All language subtitles for Engrenages.S08E07.English.Web.1080p.AVC.fre (2)

- I watched

his journeys.

I don't know where he trades.

- You made a nice drawing. Explain it to us there.

- Thursday night,

he is going to Auxerre. - What's the point?

- He's taking a break here, on his way.

The address is an area of activities.

He's filling up.

- Half an hour is a lot.

He can deliver the cam.

We are near a highway,

it is easy to break.

Check out the hotels.

- We'll go scouting.

And the calibers? - We only have 11.43

and your Beretta. - That's all ?

- Yeah. - 11.43 is good.

- It's too hot, this caliber.

- Let's go to an armory.

- Do you have any other bullshit like that?

It's secure,

these shops. - My team can do that.

- We know them, your teams.

- Oh oh !

- Let him shut up.

- That he will ... - Where he will calm down.

At the Issy-les-Moulineaux shooting club,

a few years ago, we suspected a guy.

The members had been summoned. About twenty had an arsenal.

In all legality. - Not bad.

- It's not stupid,

to type a collector.

- We have to find the pigeon.

- Can you get down on that?

Tension music

---

- This is the band that uses the beacon

to watch the Alsatian.

This is Angel Cisco.

Van robber in the 90's and 2000's.

- I see who it is.

- Ahmed Barkash, the gun carrier.

And the third sidekick.

François Vabre.

And the last, Thibault Cisco, alias Titi,

the son, 25,

filed with TAJ for assault and battery.

- We have these guys and four phone numbers

linked to the Alsatian beacon.

A bar phone is branded in Barbès

the night of Amin's death.

The murderer is one of them.

- You want

advance how? - You have to stash a long time.

- No, but wait ...

We're going a bit fast.

We must establish the link

with the death of Amin.

- I quite agree.

It is heavy.

I don't see how

nor why they would know Amin.

- The link, we have it.

They asked him

to put down the beacon.

The kids' squat is next to the mule hotel.

This is a ©.

- Yeah.

- We come back to the Alsatian.

Excuse me a minute.

He closes the door.

- What are you doing to us?

- We did what we said. We haven't touched the Alsatian.

* - How did you get back to Cisco?

- We worked on a beacon on his car.

Cisco guys

* are connected to it. - Nothing to do with your case.

- It's the same one who put it. Got these prints on it.

* We believe he did this for Cisco.

- Give us some time.

* It's too hot. We'll get the info back.

- Can't we work anymore?

- I'm sorry, Arnaud. * He hangs up.

- We can't work on Cisco.

I spoke to management.

An operation is in progress.

- What kind of operation?

- I don't know any more.

We let them work for a few days,

and they will send us

elements.

- Can we continue on the phone?

- The numbers are not activated.

They had to change cellphones.

-OKAY. So we do nothing more?

- It doesn't make me happy.

He slams the door.

- So they torpedo the investigation and you say nothing?

- What do you want me to say ?

- Who is blocking?

It's the stups, is that it?

He does not say it.

- It's not the narcotics.

"Are we sure of that?"

- Yeah.

Tell them how you got the info.

Ali will be off drugs in a month.

He is promoted to group leader.

(- Whore...)

- What are we doing here?

- Nothing.

We wait, we have no choice.

Dramatic music

---

- Great. Well done.

---

In Arabic

They speak in Arabic.

---

The metro purrs.

---

- They are interested in the Alsatian to hold him up.

Cisco needs cash for the box.

He is in debt.

- He's putting together a team.

- The idea is to steer the cam.

We are on "coring".

- That's okay. We're going to kill them.

- They brought up 11.43.

- We're on the right track.

Who are you thinking about ?

- Ahmed ou François.

They could have been the goons.

Titi does not have the profile.

- If we have the caliber, it's double bingo.

We're going to stone them and we have Darmon's killer.

- It's gonna be hot.

- We have to debrief.

- We can communicate by car.

- OK.

I'm putting someone on 24 hours a day.

(- Yeah ... H24 ...)

Well.

Tension music

---

- Go ahead. - That's enough ?

- Its good ? Sure?

Ciao.

- Are you okay, brother?

- I'm fine and you ? - Hm.

- Shall I put your phones on? - No.

I have what it takes.

Find me 3-4 kids.

I'm on a hit.

- You blew my balls.

He blows.

I'm sick of your salads, okay?

- Your cop scares you. - I'm handling it.

Stop getting drunk. - So everything is fine.

- Enlève ta main.

- Come on, I'll turn your finger on you, OK?

Whatever happens, you're in the game.

Yeah, we're linked.

Tension music

- OK.

