING YOURSELF.
244
00:10:44,339 --> 00:10:45,645
THERE'S SOMETHING IN IT
FOR YOU AS WELL.
245
00:10:45,819 --> 00:10:47,385
- REALLY?
- OH, YEAH.
246
00:10:47,559 --> 00:10:49,213
WOMEN LOVE A GUY
WHO LOOKS GOOD.
247
00:10:49,387 --> 00:10:50,650
- THE THING IS,
248
00:10:50,824 --> 00:10:52,347
WOMEN ALREADY LIKE ME
THE WAY I AM.
249
00:10:52,521 --> 00:10:53,609
I GET PLENTY OF DATES.
250
00:10:53,783 --> 00:10:57,004
- ALL RIGHT.
COME ON, PETE.
251
00:10:57,178 --> 00:10:58,396
GIVE IT A TRY.
252
00:10:58,570 --> 00:11:00,660
IT'LL CHANGE YOUR LIFE,
I PROMISE.
253
00:11:00,834 --> 00:11:04,794
AND ANYWAYS, WHAT HAVE YOU
GOT TO LOSE?
254
00:11:04,968 --> 00:11:06,840
- THAT WAS SUCH
A NICE THING TO SAY.
255
00:11:07,014 --> 00:11:10,104
THANKS A LOT.
REALLY SWEET OF YOU.
256
00:11:10,278 --> 00:11:12,236
- I DIDN'T MEAN IT
LIKE THAT.
257
00:11:12,410 --> 00:11:14,238
- OKAY, I'LL BE HONEST.
258
00:11:14,412 --> 00:11:16,719
I'M NOT PERFECT LIKE YOU.
I GOT THAT.
259
00:11:16,893 --> 00:11:20,505
BUT I HAVE SOMETHING THAT'S
WORKING RIGHT NOW, OKAY?
260
00:11:20,680 --> 00:11:22,769
NOBODY WILL SAY THAT
I'M NOT ONE OF THE GUYS.
261
00:11:22,943 --> 00:11:27,425
IN FACT, I'M KING OF THEM,
AND THAT MEANS A LOT TO ME.
262
00:11:27,599 --> 00:11:30,341
SO IF I LET YOU COME IN HERE
263
00:11:30,515 --> 00:11:31,691
AND START MESSING AROUND
WITH THAT
264
00:11:31,865 --> 00:11:34,911
AND IT DOESN'T WORK,
265
00:11:35,085 --> 00:11:36,608
WELL, THEN,
THERE'S NO TURNING BACK,
266
00:11:36,783 --> 00:11:41,309
AND I AM JUST
A CERTIFIED LOSER.
267
00:11:41,483 --> 00:11:44,312
SO, NO THANK YOU.
268
00:11:44,486 --> 00:11:46,357
HEY, SMITTY.
- YO.
269
00:11:46,531 --> 00:11:48,403
- SUSIE STYLE,
SHE'S GOT THE CHECK, OKAY?
270
00:11:48,577 --> 00:11:51,362
- YOU GOT IT, PETE.
271
00:11:51,536 --> 00:11:54,278
- OKAY, SO WHY ME?
272
00:11:54,452 --> 00:11:56,280
- WELL, LOOK, THEY JUST
WANT YOU TO CUT YOUR HAIR,
273
00:11:56,454 --> 00:11:58,543
WASH YOUR CLOTHES,
SOMETHING SOMETHING.
274
00:11:58,718 --> 00:12:00,241
- CUT ME A BREAK HERE,
OKAY?
275
00:12:00,415 --> 00:12:02,939
I DESERVE A LITTLE RESPECT.
I'M THE FRANCHISE.
276
00:12:03,113 --> 00:12:06,638
PEOPLE BUY THIS PAPER
JUST TO READ MY COLUMN.
277
00:12:06,813 --> 00:12:08,249
- THAT'S BECAUSE
THEY HAVEN'T MET YOU.
278
00:12:08,423 --> 00:12:09,946
- YEAH, WELL, I'VE GOT
THE BOOK COMING OUT,
279
00:12:10,120 --> 00:12:11,818
I'VE GOT THE WHOLE
PUBLICITY TOUR SET UP, SO--
280
00:12:11,992 --> 00:12:13,254
- EXACTLY.
281
00:12:13,428 --> 00:12:15,909
YOU SEE, YOUR BOOK TOUR
WILL UNSELL BOOKS.
282
00:12:16,083 --> 00:12:18,563
NOW, DON'T THINK
FOR A SECOND
283
00:12:18,738 --> 00:12:20,304
THAT THEY WON'T CANCEL
THAT BOOK TOUR
284
00:12:20,478 --> 00:12:21,828
IF YOU DON'T DO IT.
285
00:12:22,002 --> 00:12:25,222
NAN CAN BE VERY PERSUASIVE.
- OH, OKAY.
286
00:12:25,396 --> 00:12:26,571
THE WHOLE "WHO SIGNS
YOUR PAYCHECK" THING AGAIN?
287
00:12:26,746 --> 00:12:29,749
- THAT'S RIGHT.
288
00:12:29,923 --> 00:12:33,274
- [sighs]
289
00:12:33,448 --> 00:12:37,452
- SO, I UNDERSTAND
YOU'RE IN.
290
00:12:37,626 --> 00:12:40,672
- I THINK I'M GOING TO HURL.
- WHY?
291
00:12:40,847 --> 00:12:43,501
BECAUSE YOU DIDN'T RUIN
MY OUTFIT ENOUGH ALREADY TODAY?
292
00:12:43,675 --> 00:12:46,809
BE AT VINCENT VERDIN'S PHOTO
STUDIO FIRST THING TOMORROW
293
00:12:46,983 --> 00:12:50,900
FOR THE BEFORE PHOTOS.
294
00:12:51,074 --> 00:12:53,598
- [sighs]
295
00:12:53,773 --> 00:12:56,036
- SO TODAY WE TAKE
HIS BEFORE PICTURES,
296
00:12:56,210 --> 00:12:57,646
AND THEN I CLEAN HIM UP
AND WE TAKE HIS AFTER PICTURES,
297
00:12:57,820 --> 00:13:00,344
AND POOF, I'M AN EDITOR.
298
00:13:00,518 --> 00:13:02,956
OH, I JUST WISH THAT
MY ENTIRE PROFESSIONAL FUTURE
299
00:13:03,130 --> 00:13:05,001
WASN'T RESTING ON SOMEBODY
LIKE PETE CAMDEN.
300
00:13:05,175 --> 00:13:06,307
- DID I TELL YOU I THINK
I GOT THAT INTERVIEW
301
00:13:06,481 --> 00:13:07,264
FOR THE WEEKEND ANCHOR JOB?
302
00:13:07,438 --> 00:13:08,700
- [gasps]
303
00:13:08,875 --> 00:13:10,833
CHRISTOPHER,
THAT'S PERFECT!
304
00:13:11,007 --> 00:13:12,443
OH, THIS IS JUST LIKE
WE FANTASIZED ABOUT
305
00:13:12,617 --> 00:13:14,402
ON OUR FIRST DATE.
306
00:13:14,576 --> 00:13:17,318
I'LL BE A FASHION EDITOR
AND YOU'LL BE A NEWS ANCHOR.
307
00:13:17,492 --> 00:13:19,624
THE ONLY THING LEFT
IS THE STORYBOOK WEDDING,
308
00:13:19,799 --> 00:13:22,932
THE TWO ADORABLE CHILDREN,
AND THE HAPPILY EVER AFTER.
309
00:13:23,106 --> 00:13:24,586
- IT FEELS GREAT TO HAVE
OUR WHOLE LIFE MAPPED OUT.
310
00:13:24,760 --> 00:13:26,022
WE'RE RIGHT ON SCHEDULE.
311
00:13:26,196 --> 00:13:28,895
- [laughs]
- WHOA! I GOTTA GO.
312
00:13:29,069 --> 00:13:33,247
- BUT I WANTED TO TALK.
- WE JUST DID.
313
00:13:33,421 --> 00:13:35,423
- OH.
314
00:13:41,516 --> 00:13:43,605
- HEY, YOU VINCENT?
I'M PETE.
315
00:13:43,779 --> 00:13:46,260
I'M HERE FOR MY, UH,
BEFORE PHOTOS.
316
00:13:46,434 --> 00:13:48,653
- BEFORE, INDEED.
317
00:13:48,828 --> 00:13:52,962
UH, LET'S LEAVE THE LAUNDRY
OUTSIDE THE BUILDING.
318
00:13:53,136 --> 00:13:54,703
- LAUNDRY? NO, NO, NO.
319
00:13:54,877 --> 00:13:56,357
THEY ASKED ME TO BRING
THREE CHANGES OF CLOTHES,
320
00:13:56,531 --> 00:13:58,359
SO I GOT 'EM.
321
00:13:58,533 --> 00:14:00,665
JUST TELL ME WHAT YOU
WANT ME TO DO WITH THEM.
322
00:14:00,840 --> 00:14:03,103
- HAVE THEM CARBON-DATED.
323
00:14:03,277 --> 00:14:06,802
NOW THAT'S AN OUTFIT I WOULDN'T
HAVE GUESSED YOU FOR,
324
00:14:06,976 --> 00:14:10,327
ALTHOUGH
IT SHOWS MORE COURAGE
325
00:14:10,501 --> 00:14:11,763
THAN IT DOES GOOD SENSE,
DOESN'T IT?
326
00:14:11,938 --> 00:14:14,679
- YEAH,
THAT ONE'S ASHLEY'S.
327
00:14:14,854 --> 00:14:16,899
- TELL ME THE REST OF HER IS
NOT IN THE TRUCK OF YOUR CAR.
328
00:14:17,073 --> 00:14:20,860
- OH, I WISH.
NO, SHE'S JUST RUNNING LATE.
329
00:14:21,034 --> 00:14:22,992
- I KNOW GUYS
WHO WOULD KILL
330
00:14:23,166 --> 00:14:24,864
FOR A MAKEOVER
FROM ASHLEY BOYD.
331
00:14:25,038 --> 00:14:27,692
- YEAH, BUT ANYBODY WHO KNOWS
WHO SHE IS DOESN'T NEED ONE.
332
00:14:27,867 --> 00:14:30,086
- YEAH, WELL, EXCEPT ONE.
333
00:14:30,260 --> 00:14:33,263
- COME ON, MAN, I DON'T NEED
THAT MUCH WORK.
334
00:14:33,437 --> 00:14:35,483
- THE CAMERA NEVER LIES.
335
00:14:42,533 --> 00:14:43,883
- WHAT A MESS.
336
00:14:44,057 --> 00:14:46,537
- WHAT A SLOB.
337
00:14:46,711 --> 00:14:48,496
both: PERFECT.
338
00:14:59,899 --> 00:15:03,641
- "'FIXING PETE'
BY ASHLEY BOYD.
339
00:15:03,815 --> 00:15:05,992
"THE ASSIGNMENT WAS CLEAR.
340
00:15:06,166 --> 00:15:07,950
"IN EVERY MAN,
THERE IS A LITTLE BOY.
341
00:15:08,124 --> 00:15:09,691
"AND LIKE
EVERY LITTLE BOY,
342
00:15:09,865 --> 00:15:14,739
"PETE CAMDEN NEEDED AN ADULT
TO HELP HIM GROW UP.
343
00:15:14,914 --> 00:15:18,656
I HAD MY WORK
CUT OUT FOR ME..."
344
00:15:18,830 --> 00:15:25,837
- SKEETER.
AH...
345
00:15:26,012 --> 00:15:27,752
- ALL RIGHT,
DON'T GET TOO COMFORTABLE.
346
00:15:27,927 --> 00:15:29,580
BOB GAZARIAN
CALLED IN SICK.
347
00:15:29,754 --> 00:15:31,887
I WANT YOU TO COVER
COLLEGE BASKETBALL.
348
00:15:32,061 --> 00:15:36,500
- COLLEGE.
WOMEN'S BASKETBALL? NO.
349
00:15:36,674 --> 00:15:38,676
I DON'T DO WOMEN'S SPORTS.
I'M THE MAN.
350
00:15:38,850 --> 00:15:40,243
- JUST AS A REMINDER,
351
00:15:40,417 --> 00:15:41,636
I'LL BE AT YOUR PLACE
TOMORROW MORNING AT 10:00
352
00:15:41,810 --> 00:15:42,985
TO GO THROUGH
YOUR WARDROBE.
353
00:15:43,159 --> 00:15:46,162
YOU MUST HAVE SOME CLOTHES
THAT WE COULD USE.
354
00:15:46,336 --> 00:15:51,863
JUST IN CASE, DON'T FORGET.
- YES, DEAR.
355
00:15:52,038 --> 00:15:54,127
- AND DON'T GO ONLINE
FOR THE RESULTS.
356
00:15:54,301 --> 00:15:57,565
I NEED YOU TO DO POST-GAME
INTERVIEWS WITH THE GIRLS.
357
00:15:57,739 --> 00:16:00,742
DON'T FORGET.
- YES, DEAR.
358
00:16:04,702 --> 00:16:09,272
[overlapping chatter]
359
00:16:09,446 --> 00:16:12,580
- AND I KNEW WHEN LINDA BLOCKED
THREE SHOTS IN A ROW,
360
00:16:12,754 --> 00:16:13,624
THE MOMENTUM
WAS GOING OUR WAY.
361
00:16:13,798 --> 00:16:15,844
- [groans]
362
00:16:16,018 --> 00:16:19,500
- YOU GOT A QUESTION?
363
00:16:19,674 --> 00:16:22,111
- YES, I DO.
364
00:16:22,285 --> 00:16:26,072
MISS TAYLOR, GREAT JOB
OUT THERE TODAY.
365
00:16:26,246 --> 00:16:28,117
AGAINST OTHER GIRLS,
GREAT JOB.
366
00:16:28,291 --> 00:16:29,423
- WHAT DOES THAT MEAN?
367
00:16:29,597 --> 00:16:30,859
- WELL, LET'S BE HONEST
FOR A SECOND.
368
00:16:31,033 --> 00:16:32,992
I MEAN, IT'S NOT LIKE THIS
IS REAL BASKETBALL.
369
00:16:33,166 --> 00:16:34,689
ANY GUY COULD BEAT
ANY GIRL.
370
00:16:34,863 --> 00:16:37,953
BUT MY QUESTION IS, UH,
WHO ARE YOU TRYING TO FOOL?
371
00:16:38,127 --> 00:16:40,390
- OH, I'M GONNA GET YOU
BANNED FROM THIS CAMPUS
372
00:16:40,564 --> 00:16:42,088
FOR AS LONG AS YOU LIVE!
373
00:16:42,262 --> 00:16:44,960
- THANK YOU.
THANK YOU VERY MUCH.
374
00:16:47,093 --> 00:16:48,964
[knocks]
375
00:16:52,620 --> 00:16:55,840
HELLO.
WELCOME TO THE MAN CAVE.
376
00:16:56,015 --> 00:17:00,193
I HAD A DECORATOR BUT,
OF COURSE, I WORKED WITH HIM.
377
00:17:00,367 --> 00:17:04,414
SO COME ON IN.
DON'T BE SHY. ENTER, ENTER.
378
00:17:04,588 --> 00:17:07,896
WIPE YOUR FEET, PLEASE.
379
00:17:08,070 --> 00:17:10,899
- YEAH, ON THE WAY OUT.
380
00:17:11,073 --> 00:17:13,380
- I MEANT ON THE WAY IN.
381
00:17:15,947 --> 00:17:19,603
- [laughs]
382
00:17:19,777 --> 00:17:23,825
ALL THAT'S MISSING
IS THE MUSHROOM CLOUD.
383
00:17:23,999 --> 00:17:30,266
NO, DEFINITELY NO,
ABSOLUTELY NOT.
384
00:17:30,440 --> 00:17:33,008
- UH-UH-UH-UH,
ABSOLUTELY NOT IS RIGHT.
385
00:17:33,182 --> 00:17:35,271
THAT'S MY LUCKY JACKET.
PUT THAT BACK.
386
00:17:35,445 --> 00:17:39,145
- NOTHING IN HERE
IS A LUCKY ANYTHING, OKAY?
387
00:17:39,319 --> 00:17:41,930
I MEAN, DO YOU
HAVE ANY CLOTHES
388
00:17:42,104 --> 00:17:43,888
THAT DON'T HAVE
TEAM LOGOS?
389
00:17:44,063 --> 00:17:47,153
- HELLO.
- NO.
390
00:17:47,327 --> 00:17:48,763
I'M ASSUMING YOU DON'T
HAVE ANY SUITS.
391
00:17:48,937 --> 00:17:50,112
- HA! YOU'RE WRONG.
392
00:17:50,286 --> 00:17:51,679
LET'S GO.
OUT OF THE CLOSET.
393
00:17:51,853 --> 00:17:53,855
- WITH PLEASURE.
394
00:17:58,207 --> 00:17:59,556
[laughs]
395
00:17:59,730 --> 00:18:01,863
WHAT IS THAT?
IS THAT YOUR PROM TUX?
396
00:18:02,037 --> 00:18:04,083
- EXACTLY.
397
00:18:04,257 --> 00:18:06,824
SEE, I TOLD YOU,
I HAD A DATE ONCE.
398
00:18:06,998 --> 00:18:08,217
- I CAN'T BELIEVE THIS.
399
00:18:08,391 --> 00:18:10,915
YOU DON'T HAVE
ANYTHING NICE.
400
00:18:11,090 --> 00:18:12,787
OR ANYTHING CLEAN,
FOR THAT MATTER.
401
00:18:12,961 --> 00:18:14,267
- OH, WHAT A SHAME.
402
00:18:14,441 --> 00:18:16,007
I GUESS WE'LL HAVE TO
CANCEL THIS MAKEOVER.
403
00:18:16,182 --> 00:18:18,706
- NO, WHAT IT MEANS IS,
WE HAVE TO GET YOU NEW CLOTHES.
404
00:18:18,880 --> 00:18:20,708
[sighs]
405
00:18:20,882 --> 00:18:23,276
[doorbell rings]
406
00:18:23,450 --> 00:18:24,755
JUST WARNING YOU,
HE CAN BE A LITTLE COARSE
407
00:18:24,929 --> 00:18:26,322
AND A LITTLE RUDE.
408
00:18:26,496 --> 00:18:28,977
- OH, I'M SURE IT'S NOT
GONNA BE THAT BAD.
409
00:18:31,197 --> 00:18:33,721
- HEY, THINK FAST.
- OH!
410
00:18:33,895 --> 00:18:35,940
YOU'RE LATE.
- UH, YEAH.
411
00:18:36,115 --> 00:18:37,812
BUT AT LEAST I SHOWED UP,
DIDN'T I?
412
00:18:37,986 --> 00:18:40,249
WOW, CHECK THIS PLACE OUT.
UNBELIEVABLE.
413
00:18:40,423 --> 00:18:42,512
AND WHO'S
BACHELORETTE NUMBER TWO?
414
00:18:42,686 --> 00:18:44,340
- HER NAME IS MANDY,
415
00:18:44,514 --> 00:18:46,995
AND SHE'S GOING TO BE
OUR FASHION CONSULTANT.
416
00:18:47,169 --> 00:18:50,085
- OH, I'M LOVING THAT.
MANDY, WOW. SO PRETTY.
417
00:18:50,259 --> 00:18:52,261
UH, YOU COULD BE A MODEL.
- I AM A MODEL.
418
00:18:52,435 --> 00:18:54,481
- MAYBE I'VE SEEN YOU.
WHAT MONTH WERE YOU?
419
00:18:54,655 --> 00:18:56,178
- TOLD YOU.
420
00:18:56,352 --> 00:19:01,183
HERE, PUT THESE ON
AND SHUT UP.
421
00:19:01,357 --> 00:19:02,663
- NICE.
