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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:02,300 --> 00:00:05,050 ? WELL, I'M NOT THE KIND TO KISS AND TELL ? 3 00:00:05,050 --> 00:00:08,310 ? BUT I'VE BEEN SEEN WITH FARRAH ? 4 00:00:08,310 --> 00:00:10,940 ? I'VE NEVER BEEN WITH ANYTHING LESS ? 5 00:00:10,940 --> 00:00:13,730 ? THAN A NINE SO FINE ? 6 00:00:13,730 --> 00:00:16,310 ? I'VE BEEN ON FIRE WITH SALLY FIELD ? 7 00:00:16,320 --> 00:00:19,160 ? GONE FAST WITH A GIRL NAMED BO ? 8 00:00:19,150 --> 00:00:23,540 ? BUT SOMEHOW THEY JUST DON'T END UP AS MINE ? 9 00:00:23,540 --> 00:00:27,330 ? IT'S A DEATH-DEFYIN' LIFE I LEAD ? 10 00:00:27,330 --> 00:00:29,790 ? I TAKE MY CHANCES ? 11 00:00:29,800 --> 00:00:32,720 ? I DIE FOR A LIVIN' IN THE MOVIES AND TV ? 12 00:00:32,720 --> 00:00:34,640 [ Siren Wailing ] 13 00:00:34,630 --> 00:00:37,170 ? BUT THE HARDEST THING I EVER DO ? 14 00:00:37,170 --> 00:00:40,670 ? IS WATCH MY LEADING LADIES ? 15 00:00:40,970 --> 00:00:45,060 ? KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ? 16 00:00:45,560 --> 00:00:48,310 ? I MIGHT FALL FROM A TALL BUILDIN' ? 17 00:00:48,310 --> 00:00:50,980 ? I MIGHT ROLL A BRAND-NEW CAR ? 18 00:00:50,980 --> 00:00:53,940 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 19 00:00:53,940 --> 00:00:56,740 ? THAT MADE REDFORD SUCH A STAR ? 20 00:00:56,740 --> 00:00:59,690 ? [ Women Vocalizing ] 21 00:01:03,330 --> 00:01:06,450 ? I'VE NEVER SPENT MUCH TIME IN SCHOOL ? 22 00:01:06,450 --> 00:01:09,080 ? BUT I'VE TAUGHT LADIES PLENTY ? 23 00:01:09,090 --> 00:01:12,510 ? IT'S TRUE I HIRE MY BODY OUT FOR PAY ? 24 00:01:12,510 --> 00:01:14,300 ? HEY, HEY ? 25 00:01:14,290 --> 00:01:17,260 ? I'VE GOTTEN BURNED OVER CHERYL TIEGS ? 26 00:01:17,260 --> 00:01:19,960 ? BLOWN UP FOR RAQUEL WELCH ? 27 00:01:19,960 --> 00:01:23,970 ? BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ? 28 00:01:23,970 --> 00:01:25,430 ? HEY, HEY ? 29 00:01:25,440 --> 00:01:28,480 ? I MIGHT JUMP AN OPEN DRAWBRIDGE ? 30 00:01:28,470 --> 00:01:30,270 ? OR TARZAN FROM A VINE ? 31 00:01:30,270 --> 00:01:32,640 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 32 00:01:32,640 --> 00:01:36,480 ? THAT MAKES EASTWOOD LOOK SO FINE ? 33 00:01:50,740 --> 00:01:53,960 [ Colt Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 34 00:01:53,960 --> 00:01:57,750 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 35 00:01:57,750 --> 00:01:59,920 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 36 00:01:59,920 --> 00:02:03,220 WOMEN HAVE WANTED TO DIE FOR HIM. 37 00:02:03,220 --> 00:02:07,480 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 38 00:02:07,480 --> 00:02:09,930 HE WAS WHAT WE CALL A STUNTMAN. 39 00:02:09,930 --> 00:02:12,310 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 40 00:02:12,320 --> 00:02:14,360 WELL, BECAUSE IT'S ME, COLT SEAVERS. 41 00:02:14,350 --> 00:02:17,990 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 42 00:02:18,490 --> 00:02:21,820 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 43 00:02:21,820 --> 00:02:24,740 WELL, ONE WAY IS TO WAIT BY THE PHONE... 44 00:02:24,740 --> 00:02:27,080 AND WAIT... AND WAIT. 45 00:02:27,080 --> 00:02:29,860 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 46 00:02:29,870 --> 00:02:32,180 OF THE UNITED STATES OF AMERICA, 47 00:02:32,170 --> 00:02:35,000 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 48 00:02:35,000 --> 00:02:38,510 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 49 00:02:38,510 --> 00:02:41,960 GET OUT OF JAIL ON WHAT WE CALL BAIL. 50 00:02:41,960 --> 00:02:44,460 AND THEY RUN LIKE HELL. 51 00:02:44,460 --> 00:02:47,100 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY... 52 00:02:47,100 --> 00:02:50,640 TRYIN' TO FIND THEM AND BRING THEM BACK TO JUSTICE. 53 00:02:50,640 --> 00:02:54,310 BUT TODAY I'M DOING A STUNT THAT'S GONNA PUT ME AT THE END OF MY ROPE. 54 00:03:03,230 --> 00:03:06,030 FASTER, JODY, FASTER! PUT THE PEDAL TO THE METAL! 55 00:03:06,400 --> 00:03:09,400 YOU KNOW THIS ISN'T EXACTLY A FERRARI! 56 00:03:10,710 --> 00:03:13,120 [ Colt ] SLOW HER DOWN, KID. IT'S GOING TOO FAST! 57 00:03:13,130 --> 00:03:15,250 - I'M AFRAID WE'LL STALL, COLT. - THROTTLE HER DOWN. 58 00:03:15,240 --> 00:03:17,580 OKAY, YOU'RE THE BOSS. 59 00:03:18,920 --> 00:03:20,890 OKAY, A LITTLE MORE. 60 00:03:20,880 --> 00:03:25,890 THAT'S BETTER. COME ON! COME ON! I CAN ALMOST REACH IT. 61 00:03:25,890 --> 00:03:28,470 - HURRY UP, COLT. - SLOW IT DOWN, KID! 62 00:03:28,470 --> 00:03:31,680 I'M GOING AS SLOW AS I CAN! 63 00:03:31,680 --> 00:03:35,730 - COLT! - NOT NOW, JODY! I'VE ALMOST GOT IT. 64 00:03:35,730 --> 00:03:37,680 I GOT IT! I GOT IT! 65 00:03:41,570 --> 00:03:44,270 TAKE IT UP, KID! 66 00:03:44,270 --> 00:03:48,740 - ALL IN GOOD TIME, COLT. - TAKE IT UP! 67 00:03:48,750 --> 00:03:51,340 [ Howie ] WHOA! DON'T WORRY, COLT. WE'RE GONNA MAKE IT! 68 00:03:59,870 --> 00:04:02,210 KID! 69 00:04:04,180 --> 00:04:06,210 OH, HE'S GONNA KILL ME. 70 00:04:08,710 --> 00:04:10,430 COLT, PLEASE, YOU GOTTA PROMISE ME... 71 00:04:10,430 --> 00:04:12,300 YOU WON'T TELL A SOUL ABOUT THIS. 72 00:04:12,300 --> 00:04:16,100 IT'S SO HUMILIATING. LET'S NOT FORGET PAINFUL AS HELL. 73 00:04:16,110 --> 00:04:20,070 OH, I KNOW IT. BUT I SWEAR, I'LL MAKE THIS UP TO YOU. 74 00:04:20,060 --> 00:04:24,360 FIND ME A WAY TO MAKE A LIVING FOR THE NEXT MONTH AND A HALF, AND I'LL BE SATISFIED. 75 00:04:24,360 --> 00:04:29,030 DON'T WORRY ABOUT THAT. BIG JACK CALLED AND SHE SAID SHE'S GOT A JOB THAT'S A PIECE OF CAKE. 76 00:04:29,040 --> 00:04:31,750 I'M WORRIED. 77 00:04:31,740 --> 00:04:34,460 NO. THIS TIME HOWIE'S ABSOLUTELY RIGHT. 78 00:04:34,460 --> 00:04:36,460 IT'S A SIMPLE PAPERHANGER CASE. 79 00:04:36,460 --> 00:04:38,330 PAPERHANGER? THAT'S A CHECK FORGER. 80 00:04:38,330 --> 00:04:40,630 SOME YOUNG GUY RAN BACK TO HIS HOMETOWN-- 81 00:04:40,630 --> 00:04:43,000 A SMALL PLACE CALLED LUCKY, NEVADA. 82 00:04:43,000 --> 00:04:47,000 HIS NAME IS JOHN C. RYDER, AND HE WAS SEEN NEAR TOWN YESTERDAY. 83 00:04:47,000 --> 00:04:50,340 ALL JODY AND HOWIE HAVE TO DO IS GO UP THERE, GET HIM AND BRING HIM BACK. 84 00:04:50,340 --> 00:04:54,260 HE IS DEFINITELY A NONVIOLENT TYPE. 85 00:04:54,260 --> 00:04:56,590 I DON'T KNOW. THEY ALL START OUT EASY ENOUGH. 86 00:04:56,600 --> 00:05:02,330 COLT, LOOK, I ONLY HAVE THREE DAYS LEFT ON THIS BOND, THEN I FORFEIT BAIL. 87 00:05:02,320 --> 00:05:04,940 I COULD EVEN LOSE MY INSURANCE COVERAGE. 88 00:05:04,940 --> 00:05:07,570 I REALLY NEED THEIR HELP. 89 00:05:07,570 --> 00:05:09,990 I DON'T KNOW. 90 00:05:09,990 --> 00:05:15,110 COLT, YOU CAN'T PUNISH ME JUST BECAUSE YOU HAD SOME STUPID ACCIDENT. 