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(suspenseful music)

(panting and laughing)

(gun clicking)

(suspenseful music continues)

(birds chirping)

(dramatic music)

- I'm not sick, you know?

- Never said you were Sarah.

- You think I am some disorder.

- Sarah, I don't think that.

Sarah.

Sarah!

(dramatic music)

(sighing)

- I think there's something wrong with me.

I can't confirm.

I just can't be this
buoyant and cheerful person

you want me to be.

- I just want you to be happy,
is that too hard to ask?

Look,

you're out here with me.

Okay?

When I asked you to marry me,

it's because I wanted to be with you.

I'm here to change for you, Sarah.

- Reality is about grief and loss.

Sadness, to me, makes sense.

John, we learn so late about
life and then it's gone.

Then I look back and I have to ask myself,

was it a waste of time?

Was it all just a big waste of time?

Years of our life gone for nothing?

- Shouldn't think like that.

This is my fault.

I did this.

- It's nobody's fault,
John, people change.

- Come on, come here with me.

Look out here, look how
beautiful it is out here.

If you just let yourself die inside,

you lose your imagination,

all you're gonna see is an empty field.

- I know.

I know you're right,
but it's not that easy.

- Hey.

(soft music)

It's okay.

Come on.

(insects trilling)

Hey,

what are you doing?

Why don't you come out here

and look at the stars with me?

Come on.

Come here.

- It's pretty here.

- Yeah, I know, it's why I took you here.

- Thank you, John.

- For what?

- For trying to make me happy.

- You're not happy?

- I am.

(dramatic music)

- Hey, I love you.

- John,

I...

I'm sorry, I just don't
see this working out.

- Are you serious?

After we come out here and we
try to patch things together,

this is what you're gonna do?

- I'm sorry, I just don't see us together,

I just need to be alone.

(soft music)

You wanna be alone? Fine, then be alone.

Sarah.

Sarah!

Sarah.

(suspenseful music)

Sarah, where are you?

Sarah!

Sarah?

Sarah, where are you? Sarah!

Sarah!

Sarah!

Sarah!

(insects trilling)

(birds chirping)

(dramatic music)

(suspenseful music)

(insects trilling)

(birds chirping)

(growling and snorting)

(growling)

(dramatic music)

- Welcome everyone in Sunset County

to our "Bigfoot Hunters"
Town Hall Meeting.

- We are so excited to have you guys here

to share your stories about Sasquatch.

- And, we will be revealing
recently discovered Bigfoot DNA

found right here in Sunset County.

- We are pumped and super excited.

- Sunset County could be the place

to make Sasquatch history.

- As Bigfoot researchers and experts,

we want you to tell us your stories

about any encounters you may have had.

- We are willing to answer any questions

you guys may have about Bigfoot.

- Yes ma'am, do you have anything for us?

- I'm Mrs. Arnold, and
I've lived in Sunset County

for 24 years now and I
have heard some howling

on my 30 acre farm, but
I've never seen Bigfoot

or a Sasquatch, but I do have a question,

and you may have heard this a lot.

If you truly believe
that this creature exists

and with modern technology,

why can't you produce some
clear photos or pictures?

I mean, nowadays
everybody has a cell phone

and the capability to
snap high quality photos.

- Great question.

First off, how often do
you hear the howling?

- I've heard the howling on
and off for a few years now.

I've always chalked it up
to be a fox or a coyote.

- Yeah, fox and coyotes can
make some pretty intense sounds

to the untrained ear, and
they could be misidentified.

So what you heard could have been a fox,

a coyote, or a Sasquatch.

- We would have to investigate

to determine what made the
howling at Mrs. Arnold's farm.

But to answer your second question,

I want you to think about it.

When you have an encounter
with one of these things

it lasts maybe 10 or 15 seconds at best.

Most people, when they have an
encounter with one of these,

they become afraid, and
their initial reaction

is to get away instead of
taking out their camera

and snapping a picture.

- That, and a Sasquatch
can cover four to five feet

in just one stride.

So, in a small amount of time

they can cover a lotta ground.

- What about everybody
out there who's searching,

what about yourselves?

