All language subtitles for Joes Palace

What do you want?
- I have an appointment.

With whom?
- I'm not sure.

- My mother works here.
- And who's your mother?

Sally. Mrs Dix?

You better come with me.

Does he live here all on his own?

Mr Graham doesn't live here,
he's across the road, number 31.

- Well, who lives here, then?
- No one.

Here he is, Jean, like I said.
- So you're Joe?

Joe, say hello to Mrs Hopkins.

He doesn't talk a lot,
do you, Joe?

Well, Joe, as it happens

Mr Graham is here today,
which is a real piece of luck.

- So I'm going to take you to him.
- Be careful.

Mr Graham, this is Joe.

He'll be on the front door
in the afternoon between 1:00 and 6:00

to give Dave a bit of a break
after all these years.

He's very reliable, Mr Graham.

Everybody always says
Joe's really punctual,

his school reports and everything.

Excellent.

- You know what to do?
- Yeah.

You'll write down everybody that calls?

Keep a record for me?

Yeah, sure.

I look so tired, don't I?
I so want to look good tonight.

- Do I seem really old and tired, Joe?
- No.

- You don't.
- You did really well today.

Just the clothes, maybe,
could have been a little smarter.

When you go tomorrow, you put
your best clothes on. You'll remember?

Hey, look, there's that weirdo kid,
you know.

It's great
you got the job, though.

- Hey, weirdo!
- Come down! Come on, then!

You won't see Mr Graham again,
anyway, probably. Not for a long time.

- Does this belong here?
- No.

- Do you know whose it is?
- No.

Well, you'd think somebody in
the neighbourhood would deal with it.

- Something has to be done, doesn't it?
- It can't come in here.

No callers today. Saw Mr Graham
doing up his shoelaces in the rain.

- Is Dave there?
- No.

Right. And who are you?

I am here for Dave in the afternoons.

Really? You're here for Dave?
Can I come in?

- No.
- No? What, just like that?

I'm not a burglar or anything.
She knows me.

Why do you want to come in?

I've got a meeting with Mr Graham over
the road and I'm a little early, so...

You're great at security. You're even
more difficult to get past than Dave.

I'm Richard Reece.

I'm a member of the government,

so you may want to throw me
back out in the rain now.

- And you're...
- I'm Joe.

Hello, Joe.

I never can get over these flowers,

all these fresh flowers
every time I come.

Not that I'm allowed in here that often,

and Dave never lets me get
past the hall.

This is exciting.

Amazing.

Slippers, even. Fresh soap, bathrobes...

All these rooms, perfectly tended,

and it's only ever seen by the cleaners.

It's like a big ship about to set off
somewhere, isn't it?

Yeah.

So, Joe, it's very good to meet you.

You should get them
to arrange a desk for you,

with a good chair and a phone,
maybe, like a proper concierge.

A proper security person.
Which you undoubtedly are.

Where do you think you're going?

Well, it's after 6:00.

You need to stay awhile.
And that's an order.

Come here, Joe.

Come on! Don't be afraid.

Follow me.

Follow me!

You've got to stay for a while
to stop me breaking things.

What's the matter?

That's a good question, Joe.

You've never been up on the roof,
have you, Joe?

On the roof? What, of here? No.

I think that's where we've got to go.

Come on, you can come closer than that.

Don't be scared. Only one of us can go
over tonight. It probably won't be you.

Once you're here, working in this house,

they never want to sack you.
They don't like change.

They didn't want me to leave,

so they brought you along
to make my life easier.

But I've got to get out of here, Joe.

When his father was alive,
it was different.

This place was fun.

Parties twice a week.

Don't be fooled by Mr Graham, either,
by his bumbling act.

He was in the army.

Difficult to believe, I know,
but he was. Special Unit.

Killed people with his bare hands.

Be careful. He can be
a very frightening guy, Joe.

You can go now. Go on!

Just don't look back. Don't, Joe.

Don't look back.

Go on!

Dave won't be
working here any more.

We want to offer his job to you, Joe.
Except at night, of course.

We've arranged for a proper security
guard to come here at night.

He didn't jump, did he? Dave?

- Off the roof?
- No, of course not.

What gave you that idea?

He's gone back to Scotland.

Well, that's lucky, that he didn't jump.

So, Joe, you'll be here all day
until Mr James,

the security guard, arrives at night.

Which means that
between 6:00 pm and 9:00 pm

you'll be alone in the house.

And during that time
you mustn't let anybody in.

Nobody. Don't answer the door.

And there'll be a room here, in case
you're ever too tired to go home.

Isn't it marvellous, eh, Joe?
Isn't it great?

Full-time job, here.

Yeah.

Yeah.

LAARNl: Mr Joe! Mr Joe!

Mr Joe, come here, please.

Come on, Mr Joe. Come on, come on.

He wants some meats.

Mr Graham wants some cooked meats,
you choose at the shop.

The deli? You just sign
and show this for the meats.

Can I help you?

I've come to choose
Mr Graham's cooked meats.

Oh. New are you? Dave used to do that.

Yeah, the red card.
Not the greatest bit of ID ever, is it?

Well, Mr Graham usually has
about 300 grams of Milano.

I'll have some of that.

And then some of that.

Mmm-hmm.

And some of this, too.

Wow. This is a new regime.

Well, how many grams
do you want of each?

Oh, I think 750 each.

What?

Okay, make it 1,000, then.

Most kind. That's most kind.

My word, what a selection.
Thank you, Joe.

Where are you going?

I've got to get back to the other house.

I would appreciate it
if you stayed for a moment.

I'm not sure I can.

I'm not meant to leave the house, sir.

It'll be fine.
I'll explain to Mrs Hopkins.

You've done a terrific job here, Joe.

Some of these I don't think
I've ever tasted before.

- Oh, good, sir.
- Absolutely. It is good.

I can't possibly gobble all this myself.

You wouldn't, would you, like some, too?

Funny, aren't they? Bit odd, maybe?

Meant to be me, actually.

I did them last summer.

That one, that's showing me
near the end.

The other is... Well, just me.

I was brought up all over the world.

My father owned a lot of hotels.
Amongst other things.

Maybe it makes me look
a little too cheerful.

Oh, hi. It's you again. Is Dave there?

Dave's left.

Well, maybe you can help me. I wanted
to show a friend of mine this place.

- No.
- Are you sure?

No, I can't open this door
after 6:00 to anyone.

This is Charlotte.

- This is Joe.
- Hi, Joe.

Are you sure you can't open it
to anyone? Even for Charlotte here?

- No. Well, except...
- Except?

Except if I know the person
that's asking.