91 00:05:16,700 --> 00:05:22,750 NO, I CAN'T PUNISH YOU FOR MY STUPID ACCIDENT. 92 00:05:22,760 --> 00:05:27,050 ALL RIGHT, KID, YOU GO, BUT YOU CALL ME IF YOU GET IN ANY TROUBLE. 93 00:05:27,540 --> 00:05:29,630 - WHAT COULD YOU DO WITH-- - YOU HEARD ME. 94 00:05:29,630 --> 00:05:32,630 I'LL CALL YOU. I'LL CARRY A QUARTER EVERY PLACE I GO. 95 00:05:32,630 --> 00:05:35,550 PUT YOUR THINGS TOGETHER. THE KID'S RUNNING THE SHOW. 96 00:05:35,550 --> 00:05:39,550 LOVE YOU, COLT. AND DON'T WORRY. I'LL KEEP HIM OUT OF TROUBLE. 97 00:05:39,560 --> 00:05:44,870 IRONIC, ISN'T IT, HOW YOUR CLUMSY ACCIDENT TURNED INTO A "BREAK" FOR HOWIE? 98 00:05:44,860 --> 00:05:48,950 YOU DO A GOOD JOB, HOWIE. SO YOU KEEP IN TOUCH, ALL RIGHT? 99 00:05:48,950 --> 00:05:52,400 AND YOU, HANDSOME, TAKE CARE OF THAT LEG. I'LL CALL YOU IN THE NEXT FEW DAYS. 100 00:05:52,400 --> 00:05:54,990 BYE-BYE. 101 00:05:55,990 --> 00:05:57,820 - COLT-- - GO. 102 00:05:57,820 --> 00:06:00,490 [ Door Closes ] I DON'T KNOW HOW TO SAY THIS, BUT I-- 103 00:06:00,490 --> 00:06:02,880 GO! 104 00:06:02,880 --> 00:06:05,080 - I HOPE YOUR FOOT FEELS BETTER. - YOU GET! 105 00:06:08,580 --> 00:06:10,590 [ Door Closes ] 106 00:06:16,590 --> 00:06:19,090 KAREN. 107 00:06:19,100 --> 00:06:22,610 NOT IN, HUH? THANK YOU. 108 00:06:22,600 --> 00:06:25,400 LET'S SEE. [ Muttering ] DONNA. 109 00:06:32,690 --> 00:06:36,440 [ Howie ] THAT'S THE GUY WE'RE LOOKING FOR. HIS NAME'S JOHN C. RYDER. 110 00:06:36,450 --> 00:06:38,790 NOPE. 111 00:06:38,780 --> 00:06:41,780 NOPE WHAT? ISN'T THAT HIS NAME? 112 00:06:41,780 --> 00:06:44,290 OH, THAT'S HIS NAME ALL RIGHT, BUT HE HASN'T BEEN AROUND FOR MONTHS. 113 00:06:44,290 --> 00:06:46,750 WELL, ARE YOU SURE? WE HAD A REPORT THAT-- 114 00:06:46,760 --> 00:06:49,630 - I MEAN, ISN'T THERE A CHANCE HE, UH-- - NO. 115 00:06:52,210 --> 00:06:55,050 - I GUESS WE'LL HAVE TO NOSE AROUND A LITTLE ON OUR OWN. - NO, YOU WON'T. 116 00:06:55,050 --> 00:07:00,720 - SHERIFF, THIS IS A WARRANT. - AND THIS IS A TOURIST TOWN. WE'RE JUST GETTING STARTED. 117 00:07:00,720 --> 00:07:04,270 WE DON'T HAVE A CRIMINAL ELEMENT HERE. WE DON'T WANT ANYONE SAYING WE DO. 118 00:07:04,270 --> 00:07:07,280 SHERIFF, I THINK IT'S ONLY FAIR THAT I WARN YOU THAT-- 119 00:07:13,570 --> 00:07:17,580 WELL, HOW'S THAT GONNA WORK, COLT? 120 00:07:17,570 --> 00:07:20,490 ALL RIGHT. ANYTHING YOU SAY. 121 00:07:24,790 --> 00:07:28,300 I UNDERSTAND YOU DECIDED TO LEAVE TOWN. 122 00:07:28,300 --> 00:07:31,130 YEAH, I THOUGHT YOU'D LIKE TO KNOW WE'VE BEEN PULLED OFF THE CASE. 123 00:07:31,130 --> 00:07:36,170 - WELL, GOOD. - THEY'RE SENDING THE BIG GUY OUT. I'M SORRY. 124 00:07:36,170 --> 00:07:38,590 WHAT DO YOU MEAN YOU'RE SORRY? 125 00:07:38,590 --> 00:07:41,560 I GUESS I SHOULDN'T SAY ANYTHING. 126 00:07:41,560 --> 00:07:44,850 MAYBE I'M PREJUDICED, BUT I HATE VIOLENCE. 127 00:07:44,850 --> 00:07:48,680 WAIT A MINUTE. I THINK YOU OUGHT TO SAY A LOT MORE RIGHT NOW. 128 00:07:52,100 --> 00:07:54,490 YOU'RE GONNA FIND OUT ANYWAY. 129 00:07:58,440 --> 00:08:00,440 COLT SEAVERS IS COMING TO TOWN. 130 00:08:00,450 --> 00:08:03,710 [ Scoffs ] WHO THE HELL IS COLT SEAVERS? 131 00:08:07,840 --> 00:08:09,670 YOU DON'T WANT TO KNOW. 132 00:08:09,670 --> 00:08:14,040 IF HE'S COMING TO MY TOWN I WANT TO KNOW, AND I WANT TO KNOW RIGHT NOW. 133 00:08:16,050 --> 00:08:19,060 COLT SEAVERS IS THE MOST RUTHLESS BOUNTY HUNTER IN THE COUNTRY. 134 00:08:19,050 --> 00:08:21,720 HE'S RIGHT. YOU SEE, THE ORGANIZATION WE WORK FOR... 135 00:08:21,720 --> 00:08:24,720 ONLY SENDS HIM OUT WHEN THEY WANNA PUSH THE BUTTON. 136 00:08:24,720 --> 00:08:29,720 PUSH THE BUTTON? YEAH, I'M AFRAID THIS KID RYDER-- 137 00:08:29,730 --> 00:08:32,120 HE'S GONE. 138 00:08:32,110 --> 00:08:37,620 ARE YOU TALKING ABOUT SOMEBODY COMING INTO MY TOWN, TAKING THE LAW IN HIS OWN HANDS? 139 00:08:37,620 --> 00:08:40,870 'CAUSE IF YOU ARE, HE'D BETTER BE READY FOR A LONG JAIL SENTENCE. 140 00:08:40,870 --> 00:08:45,210 ABSOLUTELY. W-WE'RE ON YOUR SIDE. THIS GUY SEAVERS SCARES US TO DEATH. 141 00:08:45,210 --> 00:08:49,630 I SAW HIM GO INTO A TOWN AND LEAVE AN ENTIRE POLICE DEPARTMENT IN SHAMBLES. 142 00:08:49,630 --> 00:08:54,720 - AND HE DOES IT LEGALLY. - THAT'S THE CRIME OF IT. HE KILLS BY THE LAW. 143 00:08:54,720 --> 00:08:58,170 HE KILLS? 144 00:08:58,170 --> 00:09:00,920 WE'LL SEE ABOUT THAT. 145 00:09:00,920 --> 00:09:04,310 HEY, THAT WASN'T SO TOUGH. WEREN'T WE LAYING IT ON A LITTLE THICK? 146 00:09:04,310 --> 00:09:06,310 THAT'S WHAT COLT SAID TO DO. WHY? 147 00:09:06,310 --> 00:09:08,810 I DON'T KNOW. 148 00:09:08,810 --> 00:09:12,070 ARE YOU SURE IT'S HIS LEG HE BROKE AND NOT HIS HEAD? 149 00:09:12,070 --> 00:09:15,850 - WE GOT TROUBLE. - WHAT ARE YOU TALKING ABOUT? WHAT KIND OF TROUBLE? 150 00:09:15,860 --> 00:09:18,170 COLT SEAVERS IS COMING TO TOWN. ? [ Country, Indistinct ] 151 00:09:18,160 --> 00:09:23,410 - WHO? - SOME KIND OF A HARDCASE, BIG-TIME BOUNTY HUNTER. 152 00:09:23,410 --> 00:09:27,030 ALL OVER A LITTLE JOHN RYDER? I DON'T BELIEVE IT. 153 00:09:27,030 --> 00:09:31,040 WELL, I DON'T EITHER. BUT THERE'S MORE HERE THAN MEETS THE EYE. 154 00:09:31,040 --> 00:09:33,290 MAYBE YOU'RE RIGHT. WHAT DO WE DO? 155 00:09:33,290 --> 00:09:36,010 YOU LET ME KNOW THE MINUTE HE SHOWS UP. 156 00:09:36,010 --> 00:09:38,380 ? [ Continues ] 157 00:09:42,350 --> 00:09:44,770 ? TO MAKE A LONG STORY SHORT ? 158 00:09:44,770 --> 00:09:47,600 ? HONEY, I'M LEAVING ? 159 00:09:48,050 --> 00:09:50,550 ? TO MAKE A LONG STORY SHORT ? 160 00:09:50,560 --> 00:09:54,070 ? I'M MOVIN' ON ? 161 00:09:54,060 --> 00:09:57,060 ? I'M NOT THE SORT FOR SAD GOOD-BYES ? 162 00:09:57,060 --> 00:09:59,280 ? AND DREAMIN' ? 163 00:09:59,280 --> 00:10:02,120 ? TO MAKE A LONG STORY SHORT ? 164 00:10:02,120 --> 00:10:05,620 ? HONEY, I'M GONE ? 165 00:10:07,120 --> 00:10:09,120 OH, COLT, ARE YOU ALL RIGHT? 166 00:10:09,130 --> 00:10:11,140 NO. 167 00:10:11,630 --> 00:10:14,630 NOW, THEN, LET'S GET DOWN TO BUSINESS. COLT, WE CAN'T MAKE A MOVE. 168 00:10:14,630 --> 00:10:17,130 EVEN IF YOUR LEG WAS ALL RIGHT, THE SHERIFF'S WATCHING EVERYTHING WE DO. 169 00:10:17,630 --> 00:10:20,130 WELL, I DON'T INTEND TO MAKE A MOVE. WHAT? 170 00:10:20,140 --> 00:10:22,810 I INTEND TO HAVE YOU TWO MAKE ALL THE MOVES. 171 00:10:22,810 --> 00:10:25,900 COLT, THE SHERIFF'S DOGGING US LIKE A PAIR OF CRIMINALS. 172 00:10:25,890 --> 00:10:29,390 GOOD. THEN WE GOT HIS ATTENTION. THAT'S JUST THE BEGINNING. 173 00:10:29,400 --> 00:10:32,410 UH, HOW DOES THAT WORK AGAIN? 174 00:10:32,400 --> 00:10:34,680 WELL, IT'S AN OLD RULE OF THUMB FOR TRACKING. 175 00:10:34,680 --> 00:10:38,350 LOCALS DON'T OFTEN SIDE WITH STRANGERS WHEN THEIR OWN ARE IN TROUBLE. 