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♪ WELL, I'M NOT THE KIND
TO KISS AND TELL ♪
3
00:00:05,050 --> 00:00:08,310
♪ BUT I'VE BEEN SEEN
WITH FARRAH ♪
4
00:00:08,310 --> 00:00:10,940
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
5
00:00:10,940 --> 00:00:13,730
♪ THAN A NINE
SO FINE ♪
6
00:00:13,730 --> 00:00:16,610
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
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00:00:16,620 --> 00:00:19,210
♪ GONE FAST
WITH A GIRL NAMED BO ♪
8
00:00:19,200 --> 00:00:23,540
♪ BUT SOMEHOW THEY JUST
DON'T END UP AS MINE ♪
9
00:00:23,540 --> 00:00:27,330
♪ IT'S A DEATH-DEFYIN' LIFE
I LEAD ♪
10
00:00:27,330 --> 00:00:29,790
♪ I TAKE MY CHANCES ♪
11
00:00:29,800 --> 00:00:32,720
♪ I DIE FOR A LIVIN'
IN THE MOVIES AND TV ♪
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00:00:32,720 --> 00:00:34,640
[ Siren Wailing ]
13
00:00:34,630 --> 00:00:37,170
♪ BUT THE HARDEST THING
I EVER DO ♪
14
00:00:37,170 --> 00:00:40,670
♪ IS WATCH MY LEADING LADIES ♪
15
00:00:40,970 --> 00:00:45,060
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
16
00:00:45,560 --> 00:00:47,980
♪ I MIGHT FALL
FROM A TALL BUILDIN' ♪
17
00:00:47,980 --> 00:00:50,980
♪ I MIGHT ROLL
A BRAND-NEW CAR ♪
18
00:00:50,980 --> 00:00:53,940
♪ 'CAUSE I'M
THE UNKNOWN STUNTMAN ♪
19
00:00:53,940 --> 00:00:56,740
♪ THAT MADE REDFORD
SUCH A STAR ♪
20
00:00:56,740 --> 00:00:59,860
♪ [ Women Vocalizing ]
21
00:01:03,410 --> 00:01:06,450
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
22
00:01:06,450 --> 00:01:09,030
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
23
00:01:09,040 --> 00:01:12,510
♪ IT'S TRUE I HIRE
MY BODY OUT FOR PAY ♪
24
00:01:12,510 --> 00:01:14,300
♪ HEY, HEY ♪
25
00:01:14,290 --> 00:01:17,260
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
26
00:01:17,260 --> 00:01:19,960
♪ BLOWN UP FOR RAQUEL WELCH ♪
27
00:01:19,960 --> 00:01:23,930
♪ BUT WHEN I WIND UP
IN THE HAY, IT'S ONLY HAY ♪
28
00:01:23,930 --> 00:01:25,300
♪ HEY, HEY ♪
29
00:01:25,300 --> 00:01:28,470
♪ I MIGHT JUMP
AN OPEN DRAWBRIDGE ♪
30
00:01:28,470 --> 00:01:30,310
♪ OR TARZAN FROM A VINE ♪
31
00:01:30,310 --> 00:01:32,890
♪ 'CAUSE I'M
THE UNKNOWN STUNTMAN ♪
32
00:01:32,890 --> 00:01:36,390
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪
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00:01:50,910 --> 00:01:54,000
[ Colt Narrating ]
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
34
00:01:54,000 --> 00:01:57,920
I MEAN, YOU'VE SEEN HIM,
BUT YOU NEVER KNEW WHO HE WAS.
35
00:01:57,920 --> 00:02:00,080
YOU'VE CHEERED FOR HIM
AND CRIED FOR HIM,
36
00:02:00,090 --> 00:02:03,260
WOMEN HAVE WANTED
TO DIE FOR HIM.
37
00:02:03,260 --> 00:02:07,650
BUT DID HE EVER GET ANY CREDIT?
OR THE GIRL? NO.
38
00:02:07,640 --> 00:02:10,090
HE WAS WHAT WE CALL A STUNTMAN.
39
00:02:10,100 --> 00:02:12,610
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS--
40
00:02:12,600 --> 00:02:14,730
WELL, BECAUSE IT'S ME,
COLT SEAVERS.
41
00:02:14,730 --> 00:02:18,520
ANYWAY, PICTURE WORK
ISN'T WALL-TO-WALL EMPLOYMENT.
42
00:02:18,520 --> 00:02:21,940
SO MAYBE YOU WONDER HOW
A GUY KEEPS HIS HEAD TOGETHER.
43
00:02:21,940 --> 00:02:24,910
WELL, ONE WAY
IS TO WAIT BY THE PHONE...
44
00:02:24,910 --> 00:02:27,250
AND WAIT... AND WAIT.
45
00:02:27,250 --> 00:02:30,200
THE OTHER IS TO TAKE
AN OCCASIONAL JOB
FOR THE COURT SYSTEM...
46
00:02:30,200 --> 00:02:32,200
OF THE UNITED STATES OF AMERICA,
47
00:02:32,200 --> 00:02:35,170
WHERE A MAN IS
CONSIDERED INNOCENT
UNTIL PROVEN GUILTY.
48
00:02:35,170 --> 00:02:38,670
UNFORTUNATELY, SOMETIMES A LOT
OF THESE PEOPLE...
49
00:02:38,680 --> 00:02:42,140
GET OUT OF JAIL
ON WHAT WE CALL BAIL.
50
00:02:42,130 --> 00:02:44,630
AND THEY RUN LIKE HELL.
51
00:02:44,630 --> 00:02:49,020
THAT'S WHERE I COME IN.
I SOMETIMES PICK UP RENT MONEY
TRYIN' TO FIND THEM...
52
00:02:49,020 --> 00:02:50,800
AND BRING THEM BACK TO JUSTICE.
53
00:02:50,800 --> 00:02:53,560
♪ [ Country ]
54
00:02:57,690 --> 00:03:03,360
♪ EVERY TIME I THINK
I'VE PUT YOU
IN MY REARVIEW MIRROR ♪
55
00:03:05,230 --> 00:03:09,870
♪ I REALIZE THAT OBJECTS
ARE CLOSER ♪
56
00:03:09,870 --> 00:03:13,040
♪ THAN THEY APPEAR ♪
57
00:03:13,540 --> 00:03:18,710
♪ [ Continues, Indistinct ]
THANK YOU, HONEY.
[ Chuckles ]
58
00:03:19,220 --> 00:03:21,230
CAN I GET YOU
ANOTHER DRINK, MR. MATHEWS?
59
00:03:21,220 --> 00:03:24,050
NO, HONEY, I DON'T THINK SO.
I THINK I'M GONNA GO ON HOME.
60
00:03:24,050 --> 00:03:27,220
CAN YOU TELL MY DRIVER
I'M READY TO GO, PLEASE?
UH, SURE THING.
61
00:03:27,220 --> 00:03:30,230
MR. MATHEWS, DID YOU GET
A CHANCE TO LISTEN TO THAT
TAPE I GAVE YOU?
62
00:03:30,230 --> 00:03:34,260
YES, I DID, AND IT'S GOOD.
I'M GONNA GIVE IT
TO A COMPOSER I KNOW.
63
00:03:34,260 --> 00:03:36,060
YOU JUST MIGHT HAVE
SOMETHING THERE, SWEETHEART.
64
00:03:36,070 --> 00:03:38,740
NOW WOULD YOU TELL DUANE
I'M READY TO LEAVE, PLEASE?
65
00:03:38,740 --> 00:03:42,750
- UM, SURE THING.
- [ Man Whooping ]
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00:03:42,740 --> 00:03:47,990
♪ [ Continues ]
YOUR BOSS WANTS
TO SEE YOU, DUANE.
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00:03:47,990 --> 00:03:49,780
[ Gasps ]
GOD, DUANE,
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00:03:49,780 --> 00:03:52,110
- WHAT'S THE MATTER WITH YOU?
- BUT THE BOSS WANTS ME.
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00:03:52,120 --> 00:03:55,880
SO HE CAN WAIT FIVE MINUTES.
I'M NOT THROUGH TALKING TO YOU.
70
00:03:55,870 --> 00:03:59,540
OH, DIXIE, YOU KNOW
HOW MAD HE GETS AT ME.
I DON'T WANT HIM MAD AT ME.
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00:03:59,540 --> 00:04:03,260
WHO'S MORE IMPORTANT,
ME OR HIM?
72
00:04:03,260 --> 00:04:06,260
WELL, YOU.
73
00:04:06,260 --> 00:04:09,180
CAN I GO NOW?
74
00:04:09,180 --> 00:04:11,680
GO AHEAD, YOU BIG FOOL.
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00:04:11,680 --> 00:04:15,300
I'LL TALK TO YOU LATER.
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00:04:15,300 --> 00:04:19,310
BYE, DIXIE.
[ Chuckles ]
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00:04:20,190 --> 00:04:22,690
MR. MATHEWS.
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00:04:22,700 --> 00:04:26,710
YOU KNOW I DON'T LIKE
TO BE KEPT WAITING, DUANE.
I'M SORRY, SIR.
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00:04:26,700 --> 00:04:29,530
AH, THAT'S OKAY. BRING THE LIMO
AROUND BACK, WOULD YOU?
YES, SIR.
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00:04:31,990 --> 00:04:34,990
♪ [ Continues ]
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00:04:42,500 --> 00:04:45,000
WHAT ARE YOU DOIN' HERE,
KENNY?
YOU OWE ME, ROBERT.
82
00:04:45,000 --> 00:04:48,250
AND I TOLD YOU
I DON'T OWE YOU ANYTHING.
83
00:04:48,250 --> 00:04:50,250
THEN I GUESS I'M GONNA
HAVE TO CALL THE PRESS...
84
00:04:50,260 --> 00:04:52,770
AND HAVE 'EM EXPOSE
THE LEGENDARY ROBERT MATHEWS...
85
00:04:52,760 --> 00:04:56,180
FOR WHAT HE REALLY IS--
A TOTAL FRAUD.
86
00:05:05,100 --> 00:05:07,610
WHAT HAPPENED, BOSS?
HE TRIED TO ROB ME.
87
00:05:09,610 --> 00:05:12,360
- LOOKS LIKE HE'S HURT REAL BAD.
- ♪ [ Ballad ]
88
00:05:12,360 --> 00:05:15,780
HE'S STILL BREATHIN'.
I'LL CALL AN AMBULANCE.
89
00:05:15,780 --> 00:05:19,450
THIS IS GONNA LOOK BAD
FOR ME, DUANE, EVEN IF
IT WAS SELF-DEFENSE.
90
00:05:19,450 --> 00:05:23,670
I SHOULD HAVE BEEN HERE
WITH YOU, BOSS.
LISTEN TO ME, DUANE.
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00:05:23,670 --> 00:05:25,960
I CAN'T AFFORD
THIS KIND OF PUBLICITY,
92
00:05:26,460 --> 00:05:28,460
NOT WITH A NEW ALBUM
COMING OUT...
93
00:05:28,460 --> 00:05:31,210
- AND THE MOTION PICTURE PART
I'M UP FOR.
- IF I'D ONLY BEEN HERE.
94
00:05:31,210 --> 00:05:35,020
YOU CAN HELP ME, DUANE.
YEAH. YOU CAN HELP ME
GET OUT OF THIS.
95
00:05:35,020 --> 00:05:37,770
- I'LL DO ANYTHING, BOSS.
- OKAY.
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00:05:37,770 --> 00:05:41,860
WHEN THE POLICE COME, I WANT
YOU TO TELL 'EM YOU DID IT.
TELL 'EM YOU WERE PROTECTING ME.
97
00:05:41,860 --> 00:05:44,780
HE ATTACKED ME,
AND YOU TOOK CARE OF HIM.
98
00:05:44,780 --> 00:05:47,230
[ Duane ]
WHAT IF HE TELLS
THE POLICE THE TRUTH?
99
00:05:47,230 --> 00:05:49,950
DON'T WORRY ABOUT THAT.
IT'S HIS WORD AGAINST OURS.
