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Edited at https://subtitletools.com
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00:00:02,300 --> 00:00:05,050
♪ WELL, I'M NOT THE KIND
TO KISS AND TELL ♪
3
00:00:05,050 --> 00:00:08,310
♪ BUT I'VE BEEN SEEN
WITH FARRAH ♪
4
00:00:08,310 --> 00:00:10,940
♪ I'VE NEVER BEEN
WITH ANYTHING LESS ♪
5
00:00:10,940 --> 00:00:13,730
♪ THAN A NINE
SO FINE ♪
6
00:00:13,730 --> 00:00:16,310
♪ I'VE BEEN ON FIRE
WITH SALLY FIELD ♪
7
00:00:16,320 --> 00:00:19,160
♪ GONE FAST
WITH A GIRL NAMED BO ♪
8
00:00:19,150 --> 00:00:23,540
♪ BUT SOMEHOW THEY JUST
DON'T END UP AS MINE ♪
9
00:00:23,540 --> 00:00:27,330
♪ IT'S A DEATH-DEFYIN' LIFE
I LEAD ♪
10
00:00:27,330 --> 00:00:29,790
♪ I TAKE MY CHANCES ♪
11
00:00:29,800 --> 00:00:32,720
♪ I DIE FOR A LIVIN'
IN THE MOVIES AND TV ♪
12
00:00:32,720 --> 00:00:34,640
[ Siren Wailing ]
13
00:00:34,630 --> 00:00:37,170
♪ BUT THE HARDEST THING
I EVER DO ♪
14
00:00:37,170 --> 00:00:40,510
♪ IS WATCH MY LEADING LADIES ♪
15
00:00:40,970 --> 00:00:45,060
♪ KISS SOME OTHER GUY
WHILE I'M BANDAGIN' MY KNEE ♪
16
00:00:45,560 --> 00:00:48,310
♪ I MIGHT FALL
FROM A TALL BUILDIN' ♪
17
00:00:48,310 --> 00:00:51,270
♪ I MIGHT ROLL
A BRAND-NEW CAR ♪
18
00:00:51,270 --> 00:00:53,940
♪ 'CAUSE I'M
THE UNKNOWN STUNTMAN ♪
19
00:00:53,940 --> 00:00:56,740
♪ THAT MADE REDFORD
SUCH A STAR ♪
20
00:00:56,740 --> 00:00:59,690
♪ [ Women Vocalizing ]
21
00:01:03,330 --> 00:01:06,450
♪ I'VE NEVER SPENT
MUCH TIME IN SCHOOL ♪
22
00:01:06,450 --> 00:01:09,080
♪ BUT I'VE TAUGHT
LADIES PLENTY ♪
23
00:01:09,090 --> 00:01:12,430
♪ IT'S TRUE I HIRE
MY BODY OUT FOR PAY ♪
24
00:01:12,920 --> 00:01:14,260
♪ HEY, HEY ♪
25
00:01:14,260 --> 00:01:17,260
♪ I'VE GOTTEN BURNED
OVER CHERYL TIEGS ♪
26
00:01:17,260 --> 00:01:19,960
♪ BLOWN UP FOR RAQUEL WELCH ♪
27
00:01:19,960 --> 00:01:23,970
♪ BUT WHEN I WIND UP
IN THE HAY, IT'S ONLY HAY ♪
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00:01:23,970 --> 00:01:25,430
♪ HEY, HEY ♪
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00:01:25,440 --> 00:01:28,480
♪ I MIGHT JUMP
AN OPEN DRAWBRIDGE ♪
30
00:01:28,470 --> 00:01:30,270
♪ OR TARZAN FROM A VINE ♪
31
00:01:30,270 --> 00:01:32,640
♪ 'CAUSE I'M
THE UNKNOWN STUNTMAN ♪
32
00:01:32,640 --> 00:01:36,480
♪ THAT MAKES EASTWOOD
LOOK SO FINE ♪
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00:01:50,630 --> 00:01:53,960
[ Colt Narrating ]
THIS IS THE STORY OF ONE OF
AMERICA'S GREAT UNSUNG HEROES.
34
00:01:53,960 --> 00:01:57,750
I MEAN, YOU'VE SEEN HIM,
BUT YOU NEVER KNEW WHO HE WAS.
35
00:01:57,750 --> 00:01:59,920
YOU'VE CHEERED FOR HIM
AND CRIED FOR HIM,
36
00:01:59,920 --> 00:02:03,220
WOMEN HAVE WANTED
TO DIE FOR HIM.
37
00:02:03,220 --> 00:02:07,480
BUT DID HE EVER GET ANY CREDIT?
OR THE GIRL? NO.
38
00:02:07,480 --> 00:02:09,930
HE WAS WHAT WE CALL A STUNTMAN.
39
00:02:09,930 --> 00:02:12,310
AND THE REASON I'M TALKIN'
SO FONDLY ABOUT HIM IS--
40
00:02:12,320 --> 00:02:14,360
WELL, BECAUSE IT'S ME,
COLT SEAVERS.
41
00:02:14,350 --> 00:02:17,990
ANYWAY, PICTURE WORK
ISN'T WALL-TO-WALL EMPLOYMENT.
42
00:02:18,490 --> 00:02:21,820
SO MAYBE YOU WONDER HOW
A GUY KEEPS HIS HEAD TOGETHER.
43
00:02:21,820 --> 00:02:24,740
WELL, ONE WAY
IS TO WAIT BY THE PHONE...
44
00:02:24,740 --> 00:02:27,080
AND WAIT... AND WAIT.
45
00:02:27,080 --> 00:02:29,860
THE OTHER IS TO TAKE
AN OCCASIONAL JOB
FOR THE COURT SYSTEM...
46
00:02:29,870 --> 00:02:32,180
OF THE UNITED STATES OF AMERICA,
47
00:02:32,170 --> 00:02:35,000
WHERE A MAN IS
CONSIDERED INNOCENT
UNTIL PROVEN GUILTY.
48
00:02:35,000 --> 00:02:38,510
UNFORTUNATELY, SOMETIMES A LOT
OF THESE PEOPLE...
49
00:02:38,510 --> 00:02:41,960
GET OUT OF JAIL
ON WHAT WE CALL BAIL.
50
00:02:41,960 --> 00:02:44,460
AND THEY RUN LIKE HELL.
51
00:02:44,460 --> 00:02:48,850
THAT'S WHERE I COME IN.
I SOMETIMES PICK UP RENT MONEY
TRYIN' TO FIND THEM...
52
00:02:48,850 --> 00:02:50,640
AND BRING THEM BACK TO JUSTICE.
53
00:02:50,640 --> 00:02:55,110
ONCE IN A WHILE,
I GET A CHANCE TO DO NOTHIN'
WITH ALL MY BUDDIES.
54
00:03:14,040 --> 00:03:19,080
HEY, TOM! HEY, WELCOME.
HOW YOU DOIN', ALL RIGHT?
55
00:03:19,080 --> 00:03:21,380
OKAY? EVERYTHING ALL RIGHT?
56
00:03:23,170 --> 00:03:25,170
HYAH! HYAH!
57
00:03:30,310 --> 00:03:32,810
HYAH!
58
00:03:32,810 --> 00:03:37,600
LOOK AT ALL THOSE PEOPLE,
COLT. GEE, THIS IS EXCITING.
YEAH, I KNOW, KID.
59
00:03:37,600 --> 00:03:41,240
REMEMBER, THE KEY IS
TO PACE YOURSELF.
YOU DON'T WANNA PEAK TOO SOON.
60
00:03:41,240 --> 00:03:44,570
WE GOT TWO DAYS
OF NONSTOP PARTYIN'.
YEAH.
61
00:03:44,570 --> 00:03:46,360
YEAH. HYAH! HYAH!
62
00:04:07,460 --> 00:04:10,970
WELL, IF IT ISN'T
THE OLD WELLS FARGO MAN HIMSELF.
[ Horse Whinnies ]
63
00:04:12,220 --> 00:04:15,220
TAKE IT IN.
HI, STAN.
64
00:04:17,220 --> 00:04:19,220
HERE WE ARE.
65
00:04:20,730 --> 00:04:22,730
WOW.
WELL, JODY,
HOW WAS THE RIDE?
66
00:04:22,730 --> 00:04:26,560
I'LL LET YOU KNOW AS SOON AS
I GET SOME FEELIN' BACK.
COME ON OUT, BIG JACK.
67
00:04:26,570 --> 00:04:29,290
THANKS, HOWIE.
68
00:04:29,290 --> 00:04:31,300
OH, BOY.
I'LL NEVER SIT AGAIN.
69
00:04:31,290 --> 00:04:33,290
COLT, THE NEXT TIME YOU SAY
WE'RE TRAVELING BY COACH,
70
00:04:33,790 --> 00:04:35,570
I'D LIKE TO SEE
THE TICKET FIRST.
71
00:04:37,410 --> 00:04:40,040
I'LL SAY ONE THING,
YOU STILL KNOW HOW
TO MAKE AN ENTRANCE.
72
00:04:40,050 --> 00:04:43,060
HELLO, GUS. HOW ARE YOU?
FINE. GOOD TO SEE YOU, COLT.
73
00:04:43,050 --> 00:04:45,580
YOU KNOW JODY AND HOWIE.
SURE.
74
00:04:45,590 --> 00:04:47,600
THIS IS SAMANTHA JACK,
FRIEND OF OURS,
75
00:04:47,590 --> 00:04:50,590
WANTED TO COME ALONG
FOR A FEW DAYS OF SUN AND FUN.
76
00:04:50,590 --> 00:04:54,480
COME TO THE RIGHT PLACE.
YOU HAVE NO WORRIES AT ALL.
THIS IS A FUN-LOVIN' GROUP.
77
00:04:54,480 --> 00:04:57,180
SURE LOOKS LIKE
YOU GOT A GOOD TURNOUT.
78
00:04:57,180 --> 00:04:59,810
YEAH, WE GOT ALL
THE BIG NAMES, ALL EXCEPT
FOR CHARLIE HEFFERTON.
79
00:04:59,820 --> 00:05:03,700
OH, NO, CHARLIE--
CHARLIE SAID SHE'D BE HERE.
YOU CAN BET SHE'LL SHOW UP.
80
00:05:03,690 --> 00:05:07,520
- CHARLIE'S A SHE?
- BEST STUNTWOMAN
IN THE BUSINESS.
81
00:05:07,520 --> 00:05:10,830
YEAH, I REMEMBER
WHEN YOU AND CHARLIE
USED TO WORK TOGETHER.
82
00:05:10,830 --> 00:05:13,110
YOU WERE A REAL
PAIR TO DRAW TO.
83
00:05:13,110 --> 00:05:17,580
- WELL, SHE HAD THAT
SPECIAL FLAIR, ALL RIGHT.
- COLT, LOOK AT THAT.
84
00:05:21,500 --> 00:05:24,010
[ Woman ]
THANKS FOR THE RIDE.
85
00:05:38,640 --> 00:05:43,440
COLT, I THINK
YOU'VE BEEN JUST UPSTAGED.
WATCH IT.
86
00:05:46,810 --> 00:05:49,950
COLT, DO YOU KNOW
WHO THAT IS?
87
00:05:49,950 --> 00:05:52,230
THAT'S CHARLIE.
88
00:06:24,350 --> 00:06:26,770
SHOULDN'T WE GIVE HER
SOME ROOM?
89
00:06:26,770 --> 00:06:28,770
NO NEED TO.
SHE KNOWS WHAT SHE'S DOIN'.