176 00:10:38,350 --> 00:10:40,990 SO WHAT ARE WE GONNA DO? IT'S THE WHOLE TOWN AGAINST US. 177 00:10:40,990 --> 00:10:43,740 WELL, WE TRY TO GET JOHN C. RYDER TO COME TO US. 178 00:10:43,740 --> 00:10:48,700 WELL, HOW ARE WE GONNA DO THAT? MAKING THE LOCAL PEOPLE THINK WE'RE MEAN. 179 00:10:48,700 --> 00:10:53,200 MEAN AS IN TOUGH? NO. MEAN AS IN OFF-THE-WALL RUTHLESS. 180 00:10:53,700 --> 00:10:56,090 WHISKEY. I DON'T THINK I UNDERSTAND. 181 00:10:56,090 --> 00:10:58,540 WELL, IT WORKS THIS WAY-- 182 00:10:58,540 --> 00:11:02,340 JOHN RYDER IS WANTED FOR CHECK FORGERY, WHICH MEANS HE'S BASICALLY A NONVIOLENT TYPE... 183 00:11:02,340 --> 00:11:05,600 WHO'LL GET ANYTHING FROM A YEAR TO PROBATION, EVEN IF HE'S CONVICTED. 184 00:11:05,600 --> 00:11:08,100 WE WANT TO MAKE IT CLEAR TO EVERYONE WE'RE PREPARED... 185 00:11:08,100 --> 00:11:10,600 TO BLAST HIM OUT OF HIS SOCKS IF HE DECIDES TO RUN. 186 00:11:10,600 --> 00:11:14,110 ISN'T THAT A LITTLE CRUEL? THANK YOU. 187 00:11:14,110 --> 00:11:16,360 NO. WE DON'T MEAN IT. 188 00:11:16,360 --> 00:11:18,730 LIKE I SAY, GET THE FOLKS' ATTENTION. 189 00:11:18,730 --> 00:11:23,110 LET 'EM THINK THEY'RE DOING JOHN A FAVOR BY TURNING HIM IN OR BY HIM COMING FORWARD HIMSELF. 190 00:11:23,120 --> 00:11:26,290 - YOU KNOW SOMETHING? THAT'S VERY CLEVER. - YEAH. YOU BETTER GET MOVIN'. 191 00:11:26,290 --> 00:11:30,050 THE TRICK IS TO KEEP THINGS STIRRED UP. MOVE AROUND TOWN, ASK A LOT OF QUESTIONS. 192 00:11:30,040 --> 00:11:32,710 SOONER OR LATER, SOMEBODY'LL TIP OFF SOMETHIN'. 193 00:11:32,710 --> 00:11:35,380 OKAY, WE'RE GONE. 194 00:11:35,380 --> 00:11:38,250 ? SO TO SAVE US BOTH SOME TIME ? 195 00:11:38,250 --> 00:11:41,720 ? GONNA BRING IT OUT ON THE LINE ? 196 00:11:41,720 --> 00:11:46,590 ? COME RIGHT TO IT AND TELL YOU WHAT I MEAN ? 197 00:11:46,590 --> 00:11:48,970 ? TO MAKE A LONG STORY SHORT ? 198 00:11:48,970 --> 00:11:50,980 ? HONEY, I'M LEAVING ? 199 00:11:50,980 --> 00:11:55,400 ? TO MAKE A LONG STORY SHORT ? 200 00:11:55,400 --> 00:11:58,180 ? I'M MOVIN' ON ? 201 00:11:58,180 --> 00:12:00,680 ? [ Continues, Indistinct ] 202 00:12:02,690 --> 00:12:06,360 - CAN I HELP YOU, FELLA? - NO, THANKS. 203 00:12:06,360 --> 00:12:09,160 WELL, YOU'LL HAVE TO COME OUT OF HERE. THIS IS A PRIVATE ROOM. 204 00:12:09,160 --> 00:12:13,330 - I'LL PAY FOR IT. - NOW, LOOK, BUDDY. 205 00:12:13,330 --> 00:12:15,780 IS THERE A PROBLEM, NORRIS? 206 00:12:15,780 --> 00:12:19,290 THIS, UH, GENTLEMAN WOULD LIKE TO TALK TO YOU. 207 00:12:19,290 --> 00:12:21,290 WHAT CAN I DO FOR YOU? UH, WAIT. 208 00:12:21,290 --> 00:12:24,260 BEFORE HE GOES, UH, I MIGHT OUGHTA... 209 00:12:27,600 --> 00:12:31,380 CHECK THIS IN, SO AS NOT TO ALARM ANYBODY. 210 00:12:33,350 --> 00:12:35,850 IT'S LOADED, MR. MANNING. OF COURSE IT'S LOADED. 211 00:12:35,850 --> 00:12:38,110 CAN'T SHOOT ANYBODY WITH AN EMPTY GUN. 212 00:12:38,110 --> 00:12:40,310 NOW, JUST WHO ARE YOU, MISTER? 213 00:12:40,310 --> 00:12:45,360 NOW THAT'S A FAIR QUESTION. UH, SEAVERS IS THE NAME. COLT SEAVERS. 214 00:12:45,360 --> 00:12:47,620 WORK FOR THE COURTS, LOS ANGELES COUNTY. 215 00:12:47,620 --> 00:12:49,980 WHAT BRINGS YOU TO LUCKY, NEVADA? 216 00:12:49,990 --> 00:12:52,880 THERE'S PLENTY OF TIME TO DO MY WORK. RIGHT NOW I WAS HOPING... 217 00:12:52,870 --> 00:12:55,120 TO GET INTO A NICE, HIGH-STAKES GAME OF POKER. 218 00:12:55,120 --> 00:12:57,460 UH-HUH. 219 00:12:57,460 --> 00:13:01,300 WELL, YOU'RE A DAY EARLY FOR OUR USUAL HIGH-STAKE GAME, 220 00:13:01,300 --> 00:13:04,720 BUT I SUPPOSE I COULD MAKE A FEW PHONE CALLS. 221 00:13:04,720 --> 00:13:07,470 NOTHING LIKE FRESH MONEY TO MAKE A CROWD. 222 00:13:07,470 --> 00:13:11,640 WELL, THANK YOU. I, UH, APPRECIATE THAT. 223 00:13:12,980 --> 00:13:17,490 AND, UH, I PROBABLY WON'T BE USING THAT GUN TONIGHT, 224 00:13:17,480 --> 00:13:20,480 UNLESS I GET, UH, REAL LUCKY. 225 00:13:22,990 --> 00:13:26,000 NORRIS, I WANT YOU TO GET THE SHERIFF. YES, SIR. 226 00:13:32,750 --> 00:13:34,760 YOU'RE ON, JODY. 227 00:13:50,760 --> 00:13:54,550 NOW THAT'S HARASSMENT, PLAIN AND SIMPLE. LET'S BUST 'EM. 228 00:13:54,550 --> 00:13:57,520 [ Man ] I DON'T KNOW. THE OLD BOY SEEMS TO BE KIND OF ENJOYING IT. 229 00:13:58,020 --> 00:14:00,520 WOULDN'T MIND TALKING TO HER MYSELF. 230 00:14:20,540 --> 00:14:24,040 RED JACK ON BLACK QUEEN. 231 00:14:24,050 --> 00:14:28,560 WELL, UH, DARNED IF YOU AREN'T RIGHT. THANK YOU VERY MUCH. 232 00:14:28,550 --> 00:14:31,050 I LIKE TO PLAY THE GAME MYSELF. 233 00:14:31,050 --> 00:14:33,420 MY WIFE, MOSTLY SHE LIKES TELEVISION. 234 00:14:35,390 --> 00:14:37,560 MM-HMM. HMM. 235 00:14:38,060 --> 00:14:41,060 SHERIFF BAKER'S THE NAME. 236 00:14:41,060 --> 00:14:44,060 OH, NICE TO MEET YOU, SHERIFF. UH, SEAVERS. COLT SEAVERS. 237 00:14:45,070 --> 00:14:48,770 I KNOW. YOU HAVEN'T BEEN HERE AN HOUR, 238 00:14:48,770 --> 00:14:52,110 AND YOU'RE THE TALK OF THE WHOLE TOWN. 239 00:14:52,110 --> 00:14:55,030 SORRY TO HEAR THAT. KIND OF MAKES MY JOB A LOT HARDER. 240 00:14:55,030 --> 00:14:59,030 OH? AND WHAT IS YOUR JOB? 241 00:14:59,030 --> 00:15:03,330 PRETTY MUCH LIKE YOURS, SHERIFF. I HELP BRING PEOPLE BACK TO JUSTICE. 242 00:15:03,340 --> 00:15:09,600 WELL, SINCE THIS IS MY TOWN, I'D SURE APPRECIATE KNOWING WHO YOU'RE BRINGING TO JUSTICE. 243 00:15:09,590 --> 00:15:11,760 YOU'RE RIGHT. 244 00:15:21,850 --> 00:15:24,610 "JOHN RYDER, CHECK FORGERY." 245 00:15:24,610 --> 00:15:27,690 - YOU KNOW HIM? - TO TELL YOU THE TRUTH, I DO. 246 00:15:27,690 --> 00:15:29,690 HE'S THE SON OF A VERY IMPORTANT PERSON. 247 00:15:29,700 --> 00:15:32,870 I HEARD THAT HE JUST MIGHT BE BACK IN THIS AREA. 248 00:15:32,870 --> 00:15:36,660 IF HE WAS, I'D KNOW IT. AND THAT'S WHAT I TOLD A COUPLE OF YOUNG FOLK... 249 00:15:36,650 --> 00:15:39,200 THAT WERE IN TOWN AHEAD OF YOU LOOKING FOR JOHN. 250 00:15:39,200 --> 00:15:42,960 HE'S NOT IN TOWN. I'D APPRECIATE IT IF YOU MOVED ON. 251 00:15:45,790 --> 00:15:48,800 I'M SORRY, SHERIFF. I CAN'T DO THAT. 252 00:15:48,800 --> 00:15:51,800 AND IF ANYBODY STOPS ME, I CALL IN THE STATE POLICE. 253 00:15:51,800 --> 00:15:54,420 OH, MY, MY, MY. 254 00:15:54,920 --> 00:15:57,640 YOU DO DRAW THE BATTLE LINES, DON'T YOU? 255 00:15:57,640 --> 00:16:02,760 - IT CAN ALL BE AVOIDED, OR, UH-- - OR WHAT? 256 00:16:02,760 --> 00:16:07,980 OR IT'S SHOOT FIRST AND ASK QUESTIONS LATER WHEN I DO FIND JOHN RYDER. 257 00:16:10,570 --> 00:16:12,820 A WORD OF WARNING, MR. SEAVERS. 258 00:16:12,820 --> 00:16:19,030 SOMEBODY HERE'S LIABLE TO GET SHOT, BUT IT ISN'T JOHN RYDER. 259 00:16:25,120 --> 00:16:27,080 [ Woman On Intercom ] GEORGE MANNING ON LINE ONE. 260 00:16:27,090 --> 00:16:30,460 PUT HIM ON. HELLO, GEORGE. 261 00:16:30,460 --> 00:16:33,300 IT'S HAPPENED. 