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[ FILM PROJECTOR WHIRRING ]
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[ SLOW, DRAMATIC MUSIC PLAYS ]
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[ INDISTINCT CONVERSATION ]
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LOOSEN UP A LITTLE.
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GREAT.
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LOOK THIS WAY WHEN YOU DO IT.
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[ CAMERA SHUTTER CLICKS ]
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[ BOTH LAUGH ]
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I EVEN THOUGHT OF IT IN,
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LIKE, TERMS OF NOT A BIRD.
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UH-HUH.
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ALTHOUGH THE TRADITIONAL
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SENSE OF THE WORD "BIRD" JUST --
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LOOK UP HERE.
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[ CAMERA SHUTTER CLICKS ]
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THAT'S COOL.
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HERE, OPEN YOUR MOUTH.
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OPEN IT.
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HERE, I'M GONNA PUT THIS IN.
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I CAN SEE YOUR FILLINGS.
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[ Laughing ] OH.
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[ Muffled ] I DON'T HAVE ANY
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FILLINGS.
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OH. WHAT IS THAT UNDERNEATH
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YOUR TWO FRONT TEETH.
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IT'S A SPLINT.
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[ BOTH LAUGH ]
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'CAUSE I HAD BRACES, AND THEY
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THOUGHT MY TEETH WERE GONNA
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MOVE.
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[ LAUGHS ]
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DO TELL.
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[ SPEAKING INDISTINCTLY ]
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[ CHUCKLES ]
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THAT'S GOOD. YOU CAN GET UP.
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[ BOTH LAUGH ]
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WHEW.
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READY?
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I AM READY.
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THERE YOU GO.
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OKAY.
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I'LL BE READY FOR YOUR SWIFT
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KICK THIS TIME.
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OKAY.
45
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AND WHOA!
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LIKE THAT.
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GOOD.
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SORRY, I FORGOT TO DO THIS.
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OKAY.
50
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SO, THIS MAY --
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MAKE SURE I DON'T FALL OVER
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ON YOU.
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I'LL BE OKAY.
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[ CHUCKLES ]
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GOOD?
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YEAH.
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GONNA DO THIS QUICK.
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AND...
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[ CAMERA SHUTTER CLICKS ]
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[ WATER FLOWING ]
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[ SOFT, DRAMATIC MUSIC PLAYS ]
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[ BIRDS CHIRPING ]
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[ DOG BARKING IN DISTANCE ]
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ALL RIGHT, WE GOT IT.
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[ CLEARS THROAT ]
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LOVELY, LOVELY, LOVELY, LOVELY.
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DRY OFF, GIRL.
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START MOVING OUT.
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ALL RIGHT, PACK IT UP.
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[ MID-TEMPO MUSIC PLAYS ]
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GET IT?
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[ MUSIC INTENSIFIES ]
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[ MUSIC SOFTENS ]
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[ SIGHS ]
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[ RATTLING ]
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[ SIGHS ]
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[ CEREAL RUSTLING ]
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I LIKE IT WHEN THEY'RE MORE
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FROM THE BACK, LIKE...
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HERE, GO BACK OUT.
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LET ME SEE.
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OH, YEAH.
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I LIKE MORE FROM THE BACK AND
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NOT, LIKE -- YOU KNOW, LIKE,
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FROM THE SIDE, LIKE THESE.
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MM-HMM.
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NO, I AGREE.
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I THINK YOU SHOULD -- YOU
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SHOULD RUN TOWARDS IT.
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YOU KNOW WHAT I MEAN?
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YEAH.
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NO.
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[ CHUCKLES ]
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DOES IT CROSS OVER LIKE THIS?
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YEAH, JUST START...
96
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YOU GO, LIKE, ONE OVER?
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YEAH, AND THEN MAYBE YOU
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SHOULD GO UNDER.
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I JUST LIKE TO LOOK AT IT.
100
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I DON'T KNOW HOW TO DO IT.
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I THINK THE BLUE WOULD LOOK
102
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REALLY NICE WITH HER.
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MM-HMM.
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AND SHE ALSO HAS THESE REALLY
105
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GREAT RED TIGHTS THAT I THINK
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WILL GO REALLY WELL.
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OH, PERFECT.
108
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AND THIS BRA, LIKE, REALLY
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STRETCHES REALLY WELL, AND WE
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CAN CUT IT WITHOUT IT JUST,
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LIKE, COMPLETELY FALLING APART.
112
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SO I THINK -- I JUST THINK IT'LL
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ALSO LOOK REALLY GOOD.
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AS LONG AS SHE'S GOT THE RED
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TIGHTS...
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YEAH.
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...I DON'T CARE.
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AND SHE NEEDS SOMETHING ON
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TOP ALSO.
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[ CHUCKLES ]
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[ SUSPENSEFUL MUSIC PLAYS ]
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[ CAMERA SHUTTER CLICKS ]
123
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[ MUSIC STOPS ]
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[ CAMERA SHUTTER CLICKS ]
125
00:05:24,625 --> 00:05:26,627
[ SOFT, DRAMATIC MUSIC PLAYS ]
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[ CAMERA SHUTTER CLICKS ]
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[ VEHICLE PASSING ]
128
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[ POLICE RADIO CHATTER ]
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[ ENGINE TURNS OVER ]
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[ SIREN WAILS ]
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I DON'T KNOW.
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SHE'S JUST IN THE TRUNK, LOOKING
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KIND OF SCARED AND, UH...
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DO YOU WANT THIS?
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YEAH. HOLD ON A SECOND.
136
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'CAUSE WE'RE GONNA WANT TO SHOOT
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INTO THE SUN, SO MAYBE IF
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YOU'RE, LIKE, OVER HERE, KIND OF
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GETTING A...
140
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OKAY.
141
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THIS KIND OF DEAL.
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UH-HUH.
143
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[ FABRIC RUBBING ]
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[ Gasping ] OH.
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STOP IT.
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HOW IS THAT, UH...
147
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YEAH.
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[ LAUGHS ]
149
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THIS SORT OF REVEAL KIND OF
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THING, WITH HER JUST IN THE
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TRUNK, LOOKING TERRIFIED OF YOU
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OR WHATEVER.
153
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AND THEN WE'RE GONNA KIND OF
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BREAK THEM INTO STAGES.
155
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IT'LL BE, LIKE, NUMBER ONE, YOU
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KNOW, LIFTING HER UP OUT OF THE
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TRUNK, WITH YOUR HANDS KIND OF
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UNDERNEATH HER.
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YOU DON'T LIKE IT, BUT, LIKE,
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HAVE YOU EVER DATED ANYONE WHO
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REALLY LIKED SHORT HAIR?
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MNH-MNH, I'VE ONLY DATED
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PEOPLE WHO LIKE LONG HAIR.
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I HAD A BOYFRIEND WHO HAD,
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LIKE -- HE, LIKE, MADE IT, LIKE,
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A THING.
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LIKE, HE, LIKE, FETISHIZED IT.
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YOU CUT YOUR HAIR SHORT?
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NO, NO, NO, NO.
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LIKE, HE TRIED TO GET ME TO CUT
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MY HAIR, BUT I WOULDN'T.
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AND THEN YOU BROKE UP?
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AND I BROKE UP.
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WELL, WE BROKE UP BECAUSE I
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CHEATED ON HIM.
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[ BOTH LAUGH ]
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ANYONE ELSE BEEN IN HERE?
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THE TWO OF US AND...
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GUY WHO FOUND HER.
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WHEN WAS THAT?
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[ CAMERA SHUTTER CLICKS ]
182
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I GOT THE CALL ABOUT AN HOUR
183
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AGO -- A LITTLE MORE THAN AN
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HOUR.
185
00:07:38,792 --> 00:07:39,593
HE STILL HERE?
186
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YEAH, WE GOT HIM IN THE CAR.
187
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[ CAMERA SHUTTER CLICKS ]
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GEEZ, THERE'S A LOT OF BLOOD.
189
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[ CAMERA SHUTTER CLICKS ]
190
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ALL RIGHT.
191
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[ CAMERA SHUTTER CLICKS ]
192
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[ SIGHS ]
193
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LET'S GO TALK TO THE BOYFRIEND,
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I GUESS.
195
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[ SIGHS ]
196
00:07:59,580 --> 00:08:01,048
FEELING ALL RIGHT?
197
00:08:01,048 --> 00:08:02,950
[ CAMERA SHUTTER CLICKS ]
198
00:08:02,950 --> 00:08:05,118
YEAH, I'M FINE.
199
00:08:05,118 --> 00:08:06,754
[ CAMERA SHUTTER CLICKS ]
200
00:08:06,754 --> 00:08:08,556
OKAY.
201
00:08:08,556 --> 00:08:10,591
LET'S GO.
202
00:08:10,591 --> 00:08:13,794
[ SUSPENSEFUL MUSIC PLAYS ]
203
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[ MUSIC STOPS ]
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ACTUALLY, I THINK SHE NEEDS A
205
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LITTLE BIT MORE.
206
00:08:21,234 --> 00:08:23,336
OOH, I DIDN'T REALIZE IT WAS SO
207
00:08:23,336 --> 00:08:24,972
EASY TO TEAR A SHIRT.
208
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[ SNICKERS ]
209
00:08:26,907 --> 00:08:28,642
KEEP THIS ONE STRAIGHT, AND THEN
210
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THIS ONE AS MUCH FORWARD AS
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POSSIBLE.
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00:08:30,978 --> 00:08:32,846
AND THEN IF YOU CAN JUST KIND OF
213
00:08:32,846 --> 00:08:33,847
LOOK BACK HERE.
214
00:08:33,847 --> 00:08:34,247
MM-HMM.
215
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THAT'S OUT, AND WE'RE GOOD
216
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TO GO.
217
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OKAY.
218
00:08:39,887 --> 00:08:40,821
[ RUNNING FOOTSTEPS
219
00:08:40,821 --> 00:08:42,022
APPROACHING ]
220
00:08:42,022 --> 00:08:44,324
BOOM, BOOM, BOOM, I GOT IT.
221
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[ LAUGHTER ]
222
00:08:45,659 --> 00:08:47,628
I'M SO FAST, I HAVE TO...
223
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[ LAUGHTER ]
224
00:08:48,996 --> 00:08:50,898
KEEP LOSING THE, UH, THE
225
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ROPE, THERE.
226
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OHH.
227
00:08:52,232 --> 00:08:53,601
ACTUALLY, YOU SHOULD PUT
228
00:08:53,601 --> 00:08:54,935
IT -- YOU SHOULD PUT IT BACK ON.
229
00:08:54,935 --> 00:08:56,369
NO, THE ROPE, BEHIND YOUR BACK.
230
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YEAH?
231
00:08:57,004 --> 00:08:58,238
YEAH, IT'S A GOOD LOOK.
232
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HERE, LIKE THAT.
233
00:09:00,808 --> 00:09:02,009
[ LAUGHS ]
234
00:09:02,009 --> 00:09:03,944
[ SLOW, DRAMATIC MUSIC PLAYS ]
235
00:09:52,159 --> 00:09:54,728
[ LAUGHS ]
236
00:09:54,728 --> 00:09:55,896
[ SPEAKING INDISTINCTLY ]
237
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CHEERS.
238
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YEAH, YOU LOOK REALLY GOOD IN
239
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THEM.
240
00:09:58,899 --> 00:09:59,399
THANK YOU.
241
00:09:59,399 --> 00:10:01,001
YOU'RE SWEET AND CUTE.
242
00:10:01,001 --> 00:10:02,369
[ MID-TEMPO MUSIC PLAYS ]
243
00:10:02,369 --> 00:10:04,071
DID YOU LIKE THE RED TIGHTS?
244
00:10:04,071 --> 00:10:04,938
THEY'RE YOURS.
245
00:10:04,938 --> 00:10:06,039
YEAH. THANK YOU.
246
00:10:06,039 --> 00:10:07,274
I'LL WEAR THEM SOMETIME.
247
00:10:07,274 --> 00:10:08,942
I DON'T KNOW WHEN I MIGHT EVER
248
00:10:08,942 --> 00:10:09,376
FIND...
249
00:10:09,376 --> 00:10:11,011
LIKE, IF YOU'RE ON ANOTHER
250
00:10:11,011 --> 00:10:11,979
PHOTO SHOOT?
251
00:10:11,979 --> 00:10:13,113
YEAH, IF YOU EVER WANT TO
252
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RESHOOT THAT.
253
00:10:13,981 --> 00:10:14,948
YEAH. OH, YEAH.
254
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CALLIE? HEY.
255
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HEY, HOW ARE YOU?
256
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I'M ALL RIGHT. HOW ARE YOU?
257
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I'M GOOD, THANKS.
258
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COOL.
259
00:10:20,353 --> 00:10:21,221
OH, I'M SORRY.
260
00:10:21,221 --> 00:10:22,022
THIS IS BILLY.
261
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HEY, NICE TO MEET YOU.
262
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AND THIS IS ALEX.
263
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HI. NICE TO MEET YOU.
264
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ARE YOU GUYS ENJOYING
265
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YOURSELVES?
266
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MM-HMM, YEAH.
267
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COOL.
268
00:10:29,797 --> 00:10:30,463
TOTALLY.
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[ CHUCKLES ]
270
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OH, MY -- YEAH, I KNOW.
271
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IT'S REALLY BAD. NO, I KNOW.
272
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OKAY.
273
00:10:37,004 --> 00:10:38,371
NO, IT'S FINE, IT'S FINE.
274
00:10:38,371 --> 00:10:39,807
IT WAS, LIKE, THIS STUPID
275
00:10:39,807 --> 00:10:40,307
ACCIDENT.
276
00:10:40,307 --> 00:10:41,842
THE BARTENDER WAS SHAKING A
277
00:10:41,842 --> 00:10:43,343
COCKTAIL YESTERDAY, AND I, LIKE,
278
00:10:43,343 --> 00:10:44,845
LEANED IN FOR SOME ICE, AND MY
279
00:10:44,845 --> 00:10:46,446
EYE WAS JUST, LIKE, RIGHT THERE.
280
00:10:46,446 --> 00:10:47,180
EW.
281
00:10:47,180 --> 00:10:49,082
IT LOOKS REALLY COOL,
282
00:10:49,082 --> 00:10:49,817
ACTUALLY.
283
00:10:49,817 --> 00:10:50,851
CAN I TOUCH IT?
284
00:10:50,851 --> 00:10:52,185
[ Laughing ] OH, IT HURTS.
285
00:10:52,185 --> 00:10:54,154
DON'T TOUCH IT.
286
00:10:54,154 --> 00:10:55,422
WHAT ARE YOU GUYS UP TO?
287
00:10:55,422 --> 00:10:57,357
UM, WE JUST GOT DONE WITH A
288
00:10:57,357 --> 00:10:58,325
PHOTO SHOOT.
289
00:10:58,325 --> 00:11:00,260
OH, YOU'RE THE PHOTOGRAPHER
290
00:11:00,260 --> 00:11:01,494
THAT YOU WORK WITH.
291
00:11:01,494 --> 00:11:03,130
THE PHOTOGRAPHER?
292
00:11:03,130 --> 00:11:04,031
THAT'S RIGHT.
293
00:11:04,031 --> 00:11:04,998
[ CHUCKLES ]
294
00:11:04,998 --> 00:11:06,834
WELL, CAN I GET YOU GUYS ANOTHER
295
00:11:06,834 --> 00:11:08,468
DRINK, OR ARE YOU ALL SET, OR...
296
00:11:08,468 --> 00:11:09,402
WE'RE OKAY.
297
00:11:09,402 --> 00:11:11,404
OKAY, WELL, ENJOY YOURSELVES.
298
00:11:11,404 --> 00:11:13,006
NICE TO MEET YOU.
299
00:11:13,006 --> 00:11:13,406
BYE.
300
00:11:13,406 --> 00:11:17,510
[ MID-TEMPO MUSIC CONTINUES ]
301
00:11:17,510 --> 00:11:19,312
WATCH OUT, I'LL GIVE YOU ONE,
302
00:11:19,312 --> 00:11:20,047
TOO.
303
00:11:20,047 --> 00:11:21,348
Pow.
304
00:11:21,348 --> 00:11:24,351
[ CHUCKLES ]
305
00:11:24,351 --> 00:11:25,819
[ UP-TEMPO MUSIC PLAYS
306
00:11:25,819 --> 00:11:26,219
INDISTINCTLY ]
307
00:11:26,219 --> 00:11:28,155
[ INDISTINCT CONVERSATION ]
308
00:11:41,168 --> 00:11:43,103
[ CHUCKLES ]
309
00:11:43,103 --> 00:11:44,171
CAN I TAKE PICTURES OF YOU?
310
00:11:44,171 --> 00:11:46,306
OOH. THIS IS AWESOME.
311
00:11:54,081 --> 00:11:55,916
WHAT?
312
00:11:55,916 --> 00:11:59,219
[ CAMERA SHUTTER CLICKS ]
313
00:11:59,219 --> 00:12:01,254
AND GET BACK ON THE COUCH.
314
00:12:05,125 --> 00:12:08,528
LIE BACK.
315
00:12:08,528 --> 00:12:14,134
[ SPEAKING INDISTINCTLY ]
316
00:12:14,134 --> 00:12:15,535
[ LAUGHS ]
317
00:12:15,535 --> 00:12:19,072
THANK YOU.
318
00:12:19,072 --> 00:12:20,140
[ CAMERA SHUTTER CLICKS ]
319
00:12:20,140 --> 00:12:21,108
[ MID-TEMPO MUSIC PLAYS
320
00:12:21,108 --> 00:12:22,142
INDISTINCTLY ]
321
00:12:22,142 --> 00:12:23,877
I THINK IT LOOKS TERRIBLE,
322
00:12:23,877 --> 00:12:24,912
PERSONALLY.
323
00:12:24,912 --> 00:12:25,946
IT'S TERRIBLE.
324
00:12:25,946 --> 00:12:28,115
[ CHUCKLES ]
325
00:12:28,115 --> 00:12:30,150
I SHOULD PROBABLY TAKE IT
326
00:12:30,150 --> 00:12:30,583
OFF.
327
00:12:30,583 --> 00:12:32,152
NO, KEEP IT ON.
328
00:12:32,152 --> 00:12:34,154
OH, MY GOD, IF I LOOKED LIKE
329
00:12:34,154 --> 00:12:34,955
THAT...
330
00:12:34,955 --> 00:12:36,156
[ CHUCKLES ]
331
00:12:36,156 --> 00:12:37,424
DO YOU WANT ANY?
332
00:12:37,424 --> 00:12:38,458
UH, NOT ME.
333
00:12:38,458 --> 00:12:40,193
DO YOU HAVE ANY BEER?
334
00:12:40,193 --> 00:12:43,964
DO WE HAVE ANY BEER?
335
00:12:43,964 --> 00:12:45,298
[ Holding breath ] ALMOST
336
00:12:45,298 --> 00:12:46,166
SURELY, YES.
337
00:12:46,166 --> 00:12:48,101
MOVE OVER HERE.
338
00:12:49,937 --> 00:12:52,572
[ CLEARS THROAT ]
339
00:12:52,572 --> 00:12:55,175
[ BOTH LAUGH ]
340
00:12:55,175 --> 00:12:56,844
I'VE BEEN THINKING A LOT
341
00:12:56,844 --> 00:12:58,578
ABOUT WHEN I WAS REALLY, REALLY
342
00:12:58,578 --> 00:12:59,312
LITTLE.
343
00:12:59,312 --> 00:13:00,180
MM-HMM.
344
00:13:00,180 --> 00:13:01,915
I WOULD PLAY THIS PRETEND
345
00:13:01,915 --> 00:13:03,416
GAME WITH MY BEST FRIEND,
346
00:13:03,416 --> 00:13:05,218
LAUREN, WHERE I WAS, LIKE, A
347
00:13:05,218 --> 00:13:06,920
CINDERELLA TYPE -- LIKE, A
348
00:13:06,920 --> 00:13:08,488
REALLY HELPLESS WOMAN WITH
349
00:13:08,488 --> 00:13:09,356
DIABETES.
350
00:13:09,356 --> 00:13:11,491
AND SHE WAS THE EVIL STEPSISTER,
351
00:13:11,491 --> 00:13:13,226
AND SHE WOULD, LIKE, BE
352
00:13:13,226 --> 00:13:14,962
INJECTING ME WITH TOO MUCH
353
00:13:14,962 --> 00:13:17,130
INSULIN, AND SHE HAD TO GET ON
354
00:13:17,130 --> 00:13:17,931
TOP OF ME.
355
00:13:17,931 --> 00:13:19,900
AND SORT OF LIKE, AS SHE WAS
356
00:13:19,900 --> 00:13:21,534
INJECTING ME, SHE HUMPED ME.
357
00:13:21,534 --> 00:13:23,536
AND I THINK THAT'S WHERE I MIGHT
358
00:13:23,536 --> 00:13:25,205
HAVE HAD MY FIRST ORGASM.
