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>> Steve: FROM ROCKEFELLER
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CENTER IN THE HEART OF
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NEW YORK CITY, IT'S "THE
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TONIGHT SHOW STARRING
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JIMMY FALLON."
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TONIGHT, JOIN JIMMY AND HIS
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GUESTS -
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CHRIS ROCK
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JONATHAN MAJORS,
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MUSICAL GUEST SASHA SLOAN.
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AND FEATURING THE LEGENDARY
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ROOTS CREW
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AND NOW, HERE'S YOUR HOST,
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JIMMY FALLON
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[ CHEERS AND APPLAUSE
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♪
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♪
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[ CHEERS AND APPLAUSE
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>> Jimmy: OH, HEY!
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AH-HA!
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THAT WAS VERY NICE
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THANK YOU VERY MUCH, EVERYBODY
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LET'S GET TO THE NEWS AND
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JOKES.
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WELL, GUYS, LAST NIGHT,
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PRESIDENT TRUMP HELD A PRESS
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CONFERENCE AND THIS ONE WAS OUT
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THERE EVEN FOR HIM
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I MEAN, WHEN TIME LIFE RELEASES
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A BOX SET OF TRUMP'S CRAZIEST
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MOMENTS, THIS WILL BE ON IT.
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[ LAUGHTER ]
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YEAH, TRUMP WAS ASKED TO COMMIT
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TO A PEACEFUL TRANSITION OF
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POWER IF HE LOSES THE ELECTION
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AND THIS WAS HIS RESPONSE.
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SURE THAT THERE IS A PEACEFUL
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TRANSFERAL OF POWER AFTER THE
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ELECTION
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>> WELL, WE'RE GOING TO HAVE TO
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SEE WHAT HAPPENS
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YOU KNOW THAT I'VE BEEN
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COMPLAINING VERY STRONGLY ABOUT
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THE BALLOTS.
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AND THE BALLOTS ARE A DISASTER
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WE WANT TO HAVE -- GET RID OF
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THE BALLOTS AND YOU'LL HAVE
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A VERY -- WE'LL HAVE A VERY
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PEACEFUL -- THERE WON'T BE A
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A TRANSFER, FRANKLY.
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THERE WILL BE A CONTINUATION
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>> Jimmy: SO IF TRUMP LOSES THE
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ELECTION, GETTING HIM OUT OF
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THE WHITE HOUSE WILL BE LIKE
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TRYING TO GET A BIRD OUT OF
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YOUR LIVING ROOM
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IT'S LIKE, "OH, I GOT 'EM.
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[ LAUGHTER ]
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HOLD ON, OKAY.
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NOBODY MOVE.
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HE'S BEHIND THE CURTAIN.
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NOBODY MOVE.
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SHUT THE DOOR.
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SHUT THE DOOR!
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[ LIGHT LAUGHTER ]
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I'M GETTING THE FEELING THIS
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YEAR IS GOING TO END WITH TRUMP
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LOCKING HIMSELF IN THE OVAL
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OFFICE WHILE YELLING INTO THE
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PHONE, "SPACE FORCE ATTACK!"
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[ LAUGHTER ]
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EVEN WITH FIVE EXTRA PEOPLE, IT
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SOUNDS FANTASTIC
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I WILL TAKE IT
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[ LAUGHTER ]
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I LOVE YOU
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[ APPLAUSE ]
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I LOVE YOU
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♪
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DISTANCED, SOCIALLY DISTANCED,
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EVERYBODY SAFE
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MAN, IT FEELS GOOD
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IT FEELS GREAT, ACTUALLY
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[ LAUGHTER ]
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SO HAPPY RIGHT NOW
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I JUST WANT TO -- LET'S ROLL
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THE CREDITS.
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SHOW'S OVER, I'M HAPPY
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[ CHEERS ]
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♪
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BYE, EVERYBODY
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TAKE CARE!
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♪
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THE PEACEFUL TRANSFER OF POWER
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IS ONE OF THE PILLARS OF OUR
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DEMOCRACY AND TRUMP TREATS IT
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LIKE A BRUNCH HE MIGHT BAIL ON
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[ LIGHT LAUGHTER ]
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"GAME-TIME DECISION, HAVE TO
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SEE HOW MY DAY'S GOING
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NOT SURE
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[ LIGHT LAUGHTER ]
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I DO LOVE A LITTLE EGGS BENNIE,
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THOUGH."
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[ LAUGHTER ]
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AFTER TRUMP'S COMMENTS, SENATE
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MAJORITY LEADER MITCH McCONNELL
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TRIED TO ASSURE PEOPLE THAT
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THINGS WOULD BE OKAY
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HE TWEETED, "THERE WILL BE AN
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ORDERLY TRANSITION, JUST AS
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THERE HAS BEEN EVERY FOUR YEARS
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SINCE 1792."
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AND IF RECENT NEWS HAS TAUGHT
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US ANYTHING, IT'S THAT YOU CAN
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ALWAYS COUNT ON MITCH McCONNELL
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TO KEEP HIS WORD
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[ LAUGHTER ]
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[ APPLAUSE ]
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SERIOUSLY, EVEN OTHER
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REPUBLICANS WERE LIKE, "MITCH,
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PLEASE."
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[ LAUGHTER ]
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LATER IN THE PRESS CONFERENCE,
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A REPORTER ASKED TRUMP ABOUT
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MEGHAN MARKLE, BASICALLY
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SUPPORTING JOE BIDEN AND THIS
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IS WHAT HE HAD TO SAY ABOUT
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HER.
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>> I'M NOT A FAN OF HERS
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AND SHE'S PROBABLY HAS HEARD
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THAT
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BUT I WISH A LOT OF LUCK TO
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HARRY 'CAUSE HE'S GOING TO NEED
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IT
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>> Jimmy: WOW.
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WHO HAD MEGHAN MARKLE ON THEIR
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RANDOM TRUMP INSULTS BINGO
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CARD, ANYONE
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[ LAUGHTER ]
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IF YOU'RE KEEPING TRACK,
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MEGHAN MARKLE'S GOT BEEF WITH
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THE QUEEN OF ENGLAND AND THE
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PRESIDENT OF THE UNITED STATES
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SHE'S JUST ONE JAY-Z FIGHT AWAY
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FROM TAKING ON THE ENTIRE
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ILLUMINATI
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[ LAUGHTER ]
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AFTER THAT, TRUMP WAS ANSWERING
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A QUESTION ABOUT THE
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CORONAVIRUS VACCINE WHEN HE
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USED A MADE-UP EXCUSE TO GET
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OUT OF THERE
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WATCH THIS
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>> ULTIMATELY, THE WHITE HOUSE
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HAS TO APPROVE IT.
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AND -- MAYBE WE WILL, MAYBE WE
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WON'T, BUT WE'LL BE TAKING A
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A LOOK
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>> MR. PRESIDENT -
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>> I HAVE TO LEAVE FOR AN
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EMERGENCY PHONE CALL
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I'M GOING TO LET SCOTT AND
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LARRY FINISH
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[ LAUGHTER ]
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>> Jimmy: THAT'S RIGHT
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THAT'S RIGHT
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TRUMP WAS LIKE, "OH, YEAH,
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WHAT'S THE EMERGENCY
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WHAT, WHAT
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EVERYTHING I JUST SAID AT THIS
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PRESS CONFERENCE
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OKAY."
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[ LAUGHTER ]
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HEY, LISTEN TO THIS.
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EARLIER TODAY, IT WAS ANNOUNCED
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THAT RUSSIAN PRESIDENT
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VLADIMIR PUTIN WAS NOMINATED
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FOR THE NOBEL PEACE PRIZE.
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[ LAUGHTER ]
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YEP.
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PUTIN IS THRILLED, WHILE
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EVERYONE ELSE IN THE CATEGORY
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IS POISONED.
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[ LAUGHTER ]
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FIRST TRUMP, THEN PUTIN?
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RIGHT NOW, KIM JONG-UN IS
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STANDING BY, TIN CAN ON
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A STRING, LIKE, "ANY SECOND
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NOW.
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[ LAUGHTER ]
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ANY SECOND."
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WELL, GUYS, HALLOWEEN IS JUST
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AROUND THE CORNER, BUT THIS
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WEEK, THE CDC ANNOUNCED THAT NO
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ONE SHOULD HAVE HALLOWEEN
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PARTIES.
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YEAH
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IT'S A HUGE BUMMER
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IT ALMOST FEELS LIKE THE CDC
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KNOWS IT, TOO.
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CHECK OUT THE PSA THAT THEY
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RELEASED TODAY
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>> WE AT THE CDC ARE HERE TO
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GUIDE YOU THROUGH THE COVID
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PANDEMIC, WHICH IS WHY WE'RE
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ANNOUNCING, COME OCTOBER, NO
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LARGE HALLOWEEN GATHERINGS
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SHOULD TAKE PLACE.
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NONE
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NOT EVEN OUR OWN OFFICE
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HALLOWEEN PARTY, WHICH IS
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DOWNRIGHT SICK
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♪
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I MEAN, THIS PARTY IS OFF THE
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HOOK
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WE'VE GOT FOG.