If you truly believe this,

how come you don't have any pictures?

- Well, actually most of our
research is done at night.

That makes it really difficult
to get a good, clean image,

and sightings are super rare.

I mean, most nights we don't even get

a single shred of evidence.

- Are they dangerous?

- Sir, any animal can be
dangerous if you provoke it.

And honestly, Sasquatch are
way more afraid of humans

than we are of them.

- Bubba's correct.

Sasquatch is the gentle
giant in the woods.

There are no known reports of any deaths

due to a Sasquatch encounter.

- Sasquatch, is that the missing
link between man and ape?

- No, a Sasquatch is the close relative

to the Gigantopithecus.

- Gigantopithecus was an ape

that existed during the Ice Age.

If Bigfoot truly does exist,

it would be a close
relative of Gigantopithecus.

- You guys are asking
some great questions.

Anyone have an encounter
they'd like to share?

How about you, sir, have an
encounter you'd like to share?

- I had an encounter.

- [Older Woman] All right,
would you like to share?

- They took, my wife.

- Huh?

- Listen, she went
missing three years ago.

I don't have any evidence, but I have data

showing that people are
going missing in the woods.

It's right here, all mapped out!

People going missing under the
same conditions as my wife!

- Sasquatch, don't take humans, sir.

(scoffing)

- I know how to find them, okay.

What you guys are doing, your research,

it's all bullshit.

You just don't go in the
woods hollering and screaming,

and the fucking wood knocks.

You have no clue what you're doing.

- Look here, man, you're just
trying to freak people out

or make fun of us.

My research has brought more proof

than anybody else's
could've in a lifetime.

- Then why haven't you produced a body?

- Sasquatch are super rare species, sir.

We don't believe in killing them.

Sasquatch don't harm humans.

- You guys are fake, you
don't know what you're doing.

You want to prove that it's real,

you need to provide a body.

Quit the bullshit, put the cameras down,

get a gun and hunt this thing!

- Cut, cut, quit filming this guy,

he's screwing with our show.

- Cut guys, turn off the cameras.

- What the hell, Erica,
do you screen these people

before letting 'em in?

- We did, I just didn't have anything

about this on the program.

- Well then get him outta here

and tell crowd control to do a better job

before letting these crazies in.

- I'm not crazy, I know I'm not crazy.

They're out there, they took Sarah!

- Sir, you need to calm down.

- You should be ashamed of yourself,

coming on my show and
making a fool of yourself,

get the hell outta here.

- I'll show you, I'll
be bringing the body.

- I'm so sorry for the delay, folks.

Thank you for you and your patience.

But you just can't be too careful

with them crazies out there.

(audience laughing)

(engine roaring)

(people chatting)

(soft music)

- Hey, I'm Hank, the PI.

- I thought that was you.

You look like a private investigator

with that trench coat on.

(laughing)

- Yeah, thanks, I guess so.

The only thing I'm missing
is the fedora, right?

- Or one of those Sherlock hats.

- Oh, yeah, nice, a deerstalker hat.

That's what they call that a deerstalker.

- Yeah, one of those.

- Well, I don't know.

That might be a little
too cliche for me, man.

- So, that photos of my husband?

- Indeed, it is.

- Well, spill the beans.

What's he up to, is he cheating on me?

- Well, I can agree that the emails

your husband sent to the babysitter

might be considered a little risque.

- I knew it, I just knew it,

that son of bitch cheated on me.

- But, but, but, 'fore I can know for sure

I'm gonna have to go through

all of this material very thoroughly.

And I was also thinking
about maybe setting up

a little something that we
like to call in the business,

a casual stakeout.

- Whoa, I knew you were the real deal.

I could tell when you walked in.

So how does this work?

Tell me everything.

- Well, I'm gonna be upfront with you.

This is going to be a
very expensive operation.

And I'm not gonna be held responsible

for any emotional distress

that this may or may not
cause you or your family.

And there's also a very good possibility

that I'm not gonna find
anything on your husband.

But, any work I do on this
case is non-negotiable,

and non-refundable, you understand?

- Sir, I've been married
to this man for five years,

I've been dealing with
his shit for far too long.

