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[WOMAN]
35-YEAR-OLD TARYN BRUMFITT
IS MAKING WAVES
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00:01:08,133 --> 00:01:11,367
ONLINE FOR HER SERIES
OF POST-BABY BODY PHOTOS.
3
00:01:11,400 --> 00:01:13,100
SHE LEARNED TO LOVE
HER OWN BODY,
4
00:01:13,133 --> 00:01:14,767
AND NOW SHE'S ON A MISSION
TO HELP OTHERS DO THE SAME.
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00:01:14,800 --> 00:01:16,700
SHE'S BARING ALL
TO ENCOURAGE WOMEN
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00:01:16,733 --> 00:01:19,067
TO ACCEPT AND APPRECIATE
THEIR BODIES.
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00:01:19,100 --> 00:01:21,700
TARYN POSTED THE PICTURES
AS PART OF HER CAMPAIGN
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00:01:21,733 --> 00:01:24,167
TO TACKLE NEGATIVE
BODY IMAGES.
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00:01:24,200 --> 00:01:26,667
SHE SAYS THAT AFTER THE BIRTH
OF HER THIRD CHILD
10
00:01:26,700 --> 00:01:29,067
SHE BECAME OBSESSED
WITH GETTING BACK
11
00:01:29,100 --> 00:01:30,733
TO HER PRE-PREGNANCY BODY.
12
00:01:30,767 --> 00:01:33,167
IT WAS JUST THIS
ORDINARY SUNDAY
13
00:01:33,200 --> 00:01:34,667
AND I WAS HANGING OUT
WITH SOME GIRLFRIENDS
14
00:01:34,700 --> 00:01:36,500
AND WE WERE TALKING
ABOUT OUR BODIES.
15
00:01:36,533 --> 00:01:38,567
AND THEY WERE SAYING
THAT THEY WERE STRUGGLING
16
00:01:38,600 --> 00:01:42,167
WITH THEIR CHANGING BODY
AND THEIR AGING BODY.
17
00:01:42,200 --> 00:01:43,833
AND AS I WAS DRIVING HOME
I WAS THINKING,
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00:01:43,867 --> 00:01:46,200
WHAT COULD I DO
TO HELP THEM?
19
00:01:46,233 --> 00:01:49,333
SO LATER THAT NIGHT, I PUT
A BEFORE AND AFTER PHOTOGRAPH
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00:01:49,367 --> 00:01:50,633
ON FACEBOOK.
21
00:01:52,233 --> 00:01:55,067
WELL, TRADITIONAL BEFORE
AND AFTER PHOTOGRAPHS,
22
00:01:55,100 --> 00:01:56,667
THERE'S A WOMAN BEFORE,
23
00:01:56,700 --> 00:01:58,633
SHE'S HEAVIER
THAN THE AFTER PHOTOGRAPH,
24
00:01:58,667 --> 00:02:01,100
AND SHE'S NOT VERY HAPPY,
AND THEN SHE LOSES WEIGHT,
25
00:02:01,133 --> 00:02:03,033
AND THEN SHE'S
MIRACULOUSLY HAPPY.
26
00:02:03,067 --> 00:02:04,733
SO MY BEFORE,
I SWAPPED THEM.
27
00:02:08,800 --> 00:02:12,467
I KNEW AS SOON AS I POSTED IT
THAT IT HIT A NOTE,
28
00:02:12,500 --> 00:02:15,500
BECAUSE ALL OF THE COMPUTERS
AND THE PHONES IN THE HOUSE
29
00:02:15,533 --> 00:02:17,800
WERE GOING PING PING
PING PING PING.
30
00:02:17,833 --> 00:02:20,533
AND MY HUSBAND, MATT,
WHO WAS IN THE LOUNGE ROOM,
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00:02:20,567 --> 00:02:22,167
YELLS OUT,
"WHAT'S GOING ON?"
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00:02:22,200 --> 00:02:25,067
I'M LIKE, "OH, NOTHING.
NOTHING'S HAPPENING."
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00:02:28,267 --> 00:02:30,100
YEAH, THE NEXT MINUTE
TARYN'S GOING,
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00:02:30,133 --> 00:02:31,667
"IT'S GOING VIRAL."
35
00:02:31,700 --> 00:02:34,533
I'M LIKE, "WHAT DO YOU MEAN
IT'S GOING VIRAL?"
36
00:02:34,567 --> 00:02:36,433
SO, YEAH, I RAN IN THE OFFICE
AND I SAW THE PICTURE,
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00:02:36,467 --> 00:02:38,067
I'M LIKE, "WHAT HAVE YOU
DONE WITH THAT?"
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00:02:38,100 --> 00:02:40,233
AND SHE'S LIKE, "OH, WELL,
I PUT IT ON FACEBOOK
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00:02:40,267 --> 00:02:41,500
AND NOW IT'S GONE VIRAL."
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00:02:41,533 --> 00:02:42,833
"WHAT DO YOU MEAN
YOU PUT IT ON FACEBOOK?
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00:02:42,867 --> 00:02:44,500
AND WHAT DO YOU MEAN
IT'S GONE VIRAL?"
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00:02:44,533 --> 00:02:47,333
THERE WAS THOUSANDS
OF PEOPLE LIKING IT
43
00:02:47,367 --> 00:02:48,833
AND SHARING IT
AND COMMENTING IT.
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00:02:48,867 --> 00:02:52,233
I'M LIKE, "YOU SERIOUSLY,
YOU PUT THAT--"
45
00:02:52,267 --> 00:02:54,367
BECAUSE ESSENTIALLY IT WAS,
I MEAN, TARYN IN STARK.
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00:02:54,400 --> 00:02:57,833
ESSENTIALLY, LIKE,
TASTEFULLY STARK,
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00:02:57,867 --> 00:02:59,700
BUT STARK NONE THE LESS.
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00:02:59,733 --> 00:03:03,333
[TARYN]
THAT BEFORE AND AFTER
PHOTOGRAPH WENT EVERYWHERE.
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00:03:03,367 --> 00:03:05,667
IT WAS HEADLINE NEWS
IN PARIS, IN LONDON,
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00:03:05,700 --> 00:03:08,300
IT WAS IN LEBANON,
IT WAS IN CANADA,
51
00:03:08,333 --> 00:03:10,267
IT WAS IN THE U.S.,
IT WAS IN KOREA.
52
00:03:10,300 --> 00:03:13,800
IT WAS EVERYWHERE.
IT BROKE PEOPLE'S BRAINS
53
00:03:13,833 --> 00:03:16,700
TO THINK THAT A WOMAN COULD
LOVE HER BODY AFTERWARDS.
54
00:03:19,567 --> 00:03:23,467
I MEAN, FOR ME,
LIVING THIS REALLY NORMAL LIFE
55
00:03:23,500 --> 00:03:26,833
WITH MY THREE KIDS,
WORKING AS A PHOTOGRAPHER,
56
00:03:26,867 --> 00:03:28,800
AND THEN HAVING
A RUSSIAN FILM CREW
57
00:03:28,833 --> 00:03:31,633
RUCK UP AND SPEND
TWO DAYS WITH ME?
I MEAN, THAT'S WEIRD.
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00:03:31,667 --> 00:03:33,533
HI, I'M TARYN BRUMFITT.
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[TRANSLATION
IN FOREIGN LANGUAGE]
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00:03:39,067 --> 00:03:41,100
TO THE OUTSIDE WORLD,
IT APPEARED LIKE I WAS
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00:03:41,133 --> 00:03:42,500
IN A MEDIA WHIRLWIND.
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00:03:44,167 --> 00:03:46,267
WERE YOU SHOCKED
AT THE REACTION THAT YOU GOT
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00:03:46,300 --> 00:03:49,533
-WHEN YOU POSTED
THAT BEFORE AND AFTER?
-I WAS.
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00:03:49,567 --> 00:03:53,267
BUT WHAT NO ONE SAW
WAS WHAT WAS HAPPENING
BEHIND CLOSED DOORS,
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00:03:53,300 --> 00:03:55,400
AND THAT WAS ME
ON MY EMAIL
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00:03:55,433 --> 00:03:56,833
UNTIL TWO OR THREE
IN THE MORNING
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00:03:56,867 --> 00:04:00,400
JUST TRYING TO READ THROUGH
THE THOUSANDS OF EMAILS
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00:04:00,433 --> 00:04:03,367
THAT I RECEIVED FROM WOMEN,
AND FROM MEN, TOO.
69
00:04:03,400 --> 00:04:05,633
AND THEIR STORIES WERE--
70
00:04:05,667 --> 00:04:09,133
GOSH, THEIR STORIES
WERE QUITE HEARTBREAKING.
71
00:04:09,167 --> 00:04:11,800
"I HAVE A FOUR YEAR OLD
DAUGHTER AND I'VE NEVER
SWUM WITH HER,
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00:04:11,833 --> 00:04:14,167
BECAUSE I DON'T WANT TO WEAR
A PAIR OF BATHERS."
73
00:04:16,067 --> 00:04:17,633
"I'VE NOT BEEN INTIMATE
WITH MY HUSBAND
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00:04:17,667 --> 00:04:19,033
FOR THREE YEARS,
75
00:04:19,067 --> 00:04:21,100
BECAUSE I THINK
I LOOK DISGUSTING.
76
00:04:21,133 --> 00:04:22,800
HE TELLS ME HE LOVES ME,
77
00:04:22,833 --> 00:04:25,633
BUT I JUST CAN'T BRING MYSELF
TO BE NAKED IN FRONT OF HIM."
78
00:04:27,333 --> 00:04:29,133
"I WAS SEXUALLY ABUSED
AS A CHILD
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00:04:29,167 --> 00:04:30,833
AND NEVER TOLD ANYONE.
80
00:04:30,867 --> 00:04:32,700
I'VE EATEN AS A WAY
TO NUMB THE PAIN,
81
00:04:32,733 --> 00:04:34,600
BUT NOW I'M JUST FAT.
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00:04:34,633 --> 00:04:36,200
AND NO ONE KNOWS MY STORY
83
00:04:36,233 --> 00:04:39,200
AND EVERYONE JUDGES ME
AS IF I'M A LAZY PIG,
84
00:04:39,233 --> 00:04:40,533
AND I'M NOT.
85
00:04:40,567 --> 00:04:42,100
I'M JUST TRYING TO SURVIVE."
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00:04:46,667 --> 00:04:48,833
SO MANY PEOPLE ASK ME
THE QUESTION,
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00:04:48,867 --> 00:04:51,167
"HOW DID YOU LEARN
TO LOVE YOUR BODY
88
00:04:51,200 --> 00:04:53,067
AND WHAT DID YOU DO?"
89
00:04:53,100 --> 00:04:55,733
AND FOR ME,
I GUESS IT WASN'T
ALWAYS LIKE THAT.
90
00:04:55,767 --> 00:04:58,233
I DIDN'T ALWAYS
LOVE MY BODY.
91
00:04:58,267 --> 00:05:02,333
I GREW UP LIKE MOST WOMEN,
DIETING, LOSING WEIGHT,
92
00:05:02,367 --> 00:05:03,833
GAINING WEIGHT, THINKING,
93
00:05:03,867 --> 00:05:05,433
"OH, I WISH I DIDN'T HAVE
THAT CELLULITE,"
94
00:05:05,467 --> 00:05:07,233
OR, "I WISH
I WAS SMALLER HERE,"
95
00:05:07,267 --> 00:05:10,033
WHATEVER IT WAS,
BUT IT WAS ALWAYS
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00:05:10,067 --> 00:05:14,067
A RELATIVELY HEALTHY
BODY IMAGE THAT I HAD.
97
00:05:14,100 --> 00:05:16,500
BUT AFTER I HAD
MY FIRST CHILD,
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00:05:16,533 --> 00:05:18,567
IT ALL CHANGED FOR ME.
99
00:05:18,600 --> 00:05:21,333
BEING PREGNANT
WAS THE BEST THING EVER.
100
00:05:21,367 --> 00:05:23,400
I LOVED GROWING A BABY.
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00:05:23,433 --> 00:05:25,633
I LOVED EVERYTHING ABOUT IT.
102
00:05:25,667 --> 00:05:27,200
[MAN]
20 TO THREE?
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00:05:27,233 --> 00:05:29,667
-[WOMAN] IT'S A BOY.
-[MATHEW] HELLO, BABY.
104
00:05:29,700 --> 00:05:33,600
THERE YOU GO.
THERE YOU ARE.
105
00:05:38,600 --> 00:05:41,400
I REMEMBER SHOWERING
JUST A FEW HOURS AFTERWARDS,
106
00:05:41,433 --> 00:05:46,100
AND THE BUMP
THAT I HAD GROWN TO LOVE
FOR ALL THAT TIME,
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00:05:46,133 --> 00:05:49,367
I LOOKED DOWN,
I WAS LIKE, "WHAT THE--
HAS HAPPENED HERE?"
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00:05:49,400 --> 00:05:53,200
IT WAS JUST THIS
JELLY BELLY MESS.
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00:06:01,500 --> 00:06:04,400
YEAH, WELL, AT FIRST
WHEN I SAW IT I THOUGHT,
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00:06:04,433 --> 00:06:06,100
"TARYN, YOU'VE JUST
GIVEN BIRTH.
111
00:06:06,133 --> 00:06:08,067
DON'T WORRY
ABOUT IT FOR NOW,
112
00:06:08,100 --> 00:06:10,033
AND IT'LL GET BETTER."
113
00:06:10,067 --> 00:06:11,600
I EXPECTED IT TO GET BETTER,
114
00:06:11,633 --> 00:06:14,533
BUT I REMEMBER WHEN OLIVER
WAS AROUND SIX WEEKS OLD,
115
00:06:14,567 --> 00:06:19,400
I THOUGHT, OKAY, IT'S TIME
TO GET MY BODY BACK.
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00:06:19,433 --> 00:06:22,833
YEAH, I JUMPED ON THE COURT
AND PLAYED PRETTY HARD,
117
00:06:22,867 --> 00:06:26,300
AND THEN THERE WAS THIS
ONE INTERCEPT THAT I TOOK,
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00:06:26,333 --> 00:06:30,300
WHERE I FELT SOMETHING
WARM RUNNING DOWN MY LEGS.
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00:06:30,333 --> 00:06:32,033
IT WAS LIKE,
"OH, MY GOD."
120
00:06:32,067 --> 00:06:34,133
AND I'D WET MYSELF.
121
00:06:34,167 --> 00:06:35,533
IT WAS DEVASTATING.
122
00:06:39,667 --> 00:06:44,533
OVER THE NEXT THREE YEARS,
I HAD ANOTHER TWO BEAUTIFUL
AND HEALTHY CHILDREN,
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00:06:44,567 --> 00:06:48,033
BUT IN TERMS OF MY BODY,
THINGS WENT FROM BAD TO WORSE.
124
00:06:52,267 --> 00:06:54,833
I HAD NIPPLES THE SIZE
OF DINNER PLATES.
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00:06:54,867 --> 00:06:57,567
DURING INTIMATE MOMENTS,
MY BREASTS WOULD LEAK.
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00:06:57,600 --> 00:06:59,400
AND THEN THERE WAS THE TIME
I POOED MYSELF
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00:06:59,433 --> 00:07:03,367
IN FRONT OF MATT BECAUSE
MY PELVIC FLOOR WAS SHOT.
128
00:07:03,400 --> 00:07:05,500
I ENDED UP HATING MY BODY.
129
00:07:09,300 --> 00:07:12,333
I FELT LIKE MY BODY
WAS BROKEN.
130
00:07:12,367 --> 00:07:16,767
HEADING TO THE SURGEON
WAS A REALLY OBVIOUS CHOICE
AS A QUICK FIX.
131
00:07:16,800 --> 00:07:18,567
AND WE BOOKED IN THE SURGERY,
132
00:07:18,600 --> 00:07:21,367
AND EVERYTHING
I'D BEEN THROUGH,
133
00:07:21,400 --> 00:07:23,600
THE HATING AND THE LOATHING
OF MY BODY,
134
00:07:23,633 --> 00:07:25,033
IT WAS ALL GOING TO BE FIXED.
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00:07:25,067 --> 00:07:26,267
IT WAS SO EXCITING.
136
00:07:27,600 --> 00:07:31,033
AND THEN I WAS WATCHING
MIKAELA PLAYING
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00:07:31,067 --> 00:07:35,733
AND I JUST HAD THIS MOMENT OF,
"HOW AM I GOING TO
HAVE SURGERY?"
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00:07:35,767 --> 00:07:38,600
LIKE, WHAT-- WHAT MESSAGE
WILL THAT SEND MIKAELA?
139
00:07:38,633 --> 00:07:40,200
WHAT WILL THAT DO FOR HER?
140
00:07:40,233 --> 00:07:41,633
MIKAELA!
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00:07:41,667 --> 00:07:43,333
-HI!
-CHEESE.
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00:07:43,367 --> 00:07:45,100
[TARYN]
CHEESE.
143
00:07:45,133 --> 00:07:49,633
I WANTED HER TO EMBRACE
AND LOVE HER BODY
JUST AS IT WAS.
144
00:07:49,667 --> 00:07:52,100
AND IT ACTUALLY BROKE
MY HEART AS A MOTHER
145
00:07:52,133 --> 00:07:55,433
TO THINK THAT MY CHOICE
TO CHANGE MY BODY
146
00:07:55,467 --> 00:07:59,433
MAY SET MIKAELA UP TO WANT
TO CHANGE HER BODY, TOO.
147
00:07:59,467 --> 00:08:01,300
AND I LOOK AT HER
AND I GO, "YOU'RE PERFECT
148
00:08:01,333 --> 00:08:03,733
NO MATTER WHAT YOU LOOK LIKE."
149
00:08:03,767 --> 00:08:06,333
SO I COULDN'T GO AHEAD
WITH THE SURGERY.
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00:08:06,367 --> 00:08:07,533
I COULDN'T DO IT.
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00:08:07,567 --> 00:08:10,767
I WANTED TO MAKE
THAT CHOICE FOR HER,
152
00:08:10,800 --> 00:08:13,567
BUT I WAS STILL LEFT
IN A BODY THAT I HATED.
153
00:08:13,600 --> 00:08:16,500
FROM THAT MOMENT
I HIT ROCK BOTTOM.
154
00:08:16,533 --> 00:08:20,433
I'M STUCK IN THIS HIDEOUS BODY
FOR THE REST OF MY LIFE.
155
00:08:25,500 --> 00:08:28,200
I HAD A FRIEND WHO WAS
A PERSONAL TRAINER,
156
00:08:28,233 --> 00:08:29,767
AND I SAID TO HER ONE DAY,
157
00:08:29,800 --> 00:08:32,667
"I JUST CAN'T GET
THIS THOUGHT OUT OF MY HEAD.
158
00:08:32,700 --> 00:08:36,033
WHAT DOES IT FEEL LIKE
TO HAVE THE PERFECT BODY?
159
00:08:36,067 --> 00:08:38,633
WOULD IT CHANGE ME?
WOULD IT MAKE ME HAPPY?"
160
00:08:38,667 --> 00:08:41,200
AND SHE SAID,
"WHY DON'T YOU TRAIN
161
00:08:41,233 --> 00:08:43,600
AND ENTER A BODY BUILDING
COMPETITION?"
162
00:08:43,633 --> 00:08:46,233
I WAS LIKE,
"ARE YOU KIDDING ME?"
163
00:08:46,267 --> 00:08:49,767
AND THEN BEFORE I KNEW IT,
5 A.M. I WAS AT THE GYM
EVERY MORNING
164
00:08:49,800 --> 00:08:51,367
TRAINING, TRAINING, TRAINING.
165
00:08:51,400 --> 00:08:52,800
[GRUNTS]
166
00:08:52,833 --> 00:08:56,833
AND I CHANGED MY WHOLE DIET
AND THE WAY I LIVED.
167
00:08:56,867 --> 00:08:58,667
THERE WAS A LOT
OF PERSONAL SACRIFICE,
168
00:08:58,700 --> 00:09:00,800
BUT THERE WAS A LOT
OF SACRIFICE FROM MATT
169
00:09:00,833 --> 00:09:03,100
AND THE KIDS, TOO.
170
00:09:03,133 --> 00:09:05,733
FOR 15 LONG WEEKS
I WATCHED WHAT I ATE
171
00:09:05,767 --> 00:09:07,433
AND I TRAINED HARD.
172
00:09:07,467 --> 00:09:10,033
AND, YOU KNOW WHAT?
I MADE IT.
173
00:09:10,067 --> 00:09:13,100
[ANNOUNCER]
NUMBER FIVE, TARYN BRUMFITT.
174
00:09:13,133 --> 00:09:14,500
[CHEERING]
175
00:09:14,533 --> 00:09:18,133
SO STANDING THERE ON STAGE,
I EXPECTED TO FEEL
176
00:09:18,167 --> 00:09:21,100
LIKE I HAD ARRIVED
AT THE PLACE
177
00:09:21,133 --> 00:09:23,733
THAT I HAD WORKED
ALL OF MY LIFE TO GET TO.
178
00:09:23,767 --> 00:09:25,833
I HAD THE PERFECT BIKINI BODY.
179
00:09:25,867 --> 00:09:28,367
IT'S WHAT SO MANY WOMEN
THINK ABOUT
180
00:09:28,400 --> 00:09:30,567
AND ARE DRIVEN TO HAVE.
181
00:09:30,600 --> 00:09:32,833
AND IN THAT MOMENT,
ALL I COULD THINK WAS,
182
00:09:32,867 --> 00:09:35,033
"TO HAVE WHAT
I'VE GOT RIGHT NOW
183
00:09:35,067 --> 00:09:37,167
HAS TAKEN TOO MUCH
SACRIFICE,
184
00:09:37,200 --> 00:09:39,167
TOO MUCH TIME,
TOO MUCH ENERGY,
185
00:09:39,200 --> 00:09:41,733
TOO MUCH OBSESSION,
AND IT'S JUST NOT WORTH IT."
186
00:09:44,600 --> 00:09:46,500
I REMEMBER BEING BACKSTAGE
187
00:09:46,533 --> 00:09:49,233
AND LISTENING
TO THE CONVERSATIONS
188
00:09:49,267 --> 00:09:51,533
THAT OTHER WOMEN
WERE HAVING.
189
00:09:51,567 --> 00:09:55,800
"I WISH I HAD MORE OF THIS.
I WISH I HAD LESS OF THAT.
190
00:09:55,833 --> 00:09:59,367
THIS BIT'S NOT GREAT."
IT WAS SHOCKING.
191
00:09:59,400 --> 00:10:02,567
IT WAS LIKE, "GOSH,
YOU GUYS THINK THIS, TOO."
192
00:10:02,600 --> 00:10:04,800
[ANNOUNCER]
MUSCLE NUTRITION
ADELAIDE CLASSIC.
193
00:10:04,833 --> 00:10:08,233
SO I'M STANDING THERE
IN MY MOMENT TO SHINE
194
00:10:08,267 --> 00:10:10,400
IN MY PERFECT BODY,
AND I'M NOT HAPPY.
195
00:10:10,433 --> 00:10:13,133
AND SOME
OF THE WOMEN AROUND ME
WEREN'T HAPPY EITHER.
196
00:10:13,167 --> 00:10:16,767
AND IT GOT ME THINKING,
"HOW THE HECK IS ANYONE ELSE
197
00:10:16,800 --> 00:10:19,833
GONNA BE HAPPY
WITH THEIR BODY?"
198
00:10:19,867 --> 00:10:22,333
THIS WAS A BIG
REVELATION FOR ME,
199
00:10:22,367 --> 00:10:24,433
AND A MAJOR TURNING POINT
IN MY LIFE.
200
00:10:27,633 --> 00:10:29,367
SO THE NEXT DAY I GOT UP
201
00:10:29,400 --> 00:10:31,733
AND JUST STARTED
MY LIFE AGAIN,
202
00:10:31,767 --> 00:10:35,433
BUT WITH THE FLICK
OF THE SWITCH INSIDE MY HEAD,
203
00:10:35,467 --> 00:10:39,400
WHICH WAS,
"THIS BODY OF MINE,
IT'S NOT AN ORNAMENT.
204
00:10:39,433 --> 00:10:40,800
IT'S A VEHICLE."
205
00:10:40,833 --> 00:10:42,500
SO I WANNA FUEL IT WELL,
206
00:10:42,533 --> 00:10:45,200
AND I WANNA MOVE IT
AND BE HEALTHY,
207
00:10:45,233 --> 00:10:47,367
BUT I WANNA DO IT
ON MY TERMS.
208
00:10:49,300 --> 00:10:52,267
SO RUNNING UP A HILL
AND GETTING TO THE TOP
209
00:10:52,300 --> 00:10:54,133
WAS GREAT BECAUSE
OF THE ENDORPHINS
210
00:10:54,167 --> 00:10:56,433
AND HOW GREAT IT FEELS
TO BE IN NATURE
211
00:10:56,467 --> 00:11:00,367
AND NOT SO MUCH ABOUT HOW MANY
CALORIES HAVE I BURNT?
212
00:11:00,400 --> 00:11:03,067
AND FOOD BECAME
JUST JOYOUS AGAIN.
