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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:02,520 --> 00:00:05,050 ♪ WELL, I'M NOT THE KIND TO KISS AND TELL ♪ 3 00:00:05,050 --> 00:00:08,310 ♪ BUT I'VE BEEN SEEN WITH FARRAH ♪ 4 00:00:08,310 --> 00:00:10,940 ♪ I'VE NEVER BEEN WITH ANYTHING LESS ♪ 5 00:00:10,940 --> 00:00:13,730 ♪ THAN A NINE SO FINE ♪ 6 00:00:13,730 --> 00:00:16,610 ♪ I'VE BEEN ON FIRE WITH SALLY FIELD ♪ 7 00:00:16,620 --> 00:00:19,160 ♪ GONE FAST WITH A GIRL NAMED BO ♪ 8 00:00:19,150 --> 00:00:23,540 ♪ BUT SOMEHOW THEY JUST DON'T END UP AS MINE ♪ 9 00:00:23,540 --> 00:00:27,330 ♪ IT'S A DEATH-DEFYIN' LIFE I LEAD ♪ 10 00:00:27,330 --> 00:00:29,790 ♪ I TAKE MY CHANCES ♪ 11 00:00:29,800 --> 00:00:32,720 ♪ I DIE FOR A LIVIN' IN THE MOVIES AND TV ♪ 12 00:00:32,720 --> 00:00:34,640 [ Siren Wailing ] 13 00:00:34,630 --> 00:00:37,170 ♪ BUT THE HARDEST THING I EVER DO ♪ 14 00:00:37,170 --> 00:00:40,670 ♪ IS WATCH MY LEADING LADIES ♪ 15 00:00:40,970 --> 00:00:45,060 ♪ KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ♪ 16 00:00:45,560 --> 00:00:47,980 ♪ I MIGHT FALL FROM A TALL BUILDIN' ♪ 17 00:00:47,980 --> 00:00:50,980 ♪ I MIGHT ROLL A BRAND-NEW CAR ♪ 18 00:00:50,980 --> 00:00:53,940 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 19 00:00:53,940 --> 00:00:56,740 ♪ THAT MADE REDFORD SUCH A STAR ♪ 20 00:00:56,740 --> 00:00:59,860 ♪ [ Women Vocalizing ] 21 00:01:03,410 --> 00:01:06,450 ♪ I'VE NEVER SPENT MUCH TIME IN SCHOOL ♪ 22 00:01:06,450 --> 00:01:09,200 ♪ BUT I'VE TAUGHT LADIES PLENTY ♪ 23 00:01:09,200 --> 00:01:12,500 ♪ IT'S TRUE I HIRE MY BODY OUT FOR PAY ♪ 24 00:01:12,510 --> 00:01:14,300 ♪ HEY, HEY ♪ 25 00:01:14,290 --> 00:01:17,260 ♪ I'VE GOTTEN BURNED OVER CHERYL TIEGS ♪ 26 00:01:17,260 --> 00:01:19,960 ♪ BLOWN UP FOR RAQUEL WELCH ♪ 27 00:01:19,960 --> 00:01:23,930 ♪ BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ♪ 28 00:01:23,930 --> 00:01:25,300 ♪ HEY, HEY ♪ 29 00:01:25,300 --> 00:01:28,470 ♪ I MIGHT JUMP AN OPEN DRAWBRIDGE ♪ 30 00:01:28,470 --> 00:01:30,310 ♪ OR TARZAN FROM A VINE ♪ 31 00:01:30,310 --> 00:01:32,640 ♪ 'CAUSE I'M THE UNKNOWN STUNTMAN ♪ 32 00:01:32,640 --> 00:01:36,480 ♪ THAT MAKES EASTWOOD LOOK SO FINE ♪ 33 00:01:50,630 --> 00:01:54,000 [ Colt Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 34 00:01:54,000 --> 00:01:57,920 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 35 00:01:57,920 --> 00:02:00,080 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 36 00:02:00,090 --> 00:02:03,400 WOMEN HAVE WANTED TO DIE FOR HIM. 37 00:02:03,390 --> 00:02:07,640 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 38 00:02:07,640 --> 00:02:10,090 HE WAS WHAT WE CALL A STUNTMAN. 39 00:02:10,100 --> 00:02:12,610 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 40 00:02:12,600 --> 00:02:14,520 WELL, BECAUSE IT'S ME, COLT SEAVERS. 41 00:02:14,520 --> 00:02:18,520 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 42 00:02:18,520 --> 00:02:21,910 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 43 00:02:21,910 --> 00:02:24,910 WELL, ONE WAY IS TO WAIT BY THE PHONE... 44 00:02:24,910 --> 00:02:27,250 AND WAIT... AND WAIT. 45 00:02:27,250 --> 00:02:30,030 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 46 00:02:30,030 --> 00:02:32,330 OF THE UNITED STATES OF AMERICA, 47 00:02:32,340 --> 00:02:35,180 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 48 00:02:35,170 --> 00:02:38,670 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 49 00:02:38,680 --> 00:02:42,140 GET OUT OF JAIL ON WHAT WE CALL BAIL. 50 00:02:42,130 --> 00:02:44,630 AND THEY RUN LIKE HELL. 51 00:02:44,630 --> 00:02:49,020 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 52 00:02:49,020 --> 00:02:50,800 AND BRING THEM BACK TO JUSTICE. 53 00:02:50,800 --> 00:02:54,520 OKAY, WE'RE ROLLING. COME ON, COLT. 54 00:02:54,520 --> 00:02:58,530 [ Colt ] THIS PARTICULAR DAY, I WAS DOIN' A JUMP THAT I SAID COULDN'T BE DONE-- 55 00:02:58,530 --> 00:03:00,400 AND I WAS RIGHT. 56 00:03:31,180 --> 00:03:35,010 COLT, YOU CHICKENED OUT. AFRAID TO TAKE THE CHANCE? 57 00:03:35,010 --> 00:03:38,850 GOT NOTHIN' TO DO WITH CHANCE. IT'S A SURE THING NO WAY THAT GAG CAN BE DONE. 58 00:03:38,850 --> 00:03:41,690 OH, YEAH? JASON HERE SAYS IT CAN. YEAH? 59 00:03:41,690 --> 00:03:43,940 YOU KNOW HE'S GOT A PIN IN HIS HIP. 60 00:03:43,940 --> 00:03:46,070 YEAH, FROM ANOTHER GAG HE WAS SURE OF. 61 00:03:46,080 --> 00:03:48,870 I'LL DO IT. NO, YOU WON'T. I WILL. 62 00:03:48,860 --> 00:03:51,330 WHAT ARE YOU, A BUNCH OF IDIOTS? I TOLD YOU BEFORE... 63 00:03:51,330 --> 00:03:54,620 THERE'S NO WAY TO MAKE THAT JUMP IN THAT CAR WITHOUT KILLING YOURSELF. 64 00:03:54,620 --> 00:03:56,420 I KNOW I CAN. I SHOULD HAVE FIRST CRACK AT IT. 65 00:03:56,420 --> 00:04:00,840 THIS IS YOUR DEPARTMENT. I DON'T CARE WHO DOES IT, AS LONG AS IT GETS DONE. 66 00:04:00,840 --> 00:04:03,340 ALL RIGHT. WE'VE LOST THE SUN FOR TODAY. 67 00:04:03,340 --> 00:04:05,840 WE'LL GO WITH IT FIRST THING IN THE MORNING. I'LL BE READY. 68 00:04:05,850 --> 00:04:07,860 YOU OWE IT TO ME, COLT. WHY? 69 00:04:07,850 --> 00:04:10,600 YOU NEVER DID ANYTHING THAT BAD TO ME. 70 00:04:27,230 --> 00:04:29,730 MAY I HELP YOU, MISS? OH, I HOPE SO. 71 00:04:29,740 --> 00:04:32,580 I NEED SOME VERY SPECIAL JEWELRY. 72 00:04:32,570 --> 00:04:36,320 SOMETHING TO GO WITH THE COAT? THAT WOULD BE ON THE SECOND FLOOR. 73 00:04:36,330 --> 00:04:39,220 OH, NO. TO GO WITH THIS. 74 00:04:39,210 --> 00:04:43,920 YOU SEE, THEY WANT ME FOR ANOTHER CENTERFOLD SHOWING EVERYTHING-- 75 00:04:43,920 --> 00:04:46,000 WELL, ALMOST EVERYTHING. 76 00:04:46,000 --> 00:04:49,220 THE ALMOST NEEDS TO BE COVERED WITH THE EXPENSIVE JEWELS. 77 00:04:49,220 --> 00:04:52,810 YOU GET IT? ALL THAT GLITTERS-- [ Giggles ] 78 00:04:52,810 --> 00:04:56,060 [ Alarm Ringing ] 79 00:04:56,060 --> 00:05:00,260 [ Siren Wailing ] 80 00:05:06,410 --> 00:05:08,920 MISS HOLIDAY? YES? 81 00:05:08,910 --> 00:05:10,910 SAMANTHA JACK. HI. 82 00:05:10,910 --> 00:05:13,910 YOUR BAIL HAS BEEN PAID. NOW OFF YOU GO. FREE AS A BIRD. 83 00:05:13,910 --> 00:05:15,910 JUST AS LONG AS YOU DON'T TRY AND FLY AWAY. 84 00:05:15,920 --> 00:05:19,430 I TOLD YOU I WAS INNOCENT. LOOK, SWEETIE, DOESN'T MATTER ONE WAY OR THE OTHER. 