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WE'VE GOT A DEEJAY
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WE'VE GOT ANTHONY FAUCI AS
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BATMAN ENTERING ON A ZIP LINE.
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IT WAS SO 2019
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IT WAS A DIFFERENT TIME.
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AND THIS FALL, WE ALL HAVE A
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A COLLECTIVE RESPONSIBILITY TO
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NOT RECREATE LAST YEAR
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NO MATTER HOW LIT IT WAS
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[ LAUGHTER ]
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♪
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THIS PARTY IS LEGENDARY.
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LAST YEAR, BRENDA FROM GENETICS
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DRESSED AS STREPTOCOCCUS
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PNEUMONIA.
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TAKE THAT, HEIDI KLUM.
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YOU CAN'T CONTROL THIS BANGER,
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BUT YOU CAN CONTROL THE VIRUS.
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SO JUST BE SAFE, STAY INSIDE
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WE WATCHED "TIGER KING."
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I MEAN, OKAY, CAN YOU IMAGINE
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THE COSTUMES THOUGH?
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BRENT IN LAB SAFETY WAS GOING
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TO BRING AN ACTUAL TIGER
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AND YOU THINK WE COULDN'T TOP
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LAST YEAR?
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TELL THAT TO OUR HOLOGRAM
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JOSEPH WALTER MOUNTIN.
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HE FOUNDED THE CDC, BITCH.
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GOD, I'M GOING TO MISS THIS
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PARTY.
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[ LAUGHTER ]
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CDC.
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OH YOU THINK YOU WANT TO BE US
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WEAR YOUR MASK
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[ LAUGHTER ]
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[ APPLAUSE ]
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>> Jimmy: UNFORTUNATELY,
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HALLOWEEN ISN'T THE ONLY
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CELEBRATION THAT'S BEING
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AFFECTED BY THE PANDEMIC
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IT LOOKS LIKE NEW YEAR'S EVE IS
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GOING TO BE DIFFERENT, TOO
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114 YEARS, THERE'S GOING TO BE
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NO CROWD, NO REVELERS, ALLOWED
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IN TIMES SQUARE.
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ORGANIZERS ANNOUNCING A NEW
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VIRTUALLY ENHANCED EVENT WITH
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LIVE COMPONENTS THAT
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INCORPORATE SOCIAL DISTANCING.
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>> Jimmy: YEAH
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AND IF YOU'RE UPSET YOU CAN'T
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GO TO TIMES SQUARE ON NEW
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YEAR'S EVE, THEN I'M PRETTY
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SURE YOU'VE NEVER BEEN TO TIMES
273
00:06:42,020 --> 00:06:48,020
SQUARE ON NEW YEAR'S EVE
274
00:06:42,020 --> 00:06:48,020
[ LAUGHTER ]
275
00:06:48,020 --> 00:06:51,019
VIRTUAL, NOT VIRTUAL
276
00:06:48,020 --> 00:06:51,019
LIVE, PRE-TAPED.
277
00:06:51,019 --> 00:06:53,021
IT DOESN'T MATTER.
278
00:06:51,019 --> 00:06:53,021
JUST GET US THE HELL OUT
279
00:06:53,021 --> 00:06:55,013
OF 2020, PLEASE.
280
00:06:53,021 --> 00:06:55,013
[ LAUGHTER ]
281
00:06:55,013 --> 00:06:57,012
CARSON, JUST SAY IT!
282
00:06:55,013 --> 00:06:57,012
[ APPLAUSE ]
283
00:06:57,012 --> 00:07:01,014
JUST SAY IT NOW, AND WE'LL ALL
284
00:06:57,012 --> 00:07:01,014
AGREE IT'S NEW YEAR'S.
285
00:07:01,014 --> 00:07:02,019
MEANWHILE, PLANET FITNESS IS
286
00:07:01,014 --> 00:07:02,019
LIKE, "DAMN, WHAT THE HELL ARE
287
00:07:02,019 --> 00:07:06,018
WE GOING TO DO WITH
288
00:07:02,019 --> 00:07:06,018
10,000 PURPLE TOP HATS?"
289
00:07:06,018 --> 00:07:13,001
[ LAUGHTER ]
290
00:07:06,018 --> 00:07:13,001
WELL, THIS IS FUN.
291
00:07:13,001 --> 00:07:17,010
THE COMPANY THAT MAKES EMOJIS
292
00:07:13,001 --> 00:07:17,010
JUST ANNOUNCED 217 NEW ONES.
293
00:07:17,010 --> 00:07:20,008
MOST OF THEM ARE VARIATIONS ON
294
00:07:17,010 --> 00:07:20,008
EXISTING EMOJIS BUT SOME OF
295
00:07:20,008 --> 00:07:22,027
THEM ARE PRETTY SURPRISING
296
00:07:20,008 --> 00:07:22,027
HERE, TAKE A LOOK.
297
00:07:22,027 --> 00:07:24,022
THIS FIRST ONE IS CALLED,
298
00:07:22,027 --> 00:07:24,022
"HAVEN'T BEEN TO A BARBER SINCE
299
00:07:24,022 --> 00:07:27,004
MARCH.
300
00:07:24,022 --> 00:07:27,004
[ LAUGHTER ]
301
00:07:27,004 --> 00:07:30,023
THIS NEXT ONE IS CALLED, "JUST
302
00:07:27,004 --> 00:07:30,023
HOUSED A BAG OF TAKIS.
303
00:07:30,023 --> 00:07:38,012
[ LAUGHTER ]
304
00:07:30,023 --> 00:07:38,012
TAKIS.
305
00:07:38,012 --> 00:07:41,020
THIS ONE IS CALLED, "MYSTERY
306
00:07:38,012 --> 00:07:41,020
HEMSWORTH.
307
00:07:41,020 --> 00:07:43,026
THAT'S FUN
308
00:07:41,020 --> 00:07:43,026
[ LAUGHTER ]
309
00:07:43,026 --> 00:07:45,025
AND FINALLY, THIS NEW EMOJI IS
310
00:07:43,026 --> 00:07:45,025
CALLED 2020.
311
00:07:45,025 --> 00:07:46,022
THERE YOU GO
312
00:07:45,025 --> 00:07:46,022
AND NOW, QUICKLY CHANGING PACE
313
00:07:46,022 --> 00:07:52,011
A LITTLE
314
00:07:49,004 --> 00:07:52,011
HERE'S A NEW SEGMENT CALLED
315
00:07:49,024 --> 00:07:52,011
"HOW IS THAT LEGAL UNTIL NOW?"
316
00:07:58,009 --> 00:07:59,017
>> THE MTA TODAY OFFICIALLY
317
00:07:58,009 --> 00:07:59,017
CHANGED ITS RULES TO PROHIBIT
318
00:07:59,017 --> 00:08:05,002
DEFECATING ON SUBWAYS AND
319
00:07:59,017 --> 00:08:05,002
BUSES.
320
00:08:05,002 --> 00:08:07,008
♪
321
00:08:05,002 --> 00:08:07,008
[ LAUGHTER ]
322
00:08:07,008 --> 00:08:11,009
>> Jimmy: WHOA
323
00:08:07,008 --> 00:08:11,009
>> Tariq: WAIT, WAIT
324
00:08:11,009 --> 00:08:14,004
WAIT
325
00:08:11,009 --> 00:08:14,004
WAIT
326
00:08:14,004 --> 00:08:19,008
WAIT
327
00:08:14,004 --> 00:08:19,008
[ LAUGHTER ]
328
00:08:19,008 --> 00:08:22,011
YOU MEAN ALL THIS TIME -
329
00:08:19,008 --> 00:08:22,011
>> Jimmy: I CAN'T -- JUST
330
00:08:22,011 --> 00:08:25,019
RUINED MY WEEKEND.
331
00:08:22,011 --> 00:08:25,019
I MEAN, JUST RUINED IT
332
00:08:25,019 --> 00:08:29,026
WOW.
333
00:08:25,019 --> 00:08:29,026
AND FINALLY, HERE'S SOME
334
00:08:29,026 --> 00:08:30,013
EXCITING -
335
00:08:30,013 --> 00:08:35,013
[ LAUGHTER ]
336
00:08:32,029 --> 00:08:35,013
NEWS ABOUT A 96-YEAR-OLD WOMAN
337
00:08:33,018 --> 00:08:35,013
IN PENNSYLVANIA, WATCH THIS.