422
00:19:02,837 --> 00:19:05,535
[upbeat music]
423
00:19:05,709 --> 00:19:11,324
♪
424
00:19:11,498 --> 00:19:12,760
- ♪ DON'T YOU KNOW
WHO YOU ARE? ♪
425
00:19:12,934 --> 00:19:14,283
♪ DON'T YOU KNOW WHO
YOU ARE? ♪
426
00:19:14,457 --> 00:19:16,242
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
427
00:19:16,416 --> 00:19:18,157
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
428
00:19:18,331 --> 00:19:20,246
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
429
00:19:20,420 --> 00:19:21,682
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
430
00:19:21,856 --> 00:19:23,292
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
431
00:19:23,466 --> 00:19:25,251
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
432
00:19:25,425 --> 00:19:27,209
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
433
00:19:27,383 --> 00:19:28,863
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
434
00:19:29,037 --> 00:19:34,216
♪ BABY, BABY,
YOU'RE A SUP-ER-STAR ♪
435
00:19:34,390 --> 00:19:37,959
♪
436
00:19:38,133 --> 00:19:39,656
♪ BURNING BRIGHT
IN THE SKY ♪
437
00:19:39,830 --> 00:19:41,354
♪ GONNA SET THE NIGHT
ON FIRE ♪
438
00:19:41,528 --> 00:19:43,007
♪ BURNING BRIGHT
IN THE SKY ♪
439
00:19:43,182 --> 00:19:44,835
♪ GONNA SET THE NIGHT
ON FIRE ♪
440
00:19:45,009 --> 00:19:46,359
♪ BURNING BRIGHT
IN THE SKY ♪
441
00:19:46,533 --> 00:19:48,187
♪ GONNA SET THE NIGHT
ON FIRE ♪
442
00:19:48,361 --> 00:19:50,189
♪ BURNING BRIGHT
IN THE SKY ♪
443
00:19:50,363 --> 00:19:51,842
♪ GONNA SET THE NIGHT
ON FIRE ♪
444
00:19:52,016 --> 00:19:55,846
- ♪ I KNOW WHO YOU ARE
445
00:19:56,020 --> 00:19:59,154
♪ I KNOW
WHO YOU ARE ♪
446
00:19:59,328 --> 00:20:02,810
♪ I KNOW WHO YOU ARE
447
00:20:02,984 --> 00:20:06,117
♪ I KNOW
WHO YOU ARE ♪
448
00:20:06,292 --> 00:20:10,861
♪ I WANT TO SEE THE GUY
FROM BEVERLY HILLS ♪
449
00:20:11,035 --> 00:20:13,299
♪ I KNOW WHO YOU ARE
450
00:20:13,473 --> 00:20:14,996
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
451
00:20:15,170 --> 00:20:16,780
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
452
00:20:16,954 --> 00:20:18,347
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
453
00:20:18,521 --> 00:20:20,436
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
454
00:20:20,610 --> 00:20:22,090
♪ DON'T YOU KNOW
WHO YOU ARE? ♪
455
00:20:22,264 --> 00:20:24,788
♪ BABY, BABY,
YOU'RE A SUPERSTAR ♪
456
00:20:24,962 --> 00:20:27,443
- WHAT DO YOU THINK?
457
00:20:27,617 --> 00:20:31,969
- WELL, I HATE TO ADMIT IT,
BUT I THINK THIS COULD WORK.
458
00:20:32,143 --> 00:20:34,145
[doorbell rings]
459
00:20:34,320 --> 00:20:38,976
- ERIC T. LOWE,
RIGHT ON TIME.
460
00:20:39,150 --> 00:20:41,065
LISTEN, THIS IS THE BEST
HAIRSTYLIST IN BEVERLY HILLS.
461
00:20:41,240 --> 00:20:42,415
- THE BEST.
462
00:20:42,589 --> 00:20:43,807
- WELL, WHAT'S WRONG
WITH MY BARBER?
463
00:20:43,981 --> 00:20:46,157
- I'M GUESSING HE DRINKS.
464
00:20:46,332 --> 00:20:49,030
- HE CUTS MODELS,
HE CUTS MOVIE STARS.
465
00:20:49,204 --> 00:20:51,641
- WELL, I'M FEELING THE NEED
TO CUT ONE RIGHT NOW.
466
00:20:51,815 --> 00:20:55,819
- SIT.
467
00:20:55,993 --> 00:20:58,605
[exhales]
468
00:20:58,779 --> 00:21:01,085
- ASHLEY!
469
00:21:01,260 --> 00:21:02,391
- HI!
MWAH! MWAH!
470
00:21:02,565 --> 00:21:04,263
- YOU LOOK DELICIOUS.
- THANK YOU.
471
00:21:04,437 --> 00:21:06,221
- MANDY. MWAH!
472
00:21:28,635 --> 00:21:31,899
ERIC T. LOWE WILL NOT
TOUCH THIS MAN.
473
00:21:32,073 --> 00:21:34,336
- LOOK, I KNOW THAT
YOU'RE USED TO HAVING
474
00:21:34,510 --> 00:21:36,947
SOMETHING TO WORK WITH.
475
00:21:37,121 --> 00:21:41,387
- ERIC T. LOWE CREATES
LOOKS FOR SUPERMODELS,
476
00:21:41,561 --> 00:21:44,825
NOT SPORTSWRITERS.
477
00:21:44,999 --> 00:21:46,130
- I'M RIGHT HERE.
478
00:21:46,305 --> 00:21:49,699
- YES, I SEE.
479
00:21:49,873 --> 00:21:54,095
ERIC T. LOWE, STYLIST.
480
00:21:54,269 --> 00:21:56,097
NOT A MAGICIAN.
481
00:21:56,271 --> 00:21:58,882
- OKAY, ALL RIGHT.
482
00:21:59,056 --> 00:22:01,537
PETE L. CAMDEN IS A MAN,
483
00:22:01,711 --> 00:22:05,367
NOT A VOLUNTEER
FROM THE AUDIENCE.
484
00:22:05,541 --> 00:22:08,022
- GRANTED, HE'S NOT
YOUR TYPICAL CUSTOMER.
485
00:22:08,196 --> 00:22:14,202
HOWEVER, THIS MAKEOVER
WILL BE A COVER STORY.
486
00:22:14,376 --> 00:22:17,466
- COVER STORY, YOU SAY?
- YES.
487
00:22:17,640 --> 00:22:24,168
- WELL, THEN, ERIC T. LOWE
SAYS, ABRACADABRA!
488
00:22:25,300 --> 00:22:26,170
[pop music]
489
00:22:26,345 --> 00:22:29,913
♪
490
00:22:30,087 --> 00:22:33,439
- ♪ DOO DOO
DOO DOO DOO-OOH ♪
491
00:22:33,613 --> 00:22:37,356
♪ DOO DOO DOO DOO DOO
DOO DOOOO ♪
492
00:22:37,530 --> 00:22:40,054
♪ DOO DOO DOO
DOO DOO DOO DOO ♪
493
00:22:40,228 --> 00:22:44,624
♪ DOO DOO DOO DOO
494
00:22:44,798 --> 00:22:48,497
♪ DOO DOO DOO DOO DOO
DOO DOOOO ♪
495
00:22:48,671 --> 00:22:52,849
♪ DOO DOO DOO
DOO DOO DOO DOO DOO ♪
496
00:22:53,023 --> 00:22:55,809
- O--
- M--
497
00:22:55,983 --> 00:22:57,811
- G.
498
00:23:02,511 --> 00:23:03,991
- O-M-G.
499
00:23:04,165 --> 00:23:06,080
[laughter]
500
00:23:06,254 --> 00:23:12,042
- "STEP ONE COMPLETE.
501
00:23:12,216 --> 00:23:16,438
"THERE'S AN OLD SAYING
THAT THE CLOTHES MAKE THE MAN.
502
00:23:16,612 --> 00:23:21,225
"IT SHOULD BE AMENDED TO ADD
503
00:23:21,400 --> 00:23:27,884
THAT A GOOD HAIRCUT
DOESN'T HURT EITHER."
504
00:23:28,058 --> 00:23:29,669
[knock on door]
505
00:23:32,106 --> 00:23:36,240
SHOW NO MERCY.
506
00:23:36,415 --> 00:23:38,329
HOW DO YOU LIVE LIKE THIS?
507
00:23:38,504 --> 00:23:41,942
IT'S SO--
- LIVED IN.
508
00:23:42,116 --> 00:23:43,944
YOU LOOK CRAZY
IN THOSE THINGS.
509
00:23:44,118 --> 00:23:46,816
[upbeat music]
510
00:23:46,990 --> 00:23:55,216
♪
511
00:23:55,390 --> 00:23:58,306
- YOU NEVER GOT RID OF
THE CLOTHES WE GOT RID OF?
512
00:23:58,480 --> 00:24:01,178
OH, THIS IS--UH-UH.
513
00:24:01,352 --> 00:24:06,532
MM-MM. NO.
514
00:24:06,706 --> 00:24:07,794
- ♪ OH, YEAH
515
00:24:07,968 --> 00:24:09,056
- OH!
516
00:24:09,230 --> 00:24:13,103
THIS IS DISGUSTING.
OH, HEY, NOW.
517
00:24:13,277 --> 00:24:17,368
♪
518
00:24:17,543 --> 00:24:20,284
- ♪ GOTTA GET THAT MONEY
519
00:24:20,459 --> 00:24:24,288
♪ OH, YEAH,
OH, YEAH ♪
520
00:24:24,463 --> 00:24:28,118
♪ SOMETIMES
I CAN'T BELIEVE ♪
521
00:24:28,292 --> 00:24:30,817
♪ YOU DO
THE THINGS YOU DO ♪
522
00:24:30,991 --> 00:24:33,559
♪
523
00:24:33,733 --> 00:24:36,779
♪ THERE ARE THINGS
I CANNOT SAY ♪
524
00:24:36,953 --> 00:24:37,867
- ALL RIGHT.
525
00:24:38,041 --> 00:24:38,999
- ♪ OH, YEAH
526
00:24:39,173 --> 00:24:41,001
- WHAT ELSE?
527
00:24:41,175 --> 00:24:44,700
YOU NEED NEW WINDOW TREATMENTS,
NEW WALL HANGINGS.
528
00:24:44,874 --> 00:24:48,051
AND, I'M SORRY, BUT THE COUCH
HAS GOT TO GO.
529
00:24:48,225 --> 00:24:49,618
IT STILL LOOKS TERRIBLE.
530
00:24:49,792 --> 00:24:51,751
- OKAY, WELL,
I'LL HAVE YOU KNOW
531
00:24:51,925 --> 00:24:55,319
THAT EVERY NICK, SCRATCH,
AND SCUFF ON THIS COUCH
532
00:24:55,494 --> 00:24:58,975
IS A TESTAMENT TO THE FACT
THAT I HAVE FUN IN MY LIFE.
533
00:24:59,149 --> 00:25:01,412
[spraying]
534
00:25:01,587 --> 00:25:06,200
- ARE YOU SUGGESTING THAT I
DON'T KNOW HOW TO HAVE FUN?
535
00:25:06,374 --> 00:25:08,463
- WELL, I'M JUST SAYING,
536
00:25:08,637 --> 00:25:10,596
IT SEEMS LIKE IT'S ALL
ABOUT PERFECT WITH YOU.
537
00:25:10,770 --> 00:25:13,033
- WELL,
FOR YOUR INFORMATION,
538
00:25:13,207 --> 00:25:15,252
YOU CAN HAVE FUN
IN THE PURSUIT OF PERFECTION.
539
00:25:15,426 --> 00:25:17,341
- OH, THAT SOUNDS FUN.
540
00:25:17,516 --> 00:25:20,083
- FOR EXAMPLE...
541
00:25:20,257 --> 00:25:22,651
THERE.
I HAD FUN.
542
00:25:22,825 --> 00:25:25,045
- WOW. THIS IS HOW
YOU WANT IT TO BE, HUH?
543
00:25:25,219 --> 00:25:27,438
OH, I'M TELLING YOU,
DO NOT CHALLENGE ME.
544
00:25:27,613 --> 00:25:28,831
- OOH.
545
00:25:29,005 --> 00:25:29,919
[sprays]
546
00:25:30,093 --> 00:25:32,182
- OOH!
547
00:25:32,356 --> 00:25:34,663
[spraying]
- [gasping]
- OH!
548
00:25:34,837 --> 00:25:36,926
- WHAT DID YOU GET
ON YOUR SHIRT?
549
00:25:37,100 --> 00:25:38,188
- OH!
550
00:25:38,362 --> 00:25:43,411
- [laughing]
551
00:25:48,111 --> 00:25:49,373
- OH!
552
00:25:49,548 --> 00:25:51,506
- [laughs]
553
00:25:51,680 --> 00:25:52,551
[squeals]
554
00:25:52,725 --> 00:25:55,902
[both laughing]
555
00:25:56,076 --> 00:25:56,946
- [groans]
556
00:25:57,120 --> 00:26:00,820
- "'FIXING PETE.'
557
00:26:00,994 --> 00:26:03,213
"IT WAS FINALLY TIME
FOR THE MAN-CHILD
558
00:26:03,387 --> 00:26:06,782
"TO CLEAN HIS ROOM.
559
00:26:06,956 --> 00:26:08,436
"IT TOOK A HAZ-MAT TEAM
TO DO IT,
560
00:26:08,610 --> 00:26:11,395
"BUT WE GOT THE JOB DONE.
561
00:26:11,570 --> 00:26:14,529
"A FEW WELL-CHOSEN PIECES
WOULD TURN THIS FRAT HOUSE
562
00:26:14,703 --> 00:26:17,706
INTO A HOME."
563
00:26:17,880 --> 00:26:20,666
[upbeat music]
564
00:26:20,840 --> 00:26:22,450
♪
565
00:26:22,624 --> 00:26:24,017
[laughs]
566
00:26:24,191 --> 00:26:31,851
♪
567
00:26:33,592 --> 00:26:36,159
- ♪ I CAN'T SAY YEAH,
SAY YEAH ♪
568
00:26:36,333 --> 00:26:38,292
♪ IF I'M ON A DATE
569
00:26:38,466 --> 00:26:42,252
♪ ALL I REALLY WANT TO DO
IS SEE YOU ♪
570
00:26:42,426 --> 00:26:44,603
♪ BREAK THROUGH ONE HIT
571
00:26:44,777 --> 00:26:47,518
♪ YOU KNOW
WHAT I'M WAITING FOR ♪
572
00:26:47,693 --> 00:26:49,825
♪ I'M GOIN'
'ROUND AND 'ROUND ♪
573
00:26:49,999 --> 00:26:52,567
♪ SITTIN' HERE,
JUST WATCHING THE WORLD ♪
574
00:26:52,741 --> 00:26:55,614
♪ ROLL BY
575
00:26:55,788 --> 00:26:59,400
♪ AND IF BY CHANCE
THE RADIO ♪
576
00:26:59,574 --> 00:27:03,447
♪ STARTS PLAYING
OUR FAVORITE SONG ♪
577
00:27:03,622 --> 00:27:05,232
♪ HEY, I WISH YOU WERE
578
00:27:05,406 --> 00:27:06,668
♪ WISH YOU WERE
579
00:27:06,842 --> 00:27:08,235
♪ I WISH YOU WERE,
I WISH YOU WERE ♪
580
00:27:08,409 --> 00:27:11,107
♪ WISH YOU WERE
AROUND HERE ♪
581
00:27:11,281 --> 00:27:12,761
♪ HEY, I WISH YOU WERE
582
00:27:12,935 --> 00:27:14,284
♪ WISH YOU WERE
583
00:27:14,458 --> 00:27:15,721
♪ I WISH YOU WERE,
I WISH YOU WERE ♪
584
00:27:15,895 --> 00:27:18,549
♪ WISH YOU WERE
AROUND HERE ♪
585
00:27:18,724 --> 00:27:22,031
- WOW,
I THINK IT LOOKS GOOD.
586
00:27:22,205 --> 00:27:23,990
- GIVE US A SMILE.
587
00:27:26,819 --> 00:27:32,041
- [laughs]
588
00:27:32,215 --> 00:27:37,264
AND...
589
00:27:37,438 --> 00:27:38,700
IT'S MY WAY
OF CELEBRATING.
590
00:27:38,874 --> 00:27:40,920
- WOW.
591
00:27:48,275 --> 00:27:49,711
- [laughs]
592
00:27:49,885 --> 00:27:54,281
- THANK YOU.
THAT'S VERY SWEET.
593
00:27:54,455 --> 00:27:56,849
HEY, WHY DON'T WE GO OUT
AND CELEBRATE FOR REAL?
594
00:27:57,023 --> 00:28:04,247
- UM, SURE, I HAVE TIME
FOR A DRINK,
595
00:28:04,421 --> 00:28:06,293
BUT I'M MEETING SOMEBODY
FOR DINNER.
596
00:28:06,467 --> 00:28:07,990
- OKAY.
597
00:28:12,516 --> 00:28:13,692
[man whistles]
598
00:28:18,000 --> 00:28:19,654
IT'S FUNNY,
'CAUSE I ALWAYS THOUGHT
599
00:28:19,828 --> 00:28:21,351
THAT THAT FUZZY STUFF
ON MY BATHROOM FLOOR
600
00:28:21,525 --> 00:28:23,440
WAS CARPETING.
601
00:28:23,614 --> 00:28:26,574
- FUNNY NOW.
THAT WAS DISGUSTING.
602
00:28:26,748 --> 00:28:30,796
AND DON'T YOU DARE TRY
THE "LIVED-IN" DEFENSE.
603
00:28:30,970 --> 00:28:32,841
DA-DA-DA-DA-DA.
- EXCUSE ME?
604
00:28:33,015 --> 00:28:36,410
- I DON'T WANT YOU
TO GET YOUR SUIT DIRTY.
605
00:28:36,584 --> 00:28:38,368
- YEAH, YOU'RE RIGHT.
606
00:28:38,542 --> 00:28:41,154
I PROMISE I WON'T EVER EAT
ANYTHING AGAIN.
607
00:28:41,328 --> 00:28:44,070
- THAT'LL WORK.
608
00:28:44,244 --> 00:28:45,375
- YOU WANT TO DANCE?
609
00:28:45,549 --> 00:28:47,247
- OKAY, SURE.
610
00:28:47,421 --> 00:28:49,815
[piano music]
611
00:28:49,989 --> 00:28:57,997
♪
612
00:29:00,477 --> 00:29:01,783
[laughs]
613
00:29:01,957 --> 00:29:03,611
- WHAT?
614
00:29:03,785 --> 00:29:05,091
- YOU SUCK AT THIS.
615
00:29:05,265 --> 00:29:06,788
- YEAH.
616
00:29:06,962 --> 00:29:09,660
I DIDN'T REALLY EXPECT
YOU WERE GONNA SAY YES.
617
00:29:09,835 --> 00:29:12,402
- OH, I SEE.
ALL RIGHT.
618
00:29:12,576 --> 00:29:14,491
WELL, LET ME DRIVE, THEN.
619
00:29:14,665 --> 00:29:19,932
THIS ONE GOES HERE.
THIS ONE GOES THERE.
620
00:29:20,106 --> 00:29:23,544
ALL RIGHT, YOU'VE GOT IT.
- ALL RIGHT. THANKS, COACH.
621
00:29:23,718 --> 00:29:27,287
YEAH, I THINK I GET
THE KNACK OF THIS, UH, DANCING.
622
00:29:27,461 --> 00:29:28,636
- I GUESS I SHOULDN'T
EXPECT TOO MUCH DANCING
623
00:29:28,810 --> 00:29:30,290
OUT OF A JOCK LIKE YOU.
624
00:29:30,464 --> 00:29:33,162
- AW, COME ON, I'M NOT
A REAL JOCK ANYMORE.
625
00:29:33,336 --> 00:29:34,729
- NO?
- NO.
626
00:29:34,903 --> 00:29:36,905
I WAS AN ATHLETE
IN HIGH SCHOOL AND COLLEGE,
627
00:29:37,079 --> 00:29:40,517
BUT, UH, IT'S REALLY ALL
JUST POSTURING THESE DAYS.
628
00:29:40,691 --> 00:29:41,910
- WHY DIDN'T YOU GO PRO?
629
00:29:42,084 --> 00:29:46,567
- I MEAN,
IT'S NOT THAT EASY.
630
00:29:46,741 --> 00:29:47,829
YOU'VE GOT TO BE
THE BEST OF THE BEST,
631
00:29:48,003 --> 00:29:49,613
AND I WASN'T THAT GOOD.
632
00:29:49,788 --> 00:29:51,050
- WAS THAT DISAPPOINTING?
633
00:29:51,224 --> 00:29:53,356
- NO. I MEAN, I ALWAYS
WANTED TO WRITE.
634
00:29:53,530 --> 00:29:55,358
AND, AS A SPORTSWRITER,
635
00:29:55,532 --> 00:29:58,405
I GET TO HANG ON
TO WHO I'VE ALWAYS BEEN.
636
00:29:58,579 --> 00:30:00,799
IT WORKED OUT.
637
00:30:00,973 --> 00:30:02,278
MORE THAN WORKED OUT.
I LOVE MY JOB.
638
00:30:02,452 --> 00:30:03,845
SERIOUSLY, I WOULDN'T TRADE IT
FOR ANYTHING.
639
00:30:04,019 --> 00:30:06,456
- I HEAR, AS A SPORTSWRITER,
YOU ARE THE BEST OF THE BEST.
640
00:30:06,630 --> 00:30:07,849
- OH?
- YES.
