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>> Narrator: PREVIOUSLY
ON LOVE ISLAND...
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>> ICE BREAKER.
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00:00:09,217 --> 00:00:10,176
>> WE DID NOT EXPECT THIS.
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00:00:10,260 --> 00:00:13,138
>> OBVIOUSLY THEY'RE
DROP-DEAD GORGEOUS.
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00:00:13,221 --> 00:00:16,766
>> Narrator: NEW GIRLS'
SEDUCTION.
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00:00:16,850 --> 00:00:19,144
>> MY HEART RATE WENT UP.
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>> HE IS SO HOT.
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>> Narrator:
RELATIONSHIP OBSTRUCTION.
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00:00:25,275 --> 00:00:28,737
>> LAKEYN AND LAUREL, I
DON'T KNOW EXACTLY.
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>> I DON'T KNOW WHY I'M
CRYING OVER A BOY THAT
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00:00:32,532 --> 00:00:36,411
I'VE OWN KNOWN FOR TWO AND
A HALF WEEKS.
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>> REALLY?
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>> I WANT TO MAKE HER FEEL
SPECIAL.
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>> Narrator: AND
JOHNNY'S BIG PRODUCTION.
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>> YOU WILL ALL BE WEARING
WHITE SHIRTS AND BLACK
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PANTS.
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>> I CAN TELL THIS MEANS A
LOT TO HIM.
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00:00:54,179 --> 00:01:01,311
>> GOOD EVENING, MS. CELY.
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>> Narrator: TONIGHT...
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>> GO TO THE PLACE WHERE
YOU FIRST MET.
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>> Narrator: ONE COUPLE
TAKES THE NEXT STEP.
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00:01:07,567 --> 00:01:09,611
>> OH, MY GOSH.
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00:01:09,694 --> 00:01:12,197
>> Narrator: WHILE
OTHERS TAKE A STEP TOO
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FAR.
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[YELLING]
>> IT'S REALLY HARD FOR ME
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TO JUST SIT HERE AND TAKE
THIS.
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>> YOU KNOW WHAT, I DON'T
WANT TO TALK NOW.
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♪♪
♪ YOU TREAT ME BAD AND YOU
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DROVE ME CRAZY ♪
♪ IT'S 36 STEPS TO THE
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FRONT DOOR ♪
>> Narrator: JOHNNY HAS
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LAUNCHED A C CLANDESTINE
MISSION, THAT WOULD RESULT
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IN JAMES BONDING.
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♪♪
>> Narrator: GOLD
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FINGERS CROSSED IT IS NOT
A MISSION IMPOSSIBLE --
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OOPS, WRONG FRANCHISE.
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>> I HOPE CELY DIDN'T CRY.
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I SURE WON'T.
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>> OH, MY GOSH.
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OH, MY GOSH.
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>> WHAT'S GOING ON.
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>> GOOD EVENING, MS. CELY.
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I HAVE SOME WORDS THAT
YOUR MAN JOHNNY WOULD LIKE
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TO BE SHARED WITH YOU.
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>> ANYONE THINK SHE'LL
CRY?
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>> YEAH.
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>> 100%, RIGHT?
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>> WALKING BACK IN WITH
TEARS OF JOY, YOU ARE MY
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GIRL, AND I AM YOUR BOY.
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WE'VE LAUGHED AND CRIED,
OUR WINE WE'VE SIPPED, NOW
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GO TO THE PLACE WHERE WE
FIRST LOCKED LIPS.
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ALONG YOUR JOURNEY
TONIGHT, YOU WILL HAVE
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TOKENS --
[LAUGHTER]
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>> NO WAY.
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>> -- THAT WE'LL SHOW TO
YOU, EACH OF WHICH HAS A
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00:03:01,973 --> 00:03:03,600
SPECIAL SIGNIFICANCE.
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THESE NEED NO EXPLANATION,
BUT THESE WILL BE THE
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FIRST ONES.
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NOW GO TO THE PLACE WHERE
YOU ALL FIRST LOCKED LIPS.
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>> OKAY (laughing).
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OH, MY GOSH.
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>> SHE IS SO CUTE.
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>> HI.
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>> HI, CELY.
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JOHNNY ONCE TOLD ME THE
BIGGEST DECISION, AND ALSO
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MY FIRST, WAS TO STEAL YOU
AWAY, AFTER WHICH MY HEART
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BURST.
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MY DEVOTION TO YOU I DID
SEAL WITH A KISS, EVEN
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PAINTING YOUR NAILS IS
JUST ABSOLUTE BLISS.
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>> NOW WHAT DO I DO.
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>> I CAN'T TELL YOU.
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I'LL REREAD IT.
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EVEN PAINTING YOUR NAILS
IS ABSOLUTE BLISS.
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[YELLING]
>> WHAT'S UP?
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[YELLING]
>> SHE IS SO CUTE.
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I LOVE HER.
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>> I LOVE YOU GUYS.
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[LAUGHTER]
>> ALL RIGHT, CELY, THIS
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IS A MESSAGE FROM JOHNNY.
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FROM HANDSHAKES TO SLIDES,
TO MASSAGES GALORE, IT IS
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THE SIMPLEST OF MOMENTS
THAT MAKE MY HEART SOAR.
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THE EMBERS BETWEEN US GROW
STRONGER WITH CARE.
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OUR JOURNEY IS NOT OVER,
GO TO THE LOUNGE CHAIR.
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>> BYE (laughing).
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>> OFF YOU GO.
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>> WHAT?
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IS SHE GOING?
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>> OH!
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>> STOP, I'M GOING TO CRY.
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>> WELCOME BACK, MS. CELY.
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THERE IS SO MUCH THAT
JOHNNY HAS TO SAY.
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HERE ON THE SUN DECK, OUR
EMBERS TURNED FLAMES.
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I REALIZED HERE, CELY,
THAT WE ARE THE SAME.
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KINDRED SPIRITS
PROGRESSING WITHOUT
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SLOWING DOWN.
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PLEASE ASCEND UP THE STEPS
TO WHERE UNDERSTANDING WAS
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FOUND.
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[LAUGHTER]
>> BYE (laughing).
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>> OH, MY GOD, JOHNNY IS
LITERALLY PEEKING THROUGH
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THE BUSHES.
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HE IS SO FUNNY.
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[LAUGHTER]
>> HI, CELY.
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>> HI.
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00:05:33,833 --> 00:05:37,587
>> WELCOME TO THE VIEW,
WHERE MINDSETS BECAME NEW.
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THIS IS WHERE YOUR BOO
LEARNED TO LISTEN TO YOU.
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AS YOU KNOW, YOU AND
JOHNNY HAVE SHARED SOME
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VERY SPECIAL, INTIMATE
MOMENTS ON THIS BALCONY,
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AND YOU EXPERIENCED A LOT
OF GROWTH.
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THIS YEAR REPRESENTS THE
LESSON LEARNED ON
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LISTENING AND KEEPING AN
OPEN MIND, AND THIS YEAR
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REPRESENTS TIME, THE TIME
IT TAKES TO WORK THE
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00:06:03,196 --> 00:06:05,114
CHALLENGES, THE TIME YOU
TWO HAVE SPENT TOGETHER
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00:06:05,198 --> 00:06:08,618
HERE, AND THE TIME THAT
YOU TWO WILL SPEND
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00:06:08,701 --> 00:06:11,287
TOGETHER ON THE OUTSIDE.
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NOW, GO ON A WALK TO WHERE
YOU HELD YOUR FIRST TALK.
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A HEART MARKS THE SPOT
WHERE A CONVERSATION LED
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TO A THOUGHT.
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>> I LOVE YOU
(laughing).
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>> GOOD LUCK.
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>> THANK YOU.
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♪ I FOUND A LOVE ♪
♪ FOR ME ♪
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♪ DARLING, JUST DIVE RIGHT
IN ♪
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>> OH, MY GOSH!
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♪ I FOUND A GIRL ♪
♪ BEAUTIFUL AND SWEET ♪
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♪ I NEVER KNEW YOU WERE
SOMEONE WAITING FOR ME ♪
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>> IS IT GOOD FOR YOU?
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>> IT'S GREAT (laug
(laughing).
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>> C'MERE.
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>> I'M SO EXCITED.
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>> OH, THE HEART, AND THE
PEDDLES.
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>> OUR FLAME, NOW A FIRE,
BURNS BRIGHT IN MY HEART.
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THE ONLY GIRL FOR ME, I'VE
KNOWN FROM THE START.
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LOOKING OUTSIDE THE VILLA,
OUR FUTURE AWAITS.
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BUILDING TOWARDS DREAMS
AND PASSION WITH YOU IS MY
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FATE.
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CELY, MY DARLING, I ONLY
WANT YOU.
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[LAUGHTER]
>> OH, MY GOSH, SHE IS
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CRYING.
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00:07:51,721 --> 00:07:53,222
>> IS SHE CRYING?
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00:07:53,306 --> 00:07:54,390
>> OH, MY GOSH.
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>> I JUST WANT TO LET YOU
KNOW THAT BEING HERE WITH
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YOU IS SO EXCITING AND
IT'S SUCH A BLESSING.
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YOU HAVE MADE ME GROW IN
WAYS I DID NOT THINK I
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COULD.
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00:08:06,402 --> 00:08:10,364
OUR FUTURE ON THE OUTSIDE,
I CANNOT WAIT TO SEE WHAT
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00:08:10,448 --> 00:08:14,243
IS IN STORE.
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I JUST WANT YOU TO KNOW
THAT MOVING FORWARD I WILL
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DO ANYTHING AND EVERYTHING
TO BE THE MAN YOU NEED ME
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00:08:21,667 --> 00:08:23,502
TO BE.
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00:08:23,586 --> 00:08:29,675
YOU ARE THE GIRL OF MY
DREAMS, SO BEAUTIFUL.
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00:08:29,759 --> 00:08:36,933
AND I WANT TO KNOW IF YOU
WANT TO BE MY GIRLFRIEND?