338
00:08:36,010 --> 00:08:38,029
>> A 96-YEAR-OLD, MEET SARAH IN
339
00:08:36,010 --> 00:08:38,029
PITTSBURGH, WHO IS STILL ONE OF
340
00:08:38,029 --> 00:08:42,007
THE BEST WHEN IT COMES TO
341
00:08:38,029 --> 00:08:42,007
KNOCKING DOWN PINS
342
00:08:42,007 --> 00:08:43,013
SHE BECAME THE FIRST AT HER
343
00:08:42,007 --> 00:08:43,013
LOCAL BOWLING ALLEY TO BOWL
344
00:08:43,013 --> 00:08:46,012
A PERFECT GAME
345
00:08:43,013 --> 00:08:46,012
>> Jimmy: THAT'S AMAZING
346
00:08:46,012 --> 00:08:48,004
WHEN MOST 96-YEAR-OLDS BOWL,
347
00:08:46,012 --> 00:08:48,004
THEY GO DOWN THE ALLEY WITH THE
348
00:08:48,004 --> 00:08:51,009
BALL
349
00:08:48,004 --> 00:08:51,009
[ LAUGHTER ]
350
00:08:51,009 --> 00:08:53,018
WE HAVE A GREAT SHOW FOR YOU
351
00:08:51,009 --> 00:08:53,018
TONIGHT.
352
00:08:53,018 --> 00:08:56,027
HE STARS IN THE NEW SEASON OF
353
00:08:53,018 --> 00:08:56,027
"FARGO" ON FX.
354
00:08:56,027 --> 00:08:58,006
AND IT'S JUST BEEN ANNOUNCED HE
355
00:08:56,027 --> 00:08:58,006
IS HOSTING THE SEASON PREMIERE
356
00:08:58,006 --> 00:09:00,028
OF "SATURDAY NIGHT LIVE" A WEEK
357
00:08:58,006 --> 00:09:00,028
FROM SATURDAY.
358
00:09:00,028 --> 00:09:07,012
CHRIS ROCK IS HERE
359
00:09:00,028 --> 00:09:07,012
[ CHEERS AND APPLAUSE
360
00:09:07,012 --> 00:09:10,007
FROM THE HBO SERIES "LOVECRAFT
361
00:09:07,012 --> 00:09:10,007
COUNTRY," JONATHAN MAJORS IS
362
00:09:10,007 --> 00:09:12,029
HERE
363
00:09:10,007 --> 00:09:12,029
[ CHEERS AND APPLAUSE
364
00:09:12,029 --> 00:09:13,014
AND WE'VE GOT MUSIC FROM
365
00:09:13,014 --> 00:09:18,015
SASHA SLOAN!
366
00:09:13,023 --> 00:09:18,015
GIVE IT UP FOR THE ROOTS,
367
00:09:14,009 --> 00:09:18,015
EVERYBODY!
368
00:09:19,009 --> 00:09:28,025
[ CHEERS AND APPLAUSE
369
00:09:19,009 --> 00:09:28,025
♪
370
00:09:28,025 --> 00:09:30,011
♪ >> Jimmy: HEY, EVERYONE
371
00:09:30,011 --> 00:09:32,025
IT IS TIME FOR "TONIGHT SHOW
372
00:09:31,000 --> 00:09:32,025
HASHTAGS."
373
00:09:31,008 --> 00:09:32,025
HERE WE GO
374
00:09:33,029 --> 00:09:42,027
♪
375
00:09:33,029 --> 00:09:42,027
♪
376
00:09:42,027 --> 00:09:44,020
>> Jimmy: WE DO THIS THING
377
00:09:42,027 --> 00:09:44,020
EVERY WEEK WHERE I SEND OUT
378
00:09:44,020 --> 00:09:47,015
A HASHTAG, AND I ASK YOU GUYS
379
00:09:44,020 --> 00:09:47,015
TO RESPOND TO THAT TOPIC
380
00:09:47,015 --> 00:09:48,019
AND SINCE SO MANY KIDS ARE
381
00:09:47,015 --> 00:09:48,019
GOING -- DOING REMOTE LEARNING
382
00:09:48,019 --> 00:09:49,026
THIS YEAR, I ASKED YOU GUYS TO
383
00:09:48,019 --> 00:09:49,026
TWEET OUT A FUNNY HOMESCHOOLING
384
00:09:49,026 --> 00:09:55,014
STORY AND TAG IT WITH
385
00:09:49,026 --> 00:09:55,014
#HOMESCHOOLFAIL.
386
00:09:55,014 --> 00:09:57,010
WITHIN MINUTES, IT WAS A
387
00:09:55,014 --> 00:09:57,010
A TRENDING TOPIC
388
00:09:57,010 --> 00:09:59,002
SO THANK YOU SO MUCH FOR
389
00:09:57,010 --> 00:09:59,002
PLAYING ALONG.
390
00:09:59,002 --> 00:10:01,016
[ APPLAUSE ]
391
00:09:59,002 --> 00:10:01,016
AND NOW, I THOUGHT I'D SHARE
392
00:10:01,016 --> 00:10:04,007
SOME OF MY FAVORITE
393
00:10:01,016 --> 00:10:04,007
#HOMESCHOOLFAIL RESPONSES FROM
394
00:10:04,007 --> 00:10:06,009
YOU GUYS
395
00:10:04,007 --> 00:10:06,009
THIS FIRST ONE IS FROM
396
00:10:06,009 --> 00:10:09,024
@KIMCAV21.
397
00:10:06,009 --> 00:10:09,024
SHE SAYS, "ON THE SECOND DAY OF
398
00:10:09,024 --> 00:10:11,001
KINDERGARTEN, THE TEACHER HAD
399
00:10:09,024 --> 00:10:11,001
TO SEND OUT AN EMAIL SAYING,
400
00:10:11,001 --> 00:10:15,024
'PARENTS AND GUARDIANS, PLEASE
401
00:10:11,001 --> 00:10:15,024
STOP ARGUING IN THE BACKGROUND
402
00:10:15,024 --> 00:10:20,012
IT'S VERY DISTRACTING.'"
403
00:10:15,024 --> 00:10:20,012
[ LIGHT LAUGHTER ]
404
00:10:20,012 --> 00:10:23,017
THIS NEXT ONE'S FROM
405
00:10:20,012 --> 00:10:23,017
@VICWHITPIC.
406
00:10:23,017 --> 00:10:24,023
SHE SAYS, "I WAS GOING THROUGH
407
00:10:23,017 --> 00:10:24,023
THE ALPHABET WITH MY
408
00:10:24,023 --> 00:10:27,025
4-YEAR-OLD
409
00:10:24,023 --> 00:10:27,025
HE WAS STUCK ON 'T.'
410
00:10:27,025 --> 00:10:29,020
I ASKED, 'WHAT DOES MOMMY LIKE
411
00:10:27,025 --> 00:10:29,020
TO DRINK?'
412
00:10:29,020 --> 00:10:31,016
WITHOUT MISSING A BEAT, HE
413
00:10:29,020 --> 00:10:31,016
SHOUTED, 'WINE!'
414
00:10:31,016 --> 00:10:39,016
[ LAUGHTER ]
415
00:10:31,016 --> 00:10:39,016
"WHAT ELSE?"
416
00:10:39,016 --> 00:10:42,005
"BEER!
417
00:10:39,016 --> 00:10:42,005
OKAY
418
00:10:42,005 --> 00:10:45,016
THIS ONE'S FROM @VEE1512
419
00:10:42,005 --> 00:10:45,016
SHE SAYS, "WHEN YOUR 6-YEAR-OLD
420
00:10:45,016 --> 00:10:47,026
ASKS THE TEACHER IF SHE'S
421
00:10:45,016 --> 00:10:47,026
A GOLDEN GIRL.
422
00:10:47,026 --> 00:10:54,009
[ LAUGHTER ]
423
00:10:47,026 --> 00:10:54,009
THAT'S COOL.
424
00:10:54,009 --> 00:10:57,023
THIS ONE'S FROM
425
00:10:54,009 --> 00:10:57,023
@IDON'TSPEAKWHINE.
426
00:10:57,023 --> 00:11:00,028
SHE SAYS, "WHAT DOES THE WORD
427
00:10:57,023 --> 00:11:00,028
COPIOUS MEAN
428
00:11:00,028 --> 00:11:02,018
USE THE CONTEXT CLUES IN THE
429
00:11:00,028 --> 00:11:02,018
SURROUNDING SENTENCE TO TRY AND
430
00:11:02,018 --> 00:11:05,004
FIGURE IT OUT.
431
00:11:02,018 --> 00:11:05,004
THREE SECONDS LATER, 'ALEXA,
432
00:11:05,004 --> 00:11:10,018
WHAT DOES COPIOUS MEAN?'
433
00:11:05,004 --> 00:11:10,018
[ LAUGHTER ]
434
00:11:10,018 --> 00:11:14,006
ALEXA, THE UNSUNG HERO OF
435
00:11:10,018 --> 00:11:14,006
HOMESCHOOLING.
436
00:11:14,006 --> 00:11:20,016
THIS ONE'S FROM @SLOAN04180851
437
00:11:14,006 --> 00:11:20,016
YOU REMEMBER THAT, RIGHT
438
00:11:20,016 --> 00:11:23,001
[ LAUGHTER ]
439
00:11:20,016 --> 00:11:23,001
>> YEAH.