I can't even tell you how
many times I've saved his ass.

And this is how he repays me,
flirting with our babysitter?

- Well, if that's how you really feel,

all I need you to do,
go over these documents.

Sign right at the bottom there.

And I will be all over this case.

- Hey, do I know you?

- Now shit.

Nah, man, I don't think so.

Hey, Tina, sign right there, all right.

- Yeah, you're that
racist cop from that video

and you got kicked off the police force.

- No man, you got me mixed
up with somebody else.

- What's he talking about?

- Look, I'll show you.

(gasping)

- Shame on you.

- Hey, give me a break, okay?

That was years ago.

And if you don't know
the details of that case

that video makes things look way worse

than they actually were.

That guy was a bad guy.

- But the video is of you.

- And what I did to that guy in that video

is nothing compared to
what he actually deserved.

Listen, you do this job for
a certain number of years

and it takes a mental toll.

And what I did, no police
officer should ever do.

But, I don't regret doing it.

- Whatever business you have
with this guy, don't do it.

He's a hot mess.

How ya like it now?

(soft music)

- You okay?

- Yeah, I'm fine, thanks.

- Look, I don't believe everything I see.

- What?

- You seem like a good guy,
you just let a bad situation

get the best of you.

- Thanks, Tina.

Hey, Tina, you know what?

You're right.

You shouldn't believe everything you see.

And, I really doubt your
husband's having an affair.

That email is a stretch and,

I feel like maybe I overstated things,

misled you a little to
try and get your business.

Just go home and talk to your husband.

I think this thing's gonna resolve itself.

And,

I'm sorry.

(people chatting)

(dog barking)

(glass clanking)

- Hey, John.

- What do you want?

- Honestly, I'm here for mom.

She tries to call but you never answer.

- Yeah?

Well I've been busy.

- Busy doing what? You don't work, John.

- Research.

- She's gone, John.

There's nothing you can do about it.

What'd you do with the
other half of the picture?

- It's being haunted by the memories.

So I took the scissors, and
I cut the paper man out,

I burned him in the back.

- You're drunk.

- I'm fine.

- No, you're not!

This, this is your research?

When are you gonna give all this up, John?

You're gonna drink yourself
to death, you know.

- I'm onto something.

I tried to contact those
Bigfoot cable people

to tell them my story,
they wouldn't listen.

Nobody listens, but I'll show them.

I'll show everyone.

- I will be straight with you, John.

Mom's too heartbroken to come
out here and tell you herself

but the money you got from
Sarah's life insurance policy,

money you spent on
Bigfoot books and booze,

which is real smart, by the way.

- That fucking life insurance policy

still leaves a bitter taste in my mouth.

How can you say someone's dead
when they just disappeared?

No evidence, no body,

no proof,

just gone.

And no closure.

- It was a suicide, John.

They declared it a suicide,
she wanted to go missing.

You have to just accept
that and let it go,

that's your closure.

- Yeah, okay, how 'bout you
just leave and let me be?

- Mom said that since
you won't go get help

and you won't see a doctor

when the money's gone and there's
no one to take care of you

we're gonna have you check
into a mental health hospital.

- Mom said that?

Damn, mom.

- Mom already started the
petition with the court.

I'm going down there to sign it today.

- I just need proof.

- Proof of the petition?

- No, that there's something in the woods.

- You've lost me, John, I have to go.

- I was gonna make changes.

Things were gonna be different between us.

- She's dead, John.

You should've never talk to that author,

he filled your head with all
this crap you wanted to hear.

- Maybe.

- Yeah, all right, John, I love you.

Mom says she loves you too.

You should give her a call sometime, and

try cleaning this place up.

(door banging)

(insects trilling)

(camera clicking)

(banging)

(banging)

(moaning)

(whimpering)

(eerie music)

- It's a surprise to see you, John.

- Oh yeah? I have something for you.

- [Dave] And what is that?

- Your theories, the
conspiracy, it's all true.

(suspenseful music)

- Okay, I'm listening.

- Ever since you contacted me about Sarah

I've been doing my own research.

- What kind of research?

- On your theories about Sasquatch.

- Okay.