213
00:11:03,100 --> 00:11:06,400
I LOVE FOOD
AND I LOVE GOOD FOOD.
214
00:11:06,433 --> 00:11:08,600
IT WAS REALLY FREEING.
IT WAS REALLY LIBERATING.
215
00:11:08,633 --> 00:11:10,500
IN FACT, IT WAS THE BEST
TIME OF MY LIFE
216
00:11:10,533 --> 00:11:12,133
WAS AFTER THE COMPETITION,
217
00:11:12,167 --> 00:11:14,267
JUST BEING, AND MOVING,
AND BEING HAPPY,
218
00:11:14,300 --> 00:11:15,300
AND BEING BALANCED.
219
00:11:20,700 --> 00:11:23,133
BY THIS STAGE, THE BEFORE
AND AFTER PHOTO
220
00:11:23,167 --> 00:11:26,067
HAD BEEN SEEN BY OVER
A HUNDRED MILLION PEOPLE.
221
00:11:26,100 --> 00:11:28,367
THE RESPONSE WAS OVERWHELMING,
222
00:11:28,400 --> 00:11:31,033
AND IT BECAME CLEAR TO ME
THAT THIS ISSUE
223
00:11:31,067 --> 00:11:33,567
WAS MUCH BIGGER
THAN I EVER REALIZED.
224
00:11:35,767 --> 00:11:39,733
CAN YOU GIVE ME
A COUPLE OF WORDS
TO DESCRIBE YOUR BODY?
225
00:11:39,767 --> 00:11:43,167
UM...
226
00:11:43,200 --> 00:11:44,767
NOT PERFECT.
227
00:11:44,800 --> 00:11:46,033
WOBBLY.
228
00:11:46,067 --> 00:11:48,067
STUMPY.
229
00:11:48,100 --> 00:11:49,267
VERY AVERAGE.
230
00:11:49,300 --> 00:11:51,133
SHORT.
231
00:11:51,167 --> 00:11:53,100
I DON'T LIKE MY THIGHS.
I THINK MY THIGHS
ARE A BIT BIG.
232
00:11:53,133 --> 00:11:54,700
NOT NICE TO LOOK AT.
233
00:11:54,733 --> 00:11:57,767
IT'S VERY--
I DON'T LIKE THIS BODY,
234
00:11:57,800 --> 00:11:59,267
LIKE, NOW, REALLY.
235
00:11:59,300 --> 00:12:02,167
WISH I COULD CUT THIS OFF
OR SOMETHING.
236
00:12:02,200 --> 00:12:06,433
I HATE IT.
I FEEL DISGUSTING.
237
00:12:06,467 --> 00:12:07,733
DISGUSTING.
238
00:12:07,767 --> 00:12:10,267
I FEEL DISGUSTING.
239
00:12:14,500 --> 00:12:17,067
[TARYN]
THAT WAS HEARTBREAKING,
240
00:12:17,100 --> 00:12:19,033
AND SUCH A FAMILIAR STORY.
241
00:12:21,300 --> 00:12:23,233
ALTHOUGH I KNOW
WHAT WORKED FOR ME,
242
00:12:23,267 --> 00:12:25,533
AND HOW I MADE PEACE
WITH MY BODY,
243
00:12:25,567 --> 00:12:28,300
I DON'T HAVE THE ANSWERS
FOR EVERYONE.
244
00:12:30,500 --> 00:12:32,267
NOT ONLY HAVE PEOPLE
WHO ARE STRUGGLING
245
00:12:32,300 --> 00:12:34,800
REACHED OUT TO ME,
246
00:12:34,833 --> 00:12:39,667
BUT SOME REALLY UNEXPECTED
AND FASCINATING PEOPLE
HAVE AS WELL.
247
00:12:39,700 --> 00:12:42,200
SO I'M HEADING OUT
INTO THE WORLD
248
00:12:42,233 --> 00:12:44,700
ON A NINE-WEEK JOURNEY
TO MEET SOME OF THEM.
249
00:12:47,500 --> 00:12:50,333
BE SAFE.
250
00:12:50,367 --> 00:12:52,567
I FEEL COMPELLED
TO TRY AND UNDERSTAND
251
00:12:52,600 --> 00:12:55,300
WHY SO MANY PEOPLE
ARE HATING THEIR BODY,
252
00:12:55,333 --> 00:12:57,200
AND WHAT WE CAN DO ABOUT IT.
253
00:12:58,500 --> 00:13:00,033
FIRST STOP, SYDNEY.
254
00:13:02,633 --> 00:13:04,367
I'VE COME TO SEE
MIA FREEDMAN.
255
00:13:04,400 --> 00:13:07,367
SHE WAS THE YOUNGEST EDITOR
OF "COSMOPOLITAN" MAGAZINE,
256
00:13:07,400 --> 00:13:10,800
AND HAS BEEN TACKLING
THE ISSUE OF BODY IMAGE
FOR YEARS.
257
00:13:10,833 --> 00:13:13,567
I WAS ALWAYS OBSESSED
WITH MAGAZINES.
258
00:13:13,600 --> 00:13:17,333
I ABSOLUTELY LOVED THEM,
BECAUSE IN THE '70S
AND THE '80S,
259
00:13:17,367 --> 00:13:19,367
THAT'S THE ONLY KIND
OF WOMEN'S MEDIA THERE WAS,
260
00:13:19,400 --> 00:13:21,667
AND THAT WAS THE ONLY KIND
OF PLACE THAT YOU COULD READ
261
00:13:21,700 --> 00:13:25,467
ABOUT WOMEN'S ISSUES
AND SEE PICTURES OF WOMEN--
262
00:13:25,500 --> 00:13:27,533
OUTSIDE OF MEN'S
MAGAZINES, I GUESS.
263
00:13:27,567 --> 00:13:29,533
I KNEW WHAT IT FELT LIKE
TO GET TO THE END
264
00:13:29,567 --> 00:13:30,833
OF THIS MAGAZINE
THAT I LOVED,
265
00:13:30,867 --> 00:13:33,100
AND FEEL LIKE
I WASN'T ENOUGH.
266
00:13:33,133 --> 00:13:35,533
I WASN'T TALL ENOUGH,
I WASN'T SKINNY ENOUGH,
267
00:13:35,567 --> 00:13:37,467
I WASN'T BLOND ENOUGH,
I WASN'T...
268
00:13:37,500 --> 00:13:39,633
ANYTHING ENOUGH.
I JUST WASN'T ENOUGH.
269
00:13:41,300 --> 00:13:44,133
AND THEN WHEN I BECAME
AN EDITOR MYSELF,
270
00:13:44,167 --> 00:13:46,333
I REALLY WANTED
TO MAKE SOME CHANGES.
271
00:13:46,367 --> 00:13:48,333
SO, THE FIRST THING I DID
WAS GET RID OF DIETS.
272
00:13:48,367 --> 00:13:51,467
THEN I STARTED USING MODELS
OF DIFFERENT SHAPES,
273
00:13:51,500 --> 00:13:54,333
SIZES, AND SKIN COLORS.
274
00:13:54,367 --> 00:13:57,333
THE FIRST THING I DID
WAS A LINGERIE FASHION SHOOT
275
00:13:57,367 --> 00:14:01,300
WITH A MODEL
WHO WAS ABOUT A SIZE 16.
276
00:14:01,333 --> 00:14:05,300
AT THAT TIME WOMEN'S MAGAZINES
DID MAYBE ONE TOKEN
277
00:14:05,333 --> 00:14:07,833
BIG GIRL SHOOT PER YEAR,
278
00:14:07,867 --> 00:14:11,367
AND IT WOULD BE,
USUALLY, SOME GIRL DRESSED
IN FRUMPY CARDIGANS.
279
00:14:11,400 --> 00:14:13,067
AND I WANTED--
I WAS THE EDITOR OF "COSMO,"
280
00:14:13,100 --> 00:14:14,700
I WANTED TO DRESS HER
IN A "COSMO" WAY.
281
00:14:14,733 --> 00:14:16,500
I WANTED TO MAKE HER
LOOK SEXY
282
00:14:16,533 --> 00:14:19,067
IN THE SAME WAY THAT THE GIRL
ON THE COVER WOULD BE DRESSED,
283
00:14:19,100 --> 00:14:20,767
IN THE SAME WAY
THAT A SIZE 8 GIRL
WOULD BE DRESSED.
284
00:14:20,800 --> 00:14:23,033
MY FASHION EDITOR
WAS HORRIFIED,
285
00:14:23,067 --> 00:14:25,767
AND THEN SHE KEPT
COMING TO ME AND SAYING,
"I CAN'T GET ANY CLOTHES."
286
00:14:25,800 --> 00:14:28,167
AND I WENT, "WHAT, THEY DON'T
MAKE CLOTHES FOR SIZE 16S?
287
00:14:28,200 --> 00:14:31,300
I THINK THAT THEY DO."
AND SHE SAID, "NO, THEY DO,
288
00:14:31,333 --> 00:14:34,467
BUT CLOTHING DESIGNERS
DON'T WANT THEIR BRAND
289
00:14:34,500 --> 00:14:36,667
ASSOCIATED WITH ANYONE
LARGER THAN A SIZE 8."
290
00:14:36,700 --> 00:14:39,533
SO I WAS SO SHOCKED
BY THE HYPOCRISY OF THAT,
291
00:14:39,567 --> 00:14:41,100
THAT THEY WERE HAPPY
TO TAKE THE MONEY OF WOMEN
292
00:14:41,133 --> 00:14:44,067
OF ALL SIZES UP TO SIZE 22
OR EVEN BEYOND,
293
00:14:44,100 --> 00:14:45,533
BUT THEY DIDN'T WANT
ANYONE TO KNOW.
294
00:14:45,567 --> 00:14:47,433
THAT WAS THEIR DIRTY
LITTLE SECRET.
295
00:14:47,467 --> 00:14:50,667
SO I JUST SAID,
"WELL, FIND SOMEONE
WHO WILL SEND US CLOTHES."
296
00:14:50,700 --> 00:14:53,167
AND EVENTUALLY SHE DID IT,
AND THE PHOTOGRAPHER
297
00:14:53,200 --> 00:14:54,767
DIDN'T WANT HIS NAME
ON THE SHOOT,
298
00:14:54,800 --> 00:14:56,667
THE MAKEUP ARTIST DIDN'T WANT
HER NAME ON THE SHOOT.
299
00:14:56,700 --> 00:14:59,067
IT WAS A REAL BATTLE,
AND IT CONTINUED TO BE
A REAL BATTLE
300
00:14:59,100 --> 00:15:00,333
THROUGHOUT
THE NEXT SEVEN YEARS
301
00:15:00,367 --> 00:15:02,600
AS I EDITED THAT MAGAZINE.
302
00:15:02,633 --> 00:15:05,733
[TARYN]
SO, MIA, WHY WAS
BRINGING BODY DIVERSITY
303
00:15:05,767 --> 00:15:07,467
INTO YOUR MAGAZINE
SO IMPORTANT?
304
00:15:07,500 --> 00:15:10,567
YOU KNOW, IF YOU JUST LOOK
AT WOMEN'S MAGAZINES
305
00:15:10,600 --> 00:15:14,167
IN THE LAST 30, 40, 50 YEARS,
YOU COULD BE FORGIVEN
FOR THINKING THAT
306
00:15:14,200 --> 00:15:16,667
THERE'S ONLY ONE TYPE
OF WOMAN WHO EXISTS
IN THE WORLD,
307
00:15:16,700 --> 00:15:21,033
AND SHE IS SIX-FOOT TALL,
ABOUT 17 YEARS OLD,
308
00:15:21,067 --> 00:15:23,100
USUALLY BLONDE, BLUE-EYED,
309
00:15:23,133 --> 00:15:24,467
SKIN LIKE PLASTIC.
310
00:15:24,500 --> 00:15:26,133
AND, IN FACT,
SHE'S AN ALIEN,
311
00:15:26,167 --> 00:15:30,100
BECAUSE SHE'S CREATED
ON A COMPUTER.
312
00:15:30,133 --> 00:15:33,600
AND WOMEN CONSCIOUSLY
AND SUBCONSCIOUSLY
COMPARE THEMSELVES.
313
00:15:33,633 --> 00:15:36,133
AND IF YOU'RE ALWAYS
COMPARING YOURSELF
314
00:15:36,167 --> 00:15:39,400
TO SOMETHING THAT DOESN'T
ACTUALLY EXIST,
315
00:15:39,433 --> 00:15:41,667
HOW CAN YOU POSSIBLY FEEL GOOD
WHEN YOU LOOK IN THE MIRROR
316
00:15:41,700 --> 00:15:43,200
OR WHEN YOU LOOK
DOWN AT YOURSELF?
317
00:16:09,433 --> 00:16:12,233
AND YOU HAVE TO BE HOT
AND SKINNY ALL THE TIME.
318
00:16:12,267 --> 00:16:13,833
WHEN YOU'RE PREGNANT,
YOU HAVE TO LOOK HOT.
319
00:16:13,867 --> 00:16:16,167
YOU JUST ARE ONLY ALLOWED
TO HAVE A BIT OF A BUMP.
320
00:16:16,200 --> 00:16:19,067
THE MINUTE YOU GIVE BIRTH,
YOU HAVE TO BE A YUMMY MOMMY,
321
00:16:19,100 --> 00:16:21,367
YOU HAVE TO BE A COUGAR,
322
00:16:21,400 --> 00:16:24,233
YOU HAVE TO BE HOT
AT EVERY AGE AT EVERY STAGE.
323
00:16:24,267 --> 00:16:27,733
AND THAT'S A SHOCKING BURDEN
AND A SHOCKING INDICTMENT
324
00:16:27,767 --> 00:16:30,100
OF HOW OUR CULTURE
DEVALUES WOMEN
325
00:16:30,133 --> 00:16:31,400
BY JUST HOW WE LOOK.
326
00:16:34,333 --> 00:16:37,600
[TARYN]
WE'VE BECOME SO USED TO SEEING
THE ONE TYPE OF BODY.
327
00:16:37,633 --> 00:16:40,033
IT'S EVERYWHERE.
IT'S ALL AROUND.
328
00:16:40,067 --> 00:16:43,733
BUSES, BILLBOARDS,
MAGAZINE COVERS.
329
00:16:43,767 --> 00:16:47,500
BUT AS IT TURNS OUT,
EVEN THE GIRL IN THE MAGAZINE
330
00:16:47,533 --> 00:16:49,600
DOESN'T LOOK LIKE THE GIRL
IN THE MAGAZINE.
331
00:16:51,633 --> 00:16:54,167
IT'S NO WONDER SO MANY WOMEN
ARE DISSATISFIED
332
00:16:54,200 --> 00:16:56,100
WITH THEIR BODIES.
333
00:16:56,133 --> 00:16:58,600
MAYBE WE'VE FORGOTTEN WHAT
THE AVERAGE BODY LOOKS LIKE.
334
00:17:18,267 --> 00:17:20,600
[WOMAN]
IT TOOK ME A LONG TIME TO BREAK
INTO THE MODELING INDUSTRY.
335
00:17:20,633 --> 00:17:23,167
MY SIZE HAD A BIG THING
TO DO WITH IT,
336
00:17:23,200 --> 00:17:25,800
BECAUSE I WAS
CONSIDERED TOO BIG.
337
00:17:25,833 --> 00:17:29,500
I WAS A SIZE 10.
I'M CURRENTLY A SIZE 12.
338
00:17:29,533 --> 00:17:33,467
AND AGENCY AFTER AGENCY
TURNED ME DOWN,
339
00:17:33,500 --> 00:17:36,633
AND I WAS TOLD THAT I WOULD BE
CONSIDERED A PLUS SIZE MODEL.
340
00:17:36,667 --> 00:17:40,267
WHAT THEY CALL
PLUS SIZE MODELS
OFTEN GET RIDICULED
341
00:17:40,300 --> 00:17:42,733
BY DESIGNERS AND OTHER
STRAIGHT SIZE MODELS
342
00:17:42,767 --> 00:17:45,133
FOR BEING CURVIER.
343
00:17:45,167 --> 00:17:47,533
AND WE'RE OFTEN
LOOKED AT AS SECOND BEST
344
00:17:47,567 --> 00:17:49,800
AND USED AS A GIMMICK ALMOST.
345
00:17:57,400 --> 00:17:59,033
PEOPLE OUTSIDE
THE MODELING INDUSTRY
346
00:17:59,067 --> 00:18:02,167
THAT SEE MODELS LIKE MYSELF
OR BIGGER DRESS SIZES
347
00:18:02,200 --> 00:18:03,500
ALL LABELLED AS PLUS SIZE,
348
00:18:03,533 --> 00:18:05,667
IT SENDS A SKEWED
BODY IMAGE PERSPECTIVE,
349
00:18:05,700 --> 00:18:08,567
BECAUSE THEN A YOUNG GIRL
WILL LOOK AT THAT WOMAN
350
00:18:08,600 --> 00:18:10,633
THAT'S THE SAME SIZE AS HER
LABELED AS PLUS SIZE,
351
00:18:10,667 --> 00:18:13,567
AND THAT'S SENDING THE MESSAGE
THAT SHE'S NOT SLIM ENOUGH.
352
00:18:13,600 --> 00:18:15,767
IT'S EXTREMELY DAMAGING,
353
00:18:15,800 --> 00:18:17,433
ESPECIALLY WITH THE MANNEQUINS
THEY USE IN STORES
354
00:18:17,467 --> 00:18:19,167
WHICH ARE IMPOSSIBLY TINY.
355
00:18:19,200 --> 00:18:21,133
VERY FEW WOMEN
ARE NATURALLY THAT SIZE.
356
00:18:21,167 --> 00:18:23,500
SO FOR A WOMAN
WALKING INTO A STORE
AND SEEING THE CLOTHING
357
00:18:23,533 --> 00:18:24,833
ON THE MANNEQUIN
LOOKING BEAUTIFUL,
358
00:18:24,867 --> 00:18:26,433
AND SHE'S WANTING
TO WEAR IT,
359
00:18:26,467 --> 00:18:28,500
AND SHE GOES AND TRIES IT ON
IN THE CHANGING ROOM
360
00:18:28,533 --> 00:18:30,767
AND IT DOESN'T HANG
ON HER PROPERLY,
361
00:18:30,800 --> 00:18:32,767
IT DOESN'T FLATTER
HER FIGURE,
362
00:18:32,800 --> 00:18:34,600
IT'S VERY DAMAGING.
IT'S VERY UPSETTING.
363
00:18:34,633 --> 00:18:36,133
IT'S FRUSTRATING.
364
00:18:36,167 --> 00:18:38,600
YOU END UP THINKING
YOU'RE THE PROBLEM.
365
00:18:38,633 --> 00:18:40,367
THE WOMAN
TRYING THE CLOTHES ON
IS NOT THE PROBLEM,
366
00:18:40,400 --> 00:18:41,667
IT'S THE CLOTHING
AND THE DESIGNERS.
367
00:18:44,233 --> 00:18:47,667
I HAVE SEEN SO MANY WOMEN
STRUGGLE WITH BODY IMAGE.
368
00:18:47,700 --> 00:18:49,167
WHEN YOU HATE YOUR BODY,
369
00:18:49,200 --> 00:18:51,033
IT EATS AWAY AT EVERY
ASPECT OF YOUR LIFE.
370
00:18:51,067 --> 00:18:52,633
IT EATS AWAY AT YOUR WORK,
IT EATS AWAY AT YOUR SCHOOLING,
371
00:18:52,667 --> 00:18:55,533
IT EATS AWAY AT YOUR FAMILY,
YOUR RELATIONSHIPS.
372
00:18:55,567 --> 00:18:57,267
THAT IS A MAIN THOUGHT
SO MANY GIRLS HAVE IS,
373
00:18:57,300 --> 00:18:58,633
"I HATE MY BODY,
I HATE MY BODY,"
374
00:18:58,667 --> 00:19:00,333
AND THEY CAN'T
FOCUS ON ANYTHING.
375
00:19:06,167 --> 00:19:08,767
I WENT THROUGH
DEPRESSION AND ANXIETY
376
00:19:08,800 --> 00:19:11,733
FROM HATING MY BODY.
377
00:19:11,767 --> 00:19:13,667
I DIDN'T LEAVE MY ROOM,
378
00:19:13,700 --> 00:19:17,167
I TORTURED MYSELF
BY LOOKING AT GIRLS
IN MAGAZINES.
379
00:19:17,200 --> 00:19:18,500
I WANTED TO GET
AN EATING DISORDER.
380
00:19:18,533 --> 00:19:19,633
I WANTED TO GET ANOREXIA.
381
00:19:19,667 --> 00:19:21,433
I WANTED TO BE SKINNY.
382
00:19:21,467 --> 00:19:24,067
AND IN THE MODELING INDUSTRY
THERE'S SO MUCH PRESSURE,
383
00:19:24,100 --> 00:19:25,300
EVEN FOR
THE SMALLER SIZED GIRLS
384
00:19:25,333 --> 00:19:28,700
TO STAY WITHIN
THOSE TINY MEASUREMENTS.
385
00:19:28,733 --> 00:19:30,333
AND I'VE SEEN CRAZY THINGS.
386
00:19:30,367 --> 00:19:32,167
I'VE SEEN GIRLS
FAINT BEHIND STAGE.
387
00:19:32,200 --> 00:19:33,700
I'VE SEEN GIRLS--
388
00:19:33,733 --> 00:19:36,667
THEY EAT COTTON BALLS
TO FILL UP THEIR STOMACHS.
389
00:19:36,700 --> 00:19:38,667
-THEY--
-YOU'VE SEEN GIRLS
EAT COTTON BALLS?
390
00:19:38,700 --> 00:19:40,233
COTTON BALLS.
391
00:19:40,267 --> 00:19:43,033
THEY PUT THEM IN GATORADE
AND EAT THEM. YEAH.
392
00:19:43,067 --> 00:19:44,400
YOU'VE SEEN THAT
WITH YOUR OWN EYES?
393
00:19:44,433 --> 00:19:46,500
YEAH, THEY DO IT.
THEY DO IT,
394
00:19:46,533 --> 00:19:48,700
AND THEY FAINT, AS WELL,
AND THEY'RE ANGRY.
395
00:19:48,733 --> 00:19:52,833
AND THEIR MAIN TOPIC
OF CONVERSATION IS FOOD.
THEY'RE SO OBSESSED WITH IT.
396
00:19:52,867 --> 00:19:54,800
BECAUSE WHEN THEY
START OUT MODELING,
397
00:19:54,833 --> 00:19:58,533
THEY'RE NATURALLY VERY SLIM
BECAUSE THEY'RE 14-15, SAY.
398
00:19:58,567 --> 00:20:01,133
AND THEN THEY HIT PUBERTY
AND THEY START GETTING HIPS
399
00:20:01,167 --> 00:20:02,733
AND THEY START
GETTING CURVES.
400
00:20:02,767 --> 00:20:06,500
BUT THEIR ONLY OPTION TO STAY
WITHIN THE MODELING INDUSTRY
401
00:20:06,533 --> 00:20:08,667
IS TO GET AN EATING DISORDER,
BECAUSE THEY'RE NOT NATURALLY
402
00:20:08,700 --> 00:20:10,333
GOING TO STAY THAT SIZE
THEY WERE WHEN THEY STARTED.
403
00:20:12,067 --> 00:20:14,733
* THIS IS HOW I DO IT,
DO IT, DO IT, DO IT *
404
00:20:14,767 --> 00:20:18,667
* THIS IS HOW I DO IT
AND YOU WONDER HOW *
405
00:20:18,700 --> 00:20:22,700
* EVERYBODY TELLS ME
I'M SO HOT RIGHT NOW *
406
00:20:22,733 --> 00:20:24,500
[TARYN]
WHEN I SEE MODELS LIKE THIS
ON THE CATWALK
407
00:20:24,533 --> 00:20:28,333
AT AUSTRALIAN FASHION WEEK,
IT REALLY ANGERS ME,
408
00:20:28,367 --> 00:20:31,033
BECAUSE IT'S PERPETUATING
THE MYTH THAT A THIN BODY
409
00:20:31,067 --> 00:20:33,200
IS THE IDEAL.
410
00:20:33,233 --> 00:20:35,467
AND IF MODELS HAVE TO GO
TO SUCH EXTREME MEASURES
411
00:20:35,500 --> 00:20:38,600
TO STAY THIS SIZE,
IS IT ANY WONDER
412
00:20:38,633 --> 00:20:41,333
SO MANY WOMEN ARE UNHAPPY
WITH THEIR BODY?
413
00:20:47,067 --> 00:20:49,200
[WOMAN]
I DON'T KNOW, IT'S SORT OF
414
00:20:49,233 --> 00:20:51,133
BEEN GOING ON AND OFF
SINCE PRIMARY SCHOOL.
415
00:20:51,167 --> 00:20:53,600
I'D SKIP OUT
ON LUNCH SOME DAYS
416
00:20:53,633 --> 00:20:55,467
AND PURPOSELY
NOT BRING ANYTHING,
417
00:20:55,500 --> 00:20:57,300
SEE HOW LONG YOU CAN
GO WITHOUT FOOD.