262 00:16:33,290 --> 00:16:37,800 GEORGE, IF I WEREN'T UP TO MY NECK IN BOOKKEEPING, I'D BE AT HOME WITH A TALL MARTINI. 263 00:16:37,800 --> 00:16:41,220 - I DON'T HAVE TIME FOR RIDDLES. - FINE. YOU WANT TO SEE EVERYTHING GO DOWN THE DRAIN? 264 00:16:41,220 --> 00:16:43,470 YOU JUST SIT THERE AND WORRY ABOUT YOUR BOOKS. 265 00:16:43,470 --> 00:16:47,720 - WHAT THE HELL ARE YOU TALKING ABOUT? - COLT SEAVERS IS IN TOWN. 266 00:16:47,720 --> 00:16:51,110 - WHO? - A BIG-TIME BOUNTY HUNTER. 267 00:16:51,610 --> 00:16:53,610 SO? SO HE'S LOOKING FOR YOUR SON. 268 00:16:53,610 --> 00:16:56,060 GEORGE, MY SON'S PERFECTLY SAFE. 269 00:16:56,060 --> 00:16:58,230 YOUR SON IS A TIME BOMB. 270 00:16:59,620 --> 00:17:03,120 LOOK, I DON'T LIKE THE TONE OF THIS CONVERSATION. 271 00:17:03,620 --> 00:17:07,960 MY SON HASN'T DONE ANYTHING TO JUSTIFY A BIG-TIME BOUNTY HUNTER. 272 00:17:07,960 --> 00:17:11,380 SO STOP WORRYING. SOMEONE'S PLAYING GAMES. 273 00:17:11,380 --> 00:17:14,880 EXACTLY. THEY'RE NOT LOOKIN' FOR YOUR SON AT ALL. 274 00:17:14,880 --> 00:17:17,890 WE ALL KNOW WHAT THEY'RE LOOKING FOR, 275 00:17:17,890 --> 00:17:21,390 AND YOUR SON PROBABLY TIPPED 'EM OFF. 276 00:17:23,890 --> 00:17:28,260 LISTEN, GEORGE, I'M GOING TO PRETEND I DIDN'T HEAR THAT. 277 00:17:28,260 --> 00:17:32,400 NOW YOU BETTER GET HOLD OF YOURSELF. IN LESS THAN TWO DAYS, 278 00:17:32,900 --> 00:17:35,400 THE STATUTE OF LIMITATIONS IS GONNA RUN OUT ON THE WHOLE THING. 279 00:17:35,400 --> 00:17:38,240 AND THEN WE'RE GONNA BE IN GREEN FOR THE REST OF OUR LIVES. 280 00:17:38,240 --> 00:17:40,660 WALTER, I HOPE YOU'RE RIGHT. 281 00:17:40,660 --> 00:17:44,160 BUT YOU GOT TO ADMIT, THIS GUY SHOWING UP HERE NOW... 282 00:17:44,160 --> 00:17:47,450 AFTER ALL THESE YEARS IS A PRETTY BIG COINCIDENCE. 283 00:17:47,450 --> 00:17:52,870 ALL RIGHT, GEORGE. THERE'S NO POINT IN TAKING ANY CHANCES. 284 00:17:52,870 --> 00:17:55,260 WHY DON'T YOU GET THE SHERIFF AND COME RIGHT OVER HERE? 285 00:17:58,460 --> 00:18:00,930 ? [ Country ] 286 00:18:00,930 --> 00:18:04,430 UH, THAT'LL BE 22.80. 287 00:18:04,430 --> 00:18:07,770 YOU WOULDN'T KNOW A FRIEND A MINE, WOULD YOU? A FELLOW NAMED JOHN RYDER? 288 00:18:07,770 --> 00:18:11,890 - JOHN'S A FRIEND OF YOURS? - WELL, LET'S SAY HE WAS, BACK UP IN L.A. 289 00:18:11,890 --> 00:18:16,530 - I THOUGHT I'D LOOK HIM UP. - AFRAID YOU CAME A LONG WAY FOR NOTHIN'. 290 00:18:16,530 --> 00:18:18,310 DOES THAT MEAN YOU DON'T KNOW WHERE HE IS? 291 00:18:18,310 --> 00:18:21,200 WELL, I KNOW WHERE HE IS, BUT YOU CAN'T GET THERE. 292 00:18:21,200 --> 00:18:23,780 WHY IS THAT? 293 00:18:24,290 --> 00:18:28,670 THAT'S 90, 23, 24, 25. 294 00:18:28,660 --> 00:18:31,130 NOBODY GETS IN OR OUT OF THE GORDON ESTATE. 295 00:18:31,130 --> 00:18:35,130 - WELL, HOW COME? - WELL, I REALLY DON'T KNOW, AND I KNOW BETTER THAN TO ASK. 296 00:18:36,970 --> 00:18:39,590 BE SEEIN' YOU NOW. 297 00:18:45,670 --> 00:18:49,060 WHAT ELSE DID HE SAY? [ Gas Station Attendant ] JUST THAT HE WANTED TO FIND YOU. 298 00:18:49,560 --> 00:18:52,600 - DID YOU GET A LICENSE NUMBER? - OH, YOU BET YOU, JOHN. 299 00:18:52,600 --> 00:18:55,820 HE WAS DRIVIN' A JIMMY TRUCK WITH CALIFORNIA PLATES THAT SAID "FALL GUY." 300 00:18:55,820 --> 00:18:57,990 "FALL GUY"? WHAT'S THAT SUPPOSED TO MEAN? 301 00:18:57,990 --> 00:19:02,240 HELL IF I KNOW. LOOK, JOHN, IF YOU NEED ANY HELP-- 302 00:19:02,240 --> 00:19:06,160 NO. LISTEN, YOU STAY OUT OF THIS. 303 00:19:06,160 --> 00:19:10,000 YOU KNOW YOU CAN'T GET MIXED UP WITH MY OLD MAN AND HIS FRIENDS-- NOT AND SURVIVE. 304 00:19:10,000 --> 00:19:13,950 I KNOW IT, JOHN, BUT I JUST CAN'T STAND TO SEE WHAT'S HAPPENIN' TO YOU. 305 00:19:13,950 --> 00:19:15,750 YOU'RE LIKE A PRISONER OUT THERE ON THAT RANCH. 306 00:19:15,750 --> 00:19:19,170 - I CAN HANDLE IT. - ANY CHANCE WE CAN GET TOGETHER FOR A BEER TONIGHT? 307 00:19:19,170 --> 00:19:22,590 THERE'S SOMEBODY WHO'D SURE LIKE TO SEE YOU. 308 00:19:22,590 --> 00:19:26,600 NO. I CAN'T SEE HER YET, DEKE-- 309 00:19:26,600 --> 00:19:31,350 NOT UNTIL I CAN FIGURE OUT WHAT TO DO-- FIGURE OUT SOME WAY TO GET HER OUT OF HERE FOR GOOD. 310 00:19:31,350 --> 00:19:34,220 HEY, DEKE? YEAH, JOHN. 311 00:19:34,220 --> 00:19:37,140 THANKS. 312 00:19:37,140 --> 00:19:39,640 YOU'RE ONE OF THE FEW DECENT ONES LEFT AROUND HERE. 313 00:19:39,640 --> 00:19:41,860 I WON'T FORGET YOU. 314 00:19:43,200 --> 00:19:46,030 TAKE CARE, EH? 315 00:19:49,370 --> 00:19:51,660 [ Rhythmic Beeping ] [ Respirator Pumping ] 316 00:20:11,060 --> 00:20:14,340 YOU'VE RUINED THEM-- EVERY ONE OF 'EM. 317 00:20:14,350 --> 00:20:18,330 THERE ISN'T ONE OF 'EM WORTH SAVING ANYMORE, AND YOU'RE RESPONSIBLE. 318 00:20:26,660 --> 00:20:28,660 [ Respirator Stops ] 319 00:20:28,660 --> 00:20:31,750 I SHOULD HAVE DONE THIS SIX YEARS AGO. 320 00:20:31,750 --> 00:20:34,160 HOLD IT, MR. RYDER! 321 00:20:40,090 --> 00:20:42,590 INTERESTED IN BEATING THE ODDS? 322 00:20:44,090 --> 00:20:48,050 WHY DON'T YOU TRY SOME BLACKJACK? I'M COMING ON. 323 00:20:54,300 --> 00:20:56,300 [ Coughs ] 324 00:20:56,300 --> 00:20:59,020 YOU'RE HOT. THANKS TO YOU. 325 00:20:59,020 --> 00:21:01,610 A MAN BRINGS HIS OWN LUCK. 326 00:21:01,610 --> 00:21:04,390 HELPS WHEN SOMEONE IS DEALING SECONDS. 327 00:21:04,400 --> 00:21:08,160 ? [ Country, Indistinct ] MR. SEAVERS, GET OUT OF TOWN. 328 00:21:08,150 --> 00:21:11,990 THAT MAY BE THE SEXIEST THREAT I'VE EVER HEARD. 329 00:21:15,820 --> 00:21:19,130 MAKE THAT THE SINCEREST THREAT. 330 00:21:19,130 --> 00:21:22,880 YOU, UH, REALLY THAT WORRIED ABOUT ME THIS EARLY IN OUR RELATIONSHIP? 331 00:21:22,880 --> 00:21:25,300 YOU HAVE NO IDEA. 332 00:21:25,300 --> 00:21:29,470 CAN YOU GIVE ME A HINT OF WHAT IT WAS ABOUT ME THAT GOT YOU THIS UPSET? 333 00:21:29,970 --> 00:21:32,970 THE FACT THAT YOU WANT TO KILL THE NICEST PERSON ON THE FACE OF THIS EARTH. 334 00:21:32,970 --> 00:21:35,930 JOHN RYDER. 335 00:21:37,930 --> 00:21:41,730 LOOK, MR. SEAVERS, PLEASE LEAVE. I'LL LET YOU WIN ALL YOU WANT. 336 00:21:41,730 --> 00:21:43,930 HMM, THAT'S A FIRING OFFENSE. 337 00:21:43,940 --> 00:21:48,370 THEY CAN'T FIRE ME. MY FATHER'S ONE OF THEM. 338 00:21:48,360 --> 00:21:50,520 ONE OF WHAT? 339 00:21:51,910 --> 00:21:53,780 HAVE YOU EVER HEARD OF THE GORDON ESTATE? 340 00:21:53,780 --> 00:21:56,110 NO. SHOULD I HAVE? 341 00:21:56,110 --> 00:22:00,120 WELL, MR. GORDON OWNS THIS TOWN, ALONG WITH MY FATHER, 342 00:22:00,120 --> 00:22:03,120 THE OWNER OF THIS CASINO, THE SHERIFF-- 343 00:22:03,120 --> 00:22:06,620 - [ Door Closes ] - [ Footsteps Approaching ] 344 00:22:15,380 --> 00:22:17,380 WELL, MR. SEAVERS, YOU'RE IN LUCK. 345 00:22:17,890 --> 00:22:21,400 THIS IS WALTER FARR, OUR TOWN'S LEADING BANKER. 