- I think you're right, it's real,

and something's taking those
missing people in the woods,

it's Sasquatch.

- John,

when I contacted you about
Sarah's disappearance

I didn't mean for any of this
to spiral out of control,

or for me to upset you.

I was hoping that I could help
you get some sort of closure

when you have been nothing but lied to.

My books are a way to get
this information out there

and let people know what's
going on in the woods.

- People need to know.

If people knew Sarah would still be here.

- John, my books are strictly fact-based.

If I say Bigfoot is
out there taking people

no one will believe me, and
I will lose credibility.

Evidence supports my theories,

but the mainstream will never believe.

People like Sarah are only
remembered in my books.

- I can't let it happen like that.

I'll prove that they exist,
I know how to find them.

(dramatic music)

- John, drink your coffee,
I must tell you something.

- What?

- You come in my house,
you reek of alcohol,

and you look just awful since
the last time I've seen you,

you think I'm going to get
involved in your schemes?

Or that the public is going to believe

anything you have to say?

- Listen, I saw one
last night clear as day.

- Listen, John,

for your purpose they aren't
out there, they don't exist.

- They do, and I'm gonna prove it!

- Listen, John, going into the
woods won't prove anything.

I would hate to have to
add your story to my books.

You can't prove it.

I'm not trying to upset you.

Neither am I denying
what you saw last night.

I know they are out there,

but the rest of the
world isn't quite ready.

- Help me tell the world,
people will listen to you.

I'll provide the proof, you
just have to write about it.

- You're not doing Sarah any
justice with any of this.

If you want her to live on
you must tell her story,

and forgive yourself.

- Fuck that, Dave, I can't let it go.

She was taken from me.

- I can't help you, John.

- [John] Fuck.

(banging)

- Hang on, John.

(suspenseful music)

I want you to talk to someone.

Call this woman, she
will tell you the truth.

Maybe that will help you
getting some closure.

I wish only the best for you, my friend.

I know how hard it is
not to have any answers.

- Thanks, Dave.

(dramatic music)

(toilet flushing)

(water rushing)

- [Tim] Hello, Hank, think is Tim Baron.

We spoke several years ago
about my missing sister.

I know you weren't too wild about the case

but I need you to do me a favor.

I will pay you for your services,
double the asking price,

just call me back.

(sighing)

- What the hell?

Hey, this Tim Baron?

This is Hank calling from the
private investigator service,

I'm just returning your call.

Yeah,

okay, Tim, I'm gonna be honest
with you right off the bat,

I don't do missing persons cases.

That's probably why I didn't
pursue the case initially.

I did look into it,

but I mostly search out
evidence of adultery,

and bad behavior in married couples.

I just don't do this kinda stuff.

Fact, most missing person
searches are done by volunteer,

you're not gonna find a lot of PIs

who are willing to take this type o' case.

Yeah, yeah, we can meet in person.

It's seven o'clock now, I could
meet you in about an hour.

There's a coffee shop down the street.

Actually, forget the coffee shop.

I'll just meet you at your
place, what's your address?

Okay.

Yeah, I'll be there.

(exhaling)

(suspenseful music)

Hi.

- Who are you?

- My name is Hank, is your dad around?

- Dad, someone's here.

- Hey, I got it, just move.

Hey, Hank.

- Hey!

- Hey, come on in.

Mr. Hank, I got a job for
you if you're interested.

- Yeah, okay, sure, just
tell me what you need.

- Hey, go out to the boy cave, all right.

Don't look at me like that, go on.

I'll be in there in a minute, all right.

All right, now, as you are already aware

my sister went missing under
suspicious circumstances.

- No, I'm not aware, what do you mean?

- Didn't you research the case?

- Yeah, respectfully, sir,

I looked over my notes

and I did not detect anything
suspicious about this.

I think this is a pretty shut case.

- She disappeared without a
single clue, it was sickening.

- Well that's not exactly true either.

If I recall, there was a
shoe of hers that was found.

- Yeah, you want my opinion on that,

that she was left there on
purpose by whoever took her.

- Report said she was
suffering from depression

and she was potentially suicidal.

And her disappearance was
chocked up to a suicidal act.