Wow.

It's magnificent!

And so beautifully kept,
like it's waiting for something.

Well, that's what you can do
when you're worth 4 billion,

keep something in perfect condition
and totally empty.

It's a palace.

And you have it all to yourself, Joe?
That's exciting, that's fabulous.

Only after 6:00.
I've got it to myself after 6:00.

And the security guard,
he comes at 9:00,

but I stay at my desk mostly,
anyway, so...

Of course, but you should explore,
shouldn't you,

while you've got the chance.

- See what these keys unlock.
- Yeah.

Yeah, I will. I'll do that.

- Have they given you your own room, Joe?
- Yeah, they have.

Do you want to see it?

I like your room very much.

That's a wombat, isn't it?
I always wanted a wombat.

Yeah, he's good, isn't he?

I sleep here about once a week,
when I can't be bothered to go home.

It's amazing, this place,
with only the boy here.

It's so unexpected.

So, what about it?
I'll ask Elliot, shall I?

I know him, I can ask him.

You wouldn't dare.

Even you wouldn't dare do that.

You look great at your desk, Joe.
Really official.

Thank you for that, Joe.
It's a beautiful house.

Yeah, it is.

- Are you seeing Mr Graham today?
- No, not today.

But if you see him,
or rather when you next see him,

could you ask him something, Joe?

- For me?
- Yeah, what?

Ask if Charlotte and I can visit
this place again.

You know, at this sort of time,
when you're in charge.

Maybe use one of the rooms upstairs.

One of the rooms upstairs?

Yeah.

Use one of the rooms
as a place to rest after a busy day.

A little oasis,
just for a couple of hours.

He'll understand.

Right.

Here's my number.

There's no hurry,
ask him whenever you like.

You know, when the chance comes up.

'Cause I know you're not meant
to let anyone in.

Thank you, Joe.

And don't forget to go exploring for me.

- Fuck me!
- No need to scream when you see me.

I wasn't. I didn't know
you were in the house, Mr Graham.

I've just been going though some boxes.
Something that needs to be done.

Yeah?

I'm going to have
a little wash and brush-up.

Then, maybe...

Can I...

Can I take you for a meal?

- It would be great if you could come.
- Well, okay.

Difficult to decide, isn't it?

I'll have a lobster.

A couple of them lobsters, please.

I... I think I'll have the sea bass.

Yes, yes, I... I think that's right.

No, wait. Giant tiger prawns.
Maybe that's a better idea.

No, no, no, no. The turbot with ginger.

I'll... I'll go for that.
Yes, I... I think so. Thank you.

"All that money,
and he still can't make a decision. "

If that's what you're thinking, Joe,
you'd be right.

Not the friendliest place in here,
is it? But I like it.

When I go out,

and I do go out,
I hate the idea of becoming a recluse,

people can often be quite strange,
you know,

the way they react around me.

Yes, people are either
very loud and talkative,

like they've taken a bet with somebody
before they come up to me.

Write a cheque, can't you, for a couple
of million before the end of the night?

For me!

Just go for it.

It will make us both feel so good.

Or they go on
and on and on...

- Excuse me.
... about some unlikely subject.

I think I've got something
that will really interest you.

I've invented a new toilet brush

that cleans itself
after it's cleaned the toilet.

Very strange.

- So what about you, Joe?
- Me?

I've left school.

And?

Well, that's all.

And you don't get frightened,
all alone in that house?

I'm not frightened of the house.

And what are you frightened of, Joe?

Don't know.

I'll have to think,
you know, what I'm scared of.

So, Joe, if I was to ask you to take a
few messages for me, you wouldn't mind?

Being a messenger for me?
Just once or twice?

I wouldn't mind, no.
No, that would be all right.

Oh, I've got a message for you.
Got one already, just remembered.

- Which is?
- From a man called Richard Reece.

Ah, yes, Richard.

He wants to know if he can use
the house between 6:00 and 9:00,

use a room, an upstairs room,
he and a friend, she's called Charlotte.

Do you know who he is?

Yeah, he's a member of the government,
isn't he?

Yes, he's the youngest member
of the Cabinet.

Brilliant boy, very smart.

But he's married
and his constituency is in London,

so he doesn't have a separate flat,
you know, away from his family.

So I can see it would be perfect.

He can always tell everybody
he's coming to visit me.

- What's the woman like?
- Oh, she's okay.

She's quite pretty.

- She's really pretty.
- Well!

That's an intriguing message, Joe.

It might be good for something
to happen in that house.

We'll see.

So in the last few days
I've begun to take messages for him.

It usually happens in the afternoons
and I have to take a letter.

Like to these guys that run
all his money, take care of it.

Mr Graham won't be coming along today.

I've got an envelope here, which he said
will make everything clear.

And then there was another one,
I think it was on Tuesday,

when the person seemed a bit upset.

Mr Graham said he can't have dinner
tonight after all.

Is that what he says? I doubt that
he can remember what I look like.

Maybe that's a good thing.

And yesterday I took
the important message.

The one Mr Reece had asked me about.

He wanted me to go the building where
he was meeting a group of businessmen.

Could you let him in, please,
I know him.

Joe.

This is Joe.

He works with Elliot Graham.

As you know, I meet Mr Graham quite
a lot, to discuss the possibility of him

contributing to various projects
and charities in my constituency.

Just give us a minute, will you?
Come and sit over here.

It's very good
to see you, Joe. So?

- I've got a reply to your message.
- Really?

He says it's okay. Mr Graham.

He says he wants the house
to be used for something.

Is that what he said?
Well, that's good, isn't it?

Let them wait. It's good for them to see
something that doesn't quite fit.

You and me talking.
You're not the usual sort of advisor.

- So, chosen one?
- I like that colour.

What, that one?

But I'll take that one.
The one that's really, really mouldy.

So, is that what he's into now,
old cheeses?

When you're worth a few billion,

but all you want to make you
really happy is some blue cheese?

Is that it? Is that what he's like?

I don't know. I'm only the messenger.

They're a wonderful colour, the cheeses.
You've made a great selection.

Good.

You don't want to stay
and help me eat them?

I... I can't tonight,
I've got to get back.

Right. Fine.

Just before you go
I want to show you something.

Come in, it's all right,
there's nothing alarming in here.

Unless you count me, of course.

I thought you'd like to see
some pictures

of the big house as it used to be.

And some drawings I did of it.

I don't know what I'm saying in them.

Maybe I found the house very spooky
as a child, which I did.

- Spooky?
- Which you clearly do not.

I'm trying to find out more
about the house,

both before and after
my father bought it.

