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I'm John Blacking, production designer
with Copper.
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I love doing period pictures because
the challenges are just that much greater.
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The strength and the grandness of these sets
are totally because of the people that built them.
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This is an excellent building to describe
constructing and getting a building set.
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John Blacking will design the building,
we have a crew that will draft it...
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...and do blueprints for it.
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At that point, we send it
to the construction shop, they build it.
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The Scenic Department then gets their
hands on it, do paint job and all the aging.
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Finally, we have our Graphics crew
that designs the signs.
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They get installed by set dressers, then we
have the set decorating team that goes in...
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...and does all the final layer
of dressing on top of the set.
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We used three-dimensional
modeling in the design...
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...So that we could actually get down in
and see the building.
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So if you go back and look at our drawings,
you can almost overlay them...
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...exactly to the way they look on set now.
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We knew that we were going to have
some kind of action in a bank.
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Part of our issue in designing this was
trying to keep the New York-style feel alive...
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...because it's a period where
everything can look like a Western...
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...and it's not a Western. So we wanted to try
and have some of these strong sandstone...
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...brownstone buildings.
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So right now, we're standing
in front of Eva's Paradise.
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She's one of our main characters.
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We needed this to be sort of the hub
of activity of the Five Points...
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...So we decided the best thing would be
the saloon and brothel all combined into one.
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This is Paradise Square where the gangs
would meet, conduct their political campaigns.
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If you think Lincoln cares about our city
any more than he does that town in Vermont...
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...1 got a bar of soap to sell you.
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It really becomes the town square.
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I think the cobblestone's my favorite part.
To build the cobblestone streets...
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...we laid down a bed of gravel,
and then stacked bricks on top.
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We had special bricks made
that have little divots on top of them...
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...So that when we wet down the streets,
they become wet in tiny little pockets...
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...not in big ponds of water.
The cobblestone takes you to that period...
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...faster than almost anything.
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If you can count the number of bricks
in Five Points, you win a prize.
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What we've built here is Five Points
and it looks very real.
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Incredible craftsmanship has gone into it.
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The set for this show is extraordinary
because it really allows the actors...
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...to feel like they're in a real place,
as opposed to on a set.
4070
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