All language subtitles for ghosts.s01e04.720p.hdtv.x264-mtb[eztv]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish Download
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,999 --> 00:00:07,999 CEREAL CRACKLES 2 00:00:08,999 --> 00:00:10,800 Can you hear them? 3 00:00:10,801 --> 00:00:11,998 Oh, yes. 4 00:00:11,999 --> 00:00:13,998 Snap, crackle and pop. 5 00:00:13,999 --> 00:00:16,998 They sounds like tiny people. 6 00:00:16,999 --> 00:00:20,998 Plip-plip-plip-plip-plip! "Help me, I can't swim!" 7 00:00:20,999 --> 00:00:22,998 Guys, do you mind? 8 00:00:22,999 --> 00:00:23,999 What are they doing? 9 00:00:24,000 --> 00:00:26,399 Talking about the cereal. GRUNTING 10 00:00:26,400 --> 00:00:29,800 Red man! Red man! Red man! Red man! 11 00:00:29,801 --> 00:00:31,998 Postman's coming. How do you...? Oh! 12 00:00:31,999 --> 00:00:34,266 I'll go with you. # Friends together 13 00:00:34,267 --> 00:00:36,000 # Fetch the post together... # 14 00:00:38,999 --> 00:00:41,998 Cornflakes were actually invented 15 00:00:41,999 --> 00:00:45,800 to stop people from touching themselves, apparently. 16 00:00:45,801 --> 00:00:47,266 Never did like cornflakes. 17 00:00:47,267 --> 00:00:49,933 Give me an egg atop a cutlet any day of the diary. 18 00:00:49,934 --> 00:00:50,998 TOASTER POPS SCREAMS: Ooh! 19 00:00:50,999 --> 00:00:53,266 Toaster. Yes, I know, I wasn't scared. 20 00:00:53,267 --> 00:00:54,998 # Let me read the post... # 21 00:00:54,999 --> 00:00:57,800 It's so exciting reading one's correspondences. 22 00:00:57,801 --> 00:00:59,266 I bet these are from all your admirers. 23 00:00:59,267 --> 00:01:01,998 WHISPERS: I promise I won't tell Michael! Anything interesting? 24 00:01:02,200 --> 00:01:06,199 Red bill. Red bill. Normal bill. 25 00:01:06,200 --> 00:01:07,334 Ooh! GHOSTS: Ooh! 26 00:01:10,200 --> 00:01:12,199 They're looking for a house to film a new drama in. 27 00:01:12,200 --> 00:01:13,734 GHOSTS GASP 28 00:01:13,735 --> 00:01:15,200 Oh, I smell money! 29 00:01:17,002 --> 00:01:19,134 You can eat them now. What? 30 00:01:19,135 --> 00:01:21,200 They have stopped calling out. They are dead. 31 00:01:44,135 --> 00:01:47,001 ALISON: Yeah, I mean, it really is an incredible place. 32 00:01:47,002 --> 00:01:49,734 The building itself is 15th-century. 33 00:01:49,735 --> 00:01:51,199 Wow. 34 00:01:51,200 --> 00:01:53,867 1469, to be precise. 35 00:01:53,868 --> 00:01:55,199 Very good. 36 00:01:55,200 --> 00:01:56,600 But the facade is actually mid-16th. 37 00:01:56,601 --> 00:01:58,199 But the facade is actually mid-16th. 38 00:01:58,200 --> 00:02:00,200 'Tis the finest house in the county. 39 00:02:01,199 --> 00:02:05,199 Tell her it's the finest house in the county. I don't want to... 40 00:02:05,201 --> 00:02:08,199 ..blow our own trumpet, 41 00:02:08,200 --> 00:02:11,505 but some people say that it is the finest house in the county. 42 00:02:11,507 --> 00:02:13,506 Shall we go inside? 43 00:02:13,507 --> 00:02:15,506 I'm telling you, this is a bad idea. 44 00:02:15,507 --> 00:02:18,174 Actors lounging about the house, 45 00:02:18,175 --> 00:02:20,506 learning lines, wearing make-up, 46 00:02:20,507 --> 00:02:24,507 prancing about the place in loincloths, topless, oiled up. 47 00:02:24,508 --> 00:02:29,441 Kissing each other probably. Oh, gosh! I don't think it's that kind of film, mate! 48 00:02:29,442 --> 00:02:31,441 This was the banqueting hall. 49 00:02:31,442 --> 00:02:34,507 Great space. Boo! Oh! Agh! 50 00:02:35,908 --> 00:02:38,506 Oh, I forgot to take out the bins. 51 00:02:38,507 --> 00:02:41,506 Anyway, what could I tell you about this room? 52 00:02:41,507 --> 00:02:43,506 Henry VIII actually dined here. 53 00:02:43,507 --> 00:02:45,506 Wow! Henry VIII actually dined here. 54 00:02:45,507 --> 00:02:47,506 Sorry, did I say "wow"? 55 00:02:47,507 --> 00:02:49,640 I'm just still amazed by that. 56 00:02:49,641 --> 00:02:51,506 No, it is wow. Yeah. 57 00:02:51,507 --> 00:02:54,907 Yeah, you should've seen the banquet. He had swan. 58 00:02:54,908 --> 00:02:58,506 He had swan. And hog. And hog. And dumplings. And dumplings. And figs. 59 00:02:58,507 --> 00:03:00,907 And figs. Absolutely stank out the privy. 60 00:03:00,908 --> 00:03:04,506 And absolutely... loved the place. Absolutely loved it. 61 00:03:04,507 --> 00:03:06,506 As do we! 62 00:03:06,507 --> 00:03:08,506 MIKE: Hmm. Shall we move on? 63 00:03:08,507 --> 00:03:10,506 Er, give us a lift? 64 00:03:10,507 --> 00:03:11,507 Mate? HE SIGHS 65 00:03:11,508 --> 00:03:13,507 OK. Thank you. Yay! 66 00:03:15,507 --> 00:03:16,507 What's the programme, then? 67 00:03:16,508 --> 00:03:17,508 It's a period drama. 68 00:03:17,509 --> 00:03:20,640 Oh, what period? Stuart! Tudor! Regency! 