Old houses decay amazingly quickly
when they're empty,

that's why I'm keeping it alive,
so I can find out more about it

and decide what to do with it.

So it's not as barmy as it seems.
Having it cleaned all the time.

- Yeah, the castle's nice.
- Ah, yes.

It is, isn't it?

I'll tell you about that one day.

- Hi, Joe. How are you?
- I'm fine.

- Can I get you something?
- Thank you.

Maybe a glass of water?

I'm just letting it run
so it's really nice and cold.

Thank you.

Can I have one of these?

Sure.

Here, take as many as you like.

I'm fine.

There he is.

I'll let him in.

- So, Joe, how have you been?
- Not too bad.

- Many visitors?
- No, not really.

No? Is Charlotte here yet?

- You look great. Doesn't she look great?
- Yeah.

Joe, we're just going to go upstairs
for a little while, as arranged.

Here, just wait. Wait a minute!

Just give me a call on my mobile
if you need anything.

Great, Joe, thanks.

I've already chosen one.
I think you'll approve.

Maybe we should give Joe some money
so he can go to the movies or something.

It's a little bit weird, isn't it?
Him sitting downstairs?

It's no weirder than going to a hotel

and a lot more private
than a friend's flat.

He'd be upset if we asked him to go out.
He's the concierge.

Oh, what about Elliot Graham?

What about him? He's not going to
pop up. He wants the house to be used.

- Yes?
- Is everything all right, Joe?

Yeah, I'm fine. Do you want anything?

That's very kind of you, but no.

We'll be down in a moment.

He asked if we wanted anything.

Thank you, Joe. I'm off now.

He leaves first

and then she stays for a bit
and leaves about 15 minutes later.

Sometimes we have
a little chat together.

I've decided to write all this down,
because nobody's reading this book,

and I want to remember it.

They always phone in the morning
to tell me to expect them.

The whole day changes
when I know they're going to visit.

He always arrives separately.

I think they've stopped worrying
about me going upstairs.

Which, of course, I would never do.

I do all the sheets, because I don't
know what Mrs Hopkins will say.

And I think it's probably best
that she don't know.

Peanut butter is
the answer to everything.

Mr Reece spends time with me
sometimes, on his way out.

I like both of them.

It's quite funny, Joe,
me being pally with a billionaire,

because we never had much
when I was small.

My father's a railway signalman.
Still does it.

For some reason, Joe,
I've always believed in myself.

I was full of confidence all the time.
I knew I'd get a scholarship,

knew I'd get a good job,
knew I'd get into Parliament.

Never felt inferior to anybody.
Nor should you, Joe.

- No?
- No.

'Cause you don't miss much, do you?

- You're in a hurry, young man.
- Yeah.

- I, er, I've just got to do something.
- Got visitors, have you?

Very discreet,
that's good, Joe. Admirable!

- Here, you won't...
- Yes, Joe?

You won't just turn up,
you know, suddenly?

Like when I found you,
without telling me?

I'll try not to.

Hi, Joe.

- You're out of breath.
- No. No, not really.

Who needs an enormous car like that
in the city? Ridiculous woman!

Mind you, it could be me
in a few months.

Is that Elliot Graham?

Must be, mustn't it? That man staring?

Yeah, that's him.

I'm sorry, I just don't like
the idea of him watching.

Or looking at me at all, really.

Oh, it's okay. He won't come in.

I've done 95 percent
of your father's papers now,

tracing his fortune right the way back

to his first job when he was
a young man before the war.

I followed all his travels.

I looked into how he made his money,
both in the financial services sector

and the hotels he owned.

I looked into the history of the house,
too, and I have to say,

I know you wanted me to dig really deep,

but it's all above board.

There are no nasty surprises,
no skeletons.

- It's all fine, is it? Shipshape?
- Absolutely.

Look, Joe has provided us
with some sweets.

That's fantastic.

I told you he'd look after us.

I saw Elliot Graham staring
over here just now.

Made me go cold all over
for some reason.

He's fine. A little peculiar, of course,
but show me a normal billionaire.

Why is he letting us use this house?

Because he likes me.
And he really rates me.

You always think
that's the reason for everything.

- You okay, love?
- Yeah.

- I'm going out tonight.
- Oh, have a good time.

Joe,

I've met somebody new and he's going
to Spain for a few months to work,

and, well, he's asked me to go with him.

Would that be all right?

Yeah. Yeah, of course.

Are you sure?

Great. It feels like I haven't seen you
in the last few weeks.

Well, you've seen me at the house.

Yes, but you're always so busy
keeping watch at that door.

Yeah. Yeah, I like keeping watch.

I like being in that house.

Ah, that was good! That was so cold.

Got any brothers or sisters, Joe?

No.

What about your dad?

- Where's your dad?
- Oh, he don't live with us.

He visits once or twice a year.

He grunts.

He never says anything, he just grunts.

Well, that's not very good.
A grunting dad.

It's okay.

Are you married?

Yes.

I am, Joe.

I also have two kids.
Leo and Rachel, aged six and four.

They're great, my kids.

Really great.

And your husband?

He's a lawyer.

Works really hard.

He's terrific.

- No more questions?
- No.

You can ask me, Joe.

I know you won't tell anyone,
I trust you.

I ain't got any more questions.

I'm about to go back to work,

now the kids are going to school.

I was a lobbyist, I am a lobbyist.

For my sins. A political lobbyist.

That's how I met Richard.

I'm very lucky, aren't I, Joe?

I'm very, very lucky.

Had another really good day today.

Mr Reece gave me a lift in his car,
just for 10 minutes or so.

These are the famous boxes
we government ministers

are meant to treasure so much.

They're cheap and cheerful, aren't they?

In the old days, apparently,
they were made of high-quality leather.

Smelt beautiful.

That smells of nothing, does it?

I don't know.

What do you think of the government car?

I thought there'd be wood and things,
you know, folding seats all round.

Not any more.

Mind you, when you're travelling
with the Prime Minister

in convoy with a motorcycle escort
and everything,

it's fantastic
the first time you do that,

you don't stop for anything, nothing!

I think that's why all leaders
go a bit bonkers after a while,

'cause their car never stops.

You're a clever kid, Joe.

You've been very good to us.
I hope we can call each other friends.

Yeah.

Is everything all right
with Mr Graham, Joe?

He's not asking you
to do any strange things?

What do you mean?

I just meant, has he asked you
to do some rather odd tasks?

No. No, I just take a few messages
for him sometimes.

Well, let me know
if he starts getting too weird, yeah?

Yeah, I will.

I ain't seen
his really frightening side yet,

but I expect I can handle it.