100
00:05:49,950 --> 00:05:53,150
BESIDES, I'LL MAKE IT
WORTH HIS WHILE
TO SEE IT MY WAY.
101
00:05:53,150 --> 00:05:56,870
- MONEY ALWAYS WORKS.
- I DON'T KNOW.
102
00:05:56,870 --> 00:05:59,540
DIDN'T I TAKE YOU IN
WHEN YOU HAD NOTHIN'?
103
00:05:59,540 --> 00:06:01,790
DIDN'T I GIVE YOU A JOB
AND A PLACE TO LIVE?
104
00:06:01,790 --> 00:06:05,880
DIDN'T I LET YOU DRIVE
A BIG, FINE CAR AND GO TO ALL
THOSE FANCY PLACES WITH ME?
105
00:06:06,380 --> 00:06:09,250
I KNOW.
AND I SHOULD HAVE BEEN HERE.
106
00:06:09,250 --> 00:06:14,220
YOU'RE RIGHT, DUANE.
LOOK. THIS GUY'S GONNA
WAKE UP WITH A HEADACHE.
107
00:06:14,220 --> 00:06:17,060
THE WORST POSSIBLE THING
THAT COULD HAPPEN--
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00:06:17,060 --> 00:06:19,310
YOU'LL GET A SUSPENDED SENTENCE
FOR ASSAULT.
109
00:06:20,560 --> 00:06:25,150
- [ Exhales ] OKAY, BOSS.
- THAT-A-BOY, DUANE.
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00:06:25,150 --> 00:06:28,270
I WON'T FORGET THIS.
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00:06:28,270 --> 00:06:33,070
[ Tires Squealing ]
112
00:06:57,930 --> 00:07:01,720
[ Engine Revving ]
113
00:07:01,720 --> 00:07:04,690
[ Applause ]
114
00:07:04,690 --> 00:07:07,780
THAT PROBABLY LOOKED LIKE
I MADE IT THROUGH THAT
WITHOUT A SCRATCH, DIDN'T IT?
115
00:07:07,780 --> 00:07:10,030
LET ME TELL YOU
WHAT REALLY HAPPENED.
116
00:07:10,030 --> 00:07:12,700
TIRES BLEW,
THE FRONT SUSPENSION COLLAPSED,
117
00:07:12,700 --> 00:07:16,950
BACK AXLE BROKE,
I BRUISED MY RIBS
AND THEN I ALMOST DROWNED.
118
00:07:16,950 --> 00:07:20,820
STUNTS MAY LOOK EASY,
BUT THEY'RE VERY,
VERY DANGEROUS.
119
00:07:20,820 --> 00:07:23,320
SO I WANT TO IMPRESS ON YOU
HOW STUPID IT IS...
120
00:07:23,330 --> 00:07:25,670
TO TRY A STUNT WITHOUT
FIRST BEING TRAINED TO DO SO.
121
00:07:25,660 --> 00:07:30,080
SO IF YOU'RE PLANNING
ON JUMPING YOUR BICYCLE
OVER SOME TRASH CANS OR--
122
00:07:30,080 --> 00:07:33,580
[ Laughing ]
PLANNING TO ROLL YOUR FATHER'S
STATION WAGON, FORGET IT.
123
00:07:33,590 --> 00:07:36,600
YOU MAY JUST END UP DESTROYING
YOUR VEHICLE AND YOURSELF.
124
00:07:38,090 --> 00:07:41,010
YES, SON?
YOU GOT A QUESTION?
125
00:07:41,010 --> 00:07:42,980
HOW DO YOU BECOME
A STUNTMAN?
126
00:07:43,480 --> 00:07:46,730
WELL, FIRST OF ALL,
YOU HAVE TO BE
A VERY GOOD ATHLETE.
127
00:07:46,730 --> 00:07:49,820
PARTICIPATING
IN HIGH SCHOOL AND COLLEGE
ATHLETIC PROGRAMS HELPS.
128
00:07:49,820 --> 00:07:52,190
OF COURSE, PHYSICAL ABILITY'S
ONLY HALF OF IT.
129
00:07:52,190 --> 00:07:54,520
YOU HAVE TO KNOW A LITTLE BIT
ABOUT PHYSICS AND MATHEMATICS.
130
00:07:54,520 --> 00:07:56,770
[ All Groaning ]
131
00:07:56,780 --> 00:08:00,590
WE DON'T JUST FLY CARS
THROUGH THE AIR OR JUMP OFF
HIGH BUILDINGS...
132
00:08:00,580 --> 00:08:02,450
WITHOUT KNOWING EXACTLY
WHERE WE'RE GONNA LAND.
133
00:08:02,450 --> 00:08:06,280
AND TO KNOW THAT,
WE HAVE TO USE A LITTLE
PHYSICS AND MATHEMATICS.
134
00:08:06,290 --> 00:08:10,720
THEN YOU HAVE TO FIND
A GOOD WORKING STUNTMAN
THAT'S WILLING TO TRAIN YOU.
135
00:08:10,710 --> 00:08:13,510
AND IT JUST DOESN'T
HAPPEN OVERNIGHT.
IT TAKES YEARS.
136
00:08:13,510 --> 00:08:17,090
- ARE YOU TRAINING ANYBODY NOW?
- YES. MY COUSIN.
137
00:08:17,100 --> 00:08:19,610
AND HE'S A GOOD EXAMPLE
OF WHAT WE WERE TALKING ABOUT.
138
00:08:19,600 --> 00:08:23,600
HE SPENT A LOT OF TIME IN
COLLEGES AND HE'S BEEN WORKING
WITH ME FOR ABOUT A YEAR NOW.
139
00:08:23,600 --> 00:08:25,600
AND HE'S COMING ALONG
REALLY WELL.
140
00:08:25,600 --> 00:08:28,810
[ Howie ]
BIG JACK SAID
THIS WOULD BE EASY, COLT.
141
00:08:28,810 --> 00:08:31,310
[ Colt ]
SHE ALWAYS SAYS THAT
WHEN SHE'S IN TROUBLE, KID.
142
00:08:35,060 --> 00:08:37,820
[ Colt ]
I TAKE IT SINCE THIS
KENNY TIPPET GUY DIED,
143
00:08:37,820 --> 00:08:40,320
DUANE SMITH'S
BOND'S BEEN REVOKED.
144
00:08:40,320 --> 00:08:43,120
THIS MORNING.
THE BAIL HAD BEEN SET
FOR A CHARGE OF ASSAULT.
145
00:08:43,120 --> 00:08:45,620
WHEN TIPPET DIED,
THE D.A. RULED IT MURDER TWO.
146
00:08:45,620 --> 00:08:49,880
SO DUANE SKIPPED?
WELL, I REALLY DON'T KNOW.
147
00:08:49,880 --> 00:08:52,250
I TRIED TO CONTACT HIM,
BUT NOBODY'S SEEN HIM.
148
00:08:52,250 --> 00:08:55,500
OH, HE SKIPPED.
WHAT'S THE CONNECTION BETWEEN
DUANE SMITH AND MATHEWS?
149
00:08:55,500 --> 00:08:57,840
WELL, UH,
DUANE DRIVES FOR MATHEWS.
150
00:08:57,840 --> 00:09:00,590
WHAT ABOUT TIPPET?
I REALLY DON'T KNOW.
151
00:09:00,590 --> 00:09:03,310
DUANE AND MATHEWS SAY
THEY'VE NEVER SEEN HIM BEFORE.
152
00:09:03,310 --> 00:09:06,510
- WHO IS THIS GUY MATHEWS
ANYWAY?
- WHAT, ARE YOU KIDDING?
153
00:09:06,510 --> 00:09:08,510
HE'S ONE OF THE HOTTEST
COUNTRY-WESTERN SINGERS AROUND.
154
00:09:08,510 --> 00:09:10,770
OH, I DON'T LISTEN
TO MUCH COUNTRY MUSIC.
155
00:09:10,770 --> 00:09:14,100
YOU NEVER HEARD
"SHE'S A 10
WITH THE LIGHTS OUT"?
156
00:09:14,100 --> 00:09:15,900
NO.
157
00:09:15,910 --> 00:09:18,780
WHAT ABOUT "SHE BROKE MY HEART,
SO I BROKE HER JAW"?
158
00:09:18,770 --> 00:09:22,190
- SORRY. NO.
- YOU CALL YOURSELF EDUCATED?
159
00:09:22,190 --> 00:09:26,410
I GOT A TAPE OF HIS
IN THE TRUCK. I'LL PLAY IT
FOR YOU ON THE WAY TO MATHEWS'S.
160
00:09:26,420 --> 00:09:28,930
BY THE WAY,
WE'LL NEED A PICTURE
OF THIS DUANE SMITH...
161
00:09:28,920 --> 00:09:31,420
SO WE CAN BOTH KNOW
WHAT HE LOOKS LIKE.
OKAY.
162
00:09:31,920 --> 00:09:34,760
NOW YOU WON'T HAVE
ANY PROBLEM
WITH THIS CASE, COLT.
163
00:09:34,760 --> 00:09:37,430
JUST HAVE A LOT OF FUN,
YOU BOYS.
164
00:09:37,430 --> 00:09:43,600
[ Mathews ]
♪ LAST NIGHT
YOU TIPTOED IN AT 2:00 A.M. ♪
165
00:09:43,600 --> 00:09:49,270
♪ WELL, YOU KISSED ME CHEEK
AND YOU SOFTLY SAID
I LOVE YOU, BABE ♪
166
00:09:49,270 --> 00:09:52,690
♪ AND MY NOSE
MADE ME WONDER ♪
167
00:09:52,690 --> 00:09:55,690
♪ SO I'LL HAVE TO ASK ♪
168
00:09:55,690 --> 00:10:00,700
♪ HOW LONG HAVE YOU BEEN
WEARING AFTERSHAVE ♪
169
00:10:00,700 --> 00:10:03,570
[ With Chorus ]
♪ I SMELL A LIE ♪
170
00:10:03,570 --> 00:10:07,290
♪ I SMELL A LIE ♪
171
00:10:07,790 --> 00:10:12,630
♪ YOU CAN'T WASH AWAY
THAT LOVE LOOK IN YOUR EYE ♪
172
00:10:12,630 --> 00:10:16,080
♪ YOUR PASSION SHOWS ♪
173
00:10:16,080 --> 00:10:20,080
♪ IN THOSE WRINKLED CLOTHES ♪
174
00:10:20,090 --> 00:10:23,600
♪ DON'T TELL ME NO
I SMELL A LIE ♪
175
00:10:23,590 --> 00:10:26,590
♪ [ Fades ]
HOWDY.
176
00:10:26,590 --> 00:10:28,890
I'M COLT SEAVERS.
UH, HOWIE MUNSON.
177
00:10:28,890 --> 00:10:31,810
MR. MATHEWS IS
EXPECTING YOU, MR. SEAVERS.
178
00:10:31,810 --> 00:10:34,150
OPEN UP, GREG.
179
00:10:34,150 --> 00:10:36,980
[ Gate Rattling ]
180
00:11:01,430 --> 00:11:03,290
HOWDY.
HOWDY.
181
00:11:03,300 --> 00:11:06,610
MR. MATHEWS IS IN
THE RECORDING STUDIO.
HE TOLD ME TO SEND YOU ON IN.
182
00:11:06,600 --> 00:11:09,300
WHERE IS IT?
IT'S IN THE BARN.
183
00:11:09,300 --> 00:11:11,100
[ Colt ]
THANK YOU.
184
00:11:13,560 --> 00:11:15,570
HE'S SURE GOT A LOT
OF PROTECTION, DOESN'T HE?
185
00:11:15,560 --> 00:11:18,560
WELL, BIG STARS ARE GETTING
THREATENED A LOT LATELY.
186
00:11:18,560 --> 00:11:20,560
I GUESS AFTER WHAT HAPPENED
WITH THAT TIPPET FELLA,
187
00:11:20,560 --> 00:11:22,560
MATHEWS THOUGHT HE NEEDED IT.
