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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:02,300 --> 00:00:05,050 ? WELL, I'M NOT THE KIND TO KISS AND TELL ? 3 00:00:05,050 --> 00:00:08,310 ? BUT I'VE BEEN SEEN WITH FARRAH ? 4 00:00:08,310 --> 00:00:10,940 ? I'VE NEVER BEEN WITH ANYTHING LESS ? 5 00:00:10,940 --> 00:00:13,730 ? THAN A NINE SO FINE ? 6 00:00:13,730 --> 00:00:16,310 ? I'VE BEEN ON FIRE WITH SALLY FIELD ? 7 00:00:16,320 --> 00:00:19,160 ? GONE FAST WITH A GIRL NAMED BO ? 8 00:00:19,150 --> 00:00:23,540 ? BUT SOMEHOW THEY JUST DON'T END UP AS MINE ? 9 00:00:23,540 --> 00:00:27,330 ? IT'S A DEATH-DEFYIN' LIFE I LEAD ? 10 00:00:27,330 --> 00:00:29,790 ? I TAKE MY CHANCES ? 11 00:00:29,800 --> 00:00:32,720 ? I DIE FOR A LIVIN' IN THE MOVIES AND TV ? 12 00:00:32,720 --> 00:00:34,640 [ Siren Wailing ] 13 00:00:34,630 --> 00:00:37,170 ? BUT THE HARDEST THING I EVER DO ? 14 00:00:37,170 --> 00:00:40,510 ? IS WATCH MY LEADING LADIES ? 15 00:00:40,970 --> 00:00:45,060 ? KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ? 16 00:00:45,560 --> 00:00:48,310 ? I MIGHT FALL FROM A TALL BUILDIN' ? 17 00:00:48,310 --> 00:00:51,270 ? I MIGHT ROLL A BRAND-NEW CAR ? 18 00:00:51,270 --> 00:00:53,940 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 19 00:00:53,940 --> 00:00:56,740 ? THAT MADE REDFORD SUCH A STAR ? 20 00:00:56,740 --> 00:00:59,690 ? [ Women Vocalizing ] 21 00:01:03,330 --> 00:01:06,450 ? I'VE NEVER SPENT MUCH TIME IN SCHOOL ? 22 00:01:06,450 --> 00:01:09,080 ? BUT I'VE TAUGHT LADIES PLENTY ? 23 00:01:09,090 --> 00:01:12,430 ? IT'S TRUE I HIRE MY BODY OUT FOR PAY ? 24 00:01:12,920 --> 00:01:14,260 ? HEY, HEY ? 25 00:01:14,260 --> 00:01:17,260 ? I'VE GOTTEN BURNED OVER CHERYL TIEGS ? 26 00:01:17,260 --> 00:01:19,960 ? BLOWN UP FOR RAQUEL WELCH ? 27 00:01:19,960 --> 00:01:23,970 ? BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ? 28 00:01:23,970 --> 00:01:25,430 ? HEY, HEY ? 29 00:01:25,440 --> 00:01:28,480 ? I MIGHT JUMP AN OPEN DRAWBRIDGE ? 30 00:01:28,470 --> 00:01:30,270 ? OR TARZAN FROM A VINE ? 31 00:01:30,270 --> 00:01:32,640 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 32 00:01:32,640 --> 00:01:36,480 ? THAT MAKES EASTWOOD LOOK SO FINE ? 33 00:01:50,960 --> 00:01:54,300 [ Colt Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 34 00:01:54,300 --> 00:01:58,080 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 35 00:01:58,080 --> 00:02:00,250 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 36 00:02:00,250 --> 00:02:03,560 WOMEN HAVE WANTED TO DIE FOR HIM. 37 00:02:03,560 --> 00:02:07,810 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 38 00:02:07,810 --> 00:02:10,260 HE WAS WHAT WE CALL A STUNTMAN. 39 00:02:10,260 --> 00:02:12,650 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 40 00:02:12,650 --> 00:02:14,680 WELL, BECAUSE IT'S ME, COLT SEAVERS. 41 00:02:14,680 --> 00:02:18,320 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 42 00:02:18,820 --> 00:02:22,160 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 43 00:02:22,160 --> 00:02:25,080 WELL, ONE WAY IS TO WAIT BY THE PHONE... 44 00:02:25,080 --> 00:02:27,410 AND WAIT... AND WAIT. 45 00:02:27,410 --> 00:02:30,200 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 46 00:02:30,200 --> 00:02:32,500 OF THE UNITED STATES OF AMERICA, 47 00:02:32,500 --> 00:02:35,340 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 48 00:02:35,340 --> 00:02:38,840 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 49 00:02:38,840 --> 00:02:42,290 GET OUT OF JAIL ON WHAT WE CALL BAIL. 50 00:02:42,300 --> 00:02:44,810 AND THEY RUN LIKE HELL. 51 00:02:44,800 --> 00:02:49,180 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 52 00:02:49,190 --> 00:02:50,980 AND BRING THEM BACK TO JUSTICE. 53 00:02:50,970 --> 00:02:53,350 BUT TODAY I'M DOIN' A STUNT THAT'S GONNA PUT ME... 54 00:02:53,360 --> 00:02:56,230 RIGHT OVER THE EDGE. 55 00:03:42,110 --> 00:03:44,620 [ Man ] AND... CUT! 56 00:03:57,620 --> 00:04:00,000 GOOD JOB, JODY, TED. 57 00:04:00,010 --> 00:04:02,050 OH. THANKS. 58 00:04:03,340 --> 00:04:05,340 HERE YOU GO. THAT WAS GREAT. 59 00:04:05,340 --> 00:04:07,600 THANKS. WASN'T BAD, HUH? 60 00:04:07,600 --> 00:04:10,180 I THINK IT WAS YOUR BEST EVER. 61 00:04:12,690 --> 00:04:15,060 WHAT'S GOIN' ON? WHERE'S EVERYBODY GOIN'? 62 00:04:15,050 --> 00:04:17,860 WELL, IT SEEMS THAT KAMIKAZE PRODUCTIONS... 63 00:04:17,860 --> 00:04:20,940 HAS RUN INTO A LITTLE FINANCIAL TROUBLE. 64 00:04:23,450 --> 00:04:25,460 WHAT DOES THAT MEAN? WHAT-- WHAT? 65 00:04:25,450 --> 00:04:27,320 UH, THEY FORECLOSED TODAY, AND WE'RE SHUT DOWN. 66 00:04:27,320 --> 00:04:30,570 SHUT DOWN? IN THE MIDDLE OF MY STUNT? 67 00:04:30,570 --> 00:04:32,990 OH, WE GOT IT ON FILM. 68 00:04:32,990 --> 00:04:36,710 IT'S JUST THAT, UH, THE BANK HAS THE CAMERA. 69 00:04:37,660 --> 00:04:40,040 I CAN'T BELIEVE THIS. 70 00:04:40,050 --> 00:04:44,390 NEITHER CAN I. SUPPOSE THE KAMIKAZE BROTHERS AREN'T AVAILABLE FOR COMMENT. 71 00:04:44,380 --> 00:04:47,340 WELL, NOT RIGHT NOW-- BUT THE POLICE ARE OUT LOOKING FOR THEM. 72 00:04:47,340 --> 00:04:52,310 - POLICE? - UH, SOMETHING ABOUT WRITING BAD CHECKS. 73 00:04:52,310 --> 00:04:55,140 INCLUDING THE ONE THEY PAID US WITH? 74 00:04:55,140 --> 00:04:57,350 YOU GOT IT. 75 00:04:57,350 --> 00:05:00,010 [ Groans ] 76 00:05:00,020 --> 00:05:03,580 HOW DID I EVER LET YOU TALK ME INTO WORKING FOR AN OUTFIT LIKE THIS? 77 00:05:03,570 --> 00:05:07,910 WELL, FIRST OF ALL, THEY GAVE US A FINANCIAL OFFER THAT WE COULDN'T REFUSE. 78 00:05:07,910 --> 00:05:11,190 YEAH, SURE, WRITTEN ON A RUBBER CHECK. 79 00:05:11,190 --> 00:05:13,580 THEY ALSO AGREED TO GIVE COLT THE STAR BILLING HE WANTED. YOU REMEMBER? 80 00:05:13,580 --> 00:05:16,030 OH, YEAH. YEAH, YEAH. 81 00:05:16,030 --> 00:05:18,030 YEAH. 82 00:05:20,370 --> 00:05:22,790 HE JUST... TOOK MY CHAIR. 83 00:05:22,790 --> 00:05:26,710 COLT, WHAT ARE WE GONNA DO? YOU GOT A TRUCK PAYMENT COMING UP-- 84 00:05:26,710 --> 00:05:28,960 NOT TO MENTION THE MORTGAGE IS DUE. 85 00:05:28,960 --> 00:05:31,680 YEAH, HOWIE, WHAT ARE YOU GOING TO DO? 86 00:05:31,680 --> 00:05:34,020 DON'T WORRY. I'LL THINK OF SOMETHING. 87 00:05:34,020 --> 00:05:36,350 I'LL GET US OUT OF THIS. I PROMISE. 88 00:05:41,220 --> 00:05:43,220 [ Colt ] WORKING FOR BIG JACK... 89 00:05:43,230 --> 00:05:45,650 ISN'T EXACTLY WHAT I CALL INSPIRED THINKING. 