---

I'll find you kids.

---

- She will take care of the food.

- Impeccable.

- There's nothing better than a girl to do some pecking.

- It says more, this bullshit. - Oh yeah ?

She's going to file a complaint?

- Jester, go.

Your head will roll on the floor.

- Do you have a wife?

- Non.

- With your face, you have no wife?

- Bah not.

- A cafe, guys?

- One year after the facts with which you are accused

your break-up with Mrs. Moriera occurs.

Can you explain to us?

- I left, we couldn't get along.

- It's curious, that.

In her statements, Ms. Moriera claims that it is her

who kicked you out.

It's at Hill 572

folder. She adds

that it's because of your behavior

Regarding Julia, Lola's little sister.

- She's talking nonsense.

- Ten years back then.

Long blonde hair.

An angelic air.

A new innocence

around which to hang out. Even more exciting for you.

Do you have pediosexual desires, Mr. Leroy?

- You'll love it. She was a kid.

- Lola, yes, her sister, no?

- It has nothing to do. Lola, it was already

a woman.

(- Ah.)

Disturbing music

---

His phone rings.

---

- So ?

Oh yeah, okay! Full box.

The sniper.

- Your toy, there ... Is it a Nagant?

- Affirmative. He made Vietnam.

- Oh yes, there are more.

What about ammunition?

- I'm charging it.

It's hard work, but when you love ...

- It's clear. - But say ...

I see you hit your ball.

- Thank you.

I do sports shooting.

You practice ? - I made some.

I prefer shooting at 15m.

- Ah.

- I have two "kalachs".

With an MP5, Glock. - Oh damn.

And your wife, isn't she afraid? - No.

She died five years ago. Cancer.

- Dà © solà ©.

I have a Luger for sale.

If ever ...

- I have one too.

But, well, must see. If it's a good opportunity ...

- Shall we discuss it over a beer?

I'm just saying goodbye to my mate. - OKAY.

- I'm talking to the man, are you waiting for me?

- Fuck, I knew that.

Where is she, Laure?

Where is she, Laure?

- She came home to take care of her daughter.

- Oh yeah, absolutely. - How is that?

Are you kidding me ?

What are you playing?

Do you mess around before you go?

Hm?

- OK.

We play it every man for himself, eh?

It works.

I take a 308.

Where is the soum?

Pff ... OK. Come on, ciao.

Dramatic music

---

- We followed him home.

He lives alone in Goussainville.

- This is the perfect target.

There is no safe, he keeps everything in a cupboard.

- We're going tonight. - No.

Attends.

I prefer that we post, that we watch him.

We see ... - We don't have time.

- I have a guy on the spot.

We won't take the risk.

- We will not go into the "pav".

We stay in back-up to retrieve the gear.

- What did you want to tell me ?

- Here. This beacon comes from your home.

Who did you sell it to?

- I don't know if it's my home. - Yes.

It's serial numbers.

The manufacturer tells us who he sold it to.

He sold it at your store. - If you say so.

- Yes, I say so.

- I sell it, yes.

People pay in cash. A lot of guys

watch their girl. They don't want it to be known.

He sighs.

Where did you find it?

- Don't reverse the roles. I question you.

- Shoot your cards.

Otherwise, we're not going to get out of it.

- Forget it for today.

- As you wish.

Here.

I also have a present for you.

- A marriage proposal ?

- Go ahead, open it.

You can't refuse gifts.

Come on.

Looked.

I have one for my son.

It would be nice

that yours have the same.

Looked.

Tension music

---

What? Is there a problem?

Isn't it written like that?

---

- Don't talk about my son.

- Hey oh ... - Got it?

- Relax.

Everything will be alright.

...

- Lola Moriera is 15 years old and she has just been raped.

The student leaves the family home

to live on odd jobs.

She traps

men on the Internet to blackmail them.

She re-enacts the original trauma.

This time, it is she who takes the top.

She makes men pay

what Bastien Leroy

never paid.

Lola rebels when you present it like that.

The idea that all the events

to be explained by this rape is unbearable.

She refuses to let herself be locked up

in the category of victims.

And she is right.

It is not a matter

to repair Lola's life.

She takes care of it herself.

It's when she expects nothing

that we have to show him that what Bastien Leroy did,

we condemn it.

With the greatest firmness.

It's about showing us up, finally,

of the immense respect we have for women

that she knew how to become.

Dramatic music

---

- Ahmed asked me if we were together.

- Is that so...

- I told him I did.

He felt you had someone.

- Ah. - He picked up what I knew.

It's the only way I found to reassure him.

It won't go any further. - Okay.