69 00:03:20,641 --> 00:03:23,041 Regency. Yes! THUD! 70 00:03:23,042 --> 00:03:25,506 Sorry! Got carried away! 71 00:03:25,507 --> 00:03:27,506 Oh, there you are! 72 00:03:27,507 --> 00:03:28,507 Are you a sight for sore...? 73 00:03:28,508 --> 00:03:30,507 Oh, you are kidding me? 74 00:03:31,507 --> 00:03:36,640 When I have control of the hands, I am going to punch you so hard. 75 00:03:36,641 --> 00:03:40,506 I think this place is perfect, if you'd be willing to have us here for a couple of months. 76 00:03:40,507 --> 00:03:42,506 How much would you be offering? 77 00:03:42,507 --> 00:03:45,308 3,000. We'd have to sleep on it. 78 00:03:45,309 --> 00:03:47,506 3,000 a day is the most we can offer. A day?! 79 00:03:47,507 --> 00:03:49,506 SHE SNORES Morning! I've just slept on it 80 00:03:49,507 --> 00:03:51,506 and I say yes! And it's a yes from me! Great! 81 00:03:51,507 --> 00:03:53,506 Just to warn you, though, it is quite intrusive. 82 00:03:53,507 --> 00:03:55,506 Lots of personnel. Sounds fun. 83 00:03:55,507 --> 00:03:57,506 It can feel like you're not welcome in your own home. 84 00:03:57,507 --> 00:03:59,506 Absolutely outrageous. We're used to that. 85 00:03:59,507 --> 00:04:02,507 We've had building work going on. Is there anything structural we should know about? 86 00:04:02,508 --> 00:04:04,506 Well, the floor in this room... No, no, no! 87 00:04:04,507 --> 00:04:06,506 No, there's nothing structural. 88 00:04:06,507 --> 00:04:09,506 Everything's structurally sound as a pound! 89 00:04:09,507 --> 00:04:10,507 TIMBERS CREAK 90 00:04:10,508 --> 00:04:13,506 We were looking at a property in the next village, but they're a big family 91 00:04:13,507 --> 00:04:15,507 and they had some issues about which rooms we could use. 92 00:04:15,508 --> 00:04:19,308 Well, we're easy. You can film wherever you like, when you like. 93 00:04:19,309 --> 00:04:20,506 Cos it's just the two of us. 94 00:04:20,507 --> 00:04:22,507 Yeah... 95 00:04:27,507 --> 00:04:29,506 CAPTAIN: Oh, here they come. The riff-raff. 96 00:04:29,507 --> 00:04:31,507 The lags. This will be chaos. 97 00:04:36,042 --> 00:04:37,507 Hm. 98 00:04:41,507 --> 00:04:43,507 Morning. Mind your backs! 99 00:04:47,507 --> 00:04:50,175 ADs on channel 2, please. 100 00:04:52,507 --> 00:04:54,506 LADY BUTTON: Well, I'm keeping out of it. 101 00:04:54,507 --> 00:04:58,506 Yes, though I might just, erm... check. 102 00:04:58,507 --> 00:05:00,506 Yeah. HE CLEARS HIS THROAT 103 00:05:00,507 --> 00:05:02,506 Hm. 104 00:05:02,507 --> 00:05:04,042 Um... HE CLEARS HIS THROAT 105 00:05:06,507 --> 00:05:08,506 Oh, that looks absolutely lovely, that, doesn't it? 106 00:05:08,507 --> 00:05:10,506 You going to put an egg on it? 107 00:05:10,507 --> 00:05:12,640 He's put an egg on it! HE CHUCKLES 108 00:05:12,641 --> 00:05:17,174 Can I have some veggie sausages, please? No. On a roll. No. 109 00:05:17,175 --> 00:05:18,308 Disgusting. 110 00:05:18,309 --> 00:05:22,506 You be beautiful wigs that I ever did s... 111 00:05:22,507 --> 00:05:25,506 Ooh! SHE RETCHES 112 00:05:25,507 --> 00:05:28,506 Have you left your tongs on, Tina? 113 00:05:28,507 --> 00:05:30,506 Is this meant to be 1820s? 114 00:05:30,507 --> 00:05:32,506 Those are Rococo chairs and tables. 115 00:05:32,507 --> 00:05:34,507 You can tell by the legs. They're Rococo legs. 116 00:05:35,507 --> 00:05:38,506 Hi, I'm Adam, I'm the first assistant director. 117 00:05:38,507 --> 00:05:39,640 Nice to meet you, hi. Hi. Mike. 118 00:05:39,641 --> 00:05:43,506 Sorry... What do you mean, he's still in make-up? 119 00:05:43,507 --> 00:05:45,506 We're not meant to have more than 15 people on this floor, 120 00:05:45,507 --> 00:05:47,506 and some of these things weigh as much as people, so that's... 121 00:05:47,507 --> 00:05:49,506 It'll be fine. I'm sure that's an exaggeration. 122 00:05:49,507 --> 00:05:50,640 But the survey said... 123 00:05:50,641 --> 00:05:53,506 Yeah, the survey also said that we need to replace the drains, 124 00:05:53,507 --> 00:05:55,506 and we need this money to do that. 125 00:05:55,507 --> 00:05:57,507 There aren't that many people, anyway. 126 00:05:58,775 --> 00:06:01,506 As long as there isn't anything that's too heavy. 127 00:06:01,507 --> 00:06:02,507 Mind your backs! 128 00:06:02,508 --> 00:06:06,506 OK! You can store this in the other room, actually. 129 00:06:06,507 --> 00:06:08,174 It's easier for you then, isn't it? 130 00:06:08,175 --> 00:06:10,506 Just keep things a bit more uncluttered in here. 131 00:06:10,507 --> 00:06:14,506 The room just along there. Can we just...? Er... 132 00:06:14,507 --> 00:06:16,506 Little horse go clippy-clippy-clop. 133 00:06:16,507 --> 00:06:18,507 Oh, I see. Oh, hey! 134 00:06:19,908 --> 00:06:21,507 No! What a business! 