90 00:05:45,650 --> 00:05:48,460 LOOK, WE COULDN'T GET ANOTHER STUNT JOB OVER THE WEEKEND ANYWAY. 91 00:05:48,950 --> 00:05:50,950 BESIDES, THIS CASE IS GONNA BE A PIECE OF CAKE. 92 00:05:51,450 --> 00:05:53,150 SIX COUNTS OF ILLEGAL BOOKMAKING, 93 00:05:53,150 --> 00:05:56,900 FOUR COUNTS OF CONSPIRACY TO FIX SPORTING EVENTS, AND CAR THEFT. 94 00:05:56,910 --> 00:05:58,920 WELL, CLYDE DORSETT'S BEEN A BUSY MAN. 95 00:05:58,910 --> 00:06:01,410 YEAH. THOSE ARE ONLY THE THINGS HE GOT CAUGHT FOR. 96 00:06:01,410 --> 00:06:03,410 HEY, LOOK. HIS TRIAL'S ON MONDAY. 97 00:06:03,410 --> 00:06:05,410 HOW COME BIG JACK WANTS US TO PICK HIM UP? 98 00:06:05,410 --> 00:06:08,420 SHE DOESN'T. WE'RE JUST GONNA KEEP OUR EYE ON HIM OVER THE WEEKEND... 99 00:06:08,420 --> 00:06:10,920 AND MAKE SURE HE SHOWS UP FOR HIS TRIAL IN L.A. 100 00:06:10,920 --> 00:06:13,420 THAT REALLY DOES SOUND LIKE A PIECE OF CAKE. YEAH. 101 00:06:13,420 --> 00:06:15,260 WE'LL SEE ABOUT THAT. AW, COME ON, COLT. 102 00:06:15,260 --> 00:06:18,230 JUST THINK OF IT AS AN ALL-EXPENSE-PAID WEEKEND IN SANTA LUISA, 103 00:06:18,230 --> 00:06:20,400 COURTESY OF BIG JACK. 104 00:06:38,200 --> 00:06:40,200 WE'RE GOING OVER TO LET CLYDE KNOW WE'RE HERE. 105 00:06:40,200 --> 00:06:42,200 WELL, DON'T YOU WANT TO GO TO THE BEACH? 106 00:06:42,200 --> 00:06:45,200 NO, NO. YOU GO AHEAD. WE'LL BE BACK BEFORE YOU GET STRAP MARKS. 107 00:06:45,710 --> 00:06:48,050 AND REMEMBER-- THE RIGHT PLACE TO PUT A BLANKET ON THE BEACH... 108 00:06:48,040 --> 00:06:50,540 IS RIGHT NEXT TO ONE WITH PRETTY GIRLS ON IT. 109 00:06:50,540 --> 00:06:52,540 I'LL REMEMBER THAT. 110 00:07:22,710 --> 00:07:24,710 DADDY? 111 00:08:05,450 --> 00:08:07,950 SORRY. DIDN'T MEAN TO SCARE YOU. 112 00:08:07,950 --> 00:08:09,950 WHAT HAPPENED? 113 00:08:09,960 --> 00:08:13,470 I DON'T KNOW. I JUST GOT HOME. 114 00:08:13,960 --> 00:08:15,960 IT'S OBVIOUS SOMEBODY WAS LOOKIN' FOR SOMETHING, HUH? 115 00:08:15,960 --> 00:08:18,960 [ Howie ] AND THEY DIDN'T CARE WHAT THEY HAD TO DO TO FIND IT. 116 00:08:18,960 --> 00:08:22,800 I DON'T UNDERSTAND. WHY WOULD ANYBODY DO THIS? 117 00:08:22,800 --> 00:08:26,440 WE DON'T HAVE ANY MONEY. EVERYTHING'S GONNA BE OKAY. 118 00:08:26,440 --> 00:08:28,810 ARE YOU CLYDE DORSETT'S DAUGHTER? 119 00:08:28,810 --> 00:08:32,060 [ Sniffs ] UH-HUH. 120 00:08:32,060 --> 00:08:33,950 I'M LIBBY. 121 00:08:33,950 --> 00:08:36,230 WELL, I'M COLT. 122 00:08:36,230 --> 00:08:39,400 AND THIS IS HOWIE. 123 00:08:39,400 --> 00:08:42,540 - HI. - HI. 124 00:08:42,540 --> 00:08:45,710 NOW, WHERE, UH-- WHERE IS YOUR FATHER? 125 00:08:45,710 --> 00:08:49,490 HE WAS SUPPOSED TO BE HOME. I'M REALLY SCARED. 126 00:08:49,500 --> 00:08:51,510 HEY, THERE'S NOTHING TO BE SCARED ABOUT. 127 00:08:52,000 --> 00:08:54,000 WHAT DO YOU SAY WE GO FIND YOUR FATHER? 128 00:08:54,000 --> 00:08:56,500 UH, NO, I BETTER WAIT HERE. 129 00:08:56,500 --> 00:08:58,340 HE MIGHT COME BACK. 130 00:08:58,340 --> 00:09:00,810 YEAH, WELL, I DON'T THINK THAT'S A GOOD IDEA, 131 00:09:00,810 --> 00:09:03,090 BECAUSE WHOEVER DID THIS MIGHT COME BACK TOO. 132 00:09:03,090 --> 00:09:07,810 BUT, UH, SEE, MY FATHER TOLD ME I SHOULD NEVER GO ANYWHERE WITH STRANGERS. 133 00:09:11,230 --> 00:09:13,480 WELL, THAT-THAT'S A VERY GOOD RULE, 134 00:09:13,490 --> 00:09:16,500 BUT UNDER THE CIRCUMSTANCES, YOU SEE, I THINK YOUR FATHER WOULD... 135 00:09:16,490 --> 00:09:19,320 WANT YOU TO COME ALONG WITH US, DON'T YOU? 136 00:09:22,410 --> 00:09:25,860 WELL, OKAY, BUT, UH, I HAVE TO CHANGE. 137 00:09:25,870 --> 00:09:29,590 SEE, THIS IS MY GOOD DRESS. OKAY. WE'LL WAIT FOR YOU. 138 00:09:29,590 --> 00:09:31,800 OKAY. 139 00:09:32,840 --> 00:09:35,840 [ Chuckles ] 140 00:09:35,840 --> 00:09:39,340 CUTE KID, HUH? YEAH. GONNA BREAK A LOT OF HEARTS. 141 00:10:01,480 --> 00:10:03,990 SURE IS TAKING AN AWFUL LONG TIME. 142 00:10:03,990 --> 00:10:07,150 KEEPING A MAN WAITING IS A TRICK WOMEN LEARN WHEN THEY'RE LITTLE GIRLS. 143 00:10:15,380 --> 00:10:18,000 YEAH. SO'S PLAYING HARD TO GET. 144 00:10:19,300 --> 00:10:22,140 [ Colt ] HEY. HEY, WHERE YOU GOIN'? 145 00:10:23,470 --> 00:10:25,890 [ Horn Honks, Tires Squeal ] 146 00:10:28,640 --> 00:10:31,230 LIBBY? 147 00:10:32,480 --> 00:10:34,680 GET IN THE CAR, LIBBY. BUZZ OFF, STEWART. 148 00:10:34,680 --> 00:10:36,930 COME ON. WE'RE GONNA TAKE YOU TO YOUR FATHER. 149 00:10:36,940 --> 00:10:39,110 YEAH, SURE. NICE JOB YOU GUYS DID ON THE HOUSE. 150 00:10:39,100 --> 00:10:43,160 - BE A GOOD BRAT AND GET IN THE CAR. - HEY, HEY. WHAT'S GOIN' ON? 151 00:10:44,830 --> 00:10:47,500 THEY TRIED TO RUN ME OVER, COLT. 152 00:10:47,500 --> 00:10:50,410 THE KID'S LYIN'. SHE RAN RIGHT OUT IN FRONT OF US. 153 00:10:50,920 --> 00:10:53,750 BESIDES, WE'RE GOOD FRIENDS, AREN'T WE, LIBBY? 154 00:10:53,750 --> 00:10:55,920 I'VE NEVER SEEN HIM BEFORE IN MY LIFE. 155 00:10:55,920 --> 00:10:59,670 - WE WERE GONNA TAKE HER TO SEE HER OLD MAN. - THAT'S A LIE. 156 00:10:59,680 --> 00:11:01,550 WHERE IS HER OLD MAN? 157 00:11:01,540 --> 00:11:04,710 - WHAT'S IT TO YOU, COWBOY? - WE'RE TRYING TO LOCATE HIM. 158 00:11:04,710 --> 00:11:07,470 WELL, UNLESS YOU AND YOUR FRIEND WANT YOUR FACES RELOCATED, 159 00:11:07,470 --> 00:11:10,130 I SUGGEST YOU HIT THE ROAD-- NOW. [ Vehicle Approaching ] 160 00:11:10,140 --> 00:11:12,360 COME ON, KID. 161 00:11:12,350 --> 00:11:16,610 [ Tires Screech ] HEY, MOVE THAT TANK, WILL YA? 162 00:11:16,610 --> 00:11:18,640 [ Horn Honks ] LET'S GO. 163 00:11:20,950 --> 00:11:24,530 - [ Horn Honks ] - YOU'LL BE SEEING US. 164 00:11:24,530 --> 00:11:26,900 YEAH, WE'RE LOOKIN' FORWARD TO IT. 165 00:11:27,990 --> 00:11:30,490 [ Horns Honking ] 166 00:11:30,490 --> 00:11:32,460 [ Tires Squeal ] 167 00:11:34,290 --> 00:11:37,330 WELL, UM-- 168 00:11:37,330 --> 00:11:40,000 HEY, THAT'S MINE! 169 00:11:40,000 --> 00:11:43,000 COLT, THERE MUST BE FIVE GRAND IN HERE. 170 00:11:43,000 --> 00:11:45,300 WELL, LET ME SEE. 171 00:11:48,390 --> 00:11:51,480 I'M A GIRL SCOUT. I SELL COOKIES. 172 00:11:51,480 --> 00:11:54,900 [ Colt ] $5,000 IS AN AWFUL LOT OF COOKIES-- 173 00:11:56,320 --> 00:11:58,190 NOT TO MENTION GAMBLING RECEIPTS. 174 00:11:58,180 --> 00:12:00,570 LOOKS LIKE YOU'VE GOT SOME EXPLAINING TO DO. 175 00:12:02,020 --> 00:12:04,110 I FOUND IT. 176 00:12:04,110 --> 00:12:05,820 I SWEAR. 