641
00:30:08,023 --> 00:30:11,287
YOU, UH,
KNOCK IT OUT OF THE PARK?
642
00:30:11,461 --> 00:30:14,943
- YES, THAT'S HOW YOU SAY IT.
THANK YOU.
643
00:30:15,117 --> 00:30:16,902
I KNOW YOU DON'T READ
MY COLUMN.
644
00:30:17,076 --> 00:30:19,818
THAT'S OKAY.
I DON'T READ YOURS EITHER.
645
00:30:19,992 --> 00:30:21,994
BUT I WILL. I'LL START
READING IT EVERY DAY.
646
00:30:22,168 --> 00:30:24,039
- REALLY?
- SURE.
647
00:30:24,213 --> 00:30:27,303
- NO, IT'S TRUE,
I REALLY DON'T KNOW THAT MUCH,
648
00:30:27,477 --> 00:30:31,438
UM, WELL, ANYTHING ABOUT SPORTS,
BUT I CAN LEARN.
649
00:30:31,612 --> 00:30:34,615
AND I'LL START READING
YOUR COLUMN.
650
00:30:34,789 --> 00:30:36,965
- ALL RIGHT. YOU SHOULD
READ MY BOOK, THOUGH.
651
00:30:37,139 --> 00:30:38,793
UM, IT'S DIFFERENT
FROM MY COLUMN,
652
00:30:38,967 --> 00:30:41,056
'CAUSE I DON'T ACTUALLY JUST
REPORT ON THINGS.
653
00:30:41,230 --> 00:30:43,580
I ACTUALLY, UH,
REALLY EXPRESS MY OPINIONS.
654
00:30:43,754 --> 00:30:47,933
AND I KIND OF LOOK AT BASEBALL
AS A THING OF BEAUTY.
655
00:30:48,107 --> 00:30:51,023
YOU KNOW, JUST FINDING AND
CREATING THOSE PERFECT MOMENTS.
656
00:30:51,197 --> 00:30:54,591
- HMM. WELL, I WRITE
ABOUT BEAUTY AS WELL.
657
00:30:54,765 --> 00:30:56,028
MAYBE WE'RE NOT
SO DIFFERENT.
658
00:30:56,202 --> 00:30:58,595
- [laughs]
THAT SOUNDS GREAT.
659
00:30:58,769 --> 00:31:00,467
- YOU KNOW, GOING INTO THIS,
I HAVE TO ADMIT, I WAS--
660
00:31:00,641 --> 00:31:04,384
- OH, SORRY.
- ANYWAY, I GOTTA GO.
661
00:31:04,558 --> 00:31:05,951
SORRY I'M LATE.
662
00:31:06,125 --> 00:31:07,561
I TRIED TO CALL YOU.
IS YOUR CELL OFF?
663
00:31:07,735 --> 00:31:09,693
- OH, I DON'T KNOW.
664
00:31:09,868 --> 00:31:11,652
CHRISTOPHER, PETE CAMDEN.
665
00:31:11,826 --> 00:31:14,394
PETE, THIS IS CHRISTOPHER
HERNANDEZ, MY BOYFRIEND.
666
00:31:14,568 --> 00:31:16,918
- BOYFRIEND, RIGHT.
THE, UH, THE TV REPORTER.
667
00:31:17,092 --> 00:31:19,225
- GUILTY. AND YOU'RE
THE HUMAN GUINEA PIG.
668
00:31:19,399 --> 00:31:20,704
- GUILTY.
669
00:31:20,879 --> 00:31:22,837
- SO WHEN DO YOU START
THE MAKEOVER?
670
00:31:25,927 --> 00:31:30,932
- UM, I REALLY--I HAD
A GREAT TIME WITH YOU TODAY.
671
00:31:31,106 --> 00:31:33,717
I'LL SEE YOU BACK
IN THE OFFICE.
672
00:31:33,892 --> 00:31:36,459
OH, EXCUSE ME. YEAH.
673
00:31:36,633 --> 00:31:38,070
'CAUSE I THINK, UH,
WE'RE GONNA NEED TO
674
00:31:38,244 --> 00:31:39,680
PRACTICE
A LITTLE MORE, YOU KNOW?
675
00:31:47,296 --> 00:31:50,517
- MAYBE WE COULD, UH,
TRY THAT LOOK ON YOU.
676
00:31:50,691 --> 00:31:52,345
OH!
[laughs]
677
00:31:52,519 --> 00:31:53,476
- I HAVE TO BE
ON CAMERA LATER.
678
00:31:53,650 --> 00:31:54,869
WHAT ARE YOU THINKING?
679
00:31:55,043 --> 00:31:56,305
- I WAS JUST MESSING AROUND.
680
00:31:56,479 --> 00:31:58,917
I, UM, I'M SORRY.
681
00:32:03,617 --> 00:32:07,534
[phone ringing]
682
00:32:07,708 --> 00:32:09,057
- HELLO.
683
00:32:09,231 --> 00:32:10,667
- HEY, MARTY,
WHAT ARE YOU DOING?
684
00:32:10,841 --> 00:32:12,060
- HEY, PETE, NOTHING.
685
00:32:12,234 --> 00:32:13,627
I'M JUST, UH,
WAITING ON A FARE.
686
00:32:13,801 --> 00:32:14,845
- WELL, I WAS THINKING ABOUT
GOING TO GRAB A DRINK.
687
00:32:15,020 --> 00:32:16,195
YOU WANT TO COME?
688
00:32:16,369 --> 00:32:18,762
- THAT IS MUSIC TO MY EARS,
MY FRIEND.
689
00:32:18,937 --> 00:32:19,720
[phone beeps]
690
00:32:29,469 --> 00:32:33,647
[overlapping chatter]
691
00:32:33,821 --> 00:32:34,561
SMITTY!
692
00:32:34,735 --> 00:32:35,692
- MARTY.
693
00:32:35,866 --> 00:32:36,606
- WHERE'S PETE?
694
00:32:36,780 --> 00:32:38,391
- RIGHT THERE.
695
00:32:38,565 --> 00:32:41,960
- [gasps]
696
00:32:42,134 --> 00:32:45,006
SHE RUINED YOU.
697
00:32:45,180 --> 00:32:46,834
- IS IT THAT BAD?
698
00:32:47,008 --> 00:32:49,750
- THAT BAD?
IT'S WORSE.
699
00:32:49,924 --> 00:32:52,796
[sniffs]
WHAT'S THAT SMELL?
700
00:32:52,971 --> 00:32:54,146
- OH, THAT'S NOT A SMELL.
701
00:32:54,320 --> 00:32:57,845
THAT'S, UH,
THAT'S THE ABSENCE OF SMELL.
702
00:32:58,019 --> 00:33:02,589
- I DON'T LIKE IT.
I DON'T LIKE IT AT ALL.
703
00:33:02,763 --> 00:33:03,938
WHEW!
704
00:33:10,858 --> 00:33:12,816
- HEY, WHAT'S UP?
705
00:33:12,991 --> 00:33:16,951
- I DON'T EVEN KNOW
WHO YOU ARE ANYMORE.
706
00:33:17,125 --> 00:33:19,258
WHAT ARE YOU LOOKING AT,
HUH?
707
00:33:23,088 --> 00:33:28,310
PETE, THEY WERE
LOOKING AT YOU.
708
00:33:28,484 --> 00:33:31,183
- HOW DO YOU KNOW?
- BECAUSE THEY WERE SMILING.
709
00:33:31,357 --> 00:33:34,055
SO EVIDENTLY,
THEY WEREN'T LOOKING AT ME.
710
00:33:34,229 --> 00:33:38,103
ERGO, THEY WERE
LOOKING AT YOU.
711
00:33:38,277 --> 00:33:41,628
COME WITH ME.
COME ON.
712
00:33:45,632 --> 00:33:47,373
COME HERE.
COME HERE, MEAN BOY.
713
00:33:47,547 --> 00:33:48,983
COME HERE FOR A SECOND.
COME HERE, DO ME A FAVOR.
714
00:33:49,157 --> 00:33:51,638
YOU STAND RIGHT HERE, OKAY?
- WHY?
715
00:33:51,812 --> 00:33:54,728
- JUST PLEASE,
STAND THERE, OKAY?
716
00:33:59,080 --> 00:34:02,910
[overlapping chatter]
717
00:34:03,084 --> 00:34:04,303
- HI, HOW ARE YOU DOING?
718
00:34:07,001 --> 00:34:13,399
[cheering]
719
00:34:13,573 --> 00:34:16,271
- CHICK MAGNET.
720
00:34:16,445 --> 00:34:19,970
YOU ARE
A CHICK-FREAKIN'-MAGNET.
721
00:34:20,145 --> 00:34:21,711
- OKAY, BUT IF
I'M A CHICK MAGNET,
722
00:34:21,885 --> 00:34:23,713
WHAT ARE WE DOING,
STANDING HERE BY OURSELVES?
723
00:34:23,887 --> 00:34:25,672
- RIGHT NOW,
WE'VE GOT TO STRATEGIZE.
724
00:34:25,846 --> 00:34:27,761
[women chatting]
725
00:34:27,935 --> 00:34:30,459
WHERE ARE THEY GOING?
WHERE'S EVERYONE GOING?
726
00:34:30,633 --> 00:34:31,678
WHERE ARE THEY GOING?
727
00:34:31,852 --> 00:34:33,332
- I GUESS
TO THAT CLUB OVER THERE.
728
00:34:33,506 --> 00:34:35,029
- HEY.
- LET'S DO THIS THING, HUH?
729
00:34:35,203 --> 00:34:37,553
- YOU THINK WE'RE
GONNA FIT IN THERE?
730
00:34:37,727 --> 00:34:40,252
- IF NOT NOW, WHEN?
731
00:34:40,426 --> 00:34:45,257
YOU MAY NEVER LOOK
THIS GOOD AGAIN.
732
00:34:45,431 --> 00:34:48,216
[overlapping chatter]
733
00:34:48,390 --> 00:34:51,176
[music playing]
734
00:34:51,350 --> 00:34:55,832
♪
735
00:34:56,006 --> 00:34:59,880
- WOW, MAN, THIS IS WHERE ALL
THE BEAUTIFUL PEOPLE HANG OUT.
736
00:35:00,054 --> 00:35:01,316
- YEAH,
I HATE TO SAY IT,
737
00:35:01,490 --> 00:35:04,232
BUT EVEN THE MEN
ARE GIVING ME GOOSEBUMPS.
738
00:35:04,406 --> 00:35:07,235
- [clears throat]
LISTEN, WITH YOUR NEW LOOKS,
739
00:35:07,409 --> 00:35:10,456
THIS IS GONNA BE LIKE
SHOOTING FISH IN A BARREL.
740
00:35:10,630 --> 00:35:12,153
- ALL RIGHT.
741
00:35:12,327 --> 00:35:14,242
- NOW, UH, START WORKING
THE HANDSOME THING
742
00:35:14,416 --> 00:35:17,811
SO I CAN SCRAPE UP
SOME OF YOUR CASTOFFS.
743
00:35:17,985 --> 00:35:20,640
[overlapping chatter]
744
00:35:20,814 --> 00:35:23,164
- HI, I'M NAOMI.
745
00:35:23,338 --> 00:35:25,688
- HEY.
- HEY, NAOMI.
746
00:35:25,862 --> 00:35:30,389
WOW. JEEZ, YOU'RE HOT.
747
00:35:30,563 --> 00:35:32,565
REALLY. I MEAN, YOU'RE,
WHAT, LIKE AN 8?
748
00:35:32,739 --> 00:35:34,306
- UH-HUH.
749
00:35:34,480 --> 00:35:36,134
- YEAH, BUT I BET IF WE
PUT YOU IN THE RIGHT LIGHT,
750
00:35:36,308 --> 00:35:39,441
YOU COULD PROBABLY BE,
LIKE, AN 8 1/2, 8.6, YOU KNOW?
751
00:35:39,615 --> 00:35:44,403
- WOW, SO YOU CAN DRESS 'EM UP
BUT YOU CAN'T TAKE 'EM OUT.
752
00:35:44,577 --> 00:35:48,015
- OKAY. NO CHEMISTRY HERE,
BOY, SERIOUSLY.
753
00:35:48,189 --> 00:35:51,105
UH, WHERE ARE YOU FROM?
754
00:35:51,279 --> 00:35:53,847
[hard slap]
755
00:35:54,021 --> 00:35:57,459
[overlapping chatter]
756
00:35:57,633 --> 00:35:59,287
THAT'S RUDE.
757
00:35:59,461 --> 00:36:00,723
- YOU'RE JUST GONNA LET THEM
GET AWAY?
758
00:36:00,897 --> 00:36:04,249
- I JUST GOT SLAPPED,
MARTY.
759
00:36:04,423 --> 00:36:06,033
I THINK SHE WAS RIGHT, TOO.
760
00:36:06,207 --> 00:36:08,166
- NO. SHE SAID HELLO FIRST.
761
00:36:08,340 --> 00:36:09,732
- SHE DIDN'T SAY HELLO
TO ME.
762
00:36:09,906 --> 00:36:11,865
SHE SAID HELLO TO THE CLOTHES
AND THE HAIRCUT, YOU KNOW?
763
00:36:12,039 --> 00:36:13,475
- AND THE ABSENCE OF SMELL.
764
00:36:13,649 --> 00:36:15,869
- I DON'T EVEN KNOW WHAT TO SAY
TO A BEAUTIFUL WOMAN.
765
00:36:16,043 --> 00:36:18,088
SERIOUSLY, I DON'T KNOW
WHAT'S EXPECTED OF ME.
766
00:36:18,263 --> 00:36:20,439
I MEAN, BEFORE THEY'D COME UP
AND THEY'D SEE A FRAT GUY,
767
00:36:20,613 --> 00:36:22,354
AND THAT'S WHAT THEY GOT,
YOU KNOW?
768
00:36:22,528 --> 00:36:26,836
BUT I HAVE NO IDEA
HOW TO BE THIS NEW GUY.
769
00:36:27,010 --> 00:36:30,362
- WOW. YOU'RE BEING
KIND OF HARD ON YOURSELF.
770
00:36:30,536 --> 00:36:32,277
- NO. I SHOULD HAVE NEVER
AGREED TO THIS.
771
00:36:32,451 --> 00:36:34,104
I HAD A GOOD THING GOING.
772
00:36:34,279 --> 00:36:35,976
SERIOUSLY, NOW,
LOOK AT ME.
773
00:36:36,150 --> 00:36:38,718
I JUST--I FEEL SILLY
AND PATHETIC.
774
00:36:38,892 --> 00:36:41,242
THIS WHOLE MAKEOVER THING,
IT'S NOT WORKING.
775
00:36:41,416 --> 00:36:44,376
- NO, NO, IT IS WORKING.
IT'S JUST INCOMPLETE.
776
00:36:44,550 --> 00:36:46,378
- YEAH?
HOW DO YOU FIGURE THAT?
777
00:36:46,552 --> 00:36:48,945
- YOUR HEIGHTENED SENSE
OF SELF-AWARENESS
778
00:36:49,119 --> 00:36:51,209
SHOWS EMOTIONAL GROWTH.
779
00:36:51,383 --> 00:36:52,688
- WHERE DID YOU
COME UP WITH THAT?
780
00:36:52,862 --> 00:36:54,473
- A FORTUNE COOKIE.
781
00:36:54,647 --> 00:36:56,431
LOOK, DON'T WORRY ABOUT IT,
OKAY?
782
00:36:56,605 --> 00:36:59,129
YOU'RE JUST MISSING
SOME OF THE PIECES STILL.
783
00:36:59,304 --> 00:37:00,740
- MAYBE
YOU'RE ON TO SOMETHING.
784
00:37:00,914 --> 00:37:03,699
OR CONFUCIUS WAS.
785
00:37:03,873 --> 00:37:07,877
- CONFUCIUS.
786
00:37:08,051 --> 00:37:09,183
- THANKS, CHANTAL.
787
00:37:09,357 --> 00:37:11,229
I AM
CHRISTOPHER HERNANDEZ.
788
00:37:11,403 --> 00:37:14,362
I'M OUTSIDE WHERE WE ARE
CAUTIOUSLY AWAITING THE RAIN.
789
00:37:14,536 --> 00:37:16,103
NOW IF YOU HAVE
AN UMBRELLA AT HOME...
790
00:37:16,277 --> 00:37:17,887
- OH, YOU NEVER TOLD ME.
791
00:37:18,061 --> 00:37:20,194
I GUESS YOU SURVIVED
THE APARTMENT CLEANING?
792
00:37:20,368 --> 00:37:23,197
- OH, YEAH.
IT WAS FUN.
793
00:37:23,371 --> 00:37:27,245
- FUN?
- WELL, WE GOT IT ALL CLEANED.
794
00:37:27,419 --> 00:37:29,464
- AND NOBODY
KILLED EACH OTHER?
795
00:37:29,638 --> 00:37:33,120
- NO. PETE WAS GREAT.
WE EVEN HAD A NICE TIME.
796
00:37:33,294 --> 00:37:35,078
- WHO ARE YOU AND WHAT
HAVE YOU DONE WITH ASHLEY?
797
00:37:35,253 --> 00:37:38,125
- I'M TELLING YOU THE TRUTH.
798
00:37:38,299 --> 00:37:39,387
WE WENT OUT
FOR DRINKS AFTER,
799
00:37:39,561 --> 00:37:41,041
AND WHEN HE'S NOT BEING
ONE OF THE BOYS,
800
00:37:41,215 --> 00:37:43,870
HE'S KIND OF A CHARMER.
801
00:37:44,044 --> 00:37:45,828
OH, I FORGOT TO TELL YOU.
802
00:37:46,002 --> 00:37:48,135
THE COLOR OF THE SPORT COAT
WE PICKED OUT? PERFECT.
803
00:37:48,309 --> 00:37:50,964
I CAN'T BELIEVE HOW GOOD
HE LOOKED THAT NIGHT.
804
00:37:51,138 --> 00:37:54,489
I MEAN, HE LOOKED GOOD,
THAT'S HOW GOOD HE LOOKED.
805
00:37:54,663 --> 00:37:56,883
- YEAH, BUT BENEATH THE SURFACE,
HE'S STILL A PIG.
806
00:37:57,057 --> 00:38:01,104
- NO, BENEATH THE SURFACE,
HE'S A REALLY GOOD GUY.
807
00:38:03,368 --> 00:38:05,152
- [sighs]
808
00:38:12,768 --> 00:38:13,943
[sniffs]
809
00:38:21,560 --> 00:38:25,477
- OKAY, YEAH,
THAT SOUNDS GREAT.
810
00:38:25,651 --> 00:38:27,087
THANKS, CHRISTOPHER.
TALK TO YOU LATER.
811
00:38:27,261 --> 00:38:29,829
GREAT. BYE.
812
00:38:30,003 --> 00:38:31,091
[phone beeps]
813
00:38:31,265 --> 00:38:32,614
HI.
814
00:38:32,788 --> 00:38:36,531
- APPLE FOR THE TEACHER.
- THANK YOU, PETE.
815
00:38:36,705 --> 00:38:39,578
SO FAR,
YOU'RE MY FAVORITE STUDENT.
816
00:38:39,752 --> 00:38:45,627
- SO YOU AND CHRISTOPHER, UM,
I'VE BEEN MEANING TO ASK.
817
00:38:45,801 --> 00:38:49,414
UM, YOU KNOW, YOU'RE, LIKE,
THIS PERFECT WOMAN.
818
00:38:49,588 --> 00:38:51,764
SO I, UH,
WAS JUST WONDERING HOW
819
00:38:51,938 --> 00:38:53,200
CHRISTOPHER WON YOU OVER?
820
00:38:53,374 --> 00:38:55,463
- WE'RE PERFECT
FOR EACH OTHER.
821
00:38:55,637 --> 00:38:57,857
WE HAVE THE SAME TASTES
AND THE SAME INTERESTS.
822
00:38:58,031 --> 00:39:04,124
AND, WELL, WE BOTH
LIKE THINGS A CERTAIN WAY.
823
00:39:04,298 --> 00:39:06,082
WE'RE PRACTICALLY
THE SAME PERSON.
824
00:39:06,256 --> 00:39:09,999
BUT YOU DON'T HAVE TO COMPARE
YOURSELF TO CHRISTOPHER.
825
00:39:10,173 --> 00:39:13,873
YOU CAN BE
YOUR OWN KIND OF PERFECT.
826
00:39:14,047 --> 00:39:18,181
- YOU SHOULD PROBABLY
TALK TO SOMEONE ABOUT THAT.
827
00:39:18,356 --> 00:39:21,010
- WHAT? YOU KNOW I'M KIND OF
A PERFECTIONIST.