418
00:20:57,333 --> 00:20:59,600
YOU MAKE IT A DAY AND THINK,
"WELL, THAT'S PRETTY AWESOME,
419
00:20:59,633 --> 00:21:01,733
I'LL GO TWO DAYS NOW."
420
00:21:01,767 --> 00:21:03,833
AND, I DON'T KNOW,
IT SORT OF JUST--
421
00:21:03,867 --> 00:21:06,467
IN A WAY, IT SORT OF
EMPOWERS YOU AND THINK,
422
00:21:06,500 --> 00:21:09,033
"OH, I'VE ACCOMPLISHED
SOMETHING."
423
00:21:09,067 --> 00:21:12,700
I THINK YOU JUST GET A BIT
HARDER ON YOURSELF,
424
00:21:12,733 --> 00:21:16,600
AND, I DON'T KNOW,
BRING IN STRENUOUS EXERCISE
425
00:21:16,633 --> 00:21:19,000
AND IT GETS HARDER
AND HARDER.
426
00:21:25,067 --> 00:21:28,033
MY OLDEST BROTHER TALKING
WITH HIS MATES ABOUT GIRLS
427
00:21:28,067 --> 00:21:29,833
THAT THEY SAW AT A PARTY,
428
00:21:29,867 --> 00:21:33,067
TALKING ABOUT THEM AND BEING,
"OH, HER, SHE'S A FAT CHICK."
429
00:21:33,100 --> 00:21:34,667
YOU KNOW, YOU DON'T
WANNA BE THAT ONE.
430
00:21:37,700 --> 00:21:40,167
I JUST-- I WISH THEY'D COME UP
WITH SOME MAGICAL THING
431
00:21:40,200 --> 00:21:43,400
THAT YOU COULD TAKE
THAT WOULD MAKE YOU
NEVER GAIN WEIGHT.
432
00:21:43,433 --> 00:21:46,100
YOU COULD JUST NOT
WORRY ABOUT IT
433
00:21:46,133 --> 00:21:48,667
AND EAT WHATEVER,
AND DO WHATEVER, AND BE FINE.
434
00:21:51,067 --> 00:21:52,500
WE SHOULDN'T HAVE
TO LIVE LIKE IT.
435
00:21:52,533 --> 00:21:57,300
NOBODY SHOULD HAVE TO STARVE
THEMSELVES TO FIT IN
436
00:21:57,333 --> 00:22:00,200
WITH HOW A MAGAZINE LOOKS.
437
00:22:00,233 --> 00:22:03,833
I MEAN, I'M NOT
NATURALLY THIS THIN,
438
00:22:03,867 --> 00:22:06,500
AND LOTS OF MODELS AREN'T
NATURALLY THAT THIN.
439
00:22:06,533 --> 00:22:09,667
THEY HAVE TO REALLY
WATCH WHAT THEY'RE DOING,
440
00:22:09,700 --> 00:22:11,733
AND IT TAKES UP
YOUR LIFE, YOU KNOW?
441
00:22:14,233 --> 00:22:17,567
[TARYN] IT'S HEARTBREAKING
TO KNOW THAT THERE ARE
PRO-ANOREXIC WEBSITES
442
00:22:17,600 --> 00:22:19,667
THAT SUPPORT
AND ENCOURAGE
A GROWING NUMBER
443
00:22:19,700 --> 00:22:23,300
OF YOUNG GIRLS
AND WOMEN IN MAKING
LIFE THREATENING CHOICES.
444
00:22:27,100 --> 00:22:28,700
WHAT WOULD YOU TELL
A YOUNG GIRL
445
00:22:28,733 --> 00:22:30,833
WHO WAS FEELING LIKE
THEY HATED THEIR BODY
446
00:22:30,867 --> 00:22:35,533
AND THEY WANTED
TO STOP EATING AND LIVE
THE LIFE THAT YOU LIVE?
447
00:22:35,567 --> 00:22:37,833
WHAT WOULD YOU SAY
TO THAT GIRL?
448
00:22:37,867 --> 00:22:42,700
PLEASE DON'T STOP EATING.
449
00:22:42,733 --> 00:22:45,633
DON'T PUT YOURSELF
INTO IT BECAUSE YOU--
450
00:22:45,667 --> 00:22:48,433
IT'S TOO HARD TO GET OUT OF,
AND IT JUST GETS WORSE.
451
00:22:54,767 --> 00:22:58,533
THE CURRENT RHETORIC AROUND
OBESITY CONTRIBUTES TO THIS,
452
00:22:58,567 --> 00:23:03,833
BECAUSE IF YOU PAINT FAT
AS REALLY BAD AND THIN AS GOOD,
453
00:23:03,867 --> 00:23:05,767
THEN THINNER
HAS GOTTA BE BETTER,
454
00:23:05,800 --> 00:23:07,700
AND THINNEST
HAS GOTTA BE BEST.
455
00:23:10,533 --> 00:23:13,533
COLLECTIVELY,
WE'VE SOMEHOW BEEN FED A LINE
456
00:23:13,567 --> 00:23:15,733
THAT BASICALLY
THIN IS HEALTHY,
457
00:23:15,767 --> 00:23:17,667
FAT IS UNHEALTHY,
BY DEFINITION.
458
00:23:17,700 --> 00:23:19,467
AND THIS IS SIMPLY
NOT THE CASE.
459
00:23:19,500 --> 00:23:22,367
THERE ARE LOTS OF THIN
PEOPLE WHO ARE UNHEALTHY
460
00:23:22,400 --> 00:23:23,533
BY MANY CRITERIA.
461
00:23:23,567 --> 00:23:25,100
THEY EAT BADLY,
462
00:23:25,133 --> 00:23:27,433
THEY HAVE HIGH
BLOOD PRESSURE,
WHATEVER IT IS.
463
00:23:27,467 --> 00:23:31,633
AND THERE ARE
NUMBERS OF FAT PEOPLE
WHO ARE VERY HEALTHY.
464
00:23:31,667 --> 00:23:35,500
THIS IDEA OF HAVING
A THIN BODY AND HOW YOU LOOK,
465
00:23:35,533 --> 00:23:37,533
IT'S BECOME REALLY IMPORTANT.
466
00:23:37,567 --> 00:23:42,033
MOSTLY, THIS IS ATTRIBUTED
TO THE GLOBALIZATION OF MEDIA.
467
00:23:42,067 --> 00:23:43,500
EVEN IN A PLACE LIKE FIJI,
468
00:23:43,533 --> 00:23:46,333
THAT TRADITIONALLY
VALUED A LARGER FATTER BODY,
469
00:23:46,367 --> 00:23:49,333
PRESUMABLY AS A SIGN
OF WEALTH AND HEALTH,
470
00:23:49,367 --> 00:23:51,800
VERY SOON AFTER
THE INTRODUCTION OF TELEVISION,
471
00:23:51,833 --> 00:23:54,167
YOUNG WOMEN NOW
ARE WANTING TO BE THIN,
472
00:23:54,200 --> 00:23:57,800
AND THEY HAD
EATING DISORDERS OBSERVED
FOR THE FIRST TIME.
473
00:23:57,833 --> 00:24:00,167
AND ALL THIS HAPPENS
REALLY RAPIDLY.
474
00:24:02,367 --> 00:24:06,267
WELL-MEANING PARENTS
ARE TRYING TO PRAISE
THEIR CHILDREN,
475
00:24:06,300 --> 00:24:07,667
PARTICULARLY
THEIR GIRL CHILDREN,
476
00:24:07,700 --> 00:24:09,667
AND TELL THEM
THEY'RE PRETTY AND SO ON.
477
00:24:09,700 --> 00:24:11,800
AND, REALLY,
THIS IS PROBABLY
NOT A GOOD IDEA,
478
00:24:11,833 --> 00:24:14,333
BECAUSE THIS AGAIN FOCUSES
THE IMPORTANCE OF APPEARANCE.
479
00:24:14,367 --> 00:24:16,700
IT DOESN'T REALLY MATTER
WHETHER IT'S POSITIVE
OR NEGATIVE,
480
00:24:16,733 --> 00:24:19,067
IT'S SAYING THAT APPEARANCE
IS PRETTY IMPORTANT.
481
00:24:19,100 --> 00:24:23,267
SO IT WOULD BE USEFUL,
PARTICULARLY WITH GIRLS,
482
00:24:23,300 --> 00:24:26,767
IF PARENTS COULD REALLY
CONSCIENTIOUSLY
483
00:24:26,800 --> 00:24:28,433
MAKE THEIR PRAISE
AND COMMENTARY
484
00:24:28,467 --> 00:24:32,233
ON WHAT THE GIRLS DO
MORE THAN WHAT THEY LOOK LIKE.
485
00:24:36,200 --> 00:24:39,433
[TARYN] FOR YEARS, SOCIETY
HAS BEEN TELLING OUR GIRLS
TO BE PRETTY
486
00:24:39,467 --> 00:24:41,433
AND WOMEN TO BE BEAUTIFUL,
487
00:24:41,467 --> 00:24:45,033
AS IF THAT'S THE MOST
IMPORTANT THING THEY CAN BE.
488
00:24:45,067 --> 00:24:48,333
FOR THE SAKE OF MY DAUGHTER
AND FOR ALL OF OUR KIDS,
489
00:24:48,367 --> 00:24:50,100
THIS HAS TO CHANGE.
490
00:25:28,700 --> 00:25:32,200
* THIS IS HOW I DO IT
AND YOU WONDER HOW *
491
00:25:32,233 --> 00:25:36,067
* EVERYBODY TELLS ME
I'M SO HOT RIGHT NOW *
492
00:25:36,100 --> 00:25:37,833
I'VE COME TO THE STATES
TO MEET A FEW PEOPLE,
493
00:25:37,867 --> 00:25:42,033
AND THE FIRST PERSON I'M MEETING
IS A COSMETIC SURGEON.
494
00:25:42,067 --> 00:25:44,500
I'M GOING TO ASK HIM
WHAT HE THINKS OF MY BODY.
495
00:25:46,233 --> 00:25:49,367
THE NORMAL BREAST SHAPE
IS MORE LIKE THAT.
496
00:25:49,400 --> 00:25:52,133
IN OTHER WORDS, THE NIPPLES
ARE AT THE CENTER
OF THE BREAST.
497
00:25:52,167 --> 00:25:55,167
SO TYPICALLY,
IN ORDER TO GIVE YOU
THAT YOUTHFUL LOOK,
498
00:25:55,200 --> 00:25:56,433
A LITTLE BIT OF A PROJECTION,
499
00:25:56,467 --> 00:25:58,500
WHAT WE NEED TO DO
IS PLACE AN IMPLANT
500
00:25:58,533 --> 00:26:00,567
TO GIVE YOU THE VOLUME
THAT YOU NEED,
501
00:26:00,600 --> 00:26:03,133
AND ALSO A SMALL
NIPPLE LIFTING,
502
00:26:03,167 --> 00:26:06,133
WHICH WOULD BRING
THE NIPPLE UP
503
00:26:06,167 --> 00:26:09,433
TO WHERE IT'S SUPPOSED TO BE--
AT THE CENTER OF THE BREAST
504
00:26:09,467 --> 00:26:11,400
RATHER THAN ON THE LOWER
PART OF THE BREAST.
505
00:26:11,433 --> 00:26:13,533
SO YOU NEED A BREAST
AUGMENTATION,
506
00:26:13,567 --> 00:26:16,400
PLUS WHAT WE CALL
A NIPPLE LIFTING.
507
00:26:16,433 --> 00:26:19,500
PROBABLY ABOUT 65%
OF MY PRACTICE IS BODY WORK.
508
00:26:19,533 --> 00:26:24,133
AND THEN THE REMAINING
IS FACE, EYES, NOSE,
509
00:26:24,167 --> 00:26:28,533
FILLERS, BOTOX,
EYELASH TRANSPLANTS.
510
00:26:28,567 --> 00:26:33,300
WE CAN EASILY REMOVE
ALL THIS FAT FROM THE SIDES
511
00:26:33,333 --> 00:26:35,133
UPPER ABDOMEN,
LOWER ABDOMEN,
512
00:26:35,167 --> 00:26:37,700
AND GIVE YOU MORE OF
A SLIMMER AND TRIMMER LOOK.
513
00:26:37,733 --> 00:26:42,267
DEFINITELY ABLE TO PUT
THAT FAT INTO THE LIPS,
514
00:26:42,300 --> 00:26:44,833
IF YOU WANNA HAVE
A LITTLE MORE FULLER LIPS,
515
00:26:44,867 --> 00:26:47,300
ESPECIALLY WHEN YOU LOOK
CLOSELY IN THE MIRROR,
516
00:26:47,333 --> 00:26:49,400
WHICH I'M SURE YOU'RE GONNA DO
WHEN YOU GET HOME TONIGHT,
517
00:26:49,433 --> 00:26:53,267
YOUR UPPER LEFT LIP
IS A LITTLE BIT SMALLER
THAN YOUR RIGHT SIDE.
518
00:26:53,300 --> 00:26:55,333
WE CAN PUT A LITTLE BIT
MORE IN THERE,
519
00:26:55,367 --> 00:26:56,767
AND GIVE YOU-- ACTUALLY,
LET ME GIVE YOU A MIRROR
520
00:26:56,800 --> 00:26:58,167
SO I CAN SHOW YOU.
521
00:26:58,200 --> 00:27:00,700
GIVE YOU A LITTLE
MORE FULLNESS.
522
00:27:00,733 --> 00:27:02,700
SO WE CAN TAKE SOME OF THIS
FAT THAT WE TALK ABOUT,
523
00:27:02,733 --> 00:27:05,600
AND ACTUALLY INJECT IT INSIDE
YOUR BUTTOCKS HERE
524
00:27:05,633 --> 00:27:07,233
TO GIVE YOU MORE
OF AN UPLIFT.
525
00:27:07,267 --> 00:27:10,033
WE CAN DEFINITELY
GET RID OF THESE AREAS,
526
00:27:10,067 --> 00:27:12,200
THE INNER THIGH,
TO KIND OF GET RID OF THAT
527
00:27:12,233 --> 00:27:15,633
AND THEN GIVE YOU MORE
OF SMALLER, SHAPELIER LEGS.
528
00:27:15,667 --> 00:27:18,267
SO THE THIGHS MAY NOT
BE ABLE TO BE GAPPED,
529
00:27:18,300 --> 00:27:20,600
BUT DEFINITELY WILL NOT BE
TOUCHING LIKE THEY ARE NOW.
530
00:27:20,633 --> 00:27:22,400
WE'VE HAD A LOT OF LADIES
THAT THEY CAME IN
531
00:27:22,433 --> 00:27:26,767
AND SAID, "OH, MY GOD,
I WAS WATCHING CERTAIN MOVIES.
532
00:27:26,800 --> 00:27:29,167
MINE DOESN'T
LOOK LIKE THAT."
533
00:27:29,200 --> 00:27:32,367
AND THEY WANNA LOOK
A LITTLE BIT BETTER
DOWN BELOW.
534
00:27:32,400 --> 00:27:35,300
A LOT OF YOUNG FEMALES
THAT WE'VE HAD
535
00:27:35,333 --> 00:27:38,200
NEVER HAD ANY INTERCOURSE
BECAUSE THEY FELT
SELF-CONSCIOUS.
536
00:27:38,233 --> 00:27:40,167
THEY HAVE LITTLE
EXTRA TISSUE.
537
00:27:40,200 --> 00:27:42,200
AND WE'VE HAD
SOME LADIES THAT
538
00:27:42,233 --> 00:27:46,267
PROBABLY HAVE HAD MAYBE
FIVE OR SIX TIMES MORE
THAN WHAT YOU HAVE HERE.
539
00:27:46,300 --> 00:27:49,767
AND THE GOAL IS TO BASICALLY
MAKE THAT EXTRA SKIN GO AWAY
540
00:27:49,800 --> 00:27:53,433
AND MAKE IT LOOK
LESS BULKY, SO TO SPEAK.
541
00:27:53,467 --> 00:27:55,833
WOMEN NEVER GET TO SEE
THEIR OWN VULVA.
542
00:27:55,867 --> 00:27:58,167
OR RARELY, ANYWAY.
543
00:27:58,200 --> 00:28:00,100
MEN GET TO SEE
THEIR PENISES.
544
00:28:00,133 --> 00:28:02,667
THEY PLAY WITH THEM
AND DO WHATEVER THEY NEED
TO DO WITH THEM,
545
00:28:02,700 --> 00:28:06,267
BUT WOMEN NEVER SEE
ANOTHER WOMAN'S VULVA.
546
00:28:06,300 --> 00:28:08,667
ONCE WE GET PAST
THAT VULNERABILITY,
547
00:28:08,700 --> 00:28:11,033
ONCE WE HAVE
THE COURAGE TO SHARE,
548
00:28:11,067 --> 00:28:13,167
"WOW, YOUR VULVA
IS DIFFERENT THAN MINE,
549
00:28:13,200 --> 00:28:15,167
AND MINE'S DIFFERENT
THAN YOURS,
550
00:28:15,200 --> 00:28:18,500
AND IT'S NOT WHAT
WE SEE IN PORNOGRAPHY.
IT'S LIFE!"
551
00:28:18,533 --> 00:28:20,500
WE'RE ALL SO BEAUTIFUL
AND SO DIFFERENT.
552
00:28:20,533 --> 00:28:22,467
[TARYN]
SO WHEN YOU
LOOKED AT MY BODY,
553
00:28:22,500 --> 00:28:24,400
DID YOU THINK IT LOOKED
HEALTHY OR UNHEALTHY?
554
00:28:24,433 --> 00:28:27,200
YOU LOOK GOOD, BUT AGAIN,
YOU COULD DEFINITELY USE
555
00:28:27,233 --> 00:28:28,500
A LITTLE BIT OF A HELP
WITH THE BREASTS.
556
00:28:28,533 --> 00:28:30,300
AS I SAID, YOUR BREASTS
ARE NEVER GONNA COME UP.
557
00:28:30,333 --> 00:28:32,233
THEY'RE NOT SLINKYS
THAT YOU PULL IT DOWN
558
00:28:32,267 --> 00:28:34,733
AND JUST GO BACK UP AGAIN.
559
00:28:34,767 --> 00:28:36,567
[TARYN]
OF COURSE THEY'RE
NOT SLINKYS.
560
00:28:36,600 --> 00:28:39,800
THEY PROVIDED 4,000 MEALS
TO MY THREE CHILDREN
561
00:28:39,833 --> 00:28:42,333
AND THEY DON'T DESERVE
A HARD TIME.
562
00:28:42,367 --> 00:28:46,500
THEY DESERVE A GOLD STAR
ON HOLLYWOOD BOULEVARD.
563
00:28:46,533 --> 00:28:48,067
GO, BOOBS!
564
00:28:50,733 --> 00:28:53,533
AND WHILST I CAN HAVE
A LAUGH AT THE ABSURDITY
565
00:28:53,567 --> 00:28:56,533
OF INJECTING MY BUTT FAT
INTO MY LIPS,
566
00:28:56,567 --> 00:28:59,400
IT REALLY WORRIES ME
THAT THERE'S THIS NOTION
567
00:28:59,433 --> 00:29:01,800
OF HOW A WOMAN'S BODY
SHOULD LOOK.
568
00:29:04,233 --> 00:29:07,033
AND I'M SURE POSITIVE
ROLE MODELS EXIST.
569
00:29:07,067 --> 00:29:09,767
IN FACT, I REMEMBER SEEING
THE MOVIE "HAIRSPRAY,"
570
00:29:09,800 --> 00:29:12,667
IN WHICH RICKI LAKE
PLAYS THE UNLIKELY HERO.
571
00:29:12,700 --> 00:29:15,033
SHE HAD A BODY SHAPE
THAT WE'RE JUST NOT
572
00:29:15,067 --> 00:29:18,467
USED TO SEEING
ON THE BIG SCREEN.
573
00:29:18,500 --> 00:29:22,267
I'VE HAD A VERY COMPLEX,
COMPLICATED RELATIONSHIP--
574
00:29:22,300 --> 00:29:25,133
A LOVE HATE RELATIONSHIP
WITH MY BODY, AS I THINK
MOST WOMEN HAVE.
575
00:29:27,467 --> 00:29:30,467
MY WHOLE CAREER STARTED
BECAUSE JOHN WATERS CHOSE ME
576
00:29:30,500 --> 00:29:32,167
TO BE THE FAT GIRL
IN HIS MOVIE.
577
00:29:32,200 --> 00:29:34,233
OH, CORNY, DO YOU REALLY
THINK I'M GOOD ENOUGH?
578
00:29:34,267 --> 00:29:36,200
WHAT DO YOU THINK, KIDS?
579
00:29:36,233 --> 00:29:39,133
I WAS THE ORIGINAL
TRACY TURNBLAD,
580
00:29:39,167 --> 00:29:42,833
AND WHAT AN AMAZING CHARACTER
AND AMAZING ROLE MODEL.
581
00:29:42,867 --> 00:29:46,633
I'M BIG, BLOND,
AND BEAUTIFUL.
582
00:29:46,667 --> 00:29:48,167
I GET WHY HE CHOSE ME.
583
00:29:48,200 --> 00:29:49,400
THE FILM SUBVERTS
THE HOLLYWOOD NARRATIVE
584
00:29:49,433 --> 00:29:51,167
OF ONE SIZE FITS ALL--
585
00:29:51,200 --> 00:29:54,033
THE BIG GIRL THAT GETS THE GUY
AND WINS THE DANCE CONTEST.
586
00:29:56,300 --> 00:29:58,667
LET'S DANCE!
587
00:29:58,700 --> 00:30:02,367
BUT I ALSO HAD ALL THESE
INTERNAL INSECURITIES
588
00:30:02,400 --> 00:30:04,100
ABOUT MY BODY
AND WHAT I LOOKED LIKE.
589
00:30:04,133 --> 00:30:07,600
AND I WAS VERY YOUNG
AND I WAS NOT SOMEONE
590
00:30:07,633 --> 00:30:09,600
THAT BOYS WERE DRAWN TO,
591
00:30:09,633 --> 00:30:12,600
AND, YOU KNOW,
I WAS A SEXUAL ABUSE
SURVIVOR,
592
00:30:12,633 --> 00:30:16,533
SO I HAD ALL OF THAT
MIXED UP, THAT I DIDN'T WANT
TO BE ATTRACTIVE TO MEN.
593
00:30:16,567 --> 00:30:21,433
SO I THINK I WAS EATING
AS A WAY TO KIND OF
PROTECT MYSELF,
594
00:30:21,467 --> 00:30:23,500
AND I FELT LIKE I WAS
A WALKING CONTRADICTION.
595
00:30:23,533 --> 00:30:24,767
ON THE ONE HAND, PUBLICLY,
596
00:30:24,800 --> 00:30:27,700
I BECAME A STAR
AS THIS ADORABLE FAT GIRL.
597
00:30:27,733 --> 00:30:30,567
BUT YET, INSIDE, I WAS STILL
TRYING TO FIND MYSELF
598
00:30:30,600 --> 00:30:32,233
AND FEEL COMFORTABLE
IN MY SKIN.
599
00:30:32,267 --> 00:30:34,767
AND I THINK MUCH
OF MY ADULT LIFE
HAS BEEN ABOUT THAT.
600
00:30:34,800 --> 00:30:39,200
AND BEING A FAMOUS PERSON
AND HAVING THAT STRUGGLE
601
00:30:39,233 --> 00:30:42,767
BEING SO PUBLIC
IS REALLY A MIXED BAG, TOO.
602
00:30:42,800 --> 00:30:45,167
AND I FELT FOR A LONG TIME,
BECAUSE I GOT SKINNY
603
00:30:45,200 --> 00:30:47,033
I'D GET BIG AGAIN,
I'D HAVE THE BABY, I'D GET--
604
00:30:47,067 --> 00:30:48,700
YOU KNOW,
IT WAS A ROLLERCOASTER.
605
00:30:48,733 --> 00:30:52,600
I MEAN, I'VE BEEN 120 POUNDS
AND I'VE BEEN 260 POUNDS.
606
00:30:52,633 --> 00:30:55,333
RIGHT NOW, TODAY,
I'D LOVE TO LOSE 20 POUNDS.
607
00:30:55,367 --> 00:30:57,167
I JUST TURNED 46
A COUPLE OF DAYS AGO
608
00:30:57,200 --> 00:31:00,133
AND I HAVE IT ALL.
I REALLY HAVE IT ALL.
609
00:31:00,167 --> 00:31:02,667
BUT IT'S STILL--
I LOOK IN THE MIRROR
610
00:31:02,700 --> 00:31:05,600
AND I PINCH MY ARM,
AND I-- YOU KNOW.
611
00:31:05,633 --> 00:31:07,800
IT'S LIKE I WISH
THAT I COULD BE LIKE
612
00:31:07,833 --> 00:31:12,833
ONE OF THOSE WOMEN
THAT CAN JUST GET OVER IT
613
00:31:12,867 --> 00:31:17,400
AND NOT-- AND JUST BE OKAY
WITH WHAT I HAVE TODAY.