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>> YES!
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(laughing).
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♪ DARLING, HOLD MY HAND ♪
♪ BE MY GIRL, AND I'LL BE
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YOUR MAN ♪
>> SHE'S CRYING.
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>> SHE'S CRYING.
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♪♪
>> IT'S LITERALLY THE
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CUTEST THING ANYONE HAS
EVER DONE FOR ME.
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>> I LOVE HER.
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00:09:01,707 --> 00:09:03,626
♪♪
>> I JUST WANT YOU TO FEEL
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SPECIAL.
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CELY, I LOVE YOU.
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00:09:08,381 --> 00:09:10,466
[LAUGHTER]
>> ARE YOU KIDDING?
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>> I LOVE YOU.
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00:09:15,930 --> 00:09:21,644
♪♪
♪ BABY ♪
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>> I LOVE YOU, JOHNNY!
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♪ YOU BETWEEN MY ARMS ♪
>> HE SAID I LOVE YOU.
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>> I THINK HE SAID IT.
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>> HE SAID IT, I LOVE YOU.
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>> YOU'RE LYING.
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00:09:37,493 --> 00:09:40,496
>> NO, HE DID.
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[YELLING]
[CHEERING]
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♪♪
♪ I KNOW WE'LL BE ALL
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RIGHT ♪
♪ DARLING, HOLD MY HAND ♪
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[CHEERING]
♪ GIRL, I'LL BE YOUR MAN ♪
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00:10:04,603 --> 00:10:10,860
♪ I'LL PUT MY FUTURE IN
YOUR HANDS ♪
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00:10:10,943 --> 00:10:13,571
[CHEERING]
>> THIS MAN, JOHNNY.
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00:10:13,654 --> 00:10:16,866
>> YOU GOT A BOYFRIEND!
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00:10:16,949 --> 00:10:18,701
>> WHO'S GOT A BOYFRIEND?
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00:10:18,784 --> 00:10:19,535
>> YOU GOT A BOYFRIEND!
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00:10:19,618 --> 00:10:21,620
>> I'M SORRY, I'M, LIKE,
PART OF THIS.
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00:10:33,841 --> 00:10:36,761
>> Narrator: JOHNNY AND
CELY HAVE JUST UPGRADED
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00:10:36,844 --> 00:10:39,805
THEIR STATUS TO STRANGERS
WHO MET ON AN ISLAND-BASED
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00:10:39,889 --> 00:10:41,766
REALITY SHOW TO GIRLFRIEND
AND BOYFRIEND.
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00:10:41,849 --> 00:10:45,186
AS THE KIDS SAY, THEY'RE
FOOD UP -- I THINK THAT'S
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00:10:45,269 --> 00:10:46,228
WHAT THE KIDS SAY.
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00:10:46,312 --> 00:10:51,776
>> TO ME AND CELY MAKING
IT OFFICIAL, TO OUR WHOLE
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00:10:51,859 --> 00:10:55,738
EXPERIENCE IN HERE, AND TO
MANY DAYS AHEAD.
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00:10:55,821 --> 00:10:58,783
[CHEERING]
>> TO THE FIRST ELBOW ON
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00:10:58,866 --> 00:10:59,825
LOVE ISLAND.
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00:10:59,909 --> 00:11:03,788
>> IT HAS BEEN MY GOAL TO
MAKE JOHNNY FALL IN LOVE
191
00:11:03,871 --> 00:11:04,830
WITH ME.
192
00:11:04,914 --> 00:11:07,917
>>> AND TODAY I ACHIEVED
MY GOAL, AND IT FEELS LIKE
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00:11:08,000 --> 00:11:09,919
THE BEST FEELING IN THE
ENTIRE WORLD.
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00:11:10,002 --> 00:11:14,090
THIS MAN LOVES ME, I LOVE
HIM, WE'RE BETTER
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00:11:14,173 --> 00:11:14,507
TOGETHER.
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00:11:14,590 --> 00:11:15,508
I DID MY JOB.
197
00:11:15,591 --> 00:11:18,260
>> IF THIS IS A WINNING,
YOU'VE GOT A LOT OF WORK
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00:11:18,344 --> 00:11:19,261
TO DO.
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00:11:19,345 --> 00:11:21,430
>> THIS IS THE BEST NIGHT
OF MY LIFE, YOU GUYS.
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00:11:21,514 --> 00:11:22,431
I LOVE THIS GUY!
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00:11:22,515 --> 00:11:26,769
>> I FEEL LIKE MY BEST
FRIEND GOT HITCHED TODAY.
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00:11:26,852 --> 00:11:29,105
I'M NOT EVEN KIDDING,
THAT'S HOW IT FELT.
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00:11:29,188 --> 00:11:32,692
LOVE IS IN THE AIR
TONIGHT, JUST ALL AROUND
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00:11:32,775 --> 00:11:34,860
US.
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00:11:35,903 --> 00:11:38,406
♪♪
>> YOU LOOK GOOD IN BLACK.
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00:11:38,489 --> 00:11:40,449
>> YOU LOOK AMAZING, TOO.
207
00:11:40,533 --> 00:11:42,785
>> EVEN IN THESE LITTLE
PANTS?
208
00:11:42,868 --> 00:11:43,786
>> YEAH.
209
00:11:43,869 --> 00:11:52,294
>> I FEEL LIKE A WAITER
AATAN ITALIAN RESTAURANT.
210
00:11:52,378 --> 00:11:52,962
WOULD YOU CALL ME?
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00:11:53,045 --> 00:11:54,672
>> I WOULD DEFINITELY CALL
YOU.
212
00:11:54,755 --> 00:11:55,798
>> WHAT WOULD YOU SAY?
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00:11:55,881 --> 00:12:01,095
>> I LIKE THOSE PANTS, BUT
I'D LIKE TO SEE THEM OFF
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00:12:01,178 --> 00:12:03,806
OF YOU.
215
00:12:03,889 --> 00:12:05,850
I REALLY WANTED TO TALK TO
YOU TODAY.
216
00:12:05,933 --> 00:12:07,476
>> WHAT'S UP?
217
00:12:07,560 --> 00:12:10,229
>> BECAUSE THERE ARE SOME
THINGS THAT I WANT TO BE
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00:12:10,312 --> 00:12:11,105
HONEST ABOUT.
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00:12:11,188 --> 00:12:13,107
>> I LIKE HONESTY.
220
00:12:13,190 --> 00:12:17,486
>> OBVIOUSLY YOU KNOW THE
WHOLE THING WITH MY PAST
221
00:12:17,570 --> 00:12:18,863
RELATIONSHIP, IT WAS A
REALLY LONG ONE.
222
00:12:18,946 --> 00:12:20,865
IT WAS ONE OF THOSE THINGS
WHEN I GOT MY HEARTBROKEN
223
00:12:20,948 --> 00:12:23,951
BY THE SAME PERSON, LIKE,
QUITE A FEW TIMES.
224
00:12:24,034 --> 00:12:29,874
AND SO WHEN I MET YOU,
IT'S BEEN, LIKE, WEIRDLY
225
00:12:29,957 --> 00:12:33,836
DIFFICULT BECAUSE I'M
DEFINITELY HAVING MOMENTS
226
00:12:33,919 --> 00:12:36,881
WHERE I'M SELF-SABOTAGING
JUST TO KIND OF GUARD MY
227
00:12:36,964 --> 00:12:37,882
HEART A LITTLE BIT.
228
00:12:37,965 --> 00:12:39,842
THE REASON FOR THAT IS I
FEEL LIKE IT IS TOO GOOD
229
00:12:39,925 --> 00:12:44,889
TO BE TRUE KIND OF THING.
230
00:12:44,972 --> 00:12:48,893
SO I GET SUPER GUARDED,
BUT I JUST REACHED A POINT
231
00:12:48,976 --> 00:12:52,897
WHERE I, LIKE, WANT TO LET
GO OF ALL OF THOSE THINGS
232
00:12:52,980 --> 00:12:56,901
THAT I WAS, LIKE, BRINGING
INTO THIS, LIKE, BASED ON
233
00:12:56,984 --> 00:12:59,862
MY PAST HEARTBREAK.
234
00:12:59,945 --> 00:13:02,740
>> I APPRECIATE YOU
OPENING UP SO MUCH.
235
00:13:02,823 --> 00:13:04,825
BECAUSE I COULD FEEL YOU
HOLDING BACK.
236
00:13:04,909 --> 00:13:06,911
>> YEAH.
237
00:13:06,994 --> 00:13:10,915
>> NOTHING COULD SAY TO ME
RIGHT NOW WOULD TURN ME
238
00:13:10,998 --> 00:13:13,167
OFF OF JUSTINE.
239
00:13:13,250 --> 00:13:18,214
I CARE SO MUCH ABOUT YOU.
240
00:13:18,297 --> 00:13:22,927
♪♪
♪ THOUGHT I WAS GOING
241
00:13:23,010 --> 00:13:26,889
INSANE ♪
>> KNOWING THAT YOU ARE
242
00:13:26,972 --> 00:13:30,726
TRULY PAST THAT
RELATIONSHIP IS HOW WE GET
243
00:13:30,809 --> 00:13:34,355
TO A POINT OF, LIKE, WHERE
CELY AND JOHNNY ARE, TO
244
00:13:34,438 --> 00:13:36,899
COMMITTING TO A
RELATIONSHIP, WITH THE
245
00:13:36,982 --> 00:13:38,025
TITLE BOYFRIEND AND
GIRLFRIEND.
246
00:13:38,108 --> 00:13:41,737
I WANT TO GET TO THAT.
247
00:13:41,820 --> 00:13:49,745
♪♪
♪ CRAZY, I AM FOR YOU ♪
248
00:13:49,828 --> 00:13:52,456
♪♪
♪
249
00:13:52,540 --> 00:13:54,458
YOU ♪
>> Narrator: CARRINGTON,
250
00:13:54,542 --> 00:13:56,877
BE A LAMB AND TIDE DETHOSE
CUSHIONS.