135 00:06:24,507 --> 00:06:27,507 Oh, you done it now, man. 136 00:06:27,508 --> 00:06:31,506 I suppose we should call it a day... Hello to you, sir! 137 00:06:31,507 --> 00:06:33,506 HE CHUCKLES 138 00:06:33,507 --> 00:06:35,507 The gee-gees, come on, then. Let's have a bit of this. 139 00:06:35,508 --> 00:06:37,507 Come on. 140 00:06:38,507 --> 00:06:40,506 HE STRAINS WITH EFFORT OK. 141 00:06:40,507 --> 00:06:42,507 That's an arrival on Toby. Just stepping out of the car. 142 00:06:52,442 --> 00:06:53,507 Oh, my God. 143 00:06:53,508 --> 00:06:56,506 Who is that? Toby Nightingale. 144 00:06:56,507 --> 00:06:58,506 He is... Hot, right? 145 00:06:58,507 --> 00:07:00,506 It's certainly a lot of layers. 146 00:07:00,507 --> 00:07:05,441 No, Kitty, she means to say she's in love with him. 147 00:07:05,442 --> 00:07:06,506 A knife in my heart! 148 00:07:06,507 --> 00:07:08,506 Look at all his servants. 149 00:07:08,507 --> 00:07:10,506 He looks preposterous. 150 00:07:10,507 --> 00:07:12,506 Nine, ten... 151 00:07:12,507 --> 00:07:14,506 He counts as two. 152 00:07:14,507 --> 00:07:15,508 What are you...? 153 00:07:17,641 --> 00:07:19,640 Ah. 154 00:07:19,641 --> 00:07:22,506 Oh, no. Everything OK? 155 00:07:22,507 --> 00:07:24,506 No. Yeah. Everything's fine. 156 00:07:24,507 --> 00:07:27,506 It's just Toby Nightingale, that's her free pass. 157 00:07:27,507 --> 00:07:29,506 Free pass? Oh, right! 158 00:07:29,507 --> 00:07:30,507 Ha! Don't let him hear that. 159 00:07:30,508 --> 00:07:33,507 Yeah, I won't. I definitely won't. 160 00:07:38,507 --> 00:07:40,308 Julian! I say, Julian! 161 00:07:40,309 --> 00:07:42,308 What do you want? I'm terribly busy. 162 00:07:42,309 --> 00:07:45,174 You wouldn't happen to know what a "free pass" means? 163 00:07:45,175 --> 00:07:46,506 Something Michael said. 164 00:07:46,507 --> 00:07:48,506 Oh, yes. Samantha Fox was mine. 165 00:07:48,507 --> 00:07:51,308 I do hope she's still modelling. Very talented lady. 166 00:07:51,309 --> 00:07:53,174 Alison's is this actor fellow. 167 00:07:53,175 --> 00:07:54,640 What does it mean? 168 00:07:54,641 --> 00:07:57,506 Well, it's a sort of clause in a marriage contract. 169 00:07:57,507 --> 00:08:01,441 A named exception to the rule of monogamy. 170 00:08:01,442 --> 00:08:03,506 Sometimes there's a whole list of people 171 00:08:03,507 --> 00:08:06,507 with whom one can enter into congress without consequences. 172 00:08:06,508 --> 00:08:09,774 My God! Margot had three of the Gladiators on her list - 173 00:08:09,775 --> 00:08:13,308 Wolf, Cobra and John Fashanu. 174 00:08:13,309 --> 00:08:17,506 You mean to say that this player, this minstrel, 175 00:08:17,507 --> 00:08:20,506 is allowed to bed fair Alison? 176 00:08:20,507 --> 00:08:22,507 He's her free pass. 177 00:08:28,507 --> 00:08:32,506 CREW MEMBER: I'll start here, and I think I'm going to approach... 178 00:08:32,507 --> 00:08:36,506 What are they feeding the metal cow? 179 00:08:36,507 --> 00:08:40,506 Oh! No, that's not a cow, Mary, no. That's called a camera. 180 00:08:40,507 --> 00:08:42,907 Yes. They're just cleaning the lens. 181 00:08:42,908 --> 00:08:45,308 Is that its mouth? 182 00:08:45,309 --> 00:08:48,506 No, no, no. That's its, erm, eye. 183 00:08:48,507 --> 00:08:50,506 OK, cheques are happy. 184 00:08:50,507 --> 00:08:53,506 What does that mean? 185 00:08:53,507 --> 00:08:55,174 I thought you weren't interested? 186 00:08:55,175 --> 00:08:58,041 What? No, no, no, I just wanted to, erm, you know? 187 00:08:58,042 --> 00:08:59,907 Can we clear the frame now? 188 00:08:59,908 --> 00:09:02,506 First positions. Call for quiet. 189 00:09:02,507 --> 00:09:05,506 Quiet on set, please! That's extraordinary. Camera set? 190 00:09:05,507 --> 00:09:08,506 MIKE: Huh! Getting a good look, are we? 191 00:09:08,507 --> 00:09:10,506 DIRECTOR: Quiet! Hm? 192 00:09:10,507 --> 00:09:13,640 Alison! Shush. A word, if you please. Shh-shh-shh! 193 00:09:13,641 --> 00:09:15,775 Is it true that...? Shush... 194 00:09:18,641 --> 00:09:20,507 ..everyone. 195 00:09:23,507 --> 00:09:25,507 Thank you. 196 00:09:27,175 --> 00:09:29,506 And action! Oh, that's very good. 197 00:09:29,507 --> 00:09:30,774 They've left for London. 198 00:09:30,775 --> 00:09:35,506 It's a pity that such a sweet girl should have such low connections. 199 00:09:35,507 --> 00:09:37,506 Ooh! She's a fancy flapjack. 200 00:09:37,507 --> 00:09:40,774 Perhaps you are too harsh on your sex, Miss Jane. 201 00:09:40,775 --> 00:09:44,774 In truth, you have not had experience of all of society. 202 00:09:44,775 --> 00:09:48,041 I am beginning to believe that this severity 203 00:09:48,042 --> 00:09:49,507 is born from other distractions. 