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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,927 --> 00:00:08,797 OKAY, KIDS, I NEED YOUR ATTENTION. COME ON, GATHER ROUND. 2 00:00:08,799 --> 00:00:10,629 WE HAVE A REALLY BIG SURPRISE FOR YOU. 3 00:00:10,631 --> 00:00:13,301 OH, I LOVE SURPRISES. TELL ME, TELL ME, TELL ME. 4 00:00:13,304 --> 00:00:14,694 WAIT, DON'T TELL ME. 5 00:00:14,685 --> 00:00:16,555 OKAY, FINE, TELL ME. NO, NO, DON'T. 6 00:00:16,557 --> 00:00:19,477 DEZ, YOU ALREADY KNOW THE SURPRISE. 7 00:00:19,480 --> 00:00:20,900 OH, RIGHT. 8 00:00:20,901 --> 00:00:23,311 WAIT, REMIND ME. NO, NO, NO, DON'T REMIND ME. 9 00:00:23,314 --> 00:00:25,244 OKAY, REMIND ME. NO, NO, NO, DON'T. 10 00:00:25,236 --> 00:00:27,526 OKAY, WE'RE THROWING THE FIRST EVER 11 00:00:27,528 --> 00:00:29,908 A&A MUSIC FACTORY SHOWCASE. 12 00:00:29,910 --> 00:00:33,070 WE INVITED SOME RECORD EXECS TO HEAR YOU PLAY. 13 00:00:33,074 --> 00:00:36,294 OOH, OOH, OOH, CAN I A RAP? I'M GREAT AT RAPPING. 14 00:00:36,287 --> 00:00:38,497 -SURE, HERMAN. -YES! 15 00:00:38,499 --> 00:00:41,039 OH, NO, ALL THE EXECS ARE GOING TO BE WEARING SUITS. 16 00:00:41,041 --> 00:00:42,661 I'M SCARED OF SUITS-- 17 00:00:42,663 --> 00:00:44,933 THE BLAZERS, THE TIES, THE VESTS. 18 00:00:44,925 --> 00:00:47,165 AND DON'T EVEN GET ME STARTED ON THE POCKET SQUARES. 19 00:00:47,168 --> 00:00:49,338 WHAT ARE THEY EVEN FOR? 20 00:00:49,340 --> 00:00:51,470 NO ONE'S EXPECTING PROFESSIONALS. 21 00:00:51,472 --> 00:00:52,932 THIS IS JUST A CHANCE FOR YOU 22 00:00:52,933 --> 00:00:55,773 TO GET SOME INDUSTRY FEEDBACK SO YOU CAN GROW AS AN ARTIST. 23 00:00:55,766 --> 00:00:57,386 SOUNDS TERRIFYING. 24 00:00:57,388 --> 00:00:59,388 I'M GONNA HEAD TO THE SUIT STORE ACROSS THE MALL 25 00:00:59,390 --> 00:01:02,890 AND PRACTICE SINGING TO SOME MANNEQUINS. 26 00:01:02,893 --> 00:01:04,403 HEY, HERMAN, WE SHOULD COME UP 27 00:01:04,395 --> 00:01:06,395 WITH A REALLY SICK NAME FOR OUR BAND. 28 00:01:06,397 --> 00:01:08,987 YEAH, SOMETHING BASEBALL-Y, LIKE THE SLUGGERS, 29 00:01:08,989 --> 00:01:10,989 OR THE NAME MY COACH GAVE OUR TEAM-- 30 00:01:10,991 --> 00:01:13,241 THE EMBARRASSMENTS. 31 00:01:14,365 --> 00:01:16,495 I AM SO EXCITED FOR THE SHOWCASE. 32 00:01:16,497 --> 00:01:18,457 A LOT OF MUSIC EXECS WILL BE THERE. 33 00:01:18,459 --> 00:01:20,369 EVEN JIMMY STARR IS COMING. 34 00:01:20,371 --> 00:01:21,871 OH, GOOD. I HAVEN'T SEEN THAT GUY 35 00:01:21,872 --> 00:01:24,212 SINCE HE CHANGED HIS EMAIL, REJECTED MY FRIEND REQUEST 36 00:01:24,205 --> 00:01:27,045 AND DISABLED THE TRACKING DEVICE I PUT ON HIS CAR. 37 00:01:28,088 --> 00:01:30,298 DEZ, MAYBE STAY AWAY FROM JIMMY. 38 00:01:31,552 --> 00:01:33,512 YEAH, I'LL BE STAYING AWAY FROM HIM TOO. 39 00:01:33,514 --> 00:01:35,604 THAT GUY OFFICIALLY HATES ME. 40 00:01:35,596 --> 00:01:36,976 WELL, HE DOESN'T HATE RIDLEY. 41 00:01:36,977 --> 00:01:38,977 HE LOVED HER AT THE KARAOKE SING-OFF. 42 00:01:38,979 --> 00:01:41,979 IF SHE NAILS HER PERFORMANCE, MAYBE HE'LL SIGN HER. 43 00:01:41,982 --> 00:01:44,942 YEAH, AND THEN WE CAN GET BACK ON HIS GOOD SIDE. 44 00:01:44,935 --> 00:01:47,105 WHO KNOWS WHAT THAT MIGHT MEAN FOR AUSTIN? 45 00:01:47,107 --> 00:01:48,937 WHO KNOWS WHAT THAT MIGHT MEAN FOR ME? 46 00:01:48,939 --> 00:01:51,229 MAYBE I'LL FINALLY GET TO TAKE REAL PHOTOS WITH JIMMY, 47 00:01:51,232 --> 00:01:53,532 INSTEAD OF THE FAKE ONES I MAKE ON MY COMPUTER. 48 00:01:57,077 --> 00:01:58,947 THAT WAS A GOOD DAY. 49 00:02:00,501 --> 00:02:03,661 (theme music playing) 50 00:02:03,664 --> 00:02:05,844 ♪ WHEN THE CROWD WANTS MORE ♪ 51 00:02:05,836 --> 00:02:07,416 ♪ I BRING ON THE THUNDER ♪ 52 00:02:07,418 --> 00:02:08,958 ♪ 'CAUSE YOU'VE GOT MY BACK ♪ 53 00:02:08,959 --> 00:02:10,509 ♪ AND I'M NOT GOING UNDER ♪ 54 00:02:10,511 --> 00:02:11,921 ♪ YOU'RE MY POINT, YOU'RE MY GUARD ♪ 55 00:02:11,922 --> 00:02:13,632 ♪ YOU'RE THE PERFECT CHORD ♪ 56 00:02:13,634 --> 00:02:16,474 ♪ AND I SEE OUR NAMES TOGETHER ON EVERY BILLBOARD ♪ 57 00:02:16,467 --> 00:02:19,597 ♪ WE'RE HEADED FOR THE TOP, WE'VE GOT IT ON LOCK ♪ 58 00:02:19,600 --> 00:02:21,260 ♪ WE'LL MAKE 'EM SAY "HEY!" ♪ 59 