440
00:11:23,001 --> 00:11:25,013
>> Jimmy: HIT ME UP ON TWITTER,
441
00:11:23,001 --> 00:11:25,013
DUDE
442
00:11:25,013 --> 00:11:29,014
@SLOAN04180851
443
00:11:25,013 --> 00:11:29,014
SHE SAYS, "I'M HOMESCHOOLING
444
00:11:29,014 --> 00:11:32,019
FOUR CHILDREN WHILE LOOKING
445
00:11:29,014 --> 00:11:32,019
AFTER MY ONE AND TWO-YEAR-OLD.
446
00:11:32,019 --> 00:11:34,022
NO FUNNY STORY, JUST A PLEA FOR
447
00:11:32,019 --> 00:11:34,022
HELP."
448
00:11:34,022 --> 00:11:41,019
[ LAUGHTER ]
449
00:11:34,022 --> 00:11:41,019
KEEP YOU IN OUR THOUGHTS
450
00:11:41,019 --> 00:11:44,002
THIS ONE FROM @KEEPERFAIRIES
451
00:11:41,019 --> 00:11:44,002
SHE SAYS, "I GOT A CALL FROM
452
00:11:44,002 --> 00:11:46,017
THE VICE PRINCIPAL TELLING ME
453
00:11:44,002 --> 00:11:46,017
THAT MY KID ATTENDING CLASS
454
00:11:46,017 --> 00:11:47,019
FROM THE HOT TUB IS
455
00:11:46,017 --> 00:11:47,019
INAPPROPRIATE AND CANNOT HAPPEN
456
00:11:47,019 --> 00:11:55,009
AGAIN.
457
00:11:47,019 --> 00:11:55,009
[ LAUGHTER ]
458
00:11:55,009 --> 00:11:58,027
"CHILL OUT, SHALL WE TURN DOWN
459
00:11:55,009 --> 00:11:58,027
THE JETS?"
460
00:11:58,027 --> 00:12:02,012
>> Questlove: THAT'S WHAT'S UP
461
00:11:58,027 --> 00:12:02,012
>> Jimmy: THIS ONE'S FROM
462
00:12:02,012 --> 00:12:05,020
@SEAMIRAC1979.
463
00:12:02,012 --> 00:12:05,020
SHE SAYS, "MY SISTER-IN-LAW
464
00:12:05,020 --> 00:12:08,008
GAVE ME A MUG WITH THE WORDS
465
00:12:05,020 --> 00:12:08,008
'SHUT THE HELL UP' EDGED IN THE
466
00:12:08,008 --> 00:12:10,001
BOTTOM
467
00:12:08,008 --> 00:12:10,001
I ACCIDENTALLY GAVE IT TO MY
468
00:12:10,001 --> 00:12:12,020
FIFTH GRADER WITH SOME TEA IN
469
00:12:10,001 --> 00:12:12,020
IT WHILE HE WAS ON ZOOM.
470
00:12:12,020 --> 00:12:18,011
[ LAUGHTER ]
471
00:12:12,020 --> 00:12:18,011
THIS LAST ONE'S FROM @MCAPP.
472
00:12:18,011 --> 00:12:19,014
HE SAYS, "WE'VE HOMESCHOOLED
473
00:12:18,011 --> 00:12:19,014
OUR KID FOR THE PAST EIGHT
474
00:12:19,014 --> 00:12:22,000
YEARS.
475
00:12:19,014 --> 00:12:22,000
THIS IS THE YEAR WE CHOSE TO
476
00:12:22,000 --> 00:12:23,025
SEND THEM TO SCHOOL FOR THE
477
00:12:22,000 --> 00:12:23,025
FIRST TIME."
478
00:12:23,025 --> 00:12:25,004
THERE YOU HAVE IT.
479
00:12:23,025 --> 00:12:25,004
THOSE ARE OUR "TONIGHT SHOW
480
00:12:25,004 --> 00:12:27,016
HASHTAGS."
481
00:12:25,004 --> 00:12:27,016
[ CHEERS AND APPLAUSE
482
00:12:27,016 --> 00:12:29,022
TO CHECK OUT MORE OF OUR
483
00:12:27,016 --> 00:12:29,022
FAVORITES, GO TO
484
00:12:29,022 --> 00:12:31,024
TONIGHTSHOW.COM/HASHTAGS
485
00:12:29,022 --> 00:12:31,024
WE'LL BE RIGHT BACK WITH
486
00:12:31,024 --> 00:12:35,002
CHRIS ROCK, EVERYBODY!
487
00:12:31,024 --> 00:12:35,002
[ CHEERS AND APPLAUSE
488
00:12:35,002 --> 00:12:50,029
♪
489
00:12:35,002 --> 00:12:50,029
♪
490
00:12:50,029 --> 00:12:52,024
>> Jimmy: MY FIRST GUEST IS
491
00:12:50,029 --> 00:12:52,024
A GRAMMY AND EMMY-WINNING
492
00:12:52,024 --> 00:12:53,028
COMEDIAN WHO IS HOSTING THE
493
00:12:52,024 --> 00:12:53,028
PREMIERE OF "SATURDAY NIGHT
494
00:12:53,028 --> 00:13:01,013
LIVE" ON OCTOBER 3rd
495
00:12:53,028 --> 00:13:01,013
HE ALSO STARS IN SEASON 4 OF
496
00:13:01,013 --> 00:13:06,024
"FARGO" WHICH PREMIERES THIS
497
00:13:01,013 --> 00:13:06,024
SUNDAY AT 9:00 P.M. ON FX.
498
00:13:06,024 --> 00:13:10,005
HERE IS THE ONE AND ONLY
499
00:13:06,024 --> 00:13:10,005
CHRIS ROCK
500
00:13:10,005 --> 00:13:12,027
CHRIS, THANK YOU SO MUCH FOR
501
00:13:10,005 --> 00:13:12,027
COMING ON THE SHOW, BUD.
502
00:13:12,027 --> 00:13:17,028
IT'S GREAT TO SEE YOU.
503
00:13:12,027 --> 00:13:17,028
>> JIMMY FALLON, HOW'S IT
504
00:13:17,028 --> 00:13:19,014
GOING?
505
00:13:17,028 --> 00:13:19,014
HOW -- HOW'S YOUR SUMMER BEEN,
506
00:13:19,014 --> 00:13:25,015
JIMMY?
507
00:13:19,014 --> 00:13:25,015
>> Jimmy: I'M LEARNING
508
00:13:25,015 --> 00:13:27,014
I'M LEARNING
509
00:13:25,015 --> 00:13:27,014
I'M ALWAYS LEARNING, MAN
510
00:13:27,014 --> 00:13:29,016
YOU KNOW I LOVE YOU, BUDDY
511
00:13:27,014 --> 00:13:29,016
>> HEY
512
00:13:29,016 --> 00:13:32,015
HEY!
513
00:13:29,016 --> 00:13:32,015
YOU KNOW THEY ALWAYS SAY THE
514
00:13:32,015 --> 00:13:33,017
ONE AND ONLY
515
00:13:32,015 --> 00:13:33,017
LIKE, I KNOW YOU'VE BEEN DUPED
516
00:13:33,017 --> 00:13:38,011
BEFORE
517
00:13:33,017 --> 00:13:38,011
>> Jimmy: I KNOW
518
00:13:38,011 --> 00:13:42,029
BUT I SAY -- I KNOW.
519
00:13:38,011 --> 00:13:42,029
WELL, IT JUST FITS
520
00:13:42,029 --> 00:13:44,005
>> I KNOW WE -- THE LAST TIME
521
00:13:42,029 --> 00:13:44,005
WE HAD THE FAKE CHRIS ROCK ON,
522
00:13:44,005 --> 00:13:46,024
BUT TONIGHT IT'S THE ONE AND
523
00:13:44,005 --> 00:13:46,024
ONLY
524
00:13:46,024 --> 00:13:49,022
>> Jimmy: IT FITS.
525
00:13:46,024 --> 00:13:49,022
IT FITS WITH YOUR NAME
526
00:13:49,022 --> 00:13:52,011
THE ONE AND ONLY
527
00:13:49,022 --> 00:13:52,011
>> JUST SAYING
528
00:13:52,011 --> 00:13:54,007
>> Jimmy: YEAH, I KNOW
529
00:13:52,011 --> 00:13:54,007
>> IF YOU'RE GOING TO FAKE
530
00:13:54,007 --> 00:13:56,000
BEING A CELEBRITY, WHY WOULD
531
00:13:54,007 --> 00:13:56,000
YOU FAKE ME, KNOW WHAT I MEAN?
532
00:13:56,000 --> 00:13:57,006
I'D FAKE BEING "THE ROCK,"
533
00:13:56,000 --> 00:13:57,006
ACTUALLY, MORE THAN FAKE ME.
534
00:13:57,006 --> 00:14:03,012
THAT SEEMS A LOT MORE FUN.
535
00:13:57,006 --> 00:14:03,012
>> Jimmy: WE GOT TO ZOOM A
536
00:14:03,012 --> 00:14:04,019
A COUPLE TIMES TOGETHER, AND
537
00:14:03,012 --> 00:14:04,019
THIS IS -- IT'S ALWAYS
538
00:14:04,019 --> 00:14:10,009
INTERESTING.
