All language subtitles for Tamara.2005.1080p.WEBRip.x265-RARBG

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,037 --> 00:00:06,074 [THUNDERCLAPS] 2 00:04:04,312 --> 00:04:07,448 ** [ROCK] 3 00:04:07,481 --> 00:04:10,351 [BELL RINGING] 4 00:04:10,384 --> 00:04:13,020 [STUDENTS CHATTERING] 5 00:04:35,409 --> 00:04:38,045 [MAN] * COME DOWN AND TAKE A LOOK 6 00:04:38,078 --> 00:04:41,715 * AT THE DAMAGE YOU HAVE DONE * 7 00:04:43,384 --> 00:04:45,653 * AFRAID OF WHAT'S TO COME 8 00:04:45,686 --> 00:04:47,921 IT'S A FIRST EDITION. 9 00:04:51,124 --> 00:04:56,330 * I'D TAKE THE EASY WAY AND THE WORLD WOULD START SPINNING ROUND * 10 00:04:56,364 --> 00:04:58,366 MR. NATOLLY. 11 00:05:03,704 --> 00:05:06,474 * UNFORGETTABLE 12 00:05:11,745 --> 00:05:14,515 * UNFORGETTABLE 13 00:05:14,548 --> 00:05:19,086 * O-O-OH 14 00:05:19,119 --> 00:05:21,054 * UNFORGETTABLE 15 00:05:21,088 --> 00:05:23,657 I'VE NEVER-- I'LL BE GENTLE, I PROMISE. 16 00:05:23,691 --> 00:05:25,426 I LOVE YOU, TAMARA. 17 00:05:27,160 --> 00:05:30,063 * UNFORGETTABLE 18 00:05:34,702 --> 00:05:36,837 [BANGING] 19 00:05:36,870 --> 00:05:40,007 [ALL SHOUTING] 20 00:05:40,040 --> 00:05:42,109 MR. NATOLLY? 21 00:05:42,142 --> 00:05:43,777 STOP! 22 00:05:43,811 --> 00:05:45,479 STOP! 23 00:05:45,513 --> 00:05:48,582 [STUDENTS CHATTERING] OH, MY GOD! 24 00:05:51,018 --> 00:05:52,986 WHAT'S HAPPENING? 25 00:05:53,020 --> 00:05:55,523 I COULD NEVER LOVE YOU. 26 00:05:55,556 --> 00:05:59,660 [ALL LAUGHING] 27 00:05:59,693 --> 00:06:01,995 HELP ME. 28 00:06:03,631 --> 00:06:06,934 TELL ME YOU LOVE ME. MAKE THEM STOP! 29 00:06:06,967 --> 00:06:09,737 [CHANTING] TAMARA. TAMARA! 30 00:06:09,770 --> 00:06:12,406 TAMARA! TAMARA! NO. 31 00:06:12,440 --> 00:06:14,608 TAMARA! TAMARA! NO. 32 00:06:14,642 --> 00:06:16,510 NO. [MAN] TAMARA? 33 00:06:17,545 --> 00:06:19,112 YOU OKAY? 34 00:06:25,519 --> 00:06:27,521 THE THEME OF DUALITY. 35 00:06:29,256 --> 00:06:34,595 THE IDEA THAT EACH OF US IS CAPABLE OF GREAT ACTS OF GOOD OR EVIL HAS BEEN WITH US FOREVER. 36 00:06:34,628 --> 00:06:38,532 FROM CAIN AND ABEL IN THE BIBLE ALL THE WAY THROUGH TO MODERN POP CULTURE. 37 00:06:38,566 --> 00:06:42,169 BUT MANY PEOPLE BELIEVE THERE IS A DEVIL OR AN EVIL FORCE OUT THERE 38 00:06:42,202 --> 00:06:45,138 TEMPTING US TO DO BAD THINGS. 39 00:06:45,172 --> 00:06:49,477 OTHERS BELIEVE THE POTENTIAL LIES SOLELY WITHIN EACH ONE OF US. 40 00:06:53,847 --> 00:06:55,583 [GASPS] [LAUGHS] 41 00:06:57,518 --> 00:06:59,553 JOURNEY INTO WITCHCRAFT. 42 00:06:59,587 --> 00:07:01,088 I THINK YOU'VE ALREADY MADE THAT JOURNEY. 43 00:07:01,121 --> 00:07:04,558 I'VE GOT TO SAY, IT LOOKS LIKE YOU'VE HAD A REALLY ROUGH TRIP. [ALL LAUGHING] 44 00:07:04,592 --> 00:07:07,027 ENOUGH! 45 00:07:07,060 --> 00:07:11,431 ONE MORE DETENTION AND I'LL HAVE THE DISPLEASURE OF TEACHING YOU AGAIN NEXT YEAR. 46 00:07:15,268 --> 00:07:17,237 [BELL RINGING] 47 00:07:17,270 --> 00:07:19,540 GRAB A COPY OF THE GAZETTE ON YOUR WAY OUT! 48 00:07:19,573 --> 00:07:24,011 AND DON'T FORGET, QUIZ ON MONDAY. 49 00:07:32,786 --> 00:07:34,688 TAMARA? 50 00:07:35,956 --> 00:07:38,492 I'VE GOT SOME GREAT NEWS FOR MY STAR PUPIL. 51 00:07:40,761 --> 00:07:44,598 WE'RE ASKED TO SUBMIT EDITORIALS FROM THE CLASS PAPER AND PICK THE BEST ONE. 52 00:07:44,632 --> 00:07:49,002 ONCE AGAIN, YOU'VE IMPRESSED ME WITH YOUR INTELLIGENCE AND PASSION. 53 00:07:50,738 --> 00:07:53,574 CONGRATULATIONS. 54 00:07:56,176 --> 00:08:00,614 [GIRL] HEY, KISHA, THERE'S THE BITCH THAT WROTE THE ARTICLE. 55 00:08:01,849 --> 00:08:03,884 SOMEBODY CALL ANIMAL CONTROL. 56 00:08:03,917 --> 00:08:07,921 ONE OF THOSE DRUG-SNIFFING DOGS IS OFF ITS LEASH AGAIN. 57 00:08:07,955 --> 00:08:10,524 [LAUGHING] BACK OFF. 58 00:08:10,558 --> 00:08:13,026 MIND YOUR OWN BUSINESS. 59 00:08:13,060 --> 00:08:15,763 I'M MAKING THIS MY BUSINESS. 60 00:08:17,965 --> 00:08:21,134 WHAT? YOU GOT SOMETHING YOU WANT TO SAY? 61 00:08:22,302 --> 00:08:24,905 COME ON, LADIES. 62 00:08:24,938 --> 00:08:27,775 WE DON'T HAVE TIME FOR THESE LOSERS. 63 00:08:32,846 --> 00:08:34,582 YOU OKAY? 64 00:08:35,949 --> 00:08:38,085 DON'T WORRY ABOUT THEM. 65 00:08:38,118 --> 00:08:41,154 THEY'VE BEEN ASSHOLES FOREVER. 66 00:08:41,188 --> 00:08:44,291 SERIOUSLY. THEY THINK THEY'RE HOT SHIT RIGHT NOW. 67 00:08:44,324 --> 00:08:49,597 BUT IN TEN YEARS, THEY'RE GONNA BE FAT, BITTER, DIVORCED ALCOHOLICS. 68 00:08:51,999 --> 00:08:53,601 COME ON. 69 00:08:53,634 --> 00:08:56,737 [STUDENTS CHATTERING] 70 00:08:59,673 --> 00:09:01,074 YO, TAMARA! 71 00:09:02,342 --> 00:09:05,312 DON'T MOVE! 72 00:09:05,345 --> 00:09:07,815 TAMARA! 73 00:09:11,819 --> 00:09:14,154 [CRYING] 74 00:09:14,187 --> 00:09:16,189 TAMARA, WHAT'S WRONG? 75 00:09:16,223 --> 00:09:18,926 TAMARA! TAMARA, GET BACK HERE! SHE WENT IN NATOLLY'S ROOM! 76 00:09:22,062 --> 00:09:25,298 HEY! OH! 77 00:09:25,332 --> 00:09:28,168 LET ME HAVE A WORD WITH THEM. NO, PLEASE! 78 00:09:35,242 --> 00:09:39,379 TAMARA, ABOUT THIS DRUG TESTING. IT'S NOT YOUR FAULT. 79 00:09:39,412 --> 00:09:42,215 THE ADMINISTRATION'S BEEN PLANNING IT FOR MONTHS. 80 00:09:42,249 --> 00:09:44,017 [SNIFFLES] 81 00:09:54,895 --> 00:09:58,766 LOOK, IF ANYONE BOTHERS YOU, I WANT YOU TO COME TO ME, OKAY? 82 00:10:03,003 --> 00:10:05,939 I'M SORRY ABOUT THE PAPER. I, UM-- 83 00:10:05,973 --> 00:10:08,742 I JUST WANTED TO ENCOURAGE YOU. 84 00:10:08,776 --> 00:10:12,179 IT'S MADE SO MANY PEOPLE MAD. 85 00:10:12,212 --> 00:10:14,748 NOBODY LIKED ME BEFORE, AND NOW... HEY, HEY, HEY! 86 00:10:14,782 --> 00:10:18,185 NOW THAT'S NOT TRUE. I LIKE YOU. 87 00:10:18,218 --> 00:10:21,088 I'M SURE A LOT OF OTHER PEOPLE DO TOO. 88 00:10:23,023 --> 00:10:26,660 HIGH SCHOOL CAN BE TOUGH. JUST BE STRONG. 89 00:10:28,128 --> 00:10:30,330 THIS TOO SHALL PASS. 90 00:10:34,267 --> 00:10:39,673 ARE YOU USING FAMOUS LITERARY QUOTES TO MAKE ME FEEL BETTER? 91 00:10:41,709 --> 00:10:45,746 I'M AN ENGLISH TEACHER. FAMOUS QUOTES ARE MY ARSENAL. 92 00:10:47,347 --> 00:10:49,149 IS IT WORKING? 93 00:10:49,182 --> 00:10:53,353 YEAH, I GUESS. OKAY. 94 00:10:53,386 --> 00:10:56,456 YOU KNOW, YOU'VE GOT A LOT GOING FOR YOU, MISS RILEY. 95 00:10:56,489 --> 00:10:59,392 IF YOU JUST LET PEOPLE SEE IT. 96 00:10:59,426 --> 00:11:01,695 YOU'RE A VERY SPECIAL GIRL. 97 00:11:01,729 --> 00:11:04,898 YOU JUST HAVE TO FIND YOUR PLACE IN THE WORLD. 98 00:11:16,810 --> 00:11:18,478 OH, GOD. 99 00:11:18,511 --> 00:11:21,181 TAMARA, IT'S FINE. IT'S FINE. I'M SO STUPID. 100 00:11:21,214 --> 00:11:23,951 TAMARA! TAMARA! IT'S-- 101 00:11:43,871 --> 00:11:45,472 WHAT? 102 00:11:46,506 --> 00:11:48,441 NOW YOU DON'T HAVE ANYTHING TO SAY? 103 00:11:48,475 --> 00:11:52,479 YOU DIDN'T SEEM TO HAVE ANY TROUBLE SHOOTING YOUR MOUTH OFF FOR THE PAPER. 104 00:11:54,815 --> 00:11:57,751 "IT'S NO SECRET THAT SOME OF OUR STAR ATHLETES 105 00:11:57,785 --> 00:12:00,788 "ARE USING PERFORMANCE-ENHANCING DRUGS. 106 00:12:02,422 --> 00:12:06,359 BUT DUE TO THE TEAM'S SUCCESS, THE COACH HAS REMAINED SILENT." 107 00:12:07,861 --> 00:12:10,898 BUSTED! [LAUGHING] SHUT UP, DICK! 108 00:12:13,901 --> 00:12:17,971 THANKS TO YOU, COACH TRIED TO GET ME TO PISS INTO A CUP. 109 00:12:19,873 --> 00:12:21,508 YOU'RE GOING DOWN. 110 00:12:29,582 --> 00:12:31,151 [GASPS] 111 00:12:33,020 --> 00:12:35,155 [SMASHES NECKLACE] 112 00:12:38,558 --> 00:12:41,261 [SHUDDERING] 113 00:12:41,294 --> 00:12:44,865 I'LL SEE YOU SOON, YOU TRAILER TRASH WHORE. 114 00:12:53,073 --> 00:12:57,144 HEY, MAYBE YOU COULD TAKE IT AND WE COULD SWITCH SAMPLES. 