614
00:31:20,100 --> 00:31:21,833
AND I FELT IMPLICATED
FOR A LONG TIME,
615
00:31:21,867 --> 00:31:24,400
BECAUSE HERE I WAS
WHEN I LOST ALL THE WEIGHT,
616
00:31:24,433 --> 00:31:26,700
AND I'M ON THE COVER OF
A MAGAZINE IN A BATHING SUIT.
617
00:31:26,733 --> 00:31:29,067
I MEAN, WHAT MESSAGE
AM I SENDING?
618
00:31:29,100 --> 00:31:31,300
BUT I WAS REALLY
PROUD OF MYSELF.
619
00:31:31,333 --> 00:31:34,333
IT'S A HUGE, HUGE
ACCOMPLISHMENT FOR ME.
620
00:31:34,367 --> 00:31:37,800
AND THAT WAS ONE
OF THEIR NUMBER ONE SELLING
COVERS OF ALL TIME,
621
00:31:37,833 --> 00:31:41,100
WAS ME-- ME!
I MEAN I WASN'T EVEN
THAT FAMOUS.
622
00:31:41,133 --> 00:31:43,367
BUT I GET IT.
THERE WAS PART OF ME
623
00:31:43,400 --> 00:31:47,133
THAT WASN'T TOTALLY SURPRISED,
BECAUSE I'M THAT PERSON, TOO,
624
00:31:47,167 --> 00:31:49,367
THAT WANTS TO KNOW
"HOW DID SHE DO IT?"
625
00:31:49,400 --> 00:31:51,833
BUT I ALSO WONDER
IF IT'S DOING A DISSERVICE
626
00:31:51,867 --> 00:31:55,267
BY BEING SO PUBLIC
ABOUT SOMETHING THAT'S SO,
REALLY, SO TRIVIAL.
627
00:31:55,300 --> 00:31:59,133
WE SHOULD BE TALKING
ABOUT THE ENVIRONMENT
AND WORLD PEACE.
628
00:31:59,167 --> 00:32:00,667
[TARYN]
SO, RICKI, HAVE YOU
EVER WONDERED
629
00:32:00,700 --> 00:32:03,633
WHAT IT WOULD FEEL LIKE TO NOT
WORRY ABOUT YOUR WEIGHT?
630
00:32:03,667 --> 00:32:05,533
I HAVE NO IDEA
WHAT THAT WOULD FEEL LIKE,
631
00:32:05,567 --> 00:32:09,133
BECAUSE THAT IS JUST NOT
MY EXISTENCE.
632
00:32:09,167 --> 00:32:10,533
I CAN'T EVEN THINK--
633
00:32:10,567 --> 00:32:14,233
MY MOTHER WAS SO FOOD
AND DIET OBSESSED.
634
00:32:14,267 --> 00:32:16,267
THAT'S WHAT I GREW UP WITH.
635
00:32:16,300 --> 00:32:20,200
I WAS ALWAYS
SELF-CONSCIOUS ABOUT EATING
THAT EXTRA PLATE OF FOOD,
636
00:32:20,233 --> 00:32:24,067
OR HAVING DESSERT FELT LIKE
SUCH A GUILTY PLEASURE.
637
00:32:24,100 --> 00:32:27,567
UM, YOU KNOW,
BUT THAT'S MY NORM,
638
00:32:27,600 --> 00:32:29,667
AND THAT'S MOST
WOMEN'S NORMS.
639
00:32:29,700 --> 00:32:32,700
IT'S A REAL STRUGGLE,
AND I RESENT THE FACT
640
00:32:32,733 --> 00:32:37,133
THAT SO MANY DAYS AND HOURS
AND TIME HAS BEEN SPENT
641
00:32:37,167 --> 00:32:40,033
HATING WHAT I LOOK LIKE
WHEN I LOOK IN THE MIRROR.
642
00:32:40,067 --> 00:32:42,100
I'M STILL STRIVING
TO GET TO A PLACE
643
00:32:42,133 --> 00:32:45,033
WHERE I'M COMPLETELY 100%
COMFORTABLE IN MY SKIN.
644
00:32:45,067 --> 00:32:48,500
I'M ALMOST THERE.
I'M GETTING BETTER.
645
00:32:48,533 --> 00:32:53,667
AND I BETTER HURRY UP,
BECAUSE I'M NOT GETTING
ANY YOUNGER, YOU KNOW?
646
00:32:53,700 --> 00:32:55,333
[TARYN]
IT'S REFRESHING
TO HEAR SOMEONE
647
00:32:55,367 --> 00:32:58,567
WITH SUCH A PUBLIC PROFILE
SHARING EXPERIENCES
648
00:32:58,600 --> 00:33:00,233
EVERYONE CAN RELATE TO.
649
00:33:09,800 --> 00:33:11,767
SOMEONE I CONNECTED WITH
THROUGH TWITTER
650
00:33:11,800 --> 00:33:14,100
WAS AMANDA DE CADENET.
651
00:33:14,133 --> 00:33:15,500
SHE WAS THE YOUNGEST
FEMALE PHOTOGRAPHER
652
00:33:15,533 --> 00:33:17,167
TO SHOOT THE COVER OF "VOGUE,"
653
00:33:17,200 --> 00:33:21,100
AND WAS KEEN TO SHARE
HER THOUGHTS ON BODY IMAGE.
654
00:33:21,133 --> 00:33:23,100
EVERYONE HAS A STORY
ABOUT HER BODY, RIGHT?
655
00:33:23,133 --> 00:33:24,733
IT'S JUST WHETHER
THEY'RE WILLING
TO BE HONEST ABOUT IT.
656
00:33:24,767 --> 00:33:27,700
IT'S AN ISSUE
AND A SUBJECT THAT AFFECTS
657
00:33:27,733 --> 00:33:29,800
PRACTICALLY EVERY WOMAN
AND GIRL THAT I KNOW.
658
00:33:29,833 --> 00:33:31,700
WHEN MY BODY
STARTED CHANGING
659
00:33:31,733 --> 00:33:34,833
FROM BEING A GIRL
INTO A YOUNG WOMAN,
660
00:33:34,867 --> 00:33:36,533
AND LITERALLY WITHIN
THREE MONTHS
661
00:33:36,567 --> 00:33:39,433
I WENT FROM BEING
A COMPLETELY BOY BODY
662
00:33:39,467 --> 00:33:43,467
TO HAVING LIKE DOUBLE-D BOOBS
AND CURVES,
663
00:33:43,500 --> 00:33:47,300
SUDDENLY I WAS GETTING
UNWANTED SEXUAL ADVANCES
664
00:33:47,333 --> 00:33:48,800
FROM COMPLETE STRANGERS,
665
00:33:48,833 --> 00:33:51,700
AND I STARTED TO NOT WANT
THE BODY THAT I HAD.
666
00:33:51,733 --> 00:33:57,433
AND I BEGAN TO NOT EAT SO MUCH
SO THAT I WOULD LOSE WEIGHT
667
00:33:57,467 --> 00:34:00,567
AND THAT MY BODY
WOULDN'T BE SO CURVY.
668
00:34:00,600 --> 00:34:03,533
YOU'RE VIEWED A CERTAIN WAY
IF YOU'VE GOT A BODY LIKE MINE.
669
00:34:03,567 --> 00:34:06,033
I COULD WEAR A POTATO SACK.
670
00:34:06,067 --> 00:34:08,433
BUT IF IT'S NOT A LONG ENOUGH
POTATO SACK OR A POTATO SACK
671
00:34:08,467 --> 00:34:10,400
THAT DOESN'T
COVER ME UP ENOUGH,
672
00:34:10,433 --> 00:34:13,233
IT CAN BE CONSTRUED
AS A SEXUAL OUTFIT.
673
00:34:13,267 --> 00:34:18,333
I'M IN CITY CLOCKS
IN ISLINGTON WITH FLAVOR FLAV
FROM PUBLIC ENEMY.
674
00:34:18,367 --> 00:34:20,400
I GOT PREGNANT
WHEN I WAS 18.
675
00:34:20,433 --> 00:34:23,133
AT THE TIME,
I WAS ON TELEVISION
IN THE U.K.,
676
00:34:23,167 --> 00:34:27,733
AND PEOPLE
PUBLICALLY COMMENTED
ON HOW DIFFERENT I LOOKED
677
00:34:27,767 --> 00:34:29,433
AND HOW MUCH WEIGHT
I HAD PUT ON
678
00:34:29,467 --> 00:34:32,733
AND GETTING REALLY SHAMED
FOR HAVING A PREGNANT BODY,
679
00:34:32,767 --> 00:34:36,233
AND THEN EVEN MORE SHAMED FOR
HAVING A POST PREGNANT BODY.
680
00:34:36,267 --> 00:34:38,233
THAT WAS REALLY
PAINFUL FOR ME.
681
00:34:38,267 --> 00:34:42,067
YET AGAIN, I GOT THE MESSAGE
THAT IF YOU'RE THINNER,
682
00:34:42,100 --> 00:34:44,100
YOU'RE BETTER.
683
00:34:44,133 --> 00:34:46,633
UNFORTUNATELY, OUR SOCIETY
DOESN'T MIRROR BACK
684
00:34:46,667 --> 00:34:48,333
MANY OPTIONS FOR US,
685
00:34:48,367 --> 00:34:51,833
SO WE SORT OF FEEL LIKE
WE HAVE TO FIT INTO
686
00:34:51,867 --> 00:34:54,267
WHAT IS PRESENTED TO US.
BUT YOU KNOW WHAT?
687
00:34:54,300 --> 00:34:55,800
WHEN I'M ON THE BEACH
IN BARBADOS,
688
00:34:55,833 --> 00:34:58,833
A GIRL WITH NO BUM
AND NO ASS IS--
689
00:34:58,867 --> 00:35:00,500
NO ONE'S LOOKING AT.
690
00:35:00,533 --> 00:35:01,567
THAT'S NOT DESIR--
THAT'S NOT BEAUTY
691
00:35:01,600 --> 00:35:03,167
TO THEM IN THE BAHAMAS.
692
00:35:03,200 --> 00:35:08,400
CULTURALLY AROUND THE WORLD,
THE IDEAL OF BEAUTY
693
00:35:08,433 --> 00:35:09,667
IS DIFFERENT,
694
00:35:09,700 --> 00:35:12,533
AND I THINK IT HAS TO BE
LIKE THAT FOR US.
695
00:35:12,567 --> 00:35:14,600
OUR IDEALS OF BEAUTY
HAVE TO BE DIFFERENT
696
00:35:14,633 --> 00:35:16,267
DEPENDING ON WHO WE ARE.
697
00:35:46,400 --> 00:35:49,333
EVERY TIME I HAVE TO DO
SOMETHING THAT'S SUPER PUBLIC,
698
00:35:49,367 --> 00:35:50,833
WHETHER IT'S LIKE
LAUNCHING A NEW TV SHOW
699
00:35:50,867 --> 00:35:53,100
OR I HAVE A BIG ROUND
OF PRESS TO DO,
700
00:35:53,133 --> 00:35:54,467
A BUNCH OF PHOTO SHOOTS,
701
00:35:54,500 --> 00:35:56,833
I KNOW IT'S GOING TO BE
A NIGHTMARE FOR ME,
702
00:35:56,867 --> 00:35:58,600
BECAUSE NONE
OF THE CLOTHES WILL FIT,
703
00:35:58,633 --> 00:36:01,767
I WILL GET BODY SHAMED
BY WHOEVER'S ON THE SHOOT,
704
00:36:01,800 --> 00:36:04,700
OF LIKE, "OH, CAN YOU TRY
THAT SAMPLE SIZE ON?"
705
00:36:04,733 --> 00:36:07,433
DON'T TRY TO GET ME
TO PUT ON A TOP
706
00:36:07,467 --> 00:36:08,767
THAT IS A SIZE 32,
707
00:36:08,800 --> 00:36:11,433
BECAUSE I'M 38 DOUBLE-D,
708
00:36:11,467 --> 00:36:13,033
SO MY NIPPLES
ARE NOT EVEN GONNA--
709
00:36:13,067 --> 00:36:15,100
ONE OF MY NIPPLES
WILL NOT FIT IN THAT THING.
710
00:36:15,133 --> 00:36:16,633
I KNOW WHAT'S GONNA HAPPEN,
711
00:36:16,667 --> 00:36:20,767
AND I THINK, "OH, I SHOULD
JUST DROP SOME WEIGHT."
712
00:36:20,800 --> 00:36:22,433
AND THEN I THINK,
"YOU KNOW WHAT?
713
00:36:22,467 --> 00:36:25,200
NO, THAT IS JUST SOME
OLD CRAZY THINKING.
714
00:36:25,233 --> 00:36:26,833
NO, I'M NOT GONNA DO THAT,
715
00:36:26,867 --> 00:36:29,467
AND I'M NOT GONNA
TORTURE MYSELF."
716
00:36:29,500 --> 00:36:34,500
AND A FRIEND SAID TO ME
BEFORE MY LAST SHOW
JUST LAUNCHED,
717
00:36:34,533 --> 00:36:40,233
HE SAID, "AMANDA, PEOPLE
DON'T TURN ON THE TV
718
00:36:40,267 --> 00:36:41,833
TO LOOK AT WHAT
YOU'RE WEARING
719
00:36:41,867 --> 00:36:43,400
OR WHAT YOUR WEIGHT IS,
720
00:36:43,433 --> 00:36:45,700
OR HOW BIG
OR SMALL YOU LOOK,
721
00:36:45,733 --> 00:36:49,133
PEOPLE TURN ON THE TV
BECAUSE OF WHAT'S
IN YOUR MIND.
722
00:36:49,167 --> 00:36:54,600
AND IF YOU DON'T EAT PROPERLY,
YOUR MIND ISN'T GONNA WORK."
723
00:36:54,633 --> 00:36:56,733
WHEN I WAS AT MY THINNEST,
724
00:36:56,767 --> 00:36:58,833
PEOPLE SAID, "OH, MY GOD,
YOU LOOK AMAZING.
725
00:36:58,867 --> 00:37:01,533
WHAT ARE YOU DOING?"
AND WHAT I WANTED TO SAY IS,
726
00:37:01,567 --> 00:37:04,067
"I'VE NEVER BEEN
SO MISERABLE IN MY LIFE,
727
00:37:04,100 --> 00:37:06,767
I FEEL COMPLETELY DEVASTATED."
728
00:37:06,800 --> 00:37:09,567
I WAS HAVING
THE WORST TIME IN MY LIFE,
729
00:37:09,600 --> 00:37:12,033
AND I WAS THE THINNEST,
BECAUSE I JUST COULDN'T EAT.
730
00:37:12,067 --> 00:37:14,533
I KNOW WHAT IT TAKES
FOR MY BODY TYPE
731
00:37:14,567 --> 00:37:16,500
TO BE A MEDIUM SIZE.
732
00:37:16,533 --> 00:37:18,067
IT TAKES OBSESSION.
733
00:37:18,100 --> 00:37:21,067
IT TAKES ALL MY FOCUS
AWAY FROM MY CHILDREN.
734
00:37:21,100 --> 00:37:22,733
IT TAKES ME OUT OF MY LIFE.
735
00:37:22,767 --> 00:37:27,767
IT TAKES ME
OBSESSING ABOUT FOOD,
EXERCISE, CALORIES,
736
00:37:27,800 --> 00:37:30,100
WHETHER I CAN'T EAT THAT
AND I CAN EAT THAT,
737
00:37:30,133 --> 00:37:32,200
AND WHAT TIME CAN I EAT THAT,
AND, OH, I CAN'T EAT THAT
738
00:37:32,233 --> 00:37:33,833
BECAUSE THAT'S
COOKED WITH THAT,
AND I CAN'T HAVE THAT
739
00:37:33,867 --> 00:37:35,133
BECAUSE THAT'S GOT
THAT ON IN IT.
740
00:37:35,167 --> 00:37:38,800
IT'S HELL.
HELL ON EARTH.
741
00:37:38,833 --> 00:37:44,333
SO, YOU KNOW WHAT?
IF I WANNA EAT A FUCKING
COOKIE THAT MY KID BAKES,
742
00:37:44,367 --> 00:37:47,233
I'M GONNA EAT
THE FUCKING COOKIE
MY KID BAKES.
743
00:37:47,267 --> 00:37:50,733
[TARYN]
I COULDN'T AGREE MORE.
744
00:37:50,767 --> 00:37:55,333
YOU KNOW, WE'VE BEEN FED
THIS IDEA THAT IF YOU DIET
AND HAVE A THIN BODY,
745
00:37:55,367 --> 00:37:58,633
THEN YOU'RE HEALTHY
AND YOU MUST BE HAPPY,
746
00:37:58,667 --> 00:38:01,700
BUT THAT SIMPLY ISN'T TRUE.
747
00:38:01,733 --> 00:38:05,400
I COULDN'T BELIEVE THE THINGS
PEOPLE WROTE ABOUT MY BODY
748
00:38:05,433 --> 00:38:07,200
WHEN I POSTED THE BEFORE
AND AFTER PHOTO.
749
00:38:26,267 --> 00:38:28,167
[MATTHEW]
I MEAN, ANYTHING SEXUAL,
ESPECIALLY WHEN
750
00:38:28,200 --> 00:38:29,267
THEY'RE TALKING
ABOUT YOUR WIFE,
751
00:38:29,300 --> 00:38:31,267
THAT REALLY GETS ME GOING.
752
00:38:31,300 --> 00:38:36,567
I DIDN'T MARRY TARYN
BECAUSE OF HER THIGH GAP
OR HER BOOB SIZE.
753
00:38:36,600 --> 00:38:40,367
I MARRIED HER
BECAUSE OF THE JOYOUS,
LOVING PERSON THAT SHE IS.
754
00:39:00,100 --> 00:39:02,733
[TARYN]
I CAN'T EVEN BEGIN
TO TELL YOU HOW WRONG
755
00:39:02,767 --> 00:39:05,333
THE BODY SHAMERS ARE.
756
00:39:05,367 --> 00:39:08,667
JUST BECAUSE MY BODY
DOESN'T CONFORM TO SOCIETY'S
757
00:39:08,700 --> 00:39:11,033
NARROW IDEALS
OF HOW A BODY SHOULD LOOK
758
00:39:11,067 --> 00:39:13,233
DOESN'T MEAN I'M UNHEALTHY.
759
00:39:18,433 --> 00:39:23,133
I'M PRETTY SURE YOU CAN'T RUN
A MARATHON AND BE A LAZY PIG.
760
00:39:23,167 --> 00:39:25,367
AND DESPITE WHAT
THE BODY SHAMERS THINK,
761
00:39:25,400 --> 00:39:29,467
MY BODY IS FIT,
CAPABLE, AND STRONG.
762
00:39:29,500 --> 00:39:31,367
AND I WANT MY DAUGHTER
TO GROW UP LOVING
763
00:39:31,400 --> 00:39:34,600
AND APPRECIATING HER BODY
FOR ALL THE THINGS IT CAN DO,
764
00:39:34,633 --> 00:39:36,600
NOT JUST HOW IT LOOKS.
765
00:39:38,500 --> 00:39:41,500
GIRLS ARE JUST BOMBARDED
WITH VERY STEREOTYPED
766
00:39:41,533 --> 00:39:43,667
AND NORMATIVE IDEAS
OF WHAT IT IS TO BE FEMALE,
767
00:39:43,700 --> 00:39:45,233
AND THEY THINK THEY SHOULD
LOOK LIKE THAT.
768
00:39:45,267 --> 00:39:47,033
AND IF THEY DON'T,
THEY'RE IRRELEVANT,
769
00:39:47,067 --> 00:39:48,533
THEY HAVE NOTHING
TO OFFER THE WORLD.
770
00:39:48,567 --> 00:39:51,600
THEY MAY AS WELL CRAWL UP
INTO A HOLE AND DISAPPEAR.
771
00:39:51,633 --> 00:39:54,700
WHEN WE SEXUALIZE GIRLS,
WHEN WE REDUCE THEM
772
00:39:54,733 --> 00:39:57,600
TO THE SUM OF THEIR
SEXUAL PARTS,
773
00:39:57,633 --> 00:40:00,067
WHEN WE TELL THEM THEY HAVE
TO BE THIN, HOT, AND SEXY
774
00:40:00,100 --> 00:40:02,067
AND THAT NOTHING ELSE COUNTS,
775
00:40:02,100 --> 00:40:04,133
WE CONTRIBUTE TO A RAFT
OF NEGATIVE, PHYSICAL,
776
00:40:04,167 --> 00:40:06,200
AND MENTAL HEALTH OUTCOMES.
777
00:40:08,300 --> 00:40:10,100
THE WAY THAT WE STYLE THEM
778
00:40:10,133 --> 00:40:11,433
AND PRESENT THEM
IN ADVERTISING,
779
00:40:11,467 --> 00:40:13,067
THE WAY WE SUGGEST
THAT LITTLE GIRLS
780
00:40:13,100 --> 00:40:15,567
ARE PERHAPS SEXUALLY
INTERESTING, SEXUALLY MATURE,
781
00:40:15,600 --> 00:40:16,833
SEXUALLY AVAILABLE,
782
00:40:16,867 --> 00:40:18,767
WE SUGGEST THAT GIRLS
ARE MUCH OLDER,
783
00:40:18,800 --> 00:40:20,433
MUCH MORE MATURE
THAN THEY REALLY ARE.
784
00:40:25,667 --> 00:40:28,600
AND BOYS ARE BEING TRAINED
TO HAVE A SENSE OF ENTITLEMENT
785
00:40:28,633 --> 00:40:31,133
TO THE BODIES
OF WOMEN AND GIRLS.
786
00:40:31,167 --> 00:40:33,500
LET'S GO SOMEWHERE
MORE ROMANTIC.
787
00:40:35,500 --> 00:40:37,133
"GRAND THEFT AUTO 5,"
788
00:40:37,167 --> 00:40:39,533
WHERE BOYS PAY
FOR A PROSTITUTED WOMAN,
789
00:40:39,567 --> 00:40:42,267
THEY HAVE SEX WITH HER,
AND THEN THEY MURDER HER
TO GET THEIR MONEY BACK.
790
00:40:42,300 --> 00:40:44,233
PRIMARY SCHOOL BOYS
ARE PLAYING THIS.
791
00:40:52,300 --> 00:40:53,600
-HELLO?
-[GUN COCKS]
792
00:40:55,800 --> 00:40:58,100
AND THE THING WITH A GAME
LIKE "GRAND THEFT AUTO 5"
793
00:40:58,133 --> 00:41:00,067
IS THAT IT'S NOT PASSIVE.
794
00:41:00,100 --> 00:41:02,167
THE BOY'S NOT PASSIVELY
WATCHING SOMETHING.
HE ENGAGING IN IT,
795
00:41:02,200 --> 00:41:03,800
HE'S DOING IT.
HE'S ACTING IT OUT.
796
00:41:03,833 --> 00:41:06,400
HE'S FEELING THE CAR ROCK
BACK AND FORTH DURING THE SEX.
797
00:41:06,433 --> 00:41:10,067
HE'S FEELING HIMSELF
KILL HER WITH THE WEAPON,
THE IMPACT OF THAT.
798
00:41:10,100 --> 00:41:14,033
HE'S SEEING HER
BLEED AND DIE.
799
00:41:14,067 --> 00:41:16,600
SO IF WE REALLY GENUINELY CARE
ABOUT OUR YOUNG PEOPLE,
800
00:41:16,633 --> 00:41:18,533
WE WOULD BE DOING
SOMETHING TO ADDRESS
801
00:41:18,567 --> 00:41:21,067
THE CULTURAL LANDSCAPE
IN WHICH MANY OF US
802
00:41:21,100 --> 00:41:22,600
ARE STRUGGLING TO RAISE
HAPPY, HEALTHY,
803
00:41:22,633 --> 00:41:24,333
RESILIENT CHILDREN.
804
00:41:24,367 --> 00:41:26,767
WHY SHOULD THE VESTED
INTEREST OF ADVERTISERS
805
00:41:26,800 --> 00:41:30,700
COME BEFORE THE WELL-BEING
OF CHILDREN AND YOUNG PEOPLE?
806
00:41:33,700 --> 00:41:36,800
[TARYN]
EVERYWHERE I GO, THERE IS
A COMMON SENSE OF DESPAIR.
807
00:41:36,833 --> 00:41:38,800
PARENTS ARE WORRIED
ABOUT THE IMPACT
808
00:41:38,833 --> 00:41:40,833
THAT THE SEXUALIZATION
OF YOUNG GIRLS
809
00:41:40,867 --> 00:41:42,500
AND OBJECTIFICATION OF WOMEN
810
00:41:42,533 --> 00:41:44,800
IS HAVING ON THEIR CHILDREN.
811
00:41:44,833 --> 00:41:49,067
IN AN IDEAL WORLD,
THE MESSAGES CONVEYED
TO MY DAUGHTER
812
00:41:49,100 --> 00:41:53,133
WOULD BE SO DIFFERENT.