828
00:39:21,184 --> 00:39:23,230
- YOU SAY "KIND OF
A PERFECTIONIST,"
829
00:39:23,404 --> 00:39:26,581
I SAY, "KIND OF CRAZY."
830
00:39:26,755 --> 00:39:29,410
- WHAT CAN I SAY?
I LIKE THINGS PERFECT.
831
00:39:29,584 --> 00:39:31,717
I WAS
MY PARENTS' ONLY CHILD,
832
00:39:31,891 --> 00:39:34,328
AND I GUESS I GREW UP
TRYING TO PLEASE THEM.
833
00:39:34,502 --> 00:39:36,199
I SPENT HALF MY CHILDHOOD
TRYING TO MAKE SURE
834
00:39:36,374 --> 00:39:38,027
EVERYTHING WAS JUST RIGHT,
YOU KNOW?
835
00:39:38,201 --> 00:39:40,334
- YEAH, SEE, I SPENT
MOST OF MY CHILDHOOD
836
00:39:40,508 --> 00:39:42,380
JUST RUNNING AROUND
ON THE PLAYGROUND
837
00:39:42,554 --> 00:39:44,512
TILL MY MOM GOT HOARSE
CALLING ME IN FOR DINNER.
838
00:39:44,686 --> 00:39:47,080
- WOW. YEAH.
NO PLAYGROUNDS FOR ME.
839
00:39:47,254 --> 00:39:48,734
I NEVER WANTED TO
GET DIRTY.
840
00:39:48,908 --> 00:39:50,953
- COME ON, YOU MUST HAVE WANTED
TO AT SOME POINT, RIGHT?
841
00:39:51,127 --> 00:39:52,564
I MEAN, ALL KIDS DO.
THEY HAVE TO.
842
00:39:52,738 --> 00:39:57,395
- WELL, SOMETIMES
I WOULD WATCH THE KIDS
843
00:39:57,569 --> 00:40:02,922
PLAYING IN THE SCHOOLYARD
AND--ANYHOW, UH,
844
00:40:03,096 --> 00:40:05,664
WE'RE HERE FOR YOU, NOT ME,
SO LET'S GET STARTED.
845
00:40:07,448 --> 00:40:10,538
I INVITED A FRIEND OVER
TO PORTRAY YOUR DATE.
846
00:40:10,712 --> 00:40:13,019
- SO WE MEET AGAIN,
MR. CAMDEN.
847
00:40:13,193 --> 00:40:14,194
- [laughs]
848
00:40:14,368 --> 00:40:15,413
ALL RIGHT,
LET'S FIND OUT
849
00:40:15,587 --> 00:40:17,240
WHERE THIS PROJECT
HAS GONE SOUTH.
850
00:40:17,415 --> 00:40:18,807
WE'RE GONNA START WITH
A LITTLE BIT OF ROLE PLAYING.
851
00:40:18,981 --> 00:40:20,374
- OOH.
852
00:40:20,548 --> 00:40:22,550
- MANDY, YOU'RE GOING TO BE
A LADY FRIEND
853
00:40:22,724 --> 00:40:23,856
WHO'S JUST RETURNED
FROM THE SALON.
854
00:40:24,030 --> 00:40:25,074
- OKAY.
855
00:40:25,248 --> 00:40:26,989
[inhales]
856
00:40:27,163 --> 00:40:31,080
[exhales]
857
00:40:31,254 --> 00:40:33,126
I'VE BEEN STUDYING AT
THE SANTA MONICA PLAYHOUSE.
858
00:40:33,300 --> 00:40:36,477
- OH, CONGRATULATIONS.
- WONDERFUL. UPSTAGE.
859
00:40:36,651 --> 00:40:39,001
THANK YOU.
ALL RIGHT, PETE.
860
00:40:39,175 --> 00:40:41,613
I WANT YOU TO NOTICE
AND COMPLIMENT HER.
861
00:40:41,787 --> 00:40:45,965
ARE YOU READY?
ACTION.
862
00:40:46,139 --> 00:40:48,402
- A WOMAN COMING FROM THE SALON.
OKAY, GO.
863
00:40:58,804 --> 00:41:00,806
- MANDY, WOW.
WHAT A GREAT HAIRCUT.
864
00:41:00,980 --> 00:41:02,677
- VERY GOOD.
865
00:41:02,851 --> 00:41:05,550
OKAY, NOW SAY
SOMETHING ELSE NICE.
866
00:41:05,724 --> 00:41:07,552
UH, COMPLIMENT HER OUTFIT
OR SOMETHING.
867
00:41:07,726 --> 00:41:08,988
- OKAY, EASY ENOUGH.
I CAN DO THAT.
868
00:41:09,162 --> 00:41:11,947
MANDY, WHAT A LOVELY OUTFIT
YOU'RE WEARING.
869
00:41:12,121 --> 00:41:13,601
- THANK YOU.
870
00:41:13,775 --> 00:41:16,212
IT'S A ONE-OF-A-KIND
LESTER SHANE.
871
00:41:16,386 --> 00:41:17,997
I DID HIS FIRST RUNWAY SHOW
IN NEW YORK,
872
00:41:18,171 --> 00:41:19,738
THEN HE WASN'T SURE
IF HE WAS GONNA BE
873
00:41:19,912 --> 00:41:21,435
AS BIG IN THE U.S.
AS HE IS IN EUROPE.
874
00:41:21,609 --> 00:41:23,176
- OKAY. HANG ON A SECOND.
TIME OUT.
875
00:41:23,350 --> 00:41:26,309
SERIOUSLY, LIKE, GUYS
DON'T CARE ABOUT THIS STUFF.
876
00:41:26,484 --> 00:41:27,746
NOT AT ALL.
877
00:41:27,920 --> 00:41:29,661
- PETE, IF YOU WANT
SOMEONE ELSE TO CARE
878
00:41:29,835 --> 00:41:31,271
ABOUT YOUR SIDE
OF THE CONVERSATION,
879
00:41:31,445 --> 00:41:34,492
BEGIN BY CARING
ABOUT THEIRS.
880
00:41:34,666 --> 00:41:37,059
- OKAY, BUT WHAT IF
I REALLY DON'T CARE?
881
00:41:37,233 --> 00:41:39,497
- WHEN YOU MEET SOMEONE THAT
YOU'RE REALLY INTERESTED IN,
882
00:41:39,671 --> 00:41:41,455
YOU WILL CARE
WHAT THEY HAVE TO SAY,
883
00:41:41,629 --> 00:41:42,761
BUT IT'LL JUST COME
NATURALLY.
884
00:41:42,935 --> 00:41:44,980
LIKE--LIKE IT HAS BEEN
WITH YOU AND ME
885
00:41:45,154 --> 00:41:46,460
FOR THE LAST COUPLE
OF DAYS.
886
00:41:46,634 --> 00:41:47,679
- YEAH, BUT I MEAN,
YOU'RE NOT SOMEONE SPECIAL.
887
00:41:47,853 --> 00:41:49,463
YOU'RE JUST--YOU'RE YOU,
YOU KNOW? AND IT--
888
00:41:57,123 --> 00:41:59,778
I'M SORRY.
889
00:41:59,952 --> 00:42:01,519
OKAY, LOOK,
THIS ISN'T GONNA WORK.
890
00:42:01,693 --> 00:42:05,305
RIGHT NOW, I CAN'T EVEN
TALK TO YOU RIGHT.
891
00:42:05,479 --> 00:42:08,351
- PETE.
892
00:42:08,526 --> 00:42:09,701
[door closes]
893
00:42:09,875 --> 00:42:12,051
COME ON, PETE,
JUST GIVE IT A CHANCE.
894
00:42:12,225 --> 00:42:13,226
- ASHLEY,
I GAVE IT A CHANCE
895
00:42:13,400 --> 00:42:15,141
AND THEN ANOTHER CHANCE,
896
00:42:15,315 --> 00:42:17,404
AND I'M STILL
BATTING ZERO.
897
00:42:17,578 --> 00:42:18,840
- I KNOW, BUT IT'S SIMPLE.
898
00:42:19,014 --> 00:42:20,320
THE KEY TO A TRULY
MEANINGFUL CONVERSATION
899
00:42:20,494 --> 00:42:21,582
IS JUST LISTENING.
900
00:42:21,756 --> 00:42:24,237
- OKAY, I'M LISTENING.
901
00:42:24,411 --> 00:42:27,719
- ALL RIGHT, LET'S GIVE IT
ONE MORE TRY, ALL RIGHT?
902
00:42:27,893 --> 00:42:29,329
IF YOU START WITH
SOMETHING YOU KNOW,
903
00:42:29,503 --> 00:42:30,504
THEN IF
THE GIRL'S INTERESTED,
904
00:42:30,678 --> 00:42:32,071
YOU'LL KNOW RIGHT AWAY
905
00:42:32,245 --> 00:42:34,116
WHETHER YOU GUYS HAVE
A CONNECTION OR NOT, ALL RIGHT?
906
00:42:34,290 --> 00:42:36,292
SO YOU BE THE BOY
AND I'LL BE THE GIRL.
907
00:42:36,466 --> 00:42:39,600
- OKAY, NOW, HOLD ON.
908
00:42:39,774 --> 00:42:42,255
A BOY.
- [laughs]
909
00:42:42,429 --> 00:42:45,345
- I'VE BEEN STUDYING AT THE
PLAYHOUSE IN SANTA MONICA.
910
00:42:45,519 --> 00:42:49,131
- NICE.
- SORRY. UH, GO AHEAD.
911
00:42:49,305 --> 00:42:51,525
- HI, I'M ASHLEY.
912
00:42:51,699 --> 00:42:59,098
- HI, UH, I'M A BOY
NAMED PETE.
913
00:42:59,272 --> 00:43:03,058
SO, HOW 'BOUT
THOSE LAKERS?
914
00:43:03,232 --> 00:43:06,235
- I LOVE THE LAKERS.
915
00:43:06,409 --> 00:43:08,847
YEAH, I THINK THIS, UH,
COULD BE THEIR YEAR
916
00:43:09,021 --> 00:43:11,414
BECAUSE, YOU KNOW, BABE RUTH
HAS, UH, BEEN HITTING WELL
917
00:43:11,589 --> 00:43:14,940
AND, UM, THEY, UH,
THEY BROUGHT UP THAT, UM,
918
00:43:15,114 --> 00:43:16,376
JOE NAMATH.
919
00:43:16,550 --> 00:43:18,247
- OH, YEAH.
BROADWAY JOE.
920
00:43:18,421 --> 00:43:20,293
SURE. WE HAVEN'T SEEN
WHAT HE'S MADE OF YET.
921
00:43:20,467 --> 00:43:24,340
- I LOVE TO WATCH HIM
THROW THE PUCK, UH,
922
00:43:24,514 --> 00:43:27,343
BUT I DON'T GET TO GAMES
AS OFTEN AS I'D LIKE TO.
923
00:43:27,517 --> 00:43:29,215
- NO, CLEARLY YOU DON'T.
924
00:43:29,389 --> 00:43:32,218
YOU KNOW, HONESTLY,
I THINK YOU WOULD LOVE, UH,
925
00:43:32,392 --> 00:43:35,830
FOOT--BASEBALL, UH,
KAYAKING, LAWN DARTS,
926
00:43:36,004 --> 00:43:38,746
WHATEVER IT IS YOU'RE ACTUALLY
TALKING ABOUT OVER THERE.
927
00:43:38,920 --> 00:43:40,661
UM, THE DODGERS HAVE GOT
A HOME GAME ON THURSDAY,
928
00:43:40,835 --> 00:43:41,880
AND I'M GONNA BE
COVERING IT,
929
00:43:42,054 --> 00:43:43,272
SO I'LL BE SITTING
IN THE PRESS BOX.
930
00:43:43,446 --> 00:43:44,883
IF YOU WANT TO COME,
931
00:43:45,057 --> 00:43:46,580
THAT'D BE A GREAT WAY
TO WATCH THE GAME.
932
00:43:46,754 --> 00:43:48,713
- COOL. YEAH.
THAT SOUNDS GREAT.
933
00:43:48,887 --> 00:43:50,758
- NICE. OKAY,
I'LL PICK YOU UP.
934
00:43:50,932 --> 00:43:54,327
SAY, LIKE, 1:00?
- IT'S A DATE.
935
00:43:54,501 --> 00:43:56,634
SEE?
936
00:43:56,808 --> 00:43:58,113
- WHAT'S THAT? WHAT--
937
00:43:58,287 --> 00:43:59,462
- YOU DID IT.
938
00:43:59,637 --> 00:44:00,725
YOU TALKED AND I LISTENED,
939
00:44:00,899 --> 00:44:01,856
AND THEN I TALKED
AND YOU LISTENED,
940
00:44:02,030 --> 00:44:04,163
AND IT BECAME
AN ADULT CONVERSATION.
941
00:44:04,337 --> 00:44:05,643
THAT'S GREAT.
942
00:44:05,817 --> 00:44:07,122
YOU EVEN CHARMED ME
INTO GOING OUT WITH YOU.
943
00:44:07,296 --> 00:44:09,124
- I DID, DIDN'T I?
944
00:44:09,298 --> 00:44:13,041
WOW. WELL DONE, PETE.
UM, THAT'S GREAT.
945
00:44:13,215 --> 00:44:14,695
AND YOU'RE GONNA LOVE THURSDAY.
IT'S GONNA BE REALLY FUN.
946
00:44:14,869 --> 00:44:15,783
- WHAT ARE YOU
TALKING ABOUT?
947
00:44:15,957 --> 00:44:18,220
- THE GAME, THE PRESS BOX,
THE--
948
00:44:18,394 --> 00:44:20,745
- OH, THURSDAY NHT,
949
00:44:20,919 --> 00:44:23,312
JEAN LaCAZE IS ACTUALLY
PREMIERING HIS FALL COLLECTION.
950
00:44:23,486 --> 00:44:24,923
IT'S GONNA BE, LIKE,
THE BIGGEST SHOW OF THE YEAR,
951
00:44:25,097 --> 00:44:26,272
AND I'M INTERVIEWING HIM
BEFORE THE SHOW.
952
00:44:26,446 --> 00:44:28,840
- YEAH, YEAH, NO, NO,
I WAS JUST JOKING AROUND.
953
00:44:29,014 --> 00:44:31,277
I WAS STILL ROLE-PLAYING,
YOU KNOW.
954
00:44:31,451 --> 00:44:34,802
- I'M SORRY. THURSDAY'S
KIND OF IMPORTANT.
955
00:44:34,976 --> 00:44:38,153
HEY, WHY DON'T YOU
COME WITH ME?
956
00:44:38,327 --> 00:44:40,503
YEAH, I COULD EVEN
TAKE YOU BACKSTAGE
957
00:44:40,678 --> 00:44:42,680
AND WE COULD USE IT SORT OF
AS LIKE A ROAD TEST, YOU KNOW?
958
00:44:42,854 --> 00:44:44,203
THERE WILL BE TONS
OF BEAUTIFUL WOMEN THERE.
959
00:44:44,377 --> 00:44:46,031
IT'S PERFECT.
960
00:44:46,205 --> 00:44:49,861
- UH, YOU'RE NOT BRINGING
SENOR HERNANDEZ?
961
00:44:50,035 --> 00:44:52,559
- [laughs] UH, NO,
HE CAN'T MAKE IT.
962
00:44:52,733 --> 00:44:53,865
THEY'RE STILL ON STORM VIEW.
963
00:44:54,039 --> 00:44:56,084
IT'S ALL HANDS ON DECK.
964
00:44:56,258 --> 00:44:58,826
- OKAY, WELL, I'LL, UH,
965
00:44:59,000 --> 00:45:00,480
I'LL COME BY
AFTER THE GAME, THEN.
966
00:45:00,654 --> 00:45:03,483
IT IS A DATE.
- PERFECT.
967
00:45:07,269 --> 00:45:11,491
OOH.
968
00:45:11,665 --> 00:45:14,189
[overlapping chatter]
969
00:45:51,444 --> 00:45:53,925
- "'FIXING PETE.'
970
00:45:54,099 --> 00:45:56,101
"I CAN ADMIT NOW
THAT I HAD MY DOUBTS
971
00:45:56,275 --> 00:45:59,800
"GOING INTO THIS,
BUT NOW I CAN ALSO ADMIT
972
00:45:59,974 --> 00:46:04,762
I CAN'T WAIT TO SEE
HOW FAR WE CAN GO."
973
00:46:04,936 --> 00:46:07,634
[electronica]
974
00:46:07,808 --> 00:46:10,637
♪
975
00:46:10,811 --> 00:46:18,427
[overlapping chatter]
976
00:46:18,601 --> 00:46:20,429
ISN'T THIS SO GREAT?
977
00:46:20,603 --> 00:46:21,779
- I DON'T KNOW.
978
00:46:21,953 --> 00:46:22,736
I MEAN,
I DON'T REALLY GET IT.
979
00:46:22,910 --> 00:46:24,782
LIKE, WHAT IS THIS STUFF?
980
00:46:24,956 --> 00:46:27,654
- IT'S NEW FASHION.
IT'S FUN, THOUGH, RIGHT?
981
00:46:27,828 --> 00:46:30,570
- IT'S FUNNY.
- OH, COME ON.
982
00:46:30,744 --> 00:46:31,745
WHY ARE THEIR CLOTHES
ANY MORE RIDICULOUS
983
00:46:31,919 --> 00:46:33,834
THAN WHAT YOU'RE WEARING?
984
00:46:34,008 --> 00:46:35,793
STYLE'S NOT ALWAYS ABOUT
HOW YOU LOOK.
985
00:46:35,967 --> 00:46:37,969
IT'S ABOUT
THE WAY YOU FEEL.
986
00:46:38,143 --> 00:46:40,928
- OKAY, BUT THEY DO LOOK
RIDICULOUS.
987
00:46:41,102 --> 00:46:42,930
- OF COURSE.
IT'S HAUTE COUTURE.
988
00:46:43,104 --> 00:46:44,976
I MEAN, IT'S SUPPOSED TO BE
OUTLANDISH.
989
00:46:45,150 --> 00:46:46,804
EVEN IF YOU WOULDN'T ACTUALLY
WEAR SOME OF THESE OUTFITS,
990
00:46:46,978 --> 00:46:48,544
THEY'RE JUST MEANT
TO INSPIRE YOU
991
00:46:48,718 --> 00:46:50,329
AND MAKE YOU BREAK OUT.
992
00:46:50,503 --> 00:46:52,505
- YEAH, OKAY.
993
00:46:52,679 --> 00:46:53,854
SO WE'RE SUPPOSED TO BE
HAVING FUN WITH THIS, HUH?
994
00:46:54,028 --> 00:46:57,684
- YES.
995
00:46:57,858 --> 00:47:00,252
- OKAY. I CAN DO THAT.
HOO-HAH.
996
00:47:00,426 --> 00:47:03,951
- OH. OH, GOD.
- THERE YOU GO.
997
00:47:04,125 --> 00:47:07,999
LOOK HOW FUN THIS IS.
YOU LIKE?
998
00:47:08,173 --> 00:47:09,696
- MM, YEAH.
IT'S A GOOD LOOK ON YOU.
999
00:47:09,870 --> 00:47:11,959
- DID YOU SEE THAT ONE?
1000
00:47:12,133 --> 00:47:13,743
YOU WOULD LOOK GREAT
IN THAT ONE.
1001
00:47:13,918 --> 00:47:15,571
- YOU THINK?
- FOR SURE.
1002
00:47:15,745 --> 00:47:17,486
I MEAN, BETTER THAN HER,
ANYWAY,
1003
00:47:17,660 --> 00:47:18,748
AND SHE LOOKS REALLY GOOD.
1004
00:47:18,923 --> 00:47:19,967
- ALL RIGHT.
- COME ON.
1005
00:47:20,141 --> 00:47:22,622
- LET'S GIVE IT A GO.
1006
00:47:22,796 --> 00:47:26,844
I THINK I CAN DO THIS ONE
ALL ON MY OWN.
1007
00:47:27,018 --> 00:47:32,066
- OH, FABULOUS.
BRAVO, BRAVO.
1008
00:47:32,240 --> 00:47:35,200
- GIVE ME THIS.
GO GET US A DRINK.
1009
00:47:35,374 --> 00:47:36,854
- OKAY. THAT'LL HELP.
1010
00:47:37,028 --> 00:47:39,682
- [laughs]
1011
00:47:39,857 --> 00:47:42,903
[overlapping chatter]
1012
00:47:43,077 --> 00:47:45,471
HMM.
1013
00:47:45,645 --> 00:47:48,909
I DO BELIEVE THERE'S A WOMAN
WHO'S GOT YOU IN HER SIGHTS.
1014
00:47:49,083 --> 00:47:51,433
- REALLY? WHERE?
