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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:00,000 Edited at https://subtitletools.com 2 00:00:02,300 --> 00:00:05,050 ? WELL, I'M NOT THE KIND TO KISS AND TELL ? 3 00:00:05,050 --> 00:00:08,310 ? BUT I'VE BEEN SEEN WITH FARRAH ? 4 00:00:08,310 --> 00:00:10,940 ? I'VE NEVER BEEN WITH ANYTHING LESS ? 5 00:00:10,940 --> 00:00:13,730 ? THAN A NINE SO FINE ? 6 00:00:13,730 --> 00:00:16,310 ? I'VE BEEN ON FIRE WITH SALLY FIELD ? 7 00:00:16,320 --> 00:00:19,160 ? GONE FAST WITH A GIRL NAMED BO ? 8 00:00:19,150 --> 00:00:23,540 ? BUT SOMEHOW THEY JUST DON'T END UP AS MINE ? 9 00:00:23,540 --> 00:00:27,330 ? IT'S A DEATH-DEFYIN' LIFE I LEAD ? 10 00:00:27,330 --> 00:00:29,790 ? I TAKE MY CHANCES ? 11 00:00:29,800 --> 00:00:32,720 ? I DIE FOR A LIVIN' IN THE MOVIES AND TV ? 12 00:00:32,720 --> 00:00:34,640 [ Siren Wailing ] 13 00:00:34,630 --> 00:00:37,170 ? BUT THE HARDEST THING I EVER DO ? 14 00:00:37,170 --> 00:00:40,510 ? IS WATCH MY LEADING LADIES ? 15 00:00:40,970 --> 00:00:45,060 ? KISS SOME OTHER GUY WHILE I'M BANDAGIN' MY KNEE ? 16 00:00:45,560 --> 00:00:48,310 ? I MIGHT FALL FROM A TALL BUILDIN' ? 17 00:00:48,310 --> 00:00:51,270 ? I MIGHT ROLL A BRAND-NEW CAR ? 18 00:00:51,270 --> 00:00:53,940 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 19 00:00:53,940 --> 00:00:56,740 ? THAT MADE REDFORD SUCH A STAR ? 20 00:00:56,740 --> 00:00:59,690 ? [ Women Vocalizing ] 21 00:01:03,330 --> 00:01:06,450 ? I'VE NEVER SPENT MUCH TIME IN SCHOOL ? 22 00:01:06,450 --> 00:01:09,080 ? BUT I'VE TAUGHT LADIES PLENTY ? 23 00:01:09,090 --> 00:01:12,430 ? IT'S TRUE I HIRE MY BODY OUT FOR PAY ? 24 00:01:12,920 --> 00:01:14,260 ? HEY, HEY ? 25 00:01:14,260 --> 00:01:17,260 ? I'VE GOTTEN BURNED OVER CHERYL TIEGS ? 26 00:01:17,260 --> 00:01:19,960 ? BLOWN UP FOR RAQUEL WELCH ? 27 00:01:19,960 --> 00:01:23,970 ? BUT WHEN I WIND UP IN THE HAY, IT'S ONLY HAY ? 28 00:01:23,970 --> 00:01:25,430 ? HEY, HEY ? 29 00:01:25,440 --> 00:01:28,480 ? I MIGHT JUMP AN OPEN DRAWBRIDGE ? 30 00:01:28,470 --> 00:01:30,270 ? OR TARZAN FROM A VINE ? 31 00:01:30,270 --> 00:01:32,640 ? 'CAUSE I'M THE UNKNOWN STUNTMAN ? 32 00:01:32,640 --> 00:01:36,480 ? THAT MAKES EASTWOOD LOOK SO FINE ? 33 00:01:50,630 --> 00:01:53,960 [ Colt Narrating ] THIS IS THE STORY OF ONE OF AMERICA'S GREAT UNSUNG HEROES. 34 00:01:53,960 --> 00:01:57,750 I MEAN, YOU'VE SEEN HIM, BUT YOU NEVER KNEW WHO HE WAS. 35 00:01:57,750 --> 00:01:59,920 YOU'VE CHEERED FOR HIM AND CRIED FOR HIM, 36 00:01:59,920 --> 00:02:03,220 WOMEN HAVE WANTED TO DIE FOR HIM. 37 00:02:03,220 --> 00:02:07,480 BUT DID HE EVER GET ANY CREDIT? OR THE GIRL? NO. 38 00:02:07,480 --> 00:02:09,930 HE WAS WHAT WE CALL A STUNTMAN. 39 00:02:09,930 --> 00:02:12,310 AND THE REASON I'M TALKIN' SO FONDLY ABOUT HIM IS-- 40 00:02:12,320 --> 00:02:14,360 WELL, BECAUSE IT'S ME, COLT SEAVERS. 41 00:02:14,350 --> 00:02:17,990 ANYWAY, PICTURE WORK ISN'T WALL-TO-WALL EMPLOYMENT. 42 00:02:18,490 --> 00:02:21,820 SO MAYBE YOU WONDER HOW A GUY KEEPS HIS HEAD TOGETHER. 43 00:02:21,820 --> 00:02:24,740 WELL, ONE WAY IS TO WAIT BY THE PHONE... 44 00:02:24,740 --> 00:02:27,080 AND WAIT... AND WAIT. 45 00:02:27,080 --> 00:02:29,860 THE OTHER IS TO TAKE AN OCCASIONAL JOB FOR THE COURT SYSTEM... 46 00:02:29,870 --> 00:02:32,180 OF THE UNITED STATES OF AMERICA, 47 00:02:32,170 --> 00:02:35,000 WHERE A MAN IS CONSIDERED INNOCENT UNTIL PROVEN GUILTY. 48 00:02:35,000 --> 00:02:38,510 UNFORTUNATELY, SOMETIMES A LOT OF THESE PEOPLE... 49 00:02:38,510 --> 00:02:41,960 GET OUT OF JAIL ON WHAT WE CALL BAIL. 50 00:02:41,960 --> 00:02:44,460 AND THEY RUN LIKE HELL. 51 00:02:44,460 --> 00:02:48,850 THAT'S WHERE I COME IN. I SOMETIMES PICK UP RENT MONEY TRYIN' TO FIND THEM... 52 00:02:48,850 --> 00:02:50,640 AND BRING THEM BACK TO JUSTICE. 53 00:02:50,640 --> 00:02:55,110 ONCE IN A WHILE, I GET A CHANCE TO DO NOTHIN' WITH ALL MY BUDDIES. 54 00:03:14,040 --> 00:03:19,080 HEY, TOM! HEY, WELCOME. HOW YOU DOIN', ALL RIGHT? 55 00:03:19,080 --> 00:03:21,380 OKAY? EVERYTHING ALL RIGHT? 56 00:03:23,170 --> 00:03:25,170 HYAH! HYAH! 57 00:03:30,310 --> 00:03:32,810 HYAH! 58 00:03:32,810 --> 00:03:37,600 LOOK AT ALL THOSE PEOPLE, COLT. GEE, THIS IS EXCITING. YEAH, I KNOW, KID. 59 00:03:37,600 --> 00:03:41,240 REMEMBER, THE KEY IS TO PACE YOURSELF. YOU DON'T WANNA PEAK TOO SOON. 60 00:03:41,240 --> 00:03:44,570 WE GOT TWO DAYS OF NONSTOP PARTYIN'. YEAH. 61 00:03:44,570 --> 00:03:46,360 YEAH. HYAH! HYAH! 62 00:04:07,460 --> 00:04:10,970 WELL, IF IT ISN'T THE OLD WELLS FARGO MAN HIMSELF. [ Horse Whinnies ] 63 00:04:12,220 --> 00:04:15,220 TAKE IT IN. HI, STAN. 64 00:04:17,220 --> 00:04:19,220 HERE WE ARE. 65 00:04:20,730 --> 00:04:22,730 WOW. WELL, JODY, HOW WAS THE RIDE? 66 00:04:22,730 --> 00:04:26,560 I'LL LET YOU KNOW AS SOON AS I GET SOME FEELIN' BACK. COME ON OUT, BIG JACK. 67 00:04:26,570 --> 00:04:29,290 THANKS, HOWIE. 68 00:04:29,290 --> 00:04:31,300 OH, BOY. I'LL NEVER SIT AGAIN. 69 00:04:31,290 --> 00:04:33,290 COLT, THE NEXT TIME YOU SAY WE'RE TRAVELING BY COACH, 70 00:04:33,790 --> 00:04:35,570 I'D LIKE TO SEE THE TICKET FIRST. 71 00:04:37,410 --> 00:04:40,040 I'LL SAY ONE THING, YOU STILL KNOW HOW TO MAKE AN ENTRANCE. 72 00:04:40,050 --> 00:04:43,060 HELLO, GUS. HOW ARE YOU? FINE. GOOD TO SEE YOU, COLT. 73 00:04:43,050 --> 00:04:45,580 YOU KNOW JODY AND HOWIE. SURE. 74 00:04:45,590 --> 00:04:47,600 THIS IS SAMANTHA JACK, FRIEND OF OURS, 75 00:04:47,590 --> 00:04:50,590 WANTED TO COME ALONG FOR A FEW DAYS OF SUN AND FUN. 76 00:04:50,590 --> 00:04:54,480 COME TO THE RIGHT PLACE. YOU HAVE NO WORRIES AT ALL. THIS IS A FUN-LOVIN' GROUP. 77 00:04:54,480 --> 00:04:57,180 SURE LOOKS LIKE YOU GOT A GOOD TURNOUT. 78 00:04:57,180 --> 00:04:59,810 YEAH, WE GOT ALL THE BIG NAMES, ALL EXCEPT FOR CHARLIE HEFFERTON. 79 00:04:59,820 --> 00:05:03,700 OH, NO, CHARLIE-- CHARLIE SAID SHE'D BE HERE. YOU CAN BET SHE'LL SHOW UP. 80 00:05:03,690 --> 00:05:07,520 - CHARLIE'S A SHE? - BEST STUNTWOMAN IN THE BUSINESS. 81 00:05:07,520 --> 00:05:10,830 YEAH, I REMEMBER WHEN YOU AND CHARLIE USED TO WORK TOGETHER. 82 00:05:10,830 --> 00:05:13,110 YOU WERE A REAL PAIR TO DRAW TO. 83 00:05:13,110 --> 00:05:17,580 - WELL, SHE HAD THAT SPECIAL FLAIR, ALL RIGHT. - COLT, LOOK AT THAT. 84 00:05:21,500 --> 00:05:24,010 [ Woman ] THANKS FOR THE RIDE. 85 00:05:38,640 --> 00:05:43,440 COLT, I THINK YOU'VE BEEN JUST UPSTAGED. WATCH IT. 86 00:05:46,810 --> 00:05:49,950 COLT, DO YOU KNOW WHO THAT IS? 87 00:05:49,950 --> 00:05:52,230 THAT'S CHARLIE. 88 00:06:24,350 --> 00:06:26,770 SHOULDN'T WE GIVE HER SOME ROOM? 89 00:06:26,770 --> 00:06:28,770 NO NEED TO. SHE KNOWS WHAT SHE'S DOIN'. 90 00:06:34,410 --> 00:06:36,660 [ No Audible Dialogue ] 91 00:06:38,080 --> 00:06:40,670 [ Woman ] YEAH. ALL RIGHT. 