85 00:05:19,420 --> 00:05:23,870 I'VE SEEN THE GUILTY STAY AND FIGHT IT OUT IN COURT, AND I'VE SEEN THE INNOCENT PANIC AND RUN. 86 00:05:23,870 --> 00:05:26,340 YOU NEVER KNOW. 87 00:05:26,340 --> 00:05:28,840 YEAH. WELL, THANKS. 88 00:05:28,850 --> 00:05:31,690 YOU'RE WELCOME. 89 00:05:32,180 --> 00:05:34,220 HI, KAY. 90 00:05:34,220 --> 00:05:36,720 SORRY ABOUT THAT. JUST DOING MY JOB. 91 00:05:36,720 --> 00:05:38,720 AS WELL YOU SHOULD, BIG JACK. 92 00:05:38,720 --> 00:05:41,610 I THOUGHT YOUR COMPANY INSURED THE JEWELS. 93 00:05:41,610 --> 00:05:46,560 OH, THEY DID. BUT MORE IMPORTANT THAN THE MONEY MY COMPANY MIGHT LOSE, 94 00:05:46,560 --> 00:05:48,450 THE DEMOCRATIC PROCESS MUST BE SERVED. 95 00:05:48,450 --> 00:05:50,900 THAT WOMAN IS INNOCENT UNTIL PROVEN GUILTY. 96 00:05:50,900 --> 00:05:52,900 SHE HAS THE RIGHT TO BE FREE ON BAIL. 97 00:05:52,900 --> 00:05:55,150 HELLO. ARE YOU THE KAY FAULKNER THAT I KNOW? 98 00:05:55,150 --> 00:05:58,460 AS I LIVE AND BREATHE. I THOUGHT YOUR COMPANY WOULD BE STUCK FOR THREE MILLION DOLLARS. 99 00:05:58,460 --> 00:06:00,290 THEY MIGHT BE. 100 00:06:00,290 --> 00:06:06,460 BUT I HAVE SEEN YOU FIGHT LIKE A BARRACUDA OVER A $1,000 RECOVERY. 101 00:06:06,470 --> 00:06:11,760 WHY ARE YOU SO CALM? OH, I'VE BEEN READING A LOT ABOUT BLOOD PRESSURE. 102 00:06:11,750 --> 00:06:14,220 IT'S DEVASTATING STUFF. 103 00:06:14,220 --> 00:06:18,230 OH. WATCH YOURSELF, BIG JACK. 104 00:06:23,070 --> 00:06:25,440 WE'RE READY AT THIS END, COLT. HOW ARE YOU? 105 00:06:25,430 --> 00:06:27,940 [ Colt On Radio ] ALL SET DOWN HERE. 106 00:06:27,940 --> 00:06:30,940 ALL RIGHT THEN. LET'S DO IT. OKAY, GUYS, MAKE IT HAPPEN. 107 00:06:35,950 --> 00:06:38,260 [ Man ] ROLLING! VERY QUIET, PLEASE. [ Man #2 ] TAKE! 108 00:06:39,620 --> 00:06:41,630 COLT'S NOT TRYING THAT GAG, IS HE? 109 00:06:41,620 --> 00:06:43,620 YEAH, HE'S SETTING UP FOR IT RIGHT NOW. 110 00:06:43,620 --> 00:06:46,120 BUT HE SAID IT WAS IMPOSSIBLE. DON'T WORRY ABOUT, COLT. 111 00:06:46,120 --> 00:06:48,120 [ Man ] HERE HE COMES, DOUG. 112 00:06:50,930 --> 00:06:54,630 THAT'S SUICIDE. YOU GOTTA STOP HIM! HE'LL MAKE IT. HE'LL MAKE IT. 113 00:07:20,240 --> 00:07:23,240 [ Jody Screaming ] COLT! OH, MY GOD. 114 00:07:23,240 --> 00:07:25,960 JODY, I'M SORRY. I'M SO SORRY. 115 00:07:25,960 --> 00:07:30,300 YEAH, A WHOLE LOT OF GOOD IT'S GONNA DO HIM NOW! 116 00:07:30,300 --> 00:07:32,970 YEAH, IT WILL. A MAN ALWAYS LEARNS FROM EXPERIENCE. 117 00:07:32,970 --> 00:07:36,140 - IT CAN'T BE YOU. - JODY, HOW MANY TIMES HAVE I TOLD YOU, 118 00:07:36,140 --> 00:07:39,140 - THERE ARE NO GHOSTS? - WHO'S IN THE CAR? 119 00:07:39,140 --> 00:07:41,810 REMOTE CONTROL. WE RIGGED IT LAST NIGHT. 120 00:07:41,810 --> 00:07:45,310 COLT, YOU HAD NO RIGHT TO DO THAT TO US! 121 00:07:45,310 --> 00:07:47,770 WELL, CONSIDER MY ALTERNATIVE. 122 00:07:47,770 --> 00:07:50,020 EITHER ONE OF THESE KIDS OR ME DOWN THERE WITH THAT CAR. 123 00:07:50,020 --> 00:07:54,690 OH, GREAT. NOW EVEN IF I WANTED TO DO THE GAG YOUR WAY, THERE'S NO CAR TO DO IT WITH. 124 00:07:54,690 --> 00:07:59,610 ARE YOU SAYING THAT NOW YOU MIGHT CONSIDER DOING IT WHERE I WANTED TO DO IT TO BEGIN WITH? 125 00:07:59,610 --> 00:08:01,660 YEAH. WHAT DIFFERENCE DOES IT MAKE? 126 00:08:01,660 --> 00:08:04,870 - WELL, I GOT A BACKUP CAR RIGHT BEHIND THE HILL. - YOU DO? 127 00:08:04,870 --> 00:08:08,840 ALL RIGHT, EVERYBODY. WE'VE GOT A PICTURE TO MAKE. 128 00:08:08,840 --> 00:08:10,840 WE'RE ON THE MOVE. 129 00:08:10,840 --> 00:08:13,840 YOU KNOW, EVEN DOING IT YOUR WAY OVER THERE, IT'S STILL DANGEROUS. 130 00:08:14,340 --> 00:08:19,130 WELL, DANGER I CAN HANDLE. IT'S THE MYSTERY BEYOND I'M NOT READY FOR. 131 00:08:19,130 --> 00:08:22,180 [ Colt ] PRETTY NEAT CRASH, HUH? [ Howie ] YEAH. 132 00:08:28,270 --> 00:08:31,780 COLT! 133 00:08:31,780 --> 00:08:34,780 COLT! 134 00:08:37,730 --> 00:08:39,730 COLT! HOW WAS THAT? 135 00:08:39,740 --> 00:08:43,250 [ Woman ] TE AMO. I LOVE YOU TOO, BABY. 136 00:08:43,240 --> 00:08:46,740 [ Howie ] AND WHAT ABOUT ME? [ Woman ] OH, ERES MARAVILLOSO. 137 00:08:46,740 --> 00:08:49,240 [ Howie ] THANKS. SO ARE YOU. [ Colt ] YOU LIKE US BOTH? 138 00:08:49,250 --> 00:08:51,760 [ Woman ] SÍ, CON TODO MI CORAZÓN. 139 00:08:51,750 --> 00:08:54,250 BIG JACK. COME ON IN. OH! 140 00:08:54,250 --> 00:08:56,250 NO, THANKS. I UNDERSTAND SPANISH. 141 00:08:56,250 --> 00:08:58,750 AH, WE'RE JUST GETTING SET FOR OUR PICTURE IN SPAIN. 142 00:08:59,260 --> 00:09:02,270 OH! [ Laughs ] I'M REALLY GLAD TO HEAR THAT. 143 00:09:02,260 --> 00:09:05,760 COLT, I NEED YOU TO GO DOWN AND REVOKE A BOND FOR ME. 144 00:09:06,260 --> 00:09:10,260 YEAH, WHOSE? OH, THIS GIRL THAT WAS INVOLVED IN THE JEWEL ROBBERY. 145 00:09:10,270 --> 00:09:12,280 YEAH, I HEARD ABOUT THAT. 146 00:09:12,270 --> 00:09:14,770 WELL, WHEN I BAILED HER OUT, KAY FAULKNER WAS THERE. 147 00:09:14,770 --> 00:09:17,770 SO? HER COMPANY IS PROBABLY THE INSURERS. 148 00:09:17,770 --> 00:09:21,530 THAT'S RIGHT, BUT KAY WAS FOR ME BAILING THIS GIRL OUT. 149 00:09:21,530 --> 00:09:24,410 YOU FIGURE KAY WANTS HER TO RUN SO SHE'LL LEAD HER TO THE JEWELS? 150 00:09:24,410 --> 00:09:28,780 - YOU CAN BET ON IT. - HOW SURE ARE YOU THAT THIS GIRL WAS PART OF THE JOB? 151 00:09:28,780 --> 00:09:31,290 HAVE THEY MADE A POSITIVE IDENTIFICATION? 152 00:09:31,290 --> 00:09:36,290 ABSOLUTELY. AND ONE THAT I THINK THAT YOU'LL APPRECIATE. 153 00:09:36,290 --> 00:09:40,800 THIS IS A VIDEOCASSETTE THAT WAS TAKEN AT THE ACTUAL ROBBERY. 154 00:09:40,800 --> 00:09:42,800 HMM. 155 00:09:42,800 --> 00:09:45,300 AND AFTER YOU SEE IT, I DON'T THINK THERE'LL BE... 156 00:09:45,300 --> 00:09:48,690 ANY DOUBT IN YOUR MIND AS TO HER IDENTIFICATION. 157 00:09:48,690 --> 00:09:52,690 AN ESTIMATED THREE MILLION DOLLARS' WORTH OF PRECIOUS STONES AND JEWELS WERE TAKEN. 158 00:09:52,690 --> 00:09:58,700 THE ONLY POSITIVE IDENTIFICATION WAS A WOMAN WHO WAS TAPED BY THE STORE'S SECURITY CAMERA. 159 00:09:58,700 --> 00:10:00,900 WEARING ONLY A BIKINI UNDER HER MINK COAT, 160 00:10:01,400 --> 00:10:03,730 SHE DISTRACTED THE GUARD FROM NOTICING HER TWO ALLEGED COMPANIONS. 161 00:10:03,740 --> 00:10:07,160 - WOW. - WHERE DID SHE HIDE THE JEWELS? 162 00:10:07,160 --> 00:10:10,170 SHE DIDN'T. TWO FRIENDS HELPED HER. 163 00:10:10,160 --> 00:10:13,960 AND NOW, COLT, I NEED YOUR HELP. 164 00:10:13,960 --> 00:10:17,670 WHEN ASKED WHY THE ALLEGED FEMALE ACCOMPLICE PROVED TO BE SUCH AN EFFECTIVE DISTRACTION-- 165 00:10:17,670 --> 00:10:21,000 HOWIE! HOWIE, YOU'RE DROOLING ON MY CARPET. 