90
00:06:34,410 --> 00:06:36,660
[ No Audible Dialogue ]
91
00:06:38,080 --> 00:06:40,670
[ Woman ]
YEAH. ALL RIGHT.
92
00:06:40,670 --> 00:06:43,170
WHOO!
93
00:06:50,290 --> 00:06:53,040
WHOO!
94
00:06:53,050 --> 00:06:55,060
COLT!
NICE TO SEE YOU AGAIN,
CHARLIE.
95
00:06:55,050 --> 00:06:57,550
HOW ARE YOU? OH.
96
00:06:57,550 --> 00:06:59,550
SORRY TO STEAL YOUR THUNDER,
BUT YOU KNOW ME.
97
00:06:59,550 --> 00:07:03,300
WHERE THERE'S A STAGE,
I'LL DO A SHOW.
I KNOW, I KNOW.
98
00:07:03,310 --> 00:07:06,150
OH! THAT WAS WONDERFUL.
99
00:07:06,140 --> 00:07:09,640
GREAT JUMP, CHARLIE.
GOOD TO SEE YOU.
[ Big Jack ] GOOD JOB.
100
00:07:09,650 --> 00:07:11,660
HEY, COME ON.
LET'S GET YOU GUYS SETTLED.
101
00:07:11,650 --> 00:07:13,650
SEE YOU LATER.
102
00:07:15,650 --> 00:07:17,650
WELL, WHAT DO YOU DO
FOR AN ENCORE?
103
00:07:17,650 --> 00:07:22,160
STICK AROUND, BIG FELLA,
AND YOU'LL FIND OUT.
HI, GARY!
104
00:07:22,160 --> 00:07:25,540
HEY, CHARLIE.
COME OVER AND SAY HELLO.
YEAH, JUST A SECOND.
105
00:07:25,540 --> 00:07:28,550
COLT, I'VE GOT
ABOUT A MILLION PEOPLE
I'VE GOTTA SAY HELLO TO.
106
00:07:28,550 --> 00:07:30,800
I'M SUPPOSED TO MEET MY BROTHER.
WHERE YOU GONNA BE LATER?
107
00:07:30,800 --> 00:07:34,300
- THAT DEPENDS ON LADY LUCK.
- WELL, FINE.
I'LL SEE YOU IN THE CASINO.
108
00:07:34,300 --> 00:07:38,060
NOPE, I'LL BE HAVIN'
A COLD BEER BY THE POOL
AND SEE WHO LADY LUCK BRINGS ME.
109
00:07:38,060 --> 00:07:42,140
OH. WELL, IF YOU'RE REAL LUCKY,
SHE'LL BRING YOU ME.
110
00:07:42,140 --> 00:07:44,510
AH.
[ Chuckles ]
111
00:07:46,320 --> 00:07:50,160
[ Nickers ]
NOT BAD, COLT.
NOT BAD AT ALL.
112
00:07:50,150 --> 00:07:53,150
YEAH, IT'S A GREAT TEAM
OF HORSES. TAKE CARE
OF 'EM, WILL YA?
113
00:07:53,160 --> 00:07:55,670
I WAS TALKIN' ABOUT THE GIRL.
I WANNA HANG OUT WITH YOU.
114
00:07:55,660 --> 00:07:57,660
WAIT A MINUTE, KID.
YOU TRUST ME, DON'T YA?
115
00:07:57,660 --> 00:08:01,910
WELL, YEAH, SURE, BUT--
LET ME GIVE YOU ADVICE
THAT DAVE ROBINSON GAVE TO ME.
116
00:08:01,910 --> 00:08:05,870
HE SAID, "'TIS A WISE MAN
THAT WOULDN'T TRADE A WORLD
FILLED WITH BEAUTIFUL WOMEN...
117
00:08:05,870 --> 00:08:08,120
FOR A TEAM
OF DEPENDABLE HORSES."
118
00:08:08,120 --> 00:08:10,920
I'M NOT OLD ENOUGH
TO BE WISE.
119
00:08:10,920 --> 00:08:13,420
UH, DIDN'T THINK
YOU'D BUY THAT.
120
00:08:13,930 --> 00:08:15,930
OH, GREAT.
121
00:08:20,430 --> 00:08:23,680
SHE LIKES ME.
[ Nickers ]
122
00:08:29,110 --> 00:08:32,140
♪ [ Country ]
123
00:08:32,140 --> 00:08:35,150
[ Man ]
GOT EIGHT, SKATE AND DONATE.
LET'S GO. ROLL 'EM UP.
124
00:08:36,650 --> 00:08:39,150
ALL RIGHT. COME ON.
125
00:08:39,150 --> 00:08:41,650
HEY, BOSS.
CAN WE TALK TO YOU
FOR A MINUTE?
126
00:08:41,650 --> 00:08:46,160
I'M STUCK HERE.
YOU BETTER HAVE GOOD NEWS.
WALK OVER HERE.
127
00:08:48,660 --> 00:08:52,660
IT'S GOOD NEWS, ALL RIGHT.
WE LOCATED HEFFERTON.
WELL, IT'S ABOUT TIME.
128
00:08:52,670 --> 00:08:55,560
HEY, BOSS, HE'S PRETTY SLIPPERY.
I KNOW ALL ABOUT IT.
WHERE IS HE?
129
00:08:55,550 --> 00:09:00,300
WELL, THE RENT-A-CAR PLACE
AT THE AIRPORT GAVE HIS ADDRESS
FOR A HOTEL RIGHT HERE.
130
00:09:00,310 --> 00:09:03,320
DID HE HAVE THE MONEY WITH HIM?
WE CHECKED THE ROOM.
IT'S NOT REGISTERED TO HIM.
131
00:09:03,310 --> 00:09:05,560
IT'S REGISTERED
TO SOME STUNTWOMAN
WHO'S ON SOME KIND OF VACATION.
132
00:09:05,560 --> 00:09:08,010
IT FIGURES THAT LITTLE LEECH
WOULD BE LIVIN' OFF SOME BROAD.
133
00:09:08,010 --> 00:09:10,510
YOU JUST GO SIT ON HER.
HE'LL POP UP.
134
00:09:10,520 --> 00:09:14,030
HOW HARD DO YOU WANT US
TO COME DOWN ON HIM?
HOW HARD IS DEAD?
135
00:09:16,490 --> 00:09:20,440
HELLO, LOVELY LADIES.
WHAT'LL YOU HAVE?
136
00:09:20,440 --> 00:09:22,440
DO YOU MAKE
A GOOD PIÑA COLADA?
137
00:09:22,450 --> 00:09:24,790
DO I MAKE
A GOOD PIÑA COLADA?
138
00:09:24,780 --> 00:09:29,700
HONEY, YOU'RE LOOKIN' AT THE
BEST PIÑA COLADA MAKER TO COME
OUT OF BREWSTER, PENNSYLVANIA.
139
00:09:29,700 --> 00:09:32,590
COURSE, I'M THE ONLY
PIÑA COLADA MAKER
TO COME OUT OF BREWSTER.
140
00:09:32,590 --> 00:09:36,120
- WE'LL HAVE TWO.
- YOU DON'T HAPPEN
TO MAKE, UH,
141
00:09:36,130 --> 00:09:39,140
DIET PIÑA COLADAS,
DO YOU?
142
00:09:39,130 --> 00:09:41,300
JACK, WE'RE ON VACATION,
REMEMBER?
143
00:09:41,300 --> 00:09:43,630
YOU'RE RIGHT.
MAKE THOSE DOUBLES.
144
00:09:43,630 --> 00:09:47,390
GO FOR IT.
DOUBLES COMIN' UP.
145
00:09:47,390 --> 00:09:50,470
NOW THIS IS WHY
I BECAME A STUNTMAN.
146
00:09:50,470 --> 00:09:53,690
JUST LOOK AT
ALL THOSE BEAUTIFUL BODIES.
147
00:09:53,690 --> 00:09:56,890
I FEEL LIKE
A KID IN A CANDY STORE.
EASY, KID.
148
00:09:56,900 --> 00:10:00,790
REMEMBER WHAT I TOLD YOU
ABOUT PEAKIN' TOO SOON.
HOW ARE THE HORSES?
149
00:10:00,780 --> 00:10:04,620
THE HORSES ARE FINE.
THE QUESTION IS
HOW ARE THE WOMEN?
150
00:10:04,620 --> 00:10:07,790
GREAT.
YOU RUB 'EM DOWN?
151
00:10:07,790 --> 00:10:10,460
- THE WOMEN?
- THE HORSES.
152
00:10:10,460 --> 00:10:13,460
I BOUGHT 'EM ALL STEAKS
AND TOOK 'EM TO A SHOW, OKAY?
153
00:10:13,460 --> 00:10:15,710
YOU DIDN'T HAVE TO
GO THAT FAR.
154
00:10:20,920 --> 00:10:24,220
COLT, IS IT MY IMAGINATION
OR IS THAT GUY
ABOUT TO COMMIT SUICIDE?
155
00:10:34,270 --> 00:10:37,320
OH! I ALMOST HAD A HEART ATTACK.
156
00:10:37,320 --> 00:10:41,240
- HAPPENS EVERY YEAR.
- HE DID KNOW THAT AIR BAG
WAS THERE, DIDN'T HE?
157
00:10:41,240 --> 00:10:44,490
COURSE HE DID.
IT'S ONE OF THE NEW ONES
THEY'RE DEMONSTRATIN'.
158
00:10:44,490 --> 00:10:46,990
THAT WAS JUST
A DEMONSTRATION?
159
00:10:47,000 --> 00:10:48,840
MM-HMM.
AND A LITTLE SHOWING OFF.
160
00:10:48,830 --> 00:10:51,830
YEAH, WELL, THAT'S
A LITTLE TOO MACHO FOR ME.
161
00:10:51,830 --> 00:10:54,340
THINK I'M GONNA TAKE A SWIM IN
THE DIRECTION OF THAT REDHEAD.
162
00:10:54,340 --> 00:10:56,670
SEE IF SHE LIKES
THE STRONG BUT SENSIBLE TYPE.
163
00:10:56,670 --> 00:10:58,620
MMM. GOOD LUCK.
164
00:11:06,930 --> 00:11:09,300
[ Water Splashes ]
165
00:11:11,800 --> 00:11:13,800
COLT?
166
00:11:15,810 --> 00:11:18,310
HEY, WHAT KEPT YOU?
PULL UP A CHAIR.
I WISH I COULD,
167
00:11:18,310 --> 00:11:22,030
BUT I SPENT SO MUCH TIME
LOOKING FOR MY BROTHER,
I HAVEN'T BEEN TO MY ROOM YET.
168
00:11:22,030 --> 00:11:24,150
HURRY BACK
AND I'LL BUY YOU A BEER.
169
00:11:24,150 --> 00:11:26,870
WHY DON'T YOU
COME TO THE ROOM
AND I'LL BUY YOU A BEER?
170
00:11:26,870 --> 00:11:30,540
- I COULD USE A LITTLE COMPANY.
RIGHT NOW.
- SOMETHING WRONG?
171
00:11:30,540 --> 00:11:33,490
I HOPE NOT. I MEAN,
I DON'T REALLY THINK SO, NO.
IT'S--
172
00:11:33,990 --> 00:11:36,790
WE'VE GOT A LOT
OF CATCHIN' UP TO DO.
WE MIGHT AS WELL START NOW.
173
00:11:36,800 --> 00:11:40,060
THAT SOUNDS GOOD TO ME.
I GOTTA GET MY TRUNKS ANYWAY.
174
00:11:40,050 --> 00:11:42,330
OKAY.