00:02:21,262 --> 00:02:23,472 ♪ AND WE'LL KEEP ROCKIN' ♪ 60 00:02:23,474 --> 00:02:27,774 ♪ OH, THERE'S NO WAY I COULD MAKE IT WITHOUT YA ♪ 61 00:02:27,768 --> 00:02:30,858 ♪ DO IT WITHOUT YA, BE HERE WITHOUT YA ♪ 62 00:02:30,861 --> 00:02:34,031 ♪ IT'S NO FUN WHEN YOU'RE DOING IT SOLO ♪ 63 00:02:34,034 --> 00:02:37,044 ♪ WITH YOU IT'S LIKE, "WHOA," YEAH, AND I KNOW ♪ 64 00:02:37,037 --> 00:02:39,987 ♪ I OWN THIS DREAM ♪ 65 00:02:39,990 --> 00:02:43,040 ♪ 'CAUSE I GOT YOU WITH ME ♪ 66 00:02:43,043 --> 00:02:46,253 ♪ THERE'S NO WAY I COULD MAKE IT WITHOUT YA ♪ 67 00:02:46,247 --> 00:02:49,587 ♪ DO IT WITHOUT YA, BE HERE WITHOUT YA ♪ 68 00:03:04,645 --> 00:03:06,645 YOU'RE AN AWESOME DANCER. 69 00:03:06,647 --> 00:03:09,517 ARE YOU SURE YOU CAN'T PERFORM WITH ME AT THE SHOWCASE? 70 00:03:09,520 --> 00:03:11,650 I WISH I COULD, BUT JIMMY WON'T LET ME. 71 00:03:11,652 --> 00:03:13,022 ANYWAY, YOU DON'T NEED ME. 72 00:03:13,023 --> 00:03:14,663 AND YOU DEFINITELY DON'T NEED 73 00:03:14,655 --> 00:03:16,735 THAT FIRST AID KIT ON YOUR BACK. 74 00:03:16,737 --> 00:03:19,237 BUT IT MAKES ME FEEL SAFE. 75 00:03:20,371 --> 00:03:21,741 I KNOW HOW YOU FEEL. 76 00:03:21,742 --> 00:03:24,122 WHEN I WAS THREE, I STARTED CARRYING A BINKIE. 77 00:03:24,124 --> 00:03:25,714 WHEN DID YOU FINALLY GIVE IT UP? 78 00:03:25,706 --> 00:03:27,126 WHAT DO YOU MEAN? 79 00:03:29,380 --> 00:03:32,500 OKAY, I NEED TO TAKE PICTURES FOR THE SHOWCASE PROGRAM. 80 00:03:32,503 --> 00:03:34,343 RIDLEY, YOU'RE UP. 81 00:03:34,335 --> 00:03:37,465 HUH-UH. PONYTAILS ARE A PHOTO NO-NO. 82 00:03:37,468 --> 00:03:39,638 SORRY, WHO ARE YOU? 83 00:03:39,640 --> 00:03:42,510 THIS IS SADIE. SHE'S SUPPOSED TO BE TAKING A PIANO LESSON, 84 00:03:42,513 --> 00:03:45,313 BUT APPARENTLY SHE'S MORE INTO WHAT YOU'RE DOING. 85 00:03:45,306 --> 00:03:49,396 WITH POP STARS, IMAGE IS EVERYTHING. 86 00:03:52,313 --> 00:03:54,493 HEY, YOU'RE GOOD AT THIS STUFF. 87 00:03:54,485 --> 00:03:56,945 WELL, I'LL TELL YOU WHAT SHE'S NOT GOOD AT-- 88 00:03:56,947 --> 00:03:59,407 STAYING FOCUSED ON THE PIANO. 89 00:03:59,410 --> 00:04:01,660 I'M BORED WITH PIANO. 90 00:04:01,662 --> 00:04:04,872 GUESS WHO WANTS TO PLAY THE TRUMPET NOW. 91 00:04:04,865 --> 00:04:06,535 HMM. 92 00:04:06,537 --> 00:04:08,037 BORED EASILY, 93 00:04:08,038 --> 00:04:10,288 SUPER OPINIONATED. 94 00:04:10,291 --> 00:04:11,791 HOW DO YOU FEEL ABOUT NAPS? 95 00:04:11,792 --> 00:04:13,632 LOVE 'EM. 96 00:04:13,634 --> 00:04:15,684 SOUNDS LIKE THERE'S SOMEONE ELSE HERE 97 00:04:15,676 --> 00:04:17,336 WHO'D BE BETTER AS YOUR MENTOR. 98 00:04:17,338 --> 00:04:18,878 HINT, HINT. 99 00:04:18,879 --> 00:04:21,429 I HEAR YOU LOUD AND CLEAR. 100 00:04:21,432 --> 00:04:23,682 COME ON, SADIE. DO YOU LIKE TAP DANCING? 101 00:04:26,807 --> 00:04:28,727 THEY MEANT ME. 102 00:04:28,729 --> 00:04:32,019 SO WHAT BRINGS YOU TO THE MUSIC FACTORY, SADIE? 103 00:04:32,022 --> 00:04:34,362 WELL, I DON'T HAVE ANY MUSICAL TALENT 104 00:04:34,355 --> 00:04:35,945 AND I DON'T LIKE TO WORK HARD. 105 00:04:35,946 --> 00:04:37,696 BUT I WANT TO MAKE A LOT OF MONEY 106 00:04:37,698 --> 00:04:40,238 OFF OF OTHER PEOPLE'S TALENT AND HARD WORK. 107 00:04:40,240 --> 00:04:42,900 IT'S LIKE I'M LOOKING INTO A MIRROR-- 108 00:04:42,903 --> 00:04:45,003 A VERY TINY MIRROR. 109 00:04:51,672 --> 00:04:54,592 WELCOME TO MANAGEMENT 101. 110 00:04:54,585 --> 00:04:57,715 B-T-DUBS, DID I MENTION I LOVE YOUR SHOES? 111 00:04:57,718 --> 00:05:00,798 B-T-DOUBLE-DUBS, I LOVE YOURS TOO. 112 00:05:02,052 --> 00:05:03,922 OKAY, AS A MANAGER, 113 00:05:03,924 --> 00:05:05,854 IT'S YOUR JOB TO GET PEOPLE TO DO WHAT YOU SAY. 114 00:05:05,846 --> 00:05:08,016 -DEZ, SIT DOWN. -WHATEVER YOU SAY. 115 00:05:08,018 --> 00:05:10,638 -WOW, YOU'RE GOOD. -I KNOW. 116 00:05:10,641 --> 00:05:13,271 NOW, DEALING WITH INDUSTRY TYPES IS DIFFICULT. 117 00:05:13,273 --> 00:05:15,823 YOU HAVE TO TALK FAST, BE RUDE TO THE ASSISTANTS, 118 00:05:15,816 --> 00:05:17,816 NAME DROP AS MUCH AS POSSIBLE, 119 00:05:17,818 --> 00:05:19,898 AND WHEN YOU'RE DONE, SEND A MUFFIN BASKET. 120 00:05:19,900 --> 00:05:22,820 NICE. EVERYBODY LOVES MUFFINS. 