166 00:10:21,000 --> 00:10:23,500 IN A MINUTE, COLT. 167 00:10:23,510 --> 00:10:26,430 SO CHILDISH. 168 00:10:26,430 --> 00:10:30,820 YEAH. YOU SHOULD SEE HIM WATCHING SESAME STREET. [ Laughs ] 169 00:10:35,990 --> 00:10:39,500 I CAN'T WAIT TO SEE YOU. 170 00:10:39,990 --> 00:10:42,490 UH-HUH. I HAVE MY TICKET. 171 00:10:42,490 --> 00:10:45,490 I'M ALL SET. 172 00:10:46,000 --> 00:10:48,010 OKAY, I WILL. 173 00:10:48,000 --> 00:10:50,000 BYE, SWEETHEART. [ Kisses ] 174 00:10:50,000 --> 00:10:52,500 BYE. 175 00:10:58,590 --> 00:11:00,460 KID, LEAVE THE MOTOR RUNNING. THIS WON'T TAKE LONG. 176 00:11:00,460 --> 00:11:04,260 COLT SEAVERS. COLT! 177 00:11:04,260 --> 00:11:06,630 COLT! 178 00:11:06,630 --> 00:11:08,880 AH-AH-AH-AH! [ Stammers ] NO. 179 00:11:08,880 --> 00:11:12,220 HELLO, COLT. YOU SAID YOU'D NEVER TALK TO ME AGAIN. 180 00:11:12,220 --> 00:11:14,520 OH, WELL. THAT WAS A LONG TIME AGO. 181 00:11:14,520 --> 00:11:16,810 I GOT A HUNCH HISTORY IS ABOUT TO REPEAT ITSELF. 182 00:11:16,810 --> 00:11:18,640 WHAT ARE YOU DOING HERE? I'M GONNA REVOKE HER BOND. 183 00:11:18,640 --> 00:11:21,610 YOU CAN'T... DO THAT. WATCH ME. 184 00:11:21,610 --> 00:11:24,400 COLT, THAT MEANS SHE'S GONNA GO BACK TO JAIL. THAT'S THE IDEA. 185 00:11:24,400 --> 00:11:27,120 COLT, SHE IS THE ONLY ONE WHO CAN LEAD ME TO THOSE JEWELS. 186 00:11:27,120 --> 00:11:28,900 AND THAT COULD COST BIG JACK $50,000. 187 00:11:28,900 --> 00:11:31,410 AND THAT COULD COST MY COMPANY THREE MILLION DOLLARS. 188 00:11:31,410 --> 00:11:34,040 I THINK THAT'S JUST A LITTLE BIT MORE IMPORTANT. 189 00:11:34,540 --> 00:11:38,330 I GUESS IT DEPENDS ON WHOSE MONEY'S GETTIN' LOST. 190 00:11:38,330 --> 00:11:40,830 OKAY. 191 00:11:40,830 --> 00:11:43,330 OKAY. 192 00:11:48,840 --> 00:11:51,890 - IF HE WANTS TO PLAY-- - KEEP AN EYE ON HER, WILL YA? 193 00:11:52,390 --> 00:11:54,900 SHE WON'T GIVE ME ANY TROUBLE. YEAH, WELL, SHE'S SMARTER THAN SHE LOOKS. 194 00:11:54,900 --> 00:11:57,400 YEAH, SO AM I. 195 00:12:02,740 --> 00:12:06,570 [ Ringing ] 196 00:12:06,580 --> 00:12:09,090 HELLO. JINX, THIS IS KAY FAULKNER FROM THE INSURANCE COMPANY. 197 00:12:09,080 --> 00:12:11,080 WE TALKED WHILE YOU WERE IN JAIL. [ Knocking ] 198 00:12:11,080 --> 00:12:13,580 WAIT. COULD YOU HOLD ON A SEC? SOMEONE'S AT THE FRONT DOOR. 199 00:12:13,580 --> 00:12:17,330 DON'T ANSWER THAT DOOR. HE'S THERE TO REVOKE YOUR BOND. 200 00:12:19,620 --> 00:12:22,920 YOU'RE GOING BACK TO JAIL UNLESS YOU DO EVERYTHING I TELL YOU TO DO. 201 00:12:22,930 --> 00:12:25,890 GO OUT THE BACK DOOR, RIGHT NOW. I'LL PICK YOU UP. 202 00:12:25,880 --> 00:12:27,880 NOW, MOVE! 203 00:12:30,220 --> 00:12:32,640 WHAT'S THE HURRY, KAY? HOWIE! 204 00:12:32,640 --> 00:12:35,650 HOWIE. HOWIE. 205 00:12:35,640 --> 00:12:38,890 HOWIE, GIVE ME THOSE KEYS. JUST AS SOON AS COLT COMES BACK. 206 00:12:44,700 --> 00:12:48,950 WHAT AM I GONNA DO WITH YOU? YOU GUYS CAUSE ME MORE TROUBLE-- 207 00:12:48,950 --> 00:12:52,290 - HEY! - [ Horn Honking ] 208 00:12:57,580 --> 00:13:00,040 [ Tires Screeching ] 209 00:13:05,550 --> 00:13:08,890 [ Colt ] HEY, THAT'S MY TRUCK. THEY'RE TAKING MY TRUCK! 210 00:13:11,140 --> 00:13:13,840 - KID, HOLD IT! - [ Tires Screech ] 211 00:13:16,560 --> 00:13:18,560 SLIDE OVER, KID. 212 00:13:42,250 --> 00:13:46,120 WHAT'S SHE DOIN' WITH MY TRUCK? YOU WERE RIGHT. SHE'S SMARTER THAN SHE LOOKS. 213 00:13:47,790 --> 00:13:50,090 OH, NO. 214 00:13:50,100 --> 00:13:53,020 HE'S GOT MY CAR. 215 00:13:53,020 --> 00:13:54,730 YOU MEAN, THIS ISN'T YOUR TRUCK? 216 00:13:55,220 --> 00:13:57,270 DO I LOOK LIKE THE TYPE OF PERSON WHO DRIVES A TRUCK? 217 00:13:57,270 --> 00:13:59,350 YOU NEVER KNOW. 218 00:14:02,310 --> 00:14:04,860 [ Jinx ] WATCH OUT! 219 00:14:08,230 --> 00:14:10,980 - MY TRUCK. - [ Tires Squeal ] 220 00:14:10,980 --> 00:14:14,740 WATCH WHERE YOU'RE GOIN'! 221 00:14:25,250 --> 00:14:27,580 I'LL KILL HER. 222 00:14:27,580 --> 00:14:31,800 SHE PUTS ONE DENT IN THE FENDER OF MY TRUCK, I'M GONNA DRIVE THIS THROUGH A WALL! 223 00:14:46,320 --> 00:14:48,990 [ Sighs ] GEEZ. THAT WAS CLOSE. 224 00:14:55,690 --> 00:14:58,250 DUMB LUCK. SHE COULDN'T DO THAT AGAIN IN A MILLION YEARS. 225 00:14:58,250 --> 00:15:02,500 I DON'T KNOW, COLT. I THINK SHE'S A PRETTY GOOD DRIVER. 226 00:15:16,350 --> 00:15:19,770 OH, NO, YOU DON'T. 227 00:15:19,770 --> 00:15:22,850 NOW, COLT! 228 00:15:23,810 --> 00:15:26,780 DO IT, COLT! SHE'S BLUFFING. SO AM I. 229 00:15:26,780 --> 00:15:30,290 - [ Horn Honking ] - [ Jinx ] YOU'RE GONNA HIT HIM! 230 00:15:38,450 --> 00:15:41,410 - [ Screams ] - COLT! 231 00:15:44,210 --> 00:15:47,130 WHAT ARE YOU DOING, SEAVERS? DO YOU KNOW HOW MUCH THIS CAR IS WORTH? 232 00:15:47,130 --> 00:15:50,000 [ Colt ] DO YOU KNOW HOW MUCH I STILL OWE ON THIS TRUCK? 233 00:15:50,000 --> 00:15:52,500 AND DO YOU KNOW THAT JINX IS RUNNING DOWN THE STREET AND GETTING AWAY? 234 00:15:54,250 --> 00:15:56,590 ♪ [ Rock ] 235 00:15:56,590 --> 00:15:59,090 THERE'S A MAN OUT THERE CHASING ME! I THINK HE'S TRYING TO KILL ME! 236 00:15:59,090 --> 00:16:01,590 HE RIPPED OFF MY DRESS! LOOK! 237 00:16:01,590 --> 00:16:04,090 PLEASE, SIR, HELP ME. 238 00:16:04,100 --> 00:16:07,830 ♪ [ Continues ] 239 00:16:17,440 --> 00:16:19,440 I SHOULD HAVE LET YOU ROT IN THERE. 240 00:16:19,950 --> 00:16:23,460 BOY, DO I OWE HER ONE. BOY, DO YOU OWE ME 50,000 BIG ONES. 241 00:16:23,450 --> 00:16:27,450 AM I FREE? YES. 242 00:16:27,450 --> 00:16:31,460 GOOD. I NEED THE REST. COLT, YOU BLEW IT AND NOW SHE'S RUN OFF. 243 00:16:31,460 --> 00:16:33,960 YOU WANT ME TO RUN AFTER HER? WELL, IT'S ONLY FAIR. 244 00:16:33,960 --> 00:16:36,460 SINCE WHEN DID "FAIR" ENTER OUR RELATIONSHIP? 245 00:16:50,360 --> 00:16:52,360 IT'S KAY. SHE BEAT US HERE. YEAH. 246 00:16:52,360 --> 00:16:54,860 YOU'RE GETTIN' FAST, KID. GEEZ! 247 00:16:54,860 --> 00:16:57,780 [ Door Closes ] [ Footsteps Approaching ] 248 00:16:57,780 --> 00:17:01,290 [ Clears Throat ] 249 00:17:01,290 --> 00:17:03,790 HI, COLT. 250 00:17:03,790 --> 00:17:06,290 WELL, I'M SO GLAD TO SEE THAT YOU'RE ALL RIGHT. 