539
00:14:04,019 --> 00:14:10,009
I DON'T KNOW WHEN TO -- ON THE
540
00:14:10,009 --> 00:14:15,010
ONES THAT WE WERE ON, WHEN TO
541
00:14:10,009 --> 00:14:15,010
MAKE A JOKE, WHEN TO COME IN
542
00:14:15,010 --> 00:14:18,028
YOU KNOW, LIKE -- ARE PEOPLE
543
00:14:15,010 --> 00:14:18,028
WAITING ON US TO MAKE JOKES?
544
00:14:18,028 --> 00:14:23,012
>> WE HAD SOME EPIC ZOOMS.
545
00:14:18,028 --> 00:14:23,012
LIKE THIS --
546
00:14:23,012 --> 00:14:25,011
>> Jimmy: LIKE, CRAZY ONES
547
00:14:23,012 --> 00:14:25,011
WHERE IT'S JUST LIKE -- I WAS
548
00:14:25,011 --> 00:14:30,000
JUST KIND OF SITTING BACK,
549
00:14:25,011 --> 00:14:30,000
BECAUSE LIKE -- WOW.
550
00:14:30,000 --> 00:14:36,000
JUST WATCHING --
551
00:14:30,000 --> 00:14:36,000
>> ME, YOU, LEO, MATT DAMON,
552
00:14:36,000 --> 00:14:40,014
KEVIN HART, SANDLER.
553
00:14:36,000 --> 00:14:40,014
>> Jimmy: SANDLER.
554
00:14:40,014 --> 00:14:42,013
>> I REMEMBER -- I DID ONES
555
00:14:40,014 --> 00:14:42,013
THAT, LIKE -- IT WAS LIKE ME,
556
00:14:42,013 --> 00:14:44,023
KEVIN HART, AND TOM BRADY.
557
00:14:42,013 --> 00:14:44,023
LIKE -- I DON'T REALLY KNOW
558
00:14:44,023 --> 00:14:48,020
TOM BRADY.
559
00:14:44,023 --> 00:14:48,020
>> Jimmy: WOW.
560
00:14:48,020 --> 00:14:50,019
>> BUT IT WAS NICE TO TALK WITH
561
00:14:48,020 --> 00:14:50,019
HIM.
562
00:14:50,019 --> 00:14:52,011
>> Jimmy: YEAH
563
00:14:50,019 --> 00:14:52,011
>> GET ACQUAINTED.
564
00:14:52,011 --> 00:14:54,004
>> Jimmy: CRAZY.
565
00:14:52,011 --> 00:14:54,004
>> LIKE SOME EPIC, RIDICULOUS
566
00:14:54,004 --> 00:14:57,015
ZOOMS.
567
00:14:54,004 --> 00:14:57,015
>> Jimmy: CHAPPELLE, I THINK,
568
00:14:57,015 --> 00:14:59,027
WAS ON -- HOW WAS --
569
00:14:57,015 --> 00:14:59,027
>> YES
570
00:14:59,027 --> 00:15:03,003
>> Jimmy: -- CAMP CHAPPELLE?
571
00:14:59,027 --> 00:15:03,003
BECAUSE I KNOW QUESTLOVE SAW
572
00:15:03,003 --> 00:15:06,002
YOU THERE.
573
00:15:03,003 --> 00:15:06,002
>> CAMP CHAPPELLE WAS GREAT.
574
00:15:06,002 --> 00:15:08,014
I THINK I MAY GO BACK -- WHO
575
00:15:06,002 --> 00:15:08,014
KNOWS.
576
00:15:08,014 --> 00:15:11,019
I MAY END UP THERE THIS
577
00:15:08,014 --> 00:15:11,019
WEEKEND, YOU NEVER KNOW.
578
00:15:11,019 --> 00:15:14,011
>> Jimmy: RIGHT.
579
00:15:11,019 --> 00:15:14,011
>> YEAH, HAVE YOU BEEN YET
580
00:15:14,011 --> 00:15:17,003
>> Jimmy: NO
581
00:15:14,011 --> 00:15:17,003
I DO WANT TO GO.
582
00:15:17,003 --> 00:15:19,002
HONESTLY, I MISS PERFORMING IN
583
00:15:17,003 --> 00:15:19,002
FRONT OF A CROWD
584
00:15:19,002 --> 00:15:23,000
>> GO, GET OFF YOUR PLANE, THEY
585
00:15:19,002 --> 00:15:23,000
TEST YOU FOR COVID IMMEDIATELY
586
00:15:23,000 --> 00:15:26,008
>> Jimmy: REALLY
587
00:15:23,000 --> 00:15:26,008
>> AND ONCE YOU GET TESTED,
588
00:15:26,008 --> 00:15:29,023
ONCE YOUR TEST COMES BACK
589
00:15:26,008 --> 00:15:29,023
NEGATIVE, YOU GET A WRISTBAND.
590
00:15:29,023 --> 00:15:32,028
NOW YOU CAN ENTER THE INNER
591
00:15:29,023 --> 00:15:32,028
SANCTUM.
592
00:15:32,028 --> 00:15:36,000
SO, EVERYBODY -- YOU CAN LOOK,
593
00:15:32,028 --> 00:15:36,000
EVERYBODY'S GOT A WRISTBAND.
594
00:15:36,000 --> 00:15:40,021
SO, NO ONE'S GOT COVID
595
00:15:36,000 --> 00:15:40,021
>> Jimmy: WOW.
596
00:15:40,021 --> 00:15:42,023
>> AND SO YOU CAN ACTUALLY HANG
597
00:15:40,021 --> 00:15:42,023
OUT WITH PEOPLE ALL WEEK
598
00:15:42,023 --> 00:15:44,019
YOU KNOW
599
00:15:42,023 --> 00:15:44,019
DRINK, SMOKE, WHATEVER
600
00:15:44,019 --> 00:15:48,024
AND JUST HAVE A COVID-FREE
601
00:15:44,019 --> 00:15:48,024
TIME
602
00:15:48,024 --> 00:15:53,001
>> Jimmy: AND WHAT WAS IT LIKE
603
00:15:48,024 --> 00:15:53,001
GOING IN FRONT OF AN AUDIENCE?
604
00:15:53,001 --> 00:15:54,027
>> IT WAS KIND OF A COOL -- YOU
605
00:15:53,001 --> 00:15:54,027
KNOW, REMEMBER AT THE COMEDY
606
00:15:54,027 --> 00:15:56,004
CLUBS, I ALWAYS SAID LIKE, THE
607
00:15:54,027 --> 00:15:56,004
RAIN CROWD WAS ALWAYS THE BEST,
608
00:15:56,004 --> 00:16:01,010
BECAUSE THEY REALLY WANTED TO
609
00:15:56,004 --> 00:16:01,010
BE THERE
610
00:16:01,010 --> 00:16:03,019
>> Jimmy: YEAH
611
00:16:01,010 --> 00:16:03,019
>> KNOW WHAT I MEAN?
612
00:16:03,019 --> 00:16:04,019
>> Jimmy: THEY'RE HAPPY TO BE
613
00:16:03,019 --> 00:16:04,019
INDOORS.
614
00:16:04,019 --> 00:16:07,014
>> WELL, THE COVID CROWD IS
615
00:16:04,019 --> 00:16:07,014
EVEN BETTER.
616
00:16:07,014 --> 00:16:10,017
LIKE, THE COVID CROWD IS VERY
617
00:16:07,014 --> 00:16:10,017
HAPPY THAT THERE'S A SHOW.
618
00:16:10,017 --> 00:16:13,015
>> Jimmy: YEAH, THEY WANT TO
619
00:16:10,017 --> 00:16:13,015
BE -- THEY WANT ENTERTAINMENT.
620
00:16:13,015 --> 00:16:17,006
THEY'RE LIKE, "YES!"
621
00:16:13,015 --> 00:16:17,006
>> "JUST GIVE US ANYTHING!
622
00:16:17,006 --> 00:16:21,027
WE ARE -- WE HAVE WATCHED
623
00:16:17,006 --> 00:16:21,027
?TIGER KING' FAR TOO MANY
624
00:16:21,027 --> 00:16:25,006
TIMES.
625
00:16:21,027 --> 00:16:25,006
GIVE US ANYTHING."
626
00:16:25,006 --> 00:16:26,011
>> Jimmy: YOU SAID THAT THE
627
00:16:25,006 --> 00:16:26,011
PANDEMIC HAS BEEN FOR YOU LIKE
628
00:16:26,011 --> 00:16:31,009
WHAT AN OFFSEASON IS FOR AN
629
00:16:26,011 --> 00:16:31,009
ATHLETE.
630
00:16:31,009 --> 00:16:34,001
WHAT DO YOU MEAN BY THAT
631
00:16:31,009 --> 00:16:34,001
>> I'VE JUST BEEN -- YOU KNOW
632
00:16:34,001 --> 00:16:37,003
WHAT
633
00:16:34,001 --> 00:16:37,003
I HAD ALL THIS TIME.