121 00:05:22,823 --> 00:05:24,833 AND BASKETS. 122 00:05:24,825 --> 00:05:26,655 NOW, WHY DON'T YOU TRY A PRACTICE CALL? 123 00:05:26,657 --> 00:05:29,117 LET'S ROLE-PLAY. DEZ, YOU BE THE ASSISTANT. 124 00:05:29,119 --> 00:05:30,749 RING-RING-RING! 125 00:05:32,543 --> 00:05:34,883 RING-RING-RING! 126 00:05:34,875 --> 00:05:36,715 DEZ. 127 00:05:36,717 --> 00:05:39,257 WHAT? I ALWAYS PICK UP ON THE THIRD RING-RING-RING. 128 00:05:39,259 --> 00:05:41,009 I DON'T WANT TO SOUND DESPERATE. 129 00:05:41,011 --> 00:05:42,551 FINE. 130 00:05:42,553 --> 00:05:44,343 RING-RING-RING. 131 00:05:45,766 --> 00:05:47,176 HELLO, MR. 132 00:05:47,177 --> 00:05:49,347 I-DIDN'T-HAVE-TIME-TO-COME-UP WITH-A-NAME'S OFFICE. 133 00:05:49,349 --> 00:05:51,519 ARE YOU HAVING A PLEASANT AFTERNOON? 134 00:05:51,522 --> 00:05:54,612 LET'S SKIP THE CHITCHAT. PUT YOUR BOSS ON THE PHONE. 135 00:05:54,605 --> 00:05:55,975 YES, MA'AM. SORRY, MA'AM. 136 00:05:55,976 --> 00:05:57,856 PSST, TRISH. WHO'S PLAYING THE BOSS? 137 00:05:57,858 --> 00:05:59,858 -YOU ARE. -WOW. 138 00:05:59,860 --> 00:06:01,650 I GOT PROMOTED SO FAST. 139 00:06:01,652 --> 00:06:03,442 HELLO, MR. 140 00:06:03,444 --> 00:06:05,664 I-DIDN'T-HAVE-TIME-TO-COME-UP WITH-A-NAME SPEAKING. 141 00:06:05,656 --> 00:06:07,076 CAN I HELP YOU? 142 00:06:07,077 --> 00:06:08,827 HI, THIS IS SADIE. 143 00:06:08,829 --> 00:06:10,449 MY GOOD FRIEND KATY PERRY GAVE ME YOUR NUMBER, 144 00:06:10,451 --> 00:06:12,291 AND I WANTED TO INVITE YOU TO OUR SHOWCASE. 145 00:06:12,292 --> 00:06:15,092 I WILL SEND A MUFFIN BASKET AND A POSTCARD WITH MORE INFO. 146 00:06:15,085 --> 00:06:16,795 AND SCENE! 147 00:06:16,797 --> 00:06:19,127 WHOO! NICE WORK, SADIE. 148 00:06:19,129 --> 00:06:21,999 OKAY, GUYS, I'VE GOT A GREAT IDEA. 149 00:06:22,002 --> 00:06:24,132 WE'RE GONNA LEARN ONE OF ALLY'S SONGS 150 00:06:24,134 --> 00:06:26,724 AND SURPRISE HER WITH IT AT THE SHOWCASE. BUT DON'T TELL HER. 151 00:06:26,717 --> 00:06:29,427 A SECRET? I'M GREAT AT SECRETS. 152 00:06:29,430 --> 00:06:31,890 BUT I'M TERRIBLE AT KEEPING THEM. 153 00:06:31,892 --> 00:06:34,102 SO WHAT PART ARE YOU GOOD AT? 154 00:06:36,396 --> 00:06:37,816 OH, ALLY'S ON HER WAY IN. 155 00:06:37,818 --> 00:06:39,818 DON'T SAY ANYTHING. EVERYONE JUST ACT COOL. 156 00:06:41,652 --> 00:06:43,902 HEY, GUYS. WHAT ARE YOU WORKING ON? 157 00:06:43,904 --> 00:06:46,034 (screaming) 158 00:06:54,294 --> 00:06:57,214 KIDS. AM I RIGHT? 159 00:07:00,501 --> 00:07:02,881 SO, WHEN YOU'RE TALKING TO A CLIENT, 160 00:07:02,883 --> 00:07:05,643 IT'S IMPORTANT TO SNEAK YOUR CRITICISM BETWEEN TWO COMPLIMENTS. 161 00:07:05,636 --> 00:07:07,506 -WHAT DO YOU MEAN? -WATCH. 162 00:07:07,508 --> 00:07:10,428 HEY, HERMAN. HEARD YOU ON THE DRUMS EARLIER. 163 00:07:10,430 --> 00:07:12,260 YOU'RE SOUNDING BETTER. 164 00:07:12,262 --> 00:07:15,902 YOU GOTTA WASH THAT SMELLY BASEBALL UNIFORM. LOVE THE HAIR. 165 00:07:15,896 --> 00:07:17,896 THANKS. YOU'RE THE BEST. 166 00:07:17,898 --> 00:07:19,768 WAIT, WHAT? 167 00:07:20,771 --> 00:07:23,361 OKAY, NOW YOU TRY. 168 00:07:24,985 --> 00:07:27,485 HEY, RIDLEY. YOU HAVE A GREAT VOICE. 169 00:07:27,488 --> 00:07:30,278 YOU HAVE NO STAGE PRESENCE AND YOU'RE GOING TO MAKE 170 00:07:30,280 --> 00:07:32,410 A COMPLETE FOOL OF YOURSELF AT THE SHOWCASE. 171 00:07:32,412 --> 00:07:34,452 CUTE SHOES. 172 00:07:34,454 --> 00:07:35,884 WHAT? 173 00:07:35,876 --> 00:07:37,916 I'M GONNA MAKE A FOOL OF MYSELF? 174 00:07:37,918 --> 00:07:40,248 NO. SADIE, WHY WOULD YOU SAY THAT? 175 00:07:40,250 --> 00:07:42,000 TRISH TOLD ME TO BE HONEST. 176 00:07:42,002 --> 00:07:45,142 RIDLEY HAS POTENTIAL, BUT SHE'S SO NERVOUS AND AWKWARD. 177 00:07:45,135 --> 00:07:46,925 SHE NEEDS A LOT OF HELP. 178 00:07:46,927 --> 00:07:50,087 RIDLEY, DON'T LISTEN TO HER. SADIE TOOK IT WAY TOO FAR. 179 00:07:50,090 --> 00:07:51,850 NO, SHE'S RIGHT. 180 00:07:51,852 --> 00:07:53,552 I DON'T HAVE WHAT IT TAKES. 181 00:07:53,554 --> 00:07:55,484 I'M NOT PERFORMING AT THE SHOWCASE. 182 00:07:55,475 --> 00:07:56,935 I'M NOT PERFORMING EVER. 183 00:07:56,937 --> 00:07:58,857 RIDLEY, WAIT. 184 00:07:58,859 --> 00:08:01,359 TRISH, HOW COULD YOU LET THIS HAPPEN? 