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1
00:00:05,076 --> 00:00:06,376
( piano playing )
2
00:00:07,538 --> 00:00:10,538
I'M SO HAPPY WE FINISHED
ALL THOSE SONGS FOR YOUR ALBUM.
3
00:00:10,541 --> 00:00:13,441
AND I'M SO HAPPY
WE CAN WORK ON SOME
SONGS FOR YOU NOW.
4
00:00:13,444 --> 00:00:15,694
WELL, I'M SO HAPPY
THAT YOU TWO ARE HAPPY.
5
00:00:15,686 --> 00:00:18,486
BUT FOR THE RECORD,
I AM NOT HAPPY.
6
00:00:18,489 --> 00:00:20,289
WHAT'S WRONG?
7
00:00:20,291 --> 00:00:23,121
I LOST THE RAFFLE FOR
THE THOUSAND DOLLAR GIFT CARD
8
00:00:23,124 --> 00:00:24,534
AT THE ANIMAL PRINT
EMPORIUM.
9
00:00:24,525 --> 00:00:26,225
THESE TICKETS ARE GARBAGE.
10
00:00:26,227 --> 00:00:27,427
I DON'T GET IT.
11
00:00:27,428 --> 00:00:28,698
THERE WERE ONLY
A HUNDRED RAFFLE TICKETS
12
00:00:28,699 --> 00:00:30,499
AND YOU BOUGHT
99 OF THEM.
13
00:00:30,501 --> 00:00:33,031
I KNOW.
WHO THE HECK BEAT ME?
14
00:00:33,033 --> 00:00:34,243
I WON!
15
00:00:36,036 --> 00:00:37,506
I GOT A THOUSAND DOLLAR
GIFT CARD
16
00:00:37,508 --> 00:00:38,568
TO THE ANIMAL PRINT
EMPORIUM.
17
00:00:38,569 --> 00:00:40,569
THE HOT SPOT FOR SPOTS.
18
00:00:40,571 --> 00:00:42,671
YOU DON'T EVEN WEAR
ANIMAL PRINT.
19
00:00:42,673 --> 00:00:44,153
WELL, I MIGHT START.
20
00:00:44,145 --> 00:00:47,045
IN FACT, CHECK OUT THIS
JAGUAR-PRINT BACKPACK.
21
00:00:47,047 --> 00:00:49,247
SO CHIC.
RAWR.
22
00:00:50,621 --> 00:00:52,181
CAN YOU GUYS
KEEP IT DOWN?
23
00:00:52,183 --> 00:00:54,133
BETWEEN YOUR BICKERING
AND THAT BACKPACK,
24
00:00:54,125 --> 00:00:55,755
IT'S A LITTLE
LOUD IN HERE.
25
00:00:59,760 --> 00:01:01,590
SO AUSTIN,
WHAT DO YOU THINK OF THIS?
26
00:01:01,592 --> 00:01:03,662
( plays piano )
27
00:01:08,839 --> 00:01:10,499
I LOVE IT.
28
00:01:10,501 --> 00:01:12,501
LET'S TRY THIS
FOR THE MELODY.
29
00:01:12,503 --> 00:01:14,513
( playing melody )
30
00:01:18,549 --> 00:01:20,609
PERFECT.
31
00:01:20,611 --> 00:01:22,851
PROMISE ME NO MATTER
HOW BIG OUR CAREERS GET,
32
00:01:22,853 --> 00:01:24,493
WE'LL ALWAYS WRITE
SONGS TOGETHER.
33
00:01:24,485 --> 00:01:26,085
I PROMISE.
34
00:01:27,118 --> 00:01:28,818
RONNIE RAMONE,
WHAT ARE YOU DOING HERE?
35
00:01:28,819 --> 00:01:30,389
LET ME GET
RIGHT TO THE POINT.
36
00:01:30,391 --> 00:01:33,121
ALLY,
WE AT RAMONE RECORDS
LOVE YOUR NEW SONGS.
37
00:01:33,124 --> 00:01:34,704
IT'S TIME TO START TALKING
ABOUT RELEASING YOUR ALBUM.
38
00:01:34,695 --> 00:01:36,325
- CONGRATS!
- THAT'S AWESOME!
39
00:01:36,327 --> 00:01:38,397
IT'S ABOUT TIME.
40
00:01:38,399 --> 00:01:39,869
THIS IS SO EXCITING.
41
00:01:39,870 --> 00:01:41,500
THANK YOU SO MUCH,
RONNIE.
42
00:01:41,502 --> 00:01:43,172
HEY, DON'T TELL ME YOU'RE
WORKING ON A NEW HIT
43
00:01:43,174 --> 00:01:44,244
FOR ME RIGHT NOW?
44
00:01:44,235 --> 00:01:45,405
SHE WON'T,
45
00:01:45,406 --> 00:01:47,206
BECAUSE IT'S NOT
WHAT SHE'S DOING.
46
00:01:47,208 --> 00:01:49,678
ACTUALLY, WE'RE WORKING ON
A NEW HIT FOR AUSTIN.
47
00:01:49,680 --> 00:01:50,640
OH, THAT'S LOVELY.
48
00:01:50,641 --> 00:01:51,881
YEAH, YOU CAN'T
DO THAT ANYMORE.
49
00:01:51,882 --> 00:01:53,742
WHAT ARE YOU
TALKING ABOUT?
50
00:01:53,744 --> 00:01:55,194
LET ME GET
RIGHT TO THE POINT.
51
00:01:55,186 --> 00:01:57,186
ALLY, YOU CAN'T WRITE
SONGS FOR AUSTIN.
52
00:01:57,188 --> 00:01:58,518
SAY WHAT NOW?
53
00:01:58,519 --> 00:02:00,719
HOLD THE PHONE,
RAMONE.
54
00:02:00,721 --> 00:02:02,121
CARE TO TELL US WHY?
55
00:02:02,122 --> 00:02:04,402
SURE, ALLY IS SIGNED
WITH RAMONE RECORDS.
56
00:02:04,395 --> 00:02:05,625
AUSTIN IS SIGNED
WITH STARR RECORDS.
57
00:02:05,626 --> 00:02:07,396
I HAVE A POLICY.
58
00:02:07,398 --> 00:02:08,898
NO HELPING THE COMPETITION.
59
00:02:08,899 --> 00:02:11,559
BUT WE HAVE TO
WRITE TOGETHER.
WE'RE PARTNERS.
60
00:02:11,562 --> 00:02:12,832
LET ME GET
RIGHT TO THE POINT.
61
00:02:12,833 --> 00:02:14,613
YOU KNOW, YOU'D GET TO
THE POINT A LOT FASTER
62
00:02:14,605 --> 00:02:17,465
IF YOU STOPPED SAYING
"LET ME GET RIGHT TO
THE POINT."
63
00:02:17,468 --> 00:02:19,868
ALLY, IF YOU CONTINUE
TO WRITE FOR AUSTIN,
64
00:02:19,870 --> 00:02:21,570
I'LL DROP YOU
FROM MY LABEL.
