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Jonathan: THERE'S SOMETHING
TRULY EXTRAORDINARY
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00:00:03,551 --> 00:00:07,001
ABOUT LIVING A LIFE
ALONGSIDE THE BIG CATS.
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00:00:07,034 --> 00:00:08,764
WE'RE JONATHAN AND ANGELA SCOTT,
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00:00:08,793 --> 00:00:10,863
AND WE'VE BEEN FOLLOWING
THE LIONS, LEOPARDS,
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00:00:10,896 --> 00:00:15,166
AND CHEETAHS OF THE MASAI MARA
FOR OVER 40 YEARS.
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00:00:15,206 --> 00:00:19,966
THEY'RE NOT JUST BIG CATS TO US,
WE KNOW THEM AS INDIVIDUALS.
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00:00:20,000 --> 00:00:23,790
ALONGSIDE US IS OUR GOOD
FRIEND JACKSON OLE LOOSEYIA.
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00:00:23,827 --> 00:00:27,137
HE'S SPENT HIS LIFE IN THE MARA,
AND THESE CHARACTERS
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00:00:27,172 --> 00:00:30,412
ARE AS SPECIAL TO HIM
AS THEY ARE TO US.
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00:00:30,448 --> 00:00:32,758
JOIN US AS WE DRAW BACK
THE CURTAIN
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00:00:32,793 --> 00:00:35,663
ON THE INTIMATE STORY
OF THEIR LIVES.
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00:00:35,689 --> 00:00:38,659
--Captions by VITAC--
www.vitac.com
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00:00:38,689 --> 00:00:41,619
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:00:41,655 --> 00:00:47,895
♪♪
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00:00:47,931 --> 00:00:49,931
Jackson: WE'RE BACK WITH
OUR FIVE CHEETAH BOYS.
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00:00:49,965 --> 00:00:54,165
I CAN'T BELIEVE HOW MUCH
ADRENALINE IS IN MY BLOOD
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00:00:54,206 --> 00:00:56,656
WHEN I SEE THEM ON HUNT.
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00:01:11,241 --> 00:01:18,521
♪♪
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00:01:18,551 --> 00:01:23,621
THIS IS THE FIRST ATTEMPT
OF THIS CHEETAH HUNT.
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00:01:23,655 --> 00:01:25,785
THEY ARE SO CLOSE TO THEIR PREY.
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00:01:25,827 --> 00:01:28,207
AND WHEN THEY TAKE OFF,
YOU KNOW,
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00:01:28,241 --> 00:01:30,551
AT A SPEED OF
50 KILOMETERS AN HOUR,
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00:01:30,586 --> 00:01:33,756
THERE'S NOTHING FOR
A WILDEBEEST, WHICH RUNS UP TO
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00:01:33,793 --> 00:01:35,903
35, 40 KILOMETERS AN HOUR.
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00:01:35,931 --> 00:01:40,721
BUT THESE CHEETAHS CAN GO AT TOP
SPEED UP TO 70 MILES PER HOUR.
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00:01:43,655 --> 00:01:45,925
THEY'VE COME TO THE HEART
OF THE MIGRATION.
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00:01:45,965 --> 00:01:48,235
THIS IS WHERE ALL
THE WILDEBEESTS ARE.
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I MEAN, THOUSANDS.
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00:01:50,517 --> 00:01:53,097
NOT HUNDREDS --
THOUSANDS AND THOUSANDS OF THEM.
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00:01:54,965 --> 00:02:02,545
♪♪
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00:02:02,586 --> 00:02:03,966
WOW, THEY ARE NOW WAITING.
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00:02:04,000 --> 00:02:06,070
THEY ARE NOW MOVING SLOWLY.
33
00:02:06,103 --> 00:02:08,343
THEY'RE SELECTING.
LOOK AT THEM.
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00:02:08,379 --> 00:02:09,899
YEAH, THEY ARE
DEFINITELY SELECTING.
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00:02:09,931 --> 00:02:11,761
LOOK.
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00:02:11,793 --> 00:02:17,103
♪♪
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00:02:17,137 --> 00:02:21,687
THERE IS NO SENIOR MOMENT
WITH OUR FIVE CHEETAH BOYS --
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00:02:21,724 --> 00:02:23,244
VERY YOUTHFUL-FEELING, YOU KNOW.
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00:02:23,275 --> 00:02:25,405
THEY ARE RUNNING AROUND.
THEY'RE JUMPING.
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00:02:25,448 --> 00:02:27,548
WELL, LOOK HERE, THEN.
THEY'RE STILL YOUNG.
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00:02:27,586 --> 00:02:28,896
THIS IS THE FIRST TIME,
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00:02:28,931 --> 00:02:31,031
I THINK, THEY HAVE EVER
TAKEN A TERRITORY.
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00:02:31,068 --> 00:02:34,898
THEY'RE NOT 100% FULLY GROWN UP.
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00:02:34,931 --> 00:02:38,721
THEY'RE WELL-BUILT, BUT WAIT
ANOTHER YEAR WITH THESE BOYS.
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00:02:38,758 --> 00:02:43,278
THEY WILL LOOK HUGE, ESPECIALLY
WITH THE AMOUNT OF FOOD
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00:02:43,310 --> 00:02:45,170
THAT THEY WILL BE
PUTTING ON TO THEIR BACKS.
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00:02:45,206 --> 00:02:46,856
WOW.
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00:02:46,896 --> 00:02:54,166
♪♪
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NOW, FOR THE LAST FEW DAYS,
WE'VE BEEN LOOKING FOR BAHATI,
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00:02:57,551 --> 00:03:00,831
ONE OF OUR FAVORITE LEOPARDS,
WITH HER TWO CUBS.
51
00:03:00,862 --> 00:03:02,282
AND GUESS WHAT.
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00:03:02,310 --> 00:03:06,590
I DIDN'T FIND BAHATI,
BUT I FOUND A BIT OF GOLD --
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FIG AND HER CUB.
54
00:03:09,379 --> 00:03:11,719
NOW, FIG IS A LEOPARD
THAT WE KNOW.
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00:03:11,758 --> 00:03:14,308
SHE LIVES IN
THE OLARE OROK CONSERVANCY --
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00:03:14,344 --> 00:03:19,174
SO BEYOND THE RESERVE
BOUNDARIES, A PROTECTED AREA.
57
00:03:19,206 --> 00:03:21,616
AND THE NATURE OF THAT
DAPPLED COAT,
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00:03:21,655 --> 00:03:23,515
THOSE ROSETTES, THOSE SPOTS --
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00:03:23,551 --> 00:03:28,901
THEY'RE BLENDING PERFECTLY
WITH THE PLACE SHE'S LYING.
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00:03:28,931 --> 00:03:30,761
OH, LOOK, LOOK, LOOK.
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00:03:30,793 --> 00:03:32,523
THERE'S THE CUB.
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00:03:35,103 --> 00:03:38,103
ONE THING I'VE LEARNED
FROM ALL MY YEARS IN THE MARA --
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00:03:38,137 --> 00:03:42,337
YOU NEVER TAKE TIME SPENT
WITH A LEOPARD FOR GRANTED,
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00:03:42,379 --> 00:03:47,099
BECAUSE THIS CAT IS
THE MOST DIFFICULT CAT TO FIND.
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00:03:48,517 --> 00:03:52,757
SO SOMETHING LIKE THIS, A WINDOW
INTO THAT SECRET WORLD --
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00:03:52,793 --> 00:03:55,763
FOR ME, IT'S THE BEST.
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00:03:55,793 --> 00:04:00,343
THERE'S SIMPLY NOTHING
THAT COMPARES WITH THIS.
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00:04:15,241 --> 00:04:22,661
♪♪
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00:04:22,689 --> 00:04:24,899
I THINK, YOU KNOW,
WE CHARACTERIZE THE LEOPARD
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00:04:24,931 --> 00:04:26,691
AS BEING SO SOLITARY --
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00:04:26,724 --> 00:04:29,484
THE ULTIMATE CAT
THAT WALKS ALONE.
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00:04:29,517 --> 00:04:30,967
BUT OF COURSE,
FOR A MOTHER LEOPARD,
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00:04:31,000 --> 00:04:33,240
OFTEN SHE HAS A CUB OR CUBS.
74
00:04:33,275 --> 00:04:35,405
AND YOU GET THESE
WONDERFUL MOMENTS
75
00:04:35,448 --> 00:04:38,658
JUST EVERY SO OFTEN,
JUST PURE JOY.
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00:04:45,620 --> 00:04:52,550
♪♪
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00:04:52,586 --> 00:04:55,756
OKAY, SHE'S GOING DOWN
INTO THE LAGA.
78
00:04:55,793 --> 00:04:57,033
NOW IT'S GONNA BE DIFFICULT
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00:04:57,068 --> 00:04:58,828
TO TRY AND FOLLOW HER,
BECAUSE SHE MAY CONTINUE.
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00:04:58,862 --> 00:05:01,342
SHE MAY ACTUALLY WANT TO GO
AND TRY AND HUNT
81
00:05:01,379 --> 00:05:02,899
WHILE THE CUB
IS JUST TUCKED AWAY.
