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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:05,233 [FILM PROJECTOR] 2 00:00:07,800 --> 00:00:11,900 [SIRENS] 3 00:00:11,900 --> 00:00:17,600 ♪ MUSIC ♪ 4 00:00:17,600 --> 00:00:19,900 [SIRENS] 5 00:00:19,900 --> 00:00:39,000 ♪ MUSIC ♪ 6 00:00:39,000 --> 00:00:41,166 >HEY, ERIC, IT'S ME. 7 00:00:41,166 --> 00:00:42,734 GALLIA. 8 00:00:42,734 --> 00:00:44,033 YOU KNOW THAT, RIGHT? 9 00:00:44,033 --> 00:00:45,767 I THINK. 10 00:00:45,767 --> 00:00:48,200 ♪ MUSIC ♪ 11 00:00:48,200 --> 00:00:49,533 >ANYWAYS, I WAS JUST 12 00:00:49,533 --> 00:00:51,300 CALLING TO SAY HI. 13 00:00:51,300 --> 00:00:53,166 UM, WELL, NOT REALLY, 14 00:00:53,166 --> 00:00:55,100 I MEAN, NOT ONLY. 15 00:00:55,100 --> 00:00:56,433 I, UH-- 16 00:00:56,433 --> 00:01:08,066 ♪ MUSIC ♪ 17 00:01:08,066 --> 00:01:09,066 >I WAS JUST WONDERING 18 00:01:09,066 --> 00:01:10,066 IF YOU FOUND MY 19 00:01:10,066 --> 00:01:10,800 FISHER SPINNER CD 20 00:01:10,800 --> 00:01:11,667 AT YOUR PLACE? 21 00:01:11,667 --> 00:01:13,100 I CAN'T FIND IT ANYWHERE 22 00:01:13,100 --> 00:01:14,467 AND SO I WAS JUST 23 00:01:14,467 --> 00:01:16,500 WONDERING, YOU KNOW. 24 00:01:16,500 --> 00:01:17,634 IF YOU FIND IT, 25 00:01:17,634 --> 00:01:18,767 GIVE ME A CALL. 26 00:01:18,767 --> 00:01:21,500 OR EVEN IF YOU DON'T. 27 00:01:21,500 --> 00:01:22,600 UM-- 28 00:01:22,600 --> 00:01:26,367 ♪ MUSIC ♪ 29 00:01:26,367 --> 00:01:27,834 I MEAN, IF YOU WANT TO 30 00:01:27,834 --> 00:01:29,667 CATCH UP OR SOMETHING, UM-- 31 00:01:29,667 --> 00:01:32,934 [SIRENS] 32 00:01:32,934 --> 00:01:38,367 ♪ MUSIC ♪ 33 00:01:38,367 --> 00:01:45,133 ♪ MUSIC ♪ 34 00:01:45,133 --> 00:01:48,266 OKAY, I GOTTA GO. 35 00:01:48,266 --> 00:01:49,300 MY NUMBER IS-- 36 00:01:49,300 --> 00:01:50,266 WELL, YOU STILL 37 00:01:50,266 --> 00:01:52,467 HAVE MY NUMBER, RIGHT? 38 00:01:52,467 --> 00:01:53,066 OKAY. 39 00:01:53,066 --> 00:01:55,433 OKAY, BYE. 40 00:01:55,433 --> 00:01:58,166 THAT WAS COOL AS HELL. 41 00:01:58,166 --> 00:02:14,367 ♪ MUSIC ♪ 42 00:02:14,367 --> 00:02:16,333 [KNOCKING ON DOOR] 43 00:02:19,867 --> 00:02:21,834 [DOORBELL RINGS] 44 00:02:25,934 --> 00:02:27,900 [DOORBELL RINGS] 45 00:02:30,200 --> 00:02:32,166 [POUNDING ON DOOR] 46 00:02:34,934 --> 00:02:35,767 [POUNDING ON DOOR] 47 00:02:35,767 --> 00:02:38,767 [DOORBELL RINGS] 48 00:02:42,367 --> 00:02:45,333 [POUNDING ON DOOR] 49 00:02:47,333 --> 00:02:50,533 >COMING! 50 00:02:50,533 --> 00:02:51,834 GODDAMN IT! 51 00:02:51,834 --> 00:02:54,767 [POUNDING ON DOOR] 52 00:02:59,233 --> 00:03:01,734 [POUNDING ON DOOR] 53 00:03:01,734 --> 00:03:02,433 >COME INSIDE, 54 00:03:02,433 --> 00:03:03,600 YOU STUPID BITCH. 55 00:03:03,600 --> 00:03:04,133 YOU WANT SOMEONE 56 00:03:04,133 --> 00:03:05,600 TO CALL THE COPS? 57 00:03:05,600 --> 00:03:06,667 >>I'M SORRY. 58 00:03:06,667 --> 00:03:07,834 I WAS KNOCKING FOR A WHILE. 59 00:03:07,834 --> 00:03:09,900 YOU DIDN'T ANSWER. 60 00:03:09,900 --> 00:03:13,600 >>IT'S CALLED BEING ASLEEP. 61 00:03:13,600 --> 00:03:15,600 WHAT TIME IS IT, ANYWAY. 62 00:03:15,600 --> 00:03:16,967 >ONE. 63 00:03:16,967 --> 00:03:18,400 >>AM? 64 00:03:18,400 --> 00:03:20,767 >PM. 65 00:03:20,767 --> 00:03:22,734 >>RIGHT. 66 00:03:27,233 --> 00:03:27,934 HOW MUCH? 67 00:03:27,934 --> 00:03:29,900 >THE USUAL. 68 00:03:42,200 --> 00:03:43,066 >>YOU STILL OWE ME FROM 69 00:03:43,066 --> 00:03:44,000 THE LAST COUPLE TIMES. 70 00:03:44,000 --> 00:03:46,667 [SNORTING] 71 00:03:46,667 --> 00:03:47,634 [SNIFFING] 72 00:03:48,133 --> 00:03:49,467 >I KNOW, BUT I JUST GOT 73 00:03:49,467 --> 00:03:50,500 A CALL FROM MY BROTHER 74 00:03:50,500 --> 00:03:51,634 AND I NEED THE MONEY 75 00:03:51,634 --> 00:03:52,634 TO BAIL HIM OUT. 76 00:03:52,634 --> 00:03:53,400 >>REALLY. 77 00:03:53,400 --> 00:03:55,634 >YEAH, HE'LL GO NUTS IN THERE. 78 00:03:55,634 --> 00:03:56,834 I'LL GIVE YOU THE 79 00:03:56,834 --> 00:03:58,600 REST NEXT MONTH. 80 00:03:58,600 --> 00:03:59,567 HEY! 81 00:03:59,567 --> 00:04:01,000 >>SORRY, NO CAN DO. 82 00:04:01,000 --> 00:04:02,333 >WHAT? 83 00:04:02,333 --> 00:04:03,300 >>I NEED THE MONEY NOW. 84 00:04:03,300 --> 00:04:04,867 NO MORE PAYING LATER. 85 00:04:04,867 --> 00:04:05,967 I KNOW JUNKIES. 86 00:04:05,967 --> 00:04:07,500 >I'M NOT A JUNKIE. 87 00:04:07,500 --> 00:04:09,033 IT'S JUST RECREATIONAL. 88 00:04:09,033 --> 00:04:10,266 >>YEAH. RIGHT. 89 00:04:10,266 --> 00:04:11,200 >LYLE, PLEASE GIVE 90 00:04:11,200 --> 00:04:12,533 IT BACK TO ME. 91 00:04:12,533 --> 00:04:14,467 IT'S ALL I'VE GOT. 92 00:04:14,467 --> 00:04:15,467 >>TOO BAD. 93 00:04:15,467 --> 00:04:16,066 >BUT MY BROTHER 94 00:04:16,066 --> 00:04:18,066 NEEDS TO GET OUT. 95 00:04:18,066 --> 00:04:21,433 >>DON'T REALLY GIVE A FUCK. 96 00:04:21,433 --> 00:04:22,200 >HOW AM I SUPPOSED 97 00:04:22,200 --> 00:04:23,667 TO EAT THIS MONTH? 98 00:04:23,667 --> 00:04:24,533 >>YOU COULD ALWAYS 99 00:04:24,533 --> 00:04:27,367 TURN A FEW TRICKS. 100 00:04:27,367 --> 00:04:28,000 >YOU KNOW, FORGET 101 00:04:28,000 --> 00:04:28,834 THE DRUGS THIS TIME. 102 00:04:28,834 --> 00:04:30,166 JUST GIVE ME MY MONEY BACK. 103 00:04:30,166 --> 00:04:31,000 >>IT'S TOO LATE. 104 00:04:31,000 --> 00:04:33,000 I'VE ALREADY CUT IT. 105 00:04:33,000 --> 00:04:34,900 >LYLE, I'M NOT KIDDING. 106 00:04:34,900 --> 00:04:36,533 GIVE IT BACK TO ME RIGHT NOW! 107 00:04:36,533 --> 00:04:38,000 >>DON'T YOU FUCKING RAISE 108 00:04:38,000 --> 00:04:40,967 YOUR VOICE TO ME EVER AGAIN! 109 00:04:40,967 --> 00:04:49,166 ♪ MUSIC ♪ 110 00:04:49,166 --> 00:04:50,133 NOW I'M GOING TO 111 00:04:50,133 --> 00:04:51,066 GIVE YOU YOUR SHIT, 112 00:04:51,066 --> 00:04:52,300 AND YOU'RE GOING TO QUIETLY 113 00:04:52,300 --> 00:04:54,033 GET THE FUCK OUTTA HERE. 114 00:04:54,033 --> 00:04:58,533 ♪ MUSIC ♪ 115 00:04:58,533 --> 00:04:59,367 MAYBE IF YOU BLOW ME, 116 00:04:59,367 --> 00:05:00,967 I'LL GIVE YOU A SANDWICH. 117 00:05:00,967 --> 00:05:02,367 I THINK THAT'S A FAIR DEAL. 118 00:05:02,367 --> 00:05:04,400 [THUD] 119 00:05:04,400 --> 00:05:05,333 [PANTING] 120 00:05:06,100 --> 00:05:15,767 ♪ MUSIC ♪ 121 00:05:42,533 --> 00:05:45,900 >[WHISPERING] OH SHIT. 122 00:05:45,900 --> 00:05:48,233 OH, SHIT! 123 00:05:48,233 --> 00:05:50,367 ♪ MUSIC ♪ 124 00:05:50,367 --> 00:05:51,700 >OH SHIT. 125 00:05:51,700 --> 00:05:52,634 [WATER RUNNING] 126 00:05:53,333 --> 00:06:19,767 ♪ MUSIC ♪ 127 00:06:19,767 --> 00:06:21,667 >SHIT. 128 00:06:41,333 --> 00:06:43,300 [SCRUBBING] 129 00:06:44,934 --> 00:06:46,867 OH, SHIT. 130 00:06:54,600 --> 00:06:56,567 SHIT. 131 00:07:06,266 --> 00:07:08,100 >>LYLE? 132 00:07:08,100 --> 00:07:21,834 ♪ MUSIC ♪ 133 00:07:21,834 --> 00:07:22,900 LYLE, COME HERE. 134 00:07:22,900 --> 00:07:26,467 I WANT MORE. 135 00:07:26,467 --> 00:07:28,066 DO YOU HEAR ME, YOU ASSHOLE? 136 00:07:28,066 --> 00:07:29,033 I'M NOT KIDDING! 137 00:07:29,367 --> 00:07:36,734 ♪ MUSIC ♪ 138 00:07:36,734 --> 00:07:38,233 YOU'RE NOT TOUCHING ME 139 00:07:38,233 --> 00:07:41,166 UNLESS YOU GET ME MORE! 140 00:07:41,166 --> 00:07:56,467 ♪ MUSIC ♪ 141 00:07:56,467 --> 00:07:59,500 [SNORING] 142 00:08:08,333 --> 00:08:10,300 [SNORING] 143 00:08:12,834 --> 00:08:36,066 ♪ MUSIC ♪ 144 00:08:36,066 --> 00:08:43,834 [OUTSIDE VOICES] 145 00:08:43,834 --> 00:08:47,600 [SKATEBOARD ROLLING] 146 00:08:48,467 --> 00:08:50,433 >[WHISPERING] SHIT. 147 00:08:52,600 --> 00:08:58,100 ♪ MUSIC ♪ 148 00:08:58,100 --> 00:09:01,133 [DIAL TONE] 149 00:09:03,800 --> 00:09:16,333 ♪ MUSIC ♪ 150 00:09:16,333 --> 00:09:18,233 [SHOWER RUNNING] 151 00:09:18,233 --> 00:09:21,400 [PHONE VIBRATING] 152 00:09:21,400 --> 00:09:23,533 >DAMMIT. 153 00:09:23,533 --> 00:09:25,467 [PHONE VIBRATING] 154 00:09:25,467 --> 00:09:26,000 HELLO? 155 00:09:26,000 --> 00:09:27,600 >>[WHISPERING] SOTI, IT'S ME. 156 00:09:27,600 --> 00:09:28,700 I NEED YOU TO COME 157 00:09:28,700 --> 00:09:29,367 TO LYLE'S PLACE 158 00:09:29,367 --> 00:09:30,500 AND GET RID OF THE 159 00:09:30,500 --> 00:09:32,767 GUYS IN THE HALLWAY. 160 00:09:32,767 --> 00:09:34,834 RIGHT NOW. 161 00:09:34,834 --> 00:09:36,333 I'M NOT KIDDING. 162 00:09:36,333 --> 00:09:37,467 JUST DO WHATEVER YOU NEED 163 00:09:37,467 --> 00:09:39,033 TO DO AS LONG AS IT DOESN'T 164 00:09:39,033 --> 00:09:39,500 ATTRACT ATTENTION. 165 00:09:39,500 --> 00:09:41,800 I'LL BE INSIDE. 166 00:09:41,800 --> 00:09:43,800 [DOORBELL RINGING] 167 00:09:43,800 --> 00:09:48,500 >>LYLE, IT'S ME. 168 00:09:48,500 --> 00:09:49,867 COME ON, I KNOW 169 00:09:49,867 --> 00:09:53,200 YOU'RE IN THERE. 170 00:09:53,200 --> 00:09:55,600 I CAN SEE YOUR EYE. 171 00:09:55,600 --> 00:09:57,533 >[WHISPERING] SHIT. 172 00:09:59,133 --> 00:10:00,367 >>COME OUT, COME OUT. 173 00:10:00,367 --> 00:10:06,800 I KNOW WHERE YOU ARE. 174 00:10:06,800 --> 00:10:08,667 >HE'S NOT HERE. 175 00:10:08,667 --> 00:10:10,166 >>WHO ARE YOU? 176 00:10:10,166 --> 00:10:10,867 >I'M JUST A FRIEND. 177 00:10:10,867 --> 00:10:12,367 I'M SORRY, I CAN'T HELP YOU. 178 00:10:12,367 --> 00:10:15,400 >>I JUST WANT A LITTLE. 179 00:10:15,400 --> 00:10:17,133 >THERE'S NOTHING I CAN DO. 180 00:10:17,133 --> 00:10:18,300 >>BULLSHIT. 181 00:10:18,300 --> 00:10:19,133 HE'S ALWAYS GOT 182 00:10:19,133 --> 00:10:20,400 SOMETHING HERE. 183 00:10:20,400 --> 00:10:22,367 >NOT-- 184 00:10:23,800 --> 00:10:25,767 FINE. 185 00:10:26,333 --> 00:10:27,133 I'LL GET YOU SOME. 186 00:10:27,133 --> 00:10:29,033 JUST STAY HERE. 187 00:10:29,033 --> 00:10:29,967 >>I KNEW YOU WERE 188 00:10:29,967 --> 00:10:32,900 FUCKING WITH ME. 189 00:10:42,500 --> 00:10:44,300 IT SMELLS IN HERE. 190 00:10:44,300 --> 00:10:47,233 DOES HE EVER CLEAN? 191 00:10:51,867 --> 00:10:53,900 WHAT'S YOUR NAME? 192 00:10:53,900 --> 00:10:55,767 >NADINE. 193 00:10:55,767 --> 00:10:57,900 >>ISN'T THAT FRENCH? 194 00:10:57,900 --> 00:10:58,867 MY NAME IS SOPHIE. 195 00:10:58,867 --> 00:11:01,200 IT'S ALSO FRENCH. 196 00:11:01,200 --> 00:11:03,700 >ACTUALLY, I THINK IT'S GREEK. 197 00:11:03,700 --> 00:11:05,266 >>NADINE? 198 00:11:05,266 --> 00:11:06,367 REALLY? 199 00:11:06,367 --> 00:11:07,300 COOL. 200 00:11:07,300 --> 00:11:09,266 >I MEANT SOPHIE. 201 00:11:09,266 --> 00:11:10,200 >>NO-NO-NO. 202 00:11:10,200 --> 00:11:11,066 I'M PRETTY SURE 203 00:11:11,066 --> 00:11:11,700 SOPHIE'S FRENCH. 204 00:11:11,700 --> 00:11:13,200 I WAS NAMED AFTER THAT 205 00:11:13,200 --> 00:11:15,400 ACTRESS, SOPHIE MARCEAU. 206 00:11:15,400 --> 00:11:17,867 DO YOU KNOW SOPHIE MARCEAU? 207 00:11:17,867 --> 00:11:22,266 MY MAMMA LOVES HER. 208 00:11:22,266 --> 00:11:24,233 PERFECT! 209 00:11:26,300 --> 00:11:28,266 HERE-- 210 00:11:28,533 --> 00:11:29,033 >OH, THAT'S OKAY. 211 00:11:29,033 --> 00:11:30,367 YOU CAN PAY HIM LATER. 212 00:11:30,367 --> 00:11:31,367 >>UH, YOU'RE NEW AT THIS, 213 00:11:31,367 --> 00:11:32,200 AREN'T YOU? 214 00:11:32,200 --> 00:11:33,033 YOU'D BETTER TAKE IT, 215 00:11:33,033 --> 00:11:34,066 OR LYLE WILL BE REAL 216 00:11:34,066 --> 00:11:35,467 MAD AT YOU. 217 00:11:35,467 --> 00:11:36,834 >I THINK HE'S ALREADY 218 00:11:36,834 --> 00:11:39,734 MAD AT ME. 219 00:11:39,734 --> 00:11:41,700 FINE. 220 00:11:44,400 --> 00:11:46,900 I THOUGHT IT WAS 200. 221 00:11:46,900 --> 00:11:47,934 >>WELL-- 222 00:11:47,934 --> 00:11:49,100 YEAH. 223 00:11:49,100 --> 00:11:50,934 NORMALLY. 224 00:11:50,934 --> 00:11:53,900 BUT LYLE GIVES ME A DISCOUNT. 225 00:11:56,300 --> 00:11:58,100 SINCE I SATISFY SOME OF 226 00:11:58,100 --> 00:12:00,467 HIS 'NEEDS' AS WELL. 227 00:12:00,467 --> 00:12:04,166 ♪ MUSIC ♪ 228 00:12:06,266 --> 00:12:09,000 >IT'S NOT LIKE HIS WIFE MINDS. 229 00:12:09,000 --> 00:12:10,000 >>HIS WIFE? 230 00:12:10,000 --> 00:12:11,500 >YEAH. I CAN NEVER 231 00:12:11,500 --> 00:12:12,834 REMEMBER HER NAME. 232 00:12:12,834 --> 00:12:15,000 IT SOUNDS LIKE SAMOSA-- 233 00:12:15,000 --> 00:12:16,033 AMOROSA-- 234 00:12:16,033 --> 00:12:17,033 ANYWAY, YEAH, SHE ONLY 235 00:12:17,033 --> 00:12:18,533 AGREED TO MARRY HIM SO SHE 236 00:12:18,533 --> 00:12:19,767 COULD STAY IN THE COUNTRY. 237 00:12:19,767 --> 00:12:20,967 IT'S NOT EVEN LOVE 238 00:12:20,967 --> 00:12:22,200 OR ANYTHING. 239 00:12:22,200 --> 00:12:23,300 >>RIGHT. 240 00:12:23,300 --> 00:12:24,600 >OH, SORRY. 241 00:12:24,600 --> 00:12:25,367 HE DIDN'T TELL YOU 242 00:12:25,367 --> 00:12:26,266 HE WAS MARRIED? 