204 00:09:49,508 --> 00:09:53,506 TIMBERS CREAK 205 00:09:53,507 --> 00:09:56,506 Do you find yourself distracted, Miss Jane? 206 00:09:56,507 --> 00:09:58,506 My lord. 207 00:09:58,507 --> 00:09:59,641 WHISPERS: Kiss him! 208 00:10:03,507 --> 00:10:06,506 MAN CLEARS HIS THROAT What is it? Damn you! 209 00:10:06,507 --> 00:10:09,506 Yes, what is it? Damn you! A letter for you, Lord Byron, sir. 210 00:10:09,507 --> 00:10:11,441 Byron? Cut! 211 00:10:11,442 --> 00:10:15,506 Cut what? Oh, not my lace! Byron? Did he say Byron? 212 00:10:15,507 --> 00:10:17,308 Isn't he going to read the letter? 213 00:10:17,309 --> 00:10:18,506 I'm sure Adam knows what he's doing. 214 00:10:18,507 --> 00:10:21,506 That's one out, three in. Four. 215 00:10:21,507 --> 00:10:22,774 God, they're everywhere! 216 00:10:22,775 --> 00:10:24,506 This is about Byron? 217 00:10:24,507 --> 00:10:26,640 Well, yeah, I mean, the clue is in the title, mate. 218 00:10:26,641 --> 00:10:28,506 HE GASPS 219 00:10:28,507 --> 00:10:30,174 What effrontery is this? 220 00:10:30,175 --> 00:10:33,309 I cannot and will not bear it! 221 00:10:34,507 --> 00:10:36,507 Can we take that key light up a little? 222 00:10:40,507 --> 00:10:41,775 Ohh... 223 00:10:42,508 --> 00:10:45,308 You do light. 224 00:10:45,309 --> 00:10:47,506 HE CHUCKLES 225 00:10:47,507 --> 00:10:50,506 He's smaller in real life, isn't he? Taller, if anything. 226 00:10:50,507 --> 00:10:52,506 I wish I could see his calves. 227 00:10:52,507 --> 00:10:55,308 I bet he's got lovely calves. 228 00:10:55,309 --> 00:10:57,506 Well, I thought that was rather good. No good for me. 229 00:10:57,507 --> 00:10:59,506 It sounds like there's a radio on somewhere. 230 00:10:59,507 --> 00:11:01,175 Can we find out where the...? I'm on it. 231 00:11:02,175 --> 00:11:05,506 I can also hear a wood pigeon. Yeah, good luck with that one, mate. 232 00:11:05,507 --> 00:11:08,506 What's up after this one? We're in the bedroom for the sex scene. 233 00:11:08,507 --> 00:11:11,174 Oh, my! 234 00:11:11,175 --> 00:11:14,506 RACING COMMENTARY ON RADIO 235 00:11:14,507 --> 00:11:17,308 Sorry, Julian, they can hear it on set. 236 00:11:17,309 --> 00:11:18,506 No, actually, this is important. 237 00:11:18,507 --> 00:11:20,506 I need to... Don't do that! I've got a bet on. 238 00:11:20,507 --> 00:11:22,506 You've got a bet on? That's what I said. 239 00:11:22,507 --> 00:11:25,308 You can't bet, you're dead. All right, don't rub it in. 240 00:11:25,309 --> 00:11:27,041 It's a sportsman's bet with myself. 241 00:11:27,042 --> 00:11:29,506 Ooh, hold on a minute. 242 00:11:29,507 --> 00:11:30,907 You could put a bet on for me. 243 00:11:30,908 --> 00:11:32,506 You haven't got any money, you're... 244 00:11:32,507 --> 00:11:34,907 Dead! I know, you just said that, I get it! 245 00:11:34,908 --> 00:11:36,506 But you could keep my winnings, 246 00:11:36,507 --> 00:11:38,507 maybe buy yourself a pretty little dress. 247 00:11:38,508 --> 00:11:41,640 Perhaps some make-up. Make yourself look nice. 248 00:11:41,641 --> 00:11:45,506 I really believe you have it in you, Alison. 249 00:11:45,507 --> 00:11:47,506 Just need a bit of help, that's all. 250 00:11:47,507 --> 00:11:49,506 Wow. You're welcome. 251 00:11:49,507 --> 00:11:50,507 Just keep the radio off, please! 252 00:11:50,508 --> 00:11:53,507 Will do! Mystery Queen 10-1! 253 00:11:55,507 --> 00:11:57,506 HE STRAINS WITH EFFORT 254 00:11:57,507 --> 00:12:00,441 Sorted. Thank you. OK! 255 00:12:00,442 --> 00:12:02,309 I can hear the radio again. One sec! 256 00:12:04,175 --> 00:12:06,507 RADIO ON I told you to turn it off. 257 00:12:06,508 --> 00:12:10,506 No, actually, no, you didn't. You said... Er... hold on a moment! 258 00:12:10,507 --> 00:12:13,506 This is my house too. I have a right to the amenities. 259 00:12:13,507 --> 00:12:15,507 This is an infringement of my... Write to your MP! 260 00:12:16,507 --> 00:12:18,506 She got me there. 261 00:12:18,507 --> 00:12:21,507 Sorry about that. It won't happen again now. 262 00:12:23,175 --> 00:12:24,507 OK. 263 00:12:24,508 --> 00:12:27,506 Let's not get behind. First positions, please! 264 00:12:27,507 --> 00:12:29,506 That's it, Adam, call them to order! Sound speed. 265 00:12:29,507 --> 00:12:32,506 Here we go, stand by! Settle. 266 00:12:32,507 --> 00:12:34,441 And action! Action. 267 00:12:34,442 --> 00:12:36,506 They've left for London. 268 00:12:36,507 --> 00:12:41,441 It's a pity that such a sweet girl should have such low connections. 269 00:12:41,442 --> 00:12:43,308 She said that before. Yes, that's because... 270 00:12:43,309 --> 00:12:45,506 Please, Pat. We're turning. 