65
00:02:24,545 --> 00:02:26,845
( breathes deep )
OKAY.
66
00:02:26,847 --> 00:02:29,417
LET'S ALL TAKE
A DEEP BREATH.
67
00:02:29,420 --> 00:02:31,280
TRISH IS A GOOD MANAGER.
68
00:02:31,282 --> 00:02:32,522
I'M SURE SHE'S ALREADY
COME UP WITH
69
00:02:32,523 --> 00:02:34,663
A BRILLIANT SOLUTION
TO GET US OUT OF THIS MESS.
70
00:02:34,655 --> 00:02:35,685
RIGHT, TRISH?
71
00:02:35,686 --> 00:02:38,226
LET ME GET
RIGHT TO THE POINT.
72
00:02:39,390 --> 00:02:40,730
YEAH, I'VE GOT NOTHING.
73
00:02:40,731 --> 00:02:42,691
( theme music playing )
74
00:02:44,935 --> 00:02:47,295
♪ WHEN THE CROWD
WANTS MORE ♪
75
00:02:47,298 --> 00:02:48,568
♪ I BRING ON THE THUNDER ♪
76
00:02:48,569 --> 00:02:50,399
♪ 'CAUSE YOU'VE GOT MY BACK ♪
77
00:02:50,401 --> 00:02:51,641
♪ AND I'M NOT GOING UNDER ♪
78
00:02:51,642 --> 00:02:53,372
♪ YOU'RE MY POINT,
YOU'RE MY GUARD ♪
79
00:02:53,374 --> 00:02:54,754
♪ YOU'RE
THE PERFECT CHORD ♪
80
00:02:54,745 --> 00:02:57,805
♪ AND I SEE OUR NAMES TOGETHER
ON EVERY BILLBOARD ♪
81
00:02:57,808 --> 00:03:00,908
♪ WE'RE HEADED FOR THE TOP,
WE'VE GOT IT ON LOCK ♪
82
00:03:00,911 --> 00:03:02,651
♪ WE'LL MAKE 'EM
SAY "HEY!" ♪
83
00:03:02,653 --> 00:03:04,893
♪ AND WE'LL KEEP ROCKIN' ♪
84
00:03:04,885 --> 00:03:09,315
♪ OH, THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
85
00:03:09,320 --> 00:03:12,390
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA ♪
86
00:03:12,393 --> 00:03:15,503
♪ IT'S NO FUN
WHEN YOU'RE DOING IT SOLO ♪
87
00:03:15,496 --> 00:03:18,496
♪ WITH YOU IT'S LIKE, "WHOA,"
YEAH, AND I KNOW ♪
88
00:03:18,499 --> 00:03:21,499
♪ I OWN THIS DREAM ♪
89
00:03:21,502 --> 00:03:24,542
♪ 'CAUSE I GOT YOU WITH ME ♪
90
00:03:24,535 --> 00:03:27,705
♪ THERE'S NO WAY I COULD
MAKE IT WITHOUT YA ♪
91
00:03:27,708 --> 00:03:30,778
♪ DO IT WITHOUT YA,
BE HERE WITHOUT YA. ♪
92
00:03:37,648 --> 00:03:39,548
I'VE WRITTEN SONGS
FOR AUSTIN
93
00:03:39,550 --> 00:03:42,290
SINCE THE DAY WE MET.
IT'S HOW WE CONNECT.
94
00:03:42,293 --> 00:03:44,363
I'M WORRIED
IF WE LOSE THAT,
95
00:03:44,355 --> 00:03:46,725
IT COULD HURT MORE
THAN JUST OUR PARTNERSHIP.
96
00:03:46,727 --> 00:03:50,597
ARE YOU SURE THIS ISN'T
ABOUT MORE THAN JUST
YOUR PARTNERSHIP?
97
00:03:50,601 --> 00:03:53,701
YEAH, THAT'S EXACTLY
WHAT I JUST SAID.
98
00:03:53,704 --> 00:03:55,814
SORRY,
I'M NOT A GOOD LISTENER.
99
00:03:55,806 --> 00:03:57,536
BUT DON'T WORRY.
100
00:03:57,538 --> 00:03:58,738
AUSTIN'S TALKING TO JIMMY.
101
00:03:58,739 --> 00:04:00,609
I'M SURE THERE'S A SOLUTION.
102
00:04:00,611 --> 00:04:01,741
THERE'S NO SOLUTION.
103
00:04:01,742 --> 00:04:03,872
JIMMY SAID IT'S RONNIE'S LABEL
104
00:04:03,874 --> 00:04:05,424
AND HE CAN DO
WHAT HE WANTS.
105
00:04:05,416 --> 00:04:07,346
HE ALSO SAID THAT
THESE LEOPARD SUSPENDERS
106
00:04:07,348 --> 00:04:08,578
DON'T GO WITH
THESE PANTS.
107
00:04:08,579 --> 00:04:11,419
SO...
WHAT DOES HE KNOW?
108
00:04:11,422 --> 00:04:14,252
FIRST OF ALL,
NOTHING GOES WITH THOSE PANTS.
109
00:04:14,254 --> 00:04:16,564
AND SECOND,
THOSE AREN'T LEOPARD.
110
00:04:16,557 --> 00:04:17,887
THEY'RE ASIAN CHEETAH.
111
00:04:17,888 --> 00:04:20,628
I SHOULD HAVE GOTTEN
THAT GIFT CARD.
112
00:04:20,631 --> 00:04:23,691
IT JUST DOESN'T SEEM FAIR THAT
WE CAN'T WRITE TOGETHER ANYMORE.
113
00:04:24,695 --> 00:04:26,435
WELL,
DON'T JUST GIVE UP.
114
00:04:26,437 --> 00:04:27,767
YOU MARCH INTO
RONNIE'S OFFICE
115
00:04:27,768 --> 00:04:29,798
AND INSIST THAT YOU'RE
GONNA KEEP WRITING
FOR AUSTIN.
116
00:04:29,800 --> 00:04:31,740
BUT I COULD LOSE
MY RECORD DEAL.
117
00:04:31,742 --> 00:04:33,042
I DON'T WANT THAT
TO HAPPEN.
118
00:04:33,043 --> 00:04:34,613
YOU'VE WORKED
TOO HARD FOR THIS.
119
00:04:35,776 --> 00:04:37,446
DON'T WORRY, ALLY.
120
00:04:37,448 --> 00:04:38,608
YOU DON'T NEED AUSTIN.
121
00:04:38,609 --> 00:04:40,349
YOU CAN WRITE,
YOU CAN SING.
122
00:04:40,351 --> 00:04:41,581
YOU'LL BE FINE.
123
00:04:41,582 --> 00:04:43,552
BUT AUSTIN CAN'T WRITE,
124
00:04:43,554 --> 00:04:46,364
SO HIS CAREER
IS OVER.