251
00:13:56,961 --> 00:13:57,920
THANK YOU.
252
00:13:58,003 --> 00:14:06,637
AND NOW HAVE A CONFUSING
CHAT ABOUT HOW YOUR TORN
253
00:14:06,720 --> 00:14:07,680
ABOUT LAUREL AND LAKEYN.
254
00:14:07,763 --> 00:14:10,057
>> I DID NOT THINK THAT
ANYONE WOULD COME IN HERE
255
00:14:10,140 --> 00:14:13,435
AND TURN MY HEAD,
ESPECIALLY AS FAST AS YOU
256
00:14:13,519 --> 00:14:14,353
DID.
257
00:14:14,436 --> 00:14:16,313
IT KIND OF MAKES ME
QUESTION HOW GOOD WHAT I
258
00:14:16,397 --> 00:14:17,648
HAE IS.
259
00:14:17,731 --> 00:14:18,607
>> YEAH.
260
00:14:18,691 --> 00:14:22,069
>> I JUST WANT A NIGHT TO
MAKE SURE I HAVE AN
261
00:14:22,152 --> 00:14:23,320
INFORMED DECISION.
262
00:14:23,404 --> 00:14:25,656
>> DEFINITELY.
263
00:14:25,739 --> 00:14:29,618
I'M EXCITED TO SEE WHAT
YOU THINK?
264
00:14:29,702 --> 00:14:31,912
>> LAKEYN MADE A HUGE
IMPACT ON ME.
265
00:14:31,996 --> 00:14:37,001
WE CONNECTED ON SO MANY
LEVELS WITHIN THE LAST 24
266
00:14:37,084 --> 00:14:40,504
SHE HIT A HOMERUN.
267
00:14:40,588 --> 00:14:42,047
BUT THINGS ARE GOING GREAT
WITH LAUREL.
268
00:14:42,131 --> 00:14:48,012
IT'S TOUGH.
269
00:14:48,095 --> 00:14:51,015
>> I WILL SAY, THOUGH,
YOU'RE MY NUMBER ONE, FOR
270
00:14:51,098 --> 00:14:51,599
SURE.
271
00:14:51,682 --> 00:14:54,643
>> THAT'S HOW YOU KNOW.
272
00:14:54,727 --> 00:14:56,729
>> YEAH, IT'S KIND OF
GREAT.
273
00:15:07,156 --> 00:15:13,037
♪♪
>> CELY GOT A BOYFRIEND.
274
00:15:13,120 --> 00:15:16,915
>> MY FAMILY IS PROBABLY
GOING TO SCREAM, BUT IT
275
00:15:16,999 --> 00:15:19,043
WAS PERFECT.
276
00:15:19,126 --> 00:15:21,045
I APPRECIATE YOU GUYS FOR
BEING A PART OF THAT AND
277
00:15:21,128 --> 00:15:23,672
MAKING IT SO SPECIAL FOR
ME.
278
00:15:23,756 --> 00:15:25,299
>> HOW WAS TONIGHT FOR
YOU?
279
00:15:25,382 --> 00:15:28,052
>> IT WAS OKAY.
280
00:15:28,135 --> 00:15:30,888
>> WHAT'S UP WITH YOU,
DUDE?
281
00:15:30,971 --> 00:15:34,183
>> CAUGHT UP ON A BOY WHO
DOESN'T WANT ME.
282
00:15:34,266 --> 00:15:37,478
>> YEAH, STILL?
283
00:15:37,561 --> 00:15:38,020
>> YEAH.
284
00:15:38,103 --> 00:15:39,521
>> WHAT ABOUT BENNETT?
285
00:15:39,605 --> 00:15:40,689
>> HE'S GREAT.
286
00:15:40,773 --> 00:15:44,360
I LIKE TALKING TO HIM, BUT
CARRINGTON KIND OF RUINED
287
00:15:44,443 --> 00:15:45,194
THIS FOR ME.
288
00:15:45,277 --> 00:15:48,072
>> WHAT IS YOUR OPINION ON --
>> LAKEYN?
289
00:15:48,155 --> 00:15:50,074
>> I REALLY LIKE HER.
290
00:15:50,157 --> 00:15:52,910
BUT I DO LOVE LAUREL VERY,
VERY MUCH.
291
00:15:52,993 --> 00:15:57,331
BUT I SEE MORE IN COMMON
WITH YOU AND LAKEYN.
292
00:15:57,414 --> 00:16:01,001
>> I REALLY DON'T KNOW
WHAT I'M GOING TO DO.
293
00:16:01,085 --> 00:16:15,933
♪ I'M CRYING NOW FOR YOU ♪
>> WHAT?
294
00:16:16,016 --> 00:16:22,314
♪ I'M CRYING NOW FOR YOU ♪
>> WHAT?
295
00:16:25,317 --> 00:16:26,068
>> IT'S JUST YOU.
296
00:16:26,151 --> 00:16:29,321
>> I KNOW, BUT...
297
00:16:29,405 --> 00:16:33,158
♪ KNOW I LOVE YOU MORE ♪
♪ SO WHEN YOU SAY YOU NEED
298
00:16:33,242 --> 00:16:35,994
ME ♪
♪ I NEED YOU MORE ♪
299
00:16:58,225 --> 00:16:58,767
♪♪
>> Narrator: IT'S
300
00:16:58,851 --> 00:17:00,102
NIGHTTIME ON LOVE ISLAND.
301
00:17:00,185 --> 00:17:02,229
AND NOW IT'S MORNING ON
LOVE ISLAND.
302
00:17:08,694 --> 00:17:09,611
♪♪
♪ YEAH, YEAH, YEAH, IT'S A
303
00:17:09,695 --> 00:17:15,284
NEW DAY, IT'S A NEW DAY ♪
>> EVERYONE, MEET MY
304
00:17:15,367 --> 00:17:21,999
BOYFRIEND (laughing).
305
00:17:22,082 --> 00:17:27,171
♪♪
>> I WOKE UP AND REALIZED
306
00:17:27,254 --> 00:17:30,966
DEFINITELY I AM GOING TO
GET TO KNOW LAKEYN.
307
00:17:31,049 --> 00:17:33,469
IT DOES NOT MEAN I'M
SWITCHING, BUT I WANT TO
308
00:17:33,552 --> 00:17:35,137
GET TO KNOW HER.
309
00:17:35,220 --> 00:17:39,892
AND I CAN'T HELP THE FACT
THAT SHE CAME IN AND IN 24
310
00:17:39,975 --> 00:17:43,937
HOURS GOT MORE OUT OF ME
THAN MORE THAN I'VE SHARED
311
00:17:44,021 --> 00:17:44,897
WITH ANYBODY ELSE.
312
00:17:44,980 --> 00:17:47,024
>> YOU FEEL WHAT YOU'RE
DOING WHAT'S RIGHT FOR
313
00:17:47,107 --> 00:17:48,025
YOUR HEART?
314
00:17:48,108 --> 00:17:51,278
>> I AM IN SUCH A GOOD
RELATIONSHIP WITH LAUREL,
315
00:17:51,361 --> 00:17:54,114
BUT THE FACT OF THE MATTER
IS SOMEONE HAS GOT MY
316
00:17:54,198 --> 00:17:55,115
ATTENTION.
317
00:17:55,199 --> 00:17:56,158
I'M GOING TO HAVE SOME
CONVERSATIONS WITH LAKEYN
318
00:17:56,241 --> 00:17:58,994
AND SEE WHERE THEY GO.
319
00:17:59,077 --> 00:18:00,078
>> IT'S HUNTING.
320
00:18:00,162 --> 00:18:02,122
IT'S A DEER --
>> Narrator: GREAT,
321
00:18:02,206 --> 00:18:05,375
THEY'RE PLAYING A GAME
WITH NO SLOW MOTION AND
322
00:18:05,459 --> 00:18:07,336
RULES THAT MAKE SENSE.
323
00:18:07,419 --> 00:18:09,880
HAVE NO FEAR, ISLANDERS,
I'LL SAVE YOU.
324
00:18:09,963 --> 00:18:11,882
>> I BELIEVE IN YOU.
325
00:18:11,965 --> 00:18:12,299
>> SEND.
326
00:18:12,382 --> 00:18:13,675
>> WAIT, GUYS!
327
00:18:13,759 --> 00:18:17,930
>> I GOT A TEXT!
328
00:18:18,013 --> 00:18:19,181
[CHEERING]
>> BOYS, IT IS TIME TO
329
00:18:19,264 --> 00:18:24,520
STRAP ON YOUR TOOL BELT
FOR TODAY'S CHALLENGE.
330
00:18:24,603 --> 00:18:31,026
HASHTAG, MEN AT WORK;
WORK;HASHTAG POWER TOOLS.
331
00:18:31,109 --> 00:18:33,237
>> I WOULD THINK THAT THE
HASHTAG POWER TOOLS HAS TO
332
00:18:33,320 --> 00:18:36,615
DO WITH THE WHOLE
CONSTRUCTION THEME, BUT
333
00:18:36,698 --> 00:18:38,200
PROBABLY REFERS TO OUR
BOYS' OTHER TOOLS.
334
00:18:38,283 --> 00:18:44,206
>> I CAN'T SAY I'M MAD
ABOUT IT.
335
00:18:44,289 --> 00:18:47,376
[CHEERING]
♪ BUMP, BUMP, BUMP IT UP ♪
336
00:18:52,464 --> 00:18:55,217
>> Narrator: WE'RE
TAKING A SEXY WRECKING
337
00:18:55,300 --> 00:18:58,345
BALL TO THE DRYWALL OF
YOUR BRAIN BUILDING.
338
00:18:58,428 --> 00:19:02,683
WE OVERHAULED THEIR LOOKS
FOR THIS
339
00:19:02,766 --> 00:19:06,687
CONSTRUCTIVE-THEMED
CHALLENGE: MEN AT WORK.