271 00:12:45,507 --> 00:12:47,506 Perhaps you are too harsh on your sex, Miss Jane. 272 00:12:47,507 --> 00:12:49,506 HE GROANS In truth you have not had 273 00:12:49,507 --> 00:12:52,175 experience of all of society. 274 00:12:55,507 --> 00:12:58,506 I am beginning to believe that this severity 275 00:12:58,507 --> 00:12:59,507 is born of other distractions. 276 00:13:01,908 --> 00:13:05,506 Do you find yourself distracted, Miss Jane? 277 00:13:05,507 --> 00:13:07,506 ELECTRICITY FIZZES 278 00:13:07,507 --> 00:13:08,507 CAPTAIN: Robin! 279 00:13:08,508 --> 00:13:10,507 ALISON: For God's sake! 280 00:13:14,507 --> 00:13:17,506 Sorry. It was just a really good take, wasn't it? 281 00:13:17,507 --> 00:13:19,308 Harry! 282 00:13:19,309 --> 00:13:22,506 Sorry, I don't know why that happened. I'll sort it. 283 00:13:22,507 --> 00:13:25,506 OK, let's cut and reset as quickly as possible, please. 284 00:13:25,507 --> 00:13:27,640 No, we don't have time. We'll just use the beginning of that one. 285 00:13:27,641 --> 00:13:30,506 Let's move on before we lose the day. OK, moving on! 286 00:13:30,507 --> 00:13:32,174 Set up for the next shot, please. 287 00:13:32,175 --> 00:13:34,506 CAPTAIN: Moving on, please, everyone. Moving on. 288 00:13:34,507 --> 00:13:36,506 DIRECTOR: Can I take a look at playback, please? 289 00:13:36,507 --> 00:13:39,506 RECORDING PLAYS 'Tis witchcraft. 290 00:13:39,507 --> 00:13:41,774 Their souls be captured in the window. 291 00:13:41,775 --> 00:13:46,506 Oh, no, no, no. It's all being recorded on to a video cassette. 292 00:13:46,507 --> 00:13:49,308 But how are they cleft in twain? 293 00:13:49,309 --> 00:13:51,506 They be there and there. 294 00:13:51,507 --> 00:13:53,442 What? 295 00:13:55,507 --> 00:13:57,042 Oh, God. 296 00:13:59,507 --> 00:14:03,506 Um... Sorry, if I distracted you there. 297 00:14:03,507 --> 00:14:06,506 Oh, I didn't notice. I was completely in the scene. 298 00:14:06,507 --> 00:14:08,506 Great. 299 00:14:08,507 --> 00:14:10,506 We haven't met, have we? 300 00:14:10,507 --> 00:14:12,506 I'm Toby. I-I-I'm Alison. 301 00:14:12,507 --> 00:14:16,506 Can I just say how good I thought you were in The Shoe Shiner? 302 00:14:16,507 --> 00:14:17,507 Fire away. 303 00:14:19,507 --> 00:14:20,507 Oh, er, yeah. 304 00:14:20,508 --> 00:14:22,506 I just thought you were so good. 305 00:14:22,507 --> 00:14:25,506 It's actually one of my favourite films. I'm Mike. 306 00:14:25,507 --> 00:14:28,174 I completely believed that you were blind. 307 00:14:28,175 --> 00:14:30,506 Thanks. I spent a week at a hotel for the blind. 308 00:14:30,507 --> 00:14:33,441 Wore a blindfold, really got to know the condition. 309 00:14:33,442 --> 00:14:35,506 One of the most rewarding times of my life. 310 00:14:35,507 --> 00:14:40,308 Wow. I tell you what, food never tasted so good. 311 00:14:40,309 --> 00:14:42,308 Now I always eat with my eyes closed. 312 00:14:42,309 --> 00:14:43,506 Mind your backs, please! 313 00:14:43,507 --> 00:14:45,907 Whoa-whoa-whoa. 314 00:14:45,908 --> 00:14:48,907 Excuse me, Toby. No problem. 315 00:14:48,908 --> 00:14:50,506 Nice to meet you, Abigail. 316 00:14:50,507 --> 00:14:51,507 It's... It's Alison. 317 00:14:51,508 --> 00:14:54,506 That looks really heavy. Shall we just come clean? 318 00:14:54,507 --> 00:14:56,506 What, and tell them that they're working on a death trap? 319 00:14:56,507 --> 00:14:59,507 Look, if you go outside, that's one less. 320 00:15:01,507 --> 00:15:02,507 Both of us. 321 00:15:03,507 --> 00:15:04,908 Fine. 322 00:15:16,442 --> 00:15:17,506 Curses! 323 00:15:17,507 --> 00:15:19,174 A pox on all of them... 324 00:15:19,175 --> 00:15:20,507 ..apart from Alison. 325 00:15:21,507 --> 00:15:23,442 Finally! 326 00:15:25,507 --> 00:15:27,506 Come to coax me back, have you? 327 00:15:27,507 --> 00:15:29,506 It's no use! 328 00:15:29,507 --> 00:15:32,506 Nothing will persuade me to... Oh, it's you. 329 00:15:32,507 --> 00:15:34,507 Go and get Alis... Oh, he can't hear me. 330 00:15:36,507 --> 00:15:38,506 Harry, can you hurry with that light, please? 331 00:15:38,507 --> 00:15:41,506 So the metal cow remembers what it sees... 332 00:15:41,507 --> 00:15:43,506 Through its one eye? 333 00:15:43,507 --> 00:15:45,907 Yeah. And it sends the memories through the cables... 334 00:15:45,908 --> 00:15:47,506 Worms. Worms, if you like. 335 00:15:47,507 --> 00:15:49,506 ..to the little window. 336 00:15:49,507 --> 00:15:53,640 Where the tiny peoples dance the memories. 337 00:15:53,641 --> 00:15:55,907 Yeah, if you like. 338 00:15:55,908 --> 00:15:58,774 Ohh! Come to dadda. 