359
00:13:25,205 --> 00:13:27,908
[ SNICKERS ]
360
00:13:27,908 --> 00:13:29,242
[ CHUCKLES ]
361
00:13:29,242 --> 00:13:31,144
IT'S REALLY FUCKED-UP TO
362
00:13:31,144 --> 00:13:33,013
THINK ABOUT IT, IF YOU THINK
363
00:13:33,013 --> 00:13:34,647
ABOUT HOW THAT MIGHT BE
364
00:13:34,647 --> 00:13:38,952
AFFECTING MY CHOICES IN LIFE.
365
00:13:38,952 --> 00:13:40,520
I'M GONNA GO PUT ON SOME
366
00:13:40,520 --> 00:13:41,188
MUSIC.
367
00:13:41,188 --> 00:13:43,356
[ SIGHS ]
368
00:13:43,356 --> 00:13:46,159
[ FOOTSTEPS DEPARTING ]
369
00:13:48,528 --> 00:13:51,098
[ MID-TEMPO MUSIC PLAYS ]
370
00:13:57,637 --> 00:13:58,538
[ SIGHS ]
371
00:13:58,538 --> 00:13:59,639
* SHE'S COMIN' ON ME NOW WITH
372
00:13:59,639 --> 00:14:02,509
EVERYTHING SHE KNOWS NOW ♪
373
00:14:02,509 --> 00:14:03,977
♪ SHE'S COMIN' ON ME NOW WITH
374
00:14:03,977 --> 00:14:07,214
EVERYTHING SHE'S SEEN ♪
375
00:14:07,214 --> 00:14:08,515
♪ SHE'S COMIN' THROUGH THE CROWD
376
00:14:08,515 --> 00:14:11,351
OF THE DREAMS IN BOTH EYES ♪
377
00:14:11,351 --> 00:14:13,186
♪ SHE'S MAKIN' IT KNOWN THAT I'M
378
00:14:13,186 --> 00:14:15,388
NOT GETTIN' AWAY ♪
379
00:14:15,388 --> 00:14:18,258
♪ AND EVEN IF I MADE A BREAK FOR
380
00:14:18,258 --> 00:14:19,993
THE DOOR NOW ♪
381
00:14:19,993 --> 00:14:22,195
♪ THERE'S NO TELLIN' IF I CAN
382
00:14:22,195 --> 00:14:24,697
MAKE IT TO STREET ♪
383
00:14:24,697 --> 00:14:27,034
♪ I GOT LOVE INSIDE MY GUTS ♪
384
00:14:27,034 --> 00:14:29,269
♪ MY MIND IS MORE THAN FUCKING
385
00:14:29,269 --> 00:14:30,237
LORD KNOWS ♪
386
00:14:30,237 --> 00:14:34,307
♪ THE SAFER I FACE THE GRIEF ♪
387
00:14:34,307 --> 00:14:37,077
♪ WE'RE ALL WASTIN' TIME WE
388
00:14:37,077 --> 00:14:41,181
DON'T HAVE, AND IT'S DYIN' ♪
389
00:14:43,616 --> 00:14:46,453
♪ AT THE END OF THE DAY, I STILL
390
00:14:46,453 --> 00:14:51,124
HOPE IT'S WORTH VYIN' FOR ♪
391
00:14:55,495 --> 00:14:57,597
[ SIGHS ]
392
00:15:00,733 --> 00:15:02,269
* SHE'S COMIN' ON ME NOW WITH
393
00:15:02,269 --> 00:15:05,305
EVERYTHING SHE KNOWS NOW ♪
394
00:15:05,305 --> 00:15:06,639
♪ WITH EVERYTHING SHE SAYS SHE
395
00:15:06,639 --> 00:15:09,076
KNOWS BUT DOESN'T SEE ♪
396
00:15:09,076 --> 00:15:11,444
♪ AND RIGHT BEFORE I SAY, "HEY,
397
00:15:11,444 --> 00:15:14,014
LET'S THINK THIS OVER ♪
398
00:15:14,014 --> 00:15:16,083
♪ SHE QUICKLY TURNS AWAY AND
399
00:15:16,083 --> 00:15:19,086
WALKS THROUGH THE TREES ♪
400
00:15:19,086 --> 00:15:20,087
♪ PUSHIN' THROUGH THE CROWD,
401
00:15:20,087 --> 00:15:23,256
LIVIN' IN BOTH EYES ♪
402
00:15:23,256 --> 00:15:24,724
♪ SHE WON THE SOUTHERN MAN,
403
00:15:24,724 --> 00:15:27,127
THAT BOY WAS ME ♪
404
00:15:27,127 --> 00:15:28,528
♪ SO NOW I'M BEGGIN',
405
00:15:28,528 --> 00:15:29,997
"HOLD STEADY ♪
406
00:15:29,997 --> 00:15:31,464
♪ BEFORE SHE TURNS AND WALKS
407
00:15:31,464 --> 00:15:32,365
AWAY ♪
408
00:15:32,365 --> 00:15:34,034
♪ NOW IT'S WAY TOO LATE TO SEE
409
00:15:34,034 --> 00:15:37,770
WHAT'S IN THE HAZE ♪
410
00:15:37,770 --> 00:15:40,107
♪ WE'RE ALL WASTIN' TIME WE
411
00:15:40,107 --> 00:15:44,211
DON'T HAVE, AND IT'S DYIN' ♪
412
00:15:46,779 --> 00:15:49,516
♪ AT THE END OF THE DAY, I STILL
413
00:15:49,516 --> 00:15:56,023
HOPE IT'S WORTH VYIN' FOR ♪
414
00:15:56,023 --> 00:15:58,391
♪ NOW YOU'RE ALL BUT A GHOST IN
415
00:15:58,391 --> 00:16:02,362
MY HEART, AND I'M TRYIN' ♪
416
00:16:04,764 --> 00:16:07,334
♪ EVEN IF I COULD CHANGE, YOU
417
00:16:07,334 --> 00:16:11,338
SAID, "BABY, DON'T BOTHER ♪
418
00:16:11,338 --> 00:16:13,673
BREAKFAST IS SERVED.
419
00:16:13,673 --> 00:16:15,408
ALL RIGHT, WHAT DOES YOUR
420
00:16:15,408 --> 00:16:16,576
APPETITE REFLECT?
421
00:16:16,576 --> 00:16:18,645
I'LL LET YOU CHOOSE TWO BACON,
422
00:16:18,645 --> 00:16:19,646
THREE BACON.
423
00:16:19,646 --> 00:16:21,514
UM, TWO BACON, PLEASE.
424
00:16:21,514 --> 00:16:22,749
I'LL TAKE WHATEVER.
425
00:16:22,749 --> 00:16:23,416
THAT'S YOURS.
426
00:16:23,416 --> 00:16:24,084
[ MUSIC FADES ]
427
00:16:24,084 --> 00:16:25,352
[ Sighing ] MMM.
428
00:16:25,352 --> 00:16:26,153
[ SIGHS ]
429
00:16:26,153 --> 00:16:28,355
ACTUALLY, DO YOU GUYS WANT ANY
430
00:16:28,355 --> 00:16:28,755
COFFEE?
431
00:16:28,755 --> 00:16:29,589
MM-HMM.
432
00:16:29,589 --> 00:16:33,693
ALL RIGHT.
433
00:16:41,368 --> 00:16:43,203
MMM.
434
00:16:43,203 --> 00:16:47,140
[ CHUCKLES ]
435
00:16:47,140 --> 00:16:48,775
MMM.
436
00:16:48,775 --> 00:16:50,810
DID YOU HAVE FUN LAST NIGHT?
437
00:16:50,810 --> 00:16:51,711
I DID.
438
00:16:51,711 --> 00:16:53,213
DID YOU HAVE FUN?
439
00:16:53,213 --> 00:16:55,482
MM-HMM.
440
00:16:55,482 --> 00:16:56,816
AREN'T YOU GLAD YOU HAVE SUCH A
441
00:16:56,816 --> 00:16:57,650
SEXY GIRLFRIEND?
442
00:16:57,650 --> 00:16:58,218
MNH-MNH.
443
00:16:58,218 --> 00:17:00,420
[ LAUGHS ]
444
00:17:02,755 --> 00:17:04,224
FOR YOU.
445
00:17:04,224 --> 00:17:06,326
MM-HMM.
446
00:17:14,401 --> 00:17:17,304
[ MID-TEMPO JAZZ PLAYS ]
447
00:17:26,346 --> 00:17:28,281
[ MUSIC INTENSIFIES ]
448
00:18:06,453 --> 00:18:08,755
[ INDISTINCT CONVERSATION ]
449
00:18:37,317 --> 00:18:39,386
[ MUSIC FADES ]
450
00:18:54,267 --> 00:18:56,469
[ SIGHING ]
451
00:19:09,549 --> 00:19:13,253
[ SIGHS ]
452
00:19:13,253 --> 00:19:16,323
GO ON, OUT.
453
00:19:16,323 --> 00:19:19,559
COME ON, SNOWBALL, GET OUT.
454
00:19:19,559 --> 00:19:24,264
GO ON, GET OUT OF THERE.
455
00:19:24,264 --> 00:19:26,999
[ SIGHS ]
456
00:19:26,999 --> 00:19:29,202
[ ZIPPER ZIPPING ]
457
00:19:33,740 --> 00:19:34,841
[ SLOW, DRAMATIC MUSIC PLAYS ]
458
00:19:34,841 --> 00:19:37,477
[ TELEPHONE RINGING ]
459
00:19:53,360 --> 00:19:54,327
[ CLEARS THROAT ]
460
00:19:54,327 --> 00:19:54,727
HERE YOU GO.
461
00:19:54,727 --> 00:19:57,730
THANK YOU.
462
00:19:57,730 --> 00:20:00,800
[ SIGHS ]
463
00:20:00,800 --> 00:20:02,802
UM, IT'S REALLY NICE TO SEE
464
00:20:02,802 --> 00:20:03,403
YOU.
465
00:20:03,403 --> 00:20:04,371
[ CHUCKLES ]
466
00:20:04,371 --> 00:20:05,305
YOU TOO.
467
00:20:05,305 --> 00:20:06,439
[ CHUCKLES ]
468
00:20:06,439 --> 00:20:08,675
UM, I HAD A LOT OF FUN THE
469
00:20:08,675 --> 00:20:09,809
OTHER NIGHT.
470
00:20:09,809 --> 00:20:11,911
YEAH, US TOO.
471
00:20:11,911 --> 00:20:13,880
GOOD.
472
00:20:13,880 --> 00:20:15,448
HAVE YOU HAD A CHANCE TO LOOK AT
473
00:20:15,448 --> 00:20:16,015
THE PICTURES?
474
00:20:16,015 --> 00:20:16,449
I DID.
475
00:20:16,449 --> 00:20:16,883
YEAH?
476
00:20:16,883 --> 00:20:17,850
THEY LOOK REALLY, REALLY
477
00:20:17,850 --> 00:20:18,318
GOOD.
478
00:20:18,318 --> 00:20:18,685
REALLY?
479
00:20:18,685 --> 00:20:19,018
YEAH.
480
00:20:19,018 --> 00:20:20,052
YOU LOOK REALLY GOOD IN THEM.
481
00:20:20,052 --> 00:20:20,887
OH, COOL.
482
00:20:20,887 --> 00:20:22,689
YEAH. ACTUALLY, IT REMINDS
483
00:20:22,689 --> 00:20:24,324
ME, THE WAITRESS FRIEND THAT YOU
484
00:20:24,324 --> 00:20:25,692
INTRODUCED US TO THE OTHER
485
00:20:25,692 --> 00:20:26,993
NIGHT -- THE ONE WITH THE
486
00:20:26,993 --> 00:20:27,760
BLACK EYE?
487
00:20:27,760 --> 00:20:28,661
MM-HMM.
488
00:20:28,661 --> 00:20:29,662
WHAT WAS HER NAME?
489
00:20:29,662 --> 00:20:30,463
REBECCA?
490
00:20:30,463 --> 00:20:31,864
YEAH. DO YOU KNOW IF SHE'S
491
00:20:31,864 --> 00:20:33,466
EVER DONE ANY MODELING BEFORE OR
492
00:20:33,466 --> 00:20:34,934
IF SHE'S EVER EXPRESSED ANY
493
00:20:34,934 --> 00:20:35,868
INTEREST IN IT?
494
00:20:35,868 --> 00:20:38,938
UM...
495
00:20:38,938 --> 00:20:39,939
I ACTUALLY DON'T KNOW.
496
00:20:39,939 --> 00:20:41,408
I MEAN, I JUST THINK SHE'S
497
00:20:41,408 --> 00:20:42,509
GOT A REALLY COOL LOOK.
498
00:20:42,509 --> 00:20:42,942
DON'T YOU?
499
00:20:42,942 --> 00:20:44,844
YEAH.
500
00:20:44,844 --> 00:20:46,479
DO YOU THINK THAT IF, LIKE,
501
00:20:46,479 --> 00:20:47,980
YOU KNOW, LIKE, IF I CALLED HER
502
00:20:47,980 --> 00:20:49,749
AND ASKED HER, YOU KNOW, ABOUT
503
00:20:49,749 --> 00:20:51,318
DOING SOMETHING, THAT SHE WOULD
504
00:20:51,318 --> 00:20:52,519
BE WEIRDED OUT BY IT, OR...
505
00:20:52,519 --> 00:20:53,953
I ACTUALLY HAVE -- I'M SORRY,
506
00:20:53,953 --> 00:20:55,054
[CHUCKLES ] I DON'T KNOW.
507
00:20:55,054 --> 00:20:56,456
YOU DON'T KNOW?
508
00:20:56,456 --> 00:20:58,425
I'M SURE SHE'D BE HAPPY.
509
00:20:58,425 --> 00:21:00,360
DO YOU HAVE HER NUMBER?
510
00:21:00,360 --> 00:21:01,928
MM-HMM. YEAH, DO YOU WANT IT?
511
00:21:01,928 --> 00:21:03,430
YEAH, IF THAT'S COOL.
512
00:21:03,430 --> 00:21:07,033
YEAH.
513
00:21:07,033 --> 00:21:09,302
[ MUSIC INTENSIFIES ]
514
00:21:24,451 --> 00:21:26,553
[ CAMERA SHUTTER CLICKS ]
515
00:21:32,925 --> 00:21:36,729
[ MUSIC FADES ]
516
00:21:36,729 --> 00:21:38,531
YEAH, THAT CAN WORK.
517
00:21:38,531 --> 00:21:40,733
LIKE, AROUND 10:00.
518
00:21:40,733 --> 00:21:41,801
OKAY.
519
00:21:41,801 --> 00:21:44,537
[ CHUCKLING ]
520
00:21:44,537 --> 00:21:46,539
YEAH, OKAY, IT'S COOL.
521
00:21:46,539 --> 00:21:48,741
ALL RIGHT.
522
00:21:48,741 --> 00:21:50,543
OKAY, I'LL SEE YOU THEN.
523
00:21:50,543 --> 00:21:52,612
BYE.
524
00:21:55,047 --> 00:21:56,783
WHAT?
525
00:21:56,783 --> 00:21:58,117
WHO WAS THAT?
526
00:21:58,117 --> 00:21:59,919
JUST -- JUST A FRIEND OF
527
00:21:59,919 --> 00:22:00,587
CALLIE'S.
528
00:22:00,587 --> 00:22:02,955
HAS HE GOT A NAME?
529
00:22:02,955 --> 00:22:04,791
BILLY. [ CHUCKLES ]
530
00:22:04,791 --> 00:22:06,459
HE'S A PHOTOGRAPHER.
531
00:22:06,459 --> 00:22:07,794
SOUNDS LIKE YOU JUST MADE
532
00:22:07,794 --> 00:22:08,060
THAT UP.
533
00:22:08,060 --> 00:22:09,128
[ Chuckling ] NO, NO.
534
00:22:09,128 --> 00:22:12,732
WHY WOULD I MAKE THAT UP?
535
00:22:12,732 --> 00:22:13,533
[ CHUCKLES ]
536
00:22:13,533 --> 00:22:14,601
I GOT TO GO TO WORK.
537
00:22:14,601 --> 00:22:18,137
I'LL SEE YOU LATER, ALL RIGHT?
538
00:22:18,137 --> 00:22:20,106
HELLO?
539
00:22:22,975 --> 00:22:25,111
I'LL SEE YOU TONIGHT.
540
00:22:27,780 --> 00:22:31,584
[ DOOR OPENS ]
541
00:22:31,584 --> 00:22:34,086
[ DOOR CLOSES ]
542
00:22:34,086 --> 00:22:35,388
[ WATER RUNNING ]
543
00:22:37,524 --> 00:22:40,026
[ DOOR CLOSES ]
544
00:22:40,026 --> 00:22:41,461
[ WATER STOPS RUNNING ]
545
00:22:41,461 --> 00:22:44,030
WHO WERE YOU TALKING TO?
546
00:22:44,030 --> 00:22:46,032
I WAS TALKING TO THAT
547
00:22:46,032 --> 00:22:47,967
WAITRESS FROM THE OTHER DAY.
548
00:22:50,803 --> 00:22:55,107
WHAT? [ CHUCKLES ]
549
00:22:55,107 --> 00:22:58,044
[ KNOCK ON DOOR ]
550
00:22:58,044 --> 00:23:00,179
WERE YOU EXPECTING ANYBODY?
551
00:23:00,179 --> 00:23:02,682
[ SOFT, DRAMATIC MUSIC PLAYS ]
552
00:23:08,521 --> 00:23:10,523
ARE YOU WILLIAM WINGARD?
553
00:23:10,523 --> 00:23:11,057
YEAH.
554
00:23:11,057 --> 00:23:12,859
DETECTIVE MIKE BANFEAUX.
555
00:23:12,859 --> 00:23:14,794
UM...
556
00:23:14,794 --> 00:23:15,828
I WAS WONDERING IF I COULD ASK
557
00:23:15,828 --> 00:23:16,796
YOU A COUPLE QUESTIONS.
558
00:23:16,796 --> 00:23:18,665
SURE.
559
00:23:18,665 --> 00:23:19,866
DO YOU KNOW A
560
00:23:19,866 --> 00:23:20,833
SHANNON FIERMAN?
561
00:23:20,833 --> 00:23:21,568
SHE'S A MODEL.
562
00:23:21,568 --> 00:23:23,703
GOT A PHOTO RIGHT HERE.
563
00:23:26,973 --> 00:23:27,940
I DON'T THINK SO.
564
00:23:27,940 --> 00:23:29,208
NO, THAT'S THE MODEL I BOOKED
565
00:23:29,208 --> 00:23:30,677
FOR THE SHOOT THE OTHER DAY --
566
00:23:30,677 --> 00:23:32,612
THE ONE THAT DIDN'T SHOW UP.
567
00:23:32,612 --> 00:23:33,546
OH, RIGHT.
568
00:23:33,546 --> 00:23:34,981
MIND IF I COME IN?
569
00:23:34,981 --> 00:23:36,949
THANKS.
570
00:23:40,520 --> 00:23:42,922
SHANNON FIERMAN WAS MURDERED THE
571
00:23:42,922 --> 00:23:44,223
DAY BEFORE YESTERDAY.
572
00:23:44,223 --> 00:23:45,658
I'VE BEEN GOING AROUND SPEAKING
573
00:23:45,658 --> 00:23:46,893
WITH SOME OF HER FRIENDS AND
574
00:23:46,893 --> 00:23:47,894
ASSOCIATES, AND YOUR NAME HAS
575
00:23:47,894 --> 00:23:48,961
COME UP A COUPLE TIMES AS
576
00:23:48,961 --> 00:23:50,096
SOMEONE SHE MIGHT HAVE WORKED
577
00:23:50,096 --> 00:23:50,697
WITH.
578
00:23:50,697 --> 00:23:52,198
I WAS JUST WONDERING IF YOU
579
00:23:52,198 --> 00:23:54,033
MIGHT KNOW ANYTHING THAT JUMPS
580
00:23:54,033 --> 00:23:55,702
OUT AT YOU, UH, ANYONE NEW IN
581
00:23:55,702 --> 00:23:57,604
HER LIFE, AN EX-BOYFRIEND OR
582
00:23:57,604 --> 00:23:58,137
SOMEONE.
583
00:23:58,137 --> 00:24:00,006
NO, I JUST SPOKE TO HER OVER
584
00:24:00,006 --> 00:24:01,674
THE PHONE TO BOOK THE SHOOT.
585
00:24:01,674 --> 00:24:03,109
NOTHING ELSE.
586
00:24:03,109 --> 00:24:05,111
DID SHE EVER MENTION AN
587
00:24:05,111 --> 00:24:07,580
ARGUMENT OR FEELING THREATENED?
588
00:24:07,580 --> 00:24:09,015
WAS THERE ANYTHING?
589
00:24:09,015 --> 00:24:10,049
NO, NOTHING LIKE THAT.
590
00:24:10,049 --> 00:24:11,217
NOTHING LIKE THAT CAME UP?
591
00:24:11,217 --> 00:24:12,585
WELL, WE'RE DOING A SHOOT IN
592
00:24:12,585 --> 00:24:13,252
THE NEXT FEW DAYS.
