All language subtitles for Austin.And.Ally.S01E09_0

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian Download
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,340 --> 00:00:10,180 ARE YOU SURE YOU WANT THIS GUITAR, SIR? 2 00:00:10,211 --> 00:00:12,181 IT'S JUST THAT WE DON'T SELL MANY OF THESE 3 00:00:12,213 --> 00:00:14,453 TO PEOPLE YOUR AGE. 4 00:00:14,482 --> 00:00:18,152 'CAUSE YOU HAVE TO AT LEAST BE 21 AND CLEARLY YOU'RE NOT. 5 00:00:18,186 --> 00:00:20,346 CAN I SEE YOUR I.D., PLEASE? 6 00:00:22,856 --> 00:00:24,556 ( playing rapidly ) 7 00:00:30,864 --> 00:00:33,634 WILL YOU BE MY GRANDPA? 8 00:00:37,371 --> 00:00:40,241 GUESS WHO GOT A JOB AT THE GREETING CARD STORE! 9 00:00:41,475 --> 00:00:42,605 HERE, GIVE THIS TO ME. 10 00:00:42,643 --> 00:00:44,453 OKAY. 11 00:00:44,478 --> 00:00:47,478 "CONGRATULATIONS ON YOUR NEW JOB!" 12 00:00:47,515 --> 00:00:49,475 AW, THANKS. YOU SHOULDN'T HAVE. 13 00:00:51,252 --> 00:00:54,122 IT WAS NOTHING. 14 00:00:56,257 --> 00:00:58,487 YOU'RE NOT GONNA BELIEVE THIS! DEZ, GIVE 'EM THE NEWS. 15 00:00:58,526 --> 00:01:01,426 SURE. THE MAYOR GAVE A SPEECH TODAY. THERE'S A 10% CHANCE OF RAIN, 16 00:01:01,462 --> 00:01:04,102 - AND IN SPORTS, THE DOLPHINS-- - Austin: NOT THAT NEWS. 17 00:01:04,132 --> 00:01:07,172 I'M DOING MY FIRST RADIO INTERVIEW. 18 00:01:07,201 --> 00:01:10,441 - ( gasping ) - MIAMI MACK FROM FM 109 IS BROADCASTING LIVE 19 00:01:10,471 --> 00:01:13,171 - FROM THE BEACH. - THAT'S GREAT, AUSTIN! 20 00:01:13,207 --> 00:01:14,507 OH. HERE. 21 00:01:14,542 --> 00:01:18,112 "CONGRATULATIONS ON YOUR FIRST RADIO INTERVIEW 22 00:01:18,146 --> 00:01:20,246 LIVE FROM THE BEACH"? 23 00:01:21,382 --> 00:01:23,352 I DIDN'T KNOW THEY MADE CARDS FOR THAT. 24 00:01:23,384 --> 00:01:25,694 THEY MAKE CARDS FOR EVERYTHING. 25 00:01:27,455 --> 00:01:29,455 AUSTIN, THIS IS HUGE. 26 00:01:29,490 --> 00:01:32,560 MIAMI MACK IS THE MOST POPULAR DEEJAY IN FLORIDA. 27 00:01:32,593 --> 00:01:34,403 I'M SURPRISED YOU KNOW WHO HE IS. 28 00:01:34,428 --> 00:01:36,598 I THOUGHT YOU ONLY LISTENED TO DORKY BOOKS ON TAPE. 29 00:01:36,630 --> 00:01:39,200 WHAT?! 30 00:01:40,634 --> 00:01:43,274 ALL THE COOL KIDS LISTEN TO MIAMI MACK 31 00:01:43,304 --> 00:01:46,174 IN THE MORNING. 32 00:01:46,207 --> 00:01:48,237 HE'S ON IN THE AFTERNOON. 33 00:01:49,510 --> 00:01:52,310 UH, MORNING IS WHAT THE COOL KIDS 34 00:01:52,346 --> 00:01:54,716 CALL THE AFTERNOON. 35 00:01:56,650 --> 00:02:00,350 THIS WHOLE INTERVIEW THING MUST BE SO HARD FOR YOU, ALLY. 36 00:02:00,388 --> 00:02:01,618 WHAT DO YOU MEAN? 37 00:02:01,655 --> 00:02:04,625 I MEAN, YOU NOT GETTING ASKED TO BE ON THE RADIO WITH AUSTIN. 38 00:02:04,658 --> 00:02:08,298 EVERYONE GETS TO SEE HOW TALENTED HE IS, BUT IT'S LIKE YOU'RE INVISIBLE. 39 00:02:08,329 --> 00:02:10,259 WELL, I WOULDN'T PUT IT LIKE THAT. 40 00:02:10,298 --> 00:02:12,568 BUT NOT INVISIBLE IN A COOL WAY, LIKE A SUPERHERO. 41 00:02:12,600 --> 00:02:13,900 MORE LIKE IN AN UNCOOL WAY, 42 00:02:13,934 --> 00:02:17,274 LIKE A SONGWRITER WHO DOESN'T GET ASKED TO BE ON THE RADIO. 43 00:02:17,305 --> 00:02:20,405 OKAY, DEZ, WE GET IT. 44 00:02:20,441 --> 00:02:22,681 ALLY'S AN INVISIBLE, UNCOOL NOBODY. 45 00:02:22,710 --> 00:02:25,380 NOW STOP IT BEFORE YOU HURT HER FEELINGS. 46 00:02:26,947 --> 00:02:29,547 ALLY'S NOT INVISIBLE. SHE JUST DOESN'T LIKE THE SPOTLIGHT. 47 00:02:29,583 --> 00:02:33,623 - YEAH, BECAUSE I HAVE STAGE FRIGHT. - SEE, GUYS? 48 00:02:33,654 --> 00:02:37,534 ALTHOUGH, IT WOULD BE NICE TO GET SOME RECOGNITION. 