82
00:05:02,931 --> 00:05:05,831
AND THE CUB WILL BE QUITE HAPPY
JUST TO BE LEFT ON ITS OWN.
83
00:05:12,551 --> 00:05:15,071
LOOK AT FIG,
COVERING THE OPEN GROUND --
84
00:05:15,103 --> 00:05:17,283
A RISKY MOVEMENT
FOR A LEOPARD.
85
00:05:20,275 --> 00:05:22,205
YOU CAN SEE THE TOPI
IN THE BACKGROUND.
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00:05:22,241 --> 00:05:24,001
THEY'VE SPOTTED HER.
87
00:05:26,172 --> 00:05:31,692
AND SHE'LL HAVE A TERRITORY --
MAYBE 15, 20 SQUARE KILOMETERS.
88
00:05:31,724 --> 00:05:34,594
THEY HAVE TO MOVE AROUND,
AND THEY MARK THEIR TERRITORY.
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00:05:34,620 --> 00:05:36,140
THEY LEAVE SCENT MARKS.
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00:05:36,172 --> 00:05:39,522
ANY OTHER LEOPARD COMING ALONG
WILL SMELL SIMILAR PLACES --
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00:05:39,551 --> 00:05:43,901
FALLEN TREES,
THE SIDE OF TRUNKS, BUSHES.
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00:05:43,931 --> 00:05:47,791
SO SHE'S STAMPING HER IDENTITY
ON HER TERRITORY.
93
00:06:06,655 --> 00:06:10,305
NOTHING RELAXES
QUITE LIKE A LEOPARD.
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00:06:10,344 --> 00:06:13,834
I MEAN, I THINK THAT IS PART
OF THE ALLURE OF THE LEOPARD.
95
00:06:16,689 --> 00:06:21,169
SHE'S LYING NOW IN A THORN TREE,
AND I MEAN THORNS --
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00:06:21,206 --> 00:06:23,026
TWO-INCH-LONG THORNS.
97
00:06:23,068 --> 00:06:25,238
AND YET, SHE LOOKS
AS COMFORTABLE
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00:06:25,275 --> 00:06:28,475
AS ANYTHING COULD ON EARTH.
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00:06:28,517 --> 00:06:30,167
SHE'S TOTALLY RELAXED.
100
00:06:30,206 --> 00:06:33,166
AND OF COURSE, UP THERE, SHE'S
GOT A VIEW ACROSS THE PLAINS.
101
00:06:33,206 --> 00:06:36,066
IF SHE NEEDS TO CHECK EVERY
SO OFTEN WHAT'S GOING ON,
102
00:06:36,103 --> 00:06:37,623
SHE'S IN THE PERFECT POSITION.
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00:06:37,655 --> 00:06:39,585
BUT MAINLY, SHE'S BEING A CAT.
104
00:06:39,620 --> 00:06:42,410
AND WHAT DO CATS LIKE TO DO
MOST OF THE TIME?
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00:06:42,448 --> 00:06:44,168
TO SLEEP.
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00:06:51,965 --> 00:06:54,925
I'M NOT SURE WHAT FIG HAS SEEN,
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00:06:54,965 --> 00:07:00,065
BUT THE INTENSITY
OF THAT LOOK --
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00:07:00,103 --> 00:07:05,553
EYES WIDE OPEN, PUPILS JUST
SHUT DOWN TO A PINHOLE.
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00:07:05,586 --> 00:07:07,066
SHE'S LOOKING OUT THERE.
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00:07:07,103 --> 00:07:08,833
MAYBE SHE'S SEEN PREY.
111
00:07:13,689 --> 00:07:15,689
AND LOOK AT THE TAIL.
YOU SEE THE TAIL?
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00:07:15,724 --> 00:07:18,554
YOU CAN READ THE MOOD
OF THE LEOPARD --
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00:07:18,586 --> 00:07:21,546
THE TWITCH,
A LITTLE BIT OF TENSION.
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00:07:21,586 --> 00:07:24,236
"WHAT AM I GONNA DO NEXT?"
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00:07:24,275 --> 00:07:28,785
IF YOU DON'T FEEL IT,
THEN COME TO AFRICA
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00:07:28,827 --> 00:07:31,927
AND SIT IN THE PRESENCE
OF A LEOPARD,
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00:07:31,965 --> 00:07:34,445
AND YOU'LL KNOW EXACTLY
WHY I HAVE SPENT
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00:07:34,482 --> 00:07:40,762
SO MANY YEARS HERE REVELING,
OBSESSED BY THESE GREAT CATS.
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00:07:52,862 --> 00:07:57,212
WE HAVE BEEN SO LUCKY
TO HAVE SAT ALL DAY
120
00:07:57,241 --> 00:08:04,621
AND WAIT AND WAIT UNTIL FINALLY,
WE FOUND NOTCH AND HER CUBS.
121
00:08:04,655 --> 00:08:08,305
THIS IS THE SAME LIONESS
ANGIE AND JOHNNY WERE FOLLOWING
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00:08:08,344 --> 00:08:11,794
AT THE PIPE BY THE ROAD.
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00:08:11,827 --> 00:08:17,307
THESE TWO LITTLE CUBS
ARE LIPSTICK AND BLACKIE CUBS.
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00:08:17,344 --> 00:08:20,004
THEY HAVE NOT BEEN
INTRODUCED INTO THE PRIDE.
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00:08:20,034 --> 00:08:22,454
THEY'RE ABOUT 3 MONTHS OLD.
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00:08:25,965 --> 00:08:29,545
I CAN JUST SEE THE EARS.
127
00:08:29,586 --> 00:08:32,276
THEY'RE ABOUT --
MAYBE EVEN 2 MONTHS OLD.
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00:08:32,310 --> 00:08:35,930
GOD, THEY'RE SMALL.
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00:08:35,965 --> 00:08:38,475
FOR ALL THOSE HOURS,
WE'VE BEEN WAITING.
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00:08:38,517 --> 00:08:42,377
THESE CUBS DID NOT SUCKLE,
DID NOT HAVE A DRINK.
131
00:08:42,413 --> 00:08:45,763
AND IT'S JUST NOW,
IT'S POSITIONING HERSELF.
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00:08:45,793 --> 00:08:48,763
LOOK, SHE'S POSITIONING NOW,
HOLDING THE CUBS,
133
00:08:48,793 --> 00:08:51,343
TRYING TO PULL THE CUBS
TO THE UDDER.
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00:08:51,379 --> 00:08:52,659
LOOK.
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00:08:52,689 --> 00:08:56,759
THEY DON'T FEED LIKE,
EVERY TWO MINUTES.
136
00:09:01,413 --> 00:09:04,523
THEY'VE GOT TO GET USED
TO NOT SUCKLING,
137
00:09:04,551 --> 00:09:10,551
NOT DRINKING ALL THE TIME
BECAUSE LIONS
138
00:09:10,586 --> 00:09:12,276
AND ALL THESE
OTHER PREDATORS,
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00:09:12,310 --> 00:09:16,550
THEY KNOW TOUGH TIMES
CAN BE AHEAD.
140
00:09:16,586 --> 00:09:20,716
THE DAY OF PLENTY
WILL JUST FADE AWAY.
141
00:09:20,758 --> 00:09:23,448
THE MIGRATION WILL BE
MOVING AWAY.
142
00:09:23,482 --> 00:09:28,142
THEY THEMSELVES, THEY KNOW
WHAT IT IS TO BE TOUGH.
143
00:09:28,172 --> 00:09:32,032
AND THEY HAVE TO TRANSLATE
THAT MEANING TO THE CUBS.
144
00:09:32,068 --> 00:09:36,718
NOW THOSE CUBS
ARE FINALLY SUCKLING.
145
00:09:36,758 --> 00:09:38,718
AND YOU SEE,
MOTHER IS ALWAYS REACHING.
146
00:09:38,758 --> 00:09:39,998
LOOK.
147
00:09:40,034 --> 00:09:43,554
IT'S TOUCH IS LIKE
A HUMAN SOMEHOW.
148
00:09:43,586 --> 00:09:46,686
LOOK, TOUCHING THE HEADS,
PULLING THE OTHER ONE.
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00:09:48,310 --> 00:09:49,930
LOOK AT THAT.
150
00:09:49,965 --> 00:09:51,685
VERY, VERY SPECIAL.
151
00:09:58,827 --> 00:10:06,067
WE'RE JUST SO LUCKY TO FIND
THIS NATURAL BEAUTY,
152
00:10:06,103 --> 00:10:08,003
WILDLIFE THAT
WE DON'T INTERFERE.
153
00:10:08,034 --> 00:10:09,904
WE DON'T FEED.
WE DON'T DO ANYTHING.
154
00:10:09,931 --> 00:10:12,211
WE JUST WATCH.
155
00:10:12,241 --> 00:10:15,931
♪♪
156
00:10:15,965 --> 00:10:20,135
THIS IS THE MAKING
OF LION KINGDOM.
157
00:10:21,068 --> 00:10:25,898
AND SOME DAY, THEY RULE.