813
00:41:53,167 --> 00:41:56,067
THEY WOULD BE INCLUSIVE
OF EVERY BODY TYPE,
814
00:41:56,100 --> 00:41:59,333
INCLUDING OUR OWN BODY TYPE--
HERS AND MINE.
815
00:41:59,367 --> 00:42:02,600
AND IN IDEAL WORLD,
816
00:42:02,633 --> 00:42:07,333
I WOULDN'T HAVE
TO CONSTANTLY PLAY--
817
00:42:07,367 --> 00:42:09,400
WHAT'S THE WORD?
818
00:42:17,133 --> 00:42:19,167
DAMAGE CONTROL.
819
00:42:19,200 --> 00:42:22,733
DAMAGE CONTROL.
I FEEL LIKE I'M GETTING
EMOTIONAL, BUT I FEEL LIKE
820
00:42:22,767 --> 00:42:26,200
I'M PUTTING OUT
A THOUSAND FIRES EVERY DAY
821
00:42:26,233 --> 00:42:31,600
JUST BY, UM, THE MEDIA,
THE MESSAGES, TELEVISION--
822
00:42:31,633 --> 00:42:34,500
ALL OF IT.
823
00:42:34,533 --> 00:42:37,067
I'M DROWNING
IN A SEA OF MEDIA.
824
00:42:37,100 --> 00:42:41,300
* YOU SUCK ME IN,
I'M HOOKED ON YOU *
825
00:42:41,333 --> 00:42:45,500
* I CAN'T WIN
NO MATTER WHAT I DO *
826
00:42:45,533 --> 00:42:49,233
* ALL AROUND ME,
EVERYWHERE I LOOK *
827
00:42:49,267 --> 00:42:53,300
* IT'S NOT FAIR
828
00:42:53,333 --> 00:42:55,067
* YOU'RE A SNAKE
829
00:42:55,100 --> 00:42:59,033
* SETTING TRAPS
ALL OVER THE PLACE *
830
00:42:59,067 --> 00:43:01,600
* NARY SHOWING YOUR FACE
831
00:43:01,633 --> 00:43:05,100
* KILLING US SLOWLY,
SOMETIMES QUICKLY *
832
00:43:05,133 --> 00:43:07,467
* DON'T YOU CARE?
833
00:43:07,500 --> 00:43:10,133
* AND THAT'S HOW YOU
WANNA LIVE YOUR LIFE *
834
00:43:10,167 --> 00:43:13,267
* YOU WANT ME HUNGRY
AND HORNY *
835
00:43:13,300 --> 00:43:15,600
* CRAWLING UP TO YOU
AND BEGGING *
836
00:43:15,633 --> 00:43:18,133
* FOR ANOTHER SPOON OF IT
837
00:43:18,167 --> 00:43:21,167
* YOU WANT ME STUPID
AND LONELY *
838
00:43:21,200 --> 00:43:25,467
* BUT I THINK WE'VE BOTH HAD
JUST ABOUT ENOUGH OF IT *
839
00:43:28,533 --> 00:43:31,467
[TARYN]
AS DEMORALIZING
AS ALL OF THIS IS,
840
00:43:31,500 --> 00:43:34,533
THERE IS HOPE--
PEOPLE LIKE JES BAKER,
841
00:43:34,567 --> 00:43:37,300
WHO ARE PUSHING BACK
AGAINST THESE TOXIC IDEALS
842
00:43:37,333 --> 00:43:40,467
OF HOW WE SHOULD LOOK,
FEEL, AND BEHAVE.
843
00:43:40,500 --> 00:43:43,767
A FEW YEARS AGO I WAS JUST
STARTING OUT BLOGGING
844
00:43:43,800 --> 00:43:46,400
AND THE MEDIA WAS ALL ABUZZ
845
00:43:46,433 --> 00:43:48,333
ABOUT ABERCROMBIE
AND FITCH'S CEO.
846
00:43:48,367 --> 00:43:51,067
HE HAD SAID SOME QUOTES
ABOUT HOW THEY DIDN'T SELL
847
00:43:51,100 --> 00:43:53,233
EXTRA LARGE CLOTHING
FOR WOMEN...
848
00:43:57,800 --> 00:44:00,167
BECAUSE THEY ONLY SOLD
TO THE COOL KIDS
849
00:44:00,200 --> 00:44:02,600
AND DIDN'T FIND
LARGER WOMEN VALUABLE.
850
00:44:06,167 --> 00:44:09,467
SO IN RESPONSE TO THAT,
I JUST DECIDED TO COLLABORATE
851
00:44:09,500 --> 00:44:12,267
WITH A LOCAL PHOTOGRAPHER
AND ANOTHER MODEL,
852
00:44:12,300 --> 00:44:16,800
TO RECREATE AN ABERCROMBIE
AND FITCH ADVERTISEMENT.
853
00:44:19,300 --> 00:44:21,233
IT BROKE PEOPLE'S BRAINS.
854
00:44:21,267 --> 00:44:23,233
PEOPLE DID NOT KNOW
WHAT TO DO WITH IT.
855
00:44:23,267 --> 00:44:26,200
THEY ABSOLUTELY LOVED IT,
THEY ABSOLUTELY HATED IT,
856
00:44:26,233 --> 00:44:27,633
THEY EVERYTHING IN-BETWEEN
857
00:44:27,667 --> 00:44:29,333
AND ON ALL SIDES
OF THE SPECTRUM.
858
00:44:29,367 --> 00:44:34,033
IT WAS JUST REALLY INCREDIBLE
TO SEE THAT MUCH EMOTION
859
00:44:34,067 --> 00:44:36,100
COMING FROM ONE IMAGE.
860
00:44:38,800 --> 00:44:42,533
THE WORLD WANTS IT,
THEY LOVE IT, THEY NEED IT.
861
00:44:42,567 --> 00:44:45,500
THEY LOVE
THE SHOCK FACTOR OF IT.
862
00:44:45,533 --> 00:44:47,333
AND THAT IS HOW
WE RECONDITION OUR BRAINS,
863
00:44:47,367 --> 00:44:49,500
IS WE SEE NEW IMAGES,
864
00:44:49,533 --> 00:44:52,567
DIFFERENT IMAGES
TO REPLACE OLD ONES,
TO BALANCE THE OLD ONES.
865
00:44:52,600 --> 00:44:56,867
SO, JES, DIETS,
WHAT DO YOU THINK OF THEM?
866
00:45:00,600 --> 00:45:03,300
WELL, THEY'RE MOSTLY
UNSUCCESSFUL.
867
00:45:03,333 --> 00:45:05,833
THEY ARE USUALLY
SOUL DRAINING.
868
00:45:05,867 --> 00:45:09,633
THEY TEND TO FUCK
WITH YOUR BODY
IN NEGATIVE WAYS.
869
00:45:09,667 --> 00:45:14,400
AND THEY HAVE BEEN
SOMETHING THAT HAS CAUSED
870
00:45:14,433 --> 00:45:18,200
A LOT OF EMOTIONAL
AND PHYSICAL SUFFERING
MY ENTIRE LIFE.
871
00:45:18,233 --> 00:45:21,533
SO I AM NOT PRO-DIETS.
I'M VERY ANTI-DIETS.
872
00:45:21,567 --> 00:45:24,767
AND THE DIET INDUSTRY MAKES
BILLIONS OF DOLLARS EVERY YEAR.
873
00:45:24,800 --> 00:45:28,467
IT'S AMAZING TO ME
THAT SO MUCH RESEARCH
SHOWS THAT 90 PLUS PERCENT
874
00:45:28,500 --> 00:45:30,133
OF DIETS DON'T WORK.
875
00:45:30,167 --> 00:45:32,033
[TARYN]
THAT IS SO TRUE.
876
00:45:32,067 --> 00:45:35,033
IN FACT, I'VE LEARNED TO NEVER
TRUST A FOUR LETTER WORD
877
00:45:35,067 --> 00:45:37,033
WHEN THE FIRST
THREE LETTERS SPELL "DIE."
878
00:45:38,833 --> 00:45:40,733
[WOMAN]
IN THE BEGINNING OF YOUR DIET,
YOU FEEL A LOT OF HOPE,
879
00:45:40,767 --> 00:45:43,567
BECAUSE YOU'RE SO EXCITED
AND SO DETERMINED TO EAT LESS.
880
00:45:43,600 --> 00:45:46,767
AND YOU PROBABLY NOTICE
THAT YOU'RE LOSING WEIGHT.
881
00:45:46,800 --> 00:45:48,667
THE NEXT THING
THAT YOU PROBABLY NOTICE
882
00:45:48,700 --> 00:45:51,567
IS THAT IT'S GETTING
A LITTLE BIT HARDER
TO MAINTAIN.
883
00:45:51,600 --> 00:45:54,200
NOW YOU'RE THINKING
ABOUT FOOD ALL THE TIME,
884
00:45:54,233 --> 00:45:56,133
YOU'RE MORE CONSCIOUS
OF SMELLS,
885
00:45:56,167 --> 00:45:58,400
AND YOU REALLY WANNA
BREAK YOUR DIET.
886
00:45:58,433 --> 00:46:00,500
WHEN YOUR BODY GETS
DEPRIVED OF CALORIES,
887
00:46:00,533 --> 00:46:02,733
IT MAKES YOU THINK ABOUT FOOD.
888
00:46:02,767 --> 00:46:05,433
IT MAKES SURE THAT YOU
CONCENTRATE LESS
889
00:46:05,467 --> 00:46:07,633
ON OTHER THINGS
SO THAT YOU'RE FOCUSED
890
00:46:07,667 --> 00:46:09,767
ON GETTING FOOD
AND TAKING CARE OF YOURSELF.
891
00:46:09,800 --> 00:46:14,067
IT EVEN CHANGES
THE TASTE PERCEPTION
IN YOUR MOUTH,
892
00:46:14,100 --> 00:46:16,200
SO THAT A WIDER RANGE
OF FLAVORS
893
00:46:16,233 --> 00:46:18,300
MIGHT BE INTERESTING TO YOU,
894
00:46:18,333 --> 00:46:20,833
SO THAT YOU'RE MORE WILLING
TO EAT ANYTHING
895
00:46:20,867 --> 00:46:22,367
JUST TO GET CALORIES.
896
00:46:24,100 --> 00:46:26,033
BUT THEN YOUR BODY
COULD SLOW DOWN
897
00:46:26,067 --> 00:46:27,467
YOUR METABOLISM
A LITTLE BIT,
898
00:46:27,500 --> 00:46:29,400
SO YOU SPEND
A LITTLE BIT LESS ENERGY.
899
00:46:29,433 --> 00:46:31,567
AND SO EVEN THOUGH
YOU'RE EATING LESS,
900
00:46:31,600 --> 00:46:34,567
YOUR DIET IS NOW
CAUSING YOU TO GAIN WEIGHT.
901
00:46:37,067 --> 00:46:38,767
IT'S NOT THAT PEOPLE
ARE FAILING,
902
00:46:38,800 --> 00:46:41,433
IT'S THAT DIETS
ARE FAILING THEM.
903
00:46:41,467 --> 00:46:43,500
WE DON'T STOP TO THINK
904
00:46:43,533 --> 00:46:47,200
AT JUST HOW INCREDIBLY
AWESOME THIS BODY IS.
905
00:46:47,233 --> 00:46:51,300
INSTEAD, WE JUST FOCUS IN
ON ONE NARROW DETAIL,
906
00:46:51,333 --> 00:46:52,633
AND THAT'S WEIGHT.
907
00:46:58,700 --> 00:47:02,133
[TARYN]
I HAVE TO SAY,
THROWING THE DIET BOOK AWAY
908
00:47:02,167 --> 00:47:04,733
WAS ONE OF THE MOST LIBERATING
THINGS I'VE EVER DONE.
909
00:47:12,500 --> 00:47:16,700
OCCASIONALLY, YOU SEE
SOMEONE'S WORK THAT REALLY
MAKES AN IMPACT.
910
00:47:16,733 --> 00:47:19,800
AFTER YEARS OF EMAILING
FELLOW PHOTOGRAPHER JADE BEALL,
911
00:47:19,833 --> 00:47:23,100
I WAS SO EXCITED TO FINALLY
MEET HER IN PERSON.
912
00:47:26,467 --> 00:47:30,633
SINCE I WAS 10 YEARS OLD,
I'VE BEEN OBSESSED WITH IMAGERY,
913
00:47:30,667 --> 00:47:35,200
SPECIFICALLY OF THIN WOMEN
THAT APPEARED PORELESS
914
00:47:35,233 --> 00:47:39,567
AND APPEARED
UNOBTAINABLY BEAUTIFUL.
915
00:47:39,600 --> 00:47:42,300
AND I DID
SOME PHOTOS OF MYSELF
916
00:47:42,333 --> 00:47:44,633
TRYING TO FIND PEACE
917
00:47:44,667 --> 00:47:49,600
WITH NOT BEING
A PHOTOSHOPPED PERSON.
918
00:47:49,633 --> 00:47:53,800
I'D JUST GIVEN BIRTH.
I WAS AT AN ALL-TIME LOW,
A FAILURE.
919
00:47:53,833 --> 00:47:56,267
I WAS FAT. I WAS UGLY.
920
00:47:56,300 --> 00:47:59,500
I WAS SUFFERING
FROM PRETTY SEVERE
POST-PARTUM DEPRESSION,
921
00:47:59,533 --> 00:48:03,300
AND I TOOK SOME IMAGES
OF MYSELF NUDE
922
00:48:03,333 --> 00:48:06,633
AND I CALLED THEM BEAUTIFUL.
923
00:48:06,667 --> 00:48:10,133
REVOLUTIONARY.
924
00:48:10,167 --> 00:48:11,533
I POSTED THEM ON MY WEBSITE
925
00:48:11,567 --> 00:48:13,400
AND ON MY FACEBOOK
PHOTOGRAPHY PAGE,
926
00:48:13,433 --> 00:48:16,433
AND PEOPLE LOVED THEM
JUST AS THEY WERE.
927
00:48:16,467 --> 00:48:18,400
HIGHLIGHTING MY CELLULITE.
928
00:48:18,433 --> 00:48:22,167
HIGHLIGHTING THE DARK CIRCLES
FROM TRYING TO FIGURE OUT
929
00:48:22,200 --> 00:48:24,767
THIS NEW LIFE,
FROM FEELING SCARED
930
00:48:24,800 --> 00:48:30,033
AND SAD AND JOYOUS,
AND NOT ERASING AWAY
931
00:48:30,067 --> 00:48:33,633
ALL THE DETAILS
OF THAT MOMENT.
932
00:48:33,667 --> 00:48:37,200
THOSE LITTLE DETAILS,
THEY'RE BEAUTIFUL.
933
00:48:37,233 --> 00:48:40,667
THEY MAKE US
IRREPLACEABLY BEAUTIFUL.
934
00:48:40,700 --> 00:48:43,400
I WAS A TEENAGER
WITH PRETTY SEVERE ACNE.
935
00:48:43,433 --> 00:48:47,300
AND, OH, HOW I CRAVED
TO SEE A GIRL, A TEENAGER,
936
00:48:47,333 --> 00:48:50,767
WITH SOME BLEMISHES
ON HER SKIN
937
00:48:50,800 --> 00:48:54,033
ON THE COVER OF "SEVENTEEN"
BEING CALLED BEAUTIFUL.
938
00:48:54,067 --> 00:48:56,567
I COULDN'T LOOK AT MYSELF
IN THE MIRROR FOR THREE YEARS
939
00:48:56,600 --> 00:49:00,700
BECAUSE OF THESE BLEMISHES,
AND I FELT DISGUSTING,
940
00:49:00,733 --> 00:49:02,500
ABSOLUTELY DISGUSTING,
941
00:49:02,533 --> 00:49:05,367
JUST BECAUSE
OF THE TEXTURE OF MY SKIN.
942
00:49:07,067 --> 00:49:08,500
THE FIRST WOMAN
I PHOTOGRAPHED
943
00:49:08,533 --> 00:49:10,800
AFTER I DID MY SELF PORTRAIT
THAT I PUT OUT THERE,
944
00:49:10,833 --> 00:49:13,333
SHE NEVER HAD SHOWN
HER BELLY BEFORE.
SHE'S A DANCER.
945
00:49:13,367 --> 00:49:19,200
AND SHE REVEALED HER
EMBARRASSING STRETCH MARKS.
946
00:49:19,233 --> 00:49:22,100
AND HER KIDS LOVE
THEIR MAMA SO MUCH.
947
00:49:22,133 --> 00:49:23,733
AND IT WAS JUST LIKE
THIS PERFECT MOMENT.
948
00:49:23,767 --> 00:49:25,667
AND SHE WAS VERY PROUD
OF THAT PHOTO.
949
00:49:25,700 --> 00:49:28,800
AND THAT PHOTO WENT EVERYWHERE
ALL OVER THE WORLD.
950
00:49:31,367 --> 00:49:34,333
I ALSO LIKE TO CALL
THIS KIND OF PHOTOGRAPHY
THERAPEUTIC PHOTOGRAPHY
951
00:49:34,367 --> 00:49:35,733
BECAUSE IT'S A PROCESS.
952
00:49:35,767 --> 00:49:37,633
IT'S A PRACTICE,
KINDA LIKE YOGA.
953
00:49:37,667 --> 00:49:40,600
YOU GOTTA PRACTICE AT IT
TO REALLY START
TO FEEL THE POSE.
954
00:49:40,633 --> 00:49:44,167
YOU GOTTA PRACTICE
SEEING YOURSELF
955
00:49:44,200 --> 00:49:47,400
IN MANY DIFFERENT LIGHTS
WITH YOUR WRINKLES,
956
00:49:47,433 --> 00:49:49,300
WITH THE PIMPLE OF THE DAY.
SO MANY PEOPLE ARE LIKE,
957
00:49:49,333 --> 00:49:51,167
"OH, JADE, CAN YOU JUST REMOVE
THAT PIMPLE BECAUSE--"
958
00:49:51,200 --> 00:49:53,367
AND I GET IT.
IT'S TEMPORARY.
959
00:49:53,400 --> 00:49:57,800
BUT IT'S ALSO JUST
A SIGN OF HOW LIFE
IS CONSTANTLY CHANGING.
960
00:49:57,833 --> 00:50:00,400
AND, NO, I'M NOT GONNA
TAKE THE PIMPLE AWAY.
961
00:50:02,600 --> 00:50:04,333
THE MAJORITY OF THEM
HAVE LEFT REALLY JOYOUS,
962
00:50:04,367 --> 00:50:05,700
MAYBE EMAIL ME
THE NEXT DAY,
963
00:50:05,733 --> 00:50:07,733
LIKE, "I FEEL
A LITTLE VULNERABLE."
964
00:50:07,767 --> 00:50:10,167
A LITTLE VULNERABILITY
HANGOVER HAPPENING.
965
00:50:12,067 --> 00:50:14,800
SOME WOMEN IMMEDIATELY
THEY LEAVE AND, LIKE,
966
00:50:14,833 --> 00:50:17,433
"FOR THE FIRST TIME,
I LOVE MYSELF."
967
00:50:17,467 --> 00:50:19,033
AND THEY WANNA COME BACK,
968
00:50:19,067 --> 00:50:20,100
THEY'RE LIKE,
"LET'S DO ANOTHER SHOOT."
969
00:50:21,633 --> 00:50:23,733
YEAH, THEY'RE PRETTY AWESOME.
970
00:50:23,767 --> 00:50:26,500
WE DEFINITELY DON'T SEE
A CELEBRATED BODY DIVERSITY,
971
00:50:26,533 --> 00:50:32,167
ETHNICITY, UM, BODY SHAPE.
972
00:50:32,200 --> 00:50:34,567
LIMBS, NO LIMBS--
973
00:50:34,600 --> 00:50:36,333
ALL THE DIFFERENT WAYS
THAT WE ARRIVE ON THIS PLANET,
974
00:50:36,367 --> 00:50:38,567
OR THAT WE BECOME,
HOW WE CHANGE ON THIS PLANET,
975
00:50:38,600 --> 00:50:41,267
AND HOW AMAZING THAT IS.
976
00:50:41,300 --> 00:50:43,500
NO TWO BODIES ARE ALIKE,
977
00:50:43,533 --> 00:50:45,467
AND ALL THESE LITTLE THINGS
MAKE US UNIQUE.
978
00:50:47,300 --> 00:50:50,533
AND TO BE SEEN
IS INCREDIBLY EMPOWERING.
979
00:50:50,567 --> 00:50:52,100
WHEN WE LOOK AT
PHOTOSHOPPED IMAGERY,
980
00:50:52,133 --> 00:50:54,233
WE'RE LIKE, "OH, MY,
I WANNA LOOK LIKE THAT,
981
00:50:54,267 --> 00:50:56,800
BUT I HAVE NO IDEA
HOW TO GET THERE."
982
00:50:59,100 --> 00:51:00,667
INSTEAD OF, "OH, WOW.
983
00:51:00,700 --> 00:51:03,400
SHE LOOKS LIKE ME,
AND THAT'S BEAUTIFUL."
984
00:51:08,200 --> 00:51:11,100
[PHONE RINGING]
985
00:51:13,133 --> 00:51:14,667
-HELLO?
-HI, MIKI.
986
00:51:14,700 --> 00:51:17,067
-HI, MAMA.
-HOW ARE YOU?
987
00:51:17,100 --> 00:51:19,100
[MIKAELA]
I GOT ANOTHER--
988
00:51:19,133 --> 00:51:23,033
[TARYN]
TRAVELING AS MUCH AS I AM
CAN GET A LITTLE TIRING,
989
00:51:23,067 --> 00:51:26,700
BUT THE BEST PART OF MY DAY
IS CHECKING IN WITH THE FAMILY.
990
00:51:26,733 --> 00:51:29,033
[MATHEW]
SO HOW DID IT GO
MEETING JADE?
991
00:51:29,067 --> 00:51:31,667
IT WAS GOOD.
SHE WAS SO POSITIVE.
992
00:51:31,700 --> 00:51:35,200
WE HAD LOTS OF FUN
AND WE SPOKE FOR HOURS.
993
00:51:43,100 --> 00:51:45,333
ONE THING THAT REALLY
PUZZLES ME
994
00:51:45,367 --> 00:51:47,767
IS THE AMOUNT OF TIME
AND MONEY WOMEN SPEND
995
00:51:47,800 --> 00:51:50,533
ATTEMPTING TO DEFY THEIR AGE.
996
00:51:50,567 --> 00:51:52,633
AND IN A WORLD WHERE SO MANY
ARE TRYING TO ERADICATE
997
00:51:52,667 --> 00:51:54,400
THEIR LINES AND WRINKLES,
998
00:51:54,433 --> 00:51:58,600
I'VE COME TO MEET SOMEONE
WHO HAS GROWN TO LOVE THEM.
999
00:51:58,633 --> 00:52:00,167
[WOMAN]
AND, RENEE, I'M GOING
TO ASK YOU TO MAKE
1000
00:52:00,200 --> 00:52:01,800
SEVERAL MOVEMENTS
OF YOUR FACE.
1001
00:52:01,833 --> 00:52:05,167
AND I'M GOING TO ASK YOU
TO DO EACH MOVEMENT TWICE.
1002
00:52:05,200 --> 00:52:08,133
I WANT YOU TO HOLD
EACH POSITION
1003
00:52:08,167 --> 00:52:09,400
UNTIL I TELL YOU
TO RELEASE IT.
1004
00:52:09,433 --> 00:52:10,400
OKAY.
1005
00:52:10,433 --> 00:52:13,567
-READY?
-YEP.
1006
00:52:13,600 --> 00:52:16,067
THE FIRST ONE
IS RAISE YOUR EYEBROWS.
1007
00:52:18,600 --> 00:52:21,133
[WOMAN]
I STARTED MODELING
WHEN I WAS 12.
1008
00:52:21,167 --> 00:52:23,700
IT WAS MY ASPIRATION, REALLY,
TO BE A SUPERMODEL,
1009
00:52:23,733 --> 00:52:27,233
LIKE THE LINDA EVANGELISTAS,
AND THE CINDY CRAWFORDS,
1010
00:52:27,267 --> 00:52:28,700
AND THE CLAUDIA SCHIFFERS.
1011
00:52:28,733 --> 00:52:32,067
AND THEN ALL OF A SUDDEN,
WHEN I'M 29,
1012
00:52:32,100 --> 00:52:34,333
I'M JUST WRITING
IN MY JOURNAL ONE DAY,
1013
00:52:34,367 --> 00:52:39,333
AND I WRITE,
"THERE'S SOMETHING
REALLY WRONG WITH YOU."
1014
00:52:39,367 --> 00:52:40,800
YOU ARE GOING TO DIE.
1015
00:52:42,733 --> 00:52:44,767
MANY MONTHS LATER
AND MANY DOCTORS LATER,
1016
00:52:44,800 --> 00:52:48,333
I REMEMBER STANDING
IN FRONT OF THE X-RAY MACHINE,
1017
00:52:48,367 --> 00:52:51,567
AND I LOOKED UP
AND WAS COMPLETELY STUNNED
1018
00:52:51,600 --> 00:52:55,167
TO SEE MY HEAD
WITH A HUGE BRAIN TUMOR.