243 00:12:26,266 --> 00:12:28,667 MEN ARE PIGS. 244 00:12:28,667 --> 00:12:30,333 >>IT'S OKAY, I'LL LIVE. 245 00:12:30,333 --> 00:12:30,934 LISTEN, I'M SORRY, 246 00:12:30,934 --> 00:12:32,000 BUT YOU HAVE TO GO. 247 00:12:32,000 --> 00:12:33,533 >SURE. BUT CAN YOU TELL 248 00:12:33,533 --> 00:12:35,100 LYLE I DROPPED BY? 249 00:12:35,100 --> 00:12:36,333 >>I WILL. 250 00:12:36,333 --> 00:12:38,433 >AND OH, DON'T WORRY. 251 00:12:38,433 --> 00:12:39,734 I'M SURE HE HAS REAL 252 00:12:39,734 --> 00:12:41,033 FEELINGS FOR YOU. 253 00:12:41,033 --> 00:12:43,000 >>YEAH, ME TOO. 254 00:12:44,300 --> 00:12:45,734 [DOOR SHUTS] 255 00:12:45,734 --> 00:12:47,667 [SIGHS] 256 00:12:50,100 --> 00:12:57,467 ♪ MUSIC ♪ 257 00:12:57,467 --> 00:13:03,533 [PHONE RINGS] 258 00:13:03,900 --> 00:13:05,834 >WHERE ARE YOU?! 259 00:13:05,834 --> 00:13:08,100 OH, HI MOM. 260 00:13:08,100 --> 00:13:08,967 YEAH, NO, I'M WAITING 261 00:13:08,967 --> 00:13:12,367 FOR SOTI TO PICK ME UP. 262 00:13:12,367 --> 00:13:14,333 WHEN? 263 00:13:17,333 --> 00:13:20,200 NO, I DIDN'T FORGET, MOM. 264 00:13:20,200 --> 00:13:22,567 NO, FRANK WILL BE THERE TOO. 265 00:13:22,567 --> 00:13:23,867 YES. 266 00:13:23,867 --> 00:13:24,100 YES! 267 00:13:24,100 --> 00:13:26,066 OKAY, MOM, I GOTTA GO. 268 00:13:26,066 --> 00:13:27,567 OKAY, BYE. 269 00:13:27,567 --> 00:13:29,400 [DOORBELL RINGS] 270 00:13:29,400 --> 00:13:31,367 OH, COME ON! 271 00:13:36,266 --> 00:13:38,233 [DOORBELL RINGS] 272 00:13:43,100 --> 00:13:44,667 >[OUTSIDE] HEY, 1986 CALLED. 273 00:13:44,667 --> 00:13:46,166 HE WANTS HIS JACKET BACK. 274 00:13:46,166 --> 00:13:48,066 [LAUGHTER] 275 00:13:48,066 --> 00:13:50,567 [POUNDING ON DOOR] 276 00:13:50,567 --> 00:13:52,333 >HOW MUCH? 277 00:13:52,333 --> 00:13:53,834 >>WHO ARE YOU? 278 00:13:53,834 --> 00:13:54,066 >NADINE. 279 00:13:54,066 --> 00:13:57,033 DO YOU WANT SOME OR NOT? 280 00:13:57,266 --> 00:13:57,800 >>YEAH. 281 00:13:57,800 --> 00:13:58,667 >WAIT HERE. 282 00:13:58,667 --> 00:14:02,300 [DOOR SHUTS] 283 00:14:02,300 --> 00:14:03,133 I THOUGHT I TOLD YOU 284 00:14:03,133 --> 00:14:04,133 TO WAIT OUTSIDE? 285 00:14:04,133 --> 00:14:06,567 >>SO ANYONE CAN SEE ME? 286 00:14:06,567 --> 00:14:10,400 I'M NOT THAT STUPID. 287 00:14:10,400 --> 00:14:11,233 >FINE. 288 00:14:11,233 --> 00:14:12,900 WAIT HERE. 289 00:14:12,900 --> 00:14:14,867 >>WHY? 290 00:14:15,734 --> 00:14:16,500 >BECAUSE YOU'RE TALLER THAN 291 00:14:16,500 --> 00:14:17,500 ME, AND THERE ARE WINDOWS 292 00:14:17,500 --> 00:14:18,333 IN THE OTHER ROOMS 293 00:14:18,333 --> 00:14:22,166 WHERE PEOPLE CAN SEE YOU. 294 00:14:22,166 --> 00:14:24,900 >>THAT'S A GOOD IDEA. 295 00:14:24,900 --> 00:14:27,567 I'LL WAIT HERE. 296 00:14:27,567 --> 00:14:29,500 >YOU DO THAT. 297 00:14:34,100 --> 00:15:15,834 ♪ MUSIC ♪ 298 00:15:15,834 --> 00:15:17,800 [OUTSIDE VOICES] 299 00:15:19,800 --> 00:15:21,734 >>WHAT IS THIS? 300 00:15:28,667 --> 00:15:29,700 >THAT'S SUPPOSEDLY A 301 00:15:29,700 --> 00:15:33,100 PIECE OF THE BERLIN WALL. 302 00:15:33,100 --> 00:15:34,667 >>WHOA. 303 00:15:34,667 --> 00:15:37,100 IT MUST BE WORTH A LOT. 304 00:15:37,100 --> 00:15:40,033 >IF IT'S REAL. 305 00:15:40,033 --> 00:15:43,333 >>YOU THINK IT'S FAKE? 306 00:15:43,333 --> 00:15:44,367 >WITH ALL THE PIECES THAT 307 00:15:44,367 --> 00:15:45,634 HAVE BEEN SOLD SINCE IT FELL, 308 00:15:45,634 --> 00:15:46,500 YOU COULD BUILD TWO 309 00:15:46,500 --> 00:15:48,033 OR THREE WALLS. 310 00:15:48,033 --> 00:15:49,700 >>THAT'S GOOD. 311 00:15:49,700 --> 00:15:50,934 SO YOU CAN PUT ALL 312 00:15:50,934 --> 00:15:53,867 THE JEWS INSIDE. 313 00:15:54,867 --> 00:15:56,834 >THAT'LL BE 200. 314 00:16:03,066 --> 00:16:05,433 CAN YOU PUT IT BACK PLEASE? 315 00:16:05,433 --> 00:16:06,433 >>WHY? 316 00:16:06,433 --> 00:16:09,100 >I'M ALLERGIC TO CONCRETE. 317 00:16:09,100 --> 00:16:09,867 >>OH. 318 00:16:09,867 --> 00:16:11,800 OKAY. 319 00:16:25,000 --> 00:16:26,900 SO... 320 00:16:26,900 --> 00:16:30,367 >YEAH? 321 00:16:30,367 --> 00:16:31,467 >>YOU THINK WE COULD 322 00:16:31,467 --> 00:16:33,100 GO OUT SOMETIME? 323 00:16:33,100 --> 00:16:37,100 >I'M SORTA SEEING LYLE. 324 00:16:37,100 --> 00:16:38,934 >>OH. 325 00:16:38,934 --> 00:16:40,767 ISN'T HE MARRIED? 326 00:16:40,767 --> 00:16:41,567 [PHONE RINGS] 327 00:16:41,567 --> 00:16:42,467 >SORRY, ANOTHER CLIENT. 328 00:16:42,467 --> 00:16:45,233 GOTTA GO. 329 00:16:45,233 --> 00:16:47,200 [SHUTS DOOR] 330 00:16:49,066 --> 00:16:51,100 WHERE ARE YOU? 331 00:16:51,100 --> 00:16:53,066 WHAT? 332 00:16:55,600 --> 00:16:56,400 >>HEY, BUDDY, 333 00:16:56,400 --> 00:16:59,433 DON'T TOUCH ME. 334 00:17:01,767 --> 00:17:02,867 >WHO WAS THAT? 335 00:17:02,867 --> 00:17:03,533 >>YOU WERE SUPPOSED 336 00:17:03,533 --> 00:17:06,000 TO GET RID OF THOSE GUYS. 337 00:17:06,000 --> 00:17:08,500 >HELLO, SUNSHINE. 338 00:17:08,500 --> 00:17:09,233 LOOK, I TRIED, 339 00:17:09,233 --> 00:17:10,667 BUT THEY DIDN'T SEEM TO CARE 340 00:17:10,667 --> 00:17:12,066 THAT THE PLACE WAS ON FIRE. 341 00:17:12,066 --> 00:17:15,000 WHAT'S UP? 342 00:17:15,433 --> 00:17:18,367 WHAT HAPPENED TO YOUR NECK? 343 00:17:20,000 --> 00:17:22,967 >>IT'S PART OF THE PROBLEM. 344 00:17:23,300 --> 00:17:25,266 >DID LYLE DO THIS? 345 00:17:26,100 --> 00:17:28,100 WHERE IS HE? 346 00:17:38,967 --> 00:17:40,934 [GASPS] 347 00:17:41,867 --> 00:17:42,834 HE'S NOT-- 348 00:17:42,834 --> 00:17:46,433 >>YEAH. 349 00:17:46,433 --> 00:17:47,066 >YOU-- 350 00:17:47,066 --> 00:17:48,934 >>YEAH. 351 00:17:48,934 --> 00:17:50,800 >DID-- 352 00:17:50,800 --> 00:17:52,967 DID HE TRY TO KILL YOU? 353 00:17:52,967 --> 00:17:54,967 >>KIND OF. 354 00:17:54,967 --> 00:17:59,133 MOSTLY HE TOOK MY MONEY. 355 00:17:59,133 --> 00:18:00,166 >AND THAT'S WHY 356 00:18:00,166 --> 00:18:01,233 YOU KILLED HIM? 357 00:18:01,233 --> 00:18:02,867 >>I DIDN'T MEAN TO. 358 00:18:02,867 --> 00:18:03,500 I JUST CONKED 359 00:18:03,500 --> 00:18:04,500 HIM ON THE HEAD. 360 00:18:04,500 --> 00:18:05,734 I NEED THE MONEY 361 00:18:05,734 --> 00:18:07,200 FOR FRANK. 362 00:18:07,200 --> 00:18:09,000 >WHAT HAS HE DONE NOW? 363 00:18:09,000 --> 00:18:10,600 >>HE'S IN JAIL. 364 00:18:10,600 --> 00:18:12,233 [ALARM BEEPING] 365 00:18:12,233 --> 00:18:13,333 HE FELL ASLEEP 366 00:18:13,333 --> 00:18:14,433 DURING A ROBBERY. 367 00:18:14,433 --> 00:18:15,567 THE OTHERS DIDN'T WAKE 368 00:18:15,567 --> 00:18:18,567 HIM WHEN THEY LEFT. 369 00:18:18,567 --> 00:18:19,133 I KNOW. 370 00:18:19,133 --> 00:18:22,000 MY BROTHER'S A GENIUS. 371 00:18:22,000 --> 00:18:30,700 >HOW DID YOU DO THAT? 372 00:18:30,700 --> 00:18:31,900 OH. 373 00:18:31,900 --> 00:18:33,333 >>DON'T TOUCH IT! 374 00:18:33,333 --> 00:18:35,767 >I'M NOT STUPID. 375 00:18:35,767 --> 00:18:36,867 WOW. 376 00:18:36,867 --> 00:18:39,000 HIS MOST PRIZED POSSESSION. 377 00:18:39,000 --> 00:18:40,133 >>ACTUALLY, I THINK 378 00:18:40,133 --> 00:18:42,500 THAT'S THE PORSCHE. 379 00:18:42,500 --> 00:18:44,533 [DOORBELL RINGS] 380 00:18:44,533 --> 00:18:45,667 STAY IN HERE. 381 00:18:45,667 --> 00:18:46,233 >WHAT, WITH HIM?! 382 00:18:46,233 --> 00:18:47,400 >>HE'S NOT GOING 383 00:18:47,400 --> 00:18:48,533 TO BITE YOU. 384 00:18:48,533 --> 00:18:51,500 >WHAT ARE YOU DOING? 385 00:18:53,734 --> 00:18:55,700 [LAUGHTER] 386 00:18:59,700 --> 00:19:01,767 [DOOR SHUTS] 387 00:19:01,934 --> 00:19:03,767 >>[WHISPERING] WHO ARE YOU? 388 00:19:03,767 --> 00:19:05,567 WHERE IS LYLE. 389 00:19:05,567 --> 00:19:06,834 >LYLE'S NOT FEELING WELL. 390 00:19:06,834 --> 00:19:07,800 I'M FILLING IN. 391 00:19:07,800 --> 00:19:09,467 >>I WANT TO SPEAK WITH HIM. 392 00:19:09,467 --> 00:19:10,433 >YOU CAN'T. 393 00:19:10,433 --> 00:19:11,967 >>WELL, I ONLY DO 394 00:19:11,967 --> 00:19:15,667 BUSINESS WITH LYLE. 395 00:19:15,667 --> 00:19:16,367 >FINE. 396 00:19:16,367 --> 00:19:16,667 [OPENS DOOR] 397 00:19:16,667 --> 00:19:18,967 >>OKAY, OKAY. 398 00:19:18,967 --> 00:19:20,500 >HOW MUCH? 399 00:19:20,500 --> 00:19:21,734 >>[WHISPERING] 12. 400 00:19:21,734 --> 00:19:23,100 >HAVING A PARTY? 401 00:19:23,100 --> 00:19:24,634 >>HEY, LYLE NEVER ASKS 402 00:19:24,634 --> 00:19:27,367 ANY QUESTIONS. 403 00:19:27,367 --> 00:19:30,900 >RIGHT. 404 00:19:30,900 --> 00:19:32,800 JUST WAIT HERE. 405 00:19:32,800 --> 00:19:33,667 >>ARE YOU TRYING 406 00:19:33,667 --> 00:19:35,600 TO PULL SOMETHING? 407 00:19:35,600 --> 00:19:36,500 >NO, I JUST WANT 408 00:19:36,500 --> 00:19:39,467 YOU TO WAIT HERE. 409 00:19:41,900 --> 00:19:42,734 >>FINE. 410 00:19:42,734 --> 00:19:44,200 BUT YOU'D BETTER NOT TRY 411 00:19:44,200 --> 00:19:46,266 TO PULL ANYTHING, OKAY? 412 00:19:47,734 --> 00:19:53,500 ♪ MUSIC ♪ 413 00:19:53,500 --> 00:19:54,967 I'LL KNOW IF YOU'RE TRYING 414 00:19:54,967 --> 00:19:57,100 TO PULL ANYTHING. 415 00:19:57,100 --> 00:20:19,467 ♪ MUSIC ♪ 416 00:20:19,467 --> 00:20:19,834 [OUTSIDE VOICES] 417 00:20:19,834 --> 00:20:21,200 [DOOR SHUTS] 418 00:20:25,500 --> 00:20:26,433 >SO YOU'VE TURNED 419 00:20:26,433 --> 00:20:29,000 DRUG DEALER NOW? 420 00:20:29,000 --> 00:20:29,433 >>THESE PEOPLE 421 00:20:29,433 --> 00:20:30,066 KEEP SHOWING UP. 422 00:20:30,066 --> 00:20:32,667 WHAT AM I SUPPOSED TO DO? 423 00:20:32,667 --> 00:20:34,433 >UM, HAVE YOU TRIED NOT 424 00:20:34,433 --> 00:20:35,467 SELLING THEM DRUGS? 425 00:20:35,467 --> 00:20:36,300 >>THEY'RE REGULARS. 426 00:20:36,300 --> 00:20:38,667 THEY EXPECT HIM TO BE HERE. 427 00:20:38,667 --> 00:20:39,767 I DIDN'T WANT TO 428 00:20:39,767 --> 00:20:40,367 RAISE SUSPICIONS. 429 00:20:40,367 --> 00:20:41,200 >ARE YOU NUTS? 430 00:20:41,200 --> 00:20:42,300 NOW THERE'S SEVERAL PEOPLE 431 00:20:42,300 --> 00:20:43,767 WHO CAN IDENTIFY YOU. 432 00:20:43,767 --> 00:20:44,100 >>CONSIDERING 433 00:20:44,100 --> 00:20:45,066 WHAT THEY CAME FOR, 434 00:20:45,066 --> 00:20:46,367 I DOUBT THEY'RE GOING TO 435 00:20:46,367 --> 00:20:47,900 WANT TO TALK TO THE POLICE. 436 00:20:47,900 --> 00:20:50,567 >LYLE, I NEED TO PEE. 437 00:20:50,567 --> 00:20:52,967 ♪ MUSIC ♪ 438 00:20:52,967 --> 00:20:53,667 >>[WHISPERING] YOU KILLED 439 00:20:53,667 --> 00:20:55,133 HIM IN FRONT OF A WITNESS?! 440 00:20:55,133 --> 00:20:57,433 >I DIDN'T KNOW SHE WAS HERE. 441 00:20:57,433 --> 00:20:58,567 SHE'S COMPLETELY OUT OF IT. 442 00:20:58,567 --> 00:21:00,066 SHE HAS NO IDEA. 443 00:21:00,066 --> 00:21:00,700 >> JODER PUTA , 444 00:21:00,700 --> 00:21:01,867 COME HELP ME UP, 445 00:21:01,867 --> 00:21:03,900 I NEED TO USE THE BATHROOM! 446 00:21:03,900 --> 00:21:06,967 >OKAY, LET'S NOT PANIC. 447 00:21:06,967 --> 00:21:08,066 WE NEED TO MOVE HIM. 448 00:21:08,066 --> 00:21:09,533 >>WE CAN'T TOUCH HIM. 449 00:21:09,533 --> 00:21:10,533 >NOW, GALLIA. 450 00:21:10,533 --> 00:21:11,567 >>WHAT ABOUT LIKE, 451 00:21:11,567 --> 00:21:13,066 DNA AND STUFF? 452 00:21:13,066 --> 00:21:14,000 >WHAT DO YOU SUGGEST? 453 00:21:14,000 --> 00:21:14,967 JUST LET HER STEP 454 00:21:14,967 --> 00:21:15,333 ON HIS CORPSE? 455 00:21:15,333 --> 00:21:16,000 >>SHE PROBABLY 456 00:21:16,000 --> 00:21:18,033 WON'T EVEN NOTICE. 457 00:21:18,033 --> 00:21:19,033 >LYLE, YOU'RE 458 00:21:19,033 --> 00:21:20,967 SUCH AN ASSHOLE! 459 00:21:20,967 --> 00:21:26,900 ♪ MUSIC ♪ 460 00:21:26,900 --> 00:21:29,467 YOU USELESS PIECE OF SHIT! 461 00:21:29,467 --> 00:21:31,433 [THUD] 462 00:21:34,967 --> 00:21:36,033 >>WHY DID HE 463 00:21:36,033 --> 00:21:37,066 MARRY THAT WITCH? 464 00:21:37,066 --> 00:21:39,533 >WELL, LYLE ISN'T-- 465 00:21:39,533 --> 00:21:40,533 WASN'T EXACTLY 466 00:21:40,533 --> 00:21:43,333 MR. PERSONALITY EITHER. 467 00:21:43,333 --> 00:21:46,000 PLUS SHE LOOKS PRETTY HOT. 468 00:21:46,000 --> 00:21:47,667 >>SHE IS SO NOT HOT. 469 00:21:47,667 --> 00:21:49,266 PLUS SHE'S A TOTAL DRUGGIE. 470 00:21:49,266 --> 00:21:50,333 >HELLO, POT AND 471 00:21:50,333 --> 00:21:51,066 KETTLE ANYONE? 472 00:21:51,066 --> 00:21:52,800 >>EXCUSE ME? 473 00:21:52,800 --> 00:21:53,867 >NEVER MIND. 474 00:21:53,867 --> 00:21:55,333 WE NEED TO GET OUTTA HERE. 475 00:21:55,333 --> 00:21:57,300 >>HOW? 476 00:21:59,800 --> 00:22:01,033 >YOU SHOULD AUDITION FOR, 477 00:22:01,033 --> 00:22:02,200 LIKE, MAMMA MIA ON 478 00:22:02,200 --> 00:22:03,066 ICE OR SOMETHING. 479 00:22:03,066 --> 00:22:03,767 [LAUGHTER] 480 00:22:03,767 --> 00:22:05,900 >>IT'S XANADU, YOU DICK. 481 00:22:05,900 --> 00:22:07,133 >>[GROANS] ALRIGHT, 482 00:22:07,133 --> 00:22:09,233 LET ME THINK. 483 00:22:09,233 --> 00:22:12,934 >HAH, THAT'LL BE A FIRST. 484 00:22:12,934 --> 00:22:14,600 >>YOU KNOW WHAT, 485 00:22:14,600 --> 00:22:15,934 GIMME A BREAK. 