92 00:06:40,670 --> 00:06:43,170 WHOO! 93 00:06:50,290 --> 00:06:53,040 WHOO! 94 00:06:53,050 --> 00:06:55,060 COLT! NICE TO SEE YOU AGAIN, CHARLIE. 95 00:06:55,050 --> 00:06:57,550 HOW ARE YOU? OH. 96 00:06:57,550 --> 00:06:59,550 SORRY TO STEAL YOUR THUNDER, BUT YOU KNOW ME. 97 00:06:59,550 --> 00:07:03,300 WHERE THERE'S A STAGE, I'LL DO A SHOW. I KNOW, I KNOW. 98 00:07:03,310 --> 00:07:06,150 OH! THAT WAS WONDERFUL. 99 00:07:06,140 --> 00:07:09,640 GREAT JUMP, CHARLIE. GOOD TO SEE YOU. [ Big Jack ] GOOD JOB. 100 00:07:09,650 --> 00:07:11,660 HEY, COME ON. LET'S GET YOU GUYS SETTLED. 101 00:07:11,650 --> 00:07:13,650 SEE YOU LATER. 102 00:07:15,650 --> 00:07:17,650 WELL, WHAT DO YOU DO FOR AN ENCORE? 103 00:07:17,650 --> 00:07:22,160 STICK AROUND, BIG FELLA, AND YOU'LL FIND OUT. HI, GARY! 104 00:07:22,160 --> 00:07:25,540 HEY, CHARLIE. COME OVER AND SAY HELLO. YEAH, JUST A SECOND. 105 00:07:25,540 --> 00:07:28,550 COLT, I'VE GOT ABOUT A MILLION PEOPLE I'VE GOTTA SAY HELLO TO. 106 00:07:28,550 --> 00:07:30,800 I'M SUPPOSED TO MEET MY BROTHER. WHERE YOU GONNA BE LATER? 107 00:07:30,800 --> 00:07:34,300 - THAT DEPENDS ON LADY LUCK. - WELL, FINE. I'LL SEE YOU IN THE CASINO. 108 00:07:34,300 --> 00:07:38,060 NOPE, I'LL BE HAVIN' A COLD BEER BY THE POOL AND SEE WHO LADY LUCK BRINGS ME. 109 00:07:38,060 --> 00:07:42,140 OH. WELL, IF YOU'RE REAL LUCKY, SHE'LL BRING YOU ME. 110 00:07:42,140 --> 00:07:44,510 AH. [ Chuckles ] 111 00:07:46,320 --> 00:07:50,160 [ Nickers ] NOT BAD, COLT. NOT BAD AT ALL. 112 00:07:50,150 --> 00:07:53,150 YEAH, IT'S A GREAT TEAM OF HORSES. TAKE CARE OF 'EM, WILL YA? 113 00:07:53,160 --> 00:07:55,670 I WAS TALKIN' ABOUT THE GIRL. I WANNA HANG OUT WITH YOU. 114 00:07:55,660 --> 00:07:57,660 WAIT A MINUTE, KID. YOU TRUST ME, DON'T YA? 115 00:07:57,660 --> 00:08:01,910 WELL, YEAH, SURE, BUT-- LET ME GIVE YOU ADVICE THAT DAVE ROBINSON GAVE TO ME. 116 00:08:01,910 --> 00:08:05,870 HE SAID, "'TIS A WISE MAN THAT WOULDN'T TRADE A WORLD FILLED WITH BEAUTIFUL WOMEN... 117 00:08:05,870 --> 00:08:08,120 FOR A TEAM OF DEPENDABLE HORSES." 118 00:08:08,120 --> 00:08:10,920 I'M NOT OLD ENOUGH TO BE WISE. 119 00:08:10,920 --> 00:08:13,420 UH, DIDN'T THINK YOU'D BUY THAT. 120 00:08:13,930 --> 00:08:15,930 OH, GREAT. 121 00:08:20,430 --> 00:08:23,680 SHE LIKES ME. [ Nickers ] 122 00:08:29,110 --> 00:08:32,140 ? [ Country ] 123 00:08:32,140 --> 00:08:35,150 [ Man ] GOT EIGHT, SKATE AND DONATE. LET'S GO. ROLL 'EM UP. 124 00:08:36,650 --> 00:08:39,150 ALL RIGHT. COME ON. 125 00:08:39,150 --> 00:08:41,650 HEY, BOSS. CAN WE TALK TO YOU FOR A MINUTE? 126 00:08:41,650 --> 00:08:46,160 I'M STUCK HERE. YOU BETTER HAVE GOOD NEWS. WALK OVER HERE. 127 00:08:48,660 --> 00:08:52,660 IT'S GOOD NEWS, ALL RIGHT. WE LOCATED HEFFERTON. WELL, IT'S ABOUT TIME. 128 00:08:52,670 --> 00:08:55,560 HEY, BOSS, HE'S PRETTY SLIPPERY. I KNOW ALL ABOUT IT. WHERE IS HE? 129 00:08:55,550 --> 00:09:00,300 WELL, THE RENT-A-CAR PLACE AT THE AIRPORT GAVE HIS ADDRESS FOR A HOTEL RIGHT HERE. 130 00:09:00,310 --> 00:09:03,320 DID HE HAVE THE MONEY WITH HIM? WE CHECKED THE ROOM. IT'S NOT REGISTERED TO HIM. 131 00:09:03,310 --> 00:09:05,560 IT'S REGISTERED TO SOME STUNTWOMAN WHO'S ON SOME KIND OF VACATION. 132 00:09:05,560 --> 00:09:08,010 IT FIGURES THAT LITTLE LEECH WOULD BE LIVIN' OFF SOME BROAD. 133 00:09:08,010 --> 00:09:10,510 YOU JUST GO SIT ON HER. HE'LL POP UP. 134 00:09:10,520 --> 00:09:14,030 HOW HARD DO YOU WANT US TO COME DOWN ON HIM? HOW HARD IS DEAD? 135 00:09:16,490 --> 00:09:20,440 HELLO, LOVELY LADIES. WHAT'LL YOU HAVE? 136 00:09:20,440 --> 00:09:22,440 DO YOU MAKE A GOOD PI�A COLADA? 137 00:09:22,450 --> 00:09:24,790 DO I MAKE A GOOD PI�A COLADA? 138 00:09:24,780 --> 00:09:29,700 HONEY, YOU'RE LOOKIN' AT THE BEST PI�A COLADA MAKER TO COME OUT OF BREWSTER, PENNSYLVANIA. 139 00:09:29,700 --> 00:09:32,590 COURSE, I'M THE ONLY PI�A COLADA MAKER TO COME OUT OF BREWSTER. 140 00:09:32,590 --> 00:09:36,120 - WE'LL HAVE TWO. - YOU DON'T HAPPEN TO MAKE, UH, 141 00:09:36,130 --> 00:09:39,140 DIET PI�A COLADAS, DO YOU? 142 00:09:39,130 --> 00:09:41,300 JACK, WE'RE ON VACATION, REMEMBER? 143 00:09:41,300 --> 00:09:43,630 YOU'RE RIGHT. MAKE THOSE DOUBLES. 144 00:09:43,630 --> 00:09:47,390 GO FOR IT. DOUBLES COMIN' UP. 145 00:09:47,390 --> 00:09:50,470 NOW THIS IS WHY I BECAME A STUNTMAN. 146 00:09:50,470 --> 00:09:53,690 JUST LOOK AT ALL THOSE BEAUTIFUL BODIES. 147 00:09:53,690 --> 00:09:56,890 I FEEL LIKE A KID IN A CANDY STORE. EASY, KID. 148 00:09:56,900 --> 00:10:00,790 REMEMBER WHAT I TOLD YOU ABOUT PEAKIN' TOO SOON. HOW ARE THE HORSES? 149 00:10:00,780 --> 00:10:04,620 THE HORSES ARE FINE. THE QUESTION IS HOW ARE THE WOMEN? 150 00:10:04,620 --> 00:10:07,790 GREAT. YOU RUB 'EM DOWN? 151 00:10:07,790 --> 00:10:10,460 - THE WOMEN? - THE HORSES. 152 00:10:10,460 --> 00:10:13,460 I BOUGHT 'EM ALL STEAKS AND TOOK 'EM TO A SHOW, OKAY? 153 00:10:13,460 --> 00:10:15,710 YOU DIDN'T HAVE TO GO THAT FAR. 154 00:10:20,920 --> 00:10:24,220 COLT, IS IT MY IMAGINATION OR IS THAT GUY ABOUT TO COMMIT SUICIDE? 155 00:10:34,270 --> 00:10:37,320 OH! I ALMOST HAD A HEART ATTACK. 156 00:10:37,320 --> 00:10:41,240 - HAPPENS EVERY YEAR. - HE DID KNOW THAT AIR BAG WAS THERE, DIDN'T HE? 157 00:10:41,240 --> 00:10:44,490 COURSE HE DID. IT'S ONE OF THE NEW ONES THEY'RE DEMONSTRATIN'. 158 00:10:44,490 --> 00:10:46,990 THAT WAS JUST A DEMONSTRATION? 159 00:10:47,000 --> 00:10:48,840 MM-HMM. AND A LITTLE SHOWING OFF. 160 00:10:48,830 --> 00:10:51,830 YEAH, WELL, THAT'S A LITTLE TOO MACHO FOR ME. 161 00:10:51,830 --> 00:10:54,340 THINK I'M GONNA TAKE A SWIM IN THE DIRECTION OF THAT REDHEAD. 162 00:10:54,340 --> 00:10:56,670 SEE IF SHE LIKES THE STRONG BUT SENSIBLE TYPE. 163 00:10:56,670 --> 00:10:58,620 MMM. GOOD LUCK. 164 00:11:06,930 --> 00:11:09,300 [ Water Splashes ] 165 00:11:11,800 --> 00:11:13,800 COLT? 166 00:11:15,810 --> 00:11:18,310 HEY, WHAT KEPT YOU? PULL UP A CHAIR. I WISH I COULD, 167 00:11:18,310 --> 00:11:22,030 BUT I SPENT SO MUCH TIME LOOKING FOR MY BROTHER, I HAVEN'T BEEN TO MY ROOM YET. 168 00:11:22,030 --> 00:11:24,150 HURRY BACK AND I'LL BUY YOU A BEER. 169 00:11:24,150 --> 00:11:26,870 WHY DON'T YOU COME TO THE ROOM AND I'LL BUY YOU A BEER? 170 00:11:26,870 --> 00:11:30,540 - I COULD USE A LITTLE COMPANY. RIGHT NOW. - SOMETHING WRONG? 171 00:11:30,540 --> 00:11:33,490 I HOPE NOT. I MEAN, I DON'T REALLY THINK SO, NO. IT'S-- 172 00:11:33,990 --> 00:11:36,790 WE'VE GOT A LOT OF CATCHIN' UP TO DO. WE MIGHT AS WELL START NOW. 173 00:11:36,800 --> 00:11:40,060 THAT SOUNDS GOOD TO ME. I GOTTA GET MY TRUNKS ANYWAY. 174 00:11:40,050 --> 00:11:42,330 OKAY. [ Exhales ] 175 00:11:42,330 --> 00:11:45,470 DON'T TELL ME YOU'RE LEAVING PARADISE. OH, TEMPORARILY. 