THEY WALK ON THIS SAVANNA,
158
00:10:25,931 --> 00:10:29,341
AS POWERFUL AS THEIR DAD,
159
00:10:29,379 --> 00:10:34,589
TERRORIZING EVERYONE --
THOSE LITTLE THINGS.
160
00:10:34,620 --> 00:10:36,410
THAT'S WHY I LOVE LIONS.
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00:10:42,000 --> 00:10:45,760
♪♪
162
00:10:45,793 --> 00:10:49,213
[ THUNDER RUMBLES ]
163
00:10:50,379 --> 00:10:57,859
♪♪
164
00:10:57,896 --> 00:10:59,966
Jackson: IT'S NOW COOL,
AND IT'S RAINING.
165
00:11:00,000 --> 00:11:03,860
IT'S PERFECT
FOR CHEETAHS HUNTING.
166
00:11:03,896 --> 00:11:05,336
LOOK AT THEM.
167
00:11:05,379 --> 00:11:07,719
THEY'RE ALL RUNNING,
AND THEY'RE EXCITED.
168
00:11:07,758 --> 00:11:10,138
WE MIGHT SEE SOME ACTION
THIS EVENING.
169
00:11:14,413 --> 00:11:15,763
BUT RIGHT HERE,
THERE'S A LOT OF BULLYING.
170
00:11:15,793 --> 00:11:17,593
LOOK.
171
00:11:17,620 --> 00:11:22,070
THERE IS ONE WHICH IS SO
WELL-DOMINATED BY THE REST.
172
00:11:22,103 --> 00:11:23,483
VERY OFTEN YOU SEE HE RUNS,
173
00:11:23,517 --> 00:11:27,447
AND THEN THEY JUMP ON HIM
AND THEY RUN ON HIM.
174
00:11:27,482 --> 00:11:30,862
THEY'RE JUST, LIKE, BULLYING
HIM, LIKE, ALMOST FIGHTING HIM.
175
00:11:30,896 --> 00:11:34,686
LOOK, HE'S BEING PUSHED
ON TO THE SIDE.
176
00:11:35,862 --> 00:11:38,902
WAS HE THE LATEST
TO JOIN THE COALITION?
177
00:11:38,931 --> 00:11:40,971
WE DON'T KNOW, BUT THIS IS WHERE
178
00:11:41,000 --> 00:11:43,070
YOU CAN SEE
THE HIERARCHY IS HAPPENING.
179
00:11:43,103 --> 00:11:49,003
♪♪
180
00:11:57,965 --> 00:12:00,065
THEY HAVE NOW SET THEIR TARGET.
181
00:12:00,103 --> 00:12:04,103
I CAN SEE THAT WILDEBEEST
THAT IS ASLEEP RIGHT THERE.
182
00:12:05,379 --> 00:12:09,619
RAIN IS BEHIND, SO NOT AWARE.
183
00:12:09,655 --> 00:12:11,205
AND LOOK AT THE WAY
THEY'RE COMING.
184
00:12:11,241 --> 00:12:13,551
REALLY, THIS IS
THE ULTIMATE MOMENT.
185
00:12:13,586 --> 00:12:15,966
WE'RE WAITING FOR
THESE BOYS TO PERFORM.
186
00:12:18,758 --> 00:12:21,968
LOOK. LOOK, LOOK,
LOOK, LOOK, LOOK.
187
00:12:22,000 --> 00:12:25,000
NOW, THE ANTICIPATION --
WHICH ONE?
188
00:12:25,034 --> 00:12:27,794
DECISION-MAKING --
THAT ONE OR THAT ONE?
189
00:12:29,275 --> 00:12:34,165
ALL THESE WILDEBEESTS, YOU THINK
THEY'RE LOOKING AWAY, UNAWARE.
190
00:12:34,206 --> 00:12:37,716
ANY MOVEMENT,
THAT WILL TRIGGER AN ALERT.
191
00:12:37,758 --> 00:12:39,858
YOU'LL SEE EVERY SINGLE
WILDEBEEST LOOKING AROUND
192
00:12:39,896 --> 00:12:44,276
AND SAYING, "IS IT TIME,"
BECAUSE THEY'RE VULNERABLE.
193
00:12:44,310 --> 00:12:45,690
THEY KNOW IN THE RAIN,
194
00:12:45,724 --> 00:12:49,034
PREDATORS WILL COME
BEHIND THEM AND ATTACK.
195
00:12:52,172 --> 00:12:55,552
YEAH, TARGET -- FOCUS ON IT.
196
00:12:55,586 --> 00:12:57,306
THERE THEY GO.
THERE THEY GO.
197
00:13:31,034 --> 00:13:39,414
♪♪
198
00:13:39,448 --> 00:13:42,478
FIGHTING, FIGHTING VERY HARD --
LOOK AT IT.
199
00:13:42,517 --> 00:13:44,687
HOW AMAZING IS THAT?
200
00:13:44,724 --> 00:13:46,454
FIGHTING ON HIS OWN.
201
00:13:49,793 --> 00:13:51,863
HELP IS COMING.
202
00:13:57,448 --> 00:14:03,068
♪♪
203
00:14:03,103 --> 00:14:05,553
HOW MANY CHEETAHS ON IT NOW?
204
00:14:05,586 --> 00:14:07,096
FOUR.
205
00:14:14,310 --> 00:14:21,450
♪♪
206
00:14:21,482 --> 00:14:25,002
AND THAT IS A FIGHT.
207
00:14:25,034 --> 00:14:26,864
YOU DON'T WITNESS THESE THINGS.
208
00:14:32,275 --> 00:14:37,685
♪♪
209
00:14:37,724 --> 00:14:40,074
IT'S DOWN.
210
00:14:40,103 --> 00:14:43,453
JUST IMAGINE HOW LONG
WE HAVE FOLLOWED THESE CHEETAHS.
211
00:14:43,482 --> 00:14:44,902
IT'S UNBELIEVABLE.
212
00:14:44,931 --> 00:14:49,791
FINALLY, THIS IS WHAT WE HAVE
BEEN WAITING FOR DAYS.
213
00:14:49,827 --> 00:14:51,717
I MEAN, WE'VE FOLLOWED
FOR TWO DAYS.
214
00:14:51,758 --> 00:14:53,338
WE DIDN'T SEE ANY SUCCESS.
215
00:14:53,379 --> 00:14:58,139
TODAY IS AN AMAZING --
AN AMAZING HUNT.
216
00:14:58,172 --> 00:15:03,622
THESE FIVE CHEETAH BOYS
ARE TRULY FANTASTIC HUNTERS.
217
00:15:06,793 --> 00:15:09,623
AGAIN, IT'S NOT OVER.
218
00:15:09,655 --> 00:15:11,065
I SEE A HYENA.
219
00:15:13,068 --> 00:15:14,998
YOU THINK WE'RE FINISHED?
220
00:15:15,034 --> 00:15:16,314
WE'RE NOT.
221
00:15:16,344 --> 00:15:19,864
THESE CHEETAH HAVE TO EAT
QUICKLY, FAST.
222
00:15:25,793 --> 00:15:28,933
THE HYENA'S JUST GONE
TO CALL THE REINFORCEMENT.
223
00:15:28,965 --> 00:15:30,095
LOOK!
HE'S GONE OVER THERE.
224
00:15:30,137 --> 00:15:32,167
HE'S GOT A FRIEND ALREADY.
225
00:15:32,206 --> 00:15:36,586
HE'S TELLING THEM, "OOH!
WE'VE GOT SOMETHING UP THERE."
226
00:15:36,620 --> 00:15:38,340
THEY ARE NOW COMING.
227
00:15:38,379 --> 00:15:40,829
AND THAT IS WHAT HYENAS
ARE KNOWN FOR --
228
00:15:40,862 --> 00:15:42,972
STEALING KILLS FROM
OTHER PREDATORS,
229
00:15:43,000 --> 00:15:45,000
PARTICULARLY CHEETAH.
230
00:15:48,379 --> 00:15:50,479
WOW.
231
00:15:50,517 --> 00:15:53,207
LOOK AT THOSE MALES
JOINING UP TOGETHER.
232
00:15:53,241 --> 00:15:57,211
THAT'S WHAT THEY NEED EACH OTHER
FOR -- A FORCE AND POWER.
233
00:15:57,241 --> 00:15:58,761
HE SAID, "RIGHT?
234
00:15:58,793 --> 00:16:00,833
YOU WANT TO FIGHT?"
235
00:16:00,862 --> 00:16:03,212
AND YOU SEE THERE,
THEY HYENAS GOING AROUND.
236
00:16:03,241 --> 00:16:04,521
AND THEY SAY, "OKAY."
237
00:16:04,551 --> 00:16:06,241
THE HYENAS DON'T GIVE UP.
238
00:16:06,275 --> 00:16:08,585
THAT IS WHAT HYENAS
ARE KNOWN FOR.
239
00:16:13,000 --> 00:16:16,760
IT'S SO GREAT TO SEE
HOW STRONG THEY ARE
240
00:16:16,793 --> 00:16:18,933
AND HOW POWERFUL THEY ARE,
241
00:16:18,965 --> 00:16:24,515
BY DEFENDING THEIR MEAL
AGAINST A VERY STRONG HYENA.