593
00:24:13,252 --> 00:24:14,587
MAYBE SOME OF OUR PEOPLE MIGHT
594
00:24:14,587 --> 00:24:15,154
HAVE KNOWN HER.
595
00:24:15,154 --> 00:24:16,122
I MEAN, YOU'RE MORE THAN WELCOME
596
00:24:16,122 --> 00:24:16,989
TO COME AND ASK AROUND IF YOU
597
00:24:16,989 --> 00:24:18,024
WANT.
598
00:24:18,024 --> 00:24:20,727
YEAH, THAT COULD BE HELPFUL.
599
00:24:20,727 --> 00:24:23,029
HERE'S MY CARD.
600
00:24:23,029 --> 00:24:24,897
CALL ME IF YOU THINK OF
601
00:24:24,897 --> 00:24:25,698
ANYTHING.
602
00:24:25,698 --> 00:24:27,900
AND, YEAH, I COULD DROP BY.
603
00:24:27,900 --> 00:24:28,701
[ SNIFFLES ]
604
00:24:28,701 --> 00:24:29,168
SURE.
605
00:24:29,168 --> 00:24:31,538
THANKS.
606
00:24:31,538 --> 00:24:32,939
DO YOU MIND IF I USE YOUR
607
00:24:32,939 --> 00:24:33,540
RESTROOM?
608
00:24:33,540 --> 00:24:35,675
[ MID-TEMPO MUSIC PLAYS
609
00:24:35,675 --> 00:24:38,511
INDISTINCTLY ]
610
00:24:41,914 --> 00:24:44,717
♪ SHOULD HAVE NEVER TRIED SO
611
00:24:44,717 --> 00:24:45,685
HARD ♪
612
00:24:45,685 --> 00:24:46,986
HEY.
613
00:24:46,986 --> 00:24:47,954
HOW ARE YOU?
614
00:24:47,954 --> 00:24:48,287
HEY.
615
00:24:48,287 --> 00:24:49,722
I'M SO GLAD.
616
00:24:49,722 --> 00:24:50,990
GIVE ME TWO MINUTES.
617
00:24:50,990 --> 00:24:52,925
I'M JUST GONNA TURN THIS IN.
618
00:24:52,925 --> 00:24:54,060
YEAH, YEAH, SURE.
619
00:24:54,060 --> 00:24:55,628
ALL MY STUFF.
620
00:24:55,628 --> 00:24:56,563
YOU WANT TO SIT DOWN?
621
00:24:56,563 --> 00:24:57,096
YEAH.
622
00:24:57,096 --> 00:24:58,565
I'LL BE RIGHT BACK.
623
00:24:58,565 --> 00:25:01,968
* SHOULD HAVE NEVER TRIED
624
00:25:01,968 --> 00:25:03,703
SO HARD ♪
625
00:25:03,703 --> 00:25:05,137
[ SOFT MUSIC PLAYS ]
626
00:25:05,137 --> 00:25:06,706
SO, WHAT KIND OF PHOTOS --
627
00:25:06,706 --> 00:25:08,007
HOW WOULD YOU DESCRIBE THE
628
00:25:08,007 --> 00:25:10,743
PHOTOS THAT YOU TAKE?
629
00:25:10,743 --> 00:25:12,211
YOU WANT, LIKE, A PRETENTIOUS
630
00:25:12,211 --> 00:25:13,746
VERSION OF THAT OR, LIKE, JUST A
631
00:25:13,746 --> 00:25:14,981
STRAIGHTFORWARD VERSION?
632
00:25:14,981 --> 00:25:16,148
JUST -- I MEAN, I DON'T KNOW.
633
00:25:16,148 --> 00:25:17,149
WHICH ONE IS BETTER?
634
00:25:17,149 --> 00:25:20,620
I WOULD SAY, I TAKE...
635
00:25:20,620 --> 00:25:23,623
PERSONAL FETISH PHOTOS.
636
00:25:23,623 --> 00:25:24,791
PERSONAL FETISH?
637
00:25:24,791 --> 00:25:25,958
THAT'S HOW I WOULD DESCRIBE
638
00:25:25,958 --> 00:25:26,292
IT, YEAH.
639
00:25:26,292 --> 00:25:28,695
BUT, LIKE -- BUT I MEAN THAT IN
640
00:25:28,695 --> 00:25:30,697
THE CLASSIEST WAY POSSIBLE.
641
00:25:30,697 --> 00:25:32,231
OKAY.
642
00:25:32,231 --> 00:25:33,600
CLASSY PERSONAL-FETISH PHOTOS.
643
00:25:33,600 --> 00:25:34,200
[ CHUCKLES ]
644
00:25:34,200 --> 00:25:35,602
HOW DO YOU COME UP WITH YOUR
645
00:25:35,602 --> 00:25:38,004
IDEAS?
646
00:25:38,004 --> 00:25:39,371
UM, YOU KNOW, I DON'T REALLY
647
00:25:39,371 --> 00:25:39,772
KNOW.
648
00:25:39,772 --> 00:25:41,307
IT'S JUST, OVER THE COURSE OF
649
00:25:41,307 --> 00:25:42,809
TIME, YOU JUST SEE THINGS THAT
650
00:25:42,809 --> 00:25:44,677
LOOK GOOD OR SEE THINGS THAT YOU
651
00:25:44,677 --> 00:25:45,678
WANT TO RE-CREATE.
652
00:25:45,678 --> 00:25:46,779
DOES YOUR GIRLFRIEND GET
653
00:25:46,779 --> 00:25:48,114
JEALOUS?
654
00:25:48,114 --> 00:25:49,982
Tsk.
655
00:25:49,982 --> 00:25:50,182
UM...
656
00:25:50,182 --> 00:25:50,617
OH.
657
00:25:50,617 --> 00:25:51,684
THAT'S PROBABLY A QUESTION
658
00:25:51,684 --> 00:25:52,685
YOU'D HAVE TO ASK HER...
659
00:25:52,685 --> 00:25:53,185
[ LAUGHS ]
660
00:25:53,185 --> 00:25:54,020
...NOT ME.
661
00:25:54,020 --> 00:25:55,021
SHE DOESN'T ACT LIKE SHE'S
662
00:25:55,021 --> 00:25:55,387
JEALOUS?
663
00:25:55,387 --> 00:25:56,989
I DON'T THINK SHE DOES.
664
00:25:56,989 --> 00:25:57,356
YOU KNOW?
665
00:25:57,356 --> 00:25:58,658
WOULD YOU GET JEALOUS?
666
00:25:58,658 --> 00:25:59,391
YEAH, I THINK SO.
667
00:25:59,391 --> 00:26:00,727
MAYBE SHE GETS JEALOUS A
668
00:26:00,727 --> 00:26:01,193
LITTLE BIT.
669
00:26:01,193 --> 00:26:02,394
WERE YOU, LIKE, INTERESTED IN
670
00:26:02,394 --> 00:26:03,763
ALL THESE, LIKE, WOMEN IN, LIKE,
671
00:26:03,763 --> 00:26:05,331
A SEXUAL, FETISHY WAY?
672
00:26:05,331 --> 00:26:06,799
[ CHUCKLES ] UM...
673
00:26:06,799 --> 00:26:08,801
YOU ASK HER TO WEAR TIGHTS?
674
00:26:08,801 --> 00:26:11,003
YOU ASK THEM TO WEAR TIGHTS?
675
00:26:11,003 --> 00:26:13,072
LIKE, WHAT'S -- HOW DO YOU
676
00:26:13,072 --> 00:26:17,076
SEPARATE THAT?
677
00:26:17,076 --> 00:26:20,279
UM...
678
00:26:20,279 --> 00:26:21,848
AGAIN, YOU KNOW, WRONG PERSON.
679
00:26:21,848 --> 00:26:22,849
I DON'T REALLY --
680
00:26:22,849 --> 00:26:24,283
YOU DON'T SEPARATE IT?
681
00:26:24,283 --> 00:26:25,752
WELL, I JUST DON'T THINK
682
00:26:25,752 --> 00:26:27,086
ABOUT IT, HONESTLY, YOU KNOW?
683
00:26:27,086 --> 00:26:28,688
I MEAN, IF A PROBLEM ARISES, WE
684
00:26:28,688 --> 00:26:30,022
DEAL WITH IT, BUT, YOU KNOW...
685
00:26:30,022 --> 00:26:31,858
I MEAN, PART OF IT, YOU KNOW,
686
00:26:31,858 --> 00:26:33,860
LIKE, YOU KNOW, SHE KNOWS THAT
687
00:26:33,860 --> 00:26:35,862
MY ATTRACTION TOWARDS SOMEBODY
688
00:26:35,862 --> 00:26:37,864
ELSE IS USUALLY WHAT DRIVES MY
689
00:26:37,864 --> 00:26:38,865
INTERESTS.
690
00:26:38,865 --> 00:26:39,666
YEAH.
691
00:26:39,666 --> 00:26:41,668
AND WITHOUT THAT, THEN, YOU
692
00:26:41,668 --> 00:26:43,235
KNOW, WHY ELSE WOULD I BE
693
00:26:43,235 --> 00:26:45,337
SHOOTING THESE THINGS, YOU KNOW?
694
00:26:45,337 --> 00:26:46,105
RIGHT.
695
00:26:46,105 --> 00:26:47,239
SO SHE'S FINE WITH THAT.
696
00:26:47,239 --> 00:26:48,240
[ CAMERA SHUTTER CLICKS ]
697
00:26:48,240 --> 00:26:49,308
WHEN SHE MET YOU, WERE YOU
698
00:26:49,308 --> 00:26:50,076
ALREADY DOING IT?
699
00:26:50,076 --> 00:26:50,877
YEAH.
700
00:26:50,877 --> 00:26:52,244
YEAH, I GUESS SO.
701
00:26:52,244 --> 00:26:52,879
YEAH.
702
00:26:52,879 --> 00:26:54,280
YOU'D HAVE TO BE COOL WITH
703
00:26:54,280 --> 00:26:55,114
THAT, I GUESS.
704
00:26:55,114 --> 00:27:01,187
[ CHUCKLES ]
705
00:27:01,187 --> 00:27:02,088
YEAH.
706
00:27:02,088 --> 00:27:03,790
OKAY, WELL, THANKS FOR THE
707
00:27:03,790 --> 00:27:04,156
BEER.
708
00:27:04,156 --> 00:27:06,225
[ HORN HONKING ]
709
00:27:10,096 --> 00:27:11,363
REBECCA, LET'S GO.
710
00:27:11,363 --> 00:27:13,399
SEE YA.
711
00:27:16,068 --> 00:27:19,271
[ VEHICLE DOOR OPENS ]
712
00:27:19,271 --> 00:27:20,773
[ VEHICLE DOOR CLOSES ]
713
00:27:20,773 --> 00:27:22,909
WHO WAS THAT?
714
00:27:22,909 --> 00:27:25,411
"SOME GUY"?
715
00:27:25,411 --> 00:27:26,445
[ SOFT, DRAMATIC MUSIC PLAYS
716
00:27:26,445 --> 00:27:28,848
ON TELEVISION ]
717
00:27:28,848 --> 00:27:30,149
WHERE HAVE YOU BEEN?
718
00:27:30,149 --> 00:27:33,419
I WAS WORKING LATE WITH PHIL.
719
00:27:33,419 --> 00:27:34,887
WHY DIDN'T YOU CALL?
720
00:27:34,887 --> 00:27:35,487
I DID.
721
00:27:35,487 --> 00:27:37,189
I CALLED YOU A QUARTER TO 5:00,
722
00:27:37,189 --> 00:27:38,390
BUT THERE WAS NO ANSWER.
723
00:27:38,390 --> 00:27:40,893
THEN, I GOT WORKING AND FORGOT.
724
00:27:40,893 --> 00:27:42,361
YOU KNEW I HAD TO GO TO THE
725
00:27:42,361 --> 00:27:44,130
CLEANER'S LATE THIS AFTERNOON.
726
00:27:44,130 --> 00:27:45,231
AND YOU TRY TO TELL ME YOU
727
00:27:45,231 --> 00:27:46,132
CALLED ME THEN.
728
00:27:46,132 --> 00:27:48,267
I TELL YOU, I DID CALL, AND
729
00:27:48,267 --> 00:27:49,969
THEN I GOT INVOLVED.
730
00:27:49,969 --> 00:27:52,204
[ BREATHING HEAVILY ]
731
00:28:02,481 --> 00:28:04,817
[ FRENETIC CARTOON MUSIC PLAYS ]
732
00:28:04,817 --> 00:28:06,185
GANGWAY!
733
00:28:06,185 --> 00:28:08,520
[ LAUGHING ]
734
00:28:08,520 --> 00:28:09,521
HUH? HUH?
735
00:28:09,521 --> 00:28:10,522
[ PURRING ]
736
00:28:10,522 --> 00:28:12,892
ME WANTS PEACE AND QUIET.
737
00:28:12,892 --> 00:28:14,326
I'VE BEEN A BAD BOY.
738
00:28:14,326 --> 00:28:16,195
I SHOULD HAVE LISTENED TO MY
739
00:28:16,195 --> 00:28:18,798
MOTHER.
740
00:28:18,798 --> 00:28:20,833
[ CRICKETS CHIRPING ]
741
00:28:23,435 --> 00:28:25,805
[ CELLPHONE VIBRATING ]
742
00:29:01,207 --> 00:29:03,242
[ SIGHS ]
743
00:29:03,242 --> 00:29:05,878
[ CELLPHONE VIBRATING ]
744
00:29:05,878 --> 00:29:07,546
WHO THE FUCK IS TEXTING YOU?
745
00:29:07,546 --> 00:29:09,281
[ SIGHS ]
746
00:29:09,281 --> 00:29:12,251
IT'S JUST THAT WAITRESS.
747
00:29:24,196 --> 00:29:26,198
[ SIGHS ]
748
00:29:36,208 --> 00:29:38,277
[ CELLPHONE VIBRATING ]
749
00:29:38,277 --> 00:29:41,848
JESUS.
750
00:29:41,848 --> 00:29:45,351
[ SIGHS ]
751
00:29:45,351 --> 00:29:47,486
[ DRAMATIC MUSIC PLAYS ]
752
00:29:47,486 --> 00:29:50,022
[ MUSIC FADES ]
753
00:29:50,022 --> 00:29:51,423
[ GUN COCKS ]
754
00:29:51,423 --> 00:29:53,092
[ DRAMATIC MUSIC RESUMES ]
755
00:29:53,092 --> 00:29:55,194
[ SHOWER WATER RUNNING ]
756
00:30:02,935 --> 00:30:04,336
HOW HIGH DO YOU WANT IT?
757
00:30:04,336 --> 00:30:06,472
UH, LET'S KEEP HER GOING, BUT
758
00:30:06,472 --> 00:30:08,474
JUST LEAVE ENOUGH ROOM SO HER
759
00:30:08,474 --> 00:30:10,442
BREASTS ARE EXPOSED, OKAY?
760
00:30:15,114 --> 00:30:15,948
HEY, BOSS.
761
00:30:15,948 --> 00:30:17,016
YOU WANT A COUPLE OF ONE K's
762
00:30:17,016 --> 00:30:17,583
WITH THIS, OR...
763
00:30:17,583 --> 00:30:18,951
YEAH, GO AHEAD AND HAVE THEM
764
00:30:18,951 --> 00:30:19,551
IN THERE, STANDBY.
765
00:30:19,551 --> 00:30:21,653
[ INDISTINCT CONVERSATION ]
766
00:30:21,653 --> 00:30:24,656
OHH!
767
00:30:24,656 --> 00:30:25,457
[ CHUCKLES ]
768
00:30:25,457 --> 00:30:26,325
DOES IT SMELL?
769
00:30:26,325 --> 00:30:27,026
[ SNIFFING ]
770
00:30:27,026 --> 00:30:28,094
[ Chuckling ] "DOES IT
771
00:30:28,094 --> 00:30:28,427
SMELL?"
772
00:30:28,427 --> 00:30:29,896
I JUST CAN'T STAND THE SMELL
773
00:30:29,896 --> 00:30:30,930
OF THESE KIND OF THINGS.
774
00:30:30,930 --> 00:30:31,330
UGH.
775
00:30:31,330 --> 00:30:32,464
IT'S REALLY NASTY, THOUGH.
776
00:30:32,464 --> 00:30:33,632
I CAN'T REALLY LOOK AT IT.
777
00:30:33,632 --> 00:30:35,067
I CAN'T LOOK AWAY FROM IT.
778
00:30:35,067 --> 00:30:36,602
IF IT'S GROSSING YOU OUT,
779
00:30:36,602 --> 00:30:38,370
THEN, YOU KNOW, IT'S DOING ITS
780
00:30:38,370 --> 00:30:39,371
JOB.
781
00:30:39,371 --> 00:30:41,373
SO, IS THIS STARTING TO APPEAL
782
00:30:41,373 --> 00:30:42,108
TO YOU YET?
783
00:30:42,108 --> 00:30:44,143
I DON'T KNOW.
784
00:30:44,143 --> 00:30:47,013
I'M NOT SURE IT'S THE KIND OF...
785
00:30:47,013 --> 00:30:50,516
THING, YOU KNOW, MY MAMA WOULD
786
00:30:50,516 --> 00:30:51,117
BE PROUD OF.
787
00:30:51,117 --> 00:30:51,550
[ CHUCKLES ]
788
00:30:51,550 --> 00:30:52,184
WHAT DO YOU MEAN?
789
00:30:52,184 --> 00:30:53,185
YOU'RE JUST PLAYING, LIKE, A
790
00:30:53,185 --> 00:30:54,153
GAME OF DRESS-UP HERE.
791
00:30:54,153 --> 00:30:55,221
YEAH, I GUESS.
792
00:30:55,221 --> 00:30:57,023
BUT IT'S DRESS-UP MIXED WITH
793
00:30:57,023 --> 00:30:57,556
FINE ART.
794
00:30:57,556 --> 00:30:58,424
FINE ART?
795
00:30:58,424 --> 00:30:59,058
YES.
796
00:30:59,058 --> 00:31:00,192
ALL RIGHT, THAT'S WHAT WE'RE
797
00:31:00,192 --> 00:31:00,626
DOING HERE?
798
00:31:00,626 --> 00:31:01,460
WELL, YES.
799
00:31:01,460 --> 00:31:01,994
ALL RIGHT.
800
00:31:01,994 --> 00:31:03,062
IF YOU CAN'T TELL -- IF YOU
801
00:31:03,062 --> 00:31:04,130
HAVEN'T FIGURED THAT OUT YET.
802
00:31:04,130 --> 00:31:05,097
WELL, I WASN'T SURE.
803
00:31:05,097 --> 00:31:06,398
I THOUGHT IT MIGHT BE SOMETHING
804
00:31:06,398 --> 00:31:06,665
DIFFERENT.
805
00:31:06,665 --> 00:31:07,666
WELL, HOW WOULD IT BE
806
00:31:07,666 --> 00:31:08,534
SOMETHING DIFFERENT?
807
00:31:08,534 --> 00:31:09,168
I DON'T KNOW.
808
00:31:09,168 --> 00:31:10,402
BECAUSE THERE'S BOOBIES?
809
00:31:10,402 --> 00:31:11,403
YEAH, I GUESS SO.
810
00:31:11,403 --> 00:31:12,538
YOU DON'T THINK THAT
811
00:31:12,538 --> 00:31:14,106
SOMETHING CAN BE ARTISTIC IF IT
812
00:31:14,106 --> 00:31:15,041
HAS BOOBIES IN IT?
813
00:31:15,041 --> 00:31:16,442
WELL, I'M JUST CURIOUS, LIKE,
814
00:31:16,442 --> 00:31:17,709
WHAT'S THE DISTINCTION HERE.
815
00:31:17,709 --> 00:31:20,679
WELL, THAT'S NOT MY PROBLEM.
816
00:31:20,679 --> 00:31:21,948
I THOUGHT YOU WERE THE
817
00:31:21,948 --> 00:31:22,448
ARTIST.
818
00:31:22,448 --> 00:31:22,949
EXACTLY.
819
00:31:22,949 --> 00:31:24,150
I THOUGHT YOU WERE THE ONE
820
00:31:24,150 --> 00:31:24,716
MAKING IT ART.
821
00:31:24,716 --> 00:31:26,652
WELL, I'M THE IRRESPONSIBLE
822
00:31:26,652 --> 00:31:28,620
ARTIST, SO, YOU KNOW, WHICH IS
823
00:31:28,620 --> 00:31:30,222
THE SIGN OF A GOOD ARTIST.
824
00:31:30,222 --> 00:31:31,958
IF THEY'RE IRRESPONSIBLE?
825
00:31:31,958 --> 00:31:33,225
[ CHUCKLES ] SOMETIMES.
826
00:31:33,225 --> 00:31:34,160
[ CHUCKLES ]
827
00:31:34,160 --> 00:31:35,427
IN THIS CASE, YEAH.
828
00:31:35,427 --> 00:31:37,229
DO YOU EVER FEEL LIKE YOU'RE
829
00:31:37,229 --> 00:31:38,530
NOT MAKING ART?