188
00:11:23,070 --> 00:11:25,080
I CAN'T SAY AS I BLAME HIM.
189
00:11:25,070 --> 00:11:31,040
♪ AND I FILL THE GAP
IN LAST NIGHT'S MYSTERY ♪
190
00:11:31,040 --> 00:11:37,040
♪ CAN YOU IMAGINE MY SURPRISE
WHEN CHARLIE FLICKED A BIC ♪
191
00:11:37,050 --> 00:11:41,560
♪ THAT I GAVE TO YOU
FOR OUR ANNIVERSARY ♪
192
00:11:41,550 --> 00:11:45,670
[ All ]
♪ I SMELL A LIE ♪
193
00:11:45,670 --> 00:11:48,420
♪ I SMELL A LIE ♪
194
00:11:48,420 --> 00:11:54,180
♪ YOU CAN'T WASH AWAY
THAT LOVE LOOK IN YOUR EYE ♪
195
00:11:54,180 --> 00:11:57,680
♪ YOUR PASSION SHOWS ♪
196
00:11:57,680 --> 00:12:01,690
♪ IN THOSE WRINKLED CLOTHES ♪
197
00:12:01,690 --> 00:12:06,190
♪ DON'T TELL ME NO
I SMELL A LIE ♪
198
00:12:06,690 --> 00:12:09,690
♪ I SMELL A LIE ♪
199
00:12:09,700 --> 00:12:14,590
♪ YOU CAN'T WASH AWAY
THAT LOVE LOOK IN YOUR EYE ♪
200
00:12:14,580 --> 00:12:18,450
♪ YOUR PASSION SHOWS ♪
201
00:12:18,450 --> 00:12:22,710
♪ IN THOSE WRINKLED CLOTHES ♪
202
00:12:22,710 --> 00:12:26,210
♪ DON'T TELL ME NO
I SMELL A LIE ♪
203
00:12:28,460 --> 00:12:31,430
♪ [ Ends ]
204
00:12:31,430 --> 00:12:34,940
NO, NO, NO, LADIES.
THIS IS COUNTRY MUSIC.
205
00:12:34,940 --> 00:12:37,440
YOU'RE NOT
IN DETROIT ANYMORE.
206
00:12:37,440 --> 00:12:40,940
LET'S PICK IT UP IN FIVE.
LET'S TAKE A BREAK, EVERYBODY.
207
00:12:45,200 --> 00:12:48,480
[ Tape Rewinding ]
208
00:12:48,480 --> 00:12:51,490
YOU MUST BE, UH,
MR. SEAVERS AND, UH,
MR. MUNSON.
209
00:12:51,490 --> 00:12:53,490
I'M COLT.
COLT.
210
00:12:53,490 --> 00:12:55,490
THIS HERE'S HOWIE.
HI, HOWIE.
PLEASURE MEETING YA.
211
00:12:55,490 --> 00:12:59,630
WELL, THE PLEASURE'S OURS.
I'VE BEEN A BIG FAN OF YOURS
FOR A LONG TIME.
212
00:12:59,630 --> 00:13:03,550
- UH, SO HAS HOWIE.
- BIG FAN.
213
00:13:03,550 --> 00:13:06,630
- I GUESS YOU KNOW
WHY WE'RE HERE.
- WELL, I'M AFRAID I DO,
214
00:13:07,140 --> 00:13:09,150
BUT LET'S GET
ONE THING STRAIGHT.
215
00:13:09,140 --> 00:13:10,970
THE WORST IT COULD
POSSIBLY BE IS SELF-DEFENSE.
216
00:13:10,970 --> 00:13:13,810
DUANE WAS PROTECTING ME.
THAT'S FOR THE COURTS
TO DECIDE.
217
00:13:14,310 --> 00:13:18,100
- OUR JOB'S JUST TO BRING HIM
BACK SO HE CAN STAND TRIAL.
- WELL, I KNOW AND I'M SORRY.
218
00:13:18,100 --> 00:13:20,430
IT'S JUST THAT DUANE
WOULDN'T HURT A FLY
ON PURPOSE.
219
00:13:20,430 --> 00:13:24,940
HE MAY BE BIG, BUT HE'S REALLY
A SWEET AND GENTLE MAN,
AND I'D REALLY LIKE TO HELP HIM.
220
00:13:24,940 --> 00:13:28,770
WELL, THE BEST WAY TO DO THAT
IS TO HELP US FIND HIM
BEFORE THE POLICE DO.
221
00:13:28,770 --> 00:13:30,740
YOU SEE, HIS BEST SHOT
IS TO STAND TRIAL.
222
00:13:30,740 --> 00:13:34,200
I WISHED I HAD MORE
INFORMATION THAT WOULD
HELP YOU, BUT I DON'T.
223
00:13:34,200 --> 00:13:36,500
ARE YOU SURE?
ANYTHING MIGHT BE USEFUL.
224
00:13:36,500 --> 00:13:38,780
WELL, THERE IS
THIS GIRL THAT HE SEES.
225
00:13:39,280 --> 00:13:42,420
I THINK HER NAME IS DIXIE JAMES.
SHE WORKS AT ONE OF THESE
DRIVE-IN RESTAURANTS.
226
00:13:42,420 --> 00:13:44,870
I BELIEVE
IT'S CALLED B.J.'s.
227
00:13:44,870 --> 00:13:47,510
- DIXIE JAMES?
- DIXIE JAMES.
228
00:13:47,510 --> 00:13:50,340
UH, THANK YOU VERY MUCH,
MR. MATHEWS.
WE APPRECIATE IT.
229
00:13:50,350 --> 00:13:52,860
I JUST WISHED I COULD BE
OF A LITTLE MORE HELP.
230
00:13:52,850 --> 00:13:54,850
THANKS AGAIN.
231
00:13:54,850 --> 00:13:58,350
♪ DON'T TELL ME NO
I SMELL A LIE ♪
232
00:14:01,140 --> 00:14:04,480
COLT, WHAT DO YOU SAY
WE PICK UP A COUPLE OF BURGERS
WHILE WE'RE THERE?
233
00:14:04,480 --> 00:14:06,980
KID, WE'RE ON A JOB.
234
00:14:06,980 --> 00:14:09,860
♪ [ Country ]
235
00:14:18,370 --> 00:14:20,880
♪ [ Continues ]
WHAT CAN I GET FOR YA?
236
00:14:21,380 --> 00:14:23,880
ARE YOU, UH, DIXIE JAMES?
YEAH.
237
00:14:23,880 --> 00:14:28,300
- WE'RE LOOKIN' FOR DUANE SMITH.
- DUANE? YOU WORK
FOR THE POLICE?
238
00:14:28,300 --> 00:14:31,720
NO, WE WORK
FOR THE BONDING COMPANY
THAT PUT UP HIS BOND.
239
00:14:33,670 --> 00:14:37,590
A BOUNTY HUNTER, HUH?
WANTED DEAD OR ALIVE
AND ALL THAT?
240
00:14:37,590 --> 00:14:39,930
WELL, IT DOESN'T EXACTLY
WORK LIKE THAT ANYMORE.
241
00:14:39,930 --> 00:14:44,600
WELL, IF YOU CAME TO ME
FOR INFORMATION, YOU'RE LOOKIN'
IN THE WRONG PLACE.
242
00:14:44,600 --> 00:14:48,350
DUANE IS THE SWEETEST MAN
I KNOW, AND HE WOULDN'T
HURT ANYBODY.
243
00:14:48,350 --> 00:14:51,360
WHATEVER HAPPENED TO MR. TIPPET
MUST HAVE BEEN AN ACCIDENT.
244
00:14:51,360 --> 00:14:55,830
LOOK, I DON'T PRETEND TO KNOW
WHAT HAPPENED TO DUANE TO GET
HIM INTO ALL THIS TROUBLE,
245
00:14:55,830 --> 00:14:58,830
BUT I DO KNOW THAT
HE JUMPED BAIL, AND I'M
GONNA BRING HIM BACK...
246
00:14:58,830 --> 00:15:01,620
- WHETHER YOU HELP ME OR NOT.
- OH, YOU ARE, ARE YOU?
247
00:15:01,620 --> 00:15:04,790
- YES.
- DON'T YOU UNDERSTAND...
248
00:15:04,790 --> 00:15:07,540
THAT HIS RUNNING LIKE THIS
MAKES HIM LOOK GUILTY
EVEN IF HE ISN'T?
249
00:15:07,540 --> 00:15:11,340
DIXIE, PLEASE HELP US
FIND HIM. IT'S REALLY
THE BEST THING FOR HIM.
250
00:15:12,850 --> 00:15:15,110
WELL, I GUESS YOU GUYS
ARE ON THE SQUARE.
251
00:15:15,100 --> 00:15:17,970
I GUESS STANDING TRIAL
IS BETTER THAN RUNNING
ALL HIS LIFE.
252
00:15:17,970 --> 00:15:23,770
LOOK, I DON'T KNOW FOR SURE,
BUT HE MIGHT BE HIDIN' OUT
IN A HOUSE DEEP IN THE HILLS.
253
00:15:23,770 --> 00:15:27,890
I HAVE TO DRAW YOU A MAP.
HEY, THAT'S GREAT.
YOU WON'T REGRET THIS.
254
00:15:31,950 --> 00:15:35,650
- NICE ROOM, HUH, DUANE?
- HOW LONG
DO I HAVE TO STAY HERE?
255
00:15:35,650 --> 00:15:38,150
AH, LONG ENOUGH
FOR ME TO GET THIS MESS
STRAIGHTENED OUT.
256
00:15:38,150 --> 00:15:40,400
I HAVE TO STAY HERE
ALL BY MYSELF?
257
00:15:40,410 --> 00:15:42,720
NAH. I'LL COME BY
AND VISIT YOU.
258
00:15:42,710 --> 00:15:45,210
YOU WON'T BE HERE
MORE THAN A DAY OR TWO.
WATCH TELEVISION.
259
00:15:45,210 --> 00:15:47,800
THAT'S ALL YOU EVER DO
AT HOME ANYWAY.
CAN I CALL DIXIE?
260
00:15:47,800 --> 00:15:50,210
NO.
YOU CAN'T CALL ANYBODY.
261
00:15:50,220 --> 00:15:53,730
NO ONE'S SUPPOSED
TO KNOW YOU'RE HERE.
DO YOU UNDERSTAND?
262
00:15:53,720 --> 00:15:56,140
YES, SIR, I UNDERSTAND.
THAT-A-BOY.
263
00:15:56,140 --> 00:15:59,510
I'LL COME BY AND SEE YOU
TONIGHT. LET ME TURN
THIS THING ON FOR YOU.
264
00:15:59,510 --> 00:16:01,510
[ TV: Cartoon Whistle ]
265
00:16:01,510 --> 00:16:04,510
BYE, MR. MATHEWS.
[ Door Closes ]
266
00:16:04,510 --> 00:16:07,310
[ Colt ]
WELL, SHE SAID
IT WAS PRETTY FAR OUT.
267
00:16:07,320 --> 00:16:09,490
THIS HAS GOT TO BE IT HERE.
268
00:16:15,360 --> 00:16:17,520
[ Colt ]
STAY HERE IN CASE WE GET SOME
UNEXPECTED COMPANY, HUH?
269
00:16:25,330 --> 00:16:27,530
[ Howie ]
SHE DIDN'T SAY ANYTHING
ABOUT A DOG.
270
00:16:31,010 --> 00:16:32,790
WELL, ANIMALS LOVE ME.
271
00:16:35,790 --> 00:16:37,590
MUST BE A BIG DOG.
272
00:16:56,870 --> 00:16:59,880
[ Animal Growling ]
273
00:17:02,370 --> 00:17:04,370
[ Roaring ]
274
00:17:04,870 --> 00:17:06,870
OH, GEEZ.
275
00:17:07,880 --> 00:17:12,250
[ Growling ]
276
00:17:16,670 --> 00:17:19,500
NICE KITTY.
277
00:17:27,310 --> 00:17:30,060
[ Growling ]
278
00:17:39,440 --> 00:17:42,580
[ Roaring ]
279
00:17:45,580 --> 00:17:47,950
HEY! GET AWAY FROM MY HAT!