176 00:11:45,470 --> 00:11:48,340 HEY, DON'T FORGET. YOU PROMISED TO TAKE YOUR NEW STUNT GIRL TO LUNCH. 177 00:11:48,340 --> 00:11:50,590 WHO'S THAT? ME. 178 00:11:50,590 --> 00:11:54,930 DON'T WORRY. I'LL HAVE HIM BACK BY THEN. SHORTLY. 179 00:11:56,400 --> 00:11:59,900 YOU KNOW, GUS WAS RIGHT. THEY DO MAKE A GOOD TEAM. 180 00:12:01,900 --> 00:12:03,900 OH, JODY! 181 00:12:03,910 --> 00:12:06,920 I CAN'T TELL YOU HOW GOOD IT IS TO SEE YOU AGAIN. 182 00:12:06,910 --> 00:12:08,910 IT'S BEEN A LONG TIME, HASN'T IT? 183 00:12:08,910 --> 00:12:11,410 IT MAKES FOR A BETTER REUNION. TRUE. 184 00:12:11,410 --> 00:12:13,410 [ Snaps Fingers ] WHAT'S THE MATTER? 185 00:12:13,420 --> 00:12:16,430 FORGOT TO STOP BY THE DESK TO SEE IF MY BROTHER LEFT ME A MESSAGE. 186 00:12:16,420 --> 00:12:19,920 I THOUGHT HE WAS GONNA MEET YOU HERE. SO DID I, BUT HE NEVER SHOWED. 187 00:12:19,920 --> 00:12:21,760 MESSAGES FOR 516, PLEASE. 188 00:12:25,460 --> 00:12:27,680 YOU WORRIED ABOUT HIM? 189 00:12:27,680 --> 00:12:30,010 OH, A LITTLE. 190 00:12:30,020 --> 00:12:35,110 YOU KNOW HOW IT IS. HE'S MY KID BROTHER AND, UH, HE LIVES IN PHOENIX. 191 00:12:35,100 --> 00:12:38,440 I'M NOT SO SURE THAT ALL HIS BUSINESS DEALINGS ARE ENTIRELY ABOVEBOARD. 192 00:12:38,440 --> 00:12:41,810 WELL, THAT HAPPENS IN THIS TOWN. IS HE A GAMBLER? 193 00:12:41,810 --> 00:12:46,060 I DON'T KNOW EXACTLY WHAT HE IS. I WAS HOPING WE WERE GOING TO HAVE A TALK ABOUT THAT. 194 00:12:49,740 --> 00:12:51,750 [ Whispers ] CHARLIE! 195 00:13:05,130 --> 00:13:10,500 MEL, I THOUGHT YOU WERE SUPPOSED TO MEET ME AN HOUR AGO. SOMETHING CAME UP. 196 00:13:10,510 --> 00:13:12,520 COLT? 197 00:13:12,510 --> 00:13:15,010 COLT SEAVERS, THIS IS MY BROTHER MEL. 198 00:13:15,010 --> 00:13:17,010 HEY. HOW YOU DOIN', MEL? FINE. 199 00:13:17,010 --> 00:13:19,010 I'LL GRAB A BEER. BE RIGHT WITH YOU. SURE. 200 00:13:21,320 --> 00:13:25,400 WHAT IS GOING ON? ARE YOU ALL RIGHT? [ Exhales ] NOT EXACTLY. 201 00:13:26,820 --> 00:13:28,660 DO YOU HAVE ANY CASH? IT'S IMPORTANT. 202 00:13:30,580 --> 00:13:33,840 - WHY? - I-- CHARLIE, I-- 203 00:13:33,830 --> 00:13:35,830 YOU KNOW I WOULDN'T ASK YOU IF I WASN'T DESPERATE. 204 00:13:35,830 --> 00:13:39,000 MEL, DO YOU WANT TO TALK TO ME ABOUT IT OR SOMETHING? 205 00:13:39,000 --> 00:13:41,790 I CAN'T EXPLAIN RIGHT NOW. WILL YOU JUST GIVE ME THE MONEY? 206 00:13:41,790 --> 00:13:43,790 SCUSE ME. HOPE I'M NOT INTERRUPTING ANYTHING. 207 00:13:43,790 --> 00:13:47,090 NO, HONEY. IT'S OKAY. HOW MUCH MONEY DO YOU NEED? 208 00:13:47,090 --> 00:13:49,710 GUESS A WHOLE LOT MORE THAN YOU'RE CARRYIN', CHARLIE. 209 00:13:49,710 --> 00:13:52,510 UH, HI, FELLAS. CAN WE HELP YOU? 210 00:13:52,510 --> 00:13:54,930 BUTT OUT. [ Colt ] THAT'S ONE. 211 00:13:54,930 --> 00:13:57,940 MEL, LANCE ROSS WOULD LIKE TO SEE YOU. 212 00:13:58,440 --> 00:14:00,440 ME? I DON'T KNOW WHAT YOU'RE TALKIN' ABOUT. 213 00:14:00,440 --> 00:14:03,190 I DON'T KNOW ANYBODY NAMED LANCE ROSS. WE'LL INTRODUCE YOU. 214 00:14:03,190 --> 00:14:05,890 HEY, FELLAS. WAIT A MINUTE. IF THIS LANCE WANTS TO TALK TO MEL, 215 00:14:05,890 --> 00:14:08,200 WHY DOESN'T HE COME OVER AND HAVE A DRINK? 216 00:14:08,200 --> 00:14:10,730 I'LL GIVE YOU 200,000 REASONS. 217 00:14:10,730 --> 00:14:14,450 I GUESS WE'D BETTER ORDER SOME DRINKS, BECAUSE THAT'S GONNA TAKE SOME TIME. 218 00:14:14,450 --> 00:14:16,200 A REAL COMEDIAN, HUH? [ Colt ] THAT'S TWO. 219 00:14:16,210 --> 00:14:18,470 - LET'S GO, JUNIOR. - HANDS OFF MY BROTHER. 220 00:14:18,460 --> 00:14:21,490 YOU JUST BOUGHT IT, PAL. [ Charlie ] HEY! 221 00:14:43,730 --> 00:14:45,730 DAMN GOOD. 222 00:14:54,330 --> 00:14:57,240 ? [ Country, Indistinct ] 223 00:14:57,750 --> 00:15:00,250 I FEEL GUILTY ALL OVER. I'M SORRY. 224 00:15:00,250 --> 00:15:04,750 GUILTY? WHY? THAT THIS HAD TO HAPPEN, THAT YOU HAD TO GET INVOLVED IN IT. 225 00:15:04,750 --> 00:15:10,210 INVOLVED IN WHAT? IN MY BROTHER'S LIFE. SOMETIMES I WONDER WHY I AM. 226 00:15:10,210 --> 00:15:12,210 I DON'T EVEN KNOW IF IT'S POSSIBLE TO STRAIGHTEN HIM OUT ANYMORE. 227 00:15:12,210 --> 00:15:14,010 I JUST PROMISED MY PARENTS I'D TRY. 228 00:15:14,010 --> 00:15:16,630 WAIT. WHERE YOU GOIN'? AFTER MEL. HE MAY BE A FOOL, 229 00:15:16,630 --> 00:15:18,770 BUT HE'S THE ONLY BROTHER I'VE GOT. 230 00:15:18,770 --> 00:15:22,100 YOU EVER STOP TO THINK YOU MAY BE GETTIN' IN OVER YOUR HEAD ON THIS ONE? 231 00:15:22,100 --> 00:15:26,020 I CAN TAKE CARE OF MYSELF. MAYBE. AND MAYBE NOT. 232 00:15:26,020 --> 00:15:29,860 YOU'RE GONNA STAY IN YOUR ROOM UNTIL I FIND OUT WHO THOSE GUYS ARE AND WHAT'S GOIN' ON. 233 00:15:29,860 --> 00:15:33,360 I'M GOIN' WITH YOU. NO, YOU'RE NOT. AND IF YOU GIVE ME ANY MOUTH, 234 00:15:33,370 --> 00:15:36,880 I'M GONNA PUT A FRIEND OF MINE OUTSIDE YOUR DOOR TO MAKE SURE YOU STAY PUT. 235 00:15:36,870 --> 00:15:39,370 OKAY? OKAY. 236 00:15:44,880 --> 00:15:47,540 I DON'T UNDERSTAND HOW YOU GUYS LET HIM SLIP THROUGH YOUR FINGERS. 237 00:15:47,550 --> 00:15:49,560 HE GOT HELP. WHAT DO YOU MEAN? FROM WHO? 238 00:15:49,550 --> 00:15:51,800 FROM HIS SISTER AND THIS OTHER GUY. 239 00:15:51,800 --> 00:15:55,670 I'M UP TO HERE WITH ALIBIS FROM YOU TWO, ALL RIGHT? I WANNA GET BACK TO THE HOTEL. 240 00:15:55,670 --> 00:15:58,670 THERE'S A GUY OVER THERE, OWES ME $200,000. DO YOU UNDERSTAND ME? 241 00:15:58,670 --> 00:16:01,510 I DON'T CARE WHAT IT TAKES. I WANT IT BACK FROM HIM. 242 00:16:01,510 --> 00:16:04,510 NOW LET'S GO. 243 00:16:08,770 --> 00:16:11,770 [ Screaming ] 244 00:16:21,610 --> 00:16:24,110 [ Shouts ] THAT WAS GREAT. YOU GOTTA TRY IT. 245 00:16:24,120 --> 00:16:27,630 UH-UH. I GET DIZZY IN HIGH HEELS. 246 00:16:28,120 --> 00:16:31,840 THE ONLY WAY YOU'RE GONNA GET ME OFF THE GROUND IS WITH ONE OF THESE. 247 00:16:39,300 --> 00:16:42,800 [ Man Chuckling ] 248 00:16:42,800 --> 00:16:45,350 [ Chuckling, Shouting ] 249 00:16:45,350 --> 00:16:49,720 GOSH. BOY, YOU FELLAS HAVE GOTTA BE BUBBLE UP TO PLUMB TO DO THAT. 250 00:16:49,730 --> 00:16:51,740 HEY. DON'T KNOCK IT UNLESS YOU'VE TRIED IT, BIG JACK. 251 00:16:51,730 --> 00:16:54,730 OH, HI, COLT. WHAT HAPPENED TO LUNCH? 252 00:16:54,730 --> 00:16:56,560 OH, SOMETHING CAME UP. 253 00:16:56,570 --> 00:16:58,990 THAT'S THE GUY WHO WAS IN THE BAR. 254 00:17:00,820 --> 00:17:04,540 RIGHT NOW, I'M LOOKIN' FOR AN OLD FRIEND NAMED ROSCOE, WORKS HERE SOMEPLACE. 255 00:17:04,540 --> 00:17:07,370 HMM. BARTENDER'S NAME IS ROSCOE. 256 00:17:07,380 --> 00:17:09,750 YOU'RE KIDDING. 257 00:17:13,380 --> 00:17:15,880 WHAT'S YOUR POISON? I'M BUYIN'. 