- MM-MM-MM. COOL IT, COOL IT.
1015
00:47:51,607 --> 00:47:55,176
REDHEAD AT THE BAR.
1016
00:47:55,350 --> 00:47:57,570
- OKAY.
1017
00:47:57,744 --> 00:47:59,354
PARIS, KIM,
GREAT TO SEE YOU.
1018
00:47:59,528 --> 00:48:01,791
THANKS FOR COMING.
1019
00:48:01,966 --> 00:48:02,880
THAT REDHEAD?
- MM-HMM.
1020
00:48:03,054 --> 00:48:04,882
- YOU KIDDING ME?
1021
00:48:05,056 --> 00:48:08,668
OH, MAN, UM,
ALL RIGHT, I GUESS, UH,
1022
00:48:08,842 --> 00:48:10,583
I'D REALLY LIKE TO
MAKE HER ACQUAINTANCE
1023
00:48:10,757 --> 00:48:11,801
WITH YOUR PLEASURE.
1024
00:48:11,976 --> 00:48:14,804
- SO GET GOING.
- [exhales]
1025
00:48:14,979 --> 00:48:17,982
- REMEMBER,
THE KEY TO HAVING
1026
00:48:18,156 --> 00:48:21,507
A TRULY MEANINGFUL
CONVERSATION IS...
1027
00:48:21,681 --> 00:48:23,248
both: LISTENING.
1028
00:48:27,905 --> 00:48:33,693
- SO, UH,
HOW ABOUT THOSE LAKERS?
1029
00:48:33,867 --> 00:48:36,348
- EXCUSE ME?
1030
00:48:36,522 --> 00:48:37,958
- SORRY, THAT WORKED ONCE.
1031
00:48:38,132 --> 00:48:40,918
UM, MY NAME'S PETE CAMDEN.
1032
00:48:41,092 --> 00:48:42,745
I'M A SPORTSWRITER
FOR THE POST.
1033
00:48:42,920 --> 00:48:44,791
- WOW, THIS IS REALLY OFF
YOUR BEAT THEN, ISN'T IT?
1034
00:48:44,965 --> 00:48:47,054
- YEAH, IT REALLY IS.
1035
00:48:47,228 --> 00:48:50,057
UM, YOU KNOW, BUT WE ALL
WEAR CLOTHES, DON'T WE?
1036
00:48:50,231 --> 00:48:52,146
WE ALL PUT 'EM ON,
WE ALL TAKE 'EM OFF.
1037
00:48:52,320 --> 00:48:53,843
NOT THAT I'M SUGGESTING
YOU TAKE YOURS OFF,
1038
00:48:54,018 --> 00:48:55,410
OR THAT YOU DON'T.
1039
00:48:55,584 --> 00:48:57,891
I JUST...
1040
00:49:00,720 --> 00:49:03,636
UH...
1041
00:49:03,810 --> 00:49:04,985
YOU KNOW, BUT I--
1042
00:49:05,159 --> 00:49:06,595
I HAVEN'T EVEN
REALLY NOTICED
1043
00:49:06,769 --> 00:49:10,077
WHAT A BODY YOU HAVE
'CAUSE OF YOUR GREAT EARS
1044
00:49:10,251 --> 00:49:12,950
FOR, YOU KNOW, FOR PUTTING
YOUR EARRINGS IN.
1045
00:49:13,124 --> 00:49:14,908
UM, AND THEY'RE BEAUTIFUL,
THOSE EARRINGS.
1046
00:49:15,082 --> 00:49:16,736
I REALLY LIKE THEM.
THEY'RE BIG.
1047
00:49:20,783 --> 00:49:23,047
OH, GOSH.
1048
00:49:23,221 --> 00:49:25,527
YOU KNOW,
YOU--YOU SURE CAN DANCE.
1049
00:49:25,701 --> 00:49:28,487
I MEAN, I WAS--
I WAS WATCHING YOU,
1050
00:49:28,661 --> 00:49:32,795
AND IT'S GREAT.
1051
00:49:32,970 --> 00:49:36,016
SHOE?
- SHOE?
1052
00:49:36,190 --> 00:49:38,845
- YEAH, LOOK AT YOUR SHOES.
THEY'RE LOVELY.
1053
00:49:39,019 --> 00:49:41,979
THEY'RE BLACK AND THEY'VE
GOT THOSE ZIPPERS.
1054
00:49:42,153 --> 00:49:45,112
THEY'RE REALLY NICE.
- KENNETH COLE.
1055
00:49:45,286 --> 00:49:47,941
- NO, IT'S PETE. CAMDEN.
- [laughs]
1056
00:49:48,115 --> 00:49:50,944
- BUT THAT'S OKAY. I CAN'T
REMEMBER A NAME EITHER.
1057
00:49:59,735 --> 00:50:01,563
WOULD YOU LIKE A DRINK?
1058
00:50:01,737 --> 00:50:03,174
I-I CAN GET YOU A DRINK.
1059
00:50:03,348 --> 00:50:05,741
- CYNTHIA.
CHAMPAGNE WOULD BE LOVELY.
1060
00:50:05,915 --> 00:50:07,526
- GREAT. UH, YOU FIRST.
1061
00:50:14,141 --> 00:50:17,014
HEY, BEEN LOOKING
ALL OVER FOR YOU.
1062
00:50:17,188 --> 00:50:18,711
ARE YOU GOING?
1063
00:50:18,885 --> 00:50:22,628
- THANKS. YEAH.
IT'S 2:00 A.M.
1064
00:50:22,802 --> 00:50:25,283
I JUST DIDN'T WANT TO
INTERRUPT YOU AND CYNTHIA.
1065
00:50:25,457 --> 00:50:27,198
- OH, NO, SHE HAD TO--
SHE HAD TO LEAVE.
1066
00:50:27,372 --> 00:50:28,503
SHE'S GOT AN EARLY MORNING.
1067
00:50:28,677 --> 00:50:31,985
- THE, UH,
EARLY MORNING EXCUSE, HUH?
1068
00:50:32,159 --> 00:50:34,205
YEAH, I'VE USED THAT ONE
MYSELF.
1069
00:50:34,379 --> 00:50:36,946
- UH, NO, I THINK, UH,
I THINK THIS WAS FOR REAL.
1070
00:50:37,121 --> 00:50:40,124
I GOT HER NUMBER.
- THAT'S GREAT.
1071
00:50:40,298 --> 00:50:44,519
WOW, PETE! GRADUATING
AT THE TOP OF YOUR CLASS.
1072
00:50:44,693 --> 00:50:46,391
- YEAH, WELL, IT'S THANKS
TO YOUR TEACHING.
1073
00:50:46,565 --> 00:50:49,176
[both laugh]
1074
00:50:49,350 --> 00:50:50,786
ALL RIGHT, WELL, I GUESS
WE'RE BOTH GOING THEN.
1075
00:50:50,960 --> 00:50:55,095
LET'S GO.
1076
00:50:55,269 --> 00:50:57,271
WHAT ARE YOU
WAITING FOR?
1077
00:50:57,445 --> 00:51:00,579
- UM, MY CAR IS IN THE LOT
ACROSS THE STREET.
1078
00:51:00,753 --> 00:51:02,276
- YEAH?
1079
00:51:02,450 --> 00:51:04,278
- I'M WAITING
FOR THE RAIN TO STOP,
1080
00:51:04,452 --> 00:51:06,019
BECAUSE I DON'T
WANT TO GET WET.
1081
00:51:06,193 --> 00:51:08,152
- WHY? YOU'RE JUST
GOING HOME.
1082
00:51:08,326 --> 00:51:10,589
- YEAH, BUT WHAT ABOUT
MY CLOTHES?
1083
00:51:10,763 --> 00:51:12,939
- COME ON, GO CRAZY.
YOU KNOW YOU WANT TO.
1084
00:51:13,113 --> 00:51:15,594
- NO.
- IT WILL INSPIRE YOU.
1085
00:51:15,768 --> 00:51:21,078
IT WILL HELP YOU BREAK OUT.
- OH! OKAY.
1086
00:51:23,689 --> 00:51:25,995
ONE...
1087
00:51:26,170 --> 00:51:28,694
both: TWO, THREE.
1088
00:51:28,868 --> 00:51:30,609
- [laughs]
1089
00:51:30,783 --> 00:51:33,002
- [squeals]
1090
00:51:33,177 --> 00:51:34,526
- WHOO!
1091
00:51:34,700 --> 00:51:36,093
AH!
1092
00:51:36,267 --> 00:51:38,921
- COME ON, LET'S GO!
COME ON!
1093
00:51:39,096 --> 00:51:41,750
[squeals]
1094
00:51:41,924 --> 00:51:43,578
- FEELS SO GOOD!
1095
00:51:43,752 --> 00:51:45,493
- AAH!
- COME ON.
1096
00:51:45,667 --> 00:51:47,234
- OH!
1097
00:51:47,408 --> 00:51:50,063
WHAT ARE YOU DOING?
1098
00:51:50,237 --> 00:51:51,020
- COME HERE.
1099
00:51:51,195 --> 00:51:53,632
- AAH!
1100
00:51:53,806 --> 00:51:54,633
- AH.
1101
00:51:54,807 --> 00:51:57,636
[pop music]
1102
00:51:57,810 --> 00:52:05,557
♪
1103
00:52:13,608 --> 00:52:16,655
[both laughing]
1104
00:52:16,829 --> 00:52:19,005
- OH.
- OOH.
1105
00:52:19,179 --> 00:52:22,226
- THAT WAS FUN.
- AH, SEE? I TOLD YOU.
1106
00:52:22,400 --> 00:52:25,098
A LITTLE WATER
NEVER CAN HURT ANYBODY.
1107
00:52:25,272 --> 00:52:26,752
- NO, I MEAN
THE WHOLE NIGHT.
1108
00:52:26,926 --> 00:52:29,755
IT WAS GREAT.
[laughs]
1109
00:52:29,929 --> 00:52:32,758
[kiss]
1110
00:52:32,932 --> 00:52:34,977
[sighs]
1111
00:52:35,152 --> 00:52:36,544
WELL, I GUESS
I'LL SEE YOU TOMORROW.
1112
00:52:36,718 --> 00:52:39,591
- YEAH.
TOMORROW IT IS.
1113
00:52:39,765 --> 00:52:42,724
- THANKS.
1114
00:52:42,898 --> 00:52:44,987
- ALL RIGHT. I'LL TAKE YOU
BACK TO YOUR CAR NOW.
1115
00:52:45,162 --> 00:52:46,859
[engine starts]
1116
00:53:37,997 --> 00:53:40,173
[clears throat]
1117
00:53:40,347 --> 00:53:43,785
- HI, PETE.
1118
00:53:43,959 --> 00:53:45,439
- AH, YOU CLEAN UP
PRETTY GOOD.
1119
00:53:45,613 --> 00:53:49,182
- THAT'S WHAT I'VE BEEN
TRYING TO TELL YOU.
1120
00:53:49,356 --> 00:53:51,053
I HOPE YOU LEARNED
SOMETHING LAST NIGHT.
1121
00:53:51,228 --> 00:53:52,838
I KNOW I DID.
1122
00:53:53,012 --> 00:53:55,144
- YEAH. I'M, UH,
I'M GETTING THERE.
1123
00:53:55,319 --> 00:53:57,930
- [laughs]
1124
00:53:58,104 --> 00:54:01,368
- HEY, I BROUGHT YOU
A COPY OF MY BOOK.
1125
00:54:01,542 --> 00:54:02,848
LET ME KNOW WHAT YOU THINK.
1126
00:54:03,022 --> 00:54:05,198
- OH.
1127
00:54:05,372 --> 00:54:08,332
- I THINK, UH,
BEING OUT LAST NIGHT
1128
00:54:08,506 --> 00:54:10,203
MADE ME UNDERSTAND THAT--
1129
00:54:16,035 --> 00:54:18,516
BYE.
- BYE.
1130
00:54:18,690 --> 00:54:21,606
- SO, UH,
WHAT ARE YOU DOING HERE?
1131
00:54:21,780 --> 00:54:23,042
- WHAT'S THIS?
1132
00:54:23,216 --> 00:54:25,000
- IT'S A NEWSPAPER,
PARKER.
1133
00:54:25,174 --> 00:54:27,002
BUT BY TOMORROW MORNING,
I'LL BET IT'LL BE LINING
1134
00:54:27,176 --> 00:54:28,482
THE FLOOR
OF SOMEONE'S BIRDCAGE.
1135
00:54:28,656 --> 00:54:30,179
- WELL, I'M TALKING
ABOUT YOUR COLUMN.
1136
00:54:30,354 --> 00:54:31,572
"SURE,
THERE WAS ANOTHER LOSS,
1137
00:54:31,746 --> 00:54:33,748
"BUT THE NIGHT WASN'T
WITHOUT ITS SUCCESSES.
1138
00:54:33,922 --> 00:54:36,316
"THE TEAM'S NEW UNIFORM"--
[laughs]--
1139
00:54:36,490 --> 00:54:41,190
"A PLAYFUL MELANGE
OF TANGERINE"--TANGERINE--
1140
00:54:41,365 --> 00:54:44,019
"AND DUSKY DAWN
IS A BOLD STATEMENT
1141
00:54:44,193 --> 00:54:48,154
THAT WE HOPE REFLECTS A BOLD
NEW ATTITUDE IN THE CLUBHOUSE."
1142
00:54:48,328 --> 00:54:51,026
"DUSKY DAWN"?
- IT'S A COLOR.
1143
00:54:51,200 --> 00:54:54,203
IT'S SORT OF HALFWAY IN BETWEEN
NEW MOON AND GARDEN STONE.
1144
00:54:54,378 --> 00:54:58,512
YOUR CREDENZA IS DUSKY DAWN.
- OH, I DON'T WANT TO KNOW.
1145
00:54:58,686 --> 00:55:01,167
I SHOULD HAVE
LET YOU STAY A SLOB.
1146
00:55:04,170 --> 00:55:06,912
[overlapping chatter]
1147
00:55:07,086 --> 00:55:09,654
[music playing]
1148
00:55:09,828 --> 00:55:17,662
♪
1149
00:55:26,105 --> 00:55:28,325
- HEY.
1150
00:55:28,499 --> 00:55:33,286
- UH, THIS PLACE?
REALLY? YOU?
1151
00:55:33,460 --> 00:55:36,985
- I AM TRYING TO
LET MYSELF GO.
1152
00:55:37,159 --> 00:55:39,379
- YEAH, BUT WHY DO I
HAVE TO SUFFER?
1153
00:55:39,553 --> 00:55:41,076
- OH, I ALREADY ORDERED
FOR US.
1154
00:55:41,250 --> 00:55:42,991
I HAVE IT ON GOOD AUTHORITY
1155
00:55:43,165 --> 00:55:46,081
THAT THE CHILI-BURGERS HERE
ARE THE BEST IN L.A.
1156
00:55:46,255 --> 00:55:48,997
- TWO CHILI-BURGERS DELUXE,
LADIES.
1157
00:55:49,171 --> 00:55:50,869
BON APPETIT.
1158
00:55:51,043 --> 00:55:52,958
- IN BASKETS?
1159
00:55:53,132 --> 00:55:54,699
- [clears throat]
1160
00:56:00,879 --> 00:56:02,315
BABY STEPS.
1161
00:56:10,105 --> 00:56:11,019
- MMM, YOU'RE RIGHT.
NOT BAD.
1162
00:56:16,242 --> 00:56:18,462
WHAT ARE YOU READING?
- I HAVEN'T STARTED IT YET.
1163
00:56:18,636 --> 00:56:20,507
IT'S PETE'S BOOK.
HE GAVE IT TO ME.
1164
00:56:20,681 --> 00:56:26,557
OH, HE WROTE...
1165
00:56:26,731 --> 00:56:28,994
- WHAT'S THE MATTER?
- OH, NOTHING.
1166
00:56:29,168 --> 00:56:31,344
UH...
1167
00:56:38,307 --> 00:56:40,222
- THANK YOU SO MUCH.
THANK YOU.
1168
00:56:40,397 --> 00:56:42,007
- HI.
1169
00:56:42,181 --> 00:56:43,400
- JANICE.
- THANK YOU.
1170
00:56:43,574 --> 00:56:44,966
- JANICE, QUICK QUESTION
FOR YOU.
1171
00:56:45,140 --> 00:56:48,100
- OKAY.
- THANKS.
1172
00:56:48,274 --> 00:56:50,450
- SO WITH ALL THIS TALK ABOUT
YOU AS THE PLAYOFF MVP,
1173
00:56:50,624 --> 00:56:51,799
I JUST WANT TO KNOW
HOW IT IS
1174
00:56:51,973 --> 00:56:53,932
THAT YOU MANAGED TO STAY
DOWN-TO-EARTH ENOUGH
1175
00:56:54,106 --> 00:56:55,803
TO BE THE KIND OF TEAM PLAYER
YOU WERE TODAY.
1176
00:56:55,977 --> 00:56:59,067
- WELL, IT'S THE TEAM THAT MAKES
THE MVP, YOU KNOW?
1177
00:56:59,241 --> 00:57:01,418
NOT THE OTHER WAY AROUND.
1178
00:57:01,592 --> 00:57:03,507
HEY, WAIT, I KNOW YOU.
1179
00:57:03,681 --> 00:57:06,553
- I DON'T THINK SO.
- YEAH, YEAH.
1180
00:57:06,727 --> 00:57:09,382
YOU'RE THE GUY
I HAD BANNED FOR LIFE.
1181
00:57:09,556 --> 00:57:11,384
- OKAY, SO I HAVE
A NEW LIFE
1182
00:57:11,558 --> 00:57:13,168
AND A NEW CREDO,
I PROMISE.
1183
00:57:13,342 --> 00:57:15,606
AN ATHLETE IS AN ATHLETE
1184
00:57:15,780 --> 00:57:16,998
NO MATTER WHICH LOCKER ROOM
THEY CHANGE IN.
1185
00:57:17,172 --> 00:57:18,478
- OH, REALLY?
1186
00:57:18,652 --> 00:57:20,001
THEN I GUESS YOU
WOULDN'T HAVE A PROBLEM
1187
00:57:20,175 --> 00:57:21,568
WITH A LITTLE ONE-ON-ONE,
HMM?
1188
00:57:21,742 --> 00:57:23,178
- BRING IT ON, BABY.
1189
00:57:23,352 --> 00:57:25,180
- SEE WHO'S FOOLIN' WHO.
1190
00:57:25,354 --> 00:57:28,270
[overlapping chatter
and cheering]
1191
00:57:28,445 --> 00:57:31,273
[upbeat music]
1192
00:57:31,448 --> 00:57:39,281
♪
1193
00:58:21,280 --> 00:58:24,196
- [groans]
1194
00:58:32,900 --> 00:58:37,296
- THAT IDIOT'S GONNA KILL
HIS OWN REPUTATION.
1195
00:58:37,470 --> 00:58:43,781
[overlapping chatter]
1196
00:58:43,955 --> 00:58:47,654
PETE, PETE, PETE.
WHAT HAVE YOU DONE?
1197
00:58:47,828 --> 00:58:51,484
WHAT THE HECK
WERE YOU THINKING?
1198
00:58:51,658 --> 00:58:54,313
- BRAVO.
1199
00:58:54,487 --> 00:59:02,321
[applause]
1200
00:59:05,324 --> 00:59:07,282
- GOOD JOB.
1201
00:59:07,456 --> 00:59:11,025
- [laughs]
1202
00:59:11,199 --> 00:59:15,508
[applause]
1203
00:59:15,682 --> 00:59:18,380
- WELL, BUT THEN AGAIN,
WHAT THE HECK DO I KNOW?
1204
00:59:18,555 --> 00:59:21,645
[applause]
1205
00:59:21,819 --> 00:59:24,212
- YAY!
HE LOOKS WONDERFUL.
1206
00:59:24,386 --> 00:59:25,300
- IT'S AMAZING.
1207
00:59:25,474 --> 00:59:26,345
- YES.
1208
00:59:34,266 --> 00:59:37,443
- HEY, LOOK, IT'S YOUR FRIEND
THE FROG PRINCE
1209
00:59:37,617 --> 00:59:40,577
AND HE'S GOT HIMSELF A--
WOW!
1210
00:59:43,580 --> 00:59:46,234
- ASHLEY, WOW.
I--YOU--
1211
00:59:46,408 --> 00:59:47,453
- I DIDN'T KNOW.
1212
00:59:47,627 --> 00:59:49,411
- HOW ARE YOU, GUY?
1213
00:59:49,586 --> 00:59:52,197
- GOOD, GUY.
1214
00:59:52,371 --> 00:59:54,112
UM, ASHLEY, CHRIS,
THIS IS CYNTHIA.