830
00:31:38,530 --> 00:31:39,999
WELL, RIGHT NOW, I DON'T FEEL
831
00:31:39,999 --> 00:31:40,732
LIKE I'M MAKING ART.
832
00:31:40,732 --> 00:31:42,168
I'M SITTING HERE CHATTING WITH
833
00:31:42,168 --> 00:31:42,434
YOU.
834
00:31:42,434 --> 00:31:44,503
YEAH, BUT YOU EVER FEEL
835
00:31:44,503 --> 00:31:45,737
LIKE...
836
00:31:45,737 --> 00:31:46,738
[ MID-TEMPO DRAMATIC MUSIC
837
00:31:46,738 --> 00:31:48,040
PLAYS ]
838
00:31:48,040 --> 00:31:50,076
LOOK WHO IT IS.
839
00:31:50,076 --> 00:31:51,577
[ CHUCKLES ]
840
00:31:51,577 --> 00:31:52,144
HEY.
841
00:31:52,144 --> 00:31:53,179
HOW'S IT GOING, MAN?
842
00:31:53,179 --> 00:31:54,046
GOOD.
843
00:31:54,046 --> 00:31:55,481
HOW YOU DOING?
844
00:31:55,481 --> 00:31:56,215
FINE.
845
00:31:56,215 --> 00:31:57,749
EVERYBODY'S BACK HERE IF YOU
846
00:31:57,749 --> 00:31:58,750
WANT TO CHITCHAT.
847
00:31:58,750 --> 00:32:00,419
YEAH, THAT'D BE GREAT.
848
00:32:00,419 --> 00:32:02,121
OKAY, COME ON BACK.
849
00:32:02,121 --> 00:32:03,122
HOW'S THE WEATHER OUT THERE?
850
00:32:03,122 --> 00:32:05,191
STILL RAINING.
851
00:32:05,191 --> 00:32:06,758
20 MORE. I'LL COUNT DOWN.
852
00:32:06,758 --> 00:32:08,260
20...
853
00:32:08,260 --> 00:32:09,996
EXCUSE ME. LOOK ALIVE.
854
00:32:09,996 --> 00:32:11,563
WE GOT A POLICE OFFICER HERE.
855
00:32:11,563 --> 00:32:12,698
EVERYONE, THIS IS
856
00:32:12,698 --> 00:32:14,066
DETECTIVE BANFEAUX.
857
00:32:14,066 --> 00:32:15,434
HE'D LIKE TO ASK YOU ALL SOME
858
00:32:15,434 --> 00:32:16,135
QUESTIONS.
859
00:32:16,135 --> 00:32:17,503
I RECOMMEND STARTING WITH HER.
860
00:32:17,503 --> 00:32:18,470
SHE'S THE MOST
861
00:32:18,470 --> 00:32:19,438
SUSPICIOUS-LOOKING.
862
00:32:19,438 --> 00:32:20,239
[ CHUCKLES ] WHOO!
863
00:32:20,239 --> 00:32:22,008
HAVE YOU EVER SEEN THIS WOMAN
864
00:32:22,008 --> 00:32:23,242
BEFORE OR WORKED WITH HER?
865
00:32:23,242 --> 00:32:24,510
HER NAME IS SHANNON FIERMAN.
866
00:32:24,510 --> 00:32:25,277
MNH-MNH.
867
00:32:25,277 --> 00:32:26,245
SHE'S A MODEL.
868
00:32:26,245 --> 00:32:27,646
MNH-MNH, I DIDN'T SEE HER.
869
00:32:27,646 --> 00:32:30,249
MISS, DO YOU KNOW HER?
870
00:32:30,249 --> 00:32:31,750
NO.
871
00:32:31,750 --> 00:32:33,252
NEVER MET?
872
00:32:33,252 --> 00:32:34,120
NO.
873
00:32:34,120 --> 00:32:35,287
YOU GUYS WANT TO GET THAT?
874
00:32:35,287 --> 00:32:37,489
[ SOFT, DRAMATIC MUSIC PLAYS ]
875
00:32:37,489 --> 00:32:40,559
OKAY.
876
00:32:40,559 --> 00:32:42,794
OH.
877
00:32:42,794 --> 00:32:44,063
AM I STUCK?
878
00:32:44,063 --> 00:32:46,598
NOW IT'S FINE.
879
00:32:46,598 --> 00:32:48,300
OKAY.
880
00:32:48,300 --> 00:32:49,335
HERE YOU GO.
881
00:32:49,335 --> 00:32:51,737
HOW DO I GET ON THIS THING?
882
00:32:51,737 --> 00:32:52,738
GOTCHA.
883
00:32:52,738 --> 00:32:54,306
IT'S OKAY.
884
00:32:54,306 --> 00:32:55,241
LIKE...
885
00:32:55,241 --> 00:32:56,808
[ CHUCKLES ] LOOK.
886
00:32:56,808 --> 00:32:57,776
OKAY?
887
00:32:57,776 --> 00:32:59,045
MM-HMM.
888
00:32:59,045 --> 00:33:00,679
[ LIQUID SPLASHES ]
889
00:33:00,679 --> 00:33:01,513
UH-OH.
890
00:33:01,513 --> 00:33:02,448
[ CHUCKLES ]
891
00:33:02,448 --> 00:33:02,814
NICE.
892
00:33:02,814 --> 00:33:03,549
OKAY.
893
00:33:03,549 --> 00:33:05,717
THERE YOU GO.
894
00:33:05,717 --> 00:33:07,053
LET ME, LIKE...
895
00:33:07,053 --> 00:33:08,320
IS IT COLD?
896
00:33:08,320 --> 00:33:10,056
NO, ACTUALLY, IT'S KIND OF
897
00:33:10,056 --> 00:33:10,322
FINE.
898
00:33:10,322 --> 00:33:12,191
[ CHUCKLES ]
899
00:33:12,191 --> 00:33:13,159
LUKEWARM.
900
00:33:13,159 --> 00:33:14,226
KIND OF LIKE CHOCOLATE.
901
00:33:14,226 --> 00:33:14,793
[ CHUCKLES ]
902
00:33:14,793 --> 00:33:16,162
DO YOU WANT TO DO ANYTHING
903
00:33:16,162 --> 00:33:18,764
WITH HER HAIR?
904
00:33:18,764 --> 00:33:20,266
LET'S LOOK HERE.
905
00:33:20,266 --> 00:33:22,234
NO, JUST KEEP IT DRY FOR RIGHT
906
00:33:22,234 --> 00:33:22,634
NOW.
907
00:33:22,634 --> 00:33:24,636
WE'LL DO A COUPLE WITH IT DRY,
908
00:33:24,636 --> 00:33:26,605
AND THEN MAYBE WE'LL SWITCH IT
909
00:33:26,605 --> 00:33:28,540
UP LATER, BUT JUST STAY THE SAME
910
00:33:28,540 --> 00:33:29,108
WAY.
911
00:33:29,108 --> 00:33:30,776
IS THIS TEMPTING TO YOU NOW?
912
00:33:30,776 --> 00:33:33,112
[ LAUGHTER ]
913
00:33:33,112 --> 00:33:34,380
IT'S PRETTY COOL, ACTUALLY.
914
00:33:34,380 --> 00:33:35,614
JUST HANG OUT FOR JUST A
915
00:33:35,614 --> 00:33:36,182
SECOND.
916
00:33:36,182 --> 00:33:37,083
IT FEELS COOL?
917
00:33:37,083 --> 00:33:37,749
YEAH, IT DOES.
918
00:33:37,749 --> 00:33:39,251
IS IT SLIMY?
919
00:33:39,251 --> 00:33:40,352
HOW OFTEN DO YOU SEE SHIT
920
00:33:40,352 --> 00:33:41,187
LIKE THAT?
921
00:33:41,187 --> 00:33:42,788
PEOPLE KILLING THEMSELVES?
922
00:33:42,788 --> 00:33:44,390
OH, YEAH, WITH, LIKE,
923
00:33:44,390 --> 00:33:46,525
THE WRISTS OPEN AND EVERYTHING?
924
00:33:46,525 --> 00:33:47,326
PRETTY COMMON.
925
00:33:47,326 --> 00:33:48,360
SUPPOSEDLY, IF YOU DO IT WITH A
926
00:33:48,360 --> 00:33:49,595
FINE ENOUGH BLADE, YOU CAN'T
927
00:33:49,595 --> 00:33:50,629
EVEN REALLY FEEL ANYTHING.
928
00:33:50,629 --> 00:33:52,631
YOU JUST GET KIND OF SLEEPY AS
929
00:33:52,631 --> 00:33:54,600
YOUR LIFE RUNS OUT OF YOU.
930
00:33:54,600 --> 00:33:56,368
JUST GET KIND OF TIRED AND WARM.
931
00:33:56,368 --> 00:33:58,270
CLOSE YOUR EYES.
932
00:33:58,270 --> 00:34:01,240
OKAY.
933
00:34:01,240 --> 00:34:02,274
[ CAMERA SHUTTER CLICKS ]
934
00:34:02,274 --> 00:34:04,610
[ CAMERA WHIRRING ]
935
00:34:04,610 --> 00:34:05,644
HEY, ALEX?
936
00:34:05,644 --> 00:34:07,579
YEAH?
937
00:34:13,319 --> 00:34:14,820
[ CAMERA SHUTTER CLICKS ]
938
00:34:14,820 --> 00:34:18,557
[ CAMERA WHIRRING ]
939
00:34:18,557 --> 00:34:19,725
THANK YOU.
940
00:34:19,725 --> 00:34:21,627
[ MUSIC INTENSIFIES ]
941
00:34:26,598 --> 00:34:28,634
[ FOOTSTEPS APPROACHING ]
942
00:34:43,282 --> 00:34:45,417
[ CAMERA SHUTTER CLICKS ]
943
00:34:45,417 --> 00:34:47,719
[ MUSIC INTENSIFIES ]
944
00:34:50,789 --> 00:34:52,291
[ CAMERA SHUTTER CLICKS ]
945
00:34:52,291 --> 00:34:54,560
[ INDISTINCT CONVERSATION ]
946
00:35:05,371 --> 00:35:06,405
[ MID-TEMPO MUSIC
947
00:35:06,405 --> 00:35:09,441
PLAYS INDISTINCTLY ]
948
00:35:09,441 --> 00:35:10,809
[ Holding breath ] I THINK
949
00:35:10,809 --> 00:35:12,411
CARS ARE FUTURISTIC, YOU KNOW?
950
00:35:12,411 --> 00:35:14,446
[ EXHALES ]
951
00:35:14,446 --> 00:35:16,682
I MEAN, JUST ANYTHING, YOU KNOW?
952
00:35:16,682 --> 00:35:18,450
LIKE, I THINK THAT MAYBE, IF I
953
00:35:18,450 --> 00:35:19,818
HAD A PAST LIFE, IT WAS
954
00:35:19,818 --> 00:35:21,720
DEFINITELY BEFORE ELECTRICITY.
955
00:35:21,720 --> 00:35:23,355
[ KNOCK ON DOOR ]
956
00:35:23,355 --> 00:35:26,258
HOLD ON A SECOND.
957
00:35:26,258 --> 00:35:27,326
I'LL HOLD THAT.
958
00:35:27,326 --> 00:35:28,460
HOLD THAT FOR ME.
959
00:35:28,460 --> 00:35:30,529
MM-HMM.
960
00:35:32,698 --> 00:35:35,301
* HELLO ♪
961
00:35:35,301 --> 00:35:36,335
[ LAUGHS ]
962
00:35:36,335 --> 00:35:37,736
OH, HEY, WHAT'S UP? [ LAUGHS ]
963
00:35:37,736 --> 00:35:38,470
HOW ARE YOU?
964
00:35:38,470 --> 00:35:39,705
I'M GOOD, I'M GOOD.
965
00:35:39,705 --> 00:35:40,439
COME ON IN.
966
00:35:40,439 --> 00:35:41,440
IS ALEX AROUND?
967
00:35:41,440 --> 00:35:42,441
OH, NO, SHE'S STILL AT HER
968
00:35:42,441 --> 00:35:43,709
MOM'S FOR THE WEEKEND.
969
00:35:43,709 --> 00:35:44,710
OH, YEAH. I'M SORRY.
970
00:35:44,710 --> 00:35:45,911
WHAT ARE YOU DOING AROUND
971
00:35:45,911 --> 00:35:46,478
HERE?
972
00:35:46,478 --> 00:35:47,913
I JUST WANTED TO STOP BY AND
973
00:35:47,913 --> 00:35:48,680
SAY HI.
974
00:35:48,680 --> 00:35:49,448
OH, YEAH.
975
00:35:49,448 --> 00:35:50,649
YOU KNOW THESE GUYS?
976
00:35:50,649 --> 00:35:51,917
UM, YEAH, KIND OF.
977
00:35:51,917 --> 00:35:53,352
HOW'S IT GOING?
978
00:35:53,352 --> 00:35:57,389
HEY.
979
00:35:57,389 --> 00:35:58,790
THANK YOU MUCH.
980
00:35:58,790 --> 00:36:00,692
UM, I'M ACTUALLY NOT GONNA
981
00:36:00,692 --> 00:36:02,328
STAY, I DON'T THINK, SO DO YOU
982
00:36:02,328 --> 00:36:03,995
MIND JUST TELLING ALEX I STOPPED
983
00:36:03,995 --> 00:36:04,830
BY?
984
00:36:04,830 --> 00:36:06,432
OH, YOU'RE NOT GONNA STAY?
985
00:36:06,432 --> 00:36:08,267
NO, I DON'T THINK SO.
986
00:36:08,267 --> 00:36:09,635
OKAY, HERE, HERE.
987
00:36:09,635 --> 00:36:11,670
LET ME WALK YOU OUT, THEN.
988
00:36:17,376 --> 00:36:18,510
YOU'RE MORE THAN WELCOME TO
989
00:36:18,510 --> 00:36:21,447
STICK AROUND.
990
00:36:21,447 --> 00:36:24,483
ALL RIGHT.
991
00:36:24,483 --> 00:36:26,352
UM, HAVE A GOOD NIGHT.
992
00:36:26,352 --> 00:36:26,885
YEAH.
993
00:36:26,885 --> 00:36:28,554
I'LL SEE YOU SOON, I HOPE.
994
00:36:28,554 --> 00:36:29,688
[ CHUCKLES ]
995
00:36:29,688 --> 00:36:30,422
GOOD NIGHT.
996
00:36:30,422 --> 00:36:32,658
[ SOFT, DRAMATIC MUSIC PLAYS ]
997
00:37:01,387 --> 00:37:03,722
[ CAR IDLING ]
998
00:37:08,360 --> 00:37:10,296
[ BRAKE RELEASES ]
999
00:37:17,303 --> 00:37:18,404
[ INDISTINCT CONVERSATION ]
1000
00:37:18,404 --> 00:37:18,870
[ SOFT MUSIC
1001
00:37:18,870 --> 00:37:19,771
PLAYS INDISTINCTLY ]
1002
00:37:19,771 --> 00:37:20,539
I DON'T KNOW.
1003
00:37:20,539 --> 00:37:21,740
I THINK I WOULD FEEL FUNNY ABOUT
1004
00:37:21,740 --> 00:37:22,808
IT.
1005
00:37:22,808 --> 00:37:23,809
I COULDN'T LOOK AT THEM
1006
00:37:23,809 --> 00:37:24,543
AFTERWARDS.
1007
00:37:24,543 --> 00:37:26,445
I BET YOU WOULD TAKE LIKE
1008
00:37:26,445 --> 00:37:28,480
THREE, AND THEN AS YOU SAW ONE,
1009
00:37:28,480 --> 00:37:30,015
YOU'D WANT TO TAKE MORE.
1010
00:37:30,015 --> 00:37:31,817
MAYBE. I DON'T KNOW.
1011
00:37:31,817 --> 00:37:32,784
YOU SHOULD JUST TRY IT.
1012
00:37:32,784 --> 00:37:33,519
THERE'S NO --
1013
00:37:33,519 --> 00:37:34,586
WAIT, WAIT, WAIT, HOLD ON.
1014
00:37:34,586 --> 00:37:35,621
[ CAMERA SHUTTER CLICKS ]
1015
00:37:35,621 --> 00:37:36,322
ONE MORE.
1016
00:37:36,322 --> 00:37:36,888
[ CHUCKLES ]
1017
00:37:36,888 --> 00:37:37,789
HOLD A MINUTE.
1018
00:37:37,789 --> 00:37:38,424
[ CHUCKLES ]
1019
00:37:38,424 --> 00:37:39,491
NOW, NOW, DON'T MOVE, DON'T
1020
00:37:39,491 --> 00:37:39,658
MOVE.
1021
00:37:39,658 --> 00:37:42,428
[ CAMERA SHUTTER CLICKING ]
1022
00:37:42,428 --> 00:37:44,630
[ CHUCKLES ]
1023
00:37:44,630 --> 00:37:46,832
HERE.
1024
00:37:46,832 --> 00:37:48,967
[ CAMERA SHUTTER CLICKING ]
1025
00:37:48,967 --> 00:37:52,871
[ CHUCKLES ]
1026
00:37:52,871 --> 00:37:54,640
[ CAMERA SHUTTER CLICKING ]
1027
00:37:54,640 --> 00:37:57,943
[ CHUCKLES ]
1028
00:37:57,943 --> 00:38:01,046
[ CAMERA SHUTTER CLICKING ]
1029
00:38:01,046 --> 00:38:03,449
[ CHUCKLES ]
1030
00:38:03,449 --> 00:38:05,684
[ CAMERA SHUTTER CLICKING ]
1031
00:38:10,088 --> 00:38:11,357
[ CHUCKLES ]
1032
00:38:11,357 --> 00:38:14,059
[ CAMERA SHUTTER CLICKING ]
1033
00:38:19,431 --> 00:38:23,001
* IT'S A WASTE OF TIME,
1034
00:38:23,001 --> 00:38:26,037
TRYIN' TO STAND IN LINE ♪
1035
00:38:26,037 --> 00:38:29,575
♪ NEVER A PLACE AND TIME ♪
1036
00:38:29,575 --> 00:38:33,078
♪ WISH YOU WERE SPENDIN' TIME ♪
1037
00:38:33,078 --> 00:38:36,915
♪ LOOK FOR A FOOLISH SIGN ♪
1038
00:38:36,915 --> 00:38:38,650
♪ SOMETHING TO... ♪
1039
00:38:38,650 --> 00:38:39,585
[ DRAMATIC MUSIC PLAYS ]
1040
00:38:39,585 --> 00:38:40,552
DO YOU HAVE A GOOD TIME?
1041
00:38:40,552 --> 00:38:41,052
YEAH, I DID.
1042
00:38:41,052 --> 00:38:41,687
DID YOU REALLY?
1043
00:38:41,687 --> 00:38:43,121
YEAH, I DID, I DID.
1044
00:38:43,121 --> 00:38:44,856
I HAD A VERY, VERY GOOD TIME.
1045
00:38:44,856 --> 00:38:45,657
[ Chuckling ] GOOD.
1046
00:38:45,657 --> 00:38:48,894
AND, UH, I HOPE THAT WE DO
1047
00:38:48,894 --> 00:38:49,961
SOMETHING LIKE THIS AGAIN, IF
1048
00:38:49,961 --> 00:38:50,862
YOU EVER FEEL LIKE IT.
1049
00:38:50,862 --> 00:38:51,863
WE SHOULD HANG OUT.
1050
00:38:51,863 --> 00:38:52,531
YEAH, WE SHOULD.
1051
00:38:52,531 --> 00:38:53,164
WE SHOULD HANG OUT.
1052
00:38:53,164 --> 00:38:54,433
WE SHOULD JUST GO DO SOMETHING
1053
00:38:54,433 --> 00:38:55,066
NORMAL SOMETIME SOON.
1054
00:38:55,066 --> 00:38:55,901
[ LAUGHS ] OKAY.
1055
00:38:55,901 --> 00:38:57,869
IT WAS SO GOOD TO SEE YOU.
1056
00:38:57,869 --> 00:39:00,572
[ DRAMATIC MUSIC CONTINUES ]
1057
00:39:15,887 --> 00:39:17,856
[ MUSIC INTENSIFIES ]
1058
00:40:00,966 --> 00:40:02,934
[ DOORKNOB RATTLES ]
1059
00:40:02,934 --> 00:40:05,136
[ DOOR CREAKS ]
1060
00:40:11,009 --> 00:40:13,579
[ MUSIC SOFTENS ]
1061
00:40:13,579 --> 00:40:17,549
[ ENGINE IDLING ]
1062
00:40:17,549 --> 00:40:19,551
[ ENGINE SHUTS OFF ]
1063
00:40:25,591 --> 00:40:28,059
[ FOOTSTEPS APPROACHING ]
1064
00:40:30,061 --> 00:40:32,163
[ MUSIC FADES ]
1065
00:40:37,035 --> 00:40:39,938
MMM.
1066
00:40:43,809 --> 00:40:46,044
WHOSE IS THIS?
1067
00:40:46,044 --> 00:40:47,879
THAT'S AMY'S.
1068
00:40:47,879 --> 00:40:50,248
OH.