[ Exhales ]
175
00:11:42,330 --> 00:11:45,470
DON'T TELL ME
YOU'RE LEAVING PARADISE.
OH, TEMPORARILY.
176
00:11:45,470 --> 00:11:48,340
HEY, DON'T FORGET.
YOU PROMISED TO TAKE
YOUR NEW STUNT GIRL TO LUNCH.
177
00:11:48,340 --> 00:11:50,590
WHO'S THAT?
ME.
178
00:11:50,590 --> 00:11:54,930
DON'T WORRY.
I'LL HAVE HIM BACK BY THEN.
SHORTLY.
179
00:11:56,400 --> 00:11:59,900
YOU KNOW, GUS WAS RIGHT.
THEY DO MAKE A GOOD TEAM.
180
00:12:01,900 --> 00:12:03,900
OH, JODY!
181
00:12:03,910 --> 00:12:06,920
I CAN'T TELL YOU
HOW GOOD IT IS TO SEE YOU AGAIN.
182
00:12:06,910 --> 00:12:08,910
IT'S BEEN A LONG TIME,
HASN'T IT?
183
00:12:08,910 --> 00:12:11,410
IT MAKES FOR
A BETTER REUNION.
TRUE.
184
00:12:11,410 --> 00:12:13,410
[ Snaps Fingers ]
WHAT'S THE MATTER?
185
00:12:13,420 --> 00:12:16,430
FORGOT TO STOP BY THE DESK
TO SEE IF MY BROTHER
LEFT ME A MESSAGE.
186
00:12:16,420 --> 00:12:19,920
I THOUGHT HE WAS GONNA
MEET YOU HERE.
SO DID I, BUT HE NEVER SHOWED.
187
00:12:19,920 --> 00:12:21,760
MESSAGES FOR 516, PLEASE.
188
00:12:25,460 --> 00:12:27,680
YOU WORRIED ABOUT HIM?
189
00:12:27,680 --> 00:12:30,010
OH, A LITTLE.
190
00:12:30,020 --> 00:12:35,110
YOU KNOW HOW IT IS.
HE'S MY KID BROTHER
AND, UH, HE LIVES IN PHOENIX.
191
00:12:35,100 --> 00:12:38,440
I'M NOT SO SURE
THAT ALL HIS BUSINESS DEALINGS
ARE ENTIRELY ABOVEBOARD.
192
00:12:38,440 --> 00:12:41,810
WELL, THAT HAPPENS IN THIS TOWN.
IS HE A GAMBLER?
193
00:12:41,810 --> 00:12:46,060
I DON'T KNOW EXACTLY WHAT HE IS.
I WAS HOPING WE WERE GOING TO
HAVE A TALK ABOUT THAT.
194
00:12:49,740 --> 00:12:51,750
[ Whispers ]
CHARLIE!
195
00:13:05,130 --> 00:13:10,500
MEL, I THOUGHT YOU WERE
SUPPOSED TO MEET ME AN HOUR AGO.
SOMETHING CAME UP.
196
00:13:10,510 --> 00:13:12,520
COLT?
197
00:13:12,510 --> 00:13:15,010
COLT SEAVERS,
THIS IS MY BROTHER MEL.
198
00:13:15,010 --> 00:13:17,010
HEY. HOW YOU DOIN', MEL?
FINE.
199
00:13:17,010 --> 00:13:19,010
I'LL GRAB A BEER.
BE RIGHT WITH YOU.
SURE.
200
00:13:21,320 --> 00:13:25,400
WHAT IS GOING ON?
ARE YOU ALL RIGHT?
[ Exhales ] NOT EXACTLY.
201
00:13:26,820 --> 00:13:28,660
DO YOU HAVE ANY CASH?
IT'S IMPORTANT.
202
00:13:30,580 --> 00:13:33,840
- WHY?
- I-- CHARLIE, I--
203
00:13:33,830 --> 00:13:35,830
YOU KNOW I WOULDN'T ASK YOU
IF I WASN'T DESPERATE.
204
00:13:35,830 --> 00:13:39,000
MEL, DO YOU WANT TO
TALK TO ME ABOUT IT
OR SOMETHING?
205
00:13:39,000 --> 00:13:41,790
I CAN'T EXPLAIN RIGHT NOW.
WILL YOU JUST GIVE ME THE MONEY?
206
00:13:41,790 --> 00:13:43,790
SCUSE ME. HOPE I'M NOT
INTERRUPTING ANYTHING.
207
00:13:43,790 --> 00:13:47,090
NO, HONEY. IT'S OKAY.
HOW MUCH MONEY DO YOU NEED?
208
00:13:47,090 --> 00:13:49,710
GUESS A WHOLE LOT MORE
THAN YOU'RE CARRYIN', CHARLIE.
209
00:13:49,710 --> 00:13:52,510
UH, HI, FELLAS.
CAN WE HELP YOU?
210
00:13:52,510 --> 00:13:54,930
BUTT OUT.
[ Colt ]
THAT'S ONE.
211
00:13:54,930 --> 00:13:57,940
MEL, LANCE ROSS
WOULD LIKE TO SEE YOU.
212
00:13:58,440 --> 00:14:00,440
ME? I DON'T KNOW
WHAT YOU'RE TALKIN' ABOUT.
213
00:14:00,440 --> 00:14:03,190
I DON'T KNOW ANYBODY
NAMED LANCE ROSS.
WE'LL INTRODUCE YOU.
214
00:14:03,190 --> 00:14:05,890
HEY, FELLAS.
WAIT A MINUTE. IF THIS LANCE
WANTS TO TALK TO MEL,
215
00:14:05,890 --> 00:14:08,200
WHY DOESN'T HE COME OVER
AND HAVE A DRINK?
216
00:14:08,200 --> 00:14:10,730
I'LL GIVE YOU 200,000 REASONS.
217
00:14:10,730 --> 00:14:14,450
I GUESS WE'D BETTER ORDER
SOME DRINKS, BECAUSE THAT'S
GONNA TAKE SOME TIME.
218
00:14:14,450 --> 00:14:16,200
A REAL COMEDIAN, HUH?
[ Colt ]
THAT'S TWO.
219
00:14:16,210 --> 00:14:18,470
- LET'S GO, JUNIOR.
- HANDS OFF MY BROTHER.
220
00:14:18,460 --> 00:14:21,490
YOU JUST BOUGHT IT, PAL.
[ Charlie ]
HEY!
221
00:14:43,730 --> 00:14:45,730
DAMN GOOD.
222
00:14:54,330 --> 00:14:57,240
♪ [ Country, Indistinct ]
223
00:14:57,750 --> 00:15:00,250
I FEEL GUILTY ALL OVER.
I'M SORRY.
224
00:15:00,250 --> 00:15:04,750
GUILTY? WHY?
THAT THIS HAD TO HAPPEN, THAT
YOU HAD TO GET INVOLVED IN IT.
225
00:15:04,750 --> 00:15:10,210
INVOLVED IN WHAT?
IN MY BROTHER'S LIFE.
SOMETIMES I WONDER WHY I AM.
226
00:15:10,210 --> 00:15:12,210
I DON'T EVEN KNOW
IF IT'S POSSIBLE TO
STRAIGHTEN HIM OUT ANYMORE.
227
00:15:12,210 --> 00:15:14,010
I JUST PROMISED
MY PARENTS I'D TRY.
228
00:15:14,010 --> 00:15:16,630
WAIT. WHERE YOU GOIN'?
AFTER MEL.
HE MAY BE A FOOL,
229
00:15:16,630 --> 00:15:18,770
BUT HE'S THE ONLY BROTHER
I'VE GOT.
230
00:15:18,770 --> 00:15:22,100
YOU EVER STOP TO THINK
YOU MAY BE GETTIN' IN
OVER YOUR HEAD ON THIS ONE?
231
00:15:22,100 --> 00:15:26,020
I CAN TAKE CARE OF MYSELF.
MAYBE. AND MAYBE NOT.
232
00:15:26,020 --> 00:15:29,860
YOU'RE GONNA STAY IN YOUR ROOM
UNTIL I FIND OUT WHO THOSE GUYS
ARE AND WHAT'S GOIN' ON.
233
00:15:29,860 --> 00:15:33,360
I'M GOIN' WITH YOU.
NO, YOU'RE NOT.
AND IF YOU GIVE ME ANY MOUTH,
234
00:15:33,370 --> 00:15:36,880
I'M GONNA PUT A FRIEND OF MINE
OUTSIDE YOUR DOOR
TO MAKE SURE YOU STAY PUT.
235
00:15:36,870 --> 00:15:39,370
OKAY?
OKAY.
236
00:15:44,880 --> 00:15:47,540
I DON'T UNDERSTAND
HOW YOU GUYS LET HIM
SLIP THROUGH YOUR FINGERS.
237
00:15:47,550 --> 00:15:49,560
HE GOT HELP.
WHAT DO YOU MEAN?
FROM WHO?
238
00:15:49,550 --> 00:15:51,800
FROM HIS SISTER
AND THIS OTHER GUY.
239
00:15:51,800 --> 00:15:55,670
I'M UP TO HERE WITH ALIBIS
FROM YOU TWO, ALL RIGHT?
I WANNA GET BACK TO THE HOTEL.
240
00:15:55,670 --> 00:15:58,670
THERE'S A GUY OVER THERE,
OWES ME $200,000.
DO YOU UNDERSTAND ME?
241
00:15:58,670 --> 00:16:01,510
I DON'T CARE WHAT IT TAKES.
I WANT IT BACK FROM HIM.
242
00:16:01,510 --> 00:16:04,510
NOW LET'S GO.
243
00:16:08,770 --> 00:16:11,770
[ Screaming ]
244
00:16:21,610 --> 00:16:24,110
[ Shouts ]
THAT WAS GREAT.
YOU GOTTA TRY IT.
245
00:16:24,120 --> 00:16:27,630
UH-UH. I GET DIZZY
IN HIGH HEELS.
246
00:16:28,120 --> 00:16:31,840
THE ONLY WAY YOU'RE GONNA
GET ME OFF THE GROUND
IS WITH ONE OF THESE.
247
00:16:39,300 --> 00:16:42,800
[ Man Chuckling ]
248
00:16:42,800 --> 00:16:45,350
[ Chuckling, Shouting ]
249
00:16:45,350 --> 00:16:49,720
GOSH. BOY, YOU FELLAS HAVE
GOTTA BE BUBBLE UP TO PLUMB
TO DO THAT.
250
00:16:49,730 --> 00:16:51,740
HEY. DON'T KNOCK IT
UNLESS YOU'VE TRIED IT,
BIG JACK.
251
00:16:51,730 --> 00:16:54,730
OH, HI, COLT.
WHAT HAPPENED TO LUNCH?
252
00:16:54,730 --> 00:16:56,560
OH, SOMETHING CAME UP.
253
00:16:56,570 --> 00:16:58,990
THAT'S THE GUY
WHO WAS IN THE BAR.
254
00:17:00,820 --> 00:17:04,540
RIGHT NOW, I'M LOOKIN' FOR
AN OLD FRIEND NAMED ROSCOE,
WORKS HERE SOMEPLACE.
255
00:17:04,540 --> 00:17:07,370
HMM. BARTENDER'S NAME
IS ROSCOE.
256
00:17:07,380 --> 00:17:09,750
YOU'RE KIDDING.
257
00:17:13,380 --> 00:17:15,880
WHAT'S YOUR POISON?
I'M BUYIN'.