177 00:12:07,660 --> 00:12:09,990 WELL, OKAY, THEN IF YOU FOUND IT... 178 00:12:10,000 --> 00:12:14,130 I GUESS IT'S ALL RIGHT THAT WE TURN IT OVER TO THE POLICE. 179 00:12:14,120 --> 00:12:17,000 POLICE? WHAT ARE YOU BUCKING FOR, CITIZEN OF THE YEAR? 180 00:12:18,340 --> 00:12:20,620 HEY, YOU DIDN'T FIND THAT MONEY. 181 00:12:22,420 --> 00:12:26,680 YOU KNEW THOSE MEN IN THAT CAR TOO, DIDN'T YOU? 182 00:12:26,680 --> 00:12:30,460 COME ON. EITHER YOU TELL US OR YOU TELL THE COPS. 183 00:12:33,020 --> 00:12:36,770 BOY. I WOULD HAVE BEEN BETTER OFF TO GO WITH THE GOONS. 184 00:12:40,780 --> 00:12:44,200 MR. GRAHAM DOESN'T LIKE PEOPLE THAT SCREW UP, 185 00:12:44,200 --> 00:12:46,980 AND, GEEZ, WE SCREWED UP TWICE TODAY. 186 00:12:46,980 --> 00:12:50,370 YOU THINK THOSE TWO GUYS WERE FROM THE D.A.'s OFFICE? 187 00:12:50,370 --> 00:12:53,370 THEY'RE WEARIN' BLUE JEANS AND THEY DROVE A PICKUP TRUCK. 188 00:12:53,370 --> 00:12:56,370 WHAT DO YOU THINK? MORON. 189 00:12:56,380 --> 00:12:59,470 I THINK I DON'T LIKE TO BE CALLED MORON. 190 00:12:59,460 --> 00:13:02,800 BESIDES, WHY ELSE WOULD THEY PROTECT THAT KID? 191 00:13:03,300 --> 00:13:06,300 I DON'T KNOW, BUT WE BETTER TELL MR. GRAHAM. 192 00:13:06,300 --> 00:13:11,310 ? [ Pop ] 193 00:13:21,230 --> 00:13:24,740 ? [ Continues ] SO, YOU TWO ARE A COUPLE OF STUNTMEN, HUH? 194 00:13:24,740 --> 00:13:27,860 - I COULD GET INTO THAT. - LET'S GET INTO WHAT YOU'RE DOIN' NOW. 195 00:13:27,860 --> 00:13:29,690 WHY DID YOUR FATHER HAVE YOU PICK UP THE BETS? 196 00:13:29,690 --> 00:13:33,110 SEE, 'CAUSE WHEN I DRESSED UP IN THAT CORNBALL DRESS... 197 00:13:33,110 --> 00:13:35,110 AND CAME ON WITH THE SWEET TALK, 198 00:13:35,110 --> 00:13:38,120 I COULD HAVE WALKED INTO TOWN HALL AND TAKEN A PAYOFF FROM THE MAYOR. 199 00:13:38,620 --> 00:13:41,420 I DON'T BELIEVE IT. AN 11-YEAR-OLD BAG LADY. 200 00:13:41,420 --> 00:13:45,010 - WHERE'S YOUR MOTHER? - SHE WALKED OUT ON US WHEN I WAS FIVE. 201 00:13:45,010 --> 00:13:47,760 I GUESS SHE COULDN'T GET INTO THE HOUSEWIFE TRIP. 202 00:13:47,760 --> 00:13:50,040 WILL YOU STOP TALKING WITH YOUR MOUTH FULL... 203 00:13:50,050 --> 00:13:52,470 AND KEEP YOUR ELBOWS OFF THE TABLE? 204 00:13:52,460 --> 00:13:54,550 WIPE YOUR MOUTH OFF. 205 00:13:55,050 --> 00:13:56,880 WHAT IS THIS? DINNER WITH NANCY REAGAN? 206 00:13:58,050 --> 00:13:59,940 JUST DO IT. 207 00:13:59,940 --> 00:14:03,190 LOOK. YOU GUYS WASTED A TRIP OUT HERE. 208 00:14:03,190 --> 00:14:05,190 MY FATHER'S GONNA SHOW UP FOR HIS TRIAL. 209 00:14:05,190 --> 00:14:08,450 - YOU'RE SURE OF THAT? - ABSOLUTELY. WE'RE GOIN' STRAIGHT. 210 00:14:08,450 --> 00:14:10,150 THAT WHY HE'S STILL MAKIN' BOOK? 211 00:14:10,150 --> 00:14:12,320 WE NEEDED A LITTLE EXTRA BREAD TO START CLEAN ON, 212 00:14:12,320 --> 00:14:14,790 BUT AFTER THAT, IT ALL STOPS. 213 00:14:14,790 --> 00:14:17,790 I MEAN, A LIFE OF CRIME IS NO LIFE FOR A KID. 214 00:14:17,790 --> 00:14:19,790 I'M SURPRISED I'M SO WELL-ADJUSTED. 215 00:14:22,210 --> 00:14:24,550 IT'S AMAZING, ISN'T IT? 216 00:14:24,550 --> 00:14:27,050 WHAT MAKES YOU SO SURE THAT YOUR FATHER ISN'T GOING TO JAIL? 217 00:14:28,500 --> 00:14:30,500 WELL, I GUESS I CAN TELL YOU. 218 00:14:31,000 --> 00:14:34,000 AFTER WHAT THE GOONS DID TO THE HOUSE, IT MUST NOT BE A SECRET ANYMORE. 219 00:14:34,010 --> 00:14:36,850 MY DAD'S GONNA TURN EVIDENCE OVER TO THE D.A. IN L.A. 220 00:14:36,840 --> 00:14:39,340 GET IT? HE MADE A DEAL? 221 00:14:39,340 --> 00:14:44,270 YEAH. SEE, MY DAD TURNS OVER HIS BOSS'S RECORDS, AND WE'RE OFF THE HOOK. 222 00:14:44,270 --> 00:14:46,270 DOES HE HAVE THOSE RECORDS WITH HIM? 223 00:14:46,270 --> 00:14:48,270 WHAT DO YOU THINK WE ARE, STUPID? 224 00:14:48,270 --> 00:14:51,070 THEY'RE HIDDEN IN A PLACE NOBODY'LL EVER THINK OF. 225 00:14:54,360 --> 00:14:56,690 OH! IT'S TIME TO MEET MY FATHER. 226 00:14:56,700 --> 00:14:58,920 YOU KNOW WHERE HE IS? 227 00:14:58,910 --> 00:15:01,330 SURE. SEE, WE HAVE THIS BACKUP PLAN... 228 00:15:01,330 --> 00:15:04,340 IN CASE ONE OF US GETS INTO TROUBLE AND CAN'T GET HOME. 229 00:15:04,340 --> 00:15:06,840 KID, YOUR OLD MAN'S GOT HIMSELF ONE HECK OF A PARTNER. 230 00:15:08,120 --> 00:15:11,540 ? [ Calliope: "The Entertainer" ] 231 00:15:15,800 --> 00:15:18,130 [ Libby ] HE'LL BE IN THE MERRY-GO-ROUND. 232 00:15:18,130 --> 00:15:20,880 [ Colt ] YOU'RE SURE? DON'T WORRY. HE'LL BE THERE. 233 00:15:20,890 --> 00:15:23,560 ? [ Continues ] 234 00:15:23,560 --> 00:15:26,370 THANKS FOR THE TIP, TOMMY. MR. GRAHAM WILL RETURN THE FAVOR. 235 00:15:31,900 --> 00:15:33,650 [ Libby ] DADDY! 236 00:15:33,650 --> 00:15:37,030 NO, NO. HOLD HER. NO. 237 00:15:37,040 --> 00:15:39,910 ? [ Continues ] 238 00:15:50,500 --> 00:15:53,000 [ Tires Screeching ] 239 00:16:03,010 --> 00:16:05,510 COME ON! DON'T LET 'EM GET AWAY. GET 'EM! 240 00:16:05,510 --> 00:16:08,320 CALM DOWN, WILL YA? I'LL GET 'EM. 241 00:16:28,540 --> 00:16:32,040 [ Libby ] COME ON, STEP ON IT! YOU DON'T WANNA LOSE 'EM. 242 00:16:32,040 --> 00:16:36,340 HEY, PUT A MUZZLE ON IT. HE'S DOIN' THE BEST HE CAN. THE BEST HE CAN? 243 00:16:36,350 --> 00:16:38,860 I THOUGHT YOU TWO WERE A COUPLE OF BIG HOLLYWOOD STUNTMEN. 244 00:16:38,850 --> 00:16:40,850 YOU DON'T EVEN LOOK LIKE YOU KNOW WHAT YOU'RE DOIN'. 245 00:16:58,730 --> 00:17:00,730 [ Tires Squealing ] 246 00:17:16,390 --> 00:17:20,150 - [ Tires Squealing, Horn Honking ] - LOOK OUT! 247 00:17:49,250 --> 00:17:51,030 WHOA. 248 00:17:57,590 --> 00:17:59,880 [ Libby ] WHAT ARE YOU, SUICIDAL? 249 00:17:59,880 --> 00:18:02,600 OR ARE YOU JUST CRAZY? YOU WANNA CATCH 'EM, DON'T YOU? 250 00:18:02,930 --> 00:18:04,770 YEAH, BUT I'D LIKE TO CATCH 'EM ALIVE. 251 00:18:13,890 --> 00:18:16,690 - WHOA. - [ Howie ] LOOK OUT FOR THE SCHOOL BUS. 252 00:18:20,230 --> 00:18:22,320 [ Tires Squealing ] 253 00:18:27,740 --> 00:18:30,240 WAY TO GO, ACE. 254 00:18:51,060 --> 00:18:54,010 LISTEN, YOU GUYS CAN'T JUST LEAVE ME HERE. 255 00:18:54,020 --> 00:18:57,530 I WANNA COME TOO. FORGET IT, MUNCHKIN. THOSE GUYS HAVE GOT GUNS. 256 00:18:57,520 --> 00:18:59,650 I'M NOT GONNA BE RESPONSIBLE FOR A KID GETTIN' KILLED. 257 00:19:00,160 --> 00:19:04,670 WELL, WHO DO YOU THINK YOU ARE, CAPTAIN COURAGEOUS? 