339 00:15:58,775 --> 00:16:01,506 There we go, that's all good. HE GRUNTS 340 00:16:01,507 --> 00:16:04,506 ELECTRICITY FIZZES 341 00:16:04,507 --> 00:16:05,507 HE GRUNTS 342 00:16:05,508 --> 00:16:07,174 THUD! 343 00:16:07,175 --> 00:16:08,506 Seems to be all right now. 344 00:16:08,507 --> 00:16:11,506 Thanks, Harry, just one more, from the top. 345 00:16:11,507 --> 00:16:14,506 I thought they were moving on? When are they moving on? 346 00:16:14,507 --> 00:16:17,506 Oh, they do lots of different camera angles. How many? 347 00:16:17,507 --> 00:16:18,507 Quiet on set, please! 348 00:16:18,508 --> 00:16:20,506 Quiet on set, please. 349 00:16:20,507 --> 00:16:21,507 Turning over. Sound speed. 350 00:16:21,508 --> 00:16:23,506 And action! Action. 351 00:16:23,507 --> 00:16:26,506 MISS JANE: They've left for London. It's a pity... 352 00:16:26,507 --> 00:16:28,506 Stand aside, Thorne! 353 00:16:28,507 --> 00:16:30,506 You really want to know what vexed me? GHOSTS: No! 354 00:16:30,507 --> 00:16:32,506 Fine, I'll tell you. CAPTAIN SIGHS 355 00:16:32,507 --> 00:16:35,506 Lord Byron was my greatest foe. 356 00:16:35,507 --> 00:16:39,506 If I had flesh and this were Byron himself, 357 00:16:39,507 --> 00:16:41,506 I would damn well run him through! 358 00:16:41,507 --> 00:16:43,507 He stole my verse, 359 00:16:43,508 --> 00:16:45,506 my destiny, 360 00:16:45,507 --> 00:16:49,506 and now he is to steal the woman of my dreams! 361 00:16:49,507 --> 00:16:51,506 You say every woman is the woman of your dreams. 362 00:16:51,507 --> 00:16:54,640 I have a lot of dreams! And most of them are about women... 363 00:16:54,641 --> 00:16:57,506 ..apart from the one where I have the body of a crab. 364 00:16:57,507 --> 00:17:01,041 SERVANT CLEARS HIS THROAT What is it? Damn you! 365 00:17:01,042 --> 00:17:04,441 Begging your pardon. A letter for you, Lord Byron, sir. 366 00:17:04,442 --> 00:17:08,506 I will not tolerate this sordid pantomime in my house 367 00:17:08,507 --> 00:17:11,506 glorifying this charlatan! 368 00:17:11,507 --> 00:17:13,507 This cad! 369 00:17:13,508 --> 00:17:16,506 This wazzock! HE GASPS 370 00:17:16,507 --> 00:17:17,774 What's a wazzock? 371 00:17:17,775 --> 00:17:23,506 Pat says it! I'm going to drown myself in the lake. 372 00:17:23,507 --> 00:17:26,308 TEARFULLY: I mean it! 373 00:17:26,309 --> 00:17:28,174 Cut! Cut there! 374 00:17:28,175 --> 00:17:30,041 Right, we're going to take a couple of minutes, 375 00:17:30,042 --> 00:17:31,640 just to turn things around for the reverse. 376 00:17:31,641 --> 00:17:33,506 Actors, you can relax yourselves off. 377 00:17:33,507 --> 00:17:36,640 Right, that's two minutes, people, and then we're going to turn it round. 378 00:17:36,641 --> 00:17:39,775 Thank you very much. God, this is good. 379 00:17:44,507 --> 00:17:46,308 Oh, hey, Abigail. Oh, it's Alis... 380 00:17:46,309 --> 00:17:47,774 I wonder if I could ask you a favour. 381 00:17:47,775 --> 00:17:50,506 I've got this scene later, I need to run the lines. 382 00:17:50,507 --> 00:17:52,506 I didn't want to ask her, because I find it can stifle spontaneity, 383 00:17:52,507 --> 00:17:54,506 and I want to keep it fresh and beautiful. 384 00:17:54,507 --> 00:17:56,441 I'm Lord Byron, obviously. Yep. 385 00:17:56,442 --> 00:17:58,506 I've thought of nothing but you all day. 386 00:17:58,507 --> 00:18:01,441 Have you? Oh... 387 00:18:01,442 --> 00:18:03,174 No, that's the scene, that's the first line. 388 00:18:03,175 --> 00:18:05,506 Oh, oh-oh! Oh! Of course! 389 00:18:05,507 --> 00:18:08,441 Why would you...? That's... OK! 390 00:18:08,442 --> 00:18:10,506 I've thought of nothing but you all day. Hm. 391 00:18:10,507 --> 00:18:12,907 Do not deny your feelings. 392 00:18:12,908 --> 00:18:15,507 I do not. Alison? Oh, my heart. 393 00:18:16,507 --> 00:18:19,041 First, I will kiss your lips. Ohh! 394 00:18:19,042 --> 00:18:21,506 Then I will undress you. Ohh... 395 00:18:21,507 --> 00:18:23,175 And then... 396 00:18:27,309 --> 00:18:28,508 And then... 397 00:19:00,507 --> 00:19:02,507 HE TUTS Squares! 398 00:19:05,507 --> 00:19:07,507 TOILET FLUSHES 399 00:19:14,507 --> 00:19:16,640 RACING COMMENTARY ON RADIO Ha! Bingo! 400 00:19:16,641 --> 00:19:19,506 WOMAN: Can we have some music on, please, Cathy? 401 00:19:19,507 --> 00:19:23,506 My bus, my rules! I've got 20 quid on this! 402 00:19:23,507 --> 00:19:27,506 Ah, yes. HE CHUCKLES 403 00:19:27,507 --> 00:19:29,506 You are on a sinful path. 404 00:19:29,507 --> 00:19:31,506 I can't talk about this now. It's not what you think it is. 405 00:19:31,507 --> 00:19:34,506 Oh, I know all about this so-called free pass. 406 00:19:34,507 --> 00:19:37,506 Your husband may be satisfied but, I tell you, I am not. 407 00:19:37,507 --> 00:19:40,506 The marriage vows are sacred, and I will not have you 408 00:19:40,507 --> 00:19:44,508 sullying the good name of this family with your wanton debauchery! 409 00:19:56,175 --> 00:19:57,507 Mm... 410 00:19:58,507 --> 00:20:01,506 Hey! Hi! How's it going? 