258
00:17:15,880 --> 00:17:18,390
WELL, RIGHT NOW I'M LOOKIN'
FOR INFORMATION,
259
00:17:18,390 --> 00:17:20,220
BUT IT JUST MIGHT BE
UNHEALTHY AT THAT.
260
00:17:20,220 --> 00:17:22,970
COLT, WHAT'S GOIN' ON?
I'M NOT EXACTLY SURE.
261
00:17:22,980 --> 00:17:26,900
BUT YOU STAY HERE.
LESS YOU KNOW, THE BETTER.
EXCUSE ME.
262
00:17:26,900 --> 00:17:29,190
WHAT IS GOING ON?
263
00:17:29,180 --> 00:17:34,180
I THOUGHT THIS WAS GOING TO BE
A FUN CONVENTION
WITH A LOT OF SEXY STUNTMEN.
264
00:17:36,190 --> 00:17:38,190
YOU SURE HE'S NOT
WORKIN' ON A CASE FOR YOU?
265
00:17:38,190 --> 00:17:40,190
MM-HMM. I'M SURE.
266
00:17:43,200 --> 00:17:45,540
HOW MANY OF THESE PIÑA COLADAS
HAVE I HAD?
267
00:17:47,000 --> 00:17:49,000
HOWDY, ROSCOE.
COLT SEAVERS!
268
00:17:49,000 --> 00:17:52,000
HEY, MAN, I'M CLEAN!
YOU GOT-- YOU GOTTA CATCH ME!
[ Shouts ]
269
00:17:54,010 --> 00:17:58,520
[ Grunts, Sputters ]
MAN, I HAVEN'T DONE A--
A THING.
270
00:17:58,510 --> 00:18:01,300
I DIDN'T SAY YOU DID.
I JUST WANTED TO ASK YOU
A FEW QUESTIONS.
271
00:18:01,300 --> 00:18:05,180
[ Exhales ]
WELL, WHY DIDN'T YOU SAY SO?
I HATE GETTIN' WET.
272
00:18:05,180 --> 00:18:09,940
- WHAT DO YOU KNOW
ABOUT A GUY NAMED LANCE ROSS?
- I NEVER HEARD OF HIM.
273
00:18:11,860 --> 00:18:14,610
WELL, COME ON, ROSCOE.
274
00:18:14,610 --> 00:18:17,640
- WHERE WE GOIN'?
- UP ON THE ROOF.
275
00:18:17,650 --> 00:18:22,630
[ Tarzan Yell ]
276
00:18:22,620 --> 00:18:25,870
YOU'RE GONNA LOVE
BEIN' A STUNTMAN.
277
00:18:25,870 --> 00:18:28,870
NO, I'M NOT GONNA LOVE
BEIN' A STUNTMAN. WHAT DO YOU
WANNA KNOW ABOUT LANCE?
278
00:18:28,870 --> 00:18:30,870
WHATEVER YOU CAN TELL ME.
279
00:18:30,880 --> 00:18:34,340
WELL, BASICALLY HE'S A--
HE'S A LIGHTWEIGHT,
280
00:18:34,330 --> 00:18:39,830
BUT WORD HAS IT THAT HE GOT TOOK
FOR A COUPLE OF HUNDRED THOUSAND
IN A PHONY REAL ESTATE DEAL.
281
00:18:39,840 --> 00:18:43,150
200,000 DOESN'T EXACTLY
SOUND LIKE A LIGHTWEIGHT.
282
00:18:43,140 --> 00:18:46,090
NO, I'M TALKIN' ABOUT HIM,
NOT THE MONEY.
283
00:18:46,090 --> 00:18:48,840
WHAT'S THE WORD
ON WHO TOOK HIM?
284
00:18:48,840 --> 00:18:54,650
WELL, IT'S A YOUNG,
UH, CON MAN--
ANOTHER LIGHTWEIGHT.
285
00:18:54,650 --> 00:18:58,100
- IS HE LOCAL?
- NO, HE'S FROM PHOENIX.
286
00:18:58,600 --> 00:19:00,940
PHOENIX.
NAME WOULDN'T BE MEL, WOULD IT?
287
00:19:02,910 --> 00:19:05,280
YEAH, THAT'S IT.
THANKS, ROSCOE.
288
00:19:05,280 --> 00:19:07,780
I'D CHANGE UNIFORMS
BEFORE THAT ONE SHRINKS.
289
00:19:12,780 --> 00:19:15,290
NICE TALKIN' TO YOU, COLT.
290
00:19:16,590 --> 00:19:20,510
ALL THAT AND NO DRINK?
291
00:19:20,510 --> 00:19:23,510
THERE'S ONLY ONE WAY
TO FIND OUT WHAT HE'S UP TO.
292
00:19:23,510 --> 00:19:25,960
YEAH.
293
00:19:32,050 --> 00:19:35,440
HEY. HEY! HEY.
WHAT'D THE COWBOY WANT?
294
00:19:35,440 --> 00:19:37,690
WANTED AN ESTIMATE
ON A DAIQUIRI.
295
00:19:38,780 --> 00:19:42,110
ALL RIGHT. I'LL TELL YOU.
I'LL TELL YOU.
296
00:19:42,110 --> 00:19:45,950
OKAY. EVERYBODY UP.
WE'RE GONNA DO SOME CELEBRATIN'.
I'LL CALL UPSTAIRS FOR CHARLIE.
297
00:19:46,450 --> 00:19:49,820
FORGET IT. HANGIN' OUT
WITH EX-PARTNERS IS LIKE
HANGIN' OUT WITH EX-WIVES.
298
00:19:49,820 --> 00:19:52,790
JODY, I SWEAR.
I WAS HELPIN' CHARLIE
OUT OF A SERIOUS PROBLEM.
299
00:19:52,790 --> 00:19:54,630
TURNED OUT
IT WASN'T SO SERIOUS.
300
00:19:54,630 --> 00:19:59,580
I KNEW THERE WAS
SOMETHING WRONG BEFORE,
BUT YOU SURE LOOK BETTER NOW.
301
00:19:59,580 --> 00:20:02,330
OH, COME ON, JODY.
COME ON. LET'S GO.
302
00:20:02,330 --> 00:20:05,390
JODY, I SWEAR I'M NOT
TAKIN' CHARLIE BACK
AS MY PARTNER.
303
00:20:05,390 --> 00:20:09,140
I JUST HAD TO SATISFY MYSELF
THAT THIS LANCE ROSS
WASN'T GONNA HARM HER BROTHER.
304
00:20:09,140 --> 00:20:13,260
- LANCE ROSS?
- HE'S JUST A SMALL-TIME
OPERATOR FROM PHOENIX.
305
00:20:13,260 --> 00:20:15,060
LITTLE HANDLING, NO PROBLEM.
306
00:20:15,060 --> 00:20:17,760
- COLT, I THINK
YOU BETTER SIT DOWN.
- WHAT?
307
00:20:17,770 --> 00:20:21,450
LANCE ROSS IS
A SMALL-TIME OPERATOR,
BUT HIS FATHER ISN'T.
308
00:20:21,440 --> 00:20:25,360
HIS FATHER.
HOW HEAVY IS HIS FATHER?
309
00:20:25,360 --> 00:20:28,110
HIS FATHER'S NAME
IS TONY THE GROCER.
310
00:20:33,420 --> 00:20:35,710
T-- TONY THE GROCER?
311
00:20:35,700 --> 00:20:38,500
TONY THE GROCER.
HE STARTED OUT
DELIVERING PRODUCE,
312
00:20:39,000 --> 00:20:42,840
BUT THEN HE DISCOVERED THERE WAS
A LOT MORE LETTUCE IN BOOZE
THAN THERE WAS IN LETTUCE.
313
00:20:42,840 --> 00:20:46,340
HIS KID'S REAL NAME IS BILLY.
THEY CALL HIM BILLY THE BOX BOY.
314
00:20:46,340 --> 00:20:50,630
BOX BOY?
I THOUGHT HIS NAME WAS LANCE.
315
00:20:50,630 --> 00:20:53,800
WELL, HE THOUGHT LANCE,
YOU KNOW, WAS THE KIND OF NAME
PEOPLE WOULD RESPECT.
316
00:20:53,800 --> 00:20:58,270
YOU KNOW, IF YOU WEAR
AN EXPENSIVE SUIT OF CLOTHING,
IT MAKES YOU FEEL IMPORTANT.
317
00:20:58,270 --> 00:21:02,390
SOUNDS LIKE A REAL WINNER.
BUT A VERY DANGEROUS LOSER.
318
00:21:02,390 --> 00:21:04,700
HE KEEPS TRYING
TO MAKE THAT BIG SCORE,
319
00:21:04,700 --> 00:21:07,060
AND HE KEEPS TRYING TO GAIN
THE RESPECT OF HIS FATHER.
320
00:21:07,070 --> 00:21:11,080
[ Clears Throat ]
THIS, UH, BILLY THE BOX BOY--
321
00:21:11,070 --> 00:21:13,570
HE WOULDN'T BE THE KIND OF GUY
THAT WOULD, UH,
322
00:21:13,570 --> 00:21:16,070
HAVE $200,000 TO INVEST
IN A PHONY SCHEME, WOULD HE?
323
00:21:16,070 --> 00:21:18,740
$200,000? ARE YOU KIDDING ME?
324
00:21:18,740 --> 00:21:23,080
HE'D HAVE TO HAVE DIPPED
INTO ONE OF HIS DAD'S ILLEGAL--
325
00:21:23,080 --> 00:21:25,080
WHAT'S WRONG, COLT?
326
00:21:25,080 --> 00:21:27,470
YOU DON'T LOOK TOO GOOD.
YOU DON'T DRINK
PIÑA COLADAS EITHER.
327
00:21:27,470 --> 00:21:29,970
I DO NOW.
328
00:21:31,340 --> 00:21:35,590
MY BROTHER SWINDLED THE MOB?
I DON'T BELIEVE IT.
329
00:21:35,590 --> 00:21:40,100
YOU CAN BELIEVE IT.
I DON'T THINK HE QUITE REALIZED
IT WAS THE MOB.
330
00:21:40,100 --> 00:21:43,100
I'D CHALK THAT UP
TO REAL BAD LUCK.
331
00:21:43,100 --> 00:21:45,600
THEN THEY WANNA
KILL MELVIN.
332
00:21:45,600 --> 00:21:48,610
THEY PROBABLY WANNA GET THEIR
MONEY BACK FIRST, THEN KILL HIM.
OH, COLT.
333
00:21:48,610 --> 00:21:51,070
UH, TRY AND KILL HIM.
WE'RE NOT GONNA LET THAT HAPPEN.
334
00:21:52,490 --> 00:21:55,330
[ Sighs ]
WHAT AM I GONNA DO?
335
00:21:57,670 --> 00:22:02,850
FIRST OF ALL, WE GOTTA FIND MEL,
SEE HOW MUCH OF THAT MONEY
HE STILL HAS LEFT.
336
00:22:02,840 --> 00:22:06,120
- AND CHANCES ARE,
WE CAN MAKE A DEAL.
- NOT "WE." ME.
337
00:22:06,120 --> 00:22:09,380
LOOK.
I'M A STUNTWOMAN, REMEMBER?
I CAN HANDLE MYSELF OUT THERE.
338
00:22:09,380 --> 00:22:13,350
- BESIDES, I'VE GOTTEN YOU
IN ENOUGH TROUBLE AS IT IS.
- I DON'T CALL THIS TROUBLE.
339
00:22:13,350 --> 00:22:17,350
COLT, I APPRECIATE
WHAT YOU'RE TRYING TO DO,
REALLY. BUT IT'S POINTLESS.