115 00:12:57,978 --> 00:12:59,546 IT'S TOO LATE. 116 00:12:59,579 --> 00:13:04,517 HEY. WHAT HAPPENED WITH COACH? 117 00:13:04,551 --> 00:13:06,586 HE BENCHED ME FOR THE REST OF THE SEASON 118 00:13:06,619 --> 00:13:09,356 'CAUSE I WOULDN'T TAKE THE STUPID TEST. 119 00:13:09,389 --> 00:13:12,025 DO YOU REALIZE THE SCOUTS ARE COMING NEXT MONTH 120 00:13:12,059 --> 00:13:14,594 AND I'M NOT GONNA BE PLAYING? 121 00:13:14,627 --> 00:13:18,331 I'M SORRY. THAT FREAK HAS RUINED EVERYTHING! 122 00:13:18,365 --> 00:13:21,401 IT'S OKAY. BABY, IT'S OKAY. 123 00:13:46,994 --> 00:13:49,629 YOU'RE HOME EARLY. I DON'T WANNA TALK ABOUT IT, DAD. 124 00:13:49,662 --> 00:13:52,933 THE STEWARD'S CLOSET NEEDS CLEANING. I'LL DO IT LATER. 125 00:13:52,966 --> 00:13:55,202 I'M GOING TO MY ROOM FOR A WHILE. I'VE HAD A REALLY BAD DAY. 126 00:13:55,235 --> 00:13:58,939 YEAH, WELL, MY DAY'S BEEN ONE BIG FUCKING TEA PARTY! 127 00:14:05,678 --> 00:14:08,448 [KISHA] YOU GUYS ARE NOT GONNA BELIEVE WHAT I SAW. 128 00:14:08,481 --> 00:14:11,451 TAMARA MEETING WITH ONE MR. NATOLLY. 129 00:14:11,484 --> 00:14:15,088 SHE TRIED TO KISS HIM, AND HE TOTALLY SHOT HER DOWN. 130 00:14:15,122 --> 00:14:17,958 YOU'VE GOT TO BE KIDDING ME. 131 00:14:17,991 --> 00:14:22,930 HE WAS ALL LIKE, "SOMEDAY, YOU'LL FIND YOUR PLACE IN THE WORLD." 132 00:14:27,968 --> 00:14:29,602 YOU KNOW, 133 00:14:29,636 --> 00:14:33,006 I THINK IT'S TIME WE TEACH THAT LOSER A LESSON. 134 00:14:34,207 --> 00:14:36,043 HEY. 135 00:14:40,713 --> 00:14:42,315 WHAT'S WRONG? 136 00:14:45,485 --> 00:14:47,220 NOTHING. 137 00:14:48,321 --> 00:14:50,657 HONEY, WHAT'S WRONG? 138 00:14:51,624 --> 00:14:53,626 TAMARA'S GOT A LITTLE CRUSH ON ME. 139 00:14:55,262 --> 00:14:59,199 SHE'LL BE FINE. I THINK SHE'S MORE EMBARRASSED THAN ANYTHING. 140 00:14:59,232 --> 00:15:03,003 WHEN ARE THESE SCHOOLGIRLS GONNA LEARN THAT THEY'RE NO MATCH FOR A REAL WOMAN? 141 00:15:08,976 --> 00:15:11,644 I THINK I MIGHT HAVE SOME NEWS THAT WILL CHEER YOU UP. 142 00:15:11,678 --> 00:15:13,313 YEAH? MM-HMM. 143 00:15:13,346 --> 00:15:16,016 WE MAY HAVE TO START REDECORATING. 144 00:15:16,049 --> 00:15:17,717 WHAT DO YOU MEAN? 145 00:15:17,750 --> 00:15:20,520 OH, I DON'T KNOW. 146 00:15:20,553 --> 00:15:25,025 I WAS THINKING MAYBE SOME PINK, OR MAYBE SOME BLUE. 147 00:15:25,058 --> 00:15:26,994 ARE YOU SERIOUS? MM-HMM. 148 00:15:27,027 --> 00:15:31,031 YEAH. I THINK WE MAY HAVE ACTUALLY DONE IT THIS TIME. 149 00:15:31,064 --> 00:15:33,700 [LAUGHS] OH, GOD, THAT'S GREAT! 150 00:15:35,302 --> 00:15:36,736 THAT'S GREAT. 151 00:15:36,769 --> 00:15:38,972 YO, THERE HE IS. 152 00:15:45,712 --> 00:15:50,050 YO, ROGER! WHAT'S UP? 153 00:15:50,083 --> 00:15:52,986 LISTEN, THERE'S GONNA BE A PARTY TOMORROW NIGHT. 154 00:15:53,020 --> 00:15:55,522 A PARTY? THINK YOU CAN MAKE IT? 155 00:15:55,555 --> 00:15:57,490 DO I THINK I CAN MAKE IT? 156 00:15:57,524 --> 00:16:00,127 YEAH, BUT ONLY IF YOU PROMISE TO STOP REPEATING EVERYTHING I SAY. 157 00:16:00,160 --> 00:16:03,096 LOOK, PARDON MY SKEPTICISM, BUT... 158 00:16:03,130 --> 00:16:06,433 WE HARDLY HANG OUT IN THE SAME SOCIAL CIRCLES, ALL RIGHT? 159 00:16:06,466 --> 00:16:09,336 IT'S SENIOR YEAR, MAN! 160 00:16:09,369 --> 00:16:13,673 TIME TO PUT ASIDE ALL THIS PETTY HIGH SCHOOL BULLSHIT AND HAVE SOME FUN. 161 00:16:15,042 --> 00:16:19,012 PLEASE TELL ME YOU JUST SAID "FUN." WHO ARE YOU? 162 00:16:19,046 --> 00:16:22,115 JESSE. WHAT'S UP? 163 00:16:22,149 --> 00:16:25,785 I JUST MOVED HERE THREE MONTHS AGO FROM LA. THE FRESH AIR IS GREAT. 164 00:16:25,818 --> 00:16:28,055 BUT THE SOCIAL SCENE SUCKS. 165 00:16:28,088 --> 00:16:30,357 NO CLUBS, NO RAVES. 166 00:16:30,390 --> 00:16:32,359 BUT I DO HEAR THEY'RE HAVING 167 00:16:32,392 --> 00:16:36,696 A BARN DANCE NEXT MONTH, SO-- 168 00:16:36,729 --> 00:16:38,765 WELL, THERE WON'T BE ANY FARM ANIMALS, 169 00:16:38,798 --> 00:16:43,770 BUT I'M HAVING A PRETTY KICK-ASS PARTY TOMORROW NIGHT IF YOU WANT TO COME. 170 00:16:43,803 --> 00:16:47,374 TOTALLY. CHLOE TOO? 171 00:16:47,407 --> 00:16:49,509 I DON'T THINK THAT I CAN. WHAT? 172 00:16:49,542 --> 00:16:52,412 COME ON. OKAY, I GUESS. 173 00:16:52,445 --> 00:16:56,083 AWESOME. ROGER HERE WAS JUST BAILING. 174 00:16:56,116 --> 00:16:59,119 NO, NO, I CAN ATTEND. 175 00:16:59,152 --> 00:17:01,088 GREAT! 176 00:17:01,121 --> 00:17:03,556 I'LL CALL YOU WITH THE ADDRESS. ALL RIGHT. 177 00:17:03,590 --> 00:17:07,094 IT'S GONNA BE FUN. YOU REMEMBER WHAT FUN IS, DON'T YOU? 178 00:17:08,695 --> 00:17:11,564 HEY, HEY, HEY, ONE MORE THING. 179 00:17:11,598 --> 00:17:15,635 YOU STILL WORK AT THE A.V. CENTER, RIGHT? 180 00:17:18,538 --> 00:17:21,374 [MAN] WHAT'S WRONG WITH YOU, GIRL? 181 00:17:24,477 --> 00:17:27,247 YOU'VE BEEN UP HERE ALL AFTERNOON. 182 00:17:32,619 --> 00:17:36,089 YOU THINK THIS MAGIC SHIT'S GONNA MAKE YOU FEEL BETTER? [LAUGHING] 183 00:17:38,558 --> 00:17:42,495 OF ALL THE HABITS TO PICK UP FROM THAT NO-GOOD MOTHER OF YOURS. 184 00:17:44,264 --> 00:17:46,366 COULDN'T LEARN TO COOK. 185 00:17:51,738 --> 00:17:53,573 I'M SORRY. 186 00:17:56,209 --> 00:17:58,211 I TRIED TO MAKE THINGS WORK WITH HER. 187 00:18:03,783 --> 00:18:05,618 SOMETIMES LOVE AIN'T ENOUGH. 188 00:18:21,368 --> 00:18:23,803 NO. 189 00:18:23,836 --> 00:18:26,273 LOVE ISN'T ENOUGH. 190 00:18:44,924 --> 00:18:47,694 I'LL MAKE YOU LOVE ME. 191 00:20:40,973 --> 00:20:43,510 TO THE ANCIENTS WHO WERE BEFORE TIME, 192 00:20:43,543 --> 00:20:46,279 HEAR MY PRAYERS. 193 00:20:48,047 --> 00:20:50,717 I SUPPLICATE MYSELF BEFORE YOU, 194 00:20:52,685 --> 00:20:56,323 NOW READY TO MAKE THE SACRIFICE YOU DESIRE. 195 00:20:57,390 --> 00:21:00,059 TO THE OLD ONES, ENDOWED WITH THE POWERS 196 00:21:00,092 --> 00:21:02,729 OF LOVE AND ATTRACTION, 197 00:21:02,762 --> 00:21:05,765 BIND MY FATE TO THAT OF THE ONE I DESIRE. 198 00:21:05,798 --> 00:21:07,667 BILL? 199 00:21:07,700 --> 00:21:11,538 AND LIKE THIS FLAME, LIKE A PHOENIX FROM THE ASHES, 200 00:21:11,571 --> 00:21:15,942 LET ME RISE ANEW TO CLAIM ALL THAT SHOULD BE MINE. 201 00:21:15,975 --> 00:21:18,311 HONEY? 202 00:21:18,345 --> 00:21:19,712 WITH A TOUCH, 203 00:21:19,746 --> 00:21:23,583 GRANT ME THE POWER TO SWAY OTHERS TO DO MY BIDDING. 204 00:21:26,753 --> 00:21:30,723 AND DESTROY THOSE WHO STAND IN MY PATH. 205 00:21:30,757 --> 00:21:32,091 FOR THIS, 206 00:21:32,124 --> 00:21:36,429 I OFFER UP MY HEART, 207 00:21:36,463 --> 00:21:38,698 MY SOUL, 208 00:21:38,731 --> 00:21:40,533 MY BLOOD. 209 00:21:41,534 --> 00:21:43,636 I SPILL IT YOUR NAME. 210 00:21:46,105 --> 00:21:49,342 [SCREAMS] [LAUGHS] 211 00:21:54,381 --> 00:21:57,116 [SIGHS] 212 00:21:57,149 --> 00:21:59,652 YEAH. SOME WITCH. 213 00:22:01,688 --> 00:22:05,124 WHAT ARE YOU DOING? [CHUCKLES] 214 00:22:05,157 --> 00:22:07,760 [RINGING] 215 00:22:14,934 --> 00:22:16,569 HELLO? 216 00:22:16,603 --> 00:22:19,372 [STATIC BUZZING] [MAN] TAMARA? 217 00:22:19,406 --> 00:22:20,807 WHAT? I CAN'T HEAR YOU. 218 00:22:20,840 --> 00:22:23,510 IT'S MY CELL. RECEPTION'S BAD. 219 00:22:23,543 --> 00:22:26,479 IT'S BILL. I HAD TO CALL YOU. 220 00:22:26,513 --> 00:22:31,451 I'VE BEEN THINKING ABOUT WHAT YOU SAID. AND I WANT YOU TO KNOW THAT I CARE FOR YOU TOO. 221 00:22:31,484 --> 00:22:33,853 THIS ISN'T MR. NATOLLY. 222 00:22:33,886 --> 00:22:37,824 I TOLD YOU YESTERDAY THAT SOMEDAY YOU'D FIND YOUR PLACE IN THE WORLD. 223 00:22:37,857 --> 00:22:41,027 I'D LIKE THAT PLACE TO BE WITH ME. 224 00:22:41,060 --> 00:22:43,530 BUT WHAT ABOUT MRS. NATOLLY? 225 00:22:43,563 --> 00:22:45,665 WE'RE HAVING PROBLEMS. 