1069
00:40:50,248 --> 00:40:53,885
HOW'D THE SHOOT GO?
1070
00:40:53,885 --> 00:40:56,087
IT'S FINE.
1071
00:40:56,087 --> 00:40:56,888
[ CHUCKLES ]
1072
00:40:56,888 --> 00:40:58,289
CAME BACK HERE AFTERWARDS?
1073
00:40:58,289 --> 00:41:01,092
MM-HMM.
1074
00:41:04,195 --> 00:41:06,464
[ MID-TEMPO MUSIC PLAYS ]
1075
00:41:25,083 --> 00:41:27,152
[ BREATHING HEAVILY ]
1076
00:41:27,152 --> 00:41:29,588
OH, FUCK IT.
1077
00:41:29,588 --> 00:41:31,790
[ SIGHS ]
1078
00:41:31,790 --> 00:41:34,726
[ BOTH BREATHING MOANING ]
1079
00:41:39,698 --> 00:41:42,968
[ SHOWER WATER RUNNING ]
1080
00:41:56,147 --> 00:41:58,149
[ SOFT, DRAMATIC MUSIC PLAYS ]
1081
00:41:58,149 --> 00:41:59,818
[ SCOFFS ]
1082
00:41:59,818 --> 00:42:01,620
[ Sarcastically ] OH, I'M SO
1083
00:42:01,620 --> 00:42:03,288
GLAD YOU HAD A GOOD TIME.
1084
00:42:23,108 --> 00:42:25,110
[ SIGHS ]
1085
00:42:32,117 --> 00:42:33,985
STOP.
1086
00:42:33,985 --> 00:42:35,721
NOTHING HAPPENED?
1087
00:42:35,721 --> 00:42:37,856
NO.
1088
00:42:37,856 --> 00:42:40,158
SERIOUSLY.
1089
00:42:40,158 --> 00:42:41,793
WHY ARE YOU TAKING NAKED
1090
00:42:41,793 --> 00:42:43,829
PICTURES OF WOMEN IN OUR HOUSE?
1091
00:42:50,201 --> 00:42:51,737
HAVE YOU EVER DONE THIS BEFORE?
1092
00:42:51,737 --> 00:42:53,371
DO YOU TAKE...
1093
00:42:53,371 --> 00:42:55,974
SMUTTY PICTURES WHEN I'M NOT
1094
00:42:55,974 --> 00:42:57,943
HERE?
1095
00:42:57,943 --> 00:43:00,278
NO.
1096
00:43:00,278 --> 00:43:01,246
NO, SERIOUSLY, WE WERE JUST
1097
00:43:01,246 --> 00:43:02,247
HANGING OUT, AND YOU KNOW, I
1098
00:43:02,247 --> 00:43:02,748
MEAN...
1099
00:43:02,748 --> 00:43:03,749
WELL, WHAT ARE YOU GONNA DO
1100
00:43:03,749 --> 00:43:04,149
WITH THEM?
1101
00:43:04,149 --> 00:43:05,183
WHAT ARE YOU GONNA DO WITH THE
1102
00:43:05,183 --> 00:43:06,985
PICTURES?
1103
00:43:06,985 --> 00:43:07,719
I DON'T KNOW.
1104
00:43:07,719 --> 00:43:08,787
I HAVEN'T HAD A CHANCE TO LOOK
1105
00:43:08,787 --> 00:43:09,020
AT THEM.
1106
00:43:09,020 --> 00:43:10,656
WELL, I'D LIKE YOU TO DELETE
1107
00:43:10,656 --> 00:43:13,191
THEM.
1108
00:43:13,191 --> 00:43:15,761
COULD YOU PLEASE DO THAT?
1109
00:43:15,761 --> 00:43:16,327
WELL, I DON'T KNOW.
1110
00:43:16,327 --> 00:43:17,228
I MEAN, THERE MIGHT BE, LIKE --
1111
00:43:17,228 --> 00:43:18,029
NO, I NEED YOU TO DELETE
1112
00:43:18,029 --> 00:43:20,065
THEM.
1113
00:43:22,968 --> 00:43:25,370
[ SIGHS ]
1114
00:43:25,370 --> 00:43:27,205
I'M NOT BEING UNREASONABLE.
1115
00:43:27,205 --> 00:43:29,307
ALL RIGHT, ALL RIGHT, IF YOU
1116
00:43:29,307 --> 00:43:32,711
WANT ME TO DELETE THEM.
1117
00:43:32,711 --> 00:43:34,312
LOOK, WE TAKE PICTURES...
1118
00:43:34,312 --> 00:43:35,013
[ SIGHS ]
1119
00:43:35,013 --> 00:43:36,782
VERY SPECIFIC PICTURES.
1120
00:43:36,782 --> 00:43:37,883
ALL RIGHT, HERE.
1121
00:43:37,883 --> 00:43:39,050
JUST GIVE ME THE CAMERA.
1122
00:43:39,050 --> 00:43:40,251
I'LL DELETE THE PHOTOS.
1123
00:43:40,251 --> 00:43:41,687
I'LL DELETE THEM LATER, OKAY?
1124
00:43:41,687 --> 00:43:42,320
[ MUSIC STOPS ]
1125
00:43:42,320 --> 00:43:43,822
THERE MIGHT BE SO STUNNING THAT
1126
00:43:43,822 --> 00:43:44,923
I DON'T WANT TO MESS UP.
1127
00:43:44,923 --> 00:43:45,356
YOU KNOW?
1128
00:43:45,356 --> 00:43:47,893
LOOK, SERIOUSLY.
1129
00:43:54,766 --> 00:43:57,268
FINE.
1130
00:43:57,268 --> 00:44:00,806
[ SIGHS ]
1131
00:44:05,777 --> 00:44:08,046
[ SOFT, DRAMATIC MUSIC PLAYS ]
1132
00:44:08,046 --> 00:44:09,214
WHAT ARE YOU DOING HERE,
1133
00:44:09,214 --> 00:44:11,850
MICHAEL?
1134
00:44:11,850 --> 00:44:12,884
I JUST STOPPED BY TO GET A
1135
00:44:12,884 --> 00:44:13,351
COUPLE THINGS.
1136
00:44:13,351 --> 00:44:16,922
I'LL BE GONE IN A FEW MINUTES.
1137
00:44:16,922 --> 00:44:18,456
YOU CANNOT KEEP SHOWING UP
1138
00:44:18,456 --> 00:44:19,725
HERE UNANNOUNCED.
1139
00:44:19,725 --> 00:44:20,926
DO YOU UNDERSTAND ME?
1140
00:44:20,926 --> 00:44:22,227
YEAH, I KNOW.
1141
00:44:22,227 --> 00:44:23,328
I TOLD YOU TO LEAVE.
1142
00:44:23,328 --> 00:44:24,062
I MEANT IT.
1143
00:44:24,062 --> 00:44:24,763
I KNOW.
1144
00:44:24,763 --> 00:44:26,297
I USED TO BE AFRAID THAT I'D
1145
00:44:26,297 --> 00:44:27,733
GET A CALL IN THE MIDDLE OF THE
1146
00:44:27,733 --> 00:44:29,034
NIGHT, AND YOU'D BE DEAD ON A
1147
00:44:29,034 --> 00:44:30,068
STREET CORNER SOMEWHERE.
1148
00:44:30,068 --> 00:44:31,937
NOW I'M TERRIFIED THAT YOU'RE
1149
00:44:31,937 --> 00:44:33,739
GONNA DO SOMETHING TO YOURSELF.
1150
00:44:33,739 --> 00:44:35,373
I COME HOME EVERY DAY WITH A PIT
1151
00:44:35,373 --> 00:44:37,075
IN THE MIDDLE OF MY STOMACH,
1152
00:44:37,075 --> 00:44:38,343
MICHAEL, THAT YOU'RE GONNA BE
1153
00:44:38,343 --> 00:44:39,811
DEAD ON A FLOOR AND I'M GONNA
1154
00:44:39,811 --> 00:44:41,246
FIND YOU AND HAVE TO DEAL WITH
1155
00:44:41,246 --> 00:44:41,512
THAT.
1156
00:44:41,512 --> 00:44:43,048
I CAN'T DO THIS ANYMORE.
1157
00:44:43,048 --> 00:44:44,349
I'M NOT CUT OUT FOR IT.
1158
00:44:44,349 --> 00:44:45,316
[ SCOFFS ]
1159
00:44:45,316 --> 00:44:47,285
HOMICIDE DETECTIVE IS ONE THING.
1160
00:44:47,285 --> 00:44:49,120
DEPRESSED IS A WHOLE OTHER ONE.
1161
00:44:49,120 --> 00:44:50,355
I WANT A FAMILY.
1162
00:44:50,355 --> 00:44:51,857
I WANT A FUTURE, MICHAEL.
1163
00:44:51,857 --> 00:44:53,524
I WANT A SENSE OF SECURITY AND
1164
00:44:53,524 --> 00:44:57,095
SAFETY IN MY LIFE.
1165
00:44:57,095 --> 00:44:58,864
I'VE DONE EVERYTHING I CAN FOR
1166
00:44:58,864 --> 00:44:59,330
YOU.
1167
00:44:59,330 --> 00:45:00,999
I'VE GONE ABOVE AND BEYOND, AND
1168
00:45:00,999 --> 00:45:02,400
I JUST DON'T HAVE IT IN ME
1169
00:45:02,400 --> 00:45:04,069
ANYMORE.
1170
00:45:04,069 --> 00:45:05,103
I JUST WANT YOU TO GET YOUR
1171
00:45:05,103 --> 00:45:09,107
STUFF AND GET OUT OF HERE.
1172
00:45:09,107 --> 00:45:10,375
I'M SORRY.
1173
00:45:10,375 --> 00:45:12,377
YEAH, HEARD IT BEFORE.
1174
00:45:35,133 --> 00:45:37,202
[ CAMERA SHUTTER CLICKS ]
1175
00:45:49,080 --> 00:45:50,181
HOW ARE YOU?
1176
00:45:50,181 --> 00:45:51,149
I'M GOOD.
1177
00:45:51,149 --> 00:45:53,118
YOU EXCITED ABOUT THE SHOOT?
1178
00:45:53,118 --> 00:45:54,452
YEAH, YEAH.
1179
00:45:54,452 --> 00:45:56,121
UM, ACTUALLY...
1180
00:45:56,121 --> 00:45:57,022
THAT'S WHAT I WANT TO TALK TO
1181
00:45:57,022 --> 00:45:57,355
YOU ABOUT.
1182
00:45:57,355 --> 00:45:59,958
UM, YOU KNOW, IT JUST OCCURRED
1183
00:45:59,958 --> 00:46:01,592
TO ME THE OTHER DAY, UH, HOW,
1184
00:46:01,592 --> 00:46:03,561
YOU KNOW, I'VE BEEN HANGING OUT
1185
00:46:03,561 --> 00:46:05,130
WITH REBECCA AND ALL.
1186
00:46:05,130 --> 00:46:07,332
AND, UH, I MEAN, IT JUST KIND OF
1187
00:46:07,332 --> 00:46:09,300
OCCURRED TO ME THAT THIS MIGHT
1188
00:46:09,300 --> 00:46:11,069
BE A GOOD STARTING POINT FOR
1189
00:46:11,069 --> 00:46:12,303
HER.
1190
00:46:12,303 --> 00:46:13,038
OKAY, COOL.
1191
00:46:13,038 --> 00:46:14,505
W-WHAT WOULD YOU HAVE FOR HER?
1192
00:46:14,505 --> 00:46:15,941
WHAT WOULD SHE BE DOING?
1193
00:46:15,941 --> 00:46:17,442
WELL, I WAS THINKING MAYBE
1194
00:46:17,442 --> 00:46:18,877
SWITCHING YOU GUYS OUT.
1195
00:46:18,877 --> 00:46:20,178
OH, OKAY.
1196
00:46:20,178 --> 00:46:21,346
LIKE, UH, YOU KNOW, IT
1197
00:46:21,346 --> 00:46:22,547
JUST -- IT JUST SEEMS LIKE WE'RE
1198
00:46:22,547 --> 00:46:23,949
GONNA BE ON THE SOUND STAGE,
1199
00:46:23,949 --> 00:46:24,415
AND...
1200
00:46:24,415 --> 00:46:24,950
MM-HMM.
1201
00:46:24,950 --> 00:46:26,384
...IT'S, UH, IT'S GONNA BE A
1202
00:46:26,384 --> 00:46:27,418
CONTROLLED ENVIRONMENT.
1203
00:46:27,418 --> 00:46:27,853
YEAH.
1204
00:46:27,853 --> 00:46:28,920
THERE'S NOT GONNA BE A LOT OF
1205
00:46:28,920 --> 00:46:29,955
PEOPLE WANDERING IN AND OUT.
1206
00:46:29,955 --> 00:46:30,488
YEAH. TOTALLY.
1207
00:46:30,488 --> 00:46:31,990
THAT MAKES A LOT OF SENSE.
1208
00:46:31,990 --> 00:46:33,191
I THINK SHE'LL BE GREAT.
1209
00:46:33,191 --> 00:46:34,025
YEAH?
1210
00:46:34,025 --> 00:46:34,860
YEAH.
1211
00:46:34,860 --> 00:46:35,493
OKAY.
1212
00:46:35,493 --> 00:46:36,895
BUT DON'T GET ME WRONG.
1213
00:46:36,895 --> 00:46:37,896
I WANT YOU THERE.
1214
00:46:37,896 --> 00:46:38,964
[ Chuckling ] OH.
1215
00:46:38,964 --> 00:46:39,564
YOU KNOW?
1216
00:46:39,564 --> 00:46:41,399
LIKE, I WANT YOU TO BE THERE TO
1217
00:46:41,399 --> 00:46:42,934
HELP OUT AND, YOU KNOW, IF YOU
1218
00:46:42,934 --> 00:46:43,935
WANT TO BE THERE.
1219
00:46:43,935 --> 00:46:44,903
YEAH, TOTALLY.
1220
00:46:44,903 --> 00:46:45,470
OKAY.
1221
00:46:45,470 --> 00:46:46,404
YEAH, I'LL HELP OUT.
1222
00:46:46,404 --> 00:46:46,938
OKAY.
1223
00:46:46,938 --> 00:46:48,106
I'M JUST ACTUALLY GONNA RUN
1224
00:46:48,106 --> 00:46:49,407
TO THE BATHROOM REALLY QUICKLY.
1225
00:46:49,407 --> 00:46:50,208
DO YOU NEED ANYTHING?
1226
00:46:50,208 --> 00:46:50,976
NO, I'M GOOD.
1227
00:46:50,976 --> 00:46:53,011
OKAY.
1228
00:46:53,011 --> 00:46:54,913
[ MUSIC INTENSIFIES ]
1229
00:47:02,988 --> 00:47:05,290
[ SIGHS ]
1230
00:47:34,252 --> 00:47:36,454
[ MUSIC FADES ]
1231
00:47:36,454 --> 00:47:38,589
LATE NIGHT?
1232
00:47:38,589 --> 00:47:40,291
MAYBE I SHOULD HAVE SOME
1233
00:47:40,291 --> 00:47:41,092
WATER.
1234
00:47:41,092 --> 00:47:43,028
[ CHUCKLES ]
1235
00:47:46,664 --> 00:47:48,099
I DON'T KNOW HOW LONG IT'S BEEN
1236
00:47:48,099 --> 00:47:49,267
IN THE BACK SEAT, BUT [SIGHS]
1237
00:47:49,267 --> 00:47:49,667
GO FOR IT.
1238
00:47:49,667 --> 00:47:50,335
PERFECT.
1239
00:47:50,335 --> 00:47:51,636
IT'S GOT ELECTROLYTES.
1240
00:47:51,636 --> 00:47:53,538
[ CHUCKLES ]
1241
00:48:09,654 --> 00:48:11,990
[ INDISTINCT CONVERSATIONS ]
1242
00:48:11,990 --> 00:48:16,261
[ FOOTSTEPS APPROACHING ]
1243
00:48:16,261 --> 00:48:18,363
[ TELEPHONE RINGING ]
1244
00:48:40,251 --> 00:48:41,752
[ UP-TEMPO MUSIC
1245
00:48:41,752 --> 00:48:43,989
PLAYS INDISTINCTLY ]
1246
00:49:29,267 --> 00:49:31,569
[ MUSIC INTENSIFIES ]
1247
00:49:33,571 --> 00:49:36,041
[ ENGINE TURNS OVER ]
1248
00:49:41,179 --> 00:49:42,213
[ SOFT MUSIC PLAYS ]
1249
00:49:42,213 --> 00:49:43,481
YOU KNOW WHAT'S AN AESTHETIC
1250
00:49:43,481 --> 00:49:44,215
CHOICE?
1251
00:49:44,215 --> 00:49:45,050
[ SNIFFLES ]
1252
00:49:45,050 --> 00:49:46,584
YOU KNOW, NATURE PHOTOS --
1253
00:49:46,584 --> 00:49:48,419
PHOTOS LIKE BIRDS AND TREES.
1254
00:49:48,419 --> 00:49:49,754
YEAH, BUT ANYBODY CAN TAKE
1255
00:49:49,754 --> 00:49:50,288
THAT.
1256
00:49:50,288 --> 00:49:51,756
AND MOST PEOPLE, IF YOU ACTUALLY
1257
00:49:51,756 --> 00:49:53,358
START LOOKING AT WHAT PEOPLE DO
1258
00:49:53,358 --> 00:49:54,659
WHEN THEY FIRST START TAKING
1259
00:49:54,659 --> 00:49:56,261
PHOTOGRAPHS, THEY ALWAYS END UP
1260
00:49:56,261 --> 00:49:57,628
JUST GOING TO, LIKE, BOTANICAL
1261
00:49:57,628 --> 00:49:58,696
GARDENS OR SOMETHING.
1262
00:49:58,696 --> 00:50:00,265
IF YOU EVER GO TO BOTANICAL
1263
00:50:00,265 --> 00:50:01,466
GARDENS, YOU JUST SEE ALL THESE,
1264
00:50:01,466 --> 00:50:02,700
LIKE, PHOTOGRAPHY JOURNALISM
1265
00:50:02,700 --> 00:50:03,834
STUDENTS OUT THERE WITH THEIR
1266
00:50:03,834 --> 00:50:05,536
CAMERAS, TAKING PICTURES OF THE
1267
00:50:05,536 --> 00:50:06,637
SAME GODDAMN PLANTS THAT
1268
00:50:06,637 --> 00:50:07,738
EVERYBODY ELSE HAS TAKEN
1269
00:50:07,738 --> 00:50:08,473
PICTURES OF.
1270
00:50:08,473 --> 00:50:10,075
YOU KNOW, IT'S RIDICULOUS,
1271
00:50:10,075 --> 00:50:11,676
'CAUSE IT'S LIKE, WHY CAN'T THEY
1272
00:50:11,676 --> 00:50:13,478
JUST GO OUT TO, LIKE, SOMEWHERE
1273
00:50:13,478 --> 00:50:14,845
WHERE PEOPLE DON'T PHOTOGRAPH
1274
00:50:14,845 --> 00:50:15,613
PLANTS.
1275
00:50:15,613 --> 00:50:17,382
INSTEAD, PEOPLE ACTUALLY GO TO
1276
00:50:17,382 --> 00:50:18,716
LOCATIONS WHERE THE PLANTS ARE
1277
00:50:18,716 --> 00:50:19,850
COMMONLY PHOTOGRAPHED -- THE
1278
00:50:19,850 --> 00:50:21,086
EXACT SAME ONES.
1279
00:50:21,086 --> 00:50:21,852
THERE'S PROBABLY, LIKE,
1280
00:50:21,852 --> 00:50:23,588
HARD DRIVES AND HARD DRIVES JUST
1281
00:50:23,588 --> 00:50:24,822
FILLED WITH, LIKE, ALL THE
1282
00:50:24,822 --> 00:50:26,291
BOTANICAL GARDENS ACROSS THE
1283
00:50:26,291 --> 00:50:27,525
UNITED STATES WITH THE SAME
1284
00:50:27,525 --> 00:50:29,260
GODDAMN PLANTS, YEAR AFTER YEAR,
1285
00:50:29,260 --> 00:50:30,495
WHEN THEY'RE BLOOMING AND DYING.
1286
00:50:30,495 --> 00:50:31,529
YOU KNOW WHAT I MEAN?
1287
00:50:31,529 --> 00:50:32,397
IT'S RIDICULOUS.
1288
00:50:32,397 --> 00:50:33,731
SO, YOU KNOW, AT THE END OF THE
1289
00:50:33,731 --> 00:50:36,334
DAY, YOU KNOW, DOING THAT KIND
1290
00:50:36,334 --> 00:50:37,835
OF THING IS EASY.