185 00:08:01,361 --> 00:08:02,981 WE NEED RIDLEY IN THE SHOWCASE. 186 00:08:02,983 --> 00:08:04,823 THE SHOWCASE IS TO SHOWCASE HER. 187 00:08:04,815 --> 00:08:06,905 I'M SORRY. I WAS JUST TRYING TO GIVE SADIE 188 00:08:06,907 --> 00:08:08,867 A LESSON ON GIVING CONSTRUCTIVE CRITICISM. 189 00:08:08,869 --> 00:08:11,239 IT SOUNDED MORE LIKE DESTRUCTIVE CRITICISM. 190 00:08:11,241 --> 00:08:12,871 I'M GONNA GO GET RIDLEY. 191 00:08:12,873 --> 00:08:15,253 WHEN SHE FREAKS OUT, SHE LIKES TO GO TO THE CAMPING STORE 192 00:08:15,245 --> 00:08:17,035 AND HIDE IN THE SLEEPING BAGS. 193 00:08:17,037 --> 00:08:20,287 SADIE, I THINK YOU MAY HAVE TAKEN MY LESSON THE WRONG WAY. 194 00:08:20,290 --> 00:08:22,080 LOOK, TRISH, YOU'RE A REALLY GOOD MENTOR, 195 00:08:22,082 --> 00:08:23,712 BUT I'M BETTER AT THIS THAN YOU, 196 00:08:23,714 --> 00:08:25,974 AND FROM NOW ON I'M GONNA DO THINGS MY WAY. 197 00:08:25,966 --> 00:08:27,836 NICE HEADBAND. 198 00:08:27,838 --> 00:08:29,888 AWW, THANK-- 199 00:08:29,890 --> 00:08:31,260 WAIT. DARN. 200 00:08:31,261 --> 00:08:33,301 I'VE TAUGHT HER TOO WELL. 201 00:08:37,898 --> 00:08:39,898 (inaudible) 202 00:08:43,644 --> 00:08:45,864 IS THAT RIDLEY? 203 00:08:45,856 --> 00:08:47,236 NO. 204 00:08:47,237 --> 00:08:49,197 I WENT ALL THE WAY TO THE CAMPING STORE 205 00:08:49,199 --> 00:08:51,819 AND BROUGHT BACK SOME OTHER KID HIDING IN A SLEEPING BAG. 206 00:08:51,822 --> 00:08:52,822 (gasps) 207 00:08:55,576 --> 00:08:56,826 WHEW. 208 00:08:56,827 --> 00:08:58,997 HEY, GUYS. 209 00:08:58,999 --> 00:09:01,959 LOOK, RIDLEY, I KNOW YOU'RE WORRIED ABOUT PERFORMING AT THE SHOWCASE, 210 00:09:01,962 --> 00:09:03,922 BUT WHAT'S THE WORST THING THAT CAN HAPPEN? 211 00:09:03,924 --> 00:09:06,174 WELL, MY PERFORMANCE COULD BE SO BAD 212 00:09:06,166 --> 00:09:07,926 THAT THE AUDIENCE THROWS TOMATOES AT ME. 213 00:09:07,928 --> 00:09:09,758 AND SMASHED TOMATOES MAKE KETCHUP. 214 00:09:09,760 --> 00:09:11,430 AND KETCHUP GOES ON FRENCH FRIES, 215 00:09:11,431 --> 00:09:12,881 AND FRENCH FRIES ARE POTATOES. 216 00:09:12,883 --> 00:09:14,383 AND YOU KNOW WHAT ELSE IS A POTATO? 217 00:09:14,384 --> 00:09:17,774 YAMS. AND I'M TERRIFIED OF YAMS. 218 00:09:17,768 --> 00:09:20,978 COME ON, RIDLEY, WE'VE GOT A LOT WORK TO DO. 219 00:09:26,647 --> 00:09:29,647 TRISH, YOU'VE CREATED A MONSTER. 220 00:09:29,650 --> 00:09:31,650 SADIE'S GOT RIDLEY FREAKING OUT. 221 00:09:31,652 --> 00:09:34,662 SHE DEMANDED A V.I.P. PARKING SPOT FOR HER BICYCLE. 222 00:09:34,655 --> 00:09:37,455 AND LOOK WHAT SHE DID TO AMP UP MAX'S STAR APPEAL. 223 00:09:39,119 --> 00:09:42,079 I AM NOT HAPPY. 224 00:09:42,082 --> 00:09:44,082 FINE. 225 00:09:44,084 --> 00:09:46,844 -I'LL GO TALK TO HER. -SHE'S IN HER OFFICE. 226 00:09:46,837 --> 00:09:48,917 OFFICE? 227 00:09:52,843 --> 00:09:54,773 MOVE, DEZ. I NEED TO TALK TO SADIE. 228 00:09:54,765 --> 00:09:56,425 DO YOU HAVE AN APPOINTMENT? 229 00:09:56,426 --> 00:09:59,386 -APPOINTMENT? -YEAH, SADIE HIRED ME AS HER ASSISTANT. 230 00:09:59,389 --> 00:10:01,599 I EVEN GET TO WEAR THIS COOL HEADSET. 231 00:10:01,601 --> 00:10:04,021 SADIE AND ASSOCIATES. PLEASE HOLD. 232 00:10:04,024 --> 00:10:06,114 DEZ, WE BOTH KNOW 233 00:10:06,106 --> 00:10:08,226 THAT IS NOT PLUGGED INTO ANYTHING. 234 00:10:08,228 --> 00:10:10,988 AND WE BOTH KNOW THERE'S NOTHING IN THAT MUG. 235 00:10:13,233 --> 00:10:15,083 I'LL CALL YOU BACK. 236 00:10:15,075 --> 00:10:17,115 I'M SORRY, 237 00:10:17,117 --> 00:10:19,537 BUT UNLESS YOU HAVE AN APPOINTMENT, I CAN'T HELP YOU. 238 00:10:19,539 --> 00:10:21,369 SADIE'S IN A VERY BIG MEETING RIGHT NOW. 239 00:10:25,005 --> 00:10:27,295 I CAN SEE HER SLEEPING IN THERE. 240 00:10:27,297 --> 00:10:29,007 CAN YOU DO 5:30? 241 00:10:29,009 --> 00:10:32,129 DO YOU SERIOUSLY THINK I'M GONNA WAIT AROUND SIX HOURS 242 00:10:32,132 --> 00:10:34,052 TO TALK TO AN OBNOXIOUS LITTLE KID 243 00:10:34,054 --> 00:10:37,064 WHO LOCKED HERSELF IN A SOUND BOOTH IN MY MUSIC FACTORY? 244 00:10:37,057 --> 00:10:39,307 YOU'RE RIGHT. 245 00:10:39,309 --> 00:10:42,219 OH, WE JUST HAD A CANCELLATION. HOW'S 4:30? 