226 00:22:45,698 --> 00:22:49,035 I DON'T WANT TO TALK ABOUT IT OVER THE PHONE. CAN YOU MEET ME TONIGHT? 227 00:22:49,068 --> 00:22:51,471 UM, YES. 228 00:22:51,504 --> 00:22:54,874 GREAT. COME TO THE CAPRI MOTEL. ROOM 39. 229 00:22:54,907 --> 00:22:58,144 9:30 OKAY? OKAY. 230 00:22:58,177 --> 00:23:00,980 TAMARA, I'VE BEEN DREAMING ABOUT THIS FOR A LONG TIME. 231 00:23:01,013 --> 00:23:03,650 I'D LOVE TO SPEND THE NIGHT WITH YOU. 232 00:23:03,683 --> 00:23:07,654 I'D LIKE THAT TOO. GREAT. I'LL SEE YOU THEN. 233 00:23:07,687 --> 00:23:09,556 I LOVE YOU. 234 00:23:09,589 --> 00:23:12,425 I LOVE YOU. [DIAL TONE HUMMING] 235 00:23:19,632 --> 00:23:22,435 [HANGS UP PHONE] 236 00:23:24,871 --> 00:23:27,540 IT WORKED. 237 00:23:31,678 --> 00:23:34,914 YOU ARE JUST SO CRUEL. 238 00:23:43,055 --> 00:23:46,225 WHAT THE HELL'S TAKING HIM SO LONG? 239 00:23:46,258 --> 00:23:50,096 YOU'D THINK WITH ALL THE FRESHMEN HE'S DONE HERE, HE'D HAVE HIS OWN CHECK-IN LINE. 240 00:23:50,129 --> 00:23:53,500 [KISHA CHUCKLES] 241 00:23:53,533 --> 00:23:56,736 I GOT BOTH THE ROOMS. PHASE ONE IS COMPLETE. 242 00:23:56,769 --> 00:23:59,506 WHY ARE WE GETTING TWO ROOMS? 243 00:24:02,775 --> 00:24:05,612 YOU EVER HEARD OF EXOTIC DANCERS, ROG? 244 00:24:05,645 --> 00:24:07,046 [ROGER] YEAH. 245 00:24:07,079 --> 00:24:08,981 I MEAN, OF COURSE. 246 00:24:09,015 --> 00:24:11,450 JUST HELP ME UNLOAD THIS VIDEO GEAR. 247 00:24:26,999 --> 00:24:28,801 [KISSES] 248 00:24:28,835 --> 00:24:30,737 [JESSE] HELLO? 249 00:24:30,770 --> 00:24:33,806 ** [RAP] 250 00:24:33,840 --> 00:24:35,742 WE EARLY? 251 00:24:37,176 --> 00:24:39,946 NO. IT'S GONNA BE A SMALL PARTY. 252 00:24:39,979 --> 00:24:42,281 MY FOLKS ARE GOING OUT OF TOWN SOON. 253 00:24:42,314 --> 00:24:44,517 THAT'S WHEN WE'RE HAVING THE BIG BLOWOUT AT MY HOUSE. 254 00:24:44,551 --> 00:24:47,153 PATRICKPALOOZA 5, BABY. 255 00:24:48,855 --> 00:24:50,990 WHAT'S UP, MAN? HOW YOU DOING? HOW YOU DOING? 256 00:24:51,023 --> 00:24:53,092 ALL RIGHT, IT'S SHOT TIME! 257 00:24:53,125 --> 00:24:55,094 LET'S MAKE IT HAPPEN. 258 00:24:56,095 --> 00:24:58,831 IT'S OKAY. I GOT US SOME WINE. 259 00:24:58,865 --> 00:25:00,967 SO, YOU TAPPED THAT YET, BUDDY, OR WHAT? 260 00:25:03,102 --> 00:25:07,674 SO, ABOUT THE LOCKER ROOM. I'M SORRY. 261 00:25:09,341 --> 00:25:11,744 I'M GLAD YOU COULD COME. 262 00:25:11,778 --> 00:25:14,280 NO PROBLEM. 263 00:25:14,313 --> 00:25:16,949 YOU GUYS REALLY SHOULD GIVE TAMARA A BREAK. 264 00:25:16,983 --> 00:25:19,852 SHE'S A REALLY COOL GIRL. 265 00:25:19,886 --> 00:25:21,220 YEAH. 266 00:25:22,288 --> 00:25:23,956 ALL RIGHT, CHEERS. 267 00:25:29,195 --> 00:25:31,964 NOW THAT IS ONE QUALITY LIBATION. 268 00:25:31,998 --> 00:25:34,867 YOU KNOW WHAT I'M TALKING ABOUT? 269 00:25:41,207 --> 00:25:43,209 HEY, SEAN. PHASE TWO? 270 00:25:46,378 --> 00:25:50,049 YEAH. I'M JUST GONNA GO TO THE CAR AND GET SOME MORE BEER. 271 00:25:52,952 --> 00:25:54,587 [WHISPERS] DO IT. 272 00:26:27,119 --> 00:26:29,722 [SHOWER RUNNING] 273 00:26:38,698 --> 00:26:40,199 BILL? 274 00:26:57,449 --> 00:27:00,653 ** [RAP CONTINUES] 275 00:27:02,254 --> 00:27:05,725 HEY, IS THAT THE DANCER? IT SURE IS. 276 00:27:07,226 --> 00:27:09,061 WHAT IS THIS? 277 00:27:09,095 --> 00:27:11,964 JUST A LITTLE LATE-NIGHT ENTERTAINMENT. 278 00:27:11,998 --> 00:27:13,700 [BOYS LAUGHING] 279 00:27:32,184 --> 00:27:33,920 [CHUCKLING] 280 00:27:33,953 --> 00:27:37,423 YOU GUYS KNOW HOW TO PARTY, MAN! [LAUGHS] 281 00:27:56,943 --> 00:27:58,945 TELL ME YOU LOVE ME, TAMARA. 282 00:28:00,279 --> 00:28:02,314 I LOVE YOU. 283 00:28:06,485 --> 00:28:08,454 [LAUGHING] 284 00:28:10,857 --> 00:28:14,460 WELCOME TO REALITY TV, BITCH! 285 00:28:14,493 --> 00:28:16,095 YOU DIDN'T SAY IT WAS HER. 286 00:28:20,066 --> 00:28:21,801 OH, MY GOD. 287 00:28:21,834 --> 00:28:24,837 [CRYING] 288 00:28:24,871 --> 00:28:28,140 [LAUGHING] 289 00:28:31,978 --> 00:28:34,881 I CAN'T BELIEVE YOU ACTUALLY THOUGHT HE WOULD SLEEP WITH YOU. 290 00:28:34,914 --> 00:28:38,084 YOU LOOK LIKE A CHEAP UGLY WHORE! 291 00:28:39,518 --> 00:28:41,954 OH, WHY, WHY, WHY? 292 00:28:43,155 --> 00:28:44,824 YOU TELL ME WHERE SHE IS RIGHT NOW! 293 00:28:44,857 --> 00:28:48,895 OH. WHOO! [LAUGHING] 294 00:28:48,928 --> 00:28:50,797 THAT FUCKING DRESS. 295 00:28:50,830 --> 00:28:53,199 YOU FUCKING LOSER. [CRYING CONTINUES] 296 00:28:59,271 --> 00:29:01,540 TAMARA! 297 00:29:01,573 --> 00:29:04,143 YOU? 298 00:29:04,176 --> 00:29:06,512 IT'S NOT WHAT YOU THINK. 299 00:29:06,545 --> 00:29:08,414 I TRUSTED YOU! 300 00:29:08,447 --> 00:29:09,816 NO, WAIT! 301 00:29:09,849 --> 00:29:11,884 [SHOUTING] 302 00:29:13,552 --> 00:29:15,521 TAMARA! 303 00:29:16,522 --> 00:29:18,157 TAMARA! 304 00:29:22,962 --> 00:29:24,063 TAMARA. TAMARA. [TAMARA SHOUTING] 305 00:29:24,096 --> 00:29:28,767 GOD! SOMEBODY SHUT HER UP! 306 00:29:30,536 --> 00:29:32,839 STOP! STOP! 307 00:29:32,872 --> 00:29:34,807 DON'T HURT HER! 308 00:29:37,376 --> 00:29:39,345 DON'T HURT HER! 309 00:29:39,378 --> 00:29:40,847 TAMARA! PLEASE. TAMARA! 310 00:29:40,880 --> 00:29:42,915 [PATRICK SCREAMS] BITCH! 311 00:29:44,383 --> 00:29:47,820 [FLESH SLICING] 312 00:29:55,361 --> 00:29:56,963 TAMARA? 313 00:29:59,331 --> 00:30:01,400 IS SHE ALL RIGHT? 314 00:30:03,870 --> 00:30:05,371 I CAN'T FEEL A PULSE. 315 00:30:05,404 --> 00:30:09,275 MOVE! MOVE! 316 00:30:16,648 --> 00:30:19,585 SHE'S DEAD, ISN'T SHE? 317 00:30:19,618 --> 00:30:21,420 ISN'T SHE? 318 00:30:21,453 --> 00:30:23,956 NO. NO. [CRYING] 319 00:30:23,990 --> 00:30:26,926 NO. NO! 320 00:30:28,194 --> 00:30:29,929 WAIT. LET'S THINK ABOUT THIS. 321 00:30:29,962 --> 00:30:32,631 WHAT'S THERE TO THINK ABOUT? SHE'S DEAD! 322 00:30:32,664 --> 00:30:35,367 [SEAN] I KNOW. 323 00:30:35,401 --> 00:30:38,137 BUT THERE'S NOTHING WE CAN DO FOR HER. 324 00:30:41,440 --> 00:30:44,410 WE CAN FIGURE THIS OUT. 325 00:30:45,611 --> 00:30:48,881 JUST CALM DOWN. [CHLOE] CALM DOWN? 326 00:30:48,915 --> 00:30:51,918 WE KILLED HER. SHUT UP! 327 00:30:53,652 --> 00:30:56,923 NO ONE KILLED HER. IT WAS AN ACCIDENT. 328 00:31:02,294 --> 00:31:05,864 I AM NOT THROWING MY LIFE AWAY BECAUSE OF THIS LOSER. 329 00:31:11,170 --> 00:31:13,973 IF WE ALL KEEP OUR MOUTHS SHUT, 330 00:31:14,006 --> 00:31:16,608 EVERYONE WILL THINK SHE RAN AWAY. 331 00:31:18,677 --> 00:31:22,048 NO ONE HAS TO KNOW. 332 00:31:24,050 --> 00:31:27,920 ARE YOU OUT OF YOUR FUCKING MIND? LISTEN, YOU LITTLE SHITS! 333 00:31:27,954 --> 00:31:31,057 YOU ALL STRUGGLED WITH HER. 334 00:31:32,091 --> 00:31:35,061 CALL THE COPS, 335 00:31:36,963 --> 00:31:40,933 AND I'LL TELL THEM THAT YOU AND YOUR BOYFRIEND SET THIS WHOLE THING UP. 336 00:31:42,101 --> 00:31:44,870 THAT YOU WERE FIGHTING WITH HER WHEN SHE FELL. 337 00:31:48,740 --> 00:31:51,177 IT'LL BE YOUR WORD AGAINST MINE. 338 00:31:53,012 --> 00:31:55,214 [PATRICK] I'VE ALREADY GOT A FUCKING RECORD. 339 00:31:55,247 --> 00:31:56,983 I'M NOT GOING TO JAIL. 340 00:31:59,251 --> 00:32:01,420 NO WAY. 341 00:32:01,453 --> 00:32:03,322 ROGER? 342 00:32:06,758 --> 00:32:09,095 [CRYING] I DIDN'T KNOW. 343 00:32:09,996 --> 00:32:14,066 GOD! YOU'RE NOT LIKE THEM. 344 00:32:14,100 --> 00:32:16,202 THIS IS SO WRONG! 345 00:32:20,106 --> 00:32:22,374 BUT I HAVE A SCHOLARSHIP. 346 00:32:22,408 --> 00:32:24,576 THEY'RE JUST-- 347 00:32:26,112 --> 00:32:28,580 I CAN'T BELIEVE I'M HEARING THIS. 348 00:32:30,149 --> 00:32:32,118 [JESSE] CHLOE? 349 00:32:33,085 --> 00:32:35,121 SHE SCRATCHED ME. 350 00:32:37,156 --> 00:32:39,125 YOU TOO. 351 00:32:40,759 --> 00:32:45,497 THEY'RE GONNA FIND OUR SKIN UNDER HER NAILS. 