486 00:22:15,934 --> 00:22:18,066 ERIC JUST BROKE UP WITH ME, 487 00:22:18,066 --> 00:22:19,433 FRANK IS IN JAIL, 488 00:22:19,433 --> 00:22:21,233 MOM IS EXPECTING US HOME 489 00:22:21,233 --> 00:22:22,266 FOR YOUR [INDISTINCT] 490 00:22:22,266 --> 00:22:23,367 IN TWO HOURS, 491 00:22:23,367 --> 00:22:24,700 AND I JUST KILLED A GUY, 492 00:22:24,700 --> 00:22:26,333 SO FORGIVE ME IF I'M 493 00:22:26,333 --> 00:22:27,934 NOT THINKING CLEARLY! 494 00:22:27,934 --> 00:22:29,233 >YOU HAVEN'T BEEN THINKING 495 00:22:29,233 --> 00:22:30,233 CLEARLY FOR MONTHS! 496 00:22:30,233 --> 00:22:31,533 IT'S ALL THAT SHIT 497 00:22:31,533 --> 00:22:34,367 YOU'RE TAKING. 498 00:22:34,367 --> 00:22:35,400 >>I JUST NEED TO 499 00:22:35,400 --> 00:22:36,900 GET OVER ERIC. 500 00:22:36,900 --> 00:22:39,400 >GALIA, IT'S BEEN FOUR MONTHS. 501 00:22:39,400 --> 00:22:41,634 >>HE STILL TEXTS ME. 502 00:22:41,634 --> 00:22:42,900 I THINK HE WANTS TO 503 00:22:42,900 --> 00:22:44,533 GET BACK TOGETHER. 504 00:22:44,533 --> 00:22:45,433 >PLEASE TELL ME YOU'RE 505 00:22:45,433 --> 00:22:46,200 NOT THAT DESPERATE. 506 00:22:46,200 --> 00:22:48,133 [DOORBELL RINGS] 507 00:22:50,800 --> 00:22:51,567 >>GO HIDE IN THE BATHROOM. 508 00:22:51,567 --> 00:22:52,567 >I'M NOT GOING BACK IN THERE! 509 00:22:52,567 --> 00:22:53,100 >>THERE'S NOWHERE 510 00:22:53,100 --> 00:22:55,266 ELSE TO HIDE. 511 00:22:55,266 --> 00:22:57,100 WHAT ARE YOU DOING? 512 00:22:57,100 --> 00:22:59,133 [DOORBELL RINGS] 513 00:23:04,934 --> 00:23:06,133 >YOU GOT NICE HAIR, ASSHOLE. 514 00:23:06,133 --> 00:23:07,567 [LAUGHTER] 515 00:23:07,567 --> 00:23:09,000 >>I USED TO WEAR PINK SHIRTS. 516 00:23:09,000 --> 00:23:10,000 WHEN I WAS GAY. 517 00:23:10,000 --> 00:23:11,567 [LAUGHTER] 518 00:23:11,567 --> 00:23:13,500 [DOOR OPENS] 519 00:23:14,266 --> 00:23:15,567 >WHOA. 520 00:23:15,567 --> 00:23:16,867 WHO ARE YOU? 521 00:23:16,867 --> 00:23:18,133 THE NEW MRS? 522 00:23:18,133 --> 00:23:19,700 >>SORT OF. 523 00:23:19,700 --> 00:23:20,500 >DOES THAT MEAN 524 00:23:20,500 --> 00:23:21,600 CARDAMOSA'S FREE NOW? 525 00:23:21,600 --> 00:23:22,800 'CAUSE I'D REALLY LIKE 526 00:23:22,800 --> 00:23:24,000 TO HIT THAT. 527 00:23:24,000 --> 00:23:25,800 KNOW WHAT I MEAN? 528 00:23:25,800 --> 00:23:27,800 >>I THINK SO. 529 00:23:27,800 --> 00:23:30,100 HOW MUCH? 530 00:23:30,100 --> 00:23:32,600 >20. 531 00:23:32,600 --> 00:23:33,433 JUST KIDDING. 532 00:23:33,433 --> 00:23:35,200 THE USUAL. 533 00:23:35,200 --> 00:23:37,166 >>WAIT HERE. 534 00:23:39,700 --> 00:23:41,333 >HEY, IS LYLE REALLY 535 00:23:41,333 --> 00:23:43,400 HUNG LIKE A HORSE? 536 00:23:43,400 --> 00:23:45,700 >>HOW SHOULD-- 537 00:23:45,700 --> 00:23:48,300 NOT REALLY. 538 00:23:48,300 --> 00:23:49,100 >I KNEW IT. 539 00:23:49,100 --> 00:23:52,033 HE'S SO FULL OF SHIT. 540 00:23:58,400 --> 00:24:00,700 ♪ MUSIC ♪ 541 00:24:00,700 --> 00:24:01,700 HEY, WHAT DRUG 542 00:24:01,700 --> 00:24:03,500 DOES A PORN STAR USE 543 00:24:03,500 --> 00:24:06,767 BEFORE GOING TO WORK? 544 00:24:06,767 --> 00:24:09,567 WANGPHETAMINES! 545 00:24:09,567 --> 00:24:10,934 HOW DOES A DRUG 546 00:24:10,934 --> 00:24:12,767 ADDICT HAVE SEX? 547 00:24:12,767 --> 00:24:15,734 WITH SPEED! 548 00:24:15,734 --> 00:24:18,100 WHAT'S ONE WORD FOR 549 00:24:18,100 --> 00:24:21,166 'CONTROL PEOPLE THROUGH SEX'? 550 00:24:21,166 --> 00:24:23,767 INDONGTRINATION! 551 00:24:23,767 --> 00:24:25,200 [SNORTS] 552 00:24:25,200 --> 00:24:26,767 WHAT DO YOU CALL A 553 00:24:26,767 --> 00:24:29,900 DEALER WITH A BIG DICK? 554 00:24:29,900 --> 00:24:31,266 A DICKOTOMY! 555 00:24:31,266 --> 00:24:34,367 [LAUGHTER] 556 00:24:46,634 --> 00:24:47,266 DO YOU KNOW 557 00:24:47,266 --> 00:24:49,166 WHERE CARDAMOSA IS? 558 00:24:49,166 --> 00:24:50,867 >>NO IDEA. 559 00:24:50,867 --> 00:24:53,000 >SHE MUST HAVE LEFT HIM. 560 00:24:53,000 --> 00:24:54,900 HE'S NUTS ABOUT HER. 561 00:24:54,900 --> 00:24:55,667 >>ONE TIME! 562 00:24:55,667 --> 00:24:56,400 ONE TIME! 563 00:24:56,400 --> 00:24:59,467 JUST ONCE. 564 00:25:00,900 --> 00:25:02,900 [DOOR CLOSES] 565 00:25:02,900 --> 00:25:04,834 [SIGHS] 566 00:25:11,900 --> 00:25:12,634 >SHE'S WAKING UP. 567 00:25:12,634 --> 00:25:15,066 WE NEED TO LEAVE. 568 00:25:15,066 --> 00:25:18,600 >>THEY'RE STILL OUT THERE. 569 00:25:18,600 --> 00:25:20,266 >YOU LOOK LIKE A SNOW GLOBE. 570 00:25:20,266 --> 00:25:20,634 [LAUGHTER] 571 00:25:20,634 --> 00:25:21,400 ONE OF THOSE THINGS WHERE 572 00:25:21,400 --> 00:25:22,700 YOU GO BACK AND FORTH. 573 00:25:22,700 --> 00:25:23,166 [SKATEBOARD FLIPS] 574 00:25:23,166 --> 00:25:24,700 >>WHOA! 575 00:25:24,700 --> 00:25:26,333 [LAUGHTER] 576 00:25:26,333 --> 00:25:27,767 >WELL, THEY'VE SEEN US GO IN. 577 00:25:27,767 --> 00:25:30,433 WE MIGHT AS WELL JUST GO OUT. 578 00:25:30,433 --> 00:25:31,767 >>YEAH, AND WHEN THEY FIND 579 00:25:31,767 --> 00:25:32,800 THE BODY THOSE GUYS 580 00:25:32,800 --> 00:25:33,900 WILL REMBER THAT WE 581 00:25:33,900 --> 00:25:35,300 WERE THE LAST ONES OUT. 582 00:25:35,300 --> 00:25:36,533 >LET'S JUST START THE 583 00:25:36,533 --> 00:25:38,100 FIRE ALARM OR SOMETHING. 584 00:25:38,100 --> 00:25:38,767 >>OH, SURE. 585 00:25:38,767 --> 00:25:40,600 LET'S JUST BRING THE COPS 586 00:25:40,600 --> 00:25:42,100 DIRECTLY TO THE BODY. 587 00:25:42,100 --> 00:25:43,400 >I DON'T SEE YOU GETTING 588 00:25:43,400 --> 00:25:44,100 ANY BRIGHT IDEAS. 589 00:25:44,100 --> 00:25:45,400 WHO'S BEEN STUCK IN HERE 590 00:25:45,400 --> 00:25:46,166 THIS WHOLE TIME? 591 00:25:46,166 --> 00:25:47,333 >>YOU WERE SUPPOSED TO 592 00:25:47,333 --> 00:25:49,734 GET RID OF THOSE GUYS! 593 00:25:49,734 --> 00:25:51,433 >EXCUSE ME FOR NOT BEING 594 00:25:51,433 --> 00:25:52,800 QUICK ENOUGH AND COVERING 595 00:25:52,800 --> 00:25:54,233 UP YOUR LITTLE MURDER! 596 00:25:54,233 --> 00:25:56,467 >>IT WAS AN ACCIDENT. 597 00:25:56,467 --> 00:25:57,634 >[LAUGHTER] 598 00:25:57,634 --> 00:25:58,300 RIGHT. 599 00:25:58,300 --> 00:25:59,133 I'LL JUST CONK HIM 600 00:25:59,133 --> 00:25:59,967 ON THE HEAD WITH 601 00:25:59,967 --> 00:26:00,900 A PIECE OF CONCRETE 602 00:26:00,900 --> 00:26:03,533 AND SEE WHAT HAPPENS. 603 00:26:03,533 --> 00:26:04,133 >>FINE. 604 00:26:04,133 --> 00:26:05,967 IT WAS STUPID. 605 00:26:05,967 --> 00:26:09,300 YOU'RE 100% RIGHT, AS USUAL. 606 00:26:09,300 --> 00:26:12,000 ARE YOU HAPPY NOW? 607 00:26:12,000 --> 00:26:14,000 >YEAH. 608 00:26:15,634 --> 00:26:19,900 ♪ MUSIC ♪ 609 00:26:19,900 --> 00:26:20,834 THIS IS NOT HELPING. 610 00:26:20,834 --> 00:26:21,500 LET'S JUST GO. 611 00:26:21,500 --> 00:26:22,233 THAT SAMOSA CHICK 612 00:26:22,233 --> 00:26:22,967 IS STILL HERE. 613 00:26:22,967 --> 00:26:24,634 THEY'LL THINK SHE DID IT. 614 00:26:24,634 --> 00:26:26,467 >>LYLE'S WIFE? 615 00:26:26,467 --> 00:26:29,033 SHE WAS PASSED OUT. 616 00:26:29,033 --> 00:26:29,767 >SO WHAT? 617 00:26:29,767 --> 00:26:31,200 PERFECT. 618 00:26:31,200 --> 00:26:34,233 A DRUG DEALER KILLED BY WIFE 619 00:26:34,233 --> 00:26:37,767 IN DRUG INDUCED STUPOR. 620 00:26:37,767 --> 00:26:38,333 >>DO YOU THINK 621 00:26:38,333 --> 00:26:39,367 THEY'LL BUY THAT? 622 00:26:39,367 --> 00:26:40,333 >THE POLICE WON'T CARE. 623 00:26:40,333 --> 00:26:41,500 SHE NEVER EVEN SAW US. 624 00:26:41,500 --> 00:26:43,033 LET'S GO. 625 00:26:43,033 --> 00:26:44,900 ♪ MUSIC ♪ 626 00:26:44,900 --> 00:26:47,000 >>WHERE'S THE MONEY? 627 00:26:47,000 --> 00:26:47,533 >SHIT. 628 00:26:47,533 --> 00:26:49,400 THERE GOES THAT. 629 00:26:49,400 --> 00:26:50,400 >>THERE WAS ALMOST 630 00:26:50,400 --> 00:26:51,400 10, 000 THERE. 631 00:26:51,400 --> 00:26:52,767 DON'T FUCK WITH ME! 632 00:26:52,767 --> 00:26:53,800 >I DON'T KNOW WHAT 633 00:26:53,800 --> 00:26:54,600 YOU'RE TALKING ABOUT. 634 00:26:54,600 --> 00:27:00,734 >>IT'S RIGHT HERE. 635 00:27:00,734 --> 00:27:02,233 >YOU DIDN'T MENTION THAT PART. 636 00:27:02,233 --> 00:27:03,467 >>I COMPLETELY FORGOT. 637 00:27:03,467 --> 00:27:04,734 SOTI, I SWEAR. 638 00:27:04,734 --> 00:27:05,266 >YEAH, RIGHT. 639 00:27:05,266 --> 00:27:05,967 YOU DIDN'T FORGET 640 00:27:05,967 --> 00:27:07,033 TO HIDE THE MONEY. 641 00:27:07,033 --> 00:27:08,700 >>SHUT UP, AMAROSA! 642 00:27:08,700 --> 00:27:09,834 >IT'S CARDAMOSA. 643 00:27:09,834 --> 00:27:11,400 >>WHATEVER. 644 00:27:11,400 --> 00:27:12,600 >WHAT WERE YOU INTENDING 645 00:27:12,600 --> 00:27:13,867 TO DO WITH THAT? 646 00:27:13,867 --> 00:27:14,767 >>NOTHING. 647 00:27:14,767 --> 00:27:15,533 I DON'T KNOW. 648 00:27:15,533 --> 00:27:16,900 >WELL DON'T MAKE ANY PLANS, 649 00:27:16,900 --> 00:27:18,200 'CAUSE IT'S NOT YOUR MONEY. 650 00:27:18,200 --> 00:27:20,200 >>IT'S NOT YOUR MONEY EITHER. 651 00:27:20,200 --> 00:27:20,967 IT'S LYLE'S. 652 00:27:20,967 --> 00:27:22,734 >NO, BITCH, IT'S MY MONEY. 653 00:27:22,734 --> 00:27:25,200 100 FOR EVERY TIME HE FUCKS ME. 654 00:27:25,200 --> 00:27:28,200 AND THAT'S JUST JULY. 655 00:27:28,200 --> 00:27:29,867 YEAH, MANY TIMES A DAY. 656 00:27:29,867 --> 00:27:32,066 HE'S LIKE A RABBIT. 657 00:27:32,066 --> 00:27:36,900 ♪ MUSIC ♪ 658 00:27:36,900 --> 00:27:37,967 >>YEAH, BUT DIDN'T YOU GET 659 00:27:37,967 --> 00:27:39,300 A GREEN CARD OUT OF IT? 660 00:27:39,300 --> 00:27:40,467 >NO, I DIDN'T NEED HIM. 661 00:27:40,467 --> 00:27:41,667 HE SAID HE WAS GOING TO 662 00:27:41,667 --> 00:27:42,433 REPORT ME TO IMMIGRATION 663 00:27:42,433 --> 00:27:43,767 IF I DIDN'T MARRY HIM. 664 00:27:43,767 --> 00:27:45,734 >>SO HE PROPOSED BY THREATENING 665 00:27:45,734 --> 00:27:47,467 TO HAVE YOU DEPORTED? 666 00:27:47,467 --> 00:27:48,767 >YEAH, HE'S ROMANTIC. 667 00:27:48,767 --> 00:27:51,600 WHERE'S THE PERRO ? 668 00:27:51,600 --> 00:27:54,200 ♪ MUSIC ♪ 669 00:27:54,200 --> 00:27:56,100 [GASPS] 670 00:27:58,867 --> 00:28:01,266 >> PUTA , YOU KILLED HIM?! 671 00:28:01,266 --> 00:28:05,500 >NOT ON PURPOSE. 672 00:28:05,500 --> 00:28:07,000 >>DO YOU KNOW HOW MANY 673 00:28:07,000 --> 00:28:08,500 TIMES I WISHED I HAD 674 00:28:08,500 --> 00:28:12,033 THE COJONES TO DO THAT? 675 00:28:12,033 --> 00:28:13,734 >NO. 676 00:28:13,734 --> 00:28:15,166 >>MANY. 677 00:28:15,166 --> 00:28:17,667 MANY MANY MANY MANY. 678 00:28:17,667 --> 00:28:20,967 >OKAY, WHAT DO WE DO NOW? 679 00:28:20,967 --> 00:28:22,166 >>WE TAKE THE CASH. 680 00:28:22,166 --> 00:28:24,133 >YOU ALREADY HAVE IT. 681 00:28:24,133 --> 00:28:24,800 >>THE-- 682 00:28:24,800 --> 00:28:25,800 OH, NO, NOT THAT. 683 00:28:25,800 --> 00:28:28,333 THAT'S NOTHING. 684 00:28:28,333 --> 00:28:29,166 >TOLD YA. 685 00:28:29,166 --> 00:28:32,266 SHE'S HOT. 686 00:28:32,266 --> 00:28:34,500 SCARY, BUT HOT. 687 00:28:34,500 --> 00:28:35,934 >>IF YOU LIKE THAT STYLE. 688 00:28:35,934 --> 00:28:37,900 >YOU COMING?! 689 00:28:47,166 --> 00:28:48,300 OKAY, CAN YOU BEND 690 00:28:48,300 --> 00:28:49,433 YOUR PRECIOUS BACKS AND 691 00:28:49,433 --> 00:28:52,367 GIVE THE SLAVE A HAND? 692 00:28:56,467 --> 00:28:57,133 [DRAGGING BED] 693 00:28:57,133 --> 00:28:57,467 OKAY. 694 00:28:57,467 --> 00:28:59,467 OKAY, ENOUGH. 695 00:29:00,266 --> 00:29:02,233 [RIPPING] 696 00:29:07,967 --> 00:29:09,900 [THUD] 697 00:29:14,700 --> 00:29:16,400 >>YOU'RE KIDDING. 698 00:29:16,400 --> 00:29:18,166 >OKAY, HALF TO YOU TWO 699 00:29:18,166 --> 00:29:19,600 BECAUSE YOU KILLED HIM, 700 00:29:19,600 --> 00:29:20,500 AND HALF TO ME 701 00:29:20,500 --> 00:29:21,800 BECAUSE I HAD TO SLEEP WITH 702 00:29:21,800 --> 00:29:22,867 THE BASTARD FOR SIX MONTHS 703 00:29:22,867 --> 00:29:23,967 AND I DESERVE IT, OKAY? 704 00:29:23,967 --> 00:29:25,600 >>OKAY. 705 00:29:25,600 --> 00:29:26,700 >NO, WE'RE NOT TAKING 706 00:29:26,700 --> 00:29:27,734 ANY OF THIS MONEY. 707 00:29:27,734 --> 00:29:28,433 >WHAT? 708 00:29:28,433 --> 00:29:29,233 DO YOU KNOW WHAT WE 709 00:29:29,233 --> 00:29:29,834 COULD DO WITH THIS? 710 00:29:29,834 --> 00:29:30,433 WE'RE GOING TO NEED 711 00:29:30,433 --> 00:29:31,200 A LAWYER FOR FRANK. 712 00:29:31,200 --> 00:29:31,800 >>I DON'T CARE. 713 00:29:31,800 --> 00:29:32,567 DO YOU KNOW WHERE 714 00:29:32,567 --> 00:29:33,200 IT COMES FROM? 715 00:29:33,200 --> 00:29:33,700 >I KNOW. 716 00:29:33,700 --> 00:29:34,433 I DON'T CARE. 717 00:29:34,433 --> 00:29:35,834 >>WELL, I DO! 718 00:29:35,834 --> 00:29:37,000 GALIA, LET'S JUST LEAVE 719 00:29:37,000 --> 00:29:38,367 EVERYTHING AND GO NOW. 720 00:29:38,367 --> 00:29:38,533 >NO. 721 00:29:38,533 --> 00:29:39,066 FIRST WE HAVE 722 00:29:39,066 --> 00:29:40,567 TO HIDE THE BODY. 723 00:29:40,567 --> 00:29:41,967 >>NO, I'M NOT TOUCHING HIM. 724 00:29:41,967 --> 00:29:43,166 >OH, KILLING HIM IS OKAY 725 00:29:43,166 --> 00:29:44,100 BUT NOT TOUCHING HIM? 726 00:29:44,100 --> 00:29:45,367 >>LISTEN, KEEP ALL THE MONEY 727 00:29:45,367 --> 00:29:46,433 AND WE'LL JUST GO. 728 00:29:46,433 --> 00:29:47,266 >YOU THINK I'M TONTA ? 