258 00:17:15,880 --> 00:17:18,390 WELL, RIGHT NOW I'M LOOKIN' FOR INFORMATION, 259 00:17:18,390 --> 00:17:20,220 BUT IT JUST MIGHT BE UNHEALTHY AT THAT. 260 00:17:20,220 --> 00:17:22,970 COLT, WHAT'S GOIN' ON? I'M NOT EXACTLY SURE. 261 00:17:22,980 --> 00:17:26,900 BUT YOU STAY HERE. LESS YOU KNOW, THE BETTER. EXCUSE ME. 262 00:17:26,900 --> 00:17:29,190 WHAT IS GOING ON? 263 00:17:29,180 --> 00:17:34,180 I THOUGHT THIS WAS GOING TO BE A FUN CONVENTION WITH A LOT OF SEXY STUNTMEN. 264 00:17:36,190 --> 00:17:38,190 YOU SURE HE'S NOT WORKIN' ON A CASE FOR YOU? 265 00:17:38,190 --> 00:17:40,190 MM-HMM. I'M SURE. 266 00:17:43,200 --> 00:17:45,540 HOW MANY OF THESE PI�A COLADAS HAVE I HAD? 267 00:17:47,000 --> 00:17:49,000 HOWDY, ROSCOE. COLT SEAVERS! 268 00:17:49,000 --> 00:17:52,000 HEY, MAN, I'M CLEAN! YOU GOT-- YOU GOTTA CATCH ME! [ Shouts ] 269 00:17:54,010 --> 00:17:58,520 [ Grunts, Sputters ] MAN, I HAVEN'T DONE A-- A THING. 270 00:17:58,510 --> 00:18:01,300 I DIDN'T SAY YOU DID. I JUST WANTED TO ASK YOU A FEW QUESTIONS. 271 00:18:01,300 --> 00:18:05,180 [ Exhales ] WELL, WHY DIDN'T YOU SAY SO? I HATE GETTIN' WET. 272 00:18:05,180 --> 00:18:09,940 - WHAT DO YOU KNOW ABOUT A GUY NAMED LANCE ROSS? - I NEVER HEARD OF HIM. 273 00:18:11,860 --> 00:18:14,610 WELL, COME ON, ROSCOE. 274 00:18:14,610 --> 00:18:17,640 - WHERE WE GOIN'? - UP ON THE ROOF. 275 00:18:17,650 --> 00:18:22,630 [ Tarzan Yell ] 276 00:18:22,620 --> 00:18:25,870 YOU'RE GONNA LOVE BEIN' A STUNTMAN. 277 00:18:25,870 --> 00:18:28,870 NO, I'M NOT GONNA LOVE BEIN' A STUNTMAN. WHAT DO YOU WANNA KNOW ABOUT LANCE? 278 00:18:28,870 --> 00:18:30,870 WHATEVER YOU CAN TELL ME. 279 00:18:30,880 --> 00:18:34,340 WELL, BASICALLY HE'S A-- HE'S A LIGHTWEIGHT, 280 00:18:34,330 --> 00:18:39,830 BUT WORD HAS IT THAT HE GOT TOOK FOR A COUPLE OF HUNDRED THOUSAND IN A PHONY REAL ESTATE DEAL. 281 00:18:39,840 --> 00:18:43,150 200,000 DOESN'T EXACTLY SOUND LIKE A LIGHTWEIGHT. 282 00:18:43,140 --> 00:18:46,090 NO, I'M TALKIN' ABOUT HIM, NOT THE MONEY. 283 00:18:46,090 --> 00:18:48,840 WHAT'S THE WORD ON WHO TOOK HIM? 284 00:18:48,840 --> 00:18:54,650 WELL, IT'S A YOUNG, UH, CON MAN-- ANOTHER LIGHTWEIGHT. 285 00:18:54,650 --> 00:18:58,100 - IS HE LOCAL? - NO, HE'S FROM PHOENIX. 286 00:18:58,600 --> 00:19:00,940 PHOENIX. NAME WOULDN'T BE MEL, WOULD IT? 287 00:19:02,910 --> 00:19:05,280 YEAH, THAT'S IT. THANKS, ROSCOE. 288 00:19:05,280 --> 00:19:07,780 I'D CHANGE UNIFORMS BEFORE THAT ONE SHRINKS. 289 00:19:12,780 --> 00:19:15,290 NICE TALKIN' TO YOU, COLT. 290 00:19:16,590 --> 00:19:20,510 ALL THAT AND NO DRINK? 291 00:19:20,510 --> 00:19:23,510 THERE'S ONLY ONE WAY TO FIND OUT WHAT HE'S UP TO. 292 00:19:23,510 --> 00:19:25,960 YEAH. 293 00:19:32,050 --> 00:19:35,440 HEY. HEY! HEY. WHAT'D THE COWBOY WANT? 294 00:19:35,440 --> 00:19:37,690 WANTED AN ESTIMATE ON A DAIQUIRI. 295 00:19:38,780 --> 00:19:42,110 ALL RIGHT. I'LL TELL YOU. I'LL TELL YOU. 296 00:19:42,110 --> 00:19:45,950 OKAY. EVERYBODY UP. WE'RE GONNA DO SOME CELEBRATIN'. I'LL CALL UPSTAIRS FOR CHARLIE. 297 00:19:46,450 --> 00:19:49,820 FORGET IT. HANGIN' OUT WITH EX-PARTNERS IS LIKE HANGIN' OUT WITH EX-WIVES. 298 00:19:49,820 --> 00:19:52,790 JODY, I SWEAR. I WAS HELPIN' CHARLIE OUT OF A SERIOUS PROBLEM. 299 00:19:52,790 --> 00:19:54,630 TURNED OUT IT WASN'T SO SERIOUS. 300 00:19:54,630 --> 00:19:59,580 I KNEW THERE WAS SOMETHING WRONG BEFORE, BUT YOU SURE LOOK BETTER NOW. 301 00:19:59,580 --> 00:20:02,330 OH, COME ON, JODY. COME ON. LET'S GO. 302 00:20:02,330 --> 00:20:05,390 JODY, I SWEAR I'M NOT TAKIN' CHARLIE BACK AS MY PARTNER. 303 00:20:05,390 --> 00:20:09,140 I JUST HAD TO SATISFY MYSELF THAT THIS LANCE ROSS WASN'T GONNA HARM HER BROTHER. 304 00:20:09,140 --> 00:20:13,260 - LANCE ROSS? - HE'S JUST A SMALL-TIME OPERATOR FROM PHOENIX. 305 00:20:13,260 --> 00:20:15,060 LITTLE HANDLING, NO PROBLEM. 306 00:20:15,060 --> 00:20:17,760 - COLT, I THINK YOU BETTER SIT DOWN. - WHAT? 307 00:20:17,770 --> 00:20:21,450 LANCE ROSS IS A SMALL-TIME OPERATOR, BUT HIS FATHER ISN'T. 308 00:20:21,440 --> 00:20:25,360 HIS FATHER. HOW HEAVY IS HIS FATHER? 309 00:20:25,360 --> 00:20:28,110 HIS FATHER'S NAME IS TONY THE GROCER. 310 00:20:33,420 --> 00:20:35,710 T-- TONY THE GROCER? 311 00:20:35,700 --> 00:20:38,500 TONY THE GROCER. HE STARTED OUT DELIVERING PRODUCE, 312 00:20:39,000 --> 00:20:42,840 BUT THEN HE DISCOVERED THERE WAS A LOT MORE LETTUCE IN BOOZE THAN THERE WAS IN LETTUCE. 313 00:20:42,840 --> 00:20:46,340 HIS KID'S REAL NAME IS BILLY. THEY CALL HIM BILLY THE BOX BOY. 314 00:20:46,340 --> 00:20:50,630 BOX BOY? I THOUGHT HIS NAME WAS LANCE. 315 00:20:50,630 --> 00:20:53,800 WELL, HE THOUGHT LANCE, YOU KNOW, WAS THE KIND OF NAME PEOPLE WOULD RESPECT. 316 00:20:53,800 --> 00:20:58,270 YOU KNOW, IF YOU WEAR AN EXPENSIVE SUIT OF CLOTHING, IT MAKES YOU FEEL IMPORTANT. 317 00:20:58,270 --> 00:21:02,390 SOUNDS LIKE A REAL WINNER. BUT A VERY DANGEROUS LOSER. 318 00:21:02,390 --> 00:21:04,700 HE KEEPS TRYING TO MAKE THAT BIG SCORE, 319 00:21:04,700 --> 00:21:07,060 AND HE KEEPS TRYING TO GAIN THE RESPECT OF HIS FATHER. 320 00:21:07,070 --> 00:21:11,080 [ Clears Throat ] THIS, UH, BILLY THE BOX BOY-- 321 00:21:11,070 --> 00:21:13,570 HE WOULDN'T BE THE KIND OF GUY THAT WOULD, UH, 322 00:21:13,570 --> 00:21:16,070 HAVE $200,000 TO INVEST IN A PHONY SCHEME, WOULD HE? 323 00:21:16,070 --> 00:21:18,740 $200,000? ARE YOU KIDDING ME? 324 00:21:18,740 --> 00:21:23,080 HE'D HAVE TO HAVE DIPPED INTO ONE OF HIS DAD'S ILLEGAL-- 325 00:21:23,080 --> 00:21:25,080 WHAT'S WRONG, COLT? 326 00:21:25,080 --> 00:21:27,470 YOU DON'T LOOK TOO GOOD. YOU DON'T DRINK PI�A COLADAS EITHER. 327 00:21:27,470 --> 00:21:29,970 I DO NOW. 328 00:21:31,340 --> 00:21:35,590 MY BROTHER SWINDLED THE MOB? I DON'T BELIEVE IT. 329 00:21:35,590 --> 00:21:40,100 YOU CAN BELIEVE IT. I DON'T THINK HE QUITE REALIZED IT WAS THE MOB. 330 00:21:40,100 --> 00:21:43,100 I'D CHALK THAT UP TO REAL BAD LUCK. 331 00:21:43,100 --> 00:21:45,600 THEN THEY WANNA KILL MELVIN. 332 00:21:45,600 --> 00:21:48,610 THEY PROBABLY WANNA GET THEIR MONEY BACK FIRST, THEN KILL HIM. OH, COLT. 333 00:21:48,610 --> 00:21:51,070 UH, TRY AND KILL HIM. WE'RE NOT GONNA LET THAT HAPPEN. 334 00:21:52,490 --> 00:21:55,330 [ Sighs ] WHAT AM I GONNA DO? 335 00:21:57,670 --> 00:22:02,850 FIRST OF ALL, WE GOTTA FIND MEL, SEE HOW MUCH OF THAT MONEY HE STILL HAS LEFT. 336 00:22:02,840 --> 00:22:06,120 - AND CHANCES ARE, WE CAN MAKE A DEAL. - NOT "WE." ME. 337 00:22:06,120 --> 00:22:09,380 LOOK. I'M A STUNTWOMAN, REMEMBER? I CAN HANDLE MYSELF OUT THERE. 338 00:22:09,380 --> 00:22:13,350 - BESIDES, I'VE GOTTEN YOU IN ENOUGH TROUBLE AS IT IS. - I DON'T CALL THIS TROUBLE. 339 00:22:13,350 --> 00:22:17,350 COLT, I APPRECIATE WHAT YOU'RE TRYING TO DO, REALLY. BUT IT'S POINTLESS. 340 00:22:17,850 --> 00:22:21,860 MEL IS MY BROTHER, HE'S MY PROBLEM, AND YOU DON'T HAVE ANY STAKE IN THIS. 341 00:22:21,860 --> 00:22:23,690 I THINK I DO. 342 00:22:25,610 --> 00:22:28,860 GEE, I LOVE IT WHEN A MAN WON'T TAKE "NO" FOR AN ANSWER. 