1019
00:52:56,700 --> 00:52:58,333
YOU KNOW, THE DOCTOR SAYING,
"WELL, THE GOOD NEWS
1020
00:52:58,367 --> 00:53:01,467
IS THESE TYPES OF TUMORS
ARE NEVER CANCEROUS.
1021
00:53:01,500 --> 00:53:03,333
BUT THE BAD NEWS IS,
THIS IS ONE OF THE MOST
1022
00:53:03,367 --> 00:53:05,633
DANGEROUS FORMS
OF MASSIVE BRAIN SURGERY,
1023
00:53:05,667 --> 00:53:08,267
AND YOU HAVE TO GET
IMMEDIATE SURGERY."
1024
00:53:10,700 --> 00:53:14,733
I WOKE UP ABOUT 13 HOURS
AFTER THE BRAIN SURGERY,
1025
00:53:14,767 --> 00:53:17,667
HEARING PEOPLE AROUND ME
TALKING THAT SOMETHING
HAD HAPPENED,
1026
00:53:17,700 --> 00:53:19,067
SOMETHING HAD GONE WRONG.
1027
00:53:22,067 --> 00:53:24,267
THE ONLY THING HOLDING
MY FACIAL NERVE TOGETHER
1028
00:53:24,300 --> 00:53:26,133
WAS THE TUMOR ITSELF.
1029
00:53:26,167 --> 00:53:29,100
SO AS SOON AS THEY STARTED
TAKING OUT THE TUMOR,
1030
00:53:29,133 --> 00:53:32,400
MY FACIAL NERVE
JUST FELL APART.
1031
00:53:32,433 --> 00:53:34,333
ON ONE SIDE OF MY FACE,
1032
00:53:34,367 --> 00:53:37,400
ZERO WRINKLES, ZERO LINES.
1033
00:53:37,433 --> 00:53:39,133
AND ON THIS SIDE OF MY FACE,
1034
00:53:39,167 --> 00:53:44,167
I SAW THE PERSON THAT I KNEW
MYSELF TO BE MY WHOLE LIFE.
1035
00:53:44,200 --> 00:53:46,167
AND I SAW...
1036
00:53:50,333 --> 00:53:55,033
I SAW LIKE MY SMILE LINES
1037
00:53:55,067 --> 00:53:59,500
THAT I HAD WORKED VERY HARD
TO GET THOSE SMILE LINES
1038
00:53:59,533 --> 00:54:01,433
BECAUSE I HAD LIVED SO MUCH.
1039
00:54:01,467 --> 00:54:04,233
AND I JUST FELT
ALL OF MY LIFE EXPERIENCE
1040
00:54:04,267 --> 00:54:06,133
ON ONE SIDE OF MY FACE,
1041
00:54:06,167 --> 00:54:10,500
AND ON THE OTHER SIDE
OF MY FACE WAS JUST NOTHING.
1042
00:54:12,767 --> 00:54:14,533
[WOMAN]
AND RELEASE.
1043
00:54:15,633 --> 00:54:18,800
DOWN AND TOGETHER.
1044
00:54:18,833 --> 00:54:21,833
TRY IT ONCE MORE.
DOWN AND TOGETHER. HOLD.
1045
00:54:21,867 --> 00:54:24,633
[RENEE]
EVERY DAY I JUST GOT
IN FRONT OF THE MIRROR
1046
00:54:24,667 --> 00:54:28,300
AND I WOULD JUST STARE
IN MY OWN EYES
1047
00:54:28,333 --> 00:54:31,100
AND TELL THE RIGHT SIDE
OF MY FACE
1048
00:54:31,133 --> 00:54:34,033
TO ACT LIKE THE LEFT-HAND
SIDE OF MY FACE.
1049
00:54:34,067 --> 00:54:37,133
AND THEN, JUST GRADUALLY,
I WOULD BE ABLE TO SEE
1050
00:54:37,167 --> 00:54:39,800
LIKE PART OF ONE LITTLE TOOTH
FIRST WHEN I SMILED,
1051
00:54:39,833 --> 00:54:41,367
AND THEN LIKE
ANOTHER ONE WOULD COME.
1052
00:54:41,400 --> 00:54:42,800
AND THEN FINALLY
TWO TEETH WOULD COME
1053
00:54:42,833 --> 00:54:44,467
WHEN I WOULD RUN INTO PEOPLE
1054
00:54:44,500 --> 00:54:46,233
AND THEY'RE LIKE "OH, MY GOD!
IT'S A MIRACLE."
1055
00:54:46,267 --> 00:54:48,467
AND I WOULD SAY,
"YES, OH, MY GOD!
IT IS A MIRACLE."
1056
00:54:48,500 --> 00:54:51,767
AND THEN I WOULD KIND
OF RETREAT AND SAY,
1057
00:54:51,800 --> 00:54:53,167
"IT'S A MIRACLE
AND I'M GRATEFUL,
1058
00:54:53,200 --> 00:54:56,067
BUT I DON'T FEEL
THAT GOOD ABOUT IT."
1059
00:54:56,100 --> 00:54:57,633
LIKE, I MISS MYSELF.
1060
00:54:57,667 --> 00:55:02,133
I MISS WALKING INTO A ROOM
WITH A GROUP OF FRIENDS,
1061
00:55:02,167 --> 00:55:05,300
AND JUST HOW I WOULD FEEL
WHEN MY SMILE WOULD BEAM.
1062
00:55:05,333 --> 00:55:09,233
AND I JUST THOUGHT,
"RENEE, YOU CAN EITHER
BE DEPRESSED ABOUT THIS
1063
00:55:09,267 --> 00:55:11,233
THE REST OF YOUR LIFE,
1064
00:55:11,267 --> 00:55:15,100
OR YOU CAN FIGURE OUT A WAY
TO STILL CONTINUE TO SHINE
1065
00:55:15,133 --> 00:55:17,100
THE BRIGHTNESS
THAT YOU ARE INSIDE."
1066
00:55:19,100 --> 00:55:21,433
I STARTED, ACTUALLY,
MAKING SOCIAL MEDIA VIDEOS.
1067
00:55:21,467 --> 00:55:24,333
I MEAN, TO ME THAT WAS
ONE OF THE GUTSIEST THINGS
THAT I COULD DO,
1068
00:55:24,367 --> 00:55:28,133
JUST, BOOM,
SHARE MY FACE ON CAMERA.
1069
00:55:28,167 --> 00:55:32,067
AT THE BEGINNING,
I THOUGHT THAT I WAS JUST
DOING IT FOR MYSELF.
1070
00:55:32,100 --> 00:55:38,067
AND THROUGH THE PROCESS
OF ME SHARING SO OPENLY
AND VULNERABLY,
1071
00:55:38,100 --> 00:55:41,533
I COULD SEE PEOPLES HEARTS
STARTING TO OPEN.
1072
00:55:41,567 --> 00:55:46,400
I COULD SEE MY STORY
AND MY FLAWS TOUCHING THEM.
1073
00:55:47,767 --> 00:55:49,800
YOU KNOW, FLIPPING
THE FLAWS IS GREAT.
1074
00:55:49,833 --> 00:55:51,167
ACCEPTING THEM IS WONDERFUL.
1075
00:55:51,200 --> 00:55:53,600
AND THEN ACTUALLY CELEBRATING?
1076
00:55:53,633 --> 00:55:57,033
WHEN WE DO THAT, WE ALLOW
THE SAME SPACE FOR OTHERS.
1077
00:55:57,067 --> 00:55:59,400
WE STOP JUDGING
OTHER PEOPLE SO MUCH.
1078
00:55:59,433 --> 00:56:02,067
OTHER PEOPLE STOP
JUDGING US SO MUCH.
1079
00:56:02,100 --> 00:56:05,667
IT'S REALLY A PATH TO PEACE.
1080
00:56:05,700 --> 00:56:08,400
[TARYN]
I LOVED THAT IDEA
OF NOT JUDGING,
1081
00:56:08,433 --> 00:56:12,333
AND ON MY TRAVELS,
I'VE HEARD SO MANY STORIES
OF INSPIRATION
1082
00:56:12,367 --> 00:56:15,700
AND DEFIANCE
AND DETERMINATION,
1083
00:56:15,733 --> 00:56:17,800
BUT NOT EVERYONE
IS ON THAT PATH TO PEACE.
1084
00:56:21,733 --> 00:56:22,833
I'D LIKE TO BE THINNER.
1085
00:56:22,867 --> 00:56:24,800
I DON'T LIKE.
1086
00:56:24,833 --> 00:56:27,233
TOO BIG. TOO FAT.
1087
00:56:27,267 --> 00:56:29,533
MAYBE I'M A LITTLE BIT FAT.
1088
00:56:31,700 --> 00:56:34,300
THERE'S SOME DAYS
WHEN I WANT TO CRY.
1089
00:56:37,333 --> 00:56:39,833
[TARYN]
IT SEEMS UNBELIEVABLE
THAT SO MANY OF US
1090
00:56:39,867 --> 00:56:42,700
HAVE LOST PERSPECTIVE
ON WHAT MATTERS.
1091
00:56:42,733 --> 00:56:46,100
IT REMINDS ME OF A WOMAN I MET
WHO SETS THE STORY STRAIGHT
1092
00:56:46,133 --> 00:56:47,700
ON WHAT'S REALLY IMPORTANT.
1093
00:56:49,500 --> 00:56:52,100
[REPORTER]
AT 24, THIS BRIGHT
MINING ENGINEER
1094
00:56:52,133 --> 00:56:55,367
SIGNED UP FOR A 100-KILOMETER
OUTBACK MARATHON.
1095
00:56:58,733 --> 00:57:03,667
THIS IS TURIA ON THE COURSE
IN SEPTEMBER 2011.
1096
00:57:03,700 --> 00:57:07,400
SHE'S POWERING
THROUGH THE KIMBERLEY.
1097
00:57:07,433 --> 00:57:11,700
BUT JUST A FEW HOURS LATER,
SHE'D BE FIGHTING FOR HER LIFE
1098
00:57:11,733 --> 00:57:14,067
AFTER BEING TRAPPED
IN A RAGING BUSHFIRE.
1099
00:57:19,100 --> 00:57:21,633
IT WAS A SHOCK TIME,
'CAUSE YOU WAKE UP
1100
00:57:21,667 --> 00:57:24,133
EVERY DAY OF YOUR LIFE
AND YOU LOOK AT YOURSELF
1101
00:57:24,167 --> 00:57:26,233
IN THE MORNING
WHEN YOU BRUSH YOUR TEETH,
1102
00:57:26,267 --> 00:57:28,333
AND THEN ALL OF A SUDDEN
SOMETHING HAPPENS TO YOU
1103
00:57:28,367 --> 00:57:30,233
AND THE NEXT TIME YOU
LOOK IN THE MIRROR,
1104
00:57:30,267 --> 00:57:32,400
YOU DON'T KNOW WHO'S
STARING BACK AT YOU.
1105
00:57:32,433 --> 00:57:35,133
IT'S SORT OF LIKE, THE PERSON
WHO WAS IN THE MIRROR,
1106
00:57:35,167 --> 00:57:36,700
THAT WASN'T ME.
1107
00:57:36,733 --> 00:57:41,067
THAT WASN'T
WHO I SAW MYSELF AS.
1108
00:57:41,100 --> 00:57:43,500
BUT NOW WHEN I LOOK
IN THE MIRROR, I SEE ME.
1109
00:57:43,533 --> 00:57:47,000
WHICH SOUNDS REALLY RIDICULOUS,
BECAUSE WHO ELSE WOULD I BE?
1110
00:57:48,800 --> 00:57:53,267
MAYBE IT WAS THE BEST THING
TO EVER HAPPEN TO ME,
1111
00:57:53,300 --> 00:57:57,467
BECAUSE I'VE BEEN ABLE
TO CREATE A LIFE FOR MYSELF
1112
00:57:57,500 --> 00:57:59,833
THAT I'M REALLY
PASSIONATE ABOUT.
1113
00:57:59,867 --> 00:58:01,467
MY ACCIDENT GAVE ME A VOICE,
1114
00:58:01,500 --> 00:58:03,400
AND IT GAVE ME
THE OPPORTUNITY TO BE HEARD
1115
00:58:03,433 --> 00:58:06,133
AND IT GAVE ME THE RESOURCES
TO PUT MY ENERGY
1116
00:58:06,167 --> 00:58:07,700
INTO SOMETHING THAT
I WAS PASSIONATE ABOUT,
1117
00:58:07,733 --> 00:58:10,767
LIKE WORKING WITH INTERPLAST
AND MY FOUNDATION.
1118
00:58:10,800 --> 00:58:12,667
SO IT COULD BE THE WORST THING
THAT EVER HAPPENED TO ME
1119
00:58:12,700 --> 00:58:14,267
OR IT COULD BE
THE BEST THING.
1120
00:58:14,300 --> 00:58:17,467
I DON'T KNOW.
I DON'T THINK ANYONE DOES.
1121
00:58:17,500 --> 00:58:20,167
I REMEMBER SOMEONE
STOPPED MICHAEL IN TOWN
1122
00:58:20,200 --> 00:58:22,367
AND THEY ASKED HIM WHY
HE WAS STILL WITH ME.
1123
00:58:22,400 --> 00:58:26,267
AFTER I FOUND THAT OUT,
I WAS REALLY CRUSHED
'CAUSE I THOUGHT,
1124
00:58:26,300 --> 00:58:28,600
"OH, IS THAT ALL THAT
ANYONE EVER THOUGHT OF ME?
1125
00:58:28,633 --> 00:58:31,633
WAS I JUST
A PRETTY GIRL?
1126
00:58:31,667 --> 00:58:35,767
LIKE, I'M SO MUCH MORE
THAN JUST WHAT I LOOK LIKE.
1127
00:58:35,800 --> 00:58:38,167
I'M REALLY LUCKY TO HAVE HIM.
1128
00:58:38,200 --> 00:58:42,300
I SUPPOSE IT'S NOT
REALLY LUCK, THOUGH.
I'M PRETTY AWESOME.
1129
00:58:42,333 --> 00:58:43,767
WITH THE "WOMEN'S WEEKLY" COVER,
1130
00:58:43,800 --> 00:58:45,700
I GOT A LOT OF EMAILS
AND THEY WENT--
1131
00:58:45,733 --> 00:58:48,100
YOU KNOW, THEY SAID,
"I HATE MY BODY,
I HATE MY FACE,
1132
00:58:48,133 --> 00:58:51,100
I HATE MY LEGS,
I HATE MY ARMS."
1133
00:58:51,133 --> 00:58:53,600
IT'S A WASTE OF ENERGY
THAT PEOPLE SPEND
1134
00:58:53,633 --> 00:58:57,700
ALL OF THAT TIME WORRYING
ABOUT HOW THEY LOOK
1135
00:58:57,733 --> 00:59:00,767
AS OPPOSED TO WHAT
THEY CAN CONTRIBUTE.
1136
00:59:00,800 --> 00:59:02,500
I REALLY THINK
IT'S ALL IN THE MIND.
1137
00:59:04,200 --> 00:59:06,367
IF YOU'RE SELF-CONSCIOUS
ABOUT SOMETHING,
1138
00:59:06,400 --> 00:59:08,533
OTHER PEOPLE WILL NOTICE IT.
1139
00:59:08,567 --> 00:59:11,833
BUT IF YOU JUST OWN IT,
PEOPLE DON'T CARE.
1140
00:59:11,867 --> 00:59:14,433
PEOPLE ARE TOO BUSY BEING
WRAPPED UP IN THEIR OWN LIVES
1141
00:59:14,467 --> 00:59:16,600
TO ACTUALLY CARE
ABOUT WHAT YOU'RE DOING.
1142
00:59:18,600 --> 00:59:20,733
AND I'VE GONE THROUGH
SOMETHING SO HUGE
1143
00:59:20,767 --> 00:59:23,267
THAT MOST PEOPLE DON'T
GO THROUGH, SO I THINK,
1144
00:59:23,300 --> 00:59:28,367
"WELL, I'VE MANAGED TO START
MY LIFE AGAIN FROM SCRATCH,
1145
00:59:28,400 --> 00:59:32,300
I'M NOT SURE WHY
OTHER PEOPLE CAN'T."
1146
00:59:32,333 --> 00:59:35,833
THAT PROBABLY SOUNDS
A LITTLE BIT HARSH,
1147
00:59:35,867 --> 00:59:37,800
BUT IT'S JUST HOW I FEEL.
1148
00:59:48,400 --> 00:59:50,667
[TARYN]
NO MATTER WHO YOU ARE,
HAVING TO FACE
1149
00:59:50,700 --> 00:59:53,700
YOUR INNER CRITIC
CAN BE ONE OF LIFE'S
GREATEST CHALLENGES.
1150
00:59:55,500 --> 00:59:57,333
I'VE COME TO LONDON
TO MEET SOMEONE
1151
00:59:57,367 --> 00:59:59,633
WHO'S MANAGED
TO OVERCOME THE CRITICISM
1152
00:59:59,667 --> 01:00:03,633
AND ACCEPT AND LOVE
THEMSELVES JUST AS THEY ARE.
1153
01:00:03,667 --> 01:00:05,500
SO ONE DAY I JUST LOOKED
IN THE MIRROR AND I THOUGHT,
1154
01:00:05,533 --> 01:00:07,633
"OH, GOSH." THEN WE WENT
TO THE DOCTOR'S.
1155
01:00:07,667 --> 01:00:09,800
THEY DIAGNOSED ME
WITH POLYCYSTIC OVARIES,
1156
01:00:09,833 --> 01:00:14,067
WHICH DID LEAD ME
TO GROW LOTS AND LOTS
OF FACIAL HAIR.
1157
01:00:14,100 --> 01:00:16,533
SO I USED TO GO
TO THE BEAUTICIANS,
AND THEY USED TO WAX IT,
1158
01:00:16,567 --> 01:00:19,033
AND IT GREW BACK
WITH A VENGEANCE,
1159
01:00:19,067 --> 01:00:21,567
AND IT CAME BACK
ALL OVER MY FACE.
1160
01:00:21,600 --> 01:00:23,700
YEAH, AND IT WAS DARKER,
IT'S THICKER, IT'S LONGER
1161
01:00:23,733 --> 01:00:25,300
THAN WHAT IT USED
TO BE BEFORE.
1162
01:00:26,867 --> 01:00:29,700
I SPENT YEARS AND YEARS
REMOVING MY FACIAL HAIR.
1163
01:00:29,733 --> 01:00:32,033
AND I HATED MY BODY
FOR THE WAY IT LOOKED.
1164
01:00:32,067 --> 01:00:36,400
SO, I WAS HARMING IT,
AND I WAS PUNISHING MY BODY
BY SELF HARMING IT.
1165
01:00:36,433 --> 01:00:39,433
IT WAS EXCRUCIATING.
1166
01:00:39,467 --> 01:00:42,400
MY BEDROOM WAS MY SAFE HAVEN,
SO I WOULD GO TO SCHOOL,
1167
01:00:42,433 --> 01:00:44,233
AND THEN COME BACK
STRAIGHT TO MY BEDROOM,
1168
01:00:44,267 --> 01:00:46,600
AND I DIDN'T GO OUT.
I DIDN'T HAVE A SOCIAL LIFE.
1169
01:00:46,633 --> 01:00:50,233
I WASN'T ABLE TO MEET
NEW PEOPLE OR MAKE
NEW FRIENDS.
1170
01:00:50,267 --> 01:00:53,700
MY TURNING POINT
WAS THE DAY THAT I DECIDED
1171
01:00:53,733 --> 01:00:55,800
TO ACTUALLY END MY LIFE.
1172
01:00:55,833 --> 01:00:58,633
I DON'T THINK PEOPLE
REALIZE HOW MUCH STRENGTH
1173
01:00:58,667 --> 01:01:00,667
IT TAKES FOR YOU TO ONE DAY
WAKE UP AND SAY,
1174
01:01:00,700 --> 01:01:03,533
"DO YOU KNOW WHAT? TODAY,
I JUST WANT TO END MYSELF."
1175
01:01:03,567 --> 01:01:05,567
IT TAKES A LOT OF ENERGY,
1176
01:01:05,600 --> 01:01:08,833
AND FOR ME IT WAS A LOT
OF NEGATIVE ENERGY.
1177
01:01:08,867 --> 01:01:11,400
AND I THOUGHT--
WELL, LITERALLY,
1178
01:01:11,433 --> 01:01:12,733
I WAS SAT THERE ON MY BED
1179
01:01:12,767 --> 01:01:15,167
AND I WAS READY
TO GO AHEAD WITH THIS ACT.
1180
01:01:15,200 --> 01:01:17,333
AND I THOUGHT--
IN A SPLIT SECOND,
1181
01:01:17,367 --> 01:01:19,500
I THOUGHT, "WELL, WHY DON'T
YOU TURN THIS NEGATIVE ENERGY
1182
01:01:19,533 --> 01:01:22,233
INTO POSITIVE ENERGY
AND ACTUALLY GRASP HOLD
1183
01:01:22,267 --> 01:01:25,033
OF YOUR LIFE AND ACTUALLY
LEARN TO BE HAPPY?"
1184
01:01:26,867 --> 01:01:28,567
I REMEMBER SITTING
ON MY BED ONE DAY
1185
01:01:28,600 --> 01:01:31,667
AND GOING THROUGH ALL
OF THESE NEGATIVE LABELS,
1186
01:01:31,700 --> 01:01:35,100
AND ACTUALLY PLASTERING
POSITIVE LABELS ON MYSELF,
1187
01:01:35,133 --> 01:01:36,467
SO WHEN SOMEONE
CALLED ME UGLY,
1188
01:01:36,500 --> 01:01:37,567
I WOULD SAY,
"NO, I'M BEAUTIFUL."
1189
01:01:37,600 --> 01:01:39,133
IF SOMEONE CALLED ME FAT,
1190
01:01:39,167 --> 01:01:40,467
I'D BE LIKE,
"NO, I'M QUITE SEXY."
1191
01:01:40,500 --> 01:01:42,500
I THINK THAT'S ALL
WOMEN NEED TO DO.
1192
01:01:42,533 --> 01:01:45,400
I THINK WOMEN NEED TO START
FINDING POSITIVE WORDS
1193
01:01:45,433 --> 01:01:48,233
ABOUT THEIR BODIES
AND ACTUALLY EMBEDDING THEM
1194
01:01:48,267 --> 01:01:49,467
IN THEIR HEART.
1195
01:01:49,500 --> 01:01:50,633
YOU HAVE TO FEEL BEAUTIFUL.
1196
01:01:50,667 --> 01:01:52,167
YOU HAVE TO FEEL
LOVE FOR YOURSELF.
1197
01:01:52,200 --> 01:01:54,600
YOU HAVE TO FEEL
COMPASSION FOR YOURSELF.
1198
01:01:54,633 --> 01:01:56,367
THAT'S THE TURNING POINT.
1199
01:01:56,400 --> 01:01:58,500
INTERNALLY, YOU HAVE
TO CHANGE FIRST.
1200
01:01:59,800 --> 01:02:01,233
I LOVE MY BEARD.
1201
01:02:01,267 --> 01:02:03,067
YEAH, I GET ALL
DIFFERENT REACTIONS.
1202
01:02:03,100 --> 01:02:05,533
SOME ARE QUITE INTRIGUED
AND SOME ARE QUITE NASTY.
1203
01:02:05,567 --> 01:02:08,533
AND THEY CALL ME THINGS LIKE,
"SHE MAN" OR "SHE MALE."
1204
01:02:08,567 --> 01:02:10,400
WHY DON'T YOU JUST TELL ME
STRAIGHT UP TO MY FACE
1205
01:02:10,433 --> 01:02:12,267
THAT "YOU NEED TO SHAVE,
YOU LOOK UGLY."
1206
01:02:12,300 --> 01:02:15,733
BUT TO ME, I DON'T FEEL UGLY,
I FEEL REALLY BEAUTIFUL.
1207
01:02:15,767 --> 01:02:18,533
SO, WHEN PEOPLE DO COME TO ME
WITH COMMENTS LIKE THAT,
1208
01:02:18,567 --> 01:02:20,767
I JUST SORT OF
BRUSH THEM AWAY BECAUSE
I KNOW THEY'RE NOT TRUE,
1209
01:02:20,800 --> 01:02:24,133
AND I KNOW THAT'S
THEIR OPINION OF ME.
1210
01:02:24,167 --> 01:02:26,500
AND FOR THEM THAT OPINION
MIGHT BE TRUE,
1211
01:02:26,533 --> 01:02:28,533
BUT, TO ME, IT'S NOT.
I LIVE A DIFFERENT LIFE
1212
01:02:28,567 --> 01:02:32,267
THAN THEM AND IT'S FINE.
I'M HAPPY WITH THAT.
1213
01:02:32,300 --> 01:02:35,200
THERE'S NO DEFINITE ANSWER
TO WHAT BEAUTY IS.
1214
01:02:35,233 --> 01:02:36,533
BEAUTY IS WHAT YOU MAKE IT.