1215
00:59:54,286 --> 00:59:59,378
CYNTHIA, ASHLEY BOYD
AND CHRISTOPHER HERNANDEZ.
1216
00:59:59,552 --> 01:00:01,336
- NICE TO MEET YOU.
1217
01:00:01,510 --> 01:00:03,077
I THINK I SAW YOU
AT THE LaCAZE SHOW?
1218
01:00:03,251 --> 01:00:07,081
- I REMEMBER.
1219
01:00:07,255 --> 01:00:08,300
SHALL WE?
1220
01:00:08,474 --> 01:00:09,562
- WHY?
WHERE ARE YOU RUNNING?
1221
01:00:09,736 --> 01:00:10,781
SO WHAT DO YOU THINK
OF THE ANGELS
1222
01:00:10,955 --> 01:00:12,565
TRADING THEIR
STAR OUTFIELDER, HUH?
1223
01:00:12,739 --> 01:00:15,742
- YOU KNOW, CHRISTOPHER, UM,
I PROMISED CYNTHIA
1224
01:00:15,916 --> 01:00:17,614
THERE WOULD BE NO SPORTS TALK
TONIGHT, SO...
1225
01:00:17,788 --> 01:00:18,919
- WOW. WHAT DOES THAT
LEAVE YOU WITH?
1226
01:00:19,093 --> 01:00:24,621
[laughs]
1227
01:00:24,795 --> 01:00:25,578
- I DIDN'T KNOW
YOU WERE DATING.
1228
01:00:25,752 --> 01:00:28,059
- WELL, WE--
- OH.
1229
01:00:28,233 --> 01:00:29,974
- YEAH.
1230
01:00:30,148 --> 01:00:33,455
- IT, UH, STARTED WITH
A CUTE LATE NIGHT PHONE CALL.
1231
01:00:33,630 --> 01:00:37,329
PETE REALLY KNOWS HOW TO, UH,
TALK TO SOMEONE SPECIAL.
1232
01:00:37,503 --> 01:00:38,591
AND HE'S
SUCH A GOOD LISTENER.
1233
01:00:38,765 --> 01:00:39,636
- REALLY?
1234
01:00:39,810 --> 01:00:41,159
- PETE SAYS THAT THE KEY
1235
01:00:41,333 --> 01:00:43,683
TO A TRULY MEANINGFUL
CONVERSATION IS LISTENING.
1236
01:00:43,857 --> 01:00:45,772
- YES, WELL, IT WAS REALLY
NICE MEETING YOU
1237
01:00:45,946 --> 01:00:47,513
AND I WILL SEE YOU
AT THE OFFICE.
1238
01:00:47,687 --> 01:00:49,428
LET'S GO.
- OH.
1239
01:00:49,602 --> 01:00:51,430
- OKAY.
1240
01:00:52,910 --> 01:00:56,565
- SO HERE'S MY GREAT NEWS.
1241
01:00:56,740 --> 01:00:58,263
I WAS GOING TO WAIT
UNTIL DESSERT,
1242
01:00:58,437 --> 01:01:00,178
BUT I CAN'T HOLD BACK
ANY LONGER.
1243
01:01:00,352 --> 01:01:02,223
REMEMBER THAT WEEKEND ANCHOR JOB
I TOLD YOU ABOUT?
1244
01:01:02,397 --> 01:01:03,834
- MM-HMM.
1245
01:01:04,008 --> 01:01:05,357
- WELL, I'M
ON THE SHORT LIST FOR IT.
1246
01:01:05,531 --> 01:01:06,358
AND HERE'S THE BEST PART.
1247
01:01:06,532 --> 01:01:07,620
IT'S IN NEW YORK.
1248
01:01:07,794 --> 01:01:09,317
NEW YORK!
1249
01:01:09,491 --> 01:01:11,276
I GOT THE CALL THAT I NEED
TO FLY OUT IN THE MORNING
1250
01:01:11,450 --> 01:01:12,756
TO MAKE SURE
THAT THE CHEMISTRY'S THERE
1251
01:01:12,930 --> 01:01:14,583
BETWEEN ME
AND PENNY TAKAMURA.
1252
01:01:14,758 --> 01:01:16,194
IT'S PROBABLY
JUST A FORMALITY.
1253
01:01:16,368 --> 01:01:18,326
- THAT'S GREAT.
1254
01:01:18,500 --> 01:01:19,588
THAT'S REALLY GREAT.
1255
01:01:19,763 --> 01:01:21,416
BUT, UM, NEW YORK?
1256
01:01:21,590 --> 01:01:24,289
YOU DIDN'T--YOU DIDN'T TELL ME
THAT IT WAS IN NEW YORK.
1257
01:01:24,463 --> 01:01:25,725
- WELL, I THOUGHT
YOU'D LIKE THE SURPRISE.
1258
01:01:25,899 --> 01:01:27,161
I'M SEEING YOU AND ME
1259
01:01:27,335 --> 01:01:28,728
IN A PENTHOUSE
ON CENTRAL PARK,
1260
01:01:28,902 --> 01:01:30,251
JUST LIKE
WE'VE ALWAYS WANTED.
1261
01:01:30,425 --> 01:01:31,862
- HMM.
1262
01:01:32,036 --> 01:01:34,778
YOU'VE ALWAYS WANTED
TO LIVE IN NEW YORK.
1263
01:01:34,952 --> 01:01:37,302
- WELL, I'VE ALWAYS WANTED
TO LIVE IN NEW YORK WITH YOU.
1264
01:01:37,476 --> 01:01:38,651
- YES, BUT I HAVE A JOB HERE.
1265
01:01:38,825 --> 01:01:40,174
A CAREER.
1266
01:01:40,348 --> 01:01:42,742
I MEAN, I CAN'T
JUST PICK UP AND GO.
1267
01:01:42,916 --> 01:01:45,614
- I KNOW, BUT THIS IS
A GREAT OPPORTUNITY FOR US.
1268
01:01:45,789 --> 01:01:46,659
IT'S PERFECT.
1269
01:01:46,833 --> 01:01:47,791
- [chuckles]
1270
01:01:47,965 --> 01:01:49,575
YES.
1271
01:01:49,749 --> 01:01:52,273
JUST LIKE
WE'VE ALWAYS WANTED.
1272
01:01:52,447 --> 01:01:54,058
- THAT'S THE ATTITUDE.
1273
01:01:54,232 --> 01:01:56,147
- YOU KNOW WHAT, WILL YOU
EXCUSE ME FOR A SECOND?
1274
01:02:08,725 --> 01:02:11,205
- HELLO AGAIN.
1275
01:02:13,338 --> 01:02:15,514
- HI.
1276
01:02:15,688 --> 01:02:17,081
- PARDON ME, SIR.
1277
01:02:20,519 --> 01:02:22,695
- SO...
1278
01:02:22,869 --> 01:02:24,349
CYNTHIA SEEMS NICE.
1279
01:02:26,394 --> 01:02:27,439
- SHE IS.
1280
01:02:27,613 --> 01:02:29,833
I'M DOING ALL RIGHT.
1281
01:02:30,007 --> 01:02:32,444
COURSE, IT'S
ALL BECAUSE OF YOU, COACH.
1282
01:02:34,925 --> 01:02:37,318
- NAH, YOU HAD IT IN YOU
ALL ALONG.
1283
01:02:37,492 --> 01:02:39,407
IT WAS JUST HIDDEN.
1284
01:02:39,581 --> 01:02:42,628
- EVERYTHING'S
OKAY WITH CHRISTOPHER?
1285
01:02:42,802 --> 01:02:44,543
- CHRISTOPHER'S PERFECT.
1286
01:02:44,717 --> 01:02:47,459
YEP, EVERYBODY
LOVES CHRISTOPHER.
1287
01:02:50,810 --> 01:02:51,724
- EXCUSE ME, SIR.
1288
01:02:55,554 --> 01:03:01,342
- SO, UM...
CYNTHIA SEEMS NICE.
1289
01:03:01,516 --> 01:03:04,084
- OH, CYNTHIA, YEAH, UM...
1290
01:03:04,258 --> 01:03:07,218
- SORRY.
1291
01:03:07,392 --> 01:03:08,393
- YEAH.
1292
01:03:12,571 --> 01:03:14,660
SHE SEEMS NICE.
1293
01:03:29,588 --> 01:03:33,418
OH, MAN.
1294
01:03:33,592 --> 01:03:36,377
I HAVE TO GO
BACK TO CHRISTOPHER.
1295
01:03:36,551 --> 01:03:39,250
- YEAH, I GUESS I HAVE TO GO
BACK TO...
1296
01:03:39,424 --> 01:03:40,338
- CYNTHIA.
1297
01:03:40,512 --> 01:03:41,774
- YES.
- YEAH.
1298
01:03:41,948 --> 01:03:42,688
- CYNTHIA.
THANKS.
1299
01:03:47,824 --> 01:03:50,739
- THIS ISN'T RIGHT, RIGHT?
1300
01:03:50,914 --> 01:03:52,611
- RIGHT.
1301
01:03:52,785 --> 01:03:56,571
IT'S NOT RIGHT.
1302
01:03:56,745 --> 01:03:59,574
YOU HAVE CHRISTOPHER.
1303
01:03:59,748 --> 01:04:00,880
- RIGHT.
1304
01:04:01,054 --> 01:04:03,448
AND YOU ARE THE NEW YOU,
1305
01:04:03,622 --> 01:04:05,842
AND YOU SHOULD GO
ON THE ROAD WITH THAT, RIGHT?
1306
01:04:08,453 --> 01:04:09,628
- RIGHT.
1307
01:04:09,802 --> 01:04:11,282
YEAH.
1308
01:04:14,241 --> 01:04:16,722
- COURSE IF I BECOME
A NETWORK CORRESPONDENT,
1309
01:04:16,896 --> 01:04:19,203
I HOPE IT'S PARIS OR ROME
AND NOT THE UKRAINE.
1310
01:04:19,377 --> 01:04:21,596
I MEAN, SURE, I'M
A DEDICATED JOURNALIST AND ALL,
1311
01:04:21,770 --> 01:04:22,641
BUT THERE ARE LIMITS.
1312
01:04:29,039 --> 01:04:30,431
ARE YOU ALL RIGHT?
YOU DON'T LOOK WELL.
1313
01:04:30,605 --> 01:04:34,305
- YOU KNOW, I'M NOT
ACTUALLY FEELING THAT GREAT.
1314
01:04:34,479 --> 01:04:35,349
I THINK
I'M GONNA GO HOME.
1315
01:04:35,523 --> 01:04:37,351
- I UNDERSTAND.
1316
01:04:37,525 --> 01:04:38,613
IT'S ALL THE EXCITEMENT
OF MY NEWS.
1317
01:04:38,787 --> 01:04:39,571
HERE, LET ME
GET THE CHECK.
1318
01:04:39,745 --> 01:04:40,615
- OH, NO, NO, NO, NO.
1319
01:04:40,789 --> 01:04:42,443
UM, REALLY, STAY.
1320
01:04:42,617 --> 01:04:43,836
I'LL BE FINE.
1321
01:04:44,010 --> 01:04:44,837
I'LL CALL
YOU TOMORROW, OKAY?
1322
01:04:57,502 --> 01:04:58,851
[engine starts]
1323
01:05:17,435 --> 01:05:19,002
- WHAT GREAT GLASSES.
1324
01:05:19,176 --> 01:05:20,655
- YEAH, THANKS.
THEY'RE NICE, RIGHT?
1325
01:05:20,829 --> 01:05:22,570
ASHLEY PICKED THOSE OUT.
1326
01:05:22,744 --> 01:05:24,790
- TO ASHLEY...
1327
01:05:24,964 --> 01:05:27,532
SINCE YOU'VE BEEN TALKING ABOUT
HER FOR THE LAST HOUR ANYWAY.
1328
01:05:27,706 --> 01:05:28,663
- OKAY.
1329
01:05:28,837 --> 01:05:33,364
OKAY, FORGET ABOUT ASHLEY.
1330
01:05:33,538 --> 01:05:34,931
WHEN I LOOK
IN YOUR EYES
1331
01:05:35,105 --> 01:05:36,845
AND HOLD YOUR HAND,
1332
01:05:37,020 --> 01:05:38,543
THE WHOLE WORLD
FADES AWAY.
1333
01:05:38,717 --> 01:05:42,199
- THAT'S--
THAT'S REALLY NICE.
1334
01:05:42,373 --> 01:05:44,375
- YEAH, ASHLEY SAID
THAT IT'S NICE TO--
1335
01:05:44,549 --> 01:05:47,508
- OKAY, I'M DONE.
1336
01:05:47,682 --> 01:05:50,468
- OKAY, I'M SORRY.
1337
01:05:50,642 --> 01:05:52,122
UH, I'M REALLY SORRY.
1338
01:05:52,296 --> 01:05:55,647
- PETE, YOU'RE
A VERY CHARMING MAN,
1339
01:05:55,821 --> 01:05:57,127
AND I'D LOVE
TO HEAR FROM YOU
1340
01:05:57,301 --> 01:05:58,563
WHEN YOU FINALLY
GET OVER YOUR EX.
1341
01:06:01,783 --> 01:06:03,524
- MY EX?
WHAT ARE YOU TALKING ABOUT?
1342
01:06:03,698 --> 01:06:05,004
- ASHLEY.
1343
01:06:05,178 --> 01:06:07,354
- OH. NO, NO, NO.
1344
01:06:07,528 --> 01:06:08,703
ASHLEY'S NOT MY EX.
1345
01:06:08,877 --> 01:06:11,010
I MEAN, ASHLEY AND I
ARE JUST FRIENDS.
1346
01:06:11,184 --> 01:06:13,317
- WELL, THEN
MAYBE THAT'S THE PROBLEM.
1347
01:06:19,105 --> 01:06:20,498
woman on TV:
OH, REGINALD,
1348
01:06:20,672 --> 01:06:21,716
WHY CAN'T
I FIND THE WORDS
1349
01:06:21,890 --> 01:06:23,370
TO SAY HOW MUCH
I LOVE YOU?
1350
01:06:23,544 --> 01:06:24,415
WHY CAN'T YOU SEE IT--
1351
01:06:24,589 --> 01:06:25,982
[changes channel]
1352
01:06:26,156 --> 01:06:27,853
man: I KNOW YOU AND I
ARE FROM DIFFERENT PLANETS,
1353
01:06:28,027 --> 01:06:29,550
BUT LOVE IS ONE TRUE
INTERGALACTIC LANGUAGE.
1354
01:06:29,724 --> 01:06:31,074
[changes channels]
1355
01:06:31,248 --> 01:06:32,379
woman: JIM, I CAN'T GO
TO DODGE WITH YOU.
1356
01:06:32,553 --> 01:06:34,251
- OH!
1357
01:06:34,425 --> 01:06:35,817
woman: THE TRUTH IS I'M
REALLY IN LOVE WITH ANOTHER--
1358
01:06:35,992 --> 01:06:37,732
male announcer:
IT'S A TIE BALLGAME.
1359
01:06:37,906 --> 01:06:39,430
TONIGHT'S BROADCAST
IS BROUGHT TO YOU
1360
01:06:39,604 --> 01:06:40,953
BY THE LOS ANGELES POST,
1361
01:06:41,127 --> 01:06:44,783
THE BEST SPORTS COVERAGE
IN TOWN.
1362
01:06:47,742 --> 01:06:50,441
- READY FOR LUNCH?
1363
01:06:50,615 --> 01:06:51,703
- SURE.
1364
01:06:51,877 --> 01:06:52,878
- LOVE THE SHADES.
1365
01:06:53,052 --> 01:06:54,619
WORK THOSE ACCESSORIES.
1366
01:06:57,230 --> 01:06:59,145
OH, MY GOSH, ASH,
1367
01:06:59,319 --> 01:07:02,105
WHAT'S WRONG?
1368
01:07:02,279 --> 01:07:03,454
- [sighs]
1369
01:07:03,628 --> 01:07:05,108
IT'S BAD.
1370
01:07:05,282 --> 01:07:06,239
- CHRISTOPHER
BROKE UP WITH YOU.
1371
01:07:06,413 --> 01:07:09,199
YOU KNOW, YOU DON'T NEED
THAT LOSER.
1372
01:07:09,373 --> 01:07:12,593
THAT PERFECT LOSER.
1373
01:07:12,767 --> 01:07:13,855
- NO, IT'S NOT CHRISTOPHER.
1374
01:07:14,030 --> 01:07:15,335
- YOU'RE SICK.
1375
01:07:15,509 --> 01:07:16,597
I KNEW IT.
1376
01:07:16,771 --> 01:07:17,859
I KNEW
THAT YOU LOOKED TERRIBLE.
1377
01:07:18,034 --> 01:07:19,078
IT'S CANCER, ISN'T IT?
1378
01:07:19,252 --> 01:07:21,080
YOU POOR, BRAVE SOUL.
1379
01:07:21,254 --> 01:07:22,429
YOU HAVE CANCER.
1380
01:07:22,603 --> 01:07:23,604
- NO.
1381
01:07:23,778 --> 01:07:25,389
NO, IT'S NOTHING LIKE THAT.
1382
01:07:25,563 --> 01:07:26,912
IT'S WORSE.
1383
01:07:27,086 --> 01:07:30,176
I THINK I'VE FALLEN IN LOVE
WITH PETE CAMDEN.
1384
01:07:30,350 --> 01:07:32,700
- THAT IS WORSE.
1385
01:07:32,874 --> 01:07:33,962
I MEAN, CANCER AT LEAST
WE CAN TREAT.
1386
01:07:34,137 --> 01:07:34,963
BUT...
1387
01:07:35,138 --> 01:07:36,008
LOVE?
1388
01:07:38,402 --> 01:07:44,147
I GUESS IF HE'S THE ONE,
THEN HE'S THE ONE.
1389
01:07:44,321 --> 01:07:46,671
- IT'S JUST
WITH CHRISTOPHER AND ME,
1390
01:07:46,845 --> 01:07:48,107
EVERYBODY ALWAYS SAID
THAT WE LOOKED PERFECT TOGETHER.
1391
01:07:48,281 --> 01:07:49,935
I DON'T KNOW,
IT ALWAYS FELT
1392
01:07:50,109 --> 01:07:51,632
LIKE SOMETHING WAS MISSING.
1393
01:07:51,806 --> 01:07:54,244
- SO WHAT WAS MISSING?
1394
01:07:54,418 --> 01:07:57,421
- EVERYTHING
THAT THE EYE CAN'T SEE.
1395
01:07:57,595 --> 01:07:59,727
- WHAT CAN I SAY?
1396
01:07:59,901 --> 01:08:01,338
LOVE IS LOVE.
1397
01:08:04,080 --> 01:08:05,733
- BUT HE'S NOT INTERESTED.
1398
01:08:05,907 --> 01:08:06,995
- NOT INTERESTED?
1399
01:08:07,170 --> 01:08:08,997
NOT YET, YOU MEAN.
1400
01:08:09,172 --> 01:08:11,783
COMPARED TO ALL THE OTHER THINGS
YOU'VE CHANGED ABOUT HIM,
1401
01:08:11,957 --> 01:08:13,306
THIS ONE'S A GIMME.
1402
01:08:13,480 --> 01:08:15,569
- YEAH, BUT CHRISTOPHER...
AND CYNTHIA.
1403
01:08:15,743 --> 01:08:17,223
HE'S DATING SOME GIRL
NAMED CYNTHIA,
1404
01:08:17,397 --> 01:08:19,573
AND I THINK
HE REALLY LIKES HER.
1405
01:08:19,747 --> 01:08:21,706
OH! THE WHOLE THING
WILL JUST GET TOO MESSY.
1406
01:08:21,880 --> 01:08:23,229
- THEN GET MESSY.
1407
01:08:23,403 --> 01:08:24,578
GET MESSY, GIRL.
1408
01:08:24,752 --> 01:08:27,538
- YOU'RE RIGHT.
1409
01:08:27,712 --> 01:08:28,669
- OF COURSE, I AM.
1410
01:08:28,843 --> 01:08:31,324
- [laughing]
1411
01:08:31,498 --> 01:08:34,197
- A FULL HOUR
WITH WRITER PETE CAMDEN
1412
01:08:34,371 --> 01:08:35,937
ON TODAY'S TARYN.
DON'T MISS IT.
1413
01:08:36,112 --> 01:08:37,287
AND LATER WE WILL TELL YOU
1414
01:08:37,461 --> 01:08:38,679
HOW TO STRETCH
YOUR DOLLAR FARTHER...
1415
01:08:38,853 --> 01:08:40,203
- HEY, PETE.