634
00:16:37,003 --> 00:16:39,002
IT'S LIKE, WHAT ARE YOU GOING
635
00:16:37,003 --> 00:16:39,002
TO DO?
636
00:16:39,002 --> 00:16:43,027
WELL, I MEAN, SO I -- I STARTED
637
00:16:39,002 --> 00:16:43,027
WORKING OUT IN A WEIRD, LIKE,
638
00:16:43,027 --> 00:16:47,007
OBSESSIVE WAY.
639
00:16:43,027 --> 00:16:47,007
AND LIKE A KIND OF KEVIN HART,
640
00:16:47,007 --> 00:16:51,023
JOE PISCOPO WAY.
641
00:16:47,007 --> 00:16:51,023
JUST BEEN LIKE -
642
00:16:51,023 --> 00:16:57,016
[ GRUNTING ] WORKING OUT
643
00:16:51,023 --> 00:16:57,016
I LEARNED TO SWIM.
644
00:16:57,016 --> 00:16:59,015
I'VE BEEN SWIMMING A LOT
645
00:16:57,016 --> 00:16:59,015
BECAUSE I COULDN'T SWIM
646
00:16:59,015 --> 00:17:02,027
FOREVER.
647
00:16:59,015 --> 00:17:02,027
>> Jimmy: I DIDN'T KNOW THAT
648
00:17:02,027 --> 00:17:04,019
>> YEAH, I GREW UP IN THE HOOD
649
00:17:02,027 --> 00:17:04,019
IT'S HARD TO SWIM WITH THE
650
00:17:04,019 --> 00:17:08,001
WATER FROM A FIRE HYDRANT, YOU
651
00:17:04,019 --> 00:17:08,001
KNOW
652
00:17:08,001 --> 00:17:14,001
WHEN A FIRE HYDRANT IS YOUR
653
00:17:08,001 --> 00:17:14,001
OCEAN.
654
00:17:14,001 --> 00:17:16,008
>> Jimmy: YEAH, EXACTLY.
655
00:17:14,001 --> 00:17:16,008
JUST DOGGY -- YEAH
656
00:17:16,008 --> 00:17:19,029
>> YOU CAN WORK ON A FEW
657
00:17:16,008 --> 00:17:19,029
STROKES, BUT YOU KNOW.
658
00:17:19,029 --> 00:17:20,028
>> Jimmy: THE PRESSURE PUSHES
659
00:17:19,029 --> 00:17:20,028
YOU BACK, YEAH
660
00:17:20,028 --> 00:17:21,022
>> IT'S REALLY HARD TO
661
00:17:20,028 --> 00:17:21,022
REALLY -
662
00:17:21,022 --> 00:17:24,000
YEAH
663
00:17:21,022 --> 00:17:24,000
IT'S -- YEAH, THAT'S HOW I -
664
00:17:24,000 --> 00:17:27,008
YEAH
665
00:17:24,000 --> 00:17:27,008
IT'S JUST HARD TO -- YEAH.
666
00:17:27,008 --> 00:17:30,013
>> Jimmy: THAT'S FUN THE WAY -
667
00:17:27,008 --> 00:17:30,013
>> TO SWIM 125th STREET.
668
00:17:30,013 --> 00:17:32,003
>> Jimmy: I ALWAYS THINK OF
669
00:17:30,013 --> 00:17:32,003
YOU, CHRIS
670
00:17:32,003 --> 00:17:34,018
I FEEL LIKE YOU AND BILL MURRAY
671
00:17:32,003 --> 00:17:34,018
ALWAYS END UP IN THESE PLACES
672
00:17:34,018 --> 00:17:37,016
WHERE I GO, "WHAT IS GOING ON?
673
00:17:34,018 --> 00:17:37,016
WHAT -- HOW DID YOU END UP --
674
00:17:37,016 --> 00:17:40,008
WHO DID YOU?
675
00:17:37,016 --> 00:17:40,008
AND I ALWAYS THINK ABOUT IT ALL
676
00:17:40,008 --> 00:17:43,003
THE TIME
677
00:17:40,008 --> 00:17:43,003
YOU WERE HANGING OUT WITH
678
00:17:43,003 --> 00:17:47,005
YOUTUBE STAR DAVID DOBRIK
679
00:17:43,003 --> 00:17:47,005
RECENTLY
680
00:17:47,005 --> 00:17:48,018
THAT'S WHAT MADE ME THINK OF
681
00:17:47,005 --> 00:17:48,018
THIS
682
00:17:48,018 --> 00:17:52,000
>> YEAH, I LIKE DAVID.
683
00:17:48,018 --> 00:17:52,000
>> Jimmy: HOW DID YOU MEET -
684
00:17:52,000 --> 00:17:53,009
HOW DO YOU END UP -- HOW DOES
685
00:17:52,000 --> 00:17:53,009
DAVID DOBRIK AND CHRIS ROCK END
686
00:17:53,009 --> 00:17:57,002
UP TOGETHER?
687
00:17:53,009 --> 00:17:57,002
>> I ALWAYS SAID, MY KIDS ARE
688
00:17:57,002 --> 00:17:59,013
LIKE MY FOCUS GROUP AT THIS
689
00:17:57,002 --> 00:17:59,013
POINT.
690
00:17:59,013 --> 00:18:01,003
>> Jimmy: YEP.
691
00:17:59,013 --> 00:18:01,003
>> AND IF THEY SAY SOMEBODY'S
692
00:18:01,003 --> 00:18:04,000
FUNNY, THEN THEY'RE FUNNY TO
693
00:18:01,003 --> 00:18:04,000
ME
694
00:18:04,000 --> 00:18:06,006
YOU KNOW
695
00:18:04,000 --> 00:18:06,006
>> Jimmy: THAT'S RIGHT
696
00:18:06,006 --> 00:18:11,013
>> SO, MY KIDS, THEY'VE LEFT
697
00:18:06,006 --> 00:18:11,013
KEVIN HART, YOU KNOW
698
00:18:11,013 --> 00:18:15,008
AND NOW THEY'RE ON
699
00:18:11,013 --> 00:18:15,008
DAVID DOBRIK, RIGHT?
700
00:18:15,008 --> 00:18:17,020
AND I'M WATCHING THIS STUFF.
701
00:18:15,008 --> 00:18:17,020
AND THEY'RE LIKE, "HE LIVES IN
702
00:18:17,020 --> 00:18:19,006
THE VALLEY."
703
00:18:17,020 --> 00:18:19,006
AND I'M LIKE, WELL -- WE WERE
704
00:18:19,006 --> 00:18:21,002
IN L.A. AT THE TIME.
705
00:18:19,006 --> 00:18:21,002
"LET'S GO SEE HIM, LET'S SEE
706
00:18:21,002 --> 00:18:23,008
WHAT HE'S DOING.
707
00:18:21,002 --> 00:18:23,008
SO, I MADE A COUPLE OF CALLS
708
00:18:23,008 --> 00:18:27,012
AND I TALKED TO HIM.
709
00:18:23,008 --> 00:18:27,012
AND I SAY, "OKAY IF I STOP BY?
710
00:18:27,012 --> 00:18:28,015
NEVER MET HIM BEFORE, BY THE
711
00:18:27,012 --> 00:18:28,015
WAY.
712
00:18:28,015 --> 00:18:30,027
>> Jimmy: HE'S GREAT
713
00:18:28,015 --> 00:18:30,027
>> HE SAID, "SURE.
714
00:18:30,027 --> 00:18:36,011
SO I JUST -- ME AND MY KIDS, WE
715
00:18:30,027 --> 00:18:36,011
GOT IN THE TRUCK, WE FIRST MADE
716
00:18:36,011 --> 00:18:37,016
A STOP AT IN-AND-OUT BECAUSE
717
00:18:36,011 --> 00:18:37,016
THAT'S WHAT YOU DO WHEN YOU'RE
718
00:18:37,016 --> 00:18:40,015
IN L.A., GOT TO GET YOUR
719
00:18:37,016 --> 00:18:40,015
IN-AND-OUT
720
00:18:40,015 --> 00:18:43,001
>> Jimmy: YOU HAVE TO.
721
00:18:40,015 --> 00:18:43,001
>> THEN WE WENT OVER TO DAVID'S
722
00:18:43,001 --> 00:18:46,016
HOUSE, YOU KNOW.
723
00:18:43,001 --> 00:18:46,016
AND WE HUNG OUT FOR, YOU KNOW,
724
00:18:46,016 --> 00:18:51,020
HALF A DAY OR AND NOW ME AND
725
00:18:46,016 --> 00:18:51,020
DAVID ARE LIKE THIS.
726
00:18:51,020 --> 00:18:54,025
>> Jimmy: NO, YEAH, YEAH
727
00:18:51,020 --> 00:18:54,025
YEAH, I KNOW -- YEAH, RIGHT.