125
00:04:47,418 --> 00:04:48,858
YOU HAD A GREAT RUN,
BUDDY.
126
00:04:48,859 --> 00:04:51,889
I DID, DIDN'T I?
127
00:04:51,892 --> 00:04:53,422
WAIT.
128
00:05:00,901 --> 00:05:02,031
HEY, TRISH.
129
00:05:02,032 --> 00:05:03,732
OH.
130
00:05:03,734 --> 00:05:05,444
LIKE MY HAT?
131
00:05:05,436 --> 00:05:07,936
GOT IT AT THE
ANIMAL PRINT EMPORIUM.
132
00:05:07,938 --> 00:05:11,708
WITH MY GIFT CARD
DID YOU DIDN'T WIN.
133
00:05:11,712 --> 00:05:13,442
WHY'D YOU EVEN
ENTER THAT RAFFLE?
134
00:05:13,444 --> 00:05:14,954
ANIMAL PRINTS
ARE MY THING.
135
00:05:14,945 --> 00:05:16,585
AND RAFFLES
ARE MY THING.
136
00:05:16,587 --> 00:05:18,717
IT'S THE FIRST ONE
I EVER WON.
137
00:05:18,719 --> 00:05:19,749
OR ENTERED.
138
00:05:20,551 --> 00:05:21,751
JUST GIVE ME THE HAT.
139
00:05:21,752 --> 00:05:24,602
WOULDN'T YOU RATHER
HAVE... THE CARD?
140
00:05:24,595 --> 00:05:25,655
( sighs )
141
00:05:25,656 --> 00:05:27,896
OH, NICE TRY.
142
00:05:28,959 --> 00:05:31,629
I HAVE A PROPOSITION.
143
00:05:31,632 --> 00:05:34,912
I WILL GIVE YOU THE CARD
IN ONE WEEK.
144
00:05:35,906 --> 00:05:37,336
WHAT'S THE CATCH?
145
00:05:37,337 --> 00:05:39,567
EACH TIME YOU INSULT ME
DURING SAID WEEK,
146
00:05:39,570 --> 00:05:42,040
I WILL GO BACK TO THE STORE
AND BUY MORE STUFF.
147
00:05:42,042 --> 00:05:43,712
THE NICER YOU ARE,
148
00:05:43,714 --> 00:05:45,654
THE MORE MONEY YOU'LL HAVE
LEFT ON THE CARD.
149
00:05:45,646 --> 00:05:47,916
ALL RIGHT.
150
00:05:47,918 --> 00:05:49,578
IT'S JUST ONE WEEK.
151
00:05:49,580 --> 00:05:50,580
I COULD BE
NICE TO YOU.
152
00:05:50,581 --> 00:05:52,051
YES!
153
00:05:52,052 --> 00:05:53,452
DOOFUS.
154
00:05:53,454 --> 00:05:54,664
( cash register dings )
155
00:05:55,586 --> 00:05:57,126
OKAY, I'LL BE NICE.
156
00:05:57,127 --> 00:05:58,727
YOU'D BETTER BE.
'CAUSE YOU'RE NOW DOWN TO
157
00:05:58,729 --> 00:06:00,589
$843.
158
00:06:03,434 --> 00:06:06,474
SO, YOU READY TO START
AUDITIONING NEW SONGWRITERS?
159
00:06:06,467 --> 00:06:08,567
- I GUESS SO.
- ( sighs ) YEAH,
160
00:06:08,569 --> 00:06:09,699
BUT IT'S NOT
GONNA BE EASY.
161
00:06:09,700 --> 00:06:11,570
YOU WORRIED YOU'RE
NOT GONNA FIND SOMEBODY?
162
00:06:11,572 --> 00:06:13,572
NO, I'M WORRIED
EVEN IF I DO,
163
00:06:13,574 --> 00:06:16,114
IT WON'T BE AS SPECIAL
AS WHAT I HAVE WITH ALLY.
164
00:06:16,106 --> 00:06:17,906
I KNOW.
165
00:06:17,908 --> 00:06:19,578
I FEEL
THE SAME WAY.
166
00:06:19,580 --> 00:06:20,980
( sighs )
167
00:06:26,417 --> 00:06:27,757
THEY'RE DOING IT AGAIN.
168
00:06:29,720 --> 00:06:31,620
( fiddle music playing )
169
00:06:35,666 --> 00:06:37,696
♪ IT WAS A CAT-SIZED DOG ♪
170
00:06:37,698 --> 00:06:39,398
♪ LIVING IN A LOG ♪
171
00:06:39,399 --> 00:06:43,029
♪ SHARING HIS SUPPER
WITH A MEAN OLD FROG. ♪
172
00:06:46,106 --> 00:06:48,136
♪ VOMIT ON IT,
VOMIT ON IT ♪
173
00:06:48,138 --> 00:06:50,808
♪ YOUR FACES
MAKE ME SICK! ♪
174
00:06:52,583 --> 00:06:54,793
♪ I WANT TO BE
THE CHEESE ♪
175
00:06:54,785 --> 00:06:57,645
♪ TO YOUR MACARONI ♪
176
00:06:58,949 --> 00:07:00,889
♪ OR THE MAYONNAISE ♪
177
00:07:00,891 --> 00:07:04,091
♪ ON YOUR BOLOGNA. ♪
178
00:07:08,459 --> 00:07:10,599
♪ IN THE PRACTICE ROOM ♪
179
00:07:10,601 --> 00:07:12,101
♪ YEAH ♪
180
00:07:12,102 --> 00:07:15,942
♪ EVERYBODY WATCHING US ♪
181
00:07:15,936 --> 00:07:16,936
♪ WHAT? ♪
182
00:07:18,469 --> 00:07:20,669
( singing in Spanish )
183
00:07:42,633 --> 00:07:44,233
( mouthing )
184
00:07:46,096 --> 00:07:47,096
WHAT A DISASTER.
185
00:07:47,097 --> 00:07:48,837
NOW I'M REALLY WORRIED.
186
00:07:48,839 --> 00:07:52,099
WHY? THE MARIACHI GUY
WAS AMAZING.
187
00:07:52,102 --> 00:07:55,682
DEZ, YOU ARE SUCH A...
188
00:07:55,676 --> 00:07:56,746
SWEET AND CHARMING BOY.
189
00:07:58,649 --> 00:08:00,779
WELL, I GOTTA
WATCH THE STORE.
190
00:08:00,781 --> 00:08:02,911
DON'T WORRY, AUSTIN.
191
00:08:02,913 --> 00:08:04,153
WE'LL FIGURE SOMETHING OUT.
192
00:08:08,258 --> 00:08:10,918
WE'LL NEVER FIND A SONGWRITER
TO REPLACE ALLY.
193
00:08:10,921 --> 00:08:12,591
WELL,
THERE'S ONE MORE LEFT.