729 00:29:47,266 --> 00:29:48,266 WHAT AM I GOING TO 730 00:29:48,266 --> 00:29:49,800 DO WITH IT IF I'M IN JAIL? 731 00:29:49,800 --> 00:29:50,800 I'M NOT TAKING THE FALL 732 00:29:50,800 --> 00:29:51,667 FOR TWO GRINGAS HERE. 733 00:29:51,667 --> 00:29:53,066 >>YEAH, I'M NOT LEAVING THIS. 734 00:29:53,066 --> 00:29:54,433 >GALIA, STOP IT. 735 00:29:54,433 --> 00:29:55,867 >>WHAT? I DESERVE IT. 736 00:29:55,867 --> 00:29:58,066 HE TRIED TO KILL ME. 737 00:29:58,066 --> 00:29:59,100 >THAT'S A BULLSHIT EXCUSE 738 00:29:59,100 --> 00:30:00,166 AND YOU KNOW IT. 739 00:30:00,166 --> 00:30:01,066 >>I THINK IT'S A 740 00:30:01,066 --> 00:30:04,033 PRETTY GOOD EXCUSE. 741 00:30:04,433 --> 00:30:06,400 [DOORBELL RINGS] 742 00:30:06,400 --> 00:30:07,433 >JESUS. DO THEY 743 00:30:07,433 --> 00:30:09,867 EVER TAKE A BREAK? 744 00:30:09,867 --> 00:30:11,367 >>I'M GONNA TAKE CARE OF IT. 745 00:30:11,367 --> 00:30:12,333 YOU TWO FINISH DEALING 746 00:30:12,333 --> 00:30:14,200 WITH THE MONEY. 747 00:30:14,200 --> 00:30:14,400 WHAT? 748 00:30:14,400 --> 00:30:15,033 I KILLED HIM. 749 00:30:15,033 --> 00:30:16,166 I MIGHT AS WELL GET 750 00:30:16,166 --> 00:30:19,100 SOMETHING OUT OF IT. 751 00:30:27,600 --> 00:30:31,233 >[SPEAKING SPANISH] 752 00:30:31,233 --> 00:30:32,667 >>WHO ARE YOU? 753 00:30:32,667 --> 00:30:34,667 >I'M NADINE. 754 00:30:34,667 --> 00:30:36,734 >>[SPEAKING SPANISH] 755 00:30:36,734 --> 00:30:37,967 >WHERE IS LYLE? 756 00:30:37,967 --> 00:30:39,166 >>LYLE IS INDISPOSED. 757 00:30:39,166 --> 00:30:40,700 I'M HIS REPLACEMENT. 758 00:30:40,700 --> 00:30:46,100 [BOTH SPEAKING SPANISH] 759 00:30:46,100 --> 00:30:47,367 >>HEY! 760 00:30:47,367 --> 00:30:50,100 LYLE IS GONE. 761 00:30:50,100 --> 00:30:52,533 DO YOU WANT COKE? 762 00:30:52,533 --> 00:30:56,266 >[SPEAKING SPANISH] 763 00:30:56,266 --> 00:30:58,100 >>YES, WE WANT COKE. 764 00:30:58,100 --> 00:31:02,667 >OKAY. 765 00:31:02,667 --> 00:31:04,734 WAIT HERE. 766 00:31:37,467 --> 00:31:40,500 >>[SPEAKING SPANISH] 767 00:31:40,500 --> 00:31:42,600 >WE CAN PAY LATER? 768 00:31:42,600 --> 00:31:44,333 >>NO, WE PAY NOW. 769 00:31:44,333 --> 00:31:46,600 >[SPEAKING SPANISH] 770 00:31:46,600 --> 00:31:47,800 >>HALF? 771 00:31:47,800 --> 00:31:50,433 >200 CASH. 772 00:31:50,433 --> 00:31:51,600 YOU WANT THE DRUGS, 773 00:31:51,600 --> 00:31:52,800 YOU PAY ME NOW. 774 00:31:52,800 --> 00:31:54,567 >>HAS SHE DONE THIS BEFORE? 775 00:31:54,567 --> 00:31:57,300 >I'M BEGINNING TO WONDER. 776 00:31:57,300 --> 00:31:59,667 >>[BOTH SPEAKING SPANISH] 777 00:32:03,667 --> 00:32:04,734 [SLAP] 778 00:32:04,734 --> 00:32:07,200 ♪ MUSIC ♪ 779 00:32:07,200 --> 00:32:11,233 [MONEY RUSTLING] 780 00:32:11,233 --> 00:32:21,400 ♪ MUSIC ♪ 781 00:32:21,400 --> 00:32:23,200 [COINS RATTLING] 782 00:32:23,200 --> 00:32:25,166 [SPEAKING SPANISH] 783 00:32:26,233 --> 00:32:32,233 ♪ MUSIC ♪ 784 00:32:32,233 --> 00:32:34,100 >FANTASTIC. 785 00:32:34,100 --> 00:32:35,300 I HAVE A PIGGY BANK. 786 00:32:35,300 --> 00:32:37,333 GREAT. 787 00:32:37,333 --> 00:32:39,233 [DOOR SLAMS] 788 00:32:41,700 --> 00:32:44,700 >>NO MORE OF THIS! 789 00:32:46,800 --> 00:32:48,734 [COINS RATTLING] 790 00:32:51,333 --> 00:32:52,734 >I GOT IT! 791 00:32:52,734 --> 00:32:54,500 YOU KNOW THAT MOVIE NIKITA? 792 00:32:54,500 --> 00:32:56,233 >>THE ONE WHERE THE GOVERNMENT 793 00:32:56,233 --> 00:32:58,400 FORCES A CHICK TO KILL PEOPLE? 794 00:32:58,400 --> 00:32:59,467 >EXACTLY. 795 00:32:59,467 --> 00:33:00,700 WE JUST HIRE A CLEANER 796 00:33:00,700 --> 00:33:04,033 LIKE SHE DID. 797 00:33:04,033 --> 00:33:05,200 >>I DON'T THINK A CLEANING 798 00:33:05,200 --> 00:33:06,467 LADY'S GOING TO HELP. 799 00:33:06,467 --> 00:33:09,734 >NO, NOT A CLEANING LADY. 800 00:33:09,734 --> 00:33:11,000 IN THE MOVIE SHE KILLS 801 00:33:11,000 --> 00:33:11,734 SOMEBODY BY ACCIDENT 802 00:33:11,734 --> 00:33:12,734 AND THEN SHE HIRES 803 00:33:12,734 --> 00:33:13,767 A SPECIALIST TO MAKE 804 00:33:13,767 --> 00:33:16,734 THE BODY DISAPPEAR. 805 00:33:17,734 --> 00:33:19,600 >>OF COURSE. 806 00:33:19,600 --> 00:33:20,734 AND HOW MANY OF THOSE 807 00:33:20,734 --> 00:33:21,600 SPECIALISTS DO YOU KNOW, 808 00:33:21,600 --> 00:33:22,767 'CAUSE I DON'T THINK THEY'LL 809 00:33:22,767 --> 00:33:23,900 BE IN THE YELLOW PAGES. 810 00:33:23,900 --> 00:33:25,100 >YEAH, THAT'S ONE OF THE 811 00:33:25,100 --> 00:33:26,300 DUMBEST THINGS I EVER HEARD. 812 00:33:26,300 --> 00:33:27,367 >>WELL EXCUSE ME. 813 00:33:27,367 --> 00:33:29,433 DO YOU HAVE A BETTER IDEA? 814 00:33:29,433 --> 00:33:31,400 >YEAH, WE DUMP HIS BODY 815 00:33:31,400 --> 00:33:33,634 IN A CARGA DE BASURA. 816 00:33:33,634 --> 00:33:36,233 YOU HAVE A CAR, RIGHT? 817 00:33:36,233 --> 00:33:36,433 GOOD, 818 00:33:36,433 --> 00:33:37,033 'CAUSE WE CAN'T 819 00:33:37,033 --> 00:33:39,200 CARRY HIM ON THE BUS. 820 00:33:39,200 --> 00:33:41,033 >>UH, WHAT'S A DE CARGA? 821 00:33:41,033 --> 00:33:42,567 >IT'S A PLACE WHERE THEY 822 00:33:42,567 --> 00:33:44,100 DUMP OLD TRASH AND STUFF. 823 00:33:44,100 --> 00:33:45,634 IT'S PERFECT FOR LYLE. 824 00:33:45,634 --> 00:33:47,400 >>HOW DO WE GET HIM IN THE 825 00:33:47,400 --> 00:33:48,400 CAR WITHOUT ANYBODY SEEING, 826 00:33:48,400 --> 00:33:49,400 BECAUSE I DON'T THINK 827 00:33:49,400 --> 00:33:50,433 HE'S GOING TO FIT 828 00:33:50,433 --> 00:33:53,066 IN YOUR SUITCASE. 829 00:33:53,066 --> 00:33:55,433 >WE ROLL HIM IN THE CARPET. 830 00:33:55,433 --> 00:33:57,867 >>YOU'RE NOT SERIOUS. 831 00:33:57,867 --> 00:34:00,867 >HELP ME MOVE THE TABLE. 832 00:34:11,133 --> 00:34:12,600 >OKAY, I GET THE FEET, 833 00:34:12,600 --> 00:34:14,266 YOU GET THE HEAD. 834 00:34:14,266 --> 00:34:15,834 >>I DON'T WANT TO TOUCH HIM. 835 00:34:15,834 --> 00:34:16,867 > TOMA . NOW YOU DON'T 836 00:34:16,867 --> 00:34:17,967 HAVE TO TOUCH HIM. 837 00:34:17,967 --> 00:34:19,934 LET'S GO. 838 00:34:25,100 --> 00:34:26,233 >>JESUS, GALIA, COULD 839 00:34:26,233 --> 00:34:27,767 YOU CUT THE CRAP? 840 00:34:27,767 --> 00:34:29,100 I DON'T WANT TO BE STUCK 841 00:34:29,100 --> 00:34:31,000 HERE UNTIL TOMORROW. 842 00:34:31,000 --> 00:34:32,967 >FINE. 843 00:34:35,100 --> 00:34:36,066 YOU TAKE THE HEAD, 844 00:34:36,066 --> 00:34:37,000 I'LL TAKE THIS. 845 00:34:37,000 --> 00:34:38,800 >>YOU THINK HIS HEAD IS MORE 846 00:34:38,800 --> 00:34:40,233 DISGUSTING THAN HIS ASS? 847 00:34:40,233 --> 00:34:41,767 YOU HAVE NOT SEEN IT. 848 00:34:41,767 --> 00:34:42,934 >WELL AT LEAST THERE'S 849 00:34:42,934 --> 00:34:44,100 NO BLOOD ON IT. 850 00:34:44,100 --> 00:34:45,166 >>OKAY, READY? 851 00:34:45,166 --> 00:34:46,533 ON THREE. 852 00:34:46,533 --> 00:34:49,000 ONE, TWO, THREE. 853 00:34:49,000 --> 00:34:50,166 [GRUNTS] 854 00:34:50,166 --> 00:34:52,367 [THUD] 855 00:34:52,767 --> 00:34:54,367 WHAT THE HELL ARE YOU DOING? 856 00:34:54,367 --> 00:34:54,867 >I'M SORRY. 857 00:34:54,867 --> 00:34:56,000 I COULDN'T HOLD HIM. 858 00:34:56,000 --> 00:34:56,500 [THUD] 859 00:34:56,500 --> 00:34:57,066 >>LISTEN, BARBIES, 860 00:34:57,066 --> 00:34:57,934 COULD WE GET 861 00:34:57,934 --> 00:34:59,233 A MOVE ON, HERE? 862 00:34:59,233 --> 00:35:00,300 AT THIS RATE WE'RE GOING TO 863 00:35:00,300 --> 00:35:01,433 BE TOO OLD TO LIFT HIM BY 864 00:35:01,433 --> 00:35:04,333 THE TIME WE GET TO THE DOOR. 865 00:35:04,333 --> 00:35:04,567 >OKAY. 866 00:35:04,567 --> 00:35:06,500 I'M ALL RIGHT. 867 00:35:06,500 --> 00:35:08,767 >>ONE, TWO-- 868 00:35:08,767 --> 00:35:10,734 [GRUNTS] THREE! 869 00:35:15,000 --> 00:35:16,934 [THUD] 870 00:35:18,433 --> 00:35:19,066 >[GROANS] OH, I THINK 871 00:35:19,066 --> 00:35:20,834 I THREW MY BACK OUT. 872 00:35:20,834 --> 00:35:21,700 >>LOOK, WE'RE ALL 873 00:35:21,700 --> 00:35:22,867 HERE BECAUSE OF YOU, 874 00:35:22,867 --> 00:35:23,734 SO COULD YOU 875 00:35:23,734 --> 00:35:24,600 PLEASE STOP WHING? 876 00:35:24,600 --> 00:35:25,734 >I'M NOT WHINING. 877 00:35:25,734 --> 00:35:26,834 I'M JUST SAYING, 878 00:35:26,834 --> 00:35:28,300 I FELT A CRACK. 879 00:35:28,300 --> 00:35:28,900 >>HEY! [SNAPS FINGERS] 880 00:35:28,900 --> 00:35:31,867 LET'S ROLL HIM. 881 00:35:34,333 --> 00:35:35,834 >WAIT-WAIT-WAIT. 882 00:35:35,834 --> 00:35:36,567 SHOULDN'T WE ROLL HIM 883 00:35:36,567 --> 00:35:37,834 THE OTHER WAY? 884 00:35:37,834 --> 00:35:38,567 >>YOU CAN'T ROLL 885 00:35:38,567 --> 00:35:39,367 A CARPET INSIDE-OUT. 886 00:35:39,367 --> 00:35:40,367 IT WOULD LOOK WEIRD. 887 00:35:40,367 --> 00:35:41,033 >I KNOW, BUT HE'LL 888 00:35:41,033 --> 00:35:42,033 PUT BLOOD ON IT. 889 00:35:42,033 --> 00:35:43,000 >>DO YOU INTEND 890 00:35:43,000 --> 00:35:44,300 TO TAKE IT HOME? 891 00:35:44,300 --> 00:35:44,567 >NO. 892 00:35:44,567 --> 00:35:46,533 >>THEN WHO CARES?! 893 00:35:46,533 --> 00:35:47,700 [GRUNTS] SERIOUSLY, GALIA, 894 00:35:47,700 --> 00:35:50,500 SOMETIMES I WORRY ABOUT YOU. 895 00:35:50,500 --> 00:35:52,500 [GRUNTS] 896 00:35:54,567 --> 00:35:56,533 [PANTS] 897 00:36:02,934 --> 00:36:03,934 >I DIDN'T KNOW 898 00:36:03,934 --> 00:36:05,967 YOU WERE SO HEAVY. 899 00:36:05,967 --> 00:36:06,734 >>I KNOW. 900 00:36:06,734 --> 00:36:07,934 HE'S SO SKINNY. 901 00:36:07,934 --> 00:36:09,066 >YEAH, AND THEY SAY YOU 902 00:36:09,066 --> 00:36:12,767 LOSE WEIGHT WHEN YOU DIE. 903 00:36:12,767 --> 00:36:14,467 IT'S TRUE. 904 00:36:14,467 --> 00:36:16,233 I SAW IT IN A MOVIE. 905 00:36:16,233 --> 00:36:17,000 >>OH, WELL THEN 906 00:36:17,000 --> 00:36:18,667 IT MUST BE TRUE. 907 00:36:18,667 --> 00:36:20,800 >WHY ARE YOU SO PISSY TODAY? 908 00:36:20,800 --> 00:36:22,100 >>UM, I DON'T KNOW. 909 00:36:22,100 --> 00:36:23,400 MAYBE BECAUSE YOU'RE MAKING 910 00:36:23,400 --> 00:36:25,400 ME CARRY A DEAD BODY? 911 00:36:25,400 --> 00:36:26,834 >NO ONE IS MAKING 912 00:36:26,834 --> 00:36:27,967 YOU DO ANYTHING. 913 00:36:27,967 --> 00:36:28,667 >>OH YEAH? 914 00:36:28,667 --> 00:36:29,433 WELL I'LL JUST GO 915 00:36:29,433 --> 00:36:30,734 AND LEAVE YOU TO IT. 916 00:36:30,734 --> 00:36:31,500 > PUTA, YOU'RE NOT 917 00:36:31,500 --> 00:36:32,000 GOING ANYWHERE. 918 00:36:32,000 --> 00:36:33,000 YOU SHUT UP, OKAY? 919 00:36:33,000 --> 00:36:34,367 WE'RE GOING TO CARRY THIS 920 00:36:34,367 --> 00:36:35,667 BODY DOWN TO THE CAR, 921 00:36:35,667 --> 00:36:38,467 AND IF YOU DROP IT, 922 00:36:38,467 --> 00:36:40,066 [SPEAKING SPANISH]! 923 00:36:40,066 --> 00:36:41,467 >>WHAT DID SHE SAY? 924 00:36:41,467 --> 00:36:42,233 >I DON'T KNOW, 925 00:36:42,233 --> 00:36:43,634 BUT IT SOUNDED SCARY. 926 00:36:43,634 --> 00:36:45,667 >>THANKS, SOTI. 927 00:36:45,667 --> 00:36:47,500 >WHAT KIND OF NAME IS SOTI? 928 00:36:47,500 --> 00:36:48,934 >>WHAT KIND OF NAME 929 00:36:48,934 --> 00:36:49,667 IS AMAROSA? 930 00:36:49,667 --> 00:36:50,767 >CARDAMOSA! 931 00:36:50,767 --> 00:36:52,567 >>SOTI IS SHORT FOR SOTIRIA. 932 00:36:52,567 --> 00:36:55,066 IT MEANS SALVATION IN GREEK. 933 00:36:55,066 --> 00:36:56,567 >YOU'RE GREEK. 934 00:36:56,567 --> 00:36:57,734 >>MY PARENTS ARE. 935 00:36:57,734 --> 00:36:59,900 >WHAT DOES CARDAMOSA MEAN? 936 00:36:59,900 --> 00:37:02,066 >>SPICY. 937 00:37:02,066 --> 00:37:02,867 >IT FITS. 938 00:37:02,867 --> 00:37:04,834 >>I KNOW. 939 00:37:15,166 --> 00:37:16,700 OKAY. 940 00:37:16,700 --> 00:37:17,467 FIRST WE TAKE THE 941 00:37:17,467 --> 00:37:19,000 CARPET DOWN TO THE CAR. 942 00:37:19,000 --> 00:37:19,834 ONE OF YOU STAYS BY 943 00:37:19,834 --> 00:37:20,834 THE CAR AND THE OTHER ONE 944 00:37:20,834 --> 00:37:21,667 COMES BACK UP HERE WITH 945 00:37:21,667 --> 00:37:22,667 ME TO GET THE BAGS, YEAH? 946 00:37:22,667 --> 00:37:25,000 >WHY CAN'T WE ALL COME BACK? 947 00:37:25,000 --> 00:37:25,667 >>NO, AROUND HERE THEY'RE 948 00:37:25,667 --> 00:37:26,567 GOING TO TAKE THE CARPET 949 00:37:26,567 --> 00:37:27,967 RIGHT OUT OF THE TRUNK. 950 00:37:27,967 --> 00:37:29,800 >THERE'S A LOT OF STAIRS. 951 00:37:29,800 --> 00:37:31,300 >>WE'LL STOP AT EACH-- 952 00:37:31,300 --> 00:37:32,634 PISO. 953 00:37:32,634 --> 00:37:34,567 AND NO DROPPING HIM. 954 00:37:37,867 --> 00:37:39,266 OH, I ALMOST FORGOT THE SNOW! 955 00:37:39,266 --> 00:37:44,300 >OH, WE'RE NOT TAKING THAT. 956 00:37:44,300 --> 00:37:45,066 >>DO YOU KNOW HOW 957 00:37:45,066 --> 00:37:45,700 MUCH THAT'S WORTH? 