1291
00:50:37,835 --> 00:50:40,305
AND YOU KNOW, PULLING TOGETHER
1292
00:50:40,305 --> 00:50:42,373
THE RESOURCES, YOU KNOW, TO GET
1293
00:50:42,373 --> 00:50:44,342
A CREW TOGETHER, GET MAKEUP
1294
00:50:44,342 --> 00:50:46,544
TEAMS TOGETHER, TO GET EVERYBODY
1295
00:50:46,544 --> 00:50:48,779
ALL IN ON THE GAME, YOU KNOW, TO
1296
00:50:48,779 --> 00:50:50,781
RE-CREATE AN INTERESTING --
1297
00:50:50,781 --> 00:50:53,151
MAYBE IT'S A CRIME SCENE, MAYBE
1298
00:50:53,151 --> 00:50:55,320
IT'S, LIKE, A KIDNAPPING SCENE,
1299
00:50:55,320 --> 00:50:57,322
MAYBE IT'S, LIKE, SOME SORT OF,
1300
00:50:57,322 --> 00:50:59,124
LIKE, WEIRD SEX CRIME GONE WRONG
1301
00:50:59,124 --> 00:51:00,725
KIND OF THING IN THE MIDST OF
1302
00:51:00,725 --> 00:51:01,192
IT.
1303
00:51:01,192 --> 00:51:02,760
YOU KNOW, WHATEVER IT IS, YOU'RE
1304
00:51:02,760 --> 00:51:04,329
ACTUALLY MAKING SOMETHING
1305
00:51:04,329 --> 00:51:05,730
INTERESTING HAPPEN, EVEN IF IT
1306
00:51:05,730 --> 00:51:06,864
IS DARK OR WHATEVER.
1307
00:51:06,864 --> 00:51:09,467
AND THAT'S JUST WAY MORE
1308
00:51:09,467 --> 00:51:12,637
INTERESTING THAN, YOU KNOW, JUST
1309
00:51:12,637 --> 00:51:13,804
GOING OUT AND TAKING A PICTURE
1310
00:51:13,804 --> 00:51:14,905
OF YOUR FUCKING TREE IN YOUR
1311
00:51:14,905 --> 00:51:15,906
FRONT YARD OR SOMETHING.
1312
00:51:15,906 --> 00:51:16,474
YOU KNOW?
1313
00:51:16,474 --> 00:51:18,343
I THINK PHOTOS OF FLOWERS ARE
1314
00:51:18,343 --> 00:51:18,576
NICE.
1315
00:51:18,576 --> 00:51:19,677
[ SIGHS ]
1316
00:51:19,677 --> 00:51:21,846
I LIKE LOOKING AT PHOTOS.
1317
00:51:21,846 --> 00:51:22,847
YOU KNOW, I'M SURE THAT
1318
00:51:22,847 --> 00:51:23,914
THERE'S PHOTOS OF FLOWERS OUT
1319
00:51:23,914 --> 00:51:25,383
THERE THAT'LL JUST BLOW MY MIND,
1320
00:51:25,383 --> 00:51:25,616
YOU KNOW?
1321
00:51:25,616 --> 00:51:26,584
I JUST HAVEN'T SEEN THEM.
1322
00:51:26,584 --> 00:51:28,319
ALL RIGHT, ALL RIGHT, WELL,
1323
00:51:28,319 --> 00:51:28,719
WHY WOMEN?
1324
00:51:28,719 --> 00:51:30,421
WHY IS IT ALL THOSE DEAD WOMEN?
1325
00:51:30,421 --> 00:51:31,889
WHY NOT SOME DEAD OLD GUY WITH,
1326
00:51:31,889 --> 00:51:32,623
LIKE, A --
1327
00:51:32,623 --> 00:51:34,559
WELL, THAT'S DEPRESSING, YOU
1328
00:51:34,559 --> 00:51:35,360
KNOW?
1329
00:51:35,360 --> 00:51:36,894
IT'S NOT ABOUT THEM BEING DEAD
1330
00:51:36,894 --> 00:51:38,696
OR BEAT UP OR ANYTHING LIKE
1331
00:51:38,696 --> 00:51:39,797
THAT, YOU KNOW.
1332
00:51:39,797 --> 00:51:41,166
IT'S JUST A SPICE.
1333
00:51:41,166 --> 00:51:42,167
ACTUALLY, YOU KNOW WHAT, IT'S
1334
00:51:42,167 --> 00:51:43,501
RIDICULOUS FOR ME TO EVEN TRY TO
1335
00:51:43,501 --> 00:51:44,669
EXPLAIN THIS, BECAUSE IT'S NOT
1336
00:51:44,669 --> 00:51:45,703
SOMETHING THAT I EVEN THINK
1337
00:51:45,703 --> 00:51:46,204
ABOUT.
1338
00:51:46,204 --> 00:51:47,372
IT'S JUST SOMETHING THAT I DO.
1339
00:51:47,372 --> 00:51:48,573
AND THAT'S WHAT YOU GOT TO DO IN
1340
00:51:48,573 --> 00:51:49,374
THESE SITUATIONS.
1341
00:51:49,374 --> 00:51:51,742
YOU CAN'T SAY, "WHY AM I DOING
1342
00:51:51,742 --> 00:51:52,577
THIS?"
1343
00:51:52,577 --> 00:51:54,745
YOU KNOW, "WHY, WHY, WHY?"
1344
00:51:54,745 --> 00:51:57,448
YOU JUST HAVE TO BE LIKE, "OKAY,
1345
00:51:57,448 --> 00:51:59,917
I'M ATTRACTED TO THIS, YOU KNOW,
1346
00:51:59,917 --> 00:52:02,520
AND THAT'S WHAT I'M GONNA DO."
1347
00:52:02,520 --> 00:52:04,455
AND THAT'S PRETTY MUCH WHAT
1348
00:52:04,455 --> 00:52:06,524
PHOTOGRAPHY, IN GENERAL, IS.
1349
00:52:06,524 --> 00:52:07,392
YOU KNOW?
1350
00:52:07,392 --> 00:52:08,959
YOU JUST HAVE TO REACT TO
1351
00:52:08,959 --> 00:52:11,429
SOMETHING THAT GIVES YOU SOME
1352
00:52:11,429 --> 00:52:14,565
SORT OF, YOU KNOW, SOME SORT OF,
1353
00:52:14,565 --> 00:52:18,569
UH, YOU KNOW, EMOTIONAL FEEDBACK
1354
00:52:18,569 --> 00:52:20,738
THAT YOU CAN'T QUITE EXPLAIN.
1355
00:52:20,738 --> 00:52:22,407
YOU KNOW, I DON'T -- I DON'T
1356
00:52:22,407 --> 00:52:23,641
LIKE LOOKING AT DEAD BODIES.
1357
00:52:23,641 --> 00:52:24,975
I DON'T LIKE -- I DON'T LIKE
1358
00:52:24,975 --> 00:52:26,644
SEEING PEOPLE ACTUALLY GET HURT.
1359
00:52:26,644 --> 00:52:27,945
YOU KNOW, IT'S NOT LIKE THAT
1360
00:52:27,945 --> 00:52:28,546
AT ALL.
1361
00:52:28,546 --> 00:52:30,415
HAVE YOU EVER SEEN A REAL
1362
00:52:30,415 --> 00:52:30,915
DEAD BODY?
1363
00:52:30,915 --> 00:52:33,618
UM...
1364
00:52:33,618 --> 00:52:34,785
I MEAN, LIKE, AT A FUNERAL,
1365
00:52:34,785 --> 00:52:36,221
NOT, LIKE, JUST WALKING AROUND
1366
00:52:36,221 --> 00:52:37,555
AND STUMBLE ACROSS ONE, ALTHOUGH
1367
00:52:37,555 --> 00:52:38,823
I ALWAYS THOUGHT THAT WOULD BE
1368
00:52:38,823 --> 00:52:39,557
KIND OF COOL.
1369
00:52:39,557 --> 00:52:41,726
[ SIGHS ]
1370
00:52:41,726 --> 00:52:43,228
YOU KNOW WHAT MIGHT BE A GOOD
1371
00:52:43,228 --> 00:52:43,761
FIX FOR YOU?
1372
00:52:43,761 --> 00:52:44,929
WHAT'S THAT?
1373
00:52:44,929 --> 00:52:45,930
[ SNIFFLES ]
1374
00:52:45,930 --> 00:52:47,865
HAVE YOU JUST TRIED, YOU
1375
00:52:47,865 --> 00:52:50,235
KNOW, SMILING OCCASIONALLY?
1376
00:52:50,235 --> 00:52:51,269
YOU KNOW?
1377
00:52:51,269 --> 00:52:53,438
I SMILE, I SMILE.
1378
00:52:53,438 --> 00:52:54,004
LIKE, UM --
1379
00:52:54,004 --> 00:52:55,005
LET ME SEE.
1380
00:52:55,005 --> 00:52:56,274
I'M NOT -- THERE'S NOTHING TO
1381
00:52:56,274 --> 00:52:57,508
SMILE ABOUT RIGHT NOW.
1382
00:52:57,508 --> 00:52:58,543
I'M NOT GONNA SMILE RIGHT NOW.
1383
00:52:58,543 --> 00:52:59,744
WELL, SEE, THAT'S THE THING,
1384
00:52:59,744 --> 00:53:00,878
IS YOU DON'T NEED ANYTHING TO
1385
00:53:00,878 --> 00:53:01,546
SMILE ABOUT.
1386
00:53:01,546 --> 00:53:02,680
YOU CAN JUST SMILE. YOU KNOW?
1387
00:53:02,680 --> 00:53:03,681
WELL, WHAT IS THAT?
1388
00:53:03,681 --> 00:53:04,949
WHAT'S THE BENEFIT OF THAT?
1389
00:53:04,949 --> 00:53:06,484
WELL, IT RELEASES ENDORPHINS
1390
00:53:06,484 --> 00:53:07,252
OR SOMETHING.
1391
00:53:07,252 --> 00:53:07,852
I DON'T KNOW.
1392
00:53:07,852 --> 00:53:09,920
UH, YOU KNOW, YOU SMILE, YOU
1393
00:53:09,920 --> 00:53:10,888
FEEL GOOD.
1394
00:53:10,888 --> 00:53:11,689
YOU KNOW?
1395
00:53:11,689 --> 00:53:13,558
AND IF YOU DON'T FEEL GOOD, I
1396
00:53:13,558 --> 00:53:15,493
THINK IF YOU GET INTO THE HABIT
1397
00:53:15,493 --> 00:53:17,027
OF SMILING, YOU CAN START.
1398
00:53:17,027 --> 00:53:18,429
I THINK YOU SHOULD JUST, YOU
1399
00:53:18,429 --> 00:53:19,764
KNOW, START PRACTICING SMILING,
1400
00:53:19,764 --> 00:53:20,631
PERSONALLY.
1401
00:53:20,631 --> 00:53:21,532
[ CHUCKLES ]
1402
00:53:21,532 --> 00:53:23,268
IT'S THE DUMBEST THING I'VE
1403
00:53:23,268 --> 00:53:24,269
EVER HEARD.
1404
00:53:24,269 --> 00:53:25,303
[ CHUCKLES ]
1405
00:53:25,303 --> 00:53:27,605
COMING FROM MR. MOPEY OVER HERE.
1406
00:53:30,775 --> 00:53:32,843
[ SIGHS ]
1407
00:53:32,843 --> 00:53:33,844
[ MUSIC STOPS ]
1408
00:53:33,844 --> 00:53:36,414
[ DOORKNOB RATTLES ]
1409
00:53:46,657 --> 00:53:49,627
[ ZIPPER UNZIPS ]
1410
00:53:49,627 --> 00:53:51,996
[ LIQUID RUNNING ]
1411
00:54:02,540 --> 00:54:05,810
[ MOANING IN DISTANCE ]
1412
00:54:22,660 --> 00:54:25,896
[ MOANING INTENSIFIES ]
1413
00:54:52,990 --> 00:54:55,493
[ SPITS ]
1414
00:55:02,667 --> 00:55:05,436
[ MOANING INTENSIFIES ]
1415
00:55:07,672 --> 00:55:11,942
[ UP-TEMPO MUSIC PLAYS LOUDLY ]
1416
00:55:11,942 --> 00:55:14,412
[ BRAKE ENGAGES ]
1417
00:55:16,581 --> 00:55:18,649
[ ENGINE REVS ]
1418
00:55:18,649 --> 00:55:19,984
[ VEHICLE DEPARTING ]
1419
00:55:19,984 --> 00:55:21,386
[ TIRES SCREECH ]
1420
00:55:21,386 --> 00:55:23,588
[ CRASH ]
1421
00:55:31,762 --> 00:55:33,398
IF YOU COME NEAR MY
1422
00:55:33,398 --> 00:55:35,766
GIRLFRIEND, I'M GONNA KILL YOU!
1423
00:55:35,766 --> 00:55:36,701
KILL YOU!
1424
00:55:36,701 --> 00:55:38,669
OKAY, OKAY, OKAY.
1425
00:55:42,006 --> 00:55:44,509
[ VEHICLE DOOR CLOSES ]
1426
00:55:49,113 --> 00:55:50,681
[ ENGINE TURNS OVER ]
1427
00:55:50,681 --> 00:55:52,617
[ ENGINE REVS ]
1428
00:55:52,617 --> 00:55:53,684
[ VEHICLE DEPARTING ]
1429
00:55:53,684 --> 00:55:55,920
[ MUSIC STOPS ]
1430
00:55:55,920 --> 00:55:57,955
[ CRICKETS CHIRPING ]
1431
00:56:07,998 --> 00:56:10,067
[ GLASS SHARDS FALL ]
1432
00:56:14,905 --> 00:56:17,642
[ SIGHING ]
1433
00:56:17,642 --> 00:56:18,643
WHAT'S THE MATTER?
1434
00:56:18,643 --> 00:56:20,144
NOTHING.
1435
00:56:20,144 --> 00:56:22,046
[ SIGHS ]
1436
00:56:22,046 --> 00:56:23,047
WHAT'S THE MATTER?
1437
00:56:23,047 --> 00:56:25,082
[ SIGHS ]
1438
00:56:25,082 --> 00:56:26,684
SOMEBODY BUSTED OUT ONE OF MY
1439
00:56:26,684 --> 00:56:27,685
WINDOWS IN MY CAR.
1440
00:56:27,685 --> 00:56:31,822
WHAT?
1441
00:56:31,822 --> 00:56:35,693
WHAT HAPPENED?
1442
00:56:35,693 --> 00:56:36,961
[ SIGHS ]
1443
00:56:36,961 --> 00:56:39,129
UH, I WAS JUST WALKING UP TO THE
1444
00:56:39,129 --> 00:56:41,699
DOOR JUST A MINUTE AGO, AND, UH,
1445
00:56:41,699 --> 00:56:43,501
ON MY WAY UP, UM, I HEARD A
1446
00:56:43,501 --> 00:56:45,503
NOISE, AND I TURNED AROUND AND
1447
00:56:45,503 --> 00:56:47,772
THERE WAS SOMEBODY REACHING IN.
1448
00:56:47,772 --> 00:56:48,973
AND YOU KNOW, I CHASED HIM OFF
1449
00:56:48,973 --> 00:56:50,140
AND, YOU KNOW, THAT WAS THAT.
1450
00:56:50,140 --> 00:56:51,008
YOU KNOW?
1451
00:56:51,008 --> 00:56:52,810
IT'S FINE. I'M FINE.
1452
00:56:52,810 --> 00:56:54,211
CAR'S MOSTLY FINE.
1453
00:56:54,211 --> 00:56:55,846
DID THEY TAKE ANYTHING?
1454
00:56:55,846 --> 00:56:56,747
I DON'T THINK SO.
1455
00:56:56,747 --> 00:56:57,081
[ SIGHS ]
1456
00:56:57,081 --> 00:56:58,248
YOU KNOW, I'M JUST FUCKING
1457
00:56:58,248 --> 00:56:59,717
ANNOYED THAT I HAVE TO, YOU
1458
00:56:59,717 --> 00:57:01,118
KNOW -- IT'S JUST ONE MORE THING
1459
00:57:01,118 --> 00:57:02,720
I HAVE TO DEAL WITH TOMORROW.
1460
00:57:02,720 --> 00:57:03,654
NOW I GOT TO FIGURE OUT
1461
00:57:03,654 --> 00:57:04,822
SOMETHING TO DO WITH THIS
1462
00:57:04,822 --> 00:57:06,991
WINDOW.
1463
00:57:06,991 --> 00:57:08,759
ARE YOU OKAY?
1464
00:57:08,759 --> 00:57:09,894
SERIOUSLY, I'M GOOD, I'M
1465
00:57:09,894 --> 00:57:10,194
FINE.
1466
00:57:10,194 --> 00:57:11,729
NO, YOUR HEART IS BEATING
1467
00:57:11,729 --> 00:57:12,096
REALLY FAST.
1468
00:57:12,096 --> 00:57:13,163
ARE YOU SURE YOU'RE OKAY?
1469
00:57:13,163 --> 00:57:14,264
I'M GREAT.
1470
00:57:14,264 --> 00:57:16,701
TAKE THE BOOK, READ YOUR BOOK.
1471
00:57:16,701 --> 00:57:19,737
CUDDLE BACK UP.
1472
00:57:19,737 --> 00:57:21,872
JUST PRETEND LIKE I'M NOT EVEN
1473
00:57:21,872 --> 00:57:22,740
HERE.
1474
00:57:27,512 --> 00:57:31,115
[ SIGHS ]
1475
00:57:31,115 --> 00:57:32,750
HEY, LOOK, JUST STAY.
1476
00:57:32,750 --> 00:57:33,150
COME ON.
1477
00:57:33,150 --> 00:57:34,885
YOU CAN'T JUST BREAK, LIKE,
1478
00:57:34,885 --> 00:57:36,521
THE CAR WINDOW OF, LIKE, EVERY
1479
00:57:36,521 --> 00:57:37,755
NEW FRIEND I HAVE.
1480
00:57:37,755 --> 00:57:39,023
IT'S CRAZY. I CAN'T --
1481
00:57:39,023 --> 00:57:40,791
I MEAN, HOW WELL DO YOU KNOW
1482
00:57:40,791 --> 00:57:41,559
THIS GUY?!
1483
00:57:41,559 --> 00:57:43,227
I -- WHAT DOES IT MATTER HOW
1484
00:57:43,227 --> 00:57:44,795
WELL I KNOW THIS GUY?
1485
00:57:44,795 --> 00:57:45,796
WHAT DO YOU MEAN?
1486
00:57:45,796 --> 00:57:47,231
I MEAN, THESE PHOTOGRAPHS!
1487
00:57:47,231 --> 00:57:48,566
I MEAN, THEY'RE SICK!
1488
00:57:48,566 --> 00:57:49,567
THEY'RE NOT -- I DON'T THINK
1489
00:57:49,567 --> 00:57:50,134
THEY'RE --
1490
00:57:50,134 --> 00:57:50,935
YES, THEY ARE!
1491
00:57:50,935 --> 00:57:51,569
ARE YOU KIDDING?!
1492
00:57:51,569 --> 00:57:53,237
HOW DO YOU KNOW HE'S NOT TAKING
1493
00:57:53,237 --> 00:57:54,805
ADVANTAGE OF YOU, HUH?
1494
00:57:54,805 --> 00:57:56,073
BECAUSE I TALKED TO HIM.
1495
00:57:56,073 --> 00:57:57,542
HE'S MY -- LIKE, HE'S...
1496
00:57:57,542 --> 00:57:58,609
HE'LL SAY ANYTHING!
1497
00:57:58,609 --> 00:57:59,844
ARE YOU CRAZY?!
1498
00:57:59,844 --> 00:58:01,145
YOU'RE TALKING ABOUT HIM LIKE
1499
00:58:01,145 --> 00:58:02,613
HE'S A MONSTER AND I'M AN IDIOT.
1500
00:58:02,613 --> 00:58:05,049
I'M -- I CAN'T DO IT.
1501
00:58:05,049 --> 00:58:07,117
NO, STOP. COME ON, STOP.
1502
00:58:07,117 --> 00:58:08,318
STOP, STOP, STOP.
1503
00:58:08,318 --> 00:58:09,319
STOP, PLEASE.
1504
00:58:09,319 --> 00:58:10,755
[ Crying ] NO, DON'T.
1505
00:58:10,755 --> 00:58:11,221
STOP.
1506
00:58:11,221 --> 00:58:13,724
[ SNIFFLING ]
1507
00:58:13,724 --> 00:58:15,760
COME ON, THAT'S ENOUGH.
1508
00:58:15,760 --> 00:58:17,862
STOP, STOP, STOP. JUST...
1509
00:58:17,862 --> 00:58:19,063
[ SIGHS ]
1510
00:58:19,063 --> 00:58:21,065
I'M SORRY. [ SNIFFLES ]
1511
00:58:21,065 --> 00:58:22,867
I'M SORRY, TOO.
1512
00:58:22,867 --> 00:58:24,869
ALL RIGHT?
1513
00:58:24,869 --> 00:58:26,136
[ SIGHS ]
1514
00:58:26,136 --> 00:58:28,038
LOOK, WE CAN FIX THIS.
1515
00:58:28,038 --> 00:58:29,173
I DON'T THINK SO.
1516
00:58:29,173 --> 00:58:30,775
YES, WE CAN. COME ON.