280
00:17:49,670 --> 00:17:52,450
I CAN'T YELL FOR HELP.
I'M A STUNTMAN.
281
00:17:58,840 --> 00:18:00,710
WELL, LET'S SEE
IF HE LIKES THIS.
282
00:18:06,180 --> 00:18:07,970
KITTY. KITTY.
HERE, KITTY.
283
00:18:07,970 --> 00:18:12,110
KITTY, KITTY.
GET IT, GET IT. GET IT!
284
00:18:12,110 --> 00:18:14,530
[ Growls ]
285
00:18:25,450 --> 00:18:30,820
[ Growling, Roaring ]
286
00:18:48,260 --> 00:18:50,260
CAN I HELP YOU?
287
00:18:50,260 --> 00:18:53,260
UH, YEAH.
MY NAME'S HOWIE MUNSON.
288
00:18:53,770 --> 00:18:56,780
MY PARTNER AND I WERE
TRYING TO FOLLOW THIS MAP.
289
00:18:56,770 --> 00:18:58,770
PARTNER? WHERE IS HE?
290
00:18:58,770 --> 00:19:01,610
WELL, HE SORT OF WENT INSIDE
LOOKIN' FOR A GUY.
291
00:19:03,030 --> 00:19:05,420
- DIDN'T HE SEE THE CAT?
- A KITTY CAT?
292
00:19:05,410 --> 00:19:08,780
NO, A 350-POUND CAT.
WE'D BETTER HURRY.
293
00:19:13,750 --> 00:19:16,090
[ Roars ]
294
00:19:17,590 --> 00:19:19,670
HERE, KITTY.
HERE, KITTY.
295
00:19:22,710 --> 00:19:26,010
HE'LL HAVE ME DOWN
TO MY SHORTS.
[ Fabric Ripping ]
296
00:19:26,010 --> 00:19:28,380
[ Growls ]
297
00:19:34,520 --> 00:19:36,270
OH!
298
00:19:39,810 --> 00:19:43,450
- WHAT'D YOU DO TO HIM,
YOU MANGY--
- KID, I'M UP HERE.
299
00:19:45,320 --> 00:19:47,370
COLT! I THOUGHT THAT WAS
ALL THAT WAS LEFT OF YOU.
300
00:19:47,370 --> 00:19:51,240
- WELL, IT NEARLY WAS.
- HEY, WHAT ARE YOU DOIN'?
301
00:19:51,240 --> 00:19:53,990
DON'T GO OUT THERE!
WHAT ARE YOU DOIN'?
302
00:19:57,130 --> 00:20:00,050
[ Woman ]
OKAY, YOU CAN
COME DOWN NOW.
303
00:20:03,800 --> 00:20:07,250
I SURE HOPE
HE DIDN'T SCARE YOU.
304
00:20:07,260 --> 00:20:10,270
OH, NO, NO.
I CLIMB TREES
FOR A HOBBY.
305
00:20:10,260 --> 00:20:13,640
WHAT ARE YOU TWO DOING
AROUND HERE?
WE'RE LOOKIN' FOR DUANE SMITH.
306
00:20:13,650 --> 00:20:16,610
WELL, UNLESS HE LIVED IN A TENT,
HE'S NEVER LIVED HERE.
307
00:20:16,600 --> 00:20:20,480
THERE'S NO HOUSES ON THIS END
OF THE PROPERTY, AND NO
STRANGERS HAVE BEEN AROUND.
308
00:20:20,490 --> 00:20:23,160
- ARE YOU SURE?
- I SHOULD BE.
I'M THE CARETAKER.
309
00:20:23,160 --> 00:20:26,870
CARETAKER?
AS IN "LIVE UP HERE ALL BY
YOURSELF" CARETAKER?
310
00:20:26,860 --> 00:20:29,910
SURE. I GO TO TOWN A LOT
AND I HAVE MY BABY.
311
00:20:29,910 --> 00:20:34,580
IF YOU HAVE LIONS IN HERE,
WHY DO YOU HAVE A BEWARE OF DOG
SIGN ON THE GATE OUT THERE?
312
00:20:34,580 --> 00:20:38,120
FIND A HARDWARE STORE THAT DOES
HAVE A BEWARE OF LION SIGN.
313
00:20:40,010 --> 00:20:42,350
SHE HAS A POINT, COLT.
314
00:20:42,340 --> 00:20:46,260
♪ [ TV: Romantic ]
315
00:20:53,970 --> 00:20:57,270
[ No Audible Dialogue ]
316
00:21:17,630 --> 00:21:19,140
THIS IS DIXIE.
317
00:21:19,130 --> 00:21:22,830
HI, SWEETHEART.
IT'S YOUR DUANE.
318
00:21:22,830 --> 00:21:26,550
DUANE. WHERE ARE YOU?
319
00:21:26,550 --> 00:21:31,970
WELL, I KNOW
BUT I CAN'T TELL YOU.
WHY NOT? I WANNA SEE YOU.
320
00:21:31,970 --> 00:21:33,640
I JUST CAN'T.
321
00:21:34,140 --> 00:21:36,010
DUANE, DID YOU REALLY
KILL THAT MAN?
322
00:21:36,010 --> 00:21:38,760
I DON'T WANT
TO TALK ABOUT IT.
323
00:21:38,760 --> 00:21:41,100
IT'S MATHEWS, ISN'T IT?
324
00:21:41,100 --> 00:21:43,570
HE TOLD YOU NOT TO SAY
ANYTHING, RIGHT?
325
00:21:43,570 --> 00:21:45,820
DIXIE, I CAN'T TELL YOU.
326
00:21:45,820 --> 00:21:48,940
IF YOU CAN'T TELL ME ANYTHING,
WHY'D YOU CALL?
327
00:21:48,940 --> 00:21:51,110
'CAUSE I MISS YOU.
328
00:21:51,110 --> 00:21:54,910
I MISS YOU TOO, DUANE.
329
00:21:54,910 --> 00:21:56,910
PLEASE TELL ME
WHERE YOU ARE.
330
00:21:56,920 --> 00:21:58,930
NO, I CAN'T.
I PROMISED.
331
00:22:00,370 --> 00:22:04,170
I GOTTA GO, DIXIE. BYE.
332
00:22:04,170 --> 00:22:07,040
DUANE--
DON'T HANG UP. DUANE!
333
00:22:07,040 --> 00:22:09,040
[ Dial Tone ]
334
00:22:16,130 --> 00:22:17,930
[ Door Opens ]
335
00:22:20,310 --> 00:22:24,320
WHAT HAPPENED TO YOU?
OH, JUST A LITTLE WILD
GOOSE CHASE IN THE HILLS.
336
00:22:24,310 --> 00:22:26,810
AND THE GOOSE TURNED OUT
TO BE A LION.
A LION?
337
00:22:26,810 --> 00:22:30,310
[ Colt ]
YEAH, AND IT WAS
FEEDING TIME.
338
00:22:30,320 --> 00:22:32,830
[ Laughs ]
339
00:22:32,820 --> 00:22:35,320
WHAT'S SO FUNNY?
I DON'T THINK IT'S SO FUNNY.
340
00:22:35,320 --> 00:22:38,160
WHAT IN THE WORLD
WERE YOU DOING IN A PLACE
WHERE THEY KEEP LIONS?
341
00:22:38,160 --> 00:22:41,580
DUANE'S GIRLFRIEND,
DIXIE JAMES,
SENT US OUT THERE.
342
00:22:41,580 --> 00:22:43,910
[ Colt ]
I'LL TELL YOU ONE THING.
343
00:22:43,910 --> 00:22:48,420
LITTLE DIXIE JAMES ISN'T GONNA
THINK IT'S TOO FUNNY WHEN
I GET MY HANDS ON HER.
344
00:22:48,420 --> 00:22:50,420
COME ON, KID.
345
00:22:57,180 --> 00:22:59,440
COLT, CALM DOWN A LITTLE.
346
00:22:59,430 --> 00:23:02,150
DON'T TELL ME
TO CALM DOWN WHEN I WAS
ALMOST EATEN BY A LION.
347
00:23:10,020 --> 00:23:12,020
HEY!
348
00:23:12,020 --> 00:23:14,020
WHERE'S DIXIE JAMES?
WHO?
349
00:23:14,030 --> 00:23:16,540
DIXIE JAMES.
SHE'S NOT HERE.
350
00:23:16,530 --> 00:23:18,950
I-I MEAN, SHE'S GONE.
GONE WHERE?
351
00:23:18,950 --> 00:23:21,870
I-I DON'T WANT ANY TROUBLE.
352
00:23:22,370 --> 00:23:24,750
I-I'VE-- I'VE ONLY BEEN
MANAGING HERE FOR A WEEK.
353
00:23:24,750 --> 00:23:27,590
THERE WON'T BE ANY TROUBLE.
YOU JUST TELL US WHERE SHE IS.
354
00:23:27,590 --> 00:23:30,760
OKAY, OKAY. I'LL--
I'LL TELL YOU.
SHE LEFT WORK EARLY...
355
00:23:30,760 --> 00:23:34,340
BECAUSE SHE'LL BE SINGIN'
LATER TONIGHT AT THE PALOMINO--
IT'S AMATEUR NIGHT.
356
00:23:34,350 --> 00:23:38,190
[ Dixie ]
♪ IT'S A PARTY FOR TWO ♪
357
00:23:38,180 --> 00:23:40,180
♪ JUST ME AND YOU ♪
358
00:23:40,190 --> 00:23:42,200
♪ MÉNAGE À DEUX ♪
359
00:23:42,190 --> 00:23:46,020
♪ IT'S GONNA LAST ALL NIGHT ♪
♪ LAST ALL NIGHT ♪
360
00:23:46,020 --> 00:23:50,030
♪ I'M GONNA DO IT
TILL I DO IT RIGHT ♪
♪ DO IT RIGHT ♪
361
00:23:50,530 --> 00:23:52,530
♪ PARTY FOR TWO ♪
♪ PARTY FOR TWO ♪
362
00:23:52,530 --> 00:23:55,030
♪ MOI ET VOUS ♪
363
00:23:55,030 --> 00:23:57,530
♪ MÉNAGE À DEUX ♪
364
00:24:02,820 --> 00:24:06,830
♪ OPEN YOUR EYES
TAKE A GOOD LONG LOOK ♪
365
00:24:06,830 --> 00:24:11,080
♪ YOU KNOW THAT I'M WEARIN'
MY BIRTHDAY SUIT ♪
366
00:24:11,080 --> 00:24:14,890
♪ YOU LIGHT THE CANDLES
CUT THE CAKE ♪
367
00:24:14,890 --> 00:24:17,140
LOOK. THERE'S DIXIE.
368
00:24:17,140 --> 00:24:22,430
♪ AND IF YOU DON'T
GET ENOUGH THE FIRST TIME ♪
369
00:24:22,430 --> 00:24:25,900
WHY DON'T YOU GO AROUND
AND, UH, TALK TO SOME
OF THE PATRONS?
370
00:24:25,900 --> 00:24:30,650
SOMEBODY HERE MIGHT KNOW DUANE
OR AT LEAST KNOW WHAT HAPPENED.
YEAH. THAT'D BE A PLEASURE.
371
00:24:30,650 --> 00:24:33,020
♪ YOU'RE GONNA LOVE IT ♪
372
00:24:33,020 --> 00:24:37,020
♪ AH, IT'S A PARTY FOR TWO ♪
373
00:24:37,030 --> 00:24:39,920
♪ MÉNAGE À DEUX ♪
374
00:24:41,410 --> 00:24:45,920
♪ IT'S A PARTY FOR TWO
JUST ME AND YOU ♪
375
00:24:45,920 --> 00:24:48,870
♪ MÉNAGE À DEUX ♪
376
00:24:48,870 --> 00:24:52,870
♪ IT'S GONNA LAST ALL NIGHT ♪
♪ LAST ALL NIGHT ♪
377
00:24:52,870 --> 00:24:56,210
♪ WE'RE GONNA DO IT
TILL WE DO IT RIGHT ♪
♪ DO IT RIGHT ♪
378
00:24:56,210 --> 00:24:58,680
♪ PARTY FOR TWO ♪
♪ PARTY FOR TWO ♪
379
00:24:58,680 --> 00:25:01,180
♪ MOI ET VOUS ♪
380
00:25:01,180 --> 00:25:03,180
♪ MÉNAGE À DEUX ♪
381
00:25:05,600 --> 00:25:07,850
♪ MÉNAGE À DEUX ♪
382
00:25:10,530 --> 00:25:12,790
[ Applause ]
383
00:25:15,280 --> 00:25:17,610
THANK Y'ALL VERY MUCH.