340
00:19:06,770 --> 00:19:09,857
♪ DO YOUR THING ♪
>> Narrator: USUALLY
341
00:19:09,940 --> 00:19:13,277
THEIR IDEA OF MANUAL LABOR
IS PICKING AN INSTAFILTER.
342
00:19:13,360 --> 00:19:17,030
IN THIS CHALLENGE, IT IS
THE CONSTRUCTION WORKERS
343
00:19:17,114 --> 00:19:17,573
WHO GET TACKLED.
344
00:19:17,656 --> 00:19:24,288
>> GET TO WORK, BABY!
345
00:19:24,371 --> 00:19:27,791
>> I LOVE ME A CHALLENGE
WHERE THE BOYS DO ALL OF
346
00:19:27,875 --> 00:19:29,918
THE WORK, LET ME JUST
START THERE.
347
00:19:30,002 --> 00:19:32,921
>> CLIMB THAT LADDER!
348
00:19:33,005 --> 00:19:35,257
>> Narrator: SO HERE ARE
THE RULES: THE BOYS WILL
349
00:19:35,340 --> 00:19:44,266
NEED TO DO THIS INNOCENT
MOVE.
350
00:19:44,349 --> 00:19:44,892
[LAUGHTER]
[YELLING]
351
00:19:44,975 --> 00:19:48,937
[CHEERING]
>> OH, MY GOSH.
352
00:19:49,021 --> 00:19:54,401
>> Narrator: AND THEN
HANDLE A SLIPPERY POLE I
353
00:19:54,484 --> 00:19:55,235
WOULDN'T TAKE A BLACK
LIGHT TO.
354
00:19:55,319 --> 00:19:57,946
>> I'M HERE FOR IT.
355
00:19:58,030 --> 00:20:04,953
>> Narrator: AND THEY GO
THE FULL MILEY.
356
00:20:05,037 --> 00:20:07,915
[CHEERING]
[YELLING]
357
00:20:07,998 --> 00:20:10,584
[APPLAUSE AND CHEERING]
>> Narrator: FINALLY,
358
00:20:10,667 --> 00:20:14,296
THEY MUST PIGGYBACK THEIR
GIRL WITHOUT DROPPING
359
00:20:14,379 --> 00:20:20,260
THEM, WHILE WALKING THEM
THROUGH WET CEMENT, OR AS
360
00:20:20,344 --> 00:20:23,972
CONCRETERS CALL IT, ARE
YOU FREAKING KIDDING ME?
361
00:20:24,056 --> 00:20:26,099
I'VE BEEN WORKING ON THAT
ALL DAY.
362
00:20:26,183 --> 00:20:26,850
AND LIKE ALL CONSTRUCTION
SITES, YOU FINISH THE JOB
363
00:20:26,934 --> 00:20:28,226
WITH A PASSIONATE MAKEOUT
SESSION.
364
00:20:34,566 --> 00:20:36,360
>> SO SEXY, SO STEAMY.
365
00:20:36,443 --> 00:20:39,988
THAT WAS NOT A FRIENDSHIP
KISS.
366
00:20:40,072 --> 00:20:45,369
FULL STEAM AHEAD FOR THAT
ROMANCE, FOR SURE.
367
00:20:45,452 --> 00:20:47,412
>> LET ME SEE THOSE MOVES,
SAILOR.
368
00:20:47,496 --> 00:20:55,337
>> LADIES, YOU WANT TO SEE
A REAL MAN --
369
00:20:55,420 --> 00:20:58,799
>> YEAH!
370
00:20:58,882 --> 00:21:02,010
[YELLING]
[CHEERING]
371
00:21:02,094 --> 00:21:04,554
>> MY HAT ALMOST CAME OFF.
372
00:21:04,638 --> 00:21:10,727
>> IN TODAY'S CHALLENGE, I
WAS LIVING FOR IT.
373
00:21:10,811 --> 00:21:15,691
[YELLING]
♪♪
374
00:21:15,774 --> 00:21:16,149
>> YAY!
375
00:21:16,233 --> 00:21:19,569
>> HE FEELS GOOD.
376
00:21:19,653 --> 00:21:23,407
>> CALEB IS TALKING REALLY
DISS TO THE GIRLS.
377
00:21:23,490 --> 00:21:26,994
[YELLING]
>> OH, MAN, IT'S REAL HOT
378
00:21:27,077 --> 00:21:29,997
IN HERE.
379
00:21:30,080 --> 00:21:30,998
[YELLING]
>> IT WAS JUST AMAZING.
380
00:21:31,081 --> 00:21:35,335
LITERALLY, THE BODY ROLLS,
THE ABS, OH, MY GOSH.
381
00:21:35,419 --> 00:21:41,341
THANK YOU, LORD.
382
00:21:41,425 --> 00:21:42,009
[YELLING]
[CHEERING]
383
00:21:42,092 --> 00:21:43,343
>> GO, GO, GO!
384
00:21:43,427 --> 00:21:48,473
>> I WAS SO IMPRESSED WITH
HIM, HONESTLY.
385
00:21:48,557 --> 00:21:54,229
>> I HAD ONE OBJECTIVE: DO
NOT DROP JUSTINE BECAUSE I
386
00:21:54,312 --> 00:21:57,858
KNEW SHE WOULD ABSOLUTELY
KILL ME.
387
00:21:57,941 --> 00:21:58,859
>> C'MON, BABY.
388
00:21:58,942 --> 00:22:01,528
>> IF I GOT HER HAIR STUCK
IN THERE, I WOULD HAVE
389
00:22:01,611 --> 00:22:03,822
BEEN SLEEPING IN THE
DAYBED TONIGHT.
390
00:22:03,905 --> 00:22:09,911
>> IS IT ME OR IS IT
GETTING REAL HOT IN HERE?
391
00:22:09,995 --> 00:22:12,039
[YELLING]
[CHEERING]
392
00:22:15,625 --> 00:22:19,087
>> LET'S GO!
393
00:22:19,171 --> 00:22:20,422
>> IT WAS A GOOD TIME.
394
00:22:20,505 --> 00:22:22,466
IT WAS A SHOW, I'LL TELL
YOU.
395
00:22:22,549 --> 00:22:26,428
[CHEERING]
>> WORK IT!
396
00:22:26,511 --> 00:22:30,599
>> HE'S GOT SOME MOVES IN
THERE.
397
00:22:30,682 --> 00:22:31,475
>> PERFECT VIBES.
398
00:22:31,558 --> 00:22:37,773
>> THE STRIPPING SITUATION --
[YELLING]
399
00:22:37,856 --> 00:22:41,651
[CHEERING]
>> -- I HOPE MY PARENTS
400
00:22:41,735 --> 00:22:42,319
DON'T WATCH.
401
00:22:42,402 --> 00:22:44,905
>> HERE WE GO!
402
00:22:44,988 --> 00:22:50,452
♪ I CAME IN LIKE A
WRECKING BALL ♪
403
00:22:50,535 --> 00:22:53,330
♪♪
>> OH, MY GOSH!
404
00:22:53,413 --> 00:22:55,665
♪ ALL I WANTED WAS TO
BREAK YOU UP ♪
405
00:22:55,749 --> 00:22:59,294
>> ALL OF THE BOYS IN
TODAY'S CHALLENGE, I TIP
406
00:22:59,377 --> 00:23:06,593
MY HAT TO Y'ALL.
407
00:23:06,676 --> 00:23:07,302
>> OH!
408
00:23:07,385 --> 00:23:11,014
OH, MY GOSH, IT'S A BOLD
MOVE.
409
00:23:11,098 --> 00:23:14,309
♪♪
>> OH, MY GOSH, THIS IS
410
00:23:14,392 --> 00:23:14,684
TERRIFYING.
411
00:23:14,768 --> 00:23:18,396
ARE YOU READY?
412
00:23:18,480 --> 00:23:24,361
OH, MY GOSH!
413
00:23:24,444 --> 00:23:25,403
[YELLING]
[CHEERING]
414
00:23:25,487 --> 00:23:29,991
>> FOR HIM TO TAKE HER ON
THAT CHALLENGE IS LIKE A
415
00:23:30,075 --> 00:23:31,118
SLAP IN THE FACE TO ME.
416
00:23:31,201 --> 00:23:33,870
IT IS NOT THE FIRST TIME
HE HAS MADE ME FEEL LIKE
417
00:23:33,954 --> 00:23:37,332
I'M A SECOND OPTION.
418
00:23:37,415 --> 00:23:39,876
[YELLING]
>> LET'S FINISH THIS OFF,
419
00:23:39,960 --> 00:23:40,627
BOYS.
420
00:23:40,710 --> 00:23:42,671
WHATCHA GOT?
421
00:23:42,754 --> 00:23:46,508
>> OH, NO!
422
00:23:46,591 --> 00:23:55,517
♪♪
>> RIGHT NOW I'M KIND OF
423
00:23:55,600 --> 00:23:59,187
JUST REALLY PISSED OFF.
424
00:23:59,271 --> 00:24:00,522
THIS IS RIDICULOUS.
425
00:24:00,605 --> 00:24:04,526
>> IT'S A CHALLENGE.
426
00:24:04,609 --> 00:24:07,487
>> I'M JUST TRYING TO HAVE
SOME FUN.
427
00:24:07,571 --> 00:24:09,364
>> HOW WAS IT?
428
00:24:09,447 --> 00:24:11,992
>> HE IS A GREAT KISSER.
429
00:24:12,075 --> 00:24:17,497
>> YOU HAVE SOME
CARRINGTON ON YOUR FACE.
430
00:24:17,581 --> 00:24:18,665
>> OH!
431
00:24:18,748 --> 00:24:20,500
>> Narrator: ALL RIGHT,
ENOUGH DRAMA.
432
00:24:20,584 --> 00:24:26,423
LET'S SEE JOHNNY AUDITION
FOR MAGIC MIKE FIVE, THE
433
00:24:26,506 --> 00:24:30,177
THRUSTING.