1517
00:58:30,775 --> 00:58:31,876
[ SIGHS ]
1518
00:58:31,876 --> 00:58:33,310
YOU DON'T LISTEN TO ME.
1519
00:58:33,310 --> 00:58:35,045
I'M LISTENING RIGHT NOW.
1520
00:58:35,045 --> 00:58:40,217
I CAN'T STAY.
1521
00:58:40,217 --> 00:58:43,020
COME ON, JUST -- DON'T...
1522
00:58:43,020 --> 00:58:45,122
WHERE ARE YOU GONNA GO?!
1523
00:58:45,122 --> 00:58:46,156
[ SOFT, DRAMATIC MUSIC PLAYS ]
1524
00:58:46,156 --> 00:58:47,291
[ DOOR CLOSES ]
1525
00:58:47,291 --> 00:58:49,093
[ SIGHS ]
1526
00:58:58,268 --> 00:59:00,270
[ CAMERA SHUTTER CLICKS ]
1527
00:59:03,307 --> 00:59:06,877
[ MUSIC INTENSIFIES ]
1528
00:59:06,877 --> 00:59:08,879
[ CAMERA SHUTTER CLICKS ]
1529
00:59:12,382 --> 00:59:15,786
[ MUSIC INTENSIFIES ]
1530
00:59:41,846 --> 00:59:43,948
[ MUSIC FADES ]
1531
00:59:53,090 --> 00:59:55,359
[ SIGHS ]
1532
01:00:00,330 --> 01:00:01,999
ALL RIGHT, WE GOT IT.
1533
01:00:01,999 --> 01:00:03,367
HOUSE LIGHTS!
1534
01:00:03,367 --> 01:00:05,903
DID IT WORK?
1535
01:00:05,903 --> 01:00:06,436
[ LAUGHS ]
1536
01:00:06,436 --> 01:00:07,938
[ INDISTINCT CONVERSATION ]
1537
01:00:07,938 --> 01:00:12,176
[ SOFT, DRAMATIC MUSIC PLAYS ]
1538
01:00:12,176 --> 01:00:13,443
YOU LOOK GOOD, LOOK GOD.
1539
01:00:13,443 --> 01:00:14,679
YOU LOOK LIKE A COP.
1540
01:00:14,679 --> 01:00:16,747
YEAH.
1541
01:00:16,747 --> 01:00:19,950
YOU LOOK REALLY GOOD.
1542
01:00:19,950 --> 01:00:21,986
YOU'D NEVER DO ANY OF THAT
1543
01:00:21,986 --> 01:00:23,353
STUFF.
1544
01:00:23,353 --> 01:00:25,823
[ INDISTINCT CONVERSATIONS ]
1545
01:00:30,761 --> 01:00:32,129
SHOULD WE KEEP HER PRETTY
1546
01:00:32,129 --> 01:00:32,763
EYE MAKEUP ON?
1547
01:00:32,763 --> 01:00:33,731
[ CHUCKLES ]
1548
01:00:33,731 --> 01:00:34,364
EYELASHES?
1549
01:00:34,364 --> 01:00:35,199
[ CHUCKLES ]
1550
01:00:35,199 --> 01:00:36,400
I THINK SHE'S HOT.
1551
01:00:36,400 --> 01:00:38,135
SHE HAS A NICE BOD.
1552
01:00:38,135 --> 01:00:41,005
FROM EATING SALAD ALL DAY.
1553
01:00:41,005 --> 01:00:43,140
[ CHUCKLES ]
1554
01:00:43,140 --> 01:00:45,342
SHE'S REALLY TONED.
1555
01:00:45,342 --> 01:00:47,077
BUT I DON'T LIKE IT.
1556
01:00:47,077 --> 01:00:48,112
YOU DON'T?
1557
01:00:48,112 --> 01:00:48,445
NO.
1558
01:00:48,445 --> 01:00:49,379
I REALLY LIKE IT.
1559
01:00:49,379 --> 01:00:51,215
OH, MY GOD, I -- I WOULD KILL
1560
01:00:51,215 --> 01:00:52,750
MYSELF IF I HAD HER BODY.
1561
01:00:52,750 --> 01:00:53,718
NO.
1562
01:00:53,718 --> 01:00:55,252
I DON'T -- I DON'T LIKE HER
1563
01:00:55,252 --> 01:00:55,853
BODY.
1564
01:00:55,853 --> 01:00:56,386
YOU DON'T?
1565
01:00:56,386 --> 01:00:57,387
NO. I LIKE MY BODY.
1566
01:00:57,387 --> 01:00:58,856
OBVIOUSLY, I LIKE YOUR BODY,
1567
01:00:58,856 --> 01:00:59,123
TOO.
1568
01:00:59,123 --> 01:01:00,224
SHE JUST HAPPENS TO BE THE
1569
01:01:00,224 --> 01:01:01,291
PERSON WHO'S NAKED TODAY.
1570
01:01:01,291 --> 01:01:02,026
WELL --
1571
01:01:02,026 --> 01:01:03,027
I'M DRESSED IN BOTH OF THEM.
1572
01:01:03,027 --> 01:01:03,961
SHOW HER THE BADGE.
1573
01:01:03,961 --> 01:01:05,262
DO YOU THINK THAT THAT'S A FAKE
1574
01:01:05,262 --> 01:01:05,763
BADGE.
1575
01:01:05,763 --> 01:01:06,330
I DON'T KNOW.
1576
01:01:06,330 --> 01:01:07,431
LET HER TOUCH THE BADGE.
1577
01:01:07,431 --> 01:01:08,332
TOUCH THE BADGE?
1578
01:01:08,332 --> 01:01:09,066
TOUCH IT.
1579
01:01:09,066 --> 01:01:10,067
THAT'S A LITTLE --
1580
01:01:10,067 --> 01:01:10,801
IT'S REAL.
1581
01:01:10,801 --> 01:01:11,802
SHE DOESN'T HAVE TO.
1582
01:01:11,802 --> 01:01:13,037
DO YOU FEEL LIKE YOU'RE,
1583
01:01:13,037 --> 01:01:14,004
LIKE, THE CHARACTER IN
1584
01:01:14,004 --> 01:01:15,072
"SILK STOCKINGS" RIGHT NOW OR
1585
01:01:15,072 --> 01:01:15,505
SOMETHING?
1586
01:01:15,505 --> 01:01:16,373
"SILK STOCKINGS"?
1587
01:01:16,373 --> 01:01:17,207
I HAVEN'T SEEN THAT.
1588
01:01:17,207 --> 01:01:18,108
IT WAS AT
1589
01:01:18,108 --> 01:01:19,376
"USA UP ALL NIGHT."
1590
01:01:19,376 --> 01:01:21,011
JUST WAIT TILL SHE TURNS 25.
1591
01:01:21,011 --> 01:01:22,046
IT'LL ALL DROP.
1592
01:01:22,046 --> 01:01:22,847
[ IMITATES EXPLOSION ]
1593
01:01:22,847 --> 01:01:24,281
[ BOTH LAUGH ]
1594
01:01:24,281 --> 01:01:25,182
IT'LL ALL GO DOWN.
1595
01:01:25,182 --> 01:01:28,418
I'M NOT USED TO...
1596
01:01:28,418 --> 01:01:29,519
JUST NEED TO WIGGLE IT A
1597
01:01:29,519 --> 01:01:30,020
LITTLE.
1598
01:01:30,020 --> 01:01:30,821
I AM WIGGLING.
1599
01:01:30,821 --> 01:01:31,856
JUST GIVE IT A UMH-UMH-UMH.
1600
01:01:31,856 --> 01:01:36,426
[ BOTH LAUGH ]
1601
01:01:36,426 --> 01:01:39,029
HAZARD OF THE TRADE, I GUESS.
1602
01:01:39,029 --> 01:01:40,164
[ CHUCKLES ]
1603
01:01:40,164 --> 01:01:41,331
ACTING DEAD.
1604
01:01:41,331 --> 01:01:43,033
YEAH. WELL, IT'S TOUGH
1605
01:01:43,033 --> 01:01:44,368
WORKING, LAYING ON THE FLOOR
1606
01:01:44,368 --> 01:01:45,102
ALL DAY.
1607
01:01:45,102 --> 01:01:46,070
[ CHUCKLES ]
1608
01:01:46,070 --> 01:01:47,872
I KNOW. IT'S, UH, TORTUROUS.
1609
01:01:47,872 --> 01:01:49,073
[ SCOFFS ]
1610
01:01:49,073 --> 01:01:51,475
IT WASN'T TORTUROUS, EXACTLY.
1611
01:01:51,475 --> 01:01:52,843
[ CHUCKLES ]
1612
01:01:52,843 --> 01:01:54,912
DID YOU HAVE FUN?
1613
01:01:54,912 --> 01:01:58,448
YEAH. [ CHUCKLES ]
1614
01:01:58,448 --> 01:02:00,284
COOL. [ CHUCKLES ]
1615
01:02:00,284 --> 01:02:02,486
[ SIGHS ]
1616
01:02:02,486 --> 01:02:05,055
[ SPEAKING INDISTINCTLY ]
1617
01:02:05,055 --> 01:02:05,355
HEY.
1618
01:02:05,355 --> 01:02:06,356
[ CHUCKLES ]
1619
01:02:06,356 --> 01:02:06,857
HEY.
1620
01:02:06,857 --> 01:02:08,092
HOW ARE YOU?
1621
01:02:08,092 --> 01:02:09,059
GOOD.
1622
01:02:09,059 --> 01:02:10,260
GOT ANYTHING ELSE?
1623
01:02:10,260 --> 01:02:12,229
YEAH, AT LEAST...
1624
01:02:12,229 --> 01:02:14,098
ACTUALLY, I GOT TO ACTUALLY
1625
01:02:14,098 --> 01:02:15,165
CHECK MY VOICEMAIL.
1626
01:02:15,165 --> 01:02:16,200
OKAY.
1627
01:02:16,200 --> 01:02:18,402
SEE YA.
1628
01:02:21,571 --> 01:02:23,140
[ CHUCKLES ]
1629
01:02:23,140 --> 01:02:24,541
WHERE'S ALEX?
1630
01:02:24,541 --> 01:02:28,212
SHE'S LOADING THE VAN.
1631
01:02:28,212 --> 01:02:32,349
UM...
1632
01:02:32,349 --> 01:02:35,886
I FEEL KIND OF WEIRD ABOUT
1633
01:02:35,886 --> 01:02:36,887
NOT TELLING ALEX ABOUT WHAT
1634
01:02:36,887 --> 01:02:38,555
HAPPENED THE OTHER NIGHT.
1635
01:02:38,555 --> 01:02:40,891
UM...
1636
01:02:40,891 --> 01:02:41,158
SO...
1637
01:02:41,158 --> 01:02:42,326
WHAT ARE YOU TALKING ABOUT?
1638
01:02:42,326 --> 01:02:42,927
[ MUSIC FADES ]
1639
01:02:42,927 --> 01:02:44,895
LIKE, IT FEELS WEIRD KEEPING
1640
01:02:44,895 --> 01:02:46,363
IT A SECRET FROM HER THAT WE
1641
01:02:46,363 --> 01:02:49,333
KISSED.
1642
01:02:49,333 --> 01:02:54,104
Tsk.
1643
01:02:54,104 --> 01:02:55,239
I'M -- I'M REALLY NOT SURE WHAT
1644
01:02:55,239 --> 01:02:57,975
YOU'RE GETTING AT, HERE.
1645
01:03:02,446 --> 01:03:06,583
DO YOU LIKE ME?
1646
01:03:06,583 --> 01:03:07,384
LIKE?
1647
01:03:07,384 --> 01:03:08,185
LIKE.
1648
01:03:08,185 --> 01:03:09,153
LIKE YOU?
1649
01:03:09,153 --> 01:03:11,088
LIKE, IF I WENT LIKE THIS...
1650
01:03:14,224 --> 01:03:15,259
LIKE, I SHOULD -- I SHOULD
1651
01:03:15,259 --> 01:03:16,193
PROBABLY GO HELP THEM OUT.
1652
01:03:16,193 --> 01:03:18,395
SORRY.
1653
01:03:18,395 --> 01:03:20,530
[ SIGHS ]
1654
01:03:29,639 --> 01:03:32,009
[ SOFT, DRAMATIC MUSIC PLAYS ]
1655
01:03:36,881 --> 01:03:39,917
YEAH. NO.
1656
01:03:39,917 --> 01:03:40,450
[ SIGHS ]
1657
01:03:40,450 --> 01:03:42,386
CAN I CALL YOU BACK IN A MINUTE?
1658
01:03:42,386 --> 01:03:45,655
ALL RIGHT.
1659
01:03:45,655 --> 01:03:46,924
WHERE'D EVERYBODY GO?
1660
01:03:46,924 --> 01:03:48,458
I THINK THEY JUST FINISHED
1661
01:03:48,458 --> 01:03:51,962
LOADING UP THE VAN.
1662
01:03:51,962 --> 01:03:52,930
DO YOU WANT TO GO GET SOME
1663
01:03:52,930 --> 01:03:53,363
DRINKS WITH US?
1664
01:03:53,363 --> 01:03:54,231
YEAH.
1665
01:03:54,231 --> 01:03:55,632
CAN I MEET YOU THERE, THOUGH?
1666
01:03:55,632 --> 01:03:57,334
I JUST HAVE TO FINISH A PHONE
1667
01:03:57,334 --> 01:03:57,935
CALL.
1668
01:03:57,935 --> 01:03:59,403
THAT'S FINE. [ CHUCKLES ]
1669
01:03:59,403 --> 01:04:01,005
OKAY. I HAD FUN TODAY.
1670
01:04:01,005 --> 01:04:01,972
YEAH, ME TOO.
1671
01:04:01,972 --> 01:04:02,539
COOL.
1672
01:04:02,539 --> 01:04:03,640
[ BOTH CHUCKLE ]
1673
01:04:03,640 --> 01:04:05,575
ALL RIGHT, WELL, I'LL SEE YOU IN
1674
01:04:05,575 --> 01:04:06,543
A BIT, THEN?
1675
01:04:06,543 --> 01:04:08,012
YEAH.
1676
01:04:08,012 --> 01:04:10,014
BYE. [ CHUCKLES ]
1677
01:04:10,014 --> 01:04:11,348
I'LL BE IN, IN LIKE AN HOUR OR
1678
01:04:11,348 --> 01:04:12,182
SOMETHING.
1679
01:04:12,182 --> 01:04:12,983
OKAY, COOL. SEE YA.
1680
01:04:12,983 --> 01:04:15,152
BYE.
1681
01:04:18,122 --> 01:04:19,423
THAT MUST BE KIND OF NICE TO
1682
01:04:19,423 --> 01:04:21,158
BE ABLE TO WORK WITH THE PERSON
1683
01:04:21,158 --> 01:04:22,359
THAT YOU'RE IN A RELATIONSHIP
1684
01:04:22,359 --> 01:04:23,994
WITH -- KIND OF COLLABORATE LIKE
1685
01:04:23,994 --> 01:04:25,262
THAT.
1686
01:04:25,262 --> 01:04:25,996
[ GRUNTS ]
1687
01:04:25,996 --> 01:04:26,997
YEAH, IT'S REALLY NICE.
1688
01:04:26,997 --> 01:04:28,298
HEY.
1689
01:04:28,298 --> 01:04:30,167
ALL THROUGH WITH IT?
1690
01:04:30,167 --> 01:04:31,335
[ CHUCKLES ]
1691
01:04:31,335 --> 01:04:33,637
YOU GUYS READY TO GO?
1692
01:04:33,637 --> 01:04:36,606
UM, KIND OF BEAT.
1693
01:04:36,606 --> 01:04:39,409
DO YOU MIND IF I JUST GO HOME?
1694
01:04:39,409 --> 01:04:40,310
THAT'S FINE.
1695
01:04:40,310 --> 01:04:41,946
IS IT ALL RIGHT IF YOU GIVE ME A
1696
01:04:41,946 --> 01:04:42,947
RIDE BEFORE WE GO?
1697
01:04:42,947 --> 01:04:43,981
I CAN DRIVE YOU.
1698
01:04:43,981 --> 01:04:44,982
I GOT MY CAR HERE.
1699
01:04:44,982 --> 01:04:46,383
IT'S A BIT OF A MESS RIGHT NOW,
1700
01:04:46,383 --> 01:04:47,484
BUT CAN CLEAN IT OUT.
1701
01:04:47,484 --> 01:04:48,385
IS THAT COOL?
1702
01:04:48,385 --> 01:04:49,019
YEAH.
1703
01:04:49,019 --> 01:04:49,653
ALL RIGHT.
1704
01:04:49,653 --> 01:04:51,021
HAVE YOU SEEN CALLIE?
1705
01:04:51,021 --> 01:04:52,422
MNH-MNH.
1706
01:04:52,422 --> 01:04:54,091
ALL RIGHT, I'LL SEE YOU AT
1707
01:04:54,091 --> 01:04:54,458
HOME.
1708
01:04:54,458 --> 01:04:56,293
ALL RIGHT.
1709
01:04:56,293 --> 01:04:58,562
OHHH.
1710
01:04:58,562 --> 01:04:59,696
SEE YA.
1711
01:04:59,696 --> 01:05:00,597
BYE.
1712
01:05:00,597 --> 01:05:02,366
[ DRAMATIC MUSIC FADES ]
1713
01:05:02,366 --> 01:05:03,467
[ MID-TEMPO MUSIC
1714
01:05:03,467 --> 01:05:04,634
PLAYS INDISTINCTLY ]
1715
01:05:04,634 --> 01:05:06,236
YOU'RE LUCKY, YOU KNOW,
1716
01:05:06,236 --> 01:05:07,337
GETTING TO WORK WITH YOUR
1717
01:05:07,337 --> 01:05:08,238
GIRLFRIEND.
1718
01:05:08,238 --> 01:05:09,673
THE FACT THAT YOU GUYS EVEN HAVE
1719
01:05:09,673 --> 01:05:11,241
SOMETHING IN COMMON YOU CAN
1720
01:05:11,241 --> 01:05:12,642
SHARE LIKE THAT, IT'S COOL.
1721
01:05:12,642 --> 01:05:14,044
I THINK YOU GUYS ARE LIKE A
1722
01:05:14,044 --> 01:05:15,512
PARTNERSHIP, WHERE YOU'RE
1723
01:05:15,512 --> 01:05:16,713
ACTUALLY COLLABORATING.
1724
01:05:16,713 --> 01:05:19,049
YEAH. IT'S NOT BAD.
1725
01:05:19,049 --> 01:05:20,350
YOU KNOW?
1726
01:05:20,350 --> 01:05:22,286
SOMETIMES, YOU KNOW, YOU GET A
1727
01:05:22,286 --> 01:05:24,088
LITTLE -- I MEAN, BEING AROUND
1728
01:05:24,088 --> 01:05:26,290
SOMEBODY LIKE THAT ALL THE TIME,
1729
01:05:26,290 --> 01:05:28,258
IT'S GOT ITS MINUSES AS WELL AS
1730
01:05:28,258 --> 01:05:29,059
ITS PLUSSES.
1731
01:05:29,059 --> 01:05:30,427
YEAH, BUT JUST EVEN BEING
1732
01:05:30,427 --> 01:05:31,728
ABLE TO SPEND THAT KIND OF TIME
1733
01:05:31,728 --> 01:05:33,097
TOGETHER, I THINK A LOT OF
1734
01:05:33,097 --> 01:05:34,398
PEOPLE WOULD GIVE A LOT TO FIND
1735
01:05:34,398 --> 01:05:35,299
SOMEONE LIKE THAT.
1736
01:05:35,299 --> 01:05:36,566
IT'S NICE. IT'S...
1737
01:05:36,566 --> 01:05:38,702
YOU GUYS GIVE ME HOPE, YOU KNOW?
1738
01:05:38,702 --> 01:05:40,304
IT'S A NICE THING.
1739
01:05:40,304 --> 01:05:42,339
YEAH, IT'S GOOD.
1740
01:05:49,313 --> 01:05:51,048
SO, I TAKE IT THAT YOU DON'T
1741
01:05:51,048 --> 01:05:52,116
SMOKE POT, THEN.
1742
01:05:52,116 --> 01:05:53,317
UH, NO, NO.
1743
01:05:53,317 --> 01:05:55,319
I MEAN, I -- I HAVE, BUT NOT FOR
1744
01:05:55,319 --> 01:05:57,121
A WHILE -- NOT SINCE COLLEGE.
1745
01:05:57,121 --> 01:06:00,357
OKAY.
1746
01:06:00,357 --> 01:06:02,359
DID IT FREAK YOU OUT?
1747
01:06:02,359 --> 01:06:03,560
I DIDN'T ENJOY IT.
1748
01:06:03,560 --> 01:06:05,095
UM, YOU KNOW, IT'S JUST ONE OF
1749
01:06:05,095 --> 01:06:06,730
THOSE THINGS WHERE IT MADE ME
1750
01:06:06,730 --> 01:06:08,132
FEEL VERY SELF-CONSCIOUS.