343 00:22:31,700 --> 00:22:34,070 COME ON. LET'S GO FIND YOUR BROTHER. 344 00:22:34,070 --> 00:22:36,540 [ Sniffles ] 345 00:22:46,410 --> 00:22:48,420 WHAT IS IT? IT'S THE TWO THUGS FROM THE BAR. 346 00:22:49,920 --> 00:22:51,890 COME ON. 347 00:22:57,180 --> 00:23:00,520 [ Pounding ] 348 00:23:17,660 --> 00:23:20,030 [ Man ] HEY, WHAT'S GOIN' ON? EXCUSE US. 349 00:23:20,030 --> 00:23:23,530 [ Woman ] I THOUGHT YOU SAID THIS WAS A PRIVATE ROOM, JEROME. ARE THESE FRIENDS OF YOURS? 350 00:23:23,540 --> 00:23:25,430 HAVE A NICE DAY. 351 00:23:26,790 --> 00:23:29,040 COME ON. 352 00:23:48,560 --> 00:23:52,280 THIS MAY SOUND SILLY, BUT WHY ARE WE RUNNING UP? 353 00:23:52,650 --> 00:23:54,870 DON'T TALK WHILE YOU'RE RUNNING. IT SLOWS YOU DOWN. 354 00:23:57,790 --> 00:24:02,720 ALL'S I CAN SAY IS, I HOPE YOU KNOW SOMETHING I DON'T KNOW, LIKE HOW WE'RE GONNA GET DOWN. 355 00:24:02,710 --> 00:24:04,710 TRUST ME. I DID TRUST YOU, 356 00:24:04,710 --> 00:24:08,710 AND LOOK WHERE WE WOUND UP: STUCK ON A ROOF WITH TWO HOODS BREATHING DOWN OUR NECK. 357 00:24:08,710 --> 00:24:10,460 WE AIN'T STUCK. COME ON. 358 00:24:15,640 --> 00:24:17,800 JUMP! 359 00:24:22,480 --> 00:24:25,260 WHAT DO YOU MEAN, WE'RE NOT STUCK? WHAT ARE WE GONNA DO? 360 00:24:25,260 --> 00:24:28,270 WE'RE GONNA JUMP. ARE YOU CRAZY? 361 00:24:28,270 --> 00:24:30,520 CLOSE YOUR EYES. [ Screams ] 362 00:24:30,520 --> 00:24:33,490 [ Both Screaming ] 363 00:24:37,830 --> 00:24:41,710 [ People Cheering ] YOU KNEW ABOUT THIS BAG ALL THE TIME, DIDN'T YOU? 364 00:24:42,200 --> 00:24:45,200 BUT WOULD YOU TELL ME? NO. YOU HAD TO SCARE ME TO DEATH. 365 00:24:45,200 --> 00:24:47,500 I TOLD YOU TO TRUST ME. 366 00:24:49,200 --> 00:24:54,540 TRUST YOU. YOU SEE IF I TRUST YOU EVER AGAIN IN MY LIFE. 367 00:24:54,540 --> 00:24:56,960 [ Bell Dings ] 368 00:25:00,470 --> 00:25:02,980 WELL? WHERE IS HE? WE HAD 'EM. WE HAD 'EM BOTH. 369 00:25:02,970 --> 00:25:04,970 TILL HE JUMPED OFF THE ROOF. HE WHAT? 370 00:25:05,350 --> 00:25:07,020 HE JUMPED INTO SOME KIND OF AN AIR BAG. 371 00:25:07,520 --> 00:25:09,520 HE MUST BE A STUNTMAN WITH THE CONVENTION HERE. THAT'S TERRIFIC. 372 00:25:10,940 --> 00:25:13,190 HI. ANY MESSAGES FOR 207? 373 00:25:13,190 --> 00:25:15,860 SEE THAT GIRL? THAT'S THE ONE WHO WAS AT THE POOL WITH HIM. 374 00:25:17,730 --> 00:25:21,030 I THINK IT'S ABOUT TIME WE TOOK THE UPPER HAND IN THIS AFFAIR. 375 00:25:21,040 --> 00:25:23,660 AND THIS TIME, LET'S NOT BLOW IT, ALL RIGHT? RIGHT. 376 00:25:23,660 --> 00:25:25,920 YOU GOT IT. 377 00:25:30,660 --> 00:25:32,660 WALK BETWEEN US AND SAY NOTHING. WHO ARE YOU? 378 00:25:33,160 --> 00:25:37,000 JUST WALK. THIS IS SOME KIND OF A JOKE, RIGHT? 379 00:25:37,000 --> 00:25:39,250 YEAH, IT'S A JOKE. WE'LL ALL LAUGH ABOUT IT LATER. 380 00:25:45,260 --> 00:25:47,260 [ Jody ] HEY! OW! TAKE IT EASY, YOU GUYS. 381 00:25:47,260 --> 00:25:50,980 UH-- OH, NO, NO. OW! [ Engine Starts ] 382 00:25:50,980 --> 00:25:52,400 THAT'S JODY. 383 00:25:55,570 --> 00:25:56,690 [ Charlie ] COLT! LOOK OUT! 384 00:26:00,990 --> 00:26:03,490 [ Tires Squealing ] 385 00:26:03,500 --> 00:26:06,260 OW. 386 00:26:22,350 --> 00:26:25,850 WHAT DID YOU FIND OUT? NOTHING. SECURITY PEOPLE DIDN'T SEE A THING. 387 00:26:25,850 --> 00:26:27,350 YEAH, OR THEY'RE NOT TALKING. 388 00:26:27,350 --> 00:26:29,850 WHAT DIFFERENCE DOES IT MAKE? WE KNOW IT WAS LANCE ROSS. 389 00:26:29,850 --> 00:26:32,110 YEAH. DO WE KNOW HE'S PLAYIN' FOR KEEPS? 390 00:26:32,110 --> 00:26:35,390 COLT, I WISH YOU WOULD HAVE TOLD ME YOU WERE IN TROUBLE. 391 00:26:35,390 --> 00:26:38,140 AT THE TIME, I REALLY DIDN'T THINK I WAS. [ Charlie ] YOU WEREN'T. 392 00:26:38,150 --> 00:26:40,870 YOU HAVE TO POINT FINGERS, POINT 'EM AT ME. IT WAS MY FAULT. 393 00:26:40,870 --> 00:26:43,790 OH, COME ON, CHARLIE. DON'T BLAME YOURSELF. 394 00:26:43,790 --> 00:26:45,800 YEAH, BLAME YOUR BROTHER. 395 00:26:45,790 --> 00:26:48,460 SO WHAT ARE WE GONNA DO NOW, COLT? 396 00:26:48,460 --> 00:26:52,580 I'M NOT HANGIN' HERE. I'M GONNA LOOK FOR THAT PUNK, LANCE ROSS. 397 00:26:52,580 --> 00:26:54,580 OKAY. 398 00:26:57,080 --> 00:27:00,580 PERHAPS YOU'D LIKE TO TELL ME WHAT COLT SEAVERS HAS TO DO WITH MEL HEFFERTON. 399 00:27:00,590 --> 00:27:03,600 NOTHIN'. NOTHIN', EH? 400 00:27:04,090 --> 00:27:06,090 WELL, HE'S AN OLD FRIEND OF CHARLIE HEFFERTON. 401 00:27:06,090 --> 00:27:07,920 MEL'S SISTER? RIGHT. 402 00:27:07,930 --> 00:27:11,150 MUST BE PRETTY CLOSE FRIENDS IF HE'S WILLING TO RISK HIS LIFE FOR HER. 403 00:27:11,150 --> 00:27:15,360 YEAH, WELL, COLT'S LIKE THAT. HE'S A REAL MAN OF ADVENTURE, HUH? 404 00:27:15,350 --> 00:27:18,270 HE'S A STUNTMAN. 405 00:27:18,770 --> 00:27:21,100 THAT'S ALL? ISN'T THAT ENOUGH? 406 00:27:21,110 --> 00:27:24,080 THERE'S NO NEED TO GET DEFENSIVE, HONEY. 407 00:27:24,080 --> 00:27:27,170 SEE, WE KNOW COLT SEAVERS IS A BOUNTY HUNTER. 408 00:27:27,160 --> 00:27:29,950 I HAVE A FEW FRIENDS, I MAKE A FEW PHONE CALLS. 409 00:27:29,950 --> 00:27:34,280 IT'S A GOOD THING FOR YOU THAT HE IS A PROFESSIONAL. 410 00:27:34,290 --> 00:27:37,010 IT'S A GOOD THING FOR BOTH OF US. 411 00:27:42,510 --> 00:27:45,850 [ Chattering ] 412 00:27:48,800 --> 00:27:51,800 [ Phone Ringing ] WANT ME TO GET THAT, COLT? 413 00:27:51,800 --> 00:27:54,800 NO. I BETTER GET IT. 414 00:27:59,310 --> 00:28:01,360 - COLT SEAVERS. - HELLO, MR. SEAVERS. 415 00:28:01,360 --> 00:28:03,530 YOU ENJOYING YOUR TRIP TO RENO? 416 00:28:03,530 --> 00:28:07,030 ALL RIGHT, LET'S CUT THE SMALL TALK, PAL. I WANT JODY BACK, AND I WANT HER NOW. 417 00:28:07,540 --> 00:28:10,550 WE'LL DISCUSS IT WHEN YOU DELIVER MEL HEFFERTON. 418 00:28:10,540 --> 00:28:13,040 I DON'T HAVE MEL HEFFERTON. THAT'S TOO BAD. 419 00:28:13,040 --> 00:28:15,410 JODY WAS EASY TO FIND, BUT MEL ISN'T. 420 00:28:15,410 --> 00:28:17,880 FROM WHAT PEOPLE TELL ME, THAT SHOULDN'T BE TOO DIFFICULT... 421 00:28:17,880 --> 00:28:19,750 FOR A MAN OF YOUR EXTRAORDINARY TALENTS. 422 00:28:19,750 --> 00:28:22,550 WHAT ARE YOU PROPOSING? 423 00:28:22,550 --> 00:28:25,420 SIMPLE EXCHANGE. YOU FIND MEL HEFFERTON, 424 00:28:25,920 --> 00:28:27,720 YOU BRING HIM TO ME, AND YOUR FRIEND GOES FREE. 425 00:28:27,720 --> 00:28:29,640 I MAY JUST FIND YOU FIRST. 426 00:28:29,640 --> 00:28:32,140 WELL, I DON'T THINK YOU COULD FIND ME IN TWO HOURS, 427 00:28:32,640 --> 00:28:35,480 AND THAT'S EXACTLY HOW MUCH TIME YOU HAVE BEFORE I KILL YOUR FRIEND. 428 00:28:35,480 --> 00:28:39,430 KILLING HER WON'T GET YOU MEL, BUT IT'LL GET YOU DEAD. 429 00:28:39,430 --> 00:28:42,350 WELL, MAYBE YOU'RE RIGHT, BUSTER. I WON'T KILL HER. 430 00:28:42,350 --> 00:28:45,660 BUT AFTER I GET THROUGH WITH HER, BELIEVE ME, SHE'LL WISH SHE WAS DEAD. 431 00:28:45,660 --> 00:28:48,160 NOW, DO WE HAVE AN UNDERSTANDING? 