242
00:16:26,103 --> 00:16:30,283
FOR A HYENA, HE SEES A CHEETAH
AND WALKS IN AND TAKE IT AWAY.
243
00:16:31,655 --> 00:16:33,615
BUT THAT DEFENDING --
ONE OF THEM IS THERE,
244
00:16:33,655 --> 00:16:37,095
STANDING, GUARDING,
WHILE THE OTHERS ARE EATING.
245
00:16:37,137 --> 00:16:40,617
SO THEY TAKE TURNS -- EAT, EAT,
EAT, EAT, GO AND GUARD.
246
00:16:40,655 --> 00:16:43,135
COME BACK, I EAT.
247
00:16:43,172 --> 00:16:48,692
THIS IS THE STRENGTH OF HAVING
FIVE MALE CHEETAHS TOGETHER.
248
00:16:49,206 --> 00:16:51,996
THESE BOYS ARE JUST FANTASTIC.
249
00:17:00,517 --> 00:17:03,967
♪♪
250
00:17:12,896 --> 00:17:14,616
Jonathan: I'M LOOKING FOR
BAHATI THE LEOPARD,
251
00:17:14,655 --> 00:17:17,095
ONE OF MY FAVORITE
BIG CAT CHARACTERS.
252
00:17:17,137 --> 00:17:18,277
NOW, SHE'S TERRITORIAL.
253
00:17:18,310 --> 00:17:20,310
SHE OCCUPIES QUITE A BIG RANGE.
254
00:17:20,344 --> 00:17:22,344
BUT AT LEAST I KNOW
WHERE TO START.
255
00:17:22,379 --> 00:17:24,409
SOMEWHERE AMONGST
THESE THICKETS,
256
00:17:24,448 --> 00:17:26,308
I'M HOPING WE'LL PICK HER UP.
257
00:17:27,862 --> 00:17:29,722
I'VE BEEN TALKING TO SOME OF
THE DRIVER GUIDES,
258
00:17:29,758 --> 00:17:31,858
AND THEY ARE SAYING
THAT ACTUALLY,
259
00:17:31,896 --> 00:17:34,826
BAHATI HAS JUST BEEN SEEN
WITH ONE CUB.
260
00:17:34,862 --> 00:17:36,552
SO WHAT HAPPENED
TO THE OTHER ONE?
261
00:17:36,586 --> 00:17:37,716
IS IT STILL ALIVE?
262
00:17:37,758 --> 00:17:39,518
THAT'S WHAT I WANT TO FIND OUT.
263
00:17:46,137 --> 00:17:47,237
[ ENGINE SHUTS OFF ]
264
00:17:47,275 --> 00:17:49,025
[ CHUCKLES ]
I JUST LOVE IT.
265
00:17:49,068 --> 00:17:51,338
THIS IS ONE OF THE MOST
BEAUTIFUL SPOTS IN THE MARA,
266
00:17:51,379 --> 00:17:52,619
THE TALEK RIVER.
267
00:17:52,655 --> 00:17:54,925
IT'S THE HEART
OF BAHATI'S TERRITORY,
268
00:17:54,965 --> 00:17:56,515
AND RIGHT NOW
WE'VE GOT A LIONESS
269
00:17:56,551 --> 00:18:00,281
BECAUSE THEY ALSO HAVE
A TERRITORY HERE.
270
00:18:00,310 --> 00:18:01,450
[ LIONESS BELLOWING ]
271
00:18:01,482 --> 00:18:02,792
BUT LOOK.
272
00:18:02,827 --> 00:18:04,067
LISTEN TO HER!
273
00:18:04,103 --> 00:18:06,863
[ BELLOWING CONTINUES ]
274
00:18:22,517 --> 00:18:26,377
IF THAT DOESN'T STIR YOUR BLOOD,
THEN I DON'T KNOW WHAT WOULD.
275
00:18:26,413 --> 00:18:30,593
THAT IS THE HEART AND SOUL
OF AFRICA SPEAKING TO YOU.
276
00:18:30,620 --> 00:18:35,030
AND ALSO, IT'S NOT JUST A WAY
OF COMMUNICATING FOR THE LIONS
277
00:18:35,068 --> 00:18:37,688
TO TELL THE REST
OF THE PRIDE WHERE SHE IS.
278
00:18:37,724 --> 00:18:42,864
IT'S ALSO A THREAT -- A THREAT
TO LEOPARDS, A THREAT TO BAHATI.
279
00:18:42,896 --> 00:18:44,686
THIS IS LION KINGDOM.
280
00:18:44,724 --> 00:18:46,104
THIS IS LION CENTRAL.
281
00:18:46,137 --> 00:18:47,857
WATCH OUT.
282
00:18:51,379 --> 00:18:52,239
WHAT A VIEW.
283
00:18:52,275 --> 00:18:54,515
THE TALEK RIVER, BEAUTIFUL.
284
00:18:54,551 --> 00:19:00,481
IT RUNS INTO THE MARA,
AND NO BARRIER TO A BIG CAT.
285
00:19:04,689 --> 00:19:07,309
WHEN YOU SEE A LIONESS
COMPARED WITH A LEOPARD,
286
00:19:07,344 --> 00:19:10,344
SO MUCH BIGGER
AND STOCKIER.
287
00:19:10,379 --> 00:19:11,449
SHE CALLED.
288
00:19:11,482 --> 00:19:12,862
NOW SHE'S LISTENING.
289
00:19:12,896 --> 00:19:15,306
WHERE'S THE REST OF HER PRIDE?
290
00:19:16,344 --> 00:19:19,794
[ BELLOWING ]
291
00:19:36,724 --> 00:19:41,904
IT WOULD BE IRREVERENT TO
INTERRUPT THAT KIND OF MOMENT,
292
00:19:41,931 --> 00:19:44,691
THOSE SOUNDS,
THAT COMMUNICATION.
293
00:19:44,724 --> 00:19:48,344
AND IT SPEAKS TO ME DEEP INSIDE.
294
00:19:48,379 --> 00:19:50,379
THIS IS WHY I CAME TO AFRICA.
295
00:19:53,965 --> 00:19:56,715
THERE'S A POIGNANCY THERE,
BECAUSE ALL OF OUR BIG CATS
296
00:19:56,758 --> 00:20:00,028
ARE UNDER THREAT FROM MAN.
297
00:20:00,068 --> 00:20:03,998
WE HAVE TO ENSURE THAT WE HAVE
AT LEAST SOME PLACE
298
00:20:04,034 --> 00:20:05,344
FOR WILD ANIMALS.
299
00:20:05,379 --> 00:20:08,829
AND RIGHT NOW, THAT PLACE
IS THE MASAI MARA.
300
00:20:08,862 --> 00:20:11,242
AND THE SOUND OF A WILD LION
301
00:20:11,275 --> 00:20:14,585
IS ALL I THINK YOU
AND I NEED TO HEAR.
302
00:20:18,241 --> 00:20:26,591
♪♪
303
00:20:26,620 --> 00:20:29,410
Angela: PHOTOGRAPHY, FOR ME,
HAS BEEN A PASSION
304
00:20:29,448 --> 00:20:31,998
SINCE I WAS VERY YOUNG.
305
00:20:32,034 --> 00:20:36,034
I THINK IT GAVE ME A VOICE,
BECAUSE I WAS A VERY SHY CHILD.
306
00:20:36,068 --> 00:20:40,238
AND I FOUND THAT I COULD
EXPLAIN EASIER
307
00:20:40,275 --> 00:20:44,405
WHAT I WAS FEELING
THROUGH PHOTOGRAPHY.
308
00:20:45,137 --> 00:20:46,967
AND AS I GOT OLDER,
309
00:20:47,000 --> 00:20:52,590
I REALIZED THAT THE POWER
BEHIND THE ART OF SEEING
310
00:20:52,620 --> 00:20:56,550
WAS PROBABLY ONE OF
OUR MOST EMOTIVE FEELINGS.
311
00:20:56,586 --> 00:20:59,826
BECAUSE WHEN YOU SEE
A PHOTOGRAPH,
312
00:20:59,862 --> 00:21:02,622
YOU FEEL IT ON
SO MANY DIFFERENT LEVELS.
313
00:21:02,655 --> 00:21:06,375
IT SPEAKS TO YOU IN
A THOUSAND DIFFERENT WAYS,
314
00:21:06,413 --> 00:21:11,313
AND EACH PERSON IS ABSORBING IT
IN THEIR OWN PERSONAL WAY.
315
00:21:12,241 --> 00:21:16,311
JONATHAN IS SO ELOQUENT,
AND HE WRITES SO BEAUTIFULLY
316
00:21:16,344 --> 00:21:19,624
THAT I FEEL THAT IT'S MY ROLE
IN OUR PARTNERSHIP
317
00:21:19,655 --> 00:21:23,335
TO ILLUSTRATE HIS WORDS
WITH MY PHOTOGRAPHY.
318
00:21:26,724 --> 00:21:30,794
SO FOR ME, ALWAYS IT'S BEEN
A CHALLENGE TO SEE
319
00:21:30,827 --> 00:21:36,407
IF I CAN CREATE MY OWN
PERSONAL INTERPRETATION
320
00:21:36,448 --> 00:21:39,278
OF WHAT I SEE EVERY DAY.