194
00:08:12,593 --> 00:08:15,203
SOMEONE NAMED ROXY ROCKET
LEFT THIS SONG.
195
00:08:15,195 --> 00:08:16,195
MAY AS WELL
LOOK AT IT.
196
00:08:18,268 --> 00:08:20,798
HMM.
THIS MIGHT ACTUALLY BE GOOD.
197
00:08:22,833 --> 00:08:27,143
♪ GIRL,
YOU COULD BE MY ♪
198
00:08:27,137 --> 00:08:30,607
♪ ONCE IN A LIFETIME ♪
199
00:08:30,611 --> 00:08:34,281
♪ IF YOU OPEN UP
YOUR HEART ♪
200
00:08:34,284 --> 00:08:39,024
♪ SHOW ME WHO YOU ARE. ♪
201
00:08:40,621 --> 00:08:42,651
WOW.
I REALLY LIKE IT.
202
00:08:42,653 --> 00:08:43,653
ME TOO.
203
00:08:43,654 --> 00:08:45,304
GREAT MELODY,
STRONG LYRICS.
204
00:08:45,295 --> 00:08:46,695
SHE REALLY
GETS MY STYLE.
205
00:08:46,697 --> 00:08:49,257
WELL, I THINK WE JUST
FOUND YOUR NEW SONGWRITER.
206
00:08:49,259 --> 00:08:52,559
FROM NOW ON,
IT'S GONNA BE
AUSTIN AND ROXY.
207
00:08:52,563 --> 00:08:54,063
HUH.
208
00:08:54,064 --> 00:08:55,614
IT'S WEIRD
TO HEAR THAT.
209
00:08:55,606 --> 00:08:57,606
I GUESS
YOU'RE RIGHT.
210
00:08:57,608 --> 00:08:59,608
THIS IS THE END
OF AUSTIN AND ALLY.
211
00:09:01,612 --> 00:09:03,142
SO...
212
00:09:03,143 --> 00:09:05,053
IT'S A DEFINITE "NO"
ON THE MARIACHI?
213
00:09:07,948 --> 00:09:09,948
( speaking Spanish )
214
00:09:11,952 --> 00:09:13,582
NO TASTE.
215
00:09:21,291 --> 00:09:23,191
ALLY,
WE HAVE SOME NEWS.
216
00:09:23,193 --> 00:09:24,233
DO YOU WANT ME
TO TELL HER?
217
00:09:24,234 --> 00:09:27,304
NO, I SHOULD BE THE ONE.
218
00:09:27,297 --> 00:09:29,067
ALLY, WE...
219
00:09:29,069 --> 00:09:30,899
FOUND SOMEONE
WAY BETTER THAN YOU.
220
00:09:32,042 --> 00:09:33,972
Both: DEZ!
221
00:09:33,974 --> 00:09:35,054
SO WHO'D YOU PICK?
222
00:09:35,045 --> 00:09:36,845
HER NAME'S ROXY ROCKET.
223
00:09:36,847 --> 00:09:39,177
SHE WROTE
AN AWESOME SONG.
224
00:09:39,179 --> 00:09:40,949
AUSTIN AND ROXY, HUH?
225
00:09:40,951 --> 00:09:42,751
WELL, CONGRATS.
I'M HAPPY FOR YOU.
226
00:09:42,753 --> 00:09:45,023
YOU SHOULD CALL ROXY
AND GIVE HER THE GOOD NEWS.
227
00:09:45,015 --> 00:09:46,615
HERE.
SHE LEFT HER NUMBER.
228
00:09:49,960 --> 00:09:52,720
( cellphone ringing )
229
00:09:52,723 --> 00:09:53,963
HELLO?
230
00:09:53,964 --> 00:09:56,634
HI,
IS THIS ROXY ROCKET?
231
00:09:56,627 --> 00:09:58,197
THIS IS ROXY.
232
00:09:58,198 --> 00:10:00,268
THIS IS AUSTIN MOON.
233
00:10:00,270 --> 00:10:02,300
I LOVED YOUR SONG
234
00:10:02,302 --> 00:10:04,172
AND I WANT YOU TO BE
MY NEW SONGWRITER.
235
00:10:04,174 --> 00:10:05,644
REALLY?
THAT'S GREAT.
236
00:10:05,636 --> 00:10:06,736
I WOULD LOVE TO BE--
237
00:10:06,737 --> 00:10:07,737
ALLY, CAN YOU
KEEP IT DOWN?
238
00:10:07,738 --> 00:10:08,738
I'M ON THE PHONE.
239
00:10:10,080 --> 00:10:12,280
SORRY, ROXY,
MY FRIEND'S BEING RUDE.
240
00:10:12,282 --> 00:10:15,622
ANYWAY, I THINK
WE'D MAKE A GREAT TEAM.
241
00:10:15,615 --> 00:10:17,085
ROXY?
242
00:10:19,790 --> 00:10:21,950
I THINK WE'D MAKE
AN AMAZING TEAM.
243
00:10:21,952 --> 00:10:24,292
YOU'RE ROXY ROCKET?!
244
00:10:24,294 --> 00:10:26,164
YEP.
I COULDN'T STAND THE THOUGHT
245
00:10:26,156 --> 00:10:27,826
OF NOT WRITING
WITH YOU ANYMORE.
246
00:10:27,828 --> 00:10:29,758
BUT IF I WRITE
UNDER AN ALIAS
247
00:10:29,760 --> 00:10:30,830
LIKE ROXY ROCKET,
248
00:10:30,831 --> 00:10:32,761
THEN RONNIE WILL NEVER
KNOW IT'S ME.
249
00:10:32,763 --> 00:10:34,743
THAT'S GENIUS.
250
00:10:34,735 --> 00:10:36,735
BUT, ALLY,
IT'S NOT LIKE YOU
251
00:10:36,737 --> 00:10:39,637
TO BE SO DEVIOUS
AND DECEITFUL.
252
00:10:39,639 --> 00:10:40,869
I'M SO PROUD OF YOU.
253
00:10:43,974 --> 00:10:47,224
SO LET ME
GET THIS STRAIGHT.
254
00:10:47,217 --> 00:10:49,317
YOU'RE NAME IS
ACTUALLY ROXY,
255
00:10:49,319 --> 00:10:51,849
AND THIS WHOLE TIME YOU'VE
BEEN PRETENDING TO BE ALLY
256
00:10:51,852 --> 00:10:53,822
SO YOU CAN WRITE
SONGS WITH AUSTIN?
257
00:10:55,756 --> 00:10:57,656
I'LL EXPLAIN IT
TO YOU LATER, DEZ.
258
00:10:57,657 --> 00:10:59,827
WELL, ROXY,
259
00:10:59,830 --> 00:11:00,990
WANT TO PLAY
THIS NEW SONG?
260
00:11:00,991 --> 00:11:02,191
I'D LOVE TO.