958 00:37:45,700 --> 00:37:46,367 >I DON'T CARE. 959 00:37:46,367 --> 00:37:47,567 MY CAR'S A DRUG-FREE CAR. 960 00:37:47,567 --> 00:37:48,533 YOU WANNA USE IT, 961 00:37:48,533 --> 00:37:49,533 THE BLOW STAYS HERE. 962 00:37:49,533 --> 00:37:50,367 >>NO, THAT'S THROWING 963 00:37:50,367 --> 00:37:52,333 MONEY AWAY. 964 00:37:54,166 --> 00:37:54,533 FINE. 965 00:37:54,533 --> 00:37:56,500 LET'S GO. 966 00:37:57,000 --> 00:37:57,900 >HOW ABOUT WE JUST 967 00:37:57,900 --> 00:37:58,800 DO ONE LAST LINE? 968 00:37:58,800 --> 00:37:59,967 >>GALIA? 969 00:37:59,967 --> 00:38:01,033 YOU WANT ME TO 970 00:38:01,033 --> 00:38:02,100 HELP YOU WITH THIS, 971 00:38:02,100 --> 00:38:04,367 YOU DON'T EVER DO COKE AGAIN. 972 00:38:04,367 --> 00:38:05,767 >NEVER? 973 00:38:05,767 --> 00:38:06,567 BUT I JUST- 974 00:38:06,567 --> 00:38:07,266 >>SWEAR IT OR 975 00:38:07,266 --> 00:38:09,233 I'M OUTTA HERE. 976 00:38:11,033 --> 00:38:12,600 >FINE, I SWEAR. 977 00:38:12,600 --> 00:38:13,033 >>[LAUGHTER] YOU 978 00:38:13,033 --> 00:38:13,867 CAN'T TRUST A JUNKIE. 979 00:38:13,867 --> 00:38:16,100 >I'M NOT A JUNKIE. 980 00:38:16,100 --> 00:38:18,800 >>I TRUST GALIA. 981 00:38:18,800 --> 00:38:22,700 ♪ MUSIC ♪ 982 00:38:22,700 --> 00:38:24,600 [OUTSIDE VOICES] 983 00:38:35,266 --> 00:38:38,533 >ONE, TWO, THREE. 984 00:38:38,533 --> 00:38:40,066 >>HEY LADIES, 985 00:38:40,066 --> 00:38:41,066 YOU NEED A HAND? 986 00:38:41,066 --> 00:38:42,433 >NO, THANK YOU, WE'RE OKAY. 987 00:38:42,433 --> 00:38:43,900 >>YES, WE COULD USE SOME 988 00:38:43,900 --> 00:38:46,900 STRONG MEN OVER HERE. 989 00:38:46,900 --> 00:38:48,333 >WHAT ARE YOU DOING? 990 00:38:48,333 --> 00:38:49,100 >>NO PROBLEMO. 991 00:38:49,100 --> 00:38:50,100 >OH, WE WOULD NEVER 992 00:38:50,100 --> 00:38:51,400 MAKE IT ON OUR OWN. 993 00:38:51,400 --> 00:38:52,700 >>I'LL GET THE MIDDLE. 994 00:38:52,700 --> 00:38:53,100 >OKAY. 995 00:38:53,100 --> 00:38:56,400 LET'S DO THAT. 996 00:38:56,400 --> 00:38:58,033 [GRUNTING] 997 00:38:58,033 --> 00:38:59,233 THAT'S SOME CARPET. 998 00:38:59,233 --> 00:39:00,500 >>IT'S VERY OLD. 999 00:39:00,500 --> 00:39:01,200 >IT'S PROBABLY THE 1000 00:39:01,200 --> 00:39:02,433 WEIGHT OF ALL THAT DUST. 1001 00:39:02,433 --> 00:39:04,266 [LAUGHTER] 1002 00:39:04,266 --> 00:39:05,700 >>SO YOU GOING FAR? 1003 00:39:05,700 --> 00:39:07,500 >OH, JUST TO THE CAR. 1004 00:39:07,500 --> 00:39:08,600 >>WHICH IS? 1005 00:39:08,600 --> 00:39:11,700 >ABOUT TWO BLOCKS AWAY. 1006 00:39:11,700 --> 00:39:12,433 BUT I COULD BRING 1007 00:39:12,433 --> 00:39:14,100 IT TO THE DOOR. 1008 00:39:14,100 --> 00:39:14,834 >>YOU DO THAT, 1009 00:39:14,834 --> 00:39:16,033 I'LL GO GET THE BAGS, 1010 00:39:16,033 --> 00:39:20,433 AND I HAVE TO USE THE BATHROOM. 1011 00:39:20,433 --> 00:39:21,634 >I THINK ONE OF US 1012 00:39:21,634 --> 00:39:22,400 SHOULD PROBABLY GET 1013 00:39:22,400 --> 00:39:24,300 DOWN THERE TO RECEIVE IT. 1014 00:39:24,300 --> 00:39:26,133 >OKAY. 1015 00:39:26,133 --> 00:39:26,834 >>OKAY, SO WHY DON'T 1016 00:39:26,834 --> 00:39:27,700 MAYBE YOU GO DOWN AND 1017 00:39:27,700 --> 00:39:29,033 THEN I'LL FEED IT TO YOU. 1018 00:39:29,033 --> 00:39:30,834 >LIFT IT OVER THE RAILING. 1019 00:39:30,834 --> 00:39:32,800 >>YEAH, IT WON'T BEND. 1020 00:39:38,567 --> 00:39:40,200 >ALL RIGHT, YOU READY? 1021 00:39:40,200 --> 00:39:40,667 >>YEAH. 1022 00:39:40,667 --> 00:39:42,133 >ONE, TWO, THREE. 1023 00:39:42,133 --> 00:39:43,600 YOU'RE LOSING IT! 1024 00:39:43,600 --> 00:39:44,467 >>SLOW DOWN, SLOW DOWN! 1025 00:39:44,467 --> 00:39:47,500 >SLOW DOWN! 1026 00:39:47,500 --> 00:39:49,333 >>ARE YOU OKAY? 1027 00:39:49,333 --> 00:39:51,000 >YEAH, THIS CARPET JUST 1028 00:39:51,000 --> 00:39:55,700 WEIGHS 300 POUNDS. 1029 00:39:55,700 --> 00:39:58,467 >>WHOSE SHOE IS THIS? 1030 00:39:58,467 --> 00:39:59,467 >IT'S NOT MINE. 1031 00:39:59,467 --> 00:40:02,634 >>IT'S NOT MINE EITHER. 1032 00:40:02,634 --> 00:40:03,266 >WHERE THE HELL 1033 00:40:03,266 --> 00:40:06,200 DID IT COME FROM? 1034 00:40:07,000 --> 00:40:13,200 >>IT'S MINE! 1035 00:40:13,200 --> 00:40:14,400 I TOOK LYLE'S 1036 00:40:14,400 --> 00:40:16,333 SHOE BY MISTAKE. 1037 00:40:18,133 --> 00:40:20,100 NO WONDER IT FELL OFF. 1038 00:40:20,100 --> 00:40:20,867 >HERE, LET ME HELP-- 1039 00:40:20,867 --> 00:40:24,300 >>NO! IT'S NOT HEAVY. 1040 00:40:24,300 --> 00:40:26,333 >[LAUGHTER] GEEZ. 1041 00:40:26,333 --> 00:40:32,834 >>SHALL WE? 1042 00:40:32,834 --> 00:40:35,800 >WE GOT IT, THANKS. 1043 00:40:56,200 --> 00:40:57,567 >>WELL THAT'S WHAT I HAVE. 1044 00:40:57,567 --> 00:40:59,200 I GOT IT AT A POLICE AUCTION, 1045 00:40:59,200 --> 00:41:01,266 SO BLAME THE PREVIOUS OWNER. 1046 00:41:01,266 --> 00:41:03,066 >UMM, HMM. 1047 00:41:03,066 --> 00:41:03,900 YEAH, IT'S NEVER GOING 1048 00:41:03,900 --> 00:41:05,033 TO FIT IN THAT TRUNK. 1049 00:41:05,033 --> 00:41:05,934 >>IT WON'T EVEN FIT 1050 00:41:05,934 --> 00:41:08,667 IN THE CAR. 1051 00:41:08,667 --> 00:41:09,867 >DO YOU STILL HAVE THE STUFF 1052 00:41:09,867 --> 00:41:10,467 FROM STEPHAN'S CHRISTMAS 1053 00:41:10,467 --> 00:41:13,166 PARTY IN YOUR TRUNK? 1054 00:41:13,166 --> 00:41:15,100 GOOD. 1055 00:41:18,467 --> 00:41:20,400 [SNIFFS] 1056 00:41:39,333 --> 00:41:41,266 >>HEY! 1057 00:41:44,634 --> 00:41:46,166 [CAR STARTS] 1058 00:41:46,166 --> 00:41:50,934 [BEEPING] 1059 00:41:50,934 --> 00:41:52,200 [BEEPING STOPS] 1060 00:41:56,634 --> 00:42:20,166 ♪ MUSIC ♪ 1061 00:42:20,166 --> 00:42:22,000 >QUICK THINKING. 1062 00:42:22,000 --> 00:42:23,333 >>WHAT? 1063 00:42:23,333 --> 00:42:25,634 >THE THING WITH YOUR SHOE. 1064 00:42:25,634 --> 00:42:29,000 >>EASY. 1065 00:42:29,000 --> 00:42:30,567 >WHOSE SHOE IS THIS? 1066 00:42:30,567 --> 00:42:33,533 >>IT'S NOT MINE, DUDE. 1067 00:42:33,533 --> 00:42:36,100 >IT'S MINE! 1068 00:42:36,100 --> 00:42:37,266 >>SO WHERE IS YOUR 1069 00:42:37,266 --> 00:42:38,634 BLOODY DE CARGA? 1070 00:42:38,634 --> 00:42:40,767 >UH, NEXT LEFT. 1071 00:42:40,767 --> 00:42:41,900 >>NO, LET'S GO PICK 1072 00:42:41,900 --> 00:42:43,333 UP FRANK FIRST. 1073 00:42:43,333 --> 00:42:44,400 >NOT NOW, GALIA. FIRST 1074 00:42:44,400 --> 00:42:45,934 WE MUST GET RID OF HIM. 1075 00:42:45,934 --> 00:42:46,967 >>SOTI, YOU KNOW HOW HE GETS. 1076 00:42:46,967 --> 00:42:49,600 I HAVE TO GET HIM OUT OF THERE. 1077 00:42:49,600 --> 00:42:51,533 >WE'LL GET FRANK OUT JUST 1078 00:42:51,533 --> 00:42:53,967 AFTER WE'VE DUMPED LYLE. 1079 00:42:53,967 --> 00:42:55,300 >>WE CAN ONLY BAIL THEM OUT 1080 00:42:55,300 --> 00:42:56,400 UNTIL THREE AND THEN IT'LL 1081 00:42:56,400 --> 00:42:57,800 BE TOO LATE AND HE'LL HAVE 1082 00:42:57,800 --> 00:42:59,433 TO STAY THE WHOLE WEEKEND. 1083 00:42:59,433 --> 00:43:00,166 >GALIA! 1084 00:43:00,166 --> 00:43:02,000 >>SOTI! 1085 00:43:02,000 --> 00:43:02,900 ♪ MUSIC ♪ 1086 00:43:02,900 --> 00:43:04,634 >OKAY, FINE. 1087 00:43:04,634 --> 00:43:06,200 [TIRES SCREECHING] 1088 00:43:06,200 --> 00:43:07,166 ♪ MUSIC ♪ 1089 00:43:07,166 --> 00:43:09,200 >>WHAT ARE YOU DOING? 1090 00:43:09,200 --> 00:43:10,634 >WE JUST NEED TO PICK UP 1091 00:43:10,634 --> 00:43:13,600 HER BROTHER FIRST. 1092 00:43:14,166 --> 00:43:15,700 [GROANS] 1093 00:43:15,700 --> 00:43:29,033 ♪ MUSIC ♪ 1094 00:43:29,033 --> 00:43:29,834 >> PUTA, YOU GIRLS 1095 00:43:29,834 --> 00:43:31,233 GET OFF ON THIS? 1096 00:43:31,233 --> 00:43:33,200 >I'LL BE RIGHT BACK. 1097 00:43:46,834 --> 00:43:48,800 [HITS CAR] 1098 00:43:49,600 --> 00:43:50,967 >>SHE JUST NEEDS TO GET HER 1099 00:43:50,967 --> 00:43:52,533 BROTHER OUT THEN WE'LL GO. 1100 00:43:52,533 --> 00:43:54,700 IT'LL BE FINE. 1101 00:43:54,700 --> 00:43:55,166 [DOOR SLAMS] 1102 00:43:55,166 --> 00:43:56,900 >YOU'RE BOTH LOCAS . 1103 00:43:56,900 --> 00:43:59,867 OR YOU HAVE A DEATH WISH. 1104 00:43:59,867 --> 00:44:02,900 ♪ MUSIC ♪ 1105 00:44:02,900 --> 00:44:03,767 [GASPS] 1106 00:44:03,767 --> 00:44:04,467 >>I'M WARNING YOU, 1107 00:44:04,467 --> 00:44:05,433 IF HE FINDS LYLE, 1108 00:44:05,433 --> 00:44:06,867 YOU'RE ON YOUR OWN. 1109 00:44:06,867 --> 00:44:08,100 >HE'S NOT GONNA FIND LYLE. 1110 00:44:08,100 --> 00:44:09,867 >>IT'S NOT A DEATH WISH, 1111 00:44:09,867 --> 00:44:11,834 YOU'RE JUST DELUSIONAL. 1112 00:44:11,834 --> 00:44:12,600 WHY IS HE COMING 1113 00:44:12,600 --> 00:44:13,400 THIS WAY, THEN? 1114 00:44:13,400 --> 00:44:14,367 >MAYBE HE JUST 1115 00:44:14,367 --> 00:44:16,066 THINKS YOU'RE HOT. 1116 00:44:16,066 --> 00:44:17,834 >>OH, I KNEW IT. 1117 00:44:17,834 --> 00:44:19,867 YOU PLAY FOR THE OTHER TEAM. 1118 00:44:19,867 --> 00:44:20,834 >WHAT? 1119 00:44:20,834 --> 00:44:22,200 >>YOU LIKE YOUR FRIEND, 1120 00:44:22,200 --> 00:44:23,233 DON'T YOU? 1121 00:44:23,233 --> 00:44:23,700 >WHO, GALIA? 1122 00:44:23,700 --> 00:44:24,834 OF COURSE I LIKE HER. 1123 00:44:24,834 --> 00:44:25,533 SHE'S MY FRIEND. 1124 00:44:25,533 --> 00:44:26,600 >>NO, I MEAN YOU 1125 00:44:26,600 --> 00:44:28,867 LIKE HER, LIKE HER. 1126 00:44:28,867 --> 00:44:31,033 >GOOD AFTERNOON, MA'AM. 1127 00:44:31,033 --> 00:44:32,200 >>HELLO, OFFICER. 1128 00:44:32,200 --> 00:44:34,600 >DO YOU KNOW WHY I'M HERE? 1129 00:44:34,600 --> 00:44:36,133 >>NOT REALLY. 1130 00:44:36,133 --> 00:44:37,133 >FIRST OF ALL, 1131 00:44:37,133 --> 00:44:38,900 YOU CANNOT PARK HERE. 1132 00:44:38,900 --> 00:44:39,967 >>OH, I'M SORRY, WE JUST-- 1133 00:44:39,967 --> 00:44:41,233 >I'M NOT DONE. 1134 00:44:41,233 --> 00:44:42,934 >>SORRY. 1135 00:44:42,934 --> 00:44:43,900 >SECOND, THAT CARPET'S 1136 00:44:43,900 --> 00:44:45,867 A HAZARD TIED LIKE THAT. 1137 00:44:45,867 --> 00:44:46,667 >>IT'S JUST FOR A 1138 00:44:46,667 --> 00:44:47,300 COUPLE HUNDRED YARDS. 1139 00:44:47,300 --> 00:44:48,066 I'M HAVING IT CLEANED 1140 00:44:48,066 --> 00:44:48,934 FOR MY AUNT. 1141 00:44:48,934 --> 00:44:50,066 >THAT MAY BE, MA'AM, 1142 00:44:50,066 --> 00:44:51,233 BUT IT'S STILL ILLEGAL. 1143 00:44:51,233 --> 00:44:55,867 >>NO KIDDING. 1144 00:44:55,867 --> 00:44:59,433 I TOLD HER SO. 1145 00:44:59,433 --> 00:45:01,300 I HAVE A GREEN CARD. 1146 00:45:01,300 --> 00:45:02,433 >I'M VERY SORRY, OFFICER. 1147 00:45:02,433 --> 00:45:04,634 I PROMISE I'LL BE VERY CAREFUL. 1148 00:45:04,634 --> 00:45:05,800 >>LUCKILY FOR YOU I 1149 00:45:05,800 --> 00:45:06,967 HAVE SOME EXTRA ROPE. 1150 00:45:06,967 --> 00:45:09,934 STAY HERE. 1151 00:45:09,934 --> 00:45:11,266 >OKAY, WE'RE LEAVING NOW, 1152 00:45:11,266 --> 00:45:12,734 BEFORE HE COMES BACK. 1153 00:45:12,734 --> 00:45:15,266 >>I'M NOT LEAVING GALIA HERE. 1154 00:45:15,266 --> 00:45:16,333 >OH, SO YOU CAN SHARE 1155 00:45:16,333 --> 00:45:17,934 THE SAME CELL AS HER? 1156 00:45:17,934 --> 00:45:19,300 >>HE'S GOING TO BE EXTRA 1157 00:45:19,300 --> 00:45:20,667 SUSPICIOUS IF WE JUST VANISH. 1158 00:45:20,667 --> 00:45:21,667 >YOU DON'T THINK HE'S GOING 1159 00:45:21,667 --> 00:45:22,500 TO BE SUSPICIOUS WHEN 1160 00:45:22,500 --> 00:45:24,734 HE GRABS LYLE'S FOOT? 1161 00:45:24,734 --> 00:45:25,834 >>IT'S TOO LATE, ANYWAY. 1162 00:45:25,834 --> 00:45:34,166 >[PRAYING IN SPANISH] 1163 00:45:34,166 --> 00:45:35,367 >>CAN YOU STOP MUTTERING? 1164 00:45:35,367 --> 00:45:36,900 IT'S VERY UNNERVING. 1165 00:45:36,900 --> 00:45:38,367 > POR FAVOR , POR FAVOR , 1166 00:45:38,367 --> 00:45:46,734 [PRAYING IN SPANISH] 1167 00:45:46,734 --> 00:45:48,333 OOH, I KNEW IT. 1168 00:45:48,333 --> 00:45:50,166 >>SHUT UP. 1169 00:45:50,166 --> 00:45:51,166 >COULD YOU STEP OUT 1170 00:45:51,166 --> 00:45:54,934 OF THE VEHICLE, MA'AM? 1171 00:45:54,934 --> 00:45:56,967 >>SURE. 1172 00:45:56,967 --> 00:45:58,967 >YOU TOO, MA'AM. 1173 00:45:58,967 --> 00:46:09,433 ♪ MUSIC ♪ 1174 00:46:09,433 --> 00:46:13,800 STEP ASIDE, MA'AM. 1175 00:46:13,800 --> 00:46:14,100 MA'AM? 1176 00:46:14,100 --> 00:46:14,800 >>SOTI! 1177 00:46:14,800 --> 00:46:15,567 [BANGING ON CAR] 1178 00:46:17,266 --> 00:46:17,867 >TOSS THE ROPE 1179 00:46:17,867 --> 00:46:20,834 BACK UNDER TO ME. 1180 00:46:23,033 --> 00:46:24,700 GOOD. 1181 00:46:24,700 --> 00:46:25,400 ONCE MORE. 1182 00:46:25,400 --> 00:46:27,433 THERE YOU GO. 1183 00:46:27,433 --> 00:46:28,100 GOOD, GOOD. 1184 00:46:28,100 --> 00:46:30,367 I GOT IT. 1185 00:46:30,367 --> 00:46:31,200 LET ME GO AHEAD 1186 00:46:31,200 --> 00:46:36,266 AND TIE IT NOW. 1187 00:46:36,266 --> 00:46:36,834 THERE. 1188 00:46:36,834 --> 00:46:39,033 THAT SHOULD HOLD. 1189 00:46:39,033 --> 00:46:40,166 BUT ONLY FOR A 1190 00:46:40,166 --> 00:46:40,900 SHORT DISTANCE. 1191 00:46:40,900 --> 00:46:41,800 >YES, OFFICER. 