- I know, I know, I
almost believed it myself.

- Well then, what am I doing here?

- When she disappeared, her husband,

John Brandon started
acting really suspicious.

Now,

honestly, I didn't like
the guy, all right,

I'm not even gonna lie.

But I never thought of
him as a killer either

until he started blaming Sarah's death on,

you're not gonna believe this,

he started blaming
Sarah's death on Bigfoot.

- On Bigfoot?

- Yeah, Bigfoot, you know,
like big, hairy hands, Bigfoot.

Do you believe that?

- No.

Maybe this John guy's suffering
from some sort of PTSD?

- Well, here's the kicker,

from what Sarah told me
before she disappeared,

her and John weren't getting along.

Her depression was causing a
strain on the relationship.

- That doesn't mean that he killed her,

especially not without leaving
a single shred of evidence.

I mean, I know local law
enforcement officials here

and I know the investigative teams,

and these guys are good at their jobs.

I've worked with them before,

and I'd vouch for any work they found.

- Well then why was the FBI involved

on a missing person case?

- The FBI was involved?

- Yeah, they came here,
stood on my front porch,

asked me a bunch of questions about John.

- I'll admit that's really odd.

FBI doesn't usually
handle cases like this.

They just leave 'em up
to local law enforcement.

- Right, so, going back to before,

Sarah and John go up on this hiking trip

to try to mend their relationship.

John was caught by Sarah
talking to another girl.

Apparently Sarah was under the impression

that John was gonna leave
her for this other girl.

- All right, but I don't
really see where this is going.

What do you guys want from me?

- Well, I want answers.

My family deserves answers
for her disappearance,

and John knows something
or he's hiding something,

I know he is.

- Okay, but like I said,
what do you want me to do?

- Jesus, Hank, I want you to follow John.

- Mr. Baron, I don't think
this is gonna solve anything.

This is a really dead case.

- Look, I said, I would
pay you double, right?

- Yeah, and I wouldn't feel
right about taking your money.

- Yeah, which is why I know you are honest

and will follow through, please, Hank,

for my family's peace o' mind.

- Well, what do you think this
John guy is hiding anyway?

- He came by here earlier today.

He came by here, wanted me
to go into the woods with him

over there off the bypass.

Said he wanted to prove to me

that he saw what took Sarah, this Bigfoot.

Then he hands me these.

It's nothing, it's like a
bunch of photos of oak trees.

I thought the guy was drunk, honestly.

I'll told him to go home.

Well then it dawns on me.

What if John is trying to
show us where Sarah's body is?

(suspenseful music)

What if that's what these
photos are all about?

- I mean, drunk, yeah, probably, but,

I highly doubt he's trying to
give you any kinda message.

- Well look, I'm paying
you good money, all right,

just follow him for a week.

If you find nothing,
Hank, I'll leave it alone.

- One week, double my rate?

- One week, double your rate.

- And what if I don't find anything?

Which is the most likely
way things will play out.

- Look, if you find nothing, Hank,

that's still more than what we have now.

All right, my sister went missing,

I wanna know what happened to her.

- All right.

- All right, you'll do it?

- Yeah, I'll do it.

(exhaling)

- Thank you, Hank, really appreciate this.

- You said you seen it out here?

- Did you bring a gun?

- I always bring a gun.

Two rules I always follow,
never go into the woods alone,

and always bring a gun.

(suspenseful music)

- Kai, I have to ask you,
how do you know Dave Palmer?

When he told me about you,

you're not exactly what I expected.

(scoffing)

- I should ask you how
you know Dave Palmer.

- He wrote about my wife in one
of the missing people books.

- Yeah, I know, I do research for Dave.

- He told me about these things,
about the missing people,

the evidence, the proof.

- Yeah, I know, I know the truth.

I know the things a
lotta people don't know.

- And what is that?

What is it?

- They cross their trees
to mark their territories.

How high do you think that is?

- I don't know, maybe six feet.

- This is a small one.

- So I was asking you earlier
about the missing people,

the stuff that Dave
Palmer wouldn't tell me.

- Do you ever think why?

- Of course, I try to come
up with a logical reasoning

every single day.