49 00:02:37,558 --> 00:02:39,658 I MEAN, IN A PERFECT WORLD, I COULD GET UP ON STAGE 50 00:02:39,693 --> 00:02:42,163 AND SING AND DANCE AS COOL AS AUSTIN. 51 00:02:49,337 --> 00:02:52,437 IN A PERFECT WORLD, YOU'D NEVER DO THAT AGAIN. 52 00:02:53,441 --> 00:02:54,681 ( theme music playing ) 53 00:02:57,411 --> 00:02:59,351 * WHEN THE CROWD WANTS MORE * 54 00:02:59,380 --> 00:03:02,480 * I BRING ON THE THUNDER 'CAUSE YOU'VE GOT MY BACK * 55 00:03:02,516 --> 00:03:05,446 * AND I'M NOT GOING UNDER, YOU'RE MY POINT, YOU'RE MY GUARD * 56 00:03:05,486 --> 00:03:06,686 * YOU'RE THE PERFECT CHORD * 57 00:03:06,720 --> 00:03:09,960 * AND I SEE OUR NAMES TOGETHER ON EVERY BILLBOARD * 58 00:03:09,990 --> 00:03:13,230 * WE'RE HEADED FOR THE TOP, WE'VE GOT IT ON LOCK * 59 00:03:13,261 --> 00:03:14,661 * WE'LL MAKE 'EM SAY "HEY!" * 60 00:03:14,695 --> 00:03:16,955 * AND WE'LL KEEP ROCKIN' 61 00:03:16,997 --> 00:03:18,997 * OH, THERE'S NO WAY 62 00:03:19,032 --> 00:03:21,372 * I COULD MAKE IT WITHOUT YA * 63 00:03:21,402 --> 00:03:24,412 * DO IT WITHOUT YA, BE HERE WITHOUT YA * 64 00:03:24,438 --> 00:03:27,508 * IT'S NO FUN WHEN YOU'RE DOING IT SOLO * 65 00:03:27,541 --> 00:03:30,511 * WITH YOU IT'S LIKE, "WHOA," YEAH, AND I KNOW * 66 00:03:30,544 --> 00:03:33,514 * I OWN THIS DREAM 67 00:03:33,547 --> 00:03:36,547 * 'CAUSE I GOT YOU WITH ME 68 00:03:36,584 --> 00:03:39,694 * THERE'S NO WAY I COULD MAKE IT WITHOUT YA * 69 00:03:39,720 --> 00:03:42,790 * DO IT WITHOUT YA, BE HERE WITHOUT YA. * 70 00:03:47,395 --> 00:03:49,725 Ally: * I'M THE SUN IN YOUR EYES 71 00:03:49,763 --> 00:03:52,433 * YEAH, YOU DON'T SEE ME * 72 00:03:52,466 --> 00:03:55,796 * I WEAR NO DISGUISE, BUT YOU DON'T SEE ME * 73 00:03:55,836 --> 00:03:58,506 * I'M A TOTAL SURPRISE 74 00:03:58,539 --> 00:04:00,469 * AND YOU DON'T SEE ME 75 00:04:00,508 --> 00:04:02,538 * I'M SO AGONIZED 76 00:04:02,576 --> 00:04:05,606 * THAT YOU DON'T SEE ME... 77 00:04:05,646 --> 00:04:08,346 ( playing piano ) 78 00:04:08,382 --> 00:04:11,422 * YOU DON'T SEE ME. 79 00:04:14,522 --> 00:04:16,862 ( song ends ) 80 00:04:18,058 --> 00:04:19,828 WHOO-HOO! 81 00:04:19,860 --> 00:04:22,700 AUSTIN, HOW LONG HAVE YOU BEEN STANDING THERE? 82 00:04:22,730 --> 00:04:24,700 - NOT THAT LONG. - YOU DIDN'T SEE ME 83 00:04:24,732 --> 00:04:27,342 DO MY VOCAL WARM-UPS, DID YOU? 84 00:04:27,368 --> 00:04:29,738 ( babbling ) 85 00:04:34,575 --> 00:04:37,805 - NO, DIDN'T SEE ANYTHING. - WHEW. 86 00:04:37,845 --> 00:04:39,775 ( gurgles ) 87 00:04:41,882 --> 00:04:45,522 I JUST CAME TO GET A COPY OF "A BILLION HITS" TO PLAY FOR MIAMI MACK. 88 00:04:45,553 --> 00:04:46,723 THERE'S SOME ON THE TABLE. 89 00:04:49,623 --> 00:04:51,833 HEY, THAT SONG SOUNDED GREAT, 90 00:04:51,859 --> 00:04:54,329 BUT THE LYRICS ARE A LITTLE GIRLY. 91 00:04:54,362 --> 00:04:57,402 WELL, THAT'S GREAT, BECAUSE THE LYRICS ARE FOR ME, 92 00:04:57,431 --> 00:04:59,631 AND I'M A GIRLY. 93 00:05:01,469 --> 00:05:03,469 I WRITE SONGS FOR MYSELF SOMETIMES, 94 00:05:03,504 --> 00:05:07,514 BUT I'M NEVER GONNA PERFORM THEM, SO I JUST RECORD THEM FOR FUN. 95 00:05:07,541 --> 00:05:09,441 YOU DON'T CARE ABOUT ALL THAT STUFF DEZ SAID, DO YOU? 96 00:05:09,477 --> 00:05:12,507 ABOUT BEING INVISIBLE AND NOT GETTING RECOGNITION? 97 00:05:12,546 --> 00:05:15,816 DOES THIS LOOK LIKE SOMEBODY WHO CARES? 98 00:05:22,656 --> 00:05:25,686 GOOD. 'CAUSE I COULD NEVER DO WHAT I DO WITHOUT YOU. 99 00:05:25,726 --> 00:05:27,496 YOU'RE AWESOME. 100 00:05:27,528 --> 00:05:31,098 THANKS, AUSTIN. 101 00:05:31,131 --> 00:05:32,601 AW-WW! 102 00:05:33,801 --> 00:05:36,501 DEZ, ARE YOU SPYING ON US? 103 00:05:36,537 --> 00:05:38,607 WHAT? NO, I SAID "AW-WW" 104 00:05:38,639 --> 00:05:41,509 'CAUSE I SAW THE CUTEST KID DESTROY THE NICEST VIOLIN DOWN THERE. 