321
00:21:39,310 --> 00:21:41,970
AND THEN, OF COURSE,
THE JOY IS IN SHARING.
322
00:21:42,000 --> 00:21:45,340
THE JOY IS IN SHARING
ONE'S WORK WITH OTHERS
323
00:21:45,379 --> 00:21:48,029
AND HOPING IT TOUCHES THEM.
324
00:21:49,275 --> 00:21:52,585
IF I CAN SHARE
THE EXTRAORDINARY THINGS
325
00:21:52,620 --> 00:21:55,310
THAT I'M SO PRIVILEGED TO SEE
326
00:21:55,344 --> 00:22:01,034
AND I CAN TOUCH SOMEBODY ELSE
TO FEEL WHAT I FEEL,
327
00:22:01,068 --> 00:22:03,168
THEN MY WORK IS DONE.
328
00:22:16,758 --> 00:22:22,408
♪♪
329
00:22:22,448 --> 00:22:24,858
Jonathan: JUST IMAGINE HOW MANY
TIMES I MUST HAVE
330
00:22:24,896 --> 00:22:26,446
DRIVEN RIGHT PAST A LEOPARD,
331
00:22:26,482 --> 00:22:29,072
THE VERY THING
THAT I MOST WANT TO SEE.
332
00:22:31,482 --> 00:22:35,032
THE LAST TIME I SAW BAHATI
WITH CUBS, SHE HAD TWO CUBS.
333
00:22:35,068 --> 00:22:36,518
ORIGINALLY, THERE WERE THREE.
334
00:22:36,551 --> 00:22:39,971
SHE LOST ONE, AND SHE WAS HAVING
A REALLY DIFFICULT TIME.
335
00:22:40,000 --> 00:22:42,970
NOW AFTER THAT, WE HEARD REPORTS
FROM TIME TO TIME
336
00:22:43,000 --> 00:22:47,030
THAT SHE WAS ONLY SEEN
WITH A SINGLE CUB.
337
00:22:47,068 --> 00:22:48,448
WELL, GUESS WHAT.
338
00:22:48,482 --> 00:22:50,552
SHE'S GOT BOTH CUBS.
339
00:22:50,586 --> 00:22:52,066
ONE IS A LITTLE GIRL.
340
00:22:52,103 --> 00:22:53,833
SHE'S LIKE A BOUNCING BALLOON.
341
00:22:53,862 --> 00:22:55,832
SHE'S LIKE A JACK-IN-A-BOX.
342
00:22:55,862 --> 00:22:58,342
BUT YOU CAN FEEL SHE NEEDS
TO COME BACK TO BAHATI
343
00:22:58,379 --> 00:23:01,589
EVERY SO OFTEN TO GREET HER,
TO RUB HEADS, TO JUMP ON HER.
344
00:23:01,620 --> 00:23:04,660
AND THEN SHE'S OFF,
JUST LIKE A FLASH.
345
00:23:06,103 --> 00:23:08,143
AND THE OTHER IS A LITTLE BOY.
346
00:23:08,172 --> 00:23:10,522
HE'S SHYER, HE'S MORE
INDEPENDENT,
347
00:23:10,551 --> 00:23:13,311
AND AT TIMES,
HE JUST HANGS OUT ON HIS OWN.
348
00:23:13,344 --> 00:23:16,864
BUT IN SITUATIONS LIKE THIS
WHERE THERE'S FOOD, MOM GOES OFF
349
00:23:16,896 --> 00:23:18,926
AND BRINGS HIM BACK TO THE KILL.
350
00:23:18,965 --> 00:23:23,855
BUT YOU CAN SEE WHEN YOU WATCH
HIM NOW, HE'S VERY NERVOUS.
351
00:23:23,896 --> 00:23:26,166
HE'S NOT AS CONFIDENT
AS HIS SISTER.
352
00:23:26,206 --> 00:23:29,826
HE EATS QUICKLY, HE LOOKS
FURTIVE, AND HE MOVES AWAY.
353
00:23:32,620 --> 00:23:34,170
BUT WHAT DOES THAT TELL YOU?
354
00:23:34,206 --> 00:23:36,276
EVERY LEOPARD IS AN INDIVIDUAL,
355
00:23:36,310 --> 00:23:38,860
AND THIS IS
A REAL SUCCESS STORY.
356
00:23:38,896 --> 00:23:41,756
BAHATI IS RAISING,
ONCE AGAIN, TWO CUBS.
357
00:23:41,793 --> 00:23:44,003
THE LAST LITTER SURVIVED
TO MATURITY.
358
00:23:44,034 --> 00:23:45,624
THESE TWO ARE DOING WELL.
359
00:23:45,655 --> 00:23:47,375
GREAT MOM.
360
00:23:52,655 --> 00:23:54,205
DO YOU KNOW IT'S
A STRANGE THING?
361
00:23:54,241 --> 00:23:56,241
HOW DO YOU DEFINE
THE RELATIONSHIP
362
00:23:56,275 --> 00:23:58,095
THAT YOU HAVE
WITH A WILD ANIMAL,
363
00:23:58,137 --> 00:24:00,447
BECAUSE I DON'T WANT HER
AS A PET.
364
00:24:00,482 --> 00:24:02,212
I DON'T WANT TO STROKE HER.
365
00:24:02,241 --> 00:24:06,211
I WANT HER TO BE WHAT SHE IS,
THIS EXTRAORDINARY WILD CREATURE
366
00:24:06,241 --> 00:24:08,591
WITH ALL THOSE
AMAZING ABILITIES,
367
00:24:08,620 --> 00:24:13,140
THAT TOGETHER MAKE THE BEAUTY
AND THE INQUISITIVENESS
368
00:24:13,172 --> 00:24:16,412
AND THE ELUSIVENESS
OF A LEOPARD.
369
00:24:29,379 --> 00:24:39,169
♪♪
370
00:24:39,206 --> 00:24:41,446
THAT IS BLACKIE.
371
00:24:41,482 --> 00:24:46,142
THIS IS THE KING
OF THE TOPI PLAINS PRIDE.
372
00:24:46,172 --> 00:24:49,172
AND BACK BEHIND THERE,
THE WHOLE PRIDE IS COMING...
373
00:24:51,482 --> 00:24:55,792
LED BY THESE MIGHTY,
MOST POWERFUL MALES.
374
00:24:55,827 --> 00:24:58,097
THIS IS LIPSTICK OVER HERE.
375
00:24:58,137 --> 00:25:01,657
AND BLACKIE IS BACK THERE,
LOOKING AT THE REST OF THE PRIDE
376
00:25:01,689 --> 00:25:06,239
AS THEY COME STRAIGHT ACROSS
THE PLAINS BACK TO THIS HILL.
377
00:25:15,000 --> 00:25:23,660
♪♪
378
00:25:23,689 --> 00:25:25,969
Jonathan: WE'VE GOT NOTCH
WITH HER TWO TINY CUBS.
379
00:25:26,000 --> 00:25:28,970
SHE'S ACTUALLY MOVING THEM
RIGHT OUT IN THE OPEN.
380
00:25:29,000 --> 00:25:31,760
IT'S A DANGEROUS MOVE, BUT THE
REST OF THE PRIDE ARE UP AHEAD.
381
00:25:31,793 --> 00:25:34,143
JACKSON'S THERE WITH
BLACKIE AND LIPSTICK.
382
00:25:34,172 --> 00:25:36,142
AND I'M JUST HOPING AND HOPING
383
00:25:36,172 --> 00:25:38,212
THAT SHE DOESN'T
BUMP INTO HYENAS.
384
00:25:38,241 --> 00:25:39,971
THEY ARE TINY.
385
00:25:45,344 --> 00:25:47,934
YOU CAN SEE THE WAY NOTCH,
SHE STOPS EVERY SO OFTEN.
386
00:25:47,965 --> 00:25:49,375
SHE LOOKS AROUND.
387
00:25:49,413 --> 00:25:51,723
SHE'S THINKING ABOUT, YOU KNOW,
IS THERE DANGER AHEAD?
388
00:25:51,758 --> 00:25:53,208
SHE'S AN EXPERIENCED MOTHER.
389
00:25:53,241 --> 00:25:55,311
SHE'S DONE THIS
KIND OF THING BEFORE.
390
00:26:00,586 --> 00:26:03,336
THIS IS A HUGE MOMENT
IN THESE LITTLE CUBS' LIFE.
391
00:26:03,379 --> 00:26:06,029
I MEAN, THEY'RE SORT OF
ANKLE-HIGH.
392
00:26:06,068 --> 00:26:09,098
THEY LOOK WAY TOO SMALL
TO BE BROUGHT INTO THE OPEN,
393
00:26:09,137 --> 00:26:11,337
BUT THIS IS ACTUALLY
THE BREAKING-IN POINT.
394
00:26:11,379 --> 00:26:14,519
THIS IS THE TIME WHEN LIONESSES
TEND TO BRING CUBS
395
00:26:14,551 --> 00:26:16,411
TO JOIN THE REST OF THE PRIDE.