246 00:10:42,222 --> 00:10:43,892 SURE. 247 00:10:43,894 --> 00:10:45,404 AND YOU ARE? 248 00:10:49,820 --> 00:10:54,110 (upbeat music playing) 249 00:10:54,114 --> 00:10:56,284 SOUNDS GREAT. WHEN ALLY HEARS YOU 250 00:10:56,276 --> 00:10:58,616 PLAYING HER SONG AT THE SHOWCASE, SHE'S GONNA FREAK. 251 00:10:58,618 --> 00:10:59,988 LET'S TRY THE SONG AGAIN. 252 00:11:02,622 --> 00:11:03,912 OH, HEY, ALLY. 253 00:11:05,956 --> 00:11:07,586 (playing discordant music) 254 00:11:11,051 --> 00:11:13,341 UM, AUSTIN, 255 00:11:13,343 --> 00:11:15,353 IS THIS THE SONG 256 00:11:15,345 --> 00:11:17,345 THEY'RE PLAYING AT THE SHOWCASE? 257 00:11:17,347 --> 00:11:20,057 YEAH, IT'S EXPERIMENTAL. 258 00:11:20,060 --> 00:11:22,600 I THINK YOU'LL BE SURPRISED 259 00:11:22,602 --> 00:11:24,602 BY HOW GOOD IT SOUNDS AT THE SHOW. 260 00:11:31,691 --> 00:11:34,271 WHAT'S UP WITH HERMAN? IS HE OKAY? 261 00:11:34,274 --> 00:11:36,084 HE'S DOING HIS BREATHING EXERCISES. 262 00:11:36,076 --> 00:11:39,196 BREATHING EXERCISES? HE PLAYS DRUMS. 263 00:11:39,199 --> 00:11:42,579 YOU KNOW WHAT THEY SAY-- "A FRIEND IN NEED IS A FRIEND INDEED." 264 00:11:42,582 --> 00:11:45,592 -WHAT DOES THAT HAVE TO DO--? -WELL, SEE YA. 265 00:11:45,585 --> 00:11:47,705 ALLY, WE'RE PLAYING YOUR SONG AT THE SHOWCASE. 266 00:11:47,707 --> 00:11:50,917 WHEW, THAT WAS A CLOSE ONE. 267 00:11:55,335 --> 00:11:58,925 THAT'S EXACTLY WHAT TAYLOR SWIFT SAID TO ME YESTERDAY. 268 00:12:00,510 --> 00:12:03,680 SADIE MOVED HER OFFICE INTO THE DANCE STUDIO? 269 00:12:03,683 --> 00:12:05,113 YES, WE THOUGHT A BIGGER SPACE 270 00:12:05,105 --> 00:12:07,145 WOULD BE BETTER FOR HER GROWING BUSINESS. 271 00:12:08,769 --> 00:12:11,609 YOUR 4:30 IS HERE. 272 00:12:11,611 --> 00:12:15,071 SWEETIE, HAVE A SEAT. 273 00:12:19,029 --> 00:12:20,859 I KNOW WHAT YOU'RE DOING. 274 00:12:20,861 --> 00:12:22,861 YOU MADE MY CHAIR LOWER THAN YOURS 275 00:12:22,863 --> 00:12:24,873 TO MAKE YOURSELF SEEM MORE POWERFUL. 276 00:12:24,865 --> 00:12:26,205 I TAUGHT YOU THAT. 277 00:12:26,206 --> 00:12:28,496 I DON'T KNOW WHAT YOU MEAN. 278 00:12:40,050 --> 00:12:42,180 OKAY, YOU ARE TAKING THIS WAY TOO FAR. 279 00:12:42,182 --> 00:12:44,592 YOU'RE NOT A REAL MANAGER. YOU'RE A KID. 280 00:12:44,594 --> 00:12:47,354 THAT'S NOT WHAT MY CARD SAYS. 281 00:12:47,347 --> 00:12:50,057 YOU'RE RIGHT, THAT'S NOT WHAT YOUR CARD SAYS. 282 00:12:50,060 --> 00:12:52,150 THAT SAYS YOU'RE A MANGER. 283 00:12:53,733 --> 00:12:55,823 DEZ! 284 00:12:55,816 --> 00:12:59,026 I AM SO SORRY. I'LL GET THESE REPRINTED. 285 00:12:59,029 --> 00:13:01,069 BOTTOM LINE, YOU'RE OUT OF CONTROL. 286 00:13:01,071 --> 00:13:03,071 WE ALMOST LOST RIDLEY BECAUSE OF YOU. 287 00:13:03,073 --> 00:13:05,213 I GAVE HER THE PUSH SHE NEEDED. 288 00:13:05,205 --> 00:13:08,705 SHE'D BE WAY BETTER OFF WITH ME AS HER MANAGER INSTEAD OF YOU. 289 00:13:08,708 --> 00:13:10,248 YOU KNOW WHAT? I'VE HAD ENOUGH. 290 00:13:10,250 --> 00:13:12,790 I'M SORRY, BUT YOU'RE NO LONGER WELCOME AT THIS SCHOOL. 291 00:13:12,792 --> 00:13:14,292 FINE. I'M OUT OF HERE. 292 00:13:15,795 --> 00:13:17,175 DEZ! 293 00:13:17,177 --> 00:13:19,217 GET ME DOWN! 294 00:13:21,131 --> 00:13:23,631 AND CANCEL HER MUFFIN BASKET. 295 00:13:27,477 --> 00:13:30,097 THANKS FOR MAKING THE SNACKS FOR THE SHOWCASE, DEZ. 296 00:13:30,100 --> 00:13:32,020 OH, I FORGOT ABOUT THE SHOWCASE. 297 00:13:32,022 --> 00:13:34,102 THIS IS JUST MY DINNER. 298 00:13:34,104 --> 00:13:35,704 YOUR DINNER IS 200 TEENY WEENIES? 299 00:13:35,695 --> 00:13:37,895 NO, THAT WOULD BE CRAZY. 300 00:13:37,898 --> 00:13:40,988 I'M ALSO HAVING THESE 400 CHEESE CUBES. 301 00:13:42,242 --> 00:13:45,332 I CAN'T WAIT FOR RIDLEY'S PERFORMANCE. 302 00:13:45,325 --> 00:13:47,325 I KNOW JIMMY'S LOOKING FOR A YOUNG SINGER. 303 00:13:47,327 --> 00:13:50,157 IF HE THOUGHT SHE WAS GREAT BEFORE, WAIT TILL HE SEES HER NOW. 304 00:13:50,160 --> 00:13:52,160 HE MIGHT REALLY WANT TO SIGN HER. 305 00:13:52,162 --> 00:13:54,122 SHE COULD BE HIS NEXT AUSTIN MOON. 306 00:13:54,124 --> 00:13:57,224 YEAH, BUT, LIKE, NEWER, YOUNGER, SHINIER. 307 00:13:57,217 --> 00:13:58,797 UH, HELLO. 308 00:13:58,798 --> 00:14:00,338 ORIGINAL AUSTIN MOON RIGHT HERE. 309 00:14:00,340 --> 00:14:02,380 AND I'M STILL PRETTY SHINY. 