352 00:32:47,366 --> 00:32:49,401 YOUR HAIR'S IN HER HAND. 353 00:32:58,744 --> 00:33:00,546 IT'S FIVE AGAINST ONE. 354 00:33:00,579 --> 00:33:04,216 AND I GOT VIDEOTAPE TO BACK UP MY STORY. 355 00:33:05,817 --> 00:33:09,388 WHO DO YOU THINK THEY'RE GONNA BELIEVE? 356 00:33:17,129 --> 00:33:18,997 ALL RIGHT. 357 00:33:24,670 --> 00:33:27,439 SO, WHAT'S YOUR FUCKING PLAN? 358 00:33:52,864 --> 00:33:55,767 WE NEVER TALK ABOUT THIS. 359 00:33:55,801 --> 00:33:57,669 EVER! 360 00:33:58,870 --> 00:34:01,707 LET'S FINISH IT AND GET OUT OF HERE. 361 00:34:02,741 --> 00:34:04,110 WAIT. 362 00:34:06,545 --> 00:34:09,615 THIS IS REALLY WRONG, BURYING HER OUT HERE LIKE THIS. 363 00:34:11,883 --> 00:34:14,753 WE CAN STILL CALL THE POLICE. IT'S NOT TOO LATE. WE'VE ALREADY DECIDED. 364 00:34:14,786 --> 00:34:18,056 NOW LET'S JUST FINISH IT AND GET OUT OF HERE! 365 00:34:26,165 --> 00:34:28,100 [GAGGING] 366 00:34:28,134 --> 00:34:30,269 [KISHA SCREAMS] 367 00:34:39,411 --> 00:34:42,448 [GROANS] 368 00:34:48,587 --> 00:34:51,157 [WHIMPERING] 369 00:34:51,190 --> 00:34:53,792 LEAVE HIM ALONE! 370 00:34:55,794 --> 00:34:58,597 I'M AFRAID IT'S TOO LATE. [SCREAMS] 371 00:34:58,630 --> 00:35:00,866 [NECK SNAPS] [SCREAMING STOPS] 372 00:35:00,899 --> 00:35:03,235 [SOBBING] 373 00:35:03,269 --> 00:35:05,671 [GASPS] 374 00:35:16,282 --> 00:35:19,251 [CRYING] 375 00:36:13,472 --> 00:36:15,574 I'M DONE. CAN I GO TO THE BATHROOM? 376 00:36:21,613 --> 00:36:24,483 HEY, WATCH IT! 377 00:36:31,823 --> 00:36:35,361 YOU LOOK A LITTLE PALE. IS SOMETHING WRONG? 378 00:36:35,394 --> 00:36:37,863 [STUDENTS CHATTERING] 379 00:36:37,896 --> 00:36:40,932 SORRY I'M LATE. 380 00:36:40,966 --> 00:36:43,669 ROUGH WEEKEND. I ALMOST DIED GETTING HERE. 381 00:36:46,372 --> 00:36:50,842 WELL, YOU'LL HAVE TO TAKE A MAKEUP TEST. OKAY. 382 00:37:26,945 --> 00:37:29,381 OKAY! TIME'S UP, PEOPLE. 383 00:37:29,415 --> 00:37:31,583 HAND EVERYTHING IN. 384 00:37:37,088 --> 00:37:39,425 IS SOMETHING WRONG, JESSE? 385 00:37:41,393 --> 00:37:44,262 [BELL RINGING] 386 00:37:50,369 --> 00:37:52,404 THANK YOU. 387 00:38:02,381 --> 00:38:05,417 CAN I TALK TO YOU FOR A SEC? 388 00:38:05,451 --> 00:38:06,718 UM, SURE. 389 00:38:13,392 --> 00:38:17,363 ABOUT FRIDAY. I WAS JUST FEELING A LITTLE VULNERABLE. 390 00:38:18,364 --> 00:38:21,800 IT'S OKAY. ARE YOU ALL RIGHT NOW? 391 00:38:21,833 --> 00:38:24,903 AS YOU CAN SEE, MR. NATOLLY, 392 00:38:24,936 --> 00:38:27,339 I'M BETTER THAN ALL RIGHT. 393 00:38:27,373 --> 00:38:29,808 I'M PERFECT. 394 00:38:44,690 --> 00:38:46,558 WHAT'S UP? 395 00:38:46,592 --> 00:38:49,795 IT'S TAMARA. SHE'S ALIVE. 396 00:38:49,828 --> 00:38:52,364 SHE JUST WALKED INTO CLASS. 397 00:38:52,398 --> 00:38:54,099 BUT...HOW? 398 00:38:54,132 --> 00:38:55,834 SHE MUST HAVE BEEN UNCONSCIOUS. 399 00:38:55,867 --> 00:38:59,037 NO. NO, SHE WAS DEAD. CHLOE AND ME CHECKED. 400 00:38:59,070 --> 00:39:01,373 OBVIOUSLY, WE WERE WRONG. 401 00:39:01,407 --> 00:39:04,510 DID YOU GUYS TALK TO HER? [PATRICK] HELL, NO, I DIDN'T TALK TO HER! 402 00:39:04,543 --> 00:39:06,445 I WAS TOO BUSY SHITTING MY PANTS. 403 00:39:06,478 --> 00:39:09,781 WE'LL GO TO HER AND SAY, "LOOK. WE DIDN'T MEAN FOR YOU TO GET HURT." 404 00:39:09,815 --> 00:39:11,983 I'LL MAKE SURE SHE KEEPS HER MOUTH SHUT. 405 00:39:12,017 --> 00:39:15,120 WE TRIED IT YOUR WAY AND BURIED HER ALIVE. 406 00:39:15,153 --> 00:39:17,389 I'LL TALK TO HER. 407 00:39:17,423 --> 00:39:19,991 WHAT ABOUT HOW SHE LOOKS NOW? 408 00:39:20,025 --> 00:39:22,994 COME ON. SHE'D GIVE HALLE BERRY A RUN FOR THE MONEY IN THE HOTTIE DEPARTMENT. 409 00:39:23,028 --> 00:39:24,463 TAMARA? 410 00:39:28,534 --> 00:39:30,836 SHE WAS INTO ALL THAT MAGIC SHIT. 411 00:39:32,838 --> 00:39:34,473 WHAT IF SHE REALLY IS A WITCH? 412 00:39:34,506 --> 00:39:38,610 AND WHAT IF YOU REALLY ARE A FUCKING MORON? 413 00:39:38,644 --> 00:39:42,581 WE MESSED UP. THAT'S ALL. SHE WASN'T DEAD. 414 00:39:42,614 --> 00:39:45,784 [BELL RINGING] 415 00:39:45,817 --> 00:39:49,555 ALL RIGHT, GUYS. WE GOTTA GET TO CLASS. 416 00:39:49,588 --> 00:39:53,124 LIKE I SAID, I'LL TALK TO HER. 417 00:39:53,158 --> 00:39:56,595 [MAN OVER TV] GOTTA GET ON THE SCOREBOARD IN THIS PERIOD. 418 00:39:59,230 --> 00:40:02,434 AND THE PASS IS GOOD, INTENDED FOR-- 419 00:40:02,468 --> 00:40:05,637 [SEAN] TAMARA? TAMARA? SOMEBODY SHUT HER UP! 420 00:40:08,674 --> 00:40:11,510 [CHLOE] STOP! STOP! 421 00:40:11,543 --> 00:40:14,646 [TAMARA SHOUTING] 422 00:40:16,247 --> 00:40:18,917 [CHLOE] DON'T HURT HER! TAMARA, PLEASE! 423 00:40:18,950 --> 00:40:21,687 TAMARA! STOP! 424 00:40:21,720 --> 00:40:24,055 [PATRICK SCREAMS] BITCH! 425 00:40:24,089 --> 00:40:27,125 [FLESH RIPPING] [TAMARA'S BODY THUDDING] 426 00:40:32,564 --> 00:40:34,065 [CHLOE] TAMARA? 427 00:40:36,267 --> 00:40:38,837 [JESSE] IS SHE ALL RIGHT? 428 00:40:41,106 --> 00:40:44,209 [CHLOE] I CAN'T FEEL A PULSE. [SEAN] MOVE! MOVE! 429 00:40:48,747 --> 00:40:50,716 [CHLOE] SHE'S DEAD, ISN'T SHE? 430 00:40:50,749 --> 00:40:53,785 I DON'T KNOW. AM I, ROGER? 431 00:40:53,819 --> 00:40:57,188 TAMARA? IN THE FLESH. 432 00:40:57,222 --> 00:40:59,625 BUT...HOW? 433 00:40:59,658 --> 00:41:02,728 DO YOU REALLY CARE HOW? AREN'T YOU JUST GLAD TO SEE ME? 434 00:41:02,761 --> 00:41:06,231 OH, GOD, YES. LOOK, I'M SORRY FOR WHAT HAPPENED. 435 00:41:06,264 --> 00:41:08,700 I... YOU DIDN'T MEAN FOR ME TO GET HURT. 436 00:41:08,734 --> 00:41:11,603 NO, I SWEAR. THINGS JUST GOT OUT OF HAND. 437 00:41:11,637 --> 00:41:14,005 [PANTING] YES. 438 00:41:14,039 --> 00:41:18,043 BUT YOU'RE OKAY. AND THAT'S ALL THAT MATTERS. 439 00:41:18,076 --> 00:41:21,547 DO YOU REALLY THINK I'M OKAY? 440 00:41:22,848 --> 00:41:26,952 YOU BURIED ME, ROGER. I'M SORRY. 441 00:41:26,985 --> 00:41:30,255 WE THOUGHT THAT YOU-- DO YOU HAVE ANY IDEA WHAT THAT WAS LIKE? 442 00:41:30,288 --> 00:41:33,559 NO. I-- 443 00:41:33,592 --> 00:41:35,861 WELL, LET ME SHOW YOU. 444 00:41:39,831 --> 00:41:43,902 BUT I HAVE A SCHOLARSHIP. BUT I HAVE A SCHOLARSHIP. 445 00:41:43,935 --> 00:41:47,639 IMAGINE WAKING UP IN THE COLD, WET GROUND. 446 00:41:47,673 --> 00:41:50,609 SCARED, ALONE. 447 00:41:50,642 --> 00:41:52,678 YOU DON'T KNOW WHERE YOU ARE, 448 00:41:52,711 --> 00:41:55,146 HOW YOU GOT THERE. 449 00:41:55,180 --> 00:41:59,150 YOU CLAW AT THE GROUND UNTIL YOUR HANDS ARE BLOODY AND RAW. 450 00:42:00,686 --> 00:42:02,888 [PANTING] 451 00:42:05,156 --> 00:42:09,194 YOU TRY TO SCREAM, BUT DIRT FILLS YOUR MOUTH. 452 00:42:11,296 --> 00:42:13,599 [COUGHING] 453 00:42:19,337 --> 00:42:24,309 AND YOU FEEL THE BUGS AND WORMS EATING AT YOUR FLESH. 454 00:42:26,077 --> 00:42:28,614 [FLESH TEARING] 455 00:42:30,048 --> 00:42:32,283 GOD! 456 00:42:34,085 --> 00:42:36,888 OH, GOD. 457 00:42:36,922 --> 00:42:38,624 MAKE IT STOP! 458 00:42:39,691 --> 00:42:43,028 NOW DO YOU UNDERSTAND WHAT I WENT THROUGH? 459 00:42:43,061 --> 00:42:47,799 ALL BECAUSE YOU WERE TOO SCARED TO STAND UP. 460 00:42:47,833 --> 00:42:49,701 OH, GOD. 461 00:42:52,237 --> 00:42:55,607 [PANTING CONTINUES] I'M SORRY. I DIDN'T KNOW. 462 00:42:55,641 --> 00:42:59,845 I GUESS EVERYONE'S RIGHT. YOU ARE A LOSER. 463 00:42:59,878 --> 00:43:03,615 AND WHAT WOULD THEY THINK IF THEY KNEW THE WHOLE TRUTH? 464 00:43:03,649 --> 00:43:07,886 THAT YOU'RE SUCH A SAD LITTLE BOY THAT YOU-- 465 00:43:14,960 --> 00:43:17,228 YOU THOUGHT YOU COULD BLEED THE PAIN AWAY. 466 00:43:17,262 --> 00:43:20,699 NO. BUT IT'S STILL THERE EATING AT YOU. 467 00:43:20,732 --> 00:43:23,101 YOU KNOW WHAT YOUR PROBLEM IS, ROGER? 