728
00:18:54,025 --> 00:18:58,007
>> LIKE THIS
729
00:18:54,025 --> 00:18:58,007
[ LAUGHTER ]
730
00:18:58,007 --> 00:18:59,016
>> Jimmy: YOU'VE ALWAYS BEEN
731
00:18:58,007 --> 00:18:59,016
RECOGNIZING GREAT TALENT IN
732
00:18:59,016 --> 00:19:06,013
PEOPLE
733
00:18:59,016 --> 00:19:06,013
MOST RECENTLY, LESLIE JONES.
734
00:19:06,013 --> 00:19:11,020
BUT YOU ONCE TRIED TO GET -- IS
735
00:19:06,013 --> 00:19:11,020
THIS TRUE, CARDI B INTO COMEDY
736
00:19:11,020 --> 00:19:15,015
>> WELL -- YES
737
00:19:11,020 --> 00:19:15,015
I'VE BEEN -- WHEN I SAY
738
00:19:15,015 --> 00:19:20,015
RECOGNIZE TALENT -- PEOPLE ARE
739
00:19:15,015 --> 00:19:20,015
SO OBVIOUSLY FUNNY
740
00:19:20,015 --> 00:19:21,027
IT'S LIKE -- YES
741
00:19:20,015 --> 00:19:21,027
SO, I REMEMBER I USED TO TRY TO
742
00:19:21,027 --> 00:19:23,003
GET LESLIE JONES AN AGENT FOR
743
00:19:21,027 --> 00:19:23,003
YEARS, AND NO ONE WOULD LISTEN
744
00:19:23,003 --> 00:19:28,022
TO ME.
745
00:19:23,003 --> 00:19:28,022
FINALLY -- OF COURSE
746
00:19:28,022 --> 00:19:31,007
LORNE MICHAELS IS A GENIUS
747
00:19:28,022 --> 00:19:31,007
AND HE ASKED ME IF I KNEW ANY
748
00:19:31,007 --> 00:19:35,012
BLACK WOMEN FOR "SNL."
749
00:19:31,007 --> 00:19:35,012
I SAID, "I MIGHT HAVE SOMEBODY
750
00:19:35,012 --> 00:19:37,014
FOR YOU.
751
00:19:35,012 --> 00:19:37,014
SO, YEAH, I KNEW LESLIE JONES
752
00:19:37,014 --> 00:19:40,029
EARLY.
753
00:19:37,014 --> 00:19:40,029
I'LL SAY J.B. SMOOVE PREMIERED
754
00:19:40,029 --> 00:19:47,019
ON "THE CHRIS ROCK SHOW.
755
00:19:40,029 --> 00:19:47,019
HANNIBAL
756
00:19:47,019 --> 00:19:48,019
I REMEMBER PITCHING
757
00:19:47,019 --> 00:19:48,019
WENDY WILLIAMS TO HBO FOR
758
00:19:48,019 --> 00:19:55,015
A SHOW 20 YEARS AGO.
759
00:19:48,019 --> 00:19:55,015
THEY DIDN'T WANT TO GO FOR IT.
760
00:19:55,015 --> 00:19:56,021
>> Jimmy: FOR A TALK SHOW?
761
00:19:55,015 --> 00:19:56,021
>> BUT THE LATEST PERSON --
762
00:19:56,021 --> 00:20:02,019
A TALK SHOW, YEAH.
763
00:19:56,021 --> 00:20:02,019
THEY THOUGHT I WAS CRAZY
764
00:20:02,019 --> 00:20:04,011
YEAH
765
00:20:02,019 --> 00:20:04,011
>> Jimmy: AND LOOK AT HER NOW,
766
00:20:04,011 --> 00:20:05,027
SHE'S PHENOMENAL, OF COURSE,
767
00:20:04,011 --> 00:20:05,027
WENDY WILLIAMS
768
00:20:05,027 --> 00:20:07,000
>> YEAH, LOOK AT HER NOW, GOD
769
00:20:05,027 --> 00:20:07,000
BLESS HER.
770
00:20:07,000 --> 00:20:08,006
>> Jimmy: BUT WHAT HAPPENED
771
00:20:07,000 --> 00:20:08,006
WITH CARDI B
772
00:20:08,006 --> 00:20:09,022
>> SHE'S DOING EXACTLY WHAT I
773
00:20:08,006 --> 00:20:09,022
KNEW SHE WAS GOING TO DO
774
00:20:09,022 --> 00:20:10,028
>> Jimmy: YEAH
775
00:20:09,022 --> 00:20:10,028
>> CARDI B, I SAW, LIKE, ON
776
00:20:10,028 --> 00:20:14,020
SOME YOUTUBE THING -- AGAIN, MY
777
00:20:10,028 --> 00:20:14,020
KIDS SHOWED ME THIS CARDI B
778
00:20:14,020 --> 00:20:19,020
GIRL
779
00:20:14,020 --> 00:20:19,020
SHE DIDN'T HAVE A RECORD OUT OR
780
00:20:19,020 --> 00:20:22,028
ANYTHING
781
00:20:19,020 --> 00:20:22,028
AND I WAS LIKE, "OKAY, WE
782
00:20:22,028 --> 00:20:24,017
SHOULD GO SHOW IT.
783
00:20:22,028 --> 00:20:24,017
I'M NOT EVEN GOING TO SAY WHAT
784
00:20:24,017 --> 00:20:25,023
NETWORK.
785
00:20:24,017 --> 00:20:25,023
SO I WENT -- ME, CARDI B, AND
786
00:20:25,023 --> 00:20:32,026
HER MANAGEMENT, YOU KNOW, TO
787
00:20:25,023 --> 00:20:32,026
LIKE, KIND OF GET A SHOW GOING
788
00:20:32,026 --> 00:20:36,012
AND IT JUST NEVER HAPPENED
789
00:20:32,026 --> 00:20:36,012
BUT I THOUGHT SHE WAS -- AND
790
00:20:36,012 --> 00:20:38,008
SHE TOLD ME ABOUT HER RAP AT
791
00:20:36,012 --> 00:20:38,008
THE TIME
792
00:20:38,008 --> 00:20:39,014
AND I WAS LIKE, "YEAH, YEAH,
793
00:20:38,008 --> 00:20:39,014
THAT'S GOOD, GOOD, ANYWAY.
794
00:20:39,014 --> 00:20:41,019
YOU'RE A COMEDY STAR."
795
00:20:39,014 --> 00:20:41,019
>> Jimmy: YEAH
796
00:20:41,019 --> 00:20:45,019
SHE IS REALLY FUNNY.
797
00:20:41,019 --> 00:20:45,019
>> SO YES, SHE IS REALLY -- I
798
00:20:45,019 --> 00:20:49,006
THINK CARDI B'S THE FUNNIEST
799
00:20:45,019 --> 00:20:49,006
WOMAN -- ONE OF THE FUNNIEST
800
00:20:49,006 --> 00:20:53,029
PEOPLE, YOU KNOW -
801
00:20:49,006 --> 00:20:53,029
>> Jimmy: YEAH
802
00:20:53,029 --> 00:21:00,013
>> IT'S LIKE CHAPPELLE, CARDI.
803
00:20:53,029 --> 00:21:00,013
YOU KNOW WHAT I MEAN
804
00:21:00,013 --> 00:21:02,005
LIKE -- LIKE IN THE STANDINGS
805
00:21:00,013 --> 00:21:02,005
RIGHT NOW.
806
00:21:02,005 --> 00:21:04,001
>> Jimmy: YEAH
807
00:21:02,005 --> 00:21:04,001
>> TWO OF THE FUNNIEST PEOPLE
808
00:21:04,001 --> 00:21:06,026
IN THE WORLD
809
00:21:04,001 --> 00:21:06,026
>> Jimmy: YEAH
810
00:21:06,026 --> 00:21:08,005
>> CARDI'S RIGHT UP THERE.
811
00:21:06,026 --> 00:21:08,005
SHE'S NECK AND NECK WITH
812
00:21:08,005 --> 00:21:10,005
BILL BURR, YOU KNOW WHAT I
813
00:21:08,005 --> 00:21:10,005
MEAN
814
00:21:10,005 --> 00:21:14,023
SHE'S GOOD, MAN.
815
00:21:10,005 --> 00:21:14,023
>> Jimmy: BILL BURR.
816
00:21:14,023 --> 00:21:17,012
HE'S AWESOME
817
00:21:14,023 --> 00:21:17,012
>> BILL PUTS A LITTLE MORE
818
00:21:17,012 --> 00:21:21,006
WRITING INTO IT, BUT CARDI CAN
819
00:21:17,012 --> 00:21:21,006
HANG WITH ANYBODY.
820
00:21:21,006 --> 00:21:23,022
>> Jimmy: CAN YOU STICK AROUND
821
00:21:21,006 --> 00:21:23,022
I WANT TO TALK ABOUT "FARGO.
822
00:21:23,022 --> 00:21:25,024
I'M REALLY EXCITED ABOUT THIS.
823
00:21:23,022 --> 00:21:25,024
>> SURE.