411 00:20:01,507 --> 00:20:04,506 What are you wearing? Oh, I thought I'd go for a run. 412 00:20:04,507 --> 00:20:06,506 Now? You don't run. Hey, going for a run? 413 00:20:06,507 --> 00:20:08,907 Yeah, I like to keep in shape. 414 00:20:08,908 --> 00:20:11,174 What are we talking? 5K? 415 00:20:11,175 --> 00:20:12,506 Pfft! 10... at least. 416 00:20:12,507 --> 00:20:15,041 Cool. I'm actually in training for my next project. 417 00:20:15,042 --> 00:20:20,506 I'm playing a mountain climber, so I'm mainly focusing on upper-body strength. Yeah? Me... me too! 418 00:20:20,507 --> 00:20:21,507 One... 419 00:20:24,507 --> 00:20:28,308 Why is that...? Are you actually going up a real-life mountain? 420 00:20:28,309 --> 00:20:30,308 Of course. Mike couldn't do that. 421 00:20:30,309 --> 00:20:32,174 He's scared of heights. I wouldn't say scared. 422 00:20:32,175 --> 00:20:34,775 Oh, I love them, if anything. Don't faze me at all. 423 00:20:36,507 --> 00:20:39,506 OK, back on in five, everyone! 424 00:20:39,507 --> 00:20:42,506 OK, well, I'd better get going. 425 00:20:42,507 --> 00:20:44,506 Keep an eye on the floor, yeah? Hm. 426 00:20:44,507 --> 00:20:46,507 Enjoy your 10K. 427 00:20:47,507 --> 00:20:50,506 Oh, my God. How much does that thing weigh? 428 00:20:50,507 --> 00:20:52,506 Watch yourself, coming through. 429 00:20:52,507 --> 00:20:56,507 Where have all these people come from? There's twice as many. 430 00:20:59,507 --> 00:21:01,174 HE STRAINS 431 00:21:01,175 --> 00:21:02,506 ELECTRICITY FIZZES 432 00:21:02,507 --> 00:21:04,174 In your face! 433 00:21:04,175 --> 00:21:06,506 Robin! What the bally hell do you think you're playing at? 434 00:21:06,507 --> 00:21:09,506 Bigger boy made me do it. No! It's nonsense, and you know it! 435 00:21:09,507 --> 00:21:12,506 Yeah, I just think it's a shame we're not just pushing in 436 00:21:12,507 --> 00:21:15,506 for that moment there, just to capture the emotion. 437 00:21:15,507 --> 00:21:17,506 Well, I'm sure they know what they're doing, Mary. 438 00:21:17,507 --> 00:21:19,506 Will, can you just push in a little? Just get the emotion. 439 00:21:19,507 --> 00:21:21,506 Yeah, sure. Well done, Mary! 440 00:21:21,507 --> 00:21:24,507 KITTY SIGHS This is taking for ever. 441 00:21:34,507 --> 00:21:35,508 Oh! 442 00:21:38,507 --> 00:21:41,507 That's probably about 10K. 443 00:21:49,507 --> 00:21:51,507 Little short cut... 444 00:21:55,507 --> 00:21:58,507 Oh... Why is that? BOTH: First positions. 445 00:21:59,507 --> 00:22:01,506 Thanks for your patience, everyone. 446 00:22:01,507 --> 00:22:03,308 This is the last set-up. 447 00:22:03,309 --> 00:22:05,775 Toby. Toby. 448 00:22:08,042 --> 00:22:10,508 Lord Byron? Yes? First positions. 449 00:22:14,175 --> 00:22:16,441 Turning. Sound speed! 450 00:22:16,442 --> 00:22:17,506 And action. Action. 451 00:22:17,507 --> 00:22:19,506 They've left for London. 452 00:22:19,507 --> 00:22:20,908 CREAKING 453 00:22:26,507 --> 00:22:30,507 In truth, you have not had experience of all of society. 454 00:22:31,507 --> 00:22:34,506 I am beginning to believe that this severity 455 00:22:34,507 --> 00:22:36,507 is born from other distractions. 456 00:22:39,507 --> 00:22:42,508 CREAKING 457 00:22:48,507 --> 00:22:53,507 Do you find yourself distracted, Miss Jane? 458 00:23:01,507 --> 00:23:03,175 My lord. 459 00:23:04,507 --> 00:23:07,507 And cut! That's scene complete. 460 00:23:12,442 --> 00:23:14,506 That should hold it. 461 00:23:14,507 --> 00:23:17,506 Jolly good. Excellent work, everybody, thank you. 462 00:23:17,507 --> 00:23:19,907 Thank you so much for your hard work today, everyone. 463 00:23:19,908 --> 00:23:22,506 It does not go unnoticed. Lovely working with you, thank you. 464 00:23:22,507 --> 00:23:25,506 Thank God. I thought they were never going to finish. 465 00:23:25,507 --> 00:23:27,506 Moving on to the bedroom. 466 00:23:27,507 --> 00:23:30,506 Closed set, just essential crew, please, cos there'll be nudity. 467 00:23:30,507 --> 00:23:32,506 Oh, I hope he has a hairy chest. 468 00:23:32,507 --> 00:23:35,506 Good Lord. HE CLEARS HIS THROAT 469 00:23:35,507 --> 00:23:39,506 OK, it's a closed set. There will be intercourse, apparently. 470 00:23:39,507 --> 00:23:44,506 OVER RADIO: Next up, it's the main event of the day, this is the big one, the King Henry Stakes. 471 00:23:44,507 --> 00:23:47,506 As the riders line up, the atmosphere here is absolutely electric. 472 00:23:47,507 --> 00:23:50,506 Here we go! Fingers-fingers! 473 00:23:50,507 --> 00:23:52,506 There you are, Harry, straight through, yep. 474 00:23:52,507 --> 00:23:54,507 First door on the right, thank you. Er, no. No, thank you. 475 00:23:54,508 --> 00:23:56,506 You heard Adam. It's a closed set. 476 00:23:56,507 --> 00:23:59,308 Essential crew only. Especially not you, Robin! 