468 00:43:23,134 --> 00:43:25,971 YOU NEVER FINISH WHAT YOU START. 469 00:43:36,114 --> 00:43:39,217 [ROGER] GOOD AFTERNOON, HAFTON HIGH. 470 00:43:39,250 --> 00:43:43,722 I KNOW A LOT OF YOU MAY VIEW ME AS JUST SOME LOSER VIDEO GEEK. 471 00:43:45,123 --> 00:43:48,059 WELL, THIS WEEKEND I DID SOMETHING HORRIBLE. 472 00:43:48,093 --> 00:43:51,062 AND IT MADE ME REALIZE... 473 00:43:51,096 --> 00:43:53,098 YOU'RE RIGHT. 474 00:43:53,131 --> 00:43:54,933 I AM A LOSER. 475 00:43:54,966 --> 00:43:58,870 BUT EVEN THOUGH I CAN'T CHANGE THE PAST, I CAN STILL MAKE THINGS RIGHT. 476 00:44:00,238 --> 00:44:03,208 I CAN ACCEPT MY PUNISHMENT. 477 00:44:03,241 --> 00:44:07,078 [ROGER, TAMARA] BUT FIRST I WANT TO OFFER YOU ALL A LITTLE ADVICE. 478 00:44:07,112 --> 00:44:09,447 NEVER BE AFRAID TO STAND UP FOR WHAT'S RIGHT. 479 00:44:09,480 --> 00:44:13,752 [ROGER] DON'T JUST SIT BACK AND ALLOW YOURSELF TO... 480 00:44:15,420 --> 00:44:17,923 HEAR NO EVIL. 481 00:44:19,791 --> 00:44:22,093 [FLESH TEARING] 482 00:44:22,127 --> 00:44:23,862 [GIRLS GASPING] 483 00:44:27,966 --> 00:44:29,735 [STUDENTS GROANING] 484 00:44:36,842 --> 00:44:38,443 [POUNDING] ROGER! 485 00:44:38,476 --> 00:44:41,780 [POUNDING CONTINUES] ROGER! 486 00:44:43,181 --> 00:44:47,052 SPEAK NO EVIL. 487 00:44:57,295 --> 00:44:58,930 ROGER! 488 00:45:03,401 --> 00:45:05,771 [STUDENTS GROANING, GAGGING] 489 00:45:10,408 --> 00:45:11,442 ROGER! 490 00:45:11,476 --> 00:45:14,412 SEE...NO EVIL. 491 00:45:26,024 --> 00:45:27,893 [STUDENTS SCREAM] 492 00:45:27,926 --> 00:45:30,461 [PANTING] 493 00:45:49,948 --> 00:45:53,118 [JESSE] I CAN'T BELIEVE HE KILLED HIMSELF. 494 00:45:53,151 --> 00:45:57,422 IF HE WOULD HAVE KNOWN TAMARA WAS ALIVE, MAYBE HE WOULDN'T HAVE. 495 00:45:57,455 --> 00:46:00,425 I SHOULD HAVE TOLD HIM RIGHT AWAY. IT'S NOT YOUR FAULT. 496 00:46:01,492 --> 00:46:03,528 YEAH, HE TOOK THE EASY WAY OUT. 497 00:46:05,596 --> 00:46:07,498 WOULD YOU LISTEN TO YOURSELVES? 498 00:46:07,532 --> 00:46:12,203 YOU ALL ARE SO BUSY TRYING TO CLEAR YOUR CONSCIENCE, YOU JUST DON'T GET IT. 499 00:46:13,271 --> 00:46:16,842 THIS IS OUR FAULT. ALL OF IT. 500 00:46:16,875 --> 00:46:20,946 OH, DON'T BE SO HARD ON YOURSELVES. ACCIDENTS HAPPEN. 501 00:46:24,115 --> 00:46:26,251 ACTUALLY, I WANT TO THANK YOU. 502 00:46:26,284 --> 00:46:30,455 BECAUSE OF YOU, I'M NOT THAT SAME SCARED, INSECURE GIRL I USED TO BE. 503 00:46:30,488 --> 00:46:32,958 NOW I KNOW WHAT I WANT. 504 00:46:32,991 --> 00:46:38,129 TAMARA, WE NEED TO TALK ABOUT WHAT HAPPENED. 505 00:46:38,163 --> 00:46:41,833 CHLOE AND I DIDN'T KNOW WHAT THEY WERE PLANNING. THEY SAID IT WAS A PARTY. 506 00:46:41,867 --> 00:46:43,468 IT WAS PATRICK'S IDEA. DICK! IT WAS YOURS. 507 00:46:43,501 --> 00:46:46,171 IT DOESN'T MATTER. IT HAPPENED. 508 00:46:46,204 --> 00:46:49,007 AND WHAT WE DID AFTER WAS JUST INEXCUSABLE. 509 00:46:49,040 --> 00:46:51,409 I DON'T WANT EXCUSES. 510 00:46:51,442 --> 00:46:53,211 WHAT DO YOU WANT? 511 00:46:54,312 --> 00:46:56,047 YOU'LL SEE. 512 00:46:59,184 --> 00:47:01,119 YOU GUYS, WHAT DID SHE MEAN BY THAT? 513 00:47:01,152 --> 00:47:04,322 WHAT WAS THAT SHIT ABOUT IT BEING MY IDEA? SHUT UP. 514 00:47:04,355 --> 00:47:08,059 MAYBE SHE JUST WANTS TO FORGET ALL THIS. YOU SERIOUSLY BELIEVE THAT? 515 00:47:08,093 --> 00:47:10,495 WHY NOT? YOU AND I WERE ALWAYS NICE TO HER. 516 00:47:10,528 --> 00:47:13,498 YEAH. UNTIL WE BURIED HER IN THE WOODS. 517 00:47:15,666 --> 00:47:18,937 HOW DO WE EVEN KNOW IT WAS REALLY HER? 518 00:47:18,970 --> 00:47:21,539 I MEAN, LOOK AT HER. WHAT IF THAT MAGIC-- 519 00:47:21,572 --> 00:47:25,076 DON'T EVEN START WITH THAT SHIT AGAIN. YOU KNOW, ENOUGH! 520 00:47:25,110 --> 00:47:29,414 SOMETHING HAPPENED IN THOSE WOODS. I'M GONNA FIND OUT WHAT. 521 00:47:46,164 --> 00:47:48,333 HERE IT IS. 522 00:47:57,242 --> 00:48:00,211 [KISHA] WHAT IF SHE'S STILL HERE? 523 00:48:01,179 --> 00:48:03,048 SHE DUG HERSELF OUT. 524 00:48:05,683 --> 00:48:08,053 WHY DIDN'T SHE SUFFOCATE? 525 00:48:10,555 --> 00:48:12,657 NO! 526 00:48:12,690 --> 00:48:14,926 NO! WHAT IS IT? 527 00:48:14,960 --> 00:48:17,662 SHE'S HERE! [PANTING] 528 00:48:19,564 --> 00:48:21,566 CHLOE, IT'S EMPTY. I SAW HER. 529 00:48:21,599 --> 00:48:26,037 COME ON. IT'S ALL RIGHT. LOOK. SEE? 530 00:48:39,750 --> 00:48:41,586 WHAT IS IT? 531 00:48:49,660 --> 00:48:53,965 IT'S A SPELL. BUT THERE'S SO MUCH BLOOD, I CAN'T MAKE IT OUT. 532 00:48:53,999 --> 00:48:58,103 SEE? I TOLD YOU. SHE'S A FUCKING WITCH. 533 00:48:58,136 --> 00:49:01,339 DUDE, KEEP IT UP AND I'M GONNA BURY YOU. 534 00:49:13,584 --> 00:49:15,720 MAYBE HE'S RIGHT. 535 00:49:32,437 --> 00:49:35,340 [GASPS] 536 00:49:35,373 --> 00:49:37,742 TAMARA, WHAT ARE YOU DOING HERE? 537 00:49:37,775 --> 00:49:40,278 THE DOOR WAS UNLOCKED. I NEEDED TO TALK TO SOMEONE. 538 00:49:40,311 --> 00:49:42,713 WELL, ALISON'S AT SCHOOL. 539 00:49:42,747 --> 00:49:44,149 I CAN WAIT. 540 00:49:44,182 --> 00:49:46,084 I DON'T THINK THAT'S A GOOD IDEA. 541 00:49:46,117 --> 00:49:49,687 PLEASE, MR. NATOLLY. 542 00:49:49,720 --> 00:49:53,158 I'VE BEEN THROUGH SO MUCH LATELY. 543 00:49:53,191 --> 00:49:56,027 AND NOW WITH ROGER. 544 00:50:01,099 --> 00:50:03,468 WELL, OKAY. SHE SHOULD BE HOME SOON. 545 00:50:05,170 --> 00:50:08,439 YOU KNOW, I'VE BEEN THINKING ABOUT WHAT HAPPENED BETWEEN US. 546 00:50:08,473 --> 00:50:13,111 WELL, NOTHING HAPPENED. BUT I'M SORRY IF I MISLED YOU. DID YOU? 547 00:50:15,513 --> 00:50:18,583 I DIDN'T... LOOK AT ME, MR. NATOLLY. 548 00:50:18,616 --> 00:50:20,618 IT WAS A MISUNDERSTANDING. LOOK AT ME. 549 00:50:23,488 --> 00:50:26,424 IT'S GETTING WET. 550 00:50:27,858 --> 00:50:29,194 WHAT? 551 00:50:31,562 --> 00:50:33,131 THE TABLE. 552 00:50:35,200 --> 00:50:37,802 ARE YOU GONNA DRINK THAT? 553 00:50:46,711 --> 00:50:50,181 SO, DO YOU LIKE MY NEW LOOK? 554 00:50:50,215 --> 00:50:52,217 I LIKED YOU THE WAY YOU WERE. 555 00:50:55,253 --> 00:50:57,688 THIS IS ME, MR. NATOLLY. 556 00:50:57,722 --> 00:51:00,291 NOT THAT PATHETIC WEAKLING YOU FELT SORRY FOR. 557 00:51:00,325 --> 00:51:02,493 I'VE NEVER FELT SORRY FOR YOU. 558 00:51:02,527 --> 00:51:06,364 AND YOU SHOULDN'T CHANGE TO PLEASE PEOPLE. 559 00:51:06,397 --> 00:51:09,600 I'VE CHANGED BECAUSE I WANNA BE PLEASED. 560 00:51:11,236 --> 00:51:14,172 DO YOU HAVE ANY SUGGESTIONS ON PLEASING ME, TEACH? 561 00:51:17,875 --> 00:51:21,179 TAMARA, STOP. DO YOU WANT ME TO? 562 00:51:21,212 --> 00:51:23,548 YOU SHOULD LEAVE. SHOULD I? 563 00:51:23,581 --> 00:51:25,483 I LOVE MY WIFE. 564 00:51:26,484 --> 00:51:29,220 WELL, AREN'T YOU LOYAL? 565 00:51:29,254 --> 00:51:31,522 BUT IT'S ONLY A MATTER OF TIME, BILL. 566 00:51:32,523 --> 00:51:34,325 I KNOW YOU WANT ME. 567 00:51:38,163 --> 00:51:40,865 I CAN SEE HOW MUCH. 568 00:51:55,213 --> 00:51:57,248 [DOOR OPENS] 569 00:51:57,282 --> 00:51:59,684 HI, TAMARA. COME ON IN. 570 00:52:04,622 --> 00:52:06,657 I'M SORRY I MISSED YOU LAST NIGHT. 571 00:52:06,691 --> 00:52:11,462 OH, DON'T WORRY. MR. NATOLLY MADE ME FEEL MUCH BETTER. 572 00:52:11,496 --> 00:52:15,300 I KNOW. UM, BUT... LET'S TALK ABOUT YOU. 573 00:52:17,802 --> 00:52:20,338 YOU WANT TO ANALYZE ME? 574 00:52:20,371 --> 00:52:23,774 I WANT TO KNOW HOW YOU'RE DOING. 575 00:52:23,808 --> 00:52:27,745 ROGER'S DEATH CAME AS A TREMENDOUS SHOCK. 576 00:52:27,778 --> 00:52:31,849 THE WHOLE THING'S GOT ME THINKING ABOUT WHAT'S REALLY IMPORTANT. 577 00:52:31,882 --> 00:52:35,386 YOU KNOW, LIKE FINDING TRUE LOVE, 578 00:52:35,420 --> 00:52:38,456 HAVING A FAMILY. 