261
00:11:05,966 --> 00:11:09,436
♪ GIRL,
YOU COULD BE MY ♪
262
00:11:09,439 --> 00:11:13,299
♪ ONCE IN A LIFETIME ♪
263
00:11:13,303 --> 00:11:17,453
♪ IF YOU OPEN UP
YOUR HEART ♪
264
00:11:17,447 --> 00:11:21,077
( over radio )
♪ Show me who you are ♪
265
00:11:21,081 --> 00:11:25,321
♪ Show me
who you are ♪
266
00:11:25,315 --> 00:11:28,315
♪ Show me who you are. ♪
267
00:11:28,318 --> 00:11:30,058
Radio Announcer: That was
Austin Moon's latest hit
268
00:11:30,060 --> 00:11:32,320
"Who U R,"
written by his new songwriter
269
00:11:32,322 --> 00:11:34,122
- Roxy Rocket.
- THAT'S YOU.
270
00:11:34,124 --> 00:11:36,274
Tune into Video Countdown Live
this week.
271
00:11:36,266 --> 00:11:38,296
We'll be broadcasting
life from Shredder's.
272
00:11:38,298 --> 00:11:40,968
And see if Austin and Roxy
can take that top spot.
273
00:11:40,971 --> 00:11:42,971
I KNOW WE'RE GONNA
TAKE THE TOP SPOT,
274
00:11:42,973 --> 00:11:44,883
'CAUSE ROXY WROTE
A HIT SONG.
275
00:11:44,875 --> 00:11:46,705
THANKS.
I'LL TELL HER.
276
00:11:47,878 --> 00:11:49,708
DEZ,
WHAT'S WITH THE SCARF?
277
00:11:49,709 --> 00:11:51,309
OH, YOU LIKE IT?
278
00:11:51,311 --> 00:11:53,111
I GOT IT YESTERDAY
AFTER TRISH CALLED ME
279
00:11:53,113 --> 00:11:54,313
COUNT DORKULA.
280
00:11:55,746 --> 00:11:57,316
IT'S 50% CHEETAH PRINT,
281
00:11:57,317 --> 00:11:59,447
50% LEOPARD,
AND 50% OCELOT.
282
00:11:59,449 --> 00:12:01,249
( chuckles )
283
00:12:02,322 --> 00:12:03,722
DID I SAY DORKULA?
284
00:12:03,723 --> 00:12:05,333
I MEANT FREAKENSTEIN.
285
00:12:05,325 --> 00:12:06,755
DARN IT.
286
00:12:06,757 --> 00:12:08,457
( cash register dings )
287
00:12:08,458 --> 00:12:10,328
YOU'D BETTER
BEHAVE YOURSELF, TRISH.
288
00:12:10,330 --> 00:12:12,500
'CAUSE THE CASH FLOW
IS GETTING LOW.
289
00:12:13,864 --> 00:12:15,244
( chuckles )
290
00:12:16,736 --> 00:12:17,766
HEY, CHECK IT OUT.
291
00:12:17,768 --> 00:12:19,438
EVERYONE ON THE AUSTIN MOON
FAN PAGE
292
00:12:19,439 --> 00:12:21,069
WANTS TO KNOW
ALL ABOUT ROXY.
293
00:12:21,071 --> 00:12:22,971
WHAT SHOULD I WRITE?
294
00:12:22,973 --> 00:12:24,783
WHAT DO THEY
WANT TO KNOW?
295
00:12:24,775 --> 00:12:27,375
UH, WHERE'S SHE FROM?
WHAT'S SHE LIKE?
296
00:12:27,377 --> 00:12:28,977
NO ONE KNOWS
WHO ROXY IS,
297
00:12:28,979 --> 00:12:31,319
SO WE COULD MAKE UP
WHATEVER WE WANT.
298
00:12:31,321 --> 00:12:33,221
LET'S MAKE HER
THE OPPOSITE OF ALLY.
299
00:12:33,223 --> 00:12:35,793
TALL, SUPER CONFIDENT,
A GOOD DANCER.
300
00:12:35,786 --> 00:12:36,986
HEY!
301
00:12:36,987 --> 00:12:38,327
BUT I LIKE THAT.
PUT THAT IN.
302
00:12:40,891 --> 00:12:43,091
ALL RIGHT.
LET'S READ BACK
WHAT WE POSTED.
303
00:12:43,093 --> 00:12:46,543
OKAY, SO ROXY IS A TALL,
CONFIDENT FASHIONISTA.
304
00:12:46,536 --> 00:12:48,466
SHE'S ALSO AN
AWARD-WINNING DANCER
305
00:12:48,468 --> 00:12:49,968
WHO'S NOT AFRAID
TO SPEAK HER MIND.
306
00:12:49,970 --> 00:12:51,870
AND SHE'S A SWEDISH POP PUNK
307
00:12:51,872 --> 00:12:54,002
WITH PINK AND BLONDE
CHECKERBOARD HAIR.
308
00:12:54,004 --> 00:12:55,784
YEP, THAT'S ME.
309
00:12:55,775 --> 00:12:57,345
( all laugh )
310
00:12:57,347 --> 00:12:58,377
WAIT.
311
00:12:58,378 --> 00:12:59,448
THAT'S YOU ALLY,
312
00:12:59,449 --> 00:13:01,949
OR THAT'S YOU ROXY?
313
00:13:01,952 --> 00:13:04,312
I'LL EXPLAIN IT
TO YOU LATER...
314
00:13:04,314 --> 00:13:05,564
AGAIN.
315
00:13:12,462 --> 00:13:13,792
HEY.
316
00:13:13,793 --> 00:13:15,033
HOW WAS YOUR LUNCH
MEETING WITH JIMMY?
317
00:13:15,025 --> 00:13:16,265
IT WAS FINE.
318
00:13:16,266 --> 00:13:18,496
TILL I ORDERED THAT
THIRD LOBSTER TO GO.
319
00:13:18,498 --> 00:13:20,968
SOMETIMES I GET THE FEELING
JIMMY DOESN'T LIKE ME.
320
00:13:20,971 --> 00:13:22,201
WHY?
DID HE SAY SOMETHING?
321
00:13:22,202 --> 00:13:24,002
YEAH, HE SAID,
"DEZ, I DON'T LIKE YOU."
322
00:13:26,206 --> 00:13:27,506
ALLY,
WE'VE GOT A PROBLEM.
323
00:13:27,507 --> 00:13:28,977
JIMMY LOVES
THE NEW SONG.
324
00:13:28,979 --> 00:13:30,579
AND THAT'S A PROBLEM
BECAUSE...?
325
00:13:30,580 --> 00:13:32,040
HE ASKED ABOUT ROXY.
326
00:13:32,042 --> 00:13:34,812
PLEASE TELL ME
HE DOESN'T WANT TO MEET HER.
327
00:13:34,814 --> 00:13:35,954
IT'S WORSE THAN THAT.
328
00:13:35,946 --> 00:13:38,146
HE BOOKED ME AND ROXY
TO BE ON VIDEO COUNTDOWN LIVE
329
00:13:38,148 --> 00:13:39,148
TOMORROW.