Come on, come on, he's waiting for you.

Come on.

Ah, Joe, there you are. Good. Come in.

Come in. This is Mr Whittle.
He's on the point of leaving.

I was, indeed, because we've finished,

entirely finished, which is marvellous!

Mr Whittle is an historian.

He's been digging around
in my father's papers, at my request,

tracing the history of all his money.

And the most rewarding job,
it's been, too. Fascinating!

And, of course,
completely pleasant. Goodbye.

Do I believe him?

You seem amazed
that I actually meet anybody else.

- No, I weren't thinking that.
- Well, I do meet people.

As it happens, I've been asked to have
my photograph taken by a Sunday paper.

A group photo of rich people,
would you believe.

So, Joe, do you know this programme?

- No.
- People bring antiques from their homes

to discover their history and to find
out how much they're worth, of course.

I want you to take these objects,
these little animals,

on the show for me.

Oh, and this as well, of course.

They all come from one of the houses
my father owned.

He had houses everywhere.
This one was in Scotland.

You are wondering
why I'm asking you of all people?

Well, yeah.

Because I often believe you should use
surprising people to do things.

That way you might discover more.

And I need to know more
about the animals.

Would you do that for me?

Oi! Oi! Antiques, that way!

I think "miscellaneous",
that one.

Thank you.

Hello. Let me see what's in your box.

Just a moment.

This way.

Don't look at the camera, Joe.

Well, this is
a truly spectacular collection

of gold boxes you brought me today.
Tell me about them.

- Are they yours?
- No.

And somebody asked you
to bring them here today?

Yeah, my boss.

And how... Where did he acquire them?
Do you know?

Don't know.

Well, let's have
a little look at them

and try and understand
what they're all about.

This is a snuff box made
of a hard stone, a conglomerate,

which is called a pudding stone,

and the goldsmith's used it
to represent the pelt of the leopard.

We can see that he's heightened
that work by giving it

little diamond eyes with...
With ruby tear ducts and ruby nostrils.

And even the gold tongue moves
up and down,

between these rather vicious-looking
diamond-set teeth.

To have one those, from the court
of Frederick the Great of Prussia,

would be wonderful,
but to have two is truly extraordinary.

And this is made for somebody
of very, very high rank in about 1900.

And let's look inside.
Polished red gold gleaming away...

- Oh, hold on!
- There can't be more?

- Yeah, I've got this.
- Oh, goodness.

I was looking at it in the car
on the way up.

Look.

My goodness me!

Well, that's without doubt

the most beautiful Swiss enamel
gold snuff box I've ever seen.

It's an hallucinogenic moth,

that the goldsmith's actually built
out of his imagination.

The moth and the butterfly are
emblems of Psyche,

goddess of the soul
and all higher emotions.

This is obviously a love object,
to be given from one person to another.

Can your boss remember how much he paid
for any of these things?

- Dunno.
- Well, do you know what they're worth?

A lot.

More than most china animals, you know,
that you put money in.

Well, that's perfectly true,
and I think it's our job today

to try and value them, really.
Um, what am I going to say

for the best Swiss enamel gold
snuff box I've ever seen in my life?

Um, £120,000.

And then, for a Prussian gold snuff box,

a highly figurative one,
highly imaginative one,

£225,000?

And then, companion piece,
how could it be worth less?

And then perhaps
most spectacularly of all,

the Emperor's gold cigarette case
from pre-revolutionary Russia,

by Fabergé, £320,000.

So what you brought me today
is a grand total of, um,

of £890,000.

And they didn't tell you any more
about them than that?

No.

I'm sure they have a story to tell.

- Any other adventures up there?
- No.

And here, are they coming this week?

Not sure.

How often do they visit the house?

You're not going to tell me
how often they visit?

- That's your business, is it?
- Yeah.

Quite right, Joe, quite right.

You know, if you ever want
to have a friend stay over

in the house yourself, you can.

- Invite who you want, whenever you want.
- Oh, thanks.

And if you want to eat
in the lobster restaurant,

you can use the red card there.

It'll go straight on my account.
Feel free, invite who you want.

- Thanks.
- Where are you going?

I thought I'd go now.

Wait a moment, I want to give you
a present for helping me out.

I don't need a present.

Don't worry,
you might not want this present.

When you're wealthy and people want
to say thank you, for helping them out,

a lot of people assume that I've got
simply everything I could possibly want.

So I get an awful lot
of things like this.

- Anything you want?
- Maybe.

Yeah.

Can you hear me?

Hello, Joe. Hello, Joe!

He can't hear you.

I like the headphones.
Especially those antennae.

Where did you get them?

See you later, Joe!

Look.

- Look what Joe's done.
- He's provided a feast!

If you love me,

you'll kiss me after I've eaten this.

You see?

I didn't even hesitate.

I love you.

- Good night, Joe.
- Good night.

I won't be seeing you for a while, Joe,

maybe for a long while.

What do you mean?

Well, I'm going away next week
for a family holiday,

with my husband and the kids.

And then...

Anyway, I don't know
when I'll be back here.

Oh.

You will be back, though?

I have no idea
what will happen in the autumn.

I wish you could tell me.

This can't be the last time.

Don't look like that, Joe.

You take care of yourself.

And don't let that spooky man upset you.

Really, really, take care of yourself.

Excuse me.

Here, I'll sign for the food now.

- Good night, Harry.
- Mmm.

So what are you choosing today, then?

Four kilos of Parma ham
that will take me a week to slice?

- Want to spend a night in the big house?
- No! Thank you, I wouldn't!

Well, why not?

Well, Jesus, Joe!

Just because you've got the red card
for the cheeses,

doesn't mean you can come in here
and rattle a bunch of keys in my face

and say, "How about it
in the big house?"

You're wrong, it's not for that.
I thought you'd want to see the house.

Aren't you interested in history?

I'm very interested in history,
as it happens.

Yeah!

Just don't know
what that's got to do with it, though.

You're not going to try
and pick somebody off the street?

Why don't you go home, Joe,
see your family?

Because I've got a whole house
I can use, that's why.

Tonight I had a real surprise.

I was out looking for somebody
that might want to see the house,

when suddenly, there he was.

Maybe he was also looking.

The funny thing was,
we nodded to each other,

like it was a really usual thing.

And then we went on our own way,

you know, like we
shouldn't disturb each other.

Hello?

Hi, Charlotte.

- Joe?
- Yeah, I just thought I'd call.

Well, I can't talk now, it's really late
and the kids are still awake.

- Yeah, I can hear them.
- Yeah, I'm coming.