396
00:26:24,931 --> 00:26:27,831
AND LOOK AT THIS EXPANSIVE
PLAIN BEHIND ME.
397
00:26:27,862 --> 00:26:30,662
I MEAN, SHE'S PROBABLY WALKED
A KILOMETER WITH THOSE CUBS.
398
00:26:30,689 --> 00:26:34,479
AND THEY ARE TINY,
BUT SHE DID IT.
399
00:26:34,517 --> 00:26:37,827
AND THE REST OF THE PRIDE
ARE JUST AROUND THE CORNER.
400
00:26:37,862 --> 00:26:39,172
SHE'S SCALED THE MOUNTAIN.
401
00:26:39,206 --> 00:26:41,376
SHE'S GOT THOSE TWO
LITTLE CUBS TO SAFETY,
402
00:26:41,413 --> 00:26:44,003
RIGHT WHERE SHE WANTED THEM.
403
00:26:45,068 --> 00:26:46,718
WHAT A MORNING.
404
00:26:51,172 --> 00:26:54,212
♪♪
405
00:26:56,206 --> 00:26:58,896
Jackson: BLACKIE AND LIPSTICK
HAVE LED THEIR PRIDE
406
00:26:58,931 --> 00:27:02,721
STRAIGHT INTO THIS
ROCKY OUTCROP.
407
00:27:02,758 --> 00:27:08,208
CANNOT HAVE A BETTER PLACE,
PEACEFUL PLACE, FOR ALL OF THEM.
408
00:27:08,241 --> 00:27:10,621
THIS IS GOOD.
WHY IS HE RUNNING?
409
00:27:10,655 --> 00:27:12,135
HE'S RUNNING AFTER SOMETHING.
410
00:27:14,275 --> 00:27:17,965
HE'S GOING AFTER SOMETHING.
I DON'T KNOW WHAT.
411
00:27:18,000 --> 00:27:20,000
GOSH, WHAT IS HE AFTER?
412
00:27:21,275 --> 00:27:23,205
[ ENGINE STARTS ]
413
00:27:23,241 --> 00:27:25,101
WE DON'T KNOW WHAT HE SAW.
414
00:27:25,137 --> 00:27:26,167
IS IT ANOTHER MALE?
415
00:27:26,206 --> 00:27:28,546
IS HE -- ANOTHER FEMALE?
416
00:27:28,586 --> 00:27:31,166
I DON'T KNOW, BUT HE'S RUNNING.
417
00:27:32,689 --> 00:27:34,829
DON'T KNOW HOW I'LL GET
OUT OF HERE.
418
00:27:34,862 --> 00:27:37,622
BUT LOOK HOW DIFFICULT IT IS
TO FOLLOW HIM.
419
00:27:37,655 --> 00:27:40,475
AND BECAUSE THIS MALE
HAVE GOT UP AND RUN,
420
00:27:40,517 --> 00:27:44,967
THE CHANCES OF THE REST OF THE
MEMBERS COMING TO JOIN IS HIGH.
421
00:27:47,000 --> 00:27:50,070
THIS IS THE EXCITEMENT
OF THE MASAI MARA.
422
00:27:50,103 --> 00:27:54,003
WHEN CATS ARE IN ACTION,
WE'VE GOT TO ACT LIKE THEM.
423
00:27:54,034 --> 00:27:57,074
WELL, I SEE QUITE A FEW
HYENAS UP THERE.
424
00:27:58,448 --> 00:28:00,028
LOOK AT THEM.
LOOK AT HIM RUNNING.
425
00:28:00,068 --> 00:28:01,718
LOOK AT HIM COMING.
WOW!
426
00:28:01,758 --> 00:28:03,718
ALL THE HYENAS ARE RUNNING.
427
00:28:03,758 --> 00:28:05,378
THEY SEE THE KING COMING.
428
00:28:05,413 --> 00:28:08,833
EVERYBODY'S JUST EXPLODING
AND RUNNING AWAY FROM HIM.
429
00:28:08,862 --> 00:28:10,102
WOW.
430
00:28:10,137 --> 00:28:12,617
[ ROARING ]LOOK AT HIM COME.
431
00:28:13,793 --> 00:28:18,103
HE MIGHT BE LIMPING,
BUT HE RULES.
432
00:28:19,413 --> 00:28:22,863
NOW I CAN SEE WHY HE WAS
RUNNING TOWARDS THIS DIRECTION.
433
00:28:22,896 --> 00:28:25,616
THERE'S A KILL!
434
00:28:25,655 --> 00:28:27,995
THESE ARE HIS OLDEST SONS.
435
00:28:28,034 --> 00:28:35,214
LIPSTICK AND BLACKIE SIRED
THESE FOUR SUB-ADULTS.
436
00:28:35,241 --> 00:28:39,861
THE SUBS CAME TO STEAL
THAT IMPALA FROM THE HYENAS.
437
00:28:39,896 --> 00:28:41,856
UNBELIEVABLE.
438
00:28:41,896 --> 00:28:46,066
AND LOOK, LIPSTICK,
THEY DON'T EVEN CARE.
439
00:28:46,103 --> 00:28:49,383
ALL WHAT THEY WANT IS TO MAKE
SURE THAT THIS TERRITORY
440
00:28:49,413 --> 00:28:51,523
IS WELL-CLAIMED,
IS WELL-PROTECTED.
441
00:28:51,551 --> 00:28:53,281
THIS IS HIS.
442
00:28:56,517 --> 00:29:00,587
ALL YOUNG MALES AND YOUNG
FEMALES, THEY FIGHT OVER SCRAPS.
443
00:29:00,620 --> 00:29:01,790
THEY FIGHT OVER THINGS,
444
00:29:01,827 --> 00:29:05,207
ESPECIALLY IF THEY CATCH
A SMALL THING.
445
00:29:05,241 --> 00:29:09,971
IF THIS WAS BIG BUFFALO,
THERE WOULD BE PLENTY OF SPACE
446
00:29:10,000 --> 00:29:13,030
AND PLENTY OF ROOM
FOR THE PRIDE TO JOIN IN.
447
00:29:13,068 --> 00:29:18,408
BUT THIS IS JUST A SMALL IMPALA
FEEDING FOUR HUNGRY LIONS.
448
00:29:18,448 --> 00:29:19,788
NOT ENOUGH.
LOOK AT THAT FIGHT.
449
00:29:19,827 --> 00:29:21,447
LOOK AT THAT SCRAP.
LOOK AT THAT.
450
00:29:21,482 --> 00:29:23,002
EVERYONE WANTS TO GO
WITH SOMETHING.
451
00:29:23,034 --> 00:29:25,554
HE GOT EVERYTHING,
AND HE TOOK OFF.
452
00:29:25,586 --> 00:29:27,276
AND SHE GOES WITH A PIECE.
453
00:29:27,310 --> 00:29:29,000
FABULOUS!
454
00:29:29,034 --> 00:29:31,624
THE OTHER MALES ARE LEFT
WITH ALMOST NOTHING.
455
00:29:31,655 --> 00:29:35,825
THAT IS WHAT'S CALLED
SURVIVAL OF THE FITTEST.
456
00:29:44,413 --> 00:29:46,143
[ ENGINES SHUTS OFF ]
457
00:29:50,931 --> 00:29:53,451
Jonathan: YOU CAN SEE HOW MUCH
BIGGER LIPSTICK IS
458
00:29:53,482 --> 00:29:56,722
THAN THESE OTHER YOUNG MALES.
459
00:29:56,758 --> 00:29:58,338
HE CAN DOMINATE THEM.
460
00:29:58,379 --> 00:30:01,899
THEY'RE PROBABLY ABOUT
2, 2 1/2 YEARS OF AGE.
461
00:30:01,931 --> 00:30:04,241
BUT THESE YOUNGSTERS NOW
WILL BE STARTING OUT
462
00:30:04,275 --> 00:30:06,165
ON A JOURNEY
OF THEIR OWN AS NOMADS.
463
00:30:06,206 --> 00:30:07,756
BETWEEN 2 AND 4 YEARS OF AGE,
464
00:30:07,793 --> 00:30:09,973
YOU HAVE TO MOVE AROUND
AS A YOUNG MALE,
465
00:30:10,000 --> 00:30:13,520
LOOK AFTER YOURSELF, STEAL KILLS
FROM HYENAS, FROM OTHER LIONS,
466
00:30:13,551 --> 00:30:17,901
BECAUSE YOU WILL ALWAYS BE
IN SOMEBODY'S TERRITORY.
467
00:30:19,931 --> 00:30:21,481
I'VE JUST NOTICED ONE
OF THESE YOUNG MALES
468
00:30:21,517 --> 00:30:23,857
WHO'S WEARING
A SATELLITE COLLAR.
469
00:30:23,896 --> 00:30:26,066
AND THAT IS HELPING
THE MARA LION PROJECT
470
00:30:26,103 --> 00:30:28,453
TO TRACK THE MOVEMENT
OF THESE YOUNG MALES,
471
00:30:28,482 --> 00:30:31,452
BECAUSE WE WANT TO KNOW WHAT
HAPPENS TO THESE YOUNG MALES
472
00:30:31,482 --> 00:30:33,412
WHEN THEY DISPERSE
FROM THEIR PRIDE.