579 00:52:38,489 --> 00:52:41,692 YOU'RE SO YOUNG. YOU'VE GOT YOUR WHOLE LIFE AHEAD OF YOU. 580 00:52:41,726 --> 00:52:44,262 I'M AFRAID I'M GONNA END UP IN MY THIRTIES 581 00:52:44,295 --> 00:52:48,199 AND FIND MYSELF IN A MARRIAGE THAT'S NOT AS HAPPY AS IT USED TO BE, 582 00:52:48,233 --> 00:52:52,537 WORRYING THAT IT'S MY FAULT BECAUSE I CAN'T GIVE MY HUSBAND WHAT HE WANTS. 583 00:52:52,570 --> 00:52:55,440 AND EVEN THOUGH I LIKE TO THINK I'M STRONG, 584 00:52:55,473 --> 00:52:57,975 THERE'S A SMALL PART OF ME THAT KNOWS 585 00:52:58,008 --> 00:53:02,747 THERE ARE SO MANY HOT, YOUNG GIRLS 586 00:53:02,780 --> 00:53:04,849 WHO WANT HIM. 587 00:53:09,754 --> 00:53:12,323 IS EVERYTHING ALL RIGHT? 588 00:53:16,827 --> 00:53:19,230 UM-- [CHUCKLES] 589 00:53:19,264 --> 00:53:20,665 I AM SO SORRY. 590 00:53:20,698 --> 00:53:24,335 I-- I THINK I HAVE ANOTHER APPOINTMENT. 591 00:53:24,369 --> 00:53:27,838 CAN WE FINISH THIS LATER? I'D LOVE THAT. 592 00:53:30,040 --> 00:53:33,578 OH! AND IN CASE YOU DIDN'T GET THE MORAL OF MY STORY, 593 00:53:33,611 --> 00:53:35,713 LET ME SPELL IT OUT FOR YOU. 594 00:53:35,746 --> 00:53:38,416 YOU'LL NEVER GIVE BILL CHILDREN. 595 00:53:44,021 --> 00:53:45,756 [EXHALES] 596 00:53:52,397 --> 00:53:53,998 HEY! 597 00:53:57,034 --> 00:53:59,537 SO, IT LOOKS LIKE THINGS GOT PRETTY PERSONAL 598 00:53:59,570 --> 00:54:03,608 DURING YOUR PRIVATE LITTLE CHATS WITH TAMARA. 599 00:54:03,641 --> 00:54:05,876 WHAT ARE YOU TALKING ABOUT? 600 00:54:05,910 --> 00:54:09,747 SHE KNOWS WE'VE HAD TROUBLE CONCEIVING AND I SURE AS HELL DIDN'T TELL HER. 601 00:54:09,780 --> 00:54:12,617 [MR. NATOLLY] WELL, I CERTAINLY DIDN'T. 602 00:54:14,051 --> 00:54:17,422 THEN HOW DOES SHE KNOW, BILL? 603 00:54:19,690 --> 00:54:22,593 [DOOR CLOSES] 604 00:54:22,627 --> 00:54:26,397 ** [HIP-HOP] 605 00:54:37,942 --> 00:54:41,011 [NO AUDIBLE DIALOGUE] 606 00:54:48,786 --> 00:54:52,390 HOW YOU DOING, GIRLS? PARTY OF THE YEAR TOMORROW NIGHT AT MY HOUSE, OKAY? 607 00:54:52,423 --> 00:54:53,791 DID YOU GET A LOAD OF THOSE TWO? 608 00:54:53,824 --> 00:54:58,329 A COUPLE OF MY DRINK SPECIALS, I'M GONNA BE HOT DOGGING THEM ALL NIGHT. 609 00:54:58,363 --> 00:55:00,064 GOD, YOU'RE SUCH AN ASS. 610 00:55:00,097 --> 00:55:03,000 HEY, AS LONG AS I'M GETTING ASS. 611 00:55:03,033 --> 00:55:05,903 [LAUGHING] WHAT ARE YOU, A RABBIT? 612 00:55:05,936 --> 00:55:09,840 WHY DON'T YOU EAT SOMETHING, GIRL? AND GET READY TO PARTY. 613 00:55:09,874 --> 00:55:13,310 THANKS. BUT SUDDENLY I'M NOT FEELING VERY FESTIVE. 614 00:55:14,111 --> 00:55:16,414 YOU'RE LETTING THAT FREAK GET TO YOU? 615 00:55:16,447 --> 00:55:20,317 I'M NOT LETTING THAT BITCH RUIN MY SENIOR YEAR. YOU WITH ME, BRO? 616 00:55:24,088 --> 00:55:25,990 YEAH, FUCK TAMARA. 617 00:55:26,023 --> 00:55:27,558 ALL RIGHT. WE'LL BE THERE. 618 00:55:38,936 --> 00:55:41,005 [TAMARA CHUCKLES] 619 00:55:42,139 --> 00:55:44,909 TAMARA! MY CLASSROOM, NOW! 620 00:55:51,949 --> 00:55:53,751 SIT DOWN! 621 00:55:54,919 --> 00:55:57,154 SO FORCEFUL, MR. NATOLLY. 622 00:55:57,187 --> 00:56:00,024 HOW'D YOU KNOW ABOUT MINE AND ALISON'S PERSONAL PROBLEMS? 623 00:56:00,057 --> 00:56:02,793 YOU TWO ARE HAVING PROBLEMS? DON'T PLAY GAMES WITH ME. 624 00:56:02,827 --> 00:56:06,497 HOW DID YOU KNOW? WHAT'S COME OVER YOU? YOU HAVE. 625 00:56:06,531 --> 00:56:10,134 STOP IT! WHAT DID YOU SAY TO ALISON? 626 00:56:10,167 --> 00:56:13,037 FORGET ABOUT ALISON. SHE COULD NEVER GIVE YOU THE THINGS I CAN! 627 00:56:13,070 --> 00:56:15,506 I HAVE EVERYTHING I WANT. 628 00:56:15,540 --> 00:56:18,476 JUST LEAVE ME ALONE, OKAY? 629 00:56:19,477 --> 00:56:21,011 NOT YET. 630 00:56:23,514 --> 00:56:25,616 [DOOR SLAMS] 631 00:56:36,193 --> 00:56:39,096 HEY. 632 00:56:39,129 --> 00:56:42,867 SOMETHING IS GOING ON WITH TAMERA AND MR. NATOLLY. 633 00:57:00,685 --> 00:57:02,987 WHAT? 634 00:57:03,020 --> 00:57:05,422 I'M NOT PREGNANT. 635 00:57:16,667 --> 00:57:19,537 YOU LOOK BEAUTIFUL. 636 00:57:19,570 --> 00:57:22,540 COME ON AND GIVE ME A HUG. 637 00:57:22,573 --> 00:57:25,175 YOU LIKE TOUCHING ME, DON'T YOU? 638 00:57:26,577 --> 00:57:30,515 I JUST WANT SOME AFFECTION. 639 00:57:30,548 --> 00:57:33,117 YOU'RE MY GIRL. 640 00:57:33,150 --> 00:57:35,185 WE'RE ALL WE'VE GOT. 641 00:57:46,564 --> 00:57:50,000 I CAN STILL SMELL HER PERFUME. I CAN STILL SMELL HER PERFUME. 642 00:57:53,804 --> 00:57:56,941 IF YOU LOVED MOM AS MUCH AS YOU LOVED THAT BOTTLE, 643 00:57:56,974 --> 00:58:00,945 THEN MAYBE SHE WOULDN'T HAVE LEFT. 644 00:58:00,978 --> 00:58:04,615 AND YOU WOULDN'T BE CHASING YOUR OWN DAUGHTER, YOU BASTARD! 645 00:58:08,553 --> 00:58:10,821 YOU DO LOVE THAT BOTTLE, DON'T YOU? 646 00:58:13,824 --> 00:58:16,527 THEN FINISH IT, DADDY. 647 00:58:16,561 --> 00:58:18,696 THE WHOLE THING. 648 00:58:27,171 --> 00:58:29,574 THERE'S MORE IN THE FRIDGE. 649 00:58:31,141 --> 00:58:33,644 [GLASS BREAKING] 650 00:58:37,582 --> 00:58:40,785 ** [RAP] 651 00:59:02,973 --> 00:59:05,009 HEY. 652 00:59:05,042 --> 00:59:08,178 ** [CONTINUES] 653 00:59:14,118 --> 00:59:15,720 HEY. 654 00:59:27,031 --> 00:59:28,866 [GIRL CHUCKLES] 655 00:59:28,899 --> 00:59:30,367 I SHOULD REALLY WAIT. 656 00:59:30,400 --> 00:59:33,303 I'M ALREADY REALLY BUZZED. 657 00:59:33,337 --> 00:59:35,706 YEAH, THESE ARE SO STRONG. 658 00:59:35,740 --> 00:59:37,808 THEY'RE MY SPECIAL MIX. 659 00:59:37,842 --> 00:59:39,343 DON'T WORRY, GIRLS. 660 00:59:39,376 --> 00:59:42,046 I'M GONNA TAKE GOOD CARE OF YOU. 661 00:59:46,250 --> 00:59:50,287 [LAUGHS] YOU KNOW WHAT I'M TALKING ABOUT! 662 00:59:50,320 --> 00:59:52,189 OH, IT BURNS. 663 01:00:05,670 --> 01:00:10,074 THIS IS A PRIVATE PARTY. YOU'RE NOT INVITED. 664 01:00:10,107 --> 01:00:11,776 REALLY? 665 01:00:14,244 --> 01:00:17,247 I'M NOT GOING TO JAIL. I'M NOT GOING TO JAIL. 666 01:00:17,281 --> 01:00:19,750 I'M NOT GOING TO JAIL. I'M NOT GOING TO JAIL. 667 01:00:26,791 --> 01:00:28,392 NOT YET. 668 01:00:29,393 --> 01:00:32,229 GO GET ME A DRINK. 669 01:00:37,467 --> 01:00:39,804 THIS IS MESSED UP. 670 01:00:41,038 --> 01:00:43,040 SOMETHING'S WRONG WITH PATRICK. 671 01:00:44,241 --> 01:00:46,844 [CHLOE] SHE'S GOTTA BE UP TO SOMETHING. 672 01:00:49,780 --> 01:00:51,716 WHY THE HELL DID YOU BRING THAT? 673 01:00:51,749 --> 01:00:56,420 THE SPELL HAS SOMETHING TO DO WITH HOW SHE'S CHANGED. 674 01:00:56,453 --> 01:01:00,090 I WANT TO CONFRONT HER WITH IT HERE 675 01:01:00,124 --> 01:01:02,259 WHERE THERE'S A LOT OF PEOPLE. 676 01:01:03,460 --> 01:01:05,730 I THINK SHE'S MESSING WITH MR. NATOLLY, TOO. 677 01:01:07,497 --> 01:01:09,734 [COUGHS] 678 01:01:09,767 --> 01:01:12,269 I'M GLAD YOU ALL DECIDED TO STOP BY. 679 01:01:12,302 --> 01:01:14,805 THIS PARTY SHOULD BE KILLER. 680 01:01:24,514 --> 01:01:26,984 ** [CONTINUES] 681 01:01:27,017 --> 01:01:29,419 I GOTTA GO TO THE BATHROOM. 682 01:01:29,453 --> 01:01:30,988 COME WITH? 683 01:01:31,021 --> 01:01:32,790 SURE. 684 01:01:35,425 --> 01:01:38,462 ** [SONG CHANGES, TECHNO ROCK] 685 01:01:59,549 --> 01:02:02,252 I DON'T BELIEVE THIS SHIT! 686 01:02:07,357 --> 01:02:10,127 WHAT THE HELL ARE YOU DOING? 687 01:02:10,160 --> 01:02:13,030 WHAT DID YOU DO TO HIM? 688 01:02:13,063 --> 01:02:15,866 THIS. 689 01:02:18,435 --> 01:02:22,739 IT'S FIVE AGAINST ONE. IT'S FIVE AGAINST ONE. 690 01:03:26,270 --> 01:03:28,238 YOU WANT ME, DON'T YOU? 691 01:03:28,272 --> 01:03:30,807 YEAH. 692 01:03:32,142 --> 01:03:36,380 MORE THAN ALL THOSE OTHER GIRLS YOU TOOK TO THAT CHEAP HOTEL ROOM, 693 01:03:36,413 --> 01:03:38,582 DRUGGED, AND FUCKED? 