- What is it you wanted, Joe?
- Nothing.

Nothing, really.

Just saying hello.

Mummy, read us a story!

Well, I can't talk now.
You take care, Joe.

You think this suit is good, Laarni,
the right choice?

Oh, yes, sir.

You know this photo they're doing?

Apparently it's
the photographic Holy Grail,

getting the eight richest people
in Britain together

at the same time,
standing there like in a school photo.

I can't believe
that anyone will turn up.

I hate the idea of going, I really do,

but I've got to do it,
I've got to get out.

After all, I used to go out.

Want somewhere to stay tonight?

I look after a big house,
do you want to see it?

- What do you want for it?
- Nothing. I don't want anything.

I'll think about your house.

I wouldn't mind a meal, though.

Yeah, a meal? Sure, I can do that.
That's no problem, either.

I'm unbelievably nervous, Simon.

Why am I doing this?

If I don't like the food, mate,
I won't stay.

You'll like the food.

Just wait here, Simon,
I might be out at any time.

I've got to make myself.

Absolutely dreading it. Total dread.

Just let me not be the first, please.

If there's a God, don't let me be first.

Ghastly. Simply ghastly.

Blimey!

Is that what we look like?
Grey men in crumpled suits?

So glad you could make it, Mr Graham,
it's going to be a historic picture.

Everyone's turned up.

- I'm surprised they have.
- Yes, it's great.

People have been trying
to do this picture for years

and now we've managed it.

We'll be doing
the interviews afterwards.

Interview? No one said anything
about an interview.

Well, everyone's doing one.

When you see us all together,

you realise what an odd-looking bunch
we really are.

Er, how do we decide
who goes on which step?

Er, who goes at the front?
Is it by who's worth most?

At about 4 billion,

I'm, uh... I'm a mere minnow, I think,
a mere stickleback. I'll be at the back.

Shall I get you another drink,
Mr Graham?

No, stay here, stay here,
I am feeling a trifle nervous, you know.

I really ought to stop talking,
oughtn't I?

I don't know any of you,
I don't think, do I?

You know, I've just... I had a great...

What would make
this picture even better,

now this is a great idea,
you'll like this.

Now, you probably think
I am going to say, "Let's do it naked".

Well, this is even better
than doing it naked,

although it seems very popular
in this country at the moment,

so maybe we should.

But this is a great idea,
listen to this!

Because I'm not a UK citizen,
I hardly pay any tax,

extraordinary situation
unique to this place,

that's why we're all in this city,
isn't it,

and not in the US or somewhere else.

That's why we've all come to London,
may as well be honest.

So when... When they take the picture
we should all be crying out,

"Tax us!
For crying out loud, tax us!"

That would cause
quite a stir, wouldn't it,

us all holding up placards.
"Tax us! Tax us! Tax us!"

I could do the placards, I'm a bit
of an artist as it happens, you know.

I seem to have had a sudden attack
of Tourette's, don't I!

I can't stop talking and I'm...
I'm saying completely the wrong things,

and, er, well, I really must go,
you'll excuse me,

I really have to go. I'll just, um...

Really nice
to meet you all, really. I...

Shit! Fuck!

Blimey! What on Earth am I doing?

Drive, Simon! For God's sake, drive!

I've just made such an exhibition
of myself, I was completely ludicrous!

This is a creepy place.

This is fucking creepy!

- You really sleep here?
- Yeah, some days.

I like it.

I'll show you round, it's very big.

Yeah.

Jesus, this is a scary place!

There are bad vibes here!

- There's some very bad vibes!
- It's fine.

It really is.

Why did you bring me here, Joe?

- Thought you'd scare me?
- No.

If you don't like it here,
maybe you should go.

You want me to leave now, do you?

That's interesting,
because I seem to remember

you begging me to come here!

Why do you want me to go now, Joe? Eh?

Because you don't like it here,
so I thought it better you went.

That's for me to decide!

When you've been to as many places
as I have,

I've got my own way of deciding
where I want to stay.

You might not want
to find out what that is.

When I went to France,
they liked everything I did,

offered me a four-year contract,

paid holidays as well.

Same hotel that Tom Cruise stays in.

Harry!
- Joe.

- Harry!
- Joe, don't run away from me, mate!

Come on.

Joe, don't make me come
and look for you.

Harry!
Come on, Joe!

- Harry, where are you?
Come on, mate!

Harry!

Harry!

Harry! Harry! Harry, wake up!

Wake up! Harry!

What are you fucking doing,
for Christ's... Wake up!

Harry, wake up! Wake up!

Joe?

Joe?

Joe?

Don't run away from me, Joe.

You come here, right now, right here,
and tell me why you want me to leave?

And I'll show
what I want to do about that!

Here I am, Joe.

I heard shouting in my house!

Get out of my house! Right now!

Thank you, Mr Graham.

That seemed to work quite well,
didn't it, Joe?

Yeah. Harry's drunk.

He certainly is.

We'd better get you
better protection, Joe.

But maybe for now
we can borrow his beer.

I had a terrible night tonight,
too, Joe.

Sorry to hear that.

I made an idiot of myself.

I was like a man let out
of an institution

after 20 years in solitary.

I don't know why
I don't like this house, but I don't.

Too many ghosts.

People I remember.

There are no ghosts here, Mr Graham.

- Right, Joe. None of any kind.
- No.

You're right.

I should come here more often,
shouldn't I?

Come on a visit, see everyone again.

Mr Graham.

Hello, Joe. Hello, everyone.

It's very good to see you, Mr Graham.

Yes, it's been far too long.

The floor looks wonderful.

Everything's so clean.

So, who's going to join me
for a little film show in the cinema?

A chance to have a break.

As you can see, Philip has got
some films here.

Who's going to join me?

I'm sorry, I'm a little
busy today, Mr Graham, for the films,

and I think the rest of the staff
have too much to do, too.

Really.

Too busy for a film show?

Don't I have any takers at all?

How about you, Joe?

Sure. I can come.

My father built this
to show Hollywood films

to impress his friends.

You know, I watch a lot of movies,

a lot of TV, especially the old ones.
I have the time.

And I always find myself looking
at the backgrounds, you know,

when the film goes outside.

You know, the old cars, the clothes,
the people's faces, the old buildings...

So this is a bit of
a personal whim of mine.

Film they've shot to be
in the background of the story,

which they called phantom rides, Joe.

Right. That's all it is, then?

Yeah. That's why nobody wanted to come.

Because the camera is always moving,
I find the brain moves with it, Joe.

It's how we see things now,
from a car or from a bus.

Not that I've been
on a bus recently, Joe.