346 00:22:21,390 --> 00:22:25,190 JUST ABOUT AS FINE A POKER PLAYER AS THERE IS, NEXT TO ME. 347 00:22:25,190 --> 00:22:28,150 AND THIS IS WENDLE TURLOCK, OUR TOWN'S BEST DOCTOR. 348 00:22:28,650 --> 00:22:30,400 THE ONLY DOCTOR. DR. TURLOCK. 349 00:22:31,780 --> 00:22:34,280 HOW YOU DOING, HONEY? 350 00:22:34,290 --> 00:22:36,630 WELL, LET'S PLAY POKER. 351 00:22:36,620 --> 00:22:39,570 UH, WE COULD USE ONE MORE. 352 00:22:39,570 --> 00:22:42,880 WHAT ABOUT THIS GORDON FELLOW THAT I KEEP HEARING ABOUT? 353 00:22:44,630 --> 00:22:48,550 WELL, MR. GORDON ISN'T VERY MUCH OF A GAMBLER. 354 00:22:48,550 --> 00:22:53,050 BUT DON'T WORRY. YOU'LL HAVE YOURSELF ONE HELL OF A GAME, MR. SEAVERS. 355 00:22:54,470 --> 00:22:56,970 NORRIS, CASH HIM OUT. 356 00:23:06,180 --> 00:23:09,690 OH, HOWIE, LOOK. 357 00:23:09,690 --> 00:23:12,520 [ Howie ] NO WONDER THERE'S NOTHING ELSE OUT HERE. IT TAKES UP THE WHOLE VALLEY. 358 00:23:12,520 --> 00:23:15,940 WELL, ONE THING'S FOR SURE. WE'RE NOT GONNA FIND HIM GOING IN THE FRONT DOOR. 359 00:23:15,940 --> 00:23:18,450 WE'D BETTER FIND SOME OTHER WAY. 360 00:23:34,130 --> 00:23:36,350 HOWIE, LOOK OUT! 361 00:23:38,220 --> 00:23:41,470 [ Howie ] WE'RE DEFINITELY ON GORDON'S PROPERTY NOW. HANG ON! 362 00:23:49,640 --> 00:23:53,230 - HOWIE, WE'RE TRAPPED! - YOU UNDERESTIMATE ME. 363 00:23:56,480 --> 00:23:59,320 [ Tires Squealing ] 364 00:24:00,240 --> 00:24:02,660 WATCH THIS, KID. 365 00:24:35,320 --> 00:24:37,690 HEY! 366 00:24:42,330 --> 00:24:44,530 - LOOK OUT! - [ Tires Squealing ] 367 00:24:58,350 --> 00:25:01,050 WE GOTTA HELP 'EM. 368 00:25:13,310 --> 00:25:16,310 JODY? JODY, ARE YOU OKAY? 369 00:25:17,820 --> 00:25:19,540 [ Groans ] 370 00:25:22,820 --> 00:25:25,320 WELL, AT LEAST WE'RE IN ONE PIECE. 371 00:25:25,320 --> 00:25:29,830 YEAH. I GUESS YOU'RE RIGHT. 372 00:25:29,830 --> 00:25:34,550 THE QUESTION IS, WHY IS EVERYBODY GETTING SO WORKED UP OVER A CHECK FORGER? 373 00:25:40,670 --> 00:25:44,670 YOU PLAY A PRETTY MEAN GAME OF POKER, MR. SEAVERS. 374 00:25:44,680 --> 00:25:47,770 YOU EVER CONSIDER PROFESSIONAL GAMBLING OVER BOUNTY HUNTING? 375 00:25:47,760 --> 00:25:50,150 NO. I LIKE TO KILL TOO MUCH. 376 00:25:51,770 --> 00:25:54,600 YOU'RE NOT SERIOUS? 377 00:25:54,600 --> 00:25:57,020 WELL, IF HE IS, I DON'T FIND IT AMUSING. 378 00:25:57,020 --> 00:26:00,940 NEITHER DO I, MR. MANNING. I LOVE THE LAW. 379 00:26:00,940 --> 00:26:04,740 I SEE PEOPLE TAKE ADVANTAGE, I JUST WANNA GUN 'EM DOWN LIKE DOGS. 380 00:26:04,750 --> 00:26:10,130 WELL, MR. SEAVERS, THE LAW IS SUBJECT TO INTERPRETATION. 381 00:26:10,120 --> 00:26:13,750 ONE MAN'S JUSTICE IS OFTEN ANOTHER MAN'S INJUSTICE. 382 00:26:13,760 --> 00:26:15,600 - ARE YOU A COMMIE? - [ Laughs ] OH. 383 00:26:15,590 --> 00:26:18,840 - IS HE A COMMIE? - UH, SEE HERE, SEAVERS. 384 00:26:18,840 --> 00:26:20,840 I THINK YOU'RE TAKING THINGS A LITTLE TOO FAR. 385 00:26:20,850 --> 00:26:24,770 GENTLEMEN, GENTLEMEN. THIS IS GETTING US NOWHERE. 386 00:26:24,770 --> 00:26:26,640 WE WERE PLAYING POKER. 387 00:26:26,630 --> 00:26:30,890 DEAL, AND ANTE UP. 388 00:26:30,890 --> 00:26:35,690 WHAT DO YOU MAKE FROM A CASE SUCH AS THIS, MR. SEAVERS? 389 00:26:35,690 --> 00:26:41,700 OH, $5,000 BRINGING JOHN RYDER BACK TO LOS ANGELES, DEAD OR ALIVE. 390 00:26:41,700 --> 00:26:45,200 WHAT IF YOU WERE TO EARN AT LEAST THAT MUCH IN A POKER GAME? 391 00:26:45,200 --> 00:26:48,620 WOULDN'T IT BE NICE TO AVOID THE HASSLE OF TRYING TO TRACK DOWN... 392 00:26:48,620 --> 00:26:52,630 A MERE BOY WHO MADE A MISTAKE? 393 00:26:52,630 --> 00:26:54,630 YOU SURE MAKE A GOOD POINT. 394 00:26:54,630 --> 00:26:58,380 - YOUR BET, SHERIFF. - [ Chips Hit Table ] 395 00:27:14,400 --> 00:27:17,320 [ Rhythmic Beeping ] [ Respirator Pumping ] 396 00:27:22,770 --> 00:27:25,280 THERE'S RAZOR WIRE ON THIS FENCE. 397 00:27:25,280 --> 00:27:29,280 WHAT COULD BE GOING ON AT A RANCH WAY OUT HERE THAT'D DESERVE THIS KIND OF SECURITY? 398 00:27:29,280 --> 00:27:33,330 I DON'T KNOW. BUT IF YOU'RE WORRIED ABOUT THE RAZOR WIRE, I GOT MORE BAD NEWS FOR YOU. 399 00:27:33,840 --> 00:27:35,850 WHAT IS IT? I THINK IT'S ELECTRIFIED. 400 00:27:35,840 --> 00:27:40,090 IT'S NOT ELECTRIFIED. IF IT WERE ELECTRIFIED, IT WOULD HAVE THOSE LITTLE WHITE-- 401 00:27:40,090 --> 00:27:43,590 THEY DON'T USE THOSE ANYMORE. HOW DO YOU KNOW ABOUT ELECTRIC FENCES? 402 00:27:43,600 --> 00:27:46,390 YOU FORGET I'VE BEEN WORKING WITH COLT A LITTLE BIT LONGER THAN YOU. 403 00:27:46,380 --> 00:27:49,350 YEAH, WELL, THE NEXT TIME, FEEL FREE TO PULL RANK A LITTLE SOONER, OKAY? 404 00:27:49,850 --> 00:27:53,190 YEAH. HOW ARE WE GONNA GET INTO THIS PLACE? 405 00:27:53,190 --> 00:27:55,560 WELL, WE BETTER GO BACK TO THE TRUCK AND GET THE ROPES. 406 00:27:55,560 --> 00:27:57,860 IT'S A TWO-MILE HIKE BACK TO THE TRUCK. 407 00:27:57,860 --> 00:28:00,480 YEAH, AND IT'S A LOT OF VOLTAGE WE GOTTA CLIMB OVER. 408 00:28:00,480 --> 00:28:02,900 OH, MAN, THERE'S GOTTA BE AN EASIER WAY. 409 00:28:02,900 --> 00:28:05,400 COME ON. THERE'S NOTHING LIKE A GOOD HIKE TO BUILD CHARACTER. CHARACTER? 410 00:28:05,400 --> 00:28:08,400 I'M GONNA BE ABRAHAM LINCOLN BEFORE THIS DAY'S OUT. 411 00:28:15,330 --> 00:28:18,800 I CALL. 412 00:28:18,800 --> 00:28:20,800 FULL HOUSE. ACES AND NINES. 413 00:28:21,300 --> 00:28:23,300 BEATS MY FLUSH. ME TOO. 414 00:28:23,300 --> 00:28:27,800 I'M TAPPED OUT. SORRY, GENTLEMEN. FOUR BEAUTIFUL LITTLE LADIES. 415 00:28:27,810 --> 00:28:32,150 BOY. [ Chuckles ] THAT'S AN AMAZING RUN OF LUCK. 416 00:28:32,140 --> 00:28:37,260 - IT APPEARS THAT YOU HAVE $12,000 IN FRONT OF YOU. - [ Chuckles ] 417 00:28:37,270 --> 00:28:41,190 YOU'VE MADE AS MUCH AS YOU WOULD HAVE MADE HUNTING FOR THAT NO-ACCOUNT KID. 418 00:28:41,190 --> 00:28:43,030 NOW I GUESS YOU'LL BE HEADING OUT NOW. 419 00:28:43,020 --> 00:28:45,910 WELL, IT WAS NICE MEETING YOU, MR. SEAVERS. 420 00:28:45,910 --> 00:28:47,910 THANK YOU VERY MUCH. 421 00:28:47,910 --> 00:28:50,910 GIVE HIM HIS GUN BACK, NORRIS. 422 00:28:50,910 --> 00:28:53,410 WELL, THANK YOU. THAT'LL BE ALL, NORRIS. 423 00:28:54,750 --> 00:28:56,920 GOOD-BYE, MR. SEAVERS. 424 00:28:56,920 --> 00:28:59,700 [ Chuckles ] I DON'T SEE ME GOING ANYPLACE. 425 00:28:59,700 --> 00:29:03,840 FORGET ABOUT JOHN RYDER. HE ISN'T WORTH THE AGGRAVATION THAT WE CAN GIVE YOU. 426 00:29:03,840 --> 00:29:07,040 YOU LEAVE PEACEFULLY, OR I'M GONNA RUN YOU OUT OF TOWN. 427 00:29:07,050 --> 00:29:10,390 - IS THERE A THREAT IN THERE SOMEWHERE? - YOU BET THERE'S A-- 428 00:29:13,520 --> 00:29:19,470 I'VE PLAYED A LOT OF POKER. THIS IS THE FIRST TIME I'VE EVER SEEN A WINNER PULL A GUN. 429 00:29:19,470 --> 00:29:22,980 YEAH, WELL, IT'S THE FIRST TIME THAT I'VE EVER SEEN ANYBODY CHEAT TO LOSE. 430 00:29:22,980 --> 00:29:26,280 NOW, WHY IS IT YOU FELLAS ARE LETTIN' ME WIN ALL THIS MONEY, HUH? 431 00:29:33,660 --> 00:29:38,170 WHAT DO YOU THINK, JODY? LOOKS SECURE TO ME. 432 00:29:38,160 --> 00:29:40,540 YOU BETTER LET ME GO FIRST, SEE IF IT'LL TEST MY WEIGHT. 