258 00:19:04,660 --> 00:19:07,950 WHERE HAVE YOU TWO BEEN? IT'S NOT TURNING OUT TO BE THE CAREFREE WEEKEND WE PLANNED ON. 259 00:19:07,950 --> 00:19:11,280 - CLYDE'S IN TROUBLE. - WHOSE KID? 260 00:19:11,280 --> 00:19:13,750 THAT'S CLYDE DORSETT'S DAUGHTER. 261 00:19:13,750 --> 00:19:16,250 I WANT YOU TO LOOK AFTER HER WHILE WE GO AFTER CLYDE. 262 00:19:16,250 --> 00:19:18,840 - HERE'S HER SUITCASE. - HI, SWEETIE. 263 00:19:18,840 --> 00:19:21,540 YOU GUYS ARE LEAVING ME WITH A BARBIE DOLL? 264 00:19:21,540 --> 00:19:24,800 DON'T YOU EVER SAY ANYTHING NICE ABOUT ANYBODY? 265 00:19:24,800 --> 00:19:27,680 YEAH. YOU HAVE A NICE BOD. WHAT? 266 00:19:27,680 --> 00:19:30,020 WELL, IF YOU DON'T WANT PEOPLE TO NOTICE, 267 00:19:30,020 --> 00:19:32,190 YOU SHOULDN'T WEAR YOUR JEANS SO TIGHT. 268 00:19:33,440 --> 00:19:36,020 THEY SHRUNK IN THE WASH. 269 00:19:36,530 --> 00:19:38,540 BE CAREFUL WITH THIS KID. SHE THINKS SHE'S LIZZIE BORDEN. 270 00:19:38,530 --> 00:19:41,860 - DON'T WORRY. I CAN HANDLE IT. - THAT'S WHAT WE THOUGHT. 271 00:19:43,150 --> 00:19:45,150 LOCK HER IN THE CLOSET. 272 00:19:53,580 --> 00:19:55,970 [ Vehicle Approaching ] 273 00:20:12,480 --> 00:20:16,260 ? [ Classical ] 274 00:20:33,280 --> 00:20:35,280 HELLO, CLYDE. 275 00:20:36,280 --> 00:20:38,790 HOW YOU DOIN', MR. GRAHAM? 276 00:20:38,790 --> 00:20:42,790 I'M, UH-- I'M A BIT DISTRESSED, CLYDE. 277 00:20:44,290 --> 00:20:47,590 IN FACT, I'M RATHER HURT. 278 00:20:47,600 --> 00:20:49,970 LOOK, MR. GRAHAM, I DON'T KNOW WHAT YOU'VE HEARD-- 279 00:20:49,970 --> 00:20:52,390 DON'T TRY TO WEASEL YOUR WAY OUT OF IT, CLYDE. 280 00:20:52,380 --> 00:20:54,770 MY SOURCES ARE VERY RELIABLE. 281 00:20:54,770 --> 00:21:00,020 - I SWEAR. - CLYDE, YOU'RE ONE OF MY FAMILY. 282 00:21:00,030 --> 00:21:03,540 I FEEL VERY CLOSE TO YOU. 283 00:21:03,530 --> 00:21:09,320 I'M NOT GOING TO LET ONE LITTLE MISGUIDED DIGRESSION END OUR RELATIONSHIP. 284 00:21:09,320 --> 00:21:13,450 - MR. GRAHAM IS A FAIR MAN. - YES, THAT'S VERY TRUE, STEWART. 285 00:21:14,960 --> 00:21:16,960 AND AS A MATTER OF FACT, 286 00:21:16,960 --> 00:21:18,960 I'M GOING TO GIVE CLYDE ANOTHER CHANCE-- 287 00:21:19,460 --> 00:21:21,460 IF HE CONFESSES HIS SINS, 288 00:21:21,460 --> 00:21:24,800 AND IF HE GIVES ME THE EVIDENCE INSTEAD OF THE DISTRICT ATTORNEY. 289 00:21:24,800 --> 00:21:28,250 LOOK, MR. GRAHAM, I DON'T WANT TO BE DISRESPECTFUL, 290 00:21:28,250 --> 00:21:31,250 BUT I'VE SEEN A LOT OF OTHER GUYS CONFESS ALL... 291 00:21:31,260 --> 00:21:33,770 AND END UP ON THE BOTTOM OF THE OCEAN. 292 00:21:34,260 --> 00:21:36,260 IF I DO HAVE THE EVIDENCE YOU THINK I HAVE, 293 00:21:36,760 --> 00:21:39,260 IT COULD BE THE ONLY THING THAT MIGHT SAVE MY LIFE. 294 00:21:41,680 --> 00:21:44,690 YOU KNOW WHY THIS IS SUCH A BEAUTIFUL MACHINE, CLYDE? 295 00:21:44,690 --> 00:21:47,190 IT'S NOT JUST THE ARTISTRY OF THE LINES... 296 00:21:47,190 --> 00:21:49,690 OR THE AWESOME POWER THAT IT HAS UNDER THE HOOD, 297 00:21:49,690 --> 00:21:53,190 BUT IT'S THE TOTAL CONTROL I HAVE WHEN I SIT BEHIND THE WHEEL. 298 00:21:54,200 --> 00:21:57,460 SEE, IT DOES ANYTHING I ASK OF IT. 299 00:21:57,450 --> 00:22:00,250 AND IF IT BREAKS DOWN, I SIMPLY REPLACE A PART, 300 00:22:00,250 --> 00:22:02,840 AND IF ALL THE PARTS BREAK DOWN, I SIMPLY REPLACE THE CAR. 301 00:22:02,840 --> 00:22:05,670 SEE WHAT I'M GETTING AT, CLYDE? 302 00:22:05,670 --> 00:22:09,880 - I CAN BE REPLACED. - YOU ALREADY HAVE BEEN. 303 00:22:09,880 --> 00:22:12,600 OH, YOU MADE A WONDERFUL CROOK, CLYDE. 304 00:22:12,600 --> 00:22:15,430 TOO BAD YOU HAD TO TURN GOOD. 305 00:22:20,520 --> 00:22:23,360 ? [ Soft Rock ] 306 00:22:30,870 --> 00:22:34,800 - ? [ Continues ] - JUST WHERE DO YOU THINK YOU'RE GOING? 307 00:22:34,790 --> 00:22:37,450 TO FIND MY FATHER. YOU'RE NOT GOIN' ANYWHERE. 308 00:22:37,460 --> 00:22:40,300 - COLT'S FINDING YOUR FATHER. - THAT STUPID REDNECK... 309 00:22:40,290 --> 00:22:43,040 COULDN'T FIND THE HOLES IN A BOWLING BALL. 310 00:22:43,040 --> 00:22:45,330 I'M GETTING TIRED OF THAT MOUTH OF YOURS. 311 00:22:45,330 --> 00:22:47,960 - YOU'VE BEEN CUTTING DOWN COLT AND HOWIE ALL NIGHT. - BELIEVE ME, IT'S EASY. 312 00:22:47,970 --> 00:22:51,850 LOOK, BRAT, YOU'VE GOT 10 SECONDS TO GET IN THAT BED AND SHUT YOUR MOUTH... 313 00:22:51,840 --> 00:22:55,260 - BEFORE I TAKE YOU OVER MY KNEE. - SO LONG, SUCKER. 314 00:22:57,890 --> 00:23:00,590 OH, JUST YOU TRY AND GET UP. 315 00:23:00,600 --> 00:23:02,610 WHAT ARE YOU, SOME KIND OF CHILD BEATER? 316 00:23:02,600 --> 00:23:05,600 NO, I AM AN ADULT WHO'S TIRED OF LISTENING TO A SPOILED LITTLE GIRL... 317 00:23:06,100 --> 00:23:08,100 WHO THINKS SHE CAN DO ANYTHING SHE WANTS. 318 00:23:08,100 --> 00:23:10,100 YOU DON'T SCARE ME. I DON'T WANNA SCARE YOU. 319 00:23:10,110 --> 00:23:13,620 I WAS TRYING TO BE YOUR FRIEND. WELL, I DON'T NEED FRIENDS. 320 00:23:13,610 --> 00:23:15,610 THAT'S WHAT YOU THINK. 321 00:23:15,610 --> 00:23:18,610 YOU'RE ALL ALONE EXCEPT FOR YOUR FATHER, AND HE'S IN SERIOUS TROUBLE. 322 00:23:18,610 --> 00:23:21,110 LIBBY, WE'RE ALL YOU'VE GOT. 323 00:23:22,580 --> 00:23:25,090 HEY, DON'T TRY AND CHEER ME UP. 324 00:23:27,510 --> 00:23:32,020 HONEY. LISTEN, YOU JUST GOTTA UNDERSTAND SOMETHING, 325 00:23:32,010 --> 00:23:34,010 AND THAT'S THAT WE CARE. 326 00:23:34,010 --> 00:23:38,010 IF ANYBODY CAN FIND YOUR DADDY IN THIS WHOLE WIDE WORLD, IT'S COLT. 327 00:23:38,020 --> 00:23:41,030 HE'S THE BEST THERE IS. 328 00:23:41,020 --> 00:23:44,810 THE ONLY REASON YOU GUYS ARE HELPING IS 'CAUSE YOU'RE GETTING PAID. 329 00:23:47,230 --> 00:23:49,740 HONEY, WE'RE BARELY GETTING PAID ENOUGH... 330 00:23:49,730 --> 00:23:52,230 TO PAY FOR THESE TWO CRUMMY MOTEL ROOMS. 331 00:23:52,230 --> 00:23:55,230 NOW, PEOPLE DON'T RISK THEIR LIVES FOR ONLY THAT. 332 00:23:55,730 --> 00:23:59,240 YEAH? YEAH. 333 00:23:59,240 --> 00:24:01,240 HEY, YOU STOP CRYING. 334 00:24:02,240 --> 00:24:04,240 I CAN'T. 335 00:24:04,740 --> 00:24:06,740 I'M WORRIED ABOUT MY DAD. 336 00:24:06,750 --> 00:24:10,260 I KNOW. I WISH HE WAS HERE. 337 00:24:11,250 --> 00:24:13,250 I KNOW. 338 00:24:24,980 --> 00:24:26,980 [ Taps On Glass ] 339 00:24:30,990 --> 00:24:34,500 AW, IT'S 4:00. HAVE ANY LUCK? NO. 340 00:24:35,990 --> 00:24:37,990 HOW'S THE KID? 341 00:24:38,490 --> 00:24:40,490 SHE CRIED HERSELF TO SLEEP. 