Why would they take Sarah?

- Look, everybody wants
to believe that Sasquatch

is this magical creature, but it's not,

and the government knows.

- Knows what?

- They're people, they're human.

- They're not human, they're monsters.

- They're apex predators,
top of the food chain.

- What are you trying to say?

- Think about it, John.

- They're eating people?

(dramatic music)

- John, help me.

(growling)

(crying)

Kai, don't fuck with me,
man, what do I gotta do?

- Come on, man, it's not gonna happen.

You really wanna kill
something that's human?

- It's not human.

- You've never looked one in the eyes.

- I need a body.

A body would prove that this thing exists.

- Wouldn't matter, the government
will cover it up anyway.

- It does matter, it matters to me,

it matters to Sarah, it matters
to all those missing people!

- And you're gonna kill it?

- Damn right.

- When?

- Today!

- Today?

- I'm gonna drop you off,
I'm getting my things,

and I'm coming back here today.

- All right, man, well I'll go with you.

- Why?

- Because I know where to find him,

and if you kill it, I'll
help you bring it out.

- Fine, let's do this then.

- All right, so you need
to go down this trail here,

follow it all the way down.

- Right.

- You're gonna see a fallen over tree,

when you get to the tree hang a left.

Your tree stand's gonna
be right up on the left.

- All right.

- Now I'm gonna go down here,
this path here to right.

Now I'm gonna try to
drive this thing to you.

We're gonna try to single one of 'em out.

- Okay.

- Do not shoot me.

- I won't shoot you.

- Make sure you got a clear shot.

We got one chance to get
this thing, you got one shot.

You can't injure this thing.

If you injure this thing

it's gonna kill us both out here.

Now once I hear your
shot I'll come find you.

Do not get out of the
stand until I come to you.

It's gonna take both of us
to get this thing outta here.

- Okay.

- Be careful out there.

- Let's do this.

(gun clicking)

(suspenseful music)

(birds chirping)

Not Sarah.

Sarah.

(flask clanking)

(banging)

Kai?

Kai, is that you?

Kai!

(gun clicking)

Kai!

Kai, is that you?

Kai, don't mess around with me.

(banging)

(suspenseful music)

(banging and knocking)

Ah, shit.

(knocking)

(exhaling)

(panting)

I'm here for Sarah, I'm here
for blood, I'm here for Sarah.

They took Sarah, they took Sarah.

Come on, come on, come on,
come on, you son of a bitch.

(Bigfoot growling)

- You're going to die John, get up!

(dramatic music)

(gun clicking)

(panting laughing)

Oh my God, what the fuck, man.

(groaning)

Oh, man.

I'm not sorry for this,
you guys deserve this.

Three years ago you
took something from me.

Now I'm gonna take something from you!

(Bigfoot groaning)

(loud growling)

(Bigfoot groaning)

(knocking)

(birds squawking)

(Bigfoot groaning)

(knocking)

(dramatic music)

Oh shit, I got one bullet left.

(Bigfoot groaning)

(yelling)

(dramatic music)

(growling)

(somber music)

They aren't gonna let me leave.

They don't want me to leave.

I gotta get my gun, gotta get my gun.

(dramatic music)

(owl hooting)

(insects trilling)

(growling)

(suspenseful music)

(low growling)

Hey!

Come here you motherfucker,
come out here, come on!

(growling)

(gun blaring)

(growling)

Shit, ah, shit.

I need to first, move this.

(dramatic music)

Ah fuck.

(suspenseful music)

(insects trilling)

Oh fuck. Fuck!

Ah fuck. Fuck, no!

Ah fuck.

(dramatic music)

(sniffing)

(groaning)

(dramatic music)

Kai's gun.

Shit.

Kai.

You win, you guys win.

I tried, I tried.

Oh fuck.

(breathing deeply)

(banging)

(dramatic music)

(Bigfoot growling)

Gotcha!

(screaming)

- [Hank] You shot me! Oh Jesus Christ!

- Oh my God, man, are you all right?

I didn't mean
- What the fuck are you doing?

- to hit you.
- Why did you shoot me?

- Come here.

Who are you, what are you doing out here?