105 00:05:41,542 --> 00:05:43,642 AW-WW! 106 00:05:43,677 --> 00:05:44,677 WHAT?! 107 00:05:47,781 --> 00:05:49,621 ALLY JUST WROTE THE BEST SONG FOR HERSELF. 108 00:05:49,650 --> 00:05:51,490 IT'S REALLY GOOD. 109 00:05:51,519 --> 00:05:54,419 TOO BAD NO ONE'S EVER GONNA HEAR IT. 110 00:05:54,455 --> 00:05:56,485 MAYBE THEY WILL. 111 00:05:56,524 --> 00:06:00,464 I THINK I KNOW A WAY FOR PEOPLE TO FINALLY HEAR HOW TALENTED ALLY IS. 112 00:06:00,494 --> 00:06:01,804 AW-WWW! 113 00:06:01,829 --> 00:06:05,169 I KNOW, I'M A NICE GUY. 114 00:06:05,198 --> 00:06:07,798 HMM? OH, NO, I JUST NEVER NOTICED THIS POSTER 115 00:06:07,835 --> 00:06:09,895 OF THE BUNNY AND THE PUPPY BEFORE. 116 00:06:11,839 --> 00:06:14,679 Both: AW-WWW! 117 00:06:19,647 --> 00:06:22,577 WELCOME TO FM 109! 118 00:06:22,616 --> 00:06:25,646 I'M MIAMI MACK, AND WE ARE LIVE FROM SUNNY SOUTH BEACH 119 00:06:25,686 --> 00:06:28,416 WITH AUSTIN MOON. 120 00:06:28,456 --> 00:06:29,956 YEAH! WHOO! 121 00:06:29,990 --> 00:06:32,690 ALL RIGHT, NOW IT IS TIME 122 00:06:32,726 --> 00:06:35,656 FOR OUR "NUMBER ONE FAN CHALLENGE." 123 00:06:35,696 --> 00:06:36,856 WHOO! 124 00:06:36,897 --> 00:06:39,897 THE WINNER GETS TO HANG OUT WITH AUSTIN MOON FOR A DAY. 125 00:06:39,933 --> 00:06:42,703 - WHO WANTS TO PLAY? - Dez: PICK ME! PICK ME! 126 00:06:42,736 --> 00:06:46,606 - PICK ME! PICK ME! PICK ME! - YOU, IN THE CLOWN SHORTS. 127 00:06:46,640 --> 00:06:49,710 WHOO! WHOO! 128 00:06:49,743 --> 00:06:52,583 OKAY, I'M GONNA FLIP A COIN FOR YOUR FAN CHALLENGE. 129 00:06:52,613 --> 00:06:55,683 HEADS, YOU GET A NICE EASY SCAVENGER HUNT. 130 00:06:55,716 --> 00:06:56,646 - ( scoffs ) - TAILS, 131 00:06:56,684 --> 00:06:59,954 YOU HAVE TO WRESTLE WITH A HUNGRY ALLIGATOR. 132 00:06:59,987 --> 00:07:01,887 PLEASE BE ALLIGATOR. PLEASE BE ALLIGATOR. 133 00:07:01,922 --> 00:07:04,462 PLEASE BE ALLIGATOR! 134 00:07:07,528 --> 00:07:10,758 - HEADS! SCAVENGER HUNT. - YES! WHOO! 135 00:07:10,798 --> 00:07:13,198 OKAY, YOU ARE GOING ON A MUSICAL SCAVENGER HUNT. 136 00:07:13,233 --> 00:07:16,643 YOU HAVE FIVE MINUTES TO BRING BACK EVERY ITEM ON THIS LIST. 137 00:07:16,670 --> 00:07:18,910 I'M ON IT. OUT OF MY WAY! I'M A SCAVENGER! 138 00:07:18,939 --> 00:07:22,479 - OUT OF THE WAY! - NOW THE MOMENT 139 00:07:22,510 --> 00:07:24,850 WE HAVE ALL BEEN WAITING FOR-- 140 00:07:24,878 --> 00:07:27,478 AUSTIN MOON'S NEW SINGLE! 141 00:07:30,551 --> 00:07:32,721 ( pop music playing ) 142 00:07:35,255 --> 00:07:38,785 Ally: * I'm the girl in the corner of the room * 143 00:07:40,594 --> 00:07:44,034 * The one you never noticed * 144 00:07:44,064 --> 00:07:47,674 * Getting lost among the stars in the sky * 145 00:07:47,701 --> 00:07:49,271 * Like a picture... 146 00:07:49,302 --> 00:07:51,912 UH, AUSTIN, THAT DOESN'T SOUND LIKE YOU. 147 00:07:51,939 --> 00:07:54,539 YOU'RE RIGHT. THAT'S NOT ME. 148 00:07:54,575 --> 00:07:56,835 I MUST'VE BROUGHT THE WRONG CD. 149 00:07:56,877 --> 00:07:59,277 OH, MY GOSH, I'M ON THE RADIO! I'M ON THE RADIO! 150 00:07:59,312 --> 00:08:03,052 I'M ON THE RADIO-- I'M ON THE RADIO. 151 00:08:03,083 --> 00:08:05,993 - ( whimpers ) - * You don't see me. 152 00:08:08,088 --> 00:08:10,718 ( cheering ) 153 00:08:10,758 --> 00:08:14,528 I DON'T KNOW WHO THAT WAS, BUT, MAN, THAT SONG WAS GREAT! 154 00:08:14,562 --> 00:08:16,002 THAT WAS MY PARTNER ALLY DAWSON, 155 00:08:16,029 --> 00:08:17,969 THE MOST TALENTED SINGER/SONGWRITER I KNOW. 156 00:08:17,998 --> 00:08:21,638 - WELL, I WOULD REALLY LIKE TO GIVE HER SOME PROPS-- - GREAT IDEA. 157 00:08:21,669 --> 00:08:23,999 - LIVE AND IN PERSON. - BAD IDEA. 158 00:08:24,037 --> 00:08:27,637 HOW ABOUT YOU AND ALLY COME BACK AND PERFORM TOGETHER LIVE THIS FRIDAY? 