330
00:13:39,149 --> 00:13:40,819
WHAT?!
331
00:13:40,820 --> 00:13:43,320
YOU GET TO BE ROXY
ON LIVE TV.
332
00:13:43,323 --> 00:13:44,453
OR AS ROXY WOULD SAY
333
00:13:44,454 --> 00:13:46,464
( speaks Swedish )
334
00:13:58,838 --> 00:14:00,108
I THOUGHT SINCE
ROXY'S SWEDISH,
335
00:14:00,110 --> 00:14:02,440
EATING SWEDISH MEATBALLS WILL
HELP YOU GET INTO CHARACTER.
336
00:14:02,442 --> 00:14:04,512
CAN'T ARGUE
WITH THAT LOGIC.
337
00:14:04,514 --> 00:14:06,484
JUST EAT ONE
AND TRY YOUR ACCENT.
338
00:14:10,520 --> 00:14:14,620
( Italian accent )
THAT'S ONE GOOD MEATBALL.
339
00:14:17,527 --> 00:14:20,427
HMM. MAYBE THESE ARE
ITALIAN MEATBALLS.
340
00:14:20,430 --> 00:14:22,530
AUSTIN, I CAN'T DO
A SWEDISH ACCENT.
341
00:14:22,532 --> 00:14:23,632
OR ITALIAN.
342
00:14:25,465 --> 00:14:26,995
THIS IS NEVER
GOING TO WORK.
343
00:14:26,997 --> 00:14:28,537
I SHOULD JUST ADMIT
I MADE ROXY UP
344
00:14:28,538 --> 00:14:30,368
AND HOPE RONNIE RAMONE
DOESN'T DROP ME.
345
00:14:30,370 --> 00:14:32,000
NO, YOU CAN'T
TAKE THAT CHANCE.
346
00:14:32,002 --> 00:14:33,872
YOU HAVE TO GO THROUGH
WITH BEING ROXY.
347
00:14:34,905 --> 00:14:35,905
IF YOU LOST
YOUR RECORD DEAL
348
00:14:35,906 --> 00:14:37,346
BECAUSE OF ME,
349
00:14:37,347 --> 00:14:39,477
I COULD NEVER LOOK
MYSELF IN THE MIRROR.
350
00:14:39,479 --> 00:14:41,479
AND I LOVE
LOOKING AT MYSELF
IN THE MIRROR.
351
00:14:43,483 --> 00:14:44,483
WHAT'S UP?
352
00:14:56,366 --> 00:14:58,666
CHECK OUT
MY COW PRINT BOOTS.
353
00:14:58,668 --> 00:15:00,568
MOO!
354
00:15:02,102 --> 00:15:05,342
THE GIFT CARD'S DOWN
TO 713 BUCKS.
355
00:15:05,335 --> 00:15:07,135
YOU SHOULDN'T HAVE
MADE FUN OF ME.
356
00:15:07,137 --> 00:15:09,137
BUT YOU'VE BEEN WEARING
UNDERWEAR OVER YOUR PANTS
357
00:15:09,139 --> 00:15:10,339
ALL DAY.
358
00:15:10,340 --> 00:15:11,480
I HAD NO CHOICE.
359
00:15:11,481 --> 00:15:12,481
THERE WAS
A HOLE IN MY PANTS
360
00:15:12,482 --> 00:15:13,482
AND IF YOU LOOKED THROUGH,
361
00:15:13,483 --> 00:15:15,323
YOU COULD SEE
MY UNDERWEAR!
362
00:15:15,315 --> 00:15:17,915
BUT NOW YOUR UNDERWEAR'S--
363
00:15:17,917 --> 00:15:18,947
NEVER MIND.
364
00:15:20,951 --> 00:15:24,291
MAY I PRESENT
ROXY ROCKET.
365
00:15:36,366 --> 00:15:39,666
( Swedish accent )
IS MY SWEDISH ACCENT OKAY?
366
00:15:39,669 --> 00:15:41,509
NOPE.
367
00:15:41,511 --> 00:15:43,211
JUST LET ME DO
ALL THE TALKING.
368
00:15:43,213 --> 00:15:47,623
JA. THAT IS
PROBABLY A GOOD IDEA.
369
00:15:47,617 --> 00:15:49,417
OH BROTHER.
370
00:15:52,022 --> 00:15:53,182
HEY HEY.
371
00:15:53,183 --> 00:15:55,993
YOU READY TO DO
SOME LIVE TV?
372
00:15:55,986 --> 00:15:57,486
UH, ACTUALLY WE NEED
A COUPLE--
373
00:15:57,487 --> 00:16:00,227
And we're live on
Video Countdown Live.
374
00:16:00,230 --> 00:16:02,160
Joining us this week
are Austin Moon
375
00:16:02,162 --> 00:16:03,492
and fresh out of Sweden,
376
00:16:03,493 --> 00:16:06,503
new songwriting sensation,
Roxy Rocket.
377
00:16:06,496 --> 00:16:08,396
So Roxy,
378
00:16:08,398 --> 00:16:09,668
WHAT'S IT LIKE
WORKING WITH AUSTIN?
379
00:16:09,669 --> 00:16:11,699
IT'S GREAT
WORKING WITH ME.
380
00:16:11,701 --> 00:16:13,501
I'M AN AMAZING PERSON
TO WORK WITH.
381
00:16:13,503 --> 00:16:15,253
I WAS ASKING ROXY.
382
00:16:15,245 --> 00:16:18,405
SO, HOW DO YOU LIKE
WORKING WITH AUSTIN?
383
00:16:18,408 --> 00:16:20,078
JA.
384
00:16:22,412 --> 00:16:24,512
OKAY.
385
00:16:24,514 --> 00:16:26,124
IT SAYS HERE
IN YOUR BIO
386
00:16:26,116 --> 00:16:27,416
THAT YOU'RE KIND OF SASSY.
387
00:16:27,417 --> 00:16:29,657
YOU'RE KNOWN
FOR SPEAKING YOUR MIND.
388
00:16:29,659 --> 00:16:31,619
WHAT'S THE CRAZIEST THING
YOU'VE EVER SAID?
389
00:16:31,621 --> 00:16:33,161
JA.
390
00:16:34,564 --> 00:16:36,504
YOU SEE THAT?
391
00:16:36,496 --> 00:16:38,026
NO FILTER AT ALL.
392
00:16:38,028 --> 00:16:39,998
YOU NEVER KNOW WHAT
SHE'S GONNA SAY.
393
00:16:39,999 --> 00:16:42,569
WELL, YOU CERTAINLY
ARE DIFFERENT FROM
394
00:16:42,572 --> 00:16:45,382
AUSTIN'S LAST SONGWRITER,
ALLY DAWSON, AREN'T YOU?
395
00:16:45,375 --> 00:16:47,575
Ja. Different.