310 00:14:02,382 --> 00:14:04,222 YEAH, YOU ARE. 311 00:14:05,926 --> 00:14:07,466 -DEZ. -YEAH. 312 00:14:08,848 --> 00:14:11,308 COME ON, GUYS, WE'VE GOT A PACKED HOUSE DOWN THERE 313 00:14:11,311 --> 00:14:12,971 WAITING FOR AN AMAZING SHOWCASE. 314 00:14:12,973 --> 00:14:14,983 WHOO! 315 00:14:18,318 --> 00:14:21,648 WELL, I GUESS NOW I DON'T HAVE TO SHARE MY WEENIES. 316 00:14:24,284 --> 00:14:27,294 NO ONE SHOWED UP TO OUR SHOWCASE. 317 00:14:27,287 --> 00:14:29,247 HEY, LOOK ON THE BRIGHT SIDE-- 318 00:14:29,249 --> 00:14:32,249 MAYBE THEY WERE ALL EATEN BY ZOMBIES. 319 00:14:32,252 --> 00:14:33,872 TRISH, I THOUGHT YOU SAID 320 00:14:33,873 --> 00:14:35,803 WE WERE GONNA HAVE A PACKED HOUSE TONIGHT. 321 00:14:35,795 --> 00:14:38,085 WE WERE SUPPOSED TO. 100 PEOPLE EMAILED 322 00:14:38,088 --> 00:14:40,168 THAT THEY WERE COMING. LOOK. 323 00:14:40,170 --> 00:14:41,840 SADIE. 324 00:14:41,841 --> 00:14:44,091 THAT LITTLE BRAT BROKE INTO MY EMAIL 325 00:14:44,094 --> 00:14:46,724 AND TOLD ALL THE RECORD EXECS OUR SHOWCASE WAS CANCELED. 326 00:14:46,716 --> 00:14:48,506 -SHE DID WHAT? -AND LOOK. 327 00:14:48,508 --> 00:14:50,848 SHE SENT OUT INVITES FOR HER OWN SHOWCASE TONIGHT. 328 00:14:50,850 --> 00:14:53,810 IT FEATURES RIDLEY AND A SECRET CELEBRITY GUEST. 329 00:14:53,813 --> 00:14:56,023 SADIE STOLE OUR SHOWCASE. 330 00:14:56,016 --> 00:14:59,476 OH, THAT'S WHY SHE WANTED YOUR EMAIL, PASSWORD, 331 00:14:59,479 --> 00:15:03,399 CONTACTS, AND SHOWCASE INVITE LIST. 332 00:15:03,403 --> 00:15:05,163 WEENIE? 333 00:15:16,746 --> 00:15:18,996 OKAY, WHERE IS THAT LITTLE BRAT? 334 00:15:18,999 --> 00:15:21,419 HOPEFULLY SHE DIDN'T DO ANYTHING TO MAKE JIMMY UPSET. 335 00:15:21,421 --> 00:15:24,421 I'M VERY UPSET. FIRST, YOUR SHOWCASE IS CANCELED. 336 00:15:24,424 --> 00:15:26,434 THEN I COME TO THIS ONE, AND IT'S A MESS. 337 00:15:26,426 --> 00:15:28,386 I DON'T SEE ANY PERFORMERS. THERE'S NO FREE FOOD. 338 00:15:28,388 --> 00:15:31,388 AND THAT RUGBY TEAM'S TAKING UP EVERY SEAT WITH THEIR PIZZA PARTY. 339 00:15:31,391 --> 00:15:33,221 OI, OI, OI! 340 00:15:33,223 --> 00:15:36,193 THERE'S BEEN A MIX-UP, BUT WE'RE GONNA FIX IT. 341 00:15:36,186 --> 00:15:38,186 OH, RIDLEY, THERE YOU ARE. 342 00:15:38,188 --> 00:15:40,108 DON'T BE MAD. I'M ONLY HERE 343 00:15:40,110 --> 00:15:41,940 'CAUSE SADIE TOLD ME THE VENUE CHANGED. 344 00:15:41,941 --> 00:15:43,231 WHERE IS SHE? 345 00:15:43,233 --> 00:15:44,993 NEVER MIND. I SEE HER. 346 00:15:46,987 --> 00:15:48,527 COME BACK HERE, YOUNG LADY. 347 00:15:49,779 --> 00:15:51,779 PLEASE DON'T YELL AT ME. 348 00:15:51,781 --> 00:15:54,871 NOTHING YOU SAY CAN MAKE ME FEEL WORSE THAN I ALREADY DO. 349 00:15:54,874 --> 00:15:56,634 WHAT WERE YOU THINKING, SADIE? 350 00:15:56,626 --> 00:15:58,626 I WANTED TO PROVE 351 00:15:58,628 --> 00:16:00,418 THAT I COULD BE A REAL MANAGER. 352 00:16:00,420 --> 00:16:03,500 I GUESS I HAD NO IDEA WHAT ACTUALLY WENT INTO PLANNING A SHOWCASE. 353 00:16:03,503 --> 00:16:05,433 I HAVE NO LIGHTS, 354 00:16:05,425 --> 00:16:08,295 NO MUSICAL INSTRUMENTS, NO CELEBRITY GUEST. 355 00:16:08,298 --> 00:16:09,928 BUT YOUR INVITE SAID-- 356 00:16:09,929 --> 00:16:11,799 I JUST WROTE THAT SO PEOPLE WOULD COME. 357 00:16:11,801 --> 00:16:13,431 I'M SORRY. 358 00:16:13,433 --> 00:16:15,443 I DON'T WANT TO BE A MANAGER ANYMORE. 359 00:16:15,435 --> 00:16:17,435 I WANT TO GO BACK TO BEING A NORMAL KID, 360 00:16:17,437 --> 00:16:19,437 WITH AN ASSISTANT. 361 00:16:19,439 --> 00:16:21,729 I DID LIKE THAT PART. 362 00:16:21,731 --> 00:16:23,361 LOOK, SADIE, 363 00:16:23,363 --> 00:16:25,493 WE'RE NOT GONNA LET THIS SHOWCASE FALL APART. 364 00:16:25,485 --> 00:16:27,485 YOU MAY BE IN OVER YOUR HEAD, 365 00:16:27,487 --> 00:16:29,697 BUT IT'S OUR JOB TO TEACH YOU HOW TO FIX IT. 366 00:16:29,699 --> 00:16:30,909 REALLY? 367 00:16:30,910 --> 00:16:32,740 I'M GONNA GO GET THE REST OF THE KIDS 368 00:16:32,742 --> 00:16:34,572 AND HAVE AUSTIN SET UP THE STAGE. 369 00:16:34,574 --> 00:16:37,334 ALLY CAN BE OUR CELEBRITY GUEST. 