384
00:25:21,490 --> 00:25:24,500
HEY!
I WANNA THANK YOU FOR THAT TIP.
THAT WAS REAL HELPFUL.
385
00:25:24,490 --> 00:25:27,410
TAKE YOUR HANDS OFF OF ME!
LOOK, I DON'T WANT
TO HURT YOU.
386
00:25:27,410 --> 00:25:31,410
I DON'T EVEN WANT TO BOTHER YOU.
BUT THAT LION COULD'VE HURT ME
REAL BAD THIS MORNING.
387
00:25:31,410 --> 00:25:33,910
LOOK, I'M SORRY.
BUT WHAT'D YOU EXPECT FROM ME?
388
00:25:33,920 --> 00:25:36,230
YOU'RE TRYING TO CATCH
THE MAN I LOVE.
389
00:25:36,220 --> 00:25:40,090
COLT, YOU GOTTA SEE THIS.
NOT NOW, KID.
WE'RE HAVING A LITTLE TALK.
390
00:25:41,590 --> 00:25:44,590
LOOK, DIXIE, I CAN UNDERSTAND
YOUR WANTING TO PROTECT HIM,
391
00:25:44,590 --> 00:25:48,600
BUT YOU'LL MAKE THINGS
EASIER FOR HIM
IF YOU'LL JUST HELP ME.
392
00:25:48,600 --> 00:25:50,600
I'LL TELL YOU
THE TRUTH, MR.--
393
00:25:50,600 --> 00:25:53,980
♪ [ Country ]
SEAVERS. COLT SEAVERS.
394
00:25:53,990 --> 00:25:57,000
I DON'T KNOW WHERE DUANE IS.
I SWEAR IT.
395
00:25:56,990 --> 00:25:58,990
EVEN IF I DID, I STILL
WOULDN'T TELL YOU...
396
00:25:58,990 --> 00:26:02,490
UNTIL I FELT CERTAIN THAT
GOING WITH YOU WOULD BE
THE BEST THING FOR DUANE.
397
00:26:02,490 --> 00:26:04,280
WHAT, YOU MAKE THOSE KIND
OF DECISIONS FOR HIM?
398
00:26:04,280 --> 00:26:07,160
WELL, IF YOU'D EVER
MET HIM, YOU'D KNOW WHY.
399
00:26:07,170 --> 00:26:09,680
HE'S WHAT SOME PEOPLE
CALL SIMPLEMINDED.
400
00:26:09,670 --> 00:26:11,670
HOW SIMPLE?
401
00:26:11,670 --> 00:26:15,170
SIMPLE ENOUGH FOR A LOT
OF INSENSITIVE PEOPLE
TO MAKE JOKES ABOUT HIM.
402
00:26:15,170 --> 00:26:17,010
HE'S BEEN TEASED
ALL HIS LIFE.
403
00:26:17,010 --> 00:26:19,790
YOU MIND ME ASKING
WHAT YOU SEE IN HIM?
404
00:26:21,260 --> 00:26:23,760
MR. SEAVERS,
405
00:26:23,770 --> 00:26:26,360
I'VE HAD MY SHARE
OF BETTER-LOOKING MEN...
406
00:26:26,350 --> 00:26:29,350
AND ONES THAT THOUGHT
THAT THEY WAS
A WHOLE LOT SMARTER.
407
00:26:29,850 --> 00:26:33,690
WELL, NOT ONE OF THEM
TREATED ME WITH THE RESPECT
OR TENDERNESS THAT DUANE DOES.
408
00:26:33,690 --> 00:26:38,140
WHEN I'M WITH DUANE,
I FEEL LOVED.
409
00:26:38,150 --> 00:26:41,160
WELL, YOU CAN'T HAVE
A BETTER REASON THAN THAT.
410
00:26:41,150 --> 00:26:43,570
YEAH.
411
00:26:43,570 --> 00:26:46,070
AND THAT'S ALSO THE REASON
I KNOW DUANE DIDN'T
KILL ANYBODY.
412
00:26:46,070 --> 00:26:48,570
IT JUST AIN'T IN HIM.
413
00:26:48,570 --> 00:26:51,570
THAT'S NOT FOR EITHER OF US
TO SAY. SOMEBODY KILLED TIPPET.
414
00:26:51,580 --> 00:26:53,800
AND ONLY MATHEWS AND DUANE
WERE THERE.
415
00:26:53,800 --> 00:26:58,220
NOW, DUANE CONFESSED.
I'M SURE YOU CAN SEE WHY
PEOPLE WOULD THINK HE DID IT.
416
00:26:58,220 --> 00:27:01,900
♪ [ Continues ]
417
00:27:09,640 --> 00:27:13,010
I DON'T CARE WHAT YOU SAY.
I DON'T CARE WHAT DUANE SAYS.
418
00:27:13,010 --> 00:27:15,480
I KNOW HE DIDN'T DO IT.
419
00:27:16,820 --> 00:27:19,320
COLT, WE GOTTA
GET OUTTA HERE FAST!
420
00:27:19,320 --> 00:27:21,820
WHAT'S THE MATTER WITH YOU?
YOU LOOK LIKE YOU JUST
STOLE SOMETHING.
421
00:27:21,820 --> 00:27:25,330
I DID. LOOK AT THIS.
BUT NOT NOW. YOU CAN LOOK
AT IT LATER. COME ON.
422
00:27:25,330 --> 00:27:28,830
♪ [ Continues ]
423
00:27:43,710 --> 00:27:45,710
ALL RIGHT, KID.
THIS BETTER BE GOOD.
IT IS.
424
00:27:46,210 --> 00:27:48,770
♪ [ Continues ]
LOOK. THAT'S MATHEWS.
425
00:27:48,770 --> 00:27:51,380
- THAT'S KENNY TIPPET.
- YEAH. SO WHAT?
426
00:27:51,390 --> 00:27:55,200
SO MATHEWS TOLD THE POLICE
THAT HE'D NEVER SEEN TIPPET
BEFORE THAT NIGHT.
427
00:27:57,030 --> 00:27:59,870
GOOD WORK, KID.
428
00:27:59,860 --> 00:28:02,530
I DON'T KNOW
EXACTLY WHAT IT MEANS,
BUT GOOD WORK.
429
00:28:02,530 --> 00:28:05,980
WELL, DON'T YOU SEE, COLT?
IF MATHEWS LIED ABOUT
NOT KNOWING TIPPET,
430
00:28:06,480 --> 00:28:08,230
MAYBE HE LIED ABOUT
NOT KNOWING WHERE DUANE IS.
431
00:28:08,240 --> 00:28:11,130
I MEAN, WHAT IF HE'S
PROTECTING HIM?
WHY WOULD HE DO THAT?
432
00:28:11,120 --> 00:28:14,990
HE SAID IT WAS AN ACCIDENT.
HIS TESTIMONY CAN CLEAR DUANE
OF THE MURDER CHARGE.
433
00:28:14,990 --> 00:28:17,960
WELL, WHAT IF THERE'S
MORE TO THIS CASE
THAN ANYBODY KNOWS ABOUT?
434
00:28:17,960 --> 00:28:22,330
- LIKE WHAT?
- I DON'T KNOW YET.
BUT WHAT IF THERE IS MORE?
435
00:28:22,330 --> 00:28:26,340
[ Sighs ]
WELL, WE'LL SHOW THIS
TO MATHEWS IN THE MORNING.
436
00:28:26,340 --> 00:28:28,340
NOW YOU'RE TALKIN', COLT.
437
00:28:33,600 --> 00:28:36,690
[ Mathews ]
ARE YOU SURE THIS IS
THE GUY THAT TRIED TO ROB ME?
438
00:28:36,680 --> 00:28:38,770
I MEAN, THIS PICTURE
WASN'T EXACTLY TAKEN YESTERDAY.
439
00:28:38,770 --> 00:28:42,490
OH, IT'S HIM, ALL RIGHT.
I DON'T REMEMBER
EVER SEEIN' HIM BEFORE.
440
00:28:42,490 --> 00:28:45,770
MR. SEAVERS, I MUST BE
IN A THOUSAND PICTURES
LIKE THIS A YEAR.
441
00:28:45,770 --> 00:28:49,580
HOW AM I SUPPOSED TO REMEMBER
EVERY FAN THAT I TAKE
A PICTURE WITH?
442
00:28:49,580 --> 00:28:52,450
ARE YOU SAYING KENNY TIPPET
WAS JUST A FAN?
443
00:28:52,450 --> 00:28:56,950
ABSOLUTELY. AND I CAN'T SAY
THAT I APPRECIATE YOU TWO
THINKIN' OTHERWISE.
444
00:28:56,950 --> 00:28:59,120
I MEAN,
WHAT'S GOIN' ON HERE?
445
00:28:59,120 --> 00:29:02,620
I THOUGHT YOU TWO
WERE SUPPOSED TO BRING
DUANE IN TO STAND TRIAL.
446
00:29:02,620 --> 00:29:05,630
IT LOOKS LIKE YOU'RE
TRYIN' TO SOLVE A CASE
THAT'S ALREADY BEEN SOLVED.
447
00:29:05,630 --> 00:29:07,960
IF IT REALLY WAS SOLVED.
WHAT'S THAT SUPPOSED
TO MEAN?
448
00:29:07,960 --> 00:29:11,380
I SUPPOSE THAT DEPENDS
ON WHETHER YOU'VE BEEN
TELLING US THE TRUTH OR NOT.
449
00:29:11,380 --> 00:29:14,350
I WAS AFRAID YOU WAS GONNA
SAY SOMETHIN' LIKE THAT.
450
00:29:14,350 --> 00:29:16,720
I THINK YOU TWO HAVE JUST
WORN OUT YOUR WELCOME.
451
00:29:18,110 --> 00:29:20,780
YEAH, WELL,
WE WERE GOIN' ANYWAY.
GOOD.
452
00:29:20,780 --> 00:29:23,990
AS MUCH AS IT HURTS TO SAY THIS,
I'D LIKE IT IF YOU
NEVER CAME BACK.
453
00:29:23,980 --> 00:29:26,980
OH, WE WON'T BE BACK...
454
00:29:26,980 --> 00:29:29,370
UNLESS WE FIND OUT THAT
YOU REALLY ARE LYING TO US.
455
00:29:30,700 --> 00:29:33,450
LET'S GO, KID.
456
00:29:39,380 --> 00:29:43,050
- SAM.
- YEAH, BOSS?
457
00:29:43,050 --> 00:29:46,050
HOW WOULD YOU AND GREG
LIKE TO PICK UP
AN EXTRA FIVE GRAND?
458
00:29:48,590 --> 00:29:52,170
IF I'VE EVER SEEN A MAN
THAT WAS LYIN' THROUGH
HIS TEETH, IT WAS MATHEWS.
459
00:29:52,670 --> 00:29:55,390
HE KNEW TIPPET.
I BET HE KNOWS WHERE DUANE IS
RIGHT THIS VERY MOMENT.
460
00:29:55,390 --> 00:29:57,260
MAYBE. BUT HE WAS
RIGHT ABOUT ONE THING.
461
00:29:57,730 --> 00:30:00,730
IT'S NOT OUR JOB
TO SOLVE THE MURDER.
IT'S OUR JOB TO FIND DUANE.
462
00:30:00,730 --> 00:30:02,570
YEAH, BUT IT SURE
MAKES YOU WONDER.