396
00:16:47,577 --> 00:16:49,577
Not the same
person at all.
397
00:16:51,381 --> 00:16:52,641
Well, Austin,
398
00:16:52,642 --> 00:16:54,382
I think I like
this new song
399
00:16:54,384 --> 00:16:57,094
better than any of the songs
you wrote with Ally.
400
00:16:57,087 --> 00:16:59,617
EXCUSE ME?
401
00:16:59,619 --> 00:17:01,589
WELL, ROXY,
YOU JUST BRING THIS FIRE
402
00:17:01,591 --> 00:17:03,521
THAT ALLY NEVER HAD,
403
00:17:03,523 --> 00:17:05,303
AND I THINK YOU'RE
MORE TALENTED THAN HER.
404
00:17:05,295 --> 00:17:06,295
( gasps )
405
00:17:06,296 --> 00:17:07,796
WHAT?
406
00:17:07,797 --> 00:17:09,527
ALLY IS BRILLIANT.
407
00:17:09,529 --> 00:17:12,499
YOU HAVE NO IDEA WHAT
YOU ARE TALKING ABOUT.
408
00:17:12,502 --> 00:17:14,032
I THINK I DO.
409
00:17:14,033 --> 00:17:15,573
YOU BRING SOMETHING
FRESH TO THE TABLE,
410
00:17:15,565 --> 00:17:16,565
AND THE SONG IS A HIT,
411
00:17:16,566 --> 00:17:18,636
SO OBVIOUSLY
THE PEOPLE AGREE.
412
00:17:18,638 --> 00:17:20,308
( cheering )
413
00:17:21,371 --> 00:17:23,241
ALLY WAS ALSO FRESH.
414
00:17:23,243 --> 00:17:25,383
SOME MIGHT EVEN SAY
THAT ALLY AND ROXY
415
00:17:25,375 --> 00:17:28,615
HAD THE SAME AMOUNT
OF FR-FRESHNESS.
416
00:17:28,618 --> 00:17:30,478
Well, in my opinion,
417
00:17:30,480 --> 00:17:33,520
Ally Dawson wasn't such
an important part of
your success after all.
418
00:17:33,523 --> 00:17:35,663
She was overrated.
419
00:17:35,655 --> 00:17:37,385
WHAT DO YOU KNOW?
420
00:17:37,387 --> 00:17:38,587
YOU DON'T WRITE MUSIC.
421
00:17:38,588 --> 00:17:41,328
YOU JUST SIT THERE WITH
YOUR OVER-GELLED SWOOPY HAIR
422
00:17:41,331 --> 00:17:42,361
AND READ STUPID QUESTIONS
423
00:17:42,362 --> 00:17:43,392
OFF OF STUPID CARDS.
424
00:17:43,393 --> 00:17:44,633
( gasps )
425
00:17:44,634 --> 00:17:46,544
Another interesting
fact about Roxy
426
00:17:46,536 --> 00:17:48,396
is when she gets angry,
427
00:17:48,398 --> 00:17:50,398
she talks in
an American accent.
428
00:17:50,400 --> 00:17:52,400
( chuckles ) Ja.
429
00:17:52,402 --> 00:17:53,502
AND ANOTHER THING.
430
00:17:53,503 --> 00:17:54,843
ALLY HAS WORKED TOO HARD
431
00:17:54,844 --> 00:17:57,614
TO BE TREATED
WITH SUCH DISRESPECT.
432
00:17:57,607 --> 00:17:59,747
AM I RIGHT, MIAMI?
433
00:17:59,749 --> 00:18:01,109
( cheering )
434
00:18:01,111 --> 00:18:02,111
( chanting )
ROXY, ROXY, ROXY!
435
00:18:02,112 --> 00:18:04,852
SEE, THIS IS WHAT
I WAS TALKING ABOUT.
436
00:18:04,854 --> 00:18:07,524
IT'S EXACTLY THAT KIND OF FIRE
THAT ALLY LACKS.
437
00:18:07,517 --> 00:18:09,257
I'LL SHOW YOU FIRE.
438
00:18:09,259 --> 00:18:11,389
WHOA WHOA!
439
00:18:11,391 --> 00:18:13,221
THANKS FOR HAVING US
ON THE SHOW, JETT.
440
00:18:13,223 --> 00:18:14,863
IT WAS GOOD TIMES.
441
00:18:14,864 --> 00:18:16,674
GOOD TIMES.
442
00:18:16,666 --> 00:18:18,196
Good night, Miami.
443
00:18:27,407 --> 00:18:28,407
WHOO!
444
00:18:28,408 --> 00:18:29,708
( grunts )
445
00:18:29,709 --> 00:18:30,739
WHAT'S GOTTEN INTO YOU?
446
00:18:30,740 --> 00:18:32,410
I DON'T KNOW.
447
00:18:32,412 --> 00:18:34,642
BEING ROXY JUST MAKES ME
FEEL SO POWERFUL.
448
00:18:34,644 --> 00:18:37,524
( grunts )
449
00:18:37,517 --> 00:18:39,217
I THINK IT'S GREAT.
450
00:18:39,219 --> 00:18:41,489
ROXY REMINDS ME
A LOT OF ME,
451
00:18:41,491 --> 00:18:43,691
BEFORE I STARTED
THE WHOLE BEING NICE THING.
452
00:18:44,794 --> 00:18:46,834
RONNIE,
WHAT ARE YOU DOING HERE?
453
00:18:46,826 --> 00:18:48,126
LET ME GET
RIGHT TO THE POINT.
454
00:18:48,127 --> 00:18:50,597
ROXY,
I LIKE YOUR MOXY.
455
00:18:50,600 --> 00:18:52,860
I'D LIKE TO HIRE YOU
TO WORK WITH MY NEW ARTIST
456
00:18:52,862 --> 00:18:53,862
ALLY DAWSON.
457
00:18:53,863 --> 00:18:55,543
THAT'S GREAT.
458
00:18:55,535 --> 00:18:56,765
I CAN'T WAIT
TO TELL ALLY.
459
00:18:58,568 --> 00:18:59,868
NO NEED.
I'M GONNA CALL HER RIGHT NOW
460
00:18:59,869 --> 00:19:01,209
AND ARRANGE
FOR YOU TWO TO MEET.
461
00:19:02,242 --> 00:19:04,572
( cellphone ringing )
462
00:19:04,574 --> 00:19:06,154
( chuckles nervously )
463
00:19:10,780 --> 00:19:13,580
ROXY,
ARE YOU GONNA GET THAT?
464
00:19:14,584 --> 00:19:16,334
WAIT A MINUTE.
465
00:19:20,390 --> 00:19:21,490
ALLY?
466
00:19:21,491 --> 00:19:23,661
YOU'RE ROXY?
467
00:19:23,663 --> 00:19:25,473
ALLY IS ROXY?
468
00:19:25,465 --> 00:19:28,265
I HAD NO IDEA.