434
00:24:30,260 --> 00:24:30,635
♪♪
>> OH, MY GOSH, THE LITTLE
435
00:24:30,719 --> 00:24:31,511
SPEEDOS.
436
00:24:31,595 --> 00:24:37,058
I DON'T KNOW WHAT WE DID
TO DESERVE THAT.
437
00:24:37,142 --> 00:24:39,728
♪♪
>> I WAS, LIKE, SOMEONE
438
00:24:39,811 --> 00:24:44,399
GET THIS MAN -- WHOSE MAN?
439
00:24:44,482 --> 00:24:51,364
OH, THAT'S MY MAN.
440
00:24:51,448 --> 00:24:54,576
[YELLING]
>> BENNETT IS FREAKY.
441
00:24:54,659 --> 00:25:01,124
I'M HERE FOR IT.
442
00:25:03,168 --> 00:25:07,714
>> WHEN BENNETT PICKED
LAUREL, I WAS, LIKE, YES,
443
00:25:07,797 --> 00:25:09,591
THANK YOU.
444
00:25:09,674 --> 00:25:15,597
PUT THIS GIRL BACK IN THE
GAME.
445
00:25:15,680 --> 00:25:17,098
[YELLING]
[CHEERING]
446
00:25:17,182 --> 00:25:19,226
>> YES!
447
00:25:25,148 --> 00:25:28,652
[YELLING]
[APPLAUSE]
448
00:25:28,735 --> 00:25:30,654
>> Narrator: I THINK IT
IS PRETTY OBVIOUS WHO WON
449
00:25:30,737 --> 00:25:33,657
THE COMPETITION -- ALL
RIGHT, IT'S NOT OBVIOUS AT
450
00:25:33,740 --> 00:25:34,199
ALL.
451
00:25:34,282 --> 00:25:35,116
TAKE IT AWAY, LAUREL.
452
00:25:35,200 --> 00:25:41,623
>> WE THINK THE SEXIEST
GUY IN THE CHALLENGE
453
00:25:41,706 --> 00:25:46,920
WAS -- DRUMROLL, PLEASE --
BENNETT!
454
00:25:47,003 --> 00:25:47,629
[CHEERING]
[YELLING]
455
00:25:47,712 --> 00:25:48,672
>> LET'S GO BACK TO THE
VILLA.
456
00:26:08,817 --> 00:26:11,528
>> OH, YEAH, BACK IN THE
VILLA.
457
00:26:11,611 --> 00:26:13,446
>> Narrator: THE
ISLANDERS ARE BACK IN A
458
00:26:13,530 --> 00:26:15,740
SCENE THAT LOOKS SIMILAR
TO MY VISION BOARD.
459
00:26:15,824 --> 00:26:18,994
>> YOU GUYS HAVE TO WEAR
THESE ALL OF THE TIME.
460
00:26:19,077 --> 00:26:21,121
>> WEAR THEM FOR THE REST
OF THE DAY.
461
00:26:21,204 --> 00:26:23,373
>> Narrator: THE BOYS
CHAT ABOUT WHO THEY
462
00:26:23,456 --> 00:26:25,500
KISSED, INSTEAD OF DOING
WHAT I WOULD DO, WHICH IS
463
00:26:25,583 --> 00:26:27,711
CLEAN THE SAWDUST OUT OF
MY SPEEDO.
464
00:26:27,794 --> 00:26:30,046
I HAVE SENSITIVE SKIN.
465
00:26:30,130 --> 00:26:30,714
>> I CAN'T GO BACK TO MY
OLD LIFE.
466
00:26:30,797 --> 00:26:33,008
I WAS MADE FOR THE POLE.
467
00:26:33,091 --> 00:26:35,135
>> I WAS PRETTY PROUD OF
MYSELF.
468
00:26:36,845 --> 00:26:39,723
>> BASED ON THE STRIPPER
ONE, I DIDN'T THINK CALEB
469
00:26:39,806 --> 00:26:42,684
WOULD DO AS GOOD AS HE
DID.
470
00:26:42,767 --> 00:26:46,855
>> LITERALLY, THEY ALL
WENT OUT THERE AND DID
471
00:26:46,938 --> 00:26:47,689
THEIR THING.
472
00:26:47,772 --> 00:26:51,776
>> I TAKE MY HAT OFF TO
YOU, BUDDY.
473
00:26:51,860 --> 00:26:58,491
>> WHY DID YOU CHOOSE
LAUREL?
474
00:26:58,575 --> 00:26:59,534
>> BROTHER ANNULMENT.
475
00:26:59,617 --> 00:26:59,784
>> ARE YOU INTERESTED IN
LAUREL OR IS IT MORE OF A
476
00:26:59,868 --> 00:27:00,368
STUNT?
477
00:27:00,452 --> 00:27:02,370
>> IT WAS MORE OF A STUNT.
478
00:27:02,454 --> 00:27:05,749
TODAY WAS MAKING A
STATEMENT TO KIERSTAN, SHE
479
00:27:05,832 --> 00:27:10,837
PICKED ME, BUT SHE HASN'T
PROGRESSED.
480
00:27:10,920 --> 00:27:17,761
I'M HOPING IT WILL LIGHT A
FIRE UNDER HER.
481
00:27:17,844 --> 00:27:22,057
>> I DID GET THE CLARITY
THAT I NEEDED, NOT BECAUSE
482
00:27:22,140 --> 00:27:25,226
HE PICKED YOU, BUT BECAUSE
IT MADE ME REALIZE I DID
483
00:27:25,310 --> 00:27:25,769
WANT HIM TO PICK ME.
484
00:27:25,852 --> 00:27:26,770
AND THAT IS A BIG THING.
485
00:27:26,853 --> 00:27:29,356
I'M ACTUALLY VERY
RELIEVED.
486
00:27:29,439 --> 00:27:30,357
>> I THINK SOMEBODY HAS A
KISS TO TALK ABOUT.
487
00:27:30,440 --> 00:27:34,444
>> YEAH, THE KISS FELT
REALLY GOOD, BUT I'M GOING
488
00:27:34,527 --> 00:27:37,697
TO BE SUPER NICE TO LAUREL
WHILE TRYING TO GET TO
489
00:27:37,781 --> 00:27:40,325
KNOW LAKEYN.
490
00:27:40,408 --> 00:27:43,078
>> EVERYONE SAYS THEY'RE
NOT GOING TO TURN YOUR
491
00:27:43,161 --> 00:27:44,037
HEAD.
492
00:27:44,120 --> 00:27:48,416
I DIDN'T WANT TO, BUT MY
HEAD IS FULLY TURNED.
493
00:27:48,500 --> 00:27:53,546
I LIKE LAUREL, BUT I'M
INTERESTED IN LAKEYN.
494
00:27:53,630 --> 00:27:54,798
SHE DEFINITELY WANTED TO
DO THIS WITH CALVIN AT ONE
495
00:27:54,881 --> 00:27:57,884
POINT, SO I GET THE SAME
RIGHT.
496
00:27:57,967 --> 00:27:58,968
>> I WAS SHOCKED.
497
00:27:59,052 --> 00:28:01,805
BUT I'M TIRED OF FEELING
LIKE I'M THE SECOND OPTION
498
00:28:01,888 --> 00:28:03,723
IN THIS VILLA.
499
00:28:03,807 --> 00:28:06,559
AT THIS POINT, EVERYTHING
IS UP IN THE AIR.
500
00:28:06,643 --> 00:28:08,311
WHEN YOU HAVE A
CONVERSATION, IT IS NOT
501
00:28:08,395 --> 00:28:09,270
GOING TO BE A FUN ONE.
502
00:28:09,354 --> 00:28:14,317
AT THIS POINT, I FEEL LIKE
I'M DOING MYSELF AN
503
00:28:14,401 --> 00:28:17,821
INJUSTICE BY LETTING HIM
WALK ALL OVER ME.
504
00:28:17,904 --> 00:28:24,369
NO OFFENSE, I FEEL LIKE IT
IS DISRESPECTFUL FOR HIM
505
00:28:24,452 --> 00:28:26,788
TO BE SPENDING ALL THIS
TIME WITH ME, TWO WEEKS,
506
00:28:26,871 --> 00:28:32,127
AND THEN A SHINY NEW TOY
WALKS IN, AND IT'S, LIKE,
507
00:28:32,210 --> 00:28:32,794
I DN'T KNOW HOW I FEEL.
508
00:28:32,877 --> 00:28:34,921
SORRY.
509
00:28:35,004 --> 00:28:38,675
>> DON'T APOLOGIZE.
510
00:28:38,758 --> 00:28:39,717
YOU HAVE NOTHING TO
APOLOGIZE FOR.
511
00:28:39,801 --> 00:28:46,558
>> I OBVIOUSLY WANTED TO
CHOOSE YOU BECAUSE I FEEL
512
00:28:46,641 --> 00:28:51,938
LIKE I TRUSTED YOU A
COUPLE OF DAYS AGO, AND I
513
00:28:52,021 --> 00:28:53,982
WAS INTERESTED IN GETTING
TO KNOW YOU.
514
00:28:54,065 --> 00:28:56,818
>> WHAT A ROAD WE'VE DOWN
IN HERE.
515
00:28:56,901 --> 00:28:58,653
>> I KNOW.
516
00:28:58,736 --> 00:28:59,696
WHAT A ROAD.
517
00:28:59,779 --> 00:29:02,782
>> IT'S BEEN ALL OVER THE
PLACE FOR US, BUT I DON'T
518
00:29:02,866 --> 00:29:07,620
KNOW, I GET THE SAME
FEELINGS, AND THE
519
00:29:07,704 --> 00:29:09,831
BUTTERFLIES I DID WHEN WE
FIRST KIND OF STARTED.