So you really find yourself
time-travelling.

I've had some sound added, of course,
which I think works quite well.

And you do feel, don't you, that
you're, you're riding into the past?

Don't you, Joe?

Yeah.

Yeah, are they very long,
these ghost rides?

Phantom rides, Joe.

This is the landscape
of my father's youth, Joe.

The streets where he was young.

Because somehow
I've got to face the past,

find out if there's anything
I need worry about.

Are you looking
for something, then? Up there?

In a way.

I'm looking for a bit of courage,
I suppose, a bit of energy.

Ever since my father died six years ago,
I've been trying to do that.

I like this bit.

I was just a farmer, Joe,
with a rather ramshackle farm,

while my father was busy
running his fortune.

I love cattle.

Well, I love animals in general,
but cattle in particular.

So I feel I've got to get to grips
with how I've ended up who I am.

Until I do, it's like
everything's blocked. I'm stuck, Joe.

After all, with all the money I've got,
what I could do!

I could help with disease in Africa,
like others are doing.

I could help contribute to conservation.

I could help save things, build things.

- Well, you could.
- I could!

I need to discover more, Joe,
about my father.

About his money.

I'm thinking all the time,

I can't spend the money
until I know about it,

until I understand completely
how it was all made.

Ah, that's good!

Yes, isn't it?

I went out for a walk
with him today.

I keep thinking about him killing
people with his bare hands.

Whether he really did it or not.

If he'll do it again.

- Were you in the army, Mr Graham?
- I was.

When I was very young I buried myself
in the army for about seven years,

to stop myself having to worry
about who I was.

I was hoping this would be happening
today, I've seen this before.

You know when you don't get out
very much, like me, Joe,

when you do, everything seems
rather bright and vivid.

You can't really tell
if they know each other

or if they're complete strangers.

There's Tina!

I never thought she'd be doing this.

Joe! Mr Graham!

Hello, Tina, good to see you out
and about, away from all the cheeses.

Since I don't suppose
I'm going to get either of you to dance,

why don't you come and sit over there?
I've got some fruit.

What do you do all day, Mr Graham?

When you're not eating stuff
from the deli?

That's a good question, Tina.

Well, I receive a lot of reports
about my money, of course.

I'm trying to find someone who can
make sense of my father's archive,

find out about his financial history.

I keep hiring different people,

but I'm not sure
they're getting at the truth.

Here, you should get Tina to do it.

The way she slices that salami,
she'd get through it all right.

And she likes history, too, don't she?

Well, what do you want doing?

Whatever it is, I could have a try.

These are the most important boxes,
all my father's diaries and letters.

There's more over in the big house,
I'll have them brought over.

Okay.

Well, I'll start reading this lot, then,
every page.

I'll do it three days a week,
I'm still going to do two at the deli,

so it will take me
quite a while, Mr Graham.

Right, I see.
Keeping the deli on just in case.

Hmm.

A lot of people have been through
all these already, of course.

So if you read their findings,
then anything you uncover

that doesn't fit, or contradicts,
just let me know.

I just feel
they may have missed something.

And you think I'll spot it?

Well, on the face of it, Tina,
it seems unlikely, but...

But worth a try. I agree.

Hello, Joe.

It's me again.

I've missed this kitchen!
And I've missed you, Joe.

- Of course.
- He looks fantastic, doesn't he?

There's something new about you, Joe.

Is it your hair?
No, there's something's changed.

- Tell us your news.
- A lot's been happening.

There's a new security guard
called Martin.

He says even less than the last one.

Harry was a drunk, though,
but I think Martin stays awake.

Some of the cleaners have left.

My mum's gone to Spain,
she sends me postcards.

And Mr Graham has hired Tina,

the girl from the deli,
to help with his father's papers

- because the historians, they failed...
- He hasn't.

The girl from the deli?
He hasn't done that.

- Yeah.
- That's wonderful, isn't it, Charlotte,

the girl from the deli
to do his research?

He really has gone insane now.
Don't you think, Joe?

Mr Elliot's not mad. He's a bit...

Maybe you should pay him a visit,
see what you think, see if he's mad...

Jesus, no! I don't want
to have to spend any more time

with that scary guy unless I have to.

Come on, we've got to rechristen
the room.

I put a telly in there,
in case you wanted it.

Right, and the heating is on
and everything?

Yeah, of course.

- It's you!
- Hello, Joe.

Sorry. I was just having
an afternoon nap.

It was so quiet I thought I could.

I was just passing.

One of the girls let me in.

- It's only me today.
- Right.

I needed to be on my own.

- What's the matter?
- I'm sorry, I'm being very stupid.

- Is it about Richard?
- No.

No, it's certainly not
about Richard, no.

- Sometimes I'm just...
- Yeah?

So full of fear, Joe.

About what?

For my kids.

How to keep them safe. Lots of things.

What am I doing here?

- It must seem odd to you, Joe.
- No.

You can come here whenever you want.

I don't see Mr Graham,
but that doesn't matter

because she's coming here two
or three times a week, on her own,

just to sit and watch the TV.

I don't disturb her,
but I do make tea for her.

Why is the house like this?

Ah, there you are!

- Good night, Mr Graham.
- Good night.

Nothing yet.
Nothing that other people haven't found.

Good night.

Ah, there you are, Joe. Good.
And this is Patricia.

I was hoping to show Patricia
the house, if that's all right, Joe?

If that's all right, Joe?

- Oh, it's lovely.
- Yes, magnificent, isn't it?

It's like a nice, old-fashioned hotel.

What sort of hotels do you stay in?

Oh, you know, when I was little,
by the seaside with my parents.

No, it's great.

And I'll just show you the upstairs now.

We're just going to have
a look at the upstairs, Joe.

We're going to have a good look.
We don't need anything.

He's a funny sort of security guard,
isn't he?

But I suppose
they don't get many visitors.

Mr Reece! Mr Reece!

- Yes, Joe?
- You've got to leave.

I've just got a call.
Mr Graham's coming here right now.

So?

What about it, Joe?

So, you've got to leave.
He's coming up here, I know he is.

You've gotta leave.

- Come on, I've got to tidy up!
- Joe...

- Excuse me! Richard!
- Joe!

Joe! Just give us a moment.

I want you to listen to me
very carefully.

Are you doing that?

You remember I once said to you
you're a very clever guy?

Do you remember me saying that?

Well, one of the things
that marks one out as being clever

is the ability to hold
two different ideas in one's head

at exactly the same time.

And maybe these ideas seem
to contradict each other.

I'm a very busy man, as you know,
under a lot of pressure.