1416
01:08:40,377 --> 01:08:41,813
YOU'RE ABOUT TO BE
A BEST-SELLING AUTHOR.
1417
01:08:41,987 --> 01:08:45,121
WHAT'S THE MATTER
WITH YOU?
1418
01:08:45,295 --> 01:08:47,862
- [sighs]
1419
01:08:48,036 --> 01:08:50,430
I'M FINE.
1420
01:08:50,604 --> 01:08:51,866
- WELL, YOU LOOK LIKE
YOUR DOG JUST DIED.
1421
01:08:52,040 --> 01:08:52,780
- IS THAT WHAT HAPPENED?
1422
01:08:52,954 --> 01:08:54,913
- NO.
1423
01:08:55,087 --> 01:08:56,958
I DON'T HAVE A DOG.
1424
01:08:57,133 --> 01:08:58,351
- SO WHAT'S THE PROBLEM?
1425
01:08:58,525 --> 01:09:00,005
- THINK I'M IN LOVE
WITH MY TEACHER.
1426
01:09:00,179 --> 01:09:02,877
- YOU'RE NOT IN SCHOOL.
1427
01:09:03,051 --> 01:09:05,924
- MY CHARM SCHOOL TEACHER.
1428
01:09:06,098 --> 01:09:07,143
- DOES THE GIRL
KNOW HOW YOU FEEL?
1429
01:09:08,666 --> 01:09:09,884
- NO, SHE DOESN'T.
1430
01:09:10,058 --> 01:09:12,060
AND, UH, I CAN'T TELL HER,
1431
01:09:12,235 --> 01:09:14,237
'CAUSE SHE'S
GOT SOMEBODY.
1432
01:09:14,411 --> 01:09:15,673
IT'S A TV NEWS GUY
NAMED CHRISTOPHER.
1433
01:09:15,847 --> 01:09:17,631
- CHRISTOPHER.
1434
01:09:17,805 --> 01:09:18,632
HERNANDEZ?
1435
01:09:20,460 --> 01:09:22,680
HEY, YOU TALKING
ABOUT ASHLEY BOYD?
1436
01:09:22,854 --> 01:09:24,116
- YOU KNOW, PETEY,
1437
01:09:24,290 --> 01:09:25,596
YOU'RE NOT EXACTLY
CHOPPED LIVER.
1438
01:09:25,770 --> 01:09:26,901
- YEAH.
1439
01:09:27,075 --> 01:09:28,773
YEAH, THERE'S A LOT OF GIRLS
1440
01:09:28,947 --> 01:09:30,905
OUT THERE,
THAT'S FOR SURE.
1441
01:09:31,079 --> 01:09:34,387
AND I'VE TRIED
GOING OUT WITH THEM.
1442
01:09:34,561 --> 01:09:37,956
BUT, UH, THERE'S
ONLY ONE GIRL FOR ME.
1443
01:09:38,130 --> 01:09:39,000
THERE'S ONLY ONE ASHLEY.
1444
01:09:39,175 --> 01:09:40,785
- THEN GO GET ASHLEY.
1445
01:09:46,660 --> 01:09:49,489
- [sighs]
1446
01:09:49,663 --> 01:09:51,709
[TV show theme music
playing in background]
1447
01:09:51,883 --> 01:09:54,842
[stage manager
giving orders]
1448
01:09:55,016 --> 01:09:58,542
ASHLEY, I HAVE SOMETHING
THAT I WANT TO TELL YOU.
1449
01:09:58,716 --> 01:10:00,370
NO, UM...
1450
01:10:00,544 --> 01:10:03,764
[cheers and applause]
1451
01:10:03,938 --> 01:10:05,375
- HEY! ALL RIGHT!
1452
01:10:05,549 --> 01:10:06,985
WE'RE GONNA START
THE SHOW IN JUST A MINUTE,
1453
01:10:07,159 --> 01:10:08,987
BUT TODAY'S
YOUR LUCKY DAY.
1454
01:10:09,161 --> 01:10:12,251
MY GUEST IS THE AUTHOR
OF THE PERFECT PAST TIME,
1455
01:10:12,425 --> 01:10:15,167
NONE OTHER THAN
STAR SPORTSWRITER PETE CAMDEN.
1456
01:10:15,341 --> 01:10:16,168
[cheers and applause]
HUH?
1457
01:10:20,041 --> 01:10:21,956
AND MY AUDIENCES HAVE
THEIR CAKE AND EAT IT, TOO.
1458
01:10:22,130 --> 01:10:23,958
WE'RE CALLED TARYN LIVE,
1459
01:10:24,132 --> 01:10:25,830
BUT WE'RE ONLY LIVE
ON THE EAST COAST.
1460
01:10:26,004 --> 01:10:27,353
SO THAT MEANS YOU HAVE TIME
TO GO HOME
1461
01:10:27,527 --> 01:10:29,225
AND WATCH YOURSELVES ON TV!
1462
01:10:29,399 --> 01:10:31,357
[cheers and applause]
1463
01:10:31,531 --> 01:10:33,664
- YOU KNOW, ASHLEY,
IN THESE PAST FEW WEEKS,
1464
01:10:33,838 --> 01:10:35,709
I HAVE REALIZED
THAT MY SEARCH
1465
01:10:35,883 --> 01:10:39,800
FOR MEANING IN MY LIFE
HAS COME TO AN END,
1466
01:10:39,974 --> 01:10:43,195
BECAUSE I HAVE FOUND
THE PERSON WHO COMPLETES ME.
1467
01:10:43,369 --> 01:10:45,545
[sighs]
1468
01:10:45,719 --> 01:10:46,938
[groans]
1469
01:10:47,112 --> 01:10:48,679
[cheers and applause]
1470
01:10:48,853 --> 01:10:50,942
- OKAY, ALL RIGHT.
WELL, YOU READY?
1471
01:10:51,116 --> 01:10:51,986
LET'S MAKE A TV SHOW.
1472
01:10:52,160 --> 01:10:55,076
[cheers and applause]
1473
01:10:55,251 --> 01:10:57,992
- ASHLEY, I'VE FINALLY
REACHED THE END ZONE
1474
01:10:58,166 --> 01:11:00,125
IN MY QUEST FOR LOVE.
1475
01:11:01,866 --> 01:11:03,041
THE END ZONE?
1476
01:11:03,215 --> 01:11:04,129
ARE YOU KIDDING ME?
1477
01:11:04,303 --> 01:11:06,131
PETE, YOU SOUND
RIDICULOUS. OH!
1478
01:11:07,741 --> 01:11:09,308
- PETE!
1479
01:11:09,482 --> 01:11:11,310
I AM SORRY
I'M SO LATE.
1480
01:11:11,484 --> 01:11:12,224
THE TRAFFIC WAS STOPPED.
1481
01:11:12,398 --> 01:11:14,574
- OKAY, ASHLEY,
1482
01:11:14,748 --> 01:11:16,315
THERE'S SOMETHING
THAT I WANT TO TELL YOU.
1483
01:11:16,489 --> 01:11:17,795
OKAY.
NOW THAT WE'RE FRIENDS...
1484
01:11:17,969 --> 01:11:19,666
COMPLETE FRIENDS...
1485
01:11:19,840 --> 01:11:21,233
- I KNOW, BUT THERE'S SOMETHING
I WANT TO TELL YOU, TOO.
1486
01:11:21,407 --> 01:11:22,756
- NO, HOLD ON,
I'VE BEEN WORKING ON THIS, SO...
1487
01:11:22,930 --> 01:11:24,062
- LET ME GO FIRST.
- YOU FIRST.
1488
01:11:24,236 --> 01:11:25,193
both: OKAY, YOU FIRST.
1489
01:11:25,368 --> 01:11:26,804
- [laughs]
- OKAY, LOOK,
1490
01:11:26,978 --> 01:11:28,153
NOW THAT WE'VE BEEN SPENDING
SO MUCH TIME--
1491
01:11:28,327 --> 01:11:29,676
- YOU'RE ON.
- WAIT!
1492
01:11:29,850 --> 01:11:32,853
I'M SORRY, MY HEAD
IS JUST SPINNING RIGHT NOW.
1493
01:11:33,027 --> 01:11:34,986
I REALLY WANT TO TELL YOU--
1494
01:11:35,160 --> 01:11:36,292
- YOU NEED TO TELL HIM LATER.
1495
01:11:36,466 --> 01:11:37,641
- WE'RE LIVE IN FIVE, FOUR...
- [groans]
1496
01:11:37,815 --> 01:11:39,077
- THREE, TWO...
1497
01:11:39,251 --> 01:11:41,862
- EVERYBODY, LET'S WELCOME
PETE CAMDEN!
1498
01:11:42,036 --> 01:11:43,124
- AH!
1499
01:11:43,299 --> 01:11:44,822
[cheers and applause]
1500
01:11:44,996 --> 01:11:46,171
- I'M SO PLEASED
YOU CAME BY TO SEE ME.
1501
01:11:46,345 --> 01:11:47,738
- YEAH, THANKS A LOT, TARYN,
1502
01:11:47,912 --> 01:11:48,739
AND THANK YOU ALL.
1503
01:11:48,913 --> 01:11:50,480
APPRECIATE IT.
1504
01:11:50,654 --> 01:11:54,135
- OKAY, SO YOU KNOW
I'M KIND OF A GIRLY GIRL.
1505
01:11:54,310 --> 01:11:56,007
[laughter]
1506
01:11:56,181 --> 01:11:58,357
SO I WAS A LITTLE WORRIED
ABOUT A BOOK ABOUT BASEBALL,
1507
01:11:58,531 --> 01:11:59,532
BUT YOU PULLED ME IN.
1508
01:11:59,706 --> 01:12:01,055
THE PERFECT PAST TIMEIS HOT.
1509
01:12:01,229 --> 01:12:03,144
- WELL, THAT'S GREAT.
1510
01:12:03,319 --> 01:12:07,061
YEAH, I TRIED TO WRITE IT
FOR EVEN NON-SPORTS FANS, SO...
1511
01:12:07,235 --> 01:12:09,150
- YEAH. WELL, AND EVERYONE
IN OUR STUDIO AUDIENCE TODAY
1512
01:12:09,325 --> 01:12:10,761
IS GOING HOME
WITH A FREE COPY.
1513
01:12:10,935 --> 01:12:12,589
- WHOO!
1514
01:12:15,505 --> 01:12:16,854
- SO WHAT
YOU'RE SAYING IS THAT,
1515
01:12:17,028 --> 01:12:18,029
EVEN THOUGH THE GAME
IS A COMPETITION...
1516
01:12:18,203 --> 01:12:19,552
[cell phone vibrating]
1517
01:12:19,726 --> 01:12:22,033
EVERYONE ON THE FIELD IS
STILL PLAYING FOR THE SAME TEAM.
1518
01:12:22,207 --> 01:12:23,556
- YEAH, THAT'S A GREAT WAY
OF PUTTING IT, TARYN.
1519
01:12:23,730 --> 01:12:25,341
- CHRISTOPHER, CAN
I CALL YOU RIGHT BACK?
1520
01:12:25,515 --> 01:12:27,168
- I GOT THE JOB!
1521
01:12:27,343 --> 01:12:28,779
YOU'RE TALKING
TO THE NEW WEEKEND ANCHOR
1522
01:12:28,953 --> 01:12:30,433
AT WMET TV 3.
1523
01:12:30,607 --> 01:12:32,696
- THAT'S REALLY GREAT,
CHRISTOPHER.
1524
01:12:32,870 --> 01:12:34,350
- HA! I KNOW!
1525
01:12:34,524 --> 01:12:36,090
- WELL, ENOUGH
ABOUT BASEBALL.
1526
01:12:36,264 --> 01:12:37,353
I WANT TO HEAR ABOUT YOU
1527
01:12:37,527 --> 01:12:38,876
AND YOUR LIFE.
1528
01:12:39,050 --> 01:12:41,008
IS THERE ANYONE SPECIAL
WE SHOULD KNOW ABOUT?
1529
01:12:41,182 --> 01:12:42,227
GIVE US THE SCOOP.
1530
01:12:42,401 --> 01:12:44,577
IS THERE ANYONE
YOU HAVE YOUR EYE ON?
1531
01:12:44,751 --> 01:12:48,276
- UM, WE'VE BEEN SPENDING
A LOT OF TIME TOGETHER LATELY,
1532
01:12:48,451 --> 01:12:50,017
AND IT'S SOMEONE THAT I WOULD
HAVE NEVER GOTTEN TO KNOW
1533
01:12:50,191 --> 01:12:51,367
IF IT WEREN'T
FOR MY PUBLISHER
1534
01:12:51,541 --> 01:12:54,065
THINKING THAT I NEEDED
A LITTLE SPRUCING UP.
1535
01:12:54,239 --> 01:12:55,240
- OKAY.
[laughter]
1536
01:12:56,502 --> 01:12:58,199
- CYNTHIA.
1537
01:12:58,374 --> 01:12:59,984
- NO, STILL ME.
1538
01:13:00,158 --> 01:13:02,247
COME OUT TO NEW YORK
WITH ME RIGHT NOW.
1539
01:13:02,421 --> 01:13:04,249
I KNOW THE TIMING'S BAD,
BUT LET'S JUST DO IT.
1540
01:13:04,423 --> 01:13:07,470
- RIGHT, RIGHT, YEAH.
- UM...
1541
01:13:07,644 --> 01:13:11,778
NO, UM, ACTUALLY,
CHRISTOPHER,
1542
01:13:11,952 --> 01:13:13,954
THE TIMING IS PERFECT.
1543
01:13:14,128 --> 01:13:15,260
- GREAT!
I'LL CALL YOU FROM MY HOTEL.
1544
01:13:15,434 --> 01:13:16,392
- WHERE ARE YOU NOW?
1545
01:13:16,566 --> 01:13:17,393
- I DON'T KNOW WHERE I AM,
1546
01:13:17,567 --> 01:13:19,003
AND NOBODY WILL HELP ME.
1547
01:13:19,177 --> 01:13:21,048
LOOK, I GOTTA GO.
1548
01:13:21,222 --> 01:13:22,572
- I MEAN,
WHEN WE FIRST MET,
1549
01:13:22,746 --> 01:13:25,270
UH, I COULD BARELY
EVEN TALK TO HER,
1550
01:13:25,444 --> 01:13:27,011
BUT SHE HAS CHANGED MY LIFE
1551
01:13:27,185 --> 01:13:30,057
IN WAYS THAT
I CAN'T EVEN DESCRIBE.
1552
01:13:30,231 --> 01:13:31,407
[door closes]
1553
01:13:31,581 --> 01:13:32,451
BUT IT'S NOT WHAT
SHE'S DONE FOR ME
1554
01:13:32,625 --> 01:13:34,018
THAT MAKES ME LOVE HER.
1555
01:13:34,192 --> 01:13:35,236
IT'S, UH...
IT'S WHO SHE IS.
1556
01:13:35,411 --> 01:13:37,325
- AWW!
1557
01:13:37,500 --> 01:13:39,240
- TARYN, CYNTHIA
AND I ARE GREAT FRIENDS,
1558
01:13:39,415 --> 01:13:41,242
BUT THAT'S
NOT WHO I'M IN LOVE WITH.
1559
01:13:41,417 --> 01:13:42,983
- JUST SAY HER NAME ALREADY.
1560
01:13:43,157 --> 01:13:44,245
[laughter]
1561
01:13:44,420 --> 01:13:46,030
- OKAY, WELL, YOU, UH...
1562
01:13:46,204 --> 01:13:47,553
YOU ALL KNOW HER.
1563
01:13:47,727 --> 01:13:50,121
UM, ASHLEY BOYD.
1564
01:13:50,295 --> 01:13:52,297
[cheers and applause]
1565
01:13:52,471 --> 01:13:55,343
- I DON'T MIND PACKING UP
YOUR APARTMENT FOR THE MOVERS,
1566
01:13:55,518 --> 01:13:57,171
BUT WHY DO YOU HAVE TO LEAVE
SO SUDDENLY?
1567
01:13:57,345 --> 01:13:59,913
- BECAUSE I'M SO HAPPY!
1568
01:14:00,087 --> 01:14:02,612
- YOU ARE?
1569
01:14:02,786 --> 01:14:04,962
- YES.
I LOVE CHRISTOPHER.
1570
01:14:05,136 --> 01:14:07,399
WE'RE GONNA LIVE IN A PENTHOUSE
ON CENTRAL PARK,
1571
01:14:07,573 --> 01:14:09,053
AND HE'S GONNA BE
A REALLY GOOD LISTENER.
1572
01:14:09,227 --> 01:14:10,750
WHICH IS THE KEY
1573
01:14:10,924 --> 01:14:12,926
TO A TRULY MEANINGFUL
CONVERSATION, BY THE WAY.
1574
01:14:13,100 --> 01:14:14,232
- ASH, WHAT ARE YOU
TALKING ABOUT?
1575
01:14:14,406 --> 01:14:16,974
- I'M FINE.
1576
01:14:20,804 --> 01:14:23,415
PETE PROFESSED HIS LOVE
TO CYNTHIA ON TARYNTODAY.
1577
01:14:26,592 --> 01:14:28,464
I LOST HIM.
1578
01:14:38,169 --> 01:14:40,780
AND I HATE CHILI.
1579
01:14:40,954 --> 01:14:44,001
UNH!
1580
01:14:44,175 --> 01:14:45,742
STUPID JACKET.
1581
01:14:45,916 --> 01:14:47,570
- WELL, IT WAS GONNA GET
WRINKLED ON THE TRIP ANYWAY.
1582
01:14:47,744 --> 01:14:48,701
- I HAVE TO GO
BY THE OFFICE,
1583
01:14:48,875 --> 01:14:52,096
AND THEN I'M OFF
TO THE AIRPORT.
1584
01:14:52,270 --> 01:14:55,099
DUMB...HANGER!
1585
01:14:55,273 --> 01:14:59,146
[bag zips]
1586
01:14:59,320 --> 01:15:01,148
PROMISE YOU'LL VISIT ME.
1587
01:15:08,504 --> 01:15:09,374
I HAVE TO GO.
1588
01:15:14,901 --> 01:15:16,468
- THAT'S ALL THE TIME
THAT WE HAVE FOR TODAY.
1589
01:15:16,642 --> 01:15:17,687
THANKS, EVERYBODY.
THANK YOU.
1590
01:15:17,861 --> 01:15:19,297
AND YOU,
GO GET BUSY.
1591
01:15:19,471 --> 01:15:21,908
[laughs]
1592
01:15:22,082 --> 01:15:25,129
[cheers and applause]
1593
01:15:28,698 --> 01:15:29,525
- ASHLEY, DID YOU HEAR
WHAT I SAID?
1594
01:15:29,699 --> 01:15:30,656
I MEANT EVERY--
1595
01:15:30,830 --> 01:15:32,571
HEY, HAVE YOU SEEN ASHLEY?
1596
01:15:32,745 --> 01:15:33,529
- UH, SHE GOT A CALL
IN THE MIDDLE OF THE SHOW
1597
01:15:33,703 --> 01:15:34,878
AND TOOK OFF.
1598
01:15:43,103 --> 01:15:46,977
- I'M SUCH AN IDIOT.
1599
01:15:47,151 --> 01:15:48,282
- YOU DON'T WANT TO GO OUT,
1600
01:15:48,456 --> 01:15:50,067
YOU DON'T WANT TO STAY IN,
1601
01:15:50,241 --> 01:15:51,895
YOU DON'T WANT TO
TALK ABOUT IT.
1602
01:15:55,725 --> 01:15:57,509
HEY! LOOK AT THIS!
1603
01:15:57,683 --> 01:16:03,167
MICHAEL JORDAN IS COMING
OUT OF RETIREMENT AGAIN.
1604
01:16:03,341 --> 01:16:04,951
WOW! LEBRON IS QUITTING
TO BECOME AN ARUGULA FARMER!
1605
01:16:05,125 --> 01:16:07,127
WHOA.
1606
01:16:07,301 --> 01:16:08,520
DIDN'T SEE THAT COMIN'.
1607
01:16:08,694 --> 01:16:11,305
AND KOBE IS RELEASING
A CD OF POLKA HITS.
1608
01:16:11,479 --> 01:16:13,090
DUDE,
1609
01:16:13,264 --> 01:16:14,526
SAY SOMETHIN'.
1610
01:16:16,310 --> 01:16:17,311
- USE A COASTER.
1611
01:16:17,485 --> 01:16:18,704
- [sighs]
1612
01:16:18,878 --> 01:16:20,401
WHAT'S YOUR PROBLEM?
1613
01:16:20,576 --> 01:16:22,316
- THE PROBLEM?
1614
01:16:22,490 --> 01:16:25,102
THE PROBLEM IS
I'M IN LOVE WITH A GIRL
1615
01:16:25,276 --> 01:16:26,494
I CAN'T HAVE.