463
00:30:05,020 --> 00:30:07,020
HERE THEY COME.
464
00:30:16,500 --> 00:30:19,700
WOULD YOU LOOK AT THAT?
JUST BECAUSE HE DRIVES
A CATTLE TRUCK,
465
00:30:19,700 --> 00:30:23,250
- HE THINKS HE OWNS THE ROAD.
- [ Sniffs ]
BOY, THAT SMELLS AWFUL.
466
00:30:23,250 --> 00:30:25,710
[ Colt ]
WHEW!
SURE AIN'T AQUA VELVET.
467
00:30:31,460 --> 00:30:33,760
ROLL UP YOUR WINDOW,
WILL YOU?
468
00:30:33,770 --> 00:30:36,280
LET'S SEE IF I CAN
GET AROUND THIS CODGER.
469
00:30:42,770 --> 00:30:45,060
HEY! WHAT'S HE DOIN'?
470
00:30:45,060 --> 00:30:47,810
- [ Tires Squealing ]
- THAT GUY'S NUTS.
471
00:30:48,780 --> 00:30:52,530
HOLD ON, KID.
472
00:30:52,530 --> 00:30:55,950
CRAZY OLD FARMER.
HE'S TRYIN' TO RUN US
OFF THE ROAD.
473
00:30:55,950 --> 00:30:58,740
- [ Tires Squealing ]
- HEY!
474
00:30:58,740 --> 00:31:00,570
HEY! HOLD ON, KID!
475
00:31:10,640 --> 00:31:13,650
YOU OKAY, COLT?
YEAH.
HOW ABOUT YOU, KID?
476
00:31:13,640 --> 00:31:16,140
YEAH. I THOUGHT
WE WERE DEAD FOR SURE.
477
00:31:16,140 --> 00:31:18,640
THAT'S A PRETTY CLOSE CALL.
478
00:31:18,640 --> 00:31:21,640
CLOSE? I SAW
ALL MY COLLEGE COURSES
FLASH BEFORE MY EYES.
479
00:31:28,320 --> 00:31:30,600
HOW DO YOU KNOW ABOUT
THIS PLACE ANYWAY, COLT?
480
00:31:31,110 --> 00:31:33,120
EVERYBODY
THAT LOVES MACHINES
KNOWS ABOUT SKIP.
481
00:31:33,610 --> 00:31:35,610
HE'S THE BEST
MECHANIC AROUND.
482
00:31:35,610 --> 00:31:38,610
THE ONLY THING IS,
HE LIVES SO FAR BACK
UP HERE IN THE HILLS.
483
00:31:38,610 --> 00:31:41,610
YEAH, WELL, THIS TIME
THE LOCATION CAME IN HANDY.
484
00:31:41,620 --> 00:31:44,630
YOU KNOW, I'M BEGINNING
TO BELIEVE YOUR THEORY
ABOUT MATHEWS.
485
00:31:44,620 --> 00:31:47,620
OUR LITTLE TRIP
INTO THAT RAVINE
WASN'T ANY ACCIDENT.
486
00:31:47,620 --> 00:31:50,620
WELL, WHAT ARE WE
GONNA DO ABOUT IT?
WELL, FIRST THINGS FIRST.
487
00:31:50,630 --> 00:31:53,140
CALL JODY.
SEE IF SHE CAN BRING US
ANOTHER SET OF WHEELS.
488
00:31:53,130 --> 00:31:55,460
RIGHT AWAY.
489
00:31:57,380 --> 00:32:00,380
WHAT'D YOU DO,
ENTER THIS TRUCK
IN A DEMOLITION DERBY?
490
00:32:00,380 --> 00:32:03,800
NO. TOOK A SHORT TRIP
OVER A STEEP CLIFF.
491
00:32:03,810 --> 00:32:09,450
[ Whirring ]
YOU STUNT GUYS ARE CRAZY,
BUT YOU KEEP ME IN BUSINESS.
492
00:32:09,440 --> 00:32:12,530
HOW MUCH TIME
IN THE SHOP, SKIP?
493
00:32:12,530 --> 00:32:15,530
WELL, YOU REALLY DID A NUMBER
ON THE FRONT SUSPENSION,
494
00:32:15,530 --> 00:32:18,030
AND THE RADIATOR'S
TOTALLY SHOT.
495
00:32:18,040 --> 00:32:21,050
AND YOU'RE GONNA NEED SOME
WORK ON THE STEERING COLUMN,
496
00:32:21,040 --> 00:32:24,910
NOT TO MENTION
ALL THE BODY WORK.
497
00:32:24,910 --> 00:32:28,880
I'D SAY, UH,
DAY AFTER TOMORROW.
498
00:32:28,880 --> 00:32:33,130
BUT YOU GOT PARTS
ON THIS THING YOU JUST CAN'T
BUY OVER THE COUNTER.
499
00:32:33,630 --> 00:32:35,640
YEAH, I KNOW, I KNOW.
I GET THE PICTURE. UH--
500
00:32:35,640 --> 00:32:38,420
I'LL PUT EVERY
AVAILABLE MAN ON HER.
501
00:32:38,420 --> 00:32:41,090
OF COURSE, THERE'S ONLY ME.
502
00:32:43,590 --> 00:32:47,100
WHAT ABOUT JODY? SHE COMING?
NAH, SHE'S NOT HOME,
AND SHE'S NOT AT OUR PLACE.
503
00:32:47,100 --> 00:32:49,100
AND I CALLED BIG JACK,
BUT SHE'S IN COURT.
504
00:32:49,100 --> 00:32:52,100
OH, GREAT.
WHAT AM I GONNA DO
FOR TRANSPORTATION?
505
00:32:52,100 --> 00:32:54,820
HEY! HEY, YOU CAN USE
MY TRUCK!
506
00:32:54,820 --> 00:32:58,190
NO, NO, NO, SKIP.
HEY, COME ON, COLT.
WE'RE FRIENDS!
507
00:32:58,190 --> 00:33:01,030
YOU NEED WHEELS,
YOU GOT 'EM.
508
00:33:01,030 --> 00:33:03,030
SHE'S RIGHT OVER HERE.
509
00:33:04,330 --> 00:33:07,080
SHE'S A REAL BEAUTY,
AIN'T SHE?
510
00:33:11,590 --> 00:33:14,090
I BUILT HER MYSELF...
511
00:33:14,090 --> 00:33:16,380
WITH STUFF I FOUND
AROUND THE JUNKYARD.
512
00:33:17,800 --> 00:33:22,310
YEAH, SKIP. SHE'S A REAL
RED-BLOODED PIECE OF...
513
00:33:22,300 --> 00:33:24,300
AMERICANA.
514
00:33:26,190 --> 00:33:30,940
FOR SURE. AND SHE'S
SOLID AS A ROCK.
515
00:33:30,940 --> 00:33:34,560
I LIVED IN HER FOR THREE YEARS
AFTER THE WIFE LEFT.
516
00:33:34,560 --> 00:33:38,450
THIS BABY MAY NOT HAVE
ALL THE POWER
THAT YOU'RE USED TO,
517
00:33:38,450 --> 00:33:41,400
BUT SHE'S GOT PERSONALITY,
518
00:33:41,400 --> 00:33:44,290
NOT TO MENTION
RUNNING WATER IN THE BACK.
519
00:33:46,240 --> 00:33:48,540
GEE, SKIP, UH--
LOOK,
520
00:33:48,540 --> 00:33:50,910
I REALLY APPRECIATE
YOUR OFFER, BUT--
521
00:33:50,910 --> 00:33:53,710
HEY, UH, IF SHE'S NOT GOOD
ENOUGH FOR YOU--
522
00:33:53,710 --> 00:33:55,920
OH, SKIP,
IT'S NOTHING LIKE THAT.
523
00:33:55,920 --> 00:33:58,420
HEY, I UNDERSTAND.
524
00:33:58,420 --> 00:34:01,420
I MEAN, YOU'RE A BIG
HOLLYWOOD STUNTMAN AND ALL.
525
00:34:06,560 --> 00:34:10,730
[ Colt ] YOU KNOW,
SKIP'S A HELL OF A MECHANIC,
BUT A TERRIBLE CARPENTER.
526
00:34:10,730 --> 00:34:14,100
COLT, LOOK.
THE GLOVE COMPARTMENT'S
A REFRIGERATOR.
527
00:34:14,100 --> 00:34:18,100
YOU WANT A SODA?
NO.
528
00:34:18,110 --> 00:34:21,420
LET ME SEE
THAT PHOTOGRAPH AGAIN.
SURE.
529
00:34:23,240 --> 00:34:26,250
YOU KNOW, THE MORE
I THINK ABOUT IT,
THE MORE I BELIEVE THAT...
530
00:34:26,250 --> 00:34:28,250
THAT MATHEWS WAS LYING TO US
ABOUT THIS PICTURE.
531
00:34:28,250 --> 00:34:31,000
- WHAT MADE YOU
CHANGE YOUR MIND?
- NEARLY GETTING KILLED.
532
00:34:31,000 --> 00:34:35,000
YEAH, WELL, WE BOTH KNOW
MATHEWS WAS RESPONSIBLE FOR US
GOING OFF THE ROAD.
533
00:34:35,010 --> 00:34:37,380
- BUT HOW ARE WE GONNA PROVE IT?
- WELL, MAYBE THIS PHOTOGRAPHER,
534
00:34:37,380 --> 00:34:39,600
MICHAELS, KNOWS SOMETHING.
535
00:34:39,880 --> 00:34:42,850
- HE TOOK THE PICTURE.
- HE TOOK IT A LONG TIME AGO.
HOW WE GONNA FIND HIM?
536
00:34:42,850 --> 00:34:45,800
WE GO LOOKIN'
IN THE FIRST PLACE
EVERY BOUNTY HUNTER LOOKS.
537
00:34:45,800 --> 00:34:48,770
POLICE RECORDS?
THE YELLOW PAGES.
538
00:34:51,940 --> 00:34:54,720
[ Phone Rings ]
539
00:34:54,730 --> 00:34:56,740
HELLO?
[ Mathews ]
HI, DUANE.
540
00:34:56,730 --> 00:34:58,730
MR. MATHEWS.
541
00:34:59,230 --> 00:35:01,060
HOW MUCH LONGER AM I GONNA
HAVE TO STAY HERE?
542
00:35:01,070 --> 00:35:03,790
THAT'S WHAT I'M CALLING ABOUT.
WE'RE GONNA TAKE A LITTLE TRIP.
543
00:35:03,780 --> 00:35:05,990
BACK TO THE RANCH?
WELL, NOT EXACTLY.
544
00:35:05,990 --> 00:35:09,370
YOU SEE, THEY'RE STILL
MAKING A BIG THING OVER THIS
KENNY TIPPET BUSINESS.
545
00:35:09,370 --> 00:35:13,660
I THINK YOU'D BE A LOT SAFER
IF I GOT YOU OUT OF THE COUNTRY
TILL THE WHOLE THING BLOWS OVER.
546
00:35:13,660 --> 00:35:15,550
OUT OF THE COUNTRY?
547
00:35:15,550 --> 00:35:18,550
DON'T WORRY.
I'VE ARRANGED EVERYTHING.
548
00:35:18,550 --> 00:35:21,380
IT'LL BE LIKE A VACATION.
WE'LL BE FLYING OUT
IN MY PRIVATE PLANE.
549
00:35:21,390 --> 00:35:23,680
CAN DIXIE COME WITH ME?
550
00:35:23,670 --> 00:35:26,590
NOT RIGHT AWAY,
BUT I'LL HAVE HER OUT
IN A COUPLE OF WEEKS.
551
00:35:26,590 --> 00:35:30,840
- CAN I CALL HER AND TELL HER?
- NO, NO. I'LL CALL HER.
I'LL TAKE CARE OF EVERYTHING.
552
00:35:30,850 --> 00:35:34,820
BUT I--
HAVE I EVER MADE A PROMISE
TO YOU AND THEN NOT DELIVER?