432 00:28:48,160 --> 00:28:51,440 YEAH, WE HAVE AN UNDERSTANDING. BUT YOU UNDERSTAND THIS. 433 00:28:51,450 --> 00:28:54,590 YOU LAY ONE HAND ON JODY, AND I'LL SPEND THE REST OF MY LIFE TRACKIN' YOU DOWN. 434 00:28:54,580 --> 00:28:59,120 WELL, LET'S HOPE THAT WON'T BE NECESSARY. GOOD-BYE, MR. SEAVERS. 435 00:29:00,790 --> 00:29:02,040 WHAT'D HE SAY? 436 00:29:05,040 --> 00:29:08,510 HE SAID IF WE DON'T FIND HER BROTHER, HE'S GONNA KILL JODY OR WORSE. 437 00:29:08,510 --> 00:29:11,970 - OR WORSE? - TALK ABOUT A NO-WIN SITUATION. 438 00:29:11,970 --> 00:29:15,470 WHAT ARE YOU GOING TO DO, COLT? 439 00:29:15,470 --> 00:29:18,560 CHARLIE, MEL'S GOTTA HAVE SOMEBODY HERE IN RENO HE'D TURN TO, 440 00:29:18,560 --> 00:29:20,560 SOMEBODY THAT'S HELPING TO HIDE HIM OUT. 441 00:29:20,560 --> 00:29:25,060 COLT, I ONLY KNOW ONE PERSON OTHER THAN HIMSELF THAT MEL EVER HAD ANY INTEREST IN. 442 00:29:25,060 --> 00:29:29,650 -I DON'T KNOW IF HE WOULD TURN TO HER IN THIS KIND OF TROUBLE. -WE'LL NEVER KNOW UNLESS WE ASK. 443 00:29:29,650 --> 00:29:31,990 LET'S GO. WE DON'T HAVE MUCH TIME. 444 00:29:31,990 --> 00:29:34,950 [ Colt ] WHERE IS IT THAT WE'RE GOIN'? 445 00:29:34,960 --> 00:29:37,470 WELL, ALL MY BROTHER USED TO TALK ABOUT... 446 00:29:37,460 --> 00:29:40,790 WAS THIS DANCER HE WAS DATING WHO WORKED IN A CLUB SOMEWHERE OFF THE STREET. 447 00:29:40,800 --> 00:29:44,560 HOW FAR OFF? WAY OFF. 448 00:29:47,300 --> 00:29:52,340 ? [ Pop ] 449 00:30:08,740 --> 00:30:11,570 [ Glass Shatters ] 450 00:30:11,580 --> 00:30:16,920 MY BROTHER NEVER REALLY HAD WHAT YOU MIGHT CALL GREAT TASTE IN WOMEN. 451 00:30:16,910 --> 00:30:20,170 [ Howie ] HIS TASTE DOESN'T SEEM TOO BAD TO ME. 452 00:30:22,040 --> 00:30:25,340 WHAT'LL IT BE, FOLKS? PERSONALLY, I RECOMMEND THE CHI-CHIS. 453 00:30:25,340 --> 00:30:28,010 WE JUST WANNA TALK TO ONE OF YOUR DANCERS. 454 00:30:28,010 --> 00:30:30,840 - WHAT ABOUT? - IT'S PERSONAL. 455 00:30:30,850 --> 00:30:35,020 PERSONAL, HUH? THAT KIND OF TALKIN' CAN GET PRETTY EXPENSIVE. 456 00:30:37,440 --> 00:30:39,450 UH-- 457 00:30:42,440 --> 00:30:46,810 HMM. OH, VERY GENEROUS. 458 00:30:47,560 --> 00:30:50,900 NOT SO FAST. 459 00:30:50,900 --> 00:30:55,030 YOU CALL IT, YOU WIN. IT'S YOURS. I WIN, YOU TELL US WHAT WE WANNA KNOW. 460 00:30:55,040 --> 00:30:59,420 HMM. THAT'S THE ONLY PROBLEM WITH THIS CITY. EVERYBODY'S A GAMBLER. 461 00:30:59,410 --> 00:31:01,210 OKAY, FLIP IT. 462 00:31:01,210 --> 00:31:03,910 GOOD GIRL. 463 00:31:03,910 --> 00:31:06,250 RED SIDE UP. 464 00:31:08,050 --> 00:31:09,750 SORRY. 465 00:31:09,750 --> 00:31:13,890 OKAY, COWBOY. WHICH DANCER DO YOU HAVE ON YOUR MIND? 466 00:31:13,890 --> 00:31:16,810 - MONIQUE MALROW. - YOUR LUCK JUST RAN OUT. 467 00:31:16,810 --> 00:31:19,430 MONIQUE HASN'T WORKED HERE SINCE LAST MONTH. 468 00:31:19,430 --> 00:31:21,840 - WHAT HAPPENED TO HER? - SHE HIT THE BIG TIME. 469 00:31:21,850 --> 00:31:24,990 - LANDED A JOB IN THE MAIN HUB. - WHICH HOTEL? 470 00:31:24,980 --> 00:31:28,230 UH, THE ONE WHERE ALL THE GIRLS WEAR THE BIG HEADDRESSES. 471 00:31:28,240 --> 00:31:31,660 YEAH, YEAH. SURE. I KNOW THE ONE. THANK YOU. 472 00:31:32,160 --> 00:31:34,160 HEY, HOLD YOUR HORSES THERE, COWBOY. 473 00:31:34,160 --> 00:31:36,660 WE HAVE A TWO DRINK MINIMUM. 474 00:31:36,660 --> 00:31:40,410 TIMES THREE, THAT'LL BE 90 BUCKS. 90 BUCKS? 475 00:31:40,420 --> 00:31:44,430 YEAH, $15 A DRINK, WHETHER YOU DRINK 'EM OR NOT. 476 00:31:44,420 --> 00:31:46,750 WELL, THAT'S RIDICULOUS. IT CERTAINLY IS. 477 00:31:46,750 --> 00:31:49,540 IF YOU THINK WE'RE GONNA PAY 90 BUCKS FOR NOTHIN', YOU'RE CRAZY, LADY. 478 00:31:49,540 --> 00:31:52,590 FIFTEEN BUCKS A DRINK. THAT'S OUTRAGEOUS. I HAPPEN TO KNOW... 479 00:31:52,590 --> 00:31:57,130 THAT THERE ARE LAWS IN THIS STATE AGAINST CLIP JOINTS TRYIN' TO DO WHAT YOU'RE DOIN' TO US. 480 00:31:57,130 --> 00:31:59,100 - UH, HOWIE. - COLT, IF EVER THERE WAS... 481 00:31:59,600 --> 00:32:01,940 A TIME FOR RIGHTEOUS INDIGNATION, THIS IS IT. 482 00:32:01,940 --> 00:32:04,550 [ Clears Throat ] HOWIE, WHY DON'T WE JUST PAY THE LADY? 483 00:32:04,560 --> 00:32:07,480 SOMEBODY HAS TO TEACH THESE PEOPLE THAT THEY CAN'T GET AWAY WITH THIS KIND OF THING. 484 00:32:07,480 --> 00:32:09,990 HOWIE. HOWIE. LISTEN TO COLT. 485 00:32:09,980 --> 00:32:12,780 IF THERE'S ONE THING I LOVE AS MUCH AS BEING A STUNTMAN, IT'S LAW, 486 00:32:12,780 --> 00:32:15,480 ESPECIALLY WHEN IT'S CLEARLY ON MY SIDE. 487 00:32:15,480 --> 00:32:18,230 UH, THE LAW IN HERE IS ON MY SIDE. 488 00:32:18,240 --> 00:32:21,750 OR SHOULD I SAY BEHIND YOU? 489 00:32:21,740 --> 00:32:26,660 [ Colt ] IT'S NOT WORTH IT, KID. WE'RE STILL PAYIN' FOR THE LAST BAR WE BROKE UP. 490 00:32:31,880 --> 00:32:34,170 ON SECOND THOUGHT, MAYBE WE OUGHTA JUST... PAY THE BILL. 491 00:32:34,170 --> 00:32:37,550 A GOOD IDEA. A BROKEN JAW IS NOT WORTH 90 BUCKS. 492 00:32:37,560 --> 00:32:43,490 TWENTY, 40, 60, 80, 100. 493 00:32:43,480 --> 00:32:45,980 KEEP THE CHANGE. 494 00:32:47,480 --> 00:32:49,480 ALL OF IT. 495 00:32:50,320 --> 00:32:54,440 Y'ALL COME BACK NOW, ANY TIME. 496 00:32:57,740 --> 00:32:59,740 SMOOTH, KID. REAL SMOOTH. 497 00:33:04,500 --> 00:33:08,530 COLT, I'VE GOT A GOOD FEELING ABOUT THIS. I THINK MONIQUE'S GONNA LEAD US STRAIGHT TO MEL. 498 00:33:08,540 --> 00:33:11,550 - YEAH, I HOPE SO. HOW MUCH TIME HAVE WE GOT? - LESS THAN AN HOUR. 499 00:33:11,540 --> 00:33:15,260 HADN'T YOU BETTER GET THIS THING IN GEAR? LET'S SEE SOME DRIVIN', BOY. 500 00:33:15,260 --> 00:33:18,850 [ Tires Squealing ] 501 00:33:22,970 --> 00:33:26,220 [ Colt ] YOU MEAN LIKE THAT? [ Charlie ] YOU HAVEN'T LOST YOUR TOUCH BEHIND THE WHEEL. 502 00:33:26,220 --> 00:33:28,890 ? [ Piano: Up-tempo ] [ Man ] OKAY, GIRLS. LET'S PUT A LITTLE LIFE IN IT. 503 00:33:28,890 --> 00:33:31,270 ? [ Continues ] 504 00:33:31,280 --> 00:33:34,290 OKAY, KELLY. SMILE NOW. COME ON. SMILE. 505 00:33:34,780 --> 00:33:39,280 COME ON. LET'S KICK HIGH. THAT'S A GIRL. THAT'S IT. 506 00:33:44,120 --> 00:33:46,120 EXCUSE ME. WHERE DO WE FIND MONIQUE MALROW? 507 00:33:46,120 --> 00:33:48,120 SHE'S STILL IN HER DRESSING ROOM, 508 00:33:48,130 --> 00:33:50,140 AND WILL YOU TELL HER TO PLEASE GET OUT HERE? 509 00:33:53,630 --> 00:33:56,420 OKAY, GIRLS. A LITTLE LIVELY NOW. 510 00:34:00,300 --> 00:34:02,310 EXCUSE ME. MONIQUE? YES? 511 00:34:02,310 --> 00:34:05,480 WE'RE LOOKIN' FOR MEL HEFFERTON. THOUGHT MAYBE YOU MIGHT COULD HELP US FIND HIM. 512 00:34:05,480 --> 00:34:09,760 - [ Monique ] YOU'RE GONNA BE SORELY DISAPPOINTED. - PLEASE. MEL'S MY BROTHER. 513 00:34:09,760 --> 00:34:11,760 HE'S IN TROUBLE, AND WE'RE TRYIN' TO FIND HIM. 514 00:34:11,770 --> 00:34:13,580 SORRY. I HAVEN'T SEEN HIM IN WEEKS. 