(laughing)

- You shot me, I'm
gonna ask the questions.

Oh my God.

- Here, put pressure here.

- Look at what you fucking did.

You bastard.

- It's good, man, it went right through.

- I'm pretty far from good, buddy,

as a matter of fact,

I'm starting to have a pretty bad day.

Have you got anything to drink?

- Yeah, man, here, come here.

Here.

Take this, this'll help.

No, it's water!

(coughing)

- It's watered down
whiskey, it's all I got it.

- All right, okay, let's go.

- Go where?

- To the hospital, you're
gonna take me there.

- Hey, look here, buddy.

That way is north, that will
lead you right out of the bush.

All you gotta do is head that way,

come on, let's go.
- What? No.

You shot me, you're coming with me.

- Look man, I'm sorry,
this was an accident,

I didn't mean to shoot you.

I'm on the edge, I freaked out,

I thought you were a fucking bear.

I didn't mean to shoot you,

you gotta go on your own,
- No.

- come on.
- No, accident or not,

- you shot me, and we gotta go.

- Sorry man, I can't.

- This is your last chance,
just take me back to town, John.

Oh.

- How do you know my name?

- I'm a private investigator.

I was hired to make sure you're okay.

Oh.

- Tim Baron send you?

Are you with the fucking government?

- No, I'm not, I need you to focus.

Somebody who cares about you a lot

just hired me to make
sure that you were okay.

(groaning)

That's it.

Now, if I lose anymore blood

I'm not gonna able to make
it anywhere on my own.

You really want to be
responsible for my death?

- Fuck.

Come on.

(groaning)

(dramatic music)

- What were you doing out here, John?

John, you listening?

Did you hear me?

Wasn't there a woman
out here with you, John,

what happened to her?

John you're right, you
don't have to listen to me,

but you're gonna have to explain

to the authorities what happened

and they're gonna want to know
what happened to your friend

and my arm here.

- Listen, what's your name again?

- Hank.

- Okay, Hank, I got something to tell you.

I'm gonna take you to your
car and then me and you,

we're done, all right?

- No, like hell we are.

(laughing)

What, what, what is it?

- [John] Go ahead.

- What is this?

- I'm gonna make you famous.

- John, what did you do?

- That right there,
that's evidence, proof.

- Proof of what?

- Bigfoot, Sasquatch,
whatever you wanna call it,

that's what that is.

- Jesus, fuck, John,
no, no, John, shut up.

Put your guns down.

- Hey, whoa, hey, look,
calm down, man, all right.

- Put 'em on the ground!

- What's in that bag is a creature, okay.

Let me show you, I'm
gonna show you, chill out.

(Hank grunting)

(suspenseful music)

- John, John, who is that?

Is that Sarah, John?

Is that Sarah?

- I don't know.

They tricked me, they fucking tricked me.

- No, nobody's tricking you, John.

John, this is all in your head.

- It's Sarah.

- All right, stay put, don't move.

(groaning)

All right, stay put.

All right, drop that bag.

Go ahead, put your hands behind your back.

Put your hands behind your back!

- Just shoot me, just fucking shoot me.

- Nah, I'm not gonna do
that, John, ow, fuck.

Put your hands behind your back,
I'm here to help you, John.

Don't make things any worse.

All right.

Just don't move.

Ow, fuck.

Put your hands together.

You're doing good, John.

You just stay calm.

(groaning)

Stand up.

- Aren't you gonna read me my rights?

- Fuck no, I'm not a cop.

Stand up.

(groaning)

All right, go on, get outta here,

you can tell your story
to whoever you want.

All right, move.

Come on, move!

Keep walking.

All right, wait, wait,
wait, hold on, hold on.

Shit.

I forgot your guns, it's missing evidence.

Okay, I'm gonna go mark this tree,

now hopefully they're
gonna come back later

and be able to retrieve them.

Stay put.

- I'm not crazy, I know I'm not crazy!

(groaning)

- Ow, Jesus.

Fuck.

Okay, let's go.

Ow, oh fuck, ow.

God, fuck, stop, fuck, ow, Jesus.

- I'll be here as long as I need.