251 00:17:06,290 --> 00:17:09,130 OH, YOU'RE SUCH A GOOD PERSON. WHAT ARE YOU DOING HERE? 252 00:17:09,130 --> 00:17:12,080 SAME THING YOU ARE. TRYING TO FIGURE OUT WHERE SHE WENT. 253 00:17:12,080 --> 00:17:14,550 ANY LUCK? NO. 254 00:17:15,050 --> 00:17:17,840 - MAYBE I COULD HELP YOU. - OH, YEAH? HOW? 255 00:17:17,840 --> 00:17:20,920 BY SEEING WHAT YOU HID. 256 00:17:22,310 --> 00:17:24,640 [ Chuckles ] I HAVE NOTHING TO HIDE. 257 00:17:24,640 --> 00:17:27,590 WELL-- WHAT ARE YOU GONNA DO? 258 00:17:27,600 --> 00:17:30,610 YOU WOULDN'T DARE. I ALWAYS LIKED MIXING BUSINESS WITH PLEASURE. 259 00:17:30,600 --> 00:17:33,180 ALL RIGHT-- ALL RIGHT! YOU WIN. I'LL TELL YOU WHERE SHE WENT. 260 00:17:33,190 --> 00:17:35,450 UH-UH-UH. SHOW ME. 261 00:17:35,440 --> 00:17:37,570 ALL RIGHT. FIRST I WANT TO MAKE A DEAL. 262 00:17:37,570 --> 00:17:40,490 THAT DEPENDS ON WHO'S SHUFFLING. WE CAN BE AT EACH OTHER'S THROATS... 263 00:17:40,990 --> 00:17:44,240 AND BOTH LOSE OUT, OR WE CAN WORK TOGETHER AND GET WHAT WE'RE AFTER. 264 00:17:44,250 --> 00:17:46,540 WE'RE AFTER TWO DIFFERENT THINGS-- 265 00:17:46,530 --> 00:17:49,170 YOU WANT HER OUT OF JAIL. I WANT HER IN. 266 00:17:49,170 --> 00:17:51,670 I AM SURE THAT SHE'S ON HER WAY TO MEET HER PALS WITH THE JEWELS. 267 00:17:51,670 --> 00:17:54,370 IT'S REAL SIMPLE, COLT. 268 00:17:54,370 --> 00:17:56,960 I GET THE JEWELS, AND LIKE ALL GOOD HEROES, YOU GET THE GIRL. 269 00:17:56,960 --> 00:17:59,210 MAKES SENSE. 270 00:17:59,210 --> 00:18:01,550 - NO, IT DOESN'T. - WHY NOT? 271 00:18:01,550 --> 00:18:04,210 - BECAUSE IT'S YOUR IDEA. - [ Sighs ] 272 00:18:04,220 --> 00:18:06,230 KID. IT MAKES SENSE. 273 00:18:08,720 --> 00:18:10,720 A BUS SCHEDULE FROM TIJUANA. 274 00:18:10,720 --> 00:18:13,720 NOW, IT'S REAL OBVIOUS THAT JINX IS ON HER WAY DOWN THERE... 275 00:18:13,730 --> 00:18:16,240 AND SHE'S LEAVING FROM THERE FOR THAT PLACE THAT'S UNDERLINED, "COLIMA." 276 00:18:22,150 --> 00:18:24,650 AHA. I THINK I GOT IT. 277 00:18:24,650 --> 00:18:27,400 WE CAN ONLY GUESS WHERE SHE'S GOING AND HOW SHE'S GONNA GET THERE. 278 00:18:27,410 --> 00:18:31,140 SO WE GOTTA COVER ALL THE BASES. KAY AND I WILL FLY DOWN TO MEXICO. 279 00:18:31,130 --> 00:18:34,040 - KID, YOU DRIVE THE TRUCK DOWN. - I HAVE TO DRIVE ALL THAT WAY? 280 00:18:34,050 --> 00:18:36,810 FIRST, SEE IF YOU CAN GET ON HER TRAIL, IN CASE SHE DID TAKE THE BUS. 281 00:18:36,800 --> 00:18:41,640 -SECOND, WE'LL NEED THE TRUCK TO BRING HER BACK. -EXTRADITION COULD TAKE FOREVER. 282 00:18:41,640 --> 00:18:44,340 YEAH. WITH THOSE JEWELS, BRIBERY ISN'T OUT OF THE QUESTION. 283 00:18:44,340 --> 00:18:48,810 THAT'S RIGHT. SO, IT SOUNDS GOOD ENOUGH, AND I'LL MEET YOU AT THE AIRPORT. 284 00:18:49,310 --> 00:18:51,310 I'M SURE YOU WILL. HOW CAN YOU TRUST HER? 285 00:18:51,310 --> 00:18:53,310 [ Scoffs ] WELL, I REALLY DON'T. 286 00:18:53,320 --> 00:18:55,830 WAIT A MINUTE. WHAT ARE YOU INTO, BONDAGE? NO. DISCIPLINE. 287 00:18:55,820 --> 00:18:59,320 OF ALL THE LOW-DOWN DIRTY TRICKS. I HAD A GOOD TEACHER, KAY. 288 00:18:59,320 --> 00:19:01,820 WE'LL BE IN COLIMA. CALL ME AT THE HOTEL, KID. 289 00:19:01,820 --> 00:19:04,830 WHICH HOTEL? THERE'S ONLY ONE. I DID A PICTURE THERE ONCE. 290 00:19:05,330 --> 00:19:07,330 WITHOUT ME? 291 00:19:07,330 --> 00:19:10,830 KID, THIS MAY COME AS A SHOCK TO YOU, BUT I DID HAVE A LIFE BEFORE YOU. 292 00:19:18,670 --> 00:19:21,180 [ Dog Barking ] 293 00:19:32,550 --> 00:19:34,560 GRACIAS. PAY THE MAN, SEAVERS. 294 00:19:36,560 --> 00:19:39,060 HA! I DON'T BELIEVE IT. 295 00:19:39,060 --> 00:19:42,060 ME, HAVING A GOOD TIME WITH COLT SEAVERS. [ Laughs ] 296 00:19:44,070 --> 00:19:46,580 HIGHWAY ROBBERY. COME ON. 297 00:19:49,570 --> 00:19:54,040 ♪ [ Mariachi ] 298 00:19:57,050 --> 00:20:00,420 KAY, YOU REALLY MUST'VE BEEN SOMETHING BEFORE INSURANCE THINNED OUT YOUR BLOOD. 299 00:20:00,420 --> 00:20:04,310 OH, I THINK IT'S STARTING TO THICKEN UP TONIGHT. 300 00:20:04,300 --> 00:20:08,390 - ♪ [ Stops ] - [ Gasps ] OH, COLT, DON'T LET 'EM STOP! 301 00:20:11,090 --> 00:20:14,010 HEY, AMIGOS! UH, SOME MORE NICE MUSIC, HUH? 302 00:20:14,010 --> 00:20:16,510 YOU... REALLY ARE ROMANTIC, AREN'T YOU? 303 00:20:16,520 --> 00:20:18,530 AH, JUST A TOUCH OF CLASS. 304 00:20:19,020 --> 00:20:21,850 - ♪ [ "Mexican Hat Dance" ] - [ Laughs ] 305 00:20:21,850 --> 00:20:25,570 [ Phone Ringing ] 306 00:20:25,570 --> 00:20:28,240 OH, COLT, I LOVE YOUR ROMANTIC SONGS. 307 00:20:28,240 --> 00:20:31,910 I GUESS THEY KNOW ME. 308 00:20:31,910 --> 00:20:34,330 YEAH. 309 00:20:36,120 --> 00:20:39,000 UH, SÍ. UH, UN-UN MOMENTO. 310 00:20:39,000 --> 00:20:43,040 - UH, SEÑOR. - [ Laughing ] 311 00:20:43,040 --> 00:20:46,040 ♪ [ Stops ] SEÑOR! 312 00:20:46,040 --> 00:20:49,850 - IS YOUR NAME COLT? - SÍ. 313 00:20:49,850 --> 00:20:52,850 TELEPHONE. AH, GRACIAS, AMIGO. 314 00:20:52,850 --> 00:20:54,850 WHO'D BE CALLING ME AT THIS HOUR? 315 00:20:54,850 --> 00:20:57,350 WELL. 316 00:21:00,360 --> 00:21:04,060 - YES? - COLT, IT'S ME. 317 00:21:04,060 --> 00:21:06,060 WHERE ARE YOU? UH, A COUPLE HOURS AWAY. 318 00:21:06,060 --> 00:21:08,900 HOW'S IT GOIN' BETWEEN YOU TWO? 319 00:21:08,900 --> 00:21:11,200 LIKE A ROMANCE BETWEEN A COBRA AND A MONGOOSE. 320 00:21:11,200 --> 00:21:13,490 WELL, YOU THINK SHE'S ON THE LEVEL ABOUT COOPERATING? 321 00:21:13,490 --> 00:21:17,620 - SHE WOULDN'T KNOW HOW. - HOW YOU GONNA GET HER OUT OF THE WAY SO YOU CAN GRAB JINX? 322 00:21:17,630 --> 00:21:20,000 I'LL FIGURE THAT OUT WHEN JINX SHOWS UP. 323 00:21:20,000 --> 00:21:22,470 - I'M BEGINNING TO THINK THIS IS A WILD GOOSE CHASE. - NO, NO, NO. 324 00:21:22,960 --> 00:21:24,800 I DOGGED THREE DIFFERENT BUSES, BUT I FINALLY FOUND HER. 325 00:21:24,800 --> 00:21:27,420 - HEY, GOOD WORK. - LOOK, I COULD GRAB HER RIGHT NOW... 326 00:21:27,420 --> 00:21:29,890 - AND TAKE HER BACK ACROSS THE BORDER. - NO, NO, NO, DON'T. 327 00:21:29,890 --> 00:21:31,720 TRYING TO GET HER ACROSS THE BORDER'S PRETTY RISKY. 328 00:21:31,720 --> 00:21:35,140 IF YOU GOT CAUGHT, THE MEXICAN POLICE WOULD THROW AWAY THE KEY. 329 00:21:35,140 --> 00:21:38,510 - SHE'S GETTING BACK ON THE BUS. WHAT DO YOU WANT ME TO DO? - WELL, STAY WITH HER. 330 00:21:38,510 --> 00:21:40,980 LOOK, I KNOW HOW ROUGH IT IS, KID. 331 00:21:40,980 --> 00:21:44,940 JUST REMEMBER, IT'S A DIRTY JOB, BUT SOMEBODY'S GOTTA DO IT. 332 00:21:50,940 --> 00:21:53,440 [ Sighs ] WELL, THAT WAS THE KID. 333 00:21:53,450 --> 00:21:57,460 HE'S STILL IN THE BOONDOCKS AND NO LUCK YET. OH, POOR HOWIE. 334 00:21:57,450 --> 00:22:01,450 YEAH, I'LL DRINK TO THAT. NOT FOR VERY LONG. 335 00:22:01,450 --> 00:22:04,450 AH! HEY, I CAN FIX THAT. NO PROBLEM. 