515 00:34:13,570 --> 00:34:15,850 HEY, MONIQUE. THAT MEANS YOU, BABE. 516 00:34:15,850 --> 00:34:19,020 - I'VE GOTTA GO. - I DON'T THINK YOU UNDERSTAND. 517 00:34:19,020 --> 00:34:22,360 LOOK, I TOLD YOU I DON'T KNOW WHERE HE IS. WHAT DO YOU WANT FROM ME? 518 00:34:22,860 --> 00:34:27,660 HEY, MONIQUE. IF YOU'RE NOT OUT HERE IN TWO SECONDS, YOU'RE GOING BACK ON THE STREETS. 519 00:34:27,670 --> 00:34:30,460 LET ME GO. SURE. BREAK A LEG. 520 00:34:30,450 --> 00:34:34,200 ? [ Continues ] 521 00:34:35,460 --> 00:34:37,870 COLT, THERE HE GOES! 522 00:34:37,880 --> 00:34:40,600 MEL! 523 00:34:45,350 --> 00:34:47,350 MEL, COME BACK HERE! 524 00:34:47,350 --> 00:34:49,140 [ Charlie ] MEL, YOU IDIOT! 525 00:34:49,140 --> 00:34:51,470 MEL, WE'RE YOUR FRIENDS. 526 00:34:51,470 --> 00:34:54,110 WHAT IS THIS? THIS IS SUPPOSED TO BE A REHEARSAL. 527 00:35:03,280 --> 00:35:05,230 GO THAT WAY, KID. 528 00:35:10,880 --> 00:35:12,720 SORRY. 529 00:35:20,550 --> 00:35:23,390 WHOA! 530 00:36:04,850 --> 00:36:07,360 ANY LEAKS? THE POLICE WILL NEVER KNOW YOU'RE IN THIS STATE. 531 00:36:07,850 --> 00:36:10,680 GOOD, GOOD. HAVE THE PILOT COME BACK IN FOUR HOURS SO HE DOESN'T GET SPOTTED. 532 00:36:12,600 --> 00:36:14,770 YOUR FRIEND IS RUNNING OUT OF TIME, HONEY. 533 00:36:14,770 --> 00:36:18,770 COLT ALWAYS GETS HIS MAN, EVEN IF HE IS BEING BLACKMAILED. 534 00:36:23,200 --> 00:36:25,030 DAD. 535 00:36:27,230 --> 00:36:31,040 YOU GUYS TAKE HER IN THE OTHER ROOM. YEAH. 536 00:36:35,990 --> 00:36:39,330 DAD, WHAT ARE YOU DOIN' HERE? YOU KNOW THEY GOT A WARRANT FOR YOU IN NEVADA. 537 00:36:40,580 --> 00:36:42,550 HOW'S MOM? 538 00:36:42,550 --> 00:36:47,420 MY SON, THE BIG SHOT! I GOT HALF A MIND TO TAKE YOU OVER MY KNEE. 539 00:36:47,420 --> 00:36:51,840 - COME ON, DAD. - YOU'RE SUCH A-- AH, I CAN'T EVEN SAY IT. 540 00:36:51,840 --> 00:36:54,340 YOUR MOTHER AND ME, WE ASKED GOD TO GIVE US A SON, 541 00:36:54,350 --> 00:36:56,610 AND WHAT DOES HE DO? HE GIVES US YOU. 542 00:36:56,600 --> 00:37:00,070 - DAD, I-- - YOU'RE NEARLY 30, AND I'M STILL CLEANIN' UP YOUR MESSES. 543 00:37:00,070 --> 00:37:03,270 DAD-- DON'T INTERRUPT ME WHEN I'M TALKIN' TO YOU. 544 00:37:03,270 --> 00:37:05,270 NOW WHAT'S GOIN' ON HERE? 545 00:37:05,270 --> 00:37:08,070 HOW COME YOU LET SOME TWO-BIT HUSTLER GET THE BEST OF YOU? 546 00:37:08,080 --> 00:37:11,340 DAD, DON'T WORRY. I GOT A PROFESSIONAL GUY AND HE'S OUT TRACKIN' HIM DOWN. 547 00:37:11,330 --> 00:37:15,160 WHAT? YOU GOT SOMEBODY ELSE INVOLVED? WHAT AM I GONNA DO WITH YOU? 548 00:37:15,170 --> 00:37:18,380 - DAD, DON'T WORRY. I'LL GET THE MONEY BACK. - I DON'T CARE ABOUT THE MONEY. 549 00:37:18,370 --> 00:37:23,370 IT'S $200,000. $200,000 I CAN MAKE IN A GOOD WEEK. 550 00:37:23,370 --> 00:37:26,880 I'M HERE BECAUSE I LOVE YOU, BECAUSE I DON'T WANT YOU TO LOOK LIKE A FOOL. 551 00:37:26,880 --> 00:37:31,100 - I GUESS I SHOULD HAVE KNOWN BETTER. - WELL, NOW YOU KNOW, DON'T YOU? 552 00:37:31,100 --> 00:37:35,180 I JUST THOUGHT THIS TIME I COULD DO IT BY MYSELF. I GUESS I WAS WRONG. 553 00:37:35,190 --> 00:37:37,480 SO WHAT ARE WE GONNA DO, DAD? 554 00:37:37,470 --> 00:37:42,140 WE'RE GONNA FIND HEFFERTON AND WHOEVER ELSE YOU GOT INVOLVED IN THIS, 555 00:37:42,140 --> 00:37:44,890 AND WE'RE GONNA TAKE 'EM FOR A RIDE IN THE DESERT. 556 00:37:44,900 --> 00:37:48,290 AND WE'RE GONNA MAKE SURE THAT THEY NEVER COME BACK. 557 00:37:53,400 --> 00:37:58,990 TELL ME SOMETHING, MEL. HOW COULD YOU BE SO STUPID AS TO TRY TO RIP OFF A RACKETEER? 558 00:37:58,990 --> 00:38:03,000 I DIDN'T KNOW HE WAS CONNECTED TO THE MOB. IT LOOKED LIKE A SURE THING. 559 00:38:03,000 --> 00:38:07,750 LANCE ROSS IS ABOUT AS BRIGHT AS THE BOTTOM OF A COAL MINE. I NEVER THOUGHT HE'D CATCH ON. 560 00:38:07,750 --> 00:38:12,670 [ Sighs ] MEL, I SWEAR. SOMETIMES I WONDER IF YOU'RE MY BROTHER. 561 00:38:12,670 --> 00:38:17,180 HEY, IT'S NOT LIKE I ROBBED A HELPLESS VICTIM. THE GUY'S A CROOK HIMSELF. 562 00:38:17,180 --> 00:38:19,180 YEAH, A CROOK THAT'S HOLDIN' JODY HOSTAGE... 563 00:38:19,180 --> 00:38:21,430 UNTIL YOU COME UP WITH THE $200,000 YOU STOLE FROM HIM. 564 00:38:21,430 --> 00:38:26,940 - YEAH, I KNOW. THAT'S GONNA BE A PROBLEM. - WHAT DO YOU MEAN, A PROBLEM? 565 00:38:26,940 --> 00:38:32,160 - I DON'T HAVE THE MONEY. I BLEW IT AT THE CRAP TABLES. - YOU WHAT? 566 00:38:32,160 --> 00:38:37,160 WHY DO YOU THINK I WAS HITTING YOU UP FOR CASH? I'M BUSTED. 567 00:38:37,160 --> 00:38:39,530 I WAS TRYIN' TO RAISE A STAKE TO GET OUT OF TOWN. 568 00:38:39,530 --> 00:38:45,340 COLT, IT'S NOT GONNA BE EASY TRYIN' TO RAISE $200,000 IN THE NEXT 17 SECONDS. 569 00:38:45,340 --> 00:38:49,590 LOOKS LIKE ALL WE HAVE TO OFFER LANCE IS MEL IN EXCHANGE FOR JODY. 570 00:38:49,590 --> 00:38:52,880 WAIT A MINUTE. YOU CAN'T JUST FEED ME TO THE WOLVES. 571 00:38:52,880 --> 00:38:56,100 OH, WE'RE NOT GONNA LET THEM EAT YOU. JUST LICK YOUR FACE A LITTLE. 572 00:38:56,100 --> 00:38:59,520 [ Phone Rings ] 573 00:38:59,520 --> 00:39:03,020 - SEAVERS. - HELLO, MR. SEAVERS. I HOPE YOU HAVE SOMETHING FOR ME. 574 00:39:03,020 --> 00:39:05,470 - YES, I DO. - IS IT GREEN? 575 00:39:05,480 --> 00:39:09,040 - NO, YELLOW. - I'M NOT SURE I FOLLOW YOU. 576 00:39:09,030 --> 00:39:12,900 I'VE GOT YOUR MAN. YOU'LL HAVE TO GET YOUR MONEY OUT OF HIM ANY WAY YOU CAN. 577 00:39:12,900 --> 00:39:15,820 WHAT ARE YOU DOING, PLANNING A WEDDING? GIVE ME THAT PHONE. 578 00:39:16,820 --> 00:39:18,820 - SEAVERS? - WHO'S THIS? 579 00:39:18,820 --> 00:39:24,130 THIS IS THE BOY'S FATHER. HAVE YOU GOT MEL HEFFERTON? YES, I DO. 580 00:39:24,130 --> 00:39:26,380 OKAY. LET'S GET THIS OVER WITH. 581 00:39:26,380 --> 00:39:29,720 WHERE WOULD YOU LIKE TO MAKE THE EXCHANGE? IN PUBLIC. 582 00:39:29,720 --> 00:39:33,390 HUH. I SEE YOU'RE A MAN WHO TAKES PRECAUTIONS. VERY WELL. 583 00:39:33,390 --> 00:39:35,720 WHY DON'T WE MAKE IT THE BAR IN OUR HOTEL? 584 00:39:35,720 --> 00:39:39,640 RIGHT. MY SON WILL BE THERE WITH YOUR FRIEND IN 30 MINUTES. 585 00:39:39,640 --> 00:39:43,150 [ Handset Settles In Cradle ] IT'S ALL SET. 586 00:39:43,150 --> 00:39:45,150 WELL, DON'T WORRY, DAD. HE WON'T GET AWAY THIS TIME. 587 00:39:47,150 --> 00:39:49,770 - WHO WAS IT? - LANCE'S FATHER. 588 00:39:49,770 --> 00:39:51,270 TONY THE GROCER HIMSELF? 589 00:39:51,270 --> 00:39:53,910 [ Big Jack ] THIS HAS GOTTEN PRETTY SERIOUS IF HE'S IN TOWN. 590 00:39:53,910 --> 00:39:56,490 THERE'S A WARRANT OUT FOR HIS ARREST, 591 00:39:56,490 --> 00:39:58,780 WHICH MEANS THE RENO POLICE WILL PICK HIM UP ON SIGHT. 592 00:39:58,780 --> 00:40:01,280 NO WONDER HE'S IN SUCH A HURRY. ANOTHER THING YOU BETTER KNOW. 593 00:40:01,280 --> 00:40:05,920 - WHEREVER HE GOES, A LOT OF MUSCLE GOES WITH HIM. - NOW WAIT A MINUTE. 