1192 00:46:41,800 --> 00:46:44,500 THANK YOU VERY MUCH. 1193 00:46:44,500 --> 00:46:45,567 >>SERIOUSLY, ARE YOU RETARDED? 1194 00:46:45,567 --> 00:46:45,834 [SLAP] 1195 00:46:45,834 --> 00:46:46,967 >DO I LOOK RETARDED? 1196 00:46:46,967 --> 00:46:48,667 >>YEAH, YOU KINDA DO A LITTLE. 1197 00:46:48,667 --> 00:46:49,600 >YOU STILL NEED TO 1198 00:46:49,600 --> 00:46:50,567 MOVE YOUR CAR, THOUGH. 1199 00:46:50,567 --> 00:46:51,166 >>OF COURSE. 1200 00:46:51,166 --> 00:46:52,667 WE'RE WAITING FOR A FRIEND 1201 00:46:52,667 --> 00:46:54,567 TO PICK UP HER BROTHER. 1202 00:46:54,567 --> 00:46:56,066 >IS HE AN OFFICER? 1203 00:46:56,066 --> 00:46:59,066 >>NO, ACTUALLY HE'S-- 1204 00:47:01,934 --> 00:47:03,266 >HOWDY, FRANKY. 1205 00:47:03,266 --> 00:47:04,634 >>HE KNOWS YOU? 1206 00:47:04,634 --> 00:47:05,400 >HE'S THE JERK 1207 00:47:05,400 --> 00:47:07,333 WHO ARRESTED ME. 1208 00:47:07,767 --> 00:47:10,233 [SNORING] 1209 00:47:10,233 --> 00:47:11,900 [FLICK] 1210 00:47:13,400 --> 00:47:13,934 >>CAREFUL, FRANKY. 1211 00:47:13,934 --> 00:47:15,033 I COULD ALWAYS BOOK 1212 00:47:15,033 --> 00:47:15,800 YOU FOR CONTEMPT. 1213 00:47:15,800 --> 00:47:16,967 >NO, SIR, HE DIDN'T MEAN IT. 1214 00:47:16,967 --> 00:47:18,166 >>YES, I DID. 1215 00:47:18,166 --> 00:47:19,500 >GET IN THE CAR, FRANKY! 1216 00:47:19,500 --> 00:47:20,500 >>NEXT TIME YOU FEEL 1217 00:47:20,500 --> 00:47:21,867 LIKE TAKING A NAP, FRANKY, 1218 00:47:21,867 --> 00:47:23,567 DO IT IN YOUR OWN HOUSE. 1219 00:47:23,567 --> 00:47:25,500 >THE NAME IS FRANK. 1220 00:47:25,500 --> 00:47:26,600 >>WHEN YOU STOP GETTING INTO 1221 00:47:26,600 --> 00:47:27,467 OTHER PEOPLE'S HOMES, I'LL 1222 00:47:27,467 --> 00:47:28,900 CALL YOU WHATEVER YOU LIKE, 1223 00:47:28,900 --> 00:47:29,634 FRANKY. 1224 00:47:29,634 --> 00:47:32,600 >YEAH, I'D LIKE TO SEE-- 1225 00:47:33,600 --> 00:47:35,100 >>I'LL BE WATCHING YOU. 1226 00:47:35,100 --> 00:47:35,900 REMEMBER THAT, 1227 00:47:35,900 --> 00:47:37,867 SLEEPING BEAUTY. 1228 00:47:38,266 --> 00:47:39,767 >REMBER THIS, YOU ASSHOLE. 1229 00:47:39,767 --> 00:47:41,767 >>SHUT UP, FRANK. 1230 00:47:44,867 --> 00:47:45,734 >NOW, QUIET UNTIL 1231 00:47:45,734 --> 00:47:48,500 WE'RE FAR FROM HERE! 1232 00:47:48,500 --> 00:47:58,600 ♪ MUSIC ♪ 1233 00:47:58,600 --> 00:47:59,467 >>SOTI, WE HAVE TO 1234 00:47:59,467 --> 00:48:01,834 GET HOME NOW. 1235 00:48:01,834 --> 00:48:03,200 >JESUS, GALIA. 1236 00:48:03,200 --> 00:48:05,367 THAT COP ACTUALLY 1237 00:48:05,367 --> 00:48:07,400 PATTED LYLE'S-- 1238 00:48:07,400 --> 00:48:08,233 CARPET. 1239 00:48:08,233 --> 00:48:10,834 >>IT'S A COOL CARPET. 1240 00:48:10,834 --> 00:48:11,867 IS IT WORTH ANYTHING? 1241 00:48:11,867 --> 00:48:13,166 >[IN UNISON] NO! 1242 00:48:13,166 --> 00:48:13,500 >>[INDISTINCT] 1243 00:48:13,500 --> 00:48:14,533 STARTS IN 30 MINUTES. 1244 00:48:14,533 --> 00:48:16,233 WE HAVE TO GET HOME NOW. 1245 00:48:16,233 --> 00:48:17,133 >LISTEN, CHICA , YOU CAN 1246 00:48:17,133 --> 00:48:18,300 GO HOME WHEN WE'RE DONE. 1247 00:48:18,300 --> 00:48:19,333 >>CAN YOU CUT THE 1248 00:48:19,333 --> 00:48:21,300 ' PUTA CHICA ' THING? 1249 00:48:21,300 --> 00:48:22,800 ATTENDING A BRIS ISN'T EXACTLY 1250 00:48:22,800 --> 00:48:23,967 OPTIONAL IN MY FAMILY. 1251 00:48:23,967 --> 00:48:27,000 >GALIA, WE GOTTA GET RID OF-- 1252 00:48:27,000 --> 00:48:28,934 WE GOTTA DO THIS DROP. 1253 00:48:28,934 --> 00:48:30,533 IT CANNOT WAIT! 1254 00:48:30,533 --> 00:48:32,533 >>YES IT CAN. 1255 00:48:32,533 --> 00:48:34,100 HE'S GONE, BUT MY MOM ISN'T 1256 00:48:34,100 --> 00:48:35,700 AND SHE'S GONNA KILL US IF 1257 00:48:35,700 --> 00:48:37,367 WE'RE NOT BACK IN TIME. 1258 00:48:37,367 --> 00:48:39,367 >WHO'S GONE? 1259 00:48:39,367 --> 00:48:40,567 >>NO ONE, FRANK. 1260 00:48:40,567 --> 00:48:41,400 SOTI, YOU KNOW 1261 00:48:41,400 --> 00:48:42,500 HOW MY MOM GETS. 1262 00:48:42,500 --> 00:48:44,000 >LISTEN, WHAT'S YOUR NAME? 1263 00:48:44,000 --> 00:48:44,333 >>GALIA. 1264 00:48:44,333 --> 00:48:44,700 >FRANK. 1265 00:48:44,700 --> 00:48:45,133 >>GALIA. 1266 00:48:45,133 --> 00:48:46,567 I KNOW YOUR NICE LITTLE LIFE 1267 00:48:46,567 --> 00:48:47,333 HASN'T PREPARED YOU 1268 00:48:47,333 --> 00:48:48,333 FOR SOMETHING LIKE THIS-- 1269 00:48:48,333 --> 00:48:48,734 >>HEY-HEY-HEY. 1270 00:48:48,734 --> 00:48:49,967 THERE IS NOTHING 1271 00:48:49,967 --> 00:48:51,567 NICE ABOUT MY LIFE. 1272 00:48:51,567 --> 00:48:52,834 DOES THIS LOOK LIKE 1273 00:48:52,834 --> 00:48:54,967 A NICE LIFE TO YOU? 1274 00:48:54,967 --> 00:48:56,100 THE ONLY THING NICE 1275 00:48:56,100 --> 00:48:59,700 ABOUT IT IS MY MOM. 1276 00:48:59,700 --> 00:49:03,433 SO WE ARE GOING TO THE BRIS. 1277 00:49:03,433 --> 00:49:04,700 > HOLA . 1278 00:49:04,700 --> 00:49:06,266 I'M NICE. 1279 00:49:06,266 --> 00:49:07,100 WHAT'S YOUR NAME? 1280 00:49:07,100 --> 00:49:10,100 >>KEEP HIM AWAY FROM ME. 1281 00:49:10,433 --> 00:49:12,033 >LISTEN, 1282 00:49:12,033 --> 00:49:13,567 YOU CAN DROP US OFF 1283 00:49:13,567 --> 00:49:14,767 AND THEN GO TAKE 1284 00:49:14,767 --> 00:49:16,066 CARE OF THE PROBLEM. 1285 00:49:16,066 --> 00:49:17,533 YOU DON'T NEED ME. 1286 00:49:17,533 --> 00:49:18,900 >>NO. LISTEN, YOU ARE 1287 00:49:18,900 --> 00:49:20,567 NOT GETTING OFF THAT EASILY, 1288 00:49:20,567 --> 00:49:21,600 ESPECIALLY SINCE IT'S 1289 00:49:21,600 --> 00:49:22,567 MOSTLY YOUR PROBLEM. 1290 00:49:22,567 --> 00:49:22,767 >FINE. 1291 00:49:22,767 --> 00:49:24,066 I'LL BE MORE THAN HAPPY 1292 00:49:24,066 --> 00:49:25,100 TO HELP, JUST AFTERWARDS. 1293 00:49:25,100 --> 00:49:26,700 IF YOU DON'T GET ME HOME 1294 00:49:26,700 --> 00:49:28,033 BY FOUR, I'M NOT DOING 1295 00:49:28,033 --> 00:49:29,567 ANYTHING ABOUT-- 1296 00:49:29,567 --> 00:49:30,700 IT. 1297 00:49:30,700 --> 00:49:32,300 >>OKAY, FINE. 1298 00:49:32,300 --> 00:49:33,800 STOP THE CAR. 1299 00:49:33,800 --> 00:49:34,734 >WHAT? 1300 00:49:34,734 --> 00:49:35,600 >>JUST STOP THE 1301 00:49:35,600 --> 00:49:37,800 PUTA MADRE CAR! 1302 00:49:37,800 --> 00:49:39,734 [TIRES SCREECHING] 1303 00:49:53,433 --> 00:49:55,400 OKAY. DRIVE. 1304 00:49:57,033 --> 00:49:58,867 WHAT? 1305 00:49:58,867 --> 00:50:00,533 I WAS TIRED OF WEARING HIS 1306 00:50:00,533 --> 00:50:01,767 STINKING SHOE, ALRIGHT? 1307 00:50:01,767 --> 00:50:02,734 IT'S PROBABLY BEST TO 1308 00:50:02,734 --> 00:50:04,233 DO IT AT NIGHT ANYWAY. 1309 00:50:04,233 --> 00:50:06,066 >YOU KNOW WHAT WE COULD-- 1310 00:50:06,066 --> 00:50:07,266 DO-- 1311 00:50:07,266 --> 00:50:07,600 RIGHT NOW? 1312 00:50:07,600 --> 00:50:09,734 >>WHAT DID I SAY? 1313 00:50:09,734 --> 00:50:10,467 >CUT IT OUT, FRANK. 1314 00:50:10,467 --> 00:50:12,066 SHE'S NOT INTERESTED, 1315 00:50:12,066 --> 00:50:14,033 THANK GOD. 1316 00:50:15,600 --> 00:50:15,934 WHAT? 1317 00:50:15,934 --> 00:50:17,400 YOU'RE MARRIED ALREADY. 1318 00:50:17,400 --> 00:50:19,200 >>YOU CHANGED THAT, REMEMBER? 1319 00:50:19,200 --> 00:50:20,734 >DID YOU SLEEP WITH HER 1320 00:50:20,734 --> 00:50:22,100 HUSBAND OR SOMETHING? 1321 00:50:22,100 --> 00:50:24,066 >SOMETHING. 1322 00:50:34,400 --> 00:50:35,300 >>WELL, THIS LOOKS 1323 00:50:35,300 --> 00:50:37,200 LIKE A NICE LIFE. 1324 00:50:37,200 --> 00:50:37,934 >YOU'RE SURE THIS ISN'T 1325 00:50:37,934 --> 00:50:38,300 WORTH ANYTHING? 1326 00:50:38,300 --> 00:50:38,533 [SLAP] 1327 00:50:38,533 --> 00:50:39,634 >>DON'T TOUCH IT, FRANK. 1328 00:50:39,634 --> 00:50:40,533 LET'S GO. 1329 00:50:40,533 --> 00:50:41,900 >HEY, WE CAN'T JUST 1330 00:50:41,900 --> 00:50:43,433 LEAVE THE CARPET HERE. 1331 00:50:43,433 --> 00:50:45,033 >>I'M NOT BRINGING THAT 1332 00:50:45,033 --> 00:50:46,100 TO [INDISTINCT]'S BRIS. 1333 00:50:46,100 --> 00:50:46,934 >THIS DOESN'T LOOK 1334 00:50:46,934 --> 00:50:47,767 LIKE A NEIGHBOURHOOD 1335 00:50:47,767 --> 00:50:49,100 WHERE THEY STEAL MUCH. 1336 00:50:49,100 --> 00:50:50,400 >>SO IT IS WORTH SOMETHING. 1337 00:50:50,400 --> 00:50:51,400 >FRANK, IT'S LYLE, 1338 00:50:51,400 --> 00:50:54,233 SO STAY AWAY FROM IT. 1339 00:50:54,233 --> 00:50:57,233 >>YOU MEAN IT'S LYLE'S. 1340 00:50:57,233 --> 00:50:57,900 >RIGHT. 1341 00:50:57,900 --> 00:50:58,934 WHATEVER. 1342 00:50:58,934 --> 00:51:01,000 SO DON'T EVEN THINK ABOUT IT. 1343 00:51:01,000 --> 00:51:01,266 [SLAP] 1344 00:51:01,266 --> 00:51:02,700 >>I WASN'T THINKING ANYTHING. 1345 00:51:02,700 --> 00:51:05,867 I WAS JUST SAYING. 1346 00:51:05,867 --> 00:51:07,100 >WHAT IF A COP STARTS, YOU 1347 00:51:07,100 --> 00:51:09,133 KNOW, CHECKING UP ON IT? 1348 00:51:09,133 --> 00:51:11,000 >>WHAT FOR? 1349 00:51:11,000 --> 00:51:13,133 ILLEGAL CARPETING? 1350 00:51:13,133 --> 00:51:14,367 [LAUGHTER] 1351 00:51:14,367 --> 00:51:15,967 >NO. MORE LIKE 1352 00:51:15,967 --> 00:51:18,834 HAZARDOUS MATERIAL. 1353 00:51:18,834 --> 00:51:19,667 >>YOU WANT TO WALK AROUND 1354 00:51:19,667 --> 00:51:20,367 WITH IT SOME MORE? 1355 00:51:20,367 --> 00:51:21,300 IT TOOK US THREE GUYS 1356 00:51:21,300 --> 00:51:22,834 TO GET IT TO THE CAR. 1357 00:51:22,834 --> 00:51:24,066 >FRANK COULD HELP. 1358 00:51:24,066 --> 00:51:25,500 >>OH, SO NOW YOU WANT ME 1359 00:51:25,500 --> 00:51:26,500 TO TOUCH THE CARPET? 1360 00:51:26,500 --> 00:51:27,500 >NO, FRANK, WE DON'T. 1361 00:51:27,500 --> 00:51:30,266 SOTI, MY MOTHER LOVES CARPETS. 1362 00:51:30,266 --> 00:51:31,367 >>OH. RIGHT. 1363 00:51:31,367 --> 00:51:32,333 I GUESS IT'S SAFER TO 1364 00:51:32,333 --> 00:51:33,166 LEAVE IT HERE THEN. 1365 00:51:33,166 --> 00:51:33,467 >GOOD. 1366 00:51:33,467 --> 00:51:35,333 NOW LET'S GO. 1367 00:51:35,333 --> 00:51:36,000 >>OH, BAGS! 1368 00:51:36,000 --> 00:51:36,967 BAGS! 1369 00:51:36,967 --> 00:51:37,934 >RIGHT. 1370 00:51:51,967 --> 00:51:53,934 [DOORBELL RINGS] 1371 00:51:55,967 --> 00:51:56,634 >>WHAT HAPPENED 1372 00:51:56,634 --> 00:51:58,000 TO YOUR NECK? 1373 00:51:58,000 --> 00:51:58,667 >NOTHING, MOM. 1374 00:51:58,667 --> 00:51:59,700 MY SCARF JUST 1375 00:51:59,700 --> 00:52:01,033 CAUGHT ON SOMETHING. 1376 00:52:01,033 --> 00:52:05,133 >>SOMETHING WITH TWO HANDS? 1377 00:52:05,133 --> 00:52:06,200 WHY DO YOU LOOK LIKE YOU 1378 00:52:06,200 --> 00:52:07,367 SLEPT IN YOUR CLOTHES? 1379 00:52:07,367 --> 00:52:08,700 >WOW, SHE'S GOOD. 1380 00:52:08,700 --> 00:52:10,500 >>WHO'S YOUR FRIEND, SOTIRIA? 1381 00:52:10,500 --> 00:52:11,500 >OH HI, I'M CARDAMOSA. 1382 00:52:11,500 --> 00:52:13,000 IT'S VERY NICE TO MEET YOU. 1383 00:52:13,000 --> 00:52:14,600 YOU HAVE A LOVELY HOME. 1384 00:52:14,600 --> 00:52:16,667 >>YOU HAVEN'T SEEN IT YET. 1385 00:52:16,667 --> 00:52:17,767 WE'LL TALK ABOUT THIS 1386 00:52:17,767 --> 00:52:18,367 AFTERWARDS, OKAY? 1387 00:52:18,367 --> 00:52:18,934 YOU'RE LATE. 1388 00:52:18,934 --> 00:52:20,166 >NO WE'RE NOT. 1389 00:52:20,166 --> 00:52:21,600 >>IF YOU'RE NOT EARLY, 1390 00:52:21,600 --> 00:52:23,600 YOU'RE LATE. 1391 00:52:32,533 --> 00:52:44,233 ♪ MUSIC ♪ 1392 00:52:44,233 --> 00:52:47,367 [BABY COOING] 1393 00:52:47,367 --> 00:52:50,767 ♪ MUSIC ♪ 1394 00:52:50,767 --> 00:52:51,600 >I'M NOT SURE 1395 00:52:51,600 --> 00:52:52,767 I CAN WATCH THIS. 1396 00:52:52,767 --> 00:52:53,834 >>HOW CAN THEY DO 1397 00:52:53,834 --> 00:52:54,667 SUCH BARBARIC THINGS? 1398 00:52:54,667 --> 00:52:56,166 >IT'S NOT BARBARIC, 1399 00:52:56,166 --> 00:52:57,433 IT'S TRADITION. 1400 00:52:57,433 --> 00:52:59,166 ANYWAY, IT'S CLEANER. 1401 00:52:59,166 --> 00:53:00,133 >>WELL, I PREFER 1402 00:53:00,133 --> 00:53:01,100 MY MEN DIRTY. 1403 00:53:01,100 --> 00:53:03,734 >NOBODY ASKED YOU. 1404 00:53:03,734 --> 00:53:13,934 ♪ MUSIC ♪ 1405 00:53:13,934 --> 00:53:15,000 >>WHY IS HE SO MUCH 1406 00:53:15,000 --> 00:53:16,433 YOUNGER THAN YOU? 1407 00:53:16,433 --> 00:53:17,500 >HE'S FROM MY MOM'S 1408 00:53:17,500 --> 00:53:18,567 SECOND MARRIAGE. 1409 00:53:18,567 --> 00:53:19,567 MY DAD BAILED WHEN 1410 00:53:19,567 --> 00:53:20,900 FRANK WAS TWO. 1411 00:53:20,900 --> 00:53:22,667 >>BUT YOU HAVE A GREAT MOM. 1412 00:53:22,667 --> 00:53:24,066 >YEAH, WELL I THINK IT STILL 1413 00:53:24,066 --> 00:53:25,300 SCREWED US UP ANYWAY. 1414 00:53:25,300 --> 00:53:26,467 >>WHATEVER YOU SAY, CHICA . 1415 00:53:26,467 --> 00:53:27,367 YOU'RE PRETTY WHACKED, 1416 00:53:27,367 --> 00:53:29,000 SO YOU'RE PROBABLY RIGHT. 1417 00:53:29,000 --> 00:53:30,834 >THANK YOU. 1418 00:53:30,834 --> 00:53:32,800 >>SHH! 1419 00:53:37,066 --> 00:53:39,133 >UGH, I'M GONNA WAIT OUTSIDE. 