433 00:29:40,550 --> 00:29:43,060 FORGET IT. I CAN'T LET YOU DO THAT. 434 00:29:43,050 --> 00:29:45,050 OKAY. 435 00:29:49,720 --> 00:29:54,590 - HOWIE, ARE YOU ALL RIGHT? - [ Groans ] I'M FINE. OH! 436 00:29:54,590 --> 00:29:58,140 - WHAT'D YOU SAY? - I SAID GET READY. 437 00:29:58,150 --> 00:30:01,110 - THE ROPE'S COMING UP. - OH, OKAY. 438 00:30:06,190 --> 00:30:08,610 [ Groans ] 439 00:30:17,030 --> 00:30:20,830 WELL, THAT WAS EASY ENOUGH. NOW WHAT? 440 00:30:20,840 --> 00:30:23,710 NOW WE MOVE OUT AND FIND JOHN. 441 00:30:24,590 --> 00:30:28,590 MR. SEAVERS, 442 00:30:28,590 --> 00:30:30,960 THE FOUR OF US AND MOST OF THE FOLKS IN THIS TOWN... 443 00:30:30,960 --> 00:30:36,720 HAVE WORKED HARD FOR SIX YEARS TO RESTORE THE BEAUTY AND ELEGANCE OF LUCKY, NEVADA. 444 00:30:36,720 --> 00:30:39,350 I'D SAY YOU'VE DONE A HELL OF A JOB. 445 00:30:39,350 --> 00:30:41,640 WELL, THANK YOU VERY MUCH. THE POINT IS... 446 00:30:41,640 --> 00:30:44,970 THAT WE'RE STILL A LONG WAY FROM THE TOURIST ATTRACTION WE HAVE YET TO BECOME. 447 00:30:44,980 --> 00:30:47,950 WE HAVE THE HEALTHIEST CLIMATE, THE FINEST WATER... 448 00:30:48,450 --> 00:30:50,740 AND THE FINEST HOSPITALITY OF ANY CITY IN NEVADA. 449 00:30:50,730 --> 00:30:53,980 IT'S JUST THAT WHAT WE DON'T NEED IS A BAD REPUTATION. 450 00:30:53,990 --> 00:30:58,460 VERY WELL COULD EARN IF A BOUNTY HUNTER LIKE YOU CAME INTO TOWN... 451 00:30:58,460 --> 00:31:04,470 AND SUDDENLY STARTS SHOOTING THINGS UP BECAUSE OF A-- A CHECK FORGER. 452 00:31:04,460 --> 00:31:07,960 WELL, WHY IS IT ALL YOU BIG COWBOYS ARE TAKING SUCH AN INTEREST... 453 00:31:07,970 --> 00:31:11,980 IN THIS LITTLE BITTY FELLA THAT ALL I WANT TO SEE IS STAND TRIAL? 454 00:31:14,970 --> 00:31:16,720 WELL, 455 00:31:19,590 --> 00:31:23,480 THIS LITTLE FELLA JUST HAPPENS TO BE MY STEPSON. 456 00:31:33,830 --> 00:31:36,170 [ Howie ] I ONLY SEE ONE GUARD. 457 00:31:36,160 --> 00:31:38,660 YEAH. GUARDING WHAT? THAT'S A GOOD QUESTION. 458 00:31:38,660 --> 00:31:40,910 JOHN HARDLY SEEMS WORTH ALL THIS EFFORT. 459 00:31:44,200 --> 00:31:46,500 OKAY, WISE GUY, ON YOUR FEET. COME ON. COME ON. 460 00:31:46,500 --> 00:31:48,790 - [ Groaning ] - HOWIE, IT'S JOHN RYDER. 461 00:31:50,430 --> 00:31:53,270 LISTEN, I'VE GOT A PLAN, KID. OH, NO. 462 00:31:53,260 --> 00:31:55,850 HOW LONG WILL IT TAKE YOU TO GET THAT CAR STARTED? 463 00:31:55,850 --> 00:31:59,300 FROM THE TIME I GET MY HANDS ON THE IGNITION WIRES OR FROM NOW? 464 00:31:59,300 --> 00:32:01,300 FROM NOW. OH, 60 SECONDS. 465 00:32:01,300 --> 00:32:03,800 OKAY, GET GOING. HOWIE. 466 00:32:03,810 --> 00:32:07,700 LISTEN, COLT CAN'T HOLD OFF THE WHOLE TOWN ALL DAY. COME ON. 467 00:32:13,980 --> 00:32:16,370 [ Groans ] ALL RIGHT. 468 00:32:16,370 --> 00:32:19,650 [ Man ] HE'S PRETTY LIVELY FOR SOMEONE THAT'S JUST BEEN SHOT WITH A TRANQUILIZER DART. 469 00:32:23,070 --> 00:32:26,710 HEY, KID, THE NEXT ONE WILL BE A BULLET INSTEAD OF A TRANQUILIZER. NOW MOVE IT! 470 00:32:32,050 --> 00:32:34,720 - [ Engine Starts ] - WHAT THE-- 471 00:32:34,720 --> 00:32:36,720 WILL! WILL! 472 00:32:38,170 --> 00:32:40,420 JOHN! JOHN, COME BACK HERE! 473 00:32:40,420 --> 00:32:42,590 [ Tires Squealing ] 474 00:32:50,490 --> 00:32:54,000 COME ON! COME ON! GET IN! IT'S FOR YOUR OWN GOOD! 475 00:32:54,820 --> 00:32:56,990 WE'RE HERE TO HELP YOU. 476 00:33:00,750 --> 00:33:02,590 LET'S GO. [ Tires Squealing ] 477 00:33:04,500 --> 00:33:06,750 - IT'S THAT WAY. - I THOUGHT THE GATE WAS BACK THAT WAY. 478 00:33:07,250 --> 00:33:10,120 JODY, I TOOK CELESTIAL NAVIGATION AT PRINCETON. JUST GO. 479 00:33:29,060 --> 00:33:31,220 [ Howie ] GET DOWN! THOSE GUYS ARE ARMED TO THE TEETH. 480 00:33:31,230 --> 00:33:33,290 HANG ON. 481 00:33:38,230 --> 00:33:40,650 HEY, YOU MIND IF I ASK YOU A QUESTION? 482 00:33:40,650 --> 00:33:42,650 WHO ARE YOU GUYS? 483 00:33:52,710 --> 00:33:55,420 NICE WORK, JODY. WE GOT AWAY CLEAN. 484 00:33:56,750 --> 00:34:00,220 [ Gunshot ] WILL YOU QUIT SAYING THAT? 485 00:34:00,220 --> 00:34:04,010 WE'RE FINISHED. WE'LL NEVER GET AWAY, ANY OF US. 486 00:34:04,010 --> 00:34:08,090 WHO ARE THOSE GUYS? AND IF THEY'RE PROTECTING YOU, WHY ARE THEY SHOOTING AT YOU AND US? 487 00:34:08,100 --> 00:34:11,440 THEY'RE NOT PROTECTING ME-- I'M THEIR PRISONER. 488 00:34:11,430 --> 00:34:15,400 HE'S DRUNK. NO, JUST A LITTLE DRUGGED MAYBE FOR TRYING TO KILL HIM. 489 00:34:15,400 --> 00:34:18,400 HE DESERVES IT. WHO? WHO DESERVES IT? 490 00:34:18,410 --> 00:34:21,920 NO, I CAN'T TELL YOU. IF YOU FIND OUT, YOU'LL BE AS DEAD AS I AM. 491 00:34:21,910 --> 00:34:25,910 LOOK, JUST-- JUST GET OUT OF HERE AND LEAVE ME. THEY WON'T BOTHER YOU. 492 00:34:26,410 --> 00:34:29,450 BUT IT'S YOU WE WANT. 493 00:34:29,450 --> 00:34:32,450 [ Howie ] LOSE THOSE GUYS. LOOK, JUST UP AHEAD THERE'S A HAIRPIN TURN. 494 00:34:33,870 --> 00:34:36,370 [ Tires Squealing ] 495 00:34:55,890 --> 00:35:00,450 - NOW! - [ Tires Squealing ] 496 00:35:03,070 --> 00:35:04,900 [ Screams ] 497 00:35:04,900 --> 00:35:07,620 [ Horn Honking ] 498 00:35:07,620 --> 00:35:11,710 BET THOSE GUYS ARE GONNA HAVE A HEADACHE IN THE MORNING. LET'S GET OUTTA HERE. 499 00:35:23,420 --> 00:35:25,720 MR. MANNING, SIR. 500 00:35:25,720 --> 00:35:28,470 HEY, HOLD IT, NORRIS. SECRETS AREN'T POLITE, YOU KNOW. 501 00:35:28,480 --> 00:35:30,600 IT'S PRIVATE. 502 00:35:30,590 --> 00:35:35,570 NO, NOW WAIT A MINUTE, FELLAS. WE DON'T HAVE ANY MORE SECRETS, DO WE? 503 00:35:35,570 --> 00:35:39,020 HE'S RIGHT. GO ON, NORRIS. WELL, THE SECURITY CHIEF JUST CALLED... 504 00:35:39,020 --> 00:35:41,020 AND SOMEBODY BROKE IN AND BROKE OUT JOHN. 505 00:35:41,520 --> 00:35:44,520 HOW THE HELL DID THEY GET IN THERE, LET ALONE BREAK OUT PAST ALL THOSE GUARDS? 506 00:35:45,030 --> 00:35:48,040 IT ISN'T CLEAR, BUT THE GUARDS IN PURSUIT, THEY'LL CATCH HIM. THEY'LL GET HIM FOR SURE. 507 00:35:48,030 --> 00:35:52,000 WAIT A MINUTE, FELLAS. I'M STILL HERE. WHAT PLACE ARE WE TALKIN' ABOUT, AND WHO'S CHASIN' WHO? 508 00:35:52,000 --> 00:35:56,000 WHOEVER BROKE IN IS NEVER GONNA GET AWAY ALIVE. BELIEVE ME. 509 00:35:57,340 --> 00:35:59,960 MAYBE I DO. 510 00:35:59,960 --> 00:36:02,120 YOU DON'T LOOK SO COCKY NOW, SEAVERS. 511 00:36:02,130 --> 00:36:06,060 IF THOSE TWO WERE YOUR LITTLE FRIENDS, THEY'RE IN A LOT OF TROUBLE. 512 00:36:06,050 --> 00:36:08,970 - HOW MANY ARE CHASING 'EM, NORRIS? - TWO. 513 00:36:08,970 --> 00:36:11,880 BUT IT'S DETLAF AND NAYLON. 514 00:36:11,890 --> 00:36:14,900 AND THEY'RE ANIMALS, SEAVERS. 515 00:36:14,890 --> 00:36:19,360 I THINK WE OUGHT TO START TALKING A DEAL IF YOU EVER WANT TO SEE YOUR FRIENDS ALIVE AGAIN. 