- Hm hm? - I think he believes it.

(He's gonna stop pissing you off.)

Dramatic music

---

- Vincent? *- It will ?

- Yeah, excuse me. Do you mind keeping Romy

* 24h more? - Uh, no, not at all.

* What is happening ? - I'm in hiding.

It's moving, I'll leave you.

Disturbing music

---

His phone rings.

---

- There? *- It will ?

- Yeah, it's okay.

I'm in hiding. * - Laure hasn't disconnected?

- No, I'm on something else.

*- OK.

Are you sure you're okay? - Yeah.

I'll leave you there. I try not to go in

too late. *- OKAY.

- Kisses.

Tension music

---

He puts on his turn signal.

---

- Stop breaking my balls!

Oh !

Whore !

You go-y.

Move.

Go ahead, don't be smart!

Sit there.

Whoever leaves, I put him a pie.

- It will ?

- I'm fine and you ?

- Here.

You will leave that.

- Hey, what is all this?

Brouhaha

About vehicles, far away

---

What's this ? - Burglary.

There is no risk.

- How much you pay ?

- We saw that with Bilal.

- How ?

- The 200, you file them. - Are you sure?

- He. You go-y.

He speaks in Arabic.

- 200, is it good?

Huh? You like that, right?

- Take them on board. - Give me that!

- Go ahead, take them.

Come on, here we go. Come on.

- Hurry up.

Go on, get out!

- Go ahead, go ahead.

Tension music

---

The tires squeal.

- What are you doing ?

Where are the kids taking them?

- You will go home

and leave us alone.

- What's the matter with you?

- What did you not understand? I'll show you something.

It's convenient, Facebook. Looked.

She looks nice. I know this park well.

Nobody is there in the afternoon. - You little ...

- They're not pretending.

If you open your mouth

I can do nothing more for you.

Stay well in your place.

Stay tuned!

(- Son of a bitch. Assfucked.)

- Tweety is bringing his team back, but I prefer to be there.

To check that everything is going well,

to collect the weapons, direct.

- Damn, he forgot to close the gate again.

- Yes ?

OKAY. Thank you.

It's the clerk.

The jurors have not finished deliberating.

There are still at least two hours.

- They're going to condemn him.

I'm sure it will take some time.

- You know the foundations.

We are never safe from a surprise.

Do you drink something?

- Yes. It rings the doorbell.

- It must be Lola.

Come in. The deliberations

are not yet complete.

We have time. - Its good

or bad sign? - We do not know anything.

Let's go have a drink ?

Josà © phine.

Lola.

A whiskey? - No thanks.

I will wait

at the bar in front of the palace.

- I brought out the best. - Thank you. Will you call me?

- I'm sorry, I ...

- Lola! Hold on !

Attends.

- He's strong, your boyfriend.

No one had ever spoken to me like that.

Thank you for everything.

I can pass

To something else now.

Dramatic music

---

- Why do we want what escapes us?

- Otherwise, we'll be bored.

Dramatic music

---

- It's still far away ? - No, not so much.

- Ah OK. That's it, you saw me.

Excuse me sir.

I am lost, I am alone.

I'm out of battery. Where is Goussainville?

- To the left, over there.

- Thanks, eh.

- Good evening.

Tension music

---

- What's wrong ?

- Nothing.

---

She sighs.

- I can feel it. - Let go of me.

- Arrête de stresser, lÃ.

We're checking to see if it's going well.

- What is this team?

- They'll be arriving soon.

- Isn't your son a bit young to have a network?

- He grew up in Barbès with a foster family.

He stayed close to him. It's like his brother.

He gives her contacts, what.

Here they are.

- Is that it, the team?

- They are not at their first attempt.

- But they're the same!

- They fear nothing, they are minors.

- I can not.

- Do you want to screw it up or what?

They usually.

What did you want ?

That we take the risk of being kicked?

Stop breaking your balls and relax.

Monte.

Let us be ready to tear ourselves away.

The doors of the cars slam.

Disturbing music

---

- They take a long time.

- Oh no, you see?

T'inquiète.

- Shit.

Tension music

---

- Whore...

Crap.

Tension music

---

Oh ! Gunshot

- What is that?

Tension music

---

- He pulls himself,

the other, there. - We have to get out.

The cops are going to land.

- There's one more meme! - Oh, Gilou!

Stay here !

Tension music

---

- Come here !

Il geint.

---

He yells and knocks on the door.

---

Open that door!

Open!

He drums.

Come over there. Come, come with me!

You break! Get out from here .

You must go!

And to the police.

Go on, get out of there, quickly!