342 00:24:40,500 --> 00:24:43,010 LIBBY? SHE DOESN'T KNOW HOW TO CRY. 343 00:24:43,000 --> 00:24:46,000 YOU JUST DON'T UNDERSTAND HER. SHE'S REALLY A GOOD KID. 344 00:24:46,000 --> 00:24:48,000 I THINK YOU BETTER GO BACK IN THERE AND CHECK, 345 00:24:48,000 --> 00:24:50,500 AND MAKE SURE SOMEBODY DIDN'T MAKE A SWITCH. 346 00:24:50,510 --> 00:24:52,520 I THINK YOU GOT THE WRONG KID. 347 00:24:52,510 --> 00:24:54,510 GOOD NIGHT. 348 00:25:09,020 --> 00:25:11,020 YOU SURE LOOK AWFUL PRETTY TODAY, LIBBY. 349 00:25:11,030 --> 00:25:13,040 THANKS. JODY HELPED ME WITH MY HAIR. 350 00:25:13,530 --> 00:25:15,310 YOU'RE NOT TALKING WITH YOUR MOUTH FULL. 351 00:25:15,310 --> 00:25:18,620 LOOK, I'M REALLY SORRY ABOUT YESTERDAY. I WAS BEING A BRAT. 352 00:25:18,620 --> 00:25:20,900 AND I'M REALLY SORRY ABOUT ALL THOSE NAMES I CALLED YOU. 353 00:25:20,900 --> 00:25:23,820 I DIDN'T MEAN IT. HEY, FORGET IT. 354 00:25:23,820 --> 00:25:28,330 THANKS. AND I APPRECIATE EVERYTHING YOU'RE DOING FOR ME AND MY FATHER TOO. 355 00:25:28,330 --> 00:25:30,830 YOU BETTER COOL IT. WE DON'T WANNA OVERDO IT. 356 00:25:30,830 --> 00:25:33,630 WELL, I MEAN EVERYTHING I SAY. REALLY. 357 00:25:33,630 --> 00:25:37,000 I JUST HOPE WE CAN FIND HIM. BE A LOT EASIER IF WE COULD HAVE GOTTEN... 358 00:25:37,000 --> 00:25:40,170 THE LICENSE PLATE NUMBER OFF THAT SEDAN. 359 00:25:40,170 --> 00:25:43,970 IT'S, UH, 1-E-D-I-0-8-4. 360 00:25:46,230 --> 00:25:50,400 - HOW DO YOU KNOW THAT? - I REMEMBER THINGS-- EVEN THINGS I DON'T WANNA. 361 00:25:50,400 --> 00:25:54,150 - YOU MEAN YOU'VE GOT A PHOTOGRAPHIC MEMORY? - I GUESS. 362 00:25:54,150 --> 00:25:57,770 [ Colt ] WE'LL HAVE THE POLICE RUN A TRACE ON THAT TAG. 363 00:25:57,770 --> 00:26:01,070 UH, CAN I PLEASE BE EXCUSED TO GO TO THE HEAD? 364 00:26:02,110 --> 00:26:05,750 [ Chuckles ] I MEAN LADIES' ROOM. 365 00:26:05,750 --> 00:26:08,420 - SURE. - OKAY. 366 00:26:09,780 --> 00:26:11,870 [ Colt ] OH! OH, I'M SO SORRY. 367 00:26:11,870 --> 00:26:14,840 IT'S OKAY. GO AHEAD. WE'LL CLEAN UP. 368 00:26:14,840 --> 00:26:16,840 OKAY. I'LL BE RIGHT BACK. 369 00:26:19,340 --> 00:26:21,960 WHAT DID YOU DO TO HER? SHE'S ACTING GROWN-UP. 370 00:26:21,960 --> 00:26:24,460 YOU REALLY HAVE A WAY WITH KIDS. 371 00:26:24,470 --> 00:26:26,480 YOU COWBOYS DON'T KNOW ANYTHING ABOUT KIDS. 372 00:26:26,470 --> 00:26:28,890 SHE NEEDED A WOMAN'S TOUCH. 373 00:26:28,890 --> 00:26:32,390 SOME GENTLE UNDERSTANDING WILL TURN A KID AROUND FASTER THAN ANYTHING-- 374 00:26:32,390 --> 00:26:34,690 EXCEPT FOR MAYBE A JUDO CHOP. 375 00:26:34,690 --> 00:26:37,060 [ Chuckles ] WELL, I GOTTA HAND IT TO YOU. 376 00:26:37,060 --> 00:26:39,310 SHE SURE IS A DIFFERENT KID. 377 00:26:39,310 --> 00:26:41,900 - [ Truck Starts ] - [ Colt ] MY TRUCK! 378 00:26:41,900 --> 00:26:44,070 LIBBY. LIBBY. 379 00:26:47,870 --> 00:26:50,070 MY TRUCK! 380 00:26:50,070 --> 00:26:52,380 LIBBY, STOP THAT TRUCK RIGHT THIS MINUTE. 381 00:26:52,380 --> 00:26:56,830 - NO! - YOU BETTER LISTEN TO ME, YOU LITTLE... YOUNG LADY. 382 00:26:56,830 --> 00:26:59,220 I CAN'T GET IT UNDER CONTROL. 383 00:26:59,220 --> 00:27:01,580 HOLD IT! 384 00:27:05,890 --> 00:27:08,640 WATCH IT, KID. 385 00:27:11,480 --> 00:27:13,680 OH, NO. 386 00:27:15,020 --> 00:27:18,690 - SORRY. - I WAS JUST RUN OVER BY MY OWN TRUCK. 387 00:27:18,690 --> 00:27:21,490 I'M GONNA PUT THAT KID OVER MY KNEE. I'LL HELP. 388 00:27:21,940 --> 00:27:24,270 ? [ Easy Listening ] 389 00:27:28,250 --> 00:27:30,260 [ Woman ] WALTER, NOTHING EVER HAPPENS. 390 00:27:30,750 --> 00:27:33,750 [ Man ] WELL, I SPOTTED A WHALE OFF THE COAST LAST NIGHT. 391 00:27:33,750 --> 00:27:36,750 BIG DEAL. WELL, WHAT DO YOU WANT? 392 00:27:36,750 --> 00:27:40,710 THIS IS SANTA LUISA. PEOPLE COME HERE FOR PEACE AND QUIET. 393 00:27:40,710 --> 00:27:42,590 [ Vehicle Approaching ] THAT'S EXACTLY WHY IT'S SO BORING. 394 00:27:42,590 --> 00:27:45,850 [ Clamoring ] 395 00:28:02,980 --> 00:28:05,280 OH, NO. 396 00:28:05,280 --> 00:28:07,650 NOW, THAT'S WHAT I CALL CRASHING A PARTY. 397 00:28:07,650 --> 00:28:10,150 HOWARD, THIS AIN'T FUNNY. 398 00:28:31,010 --> 00:28:34,010 NOW, GET OUT OF THE TRUCK. WHAT ARE YOU GOING TO DO TO ME? 399 00:28:34,510 --> 00:28:36,510 COME ON, GET OUT. NO! 400 00:28:36,510 --> 00:28:39,350 NO. GET BACK. NO. OW! OW! 401 00:28:39,350 --> 00:28:41,770 HELP ME! PUT ME DOWN! 402 00:28:41,770 --> 00:28:44,770 SOMEBODY HELP, PLEASE! I'M BEING KIDNAPPED! HELP ME! 403 00:28:44,770 --> 00:28:48,780 YEAH, AND HOOK THE WINCH TO A TREE. PULL THE TRUCK OUT. 404 00:28:48,780 --> 00:28:52,280 SURE THING, COLT. YEAH. TELL THE PEOPLE THAT OWN THIS PLACE... 405 00:28:52,780 --> 00:28:54,780 WE'LL TAKE CARE OF THE DAMAGES. OKAY. 406 00:28:54,780 --> 00:28:56,780 WHAT ARE YOU GONNA DO TO HER? 407 00:28:56,780 --> 00:28:59,290 I'M GONNA GIVE HER AN OLD-FASHIONED SPANKIN'. PUT ME DOWN! 408 00:28:59,290 --> 00:29:01,290 SOMEBODY HELP! 409 00:29:11,930 --> 00:29:15,220 AND DON'T MOVE. MY LEGS ARE FALLIN' ASLEEP. 410 00:29:15,220 --> 00:29:18,050 - THAT'S TOO BAD. - LOOK, MACHO MAN, 411 00:29:18,060 --> 00:29:19,820 IF YOU'RE GONNA HIT ME, GET IT OVER WITH. 412 00:29:19,810 --> 00:29:23,690 I'M NOT BIG ON SUSPENSE. ARE YOU REALLY GONNA SPANK HER, COLT? 413 00:29:23,700 --> 00:29:25,790 - NO. - CAN I DO IT? 414 00:29:25,780 --> 00:29:28,620 NO. MY DADDY HIT ME PLENTY OF TIMES. IT DIDN'T DO ANY GOOD. 415 00:29:28,620 --> 00:29:31,070 YEAH, I GUESS YOU'RE RIGHT. 416 00:29:31,070 --> 00:29:33,070 ACCORDING TO A STUDY WE DID AT CORNELL, 417 00:29:33,070 --> 00:29:35,070 CHILDREN OFTEN SEEK PHYSICAL PUNISHMENT... 418 00:29:35,070 --> 00:29:37,070 AS A SUBSTITUTE FOR AFFECTION. 419 00:29:37,580 --> 00:29:39,300 IS THIS GUY FOR REAL? 420 00:29:39,290 --> 00:29:41,630 LOOK, KID, LET'S GET ONE THING STRAIGHT. 421 00:29:41,630 --> 00:29:43,500 JUST BECAUSE YOU DIDN'T GET SPANKED DOESN'T MEAN YOU'RE OFF THE HOOK. 422 00:29:43,500 --> 00:29:46,300 NOW, WE ARE THE ADULTS AND YOU ARE THE CHILD, 423 00:29:46,300 --> 00:29:49,720 - AND YOU WILL DO AS WE SAY... DO. - THAT'S WHAT YOU THINK. 424 00:29:49,720 --> 00:29:53,420 OH, I GIVE UP. GO AHEAD, KID, BEAT HER. 425 00:29:54,260 --> 00:29:56,730 YOU-YOU'RE INCORRIGIBLE. 426 00:29:56,730 --> 00:30:01,180 - WHAT DOES THAT MEAN? - IT MEANS YOU'RE UNCHANGEABLE-- A HOPELESS CASE. 427 00:30:01,180 --> 00:30:03,820 WELL, WHAT ARE YOU GONNA DO ABOUT IT? 428 00:30:03,820 --> 00:30:07,350 - WE'RE GONNA TURN YOU OVER TO THE POLICE. - POLICE? 