159 00:08:27,675 --> 00:08:30,605 LIVE? I DON'T THINK-- 160 00:08:30,644 --> 00:08:33,884 IF YOU WANNA HEAR AUSTIN AND ALLY PERFORM LIVE, SCREAM "YEAH!" 161 00:08:33,914 --> 00:08:36,554 All: YEAH! 162 00:08:36,584 --> 00:08:38,324 NO-AH! 163 00:08:38,351 --> 00:08:41,561 GREAT! THEN TUNE IN THIS FRIDAY TO HEAR AUSTIN MOON 164 00:08:41,589 --> 00:08:44,559 AND ALLY DAWSON PERFORM LIVE. 165 00:08:44,592 --> 00:08:45,862 WHOO! YEAH! 166 00:08:47,327 --> 00:08:49,097 EXCUSE ME. COMING THROUGH. COMING THROUGH! 167 00:08:49,129 --> 00:08:51,929 WHEW! OKAY, I GOT EVERYTHING ON THE LIST. 168 00:08:51,965 --> 00:08:55,635 AN ACCORDION, A TAMBOURINE AND A COWBOY. 169 00:08:56,837 --> 00:08:59,767 OH, THAT LIST SAID "COWBELL." 170 00:08:59,807 --> 00:09:02,107 MAN, I MUST HAVE READ IT WRONG. 171 00:09:02,142 --> 00:09:04,342 I REALLY WANTED TO HANG OUT WITH AUSTIN. 172 00:09:04,377 --> 00:09:07,147 WELL, AT LEAST I STILL HAVE YOU, COWBOY. 173 00:09:08,882 --> 00:09:11,622 AW, COME ON, CLINT. 174 00:09:13,020 --> 00:09:14,860 WHAT AM I GONNA DO, TRISH? 175 00:09:14,888 --> 00:09:16,988 I ALWAYS FREAK OUT WHEN I HAVE TO PERFORM. 176 00:09:17,024 --> 00:09:20,994 WHAT IF I CAN GET MIAMI MACK TO LET YOU WRESTLE THE ALLIGATOR? 177 00:09:21,028 --> 00:09:23,858 HOW DOES THAT HELP? 178 00:09:23,897 --> 00:09:27,897 IT DOESN'T, BUT I REALLY WANNA SEE SOMEBODY WRESTLE AN ALLIGATOR. 179 00:09:36,176 --> 00:09:38,046 I DON'T KNOW WHAT TO DO, TRISH. 180 00:09:38,078 --> 00:09:41,718 I CAN'T BACK OUT OF PERFORMING ON MIAMI MACK'S RADIO SHOW. 181 00:09:41,749 --> 00:09:43,879 WHAT'S THE WORST THING THAT COULD HAPPEN? 182 00:09:43,917 --> 00:09:46,687 I COULD HAVE A MELTDOWN AND TOTALLY EMBARRASS MYSELF. 183 00:09:46,720 --> 00:09:49,760 I SAID "WORST THING." YOU COULD THROW UP ON THE DEEJAY. 184 00:09:49,790 --> 00:09:52,760 YOU COULD RUIN YOUR CAREER. YOU COULD RUIN AUSTIN'S CAREER. 185 00:09:52,793 --> 00:09:55,033 YOU COULD SPRAIN YOUR ANKLE RUNNING OFF THE STAGE. 186 00:09:55,062 --> 00:09:58,672 THANKS, TRISH. I FEEL MUCH BETTER. 187 00:09:58,699 --> 00:10:01,639 ALLY, I'M SO SORRY YOU HAVE TO PERFORM. 188 00:10:01,669 --> 00:10:04,769 PLEASE, IT'S NOT YOUR FAULT. YOU BROUGHT THE WRONG CD. 189 00:10:04,805 --> 00:10:06,005 IT WAS AN ACCIDENT. 190 00:10:06,039 --> 00:10:09,109 YEAH-- IT WAS AN ACCIDENT. 191 00:10:09,142 --> 00:10:13,052 I DIDN'T PURPOSELY BRING THE WRONG CD SO YOU WOULD GET RECOGNITION. 192 00:10:14,047 --> 00:10:15,977 WHY WOULD I DO THAT? 193 00:10:16,016 --> 00:10:18,786 I'M NOT ACCUSING YOU OF DOING THAT. 194 00:10:18,819 --> 00:10:20,419 - OKAY, I DID IT. - WHAT?! 195 00:10:20,453 --> 00:10:22,963 TRISH, HELP ME OUT. 196 00:10:22,990 --> 00:10:26,790 WHAT, YOU THINK THEY MAKE AN "I'M SORRY FOR PLAYING YOUR SONG ON THE RADIO, 197 00:10:26,827 --> 00:10:30,227 I DIDN'T KNOW IT WOULD BACKFIRE" CARD? ACTUALLY, THEY DO. 198 00:10:32,833 --> 00:10:34,203 HMM? 199 00:10:34,234 --> 00:10:37,144 I CAN'T BELIEVE IT, THAT YOU WOULD DO THAT, 200 00:10:37,170 --> 00:10:40,040 AND THAT THEY WOULD MAKE A CARD FOR IT. 201 00:10:40,073 --> 00:10:42,013 I KNOW, RIGHT? 202 00:10:42,042 --> 00:10:45,882 I JUST WANT PEOPLE TO KNOW HOW TALENTED YOU ARE. 203 00:10:45,913 --> 00:10:49,123 I APPRECIATE WHAT YOU WERE TRYING TO DO, BUT NOW WHAT? 204 00:10:49,149 --> 00:10:51,789 I CAN'T PERFORM WITH MY STAGE FRIGHT. 205 00:10:51,819 --> 00:10:54,959 DON'T WORRY. I JUST FOUND A CURE FOR STAGE FRIGHT ON THE INTERNET. 