473
00:30:33,448 --> 00:30:35,238
BECAUSE WE SEEM TO BE LOSING
QUITE A LOT OF THEM,
474
00:30:35,275 --> 00:30:38,275
PROBABLY BECAUSE THEY ARE
AT THE FOREFRONT
475
00:30:38,310 --> 00:30:40,140
OF CONFLICT SITUATIONS,
476
00:30:40,172 --> 00:30:43,142
TAKING CATTLE FROM
THE MASAI PASTORALISTS.
477
00:30:46,310 --> 00:30:48,970
THIS IS A PIVOTAL TIME IN
THE LIFE OF THESE YOUNG MALES,
478
00:30:49,000 --> 00:30:52,310
BECAUSE SOON THEY WILL BE FORCED
OUT OF THE PRIDE.
479
00:30:52,344 --> 00:30:55,974
BUT BY THE LOOK OF THIS ONE,
IT'S NOT JUST ABOUT FOOD.
480
00:30:56,000 --> 00:30:58,790
I THINK HE'S INTERESTED
IN THAT YOUNG FEMALE.
481
00:30:58,827 --> 00:31:02,617
AND THAT COULD BE A MISTAKE.
482
00:31:02,655 --> 00:31:11,235
♪♪
483
00:31:11,275 --> 00:31:14,375
[ GROWLING, SNARLING ]
484
00:31:29,655 --> 00:31:32,205
WHAT CAN I POSSIBLY ADD TO THAT?
485
00:31:32,241 --> 00:31:37,341
IN TERMS OF POWER, IN TERMS
OF DEMONSTRATING WHO'S BOSS,
486
00:31:37,379 --> 00:31:41,859
I MEAN, YOU SAW THE WAY LIPSTICK
JUST STOOD TALL
487
00:31:41,896 --> 00:31:45,616
AND DEFIED THOSE YOUNG MALES.
488
00:31:45,655 --> 00:31:49,785
AND THEN, VERY SIGNIFICANTLY,
LIPSTICK MARKED HIS TERRITORY.
489
00:31:49,827 --> 00:31:51,827
HE SCUFFED HIS FEET, HE PEED,
490
00:31:51,862 --> 00:31:54,522
AND HE DID IT
RIGHT NEXT TO THE TWO FEMALES
491
00:31:54,551 --> 00:31:56,661
'CAUSE THIS IS WHAT
THIS IS ABOUT.
492
00:31:56,689 --> 00:32:00,209
IT'S ALL ABOUT ACCESS
TO FEMALES, NOT ABOUT FOOD.
493
00:32:00,241 --> 00:32:03,001
THERE'S NOTHING LEFT
OF THAT CARCASS.
494
00:32:04,413 --> 00:32:06,283
BUT I'LL TELL YOU WHAT,
THESE YOUNG MALES --
495
00:32:06,310 --> 00:32:08,830
THEY ARE READY
TO PUSH THE LIMITS.
496
00:32:08,862 --> 00:32:11,342
THEY ARE READY TO CHALLENGE.
497
00:32:12,724 --> 00:32:15,764
THE TEMPTATION TO CHECK OUT
THIS FEMALE, YOU CAN SEE
498
00:32:15,793 --> 00:32:18,553
IT'S JUST TOO MUCH
FOR THAT YOUNG MALE.
499
00:32:18,586 --> 00:32:20,516
HE JUST CAN'T RESIST.
500
00:32:22,586 --> 00:32:26,206
[ ROARING, GROWLING ]
501
00:32:43,103 --> 00:32:48,933
NO QUESTION WHO'S IN CHARGE
HERE -- THE BIG GUY, LIPSTICK.
502
00:32:48,965 --> 00:32:50,515
BUT THIS YOUNG GUY
BETTER WATCH OUT,
503
00:32:50,551 --> 00:32:54,451
THIS YOUNG MALE,
BECAUSE HE'S PUSHING THE LIMITS.
504
00:32:54,482 --> 00:32:56,002
YOU KNOW WHEN IT COMES
TO THE POINT OF,
505
00:32:56,034 --> 00:32:57,624
"I'M BEGINNING TO ACTUALLY GET
506
00:32:57,655 --> 00:33:00,445
A LITTLE BIT
IRRITATED WITH YOU."
507
00:33:00,482 --> 00:33:03,312
SO FAR, NOBODY'S
GOT REALLY HURT.
508
00:33:03,344 --> 00:33:05,834
BUT THEY COULD,
IF HE PUSHES THE LIMIT.
509
00:33:05,862 --> 00:33:10,342
LIPSTICK WILL RESPOND IN THE
ONLY WAY LIONS KNOW HOW TO --
510
00:33:10,379 --> 00:33:12,029
WITH VIOLENCE.
511
00:33:18,448 --> 00:33:24,898
♪♪
512
00:33:24,931 --> 00:33:28,141
I GOT A FEELING THAT IS THE END
OF ONE HECK OF A MORNING.
513
00:33:28,172 --> 00:33:30,212
I MEAN, GOODNESS ME.
514
00:33:30,241 --> 00:33:32,551
THOSE YOUNGSTERS, I MEAN,
THEY THINK THEY'RE READY.
515
00:33:32,586 --> 00:33:33,896
BUT NOT YET.
516
00:33:33,931 --> 00:33:36,211
IN FACT, NOT FOR QUITE A TIME.
517
00:33:36,241 --> 00:33:39,451
AND LIPSTICK WAS JUST SAYING
TO THEM, "YOU KNOW WHAT?
518
00:33:39,482 --> 00:33:41,032
YOU JUST WAIT IN TURN.
519
00:33:41,068 --> 00:33:43,238
I'M NOT READY TO STEP ASIDE YET.
520
00:33:43,275 --> 00:33:45,095
THIS IS MY PLACE."
521
00:33:58,034 --> 00:34:02,144
♪♪
522
00:34:02,172 --> 00:34:07,242
[ WILDEBEESTS LOWING ]
523
00:34:07,275 --> 00:34:09,335
WHEN YOU SEE THIS MANY
WILDEBEESTS ON A MISSION
524
00:34:09,379 --> 00:34:11,139
LIKE THIS --
VERY DIRECTIONAL,
525
00:34:11,172 --> 00:34:12,692
JUST WALKING
THROUGH THE LONG GRASS,
526
00:34:12,724 --> 00:34:15,314
THEY'RE STOPPING FOR NOTHING --
IT MEANS ONE THING.
527
00:34:15,344 --> 00:34:16,524
THEY'RE HEADED FOR THE RIVER.
528
00:34:18,620 --> 00:34:20,690
AND IF YOU WANTED TO SEE
AN EPIC CROSSING,
529
00:34:20,724 --> 00:34:22,484
I RECKON THIS
IS GONNA BE IT.
530
00:34:22,517 --> 00:34:29,857
♪♪
531
00:34:29,896 --> 00:34:31,656
WHEN YOU GET A BIG CROSSING
LIKE THIS,
532
00:34:31,689 --> 00:34:34,279
IT IS A DRAMA LIKE NO OTHER.
533
00:34:34,310 --> 00:34:36,410
THE ANIMALS ARE SO FRANTIC.
534
00:34:36,448 --> 00:34:39,068
THE PRESSURE OF ANIMALS
FROM BEHIND
535
00:34:39,103 --> 00:34:40,553
GIVES THE FRONT ONES NO OPTION.
536
00:34:40,586 --> 00:34:42,236
THEY HAVE TO GO OVER.
537
00:35:06,275 --> 00:35:14,235
♪♪
538
00:35:14,275 --> 00:35:15,855
THIS IS WHY WE CALL IT
539
00:35:15,896 --> 00:35:18,686
THE GREATEST WILDLIFE
SPECTACLE ON EARTH.
540
00:35:18,724 --> 00:35:21,904
YOU HAVE GOT TENS OF THOUSANDS
OF WILDEBEESTS
541
00:35:21,931 --> 00:35:24,621
JUST POURING OVER THE BANKS
OF THE MARA RIVER.
542
00:35:30,517 --> 00:35:36,407
♪♪
543
00:35:36,448 --> 00:35:38,278
AND YOU CAN SEE THE BANKS
OF THE RIVER
544
00:35:38,310 --> 00:35:41,450
IN PLACES ARE
18 TO 20 FEET HIGH.
545
00:35:41,482 --> 00:35:45,172
AND SOMETIMES, BROKEN LEGS,
BROKEN SPINES.
546
00:35:45,206 --> 00:35:48,096
AND YOU CAN LITERALLY HAVE
HUNDREDS OF ANIMALS
547
00:35:48,137 --> 00:35:49,787
DYING IN A BIG CROSSING.
548
00:35:55,620 --> 00:36:01,480
♪♪
549
00:36:01,517 --> 00:36:04,517
THE BENEFIT OF BEING PART OF
THE HERD ARE IN THESE MOMENTS,
550
00:36:04,551 --> 00:36:07,211
BECAUSE THERE'S ALWAYS
THE THREAT OF PREDATORS.