336 00:22:12,300 --> 00:22:15,850 UH, I GOT A LITTLE PROBLEM. 337 00:22:15,850 --> 00:22:18,440 YOU GOT ANYTHING I CAN GIVE THE LADY TO, UH-- 338 00:22:20,060 --> 00:22:24,280 - [ Laughs ] - OH. [ Laughs ] 339 00:22:24,280 --> 00:22:27,740 - THESE WILL DRIVE HER CRAZY AND, UH-- - OH, NO, NO, NO. 340 00:22:27,730 --> 00:22:31,820 - NO. SHE'S MY WIFE. - OH. 341 00:22:31,820 --> 00:22:34,120 JUST SOMETHING TO MAKE HER SLEEP. 342 00:22:34,120 --> 00:22:36,450 SEE, I GOT PLANS WITH, UH, SOMETHING ELSE A LITTLE LATER. 343 00:22:37,910 --> 00:22:40,800 [ Speaking Spanish ] 344 00:22:40,790 --> 00:22:43,330 [ Chuckles ] 345 00:22:43,330 --> 00:22:46,830 GRACIAS, AMIGO. MUCHAS GRACIAS. 346 00:22:51,670 --> 00:22:56,640 ♪ [ "Mexican Hat Dance" ] [ Shouting ] 347 00:22:58,890 --> 00:23:01,060 [ Men Shouting ] 348 00:23:02,850 --> 00:23:05,100 [ Shouting In Spanish ] 349 00:23:17,080 --> 00:23:19,580 HEY! HEY! 350 00:23:22,580 --> 00:23:24,580 OLÉ! ♪ [ Stops ] 351 00:23:24,590 --> 00:23:27,600 [ Cheering ] 352 00:23:31,590 --> 00:23:33,590 KAY, I'M BEGINNING TO LIKE YOUR STYLE. 353 00:23:34,100 --> 00:23:37,470 [ Sighs ] HONEY, YOU AIN'T SEEN NOTHIN' YET. 354 00:23:47,530 --> 00:23:50,040 [ Clears Throat ] MAYBE WE SHOULD MEET UNDER BETTER CONDITIONS. 355 00:23:50,030 --> 00:23:52,280 OH, I THINK THESE ARE PERFECT RIGHT NOW. 356 00:23:52,280 --> 00:23:54,560 UH-HUH. 357 00:23:54,570 --> 00:23:59,460 PERHAPS WE CAN IMPROVE THE CONDITIONS BY MOVING THE PARTY UPSTAIRS. 358 00:23:59,450 --> 00:24:02,240 I THINK THAT IS AN EXCELLENT IDEA. 359 00:24:02,240 --> 00:24:06,540 [ Both Laughing ] 360 00:24:11,550 --> 00:24:14,050 [ Laughing ] 361 00:24:16,550 --> 00:24:20,060 "STEP INTO MY PARLOR," SAID THE SPIDER. 362 00:24:20,060 --> 00:24:23,060 "WITH PLEASURE," SAID THE FLY. 363 00:24:26,060 --> 00:24:29,070 [ Door Slams ] [ Glass Shatters ] 364 00:24:29,070 --> 00:24:31,320 [ Bodies Thud On Floor ] 365 00:24:32,690 --> 00:24:36,190 [ Rooster Crowing ] 366 00:24:36,190 --> 00:24:38,190 [ Clucking ] 367 00:25:05,020 --> 00:25:07,520 [ Door Closes ] 368 00:25:28,540 --> 00:25:31,550 I DON'T BELIEVE IT. 369 00:25:34,300 --> 00:25:38,080 KID DRIVES ALL NIGHT LONG WHILE YOU TWO ARE LIVING IT UP. 370 00:25:40,970 --> 00:25:44,220 IS JINX HERE? YEAH, ROOM 5. 371 00:25:44,230 --> 00:25:49,020 OKAY. [ Groaning ] 372 00:25:49,010 --> 00:25:52,020 WE'RE TAKING HER BACK NOW. BUT YOU MADE A DEAL WITH KAY. 373 00:25:52,020 --> 00:25:54,520 OH, NO, NO. YOU KIDDING? ALL BETS ARE OFF. 374 00:25:54,520 --> 00:25:56,520 SHE DRUGGED ME. 375 00:25:56,520 --> 00:25:59,520 WELL, WHAT HAPPENED TO HER? 376 00:25:59,520 --> 00:26:02,030 OH, I-- I DRUGGED HER. 377 00:26:14,040 --> 00:26:19,840 [ Groaning ] OH, NO. OH! 378 00:26:23,210 --> 00:26:25,020 [ Knocking ] WHO IS IT? 379 00:26:25,020 --> 00:26:28,940 [ Whispers ] SAY SOMETHING IN SPANISH. 380 00:26:28,940 --> 00:26:31,440 MESSAGE, SEÑORITA. 381 00:26:37,310 --> 00:26:39,810 WHAT DO YOU WANT? SORRY, MY DEAR, YOUR BOND'S BEEN REVOKED. 382 00:26:39,810 --> 00:26:42,320 WE'RE GOING FOR A LITTLE RIDE. YOU CAN'T DO ANYTHING TO ME. 383 00:26:42,320 --> 00:26:45,320 WE'RE IN MEXICO. THAT'S RIGHT. 384 00:26:45,820 --> 00:26:47,820 COME ON. YOU BROKE YOUR WORD TO THE COURTS IN L.A., 385 00:26:47,820 --> 00:26:50,120 SO IT'S THE ONLY THING I CAN DO. 386 00:26:58,130 --> 00:27:01,470 UH-OH. COLT, IT'S JUST LIKE THAT PICTURE. 387 00:27:01,470 --> 00:27:04,920 - THAT'S RIGHT, SUNDANCE. - LISTOS. 388 00:27:04,920 --> 00:27:08,480 - [ Guns Cocking ] - WHAT DOES THAT MEAN? 389 00:27:08,480 --> 00:27:12,010 - "READY." - ¡APUNTEN! 390 00:27:12,010 --> 00:27:16,480 IS THAT "AIM"? YOU'RE GETTIN' REAL GOOD WITH LANGUAGES, KID. 391 00:27:16,480 --> 00:27:19,990 HOPE THEY DON'T REMEMBER HOW THE MOVIE ENDED. 392 00:27:25,330 --> 00:27:29,200 AH, WELL. WHAT HAVE WE HERE? 393 00:27:33,200 --> 00:27:37,700 NOW CAN WE TALK? AS LONG AS YOU WANT. 394 00:27:37,710 --> 00:27:41,220 I HOPE YOU UNDERSTAND THAT THIS WAS THE ONLY WAY I COULD STOP YOU. 395 00:27:41,210 --> 00:27:43,010 HOW DID YOU MANAGE THIS? GRAFT AND CORRUPTION? 396 00:27:43,010 --> 00:27:45,260 CHARM AND COURTESY. 397 00:27:45,260 --> 00:27:47,550 CHARM AND COURTESY. 398 00:27:47,550 --> 00:27:51,430 AND THE PROMISE OF A FEW NEW UNIFORMS AS PART OF THE REWARD. 399 00:27:51,440 --> 00:27:53,810 NOW DO YOU WANT TO KNOW WHAT I HAVE ON MY MIND? 400 00:27:57,730 --> 00:28:00,790 [ Sighs ] SHOOT. UH, NOT YOU, FELLAS! 401 00:28:00,780 --> 00:28:03,980 GO AHEAD. 402 00:28:04,480 --> 00:28:08,230 WE HAVE TO STOP FIGHTING IF EITHER OF US ARE GONNA GET ANYTHING ACCOMPLISHED. 403 00:28:08,240 --> 00:28:11,080 NOW, THERE IS NO WAY YOU'RE GONNA GET JINX OUT OF MEXICO... 404 00:28:11,070 --> 00:28:16,080 WITHOUT MY COOPERATION, AND THERE'S NO WAY I CAN GET THOSE JEWELS WITHOUT YOURS. 405 00:28:16,080 --> 00:28:20,460 NOW YOUR PROBLEM IS $50,000 IN BAIL. ALL RIGHT. I'LL COVER IT. 406 00:28:20,470 --> 00:28:26,260 AND TO SWEETEN THE POT, I'LL THROW IN ANOTHER $25,000 IN REWARD MONEY IF YOU HELP ME. 407 00:28:26,250 --> 00:28:29,840 IT'S A NO-LOSE SITUATION, COLT. WHAT DO YOU SAY? 408 00:28:29,840 --> 00:28:32,840 THAT SOUNDS GOOD, EXCEPT FOR ONE SMALL DETAIL-- INTEGRITY. 409 00:28:32,840 --> 00:28:35,560 NOW I WAS HIRED FOR THIS JOB-- UH, COLT. 410 00:28:36,060 --> 00:28:39,180 - WHAT? - COULD WE TALK FOR A SECOND BEFORE YOU MAKE UP YOUR MIND? 411 00:28:41,190 --> 00:28:45,200 WHAT? YOU'RE ABOUT TO MAKE A MISTAKE, AND IT MIGHT BE OUR LAST. 412 00:28:45,190 --> 00:28:48,190 WHAT'S WRONG WITH PRETENDING TO GO ALONG WITH KAY'S PROPOSITION? 413 00:28:48,190 --> 00:28:50,690 WHATEVER HAPPENS, BIG JACK GETS HER $50,000. 414 00:28:50,700 --> 00:28:55,210 IF WE ACTUALLY FIND THE JEWELS, WE'RE GONNA END UP WITH $25,000 IN REWARD MONEY. 415 00:28:55,200 --> 00:28:57,700 KID, THERE'S MORE TO LIFE THAN MONEY. 416 00:28:57,700 --> 00:29:00,200 THEN CONSIDER THIS: IF WE FIND THE JEWELS BEFORE KAY, 417 00:29:00,200 --> 00:29:03,090 SHE'S GONNA END UP LOOKING LIKE A TOTAL FOOL. 418 00:29:07,050 --> 00:29:10,060 NOW YOU'RE GETTING TO ME. THERE'S ONE MORE THING TO CONSIDER. 419 00:29:10,050 --> 00:29:13,880 WHAT'S THAT? WHAT'S THE WORD FOR "FIRE"? 420 00:29:21,480 --> 00:29:23,490 OKAY. 421 00:29:23,480 --> 00:29:26,450 THANK YOU, CAPITÁN. 