520
00:29:09,914 --> 00:29:12,459
BUT IT FEELS BETTER NOW
BECAUSE I FEEL LIKE
521
00:29:12,542 --> 00:29:15,503
BECAUSE WE'VE BEEN THROUGH
SO MUCH, I FEEL LIKE I
522
00:29:15,587 --> 00:29:19,966
KNOW YOU BETTER, AND YOU
KNOW ME BETTER.
523
00:29:20,049 --> 00:29:23,636
AND ALSO THERE IS MORE
COMFORT WITH EACH OTHER.
524
00:29:23,720 --> 00:29:27,056
>> I'M NOT REALLY
INTERESTED IN ANYONE ELSE,
525
00:29:27,140 --> 00:29:28,099
HONESTLY.
526
00:29:28,183 --> 00:29:30,143
AND I'M LOOKING FORWARD TO
MOVING FORWARD WITH YOU.
527
00:29:30,226 --> 00:29:30,602
>> WHAT?
528
00:29:30,685 --> 00:29:32,854
>> AND TO -- YEAH.
529
00:29:32,937 --> 00:29:35,732
AND SEEING ALL THAT IT IS.
530
00:29:35,815 --> 00:29:43,865
>> OH, MY -- DO YOU WANT
TO BE MY BOYFRIEND -- JUST
531
00:29:43,948 --> 00:29:44,282
KIDDING.
532
00:29:44,365 --> 00:29:45,200
>> DAY BY DAY.
533
00:29:45,283 --> 00:29:47,076
>> DAY BY DAY.
534
00:29:47,160 --> 00:29:50,663
>> I APPRECIATE IT.
535
00:29:50,747 --> 00:29:53,208
>> Narrator: WELL, IT'S
ONLY TAKEN 30 HOURS OF
536
00:29:53,291 --> 00:29:56,836
BROADCAST TELEVISION, BUT
MOIRA MAY FINALLY KNOW
537
00:29:56,920 --> 00:30:00,006
WHERE HER HEAD'S AT.
538
00:30:00,089 --> 00:30:04,886
SO THE KISS WITH LAKEYN
COULD BE WEAKEN THE
539
00:30:04,969 --> 00:30:13,061
FOUNDATION OF LAUREL AND
CONSTRUCTINGTON'S
540
00:30:13,144 --> 00:30:13,561
FOUNDATION.
541
00:30:13,645 --> 00:30:15,730
>> HOW ARE YOU DOING?
542
00:30:15,813 --> 00:30:16,564
>> NOT GOOD.
543
00:30:16,648 --> 00:30:19,234
IT,AND WE NEVER HAD A
CONVERSATION.
544
00:30:19,317 --> 00:30:24,948
I FEEL LIKE IT'S A SLAP IN
THE FACE.
545
00:30:25,031 --> 00:30:26,991
WHEN WE HAD OUR
CONVERSATION OVER THERE,
546
00:30:27,075 --> 00:30:30,954
TALKING ABOUT CALVIN, YOU
TOLD ME THAT IF I WANTED
547
00:30:31,037 --> 00:30:33,915
TO GET TO KNOW HIM, THAT
WAS FINE.
548
00:30:33,998 --> 00:30:35,959
IF ANY NEW GIRLS CAME IN,
YOU DID NOT WANT TO GET TO
549
00:30:36,042 --> 00:30:40,713
KNOW THEM, AND THEN A GIRL
WALKS IN THE NEXT DAY, AND
550
00:30:40,797 --> 00:30:43,925
YOU'RE, LIKE, OH, NEW
SHINY TOY.
551
00:30:44,008 --> 00:30:47,720
>> YOU SAID THE SAME THING
HERE AND HAD THE SAME
552
00:30:47,804 --> 00:30:49,973
CONVERSATION --
>> BUT THAT WAS DIFFERENT.
553
00:30:50,056 --> 00:30:52,058
>> IN ALL HONESTY, WHAT I
SAID I MEANT.
554
00:30:52,141 --> 00:30:56,271
I HAD NO IDEA SOMEONE WAS
GOING TO COME IN AND BE
555
00:30:56,354 --> 00:30:57,438
EXACTLY THE SAME AS ME.
556
00:30:57,522 --> 00:30:59,732
I HAD NO INTENTIONS OF
THAT.
557
00:30:59,816 --> 00:31:01,401
>> SO YOU SLEPT ON IT.
558
00:31:01,484 --> 00:31:03,152
ARE YOU INTERESTED IN
GETTING TO KNOW HER?
559
00:31:03,236 --> 00:31:05,780
>> I DO WANT TO GET TO
KNOW HER.
560
00:31:05,863 --> 00:31:08,283
BUT IT SOUNDS LIKE THE
TALK THAT WE HAD WHERE YOU
561
00:31:08,366 --> 00:31:10,994
SAID IT WOULD BE OKAY, IT
DOESN'T SEEM LIKE IT IS
562
00:31:11,077 --> 00:31:12,036
OKAY NOW.
563
00:31:12,120 --> 00:31:14,289
>> I DON'T UNDERSTAND HOW
YOU CAN TELL ME YOU FEEL
564
00:31:14,372 --> 00:31:17,333
ALL OF THESE THINGS, YOU
FEEL THIS WAY, AND I KNOW
565
00:31:17,417 --> 00:31:19,836
HOW I FEEL, AND IT IS
REALLY HARD FOR ME TO SIT
566
00:31:19,919 --> 00:31:20,962
HERE AND JUST TAKE THIS.
567
00:31:21,045 --> 00:31:25,133
>> YOU CONTEMPLATED IT,
AND I CONTEMPLATED IT, AND
568
00:31:25,216 --> 00:31:27,010
MY ANSWER IS DIFFERENT,
BUT --
569
00:31:27,093 --> 00:31:28,011
>> OKAY.
570
00:31:28,094 --> 00:31:29,637
>> WE TALKED ABOUT THIS,
AND YOU SAID THAT IT IS
571
00:31:29,721 --> 00:31:30,638
FINE.
572
00:31:30,722 --> 00:31:34,100
I GET IT IS UPSETTING, BUT
I CAN'T HELP HOW I FEEL.
573
00:31:34,183 --> 00:31:38,104
>> OKAY.
574
00:31:38,187 --> 00:31:40,481
OKAY!
575
00:31:40,565 --> 00:31:42,066
♪♪
>> I GET IT.
576
00:31:42,150 --> 00:31:47,155
>> I JUST WANT TO SAY --
ALL RIGHT.
577
00:31:47,238 --> 00:31:49,991
♪♪
>> IT'S HARD FOR ME TO SIT
578
00:31:50,074 --> 00:31:53,119
HERE AND LISTEN TO YOU SAY
YOU WANT TO GET TO KNOW
579
00:31:53,202 --> 00:31:54,370
SOMEONE ELSE AFTER
EVERYTHING.
580
00:31:54,454 --> 00:31:54,871
>> I UNDERSTAND.
581
00:31:54,954 --> 00:31:57,999
I JUST --
>> OKAY.
582
00:31:58,082 --> 00:32:02,003
OKAY.
583
00:32:02,086 --> 00:32:07,759
♪♪
♪ I JUST NEED TO BE
584
00:32:07,842 --> 00:32:09,010
ALONE ♪
♪ I DON'T WANT TO HURT
585
00:32:09,093 --> 00:32:10,136
YOU ♪
♪ HURT YOU LIKE I DO ♪
586
00:32:21,189 --> 00:32:23,107
♪♪
♪ YOU WANT A PEACEFUL
587
00:32:23,191 --> 00:32:24,108
LFE ♪
>> Narrator: LAUREL IS
588
00:32:24,192 --> 00:32:32,033
HEARTBROKEN AFTER
CONSTRUCTION WORKER
589
00:32:32,116 --> 00:32:35,078
CARRINGTON KISSED LAKEYN
IN THE CHALLENGE.
590
00:32:35,161 --> 00:32:37,914
>> I'M DONE TALKING.
591
00:32:37,997 --> 00:32:38,748
>> OKAY.
592
00:32:38,831 --> 00:32:45,088
♪ YOU SAID YOU WANT A
PEACEFUL LIFE ♪
593
00:32:45,171 --> 00:32:48,883
♪ SO WHY YOU ALWAYS
PLAYING WITH FIRE ♪
594
00:32:48,966 --> 00:33:03,815
♪ A LITTLE TEMPTATION ♪
♪♪
595
00:33:03,898 --> 00:33:07,110
♪ A LITTLE TEMPTATION ♪
♪♪
596
00:33:07,193 --> 00:33:10,071
>> WHAT HAPPENED?
597
00:33:10,154 --> 00:33:10,947
TELL ME.
598
00:33:11,030 --> 00:33:13,449
>> I FEEL LIKE A COMPLETE
IDIOT.
599
00:33:13,533 --> 00:33:16,202
>> HE PULLED YOU FOR A
CHAT.
600
00:33:16,285 --> 00:33:19,080
>> I TOLD HIM, LIKE,
EVERYTHING THAT I SAID TO
601
00:33:19,163 --> 00:33:24,919
Y'ALL, AND HE TOLD ME,
LIKE, IT WAS JUST A
602
00:33:25,002 --> 00:33:25,628
CHALLENGE.
603
00:33:25,712 --> 00:33:29,257
AND I JUST THOUGHT I WOULD
DO IT.
604
00:33:29,340 --> 00:33:34,053
BUT IT'S NOT BECAUSE YOU
DIDN'T EXPRESS IN ME YOU
605
00:33:34,137 --> 00:33:37,473
HAD AN INTEREST IN HER.
606
00:33:37,557 --> 00:33:43,104
I'VE BEEN MADE TO LOOK
LIKE A FOOL IN HERE.
607
00:33:43,187 --> 00:33:47,066
>> SHE MADE ME SO MAD.
608
00:33:47,150 --> 00:33:51,612
I HATE PEOPLE WHO JUST
GO...AND PEOPLE GO, I KNOW
609
00:33:51,696 --> 00:33:54,115
I SAID THAT, AND I DID SAY
THAT AND I MEANT THAT.