594 00:40:05,920 --> 00:40:09,260 YOU CAN'T TURN ME OVER TO A GUY LIKE THAT. HE'LL KILL ME. 595 00:40:09,260 --> 00:40:11,670 COLT, HE IS MY BROTHER. CAN'T WE WORK SOMETHING OUT? 596 00:40:11,680 --> 00:40:14,800 IT'S WHAT I'M TRYIN' TO FIGURE OUT. 597 00:40:14,800 --> 00:40:18,810 COME ON, KID. LET'S GO TO THE BAR. WE GOT SOME RECRUITING TO DO. 598 00:40:18,800 --> 00:40:22,600 WHO ARE WE GONNA RECRUIT? EVERY AVAILABLE STUNTMAN. 599 00:40:22,600 --> 00:40:25,440 - WHAT FOR? - MORAL SUPPORT. 600 00:40:28,610 --> 00:40:31,610 [ Colt ] TONY THE GROCER WOULDN'T USE THE INTERNATIONAL AIRPORT. 601 00:40:32,110 --> 00:40:35,110 HE'D PROBABLY SNEAK ONTO ONE OF THOSE RANCH STRIPS NORTH OF THE CITY. 602 00:40:35,120 --> 00:40:38,130 THIS GUY COULD BE UP TO ANYTHING, SO LET'S NOT TAKE ANY CHANCES. 603 00:40:38,120 --> 00:40:41,540 I'M ALL FOR THAT. WHEN ARE YOU GONNA LET US IN ON YOUR PLAN? 604 00:40:41,540 --> 00:40:45,540 I DON'T GOT ONE. JUST FOLLOW MY LEAD, HUH? 605 00:40:50,800 --> 00:40:54,130 IT'S BEEN QUITE A WHILE, MELVIN. 606 00:40:54,130 --> 00:40:56,640 WHAT HAPPENED TO OUR BARGAIN? YOU SAID YOU WERE BRINGIN' JODY. 607 00:40:56,640 --> 00:40:58,640 THERE'S BEEN A LITTLE CHANGE IN THE PLANS. 608 00:41:00,510 --> 00:41:02,810 WHAT DO YOU MEAN, A LITTLE CHANGE IN THE PLANS? 609 00:41:02,810 --> 00:41:05,480 WELL, WE'LL ALL WALK OUTSIDE AND I'LL TELL YOU ALL ABOUT IT. 610 00:41:05,480 --> 00:41:08,260 - YOU SLIMY-- - SIT DOWN, BUSTER. WE DON'T NEED A SCENE. 611 00:41:11,240 --> 00:41:14,110 BESIDES, I DON'T THINK YOU REALLY HAVE AN ALTERNATIVE. 612 00:41:16,410 --> 00:41:20,860 WELL, THAT'S NOT ENTIRELY TRUE. THERE-- THERE IS ONE ALTERNATIVE. 613 00:41:23,780 --> 00:41:26,530 [ Woman Screams ] 614 00:41:29,750 --> 00:41:32,870 ALL RIGHT, BREAK IT UP, YOU KIDS! COME ON. STOP IT! 615 00:41:42,180 --> 00:41:45,270 [ Continues, Indistinct ] 616 00:42:08,540 --> 00:42:11,160 KID! 617 00:42:19,890 --> 00:42:22,220 [ Engine Starts ] [ Tires Squealing ] 618 00:42:23,420 --> 00:42:26,590 [ Howie ] COLT, THERE'S JODY. 619 00:42:26,590 --> 00:42:32,150 COME ON, KID. STAGECOACH. A 25-MILE-AN-HOUR STAGECOACH CAN'T KEEP UP WITH A CAR. 620 00:42:32,150 --> 00:42:34,150 IT CAN IF HE'S HEADIN' FOR AN AIRSTRIP ON A RANCH. 621 00:42:34,150 --> 00:42:36,820 [ Horse Whinnies ] 622 00:42:36,820 --> 00:42:38,850 HYAH! 623 00:42:45,830 --> 00:42:48,750 [ Tires Screeching ] 624 00:42:48,750 --> 00:42:52,420 [ Horn Honking ] 625 00:43:00,710 --> 00:43:03,960 [ Colt ] THEY HUNG A RIGHT. THAT ELIMINATES THE INTERNATIONAL AIRPORT. 626 00:43:12,140 --> 00:43:15,140 GIDDAP! GET! HYAH! 627 00:43:15,140 --> 00:43:17,060 HYAH! HYAH! 628 00:43:25,450 --> 00:43:30,410 GIDDAP! HYAH! HYAH! HYAH! 629 00:43:44,970 --> 00:43:46,920 HEY! GET OUT OF THERE! 630 00:43:46,920 --> 00:43:49,980 [ Horn Honking ] MOVE! COME ON! 631 00:44:00,190 --> 00:44:03,820 [ Horn Honking ] 632 00:44:25,760 --> 00:44:28,930 I KNEW DOING WESTERNS ALL THOSE YEARS WOULD PAY OFF SOONER OR LATER. 633 00:44:38,560 --> 00:44:41,360 TAKE THE LINES, KID. 634 00:44:47,070 --> 00:44:50,120 [ Tires Screeching ] 635 00:44:53,370 --> 00:44:55,660 HO! 636 00:45:00,500 --> 00:45:03,880 ALL RIGHT, LANCE. OUT OF THERE, NICE AND SLOW, HUH? 637 00:45:05,090 --> 00:45:07,900 [ Sighs ] BOY, AM I GLAD TO SEE YOU. 638 00:45:07,890 --> 00:45:11,560 - YOU OKAY? - I THINK SO. I DON'T KNOW ABOUT HIM. 639 00:45:11,560 --> 00:45:14,430 - MEET TONY THE GROCER. - WELL, TONY. 640 00:45:14,430 --> 00:45:17,760 I GUESS IT'S ONE TIME YOU WISH YOU'D STAYED HOME AND MINDED THE STORE. 641 00:45:17,760 --> 00:45:20,520 HUH. 642 00:45:25,820 --> 00:45:28,110 HO! HO! 643 00:45:35,370 --> 00:45:38,540 I THINK THIS IS YOUR STOP, BOYS. 644 00:45:38,540 --> 00:45:41,710 COME ON, SEAVERS. THERE'S NO REASON TO DO THIS. LET'S MAKE A DEAL. 645 00:45:41,710 --> 00:45:45,430 SURE. YOU GET WHAT'S BEHIND DOOR NUMBER ONE: JAIL. 646 00:45:45,430 --> 00:45:49,810 - VERY FUNNY. - THEY SAY A SENSE OF HUMOR'S A GOOD THING TO HAVE, 647 00:45:49,800 --> 00:45:52,460 ESPECIALLY WHERE YOU'RE GOIN'. 648 00:45:52,470 --> 00:45:55,560 TAKE 'EM AWAY, BOYS. 649 00:45:58,020 --> 00:46:01,190 DON'T WORRY, DAD. THEY'LL NEVER DO THIS TO YOU. I'LL GET YOU OUT OF THIS. 650 00:46:01,190 --> 00:46:04,980 [ Tony ] WILL YOU SHUT UP! IF YOU WEREN'T MY OWN SON, I'D HAVE YOU BUMPED OFF. 651 00:46:09,320 --> 00:46:11,330 GIDDAP. GIDDAP! 652 00:46:21,160 --> 00:46:25,080 [ Exhales ] THIS IS THE LIFE, ISN'T IT? 653 00:46:25,080 --> 00:46:29,080 MMM. DOESN'T IT FEEL GREAT JUST TO RELAX AGAIN? 654 00:46:29,090 --> 00:46:33,100 YEAH. MAYBE TOMORROW, I'LL GET A BIT OF A SUNTAN. I'M SO PALE. 655 00:46:33,090 --> 00:46:35,090 [ Big Jack ] COLT, DON'T YOU WANT A DRINK? NOPE. 656 00:46:35,090 --> 00:46:38,760 - I DON'T WANNA SPOIL MY APPETITE. - WHOO! LOOK AT YOU. 657 00:46:38,760 --> 00:46:40,930 - NICE TIE. - IT'S YOURS. 658 00:46:40,930 --> 00:46:44,650 HOW COME YOU NEVER WEAR A TIE WHEN YOU GO OUT TO DINNER WITH US? 659 00:46:44,650 --> 00:46:47,600 'CAUSE YOU NEVER OFFER TO PAY. 660 00:46:47,600 --> 00:46:50,440 OH, IS CHARLIE TAKING YOU OUT? 661 00:46:50,440 --> 00:46:53,240 YEP. THAT'S THE MODERN WOMAN FOR YA. 662 00:46:53,240 --> 00:46:55,530 SHE'S EVEN GONNA PICK HIM UP. 663 00:46:55,530 --> 00:46:58,330 SHE'LL PROBABLY EVEN BRING HIM FLOWERS. 664 00:46:58,330 --> 00:47:02,920 [ Knocking ] ? [ Vocalizing ] 665 00:47:02,920 --> 00:47:05,700 WHOOP. 666 00:47:05,710 --> 00:47:08,220 I'M AFRAID I'M GONNA HAVE TO BREAK OUR DATE. 667 00:47:09,710 --> 00:47:13,210 DON'T LIKE MY TIE? I LOVE YOUR TIE. 668 00:47:13,210 --> 00:47:18,020 JUST THAT MY FOLKS ASKED ME TO MAKE SURE HE GETS HOME SAFE, AND SO I'M FLYING BACK TONIGHT. 669 00:47:20,390 --> 00:47:22,890 OH. MAYBE NEXT YEAR. 670 00:47:22,890 --> 00:47:27,310 WELL, IF YOU THINK I'M GONNA WAIT A WHOLE NOTHER YEAR TO SEE YOU, YOU'RE CRAZY. 671 00:47:27,810 --> 00:47:29,560 YOU STILL LIVE IN THE HILLS? 672 00:47:29,560 --> 00:47:32,780 YEAH, THE SAME PLACE. 673 00:47:32,780 --> 00:47:36,540 WELL, DON'T BE SURPRISED IF I DROP IN. 674 00:47:38,490 --> 00:47:40,820 YEAH, I'LL BE... LOOKIN' FOR YOUR PARACHUTE. 675 00:47:44,630 --> 00:47:49,630 I'M NEVER GONNA BE ABLE TO THANK YOU FOR WHAT YOU DID FOR ME AND FOR MY BROTHER. 676 00:47:49,630 --> 00:47:52,130 AND I WANT YOU TO KNOW I APPRECIATE IT. 677 00:47:54,640 --> 00:47:57,640 SEE YOU SOON. 678 00:47:57,640 --> 00:47:59,470 T-TELL YOUR BROTHER GOOD-BYE FOR ME. 679 00:47:59,480 --> 00:48:01,740 TELL HIM YOURSELF. HE'S STANDIN' RIGHT OUT-- 680 00:48:03,600 --> 00:48:05,600 MEL? 681 00:48:11,440 --> 00:48:13,320 HE'S GONE AGAIN. 682 00:48:14,780 --> 00:48:16,670 THAT MEAN YOU'RE FREE FOR DINNER? 683 00:48:18,450 --> 00:48:20,840 [ Laughs ]58116

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