340
00:22:17,850 --> 00:22:21,860
MEL IS MY BROTHER,
HE'S MY PROBLEM, AND YOU
DON'T HAVE ANY STAKE IN THIS.
341
00:22:21,860 --> 00:22:23,690
I THINK I DO.
342
00:22:25,610 --> 00:22:28,860
GEE, I LOVE IT WHEN A MAN
WON'T TAKE "NO" FOR AN ANSWER.
343
00:22:31,700 --> 00:22:34,070
COME ON.
LET'S GO FIND YOUR BROTHER.
344
00:22:34,070 --> 00:22:36,540
[ Sniffles ]
345
00:22:46,410 --> 00:22:48,420
WHAT IS IT?
IT'S THE TWO THUGS
FROM THE BAR.
346
00:22:49,920 --> 00:22:51,890
COME ON.
347
00:22:57,180 --> 00:23:00,520
[ Pounding ]
348
00:23:17,660 --> 00:23:20,030
[ Man ]
HEY, WHAT'S GOIN' ON?
EXCUSE US.
349
00:23:20,030 --> 00:23:23,530
[ Woman ] I THOUGHT YOU SAID
THIS WAS A PRIVATE ROOM, JEROME.
ARE THESE FRIENDS OF YOURS?
350
00:23:23,540 --> 00:23:25,430
HAVE A NICE DAY.
351
00:23:26,790 --> 00:23:29,040
COME ON.
352
00:23:48,560 --> 00:23:52,280
THIS MAY SOUND SILLY,
BUT WHY ARE WE RUNNING UP?
353
00:23:52,650 --> 00:23:54,870
DON'T TALK WHILE YOU'RE RUNNING.
IT SLOWS YOU DOWN.
354
00:23:57,790 --> 00:24:02,720
ALL'S I CAN SAY IS, I HOPE
YOU KNOW SOMETHING I DON'T KNOW,
LIKE HOW WE'RE GONNA GET DOWN.
355
00:24:02,710 --> 00:24:04,710
TRUST ME.
I DID TRUST YOU,
356
00:24:04,710 --> 00:24:08,710
AND LOOK WHERE WE WOUND UP:
STUCK ON A ROOF WITH TWO HOODS
BREATHING DOWN OUR NECK.
357
00:24:08,710 --> 00:24:10,460
WE AIN'T STUCK.
COME ON.
358
00:24:15,640 --> 00:24:17,800
JUMP!
359
00:24:22,480 --> 00:24:25,260
WHAT DO YOU MEAN,
WE'RE NOT STUCK?
WHAT ARE WE GONNA DO?
360
00:24:25,260 --> 00:24:28,270
WE'RE GONNA JUMP.
ARE YOU CRAZY?
361
00:24:28,270 --> 00:24:30,520
CLOSE YOUR EYES.
[ Screams ]
362
00:24:30,520 --> 00:24:33,490
[ Both Screaming ]
363
00:24:37,830 --> 00:24:41,710
[ People Cheering ]
YOU KNEW ABOUT THIS BAG
ALL THE TIME, DIDN'T YOU?
364
00:24:42,200 --> 00:24:45,200
BUT WOULD YOU TELL ME? NO.
YOU HAD TO SCARE ME TO DEATH.
365
00:24:45,200 --> 00:24:47,500
I TOLD YOU TO TRUST ME.
366
00:24:49,200 --> 00:24:54,540
TRUST YOU. YOU SEE IF
I TRUST YOU EVER AGAIN
IN MY LIFE.
367
00:24:54,540 --> 00:24:56,960
[ Bell Dings ]
368
00:25:00,470 --> 00:25:02,980
WELL? WHERE IS HE?
WE HAD 'EM.
WE HAD 'EM BOTH.
369
00:25:02,970 --> 00:25:04,970
TILL HE JUMPED OFF THE ROOF.
HE WHAT?
370
00:25:05,350 --> 00:25:07,020
HE JUMPED INTO
SOME KIND OF AN AIR BAG.
371
00:25:07,520 --> 00:25:09,520
HE MUST BE A STUNTMAN
WITH THE CONVENTION HERE.
THAT'S TERRIFIC.
372
00:25:10,940 --> 00:25:13,190
HI. ANY MESSAGES FOR 207?
373
00:25:13,190 --> 00:25:15,860
SEE THAT GIRL?
THAT'S THE ONE WHO WAS
AT THE POOL WITH HIM.
374
00:25:17,730 --> 00:25:21,030
I THINK IT'S ABOUT TIME
WE TOOK THE UPPER HAND
IN THIS AFFAIR.
375
00:25:21,040 --> 00:25:23,660
AND THIS TIME,
LET'S NOT BLOW IT, ALL RIGHT?
RIGHT.
376
00:25:23,660 --> 00:25:25,920
YOU GOT IT.
377
00:25:30,660 --> 00:25:32,660
WALK BETWEEN US
AND SAY NOTHING.
WHO ARE YOU?
378
00:25:33,160 --> 00:25:37,000
JUST WALK.
THIS IS SOME KIND
OF A JOKE, RIGHT?
379
00:25:37,000 --> 00:25:39,250
YEAH, IT'S A JOKE.
WE'LL ALL LAUGH ABOUT IT LATER.
380
00:25:45,260 --> 00:25:47,260
[ Jody ]
HEY! OW!
TAKE IT EASY, YOU GUYS.
381
00:25:47,260 --> 00:25:50,980
UH-- OH, NO, NO. OW!
[ Engine Starts ]
382
00:25:50,980 --> 00:25:52,400
THAT'S JODY.
383
00:25:55,570 --> 00:25:56,690
[ Charlie ]
COLT! LOOK OUT!
384
00:26:00,990 --> 00:26:03,490
[ Tires Squealing ]
385
00:26:03,500 --> 00:26:06,260
OW.
386
00:26:22,350 --> 00:26:25,850
WHAT DID YOU FIND OUT?
NOTHING. SECURITY PEOPLE
DIDN'T SEE A THING.
387
00:26:25,850 --> 00:26:27,350
YEAH, OR
THEY'RE NOT TALKING.
388
00:26:27,350 --> 00:26:29,850
WHAT DIFFERENCE DOES IT MAKE?
WE KNOW IT WAS LANCE ROSS.
389
00:26:29,850 --> 00:26:32,110
YEAH. DO WE KNOW
HE'S PLAYIN' FOR KEEPS?
390
00:26:32,110 --> 00:26:35,390
COLT, I WISH
YOU WOULD HAVE TOLD ME
YOU WERE IN TROUBLE.
391
00:26:35,390 --> 00:26:38,140
AT THE TIME,
I REALLY DIDN'T THINK I WAS.
[ Charlie ] YOU WEREN'T.
392
00:26:38,150 --> 00:26:40,870
YOU HAVE TO POINT FINGERS,
POINT 'EM AT ME.
IT WAS MY FAULT.
393
00:26:40,870 --> 00:26:43,790
OH, COME ON, CHARLIE.
DON'T BLAME YOURSELF.
394
00:26:43,790 --> 00:26:45,800
YEAH, BLAME YOUR BROTHER.
395
00:26:45,790 --> 00:26:48,460
SO WHAT ARE WE
GONNA DO NOW, COLT?
396
00:26:48,460 --> 00:26:52,580
I'M NOT HANGIN' HERE.
I'M GONNA LOOK FOR
THAT PUNK, LANCE ROSS.
397
00:26:52,580 --> 00:26:54,580
OKAY.
398
00:26:57,080 --> 00:27:00,580
PERHAPS YOU'D LIKE
TO TELL ME WHAT COLT SEAVERS
HAS TO DO WITH MEL HEFFERTON.
399
00:27:00,590 --> 00:27:03,600
NOTHIN'.
NOTHIN', EH?
400
00:27:04,090 --> 00:27:06,090
WELL, HE'S AN OLD FRIEND
OF CHARLIE HEFFERTON.
401
00:27:06,090 --> 00:27:07,920
MEL'S SISTER?
RIGHT.
402
00:27:07,930 --> 00:27:11,150
MUST BE PRETTY CLOSE FRIENDS
IF HE'S WILLING
TO RISK HIS LIFE FOR HER.
403
00:27:11,150 --> 00:27:15,360
YEAH, WELL, COLT'S LIKE THAT.
HE'S A REAL
MAN OF ADVENTURE, HUH?
404
00:27:15,350 --> 00:27:18,270
HE'S A STUNTMAN.
405
00:27:18,770 --> 00:27:21,100
THAT'S ALL?
ISN'T THAT ENOUGH?
406
00:27:21,110 --> 00:27:24,080
THERE'S NO NEED
TO GET DEFENSIVE, HONEY.
407
00:27:24,080 --> 00:27:27,170
SEE, WE KNOW COLT SEAVERS
IS A BOUNTY HUNTER.
408
00:27:27,160 --> 00:27:29,950
I HAVE A FEW FRIENDS,
I MAKE A FEW PHONE CALLS.
409
00:27:29,950 --> 00:27:34,280
IT'S A GOOD THING FOR YOU
THAT HE IS A PROFESSIONAL.
410
00:27:34,290 --> 00:27:37,010
IT'S A GOOD THING
FOR BOTH OF US.
411
00:27:42,510 --> 00:27:45,850
[ Chattering ]
412
00:27:48,800 --> 00:27:51,800
[ Phone Ringing ]
WANT ME TO GET THAT, COLT?
413
00:27:51,800 --> 00:27:54,800
NO. I BETTER GET IT.
414
00:27:59,310 --> 00:28:01,360
- COLT SEAVERS.
- HELLO, MR. SEAVERS.
415
00:28:01,360 --> 00:28:03,530
YOU ENJOYING
YOUR TRIP TO RENO?
416
00:28:03,530 --> 00:28:07,030
ALL RIGHT, LET'S CUT
THE SMALL TALK, PAL. I WANT
JODY BACK, AND I WANT HER NOW.
417
00:28:07,540 --> 00:28:10,550
WE'LL DISCUSS IT
WHEN YOU DELIVER MEL HEFFERTON.
418
00:28:10,540 --> 00:28:13,040
I DON'T HAVE MEL HEFFERTON.
THAT'S TOO BAD.
419
00:28:13,040 --> 00:28:15,410
JODY WAS EASY TO FIND,
BUT MEL ISN'T.
420
00:28:15,410 --> 00:28:17,880
FROM WHAT PEOPLE TELL ME, THAT
SHOULDN'T BE TOO DIFFICULT...
421
00:28:17,880 --> 00:28:19,750
FOR A MAN OF YOUR
EXTRAORDINARY TALENTS.
422
00:28:19,750 --> 00:28:22,550
WHAT ARE YOU PROPOSING?
423
00:28:22,550 --> 00:28:25,420
SIMPLE EXCHANGE.
YOU FIND MEL HEFFERTON,
424
00:28:25,920 --> 00:28:27,720
YOU BRING HIM TO ME,
AND YOUR FRIEND GOES FREE.
425
00:28:27,720 --> 00:28:29,640
I MAY JUST FIND YOU FIRST.
426
00:28:29,640 --> 00:28:32,140
WELL, I DON'T THINK YOU COULD
FIND ME IN TWO HOURS,
427
00:28:32,640 --> 00:28:35,480
AND THAT'S EXACTLY
HOW MUCH TIME YOU HAVE
BEFORE I KILL YOUR FRIEND.
428
00:28:35,480 --> 00:28:39,430
KILLING HER WON'T GET YOU MEL,
BUT IT'LL GET YOU DEAD.
429
00:28:39,430 --> 00:28:42,350
WELL, MAYBE YOU'RE RIGHT,
BUSTER. I WON'T KILL HER.