553
00:35:34,820 --> 00:35:36,660
NO, SIR.
554
00:35:36,650 --> 00:35:39,520
TRUST ME. EVERYTHING
IS GONNA BE GREAT.
555
00:35:40,400 --> 00:35:42,910
[ Line Clicks ]
556
00:35:46,660 --> 00:35:50,360
PRISCILLA, COME ON.
A REAL SASSY
COWGIRL LOOK THERE.
557
00:35:50,360 --> 00:35:52,700
♪ [ Pop ]
VERY GOOD, VERY GOOD.
NOW LOOK STRAIGHT AT THE CAMERA.
558
00:35:52,700 --> 00:35:55,120
[ Shutter Clicking ]
THAT'S IT.
A REAL KNOWING SMILE.
559
00:35:55,120 --> 00:35:56,950
EXCELLENT.
NOW YOU'RE GONNA DO
A BIG SMILE.
560
00:35:56,950 --> 00:36:00,790
ATTAGIRL.
VERY GOOD. VERY GOOD.
ONE MORE THIS WAY.
561
00:36:00,790 --> 00:36:04,260
NOW THAT'S WHAT I CALL
A GOOD JOB.
YEAH.
562
00:36:04,260 --> 00:36:06,760
SAY, WHY DON'T YOU
CALL JODY AGAIN,
563
00:36:06,760 --> 00:36:09,100
SEE IF YOU CAN GET US
A DIFFERENT SET OF WHEELS.
564
00:36:09,100 --> 00:36:13,020
VERY GOOD. VERY GOOD, LADIES.
THANK YOU. THANK YOU VERY MUCH.
GOOD DAY'S WORK.
565
00:36:13,020 --> 00:36:15,270
DON'T FORGET-- TOMORROW
WE'RE SHOOTING AT MY HOUSE.
566
00:36:15,270 --> 00:36:18,770
THANKS, LADIES.
NOW, MR. SEAVERS.
567
00:36:18,780 --> 00:36:20,540
PHONE, PHONE.
YEAH.
568
00:36:20,530 --> 00:36:22,360
WHAT CAN I DO FOR YOU?
569
00:36:22,360 --> 00:36:24,860
YES, SIR.
YOU TOOK THIS PHOTOGRAPH.
570
00:36:24,870 --> 00:36:27,880
I WAS JUST WONDERING
IF YOU COULD RECOGNIZE
THESE GUYS.
571
00:36:27,870 --> 00:36:32,040
- OH, SURE.
BUT IT'S BEEN A FEW YEARS.
- I REALIZE THAT. UH--
572
00:36:32,040 --> 00:36:34,460
I WAS REALLY
JUST GETTING STARTED
AS A PHOTOGRAPHER THEN.
573
00:36:34,960 --> 00:36:38,210
I USED TO TAKE A LOT OF
PUBLICITY PICTURES FOR THE BANDS
ON THE RODEO CIRCUIT.
574
00:36:38,210 --> 00:36:40,710
UH, THESE TWO FELLOWS HERE,
MATHEWS AND TIPPET--
575
00:36:41,220 --> 00:36:43,010
DID THEY, UH,
KNOW EACH OTHER SOCIALLY?
576
00:36:43,000 --> 00:36:45,330
YEAH. THEY BOTH SANG
ON THE CIRCUIT.
577
00:36:45,340 --> 00:36:47,850
THEY WERE BOTH HOPING
TO HIT IT BIG
IN THE COUNTRY-WESTERN SCENE.
578
00:36:47,840 --> 00:36:51,420
- MATHEWS DID. TIPPET DIDN'T.
- TIPPET DIDN'T HAVE
WHAT IT TOOK, HUH?
579
00:36:51,430 --> 00:36:53,650
- HE HAD WHAT IT TOOK
UNTIL THE ACCIDENT.
- WHAT ACCIDENT?
580
00:36:53,640 --> 00:36:57,430
TIPPET WAS HORSING AROUND
ON A BRAHMA BULL ONE DAY
AND HE GOT THROWN.
581
00:36:57,430 --> 00:36:59,650
HE LANDED WITH HIS THROAT
ON A RAILING. HE RECOVERED.
582
00:36:59,650 --> 00:37:02,100
HE COULD TALK,
BUT SINGING WAS OUT.
583
00:37:02,100 --> 00:37:05,150
- WHAT HAPPENED AFTER THAT?
- I DON'T KNOW FOR SURE.
584
00:37:05,160 --> 00:37:08,120
- I ONLY KNOW WHAT I HEARD.
- WHICH WAS WHAT?
585
00:37:08,110 --> 00:37:10,830
I USED TO HANG OUT
WITH ONE OF THE MUSICIANS
IN MATHEWS'S BAND.
586
00:37:10,830 --> 00:37:13,830
HE WAS JUST
AN OLD GUITAR PLAYER THAT WAS
THERE AT THE BEGINNING.
587
00:37:13,830 --> 00:37:17,620
HE TOLD ME HE THOUGHT TIPPET
WAS WRITING SONGS FOR MATHEWS.
MAYBE SOME OF THE HITS.
588
00:37:17,620 --> 00:37:19,370
WHY DIDN'T HE EVER
GET ANY CREDIT?
589
00:37:19,370 --> 00:37:21,620
MAYBE YOU OUGHTA
ASK MATHEWS ABOUT THAT.
590
00:37:21,620 --> 00:37:24,010
WOULD YOU EXCUSE ME
FOR A MINUTE?
SURE.
591
00:37:24,010 --> 00:37:26,010
THANK YOU.
592
00:37:26,010 --> 00:37:29,010
DID YOU GET AHOLD OF JODY?
I-I COULDN'T FIND HER.
593
00:37:29,010 --> 00:37:32,520
[ Sighs ] WELL, I GUESS
SKIP'S TRUCK WILL HAVE TO
GET US WHERE WE'RE GONNA GO.
594
00:37:32,520 --> 00:37:36,020
WHERE, BACK UP TO MATHEWS'S?
NO, BACK TO DIXIE JAMES.
595
00:37:36,020 --> 00:37:38,020
WITH THIS NEW EVIDENCE,
MAYBE WE CAN CONVINCE HER...
596
00:37:38,020 --> 00:37:41,020
THAT DUANE'S IN
REAL TROUBLE, AND WE'RE
THE ONLY HOPE HE'S GOT.
597
00:37:41,030 --> 00:37:42,900
COME ON. LET'S GO.
598
00:37:42,890 --> 00:37:46,360
HELLO.
[ Duane ]
HI, HONEY.
599
00:37:46,360 --> 00:37:49,620
DUANE. WHAT'S WRONG?
YOU DON'T SOUND GOOD.
600
00:37:49,620 --> 00:37:53,900
- I'M GOING ON A TRIP.
- A TRIP? WHERE?
601
00:37:53,900 --> 00:37:55,910
OUT OF THE COUNTRY.
602
00:37:55,910 --> 00:37:59,660
WHAT?
ROBERT'S TAKING YOU,
ISN'T HE?
603
00:37:59,660 --> 00:38:02,300
YEAH. HE'S DOING IT
FOR MY OWN GOOD.
604
00:38:02,300 --> 00:38:04,580
BULL, DUANE! HE'S DOING IT
FOR HIS OWN GOOD.
605
00:38:04,580 --> 00:38:06,580
HE KILLED KENNY TIPPET,
DIDN'T HE?
606
00:38:06,580 --> 00:38:09,050
DIXIE.
607
00:38:09,050 --> 00:38:11,550
I JUST CALLED TO TELL YOU
I LOVE YOU.
608
00:38:11,560 --> 00:38:14,320
AND ROBERT WILL BE BRINGING YOU
TO ME IN A FEW WEEKS.
609
00:38:14,310 --> 00:38:17,810
DUANE, LISTEN TO ME.
ROBERT CAN'T BE TRUSTED.
610
00:38:17,810 --> 00:38:20,150
DON'T GO ANYWHERE WITH HIM.
611
00:38:20,150 --> 00:38:22,480
LOOK, TELL ME WHERE YOU ARE,
AND I'LL COME AND GET YOU.
612
00:38:22,480 --> 00:38:26,690
I CAN'T.
ROBERT WILL BE MAD AT ME
IF I DON'T GO WITH HIM.
613
00:38:26,690 --> 00:38:30,020
- I'LL BE MAD AT YOU IF YOU DO.
- OH, DIXIE.
614
00:38:30,020 --> 00:38:32,330
DON'T BE MAD AT ME.
615
00:38:32,330 --> 00:38:34,830
I GOTTA GO.
616
00:38:34,830 --> 00:38:37,330
HONEY, EVERYTHING WILL BE FINE
WHEN WE'RE IN MEXICO.
617
00:38:38,830 --> 00:38:41,330
LOOK, DUANE, YOU'RE RIGHT.
618
00:38:41,340 --> 00:38:43,850
ROBERT WILL HELP YOU.
619
00:38:43,840 --> 00:38:48,120
ALL I WANT TO DO IS COME OVER
AND KISS YOU GOOD-BYE.
THAT'S ALL.
620
00:38:48,130 --> 00:38:51,220
BUT, UH--
OH, HONEY, COME ON, PLEASE.
621
00:38:51,210 --> 00:38:56,720
I JUST HAVE TO.
JUST ONE GREAT BIG
KISS GOOD-BYE?
622
00:38:56,720 --> 00:39:01,020
WELL, IF YOU GET HERE
BEFORE ROBERT.
623
00:39:03,860 --> 00:39:05,690
OKAY.
624
00:39:18,990 --> 00:39:21,290
OKAY, DARLING.
THANK YOU. BYE.
625
00:39:24,080 --> 00:39:26,250
LOOK. DON'T BOTHER ME.
I'M IN A HURRY.
626
00:39:26,250 --> 00:39:29,830
- YEAH, WELL, SO ARE WE.
- WHAT HAPPENED TO YOUR TRUCK?
627
00:39:29,830 --> 00:39:32,330
- MATHEWS PUSHED IT
OVER A CLIFF.
- YEAH, WITH US IN IT.
628
00:39:32,340 --> 00:39:34,600
[ Colt ]
AND GOD KNOWS
WHAT HE'LL DO TO DUANE.
629
00:39:34,590 --> 00:39:38,720
LISTEN. WE'RE ON YOUR SIDE NOW.
WE DON'T THINK DUANE KILLED
KENNY EITHER.
630
00:39:40,510 --> 00:39:42,510
YOU PROMISE
IF I TAKE YOU TO DUANE...
631
00:39:42,510 --> 00:39:45,230
THAT HE'LL GET A FAIR TRIAL,
AND YOU'LL HELP HIM
CLEAR HIMSELF?
632
00:39:45,230 --> 00:39:49,440
- YOU GOT OUR WORD.
- OKAY. HE JUST CALLED.
I KNOW WHERE HE IS.
633
00:39:49,940 --> 00:39:52,240
BUT WE GOTTA HURRY.
ROBERT'S TAKING HIM
OUT OF THE COUNTRY.
634
00:39:52,240 --> 00:39:54,570
LET'S GO.
635
00:40:25,440 --> 00:40:27,890
CAN'T THIS THING
GO ANY FASTER?
636
00:40:27,890 --> 00:40:31,140
I SURE WISH WE COULD HAVE
GOTTEN AHOLD OF JODY.
THAT DOESN'T MATTER NOW.
637
00:40:31,650 --> 00:40:33,540
MOTEL SHOULD BE
JUST DOWN A FEW BLOCKS.
638
00:40:46,540 --> 00:40:49,040
DUANE, YOU SURE YOU GOT
ALL YOUR THINGS?
I DON'T HAVE THAT MUCH.
639
00:40:49,050 --> 00:40:52,560
I'LL GET YOU A NEW WARDROBE
IN MEXICO. SURE IS PRETTY
THERE THIS TIME OF YEAR.
640
00:40:52,550 --> 00:40:55,380
YOU'RE GONNA LOVE IT.
WHAT ARE YOU LOOKIN' FOR?
HUH? NOTHIN'.