370 00:16:37,327 --> 00:16:40,117 DEZ! 371 00:16:40,120 --> 00:16:42,000 I NEED YOU TO GET RID OF THE RUGBY TEAM. 372 00:16:43,002 --> 00:16:44,792 (screaming) 373 00:16:44,794 --> 00:16:47,224 OI, OI, OI, OI, OI! 374 00:16:50,009 --> 00:16:53,799 ♪ CALL ME CRIMINAL, I WON'T DENY ♪ 375 00:16:53,803 --> 00:16:57,983 ♪ YOU MAKE ME WANT IT ALL, EVERYTHING YOU ARE ♪ 376 00:16:57,977 --> 00:17:01,687 ♪ SO LOCK IT UP, GO ON AND TRY IT ♪ 377 00:17:01,691 --> 00:17:05,411 ♪ NO MATTER WHAT YOU DO, I'M GONNA STEAL YOUR HEART ♪ 378 00:17:05,405 --> 00:17:08,985 ♪ I CONFESS I KIND OF LIKE IT ♪ 379 00:17:08,988 --> 00:17:11,318 ♪ THAT YOU'RE INNOCENT ♪ 380 00:17:11,321 --> 00:17:12,991 ♪ KEEPING UP YOUR GUARD ♪ 381 00:17:12,992 --> 00:17:16,662 ♪ I'LL BREAK IT DOWN, SO YOU CAN'T HIDE IT ♪ 382 00:17:16,656 --> 00:17:18,416 ♪ NO MATTER WHAT YOU DO ♪ 383 00:17:18,418 --> 00:17:21,708 ♪ I'M GONNA STEAL YOUR HEART ♪ 384 00:17:24,214 --> 00:17:26,224 (rapping) ♪ I WEAR MY GLASSES SO I CAN SEE ♪ 385 00:17:26,216 --> 00:17:28,506 ♪ I LEARNED TO DRUM AT THE FACTORY ♪ 386 00:17:28,508 --> 00:17:30,298 ♪ BASEBALL IS MY REAL JAM ♪ 387 00:17:30,300 --> 00:17:32,430 ♪ I'M ALSO DOWN WITH CHEESE AND HAM ♪ 388 00:17:32,432 --> 00:17:34,132 ♪ SANDWICHES AND OMELETS TOO ♪ 389 00:17:34,134 --> 00:17:35,944 ♪ WHEN I'M AT THE PLATE, STRIKE ONE ♪ 390 00:17:35,935 --> 00:17:38,055 ♪ STRIKE TWO, STRIKE THREE ♪ 391 00:17:38,057 --> 00:17:40,057 ♪ I'M OUT ♪ 392 00:17:42,732 --> 00:17:47,072 GIVE IT UP FOR THE MULTI-TALENTED HERMAN! 393 00:17:47,066 --> 00:17:50,106 NEXT UP-- THE A&A MUSIC FACTORY HOUSE BAND. 394 00:18:00,120 --> 00:18:02,460 AUSTIN, YOU TAUGHT THEM MY NEW SONG? 395 00:18:02,462 --> 00:18:04,542 THEY'VE BEEN REHEARSING IT ALL WEEK. 396 00:18:04,544 --> 00:18:06,594 I WANTED IT TO BE A SURPRISE. 397 00:18:06,586 --> 00:18:10,126 I AM SO TOUCHED. 398 00:18:10,130 --> 00:18:12,420 THANK YOU. 399 00:18:13,473 --> 00:18:15,483 YOU KNEW, DIDN'T YOU? 400 00:18:15,475 --> 00:18:17,595 HERMAN TOLD ME 10 MINUTES AGO. 401 00:18:19,309 --> 00:18:21,059 (inaudible) 402 00:18:21,060 --> 00:18:23,180 AND NOW, LADIES AND GENTLEMEN, 403 00:18:23,183 --> 00:18:26,323 OUR SECRET CELEBRITY GUEST ALLY DAWSON! 404 00:18:30,490 --> 00:18:34,280 ♪ I WANNA HEAR YOU PLAY MY SONG ♪ 405 00:18:34,284 --> 00:18:38,004 ♪ I WANNA HEAR IT ALL NIGHT LONG ♪ 406 00:18:37,997 --> 00:18:39,827 ♪ AND IF IT EVER ENDS ♪ 407 00:18:39,829 --> 00:18:41,949 ♪ WE'LL HIT IT UP AGAIN ♪ 408 00:18:41,951 --> 00:18:44,451 ♪ I'LL TELL YOU WHAT I WANT ♪ 409 00:18:44,454 --> 00:18:47,464 ♪ I WANNA HEAR YOU PLAY MY SONG ♪ 410 00:18:47,457 --> 00:18:51,007 ♪ YOU'RE ASKING ME WHAT MAKES ME FEEL GOOD ♪ 411 00:18:51,010 --> 00:18:53,880 ♪ YOU'RE ASKING ME WHAT DRIVES ME WILD ♪ 412 00:18:53,883 --> 00:18:58,523 ♪ JUST PUT THAT RECORD ON REPEAT, BABE ♪ 413 00:18:58,518 --> 00:19:01,428 ♪ AND LET IT GO FOR MILES AND MILES ♪ 414 00:19:01,431 --> 00:19:05,021 ♪ I WANNA HEAR YOU PLAY MY SONG ♪ 415 00:19:05,024 --> 00:19:09,114 ♪ I WANNA HEAR IT ALL NIGHT LONG ♪ 416 00:19:09,108 --> 00:19:11,108 ♪ AND IF IT EVER ENDS ♪ 417 00:19:11,110 --> 00:19:12,980 ♪ WE'LL HIT IT UP AGAIN ♪ 418 00:19:12,982 --> 00:19:15,832 ♪ I'LL TELL YOU WHAT I WANT ♪ 419 00:19:15,825 --> 00:19:19,195 ♪ I WANNA HEAR YOU PLAY MY SONG ♪ 420 00:19:28,838 --> 00:19:30,838 WHOO! 421 00:19:30,840 --> 00:19:33,000 YOU GUYS WERE AWESOME. I'M SO PROUD OF YOU. 422 00:19:33,002 --> 00:19:36,062 TRISH, THANK YOU SO MUCH FOR SAVING THE SHOWCASE. 423 00:19:36,055 --> 00:19:38,675 I'M REALLY SORRY I EVER WENT AGAINST YOU. 424 00:19:38,678 --> 00:19:41,638 IT'S COOL. YOU HAVE A LOT OF POTENTIAL. 425 00:19:41,641 --> 00:19:44,801 IF YOU EVER CROSS ME AGAIN, I WILL DESTROY YOU. 426 00:19:44,804 --> 00:19:46,444 CUTE JACKET. 427 00:19:48,648 --> 00:19:50,648 BRAVO, GANG. 428 00:19:50,650 --> 00:19:52,270 JIMMY! 429 00:19:52,272 --> 00:19:54,732 I GOTTA SAY, THAT WAS THE BEST SHOWCASE 430 00:19:54,734 --> 00:19:56,454 I'VE SEEN IN A LONG TIME. 431 00:19:56,446 --> 00:19:57,816 AND THERE'S ONE PERFORMER 432 00:19:57,817 --> 00:19:59,527 I'M PARTICULARLY INTERESTED IN. 433 00:20:00,580 --> 00:20:03,410 I KNEW IT! WHERE DO I SIGN? 434 00:20:03,413 --> 00:20:06,713 I WAS TALKING ABOUT RIDLEY, BUT YOU'RE GOOD TOO. 435 00:20:06,706 --> 00:20:08,826 I'LL TAKE IT. 436 00:20:08,828 --> 00:20:10,958 I KNEW YOU COULD SING, BUT THE MUSIC FACTORY'S 437 00:20:10,960 --> 00:20:12,630 TAKEN YOU TO THE NEXT LEVEL. 