516 00:36:19,860 --> 00:36:22,700 LISTEN TO HIM, MR. SEAVERS, PLEASE. HE'S NOT BLUFFING. 517 00:36:24,070 --> 00:36:25,880 WHAT KIND OF DEAL? 518 00:36:29,040 --> 00:36:33,240 WE'LL GIVE YOU $100,000 IF YOU BACK OFF AND FORGET YOU EVER HEARD OF LUCKY, NEVADA. 519 00:36:33,240 --> 00:36:36,160 ARE YOU CRAZY? $100,000 TO THIS-- 520 00:36:36,160 --> 00:36:39,660 SHUT UP, BAKER. MR. SEAVERS IS A MAN OF PRINCIPLE. 521 00:36:39,660 --> 00:36:42,050 HE'S NOT GONNA SELL OUT FOR ANY PRICE. 522 00:36:44,050 --> 00:36:46,050 OKAY, NOW YOU'RE TALKIN'. 523 00:36:46,050 --> 00:36:49,060 FIRST THING YOU DO, YOU GET ON THE HORN AND CALL OFF YOUR DOGS. 524 00:36:49,560 --> 00:36:51,890 ARRANGE FOR MY PEOPLE TO MEET US SOMEPLACE-- SOMEPLACE NEUTRAL. 525 00:36:51,890 --> 00:36:54,760 THE GORDON ESTATE. 526 00:36:55,650 --> 00:36:58,730 - THE GORDON ESTATE? - YEAH. 527 00:36:58,730 --> 00:37:03,190 YES, HE'S ONE OF THE TOWN'S WEALTHIEST AND MOST UPSTANDING CITIZENS. 528 00:37:03,190 --> 00:37:06,610 HE'LL DO YOU NO HARM. 529 00:37:06,610 --> 00:37:08,410 LET'S GO. 530 00:37:28,550 --> 00:37:31,270 [ Manning ] UH, MR. SEAVERS, YOU CAN PUT AWAY YOUR GUN NOW. 531 00:37:31,270 --> 00:37:33,940 WE'RE ALL QUITE WILLING TO COMPROMISE WITH YOU. 532 00:37:34,440 --> 00:37:36,950 NO, THANKS. I LIKE IT RIGHT WHERE IT IS. 533 00:37:36,940 --> 00:37:40,310 - HOW FAR IS IT TO THIS GORDON ESTATE? - JUST ABOUT 20 MINUTES. 534 00:37:40,310 --> 00:37:44,360 - STEP ON IT. - YES, SIR, MR. SEAVERS. ANYTHING THAT YOU WANT. 535 00:37:44,360 --> 00:37:48,110 [ Engine Accelerates ] 536 00:37:50,320 --> 00:37:55,290 HOWIE, IF EVERYONE IN TOWN IS IN ON WHATEVER THIS IS ALL ABOUT, WHERE ARE WE GONNA GO? 537 00:37:55,290 --> 00:37:57,460 WE'RE GONNA GRAB COLT AND BE ON OUR WAY. 538 00:37:57,460 --> 00:37:59,710 WAIT. YOU CAN'T JUST LET 'EM GET AWAY WITH IT. 539 00:37:59,710 --> 00:38:02,550 - WITH WHAT? - I KEEP TRYING TO TELL YOU. 540 00:38:02,550 --> 00:38:04,880 IF YOU FIND OUT WHAT'S GOING ON, YOU'RE AS GOOD AS DEAD. 541 00:38:04,880 --> 00:38:07,830 HOW DO YOU EXPECT US TO BELIEVE YOU WHEN YOU WON'T TELL US ANYTHING? 542 00:38:08,340 --> 00:38:10,350 I'M TRYING TO PROTECT YOU. DON'T YOU UNDERSTAND THAT? 543 00:38:10,340 --> 00:38:13,220 WHO'S THE PRISONER HERE ANYWAY? OH, WAIT A MINUTE. LOOK OUT. 544 00:38:16,590 --> 00:38:20,400 HOWIE, THAT WAS A POLICE CAR BACK THERE. MAYBE WE SHOULD'VE FLAGGED IT DOWN. 545 00:38:20,400 --> 00:38:25,350 FORGET IT. THAT WAS SHERIFF BAKER. HE'S AS MUCH OF A CROOK AS MY OLD MAN. 546 00:38:25,350 --> 00:38:29,660 YEAH, HE'S RIGHT. WE'RE NOT STOPPING UNTIL WE GET TO THE O.K. SALOON AND GAMING PALACE. 547 00:38:29,660 --> 00:38:31,940 SAY, WASN'T THAT A CAR FROM THE ESTATE? 548 00:38:31,940 --> 00:38:34,110 MAYBE THEY COULD HAVE FILLED US ALL IN ON WHAT HAPPENED. 549 00:38:34,610 --> 00:38:37,160 - HOW MUCH FURTHER? - JUST ANOTHER 10 MILES. 550 00:38:37,160 --> 00:38:40,330 WELL, THEN WE'LL KNOW SOON ENOUGH, WON'T WE? 551 00:38:42,290 --> 00:38:44,380 ? [ Country ] 552 00:38:48,880 --> 00:38:52,520 JOHN, YOU GET DOWN ON THE FLOOR. I'M GONNA GO IN AND SEE IF I CAN GET COLT. 553 00:38:55,770 --> 00:38:58,050 ? [ Continues ] 554 00:38:59,550 --> 00:39:02,050 YOU'VE GOTTA HELP ME. IT'S A MATTER OF LIFE AND DEATH. 555 00:39:02,060 --> 00:39:04,070 LADY, I'VE GOT A STORY THAT'LL BREAK YOUR HEART. 556 00:39:04,060 --> 00:39:06,560 IF YOU'RE LOOKING FOR YOUR FRIEND, HE'S NOT THERE. THEY TRICKED HIM. 557 00:39:06,560 --> 00:39:10,060 THEY'VE TAKEN HIM OUT TO THE GORDON ESTATE, AND HE'LL NEVER COME BACK. 558 00:39:11,570 --> 00:39:15,080 WE'VE GOT A PROBLEM. TAKE ME WITH YOU. 559 00:39:15,070 --> 00:39:17,570 JOHN. OH. 560 00:39:19,540 --> 00:39:21,540 WELL, LET'S MOVE IT. 561 00:39:40,180 --> 00:39:41,480 DON'T SLOW DOWN FOR THOSE GUARDS. 562 00:39:41,480 --> 00:39:43,260 IF I DON'T, THEY'RE GONNA SHOOT. 563 00:39:43,260 --> 00:39:46,150 TAKE YOUR PICK. 564 00:40:02,280 --> 00:40:05,530 THERE'S SO MANY GUARDS AROUND THE ESTATE WE'LL NEVER GET IN. 565 00:40:05,540 --> 00:40:07,550 HEY, JACKIE, NEVER SAY NEVER TO A STUNTMAN. 566 00:40:08,040 --> 00:40:11,040 IS THERE ANY PLACE HIGH ENOUGH FOR US TO JUMP THIS CAR INTO THE COMPOUND? 567 00:40:11,040 --> 00:40:14,340 HOW HIGH DO YOU NEED? IF IT'S AN EIGHT-FOOT FENCE, WE'LL NEED A THREE-FOOT RISE. 568 00:40:14,350 --> 00:40:16,770 AND ENOUGH ROOM TO GET UP TO 65. 569 00:40:16,760 --> 00:40:19,270 THERE'S A FIRE TRAIL BEHIND THE HOUSE. 570 00:40:19,270 --> 00:40:22,970 IF YOU MAKE IT, WE'LL-- WE'LL GAIN FIVE MINUTES ON THEM AND BYPASS THE GUARDS. 571 00:40:22,970 --> 00:40:25,770 AND IF WE MISS, WE'LL NEVER KNOW IT. 572 00:40:25,770 --> 00:40:27,860 I KNOW. YOU WISH COLT WERE HERE. 573 00:40:31,560 --> 00:40:33,950 [ Rhythmic Beeping ] [ Respirator Pumping ] 574 00:40:43,820 --> 00:40:47,240 HE CAME TO US IN A NIGHTMARE MORE THAN SIX YEARS AGO. 575 00:40:47,240 --> 00:40:50,250 LITERALLY, A MAN OUT OF THE SKY. 576 00:40:50,250 --> 00:40:54,750 - [ Manning ] BEARING GIFTS. - A HUNDRED MILLION DOLLARS. 577 00:40:56,750 --> 00:40:58,750 THE HIJACKER THEY NEVER FOUND. 578 00:40:59,260 --> 00:41:01,260 FELL INTO MY BACKYARD. 579 00:41:01,260 --> 00:41:07,260 AND SO BEGAN THE SEDUCTION OF A VERITABLE GHOST TOWN CALLED LUCKY, NEVADA. 580 00:41:10,900 --> 00:41:13,690 [ Through Mechanical Larynx ] I PRESUME THIS IS MR. SEAVERS. 581 00:41:13,690 --> 00:41:18,440 MR. SEAVERS CAME TO GET MY STEPSON. 582 00:41:18,440 --> 00:41:21,440 YOU KNOW WHY WE COULDN'T LET HIM BE TAKEN BACK TO LOS ANGELES. 583 00:41:22,910 --> 00:41:25,920 YOUR STEPSON WAS FOOLISH ENOUGH... 584 00:41:25,920 --> 00:41:31,920 TO TRY TO KILL ME BY TERMINATING MY LIFE-SUPPORT SYSTEM. 585 00:41:31,920 --> 00:41:35,260 HOW DID A MAN IN HIS CONDITION GET CONTROL OF ALL YOU PEOPLE? 586 00:41:35,260 --> 00:41:38,210 WELL, IT DIDN'T HAPPEN ALL AT ONCE, SEAVERS. 587 00:41:38,210 --> 00:41:42,850 FARR CAME TO ME AND TOLD ME HE FOUND THE MAN THE WHOLE COUNTRY WAS LOOKING FOR. 588 00:41:42,850 --> 00:41:45,180 THE MAN MADE AN IRRESISTIBLE OFFER. 589 00:41:45,690 --> 00:41:48,610 [ Turlock ] WE WERE TO GET ALL THE MONEY HE'D HIJACKED FOR SUPPLYING HIM... 590 00:41:48,610 --> 00:41:51,620 WITH A LIFE-SUPPORT SYSTEM WITHIN THIS FORTRESS. 591 00:41:51,610 --> 00:41:55,060 DOC TURLOCK CAME IN AND AGREED TO HELP PATCH UP MR. GORDON. 592 00:41:55,060 --> 00:41:57,060 WHEN HE SAW HIM, HE COULDN'T BELIEVE IT. 593 00:41:57,060 --> 00:42:00,950 HE SAID JUST ABOUT EVERY BONE WAS BROKEN IN THAT MAN'S BODY. 594 00:42:02,950 --> 00:42:06,410 THE TOP OF THE POINT A MILE AHEAD WILL PUT YOU RIGHT INTO THE COMPOUND. 595 00:42:06,410 --> 00:42:11,380 BUT YOU'RE GONNA HAVE TO VEER TO THE RIGHT, OTHERWISE YOU'LL END UP IN THE HOUSE. 