422 00:29:26,450 --> 00:29:28,620 [ Spanish ] 423 00:29:28,620 --> 00:29:30,900 VÁMONOS, MUCHACHOS. 424 00:29:35,790 --> 00:29:37,790 FINE! EVERYTHING'S WONDERFUL-- 425 00:29:37,790 --> 00:29:40,290 EXCEPT FOR ONE THING: ME! 426 00:29:40,800 --> 00:29:42,810 OH, FOR YOU IT'S REAL SIMPLE, JINX. 427 00:29:42,800 --> 00:29:45,080 WHAT I HAVE TO OFFER YOU IS JAIL OR FREEDOM, 428 00:29:45,080 --> 00:29:47,880 FOR YOU AND YOUR FRIENDS. 429 00:29:47,890 --> 00:29:49,900 NOT MUCH OF A CHOICE. 430 00:29:51,340 --> 00:29:53,220 SO WHEN DO THEY ARRIVE? 431 00:29:55,730 --> 00:29:58,140 THEY DON'T. THIS WAS A DECOY. 432 00:29:58,150 --> 00:30:02,240 - WHAT? - IT'S A SMALL TOWN. 433 00:30:02,230 --> 00:30:06,350 THEY FIGURED I WOULDN'T HAVE ANY TROUBLE TELLING IF I WAS BEING FOLLOWED. 434 00:30:06,350 --> 00:30:10,020 [ Laughs ] VERY SMART. 435 00:30:10,020 --> 00:30:12,860 SO, WHERE IS THE REAL RENDEZVOUS? 436 00:30:16,280 --> 00:30:18,080 HAVE YOU EVER HEARD OF A PLACE CALLED LAS HADAS? 437 00:30:18,080 --> 00:30:20,450 THE MOST EXPENSIVE RESORT IN MEXICO? 438 00:30:22,420 --> 00:30:24,290 ALL RIGHT. I'LL TELL YOU WHAT. 439 00:30:24,290 --> 00:30:27,260 IF IT'LL HELP CATCH THESE GUYS, 440 00:30:27,260 --> 00:30:29,760 MY COMPANY WILL FOOT THE BILL. 441 00:30:29,760 --> 00:30:32,710 OH, YEAH! YAHOO. 442 00:30:32,710 --> 00:30:36,220 ALL RIGHT. IF YOU'RE GONNA MAKE A DEAL WITH THE DEVIL, WE MAY AS WELL ENJOY IT. 443 00:30:36,220 --> 00:30:38,220 COME ON. 444 00:30:40,690 --> 00:30:44,690 ♪ [ Calypso ] 445 00:30:56,200 --> 00:30:58,960 [ Man ] ♪ SITTIN' ON THIS BARSTOOL ♪ 446 00:30:59,960 --> 00:31:04,460 ♪ THE SUN HIGH ABOVE ♪ 447 00:31:04,460 --> 00:31:07,460 ♪ MAKIN' FRIENDS WITH THE LOCALS ♪ 448 00:31:07,470 --> 00:31:10,480 ♪ HOW I MISS MY LOVE ♪ 449 00:31:10,970 --> 00:31:12,470 ♪ THE SMELL OF SWEET-- ♪ 450 00:31:12,470 --> 00:31:15,470 IT COMES IN BLUE, YELLOW AND AQUA. 451 00:31:15,470 --> 00:31:17,310 I'LL TAKE IT IN BLUE AND YELLOW. 452 00:31:17,310 --> 00:31:19,010 OH, AQUA IS YOU. 453 00:31:20,850 --> 00:31:22,740 I'LL TAKE IT IN AQUA-- AND BLUE AND YELLOW. 454 00:31:22,730 --> 00:31:26,070 JINX, THAT'S THE... FIFTH DRESS YOU BOUGHT TODAY. 455 00:31:26,070 --> 00:31:30,070 - YOU TOLD ME TO HAVE A GOOD TIME. - THAT'S RIGHT. WE'RE PARTNERS. 456 00:31:30,070 --> 00:31:32,570 SPEAKING OF DUDS, WHERE'D YOU GET THESE FANCY THINGS? 457 00:31:32,570 --> 00:31:35,070 I'VE NEVER SEEN YOU IN ANYTHING BUT COWBOY CLOTHES. 458 00:31:35,080 --> 00:31:37,090 OH, I CHARGED 'EM-- TO YOU. OH. 459 00:31:37,080 --> 00:31:38,950 [ Scoffs ] WHAT AM I, NEIMAN MARCUS? 460 00:31:38,950 --> 00:31:41,280 YOU WOULDN'T WANT US TO STAND OUT FROM THE CROWD. 461 00:31:41,280 --> 00:31:44,700 [ Scoffs ] THAT'S RIGHT. WE GOTTA BLEND IN TO DO A GOOD JOB FOR YA. 462 00:31:44,700 --> 00:31:49,260 - THAT'S RIGHT. - THANKS, JINX. 463 00:31:51,040 --> 00:31:54,680 DON'T LOOK NOW, BUT THOSE TWO MEN HAVE BEEN WATCHING US. 464 00:31:56,350 --> 00:31:59,100 - JINX'S FRIENDS? - WHERE? 465 00:31:59,100 --> 00:32:02,550 YOU TWO WAIT HERE. COME ON, KID. 466 00:32:14,070 --> 00:32:17,290 ♪ [ Mariachi ] 467 00:32:24,630 --> 00:32:26,640 EXCUSE ME. YOU'RE THE MANAGER, RIGHT? 468 00:32:26,630 --> 00:32:29,130 I AM THE ASSISTANT MANAGER AT YOUR SERVICE. 469 00:32:29,130 --> 00:32:32,170 THE TWO MEN BY THE FOUNTAIN LOOK LIKE OLD FRIENDS. DO YOU KNOW THEM? 470 00:32:32,170 --> 00:32:34,970 I DON'T KNOW THEM. THEY AREN'T REGISTERED. 471 00:32:36,170 --> 00:32:40,170 - COLT, IT'S THEM. - WE BETTER GET JINX. 472 00:32:50,650 --> 00:32:53,150 WHERE'S JINX? IN THE POWDER ROOM. 473 00:32:53,150 --> 00:32:56,660 AT A TIME LIKE THIS? WELL, THEY COULD BE MEETING SOMEPLACE. 474 00:32:56,660 --> 00:32:59,160 COME ON, KID. WE COULD'VE LOST ALL THREE OF THEM. 475 00:32:59,160 --> 00:33:01,160 WAIT. I SAW HER GO INTO THE LADIES' ROOM! 476 00:33:01,160 --> 00:33:05,330 BUENOS DÍAS. MUCHO GUSTO. WHAT DID THOSE TWO MEN WANT? 477 00:33:05,330 --> 00:33:07,670 WHO ARE THEY? I'M SORRY. 478 00:33:07,670 --> 00:33:13,040 -I'M NOT ALLOWED TO DISCUSS HOTEL GUESTS WITH ANYONE. -I THINK WE CAN CONVINCE YOU TO. 479 00:33:26,690 --> 00:33:29,190 I LOVE YOU. 480 00:33:29,190 --> 00:33:31,190 OKAY, BYE. 481 00:33:33,730 --> 00:33:37,230 SEE YA BACK AT THE TABLE. 482 00:33:39,230 --> 00:33:41,730 LIKE I SAID, THE LADIES' ROOM. 483 00:33:44,570 --> 00:33:46,460 [ Colt ] AH, YOU SURE ARE A GOOD DANCER. 484 00:33:46,460 --> 00:33:52,410 THANKS. SOMEBODY ONCE TOLD ME I HAD THE BEST DANCING LEGS SINCE CYD CHARISSE. 485 00:33:52,410 --> 00:33:54,410 WELL, YOU SAW 'EM, DIDN'T YOU? 486 00:33:54,420 --> 00:33:58,930 UH, YEAH, UH-- HOW'D YOU GET INTO THIS MESS ANYWAY? 487 00:34:00,420 --> 00:34:04,420 LOVE. NEVER WAS VERY LUCKY AT IT. 488 00:34:04,430 --> 00:34:06,440 THAT'S HOW I GOT MY NAME. 489 00:34:06,430 --> 00:34:10,430 WELL, IF YOU'RE THAT MUCH IN LOVE, WON'T IT BE HARD TO TURN HIM IN? 490 00:34:10,430 --> 00:34:13,930 WELL, WHY SHOULD IT BE? KAY PROMISED SHE'D GET US ALL OFF. 491 00:34:13,940 --> 00:34:16,450 OH, YOU BELIEVE HER? 492 00:34:16,440 --> 00:34:19,440 YEAH. SURE I BELIEVE HER. 493 00:34:19,440 --> 00:34:22,940 SHE SAYS INSURANCE COMPANIES ALWAYS MAKE DEALS. 494 00:34:27,950 --> 00:34:30,750 [ Howie ] WHAT'S BOTHERING YOU, COLT? WHAT ALWAYS DOES: BULL. 495 00:34:30,750 --> 00:34:35,170 WHOSE, KAY OR JINX? BETWEEN THEM, THEY THROW MORE SCREWBALLS THAN VALENZUELA. 496 00:34:35,170 --> 00:34:37,670 THAT BUS SCHEDULE STAYS IN MY MIND. 497 00:34:37,680 --> 00:34:39,690 JINX UNDERLINED ONE PLACE, COLIMA. 498 00:34:39,680 --> 00:34:41,680 YEAH, BUT SHE BROUGHT US HERE. 499 00:34:41,680 --> 00:34:44,800 COLT. YEAH, I KNOW. I SAW 'EM. KEEP WALKING. 500 00:35:01,450 --> 00:35:04,450 [ All Grunting ] 501 00:35:20,920 --> 00:35:23,250 I THINK YOU TWO ARE PRETTY MUCH OUT OF BUSINESS NOW. 502 00:35:23,250 --> 00:35:26,220 NO, SEÑOR, I THINK YOU TWO ARE PRETTY MUCH OUT OF BUSINESS, 503 00:35:26,220 --> 00:35:30,640 - 'CAUSE YOU'RE UNDER ARREST. - [ Howie ] COLT. 504 00:35:32,430 --> 00:35:35,230 [ Colt ] OH, NO. 505 00:35:35,230 --> 00:35:37,600 FEDERAL POLICE? 506 00:35:53,580 --> 00:35:57,090 WHEW! $500 APIECE FOR ATTACKING FEDERAL OFFICERS... 507 00:35:57,090 --> 00:35:59,590 GUARDING THEIR PRESIDENT-- WONDERFUL. 508 00:35:59,590 --> 00:36:03,090 IT WAS AN HONEST MISTAKE. WE LOOKED AS SUSPICIOUS TO THEM AS THEY LOOKED TO US. 509 00:36:03,090 --> 00:36:05,090 YOU GOTTA LOOK AT THE BIG PICTURE. 