1751
01:06:08,132 --> 01:06:10,167
[ POLICE RADIO CHATTER ]
1752
01:06:17,541 --> 01:06:18,775
ISN'T THAT THE SOUND STAGE?
1753
01:06:18,775 --> 01:06:20,610
YEAH.
1754
01:06:20,610 --> 01:06:21,145
SHIT.
1755
01:06:21,145 --> 01:06:22,646
ALEX WAS THERE WHEN WE LEFT.
1756
01:06:22,646 --> 01:06:23,680
ALL RIGHT, CALL HER.
1757
01:06:23,680 --> 01:06:25,315
WE'RE GONNA HEAD STRAIGHT THERE.
1758
01:06:25,315 --> 01:06:27,284
[ SIREN WAILS ]
1759
01:06:30,120 --> 01:06:32,122
[ SOFT, DRAMATIC MUSIC PLAYS ]
1760
01:06:32,122 --> 01:06:34,524
[ CELLPHONE VIBRATING ]
1761
01:06:34,524 --> 01:06:39,063
[ SHOWER WATER RUNNING ]
1762
01:06:39,063 --> 01:06:41,365
[ CLEARS THROAT ]
1763
01:06:49,406 --> 01:06:50,407
PRIOR TO GETTING
1764
01:06:50,407 --> 01:06:51,775
DISCONNECTED, HOW DID SHE SOUND?
1765
01:06:51,775 --> 01:06:53,077
[ Crying ] SHE SAID, "I'M
1766
01:06:53,077 --> 01:06:53,377
FINE."
1767
01:06:53,377 --> 01:06:53,843
SHE WAS HERE.
1768
01:06:53,843 --> 01:06:54,678
YOU KNOW, I MEAN...
1769
01:06:54,678 --> 01:06:56,113
NO DISTRESS?
1770
01:06:56,113 --> 01:06:57,647
WELL, NO. A LITTLE.
1771
01:06:57,647 --> 01:06:59,383
I MEAN, JUST BROKE UP.
1772
01:06:59,383 --> 01:07:01,685
LIKE, HE WAS TAKING PHOTOGRAPHS
1773
01:07:01,685 --> 01:07:03,387
OF MY GIRLFRIEND.
1774
01:07:03,387 --> 01:07:04,388
[ POLICE RADIO CHATTER ]
1775
01:07:04,388 --> 01:07:05,489
YOU SON OF A BITCH!
1776
01:07:05,489 --> 01:07:08,792
[ INDISTINCT SHOUTING ]
1777
01:07:08,792 --> 01:07:10,627
YOU HAVE TO LET ME GO!
1778
01:07:10,627 --> 01:07:14,131
[ INDISTINCT SHOUTING ]
1779
01:07:14,131 --> 01:07:15,165
IT'S YOUR FAULT!
1780
01:07:15,165 --> 01:07:18,102
[ INDISTINCT SHOUTING ]
1781
01:07:18,102 --> 01:07:19,536
YOU CALM DOWN!
1782
01:07:19,536 --> 01:07:22,106
IT'S YOUR FAULT!
1783
01:07:22,106 --> 01:07:25,442
[ MUSIC INTENSIFIES ]
1784
01:07:25,442 --> 01:07:27,744
[ POLICE RADIO CHATTER ]
1785
01:07:41,491 --> 01:07:43,693
[ MUSIC SOFTENS ]
1786
01:07:45,762 --> 01:07:49,266
[ KNOCK ON DOOR ]
1787
01:07:49,266 --> 01:07:51,335
[ SIGHS ]
1788
01:07:54,604 --> 01:07:56,740
[ MUSIC FADES ]
1789
01:07:56,740 --> 01:08:00,844
[ SUSPENSEFUL MUSIC PLAYS ]
1790
01:08:00,844 --> 01:08:03,180
HEY.
1791
01:08:03,180 --> 01:08:05,449
[ MUSIC FADES ]
1792
01:08:05,449 --> 01:08:07,251
[ CRICKETS CHIRPING ]
1793
01:08:07,251 --> 01:08:08,818
[ SIGHS ]
1794
01:08:08,818 --> 01:08:11,121
IT'S REALLY BAD.
1795
01:08:15,525 --> 01:08:18,162
HE HASN'T BEEN SO INTO SOMEONE
1796
01:08:18,162 --> 01:08:20,464
SINCE...
1797
01:08:20,464 --> 01:08:22,699
ACTUALLY, PROBABLY SINCE HE
1798
01:08:22,699 --> 01:08:24,934
FIRST MET YOU.
1799
01:08:36,680 --> 01:08:38,848
[ SIGHS ]
1800
01:08:45,689 --> 01:08:47,891
[ DRAMATIC MUSIC PLAYS ]
1801
01:09:02,506 --> 01:09:04,274
AAH!
1802
01:09:04,274 --> 01:09:06,310
AAAH!
1803
01:09:06,310 --> 01:09:09,813
[ GUNSHOTS ]
1804
01:09:09,813 --> 01:09:10,780
AAH!
1805
01:09:10,780 --> 01:09:13,683
[ GASPING ]
1806
01:09:13,683 --> 01:09:17,187
[ GRUNTING ]
1807
01:09:29,933 --> 01:09:31,868
[ MUSIC FADES ]
1808
01:09:46,950 --> 01:09:49,386
DO YOU WANT MY HONEST
1809
01:09:49,386 --> 01:09:50,554
OPINION?
1810
01:09:50,554 --> 01:09:53,623
I-I THINK SO, YEAH, YEAH.
1811
01:09:53,623 --> 01:09:56,793
I THINK WE MIGHT WANT TO
1812
01:09:56,793 --> 01:10:00,297
RE-APPROACH THIS AS...
1813
01:10:00,297 --> 01:10:03,400
SOME KIND OF A TRUE-CRIME BOOK,
1814
01:10:03,400 --> 01:10:05,435
RATHER THAN A MEMOIR.
1815
01:10:05,435 --> 01:10:06,970
YEAH, YEAH.
1816
01:10:06,970 --> 01:10:08,405
THESE CONVERSATIONS ARE
1817
01:10:08,405 --> 01:10:09,806
ALWAYS DIFFICULT BECAUSE THIS IS
1818
01:10:09,806 --> 01:10:11,275
YOUR REAL LIFE WE'RE TALKING
1819
01:10:11,275 --> 01:10:11,775
ABOUT HERE.
1820
01:10:11,775 --> 01:10:13,777
I DON'T MEAN TO SUGGEST THAT
1821
01:10:13,777 --> 01:10:15,845
YOUR LIFE IS NOT INTERESTING.
1822
01:10:15,845 --> 01:10:17,614
I ALSO DON'T MEAN TO SUGGEST
1823
01:10:17,614 --> 01:10:18,748
THAT THE TRUTH CAN'T BE
1824
01:10:18,748 --> 01:10:19,616
INTERESTING.
1825
01:10:19,616 --> 01:10:24,388
I JUST THINK, YOU KNOW, A MEMOIR
1826
01:10:24,388 --> 01:10:27,757
WHERE THE NARRATOR, OUR -- OUR,
1827
01:10:27,757 --> 01:10:31,295
YOU KNOW, HERO ENDS UP SHOOTING
1828
01:10:31,295 --> 01:10:34,298
AN UNARMED WOMAN AND BEING
1829
01:10:34,298 --> 01:10:37,701
SUSPENDED, AND THE MURDER THAT
1830
01:10:37,701 --> 01:10:39,035
SAID HERO IS TRYING TO SOLVE,
1831
01:10:39,035 --> 01:10:40,704
YOU KNOW, TWO OF THEM END UP
1832
01:10:40,704 --> 01:10:42,472
BEING RELATED, AND A THIRD ENDS
1833
01:10:42,472 --> 01:10:43,873
UP BEING UNRELATED, I MEAN,
1834
01:10:43,873 --> 01:10:45,442
THESE ARE JUST THE KIND OF
1835
01:10:45,442 --> 01:10:47,511
THINGS THAT HAPPEN IN REAL LIFE
1836
01:10:47,511 --> 01:10:49,646
BUT THAT DON'T NECESSARILY MAKE
1837
01:10:49,646 --> 01:10:53,350
FOR COMPELLING, UH, YOU KNOW,
1838
01:10:53,350 --> 01:10:57,020
COMMERCIAL, UH, BOOKS.
1839
01:10:57,020 --> 01:10:59,523
YEAH, I-I CAN SEE THAT.
1840
01:10:59,523 --> 01:11:01,725
AND I THINK IF WE CAN JUST
1841
01:11:01,725 --> 01:11:03,693
LIBERATE YOU FROM THE FACTS OF
1842
01:11:03,693 --> 01:11:05,695
THE CASE AND SORT OF FREE YOU UP
1843
01:11:05,695 --> 01:11:07,631
TO TIE UP SOME OF THESE LOOSE
1844
01:11:07,631 --> 01:11:09,032
ENDS AND STRENGTHEN THESE
1845
01:11:09,032 --> 01:11:10,700
CONNECTIONS -- YOU AND THE
1846
01:11:10,700 --> 01:11:12,469
PHOTOGRAPHER, FOR INSTANCE --
1847
01:11:12,469 --> 01:11:14,671
YOU COULD STRENGTHEN UP THE --
1848
01:11:14,671 --> 01:11:16,906
THE KIND OF PARALLELS THAT YOU
1849
01:11:16,906 --> 01:11:19,376
SEEM TO BE SUGGESTING HERE, UM,
1850
01:11:19,376 --> 01:11:21,945
AND -- AND YOU KNOW, REALLY TIE
1851
01:11:21,945 --> 01:11:24,914
THESE TWO TOGETHER IN SOME KIND
1852
01:11:24,914 --> 01:11:27,684
OF COHESIVE, COMPELLING WAY.
1853
01:11:27,684 --> 01:11:29,486
YEAH. THAT'S A GOOD IDEA.
1854
01:11:29,486 --> 01:11:32,522
I'LL, UM, I'LL THINK ABOUT THAT.
1855
01:11:32,522 --> 01:11:33,757
WHAT'S UP WITH THIS
1856
01:11:33,757 --> 01:11:34,491
PHOTOGRAPHER?
1857
01:11:34,491 --> 01:11:35,725
WHAT'S THIS GUY UP TO?
1858
01:11:35,725 --> 01:11:37,494
BILLY?
1859
01:11:37,494 --> 01:11:39,663
HE'S GOOD.
1860
01:11:42,732 --> 01:11:43,800
IS THIS ALL RIGHT?
1861
01:11:43,800 --> 01:11:45,702
YEAH. MY TAN LINE LOOKS KIND
1862
01:11:45,702 --> 01:11:46,770
OF WEIRD, BUT...
1863
01:11:46,770 --> 01:11:47,504
OKAY.
1864
01:11:47,504 --> 01:11:48,905
ACTUALLY...
1865
01:11:48,905 --> 01:11:50,139
THERE. THERE YOU GO.
1866
01:11:50,139 --> 01:11:51,107
[ LAUGHS ]
1867
01:11:51,107 --> 01:11:52,442
CAN YOU SEE THE LEFT HAND?
1868
01:11:52,442 --> 01:11:53,443
MAYBE I SHOULD JUST DO THE
1869
01:11:53,443 --> 01:11:53,610
RIGHT?
1870
01:11:53,610 --> 01:11:54,444
NO, DO BOTH.
1871
01:11:54,444 --> 01:11:54,811
BOTH?
1872
01:11:54,811 --> 01:11:56,613
THAT LOOKS GOOD, YEAH.
1873
01:11:56,613 --> 01:11:57,847
[ CAMERA SHUTTER CLICKS ]
1874
01:11:57,847 --> 01:12:00,484
[ SIGHS ]
1875
01:12:00,484 --> 01:12:01,885
[ CAMERA SHUTTER CLICKS ]
1876
01:12:01,885 --> 01:12:02,952
[ Chuckling ] OKAY.
1877
01:12:02,952 --> 01:12:04,454
THAT'S GOOD, THAT'S GOOD.
1878
01:12:04,454 --> 01:12:05,422
I'M GONNA PULL THIS DOWN,
1879
01:12:05,422 --> 01:12:05,789
AS WELL.
1880
01:12:05,789 --> 01:12:07,724
MM-HMM.
1881
01:12:07,724 --> 01:12:08,992
[ BOTH LAUGH ]
1882
01:12:08,992 --> 01:12:10,427
ALL RIGHT, COULD YOU JUST
1883
01:12:10,427 --> 01:12:11,761
ARCH UP JUST A LITTLE BIT?
1884
01:12:11,761 --> 01:12:13,430
LIKE, JUST LIKE...
1885
01:12:13,430 --> 01:12:15,164
NOT TOWARDS ME, JUST, LIKE, UP.
1886
01:12:15,164 --> 01:12:16,733
YEAH, RIGHT THERE.
1887
01:12:16,733 --> 01:12:18,101
THERE YOU GO.
1888
01:12:18,101 --> 01:12:21,004
[ CAMERA SHUTTER CLICKS ]
1889
01:12:21,004 --> 01:12:22,572
HERE, LET ME -- I'M JUST GONNA
1890
01:12:22,572 --> 01:12:24,441
POSITION THIS AGAIN REAL QUICK.
1891
01:12:24,441 --> 01:12:25,875
OKAY.
1892
01:12:25,875 --> 01:12:27,744
DOES IT LOOK WEIRD WHEN I LIKE,
1893
01:12:27,744 --> 01:12:28,878
POINT MY TOES OUT?
1894
01:12:28,878 --> 01:12:29,879
NO. DO THAT.
1895
01:12:29,879 --> 01:12:32,416
OKAY.
1896
01:12:32,416 --> 01:12:34,183
LOOK AWAY OR -- SORRY.
1897
01:12:34,183 --> 01:12:35,852
KIND OF LOOK -- LOOK LIKE HOW
1898
01:12:35,852 --> 01:12:37,186
YOU ARE, WITH YOUR HEAD OVER
1899
01:12:37,186 --> 01:12:38,788
YOUR SHOULDER, BUT KIND OF BE
1900
01:12:38,788 --> 01:12:39,556
LOOKING UPWARDS.
1901
01:12:39,556 --> 01:12:41,425
LIKE -- YEAH, LIKE THAT AND THEN
1902
01:12:41,425 --> 01:12:42,759
EYES UP, IS WHAT I MEAN.
1903
01:12:42,759 --> 01:12:44,928
YEAH. YEAH, LIKE THAT.
1904
01:12:47,997 --> 01:12:50,467
[ CAMERA SHUTTER CLICKS ]
1905
01:12:50,467 --> 01:12:50,800
OKAY, GREAT.
1906
01:12:50,800 --> 01:12:51,601
LET'S JUST DO ONE MORE.
1907
01:12:51,601 --> 01:12:52,836
OKAY.
1908
01:12:52,836 --> 01:12:55,505
[ SIGHS ]
1909
01:12:55,505 --> 01:12:56,940
HEY.
1910
01:12:56,940 --> 01:12:59,809
HEY, WHAT'S UP?
1911
01:12:59,809 --> 01:13:01,578
ALL RIGHT.
1912
01:13:01,578 --> 01:13:03,980
I THINK -- AND...
1913
01:13:03,980 --> 01:13:06,516
[ CAMERA SHUTTER CLICKS ]
1914
01:13:06,516 --> 01:13:08,184
ALL RIGHT. [ SIGHS ]
1915
01:13:08,184 --> 01:13:09,018
THAT'LL DO IT.
1916
01:13:09,018 --> 01:13:10,754
AWESOME.
1917
01:13:10,754 --> 01:13:13,122
HEY. HI.
1918
01:13:13,122 --> 01:13:13,957
[ LAUGHS ]
1919
01:13:13,957 --> 01:13:14,758
WAS IT GOOD?
1920
01:13:14,758 --> 01:13:15,959
IT WAS GREAT, I THINK.
1921
01:13:15,959 --> 01:13:17,160
I DON'T KNOW. WAS IT GREAT?
1922
01:13:17,160 --> 01:13:18,161
OH, IT WAS GREAT.
1923
01:13:18,161 --> 01:13:19,028
[ CHUCKLES ]
1924
01:13:19,028 --> 01:13:19,829
OH, SORRY.
1925
01:13:19,829 --> 01:13:20,830
THAT'S OKAY.
1926
01:13:20,830 --> 01:13:22,499
I'LL PUT THIS ON.
1927
01:13:22,499 --> 01:13:24,167
SO, HOW WAS YOUR THING --
1928
01:13:24,167 --> 01:13:25,569
YOUR AGENT THING?
1929
01:13:25,569 --> 01:13:26,870
OH, UH, YEAH.
1930
01:13:26,870 --> 01:13:28,838
I MEAN, HE -- HE SEEMS TO THINK
1931
01:13:28,838 --> 01:13:30,807
THE BOOK HAS SOME POTENTIAL.
1932
01:13:30,807 --> 01:13:32,642
WANTS TO FLIP A COUPLE THINGS
1933
01:13:32,642 --> 01:13:33,543
AROUND.
1934
01:13:33,543 --> 01:13:34,544
UH-HUH.
1935
01:13:34,544 --> 01:13:35,679
[ CAMERA SHUTTER CLICKS ]
1936
01:13:35,679 --> 01:13:36,079
YEAH.
1937
01:13:36,079 --> 01:13:36,946
[ SIGHS ]
1938
01:13:36,946 --> 01:13:38,648
MAYBE, UH, MAKE MY CHARACTER
1939
01:13:38,648 --> 01:13:40,550
A LITTLE MORE PROACTIVE THAN I
1940
01:13:40,550 --> 01:13:41,618
WAS IN REAL LIFE.
1941
01:13:41,618 --> 01:13:44,087
THAT MAY BE INTERESTING.
1942
01:13:44,087 --> 01:13:45,088
LIKE YOU, UH...
1943
01:13:45,088 --> 01:13:46,590
YEAH, MAYBE ACTUALLY --
1944
01:13:46,590 --> 01:13:47,924
LIKE YOU SOLVED THE CASE?
1945
01:13:47,924 --> 01:13:49,526
[ LAUGHING ]
1946
01:13:49,526 --> 01:13:50,627
YEAH.
1947
01:13:50,627 --> 01:13:53,129
HOW IS IT GOING?
1948
01:13:53,129 --> 01:13:53,930
I'M OKAY.
1949
01:13:53,930 --> 01:13:55,532
MEETINGS WITH AGENTS ARE ALWAYS
1950
01:13:55,532 --> 01:13:56,199
A LITTLE WEIRD.
1951
01:13:56,199 --> 01:13:56,966
YEAH.
1952
01:13:56,966 --> 01:13:58,935
I MEAN, I DON'T KNOW ABOUT IT.
1953
01:13:58,935 --> 01:13:59,936
[ LAUGHS ]
1954
01:13:59,936 --> 01:14:02,506
[ WATER RUNNING ]
1955
01:14:14,884 --> 01:14:17,120
HOW'S IT GOING?
1956
01:14:17,120 --> 01:14:19,055
HMM. IT'S GOING GOOD.
1957
01:14:19,055 --> 01:14:19,923
[ SNIFFLES ]
1958
01:14:19,923 --> 01:14:20,223
GREAT.
1959
01:14:20,223 --> 01:14:21,858
STILL TRYING TO FIGURE OUT
1960
01:14:21,858 --> 01:14:23,960
THAT ENDING.
1961
01:14:23,960 --> 01:14:25,895
I HAVE AN IDEA FOR A REALLY
1962
01:14:25,895 --> 01:14:26,663
GOOD ENDING.
1963
01:14:26,663 --> 01:14:27,864
YOU DO?
1964
01:14:27,864 --> 01:14:29,098
MM-HMM.
1965
01:14:29,098 --> 01:14:30,066
WHAT'S THAT?
1966
01:14:30,066 --> 01:14:31,535
IT GOES LIKE THIS.
1967
01:14:31,535 --> 01:14:32,135
MM-HMM?
1968
01:14:32,135 --> 01:14:34,504
FIRST...
1969
01:14:37,941 --> 01:14:40,076
...HE PUTS DOWN THE BOOK.
1970
01:14:40,076 --> 01:14:41,578
MM-HMM.
1971
01:14:41,578 --> 01:14:42,912
SECOND...
1972
01:14:42,912 --> 01:14:45,181
HE TAKES HER SHIRT.
1973
01:14:45,181 --> 01:14:47,150
THAT SOUNDS LIKE A GOOD IDEA.
1974
01:14:47,150 --> 01:14:48,952
THEN...
1975
01:14:48,952 --> 01:14:50,954
SHE GETS DOWN.
1976
01:14:50,954 --> 01:14:51,988
YEAH.
1977
01:14:51,988 --> 01:14:53,757
YOU'RE A BETTER WRITER THAN ME.
1978
01:14:53,757 --> 01:14:54,724
[ CHUCKLES ]
1979
01:14:54,724 --> 01:14:56,292
FOURTH...
1980
01:14:56,292 --> 01:14:58,928
THEY TURN OFF THE LIGHT.
1981
01:14:58,928 --> 01:15:01,765
[ MID-TEMPO MUSIC PLAYS ]
1982
01:15:24,588 --> 01:15:26,522
[ CAMERA SHUTTER CLICKS ]
110847
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