429 00:30:07,360 --> 00:30:10,580 YEAH. YOU'LL BE SAFE AND YOU'LL BE OUT OF OUR HAIR. 430 00:30:10,580 --> 00:30:14,200 - BUT THEY'LL PUT ME INTO AN INSTITUTION. - DO YOU HAVE TO, COLT? 431 00:30:14,200 --> 00:30:18,260 - WE DON'T HAVE ANY CHOICE, JODY. - [ Phone Rings ] 432 00:30:18,250 --> 00:30:20,120 YEAH, HELLO? 433 00:30:20,120 --> 00:30:23,420 - THANK GOD YOU'RE OKAY. - OH, YOU MUST HAVE HEARD ABOUT THE KID. 434 00:30:23,420 --> 00:30:27,510 - WHAT KID? - CLYDE DORSETT'S DAUGHTER. SHE'S A PAIN IN THE NECK. 435 00:30:27,510 --> 00:30:30,790 HE HAS A DAUGHTER? THAT'S AWFUL. 436 00:30:30,800 --> 00:30:33,770 - YOU CAN SAY THAT AGAIN. - COLT, YOU DON'T UNDERSTAND. 437 00:30:33,770 --> 00:30:38,140 I CALLED YOU BECAUSE THEY FOUND CLYDE THIS MORNING WITH THREE BULLETS IN HIM. 438 00:30:38,640 --> 00:30:40,640 - WHAT? - THEY LEFT HIM FOR DEAD. 439 00:30:40,640 --> 00:30:45,780 - YEAH, BUT HE ISN'T? - NO, HE'S IN INTENSIVE CARE AT SANTA LUISA HOSPITAL. 440 00:30:45,780 --> 00:30:47,980 HE'S ON THE CRITICAL LIST. 441 00:30:57,910 --> 00:30:59,800 [ Colt ] TH-THAT'S TERRIBLE. 442 00:30:59,790 --> 00:31:02,740 I KNOW IT IS, BUT I'VE TALKED TO HIS DOCTOR, COLT, 443 00:31:02,740 --> 00:31:05,580 - AND THEY THINK HE'LL BE ALL RIGHT. - WE BETTER GET DOWN THERE. 444 00:31:05,580 --> 00:31:08,300 THEY WON'T LET ANYBODY IN WHILE HE'S STILL IN INTENSIVE CARE UNIT. 445 00:31:08,300 --> 00:31:11,720 OKAY, BIG JACK. THANKS FOR CALLING. 446 00:31:11,720 --> 00:31:13,720 COLT, I'M SORRY. 447 00:31:13,720 --> 00:31:16,220 YEAH. UH, BYE-BYE. 448 00:31:17,060 --> 00:31:18,840 WHAT DID BIG JACK SAY? WHAT'S WRONG? 449 00:31:20,760 --> 00:31:23,260 THE KID AND I ARE GONNA TAKE A LITTLE WALK ON THE BEACH. 450 00:31:23,260 --> 00:31:26,070 WHAT ARE YOU GONNA DO, DROWN ME? 451 00:31:26,070 --> 00:31:28,180 COME ON, SWEETHEART. 452 00:31:28,190 --> 00:31:30,660 WALK WITH ME. 453 00:31:30,660 --> 00:31:33,170 NOW I KNOW I'M IN TROUBLE. 454 00:31:33,160 --> 00:31:35,660 TALK TO YOU GUYS WHEN WE GET BACK. 455 00:31:37,160 --> 00:31:39,160 [ Door Closes ] 456 00:31:41,170 --> 00:31:43,930 [ Libby ] WHAT ARE WE DOING OUT HERE? I DON'T EVEN LIKE THE BEACH. 457 00:31:43,920 --> 00:31:46,750 SURE ARE A BRAVE KID, AREN'T YOU? 458 00:31:46,750 --> 00:31:49,260 THIS SOUNDS LIKE A SETUP. IT IS. 459 00:31:49,260 --> 00:31:52,010 IT'S GONNA BE HARD FOR ME TO TELL YOU THIS, BUT-- 460 00:31:52,010 --> 00:31:54,010 IT'S ABOUT MY FATHER, ISN'T IT? 461 00:31:54,010 --> 00:31:57,010 THOSE GOONS HAVE DONE SOMETHING TO HIM. 462 00:31:58,520 --> 00:32:01,030 I'M NOT GONNA LIE TO YOU, LIBBY. YOUR FATHER'S BEEN SHOT. 463 00:32:01,020 --> 00:32:04,270 HE'S CRITICAL. SWELL. 464 00:32:04,270 --> 00:32:06,640 THE DOCTORS SAY HE'S GONNA MAKE IT. 465 00:32:06,640 --> 00:32:10,530 YEAH, SURE. JUST LIKE IN THE MOVIES. 466 00:32:10,530 --> 00:32:12,980 HE'S SO STUPID. 467 00:32:12,980 --> 00:32:14,980 I TOLD HIM TO BLOW TOWN UNTIL THE TRIAL, 468 00:32:15,480 --> 00:32:17,480 BUT NO, HE HAD TO STAY AND MAKE MORE BREAD. 469 00:32:17,490 --> 00:32:20,000 YOU GOT TO CUT THE TOUGH-GUY STUFF. 470 00:32:19,990 --> 00:32:22,960 AND DON'T BE AFRAID TO BE SCARED. 471 00:32:22,960 --> 00:32:24,960 GO AHEAD AND CRY. 472 00:32:24,960 --> 00:32:27,960 YOU GOT IT COMIN'. SHUT UP. 473 00:32:27,960 --> 00:32:29,800 [ Sobs ] 474 00:32:34,300 --> 00:32:36,670 THAT'S A GIRL. 475 00:32:36,670 --> 00:32:38,550 GET IT OUT. 476 00:32:40,060 --> 00:32:42,060 OH, COLT, I'M SCARED. 477 00:32:43,060 --> 00:32:45,400 WHAT AM I GONNA DO WITHOUT MY DAD? 478 00:32:45,400 --> 00:32:48,350 HEY, HE'S GONNA MAKE IT. DON'T WORRY. 479 00:32:48,350 --> 00:32:50,680 THERE'S NOTHING TO BE SCARED ABOUT. YOU GOT ME. 480 00:32:50,690 --> 00:32:53,110 AND I'M NOT GONNA LEAVE YOU. [ Laughs ] 481 00:32:53,100 --> 00:32:56,820 YOU'RE NOT CONNIN' ME, ARE YOU? 482 00:32:56,820 --> 00:32:59,660 [ Chuckles ] NO, I'M NOT CONNIN' YOU. 483 00:32:59,660 --> 00:33:01,530 YOU'RE STUCK WITH ME. 484 00:33:05,530 --> 00:33:07,330 I WANNA GO TO THE HOSPITAL. 485 00:33:09,250 --> 00:33:12,040 WELL, I CAN'T PROMISE THAT THEY'LL LET YOU IN TO SEE HIM. 486 00:33:12,040 --> 00:33:14,460 OKAY. [ Sniffling ] 487 00:33:18,630 --> 00:33:20,630 [ Colt ] THERE YOU GO. 488 00:33:23,130 --> 00:33:25,130 HE LOOKED BAD. 489 00:33:25,140 --> 00:33:27,650 WELL, THEN HE MUST BE BETTER THAN HE LOOKS. 490 00:33:27,640 --> 00:33:30,140 IF THE DOCTOR SAID HE WAS IN STABLE CONDITION, 491 00:33:30,140 --> 00:33:32,640 HE'LL BE TAKEN OFF THE CRITICAL LIST IN TWO OR THREE DAYS. 492 00:33:32,640 --> 00:33:35,140 HE COULDN'T EVEN TALK TO ME. 493 00:33:35,150 --> 00:33:37,160 HE JUST BLINKED. 494 00:33:37,150 --> 00:33:41,530 LIBBY, I THINK IT'S TIME YOU TOLD ME WHERE THAT EVIDENCE IS. 495 00:33:41,540 --> 00:33:45,000 YEAH, I GUESS I SHOULD TELL YOU. IT'S ALL UP HERE. 496 00:33:44,990 --> 00:33:46,990 WHAT, IN THAT PHOTOGRAPHIC MEMORY? 497 00:33:46,990 --> 00:33:50,990 UH-HUH. I GOT IT ALL-- NAMES, DATES, PLACES. ALL THAT JUNK. 498 00:33:51,000 --> 00:33:54,010 NO WONDER THEY COULDN'T FIND IT. 499 00:33:54,500 --> 00:33:57,500 COLT, WE'RE GONNA GET GRAHAM FOR WHAT HE DID TO MY FATHER, AREN'T WE? 500 00:33:57,500 --> 00:34:00,500 YEAH. AS SOON AS WE GET BACK TO L.A. 501 00:34:00,500 --> 00:34:03,010 L.A.? BUT HE'S RIGHT HERE IN TOWN. 502 00:34:03,010 --> 00:34:05,510 WE'RE GONNA LET THE LAW GET GRAHAM. [ Scoffs ] 503 00:34:05,510 --> 00:34:08,010 WE'RE GONNA GO BACK AND SPILL THE BEANS TO THE D.A. IN L.A. 504 00:34:08,010 --> 00:34:11,510 GET IT? THE LAW. MR. GRAHAM'S ABOVE THE LAW. 505 00:34:11,520 --> 00:34:14,830 HE'D NEVER GO TO JAIL. HALF THE CITY COUNCIL'S ON THE PAYROLL. 506 00:34:14,820 --> 00:34:17,240 THEN WHY'D YOUR FATHER BOTHER WITH THE EVIDENCE IN THE FIRST PLACE THEN? 507 00:34:17,740 --> 00:34:20,740 TO SAVE HIS OWN SKIN, BUT HE KNEW IT WOULD NEVER REALLY HURT GRAHAM. 508 00:34:20,740 --> 00:34:22,740 COME ON. THE D.A. WOULDN'T HAVE MADE A DEAL... 509 00:34:23,240 --> 00:34:25,750 IF HE DIDN'T THINK HE HAD ENOUGH EVIDENCE TO PUT GRAHAM AWAY. 510 00:34:25,750 --> 00:34:29,250 BIG DEAL. JAIL ISN'T ENOUGH. COME ON, COLT, YOU PROMISED. 