438 00:20:12,632 --> 00:20:14,712 AUSTIN AND I HAVE BEEN WORKING REALLY HARD WITH HER. 439 00:20:14,714 --> 00:20:16,144 RIDLEY ROGERS, 440 00:20:16,135 --> 00:20:18,635 HOW WOULD YOU LIKE TO BE IN BUSINESS WITH STARR RECORDS? 441 00:20:20,800 --> 00:20:23,140 WOW, I WOULD LOVE TO. 442 00:20:23,142 --> 00:20:25,012 HANG ON A SEC, JIMMY. 443 00:20:25,014 --> 00:20:26,814 AS RIDLEY'S MANAGER, IT WOULD APPEAR 444 00:20:26,806 --> 00:20:28,556 THAT WE HAVE SOMETHING YOU WANT 445 00:20:28,558 --> 00:20:30,608 AND YOU HAVE SOMETHING WE WANT. 446 00:20:30,610 --> 00:20:32,350 MAYBE WE CAN WORK OUT A DEAL. 447 00:20:32,352 --> 00:20:34,022 LET ME GUESS: 448 00:20:34,023 --> 00:20:36,203 YOU WANT ME TO LET AUSTIN PERFORM AGAIN. 449 00:20:36,195 --> 00:20:38,115 TRISH, WHAT ARE YOU DOING? 450 00:20:38,117 --> 00:20:41,317 THIS ISN'T ABOUT ME. IT'S ABOUT HELPING ONE OF OUR STUDENTS. 451 00:20:41,321 --> 00:20:43,321 I DON'T WANT TO STAND IN THE WAY OF HER OPPORTUNITY. 452 00:20:43,323 --> 00:20:46,333 AUSTIN, YOU CAN'T KEEP PUTTING YOUR HEART IN FRONT OF YOUR CAREER. 453 00:20:46,326 --> 00:20:48,326 MAYBE THAT'S NOT SUCH A BAD THING. 454 00:20:48,328 --> 00:20:49,998 I'VE BEEN DOING A LOT OF THINKING, 455 00:20:49,999 --> 00:20:52,079 AND MAYBE I OVERREACTED IN THE PAST. 456 00:20:52,081 --> 00:20:55,301 I GOTTA SAY, I MISS SEEING AUSTIN MOON ON THAT STAGE. 457 00:20:55,295 --> 00:20:57,635 AND SO DO MILLIONS OF HIS FANS. 458 00:20:57,637 --> 00:21:01,007 AND SO DOES HIS MANAGER, WHO GETS 10% OF HIS PAYCHECK. 459 00:21:01,010 --> 00:21:03,380 SO WHAT DO YOU SAY, JIMMY? 460 00:21:05,475 --> 00:21:07,475 -YOU'VE GOT A DEAL. -YES! 461 00:21:08,688 --> 00:21:10,558 RIDLEY, WELCOME TO STARR RECORDS. 462 00:21:10,560 --> 00:21:13,560 AND AUSTIN MOON, WELCOME BACK. 463 00:21:13,563 --> 00:21:15,023 THANKS, JIMMY. 464 00:21:16,696 --> 00:21:18,896 HEY, JIMBO, WE GIVING OUT HUGS OVER HERE? 465 00:21:18,898 --> 00:21:20,948 NO, WE ARE NOT. 466 00:21:20,950 --> 00:21:23,610 THAT GUY KILLS ME. 467 00:21:35,965 --> 00:21:37,585 WELCOME TO AUSTIN AND ASSOCIATES. 468 00:21:37,587 --> 00:21:39,007 DO YOU HAVE AN APPOINTMENT? 469 00:21:39,008 --> 00:21:40,548 WE DON'T NEED AN APPOINTMENT. 470 00:21:41,971 --> 00:21:44,631 DEZ, CAN YOU PLEASE JUST MOVE OUT OF THE WAY? 471 00:21:44,634 --> 00:21:46,734 WE NEED TO TALK TO AUSTIN ABOUT HIS COMEBACK. 472 00:21:46,726 --> 00:21:48,556 I'M SORRY, AND YOU ARE? 473 00:21:48,558 --> 00:21:51,018 ALLY DAWSON. 474 00:21:51,020 --> 00:21:53,520 AUSTIN'S GIRLFRIEND. 475 00:21:53,523 --> 00:21:55,063 THAT YOU SEE EVERY DAY. 476 00:21:55,064 --> 00:21:56,994 DOESN'T RING A BELL. 477 00:21:56,986 --> 00:22:00,566 LISTEN, AUSTIN IS VERY BUSY WORKING ON HIS COMEBACK. 478 00:22:00,570 --> 00:22:03,320 I CAN SCHEDULE YOU IN FOR A WEEK FROM TUESDAY. 479 00:22:03,322 --> 00:22:05,712 OOPS, NO, THAT'S STAFF EVALUATIONS DAY. 480 00:22:05,705 --> 00:22:07,615 SORRY ABOUT THIS. 481 00:22:07,617 --> 00:22:09,367 I TRIED TO FIRE HIM, BUT HE SAID 482 00:22:09,369 --> 00:22:10,749 I HAD TO GIVE HIM TWO WEEKS' NOTICE. 483 00:22:10,750 --> 00:22:12,250 HOW ABOUT NEXT WEDNESDAY? 484 00:22:12,251 --> 00:22:14,041 NO, THAT'S THE COMPANY PICNIC. 485 00:22:14,043 --> 00:22:15,253 NEXT THURSDAY? 486 00:22:15,254 --> 00:22:16,724 NO, THAT'S OUR TEAM BUILDING WORKSHOP. 487 00:22:16,716 --> 00:22:19,006 NEXT FRIDAY? THAT'S OUR WELLNESS RETREAT. 488 00:22:19,008 --> 00:22:20,458 HOW ABOUT SATURDAY? 489 00:22:20,460 --> 00:22:22,010 NOPE, WE DON'T WORK ON WEEKENDS. 490 00:22:22,011 --> 00:22:23,961 HOW ABOUT MONDAY? NOPE, THAT'S SECRETARY DAY. 491 00:22:23,963 --> 00:22:25,643 AUSTIN IS TAKING ME OUT FOR STEAKS. 492 00:22:25,635 --> 00:22:27,595 OR HOW ABOUT NEXT TUESDA-A-A-AY? 493 00:22:29,058 --> 00:22:30,848 rman: ♪ WHEN I'M AT THE PLATE, RIKE ONE ♪ 494 00:22:30,850 --> 00:22:32,850 ♪ STRIKE TWO, STRIKE THREE ♪ 495 00:22:32,852 --> 00:22:34,062 ♪ I'M OUT ♪ 36309

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