I'm not like Mr Graham,
who does nothing at all,

has to take no decisions,
has no responsibilities of any kind.

I have to work immensely hard.

And sometimes I have to do certain
things so I can go on functioning.

So it is possible for me to be close
to Charlotte, really close,

and for me to see other people.

I can be happily married, which I am,
but also love Charlotte.

Do you follow me?

Equally, I can be very dedicated
to my work, but also need to take risks.

Because if I didn't do that, I'd cease
to be able to do anything at all.

Do you understand that?

I understand.

Today we will leave.

But in the future
you will be fine about it.

Won't you?

Friday.

As I write this,
she's sitting opposite me.

I haven't told her anything, of course.

Joe.

Yeah?

What are you writing?

Just keeping a record
of what happens in the house.

And what happens in the house?

- Apart from me and Richard?
- Mostly it's cleaning.

And the bit that isn't cleaning?

I know he has other people, Joe.

- You know?
- Yes.

I wouldn't say he shags
anything that moves, not quite.

But he has a lot of women.

He probably has other empty houses
belonging to billionaires

scattered about the place.

Other boys opening the door to him.

And you know what, Joe?
It doesn't matter.

It really doesn't matter to me.

Are you going to write that down, too?

It really didn't matter
to Charlotte at all.

Don't think badly of me, Joe.

And here he is.

Aren't you going to open the door, Joe?

It's really great being able
to work in here, Mr Graham,

- but your pacing is a bit...
- I'll stop, Tina. Sorry.

I'm just a bit worried
about what you might find.

But then I want you to find something,
I think.

It must seem odd, I know,
me saying I can't do anything

until this is solved.

Well, if there's anything to solve.

Forgive me, Tina, I have to go.
I'll be straight back.

Joe? Joe?

Joe, where are you? Joe?
Where are you, Joe? Joe! Joe!

Where the hell are you? Joe?
Joe, the girl upstairs,

I think she's in pain.
You must help me find her.

Do you know which room they were using?
I think she's really ill.

Well, she was all right
when she arrived.

She's ill, I tell you! Come on!

I saw her in pain.

This is the bathroom
I can see from my house.

She was right there.

What are you two doing?

Are you feeling all right?

- I saw you through the window.
- You did, did you?

I knew you spied on us.

Jesus, I knew
that's what you were doing.

I don't spy on you.
I just happened to see you

through the window,
you were unwell so I...

- You just happened to see me?
- Yes.

- Is that why you're smiling?
- No, I'm not smiling.

I'm sorry, but don't you think
it's pathetic?

- Truly pathetic?
- What?

Letting people use this house, so you
can stare at them through the window!

You're just a fucking voyeur,
aren't you?

Watching everything
from across the road.

I knew that's what you were doing!

Richard said, "No, no, no, he's just
an eccentric guy", but I knew it!

I saw you watching from the window,
gazing at us all the time.

I never watched from across the road.
Not on purpose. I didn't...

Christ, that's sad, isn't it?
That's really, really sad!

Using other people's lives like that!

Just because you can't even get
out of the front door yourself!

You can't do anything!
You can't do anything with this house!

You can't do anything with your life!

Just look at what you've done
to the boy!

Look what you've done to him.
Getting him to stare, too, Christ.

That's sick. That's so sick.
That's unforgivable.

You should be ashamed of yourself!

I know she got a shock,
seeing us in the passage like that.

I know she was angry with herself,
probably, as well.

But I haven't seen her since.

The house seems very quiet.

And Mr Graham don't visit.

I see him through the window,
once or twice.

He's waiting on the results
of Tina's work.

Like he said to me in the cinema,

everything will start
to go forward then.

Two things happened today.

Mrs Hopkins told me she's leaving.

She even gave me her keys.

It's time for me to move on, Joe,
at last.

Right. So you're moving on.

I'm not sure you should stay
too long in this house, Joe.

And then I heard
Tina's finished her work.

We're going to hear
the results on Thursday.

I like the idea of doing it here
in the kitchen, don't you, Joe?

Less formal.

Easier for everyone to hear
whatever it is.

So I think I have found something,
Mr Graham. Something new.

Information that wasn't
in anybody else's reports.

- And I think the best way to...
- Now before you start, Tina,

can you give me some idea,
it may not be fair to ask, but

on a scale of one to ten, how bad is it?

Well, I'm not sure
I can do that, Mr Graham.

I mean, people may take
different attitudes to this,

depending on who they are.

He wasn't the only one to do this.

I don't like the sound of that.

Come here. And tell me all about it.

It's from the 1930s, isn't it?

When he was very young,
very inexperienced.

I always thought there was something
about how he got his start.

Is it very bad?

It's not something
he could have gone to jail for.

Ready?

It was in a bunch of letters
and loose diary pages,

bundled together in a file
called "Country Walks".

I think that's why nobody else
bothered to look at it.

- So, shall I tell you what he says?
- No!

I mean, not this minute.

I think you should hear this, Mr Graham.

Yes, I know I should.

- Well, you want to know, don't you?
- Of course I want to know, I...

I just don't want to do it here,
not now. I've changed my mind.

There's something wrong
about doing it in this house.

I'm not putting it off,
I'm really not putting it off, but...

You come with me, Tina. Joe, stay here.

I've got to get back to my house.
We will do it, Tina.

Time to brighten myself up.

Two weeks have gone since I saw them.

I think she must have told him.

I only see him through the window.

I keep watching, though, to see
if I can catch him in the street.

Yes, Joe?

Just thought I'd say hello,
you know, see how you are.

I'm fine. I'm just off
for a little trip to the country.

What, to the castle? You going to
that castle you showed me a picture of?

As it happens, yes, I am.

- Can I come?
- No, Joe.

But, please!

Please, can I come?

Oi, please! Please?

Thank you, Simon.

My father bought me this castle.

- He bought it for you?
- Yes.

Hello. As a birthday present
when I was nine.

One of the few ways he communicated
with me was by giving me presents.

And this time he thought he'd give me
something I really, really wanted.

It was wonderful, of course.

I mean, what boy in the world had
a greater present from their father?

And what could be wrong
with such a gift?

Around here I had my farm,
a couple of miles over there,

where I was happy.

Dairy farm, lovely place.

I gave the castle to the National Trust.

Now everyone can come here.

There are not many people here today,
though, are there? Oops!

I'm not really dressed for all this,
am I?

- Are you going to a meeting here?
- No, Joe.

I'm looking for something.

Ah.

I thought this might still be here.

I used to do this as a child.

Go round the castle
with my father in this.

Joe?

I think it's going to be
a lovely afternoon.