510 00:36:05,600 --> 00:36:07,600 HOWIE, KAY GOT US INTO THIS STUPID STAKEOUT. 511 00:36:07,600 --> 00:36:09,600 SO, WHAT'S OUR NEXT MOVE? 512 00:36:09,600 --> 00:36:12,600 REVENGE. THAT'S A PETTY MOTIVE, COLT. 513 00:36:12,600 --> 00:36:16,110 SO WHAT? WHEN YOU PUT IT THAT WAY, IT MAKES SENSE. 514 00:36:18,690 --> 00:36:22,060 YOU KNOW, IT JUST DOESN'T ADD UP. WHAT? 515 00:36:22,060 --> 00:36:25,400 WELL, THAT BUS SCHEDULE, THE UNDERLINED TOWN-- THIS WHOLE CIRCUS. 516 00:36:25,400 --> 00:36:27,950 [ Rings ] 517 00:36:27,950 --> 00:36:31,450 HOLA. UH, THIS IS COLT SEAVERS. REMEMBER ME? 518 00:36:31,460 --> 00:36:34,970 OF COURSE I REMEMBER YOU, SEÑOR COLT. 519 00:36:34,960 --> 00:36:37,710 HOW DID THE STUFF I GAVE YOU WORK? 520 00:36:37,710 --> 00:36:40,050 OH, BELIEVE ME, IT WAS A KNOCKOUT. 521 00:36:40,050 --> 00:36:42,050 LOOK, I'M EXPECTING A COUPLE OF FRIENDS TO SHOW UP THERE. 522 00:36:42,050 --> 00:36:44,420 UH, WHAT ARE THE NAMES? 523 00:36:44,420 --> 00:36:47,720 WELL, THEY'RE AMERICANS. HAVE YOU SEEN ANY STRANGERS AROUND? 524 00:36:48,220 --> 00:36:50,720 UH, THERE WERE TWO GRINGOS WHO ARRIVED IN TOWN THIS MORNING. 525 00:36:50,730 --> 00:36:54,400 - YEAH? - THEY ACTED LIKE THEY WERE WAITING FOR SOMEBODY. 526 00:36:54,400 --> 00:36:56,690 - YEAH. WELL, THANKS. - SHOULD I TELL THEM THAT YOU CALLED? 527 00:36:56,680 --> 00:37:01,430 - NO, NO. I WANNA SURPRISE 'EM. - OH, OKAY. ADIÓS. 528 00:37:02,850 --> 00:37:05,860 THEY'RE THERE. DO WE GRAB JINX AND RUN? 529 00:37:05,860 --> 00:37:07,860 NO, KAY COULD STOP US AGAIN. 530 00:37:07,860 --> 00:37:10,240 WE WANT TO STOP HER FOR GOOD. 531 00:37:10,240 --> 00:37:12,750 [ Loud Banging ] [ Colt ] PLEASE HELP ME. HE'S KILLING ME. 532 00:37:12,750 --> 00:37:15,030 OH, NOT THERE! DON'T HIT ME THERE! [ Crashing ] 533 00:37:15,030 --> 00:37:17,330 I'M A BLEEDER! NO, DON'T! 534 00:37:17,330 --> 00:37:20,370 [ Groaning ] WHAT HAPPENED? 535 00:37:20,370 --> 00:37:22,870 [ Groans ] OH, AMIGO. 536 00:37:23,370 --> 00:37:27,630 [ Groaning ] 537 00:37:27,630 --> 00:37:30,960 I CAME TO MEXICO TO GET AWAY FROM VIOLENCE. 538 00:37:30,970 --> 00:37:36,810 FIRST, SHE ENTICED ME INTO HER HOTEL ROOM AND THEN I WAS THROWN OFF THE BALCONY. 539 00:37:38,440 --> 00:37:42,480 MADRE DE DIOS. THAT'S TERRIBLE. 540 00:37:42,480 --> 00:37:44,860 WHO? WHO DID THIS TO YOU? 541 00:37:44,860 --> 00:37:46,950 HER BOYFRIEND. 542 00:37:46,950 --> 00:37:50,730 WILL YOU LOOK AT THAT? SHE'S PICKING ON SOME OTHER POOR GUY. 543 00:37:59,330 --> 00:38:01,580 THAT'S HER, OFFICER. THAT'S HER RIGHT THERE. 544 00:38:01,580 --> 00:38:04,660 WE MADE A DEAL. I GAVE HER 100 PESOS. 545 00:38:04,670 --> 00:38:08,260 WELL, THAT'S ALMOST THREE DOLLARS AMERICAN, AND THEN SHE STOLE MY WALLET. 546 00:38:08,250 --> 00:38:10,890 - YOU ARE CRAZY. - THANK GOODNESS YOU WERE HERE, OFFICER. 547 00:38:10,890 --> 00:38:14,470 A WOMAN LIKE YOU SHOULD STAY ON THE STREETS WHERE YOU BELONG, 548 00:38:14,480 --> 00:38:16,990 NOT IN A FINE HOTEL LIKE THIS ONE IS. 549 00:38:16,980 --> 00:38:19,730 WELL, I SURE HOPE SHE DIDN'T TAKE MY WALLET. IT'S GONE! 550 00:38:19,730 --> 00:38:23,150 - HOWIE! HOWIE! - YOURS TOO? 551 00:38:23,150 --> 00:38:25,150 HEY, THAT'S MINE. AND HERE'S MINE! 552 00:38:25,150 --> 00:38:28,150 [ Shouts ] OKAY. OKAY, LADY. 553 00:38:28,160 --> 00:38:31,450 COME WITH ME. [ Stammers ] YOU LET-- YOU LET GO OF ME. 554 00:38:31,440 --> 00:38:34,530 YOU ARE NOT GOING TO GET AWAY WITH THIS! 555 00:38:34,530 --> 00:38:37,450 [ Grunts ] OW! 556 00:38:37,450 --> 00:38:41,420 [ Laughs ] IT WORKED. 557 00:38:41,420 --> 00:38:43,200 SORRY. 558 00:38:45,090 --> 00:38:48,590 HE IS NOT HURT! HE HAS TRICKED YOU! 559 00:38:48,590 --> 00:38:51,590 SEÑORITA, I HAVE BEEN WITH THE POLICE 15 YEARS. NO ONE FOOLS ME. 560 00:38:51,600 --> 00:38:53,640 WELL, YOU HAVE BEEN FOOLED. HE'S A STUNTMAN! 561 00:38:53,630 --> 00:38:56,930 SO WHAT? WHAT IS THAT? 562 00:38:59,350 --> 00:39:01,350 THAT MEANS HE KNOWS HOW TO FALL DOWN. 563 00:39:01,860 --> 00:39:04,730 THAT MEANS THAT HE FELL OFF THAT BALCONY ON PURPOSE! 564 00:39:07,560 --> 00:39:12,030 OH. OH! 565 00:39:12,030 --> 00:39:14,320 [ Shudders ] 566 00:39:16,650 --> 00:39:18,650 [ Colt ] SO YOU WERE DOUBLE-CROSSING KAY AND ME. 567 00:39:18,660 --> 00:39:21,130 NO. JUST YOU. 568 00:39:23,130 --> 00:39:25,130 [ Sighs ] WHY DID YOU GO INTO ROBBERY IN THE FIRST PLACE? 569 00:39:27,130 --> 00:39:29,630 I DON'T KNOW. I WAS DUMB, OKAY? 570 00:39:29,630 --> 00:39:31,880 WHAT MADE YOU SMART? 571 00:39:31,890 --> 00:39:34,810 A GIRL CAN CHANGE HER MIND. 572 00:39:34,810 --> 00:39:37,270 OFTEN. 573 00:39:39,260 --> 00:39:42,260 COLT, ARE YOU SURE YOU JUST DON'T WANT TO HEAD FOR THE BORDER? 574 00:39:42,260 --> 00:39:44,260 KID, WE'RE GONNA GIVE TRUE LOVE ONE MORE CHANCE. 575 00:39:59,280 --> 00:40:02,620 YOU SURE HE'S IN THERE? MM-HMM. IT'S THAT ROOM AT THE TOP. 576 00:40:04,420 --> 00:40:06,620 ALL RIGHT. LET'S GO. WAIT A MINUTE, GUYS. 577 00:40:06,620 --> 00:40:10,870 I-I GOTTA DO IT ALONE. TH-THAT'S THE ONLY WAY HE'LL BELIEVE WHAT I TELL HIM. 578 00:40:10,870 --> 00:40:14,930 - THAT COULD BE PRETTY DANGEROUS. - BILLY WOULD NEVER HURT ME. 579 00:40:14,930 --> 00:40:17,600 ALL RIGHT. MAKE SURE HE KNOWS YOU GOT COMPANY. 580 00:40:17,600 --> 00:40:20,630 OKAY. 581 00:40:25,640 --> 00:40:29,140 YOU THINK SHE'S PLAYING ANOTHER TRICK? NO. 582 00:40:29,140 --> 00:40:31,640 THEN WHY DO YOU LOOK SO WORRIED? 583 00:40:31,650 --> 00:40:34,040 [ Sighs ] I JUST HOPE HE LIKES HER MORE THAN HE DOES THE JEWELS. 584 00:40:34,030 --> 00:40:37,030 [ Knocking ] 585 00:40:41,040 --> 00:40:43,540 YEAH, WHO IS IT? IT'S ME, JINX. 586 00:40:47,040 --> 00:40:49,040 SWEETIE. 587 00:40:49,550 --> 00:40:53,050 OH, I MISSED YOU SO MUCH. ME TOO. 588 00:40:53,050 --> 00:40:55,550 HEY, SWEETHEART. 589 00:40:55,550 --> 00:40:59,390 HEY. LISTEN, WHOSE TRUCK WAS THAT YOU CAME IN? 590 00:40:59,390 --> 00:41:02,730 OH, JUST SOME FRIENDS I MET. THEY STILL THERE? 591 00:41:02,730 --> 00:41:07,730 - YEP. - WHY ARE THOSE GUYS HANGING AROUND HERE? 592 00:41:07,730 --> 00:41:13,150 UH, BILLY, LOOK, I KNOW WHAT YOU WENT THROUGH TO GET THOSE JEWELS, 593 00:41:13,150 --> 00:41:15,940 BUT I-I'VE HAD SOME TIME TO THINK ABOUT IT... 594 00:41:15,940 --> 00:41:18,660 AND WE-WE SHOULDN'T HAVE DONE IT. WHAT ARE YOU, CRAZY? 595 00:41:18,660 --> 00:41:21,030 HEY, BABY, WE'RE FREE AND CLEAR. 