694 01:03:42,186 --> 01:03:45,856 YOU KNOW WHAT WOULD REALLY TURN ME ON? 695 01:03:45,890 --> 01:03:49,593 I WANT YOU TO KNOW WHAT IT'S LIKE 696 01:03:49,626 --> 01:03:52,162 TO FEEL HELPLESS, 697 01:03:52,196 --> 01:03:54,398 TO BE TAKEN ADVANTAGE OF. 698 01:03:59,003 --> 01:04:02,606 SO, WHO'S GONNA PITCH AND WHO'S GONNA CATCH? 699 01:04:05,109 --> 01:04:07,477 EENIE, MEENIE, MINIE, MOE. 700 01:04:07,511 --> 01:04:10,080 WELL, PATRICK, IT LOOKS LIKE YOU'RE THE BOTTOM. 701 01:04:11,648 --> 01:04:14,651 SO, GO AHEAD, SEAN. 702 01:04:14,684 --> 01:04:16,987 GIVE ME A SHOW. 703 01:04:36,974 --> 01:04:41,311 HE WENT TOWARDS THE BEDROOMS WITH TAMARA AND PATRICK. 704 01:04:42,412 --> 01:04:44,114 WHAT? 705 01:04:44,148 --> 01:04:48,018 HE FOLLOWED HER. HE WAS ACTING ALL...WEIRD. 706 01:04:48,052 --> 01:04:50,054 LIKE PATRICK. 707 01:04:51,455 --> 01:04:53,890 KISHA, WAIT! NO! 708 01:05:03,533 --> 01:05:05,402 KISHA? 709 01:05:05,435 --> 01:05:06,937 SEAN? 710 01:05:06,971 --> 01:05:09,906 SEAN, STOP IT! STOP! 711 01:05:18,648 --> 01:05:21,385 LEAVE HIM ALONE. 712 01:05:23,587 --> 01:05:27,024 [VOICE SCREAMING] 713 01:05:33,030 --> 01:05:35,165 YOU ARE SO BEAUTIFUL. 714 01:05:38,268 --> 01:05:40,470 I USED TO ENVY YOU. 715 01:05:46,543 --> 01:05:48,312 YOUR PERFECT BODY. 716 01:05:49,379 --> 01:05:51,548 FLAWLESS SKIN. 717 01:05:53,550 --> 01:05:58,355 BUT DEEP DOWN WHEN YOU LOOK AT YOURSELF, WHAT DO YOU SEE? 718 01:06:03,327 --> 01:06:06,163 A GIRL SO VAIN, 719 01:06:06,196 --> 01:06:09,666 SO DESPERATE TO KEEP HER MAN, SHE'LL DO ANYTHING. 720 01:06:13,770 --> 01:06:18,175 DOES LOVERBOY KNOW WHAT YOU DID TO MAKE YOURSELF BEAUTIFUL FOR HIM? 721 01:06:20,244 --> 01:06:22,079 DOES HE? 722 01:06:24,614 --> 01:06:28,018 [GAGGING] 723 01:06:50,207 --> 01:06:54,044 [GRUNTING LOUDLY] 724 01:07:02,119 --> 01:07:04,388 [COUGHING] 725 01:07:06,823 --> 01:07:10,260 ACTUALLY, YOU'RE SKIN AND BONES, KISHA. 726 01:07:10,294 --> 01:07:12,596 YOU REALLY SHOULD EAT MORE. 727 01:07:34,884 --> 01:07:38,555 WHAT HAPPENED IN THERE? ARE YOU OKAY? WE HEARD YOU SCREAM. 728 01:07:38,588 --> 01:07:40,757 [KISHA] I'M STARVING. 729 01:07:41,791 --> 01:07:44,494 ** [CONTINUES] 730 01:08:07,251 --> 01:08:09,153 WHAT HAPPENED UP THERE? 731 01:08:13,857 --> 01:08:16,326 COME ON, LET'S GO. COME ON. 732 01:08:16,360 --> 01:08:18,662 [GRUNTS] 733 01:08:27,771 --> 01:08:30,140 [CHLOE] I'M CALLING MR. NATOLLY. 734 01:08:38,282 --> 01:08:40,317 WHY'D YOU WANT TO MEET HIM HERE? 735 01:08:41,718 --> 01:08:45,655 YOU'RE NOT GONNA TELL HIM, ARE YOU? CHLOE! 736 01:08:47,291 --> 01:08:49,426 I'M DONE LYING. WE COULD GO TO JAIL. 737 01:08:49,459 --> 01:08:51,228 AND THE ALTERNATIVE IS BETTER? 738 01:08:56,300 --> 01:08:59,603 [RINGING] [SEAN, PATRICK GRUNTING] 739 01:08:59,636 --> 01:09:03,807 I'M SORRY, SEAN CAN'T COME TO THE PHONE RIGHT NOW. HE'S FUCKING PATRICK. 740 01:09:03,840 --> 01:09:07,877 WE'RE MEETING MR. NATOLLY. WE'RE GONNA TELL HIM EVERYTHING. 741 01:09:07,911 --> 01:09:09,879 WHAT ARE YOU DOING? 742 01:09:09,913 --> 01:09:12,916 WHERE ARE YOU MEETING HIM? KISHA? 743 01:09:12,949 --> 01:09:17,821 YOU STUPID-- WE'RE NOT TRYING TO HURT ANYONE, OKAY? 744 01:09:17,854 --> 01:09:20,557 COME HERE, I HAVE A PLAN. 745 01:09:32,336 --> 01:09:34,238 OH, FUCK! 746 01:09:42,312 --> 01:09:45,582 GET DRESSED. THERE'S BEEN A CHANGE OF PLANS. 747 01:09:50,354 --> 01:09:51,855 SHE CHEWED THEM. 748 01:09:51,888 --> 01:09:55,292 WE NEED TO GET HER TO A HOSPITAL. 749 01:09:55,325 --> 01:09:57,227 THE BLEEDING STOPPED. 750 01:09:58,495 --> 01:10:00,897 WE NEED TO FIND TAMARA BEFORE SHE COMES FOR US. 751 01:10:00,930 --> 01:10:04,301 CHLOE! THIS WHOLE WITCHCRAFT THING IS JUST NOT POSSIBLE. 752 01:10:04,334 --> 01:10:06,503 THERE'S NO OTHER EXPLANATION. 753 01:10:06,536 --> 01:10:09,973 TAMARA DIED. AND NOW LOOK AT HER. 754 01:10:10,006 --> 01:10:13,477 PATRICK AND SEAN. AND NOW KISHA. 755 01:10:13,510 --> 01:10:17,281 ROGER KILLED HIMSELF. SHE'S DOING SOMETHING TO THEM. 756 01:10:19,316 --> 01:10:22,352 OKAY. LET'S GO TAKE A LOOK. 757 01:10:30,760 --> 01:10:33,363 SO, WHAT DO WE DO? KNOCK ON THE DOOR AND SAY, "UH, MR. RILEY? 758 01:10:33,397 --> 01:10:35,999 WE THINK YOUR DAUGHTER'S SOME KIND OF ZOMBIE WITCH. CAN WE COME IN?" 759 01:10:36,032 --> 01:10:38,535 "GREAT! LET'S HAVE TEA." 760 01:10:38,568 --> 01:10:40,304 YEAH. 761 01:10:40,337 --> 01:10:42,572 [KNOCKING] 762 01:10:47,076 --> 01:10:48,778 MR. RILEY? 763 01:11:03,960 --> 01:11:07,431 MR. RILEY, IT'S BILL NATOLLY. TAMARA'S ENGLISH TEACHER. 764 01:11:13,837 --> 01:11:15,772 MR. RILEY? 765 01:11:19,443 --> 01:11:20,710 HELLO? 766 01:11:32,422 --> 01:11:34,391 HELLO? 767 01:11:36,393 --> 01:11:38,428 MR. RILEY? 768 01:11:43,733 --> 01:11:45,402 HELLO? 769 01:11:58,848 --> 01:12:00,784 OH, MY GOD. 770 01:12:03,620 --> 01:12:06,022 [CHLOE GROANS] 771 01:12:12,929 --> 01:12:13,930 [ALL GASP] 772 01:12:13,963 --> 01:12:17,801 [COUGHING] [GLASS CRUNCHING] 773 01:13:24,501 --> 01:13:26,402 IT'S MINE. 774 01:13:35,011 --> 01:13:36,813 HANG ON. 775 01:13:36,846 --> 01:13:38,815 HERE IT IS. 776 01:13:41,551 --> 01:13:43,553 OH, SHIT. 777 01:13:48,057 --> 01:13:50,026 [CHLOE] IT'S A LOVE SPELL. 778 01:13:50,059 --> 01:13:54,430 IT GIVES YOU THE POWER TO CONTROL PEOPLE BY TOUCH. 779 01:13:57,133 --> 01:14:00,937 IT SAYS THAT THE BLOOD OF THE PERSON CASTING THE SPELL 780 01:14:00,970 --> 01:14:04,173 MUST BE SPILLED FOR IT TO WORK. 781 01:14:06,075 --> 01:14:10,614 WE DID IT. WE SPILLED HER BLOOD. 782 01:14:10,647 --> 01:14:13,883 [GLASS BREAKING] 783 01:14:13,917 --> 01:14:18,087 [MR. NATOLLY] HER FATE IS BOUND TO THE ONE SHE LOVES. 784 01:14:18,121 --> 01:14:19,889 "LIKE A PHOENIX FROM THE ASHES, 785 01:14:19,923 --> 01:14:23,727 LET ME RISE ANEW TO CLAIM ALL THAT SHOULD BE MINE." 786 01:14:26,730 --> 01:14:28,965 THE SPELL BROUGHT HER BACK. 787 01:14:31,701 --> 01:14:33,837 IT BINDS HER FATE TO THE ONE SHE LOVES. 788 01:14:33,870 --> 01:14:37,006 SHE THOUGHT SHE WAS MEETING YOU AT THAT MOTEL. 789 01:14:37,040 --> 01:14:39,108 YOU'RE THE ONE SHE WANTS. 790 01:14:39,142 --> 01:14:42,979 [TONE BEEPING] SHE'S BOUND HER FATE TO YOU. 791 01:14:43,012 --> 01:14:45,214 [MR. NATOLLY] WELL, SHE KNOWS I LOVE-- 792 01:14:46,249 --> 01:14:48,618 OH, MY GOD. 793 01:14:48,652 --> 01:14:50,119 ALISON. 794 01:15:08,672 --> 01:15:10,874 OH, FUCK! THE LINE'S DEAD. 795 01:15:15,178 --> 01:15:17,113 BILL? 796 01:16:37,861 --> 01:16:39,763 [SCREAMS] 797 01:16:42,431 --> 01:16:46,770 [PANTING, WHIMPERING] 798 01:16:50,406 --> 01:16:52,676 WE DID SOME RENOVATIONS. 799 01:17:01,951 --> 01:17:04,120 WHAT THE FUCK DO YOU GUYS WANT? 800 01:17:04,153 --> 01:17:06,890 [GRUNTS] 801 01:17:08,725 --> 01:17:12,729 SORRY, MRS. NATOLLY. BUT TAMARA WANTS YOU DEAD. 802 01:17:18,968 --> 01:17:21,705 [PANTING CONTINUES] 803 01:17:27,711 --> 01:17:30,646 [GLASS SMASHING] [GROANS] 804 01:17:36,753 --> 01:17:39,288 [POUNDING ON DOOR] 805 01:17:46,796 --> 01:17:48,832 [GRUNTS LOUDLY] 806 01:18:22,498 --> 01:18:25,701 [WHIMPERING] 807 01:18:53,162 --> 01:18:56,065 [CRYING] 808 01:19:05,074 --> 01:19:07,410 [GASPING] 809 01:19:20,890 --> 01:19:23,860 [GASPING] 810 01:19:44,147 --> 01:19:47,150 [PANTING] OH, GOD. 811 01:19:50,019 --> 01:19:53,389 [WHIMPERING RESUMES] 812 01:20:03,499 --> 01:20:06,069 [MRS. NATOLLY GRUNTING] 813 01:20:21,350 --> 01:20:24,820 [FLESH RIPPING] [GROANS] 814 01:20:26,155 --> 01:20:28,291 [SCREAMS] 815 01:20:40,036 --> 01:20:41,404 [GASPS] 816 01:20:41,437 --> 01:20:43,406 MRS. NATOLLY? 