Do you mind doing
most of the driving, Joe?

I'm not sure we'll go very quick.

I've only done this once before.

Very good, Joe.

Did Tina tell you
what she found out about my father?

No. No, she didn't.

Was it something before
the Second World War, like you said?

It wasn't difficult to guess
it might have been collaboration,

doing business with the Nazis.

I always thought
there was a small chance

he made a lot of his early money
doing business with the Germans.

I hoped against hope
it wasn't going to be really bad.

I mean, there were
lots of people doing it,

making money out of the Third Reich.

Rockefeller in the US, of course,
getting them oil, getting them money.

In this country, too.

It's terrible, I know, unforgivable,

but there were a lot of people doing it.

And some of their outfits
are still going strong

and doing very nicely, too, thank you.

But there's something
in my father's country walk.

It wasn't a country walk as it happens.

It was in a park.

Literally a walk in the park.

In Berlin, in the late '30s.

They drove to the park,

there was a little party of them.

He was with some buddies.

A couple of colleagues
from the British consulate,

his American business colleague,

and the German contact
who they were doing business with.

And what did they see?

I can imagine it so easily, Joe,
from what he wrote.

First they see it from the car,
as they're riding along.

But it's difficult to work out
what's going on.

And then they see
the storm troopers, or police.

He describes them
as young men in uniform.

And they are stopping
anyone who's Jewish.

And they divide the men from the women.

In front of everybody,
on a Sunday afternoon in the park,

they make the men undress.

And my father says simply,

"And the men were made to make
quite an exhibition of themselves. "

And of the women, he says,

"Well, they had something
straight out of the circus. "

It's not horror, not bodies.

But it's almost worse.

They made the women climb the trees.

They were terrified.

And then they took all the ladders
away, and they were shouting,

"You're going to make a noise
like a lot of birds.

"You're going to sing like birds.
You're going to say, 'Cuckoo, cuckoo. '

"You're going to sing,
'Tweet, tweet! ' Sing!"

Tweet, tweet.

Tweet, tweet. Tweet, tweet.

"They had to chirp like birds
or they were beaten senseless. "

Cuckoo.

Tweet, tweet.

Tweet. Tweet.

The words my father uses,
what he said about what he

and his business colleagues
saw in the park,

what he watched happen with two men from
the British consulate and the American.

He says, "They certainly
do things differently here.

"We all agreed. "

I love that!

"We all agreed, they certainly,
really do things differently here. "

I think that's the most
terrible sentence I've ever heard.

And these, Joe,

these were the people
he was doing business with.

Tweet, tweet.

Who he was to owe his fortune to.

Tweet, tweet.

That's what Tina found.

I've been so full of rage, Joe,
these last few weeks.

So full of rage

about what my father did.

And then the little animals,
the ones you took on the telly.

They'd sat for years on the mantelpiece.
I was fascinated by them as a child.

Of course, they had originally belonged
to a Jewish family.

They were stolen from them

and given to my father as presents
by his Nazi business colleagues.

You can put me off here, Joe.

- Over here?
- Yeah.

I'll take a walk,
having re-lived all that.

Joe, you couldn't be really kind
and take the canoe back?

Just keep going round the moat that way,

'til you come to the place
where we found it.

Thank you. It's really most kind.

- You'll meet me there?
- Oh, yes. I'll meet you there.

Mr Graham!

Hold up!

Hey, Mr Graham!

He's going to hurt himself! Mr Graham!

Somebody help me!

He's going to hurt himself! Mr Graham!

Mr Graham!

Mr Graham!

Mr Graham!

Keep away from me, Joe!

You can't do that! You mustn't do that!

Now what's the point in doing that?

I should never have brought you here
in the first place.

It was unforgivable of me
to involve you in all this.

Please, please go away, leave me.
You should not be here.

But I am, right? You brought me
so I could stop you.

Joe, that is not true.

That is not the case!

No! No!

Quite right, Joe.

Quite right.

What was the point in doing that?

Yeah.

Didn't dress for lying on the grass,
did I?

No.

Now you've found out everything,
it will all be different, remember?

Will it?

I'm not sure I can make amends.

You can meet new people,

start going out again.

That I can.

You're right, that I shall do.

Not just to the deli
and the lobster restaurant.

Of course. You're right. Yes, Joe.

What your father did,

it was a difficult thing to find out.

You needed to be a bit brave,
like you said, to keep at it.

I think you were.

- Me, brave?
- I think so, yeah.

Thank you, Joe.

What about the house?

Why didn't I do more about the house,
all these years?

It wasn't very strong-willed of me
to leave it empty all that time, was it?

- To let Richard and Charlotte use it?
- That was okay.

Letting them use it,
what was wrong with that?

Nothing, maybe.

Didn't make them happy, though.

I did see Richard again, just once.

And he suddenly yelled at me.

Joe! Joe! Over here! Joe!

How are you?

- You look great!
- I'm fine.

- How are you?
- Busy, of course.

We're fantastically busy,
lots to implement.

And I'm surviving, too, as always.

No, it's... It's all great.

I'll see you again, Joe,
sooner than you think.

He always has to stay moving,
like he said.

I think he's scared
of doing anything else.

He never wants to be still
for a single moment.

Not sure where it gets him, though.

I saw her, too.

We arranged to have a walk.

She told me about her kids
and I told her about what Tina found.

I always thought there was something sad
about that house, Joe.

Maybe it was just me, of course,
what I was feeling,

and I didn't really notice anything,
but...

maybe it is that place.

You ought to get out of there, Joe,
get out of that house.

I will. Yeah, soon.

No, not soon. Right now!

- You've got to get on with your life.
- Yeah.

You should listen to me, Joe.

I care about you.

It must have been awful for Mr Graham
to find out about his father.

But in a way I envy him.

- You envy him?
- Yeah, not for his money.

Of course, I wouldn't say no to that.
A little corner of that.

But now he's found things out,
maybe that's...

solved his loneliness.

I can't do that, Joe.

I can't do that.

The house is going to be
totally redecorated and changed.

It'll still have a bit
of a weird atmosphere, I think,

whatever colour they paint it.

It probably always will have.

Mr Graham is full of schemes
and projects now.

Things are going on all over the world.

He's begun to spend his money.

And he's also searched very hard
and managed to find

some relatives of the family
that owned the little animals.

And they've been returned to them,

and are now sitting
in a small apartment in North Carolina.

And I've taken Charlotte's advice.

I'm leaving the house.

I need to do something different.

I don't know what yet.

I'm proud of one thing, though.

Tina and I,

we did stop him being stuck.