1215
01:02:36,567 --> 01:02:38,467
WE'RE ALL SO DIFFERENT.
1216
01:02:38,500 --> 01:02:40,700
WE NEED TO CELEBRATE THE FACT
THAT WE ARE DIFFERENT.
1217
01:02:40,733 --> 01:02:43,300
AND THAT IN ITSELF
IS BEAUTY.
1218
01:02:43,333 --> 01:02:46,333
LOVE YOUR BODIES
FOR THE WAY THAT THEY ARE,
1219
01:02:46,367 --> 01:02:50,233
BECAUSE YOUR BODY
IS THE ONLY BODY
THAT YOU HAVE,
1220
01:02:50,267 --> 01:02:54,467
AND WHY ARE YOU COMPLAINING
ABOUT SUCH A BEAUTIFUL BODY?
1221
01:03:08,133 --> 01:03:11,600
[TARYN]
I'VE BEEN ON THE ROAD
FOR A LONG TIME.
1222
01:03:11,633 --> 01:03:14,700
I MISS HOME, MY BED,
AND MOST OF ALL
I MISS MY KIDS.
1223
01:03:20,667 --> 01:03:24,400
THROUGH SOCIAL MEDIA,
I'VE BEEN ABLE TO CONNECT
WITH SOME AMAZING PEOPLE.
1224
01:03:25,833 --> 01:03:27,667
ONE WOMAN WHO
SHARES MY PASSION
1225
01:03:27,700 --> 01:03:29,667
FOR CHANGING ATTITUDES
ABOUT BODY IMAGE
1226
01:03:29,700 --> 01:03:32,467
IS GERMAN ACTRESS
NORA TSCHIRNER.
1227
01:03:32,500 --> 01:03:36,167
SHE'S INVITED ME TO VIENNA
TO ATTEND A RED CARPET EVENT,
1228
01:03:36,200 --> 01:03:38,700
AND I'M EXCITED TO GO
BEHIND THE SCENES
1229
01:03:38,733 --> 01:03:41,100
AND TO HEAR HER INSIGHTS
INTO THIS WORLD.
1230
01:03:44,200 --> 01:03:49,600
I THINK-- I'M NOT SURE,
BUT I THINK YOU'RE SUPPOSED
TO HAVE A LONG DRESS.
1231
01:03:49,633 --> 01:03:51,400
YOU DIDN'T TELL YOU
IT WAS LONG DRESS.
1232
01:03:51,433 --> 01:03:54,633
IT'S A ROBE. ISN'T THAT
A BALL GOWN THING?
1233
01:03:54,667 --> 01:03:57,167
-ISN'T THAT A--
-THAT'S KIND OF BALL GOWN-ISH.
1234
01:03:57,200 --> 01:03:59,700
MAYBE IN AUSTRALIA!
1235
01:03:59,733 --> 01:04:01,167
AW, SHIT.
1236
01:04:10,333 --> 01:04:12,333
[NORA] TO FOCUS SO MUCH
ON YOUR LOOKS,
1237
01:04:12,367 --> 01:04:15,667
IT'S A RACE THAT YOU CAN WIN
FOR A COUPLE OF YEARS,
1238
01:04:15,700 --> 01:04:18,700
AND THEN THAT'S IT,
BECAUSE THEN YOU START TO AGE.
1239
01:04:18,733 --> 01:04:21,733
LIKE, I HAVE NOT HEARD OF
A PERSON WINNING IT SO FAR.
1240
01:04:28,700 --> 01:04:32,200
BUT THEN, STILL, IF YOU'RE
STARTING TO BE AN ACTOR
1241
01:04:32,233 --> 01:04:37,067
AND YOUR FACE IS ON THE SCREEN
AND IT'S, LIKE, VERY BIG,
1242
01:04:37,100 --> 01:04:39,100
THERE'S MOMENTS WHEN
YOU START TO THINK,
1243
01:04:39,133 --> 01:04:44,400
"WELL, I MEAN,
THIS SIDE DOES JUST LOOK
BETTER," AND STUFF.
1244
01:04:44,433 --> 01:04:48,100
AND I REALLY HAD
TO FORCE MYSELF TO NOT BE
TOO STRICT ABOUT IT.
1245
01:04:48,133 --> 01:04:50,567
NO, BUT SERIOUSLY, ACTUALLY,
I REALLY TRIED TO NOT GO
1246
01:04:50,600 --> 01:04:53,100
ON THESE EVENTS A LOT
BECAUSE IT'S SO MUCH--
1247
01:04:53,133 --> 01:04:55,767
"OH, MY GOD. DO YOU SEE
WHO'S OVER THERE?"
1248
01:04:55,800 --> 01:04:58,333
THIS WHOLE
"GOSSIP GIRL" SCENARIO,
1249
01:04:58,367 --> 01:05:00,567
SINCE I'M NOT 16 ANYMORE,
IT'S JUST--
1250
01:05:00,600 --> 01:05:02,267
IT'S SUPER STRESSFUL FOR ME.
1251
01:05:02,300 --> 01:05:03,333
-YEAH.
-I THINK.
1252
01:05:05,333 --> 01:05:08,633
[SIGHS]
I'VE DONE PHOTOSHOOTS
WHERE I THOUGHT IT WAS FUNNY
1253
01:05:08,667 --> 01:05:11,800
TO, "OH, MY GOD,
I LOOK LIKE
1254
01:05:11,833 --> 01:05:14,367
I'VE NEVER SMILED
IN MY WHOLE LIFE,
1255
01:05:14,400 --> 01:05:16,233
AND EVERYTHING'S
JUST SUPER INTENSE.
1256
01:05:16,267 --> 01:05:18,300
AND I HAVE PAIN
ALL OVER MY BODY AND STUFF."
1257
01:05:18,333 --> 01:05:19,733
AND I KNOW HOW TO DO THAT
AND I'VE DONE IT,
1258
01:05:19,767 --> 01:05:22,633
BUT I WAS SUPER YOUNG,
AND NOW I'M ALSO LIKE,
1259
01:05:22,667 --> 01:05:24,433
"HOLY SHIT, WHY DID
I LIKE THAT SO MUCH?"
1260
01:05:24,467 --> 01:05:26,667
IF I LOOK AT IT NOW,
I FEEL A BIT STUPID.
1261
01:05:30,533 --> 01:05:33,567
THE MOST SUCCESSFUL FILMS
I WAS IN, I WAS PLAYING
1262
01:05:33,600 --> 01:05:38,533
THIS UGLY DUCKLING
THAT KIND OF NEVER TURNS
INTO THE BEAUTIFUL SWAN.
1263
01:05:38,567 --> 01:05:39,733
AND SHE'S
AN AMAZING CHARACTER.
1264
01:05:39,767 --> 01:05:41,267
I LOVE HER--
ANNA GOTZLOWSKI.
1265
01:05:41,300 --> 01:05:43,033
AND SHE'S
KIND OF THIS NERD
1266
01:05:43,067 --> 01:05:46,267
WHO WEARS THESE BIG
KNITTED JACKETS.
1267
01:05:47,600 --> 01:05:49,100
SHE'S SUCH A NERD.
1268
01:05:49,133 --> 01:05:52,833
AND THESE GLASSES,
BUT SHE CHOSE THAT STYLE.
1269
01:05:52,867 --> 01:05:54,400
AND THERE WAS TALK
IN THE BEGINNING
1270
01:05:54,433 --> 01:05:56,733
TO LET HER CHANGE
DURING THAT STORY
1271
01:05:56,767 --> 01:05:58,333
AND TO MAKE HER WEAR
CONTACT LENSES,
1272
01:05:58,367 --> 01:06:01,267
BUT THEN WE GOT RID
OF THAT IDEA
1273
01:06:01,300 --> 01:06:02,633
AND LET HER STAY THE SAME,
1274
01:06:02,667 --> 01:06:04,833
AND EVERY TIME
SHE'S STARTING TO DRESS UP
1275
01:06:04,867 --> 01:06:07,767
AND BECOMES ANOTHER PERSON
FOR A DATE OR SOMETHING,
1276
01:06:07,800 --> 01:06:09,833
EVERYTHING GOES WRONG.
SO THAT WAS KIND OF COOL.
1277
01:06:09,867 --> 01:06:13,100
[SPEAKING GERMAN]
1278
01:06:19,100 --> 01:06:20,667
[TARYN]
SO, NORA, YOU SPENT
A LOT OF TIME
1279
01:06:20,700 --> 01:06:22,400
IN THE MEDIA SPOTLIGHT,
1280
01:06:22,433 --> 01:06:24,367
WHAT DOES IT FEEL LIKE
TO BE JUDGED?
1281
01:06:24,400 --> 01:06:26,733
IF IT HAPPENS TO ME,
IT'S NOT SUCH A BIG PROBLEM.
1282
01:06:26,767 --> 01:06:29,800
I GET-- I TEND TO GET
VERY EMOTIONALLY INVOLVED
1283
01:06:29,833 --> 01:06:31,367
IF I SEE IT HAPPENING
ON TELEVISION,
1284
01:06:31,400 --> 01:06:33,733
LIKE, ON CASTING SHOWS,
1285
01:06:33,767 --> 01:06:37,400
WHERE GROWN UP PEOPLE
WHO MUST KNOW
1286
01:06:37,433 --> 01:06:38,833
THAT THEY'RE ROLE MODELS
1287
01:06:38,867 --> 01:06:41,500
TELL PEOPLE ABOUT THEIR
THIGH GAPS,
1288
01:06:41,533 --> 01:06:44,767
THAT WILL LEAD TO
THE NEXT GENERATION OF PEOPLE
1289
01:06:44,800 --> 01:06:46,233
WHO ARE EVEN MORE FOCUSED
1290
01:06:46,267 --> 01:06:49,333
ON STUFF THAT IS
SO UNIMPORTANT.
1291
01:06:49,367 --> 01:06:51,633
[SPEAKING GERMAN]
1292
01:06:51,667 --> 01:06:53,600
I FELT THAT I WAS
ALWAYS HAPPIEST
1293
01:06:53,633 --> 01:06:57,500
WHEN I JUST WENT WALKING
THROUGH THE WINTER AND HAD
A BIG JACKET ON,
1294
01:06:57,533 --> 01:06:59,767
AND MY FACE WAS RED
BECAUSE IT WAS SO COLD,
1295
01:06:59,800 --> 01:07:01,100
AND I DIDN'T WEAR ANY MAKEUP
1296
01:07:01,133 --> 01:07:04,600
AND I SMELLED LIKE
A VERY OLD FOX.
1297
01:07:06,400 --> 01:07:09,033
BEST DRESSED AND WORST DRESSED
2000 SOMETHING
1298
01:07:09,067 --> 01:07:10,833
FROM THIS GERMAN NEWSPAPER.
1299
01:07:10,867 --> 01:07:13,267
AND I WAS LIKE,
"OKAY, SHE IS-- YEAH,
THAT'S NOT SO GOOD."
1300
01:07:13,300 --> 01:07:16,133
AND THEN ALL OF A SUDDEN
I SAW MYSELF.
1301
01:07:16,167 --> 01:07:18,600
AND WHAT WERE YOU?
WHAT SIDE OF THE LIST?
1302
01:07:18,633 --> 01:07:21,167
I HAVE TO DISAPPOINT YOU.
NOT THE GOOD ONE.
1303
01:07:21,200 --> 01:07:24,133
AND THE THING IS, SHE SAID,
"THE WAY SHE'S WORKING,
1304
01:07:24,167 --> 01:07:25,767
SHE'S WEARING THAT MAKEUP
AND THAT HAIR,
1305
01:07:25,800 --> 01:07:27,600
THAT UNDONE LOOK,
1306
01:07:27,633 --> 01:07:32,033
THAT'S A SLAP ON THE FACE
OF THE DESIGNER."
1307
01:07:32,067 --> 01:07:33,833
-YOU'RE JOKING.
-NO, SERIOUSLY.
1308
01:07:33,867 --> 01:07:35,200
IT'S HORRIBLE.
1309
01:07:35,233 --> 01:07:38,533
-THIS IS NORA.
-SLAPPING PEOPLE.
1310
01:07:38,567 --> 01:07:40,600
-SLAPPING PEOPLE IN THE FACE.
-THIS ISN'T NORA.
1311
01:07:40,633 --> 01:07:42,633
HONESTLY, TODAY'S LIKE
WIN OR LOSE FOREVER.
1312
01:07:42,667 --> 01:07:44,833
IT'S "GAME OF THRONES" HERE.
I MIGHT DIE.
1313
01:07:44,867 --> 01:07:47,700
BECAUSE IF I SLAP ONE MORE
DESIGNER ON THE FACE
1314
01:07:47,733 --> 01:07:50,133
WITH NOT WEARING MAKEUP
OR THE RIGHT MAKEUP.
1315
01:08:04,067 --> 01:08:05,700
DANKE.
1316
01:08:06,867 --> 01:08:09,133
[TARYN]
NORA!
1317
01:08:09,167 --> 01:08:10,700
NORA, WHAT HAVE YOU
BROUGHT ME TO?
1318
01:08:10,733 --> 01:08:12,133
[NORA]
I DON'T KNOW,
THEY DIDN'T TELL ME.
1319
01:08:12,167 --> 01:08:13,667
I THOUGHT IT WAS A CAT SHOW.
1320
01:08:13,700 --> 01:08:15,800
STEALING MY THUNDER, AGAIN?
1321
01:08:15,833 --> 01:08:18,333
[CHATTERING]
1322
01:08:22,467 --> 01:08:23,833
YOU'RE JUST STANDING THERE,
1323
01:08:23,867 --> 01:08:25,267
AND 20 PEOPLE
ARE SHOUTING AT YOU
1324
01:08:25,300 --> 01:08:26,700
AND TRYING TO MAKE YOU
DO SOMETHING,
1325
01:08:26,733 --> 01:08:29,033
AND YOU'RE TRYING TO DO IT,
AND YOU'RE LIKE,
1326
01:08:29,067 --> 01:08:30,367
"THEY'RE FRIGHTFUL PEOPLE."
1327
01:08:30,400 --> 01:08:34,433
AND THEN IT ENDS
WITH THEM BEING LIKE--
1328
01:08:34,467 --> 01:08:36,233
"OH, MAN!"
1329
01:08:36,267 --> 01:08:38,733
SO I ALWAYS FEEL LIKE
I LET THEM DOWN.
1330
01:08:49,200 --> 01:08:53,167
FOR THE MOST POPULAR ACTRESS,
1331
01:08:53,200 --> 01:08:57,600
IT'S NORA TSCHIRNER.
1332
01:09:10,700 --> 01:09:13,367
* I CAN BE A WOMAN,
I CAN BE A MAN *
1333
01:09:13,400 --> 01:09:15,600
* I CAN BE THE WATCHER
FROM THE GRANDSTAND *
1334
01:09:15,633 --> 01:09:18,267
[TARYN]
I'M THRILLED TO BE
IN NEW YORK FOR A PHOTO SHOOT
1335
01:09:18,300 --> 01:09:20,800
WHICH CELEBRATES
BODY DIVERSITY.
1336
01:09:20,833 --> 01:09:23,300
BEHIND THE CAMERA IS THE MAN
WHO SHOOTS FOR RALPH LAUREN,
1337
01:09:23,333 --> 01:09:28,433
GUCCI, VICTORIA'S SECRET--
THE LIST GOES ON.
1338
01:09:28,467 --> 01:09:31,400
[MAN]
SOME OF THESE WOMEN
THAT YOU SEE IN THE MOVIES
1339
01:09:31,433 --> 01:09:35,200
OR IN COMMERCIALS
OR IN MAGAZINES,
1340
01:09:35,233 --> 01:09:38,300
AND YOU THINK,
GOD, THEY'RE FLAWLESS.
1341
01:09:38,333 --> 01:09:40,500
WELL, IN THEIR MINDS,
THEY'RE NOT.
1342
01:09:40,533 --> 01:09:44,200
THEY'RE CONCERNED
THAT YOU DON'T SHOOT THEM
FROM CERTAIN ANGLES,
1343
01:09:44,233 --> 01:09:48,533
THAT YOU DON'T SHOOT THEM
IN WAYS THAT THEY THINK
ARE UNFLATTERING
1344
01:09:48,567 --> 01:09:51,133
BECAUSE THEY HAVE
BODY IMAGE ISSUES.
1345
01:09:51,167 --> 01:09:52,800
AND EVERYBODY
CARRIES THAT AROUND.
1346
01:09:52,833 --> 01:09:55,100
EVERYBODY HAS THOSE
INNER CRITICS
1347
01:09:55,133 --> 01:10:00,100
THAT REALLY INHIBIT THEM
AND ACT AS AN OBSTACLE
1348
01:10:00,133 --> 01:10:01,733
TO FULFILLMENT
AND HAPPINESS.
1349
01:10:04,467 --> 01:10:06,400
[WOMAN]
I'M GONNA MAKE THEM
A LOT BIGGER THAN HERS.
1350
01:10:09,167 --> 01:10:10,700
[MADOFF]
WHAT STRUCK ME
ABOUT BEING HERE
1351
01:10:10,733 --> 01:10:12,600
WITH THESE WOMEN TONIGHT,
1352
01:10:12,633 --> 01:10:14,600
AND THERE WAS
AN ASSORTMENT OF PEOPLE--
1353
01:10:14,633 --> 01:10:17,167
A WOMAN WHO
WAS QUITE HEAVY,
1354
01:10:17,200 --> 01:10:19,833
A WOMAN WHO WAS
PHYSICALLY IMPAIRED...
1355
01:10:19,867 --> 01:10:21,133
THAT LOOKS REALLY NICE.
1356
01:10:21,167 --> 01:10:22,300
...A MODEL,
1357
01:10:22,333 --> 01:10:25,700
A TRANSGENDERED PERSON,
1358
01:10:25,733 --> 01:10:29,667
THE COMMON DENOMINATOR
WAS AFFECTION,
1359
01:10:29,700 --> 01:10:31,267
AND ACCEPTANCE OF EACH OTHER.
1360
01:10:31,300 --> 01:10:32,367
GOOD.
YOU GUYS LOOK GREAT.
1361
01:10:32,400 --> 01:10:33,733
YOU REALLY DO.
1362
01:10:33,767 --> 01:10:37,033
AND I THINK THAT IF THERE
WAS MORE AFFECTION
1363
01:10:37,067 --> 01:10:40,833
AND ACCEPTANCE,
RATHER THAN CRITICISM
1364
01:10:40,867 --> 01:10:44,733
AND VITRIOL AND POINTING,
1365
01:10:44,767 --> 01:10:46,833
THE WORLD WOULD BE
A BETTER PLACE.
1366
01:10:46,867 --> 01:10:49,367
ONE, TWO, THREE.
1367
01:10:53,633 --> 01:10:56,133
[WOMAN] OFTEN, PEOPLE
WITH VISIBLE DISABILITIES
1368
01:10:56,167 --> 01:10:57,667
ARE CONSTANTLY STARED AT,
1369
01:10:57,700 --> 01:10:59,733
AND SO PUTTING YOURSELF
IN FRONT OF THE CAMERA
1370
01:10:59,767 --> 01:11:02,567
CONTROLS THE GAZE
AND GIVES A SENSE
OF EMPOWERMENT,
1371
01:11:02,600 --> 01:11:04,433
SO THAT, YES, YOU ARE
STARING AT MY BODY.
1372
01:11:04,467 --> 01:11:07,533
AND I'M GOING TO CONTROL
HOW YOU'RE STARING AT MY BODY,
1373
01:11:07,567 --> 01:11:11,833
AND HAVE THE COMMENTARY
OF WHAT I FEEL ABOUT MY BODY,
1374
01:11:11,867 --> 01:11:15,467
AND NOT PUT YOUR PERCEPTIONS
OF MY BODY ONTO ME.
1375
01:11:15,500 --> 01:11:17,333
I AM GOING TO CONTROL
WHAT YOU'RE SEEING
1376
01:11:17,367 --> 01:11:19,067
AND HOW YOU PERCEIVE ME.
1377
01:11:19,100 --> 01:11:21,533
JUST RECASTING THE GAZE
1378
01:11:21,567 --> 01:11:24,300
AND BEING EMPOWERED
BY PUTTING OUR BODIES
1379
01:11:24,333 --> 01:11:25,733
IN FRONT OF THE CAMERA.
1380
01:11:28,167 --> 01:11:30,200
[WOMAN]
IT WAS A NEW
EXPERIENCE FOR ME.
1381
01:11:30,233 --> 01:11:33,600
WHEN I FIRST HEARD ABOUT IT,
IMMEDIATELY MY MIND SAID,
1382
01:11:33,633 --> 01:11:36,633
"NO, ABSOLUTELY NOT.
IT'S NOT AN OPTION."
1383
01:11:36,667 --> 01:11:39,533
AND THEN I KEPT
THINKING ABOUT IT
1384
01:11:39,567 --> 01:11:43,033
THAT IT COULD HELP PEOPLE.
1385
01:11:43,067 --> 01:11:46,433
THEN I STARTED THINKING
THAT IT ISN'T--
1386
01:11:46,467 --> 01:11:49,167
MY INSECURITIES
DON'T REALLY MATTER.
1387
01:11:49,200 --> 01:11:51,433
I WOULD HOPE THAT
IT COULD INSPIRE
1388
01:11:51,467 --> 01:11:55,600
OTHER TRANS QUESTIONING
PEOPLE IN THE WORLD
1389
01:11:55,633 --> 01:11:57,733
TO LOVE THEIR BODIES,
I GUESS.
1390
01:11:57,767 --> 01:12:02,400
THAT'S BEEN A JOURNEY FOR ME
I'M STILL WORKING ON.
1391
01:12:06,600 --> 01:12:08,833
TONIGHT, IT JUST CHANGED ME.
1392
01:12:08,867 --> 01:12:11,033
IT CHANGED THE WAY
I SEE MYSELF COMPLETELY.
1393
01:12:11,067 --> 01:12:13,667
SEEING MANY OTHER WOMEN
WITH DIFFERENT BODY TYPES
1394
01:12:13,700 --> 01:12:15,133
FEELING COMFORTABLE
AND CONFIDENT
1395
01:12:15,167 --> 01:12:17,367
ABOUT THEIR BODIES,
THAT EMPOWERED ME TODAY.
1396
01:12:20,267 --> 01:12:22,133
IT'S NOT ABOUT US
VERSUS THEM.
1397
01:12:22,167 --> 01:12:24,667
IT'S ABOUT WOMEN
COMING TOGETHER AS ONE
1398
01:12:24,700 --> 01:12:26,600
AND SAYING, "LOOK,
WE'RE ALL BEAUTIFUL.
1399
01:12:26,633 --> 01:12:28,600
WE'RE ALL CONFIDENT.
LET'S WORK TOGETHER.
1400
01:12:28,633 --> 01:12:31,667
LET'S SHOW THE WORLD
THAT WE CAN ALL BE
BEAUTIFUL TOGETHER."
1401
01:12:31,700 --> 01:12:35,167
I'M HOPING THAT THERE'S
A WOMAN OUT THERE
THAT'S PLUS SIZE
1402
01:12:35,200 --> 01:12:38,067
THAT REALLY DOESN'T LIKE
HER BODY TOO MUCH
1403
01:12:38,100 --> 01:12:39,567
AND SEES ME IN MY BRA
AND UNDERWEAR
1404
01:12:39,600 --> 01:12:42,067
AND IS LIKE,
"HEY, IT'S NOT THAT BAD."
1405
01:12:42,100 --> 01:12:44,633
ESPECIALLY FOR MOMS,
YOU KNOW?
1406
01:12:44,667 --> 01:12:46,333
WEIGHT COMES
WITH HAVING CHILDREN.
1407
01:12:46,367 --> 01:12:49,067
SOME STRETCH MARKS,
A LITTLE CELLULITE.
1408
01:12:49,100 --> 01:12:53,267
AT THE END OF THE DAY, NO ONE
LOOKS AT YOU LIKE, "EW."
1409
01:12:53,300 --> 01:12:55,067
IT'S YOU THAT TEARS
YOURSELF APART
1410
01:12:55,100 --> 01:12:58,367
AND SETS THE STAGE
FOR PEOPLE TO FROWN AT YOU,
1411
01:12:58,400 --> 01:12:59,600
BUT THE MORE
THAT YOU LOVE IT,
1412
01:12:59,633 --> 01:13:01,300
EVERYBODY ELSE
WILL LOVE IT, TOO.
1413
01:13:01,333 --> 01:13:02,833
I DON'T HAVE
A PROBLEM AT ALL.
1414
01:13:02,867 --> 01:13:07,500
IT'S OKAY TO LOVE YOURSELF
EXACTLY WHERE YOU ARE.
1415
01:13:07,533 --> 01:13:10,767
I HAVE A RULE OF THUMB.
IF YOU'RE IN MY PRESENCE,
1416
01:13:10,800 --> 01:13:13,767
YOU'RE NOT ALLOWED TO TALK BAD
ABOUT YOURSELF AT ALL.
1417
01:13:13,800 --> 01:13:15,233
IT'S CONTAGIOUS.