641
00:41:00,340 --> 00:41:02,170
I'LL CHECK AND SEE
WHAT ROOM HE'S IN.
642
00:41:05,510 --> 00:41:08,980
THAT'S DIXIE WITH THOSE
TWO BOUNTY HUNTERS.
DUANE, YOU CALLED HER.
643
00:41:09,480 --> 00:41:12,490
I'M SORRY, MR. MATHEWS.
THAT'S THE TWO GUYS THAT ARE
TRYING TO PUT YOU IN JAIL!
644
00:41:12,490 --> 00:41:14,820
SHE DOUBLE-CROSSED YOU!
WE GOTTA GET OUTTA HERE.
645
00:41:19,410 --> 00:41:21,410
AH, THEY'RE SPLITTING.
646
00:41:23,610 --> 00:41:25,780
[ Tires Squealing ]
647
00:41:25,780 --> 00:41:28,830
[ Dixie ]
COLT, WE'LL NEVER
CATCH HIM IN THIS.
648
00:41:28,840 --> 00:41:31,210
- [ Howie ]
LOOK OUT, COLT!
- [ Horn Honks ]
649
00:41:32,590 --> 00:41:35,510
[ Air Hissing ]
650
00:41:49,560 --> 00:41:51,560
[ Hits Truck ]
651
00:41:54,230 --> 00:41:57,950
[ Tool Squeaking ]
652
00:41:57,950 --> 00:42:00,870
WELL, AT LEAST
HE HAD A SPARE.
YEAH.
653
00:42:00,870 --> 00:42:03,870
HURRY UP, WILL YA?
ROBERT WILL HAVE DUANE
OUT OF THE COUNTRY...
654
00:42:03,870 --> 00:42:07,210
BEFORE WE EVEN GET THERE.
WHERE? WE LOST HIM.
655
00:42:07,210 --> 00:42:10,540
WELL, ROBERT HAS HIS OWN PLANE.
AND IF HE'S TAKING DUANE
OUT OF THE COUNTRY,
656
00:42:10,540 --> 00:42:13,830
HE'S PROBABLY TAKING HIM
TO HIS PRIVATE LANDING STRIP.
[ Colt ] WHERE'S THAT?
657
00:42:13,830 --> 00:42:17,130
HE BOUGHT A PIECE OF AN OLD
MOVIE RANCH, TURNED IT
INTO HIS OWN AIRPORT.
658
00:42:17,130 --> 00:42:19,640
THE OLD RKO RANCH.
YEAH.
659
00:42:19,640 --> 00:42:23,470
I KNOW WHERE THAT IS. I DID
A COUPLE OF WESTERNS THERE.
LET'S GIVE IT A SHOT.
660
00:42:42,030 --> 00:42:44,040
I JUST CAN'T BELIEVE
DIXIE'D DO THAT.
661
00:42:44,530 --> 00:42:47,030
I NEVER TRUSTED HER.
SHE DOESN'T CARE FOR YOU
LIKE I DO.
662
00:42:47,530 --> 00:42:49,530
YOU NEED TO DEPEND
ON ME, DUANE.
663
00:42:49,530 --> 00:42:51,530
I DO, ROBERT.
YOU'RE MY FRIEND.
664
00:42:51,540 --> 00:42:54,050
COME ON.
LET'S GO INSIDE THE SHED
TILL THE PLANE COMES IN.
665
00:42:54,040 --> 00:42:57,040
WHAT DO WE HAVE TO WAIT
IN HERE FOR?
I CAN'T TAKE ANY CHANCES...
666
00:42:57,040 --> 00:43:01,460
ON SOMEONE SEEING YOU
UNTIL I HAVE YOU SAFE
AND SOUND DOWN IN MEXICO.
667
00:43:01,460 --> 00:43:03,460
WHAT'S IT GONNA BE LIKE
DOWN IN MEXICO?
668
00:43:03,460 --> 00:43:05,460
WELL, YOU'RE NOT GONNA MISS
DIXIE, THAT'S FOR SURE.
669
00:43:05,470 --> 00:43:07,980
YOU'RE GONNA HAVE
MORE SEÑORITAS THAN YOU'LL
BE ABLE TO HANDLE.
670
00:43:07,970 --> 00:43:09,970
WHERE WE GONNA LIVE?
RIGHT ON THE BEACH.
671
00:43:09,970 --> 00:43:13,470
I'LL GET YOU A PLACE
OF YOUR OWN. BE ABLE TO
GET UP IN THE MORNING...
672
00:43:13,470 --> 00:43:15,980
AND LOOK OUT AT THE SEA.
CAN WE GO FISHING?
673
00:43:16,480 --> 00:43:18,690
THEY GOT MARLIN DOWN THERE
BIGGER THAN YOU ARE.
674
00:43:18,700 --> 00:43:20,210
SOUNDS PRETTY GOOD,
MR. MATHEWS.
675
00:43:20,200 --> 00:43:24,070
GOOD? IT'S GONNA BE GREAT.
HEAVEN ON EARTH.
676
00:43:24,070 --> 00:43:26,040
YEAH. HEAVEN ON EARTH.
677
00:43:26,040 --> 00:43:29,660
- YOU STAY INSIDE TILL
THE PLANE COMES, ALL RIGHT?
- OKAY.
678
00:43:48,930 --> 00:43:50,940
THAT'S FUNNY.
679
00:43:50,930 --> 00:43:53,430
WHY'D HE LOCK ME
IN HERE LIKE THAT?
680
00:44:12,000 --> 00:44:14,870
[ Dixie ]
WHAT ARE WE GONNA DO
IF WE DON'T GET THERE IN TIME?
681
00:44:14,870 --> 00:44:17,370
WHAT IF HE TAKES OFF
WITH DUANE?
682
00:44:17,370 --> 00:44:19,870
DON'T WORRY.
WE'RE ALMOST THERE.
YEAH,
683
00:44:19,870 --> 00:44:23,880
BUT NOW THAT MATHEWS KNOWS
YOU'RE ONTO HIM, HE MIGHT
DO SOMETHING TERRIBLE.
684
00:44:29,800 --> 00:44:31,800
[ Sniffing ]
685
00:44:34,300 --> 00:44:37,310
MR. MATHEWS!
MR. MATHEWS, HELP!
686
00:44:37,310 --> 00:44:40,310
[ Knocking Continues ]
MR. MATHEWS!
687
00:44:41,700 --> 00:44:44,710
HE DOUBLE-CROSSED ME!
688
00:44:49,200 --> 00:44:51,070
HELP!
689
00:44:53,070 --> 00:44:54,910
COLT, LOOK.
690
00:44:54,910 --> 00:44:57,830
DUANE'S NOT WITH HIM.
HE MUST BE IN THAT HOUSE.
691
00:44:57,830 --> 00:45:01,750
WE GOT TO GET DOWN THERE.
ROBERT STORES THE FUEL
FOR HIS PLANE IN THAT HOUSE.
692
00:45:01,750 --> 00:45:03,550
IT'S GONNA BLOW ANY SECOND.
WE'LL NEVER MAKE IT.
693
00:45:03,550 --> 00:45:06,840
IT'LL TAKE FIVE MINUTES
BY THE ROAD. WE'RE GONNA
TAKE A SHORTCUT.
694
00:45:08,060 --> 00:45:10,930
[ Colt ]
HANG ON.
695
00:45:20,400 --> 00:45:24,020
YOU GET MATHEWS. I'LL GET DUANE.
YOU GET AWAY FROM THE HOUSE.
IT'S GONNA BLOW.
696
00:45:24,020 --> 00:45:26,990
BUT--
NO, GET AWAY
FROM THE HOUSE. GO ON.
697
00:45:38,120 --> 00:45:39,790
[ Tires Screech ]
698
00:46:05,730 --> 00:46:07,730
DUANE.
699
00:46:20,290 --> 00:46:22,630
HEY, SEAVERS,
YOU GOT THE WRONG MAN.
700
00:46:22,630 --> 00:46:25,130
YOU'RE SUPPOSED
TO GET DUANE, NOT ME.
HE KILLED TIPPET. HE CONFESSED.
701
00:46:25,130 --> 00:46:27,920
NOW HE KNOWS YOU TRIED
TO KILL HIM, I THINK
HE'LL CHANGE HIS STORY.
702
00:46:27,920 --> 00:46:30,470
GET DOWN.
IT'S GONNA BLOW!
GET DOWN.
703
00:46:43,070 --> 00:46:45,320
[ Skip ]
THE MEMORIES,
704
00:46:45,320 --> 00:46:47,690
THE GOOD TIMES WE HAD.
705
00:46:49,190 --> 00:46:52,190
I MEAN, THERE WERE TIMES
WE'D JUST GO OFF TOGETHER,
706
00:46:52,190 --> 00:46:55,690
THE TWO OF US, FOR WEEKS.
707
00:46:57,200 --> 00:46:59,700
PART OF MY LIFE
WAS IN THAT TRUCK,
708
00:46:59,700 --> 00:47:03,500
AND WHEN SHE BLEW UP,
PART OF ME SORT OF DIED.
709
00:47:03,500 --> 00:47:07,420
COLT, HE'S TALKING
ABOUT THAT TRUCK
LIKE IT WAS A PERSON.
710
00:47:07,420 --> 00:47:09,930
OH, SKIP,
I'LL MAKE IT UP TO YOU.
I SWEAR.
711
00:47:09,930 --> 00:47:12,930
IN FACT, I'M TRYING
TO SWING IT SO THAT WHEN
MATHEWS'S TRIAL IS OVER,
712
00:47:12,930 --> 00:47:14,760
YOU GET THIS LIMO.
713
00:47:14,770 --> 00:47:17,030
A LIMO?
714
00:47:17,020 --> 00:47:19,970
YEAH. YOU SEE,
BIG JACK IS SUING
MATHEWS FOR DAMAGES,
715
00:47:19,970 --> 00:47:23,810
AND SHE THINKS THAT SHE CAN
GET YOU THIS AS COMPENSATION
FOR YOUR TRUCK.
716
00:47:23,810 --> 00:47:27,780
NOTHING...
CAN REPLACE MY TRUCK.
717
00:47:27,780 --> 00:47:32,780
OH, NOW, SKIP,
A LIMOUSINE CAN BE
PRETTY SPECIAL TOO.
718
00:47:32,780 --> 00:47:34,780
YEAH, TAKE A LOOK
IN THE BACKSEAT.
719
00:47:34,790 --> 00:47:38,300
YOU KNOW, THERE'S PLENTY
OF ROOM TO SLEEP IN THERE.
A HEATER, A STEREO.
720
00:47:39,790 --> 00:47:41,790
HEY.
721
00:47:41,790 --> 00:47:44,790
HEY, I'M BEGINNING TO SEE
WHAT YOU BOYS MEAN.
722
00:47:44,800 --> 00:47:47,640
IF I WERE TO PUT A TORCH
TO THE BACK OF THIS THING--
723
00:47:47,630 --> 00:47:50,920
TORCH TO A LIMO?
SHUT UP, KID.
THERE'S A GENIUS AT WORK.
724
00:47:50,920 --> 00:47:53,890
I COULD CUT THE BACK
OF THIS SUCKER OUT...
725
00:47:53,890 --> 00:47:57,390
AND HAVE ENOUGH ROOM
TO BUILD A HOUSE...
WITH A LOFT!
726
00:47:57,390 --> 00:47:59,890
A LOFT?
TWO-STORY.
727
00:47:59,890 --> 00:48:02,390
IF I BEEF UP
THE SUSPENSION,
728
00:48:02,400 --> 00:48:04,410
MAYBE I COULD EVEN
PUT IN A HOT TUB.
729
00:48:04,400 --> 00:48:07,820
HOT TUB!
COLT, SKIP'S STARTING TO GET
PRETTY ATTACHED TO THIS LIMO.
730
00:48:07,820 --> 00:48:10,320
WHAT HAPPENS IF BIG JACK
CAN'T GET IT FOR HIM?
731
00:48:15,610 --> 00:48:19,530
I GUESS MY--
GUESS MY TRUCK
WILL BE GOING CONDO.61645
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