511 00:34:29,250 --> 00:34:32,250 WHAT DO YOU WANT ME TO DO, WALK IN AND KILL HIM? YES! 512 00:34:32,250 --> 00:34:35,760 COME ON. YOU DON'T MEAN THAT. BESIDES, I CAN'T DO THAT. I'D BE BREAKING THE LAW. 513 00:34:35,760 --> 00:34:38,760 I'D BE WORSE OFF THAN HE IS. SURE. 514 00:34:38,760 --> 00:34:42,260 COME ON. WE'RE GOING BACK TO THE MOTEL AND PACK. 515 00:34:49,440 --> 00:34:52,440 -[ Libby ] THAT'S THE GOONS' CAR. -MUST BE UP WITH JODY AND HOWIE. 516 00:34:52,440 --> 00:34:54,270 YEAH. I GOTTA GET UP THERE. 517 00:35:00,870 --> 00:35:03,880 SO, COLT, WHAT ARE WE GONNA DO? 518 00:35:03,870 --> 00:35:05,650 WE AREN'T GONNA DO ANYTHING. 519 00:35:05,650 --> 00:35:08,570 WHAT'S THAT? IT'S A STUN GUN. 520 00:35:08,570 --> 00:35:11,070 WHAT DOES IT DO? 521 00:35:11,080 --> 00:35:14,840 IT SHOOTS A BEANBAG INTO A MAN'S GUT HARD ENOUGH TO DOUBLE HIM OVER. 522 00:35:14,830 --> 00:35:18,550 BEANBAGS? YOU'RE GOING AFTER CRIMINALS WITH A GUN THAT SHOOTS BEANBAGS? 523 00:35:18,550 --> 00:35:21,830 LOOK, I'M NOT A KILLER. I TAKE MY PRISONERS ALIVE. 524 00:35:21,840 --> 00:35:24,350 YEAH? WELL, THEY'RE GONNA TAKE YOU DEAD. 525 00:35:24,340 --> 00:35:26,840 COME ON, COLT. USE A REAL GUN. 526 00:35:26,840 --> 00:35:29,840 YOU JUST HIDE IN THE TRUCK AND KEEP YOUR MOUTH SHUT. YOU'RE GONNA BLOW IT. 527 00:35:29,840 --> 00:35:31,840 IN THE TRUCK, MUNCHKIN. COME ON. 528 00:35:31,850 --> 00:35:34,360 HURRY. COME ON. [ Groans ] 529 00:36:02,180 --> 00:36:05,550 [ Stewart ] ...SIT AND WAIT HERE TILL YOUR FRIEND COMES BACK WITH THE KID. 530 00:36:05,550 --> 00:36:08,050 YOU MIGHT AS WELL TELL US WHERE THEY ARE. 531 00:36:08,050 --> 00:36:10,050 WE TOLD YOU. COLT TOOK THE KID BACK TO L.A. 532 00:36:10,550 --> 00:36:12,440 YEAH. HE TURNED HER OVER TO THE POLICE. 533 00:36:12,440 --> 00:36:14,890 [ Man ] I'M LOSING MY PATIENCE TOO. 534 00:36:14,890 --> 00:36:17,390 MAYBE WE OUGHT TO BEAT THE TRUTH OUT OF THEM. 535 00:37:10,080 --> 00:37:13,030 WHEN ARE YOU TWO GOONS GONNA GET IT THROUGH YOUR THICK SKULLS... 536 00:37:13,030 --> 00:37:16,950 THAT LIBBY ISN'T IN SANTA LUISA ANYMORE? [ Knocking ] 537 00:37:16,950 --> 00:37:19,340 WHO IS IT? [ Libby ] IT'S ME, YOU IDIOTS. 538 00:37:19,340 --> 00:37:22,540 [ Stewart ] IT'S THE KID. 539 00:37:24,540 --> 00:37:27,380 OH. WELL, I'M HERE, YOU GUYS. TAKE ME TO YOUR LEADER. 540 00:37:27,380 --> 00:37:30,600 LIBBY, WHERE'S COLT? 541 00:37:39,220 --> 00:37:41,720 DON'T TRY TO COME AFTER US. 542 00:37:44,700 --> 00:37:47,210 WHAT WOULD COLT DO? 543 00:37:47,200 --> 00:37:50,950 HE'D GO AFTER 'EM ANYWAY. WELL, LET'S GO. 544 00:37:54,460 --> 00:37:56,250 - [ Groans ] - COLT! 545 00:37:56,240 --> 00:37:59,630 - WHERE IS EVERYBODY? - THEY TOOK LIBBY. 546 00:38:01,000 --> 00:38:02,640 WHAT? 547 00:38:15,980 --> 00:38:18,140 [ Tires Squealing ] [ Groans ] 548 00:38:18,930 --> 00:38:21,900 [ Groaning ] 549 00:38:21,900 --> 00:38:23,900 OH, GOD. 550 00:38:23,900 --> 00:38:26,400 ARE YOU OKAY, COLT? I DON'T KNOW. 551 00:38:26,400 --> 00:38:28,740 ANYTHING BROKEN? NO, JUST MY SPIRIT. 552 00:38:35,080 --> 00:38:37,080 COLT? 553 00:38:37,080 --> 00:38:39,080 WHAT? LIBBY DIDN'T GO AFTER GRAHAM WITHOUT HELP. 554 00:38:39,080 --> 00:38:41,080 WHAT ARE YOU TALKING ABOUT? YOUR BLANK GUN'S MISSING. 555 00:38:41,090 --> 00:38:44,050 WHAT? SHE DIDN'T. SHE DID. 556 00:38:44,040 --> 00:38:46,540 YOU CAN'T LEAVE THAT KID ALONE FOR A MINUTE. 557 00:38:46,540 --> 00:38:49,540 AT LEAST SHE CAN'T HURT ANYBODY IF THE GUN'S ONLY FILLED WITH BLANKS. 558 00:38:49,540 --> 00:38:53,210 [ Colt ] SHE DOESN'T KNOW THAT, AND THE BAD GUYS DON'T KNOW THAT. 559 00:39:01,220 --> 00:39:03,560 [ Tires Squeal ] 560 00:39:06,560 --> 00:39:09,730 [ Colt ] BIG JACK SAYS THIS GUY GRAHAM HAS A PLACE UP HERE ON SIXTH STREET. 561 00:39:09,730 --> 00:39:12,530 IF I HAD TO GUESS, I'D SAY THAT'S WHERE THEY'D TAKE HER. 562 00:39:12,530 --> 00:39:15,900 ? [ Classical ] [ Engine Purring ] 563 00:39:26,910 --> 00:39:28,910 [ Engine Stops ] ? [ Stops ] 564 00:39:28,920 --> 00:39:30,930 WELL, LOOK WHO'S HERE. 565 00:39:30,920 --> 00:39:32,920 YEAH. FINALLY FOUND HER FOR YOU, MR. GRAHAM. 566 00:39:32,920 --> 00:39:36,170 YOU DIDN'T FIND NOTHIN', WALNUT BRAIN. I TURNED MYSELF IN. 567 00:39:36,170 --> 00:39:38,470 WELL, SHE DID COME TO THE DOOR, 568 00:39:38,480 --> 00:39:40,990 BUT WE GRABBED HER BEFORE SHE COULD GET AWAY AGAIN. 569 00:39:40,980 --> 00:39:43,980 I HOPE IT DIDN'T CAUSE YOU TOO MUCH TROUBLE. 570 00:39:45,480 --> 00:39:48,480 I HEARD ABOUT YOUR FATHER, LIBBY, AND I'M TRULY SORRY. 571 00:39:48,490 --> 00:39:50,910 WHAT A MIRACLE HE DIDN'T GET KILLED. 572 00:39:50,910 --> 00:39:54,750 CUT THE ACT, GRAHAM. MY FATHER CROSSED YOU. YOU HAD TO TEACH HIM A LESSON. 573 00:39:54,740 --> 00:39:58,910 WELL, I'M HERE TO FIX THAT. HOW VERY INTELLIGENT OF YOU, LIBBY. 574 00:40:00,750 --> 00:40:02,750 BIG JACK SAID THE SIXTH STREET GARAGE. 575 00:40:02,750 --> 00:40:06,250 MUST BE ON SIXTH STREET, RIGHT? WE'RE RUNNIN' OUT OF STREET. 576 00:40:06,250 --> 00:40:08,090 COLT, STOP. THERE IT IS. 577 00:40:08,090 --> 00:40:10,870 [ Howie ] AND THERE'S LOUIS. LIBBY MUST BE INSIDE, COLT. 578 00:40:10,870 --> 00:40:13,340 WE'RE GONNA HAVE TO FIND ANOTHER WAY IN. 579 00:40:13,340 --> 00:40:16,630 YEAH, AND FAST. 580 00:40:16,630 --> 00:40:20,770 - THEN I TAKE IT YOU BROUGHT IT WITH YOU. - UH-HUH. IT'S RIGHT IN HERE. 581 00:40:20,770 --> 00:40:24,270 - WELL, THEN, LET'S HAVE IT. - OKAY. 582 00:40:25,270 --> 00:40:27,770 WHAT-- DIDN'T YOU FRISK HER? 583 00:40:27,780 --> 00:40:29,290 WHO FRISKS A KID? 584 00:40:31,400 --> 00:40:35,570 UH-UH. DON'T DO IT, STEWART. THIS IS A REAL GUN, AND I KNOW HOW TO USE IT. 585 00:40:35,570 --> 00:40:39,460 AH, COME ON, SWEETHEART. YOU DON'T WANT TO USE THAT THING. 586 00:40:39,450 --> 00:40:44,210 YOU ALMOST KILLED MY FATHER. NOW YOU'RE GONNA PAY. 587 00:40:49,210 --> 00:40:51,460 WE DIDN'T HURT YOUR FATHER. I SWEAR IT. 588 00:40:51,470 --> 00:40:53,680 COME OFF IT, GRAHAM. YOU DID IT. 589 00:40:53,670 --> 00:40:56,090 LISTEN. 590 00:40:56,090 --> 00:40:58,590 I OFFERED YOUR FATHER A WAY OUT, 591 00:40:58,590 --> 00:41:00,840 BUT HE WASN'T AS BRIGHT AS YOU ARE. 592 00:41:00,840 --> 00:41:04,180 NOW COME ON, LIBBY. BE SMART. 593 00:41:04,180 --> 00:41:06,600 GIVE ME THE GUN AND THE EVIDENCE, 594 00:41:06,600 --> 00:41:09,350 AND YOU AND YOUR FATHER CAN GO AND LIVE IN PEACE. 595 00:41:09,350 --> 00:41:11,850 [ Howie ] COLT, HOW ARE WE GONNA GET DOWN THERE? 