206 00:10:54,988 --> 00:10:58,128 CLOSE YOUR EYES AND IMAGINE YOU'RE IN A PEACEFUL MEADOW. 207 00:10:59,727 --> 00:11:01,957 THE SUN IS SHINING. THE BIRDS ARE SINGING. 208 00:11:01,995 --> 00:11:04,655 EVERYTHING IS CALM. 209 00:11:05,733 --> 00:11:08,143 - BOO-YAH! - ( Ally gasps ) 210 00:11:08,168 --> 00:11:12,068 AUSTIN! THAT'S THE CURE FOR HICCUPS. 211 00:11:12,105 --> 00:11:15,105 OH, YOU'RE RIGHT. SORRY. 212 00:11:15,142 --> 00:11:19,152 BUT YOU DON'T HAVE THE HICCUPS NOW, DO YOU? 213 00:11:24,852 --> 00:11:26,892 OKAY, SO WHAT'S YOUR BIG PLAN? 214 00:11:26,920 --> 00:11:29,490 I KNOW A GUY WHO CAN GET YOU OVER YOUR STAGE FRIGHT 215 00:11:29,522 --> 00:11:31,022 SO YOU CAN PERFORM ON FRIDAY. 216 00:11:32,059 --> 00:11:34,089 A MAN WITH INCREDIBLE POWERS. 217 00:11:34,127 --> 00:11:36,997 THE AMAZING DEZ-MO! 218 00:11:37,998 --> 00:11:40,868 IT IS I, DEZ-MO, MASTER OF MYSTERY. 219 00:11:40,901 --> 00:11:43,901 I SOLVED THE MYSTERY. IT'S A DORK IN A STUPID HAT. 220 00:11:45,305 --> 00:11:48,175 I'LL HAVE YOU KNOW I'M A SKILLED HYPNOTIST. 221 00:11:48,208 --> 00:11:51,138 I'VE HAD EXTENSIVE TRAINING IN THE MYSTICAL ARTS. 222 00:11:51,178 --> 00:11:54,078 HE SPENT A WEEK AT A HYPNOTISM CAMP IN THE MALL PARKING LOT. 223 00:11:54,114 --> 00:11:58,054 - I THOUGHT WE WERE IN HAWAII. - YOU WERE HYPNOTIZED TO THINK THAT. 224 00:11:58,085 --> 00:12:00,115 IT'S A REALLY GOOD CAMP. 225 00:12:00,153 --> 00:12:02,123 THIS ISN'T GONNA WORK. 226 00:12:02,155 --> 00:12:05,285 TRUST ME, I KNOW WHAT I'M DOING. HYPNOTISM IS REALLY SIMPLE. 227 00:12:05,325 --> 00:12:08,225 I'LL PUT JUST YOU IN A TRANCE AND GIVE YOU A TRIGGER WORD TO CONTROL YOUR BEHAVIOR. 228 00:12:08,261 --> 00:12:10,231 I ALREADY TESTED IT OUT ON AUSTIN. 229 00:12:10,263 --> 00:12:12,233 - NO, YOU DIDN'T. - KITTY CAT. 230 00:12:12,265 --> 00:12:14,265 ( meowing ) 231 00:12:17,570 --> 00:12:21,510 - KITTY CAT. - SO DID YOU GUYS FINISH HYPNOTIZING ALLY? 232 00:12:21,541 --> 00:12:23,781 ( laughing ) 233 00:12:23,811 --> 00:12:25,881 OKAY, DEZ, I'LL GIVE IT A SHOT. 234 00:12:27,848 --> 00:12:29,918 STARE INTO THE SWIRLY LINES. 235 00:12:29,950 --> 00:12:32,890 FOCUS ON THE SWIRLY LINES. 236 00:12:32,920 --> 00:12:36,090 YOU ARE GETTING SLEEPY, VERY SLEEPY. 237 00:12:36,123 --> 00:12:38,893 YOU CAN HARDLY STAY AWAKE. 238 00:12:38,926 --> 00:12:42,226 YOU'RE FALLING INTO A DEEP, DEEP SLEEP. 239 00:12:42,262 --> 00:12:45,202 ( snores ) 240 00:12:45,232 --> 00:12:47,272 THE AMAZING DEZ-MO, EVERYBODY. 241 00:12:51,271 --> 00:12:53,241 I REALLY WANTED THIS TO WORK. 242 00:12:53,273 --> 00:12:56,143 I WANT THE WORLD TO KNOW WHO ALLY DAWSON IS. 243 00:12:56,176 --> 00:12:59,106 WHAT'S THE BIG DEAL? NO ONE KNOWS ME NOW. 244 00:13:00,213 --> 00:13:03,123 YEAH, NOBODY KNOWS YOU. 245 00:13:03,150 --> 00:13:05,090 NOBODY KNOWS YOU. 246 00:13:05,118 --> 00:13:08,188 OKAY, I GET IT. YOU DON'T HAVE TO RUB IT IN. 247 00:13:09,222 --> 00:13:12,062 NO, PEOPLE DON'T KNOW WHO YOU ARE, 248 00:13:12,092 --> 00:13:13,962 SO NO ONE KNOWS WHAT YOU LOOK LIKE. 249 00:13:13,994 --> 00:13:16,904 WE CAN HAVE TRISH PRETEND TO BE YOU DURING THE RADIO INTERVIEW. 250 00:13:16,930 --> 00:13:18,600 WHAT ABOUT THE SINGING? 251 00:13:18,631 --> 00:13:21,971 YOU'LL HIDE OFF-STAGE AND SING INTO A MIC WHILE TRISH LIP-SYNCS. 