I'll show you, I'll show you the monster.

- John, it's all in your head.

You can't run away from your past John.

("The Order")

(groaning)

♪ There will be no savior today ♪

♪ There is no one to come our aid ♪

♪ There was never a plan to save ♪

♪ There were few who foresaw the raids ♪

♪ For us there was no side to choose ♪

♪ For us there is only
the set right to lose ♪

♪ Silenced and beaten do dare to ask why ♪

♪ The questions that
certainly will end your life ♪

♪ Why ♪

(dramatic music)

- Time to ring the dinner bell. (knocking)

(grunting)

Come on, come and get it!

(dramatic music)

(growling)

(groaning)

It's not over.

I'm not done yet!

(somber music)

It's Sarah's ring.

That's Sarah's ring.

It means you're human, you're human.

(dramatic music)

(Hank panting)

(groaning)

Oh fuck! No, oh fuck.

(groaning)

Oh fuck!

(dramatic music)

John.

John.

What's going on?

Where are you?

Oh fuck.

No, fuck.

(groaning)

Ah, shit.

(gun cocking)

(groaning)

(panting)

(twig cracking)

(yelling)

(John groaning)

John, John, oh my God.

Oh my God.

- I love you.

Come home, John.

- [Hank] John.

- I love you, I love you.

- Oh my God.

(coughing)

(coughing)

Oh fuck.

Fuck.

(coughing)

("The Order")

♪ There will be no savior today ♪

♪ There is no one to come our aid ♪

♪ There was never a plan to save ♪

♪ There were a few who foresaw the raids ♪

♪ For us there was no side to choose ♪

♪ For us there was only
the set right to lose ♪

♪ Silenced and beaten do dare to ask why ♪

♪ The questions that
certainly will end your life ♪

♪ Why ♪

♪ Sew your mouth shut,
gouge out your eyes ♪

♪ Forsake your own heart and mind ♪

♪ Their order has come,
there's no hope for the age ♪

♪ Rewritten, your freedom is caged ♪

♪ Are we not our own ♪

♪ Are we nothing but slaves ♪

♪ Has the answer we seek now been slain ♪

♪ Our course has been
set, led blind to today ♪

♪ Rewritten, your freedom is caged ♪

♪ Renegade ♪

♪ Worthy of death ♪

♪ Expose their schemes ♪

♪ Mumble their cries ♪

♪ Open your eyes ♪

♪ Follow me blind ♪

♪ Follow me ♪

♪ Unearth the answer ♪

♪ Stir the wicked ♪

♪ Bury the righteous ♪

♪ Forge the key ♪

♪ Mumble your cries ♪

♪ Open your eyes ♪

♪ Or you'll be blind ♪

♪ Follow me ♪

♪ Serve the wicked ♪

♪ Bury the righteous ♪

♪ Bury the righteous ♪

♪ Sew your mouth shut,
gouge out your eyes ♪

♪ Forsake your own heart and mind ♪

♪ Their order has come,
there's no hope for the age ♪

♪ Rewritten, your freedom is caged ♪

♪ Are we not our own ♪

♪ Are we nothing but slaves ♪

♪ Has the answer we seek now been slain ♪

♪ Our course has been
set, led blind to today ♪

♪ Rewritten, your freedom is caged ♪

♪ Rewritten, your freedom is caged ♪

♪ Rewritten, your freedom is caged ♪

♪ Rewritten, your freedom is caged ♪

♪ Rewritten your freedom is ♪

♪ Undermine ♪

♪ The high one ♪

♪ Forge the key ♪

♪ Of our kin ♪

♪ Woke up the ♪

♪ Dead masses rise ♪

♪ Our rogue wave cometh ♪

♪ Undermine ♪

♪ The high one ♪

♪ Forge the key ♪

♪ Of our kin ♪

♪ Unshackled are ♪

♪ Our tired minds ♪

♪ Our rogue wave cometh ♪

- [Vocalist] Fuck.

- [Man] That's enough, we're ready?

- [Vocalist] Yep.

- [Man] I swear to God,
I almost said groove-

- [Man] I hit one wrong note,
I hit one wrong note, but...

(suspenseful music)