596 00:42:11,380 --> 00:42:13,630 I KNOW WHAT YOU'RE THINKING, AND DON'T THINK IT. 597 00:42:13,630 --> 00:42:17,300 - HEY, WHAT WOULD COLT DO? - HE'D THINK OF A BETTER WAY. 598 00:42:17,300 --> 00:42:20,220 AND IF HE COULDN'T THINK OF A BETTER WAY? 599 00:42:20,220 --> 00:42:23,560 IF YOU'RE GONNA MAKE A DEAL WITH THE DEVIL, WHY'D YOU BOTHER KEEPING HIM ALIVE? 600 00:42:23,560 --> 00:42:25,930 WHY DIDN'T YOU JUST TAKE THE MONEY AND LET HIM DIE? 601 00:42:27,930 --> 00:42:29,930 IN THE FIRST PLACE, MR. SEAVERS, 602 00:42:30,430 --> 00:42:33,430 WHILE WE MAY HAVE BEEN VULNERABLE TO THE TEMPTATION OF MILLIONS OF DOLLARS... 603 00:42:33,430 --> 00:42:36,820 TO BE HAD FOR THE ASKING, WE WERE NOT AND ARE NOT KILLERS. 604 00:42:41,490 --> 00:42:47,410 OH, WE MAY HAVE SOLD OUR SOULS, BUT WE GOT WHAT WE WANTED. 605 00:42:47,920 --> 00:42:50,430 WE'RE ALL RICH, AND HE'S SAFE, 606 00:42:50,420 --> 00:42:55,700 AND HE'S COMPLETELY SECURE AND INSULATED FROM THE POSSIBILITY OF ANY OUTSIDE ATTACK. 607 00:42:55,710 --> 00:42:58,520 HOW WAS IT THAT WE WERE ABLE TO WALK RIGHT IN? 608 00:43:00,790 --> 00:43:05,930 I WANTED TO NEGOTIATE WITH YOU PERSONALLY, MR. SEAVERS. 609 00:43:05,930 --> 00:43:10,770 SO ALL I HAVE TO DO IS TELL YOU MY PRICE, AND I CAN BE ON MY WAY? 610 00:43:10,770 --> 00:43:14,610 NO. FIRST, YOU'LL DELIVER JOHN RYDER TO ME. 611 00:43:14,610 --> 00:43:18,110 [ Chuckles, Clears Throat ] WELL, I'M AFRAID THAT ONE'S GONNA BE A LITTLE HARD. 612 00:43:18,110 --> 00:43:21,230 - I DON'T HAVE HIM. - BUT YOUR ASSOCIATES DO. 613 00:43:24,230 --> 00:43:27,240 OKAY, LET'S SAY I CAN GET MY CREW TO BRING HIM IN. 614 00:43:27,240 --> 00:43:29,040 WHAT ARE YOU GONNA DO TO HIM? 615 00:43:29,040 --> 00:43:33,410 NOTHING. WE'RE NOT KILLERS, MR. SEAVERS. 616 00:43:33,410 --> 00:43:37,410 WE SIMPLY CANNOT ALLOW HIM TO LEAVE THIS COMPOUND AND TELL THE WORLD WHAT HE KNOWS. 617 00:43:37,410 --> 00:43:41,750 SO, UH, HE WOULD LIVE HERE FOR THE REST OF HIS LIFE? 618 00:43:41,750 --> 00:43:45,090 OR UNTIL MINE EXPIRES. 619 00:43:45,090 --> 00:43:47,090 THAT SEEMS FAIR ENOUGH TO ME, BUT, UH-- 620 00:43:47,090 --> 00:43:49,890 WHY DON'T WE PAY ME MY MONEY AND LET ME BE ON MY WAY? 621 00:43:49,890 --> 00:43:54,760 NO. I'M AFRAID YOU'RE MY HOSTAGE, MR. SEAVERS, 622 00:43:54,770 --> 00:43:57,780 TO ASSURE YOUR FRIENDS COMING BACK FOR YOU WITH JOHN. 623 00:43:57,770 --> 00:44:02,240 I WAS AFRAID YOU WERE GONNA SAY THAT. 624 00:44:02,240 --> 00:44:04,610 [ Gun Cocks ] I'M NOBODY'S HOSTAGE. 625 00:44:15,670 --> 00:44:18,590 YOU BETTER DROP THE GUN, MR. SEAVERS. 626 00:44:23,590 --> 00:44:26,600 I THINK YOU SPOKE A LITTLE TOO SOON. 627 00:44:26,600 --> 00:44:28,600 NOW WHAT HAPPENS? 628 00:44:28,600 --> 00:44:32,300 NOW WE WAIT FOR YOUR FRIENDS TO TRY TO RESCUE YOU. 629 00:44:34,890 --> 00:44:38,220 EXACTLY WHERE DOES HE CONTROL EVERYTHING FROM, JOHN? THE CENTER OF THE HOUSE. 630 00:44:38,230 --> 00:44:41,150 BUT LIKE I TOLD YOU, WE CAN'T GET TO IT... 631 00:44:41,140 --> 00:44:43,150 UNTIL WE FIGURE OUT SOME WAY TO OVERPOWER THE GUARDS. 632 00:44:43,150 --> 00:44:45,400 HOW FAR IS THE HOUSE FROM THE JUMP-OFF POINT? 633 00:44:45,400 --> 00:44:47,870 FIFTY FEET. OH, YOU'LL NEVER MAKE IT. 634 00:44:47,870 --> 00:44:50,370 WE MIGHT IF WE REDLINE IT. [ Sighs ] 635 00:44:50,370 --> 00:44:52,650 OH, I WISH COLT COULD SEE THIS. 636 00:44:52,660 --> 00:44:55,800 WITH A LITTLE LUCK, HE WILL. 637 00:44:55,790 --> 00:44:58,160 YOU KNOW, I DON'T LIKE TO TELL YOU FOLKS YOUR BUSINESS, 638 00:44:58,660 --> 00:45:00,660 BUT MY FRIENDS ARE ON THE YOUNG SIDE-- 639 00:45:00,660 --> 00:45:02,660 KIND OF WILD, IF YOU KNOW WHAT I MEAN. 640 00:45:02,670 --> 00:45:06,430 - WHAT DO YOU SUGGEST, MR. SEAVERS? - JUST WANT YOU TO UNDERSTAND... 641 00:45:06,420 --> 00:45:08,920 THAT WE DO A LOT OF CRAZY THINGS IN THE MOVIES. 642 00:45:10,340 --> 00:45:13,090 MY FORTRESS IS IMPENETRABLE. 643 00:45:13,090 --> 00:45:14,810 HANG ON. 644 00:45:36,370 --> 00:45:39,750 NOW DON'T FEEL BAD, MR. GORDON. NO PLAN IS PERFECT. 645 00:45:39,750 --> 00:45:43,260 ESPECIALLY WHEN YOU'RE DEALING WITH SOMEBODY AS CRAZY AS A STUNTMAN. 646 00:45:56,690 --> 00:45:59,690 IF JOHN RYDER WAS SO DARN HONEST THAT HE COULDN'T FACE... 647 00:46:00,190 --> 00:46:01,690 WHAT EVERYONE WAS DOING UP IN LUCKY, 648 00:46:01,690 --> 00:46:05,690 THEN HOW COULD HE JUSTIFY RUNNING AWAY USING FORGED CHECKS? 649 00:46:05,700 --> 00:46:09,210 JOHN RYDER NEVER FORGED A CHECK IN HIS LIFE. 650 00:46:09,200 --> 00:46:12,200 REMEMBER, THE CHECKS WERE DRAWN ON HIS STEPFATHER'S OWN BANK. 651 00:46:12,200 --> 00:46:15,200 [ Howie ] MEANING THE OLD MAN USED JOHN'S TRAIL OF CHECKS TO LOCATE HIM. 652 00:46:15,210 --> 00:46:18,300 THEN HE REPORTED THEM AS FORGERIES TO THE AUTHORITIES SO THAT THEY'D HOLD HIM... 653 00:46:18,290 --> 00:46:21,290 UNTIL HE COULD SEND SOMEBODY OUT TO BRING HIM BACK. 654 00:46:21,300 --> 00:46:24,810 THEN WHY DIDN'T HE SIMPLY TELL THE AUTHORITIES WHAT HAD HAPPENED? 655 00:46:24,800 --> 00:46:27,220 WELL, HE COULDN'T-- NOT WITHOUT TELLING THE WHOLE STORY... 656 00:46:27,220 --> 00:46:31,220 AND SENDING PEOPLE TO JAIL THAT HE CARED ABOUT, INCLUDING HIS GIRLFRIEND'S FATHER. 657 00:46:31,220 --> 00:46:33,720 HER FATHER? WELL, HOW DID HE FIGURE IN THIS? 658 00:46:33,720 --> 00:46:35,720 THAT WAS THE DOCTOR THAT PUT GORDON BACK TOGETHER. 659 00:46:35,730 --> 00:46:39,440 SHOULDN'T THERE BE SOME REWARD MONEY WE CAN GET OUR HANDS ON? NOT NECESSARILY. 660 00:46:39,430 --> 00:46:42,430 ALL THE MONEY HAS BEEN SPENT. UNLESS, OF COURSE, YOU'D LIKE TO INVEST... 661 00:46:42,430 --> 00:46:47,320 IN A SMALL PIECE OF PROPERTY IN LUCKY, NEVADA. [ Colt ] TOO LATE. 662 00:46:47,320 --> 00:46:50,690 I GAVE WHATEVER INTEREST WE MIGHT HAVE IN THAT DEAL TO JOHN AND JACKIE. 663 00:46:50,690 --> 00:46:53,690 YOU GAVE OUR INTEREST AWAY? MAY I REMIND YOU ALL I'M THE ONE... 664 00:46:53,690 --> 00:46:57,700 WHO DROVE THE CAR THROUGH THE HOUSE, WHICH MADE IT POSSIBLE TO PUT THAT MAN OUT OF BUSINESS? 665 00:46:57,700 --> 00:47:01,420 WELL, MAY I REMIND YOU WHO IT WAS THAT PUT ME OUT OF BUSINESS A COUPLE OF DAYS AGO? 666 00:47:01,420 --> 00:47:04,920 I THOUGHT YOU HAD AN ACCIDENT, COLT. HE DID. 667 00:47:04,920 --> 00:47:06,920 HOWIE, WHAT HAPPENED? 668 00:47:06,920 --> 00:47:09,420 YOU HAVE TO EXPECT A FEW ACCIDENTS IN OUR BUSINESS. HOWIE. 669 00:47:09,430 --> 00:47:11,940 YOU WOULDN'T WANT ME TO GO BACK ON A CONFIDENCE WITH COLT? 670 00:47:11,930 --> 00:47:13,930 UH-HUH. COLT. 671 00:47:13,930 --> 00:47:16,770 OKAY, KID, I'LL TAKE YOU OFF THE HOOK. THANKS, COLT. 672 00:47:16,770 --> 00:47:19,940 GO AHEAD AND TELL HER WHAT HAPPENED.57839

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