1420 00:53:39,133 --> 00:53:43,600 ♪ MUSIC ♪ 1421 00:53:43,600 --> 00:53:48,500 [BABY CRYING] 1422 00:53:48,500 --> 00:53:49,900 [CAMERA SHUTTER] 1423 00:53:49,900 --> 00:54:12,367 ♪ MUSIC ♪ 1424 00:54:12,367 --> 00:54:14,967 >>SO YOU'RE GOING TO TELL HER? 1425 00:54:14,967 --> 00:54:16,867 >TELL WHAT TO WHOM? 1426 00:54:16,867 --> 00:54:17,634 >>THE ANNOYING CHICK. 1427 00:54:17,634 --> 00:54:18,667 THAT YOU LIKE HER. 1428 00:54:18,667 --> 00:54:20,634 >I DON'T LIKE HER. 1429 00:54:21,834 --> 00:54:23,467 WHY DO YOU CARE, ANYWAY? 1430 00:54:23,467 --> 00:54:24,834 >>I DON'T. 1431 00:54:24,834 --> 00:54:25,700 I JUST THINK YOU 1432 00:54:25,700 --> 00:54:27,667 SHOULD TELL HER. 1433 00:54:27,667 --> 00:54:28,867 >WHY? 1434 00:54:28,867 --> 00:54:32,467 SHE'S LIKE 99% STRAIGHT. 1435 00:54:32,467 --> 00:54:34,634 >>AND THE 1%. 1436 00:54:34,634 --> 00:54:35,667 >SHE'S JUST NOT 1437 00:54:35,667 --> 00:54:36,433 INTERESTED, OKAY? 1438 00:54:36,433 --> 00:54:37,266 >>HOW DO YOU KNOW, 1439 00:54:37,266 --> 00:54:38,734 YOU HAVEN'T ASKED. 1440 00:54:38,734 --> 00:54:39,667 >WE'RE FRIENDS. 1441 00:54:39,667 --> 00:54:42,266 IT WOULD BE WEIRD. 1442 00:54:42,266 --> 00:54:43,467 WHAT IF SHE COMPLETELY 1443 00:54:43,467 --> 00:54:44,066 FREAKS OUT? 1444 00:54:44,066 --> 00:54:45,300 >>WHAT IF SHE DOESN'T? 1445 00:54:45,300 --> 00:54:46,533 >LOOK, THIS IS NONE 1446 00:54:46,533 --> 00:54:48,367 OF YOUR BUSINESS. 1447 00:54:48,367 --> 00:54:49,333 >>IF IT WAS ME, 1448 00:54:49,333 --> 00:54:52,033 I'D WANNA KNOW. 1449 00:54:52,033 --> 00:54:54,166 >IF YOU WERE ME OR GALIA? 1450 00:54:54,166 --> 00:54:54,500 >>BOTH. 1451 00:54:54,500 --> 00:54:55,967 WHERE'S THE BATHROOM. 1452 00:54:55,967 --> 00:54:59,000 >RIGHT THERE ON THE LEFT. 1453 00:55:13,533 --> 00:55:15,433 GALIA, CAN WE TALK? 1454 00:55:15,433 --> 00:55:15,934 >>SURE. 1455 00:55:15,934 --> 00:55:18,367 >NOT HERE. 1456 00:55:18,367 --> 00:55:29,066 ♪ MUSIC ♪ 1457 00:55:38,367 --> 00:55:39,767 GALIA, I KNOW THIS IS GOING 1458 00:55:39,767 --> 00:55:40,700 TO SOUND COMPLETELY CRAZY, 1459 00:55:40,700 --> 00:55:43,634 BUT I'VE BEEN-- 1460 00:55:45,100 --> 00:55:47,033 FOR QUITE A WHILE NOW, 1461 00:55:47,033 --> 00:55:48,600 I'VE HAD THIS FEELING 1462 00:55:48,600 --> 00:55:50,567 AND I THOUGHT, YOU KNOW, 1463 00:55:50,567 --> 00:55:52,767 WHAT'S THE POINT? 1464 00:55:52,767 --> 00:55:53,634 BUT THEN I THOUGHT, 1465 00:55:53,634 --> 00:55:56,700 WELL, WHAT IF? 1466 00:55:56,700 --> 00:55:59,233 AND I THINK CARDAMOSA'S RIGHT. 1467 00:55:59,233 --> 00:56:03,133 I WANNA KNOW, EVEN IF IT'S NO. 1468 00:56:03,133 --> 00:56:04,567 >>WHAT THE HELL ARE 1469 00:56:04,567 --> 00:56:05,600 YOU TALKING ABOUT? 1470 00:56:05,600 --> 00:56:07,200 PLEASE DON'T TELL ME THAT 1471 00:56:07,200 --> 00:56:08,567 YOU'VE BEEN TAKING ADVICE 1472 00:56:08,567 --> 00:56:11,400 FROM SAMOSA OF ALL PEOPLE. 1473 00:56:11,400 --> 00:56:12,700 >GALIA, WHAT I'M TRYING TO SAY-- 1474 00:56:12,700 --> 00:56:13,200 [PHONE BEEPS] 1475 00:56:13,200 --> 00:56:15,166 >>WAIT. 1476 00:56:16,400 --> 00:56:19,100 IT'S FROM ERIC. 1477 00:56:19,100 --> 00:56:20,667 I KNEW HE WAS HAVING 1478 00:56:20,667 --> 00:56:21,834 SECOND THOUGHTS. 1479 00:56:21,834 --> 00:56:24,667 >HE WROTE THAT IN A TEXT? 1480 00:56:24,667 --> 00:56:26,767 >>WELL, NOT WORD FOR WORD, 1481 00:56:26,767 --> 00:56:28,166 BUT HE HAS TO FIND 1482 00:56:28,166 --> 00:56:29,500 HIS KNICKERS CAP. 1483 00:56:29,500 --> 00:56:30,500 >OH. 1484 00:56:30,500 --> 00:56:32,166 >>OH COME ON. IT'S LIKE THE 1485 00:56:32,166 --> 00:56:35,133 LAMEST EXCUSE IN THE BOOK. 1486 00:56:39,634 --> 00:56:41,266 [SNORTS] 1487 00:56:41,266 --> 00:56:42,433 [SNIFFS] 1488 00:56:42,433 --> 00:56:44,000 [DOOR OPENS] 1489 00:56:44,000 --> 00:56:47,133 >SORRY, I DIDN'T-- 1490 00:56:47,133 --> 00:56:48,567 IS THAT COKE? 1491 00:56:48,567 --> 00:56:50,200 >>YES, NOW GET OUT. 1492 00:56:50,200 --> 00:56:51,667 >CAN I HAVE SOME? 1493 00:56:51,667 --> 00:56:52,567 >>NO. GET OUT. 1494 00:56:52,567 --> 00:56:55,333 >COME ON, JUST A LITTLE. 1495 00:56:58,767 --> 00:56:59,834 [SNORTS] 1496 00:56:59,834 --> 00:57:02,066 [SNIFFS] 1497 00:57:05,867 --> 00:57:06,834 [SNIFFS] 1498 00:57:06,834 --> 00:57:07,567 >>--WITH THREE GIRLS 1499 00:57:07,567 --> 00:57:08,667 AT THE SAME TIME! 1500 00:57:08,667 --> 00:57:09,934 HE DIDN'T CARE. 1501 00:57:09,934 --> 00:57:11,667 >ERIC DID CARE ABOUT ME. 1502 00:57:11,667 --> 00:57:13,000 >>FOR WHAT, A WEEK? 1503 00:57:13,000 --> 00:57:16,000 HE TREATED YOU LIKE SHIT! 1504 00:57:19,266 --> 00:57:20,467 >HEY, YOUR HOT FRIEND IS 1505 00:57:20,467 --> 00:57:21,667 DOING BLOW IN THE BATHROOM. 1506 00:57:21,667 --> 00:57:24,100 >>SHE'S NOT THAT HOT! 1507 00:57:24,100 --> 00:57:25,900 >GODDAMN IT! 1508 00:57:25,900 --> 00:57:29,233 ♪ MUSIC ♪ 1509 00:57:29,233 --> 00:57:30,867 [DOOR OPENS] 1510 00:57:30,867 --> 00:57:31,767 >>OKAY, WHY ARE THERE 1511 00:57:31,767 --> 00:57:33,000 NO LOCKS ON THE DOORS, 1512 00:57:33,000 --> 00:57:34,000 AND DOESN'T ANYONE EVER 1513 00:57:34,000 --> 00:57:35,000 KNOCK IN THIS HOUSE? 1514 00:57:35,000 --> 00:57:36,200 >MOM LIKES DOORS TO 1515 00:57:36,200 --> 00:57:38,533 REMAIN OPEN, AND NO. 1516 00:57:38,533 --> 00:57:40,634 >>SO YOU'RE DOING BLOW. 1517 00:57:40,634 --> 00:57:41,100 >YES. 1518 00:57:41,100 --> 00:57:42,400 YOU WANT SOME? 1519 00:57:42,400 --> 00:57:43,900 >>I TOLD YOU NOT TO TAKE IT. 1520 00:57:43,900 --> 00:57:44,333 >I KNOW. 1521 00:57:44,333 --> 00:57:46,200 I TOOK IT ANYWAY. 1522 00:57:46,200 --> 00:57:47,467 >YOU HAD IT ALL ALONG? 1523 00:57:47,467 --> 00:57:49,000 EVEN WHILE THAT COP WAS 1524 00:57:49,000 --> 00:57:50,233 FIXING THE CARPET? 1525 00:57:50,233 --> 00:57:53,233 ♪ MUSIC ♪ 1526 00:57:53,233 --> 00:57:54,166 >>YES. 1527 00:57:54,166 --> 00:57:56,100 >JESUS, ARE YOU INSANE? 1528 00:57:56,100 --> 00:57:57,367 >>HOW WAS I SUPPOSED TO 1529 00:57:57,367 --> 00:57:58,266 KNOW YOU WERE GOING 1530 00:57:58,266 --> 00:57:59,233 TO DRIVE US DIRECTLY 1531 00:57:59,233 --> 00:58:00,467 TO A POLICE STATION? 1532 00:58:00,467 --> 00:58:02,066 >THE POINT IS YOU WERE 1533 00:58:02,066 --> 00:58:03,533 TOTALLY DISHONEST WITH ME! 1534 00:58:03,533 --> 00:58:04,300 >>OKAY, NOTHING PERSONAL, 1535 00:58:04,300 --> 00:58:05,600 BUT IT'S NOT LIKE WE'RE 1536 00:58:05,600 --> 00:58:07,066 FRIENDS HERE OR ANYTHING. 1537 00:58:07,066 --> 00:58:08,900 >SOTI, WHAT DID YOU EXPECT? 1538 00:58:08,900 --> 00:58:10,767 >>AND THERE'S NO USE GETTING 1539 00:58:10,767 --> 00:58:12,734 ALL WORKED UP ABOUT IT. 1540 00:58:12,734 --> 00:58:13,467 IT'S OVER. 1541 00:58:13,467 --> 00:58:15,100 NOTHING HAPPENED. 1542 00:58:15,100 --> 00:58:16,166 >DO YOU KNOW WHAT'LL HAPPEN 1543 00:58:16,166 --> 00:58:17,266 IF MY MOTHER FINDS OUT? 1544 00:58:17,266 --> 00:58:18,133 SHE'LL TAKE ALL THREE 1545 00:58:18,133 --> 00:58:19,066 OF US TO JAIL HERSELF. 1546 00:58:19,066 --> 00:58:20,433 >>OKAY FINE. 1547 00:58:20,433 --> 00:58:21,533 LET'S DROP OFF LYLE, 1548 00:58:21,533 --> 00:58:23,133 YOU TAKE ME TO THE STATION, 1549 00:58:23,133 --> 00:58:24,533 AND YOU DON'T SEE ME 1550 00:58:24,533 --> 00:58:25,900 OR THE DRUGS EVER AGAIN. 1551 00:58:25,900 --> 00:58:27,834 PROBLEM SOLVED. 1552 00:58:32,166 --> 00:58:34,333 >RIGHT, THAT'S IT! 1553 00:58:34,333 --> 00:58:36,000 >>HEY! 1554 00:58:36,000 --> 00:58:36,333 NO! 1555 00:58:36,333 --> 00:58:38,634 THAT BELONGED TO ME! 1556 00:58:38,634 --> 00:58:39,133 [TOILET FLUSHES] 1557 00:58:39,133 --> 00:58:40,300 >NOW IT BELONGS TO THE 1558 00:58:40,300 --> 00:58:41,266 CITY OF LA'S SEWERS, 1559 00:58:41,266 --> 00:58:42,533 RIGHT WHERE IT SHOULD. 1560 00:58:42,533 --> 00:58:43,433 >>HEY GUYS? 1561 00:58:43,433 --> 00:58:45,100 >NOT NOW, FRANK! 1562 00:58:45,100 --> 00:58:46,233 >>OKAY, JUST THOUGHT YOU 1563 00:58:46,233 --> 00:58:47,634 GUYS MIGHT WANT TO KNOW 1564 00:58:47,634 --> 00:58:48,834 MOM BORROWED SOTI'S CAR. 1565 00:58:48,834 --> 00:58:49,934 >FINE. WAIT, WHAT?! 1566 00:58:49,934 --> 00:58:52,900 >>COME BACK HERE. 1567 00:58:53,133 --> 00:58:53,834 >I THOUGHT YOU DIDN'T 1568 00:58:53,834 --> 00:58:54,900 WANT TO HEAR IT. 1569 00:58:54,900 --> 00:58:55,700 >>WHAT DID YOU SAY 1570 00:58:55,700 --> 00:58:57,133 ABOUT MOM? 1571 00:58:57,133 --> 00:59:02,767 >SHE BORROWED SOTI'S CAR. 1572 00:59:02,767 --> 00:59:03,300 DON'T WORRY. 1573 00:59:03,300 --> 00:59:04,700 SHE'LL BRING IT RIGHT BACK. 1574 00:59:04,700 --> 00:59:05,166 >>FRANK, WHERE 1575 00:59:05,166 --> 00:59:06,533 IS SHE TAKING IT? 1576 00:59:06,533 --> 00:59:07,133 >SHE JUST NEED 1577 00:59:07,133 --> 00:59:07,533 SOME GROCERIES. 1578 00:59:07,533 --> 00:59:08,900 SHE WENT DOWN TO THE MARKET. 1579 00:59:08,900 --> 00:59:10,634 >>WHAT'S WRONG WITH HER CAR. 1580 00:59:10,634 --> 00:59:11,767 >UH, SOTI'S CAR 1581 00:59:11,767 --> 00:59:13,400 WAS BLOCKING IT. 1582 00:59:13,400 --> 00:59:17,166 ♪ MUSIC ♪ 1583 00:59:17,166 --> 00:59:19,166 >>THIS IS A NIGHTMARE. 1584 00:59:38,333 --> 00:59:39,000 >MAYBE WE SHOULD 1585 00:59:39,000 --> 00:59:40,400 JUST WALK OVER THERE. 1586 00:59:40,400 --> 00:59:41,166 >>SHE'S HARDLY GOING 1587 00:59:41,166 --> 00:59:42,166 TO UNROLL THE CARPET 1588 00:59:42,166 --> 00:59:42,900 AT THE SUPERMARKET. 1589 00:59:42,900 --> 00:59:45,867 IT SHOULD BE FINE. 1590 00:59:49,634 --> 00:59:51,233 >SOTI, 1591 00:59:51,233 --> 00:59:52,467 IF I GO TO JAIL WILL 1592 00:59:52,467 --> 00:59:53,967 YOU COME VISIT ME? 1593 00:59:53,967 --> 00:59:54,967 >>YOU'RE NOT GOING TO JAIL. 1594 00:59:54,967 --> 00:59:55,967 >BUT WHAT IF I DO? 1595 00:59:55,967 --> 00:59:58,066 WILL YOU COME VISIT ME? 1596 00:59:58,066 --> 00:59:58,700 >>DON'T WORRY, CHICA, 1597 00:59:58,700 --> 01:00:01,667 WE'LL ALL BE IN THE SAME CELL. 1598 01:00:02,500 --> 01:00:03,800 >I'M NOT GOING TO LET 1599 01:00:03,800 --> 01:00:04,767 ANYTHING HAPPEN TO YOU, 1600 01:00:04,767 --> 01:00:06,767 OKAY? 1601 01:00:09,000 --> 01:00:10,967 >AH, HERE SHE COMES. 1602 01:00:27,900 --> 01:00:28,667 >>WHAT IS EVERYONE 1603 01:00:28,667 --> 01:00:30,467 DOING IN THE STREET? 1604 01:00:30,467 --> 01:00:31,967 >UH, WE NEED TO TAKE 1605 01:00:31,967 --> 01:00:33,200 CARDAMOSA TO THE STATION. 1606 01:00:33,200 --> 01:00:34,800 >>OH, WHERE ARE YOU OFF TO? 1607 01:00:34,800 --> 01:00:38,333 >TO SEE MY FAMILY. 1608 01:00:38,333 --> 01:00:40,300 IN CONNECTICUT. 1609 01:00:43,133 --> 01:00:43,867 >>THIS IS A BEAUTIFUL 1610 01:00:43,867 --> 01:00:44,233 CARPET, SOOTERIA. 1611 01:00:44,233 --> 01:00:46,367 ARE YOU TRYING TO SELL IT? 1612 01:00:46,367 --> 01:00:47,367 >NO, MRS. ZEITOUNI. 1613 01:00:47,367 --> 01:00:49,200 IT BELONGS TO MY AUNT. 1614 01:00:49,200 --> 01:00:51,700 >>OH. WHAT A SHAME. 1615 01:00:51,700 --> 01:00:52,533 WELL YOU TELL HER IF SHE 1616 01:00:52,533 --> 01:00:53,300 EVER WANTS TO SELL IT, 1617 01:00:53,300 --> 01:00:54,033 I'LL TAKE IT. 1618 01:00:54,033 --> 01:01:00,066 >SURE, MRS. ZEITOUNI. 1619 01:01:00,066 --> 01:01:00,734 >>GOODBYE, GIRL. 1620 01:01:00,734 --> 01:01:02,367 I DIDN'T GET YOUR NAME. 1621 01:01:02,367 --> 01:01:02,700 >CARDAMOSA. 1622 01:01:02,700 --> 01:01:04,033 >>IT WAS NICE TO MEET YOU. 1623 01:01:04,033 --> 01:01:05,200 AT LEAST YOU DIDN'T THROW UP 1624 01:01:05,200 --> 01:01:06,200 IN MY BATHROOM LIKE SOME 1625 01:01:06,200 --> 01:01:09,133 OTHER OF GALIA'S FRIENDS. 1626 01:01:09,767 --> 01:01:11,734 >WAS THAT ERIC? 1627 01:01:12,200 --> 01:01:13,133 >>HE LIKES TO DRINK 1628 01:01:13,133 --> 01:01:15,133 A LITTLE BIT. 1629 01:01:18,367 --> 01:01:19,266 >DE CARGA! 1630 01:01:19,266 --> 01:01:20,667 NOW! 1631 01:01:20,667 --> 01:01:26,367 ♪ MUSIC ♪ 1632 01:01:26,367 --> 01:01:28,233 [CAR ENGINE STARTS] 1633 01:01:28,233 --> 01:01:42,033 ♪ MUSIC ♪ 1634 01:01:57,066 --> 01:01:58,200 >>MAYBE WE SHOULD TAKE 1635 01:01:58,200 --> 01:01:59,934 THE CHRISTMAS LIGHTS. 1636 01:01:59,934 --> 01:02:01,300 >YOU WANT TO DECORATE A 1637 01:02:01,300 --> 01:02:04,100 CHRISTMAS TREE IN AUGUST? 1638 01:02:04,100 --> 01:02:05,133 >>WHAT IF THEY CAN BE 1639 01:02:05,133 --> 01:02:08,033 TRACED BACK TO YOU? 1640 01:02:08,033 --> 01:02:09,767 >I'LL LEAVE IT IN THE CAR 1641 01:02:09,767 --> 01:02:11,900 AND DECLARE IT STOLEN. 1642 01:02:11,900 --> 01:02:15,767 >>THEN YOU WON'T HAVE A CAR. 1643 01:02:15,767 --> 01:02:18,200 >IT DOESN'T MATTER. 1644 01:02:18,200 --> 01:02:21,100 >>SOTI, I AM SO SORRY. 1645 01:02:21,100 --> 01:02:22,900 >DON'T WORRY ABOUT IT. 1646 01:02:22,900 --> 01:02:23,967 >>NO, I DIDN'T THINK BEFORE 1647 01:02:23,967 --> 01:02:24,834 DRAGGING YOU INTO THIS. 1648 01:02:24,834 --> 01:02:25,734 I'M NEVER GOING TO 1649 01:02:25,734 --> 01:02:28,133 BE ABLE TO REPAY YOU. 1650 01:02:28,133 --> 01:02:29,166 >GALIA, YOU DON'T 1651 01:02:29,166 --> 01:02:30,734 OWE ME ANYTHING. 