430
00:28:42,350 --> 00:28:45,660
BUT AFTER I GET THROUGH
WITH HER, BELIEVE ME,
SHE'LL WISH SHE WAS DEAD.
431
00:28:45,660 --> 00:28:48,160
NOW, DO WE HAVE
AN UNDERSTANDING?
432
00:28:48,160 --> 00:28:51,440
YEAH, WE HAVE AN UNDERSTANDING.
BUT YOU UNDERSTAND THIS.
433
00:28:51,450 --> 00:28:54,590
YOU LAY ONE HAND ON JODY,
AND I'LL SPEND THE REST OF
MY LIFE TRACKIN' YOU DOWN.
434
00:28:54,580 --> 00:28:59,120
WELL, LET'S HOPE
THAT WON'T BE NECESSARY.
GOOD-BYE, MR. SEAVERS.
435
00:29:00,790 --> 00:29:02,040
WHAT'D HE SAY?
436
00:29:05,040 --> 00:29:08,510
HE SAID IF WE DON'T FIND
HER BROTHER, HE'S GONNA
KILL JODY OR WORSE.
437
00:29:08,510 --> 00:29:11,970
- OR WORSE?
- TALK ABOUT A NO-WIN SITUATION.
438
00:29:11,970 --> 00:29:15,470
WHAT ARE YOU
GOING TO DO, COLT?
439
00:29:15,470 --> 00:29:18,560
CHARLIE, MEL'S GOTTA HAVE
SOMEBODY HERE IN RENO
HE'D TURN TO,
440
00:29:18,560 --> 00:29:20,560
SOMEBODY THAT'S HELPING
TO HIDE HIM OUT.
441
00:29:20,560 --> 00:29:25,060
COLT, I ONLY KNOW ONE PERSON
OTHER THAN HIMSELF THAT MEL
EVER HAD ANY INTEREST IN.
442
00:29:25,060 --> 00:29:29,650
-I DON'T KNOW IF HE WOULD TURN
TO HER IN THIS KIND OF TROUBLE.
-WE'LL NEVER KNOW UNLESS WE ASK.
443
00:29:29,650 --> 00:29:31,990
LET'S GO.
WE DON'T HAVE MUCH TIME.
444
00:29:31,990 --> 00:29:34,950
[ Colt ]
WHERE IS IT THAT WE'RE GOIN'?
445
00:29:34,960 --> 00:29:37,470
WELL, ALL MY BROTHER
USED TO TALK ABOUT...
446
00:29:37,460 --> 00:29:40,790
WAS THIS DANCER HE WAS DATING
WHO WORKED IN A CLUB
SOMEWHERE OFF THE STREET.
447
00:29:40,800 --> 00:29:44,560
HOW FAR OFF?
WAY OFF.
448
00:29:47,300 --> 00:29:52,340
♪ [ Pop ]
449
00:30:08,740 --> 00:30:11,570
[ Glass Shatters ]
450
00:30:11,580 --> 00:30:16,920
MY BROTHER NEVER REALLY HAD
WHAT YOU MIGHT CALL
GREAT TASTE IN WOMEN.
451
00:30:16,910 --> 00:30:20,170
[ Howie ]
HIS TASTE DOESN'T SEEM
TOO BAD TO ME.
452
00:30:22,040 --> 00:30:25,340
WHAT'LL IT BE, FOLKS?
PERSONALLY, I RECOMMEND
THE CHI-CHIS.
453
00:30:25,340 --> 00:30:28,010
WE JUST WANNA TALK
TO ONE OF YOUR DANCERS.
454
00:30:28,010 --> 00:30:30,840
- WHAT ABOUT?
- IT'S PERSONAL.
455
00:30:30,850 --> 00:30:35,020
PERSONAL, HUH?
THAT KIND OF TALKIN'
CAN GET PRETTY EXPENSIVE.
456
00:30:37,440 --> 00:30:39,450
UH--
457
00:30:42,440 --> 00:30:46,810
HMM. OH, VERY GENEROUS.
458
00:30:47,560 --> 00:30:50,900
NOT SO FAST.
459
00:30:50,900 --> 00:30:55,030
YOU CALL IT, YOU WIN.
IT'S YOURS. I WIN,
YOU TELL US WHAT WE WANNA KNOW.
460
00:30:55,040 --> 00:30:59,420
HMM. THAT'S THE ONLY PROBLEM
WITH THIS CITY.
EVERYBODY'S A GAMBLER.
461
00:30:59,410 --> 00:31:01,210
OKAY, FLIP IT.
462
00:31:01,210 --> 00:31:03,910
GOOD GIRL.
463
00:31:03,910 --> 00:31:06,250
RED SIDE UP.
464
00:31:08,050 --> 00:31:09,750
SORRY.
465
00:31:09,750 --> 00:31:13,890
OKAY, COWBOY. WHICH DANCER
DO YOU HAVE ON YOUR MIND?
466
00:31:13,890 --> 00:31:16,810
- MONIQUE MALROW.
- YOUR LUCK JUST RAN OUT.
467
00:31:16,810 --> 00:31:19,430
MONIQUE HASN'T WORKED HERE
SINCE LAST MONTH.
468
00:31:19,430 --> 00:31:21,840
- WHAT HAPPENED TO HER?
- SHE HIT THE BIG TIME.
469
00:31:21,850 --> 00:31:24,990
- LANDED A JOB IN THE MAIN HUB.
- WHICH HOTEL?
470
00:31:24,980 --> 00:31:28,230
UH, THE ONE WHERE
ALL THE GIRLS WEAR
THE BIG HEADDRESSES.
471
00:31:28,240 --> 00:31:31,660
YEAH, YEAH. SURE.
I KNOW THE ONE.
THANK YOU.
472
00:31:32,160 --> 00:31:34,160
HEY, HOLD YOUR
HORSES THERE, COWBOY.
473
00:31:34,160 --> 00:31:36,660
WE HAVE
A TWO DRINK MINIMUM.
474
00:31:36,660 --> 00:31:40,410
TIMES THREE,
THAT'LL BE 90 BUCKS.
90 BUCKS?
475
00:31:40,420 --> 00:31:44,430
YEAH, $15 A DRINK, WHETHER
YOU DRINK 'EM OR NOT.
476
00:31:44,420 --> 00:31:46,750
WELL, THAT'S RIDICULOUS.
IT CERTAINLY IS.
477
00:31:46,750 --> 00:31:49,540
IF YOU THINK WE'RE GONNA
PAY 90 BUCKS FOR NOTHIN',
YOU'RE CRAZY, LADY.
478
00:31:49,540 --> 00:31:52,590
FIFTEEN BUCKS A DRINK.
THAT'S OUTRAGEOUS.
I HAPPEN TO KNOW...
479
00:31:52,590 --> 00:31:57,130
THAT THERE ARE LAWS IN THIS
STATE AGAINST CLIP JOINTS TRYIN'
TO DO WHAT YOU'RE DOIN' TO US.
480
00:31:57,130 --> 00:31:59,100
- UH, HOWIE.
- COLT, IF EVER THERE WAS...
481
00:31:59,600 --> 00:32:01,940
A TIME FOR RIGHTEOUS
INDIGNATION, THIS IS IT.
482
00:32:01,940 --> 00:32:04,550
[ Clears Throat ]
HOWIE, WHY DON'T WE JUST
PAY THE LADY?
483
00:32:04,560 --> 00:32:07,480
SOMEBODY HAS TO TEACH THESE
PEOPLE THAT THEY CAN'T GET
AWAY WITH THIS KIND OF THING.
484
00:32:07,480 --> 00:32:09,990
HOWIE. HOWIE.
LISTEN TO COLT.
485
00:32:09,980 --> 00:32:12,780
IF THERE'S ONE THING I LOVE
AS MUCH AS BEING A STUNTMAN,
IT'S LAW,
486
00:32:12,780 --> 00:32:15,480
ESPECIALLY WHEN IT'S CLEARLY
ON MY SIDE.
487
00:32:15,480 --> 00:32:18,230
UH, THE LAW IN HERE
IS ON MY SIDE.
488
00:32:18,240 --> 00:32:21,750
OR SHOULD I SAY
BEHIND YOU?
489
00:32:21,740 --> 00:32:26,660
[ Colt ] IT'S NOT WORTH IT, KID.
WE'RE STILL PAYIN' FOR
THE LAST BAR WE BROKE UP.
490
00:32:31,880 --> 00:32:34,170
ON SECOND THOUGHT,
MAYBE WE OUGHTA JUST...
PAY THE BILL.
491
00:32:34,170 --> 00:32:37,550
A GOOD IDEA. A BROKEN JAW
IS NOT WORTH 90 BUCKS.
492
00:32:37,560 --> 00:32:43,490
TWENTY, 40, 60, 80, 100.
493
00:32:43,480 --> 00:32:45,980
KEEP THE CHANGE.
494
00:32:47,480 --> 00:32:49,480
ALL OF IT.
495
00:32:50,320 --> 00:32:54,440
Y'ALL COME BACK NOW,
ANY TIME.
496
00:32:57,740 --> 00:32:59,740
SMOOTH, KID.
REAL SMOOTH.
497
00:33:04,500 --> 00:33:08,530
COLT, I'VE GOT A GOOD FEELING
ABOUT THIS. I THINK MONIQUE'S
GONNA LEAD US STRAIGHT TO MEL.
498
00:33:08,540 --> 00:33:11,550
- YEAH, I HOPE SO.
HOW MUCH TIME HAVE WE GOT?
- LESS THAN AN HOUR.
499
00:33:11,540 --> 00:33:15,260
HADN'T YOU BETTER
GET THIS THING IN GEAR?
LET'S SEE SOME DRIVIN', BOY.
500
00:33:15,260 --> 00:33:18,850
[ Tires Squealing ]
501
00:33:22,970 --> 00:33:26,220
[ Colt ] YOU MEAN LIKE THAT?
[ Charlie ] YOU HAVEN'T LOST
YOUR TOUCH BEHIND THE WHEEL.
502
00:33:26,220 --> 00:33:28,890
♪ [ Piano: Up-tempo ]
[ Man ] OKAY, GIRLS.
LET'S PUT A LITTLE LIFE IN IT.
503
00:33:28,890 --> 00:33:31,270
♪ [ Continues ]
504
00:33:31,280 --> 00:33:34,290
OKAY, KELLY. SMILE NOW.
COME ON. SMILE.
505
00:33:34,780 --> 00:33:39,280
COME ON. LET'S KICK HIGH.
THAT'S A GIRL. THAT'S IT.
506
00:33:44,120 --> 00:33:46,120
EXCUSE ME. WHERE DO
WE FIND MONIQUE MALROW?
507
00:33:46,120 --> 00:33:48,120
SHE'S STILL
IN HER DRESSING ROOM,
508
00:33:48,130 --> 00:33:50,140
AND WILL YOU TELL HER
TO PLEASE GET OUT HERE?
509
00:33:53,630 --> 00:33:56,420
OKAY, GIRLS.
A LITTLE LIVELY NOW.
510
00:34:00,300 --> 00:34:02,310
EXCUSE ME. MONIQUE?
YES?
511
00:34:02,310 --> 00:34:05,480
WE'RE LOOKIN' FOR MEL HEFFERTON.
THOUGHT MAYBE YOU MIGHT
COULD HELP US FIND HIM.
512
00:34:05,480 --> 00:34:09,760
- [ Monique ] YOU'RE GONNA
BE SORELY DISAPPOINTED.
- PLEASE. MEL'S MY BROTHER.