Tension music

---

- Arrête-toi!

- Let go of me!

Let go of me! - Go ahead!

- Stop moving! Do not move !

- Come on, get in there!

- Let go! - Returns !

- Let go!

Let go of me!

Tension music

---

The police siren sounds.

---

Dramatic music

---

- Gilou!

Gilou! Go up!

---

There's a beer in the glove box.

---

- Come here .

He uncaps his beer.

- You go-y, raconte.

- I infiltrate the Cisco band,

for Brà © mont.

- OK.

The lie to me.

- He couldn't help it.

I was dying in jail.

I seized the opportunity.

- What was the shot?

- Burglary.

In a collector's house.

Cisco wants to go up to the braco. He needs weapons.

Her son has found kids.

- Are they Moroccans?

- It's possible, I don't know.

- They want to core the Alsatian?

- Comment

do you know that? - We're on the same targets.

Why am I sticking to your ass?

A robber is suspected of having killed a migrant.

They used it to put down the beacon.

- Non.

It doesn't fit.

I don't see them killing a kid.

- I'm sure. We have the phone.

He's one of the guys in the gang.

He's the murderer. We haven't identified him.

We have laptops they no longer use.

- Hm ... - I need you.

- Does the rest of the group know?

- Not yet.

I'm the only one to have seen you.

I didn't mention you in the minutes.

I'm not going to be able to last very long.

- I have to go.

They'll think I got caught.

Dramatic music

---

- Gilou? Get out of there.

---

- Hello. Master Karlsson.

I am assisting Souleymane Khalfani. - Lieutenant Quentin.

You came for nothing. Your colleague is here.

- That confrère?

- Master Barthez, sent by the family.

- Family ? It would surprise me. I don't know who this lawyer is.

I was designated by Souleymane

and I assist him on another file.

- Wait here.

There is someone claiming to be the lawyer ...

- I'll ask you to leave us alone.

I am his lawyer.

Souleymane, can you confirm?

- I was told you couldn't come.

Good continuation,

Souleymane. And especially,

remember what I told you.

I entrust it to you,

Maître Karlsson?

- Hold on.

Who sends you?

- People who care about him. Tell him to shut up.

- Excuse me.

Can you give me the details of the case?

- He was fleeing, following an attempted burglary.

- Stopped in the street?

- Um yes.

- You have no proof

that he was at the scene.

Is there a complaint?

- He's summoned tomorrow. This is the theft of weapons.

- Did you find any on my client?

- Your client is in custody.

It's up to him to answer.

Not the opposite. - He's under 13.

The regime that applies is not police custody.

- Do you have papers that prove his age?

- My client is a key witness in a murder case.

You should call the case judge.

- We're going to disturb a judge

in the middle of the night ?

Bah not.

- So I'll take care of it.

A telephone rings.

---

- Allô ?

Maître Karlsson?

How did you get my number?

Why are you calling me at night?

Why ?

All right, pass it to me.

Yes, good evening, lieutenant.

It's Judge Lucie Bourdieu.

I confirm that the information is correct.

I ruled he was under 13.

You're welcome.

- What's wrong with him?

- Souleymane would have burgled in Goussainville.

- Goussainville? It's super far

de Barbès, ça.

Was he alone?

- I don't know.

I have to hear it next week.

- If you want,

I'm sending someone tomorrow. - Ask right away.

Karlsson risks having him released.

- OK. OK.

- I'll see him tomorrow morning.

- At your orders, Madam Judge.

His phone rings.

---

- Yeah, boss?

No no not at all.

What?

Souleymane in Goussainville?

OK. OK, OK.

Yes, I'm going there right away.

- If the guy files a complaint, call us.

- OKAY. It works.

- Where are you going?

- Do you speak French? - What are you doing here ?

Where are you taking her?

- I'm taking her to the two. - Between cops, we support each other.

- The judge wants to hear her tomorrow.

Lets' go.

- Don't worry, Souleymane.

Tomorrow I'll be in the judge's office.

- Souleymane, you go-and, on and go.

Come on. - Hold on!

I was gone to buy him some food.

- You go-y, Mt.

Dramatic music

---

- Yeah? * - Yeah, boss.

I bring him back. - What, already?

- Well yeah.

*- OKAY. Perfect.

Well see you tomorrow.

The phone rings.

---

* - Ali? What are you doing ?

- Come on ... * - I waited for you all night.

- I arrive. * - Where are you there?

Klaxon

He's coughing.

Disturbing music

---

- Laure, it's Ali.

I'm in deep trouble.

Tension music

---

Subtitling TITRAFILM