596 00:41:21,030 --> 00:41:24,030 I MEAN, THAT'S THREE MILLION DOLLARS AND YOU WANT TO GO TO JAIL? 597 00:41:24,030 --> 00:41:27,030 LOOK, I-I TOLD YOU I MADE US A DEAL. 598 00:41:27,030 --> 00:41:30,040 WE GIVE BACK THE JEWELS AND-AND THEY LET US ALL GO FREE. 599 00:41:30,040 --> 00:41:34,540 BILLY, WE-WE DON'T HAVE A CHANCE OTHERWISE. 600 00:41:34,540 --> 00:41:37,040 JUST THINK OF EVERYTHING WE WANTED-- 601 00:41:37,040 --> 00:41:40,050 THE HOUSE, SOME KIDS-- ALL OF IT. 602 00:41:40,050 --> 00:41:44,550 PLEASE, BILLY. HEY, WAKE UP. 603 00:41:44,550 --> 00:41:47,970 ALL HE WANTS ARE THOSE JEWELS. 604 00:41:47,970 --> 00:41:49,970 WELL, WHY DID YOU WANT ME TO COME HERE THEN? 605 00:41:49,970 --> 00:41:54,310 WE HAD TO SEE YOU ONE LAST TIME. YOU'RE THE ONLY ONE THAT CAN IDENTIFY US. 606 00:41:54,310 --> 00:41:57,980 [ Cars Approaching ] ENOUGH. 607 00:42:04,820 --> 00:42:07,210 OH, HEY, THERE MUST BE AT LEAST 20 COPS OUT THERE. 608 00:42:07,210 --> 00:42:09,630 - [ Men Shouting In Spanish ] - YOU DOUBLE-CROSSED US. 609 00:42:09,630 --> 00:42:11,740 NO, I DIDN'T! 610 00:42:15,080 --> 00:42:18,830 [ Shouting In Spanish ] 611 00:42:21,670 --> 00:42:25,010 [ Helicopter Whirring Overhead ] 612 00:42:55,090 --> 00:42:57,840 VERY NICE, CHIEF. THANK YOU. [ Spanish ] 613 00:42:59,790 --> 00:43:02,630 ALL RIGHT, WISE GUY. YOU'VE HAD IT. I'M IN CHARGE NOW. 614 00:43:02,630 --> 00:43:05,430 - I SEE YOU BROUGHT YOUR OLD GANG ALONG. - NOTHIN' IS GONNA... 615 00:43:05,430 --> 00:43:07,300 STOP ME FROM RECOVERING THOSE JEWELS. 616 00:43:07,300 --> 00:43:11,270 - HOW MANY JEWELS DO YOU FIGURE A LIFE IS WORTH? - STOW THE SENTIMENT. 617 00:43:11,770 --> 00:43:14,020 OKAY, YOU'RE SURROUNDED AND THERE'S NO WAY OUT. 618 00:43:14,020 --> 00:43:16,190 NOW COME DOWN WITH YOUR HANDS UP. 619 00:43:23,320 --> 00:43:25,780 [ Shouting In Spanish ] 620 00:43:32,160 --> 00:43:35,040 [ Gunshots ] 621 00:43:43,670 --> 00:43:47,140 WE BETTER DO SOMETHING BEFORE SHE GETS THAT GIRL KILLED. 622 00:43:47,140 --> 00:43:49,640 YOU GET IN THE FRONT. 623 00:43:51,480 --> 00:43:54,680 [ Gunshots ] 624 00:44:17,540 --> 00:44:19,840 [ Jinx ] THEY'RE GONNA KILL US! [ Man ] NO, THEY WON'T. 625 00:44:19,840 --> 00:44:23,630 SHE MADE A DEAL. THEY WON'T HURT HER. 626 00:44:23,630 --> 00:44:26,350 - WE'LL USE HER AS A HOSTAGE. - [ Kay ] GIVE YOURSELVES UP NOW. 627 00:44:26,350 --> 00:44:30,180 I GUESS WE'LL HAVE TO. I'M SORRY, BABY. 628 00:44:37,110 --> 00:44:40,890 JUST GET ME UP TO THE WINDOW AS CLOSE AS YOU CAN. I'LL GO FOR IT. 629 00:44:40,890 --> 00:44:45,030 - WHAT IF MY TIMING'S OFF? - WELL, THERE WON'T BE A SECOND TAKE, KID. LET'S GO. 630 00:44:49,040 --> 00:44:51,910 HOLD YOUR FIRE! HOLD YOUR FIRE! 631 00:44:51,910 --> 00:44:54,170 [ Shouting In Spanish ] 632 00:45:21,100 --> 00:45:24,900 - YOU MAKE A MOVE AND SHE GETS IT. - TRUE LOVE, HUH? 633 00:45:24,910 --> 00:45:29,500 - I DID IT AGAIN. - WELL, THERE'S NOT MUCH WE CAN DO. 634 00:45:40,000 --> 00:45:42,500 IF YOU WANT TO KICK HIM, I'LL UNDERSTAND. 635 00:45:48,050 --> 00:45:52,220 THANK GOD YOU'RE OKAY! COLT, DID YOU GET THE JEWELS? 636 00:45:52,220 --> 00:45:55,140 YEAH. HERE, CATCH. 637 00:45:56,640 --> 00:46:01,190 [ Laughing ] 638 00:46:03,940 --> 00:46:06,900 I ALWAYS END UP THIS WAY. 639 00:46:06,900 --> 00:46:09,200 YEAH, WELL, MAYBE IT'S BECAUSE YOU START IN THE WRONG PLACE. 640 00:46:09,200 --> 00:46:13,450 - WHAT ARE YOU GONNA DO WITH ME? - SEND YOU BACK TO MY FAVORITE BARRACUDA. 641 00:46:15,120 --> 00:46:17,490 ME TOO? 642 00:46:17,490 --> 00:46:19,490 NO, YOU'RE GOING TO GO WITH ME. 643 00:46:19,490 --> 00:46:23,500 JAIL? WELL, THEY'LL GO EASY ON YOU WHEN THEY-- 644 00:46:23,500 --> 00:46:27,000 WHEN I TELL THEM HOW YOU HELPED RECOVER THE JEWELS. 645 00:46:27,000 --> 00:46:29,500 WHAT A JERK I AM! 646 00:46:29,500 --> 00:46:32,500 ACTUALLY, I THINK YOU'RE PRETTY TERRIFIC. 647 00:46:32,510 --> 00:46:35,020 AND IF YOU START BELIEVING IT YOURSELF, 648 00:46:35,010 --> 00:46:37,510 THEN THEY'LL START CALLING YOU "LUCKY." [ Laughs ] 649 00:46:43,480 --> 00:46:46,690 BIG JACK, YOU GOT NOTHING TO LOSE. I'M PUTTIN' UP THE COLLATERAL. 650 00:46:46,690 --> 00:46:49,150 JUST GET HER OUT ON BAIL RIGHT AWAY. 651 00:46:49,160 --> 00:46:51,670 NO, NO, NO! NOT THE MEN, JUST JINX! 652 00:46:51,660 --> 00:46:54,110 YEAH. 653 00:46:54,110 --> 00:46:57,110 YOU'RE ALL HEART. GOOD-BYE. 654 00:46:58,620 --> 00:47:02,130 [ Ringing ] 655 00:47:02,120 --> 00:47:04,620 YEAH. 656 00:47:04,620 --> 00:47:07,620 UH, YEAH. OH. UH, YEAH. HOLD ON. 657 00:47:09,630 --> 00:47:12,130 IT'S YOUR BOSS. SOUNDS HAPPY. 658 00:47:12,130 --> 00:47:14,630 SO HE SHOULD BE. WE GOT ALL THE JEWELS BACK... 659 00:47:15,130 --> 00:47:17,630 AND WE DIDN'T EVEN HAVE TO MAKE A DEAL. WELL, I DON'T LIKE DEALS. 660 00:47:18,140 --> 00:47:20,150 I THINK A PERSON DOES SOMETHING WRONG, THEY SHOULD GO TO JAIL. 661 00:47:20,640 --> 00:47:22,640 OH, DON'T BE SO SIMPLISTIC, COLT. 662 00:47:24,140 --> 00:47:26,140 YES, THIS IS KAY. 663 00:47:26,140 --> 00:47:29,650 OH, THANK YOU, SIR. OH, PLEASE. THERE'S NO NEED TO OVERDO THE PRAISE. 664 00:47:29,650 --> 00:47:34,150 YES, IT WAS A SUPERLATIVE JOB, IF I DO SAY SO MYSELF. 665 00:47:34,150 --> 00:47:37,150 OH, THANK YOU, SIR. THANK YOU VERY, VERY MUCH. I'LL TELL YOU WHAT. 666 00:47:37,150 --> 00:47:39,820 I WILL SEE YOU FIRST THING MONDAY MORNING WITH A REPORT IN HAND. 667 00:47:39,820 --> 00:47:41,820 I ORDERED ALL THE GEAR FOR TOMORROW'S GAG, COLT. 668 00:47:41,830 --> 00:47:44,340 AH, GOOD. GOOD. 669 00:47:44,330 --> 00:47:49,080 COLT, YOU'RE NOT GOING TO LIKE HEARING THIS, BUT YOU HAVE MADE ME A HERO. 670 00:47:49,080 --> 00:47:53,470 OH, THAT'S WONDERFUL. WAIT A MINUTE. 671 00:47:53,470 --> 00:47:55,470 I DON'T THINK THIS GLASS WAS QUITE THIS FULL BEFORE. 672 00:47:55,470 --> 00:47:57,810 UH, WELL, I POURED SOME MORE IN FOR YA. 673 00:47:57,810 --> 00:48:01,930 [ Chuckles ] UM, HOWIE, WOULD YOU MIND GETTING US A COUPLE OF FRESH GLASSES, PLEASE? 674 00:48:01,930 --> 00:48:06,430 UH, HOWIE, UH-- GET US ANOTHER BOTTLE OF CHAMPAGNE, HUH? 675 00:48:06,930 --> 00:48:09,820 - WELL, THIS ONE'S ALMOST FULL. - WELL, IT'S A TRADITION OF OURS. 676 00:48:09,820 --> 00:48:14,020 - YOU WOULDN'T UNDERSTAND. - HAD TO BE THERE. 677 00:48:14,020 --> 00:48:17,530 [ Laughing ]55152

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