513
00:34:09,760 --> 00:34:11,760
HE'S IN TROUBLE,
AND WE'RE TRYIN' TO FIND HIM.
514
00:34:11,770 --> 00:34:13,580
SORRY. I HAVEN'T
SEEN HIM IN WEEKS.
515
00:34:13,570 --> 00:34:15,850
HEY, MONIQUE.
THAT MEANS YOU, BABE.
516
00:34:15,850 --> 00:34:19,020
- I'VE GOTTA GO.
- I DON'T THINK YOU UNDERSTAND.
517
00:34:19,020 --> 00:34:22,360
LOOK, I TOLD YOU
I DON'T KNOW WHERE HE IS.
WHAT DO YOU WANT FROM ME?
518
00:34:22,860 --> 00:34:27,660
HEY, MONIQUE. IF YOU'RE NOT
OUT HERE IN TWO SECONDS, YOU'RE
GOING BACK ON THE STREETS.
519
00:34:27,670 --> 00:34:30,460
LET ME GO.
SURE. BREAK A LEG.
520
00:34:30,450 --> 00:34:34,200
♪ [ Continues ]
521
00:34:35,460 --> 00:34:37,870
COLT, THERE HE GOES!
522
00:34:37,880 --> 00:34:40,600
MEL!
523
00:34:45,350 --> 00:34:47,350
MEL, COME BACK HERE!
524
00:34:47,350 --> 00:34:49,140
[ Charlie ]
MEL, YOU IDIOT!
525
00:34:49,140 --> 00:34:51,470
MEL, WE'RE YOUR FRIENDS.
526
00:34:51,470 --> 00:34:54,110
WHAT IS THIS? THIS IS
SUPPOSED TO BE A REHEARSAL.
527
00:35:03,280 --> 00:35:05,230
GO THAT WAY, KID.
528
00:35:10,880 --> 00:35:12,720
SORRY.
529
00:35:20,550 --> 00:35:23,390
WHOA!
530
00:36:04,850 --> 00:36:07,360
ANY LEAKS?
THE POLICE WILL NEVER KNOW
YOU'RE IN THIS STATE.
531
00:36:07,850 --> 00:36:10,680
GOOD, GOOD. HAVE THE PILOT
COME BACK IN FOUR HOURS
SO HE DOESN'T GET SPOTTED.
532
00:36:12,600 --> 00:36:14,770
YOUR FRIEND IS
RUNNING OUT OF TIME, HONEY.
533
00:36:14,770 --> 00:36:18,770
COLT ALWAYS GETS HIS MAN,
EVEN IF HE IS BEING BLACKMAILED.
534
00:36:23,200 --> 00:36:25,030
DAD.
535
00:36:27,230 --> 00:36:31,040
YOU GUYS TAKE HER
IN THE OTHER ROOM.
YEAH.
536
00:36:35,990 --> 00:36:39,330
DAD, WHAT ARE YOU DOIN' HERE?
YOU KNOW THEY GOT A WARRANT
FOR YOU IN NEVADA.
537
00:36:40,580 --> 00:36:42,550
HOW'S MOM?
538
00:36:42,550 --> 00:36:47,420
MY SON, THE BIG SHOT!
I GOT HALF A MIND
TO TAKE YOU OVER MY KNEE.
539
00:36:47,420 --> 00:36:51,840
- COME ON, DAD.
- YOU'RE SUCH A--
AH, I CAN'T EVEN SAY IT.
540
00:36:51,840 --> 00:36:54,340
YOUR MOTHER AND ME,
WE ASKED GOD TO GIVE US A SON,
541
00:36:54,350 --> 00:36:56,610
AND WHAT DOES HE DO?
HE GIVES US YOU.
542
00:36:56,600 --> 00:37:00,070
- DAD, I--
- YOU'RE NEARLY 30, AND I'M
STILL CLEANIN' UP YOUR MESSES.
543
00:37:00,070 --> 00:37:03,270
DAD--
DON'T INTERRUPT ME
WHEN I'M TALKIN' TO YOU.
544
00:37:03,270 --> 00:37:05,270
NOW WHAT'S GOIN' ON HERE?
545
00:37:05,270 --> 00:37:08,070
HOW COME YOU LET
SOME TWO-BIT HUSTLER
GET THE BEST OF YOU?
546
00:37:08,080 --> 00:37:11,340
DAD, DON'T WORRY.
I GOT A PROFESSIONAL GUY
AND HE'S OUT TRACKIN' HIM DOWN.
547
00:37:11,330 --> 00:37:15,160
WHAT? YOU GOT
SOMEBODY ELSE INVOLVED?
WHAT AM I GONNA DO WITH YOU?
548
00:37:15,170 --> 00:37:18,380
- DAD, DON'T WORRY.
I'LL GET THE MONEY BACK.
- I DON'T CARE ABOUT THE MONEY.
549
00:37:18,370 --> 00:37:23,370
IT'S $200,000.
$200,000 I CAN MAKE
IN A GOOD WEEK.
550
00:37:23,370 --> 00:37:26,880
I'M HERE BECAUSE I LOVE YOU,
BECAUSE I DON'T WANT YOU
TO LOOK LIKE A FOOL.
551
00:37:26,880 --> 00:37:31,100
- I GUESS I SHOULD HAVE
KNOWN BETTER.
- WELL, NOW YOU KNOW, DON'T YOU?
552
00:37:31,100 --> 00:37:35,180
I JUST THOUGHT THIS TIME
I COULD DO IT BY MYSELF.
I GUESS I WAS WRONG.
553
00:37:35,190 --> 00:37:37,480
SO WHAT ARE WE GONNA DO, DAD?
554
00:37:37,470 --> 00:37:42,140
WE'RE GONNA FIND HEFFERTON
AND WHOEVER ELSE
YOU GOT INVOLVED IN THIS,
555
00:37:42,140 --> 00:37:44,890
AND WE'RE GONNA TAKE 'EM
FOR A RIDE IN THE DESERT.
556
00:37:44,900 --> 00:37:48,290
AND WE'RE GONNA MAKE SURE
THAT THEY NEVER COME BACK.
557
00:37:53,400 --> 00:37:58,990
TELL ME SOMETHING, MEL.
HOW COULD YOU BE SO STUPID AS TO
TRY TO RIP OFF A RACKETEER?
558
00:37:58,990 --> 00:38:03,000
I DIDN'T KNOW
HE WAS CONNECTED TO THE MOB.
IT LOOKED LIKE A SURE THING.
559
00:38:03,000 --> 00:38:07,750
LANCE ROSS IS ABOUT AS BRIGHT
AS THE BOTTOM OF A COAL MINE.
I NEVER THOUGHT HE'D CATCH ON.
560
00:38:07,750 --> 00:38:12,670
[ Sighs ] MEL, I SWEAR.
SOMETIMES I WONDER
IF YOU'RE MY BROTHER.
561
00:38:12,670 --> 00:38:17,180
HEY, IT'S NOT LIKE
I ROBBED A HELPLESS VICTIM.
THE GUY'S A CROOK HIMSELF.
562
00:38:17,180 --> 00:38:19,180
YEAH, A CROOK THAT'S
HOLDIN' JODY HOSTAGE...
563
00:38:19,180 --> 00:38:21,430
UNTIL YOU COME UP WITH
THE $200,000 YOU STOLE FROM HIM.
564
00:38:21,430 --> 00:38:26,940
- YEAH, I KNOW.
THAT'S GONNA BE A PROBLEM.
- WHAT DO YOU MEAN, A PROBLEM?
565
00:38:26,940 --> 00:38:32,160
- I DON'T HAVE THE MONEY.
I BLEW IT AT THE CRAP TABLES.
- YOU WHAT?
566
00:38:32,160 --> 00:38:37,160
WHY DO YOU THINK
I WAS HITTING YOU UP FOR CASH?
I'M BUSTED.
567
00:38:37,160 --> 00:38:39,530
I WAS TRYIN' TO RAISE A STAKE
TO GET OUT OF TOWN.
568
00:38:39,530 --> 00:38:45,340
COLT, IT'S NOT GONNA BE EASY
TRYIN' TO RAISE $200,000
IN THE NEXT 17 SECONDS.
569
00:38:45,340 --> 00:38:49,590
LOOKS LIKE ALL WE HAVE
TO OFFER LANCE
IS MEL IN EXCHANGE FOR JODY.
570
00:38:49,590 --> 00:38:52,880
WAIT A MINUTE.
YOU CAN'T JUST
FEED ME TO THE WOLVES.
571
00:38:52,880 --> 00:38:56,100
OH, WE'RE NOT
GONNA LET THEM EAT YOU.
JUST LICK YOUR FACE A LITTLE.
572
00:38:56,100 --> 00:38:59,520
[ Phone Rings ]
573
00:38:59,520 --> 00:39:03,020
- SEAVERS.
- HELLO, MR. SEAVERS. I HOPE
YOU HAVE SOMETHING FOR ME.
574
00:39:03,020 --> 00:39:05,470
- YES, I DO.
- IS IT GREEN?
575
00:39:05,480 --> 00:39:09,040
- NO, YELLOW.
- I'M NOT SURE I FOLLOW YOU.
576
00:39:09,030 --> 00:39:12,900
I'VE GOT YOUR MAN.
YOU'LL HAVE TO GET YOUR MONEY
OUT OF HIM ANY WAY YOU CAN.
577
00:39:12,900 --> 00:39:15,820
WHAT ARE YOU DOING,
PLANNING A WEDDING?
GIVE ME THAT PHONE.
578
00:39:16,820 --> 00:39:18,820
- SEAVERS?
- WHO'S THIS?
579
00:39:18,820 --> 00:39:24,130
THIS IS THE BOY'S FATHER.
HAVE YOU GOT MEL HEFFERTON?
YES, I DO.
580
00:39:24,130 --> 00:39:26,380
OKAY.
LET'S GET THIS OVER WITH.
581
00:39:26,380 --> 00:39:29,720
WHERE WOULD YOU LIKE
TO MAKE THE EXCHANGE?
IN PUBLIC.
582
00:39:29,720 --> 00:39:33,390
HUH. I SEE YOU'RE A MAN
WHO TAKES PRECAUTIONS.
VERY WELL.
583
00:39:33,390 --> 00:39:35,720
WHY DON'T WE MAKE IT
THE BAR IN OUR HOTEL?
584
00:39:35,720 --> 00:39:39,640
RIGHT. MY SON WILL BE THERE
WITH YOUR FRIEND
IN 30 MINUTES.
585
00:39:39,640 --> 00:39:43,150
[ Handset Settles In Cradle ]
IT'S ALL SET.
586
00:39:43,150 --> 00:39:45,150
WELL, DON'T WORRY, DAD.
HE WON'T GET AWAY THIS TIME.
587
00:39:47,150 --> 00:39:49,770
- WHO WAS IT?
- LANCE'S FATHER.
588
00:39:49,770 --> 00:39:51,270
TONY THE GROCER HIMSELF?
589
00:39:51,270 --> 00:39:53,910
[ Big Jack ]
THIS HAS GOTTEN PRETTY SERIOUS
IF HE'S IN TOWN.
590
00:39:53,910 --> 00:39:56,490
THERE'S A WARRANT OUT
FOR HIS ARREST,
591
00:39:56,490 --> 00:39:58,780
WHICH MEANS THE RENO POLICE
WILL PICK HIM UP ON SIGHT.
592
00:39:58,780 --> 00:40:01,280
NO WONDER HE'S IN SUCH A HURRY.
ANOTHER THING
YOU BETTER KNOW.