1652 01:02:30,734 --> 01:02:31,500 JUST DON'T KILL 1653 01:02:31,500 --> 01:02:32,333 ANYONE ELSE, OKAY? 1654 01:02:32,333 --> 01:02:33,667 I DON'T THINK I CAN 1655 01:02:33,667 --> 01:02:34,467 DO THIS TWICE. 1656 01:02:34,467 --> 01:02:35,834 EVEN FOR YOU. 1657 01:02:35,834 --> 01:02:37,800 >>OH, SOTI. 1658 01:02:40,166 --> 01:02:41,333 >OKAY, CAN WE CONTINUE 1659 01:02:41,333 --> 01:02:42,500 THIS MATING RITUAL ONCE 1660 01:02:42,500 --> 01:02:45,667 YOU'VE DROPPED ME OFF? 1661 01:02:45,667 --> 01:02:47,000 >>WHAT MATING RITUAL? 1662 01:02:47,000 --> 01:02:48,333 >JUST IGNORE HER. 1663 01:02:48,333 --> 01:02:49,634 >>WHAT MATING RITUAL? 1664 01:02:49,634 --> 01:02:50,367 > SANTA MUERTE, 1665 01:02:50,367 --> 01:02:52,033 GIVE ME PATIENCE. 1666 01:02:52,033 --> 01:02:53,734 WHITE CHICK IN LOVE WITH 1667 01:02:53,734 --> 01:02:54,734 ANOTHER WHITE CHICK. 1668 01:02:54,734 --> 01:02:57,200 CAN WE GO NOW? 1669 01:02:57,200 --> 01:03:00,200 >>WHAT? 1670 01:03:00,200 --> 01:03:03,166 >IT'S JUST, I'M NOT-- 1671 01:03:03,834 --> 01:03:04,433 WE'RE FRIENDS. 1672 01:03:04,433 --> 01:03:05,400 I KNOW IT. 1673 01:03:05,400 --> 01:03:06,400 I GET IT. 1674 01:03:06,400 --> 01:03:08,367 NO PROBLEM. 1675 01:03:09,200 --> 01:03:12,000 >>I THOUGHT I WASN'T YOUR TYPE. 1676 01:03:12,000 --> 01:03:13,066 >I JUST SAID THAT 1677 01:03:13,066 --> 01:03:14,200 SO YOU WOULDN'T BE 1678 01:03:14,200 --> 01:03:17,166 UNCOMFORTABLE AROUND ME. 1679 01:03:18,667 --> 01:03:20,700 LET'S GO. 1680 01:03:20,700 --> 01:03:35,233 ♪ MUSIC ♪ 1681 01:03:35,233 --> 01:03:35,600 >>HELLO? 1682 01:03:35,600 --> 01:03:37,700 I SAID LATER. 1683 01:03:37,700 --> 01:04:04,033 ♪ MUSIC ♪ 1684 01:04:04,033 --> 01:04:05,567 OKAY, LEAVE THE CAR THERE 1685 01:04:05,567 --> 01:04:08,500 AND IT'LL BE GONE BY TOMORROW. 1686 01:04:09,400 --> 01:04:11,600 >WELL, HAVE A GOOD TRIP. 1687 01:04:11,600 --> 01:04:12,767 >>YOU DON'T HAVE TO DO THAT. 1688 01:04:12,767 --> 01:04:13,767 IT'S NOT LIKE WE'RE FRIENDS 1689 01:04:13,767 --> 01:04:14,600 OR ANYTHING, YEAH? 1690 01:04:14,600 --> 01:04:14,967 >RIGHT. 1691 01:04:14,967 --> 01:04:16,166 COME ON, SOTI. 1692 01:04:16,166 --> 01:04:16,967 BYE, SAMOSA. 1693 01:04:16,967 --> 01:04:18,166 >>BYE, KATYA. 1694 01:04:18,166 --> 01:04:20,133 >GALIA. 1695 01:04:21,133 --> 01:04:23,333 >>BE CAREFUL, OKAY? 1696 01:04:23,333 --> 01:04:24,066 > MIRA , FINE, 1697 01:04:24,066 --> 01:04:26,033 COME HERE. 1698 01:04:28,400 --> 01:04:29,133 >>OKAY. 1699 01:04:29,133 --> 01:04:30,567 OKAY. 1700 01:04:30,567 --> 01:04:31,233 OKAY! 1701 01:04:31,233 --> 01:04:33,166 BYE NOW. 1702 01:04:37,033 --> 01:04:38,266 >HEY, YOU'RE THE MOST ANNOYING 1703 01:04:38,266 --> 01:04:39,800 GRINGA I'VE EVER MET. 1704 01:04:39,800 --> 01:04:41,433 >>YOU KNOW, THAT'S JUST LOW. 1705 01:04:41,433 --> 01:04:43,100 IF I SAY ANYTHING ABOUT 1706 01:04:43,100 --> 01:04:44,900 LATINAS, I'M THE RACIST. 1707 01:04:44,900 --> 01:04:46,467 >WELL HEY, I'M A MINORITY. 1708 01:04:46,467 --> 01:04:48,100 I MIGHT AS WELL GET 1709 01:04:48,100 --> 01:04:51,066 SOMETHING OUT OF IT. 1710 01:05:03,533 --> 01:05:43,467 ♪ MUSIC ♪ 1711 01:05:54,333 --> 01:06:05,066 [PHONE RINGS] 1712 01:06:05,066 --> 01:06:07,033 >>HELLO? 1713 01:06:07,367 --> 01:06:09,367 ERIC, HI. 1714 01:06:09,934 --> 01:06:10,467 I'M GREAT. 1715 01:06:10,467 --> 01:06:13,033 HOW ARE YOU? 1716 01:06:13,033 --> 01:06:14,467 REALLY? 1717 01:06:14,467 --> 01:06:16,300 THAT'S GREAT. 1718 01:06:16,300 --> 01:06:20,900 GOOD FOR YOU. 1719 01:06:20,900 --> 01:06:22,233 THAT'S SWEET, 1720 01:06:22,233 --> 01:06:23,433 BUT ACTUALLY 1721 01:06:23,433 --> 01:06:26,634 I'M SEEING SOMEONE. 1722 01:06:26,634 --> 01:06:28,300 YOU DO, ACTUALLY. 1723 01:06:28,300 --> 01:06:32,033 IT'S SOTI. 1724 01:06:32,033 --> 01:06:34,734 NO, NOT MY FRIEND SOTI. 1725 01:06:34,734 --> 01:06:37,700 MY GIRLFRIEND SOTI. 1726 01:06:40,066 --> 01:06:42,033 BYE, ERIC. 1727 01:06:50,734 --> 01:06:51,700 >WHAT DID YOU DO 1728 01:06:51,700 --> 01:06:52,767 WITH THE MONEY? 1729 01:06:52,767 --> 01:06:54,734 >>WHAT? 1730 01:06:59,200 --> 01:07:10,133 ♪ MUSIC ♪ 1731 01:07:10,667 --> 01:07:12,100 THAT BITCH! 1732 01:07:12,100 --> 01:07:13,266 >WHAT? 1733 01:07:13,266 --> 01:07:14,767 >>"THIS JUST ABOUT PAYS 1734 01:07:14,767 --> 01:07:16,266 FOR THE DRUGS THAT 1735 01:07:16,266 --> 01:07:19,333 WENT DOWN THE TOILET." 1736 01:07:19,333 --> 01:07:21,133 [LAUGHTER] 1737 01:07:21,133 --> 01:07:23,867 >>YOU THINK THIS IS FUNNY? 1738 01:07:23,867 --> 01:07:25,767 THIS ISN'T FUNNY! 1739 01:07:25,767 --> 01:07:26,867 >YOU DIDN'T SERIOUSLY INTEND 1740 01:07:26,867 --> 01:07:28,000 TO KEEP THAT MONEY. 1741 01:07:28,000 --> 01:07:30,433 >>YES I DID. 1742 01:07:30,433 --> 01:07:32,467 WHAT ABOUT FRANK'S LAWYER? 1743 01:07:32,467 --> 01:07:33,700 >HOW ABOUT YOU LET FRANK 1744 01:07:33,700 --> 01:07:35,300 FIGURE IT OUT FOR ONCE? 1745 01:07:35,300 --> 01:07:36,133 HE'S 19. 1746 01:07:36,133 --> 01:07:39,133 HE'S NOT YOUR RESPONSIBILITY. 1747 01:07:41,166 --> 01:07:42,800 HEY, COME HERE. 1748 01:07:42,800 --> 01:07:45,266 IT'LL BE FINE. 1749 01:07:45,266 --> 01:07:47,433 >>CAN YOU PROMISE THAT? 1750 01:07:47,433 --> 01:07:51,467 >NO, BUT WE CAN WORK ON IT. 1751 01:07:51,467 --> 01:08:06,700 ♪ MUSIC ♪ 1752 01:08:33,834 --> 01:08:39,066 >>FOUND SOMETHING, BELLA? 1753 01:08:39,066 --> 01:08:41,834 GOOD GIRL. 1754 01:08:41,834 --> 01:08:43,333 LOOKS LIKE IT COULD 1755 01:08:43,333 --> 01:08:46,300 BE WORTH SOMETHING. 1756 01:08:48,767 --> 01:08:50,734 WHAT THE-- 1757 01:09:00,667 --> 01:09:02,567 [GASPS] 1758 01:09:02,567 --> 01:09:04,500 [GROANS] 1759 01:09:04,767 --> 01:09:05,400 >>JESUS, SON. 1760 01:09:05,400 --> 01:09:08,367 I THOUGHT YOU WERE DEAD. 1761 01:09:11,300 --> 01:09:14,300 >WHERE THE FUCK ARE WE? 1762 01:09:14,634 --> 01:09:16,767 >>EAST L.A. DUMP. 1763 01:09:16,767 --> 01:09:18,767 >HOW THE FUCK DID I GET HERE? 1764 01:09:18,767 --> 01:09:20,734 >>DON'T ASK ME. 1765 01:09:22,100 --> 01:09:22,734 >WHERE THE FUCK'S 1766 01:09:22,734 --> 01:09:24,300 MY OTHER SHOE? 1767 01:09:24,300 --> 01:09:27,233 >>DON'T KNOW, DON'T CARE. 1768 01:09:27,233 --> 01:09:28,066 COULD YOU GET OFF 1769 01:09:28,066 --> 01:09:29,967 MY CARPET NOW? 1770 01:09:29,967 --> 01:09:31,066 >THAT'S MY FUCKING CARPET! 1771 01:09:31,066 --> 01:09:32,500 >>OH NO IT AIN'T. 1772 01:09:32,500 --> 01:09:34,433 I FOUND IT FAIR AND SQUARE. 1773 01:09:34,433 --> 01:09:35,767 >LISTEN, YOU STUPID ASS-- 1774 01:09:35,767 --> 01:09:37,200 >>DON'T YELL. 1775 01:09:37,200 --> 01:09:39,600 BELLA HERE DON'T LIKE IT. 1776 01:09:39,600 --> 01:09:41,200 >THIS CARPET COST 1777 01:09:41,200 --> 01:09:44,133 ME 3,000 DOLLARS. 1778 01:09:44,133 --> 01:09:46,400 >>GOOD. GOOD. 1779 01:09:46,400 --> 01:09:47,467 I CAN PROBABLY GET A COUPLE 1780 01:09:47,467 --> 01:09:48,400 HUNDRED FOR IT EASY THEN, 1781 01:09:48,400 --> 01:09:50,634 HUH? 1782 01:09:51,066 --> 01:09:51,767 >ALL RIGHT, FINE. 1783 01:09:51,767 --> 01:09:53,834 FINE, YOU KEEP IT. 1784 01:09:53,834 --> 01:09:56,800 >>VERY KIND OF YOU, SIR. 1785 01:10:02,400 --> 01:10:05,367 >HOW THE FUCK DO I GET HOME? 1786 01:10:07,800 --> 01:10:08,934 >>DOWNTOWN'S THAT WAY. 1787 01:10:08,934 --> 01:10:11,233 YOU CAN BE THERE IN THREE 1788 01:10:11,233 --> 01:10:14,200 HOURS IF YOU WALK FAST. 1789 01:10:18,734 --> 01:10:20,667 [LAUGHTER] 1790 01:10:21,266 --> 01:10:36,734 ♪ MUSIC ♪ 1791 01:10:36,734 --> 01:10:39,467 [WHISTLES] 1792 01:10:39,467 --> 01:11:09,634 ♪ MUSIC ♪ 1793 01:11:10,967 --> 01:11:22,867 ♪ MUSIC ♪ 1794 01:11:22,867 --> 01:11:24,800 [CAR DOOR SLAMS] 1795 01:11:28,500 --> 01:11:30,467 >HEY! 1796 01:11:33,667 --> 01:11:35,533 >>THAT'S-- 1797 01:11:35,533 --> 01:11:36,800 WHAT THE FUCK'S MY LINE? 1798 01:11:36,800 --> 01:11:38,800 SORRY? 1799 01:11:38,800 --> 01:11:42,700 ♪ MUSIC ♪ 1800 01:11:42,700 --> 01:11:44,166 >WHO ARE YOU? 1801 01:11:44,166 --> 01:11:45,333 WHERE IS LYLE? 1802 01:11:45,333 --> 01:11:48,166 >>[LAUGHING] SORRY. 1803 01:11:48,166 --> 01:11:55,667 ♪ MUSIC ♪ 1804 01:11:55,667 --> 01:11:58,166 >WHAT THE FUCK, MAN? 1805 01:11:58,166 --> 01:12:06,266 ♪ MUSIC ♪ 1806 01:12:06,266 --> 01:12:07,734 >>HELLO, POT AND 1807 01:12:07,734 --> 01:12:10,367 KETTLE ANYONE? 1808 01:12:10,367 --> 01:12:14,367 [LAUGHTER] 1809 01:12:14,367 --> 01:12:29,567 ♪ MUSIC ♪ 1810 01:12:29,567 --> 01:12:30,767 [SPEAKING INDISTINCTLY] 1811 01:12:30,767 --> 01:12:32,433 [LAUGHTER] 1812 01:12:32,433 --> 01:12:37,433 ♪ MUSIC ♪ 1813 01:12:37,433 --> 01:12:44,233 [LAUGHTER] 1814 01:12:44,233 --> 01:12:54,367 ♪ MUSIC ♪ 1815 01:12:54,367 --> 01:12:55,233 >DIDN'T YOU GET A GREEN 1816 01:12:55,233 --> 01:12:56,700 CARD OUT OF IT? 1817 01:12:56,700 --> 01:12:57,800 >>I DIDN'T NEED HIM. 1818 01:12:57,800 --> 01:12:58,867 HE SAID TO IMMIGRATION 1819 01:12:58,867 --> 01:13:00,433 HE WAS GOING TO-- 1820 01:13:00,433 --> 01:13:01,266 WHAT? 1821 01:13:01,266 --> 01:13:03,433 [LAUGHTER] 1822 01:13:03,433 --> 01:13:11,000 ♪ MUSIC ♪ 1823 01:13:11,000 --> 01:13:13,467 [LAUGHTER] 1824 01:13:13,467 --> 01:13:15,467 [DOOR OPENS] 1825 01:13:15,467 --> 01:13:18,500 ♪ MUSIC ♪ 1826 01:13:18,500 --> 01:13:19,433 [DOOR OPENS] 1827 01:13:19,433 --> 01:13:23,400 [LAUGHTER] 1828 01:13:23,667 --> 01:13:26,200 >THAT'S A BLOOPER! 1829 01:13:26,200 --> 01:13:28,634 ♪ MUSIC ♪ 1830 01:13:28,634 --> 01:13:30,600 >>WE CAN PAY LATER? 1831 01:13:30,600 --> 01:13:32,400 >NO, YOU PAY NOW. 1832 01:13:32,400 --> 01:13:33,800 >>[LAUGHTER] 1833 01:13:33,800 --> 01:13:35,834 SORRY, SORRY. 1834 01:13:35,834 --> 01:13:39,333 [LAUGHTER] 1835 01:13:39,333 --> 01:13:41,800 >200 CASH. 1836 01:13:41,800 --> 01:13:44,767 >>[SPEAKING SPANISH] 1837 01:13:46,467 --> 01:13:50,433 [LAUGHTER] 1838 01:13:50,433 --> 01:13:52,433 >OH MY GOD. 1839 01:13:56,634 --> 01:13:57,000 REALLY? 1840 01:13:57,000 --> 01:13:58,567 YOU DON'T HAVE ANY MORE 1841 01:13:58,567 --> 01:14:00,834 CHANGE IN YOUR BREASTS? 1842 01:14:00,834 --> 01:14:02,467 [LAUGHTER] 1843 01:14:02,467 --> 01:14:05,467 I HAVE SOME DOWN MY BOOBS! 1844 01:14:06,100 --> 01:14:09,533 ♪ MUSIC ♪ 1845 01:14:09,533 --> 01:14:10,734 >>AND HOW MANY OF THOSE 1846 01:14:10,734 --> 01:14:11,767 SPECIALISTS DO YOU KNOW, 1847 01:14:11,767 --> 01:14:12,567 'CAUSE I DON'T THINK 1848 01:14:12,567 --> 01:14:14,233 THEY'LL BE IN THE CL-- 1849 01:14:14,233 --> 01:14:14,700 [LAUGHTER] 1850 01:14:14,700 --> 01:14:16,667 CLEANING LADY. 1851 01:14:16,934 --> 01:14:17,734 >ANY REQUESTS? 1852 01:14:17,734 --> 01:14:20,100 >>YEAH, I'D LIKE A FLIP. 1853 01:14:20,100 --> 01:14:21,533 >OH, OKAY. 1854 01:14:21,533 --> 01:14:23,700 [LAUGHTER] 1855 01:14:23,700 --> 01:14:24,467 TA-DAA! 1856 01:14:24,467 --> 01:14:26,400 [CLAPPING] 1857 01:14:27,767 --> 01:14:29,166 >>YOU THINK HIS HEAD IS MORE 1858 01:14:29,166 --> 01:14:30,500 DISGUSTING THAN HIS ASS? 1859 01:14:30,500 --> 01:14:31,000 YOU CLEARLY 1860 01:14:31,000 --> 01:14:32,266 HAVE NOT SEEN IT. 1861 01:14:32,266 --> 01:14:34,166 >WELL AT LEAST THERE'S NO- 1862 01:14:34,166 --> 01:14:34,867 [LAUGHTER] 1863 01:14:34,867 --> 01:14:36,233 STOP IT. 1864 01:14:36,233 --> 01:14:36,734 >>OW. 1865 01:14:36,734 --> 01:14:37,233 >SORRY. 1866 01:14:37,233 --> 01:14:39,100 >>MY BOOB. 1867 01:14:39,100 --> 01:14:42,834 ♪ MUSIC ♪ 1868 01:14:42,834 --> 01:14:44,734 [GASPS] 1869 01:14:47,533 --> 01:14:49,066 [STOMACH GROWLING] 1870 01:14:49,066 --> 01:14:51,033 [LAUGHTER] 1871 01:14:51,033 --> 01:14:58,200 ♪ MUSIC ♪ 1872 01:14:58,200 --> 01:14:59,033 > SANTA MUERTE , 1873 01:14:59,033 --> 01:15:01,634 GIVE ME PATIENCE. 1874 01:15:01,634 --> 01:15:03,333 FUCK. 1875 01:15:03,333 --> 01:15:04,567 [LAUGHTER] 1876 01:15:04,567 --> 01:15:07,834 ♪ MUSIC ♪ 1877 01:15:07,834 --> 01:15:11,634 >>WHERE THE FUCK AM I? 1878 01:15:11,634 --> 01:15:15,166 WHERE THE FUCK IS MY SHOE? 1879 01:15:15,166 --> 01:15:16,700 WHO THE FUCK ARE YOU? 1880 01:15:16,700 --> 01:15:17,166 [LAUGHTER] 1881 01:15:17,166 --> 01:15:19,066 >I'M YOUR WORST NIGHTMARE. 1882 01:15:19,066 --> 01:15:20,934 [LAUGHTER] 1883 01:15:20,934 --> 01:15:28,333 ♪ MUSIC ♪ 1884 01:15:28,333 --> 01:15:31,066 >>JESUS, YOU STUPID BITCH. 1885 01:15:31,066 --> 01:15:34,967 [LAUGHTER] 1886 01:15:39,000 --> 01:15:40,934 JESUS, YOU STUPID 1887 01:15:40,934 --> 01:15:42,734 HITLER IMPERSONATOR. 1888 01:15:42,734 --> 01:19:24,600 ♪ MUSIC ♪ 101632

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