596 00:41:11,850 --> 00:41:14,240 [ Colt ] I CAN ONLY THINK OF ONE WAY, KID. 597 00:41:14,240 --> 00:41:16,490 I DON'T BELIEVE YOU. 598 00:41:16,490 --> 00:41:18,820 HEY! GOOD WORK, LOUIS. 599 00:41:18,830 --> 00:41:20,840 I'LL TAKE THAT. 600 00:41:20,830 --> 00:41:23,330 A VERY FOOLISH THING YOU DID, LIBBY. 601 00:41:23,330 --> 00:41:25,160 NOW LET'S SEE WHAT ELSE YOU'VE GOT IN HERE. 602 00:41:37,850 --> 00:41:40,720 [ Shouts ] [ Groans ] 603 00:41:40,710 --> 00:41:43,050 [ Shouts ] LIBBY-- 604 00:41:48,770 --> 00:41:51,020 BLANKS! 605 00:41:51,030 --> 00:41:53,400 LIBBY, WILL YOU GET OUT OF HERE? NO! 606 00:41:54,860 --> 00:41:57,480 HELP! HELP! HELP! 607 00:41:57,480 --> 00:41:59,480 GET OUT OF HERE! 608 00:42:07,240 --> 00:42:10,040 [ Libby Shouting ] COME BACK HERE. 609 00:42:10,040 --> 00:42:13,080 HELP, COLT! 610 00:42:13,080 --> 00:42:15,920 COLT, HELP! COLT, COME ON! 611 00:42:15,920 --> 00:42:18,550 HELP ME! COLT! 612 00:42:18,550 --> 00:42:21,340 COLT, COME ON! YOU GET IN THERE. GO ON. 613 00:42:21,340 --> 00:42:23,810 - COLT, HELP! - I'M COMIN', KID. 614 00:42:24,090 --> 00:42:26,090 COLT, HE'S TAKIN' ME AWAY. HURRY! HELP! 615 00:42:32,180 --> 00:42:34,180 COVER 'EM, KID. 616 00:42:35,850 --> 00:42:37,820 I'M GOIN' AFTER GRAHAM. 617 00:42:43,940 --> 00:42:45,950 [ Tires Squeal ] 618 00:42:45,950 --> 00:42:49,030 GET IN THERE AND HELP HOWIE. 619 00:42:56,840 --> 00:42:59,930 SEEMS LIKE YOUR FRIEND IS COMING AFTER US. 620 00:43:01,710 --> 00:43:03,880 ALL RIGHT, COLT! 621 00:43:07,520 --> 00:43:09,770 YOU KNOW, I THINK I BETTER PUT ON MY SEAT BELT. 622 00:43:10,270 --> 00:43:11,970 I THINK YOU'RE GONNA MESS UP-- BAD. 623 00:43:51,400 --> 00:43:53,910 [ Crash ] 624 00:44:03,490 --> 00:44:07,490 AW, COLT, YOU DID IT. JODY'S RIGHT. YOU ARE THE BEST. 625 00:44:09,160 --> 00:44:11,000 OUT OF THE CAR. COME ON. 626 00:44:11,370 --> 00:44:13,880 IF YOU'RE LOOKING FOR THE RECORDS, THEY'RE NOT IN THE PURSE. 627 00:44:13,870 --> 00:44:17,540 - I HAVE 'EM ALL MEMORIZED. - YOU EXPECT ME TO BELIEVE THAT? 628 00:44:17,540 --> 00:44:20,460 I DON'T CARE, 'CAUSE THE D.A. WILL-- 629 00:44:20,460 --> 00:44:22,460 ESPECIALLY WHEN WE ADD ATTEMPTED MURDER AND KIDNAPPING. 630 00:44:33,550 --> 00:44:36,560 YOU KNOW, COLT, YOU MIGHT BE RIGHT. 631 00:44:36,560 --> 00:44:38,560 MAYBE THE LAW CAN HANDLE THIS GUY. 632 00:44:38,560 --> 00:44:40,560 YEAH, WELL, I'M GONNA HANDLE YOU. 633 00:44:40,560 --> 00:44:43,060 YOU KNOW KIDS SHOULDN'T PLAY WITH GUNS. WELL, YEAH, BUT-- 634 00:44:43,060 --> 00:44:45,560 NOT EVEN ONES THAT JUST FIRE BLANKS. 635 00:45:00,880 --> 00:45:02,880 [ Door Closes ] 636 00:45:02,880 --> 00:45:05,380 WHAT'S TAKIN' SO LONG? SHE'S BEEN UP THERE FOR TWO HOURS. 637 00:45:05,390 --> 00:45:07,900 SHE PROBABLY HAD A LOT TO TELL THEM. 638 00:45:07,890 --> 00:45:10,890 I SHOULD HAVE GONE UP THERE WITH HER. SHE WAS SCARED TO DEATH. 639 00:45:10,890 --> 00:45:12,890 WELL, THE D.A. CONTACTED HER AUNT. 640 00:45:12,890 --> 00:45:15,390 I GUESS HE WANTED A BLOOD RELATIVE TO BE WITH HER. 641 00:45:15,400 --> 00:45:17,410 YEAH. [ Door Closes ] 642 00:45:17,400 --> 00:45:19,730 [ Footsteps Approaching ] HERE THEY COME. 643 00:45:19,730 --> 00:45:21,400 QUITE A JOB. THANKS. 644 00:45:22,990 --> 00:45:25,270 [ Indistinct ] 645 00:45:25,270 --> 00:45:27,770 WELL, I DID IT, COLT. I SPILLED THE BEANS. 646 00:45:27,770 --> 00:45:30,280 SHE HAS QUITE AN AMAZING MEMORY, MR. SEAVERS. 647 00:45:30,280 --> 00:45:32,780 WE HAVE MORE THAN ENOUGH TO INDICT GRAHAM AND HIS MEN. 648 00:45:32,780 --> 00:45:36,080 AND DON'T WORRY. I'LL SEE TO IT THAT THEY'RE LOCKED UP WHERE THEY BELONG. 649 00:45:37,370 --> 00:45:39,200 I'M PROUD OF YOU, KID. 650 00:45:39,200 --> 00:45:43,120 IF HALF THE THINGS SHE TOLD ME ABOUT YOU ARE TRUE, 651 00:45:43,120 --> 00:45:45,170 YOU ARE AN AMAZING MAN. 652 00:45:45,180 --> 00:45:48,140 THANKS A LOT FOR YOUR HELP. I WANT TO THANK YOU TOO. 653 00:45:48,130 --> 00:45:51,630 I THINK LIBBY WANTS TO TALK TO YOU ALONE. 654 00:45:51,630 --> 00:45:53,630 YES, MA'AM. 655 00:45:53,630 --> 00:45:55,630 DO YOU, KID? 656 00:45:56,640 --> 00:45:58,640 COME ON. 657 00:46:02,230 --> 00:46:04,700 I CAN SEE I'M IN FOR A LOT OF EMBARRASSING MOMENTS... 658 00:46:04,700 --> 00:46:07,320 WHILE I'M STAYING AT MY AUNT'S. 659 00:46:07,310 --> 00:46:09,700 WHY? I THINK SHE SEEMS LIKE A VERY NICE LADY. 660 00:46:09,700 --> 00:46:12,650 YEAH. NICE AND DULL. 661 00:46:12,650 --> 00:46:14,950 THE WOMAN'S A VEGETARIAN. 662 00:46:14,960 --> 00:46:17,580 I THOUGHT YOU TOLD ME YOU WANTED TO GO STRAIGHT. 663 00:46:17,570 --> 00:46:21,880 WELL, YEAH, BUT STAYING WITH AUNT ALICE IS LIKE GOING COLD TURKEY. 664 00:46:21,880 --> 00:46:25,830 I TELL YOU, IF YOU GET THE URGE TO BE BAD, YOU CALL ME UP, 665 00:46:25,830 --> 00:46:27,830 AND WE'LL GO KNOCK OVER A BANK TOGETHER, OKAY? 666 00:46:27,830 --> 00:46:31,340 [ Laughs ] THAT'S FUNNY. 667 00:46:31,340 --> 00:46:33,840 UH, YOU KNOW, COLT, UH, 668 00:46:33,840 --> 00:46:39,340 THIS MIGHT SOUND CORNY, BUT I REALLY DON'T HAVE A LOT OF TIME TO BE SUBTLE. 669 00:46:39,350 --> 00:46:41,860 I, UH-- 670 00:46:41,850 --> 00:46:43,680 I KIND OF HAVE A CRUSH ON YOU. 671 00:46:45,150 --> 00:46:47,150 UH, YEAH? 672 00:46:50,240 --> 00:46:54,030 WELL, I HAVE A BIG CRUSH ON YOU, AND I DON'T CARE IF IT IS CORNY. 673 00:46:54,030 --> 00:46:57,660 THERE'S KIND OF A BIG AGE DIFFERENCE BETWEEN US, HUH? 674 00:46:57,660 --> 00:47:00,000 A LITTLE BIT, 675 00:47:00,000 --> 00:47:03,000 BUT THAT'S NOT GONNA STOP US FROM BEING FRIENDS, RIGHT? 676 00:47:03,000 --> 00:47:06,460 RIGHT. BUT YOU GOTTA DO ME A FAVOR. 677 00:47:06,460 --> 00:47:08,870 TRY BEING A KID AGAIN. 678 00:47:08,880 --> 00:47:11,690 YOU KNOW, YOU GREW UP TOO FAST, AND YOU MISSED A LOT. 679 00:47:11,680 --> 00:47:13,850 I KNOW. 680 00:47:13,850 --> 00:47:16,050 AND MAKE FRIENDS WITH KIDS YOUR OWN AGE. 681 00:47:16,050 --> 00:47:18,430 YOU MIGHT HAVE A LOT OF FUN. 682 00:47:18,440 --> 00:47:21,450 KIDS MY OWN AGE ARE SO IMMATURE. 683 00:47:21,440 --> 00:47:25,440 HEY. [ Sighs ] BUT FOR YOU I'LL TRY. 684 00:47:25,440 --> 00:47:28,780 THAT'S MY GIRL. 685 00:47:30,230 --> 00:47:32,230 HERE. 686 00:47:32,230 --> 00:47:35,230 BET ON IT, COLT. THE RACE IS FIXED. 687 00:47:38,740 --> 00:47:41,740 "DADDY'S GIRL IN THE SEVENTH." [ Chuckles ] 688 00:47:42,740 --> 00:47:45,240 THAT LITTLE MUNCHKIN.54749

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