477 00:23:59,309 --> 00:24:02,506 I'll be good. There's no harm in it. They can't see us, mate. 478 00:24:02,507 --> 00:24:04,506 Yeah, we're ghosts, you warty old crunk. 479 00:24:04,507 --> 00:24:08,774 That is beside the point. Rules are rules, and young Adam deserves our every respect. 480 00:24:08,775 --> 00:24:11,506 OK, if everyone's happy. Let's clear the room. 481 00:24:11,507 --> 00:24:12,507 ROBIN GRUNTS 482 00:24:12,508 --> 00:24:14,774 TOBY BLOWS THROUGH LIPS Mah! 483 00:24:14,775 --> 00:24:18,308 Good Lord. Ah-ah-ah-ah! Why he do rain dance? 484 00:24:18,309 --> 00:24:20,506 The Devil plays with his strings! 485 00:24:20,507 --> 00:24:24,441 Oh, no, no, no, no. He's getting himself in the zone. 486 00:24:24,442 --> 00:24:25,507 Ah. 487 00:24:27,507 --> 00:24:29,507 SHE GIGGLES 488 00:24:32,175 --> 00:24:33,506 Fixed it! 489 00:24:33,507 --> 00:24:35,506 Oh, great! 490 00:24:35,507 --> 00:24:37,640 Before or after the 10K? 491 00:24:37,641 --> 00:24:39,506 Where's your free pass? 492 00:24:39,507 --> 00:24:41,041 You... 493 00:24:41,042 --> 00:24:43,441 You're not are you actually jealous? 494 00:24:43,442 --> 00:24:44,507 No. 495 00:24:45,641 --> 00:24:47,506 But, I mean, he is handsome. 496 00:24:47,507 --> 00:24:49,175 Hm. 497 00:24:52,507 --> 00:24:54,508 And... action. 498 00:24:56,442 --> 00:24:58,775 GHOSTS CLAMOUR CAPTAIN: No, thank you! 499 00:25:00,507 --> 00:25:02,442 I've thought of nothing but you all day. 500 00:25:04,507 --> 00:25:06,308 Yes! 501 00:25:06,309 --> 00:25:08,506 What are you all doing here? We're not allowed in. 502 00:25:08,507 --> 00:25:11,308 They're making love. What?! 503 00:25:11,309 --> 00:25:14,506 No, no, no, Fanny, no! No, Fanny! 504 00:25:14,507 --> 00:25:17,506 OVER RADIO: Bradley's Misdemeanour challenged by the outsider Mystery Queen. 505 00:25:17,507 --> 00:25:19,506 Come on, Bradley! Come on, Mystery Queen! 506 00:25:19,507 --> 00:25:22,506 SHE GASPS Alison! 507 00:25:22,507 --> 00:25:25,506 First, I will kiss you... HE SCREAMS 508 00:25:25,507 --> 00:25:28,907 OVER RADIO: Mystery Queen on the nearside... BOTH: Come on! 509 00:25:28,908 --> 00:25:31,506 Help! I can't pull myself up. HE SHRIEKS 510 00:25:31,507 --> 00:25:32,907 BOTH: Come on! 511 00:25:32,908 --> 00:25:34,907 TOBY SHRIEKS Stop kicking! 512 00:25:34,908 --> 00:25:36,506 BOTH: Come on! 513 00:25:36,507 --> 00:25:38,506 ELECTRICITY ZAPS 514 00:25:38,507 --> 00:25:41,041 RADIO TURNS OFF Oh, come on! 515 00:25:41,042 --> 00:25:43,506 Robin! What? It wasn't me! 516 00:25:43,507 --> 00:25:47,506 Have you got me? Have you got me? It's OK. Let yourself down. Slowly. 517 00:25:47,507 --> 00:25:48,507 Have you got...? 518 00:25:48,508 --> 00:25:52,441 HE GASPS Oh, God. Oh, God. 519 00:25:52,442 --> 00:25:55,506 You're fine now, you're all right now. 520 00:25:55,507 --> 00:25:57,175 All right. 521 00:26:01,507 --> 00:26:04,506 Someone get a medic in here. Toby, are you OK? No, I'm not. 522 00:26:04,507 --> 00:26:06,506 I could've died, and then where would you be? 523 00:26:06,507 --> 00:26:08,506 Where did you get that from? 524 00:26:08,507 --> 00:26:10,506 HE SPITS 525 00:26:10,507 --> 00:26:11,507 I think you know. 526 00:26:18,507 --> 00:26:20,506 CAPTAIN: That's a terrible shame. 527 00:26:20,507 --> 00:26:23,506 I thought you didn't want them here? Not for me, for you. 528 00:26:23,507 --> 00:26:24,507 The money and so on. 529 00:26:24,508 --> 00:26:26,506 I shan't miss him... them! 530 00:26:26,507 --> 00:26:29,506 'Tis back to boredom, I suppose. 531 00:26:29,507 --> 00:26:33,441 Oh, never bored with chess board. 532 00:26:33,442 --> 00:26:36,506 Well, I think it quite the best to be free from distractions. 533 00:26:36,507 --> 00:26:40,506 You do know that free pass thing's a joke? Wasn't in my marriage. 534 00:26:40,507 --> 00:26:42,506 Goodbye, £96,000. 535 00:26:42,507 --> 00:26:43,507 Yeah... 536 00:26:43,508 --> 00:26:45,774 Well, at least we won 100 quid. 537 00:26:45,775 --> 00:26:49,041 Mystery Queen. Got a tip from a ghost. 538 00:26:49,042 --> 00:26:52,506 That's how we can make money! No, they're... they're ghosts, Mike. 539 00:26:52,507 --> 00:26:54,640 I think you're thinking of time-travellers. 540 00:26:54,641 --> 00:26:56,506 Oh. 541 00:26:56,507 --> 00:26:58,441 Yeah, but... No. 542 00:26:58,442 --> 00:26:59,507 Well, Thomas will be glad they've gone. 543 00:26:59,508 --> 00:27:02,507 Yeah, perhaps someone should tell him. 544 00:27:05,507 --> 00:27:08,175 Come on, Pat. Chop chop! 545 00:27:20,507 --> 00:27:21,507 HE SIGHS DEEPLY 55444

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.