1616
01:16:26,669 --> 01:16:27,974
- YOU REALLY DO
LOVE HER, HUH?
1617
01:16:28,148 --> 01:16:30,324
- YEAH.
1618
01:16:30,498 --> 01:16:33,197
- WELL, THEN MAYBE
YOU SHOULD CALL HER.
1619
01:16:33,371 --> 01:16:34,851
- AND SAY WHAT?
1620
01:16:35,025 --> 01:16:36,548
SHE'S ALREADY GOT
CHRISTOPHER HERNANDEZ.
1621
01:16:36,722 --> 01:16:37,767
HE'S PERFECT.
1622
01:16:37,941 --> 01:16:40,247
- COME ON, MAN,
SO ARE YOU.
1623
01:16:40,421 --> 01:16:42,336
JUST CALL HER.
1624
01:16:42,510 --> 01:16:43,599
- [sighs]
1625
01:16:43,773 --> 01:16:44,991
COME ON.
WHAT'S THE POINT?
1626
01:16:45,165 --> 01:16:46,427
SHE LEFT THE STUDIO,
1627
01:16:46,602 --> 01:16:48,168
EVEN AFTER I
PROCLAIMED MY LOVE
1628
01:16:48,342 --> 01:16:50,475
FROM COAST TO COAST, SO...
1629
01:16:50,649 --> 01:16:54,000
LOOK, CLEARLY, SHE DOESN'T
CARE ABOUT ME, SO.
1630
01:16:54,174 --> 01:16:56,481
- YOU GOTTA
GIVE IT A SHOT.
1631
01:16:56,655 --> 01:16:58,004
I SHOULD HAVE PUSHED YOU
1632
01:16:58,178 --> 01:16:59,615
WHEN YOU FIRST STARTED
TALKING NICE ABOUT HER,
1633
01:16:59,789 --> 01:17:01,268
BUT I DIDN'T.
1634
01:17:01,442 --> 01:17:02,792
I DON'T KNOW WHY.
1635
01:17:02,966 --> 01:17:04,620
OKAY, MAYBE I DIDN'T
WANT TO MEDDLE.
1636
01:17:04,794 --> 01:17:09,407
MAYBE I DIDN'T WANT TO LOSE
MY CHICK MAGNET PARTNER.
1637
01:17:09,581 --> 01:17:11,539
MAYBE MY EYES
WERE CLOUDED
1638
01:17:11,714 --> 01:17:13,237
BY A TOUCH
OF A JEALOUS BROMANCE.
1639
01:17:13,411 --> 01:17:15,239
I DON'T KNOW.
1640
01:17:15,413 --> 01:17:16,327
- OKAY, GIVE ME--
1641
01:17:16,501 --> 01:17:17,720
JUST GIVE ME THAT THING,
WILL YA?
1642
01:17:17,894 --> 01:17:19,417
[sighs]
1643
01:17:19,591 --> 01:17:21,245
- SIT RIGHT HERE.
1644
01:17:21,419 --> 01:17:22,463
[phone dialing]
WHY ARE YOU LEAVING?
1645
01:17:22,638 --> 01:17:25,075
[line ringing]
1646
01:17:25,249 --> 01:17:26,119
[rings]
1647
01:17:26,293 --> 01:17:27,991
[TV playing]
1648
01:17:28,165 --> 01:17:29,209
- HELLO.
1649
01:17:29,383 --> 01:17:30,297
- HI.
1650
01:17:30,471 --> 01:17:31,647
IS ASHLEY THERE?
1651
01:17:31,821 --> 01:17:33,344
- PETE? IT'S MANDY.
1652
01:17:33,518 --> 01:17:34,824
- OH, HEY, MANDY.
1653
01:17:34,998 --> 01:17:37,478
UM, YEAH,
I WANT TO TALK TO ASHLEY.
1654
01:17:37,653 --> 01:17:39,567
YOU KNOW, I NEED
TO TALK TO ASHLEY.
1655
01:17:39,742 --> 01:17:41,482
- WELL, I'M SURE THAT SHE WANTS
TO TALK TO YOU, TOO,
1656
01:17:41,657 --> 01:17:43,876
WHETHER OR NOT
SHE'LL ADMIT IT.
1657
01:17:44,050 --> 01:17:46,139
BUT, UNFORTUNATELY, SHE'S
ALREADY ON HER WAY TO NEW YORK.
1658
01:17:46,313 --> 01:17:47,401
- NEW YORK?
1659
01:17:47,575 --> 01:17:48,707
- I HEARD ALL ABOUT YOU
1660
01:17:48,881 --> 01:17:50,622
AND THAT COW CYNTHIA
AND ALL.
1661
01:17:50,796 --> 01:17:52,580
- WAIT, WAIT, WAIT.
WHAT ARE YOU TALKING ABOUT?
1662
01:17:52,755 --> 01:17:54,278
- ON THE TARYNSHOW,
1663
01:17:54,452 --> 01:17:55,496
YOU SAID
YOU HAVE SOMEONE SPECIAL.
1664
01:17:55,671 --> 01:17:57,194
- YEAH, I DID,
1665
01:17:57,368 --> 01:17:58,543
BUT NOT CYNTHIA.
1666
01:17:58,717 --> 01:18:00,501
I SAID ASHLEY
WAS THAT SPECIAL PERSON.
1667
01:18:00,676 --> 01:18:02,025
YOU DIDN'T WATCH THE SHOW?
1668
01:18:02,199 --> 01:18:05,419
- HOW COULD I?
IT'S JUST COMING ON RIGHT NOW.
1669
01:18:05,593 --> 01:18:07,247
OH, NO.
1670
01:18:07,421 --> 01:18:08,814
THAT MEANS ASHLEY
HASN'T WATCHED--
1671
01:18:08,988 --> 01:18:10,511
UM, AND SHE'S ON THE WAY
TO THE AIRPORT.
1672
01:18:10,686 --> 01:18:11,556
YOU HAVE TO STOP HER!
CALL HER CELL!
1673
01:18:11,730 --> 01:18:13,514
- OKAY, I GOT IT.
THANKS.
1674
01:18:13,689 --> 01:18:15,516
[phone beeps]
1675
01:18:19,390 --> 01:18:21,218
[line ringing]
1676
01:18:21,392 --> 01:18:24,003
[cell phone ringing]
1677
01:18:25,483 --> 01:18:27,224
[rings]
1678
01:18:27,398 --> 01:18:28,921
- WELL, I GUESS
THAT DIDN'T WORK.
1679
01:18:29,095 --> 01:18:30,793
- OKAY, HEY, DO YOU KNOW
WHAT FLIGHT SHE'S ON?
1680
01:18:30,967 --> 01:18:32,708
- NO. I, UM...
1681
01:18:32,882 --> 01:18:35,275
OH! UM, SHE SAID SHE HAD TO STOP
BY THE OFFICE FIRST.
1682
01:18:35,449 --> 01:18:36,494
GO!
GO, GO, GO, GO!
1683
01:18:36,668 --> 01:18:38,061
- OKAY, THANKS.
1684
01:18:43,588 --> 01:18:45,590
LOOK, IF I RUSH,
I CAN CATCH HER AT THE POST.
1685
01:18:45,764 --> 01:18:46,591
- LISTEN,
IF YOU GOTTA HURRY,
1686
01:18:46,765 --> 01:18:47,723
LEAVE IT TO A PROFESSIONAL.
1687
01:18:47,897 --> 01:18:48,680
I'M GONNA DRIVE, OKAY?
1688
01:18:48,854 --> 01:18:49,986
- ALL RIGHT.
1689
01:18:54,425 --> 01:18:55,687
[horn honks]
1690
01:18:55,861 --> 01:18:57,471
- COME ON!
1691
01:18:57,645 --> 01:19:00,213
WHAT ARE YOU, STUPID?
1692
01:19:00,387 --> 01:19:02,215
[horns honking]
1693
01:19:02,389 --> 01:19:05,479
I'M LOOKIN' AT YOU.
1694
01:19:05,653 --> 01:19:07,090
- WHY AREN'T WE MOVING?
1695
01:19:07,264 --> 01:19:09,396
- 'CAUSE IT'S RAINING,
AND IT'S LOS ANGELES.
1696
01:19:09,570 --> 01:19:10,571
WHAT ARE YOU, NEW HERE?
1697
01:19:10,746 --> 01:19:12,182
- I DON'T GET IT.
1698
01:19:12,356 --> 01:19:13,487
IT STARTS TO RAIN,
1699
01:19:13,661 --> 01:19:14,575
AND SUDDENLY PEOPLE
CAN'T DRIVE?
1700
01:19:14,750 --> 01:19:16,708
IT'S GONNA TAKE US
THREE HOURS
1701
01:19:16,882 --> 01:19:18,492
TO GO THE FIVE MILES
TO THE OFFICE.
1702
01:19:18,666 --> 01:19:21,278
- BUT WHY LEAVE US NOW?
1703
01:19:21,452 --> 01:19:22,845
AND SO SUDDENLY.
1704
01:19:23,019 --> 01:19:24,368
- I'M SORRY,
MRS. FRIEDLANDER,
1705
01:19:24,542 --> 01:19:25,499
BUT WE'RE MOVING TO NEW YORK.
1706
01:19:25,673 --> 01:19:27,327
CHRISTOPHER GOT THE JOB.
1707
01:19:27,501 --> 01:19:28,415
- OH, THAT'S WONDERFUL.
1708
01:19:28,589 --> 01:19:29,634
WONDERFUL FOR HIM.
1709
01:19:29,808 --> 01:19:31,636
TERRIBLE FOR US.
1710
01:19:31,810 --> 01:19:33,594
YOU EVEN TOLD ME,
1711
01:19:33,769 --> 01:19:35,814
YOUR BIGGEST DREAM
WAS TO BECOME THE FIRST VOICE
1712
01:19:35,988 --> 01:19:37,773
OF WEST COAST GLAMOUR.
1713
01:19:37,947 --> 01:19:40,253
"FIRST LOOK" IS YOURS.
1714
01:19:40,427 --> 01:19:43,561
- I'M SORRY.
1715
01:19:43,735 --> 01:19:47,434
I'LL EMAIL YOU THE FINAL ARTICLE
FROM NEW YORK, OKAY?
1716
01:19:47,608 --> 01:19:49,132
- YOU MUST
REALLY BE IN LOVE.
1717
01:19:52,265 --> 01:19:53,527
- I AM.
1718
01:19:53,701 --> 01:19:56,052
THAT'S WHY I'M LEAVING.
1719
01:19:57,444 --> 01:19:58,358
THANK YOU...
1720
01:19:58,532 --> 01:19:59,969
FOR EVERYTHING.
1721
01:20:00,143 --> 01:20:01,666
- YOU'RE MOST WELCOME.
1722
01:20:05,104 --> 01:20:06,758
- IF YOU HAD TOLD ME
TWO WEEKS AGO
1723
01:20:06,932 --> 01:20:08,194
THAT I'D BE SITTING HERE
RIGHT NOW
1724
01:20:08,368 --> 01:20:10,196
TELLING YOU THAT ASHLEY BOYD
1725
01:20:10,370 --> 01:20:11,981
WAS MY SOUL MATE,
1726
01:20:12,155 --> 01:20:13,504
I WOULD HAVE THOUGHT
YOU WERE CRAZY.
1727
01:20:13,678 --> 01:20:15,680
YOU KNOW, ONE DAY,
WE WERE STANDING ON THE STREET,
1728
01:20:15,854 --> 01:20:18,814
AND SHE PRETENDED THAT SHE
KNEW SOMETHING ABOUT SPORTS,
1729
01:20:18,988 --> 01:20:22,643
AND, I SWEAR,
I FELT LIKE
1730
01:20:22,818 --> 01:20:25,342
I COULD HAVE MARRIED HER
RIGHT THERE ON THE SPOT.
1731
01:20:25,516 --> 01:20:26,473
[rain falling]
1732
01:20:26,647 --> 01:20:28,345
[horns blaring]
1733
01:20:31,000 --> 01:20:32,392
[honks horn]
1734
01:20:32,566 --> 01:20:34,177
- LET'S GO, PEOPLE!
1735
01:20:34,351 --> 01:20:36,527
IT'S CALLED RAIN
AND IT'S MADE OUT OF WATER!
1736
01:20:36,701 --> 01:20:39,443
GET OVER IT!
[horn honks]
1737
01:20:39,617 --> 01:20:42,576
I FEAR
MY APPEAL TO LOGIC
1738
01:20:42,750 --> 01:20:44,274
HAS FALLEN
UPON DEAF EARS.
1739
01:20:57,635 --> 01:20:59,680
- BUT SHE HAS CHANGED
MY LIFE
1740
01:20:59,855 --> 01:21:02,379
IN WAYS THAT
I CAN'T EVEN DESCRIBE.
1741
01:21:03,946 --> 01:21:06,122
GO, GO, GO, GO,
GO, GO, GO, GO!
1742
01:21:09,734 --> 01:21:10,996
I...I MEAN, THAT'S IT.
1743
01:21:11,170 --> 01:21:12,476
GAME'S OVER.
1744
01:21:12,650 --> 01:21:13,999
THE FAT LADY SUNG.
1745
01:21:14,173 --> 01:21:15,566
- "SANG."
1746
01:21:15,740 --> 01:21:16,697
- NO, IT'S "SUNG."
1747
01:21:16,872 --> 01:21:18,874
- I'M SORRY, AMIGO.
1748
01:21:19,048 --> 01:21:21,920
MARTY GIORDANO,
1749
01:21:22,094 --> 01:21:24,705
PROFESSIONAL CAB DRIVER,
HAS FAILED YOU.
1750
01:21:24,880 --> 01:21:26,751
- YOU KNOW WHAT?
1751
01:21:26,925 --> 01:21:28,709
THIS GAME ISN'T OVER.
1752
01:21:28,884 --> 01:21:29,754
WE ARE JUST ABOUT
TO START OVERTIME.
1753
01:21:29,928 --> 01:21:31,060
- WHAT ARE YOU DOIN'?
1754
01:21:31,234 --> 01:21:32,409
- I'M MAKIN' A RUN FOR IT.
1755
01:21:32,583 --> 01:21:33,845
- NO!
YOU CAN'T GO OUT THERE!
1756
01:21:34,019 --> 01:21:35,716
NOT IN...WEATHER.
1757
01:21:35,891 --> 01:21:36,848
- IT'S RAIN, MARTY.
1758
01:21:37,022 --> 01:21:38,589
[horns blaring]
1759
01:21:41,461 --> 01:21:42,506
- HE'S GONNA GET WET.
1760
01:21:53,082 --> 01:21:56,041
- YOU KNOW, AND SHE IS
BACKSTAGE RIGHT NOW.
1761
01:21:56,215 --> 01:21:58,739
AND AS SOON AS THIS SHOW
IS OVER,
1762
01:21:58,914 --> 01:22:00,741
I AM GONNA GO BACK THERE...
- [blows nose, sniffles]
1763
01:22:00,916 --> 01:22:04,920
- AND I'M GONNA ASK
HER TO MARRY ME.
1764
01:22:05,094 --> 01:22:06,573
I DIDN'T EVEN MAKE
THIS CHOICE.
1765
01:22:06,747 --> 01:22:09,185
I MEAN, MY HEART
JUST MADE THIS CHOICE FOR ME.
1766
01:22:09,359 --> 01:22:12,144
IT JUST FEELS ABSOLUTELY
LIKE IT WAS MEANT TO BE.
1767
01:22:12,318 --> 01:22:17,628
- THAT'S BECAUSE
IT W MEANT TO BE.
1768
01:22:17,802 --> 01:22:19,412
- WHOA! WHOA, WHOA!
1769
01:22:19,586 --> 01:22:21,588
[panting]
1770
01:22:23,460 --> 01:22:24,765
- SO, MARK AND OWEN...
1771
01:22:27,551 --> 01:22:30,728
Pete on TV:
YEAH, IT'S CORNY,
1772
01:22:30,902 --> 01:22:31,729
BUT IT'S, UH...IT'S TRUE.
1773
01:22:31,903 --> 01:22:34,166
- [whispers]
NO, NO, NO, NO.
1774
01:22:34,340 --> 01:22:35,907
[audio from TV
continues indistinctly]
1775
01:22:43,001 --> 01:22:46,091
- ...BUT SHE HAS CHANGED
MY LIFE
1776
01:22:46,265 --> 01:22:48,006
IN WAYS THAT
I CAN'T EVEN DESCRIBE.
1777
01:22:48,180 --> 01:22:50,966
BUT IT'S NOT WHAT SHE'S DONE FOR
ME THAT MAKES ME LOVE HER.
1778
01:22:51,140 --> 01:22:51,967
IT'S, UH...
1779
01:22:52,141 --> 01:22:53,533
IT'S WHO SHE IS.
1780
01:22:53,707 --> 01:22:55,448
[applause]
1781
01:22:55,622 --> 01:22:57,929
- [deep breath]
1782
01:22:58,103 --> 01:23:00,845
[Pete continues
speaking on TV]
1783
01:23:01,019 --> 01:23:02,586
Pete: [clearly] ASHLEY.
1784
01:23:09,636 --> 01:23:11,682
ASHLEY,
I DON'T WANT YOU TO GO.
1785
01:23:14,728 --> 01:23:15,773
I WANT YOU TO STAY HERE
1786
01:23:15,947 --> 01:23:17,340
WITH ME.
1787
01:23:21,039 --> 01:23:23,607
I'VE NEVER FELT THIS WAY
ABOUT ANYBODY BEFORE.
1788
01:23:27,785 --> 01:23:29,961
I MEAN, ALL KINDS OF WOMEN
ARE FINALLY NOTICING ME.
1789
01:23:30,135 --> 01:23:31,571
- [laughs, sniffles]
1790
01:23:31,745 --> 01:23:33,443
- I COULD LIVE THE LIFE
THAT MOST GUYS DREAM ABOUT.
1791
01:23:37,882 --> 01:23:39,840
ALL I DREAM ABOUT IS YOU.
1792
01:23:40,015 --> 01:23:42,539
- WHAT ABOUT THE SHOW
1793
01:23:42,713 --> 01:23:44,671
AND CYNTHIA?
1794
01:23:44,845 --> 01:23:48,240
- NO, NO. YOU LEFT THE STUDIO
BEFORE I HAD A CHANCE TO...
1795
01:23:48,414 --> 01:23:49,720
Pete on TV:
YOU ALL KNOW HER.
1796
01:23:49,894 --> 01:23:53,767
I LOVE ASHLEY BOYD.
1797
01:23:53,941 --> 01:23:55,508
YEAH.
1798
01:23:55,682 --> 01:23:58,772
I LOVE ASHLEY BOYD.
1799
01:23:58,946 --> 01:24:00,078
[applause]
1800
01:24:00,252 --> 01:24:03,864
I LOVE YOU, ASHLEY BOYD.
1801
01:24:04,039 --> 01:24:05,649
I'VE SAID IT.
I'LL SAY IT AGAIN.
1802
01:24:05,823 --> 01:24:09,653
I LOVE ASHLEY BOYD.
- I LOVE YOU, ASHLEY.
1803
01:24:09,827 --> 01:24:10,915
I LOVE YOU.
1804
01:24:13,352 --> 01:24:16,355
- AND I LOVE YOU,
PETE CAMDEN.
1805
01:24:26,017 --> 01:24:27,540
[laughs]
1806
01:24:27,714 --> 01:24:28,672
[gasps] WHA--
1807
01:24:28,846 --> 01:24:30,065
- ASHLEY...
1808
01:24:32,893 --> 01:24:34,765
WILL YOU MARRY ME?
1809
01:24:34,939 --> 01:24:37,072
- [sniffles, laughs]
1810
01:24:40,162 --> 01:24:44,340
THIS IS SO NOT HOW I PLANNED
MY MARRIAGE PROPOSAL TO BE.
1811
01:24:50,694 --> 01:24:54,741
YES.
1812
01:24:54,915 --> 01:24:56,047
- AWW!
[applause]
1813
01:25:22,160 --> 01:25:25,903
[cheers and applause]
1814
01:25:26,077 --> 01:25:27,078
- THAT A WAY, PETE!
1815
01:25:52,147 --> 01:25:54,366
- THE TRANSFORMATION
WAS COMPLETE,
1816
01:25:54,540 --> 01:25:56,803
BUT IN A WAY I NEVER
WOULD HAVE PREDICTED.
1817
01:25:56,977 --> 01:25:58,631
HE WAS FIXED,
1818
01:25:58,805 --> 01:26:00,024
BUT SO WAS I.
1819
01:26:02,853 --> 01:26:05,464
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