551
00:37:10,172 --> 00:37:19,172
♪♪
552
00:37:27,206 --> 00:37:30,996
WE EVOLVED SIDE-BY-SIDE
WITH THESE GREAT PREDATORS
553
00:37:31,034 --> 00:37:34,244
OVER THOUSANDS OF YEARS
OUT ON THE AFRICAN SAVANNA.
554
00:37:38,655 --> 00:37:40,135
WHEN YOU HEAR A LION ROARING,
555
00:37:40,172 --> 00:37:42,622
THAT SOUND ECHOING ACROSS
THE PLAINS,
556
00:37:42,655 --> 00:37:45,275
IT STIRS SOMETHING
DEEP INSIDE YOU.
557
00:37:45,310 --> 00:37:51,900
♪♪
558
00:37:51,931 --> 00:37:55,341
IMAGINE AFRICA,
IMAGINE THE MARA,
559
00:37:55,379 --> 00:37:58,379
WITHOUT THE SOUND
OF THE MIGHTY LION.
560
00:38:06,724 --> 00:38:14,904
♪♪
561
00:38:14,931 --> 00:38:17,171
IF I'D BEEN WRITING THIS STORY,
562
00:38:17,206 --> 00:38:19,716
YOU COULDN'T HAVE SCRIPTED
A BETTER ENDING.
563
00:38:19,758 --> 00:38:22,898
THE MARSH PRIDE ARE BACK
IN THE HEART OF THEIR TERRITORY.
564
00:38:22,931 --> 00:38:26,621
CHARM AND THE OTHER FOUR
FEMALES HAVE RETURNED.
565
00:38:26,655 --> 00:38:32,685
♪♪
566
00:38:32,724 --> 00:38:35,104
ONLY TWO OF OUR LIONESSES
HAVE CUBS RIGHT NOW --
567
00:38:35,137 --> 00:38:37,657
KABEBE AND CARLI.
568
00:38:37,689 --> 00:38:39,619
NOW THEY'RE THE ONES
WHO HAVE TO BE CAREFUL,
569
00:38:39,655 --> 00:38:41,135
HAVE TO REALLY WATCH OUT
FOR THE WARRIORS,
570
00:38:41,172 --> 00:38:43,212
'CAUSE THEIR CUBS
ARE STILL VULNERABLE.
571
00:38:43,241 --> 00:38:45,591
BUT FOR THE OTHER
THREE LIONESSES,
572
00:38:45,620 --> 00:38:48,410
THEY COULD POSSIBLY MATE
WITH THE WARRIORS.
573
00:38:48,448 --> 00:38:51,408
AND THAT WOULD BE A WHOLE NEW
CHAPTER IN THE HISTORY,
574
00:38:51,448 --> 00:38:54,898
IN THE BIG CAT LEGACY,
OF THE MARSH PRIDE.
575
00:38:58,000 --> 00:39:01,210
BUT FOR THE MOMENT,
I'M JUST SOAKING UP THE JOY.
576
00:39:01,241 --> 00:39:03,591
40 YEARS IN THE MARA
WATCHING THIS PRIDE,
577
00:39:03,620 --> 00:39:06,380
AND FOR A MOMENT
THAT BLIP WHERE THEY LEFT,
578
00:39:06,413 --> 00:39:09,103
AND NOW THE CONTINUITY
IS RESTORED.
579
00:39:09,137 --> 00:39:13,337
JUST INCREDIBLE,
A WONDERFUL END TO OUR STORY.
580
00:39:13,379 --> 00:39:22,479
♪♪
581
00:39:22,517 --> 00:39:25,307
WHO COULD'VE IMAGINED
IN THEIR WILDEST DREAMS
582
00:39:25,344 --> 00:39:28,174
THAT WE WOULD'VE RECORDED
SUCH SPECTACULAR MOMENTS
583
00:39:28,206 --> 00:39:29,856
WITH OUR BIG CATS?
584
00:39:29,896 --> 00:39:34,996
♪♪
585
00:39:35,034 --> 00:39:37,074
Jackson:
GROWING UP IN THE MASAI MARA,
586
00:39:37,103 --> 00:39:40,003
I HAVE LEARNED SO MANY THINGS.
587
00:39:40,034 --> 00:39:43,974
AND I'M VERY PROUD TO SHARE
SO MANY TREASURES.
588
00:39:44,000 --> 00:39:48,340
WE HAVE LEARNED TO LIVE
SIDE-BY-SIDE WITH THESE ANIMALS.
589
00:39:48,379 --> 00:39:50,689
Angela: I THINK
THE MASAI MARA IS SO CLOSE
590
00:39:50,724 --> 00:39:53,384
TO BOTH JONATHAN AND MY HEART.
591
00:39:53,413 --> 00:39:55,213
IT IS OUR VERY ESSENCE.
592
00:39:55,241 --> 00:39:57,381
IT IS WHAT WE LOVE TO DO
593
00:39:57,413 --> 00:40:00,173
MORE THAN ANYTHING.
594
00:40:00,206 --> 00:40:03,656
Jonathan: BUT IN SOME WAYS,
THE REASON THIS IS SO SPECIAL
595
00:40:03,689 --> 00:40:05,929
FOR US IS BECAUSE
THIS IS OUR HOME.
596
00:40:05,965 --> 00:40:08,205
THIS IS WHERE WE LIVE.
597
00:40:08,241 --> 00:40:11,171
WHEN THE CAMERAS DISAPPEAR,
WHEN THE LIGHTS GO DOWN,
598
00:40:11,206 --> 00:40:13,716
WE ARE STILL HERE,
FOLLOWING THESE STORIES
599
00:40:13,758 --> 00:40:16,308
AS WE HAVE
FOR THE LAST 40 YEARS.
600
00:40:16,344 --> 00:40:19,524
AND I THINK IT'S THE INTIMACY
OF OUR RELATIONSHIP
601
00:40:19,551 --> 00:40:21,001
WITH THESE GREAT CATS
602
00:40:21,034 --> 00:40:23,864
THAT REALLY IS
AT THE HEART OF OUR JOY.
603
00:40:25,275 --> 00:40:27,065
Jackson: I'M EXCITED
TO GO OUT EVERY DAY
604
00:40:27,103 --> 00:40:29,623
BECAUSE I KNOW I'M GOING
TO LEARN SOMETHING NEW.
605
00:40:29,655 --> 00:40:31,785
EVERY SINGLE DAY I GO OUT,
606
00:40:31,827 --> 00:40:34,687
I SEE SOMETHING
I'VE NEVER SEEN BEFORE.
607
00:40:34,724 --> 00:40:35,934
THAT'S WHY I LOVE IT.
608
00:40:35,965 --> 00:40:38,335
I LOVE THIS PLACE TO BITS.
609
00:40:40,724 --> 00:40:42,724
Angela:
BECAUSE IT IS SO RICH,
610
00:40:42,758 --> 00:40:47,718
IT'S SO ABUNDANT
IN SO MANY DIFFERENT SPECIES,
611
00:40:47,758 --> 00:40:53,138
THE HUMAN RACE HAVE TAKEN OVER
AS GUARDIANS OF THE PLANET.
612
00:40:53,172 --> 00:40:56,592
AND IT WOULD BE
AN ABSOLUTE TRAGEDY
613
00:40:56,620 --> 00:41:00,030
IF WE DIDN'T REALLY STEP UP
614
00:41:00,068 --> 00:41:04,518
AND PROTECT THESE
EXTRAORDINARY WILD PLACES.
615
00:41:04,551 --> 00:41:07,211
THERE ARE SO FEW LEFT
IN THE WORLD NOW.
616
00:41:10,793 --> 00:41:13,073
Jonathan: THESE GREAT CATS THAT
HAVE ENTHRALLED US, OF COURSE,
617
00:41:13,103 --> 00:41:16,593
HAVE BEEN LIVING IN PLACES LIKE
THIS FOR THOUSANDS OF YEARS.
618
00:41:16,620 --> 00:41:20,970
AND IN A SENSE, ALL WE'RE ABLE
TO DO IS LOOK AT ONE PAGE
619
00:41:21,000 --> 00:41:22,860
IN THE BOOK OF THEIR LIFE.
620
00:41:22,896 --> 00:41:25,616
AND WHAT I WOULD HOPE
IS THAT OVER EONS,
621
00:41:25,655 --> 00:41:27,655
PEOPLE WILL JUST TURN
ONE MORE PAGE,
622
00:41:27,689 --> 00:41:31,619
TAKE ONE MORE LOOK
AT THIS EXTRAORDINARY LEGACY
623
00:41:31,655 --> 00:41:33,275
THAT WE HAVE IN FRONT OF US.
624
00:41:33,310 --> 00:41:35,280
IT IS A NEVER-ENDING STORY,
625
00:41:35,310 --> 00:41:37,790
AND WE ARE JUST
A VERY SMALL PART OF THAT.
626
00:41:37,827 --> 00:41:41,377
AND I FEEL VERY PRIVILEGED
TO HAVE JUST BEEN ABLE TO SHARE
627
00:41:41,413 --> 00:41:45,003
BRIEFLY WITH YOU
SOMETHING OF THEIR STORY.
628
00:41:45,034 --> 00:41:48,284
♪♪
45163
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