252 00:13:22,002 --> 00:13:23,972 I DON'T KNOW. IT SEEMS LIKE A LOT TO PULL OFF. 253 00:13:24,004 --> 00:13:26,114 WHAT IF SOMETHING GOES WRONG? AND DO YOU REALLY THINK TRISH 254 00:13:26,139 --> 00:13:29,009 WILL BE ABLE TO LIP-SYNC EVERYTHING I-- 255 00:13:30,243 --> 00:13:33,053 OKAY, THIS'LL WORK. 256 00:13:33,080 --> 00:13:35,280 YOU GUYS GO GET READY. I'LL WAKE DEZ. 257 00:13:39,352 --> 00:13:42,192 THIS IS THE GREAT TRISH-INI. 258 00:13:42,222 --> 00:13:44,392 WHEN YOU HEAR THE WORD "SONG," 259 00:13:44,424 --> 00:13:46,334 YOU'LL THINK THERE'S A MOUSE IN YOUR PANTS. 260 00:13:46,359 --> 00:13:48,229 AWAKEN! 261 00:13:49,362 --> 00:13:51,332 WHEW! WHAT HAPPENED? 262 00:13:51,364 --> 00:13:54,434 WELL, WE FIGURED OUT WHAT TO DO ABOUT ALLY'S SONG. 263 00:13:56,236 --> 00:13:59,166 ( gasping ) MOUSE IN MY PANTS. MOUSE IN MY PANTS! 264 00:14:10,450 --> 00:14:13,150 OKAY, YOU'LL TALK INTO THIS MIC 265 00:14:13,186 --> 00:14:14,956 TO GIVE TRISH THE ANSWERS FOR THE INTERVIEW. 266 00:14:14,988 --> 00:14:16,988 THEN WHEN YOU SING, I'LL FLIP THIS SWITCH 267 00:14:17,024 --> 00:14:20,264 AND YOUR VOICE WILL GO OVER THE FM 109 SPEAKERS WHILE TRISH LIP-SYNCS. 268 00:14:20,293 --> 00:14:23,033 WOW, YOU'RE REALLY GOOD WITH ELECTRONICS. 269 00:14:23,063 --> 00:14:25,303 WHAT CAN I SAY? IT'S IN MY GENES. 270 00:14:25,332 --> 00:14:28,042 OH, SO YOUR PARENTS ARE GOOD WITH ELECTRONICS, TOO? 271 00:14:28,068 --> 00:14:30,298 WHAT? OH, NO, I KEEP THIS INSTRUCTION MANUAL 272 00:14:30,337 --> 00:14:33,637 - IN MY JEANS. - YOU'RE NOT WEARING JEANS. 273 00:14:33,673 --> 00:14:37,913 - RIGHT, 'CAUSE YOU'RE THE JEANS EXPERT. - ( channels changing ) 274 00:14:37,945 --> 00:14:40,275 OKAY, I JUST NEED TO FIND AN OPEN CHANNEL FOR THE WIRELESS MIC. 275 00:14:40,313 --> 00:14:41,653 The high is 80 degrees... 276 00:14:41,681 --> 00:14:43,451 - ( static buzzes ) - THERE, YOU'RE ALL SET. 277 00:14:43,483 --> 00:14:46,053 NOW WHEN YOU TALK, TRISH WILL HEAR YOU IN HER EARPIECE. 278 00:14:46,086 --> 00:14:48,916 - ( sighs ) I HOPE IT WORKS. - WE ALL DO. 279 00:14:48,956 --> 00:14:52,056 Miami Mack: Welcome back to FM 109. 280 00:14:52,092 --> 00:14:55,462 WE'RE HERE LIVE WITH AUSTIN MOON AND HIS PARTNER ALLY DAWSON. 281 00:14:55,495 --> 00:14:59,425 NOW TELL ME, ALLY, HOW LONG HAVE YOU BEEN WRITING MUSIC? 282 00:14:59,466 --> 00:15:02,066 EVER SINCE I WAS IN KINDERGARTEN. 283 00:15:02,102 --> 00:15:04,242 YOU KNOW, I'VE ALWAYS HAD A LOVE FOR MUSIC. 284 00:15:04,271 --> 00:15:06,471 I really don't think there's a better way to express what you're feeling. 285 00:15:06,506 --> 00:15:08,436 When you look inside your heart and-- 286 00:15:08,475 --> 00:15:12,205 SINCE KINDERGARTEN. NEXT QUESTION. 287 00:15:12,245 --> 00:15:15,045 WOW, ALLY'S A GIRL WHO GETS STRAIGHT TO THE POINT. 288 00:15:15,082 --> 00:15:16,682 I WISH. 289 00:15:16,716 --> 00:15:19,016 CAN YOU DESCRIBE TO ME IN DETAIL 290 00:15:19,052 --> 00:15:21,422 EXACTLY WHAT GOES THROUGH YOUR MIND WHEN YOU'RE WRITING A SONG? 291 00:15:21,454 --> 00:15:24,394 ( echoing ) ...WRITING A SONG? 292 00:15:24,424 --> 00:15:27,364 ( laughing maniacally ) MOUSE IN MY PANTS! 293 00:15:27,394 --> 00:15:30,134 - ( Ally screams ) - ( gear buzzing ) 294 00:15:30,163 --> 00:15:31,363 DEZ, YOU CUT THE CONNECTION! 295 00:15:33,233 --> 00:15:35,243 ARE YOU GONNA ANSWER OR WHAT? 296 00:15:36,403 --> 00:15:38,313 WELL, I-- 297 00:15:38,338 --> 00:15:40,308 TRISH! 298 00:15:40,340 --> 00:15:43,480 IS ALLY'S BEST FRIEND. 299 00:15:43,510 --> 00:15:46,980 JUST THOUGHT YOU SHOULD KNOW. 300 00:15:47,014 --> 00:15:50,124 - WHAT ARE YOU DOING? - I CAN'T HEAR ALLY ANYMORE. 301 00:15:59,292 --> 00:16:02,502 IF I CAN'T HEAR ALLY, HOW AM I SUPPOSED TO ANSWER THE QUESTIONS? 