610
00:33:54,198 --> 00:33:57,452
IT MAKES SENSE FOR ME TO
GET TO KNOW HER.
611
00:33:57,535 --> 00:33:58,244
>> WHAT'S WRONG WITH ME?
612
00:33:58,327 --> 00:34:05,001
>> THERE IS NOTHING WRONG
WITH YOU.
613
00:34:05,084 --> 00:34:07,754
[SOBBING]
>> YOU DO OBVIOUSLY CARE A
614
00:34:07,837 --> 00:34:10,131
TON ABOUT LAUREL --
>> OR ELSE I WOULD BE --
615
00:34:10,214 --> 00:34:17,138
>> YOU WOULD, LIKE, I LIKE
HER MORE.
616
00:34:17,221 --> 00:34:21,142
>> DID HE LITERALLY DO,
LIKE, I CAN'T DO THIS AND
617
00:34:21,225 --> 00:34:22,435
GOT UP?
618
00:34:22,518 --> 00:34:24,520
>> YES.
619
00:34:24,604 --> 00:34:25,188
HE SAID I WAS HUFFING AND
PUFFING AND ROLLING MY
620
00:34:25,271 --> 00:34:29,192
>> I'M SHOCKED, BUT I'M
NOT.
621
00:34:29,275 --> 00:34:31,194
>> HOW AM I GOING TO SLEEP
IN BED WITH HIM AFTER
622
00:34:31,277 --> 00:34:32,028
THIS?
623
00:34:32,111 --> 00:34:38,201
♪ I DON'T THINK I'LL SLEEP
TONIGHT ♪
624
00:34:38,284 --> 00:34:42,163
♪ KNOWING YOU'RE WITH
SOMEONE NEW ♪
625
00:34:42,246 --> 00:34:44,165
>> HOW DID YOUR TALK WITH
CARRINGTON GO?
626
00:34:44,248 --> 00:34:47,293
>> HE WALKED AWAY AND I
ENDED UP CRYING.
627
00:34:47,376 --> 00:34:50,505
>> HE WALKED AWAY?
628
00:34:50,588 --> 00:34:51,380
>> YES.
629
00:34:51,464 --> 00:34:53,716
I'M SORRY, I HAVE
EMOTIONS.
630
00:34:53,800 --> 00:34:56,385
I'M A PERSON.
631
00:34:56,469 --> 00:35:04,060
♪♪
>> AH!
632
00:35:04,143 --> 00:35:07,522
>> YOU HAVE TO TAKE
RESPONSIBILITY FOR YOUR
633
00:35:07,605 --> 00:35:07,855
ACTIONS.
634
00:35:07,939 --> 00:35:08,689
>> I KNOW.
635
00:35:08,773 --> 00:35:11,859
>> Narrator: THINGS ARE
GETTING REAL.
636
00:35:11,943 --> 00:35:16,531
PLUS THERE IS ALWAYS
MAKE-UP, EVENING WEAR AND
637
00:35:16,614 --> 00:35:18,157
WINE TO CHANGE THE MOOD.
638
00:35:18,241 --> 00:35:28,417
♪ YOU'RE THE REASON ♪
♪♪
639
00:35:28,501 --> 00:35:34,674
♪♪
>> Narrator: THEN
640
00:35:34,757 --> 00:35:37,844
BENNETT CHOSE TO KISS
KIERSTAN IN THE CHALLENGE.
641
00:35:37,927 --> 00:35:42,265
>> I CAME IN HERE VERY
HEAD-STRONG TO COME AFTER
642
00:35:42,348 --> 00:35:43,266
YOU.
643
00:35:43,349 --> 00:35:46,185
AND I FEEL LIKE WE'VE BEEN
AT A STAND STILL SINCE
644
00:35:46,269 --> 00:35:47,061
I'VE GOTTEN IN HERE.
645
00:35:47,144 --> 00:35:48,062
>> I AGREE.
646
00:35:48,145 --> 00:35:50,356
>> I DID NOT PICK YOU
TODAY IN THE CHALLENGE TO
647
00:35:50,439 --> 00:35:51,232
KISS YOU.
648
00:35:51,315 --> 00:35:53,568
THERE WAS IN MY HEAD A
GOOD REASON FOR IT.
649
00:35:53,651 --> 00:35:56,404
I KIND OF WANTED TO DO
THAT TO JUST LIGHT SOME
650
00:35:56,487 --> 00:35:58,406
SORT OF FIRE THERE WITH
YOU.
651
00:35:58,489 --> 00:36:01,576
IT WAS, LIKE, TO MAKE YOU
JEALOUS, IN A SENSE.
652
00:36:01,659 --> 00:36:06,247
>> AND YOU THOUGHT THAT
WAS A GOOD IDEA WHY?
653
00:36:06,330 --> 00:36:10,418
>> BECAUSE I FEEL YOU
WEREN'T -- YOU HAVEN'T
654
00:36:10,501 --> 00:36:11,294
BEEN REALLY SHOWING ME A
LOT OF PHYSICAL OR
655
00:36:11,377 --> 00:36:14,297
EMOTIONAL ATTRACTION.
656
00:36:14,380 --> 00:36:16,299
>> YEAH, THINGS HAVE BEEN
MOVING VERY SLOW, AND THEY
657
00:36:16,382 --> 00:36:19,385
HAVE BEEN AT A STANDSTILL
BECAUSE I JUST HAVEN'T --
658
00:36:19,468 --> 00:36:21,929
I WAS SURE.
659
00:36:22,013 --> 00:36:24,724
TODAY KIND OF GAVE ME
CLARITY IN THE SENSE OF,
660
00:36:24,807 --> 00:36:27,935
FOR LACK OF A BETTER WORD,
I WAS KIND OF RELIEVED
661
00:36:28,019 --> 00:36:29,103
THAT I WASN'T PICKED.
662
00:36:29,186 --> 00:36:29,770
>> YES.
663
00:36:29,854 --> 00:36:31,939
>> I'M NOT PLAYING A GAME.
664
00:36:32,023 --> 00:36:34,650
I'M HERE TO FIND SOMEBODY.
665
00:36:34,734 --> 00:36:36,152
OBVIOUSLY, ME TELLING YOU
WHERE I'M AT, I DON'T
666
00:36:36,235 --> 00:36:39,447
THINK WE WOULD BE GOING
ANYWHERE.
667
00:36:39,530 --> 00:36:41,991
>> SHE DIDN'T TAKE MY
EXPLANATION WELL.
668
00:36:42,074 --> 00:36:45,453
I TRIED TO WORD IT THE
BEST I COULD, THE WHOLE
669
00:36:45,536 --> 00:36:46,454
LIGHTING THE FIRE THING.
670
00:36:46,537 --> 00:36:49,332
I DON'T THINK SHE TOOK IT
THE SAME WAY, WHICH IS
671
00:36:49,415 --> 00:36:50,207
UNDERSTANDABLE.
672
00:36:50,291 --> 00:36:53,294
I THINK MAYBE SHE IS KIND
OF DONE HERE.
673
00:36:53,377 --> 00:36:55,630
I APPRECIATE YOU BEING SO
REAL AND HONEST.
674
00:36:55,713 --> 00:36:56,547
>> YEAH, OF COURSE.
675
00:36:56,631 --> 00:37:00,301
>> IF YOU EVER NEED
ANYTHING, I'VE GOTCHA.
676
00:37:00,384 --> 00:37:01,260
>> THANK YOU.
677
00:37:01,344 --> 00:37:06,390
>> Narrator: IT IS NOT
AS HARD AS CUTTING A A
678
00:37:06,474 --> 00:37:09,185
CAESAR'S PROMO WHEN YOU
RUN OUT OF THE FOOTAGE.
679
00:37:09,268 --> 00:37:21,280
BUT YOU COULD USE THIS
PROMOTION FOR CAESAR'S!
680
00:37:21,364 --> 00:37:27,954
>> Narrator: THEY GOT
THIS WALLPAPER, MY
681
00:37:28,037 --> 00:37:30,373
FAVORITE.
682
00:37:30,456 --> 00:37:35,127
ZIP LINE, EIFFEL TOWER,
LITTLE STRONG SUIT.
683
00:37:35,211 --> 00:37:39,382
AND THEN THEY'VE GOT NIGHT
WHEELS, TEEPEES AND MORE.
684
00:37:39,465 --> 00:37:41,509
THEY'VE GOT A WEBSITE!
685
00:37:54,522 --> 00:37:55,523
♪♪
>> Narrator: CALEB WANTS
686
00:37:55,606 --> 00:38:01,862
MORE TIME WITH JUSTINE, SO
HE COMES IN WARM AND GOOEY
687
00:38:01,946 --> 00:38:05,366
WITH A S'MORES PLATTER TO
MELT THEM INTO SOMETHING
688
00:38:05,449 --> 00:38:08,369
MORE WARM AND GOOEY.
689
00:38:08,452 --> 00:38:12,331
>> IT LOOKS LIKE YOU'RE
HAVING A GREAT TIME, BUT I
690
00:38:12,415 --> 00:38:20,214
WAS WONDERING IF YOU WOULD
JOIN ME BY THE FIRE PIT.
691
00:38:20,297 --> 00:38:21,549
>> THIS IS SO CUTE.
692
00:38:21,632 --> 00:38:23,175
>> DO YOU LIKE S'MORES?
693
00:38:23,259 --> 00:38:24,301
>> I LOVE S'MORES.
694
00:38:24,385 --> 00:38:25,219
>> GOOD.
695
00:38:25,302 --> 00:38:28,681
>> OH, MY GOSH, CALEB, DID
YOU SET THIS UP?
696
00:38:28,764 --> 00:38:31,892
>> HEY, YOU KNOW WHAT I'M
SAYING.
697
00:38:31,976 --> 00:38:36,063
JOHNNY BOY OVER HERE HAS
GOT ALL THESE CRAZY
698
00:38:36,147 --> 00:38:36,647
SCAVENGER HUNTS.