469
00:19:28,268 --> 00:19:30,868
I'M JUST AS SHOCKED
AS YOU ARE.
470
00:19:30,870 --> 00:19:32,870
I'LL EXPLAIN IT
TO YOU LATER.
471
00:19:34,904 --> 00:19:37,484
YOU WROTE THAT SONG
FOR AUSTIN?
472
00:19:37,477 --> 00:19:38,807
RONNIE, WAIT.
473
00:19:38,808 --> 00:19:40,548
DON'T DROP HER
FROM YOUR LABEL.
474
00:19:40,550 --> 00:19:41,880
IT'S NOT HER FAULT.
475
00:19:41,881 --> 00:19:43,611
ALLY WAS JUST
TRYING TO HELP ME.
476
00:19:44,614 --> 00:19:46,594
AUSTIN,
I'LL HANDLE THIS.
477
00:19:46,586 --> 00:19:48,416
- ARE YOU SURE?
- YEAH.
478
00:19:48,418 --> 00:19:50,418
I PICKED UP
A FEW THINGS FROM ROXY,
479
00:19:50,420 --> 00:19:51,490
LIKE HER MOXY.
480
00:19:52,562 --> 00:19:54,562
RONNIE, WRITING SONGS
FOR AUSTIN
481
00:19:54,564 --> 00:19:55,974
MAKES ME A BETTER ARTIST,
482
00:19:55,965 --> 00:19:58,225
AND THAT'S
THE ARTIST YOU SIGNED.
483
00:19:58,228 --> 00:19:59,728
SO LET ME GET
RIGHT TO THE POINT.
484
00:19:59,729 --> 00:20:01,669
I WILL CONTINUE
WRITING SONGS FOR AUSTIN,
485
00:20:01,671 --> 00:20:03,401
YOU WILL NOT DROP ME
FROM THE LABEL
486
00:20:03,403 --> 00:20:04,733
AND YOU'RE
GONNA LIKE IT!
487
00:20:04,734 --> 00:20:06,284
YEAH, YOU TELL HIM, ALLY.
488
00:20:09,609 --> 00:20:12,639
HEY, NO ONE TALKS
TO RONNIE RAMONE LIKE THAT.
489
00:20:13,543 --> 00:20:15,423
I'M IMPRESSED.
490
00:20:15,415 --> 00:20:16,545
AND A LITTLE FRIGHTENED.
491
00:20:17,647 --> 00:20:19,547
LOOK, ALLY,
492
00:20:19,549 --> 00:20:22,419
I'D RATHER LET YOU
KEEP WRITING FOR AUSTIN
493
00:20:22,422 --> 00:20:23,792
THAN LOSE YOU
AS AN ARTIST.
494
00:20:23,793 --> 00:20:25,433
REALLY?
495
00:20:25,425 --> 00:20:27,595
THANK YOU, RONNIE.
YOU WILL NOT REGRET IT.
496
00:20:27,597 --> 00:20:28,627
I BETTER NOT.
497
00:20:30,430 --> 00:20:32,730
I GUESS THIS IS THE END
OF AUSTIN AND ROXY.
498
00:20:32,732 --> 00:20:34,632
BUT AUSTIN AND ALLY
ARE BACK.
499
00:20:36,506 --> 00:20:38,906
AW, I LOVE
HAPPY ENDINGS.
500
00:20:40,670 --> 00:20:42,410
( gasps )
501
00:20:42,412 --> 00:20:44,712
- LOOK WHAT YOU DID, YOU--
- ( cash register dinging )
502
00:20:44,714 --> 00:20:47,724
YOU ARE SUCH
A CLUMSY LITTLE--
503
00:20:47,717 --> 00:20:49,647
YOU KNOW WHAT YOU ARE?
YOU'RE A--
504
00:20:49,649 --> 00:20:51,279
AND A--
505
00:20:51,281 --> 00:20:53,321
YOU'RE THE BIGGEST
-- ON THIS PLANET!
506
00:20:53,323 --> 00:20:54,883
( groans )
EVEN ON YOUR BEST DAYS,
507
00:20:54,884 --> 00:20:55,994
YOU'RE A--
508
00:20:55,985 --> 00:20:58,525
I CAN'T BELIEVE
YOU DID THIS, YOU--
509
00:21:05,835 --> 00:21:09,335
SO, WHAT DO YOU THINK?
510
00:21:09,339 --> 00:21:11,839
YOU LOOK RIDICULOUS.
511
00:21:11,841 --> 00:21:13,571
THANKS.
512
00:21:13,573 --> 00:21:15,583
THAT'S WHAT I WAS
GOING FOR.
513
00:21:15,575 --> 00:21:17,445
AUSTIN,
THERE YOU ARE.
514
00:21:17,447 --> 00:21:18,607
WHERE'S ROXY?
515
00:21:18,608 --> 00:21:21,448
OH... ROXY?
516
00:21:21,451 --> 00:21:25,491
SHE SUDDENLY
MOVED BACK TO SWEDEN.
517
00:21:25,485 --> 00:21:26,555
OH, THAT'S TOO BAD.
518
00:21:26,556 --> 00:21:28,416
THE SHOW GOT
MONSTER RATINGS
519
00:21:28,418 --> 00:21:29,688
BECAUSE OF HER.
520
00:21:29,689 --> 00:21:31,389
MAYBE I SHOULD CALL HER
AND ASK HER TO COME BACK ON?
521
00:21:31,391 --> 00:21:32,691
SORRY.
522
00:21:32,692 --> 00:21:34,422
UNFORTUNATELY,
SHE'S IN A PART OF SWEDEN
523
00:21:34,424 --> 00:21:36,734
THAT DOESN'T GET
CELL SERVICE.
524
00:21:36,726 --> 00:21:38,796
OH, AND SHE QUIT
MUSIC FOREVER.
525
00:21:38,798 --> 00:21:41,568
THAT'S TOO BAD.
SHE WAS VERY TALENTED...
526
00:21:41,571 --> 00:21:43,731
BUT NOT AS TALENTED AS YOU.
527
00:21:43,733 --> 00:21:44,873
I SAW THE SHOW, JETT.
528
00:21:44,874 --> 00:21:46,644
AWKWARD.
529
00:21:49,038 --> 00:21:50,578
IF YOU'RE LOOKING
FOR SOME TALENT,
530
00:21:50,580 --> 00:21:52,440
MAY I SUGGEST
THE MUSICAL STYLINGS OF
531
00:21:52,442 --> 00:21:54,912
SEÑOR DEZ
AND GUILLERMO.
532
00:21:54,914 --> 00:21:56,994
GUILLERMO!
533
00:21:58,418 --> 00:21:59,548
( speaks Spanish )
534
00:22:01,451 --> 00:22:05,401
( singing in Spanish )
535
00:22:21,841 --> 00:22:22,841
ONE MORE TIME.
536
00:22:24,444 --> 00:22:26,724
( singing in Spanish )
36224
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