302 00:16:02,529 --> 00:16:05,129 SHE'S YOUR BEST FRIEND. YOU KNOW EVERYTHING ABOUT HER. 303 00:16:05,165 --> 00:16:08,395 YOU'RE RIGHT. YOU'RE RIGHT. I CAN DO THIS. 304 00:16:08,435 --> 00:16:12,005 OKAY, LET'S JUST START FROM THE BEGINNING, ALLY. 305 00:16:12,039 --> 00:16:13,769 WHEN DID YOU START PLAYING MUSIC? 306 00:16:13,806 --> 00:16:16,006 WHEN I WAS FOUR. 307 00:16:16,043 --> 00:16:18,283 NO, WAIT. FOUR IS WHEN ALLY STARTED BALLET. 308 00:16:18,311 --> 00:16:20,481 SHE STARTED PLAYING MUSIC WHEN SHE WAS FIVE. 309 00:16:20,513 --> 00:16:23,053 WHY ARE YOU TALKING ABOUT YOURSELF IN THE THIRD PERSON? 310 00:16:23,083 --> 00:16:25,053 ALLY ALWAYS DOES THAT. 311 00:16:25,085 --> 00:16:26,545 IT ANNOYS AUSTIN. 312 00:16:26,586 --> 00:16:30,256 ALLY SHOULD THINK MORE BEFORE ALLY ANSWERS. 313 00:16:32,125 --> 00:16:34,025 ( nervous chuckling ) 314 00:16:34,061 --> 00:16:36,131 ALL RIGHT, LET'S TAKE A QUESTION 315 00:16:36,163 --> 00:16:38,503 FROM THE FM 109 LIVE CHAT. 316 00:16:38,531 --> 00:16:42,071 "ALLY, WHO TAUGHT YOU HOW TO PLAY PIANO?" 317 00:16:42,102 --> 00:16:45,442 I KNOW THIS ONE. DON'T TELL ME. DON'T TELL ME. 318 00:16:45,472 --> 00:16:49,042 - UM... - WASN'T IT YOUR DAD? 319 00:16:49,076 --> 00:16:51,436 YES, RIGHT. MR. DAWSON. 320 00:16:51,478 --> 00:16:53,178 I MEAN, MY DAD. 321 00:16:53,213 --> 00:16:55,123 WHO IS MR. DAWSON. 322 00:16:55,148 --> 00:16:57,078 I CALL HIM DAD. 323 00:16:57,117 --> 00:16:59,047 BECAUSE HE'S MY DAD. 324 00:16:59,086 --> 00:17:01,286 WHY WOULDN'T I CALL HIM DAD? 325 00:17:01,321 --> 00:17:03,461 OKAY, LET ME START OVER. 326 00:17:03,490 --> 00:17:07,090 GET A HOLD OF YOURSELF. IT'S ALMOST TIME TO SING THE SONG. 327 00:17:07,127 --> 00:17:09,357 OH! 328 00:17:10,430 --> 00:17:12,230 WHAT HAPPENED? 329 00:17:12,265 --> 00:17:14,125 YOU BROKE THE TRANSMITTER. 330 00:17:14,167 --> 00:17:16,337 YOU'VE BEEN JUMPING AROUND LIKE A CRAZY MAN 331 00:17:16,369 --> 00:17:19,169 SCREAMING ABOUT A MOUSE IN YOUR PANTS. 332 00:17:19,206 --> 00:17:23,076 YOU'RE NUTS. I STOPPED KEEPING RODENTS IN MY PANTS YEARS AGO. 333 00:17:23,110 --> 00:17:25,150 ( sighs ) 334 00:17:25,178 --> 00:17:28,078 OKAY, MY DAD IS MY DAD, RIGHT? 335 00:17:28,115 --> 00:17:30,075 AND I'M ALLY DAWSON. 336 00:17:30,117 --> 00:17:33,087 SO THAT WOULD MAKE MR. DAWSON MY DAD, 337 00:17:33,120 --> 00:17:35,420 ANDTAUGHT ME HOW TO PLAY PIANO. 338 00:17:35,455 --> 00:17:38,325 NAILED IT! 339 00:17:41,228 --> 00:17:43,398 OKAY, ENOUGH QUESTIONS. 340 00:17:43,430 --> 00:17:45,200 I JUST WANNA HEAR YOU TWO PERFORM. 341 00:17:46,899 --> 00:17:50,099 - DEZ, HURRY. THEY'RE ABOUT TO START. - FIXED IT! 342 00:17:50,137 --> 00:17:52,637 - YOU'RE ALL SET. - PERFECT, JUST IN TIME. 343 00:17:56,243 --> 00:17:57,583 ALLY'S READY TO SING. 344 00:17:57,610 --> 00:18:00,550 GREAT! BECAUSE WE'RE WAITING FOR YOU TO SING. 345 00:18:00,580 --> 00:18:02,380 LET'S JUST DO THE SONG. 346 00:18:02,415 --> 00:18:04,245 ( echoing ) SONG... 347 00:18:04,284 --> 00:18:06,324 ( laughing maniacally ) 348 00:18:06,353 --> 00:18:08,593 NOT AGAIN! 349 00:18:08,621 --> 00:18:11,261 ( guitar strumming ) 350 00:18:14,161 --> 00:18:15,361 * I'M THE GIRL 351 00:18:15,395 --> 00:18:18,395 * IN THE CORNER OF THE ROOM * 352 00:18:18,431 --> 00:18:22,171 * The one you never noticed * 353 00:18:23,436 --> 00:18:27,206 * Getting lost among the stars in the sky * 354 00:18:27,240 --> 00:18:30,280 * Like a picture out of focus * 355 00:18:30,310 --> 00:18:33,280 * I'M THE SUN IN YOUR EYES * 356 00:18:33,313 --> 00:18:35,223 * YEAH, YOU DON'T SEE ME * 357 00:18:35,248 --> 00:18:37,278 * I WEAR NO DISGUISE 358 00:18:37,317 --> 00:18:39,417 * But you don't see me 359 00:18:39,452 --> 00:18:42,162 * I'm a total surprise 360 00:18:42,189 --> 00:18:44,259 * AND YOU DON'T SEE ME-- 361 00:18:44,291 --> 00:18:47,261 - ( feedback whines ) - DEZ, I LOST THE CHANNEL! 