1418
01:13:15,267 --> 01:13:17,133
WE CAN EITHER MAKE
THE NEGATIVE CONTAGIOUS
1419
01:13:17,167 --> 01:13:19,133
OR WE CAN MAKE
THE POSITIVE CONTAGIOUS,
1420
01:13:19,167 --> 01:13:21,267
SO WE'LL JUST GO AHEAD AND MAKE
THE POSITIVE CONTAGIOUS.
1421
01:13:21,300 --> 01:13:23,467
NO CHOICE.
1422
01:13:23,500 --> 01:13:26,367
[MADOFF]
THE FEELING THAT ONE GETS
FROM BEING ACCEPTED,
1423
01:13:26,400 --> 01:13:30,267
OF BEING EMBRACED,
IS A WONDERFUL FEELING.
1424
01:13:30,300 --> 01:13:35,167
SO I THINK IF YOU WANT TO GO
THROUGH LIFE FEELING BETTER,
1425
01:13:35,200 --> 01:13:38,333
THEN YOU OPEN YOUR ARMS
TO EMBRACE OTHERS.
1426
01:13:47,233 --> 01:13:49,267
[TARYN]
SO I'M HEADING
BACK TO AUSTRALIA.
1427
01:13:49,300 --> 01:13:52,200
FIRST STOP SYDNEY,
THEN ONTO HOME.
1428
01:13:52,233 --> 01:13:55,833
I'M SO EXCITED,
I JUST CAN'T WAIT.
1429
01:13:55,867 --> 01:13:59,067
I RECEIVED THIS PHONE CALL
FROM A GUY CALLED NIGEL MARSH.
1430
01:13:59,100 --> 01:14:02,200
HE INVITED ME TO TAKE PART
IN HIS NUDE SWIMMING EVENT
1431
01:14:02,233 --> 01:14:03,533
IN THE SYDNEY HARBOR.
1432
01:14:03,567 --> 01:14:05,700
AND I WAS LIKE,
"WHO ARE YOU?"
1433
01:14:05,733 --> 01:14:07,200
I ALMOST HUNG UP ON HIM
1434
01:14:07,233 --> 01:14:09,100
BECAUSE I THOUGHT
HE WAS A STALKER.
1435
01:14:09,133 --> 01:14:10,667
BUT AFTER MEETING HIM,
1436
01:14:10,700 --> 01:14:12,833
I DECIDED TAKING PART
IN THE SYDNEY SKINNY
1437
01:14:12,867 --> 01:14:14,600
SEEMED LIKE A REALLY
GREAT IDEA.
1438
01:14:17,233 --> 01:14:18,500
[NIGEL]
IT INVOLVES YOU GETTING NAKED,
1439
01:14:18,533 --> 01:14:21,400
BUT IT'S NOTHING TO DO
WITH NUDISM.
1440
01:14:21,433 --> 01:14:24,667
IT'S A LIBERATING THING
WHERE YOU GO, "AH, WOW.
1441
01:14:24,700 --> 01:14:28,500
JUST MAYBE I SHOULD STOP
AGONIZING ABOUT MY MUFFIN TOP
1442
01:14:28,533 --> 01:14:31,767
OR LOSING AN EXTRA SEVEN--"
IT MAKES NO DIFFERENCE.
1443
01:14:31,800 --> 01:14:33,767
GET FIT, DON'T GET FIT.
NO ONE CARES.
1444
01:14:33,800 --> 01:14:37,033
IT'S NOT
THE MAIN POINT OF LIFE
1445
01:14:37,067 --> 01:14:40,167
TO SPEND YOUR
WHOLE LIFE AGONIZING
1446
01:14:40,200 --> 01:14:42,067
ABOUT NOT HAVING
A BODY SHAPE
1447
01:14:42,100 --> 01:14:46,100
THAT THE MEDIA INSISTS
THAT YOU SHOULD BE
WORRIED ABOUT.
1448
01:14:46,133 --> 01:14:48,533
SO, HERE WE GO! WHOO!
1449
01:14:54,300 --> 01:14:57,200
[NIGEL]
PEOPLE DON'T PROPERLY REFLECT
ON WHAT'S IMPORTANT TO THEM.
1450
01:14:57,233 --> 01:14:59,233
NOT BECAUSE THEY'RE NASTY,
THEY'RE JUST RUSHED.
1451
01:14:59,267 --> 01:15:02,833
YOU KNOW WHAT IT'S LIKE
TO HAVE KIDS AND JOBS
AND THINGS.
1452
01:15:02,867 --> 01:15:06,067
AND IT TAKES ONE OF THE BIG FOUR
BEFORE THEY PROPERLY REFLECT.
1453
01:15:06,100 --> 01:15:08,367
SO DEATH, DISEASE,
DIVORCE, REDUNDANCY.
1454
01:15:08,400 --> 01:15:09,733
AND WE ALL KNOW PEOPLE
WHO HAVE BEEN--
1455
01:15:09,767 --> 01:15:11,667
HAD TRAGEDY IN THEIR LIFE
AND THEN THEY GO,
1456
01:15:11,700 --> 01:15:13,333
"DO YOU KNOW WHAT,
I'VE HAD A THINK,
1457
01:15:13,367 --> 01:15:15,567
AND WHAT'S IMPORTANT,
REALLY, IS THESE THINGS."
1458
01:15:15,600 --> 01:15:17,600
BUT IF THEY HADN'T HAD
THOSE EVENTS IN THEIR LIFE,
1459
01:15:17,633 --> 01:15:19,533
THEY WOULDN'T HAVE
STOPPED AND PAUSED,
1460
01:15:19,567 --> 01:15:23,267
AND THE POINT OF THE SWIM,
IS IT MIGHT HELP SOMEBODY
1461
01:15:23,300 --> 01:15:26,500
DO THE REFLECTION WITHOUT
HAVING TO GET TO THE BIG FOUR.
1462
01:15:26,533 --> 01:15:28,267
DON'T WAIT UNTIL
YOUR WIFE HAS LEFT YOU
1463
01:15:28,300 --> 01:15:30,733
OR YOU GET SOME AWFUL
ILLNESS OR WHATEVER.
1464
01:15:30,767 --> 01:15:32,600
HOW ABOUT HAVE A THINK.
1465
01:15:32,633 --> 01:15:34,767
AM I LIVING THE TYPE
OF LIFE THAT I WANT?
1466
01:15:36,633 --> 01:15:37,800
[WOMAN]
I LOVE IT!
1467
01:15:40,233 --> 01:15:43,133
[TARYN]
WELL, I'VE JUST
FINISHED THE SWIM
1468
01:15:43,167 --> 01:15:47,633
AND I FEEL COMPLETELY
EXHILARATED AND REALLY HAPPY,
1469
01:15:47,667 --> 01:15:52,767
AND I JUST MET TWO WOMEN
ON THE BEACH.
1470
01:15:52,800 --> 01:15:54,167
ONE WAS STANDING NEXT TO ME
1471
01:15:54,200 --> 01:15:56,167
AND SHE WAS
A COMPLETE STRANGER
1472
01:15:56,200 --> 01:15:59,067
AND SHE JUST SQUEALS AND SAYS,
1473
01:15:59,100 --> 01:16:03,033
"AH! THERE'S ANOTHER WOMAN
WITH ONE BOOB! JUST LIKE ME!"
1474
01:16:03,067 --> 01:16:09,033
AND SHE RAN OVER
AND SHE HUGGED THE WOMAN
WHO'D ALSO LOST A BOOB.
1475
01:16:09,067 --> 01:16:10,600
AND THESE WOMEN
LOVE THEIR BODIES,
1476
01:16:10,633 --> 01:16:12,167
EVEN WITH ONE BOOB.
1477
01:16:12,200 --> 01:16:16,500
AND THEY WERE COURAGEOUS,
AND THEY WERE BEAUTIFUL,
1478
01:16:16,533 --> 01:16:21,100
BEAUTIFUL WOMEN,
AND THAT FOR ME WAS GOLD.
1479
01:16:21,133 --> 01:16:24,233
I WAS DIAGNOSED
WITH BREAST CANCER
FOUR YEARS AGO
1480
01:16:24,267 --> 01:16:26,667
WHEN I WAS PREGNANT
WITH MY SECOND BABY.
1481
01:16:26,700 --> 01:16:29,267
I'M TURNING 40 THIS YEAR,
1482
01:16:29,300 --> 01:16:31,733
AND IT WAS JUST A PERFECT
OPPORTUNITY TO EMBRACE
1483
01:16:31,767 --> 01:16:35,767
WHO I AM AND MY BODY NOW
AS A MOM AND A WOMAN,
1484
01:16:35,800 --> 01:16:38,067
AND THIS IS A KINDA NEW ME,
1485
01:16:38,100 --> 01:16:39,633
AND I DON'T REALLY CARE.
1486
01:16:39,667 --> 01:16:42,100
A LOT OF IT WAS MY HUSBAND.
1487
01:16:42,133 --> 01:16:45,033
HE SAID, "WHAT DOES IT MATTER?
IT'S JUST A BOOB."
1488
01:16:45,067 --> 01:16:48,233
AND MY KIDS DON'T CARE.
I'VE GOT TWO BOYS.
1489
01:16:48,267 --> 01:16:50,800
THEY THINK IT'S KINDA FUNNY,
AND A BIT KINDA COOL
1490
01:16:50,833 --> 01:16:52,733
THAT THEIR MOM'S
ONLY GOT ONE BOOB.
1491
01:16:52,767 --> 01:16:56,567
-IT'S BEEN A BIT OF A BRAG--
-OH, BOYS!
1492
01:16:56,600 --> 01:16:59,800
AND WE'VE GOT A SAYING, LIKE,
IF I GET OUT OF THE SHOWER
OR SOMETHING AT HOME.
1493
01:16:59,833 --> 01:17:01,833
I SAY, "OH, WHERE'S
MY BOOB GONE?"
1494
01:17:01,867 --> 01:17:06,200
AND I SAY, "OH, IT'S
IN A JAR SOMEWHERE."
1495
01:17:12,400 --> 01:17:13,667
[TARYN]
OVER TWO MONTHS AGO,
1496
01:17:13,700 --> 01:17:16,100
I SET OUT TO DISCOVER
WHY SO MANY PEOPLE
1497
01:17:16,133 --> 01:17:19,367
HATE THEIR BODIES
AND WHAT WE CAN DO ABOUT IT.
1498
01:17:21,467 --> 01:17:25,033
YOU KNOW,
I THINK I FOUND SOME ANSWERS,
1499
01:17:25,067 --> 01:17:29,733
AND I'VE BEEN
REALLY LUCKY TO CONNECT
WITH SOME INCREDIBLE PEOPLE.
1500
01:17:29,767 --> 01:17:33,167
MAGAZINE EDITORS ARE CRITICIZED
FOR WHAT THEY PUT ON THE COVER
1501
01:17:33,200 --> 01:17:35,167
AND THEIR USE OF MODELS
AND PHOTOSHOPPING
AND EVERYTHING,
1502
01:17:35,200 --> 01:17:37,767
AND THEY SAY,
"BUT THAT'S WHAT WOMEN WANT."
1503
01:17:37,800 --> 01:17:39,333
IT'S NOT WHAT WOMEN WANT,
1504
01:17:39,367 --> 01:17:41,600
BECAUSE MAGAZINE CIRCULATION
IS IN THE TOILET.
1505
01:17:41,633 --> 01:17:44,133
WOMEN WHOLEHEARTEDLY
DO NOT WANT THAT.
1506
01:17:44,167 --> 01:17:46,300
AND THEY'RE VOTING WITH
THEIR WALLETS NOW.
1507
01:17:46,333 --> 01:17:49,200
WE GET TO BE THE NEW MAGAZINE.
1508
01:17:49,233 --> 01:17:53,700
WE GET TO DEFINE
WHAT TRUE BEAUTY IS,
1509
01:17:53,733 --> 01:17:57,267
WHAT IT'S LIKE TO REALLY FEEL
COMFORTABLE IN OUR OWN SKIN,
1510
01:17:57,300 --> 01:18:00,333
WHAT IT'S LIKE TO HAVE
A POSITIVE BODY IMAGE.
1511
01:18:00,367 --> 01:18:02,567
IT STARTS WITH PEOPLE
SHARING THEIR STORIES.
1512
01:18:02,600 --> 01:18:05,467
IT'S STARTS WITH PEOPLE
ALLEVIATING THEIR OWN SHAME.
1513
01:18:05,500 --> 01:18:09,067
IT STARTS WITH PEOPLE
REALLY ACCEPTING OTHERS
THE WAY THAT THEY ARE.
1514
01:18:09,100 --> 01:18:11,767
AND NOT JUST-- NOT ACTUALLY
JUST TOLERATING THEM
1515
01:18:11,800 --> 01:18:15,633
OR JUST ACCEPTING THEM,
BUT TRULY FINDING THAT THING
1516
01:18:15,667 --> 01:18:19,133
ABOUT ANOTHER INDIVIDUAL
THAT YOU SEE AS BEING QUIRKY
1517
01:18:19,167 --> 01:18:24,067
OR DIFFERENT OR UNIQUE,
AND JUST LOVING THEM FOR THAT.
1518
01:18:24,100 --> 01:18:27,133
NOW BEING
IN THE STATE THAT I AM
AND THAT I LOVE MY BODY
1519
01:18:27,167 --> 01:18:29,067
AND I CAN SAY,
"HEY, IT'S GORGEOUS
AND I'M PROUD OF IT,"
1520
01:18:29,100 --> 01:18:31,567
I CAN FOCUS ON MORE IMPORTANT
THINGS IN LIFE.
1521
01:18:31,600 --> 01:18:33,767
LOOK AT YOURSELF NAKED.
1522
01:18:33,800 --> 01:18:36,200
CALL IT BEAUTIFUL EVEN IF
YOU DON'T BELIEVE YOURSELF.
1523
01:18:36,233 --> 01:18:37,667
FAKE IT TILL YOU MAKE IT.
1524
01:18:37,700 --> 01:18:39,500
SO, I WOULD SAY
MY BODY IS LUSCIOUS.
1525
01:18:39,533 --> 01:18:41,600
IT IS SOFT, AND IT IS--
1526
01:18:41,633 --> 01:18:46,067
IT'S COMFORTING TO MY CHILDREN
AND TO MY HUSBAND.
1527
01:18:46,100 --> 01:18:47,667
I'D LIKE TO HAVE
A SHAPE SHIFTER.
1528
01:18:47,700 --> 01:18:53,067
I'M SOFT.
1529
01:18:53,100 --> 01:18:54,767
AND I SMELL GOOD.
1530
01:18:56,667 --> 01:18:59,400
IT'S MINE.
IT'S MY HOME.
1531
01:18:59,433 --> 01:19:00,667
IT'S MY FRIEND.
1532
01:19:00,700 --> 01:19:03,100
IT'S MY SOUL'S MATE.
1533
01:19:03,133 --> 01:19:05,467
IT'S BIG,
1534
01:19:05,500 --> 01:19:07,667
IT'S BEAUTIFUL,
1535
01:19:07,700 --> 01:19:10,367
AND IT'S DANGEROUSLY CURVY.
1536
01:19:14,633 --> 01:19:17,700
[TARYN]
THERE IS SO MUCH
GOODNESS IN THE WORLD,
1537
01:19:17,733 --> 01:19:20,800
AND I CAN'T WAIT TO SHARE
WITH YOU EVERYTHING
I'VE LEARNT.
1538
01:19:22,833 --> 01:19:25,200
IN YOUR LIFETIME,
THERE WILL BE PEOPLE WHO WILL
1539
01:19:25,233 --> 01:19:29,633
TRY TO TELL YOU THAT YOU NEED
TO CHANGE, BUT YOU DON'T.
1540
01:19:29,667 --> 01:19:32,200
THE PURPOSE OF YOUR LIFE
IS NOT TO BE AN ORNAMENT
1541
01:19:32,233 --> 01:19:35,567
TO BE LOOKED AT,
BUT RATHER TO DO AND FEEL
1542
01:19:35,600 --> 01:19:37,733
AND ACCOMPLISH
AND CONTRIBUTE.
1543
01:19:39,367 --> 01:19:42,633
DARLING GIRL, DON'T
MAKE MY MISTAKES.
1544
01:19:42,667 --> 01:19:46,333
DON'T WASTE A SINGLE DAY
OF YOUR LIFE BEING AT WAR
WITH YOUR BODY.
1545
01:19:51,800 --> 01:19:53,700
JUST EMBRACE IT.
1546
01:20:00,867 --> 01:20:05,367
* YOU ARE BEAUTIFUL
1547
01:20:05,400 --> 01:20:08,700
* THE WAY THAT YOU ARE
1548
01:20:08,733 --> 01:20:12,033
* THE WAY
THAT YOU ARE *
1549
01:20:28,867 --> 01:20:32,633
* FUCK WHAT THEY ALL SAY
1550
01:20:35,667 --> 01:20:39,800
* YOU ARE BEAUTIFUL
1551
01:20:39,833 --> 01:20:43,467
* THE WAY THAT YOU ARE
1552
01:20:43,500 --> 01:20:47,400
* THE WAY
THAT YOU ARE *
1553
01:20:49,733 --> 01:20:53,800
* YOU ARE BEAUTIFUL
1554
01:20:53,833 --> 01:20:57,333
* THE WAY THAT YOU ARE
1555
01:20:57,367 --> 01:21:01,033
* THE WAY
THAT YOU ARE *
1556
01:21:03,600 --> 01:21:05,467
* OH
1557
01:21:10,767 --> 01:21:15,233
* YOU ARE BEAUTIFUL
1558
01:21:15,267 --> 01:21:18,667
* THE WAY THAT YOU ARE
1559
01:21:18,700 --> 01:21:22,400
* THE WAY
THAT YOU ARE *
1560
01:21:24,733 --> 01:21:29,167
* YOU ARE BEAUTIFUL
1561
01:21:29,200 --> 01:21:33,467
* THE WAY THAT YOU ARE
1562
01:21:33,500 --> 01:21:36,267
* WHOA
1563
01:21:38,667 --> 01:21:40,467
*
1564
01:22:08,767 --> 01:22:11,833
* WHEN I LOOK IN THE MIRROR
1565
01:22:11,867 --> 01:22:16,500
* THOSE VOICES
INSIDE MY HEAD *
1566
01:22:16,533 --> 01:22:18,733
* WHERE DID THEY COME FROM
1567
01:22:18,767 --> 01:22:23,667
* AND WHY DO I BELIEVE
THE THINGS THEY SAID? *
1568
01:22:23,700 --> 01:22:29,467
* THEY ALWAYS TELL ME
I'M NOT GOOD ENOUGH *
1569
01:22:29,500 --> 01:22:33,067
* SO I'M NOT
LISTENING ANYMORE *
1570
01:22:33,100 --> 01:22:37,167
* UNLESS THE VOICE IS LOVE
1571
01:22:37,200 --> 01:22:39,100
* 'CAUSE I AM THE BEST
1572
01:22:39,133 --> 01:22:43,533
* THAT I COULD EVER BE
1573
01:22:43,567 --> 01:22:46,333
* WHEN I SAY I LOVE
1574
01:22:46,367 --> 01:22:51,433
* EVERY SINGLE PART OF ME
1575
01:22:51,467 --> 01:22:54,200
* HOW LONG HAVE
I BEEN TRYING *
1576
01:22:54,233 --> 01:22:57,433
* TO BE LIKE SOMEONE ELSE
1577
01:22:57,467 --> 01:23:00,833
* WHEN THE ONLY THING
I HAVE TO CHANGE *
1578
01:23:00,867 --> 01:23:06,200
* IS THE WAY I SEE MYSELF?
1579
01:23:08,867 --> 01:23:11,833
* WHEN THE MAGAZINE'S OPEN
1580
01:23:11,867 --> 01:23:16,300
* PERFECTION IS ALL WE SEE
1581
01:23:16,333 --> 01:23:20,033
* WHO DECIDED THAT'S WHAT
1582
01:23:20,067 --> 01:23:23,567
* BEAUTY REALLY MEANS?
1583
01:23:23,600 --> 01:23:25,667
* WE'RE ALWAYS STRIVING
1584
01:23:25,700 --> 01:23:29,333
* TO BE SOMETHING
THAT'S NOT EVEN REAL *
1585
01:23:29,367 --> 01:23:33,033
* SO I'M NOT
LOOKING THERE ANYMORE *
1586
01:23:33,067 --> 01:23:37,133
* THAT'S NOT HOW
I WANNA FEEL *
1587
01:23:37,167 --> 01:23:39,100
* 'CAUSE I AM THE BEST
1588
01:23:39,133 --> 01:23:43,533
* THAT I CAN EVER BE
1589
01:23:43,567 --> 01:23:46,333
* WHEN I SAY I LOVE
1590
01:23:46,367 --> 01:23:51,433
* EVERY SINGLE PART OF ME
1591
01:23:51,467 --> 01:23:54,333
* HOW LONG HAVE
I BEEN TRYING *
1592
01:23:54,367 --> 01:23:57,633
* TO BE LIKE SOMEONE ELSE
1593
01:23:57,667 --> 01:24:01,033
* WHEN THE ONLY THING
I HAVE TO CHANGE *
1594
01:24:01,067 --> 01:24:06,500
* IS THE WAY I SEE MYSELF?
1595
01:24:06,533 --> 01:24:12,233
* OOH, LOOK
IN YOUR SUBCONSCIOUS *
1596
01:24:12,267 --> 01:24:15,200
* OOH
1597
01:24:15,233 --> 01:24:19,333
* THE ANSWER IS INSIDE US
1598
01:24:19,367 --> 01:24:22,400
* OOH
1599
01:24:22,433 --> 01:24:26,267
* WITH A LITTLE
MORE AWARENESS *
1600
01:24:26,300 --> 01:24:29,467
* OOH
1601
01:24:29,500 --> 01:24:33,633
* I BELIEVE THAT
WE CAN CHANGE THIS *
1602
01:24:33,667 --> 01:24:36,667
* WHEN YOU LOOK
AT YOUR SISTERS *
1603
01:24:36,700 --> 01:24:41,267
* BROTHERS, PARENTS,
CHILDREN, TOO *
1604
01:24:41,300 --> 01:24:43,500
* SOMETIMES PROJECTING
1605
01:24:43,533 --> 01:24:48,233
* THE JUDGMENTS
WE PUT OURSELVES THROUGH *
1606
01:24:48,267 --> 01:24:50,667
* YOU GOTTA REMEMBER
1607
01:24:50,700 --> 01:24:54,233
* KINDNESS IS
A MAGICAL SPELL *
1608
01:24:54,267 --> 01:24:57,467
* OUR LOVE CAN REACH
THE REST OF THE WORLD *
1609
01:24:57,500 --> 01:25:01,800
* IF WE TRULY LOVE OURSELVES
1610
01:25:01,833 --> 01:25:04,167
* YOU DO THE BEST THING
1611
01:25:04,200 --> 01:25:08,333
* YOU COULD EVER DO
1612
01:25:08,367 --> 01:25:11,167
* WHEN YOU SAY I LOVE
1613
01:25:11,200 --> 01:25:16,200
* EVERY SINGLE PART OF YOU
1614
01:25:16,233 --> 01:25:22,200
* HOW LONG HAVE I BEEN
JUDGING EVERYBODY ELSE *
1615
01:25:22,233 --> 01:25:27,600
* WHEN THE ONLY THING
I HAVE TO DO IS LEARN *
1616
01:25:27,633 --> 01:25:33,267
* LEARN TO LOVE MYSELF?
1617
01:25:34,600 --> 01:25:39,600
* OOH, OH, YEAH
1618
01:25:40,867 --> 01:25:44,167
* HEY
1619
01:25:44,200 --> 01:25:46,833
* HOW LONG
HAVE I BEEN TRYING *
1620
01:25:46,867 --> 01:25:50,500
* TO BE LIKE SOMEONE ELSE
1621
01:25:50,533 --> 01:25:54,733
* WHEN THE ONLY THING
I HAVE TO CHANGE IS *
1622
01:25:54,767 --> 01:25:57,067
* WHOA, WHOA, WHOA, WHOA
1623
01:25:57,100 --> 01:25:59,400
* WE'RE IN THIS TOGETHER
1624
01:25:59,433 --> 01:26:03,133
* TOGETHER, TOGETHER
1625
01:26:03,167 --> 01:26:05,733
* LEARN TO LOVE OURSELVES
1626
01:26:05,767 --> 01:26:08,267
* WE'RE IN THIS TOGETHER
1627
01:26:08,300 --> 01:26:10,267
* TOGETHER
1628
01:26:10,300 --> 01:26:12,667
* TO LOVE OURSELVES
1629
01:26:12,700 --> 01:26:15,300
* WE'RE IN THIS TOGETHER
1630
01:26:15,333 --> 01:26:17,733
* TOGETHER
1631
01:26:17,767 --> 01:26:19,833
* WE'RE IN THIS TOGETHER
1632
01:26:19,867 --> 01:26:22,500
* LEARN TO LOVE OURSELF
1633
01:26:22,533 --> 01:26:26,067
* LEARN TO LOVE OURSELF
124221
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