699
00:38:36,731 --> 00:38:38,441
>> THIS FEELS LIKE HOME.
700
00:38:38,524 --> 00:38:43,529
CAN I TELL YOU ABOUT THE
FIREPLACE I BUILT WITH MY
701
00:38:43,612 --> 00:38:43,821
SISTER?
702
00:38:43,904 --> 00:38:44,780
>> SURE.
703
00:38:44,864 --> 00:38:48,367
WHEN I WAS AT MY DAD'S
HOUSE, AS A KID GROWING
704
00:38:48,451 --> 00:38:51,454
UP, HE WOULD PUT TOGETHER
LITTLE FAMILY FIRES OR
705
00:38:51,537 --> 00:38:54,457
BARBECUES, AND WE WOULD,
LIKE, LAY SOME WOOD OUT
706
00:38:54,540 --> 00:38:57,877
AND ME AND MY LITTLE
BROTHERS AND MY SISTER WOE
707
00:38:57,960 --> 00:38:59,295
GO OUT THERE AND MAKE
S'MORES.
708
00:38:59,378 --> 00:39:03,924
>> CALEB CONTINUES TO
SURPRISE ME IN, LIKE,
709
00:39:04,008 --> 00:39:05,092
EVERY WAY.
710
00:39:05,176 --> 00:39:06,927
I'M, LIKE, WHO IS THIS
GUY?
711
00:39:07,011 --> 00:39:08,346
WHERE DID I MEET HIM AT?
712
00:39:08,429 --> 00:39:09,430
>> LET'S GET OUR CRACKERS
READY.
713
00:39:09,513 --> 00:39:11,766
>> THAT'S A GOOD IDEA.
714
00:39:11,849 --> 00:39:12,683
I LOVE THIS.
715
00:39:12,767 --> 00:39:14,435
DO YOU LYING A LOT OF
CHOCOLATE ON YOURS?
716
00:39:14,518 --> 00:39:18,939
>> YOU KNOW I LIKE A LOT
OF CHOCOLATE.
717
00:39:19,023 --> 00:39:23,110
BUT THERE IS NOT A DOUBT
IN MY MIND WHENEVER IT WAS
718
00:39:23,194 --> 00:39:25,863
THAT I MADE THE DECISION I
WANTED TO BE IN JUSTINE,
719
00:39:25,946 --> 00:39:27,740
THAT IT WASN'T THE BEST
DECISION IN MY LIFE.
720
00:39:27,823 --> 00:39:30,284
>> I THINK YOU DID THE
BEST IDEA.
721
00:39:30,367 --> 00:39:30,951
>> THINK SO?
722
00:39:31,035 --> 00:39:31,535
>> YEAH.
723
00:39:31,619 --> 00:39:33,621
>> I THINK YOU'RE BIAS.
724
00:39:33,704 --> 00:39:36,457
>> NO, I'M SERIOUS BECAUSE
THIS REALLY REMINDS ME OF
725
00:39:36,540 --> 00:39:37,500
HOME.
726
00:39:37,583 --> 00:39:41,420
>> I KNOW I WILL STILL BE
THANKFUL FOR THAT DECISION
727
00:39:41,504 --> 00:39:44,340
DAYS FROM NOW, WEEKS FROM
NOW, MONTHS FROM NOW, AND
728
00:39:44,423 --> 00:39:45,424
HOPEFULLY EVEN BEYOND
THAT.
729
00:39:45,508 --> 00:39:49,470
>> I ALSO LOVE THAT YOU'RE
A BIG FAMILY GUY, BECAUSE
730
00:39:49,553 --> 00:39:51,472
I'M EXACTLY THE SAME WAY.
731
00:39:51,555 --> 00:39:57,853
>> I LOVE IT.
732
00:39:57,937 --> 00:40:01,857
>> I LITERALLY SAID I
WOULD DEFINITELY HAVE
733
00:40:01,941 --> 00:40:03,109
FOUR, WHEN I WAS 17.
734
00:40:03,192 --> 00:40:04,443
>> I'LL HAVE TO GET
ANOTHER JOB.
735
00:40:04,527 --> 00:40:11,617
KIDS ARE EXPENSIVE.
736
00:40:11,700 --> 00:40:17,331
>> ANYBODY WANT SOME
S'MORES?
737
00:40:17,414 --> 00:40:18,457
>> MARSHMELLOWS, GOT 'EM.
738
00:40:18,541 --> 00:40:22,878
>> I LOVE THE SIZE OF HIS
HEART.
739
00:40:22,962 --> 00:40:24,797
>> IT'S SUCH A GOOD SIZE.
740
00:40:24,880 --> 00:40:25,840
>> YOU WANT TO TALK.
741
00:40:25,923 --> 00:40:29,552
>> OKAY.
742
00:40:33,931 --> 00:40:35,558
>> HI.
743
00:40:35,641 --> 00:40:41,230
>> WHERE DO YOU WANT TO
GO?
744
00:40:41,313 --> 00:40:43,566
>> SOMEWHERE TO DO THIS.
745
00:40:43,649 --> 00:40:44,525
I'M JUST KIDDING.
746
00:40:44,608 --> 00:40:45,568
WHERE DO I WANT TO GO OR
WHERE SHOULD WE GO?
747
00:40:45,651 --> 00:40:49,488
WE SHOULD GO SOMEWHERE.
748
00:40:49,572 --> 00:40:51,532
♪♪
>> I'VE NEVER HAD ANYTHING
749
00:40:51,615 --> 00:40:53,868
LIKE THIS, PRETTY MUCH
WHERE --
750
00:40:53,951 --> 00:40:55,619
>> WHAT DO YOU THINK?
751
00:40:55,703 --> 00:40:59,582
>> I'M MATCHED UP WITH
SOMEBODY, AND SOMEONE
752
00:40:59,665 --> 00:41:08,048
COMES IN AND TOTALLY JUST
BLOWS MY MIND, I GUESS.
753
00:41:08,132 --> 00:41:11,051
♪♪
♪ I'M AFRAID OF CHANGE ♪
754
00:41:11,135 --> 00:41:15,181
♪ SO TELL ME TO LEAVE,
I'LL PACK MY BAGS, GET ON
755
00:41:15,264 --> 00:41:19,059
THE ROAD ♪
>> OH!
756
00:41:19,143 --> 00:41:21,562
>> I FEEL LIKE YOU'RE SO
WORTH GETTING TO KNOW.
757
00:41:21,645 --> 00:41:25,566
I HATE BRINGING UP SPARKS
AND ALL THAT, BECAUSE YOU
758
00:41:25,649 --> 00:41:27,776
COULD JUST BE LYING ABOUT
IT --
759
00:41:27,860 --> 00:41:28,736
>> BUT IT IS A THING.
760
00:41:28,819 --> 00:41:31,530
>> WITH LAUREL, WAS THERE,
LIKE, A SPARK, NO.
761
00:41:31,614 --> 00:41:34,074
>> IT'S OKAY.
762
00:41:34,158 --> 00:41:37,620
>> SO IT WAS GOING
AMAZING, AND THEN YOU CAME
763
00:41:37,703 --> 00:41:41,081
IN, AND THERE WAS THAT
SPARK.
764
00:41:41,165 --> 00:41:51,675
♪ FEELS LIKE A LIFETIME ♪
>> CAN I HUG YOU?
765
00:41:51,759 --> 00:41:54,553
♪♪
>> ALL I WANT TO SAY IS I
766
00:41:54,637 --> 00:42:03,103
AM FEELING YOU, AND I'M
SEVERELY ATTRACTED TO YOU.
767
00:42:03,187 --> 00:42:05,105
♪ I'M AFRAID OF CHANGE.
768
00:42:05,189 --> 00:42:08,901
♪♪
>> I THOUGHT WE HAD BOTH
769
00:42:08,984 --> 00:42:10,736
GROWN SO MUCH WITH EACH
OTHER, AND I THINK THAT'S
770
00:42:10,819 --> 00:42:14,907
WHY I AM STRUGGLING SO
MUCH WITH THIS BECAUSE I
771
00:42:14,990 --> 00:42:16,325
DID FEEL SOMETHING REAL.
772
00:42:16,408 --> 00:42:18,452
FOR SOMEONE TO WALK IN
HERE AND CHANGE
773
00:42:18,535 --> 00:42:22,957
EVERYTHING, IT IS
HEART-WRENCHING TO ME.
774
00:42:23,040 --> 00:42:25,626
WHAT DOES LAUREL NOT HAVE
THAT SHE DOES?
775
00:42:25,709 --> 00:42:28,462
>> I DON'T THINK IT IS
ABOUT THAT.
776
00:42:28,545 --> 00:42:31,757
I THINK THIS IS 100% ABOUT
HIM.
777
00:42:31,840 --> 00:42:33,634
>> GET UP AND GO
SOCIALIZE.
778
00:42:33,717 --> 00:42:40,307
♪ DO YOU WANT ME TO
LEAVE ♪
779
00:42:40,391 --> 00:42:53,112
>
♪♪
780
00:42:53,195 --> 00:42:59,118
[WHISPERING]
>> Narrator: TOMORROW
781
00:42:59,201 --> 00:43:01,662
NIGHT...A GAME-CHANGING
RECOUPLING.
782
00:43:01,745 --> 00:43:04,832
>> I'M STUCK BETWEEN TWO
AMAZING GIRLS.
783
00:43:04,915 --> 00:43:09,336
>> AND CARRINGTON IS AT A
CROSSROADS.
784
00:43:09,420 --> 00:43:11,714
>> I DON'T KNOW WHERE MY
HEAD IS AT.
785
00:43:11,797 --> 00:43:12,172
I'M VERY INTO BOTH OF
THEM.
786
00:43:12,256 --> 00:43:15,884
>> I DON'T KNOW.
787
00:43:18,470 --> 00:43:18,929
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