362 00:18:47,294 --> 00:18:49,304 - ( manic laughter continues ) - ( channels changing ) 363 00:18:49,329 --> 00:18:51,199 ( woman singing opera ) 364 00:18:53,466 --> 00:18:57,436 ( man singing opera ) 365 00:18:57,470 --> 00:19:01,310 - ( channel changes ) - Woman: A huge pile-up on I-95 has caused two lanes to close. 366 00:19:01,341 --> 00:19:04,211 Expect slow traffic all the way from North Miami to Key Biscayne. 367 00:19:04,244 --> 00:19:07,414 Also, exits 3D through 7E are closed temporarily 368 00:19:07,447 --> 00:19:11,317 until the Department of Fowl Collection can safely return all 493 chickens-- 369 00:19:11,351 --> 00:19:14,221 ( dance music playing ) 370 00:19:14,254 --> 00:19:17,164 ( woman singing in Spanish ) 371 00:19:28,701 --> 00:19:30,941 - ( laughing maniacally ) - ( channels changing ) 372 00:19:30,970 --> 00:19:33,970 ( operatic music playing ) 373 00:19:34,006 --> 00:19:36,276 Dez: MOUSE IN MY PANTS. MOUSE IN MY PANTS! 374 00:19:46,486 --> 00:19:47,716 ( classical music ends ) 375 00:19:51,258 --> 00:19:52,658 THANK YOU, MIAMI! 376 00:20:01,434 --> 00:20:04,504 I KNOW THE INTERVIEW DIDN'T GO SO WELL, 377 00:20:04,537 --> 00:20:08,237 BUT THANKS FOR TRYING TO SHARE THE SPOTLIGHT WITH ME. 378 00:20:08,275 --> 00:20:10,235 LISTEN, IT DOESN'T MATTER 379 00:20:10,277 --> 00:20:12,447 IF THE WORLD DOESN'T KNOW HOW TALENTED YOU ARE. 380 00:20:12,479 --> 00:20:14,279 I ALWAYS WILL. 381 00:20:17,284 --> 00:20:20,354 - THANKS, AUSTIN. - Dez: AW-WWW! 382 00:20:22,289 --> 00:20:25,259 I KNOW, HE'S A NICE GUY. 383 00:20:25,292 --> 00:20:28,332 WHAT? NO, I WAS JUST CHECKING MY TONSILS. 384 00:20:28,361 --> 00:20:30,331 AW-WW! 385 00:20:33,433 --> 00:20:35,803 GUESS WHO'S ON THE COVER OF "MIAMI MUSIC." 386 00:20:35,835 --> 00:20:38,765 AUSTIN AND ALLY! 387 00:20:38,805 --> 00:20:40,565 I CAN'T BELIEVE IT. 388 00:20:40,607 --> 00:20:43,607 I KNOW. ME AND AUSTIN ARE ON THE COVER OF A MAGAZINE. 389 00:20:43,643 --> 00:20:46,353 WOW, THEY MUST'VE REALLY LIKED YOUR INTERVIEW. 390 00:20:46,379 --> 00:20:49,419 I THINK "ALLY" DID A PRETTY GOOD JOB, IF I MAY SAY SO MYSELF. 391 00:20:49,449 --> 00:20:51,449 ( exhales ) 392 00:20:51,484 --> 00:20:54,454 YEAH, ALLY DOESN'T THINK SO. 393 00:20:54,487 --> 00:20:58,387 WELL, "ALLY" IS JUST GLAD THIS ALL WORKED OUT. 394 00:20:59,559 --> 00:21:01,659 I'M SORRY. I DON'T KNOW HOW THIS GAME WORKS. 395 00:21:03,330 --> 00:21:05,330 "ALLY" WILL BE OVER THERE. 396 00:21:06,799 --> 00:21:10,299 AH, THERE YOU ARE. I JUST WANT TO SAY 397 00:21:10,337 --> 00:21:11,797 THAT THE WAY YOU MERGED GENRES 398 00:21:11,838 --> 00:21:14,768 AND CHANGED YOUR VOICE ON MY SHOW WAS AMAZING. 399 00:21:14,807 --> 00:21:17,377 ALLY DAWSON, YOU ARE A TRUE TALENT. 400 00:21:17,410 --> 00:21:19,450 Both: THANKS! 401 00:21:25,452 --> 00:21:27,392 HEY, TRISH, 402 00:21:27,420 --> 00:21:30,320 YOUR BOSS FROM THE CARD STORE JUST DROPPED THIS OFF. 403 00:21:30,357 --> 00:21:33,387 "I HATE TO COME OFF LIKE A MEAN OLD JERK, 404 00:21:33,426 --> 00:21:35,626 BUT IT'S BEEN THREE DAYS SINCE YOU CAME TO WORK. 405 00:21:35,662 --> 00:21:37,462 I HOPE THIS IS NEWS THAT YOU DESIRED, 406 00:21:37,497 --> 00:21:40,797 BECAUSE I'M HAPPY TO SAY YOU'RE SO FIRED"?! 407 00:21:40,833 --> 00:21:43,743 THAT IS SO SPECIFIC. 408 00:21:43,770 --> 00:21:47,340 HOW MANY OF THESE CARDS CAN THEY POSSIBLY SELL? 409 00:21:47,374 --> 00:21:49,744 ACTUALLY, THIS IS THE FIFTH ONE SOMEONE'S GIVEN ME. 31137

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.