593
00:40:01,280 --> 00:40:05,920
- WHEREVER HE GOES,
A LOT OF MUSCLE GOES WITH HIM.
- NOW WAIT A MINUTE.
594
00:40:05,920 --> 00:40:09,260
YOU CAN'T TURN ME OVER
TO A GUY LIKE THAT.
HE'LL KILL ME.
595
00:40:09,260 --> 00:40:11,670
COLT, HE IS MY BROTHER.
CAN'T WE WORK SOMETHING OUT?
596
00:40:11,680 --> 00:40:14,800
IT'S WHAT
I'M TRYIN' TO FIGURE OUT.
597
00:40:14,800 --> 00:40:18,810
COME ON, KID.
LET'S GO TO THE BAR.
WE GOT SOME RECRUITING TO DO.
598
00:40:18,800 --> 00:40:22,600
WHO ARE WE GONNA RECRUIT?
EVERY AVAILABLE STUNTMAN.
599
00:40:22,600 --> 00:40:25,440
- WHAT FOR?
- MORAL SUPPORT.
600
00:40:28,610 --> 00:40:31,610
[ Colt ]
TONY THE GROCER WOULDN'T USE
THE INTERNATIONAL AIRPORT.
601
00:40:32,110 --> 00:40:35,110
HE'D PROBABLY SNEAK ONTO
ONE OF THOSE RANCH STRIPS
NORTH OF THE CITY.
602
00:40:35,120 --> 00:40:38,130
THIS GUY COULD BE UP TO
ANYTHING, SO LET'S NOT
TAKE ANY CHANCES.
603
00:40:38,120 --> 00:40:41,540
I'M ALL FOR THAT.
WHEN ARE YOU GONNA
LET US IN ON YOUR PLAN?
604
00:40:41,540 --> 00:40:45,540
I DON'T GOT ONE.
JUST FOLLOW MY LEAD, HUH?
605
00:40:50,800 --> 00:40:54,130
IT'S BEEN QUITE A WHILE,
MELVIN.
606
00:40:54,130 --> 00:40:56,640
WHAT HAPPENED TO OUR BARGAIN?
YOU SAID YOU WERE BRINGIN' JODY.
607
00:40:56,640 --> 00:40:58,640
THERE'S BEEN
A LITTLE CHANGE IN THE PLANS.
608
00:41:00,510 --> 00:41:02,810
WHAT DO YOU MEAN,
A LITTLE CHANGE IN THE PLANS?
609
00:41:02,810 --> 00:41:05,480
WELL, WE'LL ALL WALK OUTSIDE
AND I'LL TELL YOU ALL ABOUT IT.
610
00:41:05,480 --> 00:41:08,260
- YOU SLIMY--
- SIT DOWN, BUSTER.
WE DON'T NEED A SCENE.
611
00:41:11,240 --> 00:41:14,110
BESIDES, I DON'T THINK
YOU REALLY HAVE AN ALTERNATIVE.
612
00:41:16,410 --> 00:41:20,860
WELL, THAT'S NOT ENTIRELY TRUE.
THERE-- THERE IS
ONE ALTERNATIVE.
613
00:41:23,780 --> 00:41:26,530
[ Woman Screams ]
614
00:41:29,750 --> 00:41:32,870
ALL RIGHT,
BREAK IT UP, YOU KIDS!
COME ON. STOP IT!
615
00:41:42,180 --> 00:41:45,270
[ Continues, Indistinct ]
616
00:42:08,540 --> 00:42:11,160
KID!
617
00:42:19,890 --> 00:42:22,220
[ Engine Starts ]
[ Tires Squealing ]
618
00:42:23,420 --> 00:42:26,590
[ Howie ]
COLT, THERE'S JODY.
619
00:42:26,590 --> 00:42:32,150
COME ON, KID. STAGECOACH.
A 25-MILE-AN-HOUR STAGECOACH
CAN'T KEEP UP WITH A CAR.
620
00:42:32,150 --> 00:42:34,150
IT CAN IF HE'S HEADIN' FOR
AN AIRSTRIP ON A RANCH.
621
00:42:34,150 --> 00:42:36,820
[ Horse Whinnies ]
622
00:42:36,820 --> 00:42:38,850
HYAH!
623
00:42:45,830 --> 00:42:48,750
[ Tires Screeching ]
624
00:42:48,750 --> 00:42:52,420
[ Horn Honking ]
625
00:43:00,710 --> 00:43:03,960
[ Colt ] THEY HUNG A RIGHT.
THAT ELIMINATES
THE INTERNATIONAL AIRPORT.
626
00:43:12,140 --> 00:43:15,140
GIDDAP! GET! HYAH!
627
00:43:15,140 --> 00:43:17,060
HYAH! HYAH!
628
00:43:25,450 --> 00:43:30,410
GIDDAP! HYAH!
HYAH! HYAH!
629
00:43:44,970 --> 00:43:46,920
HEY! GET OUT OF THERE!
630
00:43:46,920 --> 00:43:49,980
[ Horn Honking ]
MOVE! COME ON!
631
00:44:00,190 --> 00:44:03,820
[ Horn Honking ]
632
00:44:25,760 --> 00:44:28,930
I KNEW DOING WESTERNS
ALL THOSE YEARS
WOULD PAY OFF SOONER OR LATER.
633
00:44:38,560 --> 00:44:41,360
TAKE THE LINES, KID.
634
00:44:47,070 --> 00:44:50,120
[ Tires Screeching ]
635
00:44:53,370 --> 00:44:55,660
HO!
636
00:45:00,500 --> 00:45:03,880
ALL RIGHT, LANCE.
OUT OF THERE,
NICE AND SLOW, HUH?
637
00:45:05,090 --> 00:45:07,900
[ Sighs ]
BOY, AM I GLAD TO SEE YOU.
638
00:45:07,890 --> 00:45:11,560
- YOU OKAY?
- I THINK SO.
I DON'T KNOW ABOUT HIM.
639
00:45:11,560 --> 00:45:14,430
- MEET TONY THE GROCER.
- WELL, TONY.
640
00:45:14,430 --> 00:45:17,760
I GUESS IT'S ONE TIME
YOU WISH YOU'D STAYED HOME
AND MINDED THE STORE.
641
00:45:17,760 --> 00:45:20,520
HUH.
642
00:45:25,820 --> 00:45:28,110
HO! HO!
643
00:45:35,370 --> 00:45:38,540
I THINK THIS IS
YOUR STOP, BOYS.
644
00:45:38,540 --> 00:45:41,710
COME ON, SEAVERS.
THERE'S NO REASON TO DO THIS.
LET'S MAKE A DEAL.
645
00:45:41,710 --> 00:45:45,430
SURE. YOU GET WHAT'S BEHIND
DOOR NUMBER ONE: JAIL.
646
00:45:45,430 --> 00:45:49,810
- VERY FUNNY.
- THEY SAY A SENSE OF HUMOR'S
A GOOD THING TO HAVE,
647
00:45:49,800 --> 00:45:52,460
ESPECIALLY WHERE YOU'RE GOIN'.
648
00:45:52,470 --> 00:45:55,560
TAKE 'EM AWAY, BOYS.
649
00:45:58,020 --> 00:46:01,190
DON'T WORRY, DAD.
THEY'LL NEVER DO THIS TO YOU.
I'LL GET YOU OUT OF THIS.
650
00:46:01,190 --> 00:46:04,980
[ Tony ] WILL YOU SHUT UP!
IF YOU WEREN'T MY OWN SON,
I'D HAVE YOU BUMPED OFF.
651
00:46:09,320 --> 00:46:11,330
GIDDAP. GIDDAP!
652
00:46:21,160 --> 00:46:25,080
[ Exhales ]
THIS IS THE LIFE, ISN'T IT?
653
00:46:25,080 --> 00:46:29,080
MMM. DOESN'T IT FEEL GREAT
JUST TO RELAX AGAIN?
654
00:46:29,090 --> 00:46:33,100
YEAH. MAYBE TOMORROW,
I'LL GET A BIT OF A SUNTAN.
I'M SO PALE.
655
00:46:33,090 --> 00:46:35,090
[ Big Jack ]
COLT, DON'T YOU WANT A DRINK?
NOPE.
656
00:46:35,090 --> 00:46:38,760
- I DON'T WANNA
SPOIL MY APPETITE.
- WHOO! LOOK AT YOU.
657
00:46:38,760 --> 00:46:40,930
- NICE TIE.
- IT'S YOURS.
658
00:46:40,930 --> 00:46:44,650
HOW COME YOU NEVER WEAR A TIE
WHEN YOU GO OUT TO DINNER
WITH US?
659
00:46:44,650 --> 00:46:47,600
'CAUSE YOU NEVER OFFER TO PAY.
660
00:46:47,600 --> 00:46:50,440
OH, IS CHARLIE
TAKING YOU OUT?
661
00:46:50,440 --> 00:46:53,240
YEP. THAT'S THE MODERN WOMAN
FOR YA.
662
00:46:53,240 --> 00:46:55,530
SHE'S EVEN GONNA
PICK HIM UP.
663
00:46:55,530 --> 00:46:58,330
SHE'LL PROBABLY
EVEN BRING HIM FLOWERS.
664
00:46:58,330 --> 00:47:02,920
[ Knocking ]
♪ [ Vocalizing ]
665
00:47:02,920 --> 00:47:05,700
WHOOP.
666
00:47:05,710 --> 00:47:08,220
I'M AFRAID I'M GONNA
HAVE TO BREAK OUR DATE.
667
00:47:09,710 --> 00:47:13,210
DON'T LIKE MY TIE?
I LOVE YOUR TIE.
668
00:47:13,210 --> 00:47:18,020
JUST THAT MY FOLKS ASKED ME
TO MAKE SURE HE GETS HOME SAFE,
AND SO I'M FLYING BACK TONIGHT.
669
00:47:20,390 --> 00:47:22,890
OH. MAYBE NEXT YEAR.
670
00:47:22,890 --> 00:47:27,310
WELL, IF YOU THINK I'M GONNA
WAIT A WHOLE NOTHER YEAR
TO SEE YOU, YOU'RE CRAZY.
671
00:47:27,810 --> 00:47:29,560
YOU STILL LIVE IN THE HILLS?
672
00:47:29,560 --> 00:47:32,780
YEAH, THE SAME PLACE.
673
00:47:32,780 --> 00:47:36,540
WELL, DON'T BE SURPRISED
IF I DROP IN.
674
00:47:38,490 --> 00:47:40,820
YEAH, I'LL BE...
LOOKIN' FOR YOUR PARACHUTE.
675
00:47:44,630 --> 00:47:49,630
I'M NEVER GONNA BE ABLE
TO THANK YOU FOR WHAT YOU DID
FOR ME AND FOR MY BROTHER.
676
00:47:49,630 --> 00:47:52,130
AND I WANT YOU TO KNOW
I APPRECIATE IT.
677
00:47:54,640 --> 00:47:57,640
SEE YOU SOON.
678
00:47:57,640 --> 00:47:59,470
T-TELL YOUR BROTHER
GOOD-BYE FOR ME.
679
00:47:59,480 --> 00:48:01,740
TELL HIM YOURSELF.
HE'S STANDIN' RIGHT OUT--
680
00:48:03,600 --> 00:48:05,600
MEL?
681
00:48:11,440 --> 00:48:13,320
HE'S GONE AGAIN.
682
00:48:14,780 --> 00:48:16,670
THAT MEAN
YOU'RE FREE FOR DINNER?
683
00:48:18,450 --> 00:48:20,840
[ Laughs ]58241
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