817 01:20:45,641 --> 01:20:48,077 YOUR HUSBAND CALLED US. 818 01:20:52,015 --> 01:20:54,583 [FOOTSTEPS DESCENDING STAIRS] 819 01:20:54,617 --> 01:20:56,552 [CRYING] 820 01:20:58,287 --> 01:21:00,356 [TIRES SCREECHING] 821 01:21:00,389 --> 01:21:02,625 I'LL GET A DOCTOR. 822 01:21:17,673 --> 01:21:19,008 WHAT HAPPENED? WE DON'T KNOW. 823 01:21:19,042 --> 01:21:20,643 TAKE HER TO EXAMINE ROOM 3. 824 01:21:20,676 --> 01:21:23,279 CROSS AND TYPE HER, 2 UNITS OF PAXILS. I'LL BE THERE IN A MINUTE. 825 01:21:23,312 --> 01:21:24,480 LET'S ROLL. 826 01:21:24,513 --> 01:21:26,649 HI. MY WIFE'S HERE. ALISON NATOLLY. 827 01:21:26,682 --> 01:21:28,651 SHE'S UPSTAIRS. ROOM 509. 828 01:21:28,684 --> 01:21:30,586 THANK YOU. 829 01:21:32,521 --> 01:21:34,057 FAMILY ONLY. 830 01:21:34,090 --> 01:21:37,360 YOU'LL HAVE TO WAIT HERE OR IN THE CAFETERIA. 831 01:21:43,066 --> 01:21:46,202 [MAN OVER POLICE RADIO, INDISTINCT] 832 01:21:50,974 --> 01:21:52,641 WHERE IS SHE? 833 01:21:56,145 --> 01:21:59,115 I'M SORRY, SIR. BUT YOU CAN'T GO IN THERE. I'M HER HUSBAND. 834 01:21:59,148 --> 01:22:02,285 I NEED TO SEE SOME I.D. ALL RIGHT. 835 01:22:04,720 --> 01:22:07,190 OKAY. THANK YOU. 836 01:22:07,223 --> 01:22:09,625 ALISON. 837 01:22:09,658 --> 01:22:12,328 OH, BABY. OH. [CRYING] 838 01:22:14,597 --> 01:22:17,500 THEY SAID THAT TAMARA WANTED ME DEAD. 839 01:22:21,737 --> 01:22:24,273 I KILLED THEM BOTH. 840 01:22:24,307 --> 01:22:28,111 OH, I'M SORRY. I'M SO SORRY. 841 01:22:31,747 --> 01:22:35,051 THEY HAD THIS-- THIS LOOK IN THEIR EYES. 842 01:22:36,352 --> 01:22:40,023 IT WAS A COLD, SOULLESS LOOK. 843 01:22:43,126 --> 01:22:47,263 WHAT'S HAPPENING, BILL? [SNIFFLES] WHAT'S HAPPENING? 844 01:22:49,098 --> 01:22:52,101 SHE'S SEDATED. SHE'LL BE OUT ALL NIGHT. 845 01:23:07,683 --> 01:23:11,054 MAGIC? I KNOW IT SOUNDS CRAZY-- 846 01:23:11,087 --> 01:23:13,556 [OFFICER] CAN I HELP YOU, MISS? 847 01:23:30,173 --> 01:23:33,109 WHAT IS IT? TAMARA'S HERE. COME ON. 848 01:23:43,552 --> 01:23:47,123 WHAT ARE YOU DOING? WE'RE FINDING MR. NATOLLY. 849 01:23:50,326 --> 01:23:52,461 [ELEVATOR BELL RINGS] 850 01:23:54,197 --> 01:23:55,798 KISHA? 851 01:23:59,702 --> 01:24:01,204 [GROANS] 852 01:24:02,171 --> 01:24:04,673 COME ON. LET'S GO! 853 01:24:21,490 --> 01:24:23,826 JESSE, TAMARA'S CONTROLLING HER! I KNOW. 854 01:24:23,859 --> 01:24:25,728 SO WE DON'T WANT TO KILL HER. 855 01:24:25,761 --> 01:24:29,698 I DON'T THINK THAT SHE FEELS THE SAME WAY ABOUT US. [POUNDING] 856 01:24:32,201 --> 01:24:34,537 HERE. USE THIS INSTEAD. 857 01:24:34,570 --> 01:24:37,106 [POUNDING] 858 01:24:37,140 --> 01:24:39,808 ALL RIGHT, GO HIDE. I'LL GET HER. 859 01:26:10,833 --> 01:26:12,935 HEY, KISHA! COME ON. 860 01:26:12,968 --> 01:26:16,839 THAT'S RIGHT. COME ON. 861 01:26:16,872 --> 01:26:18,507 COME ON. 862 01:26:38,994 --> 01:26:41,497 [LIQUID BUBBLING] 863 01:26:44,367 --> 01:26:46,235 [FLESH RIPPING] [GROANS] 864 01:26:54,009 --> 01:26:57,380 KISHA! 865 01:26:57,413 --> 01:27:01,484 JESSE? [GASPING, COUGHING] 866 01:27:17,800 --> 01:27:21,570 OH, GOD. I'M ALL RIGHT. I'M OKAY. I'M OKAY. 867 01:27:24,473 --> 01:27:27,276 OH, GOD. 868 01:27:27,310 --> 01:27:29,778 [GROANS] 869 01:27:32,315 --> 01:27:33,749 JESSE? 870 01:27:33,782 --> 01:27:35,751 [GASPING] 871 01:27:35,784 --> 01:27:39,288 I'M GONNA GO GET YOU HELP, OKAY? STAY WITH ME, PLEASE. 872 01:27:39,322 --> 01:27:41,056 NO, JESSE! YOU NEED A DOCTOR! 873 01:27:41,089 --> 01:27:45,361 CHLOE. CHLOE, LISTEN. YOU-- YOU-- 874 01:27:45,394 --> 01:27:47,496 YOU GOTTA STOP HER, OKAY? 875 01:27:47,530 --> 01:27:49,332 NO. MM-HMM. 876 01:27:49,365 --> 01:27:54,603 NO, JESSE. JESSE, WE'RE GONNA STOP HER, OKAY? WE ARE. 877 01:27:54,637 --> 01:27:58,407 YOU'RE-- YOU'RE-- YOU'RE A GOOD GIRL, CHLOE. 878 01:27:58,441 --> 01:28:00,409 [CRYING] JESSE! 879 01:28:00,443 --> 01:28:03,646 I WISH I TOLD YOU SOONER. [CHUCKLING] 880 01:28:08,817 --> 01:28:11,320 JESSE, NO! 881 01:28:14,357 --> 01:28:17,526 NO. NO! 882 01:28:40,383 --> 01:28:42,485 DAMN IT! 883 01:29:20,188 --> 01:29:22,825 [PANTING] 884 01:29:38,206 --> 01:29:40,743 I WON'T LET HER HURT YOU. I PROMISE. 885 01:29:42,545 --> 01:29:43,846 STAY BACK! 886 01:29:43,879 --> 01:29:47,149 YOU'LL NEVER HAVE HIM! HE LOVES ME! 887 01:29:47,182 --> 01:29:50,553 SHUT UP, YOU BARREN BITCH! 888 01:29:50,586 --> 01:29:54,457 DO YOU KNOW THE SACRIFICE I MADE TO BE WITH YOU? I DIED FOR YOU! 889 01:29:54,490 --> 01:29:56,158 I'D DIE FOR HIM TOO. 890 01:29:56,191 --> 01:29:58,627 YOU CAN BE SURE OF THAT. 891 01:30:01,497 --> 01:30:03,532 SAY GOOD-BYE. 892 01:30:05,768 --> 01:30:08,471 [FLESH RIPPING] [GROANS] 893 01:30:09,538 --> 01:30:11,440 IT'S OVER. 894 01:30:11,474 --> 01:30:13,676 TAMARA REALLY DID DIE IN THAT HOTEL. 895 01:30:13,709 --> 01:30:16,144 YOU'RE A MONSTER. 896 01:30:26,655 --> 01:30:28,991 NICE TRY. 897 01:30:29,024 --> 01:30:33,161 DIDN'T YOU LEARN THE LAST TIME? YOU CAN'T KILL ME. 898 01:30:33,195 --> 01:30:35,430 SWEET CHLOE. 899 01:30:38,634 --> 01:30:40,903 I'M MAKING THIS MY BUSINESS. 900 01:30:40,936 --> 01:30:43,005 YOU GUYS REALLY SHOULD GIVE TAMARA A BREAK. 901 01:30:43,038 --> 01:30:45,808 THIS IS REALLY WRONG, BURYING HER OUT HERE LIKE THIS. 902 01:30:52,147 --> 01:30:54,683 NO. 903 01:30:54,717 --> 01:30:58,053 TAMARA! TAMARA, STOP! 904 01:30:58,086 --> 01:31:02,057 THIS ISN'T YOU. IT'S THE MAGIC. 905 01:31:02,090 --> 01:31:06,529 TRY AND REMEMBER WHO YOU WERE. YOU CAN END THIS. 906 01:31:06,562 --> 01:31:09,865 DON'T LET IT CONTROL YOU. 907 01:31:09,898 --> 01:31:11,700 OH, GOD. 908 01:31:12,701 --> 01:31:14,803 WHAT HAVE I DONE? 909 01:31:16,104 --> 01:31:18,507 I'VE TURNED INTO THEM. 910 01:31:25,981 --> 01:31:28,150 WITH A TOUCH I COULD HAVE MADE YOU MINE. 911 01:31:28,183 --> 01:31:30,619 BUT I DIDN'T WANT YOU LIKE THAT. 912 01:31:30,653 --> 01:31:33,522 LIKE SOME MINDLESS SLAVE. 913 01:31:33,556 --> 01:31:35,591 WE CAN STOP THIS. 914 01:31:40,863 --> 01:31:43,165 THERE'S NOTHING LEFT. 915 01:31:47,903 --> 01:31:51,907 NO. IT CAN'T END LIKE THIS! I WON'T LET IT! 916 01:31:51,940 --> 01:31:54,743 TAMARA, STOP! TAMARA'S DEAD! 917 01:31:54,777 --> 01:31:57,279 NO! NO, NO. YOU CAME BACK FOR ME. 918 01:31:57,312 --> 01:32:00,749 UNLESS WE'RE TOGETHER, THIS WILL NEVER END. 919 01:32:01,984 --> 01:32:05,921 OUR FATES ARE BOUND TOGETHER FOR AS LONG AS YOU LIVE. 920 01:32:10,358 --> 01:32:12,761 [MOUTHING WORDS] 921 01:32:17,299 --> 01:32:19,001 WELL, THEN WE'LL BE TOGETHER. 922 01:32:21,069 --> 01:32:22,771 FOREVER. 923 01:32:30,345 --> 01:32:33,849 [MRS. NATOLLY SCREAMING] NO! 924 01:32:33,882 --> 01:32:36,184 [GASPS] 925 01:32:39,688 --> 01:32:42,257 [SOBBING] 926 01:32:57,272 --> 01:33:00,108 [CHLOE] THEIR FATES WERE BOUND TOGETHER. 927 01:33:00,142 --> 01:33:04,379 HE WAS THE ONLY ONE THAT COULD STOP HER. 928 01:33:04,412 --> 01:33:07,282 [MACHINES BEEPING] 929 01:33:09,017 --> 01:33:13,321 YOU'RE GOING TO NEED STITCHES. BUT YOU'RE A VERY LUCKY GIRL. 930 01:33:14,757 --> 01:33:17,626 IT WASN'T LUCK THAT SAVED US. 931 01:33:45,353 --> 01:33:48,657 PUSH EVERYBODY BACK. GET EVERYBODY OUT. 932 01:33:48,691 --> 01:33:51,393 [POLICEMEN CHATTERING] 933 01:34:30,899 --> 01:34:34,402 ** [TECHNO ROCK] 934 01:34:55,157 --> 01:34:58,727 ** [MAN SINGING INDISTINCTLY] 935 01:35:49,177 --> 01:35:52,781 ** [CONTINUES] 936 01:36:43,598 --> 01:36:46,801 ** [CONTINUES] 937 01:37:31,013 --> 01:37:33,615 ** [ENDS] 938 01:37:51,166 --> 01:37:54,569 CLOSED-CAPTIONED BY JR MEDIA SERVICES, INC. BURBANK, CA 61603

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