824
00:21:25,024 --> 00:21:27,023
>> Jimmy: ALL RIGHT, COOL.
825
00:21:25,024 --> 00:21:27,023
>> FOR YOU, I'LL DO IT
826
00:21:27,023 --> 00:21:28,029
>> Jimmy: MORE WITH CHRIS ROCK
827
00:21:27,023 --> 00:21:28,029
WHEN WE COME BACK, EVERYBODY
828
00:21:28,029 --> 00:21:47,009
♪
829
00:21:28,029 --> 00:21:47,009
I'M TALKING TO CHRIS ROCK.
830
00:21:47,009 --> 00:21:50,001
CHRIS, THANKS AGAIN FOR BEING
831
00:21:47,009 --> 00:21:50,001
HERE
832
00:21:50,001 --> 00:21:51,009
IT WAS ANNOUNCED TODAY THAT
833
00:21:50,001 --> 00:21:51,009
YOU'RE HOSTING THE PREMIERE OF
834
00:21:51,009 --> 00:21:55,012
"SATURDAY NIGHT LIVE" ON
835
00:21:51,009 --> 00:21:55,012
OCTOBER 3rd.
836
00:21:55,012 --> 00:21:57,008
>> YES
837
00:21:55,012 --> 00:21:57,008
>> Jimmy: NOT THIS SATURDAY,
838
00:21:57,008 --> 00:21:58,007
NEXT SATURDAY.
839
00:21:57,008 --> 00:21:58,007
MUSICAL GUEST
840
00:21:58,007 --> 00:22:01,015
MEGAN THEE STALLION.
841
00:21:58,007 --> 00:22:01,015
>> YES
842
00:22:01,015 --> 00:22:08,002
>> Jimmy: HOW DID THEY --
843
00:22:01,015 --> 00:22:08,002
ARE -- WHAT CAN WE EXPECT?
844
00:22:08,002 --> 00:22:09,024
DO WE KNOW ANYTHING?
845
00:22:08,002 --> 00:22:09,024
>> I'M NOT SURE HOW WE'RE EVEN
846
00:22:09,024 --> 00:22:12,016
GOING TO DO IT, I SWEAR.
847
00:22:09,024 --> 00:22:12,016
>> Jimmy: OKAY
848
00:22:12,016 --> 00:22:14,018
>> I DON'T KNOW IF I'M IN THE
849
00:22:12,016 --> 00:22:14,018
STUDIO
850
00:22:14,018 --> 00:22:17,021
I DON'T KNOW IF I'M IN MY
851
00:22:14,018 --> 00:22:17,021
HOUSE.
852
00:22:17,021 --> 00:22:19,007
I DON'T KNOW IF I'M GOING TO DO
853
00:22:17,021 --> 00:22:19,007
IT FROM A HOSPITAL
854
00:22:19,007 --> 00:22:21,019
I DON'T KNOW
855
00:22:19,007 --> 00:22:21,019
>> Jimmy: OKAY, OKAY
856
00:22:21,019 --> 00:22:22,028
SO WE DON'T KNOW -
857
00:22:21,019 --> 00:22:22,028
>> I HAVE NO IDEA.
858
00:22:22,028 --> 00:22:24,003
BUT --
859
00:22:22,028 --> 00:22:24,003
>> Jimmy: WELL, MAYBE I'LL SEE
860
00:22:24,003 --> 00:22:27,019
YOU IN THE BUILDING NEXT WEEK.
861
00:22:24,003 --> 00:22:27,019
>> IT'S GOING TO BE LIVE
862
00:22:27,019 --> 00:22:29,023
>> Jimmy: YUP.
863
00:22:27,019 --> 00:22:29,023
>> MAYBE YOU'LL SEE ME IN THE
864
00:22:29,023 --> 00:22:31,017
BUILDING NEXT WEEK
865
00:22:29,023 --> 00:22:31,017
>> Jimmy: I WANT TO TALK ABOUT
866
00:22:31,017 --> 00:22:35,028
"FARGO."
867
00:22:31,017 --> 00:22:35,028
THIS IS -- I'VE BEEN -- I'VE
868
00:22:35,028 --> 00:22:40,019
BEEN DYING TO TALK ABOUT THIS.
869
00:22:35,028 --> 00:22:40,019
PREMIERES SUNDAY AT 9:00 ON FX
870
00:22:40,019 --> 00:22:43,025
YOU LOOK GREAT IN THIS
871
00:22:40,019 --> 00:22:43,025
THIS IS GOING TO CRUSH
872
00:22:43,025 --> 00:22:45,010
I ALREADY KNOW IT.
873
00:22:43,025 --> 00:22:45,010
YOU LOOK FANTASTIC
874
00:22:45,010 --> 00:22:52,001
HOW DO YOU DESCRIBE THE SEASON
875
00:22:45,010 --> 00:22:52,001
>> THANK YOU
876
00:22:52,001 --> 00:22:53,010
THIS IS A VERY AMBITIOUS
877
00:22:52,001 --> 00:22:53,010
SEASON
878
00:22:53,010 --> 00:22:56,015
IT IS -- I MEAN, I'LL EXPLAIN
879
00:22:53,010 --> 00:22:56,015
MY CHARACTER
880
00:22:56,015 --> 00:23:00,000
I'M A GANGSTER
881
00:22:56,015 --> 00:23:00,000
I PLAY A GUY NAMED LOY
882
00:23:00,000 --> 00:23:02,002
LOY, WEIRD NAME.
883
00:23:00,000 --> 00:23:02,002
>> Jimmy: YEAH
884
00:23:02,002 --> 00:23:05,008
>> CANNON.
885
00:23:02,002 --> 00:23:05,008
AND HE'S A GANGSTER BUT HE'S
886
00:23:05,008 --> 00:23:07,013
ALSO A BUSINESSMAN
887
00:23:05,008 --> 00:23:07,013
HE'S ALSO KIND OF AN
888
00:23:07,013 --> 00:23:11,004
ENTREPRENEUR
889
00:23:07,013 --> 00:23:11,004
AND HE'S, YOU KNOW, HE'S FROM
890
00:23:11,004 --> 00:23:14,010
KANSAS CITY IN THE '50s.
891
00:23:11,004 --> 00:23:14,010
SO HE'S JUST LIKE THIS
892
00:23:14,010 --> 00:23:15,016
BRILLIANT BLACK GUY LIVING IN
893
00:23:14,010 --> 00:23:15,016
A WORLD THAT'S TOTALLY AGAINST
894
00:23:15,016 --> 00:23:21,009
HIM.
895
00:23:15,016 --> 00:23:21,009
AND, YOU KNOW, IT'S -- YOU
896
00:23:21,009 --> 00:23:24,004
KNOW, HIS STRUGGLE -- THERE'S
897
00:23:21,009 --> 00:23:24,004
A LOT OF OTHER THINGS GOING ON,
898
00:23:24,004 --> 00:23:27,017
BUT THAT'S MY CHARACTER.
899
00:23:24,004 --> 00:23:27,017
YOU SEE HOW I NAVIGATE THIS
900
00:23:27,017 --> 00:23:30,015
THING, YOU KNOW.
901
00:23:27,017 --> 00:23:30,015
AND I'M ALSO A FATHER AND
902
00:23:30,015 --> 00:23:34,026
A HUSBAND.
903
00:23:30,015 --> 00:23:34,026
SO IT'S -- YOU KNOW,
904
00:23:34,026 --> 00:23:38,017
"SOPRANOS-ISH," I'LL SAY
905
00:23:34,026 --> 00:23:38,017
>> Jimmy: YEAH, YOU SAID
906
00:23:38,017 --> 00:23:41,013
SOMEWHERE THAT IT'S THE BEST
907
00:23:38,017 --> 00:23:41,013
ROLE YOU'VE EVER HAD
908
00:23:41,013 --> 00:23:42,029
>> OH, YEAH, IT'S THE BEST
909
00:23:41,013 --> 00:23:42,029
ROLE
910
00:23:42,029 --> 00:23:45,014
I MEAN, YOU KNOW, COMPARE THAT
911
00:23:42,029 --> 00:23:45,014
AND "POOTIE TANG."
912
00:23:45,014 --> 00:23:47,010
BUT YOU KNOW
913
00:23:45,014 --> 00:23:47,010
EVERYTHING CAN'T BE --
914
00:23:47,010 --> 00:23:48,024
>> Jimmy: BUT IT LOOKS -
915
00:23:47,010 --> 00:23:48,024
>> BUT DEEJAY IN "POOTIE TANG"
916
00:23:48,024 --> 00:23:54,016
WAS PRETTY GOOD PART, MAN.
917
00:23:48,024 --> 00:23:54,016
>> Jimmy: NOT BAD.
918
00:23:54,016 --> 00:23:55,020
>> BUT -
919
00:23:54,016 --> 00:23:55,020
>> Jimmy: I HEARD THE
920
00:23:55,020 --> 00:23:56,029
CREATORS -
921
00:23:55,020 --> 00:23:56,029
>> THE CORNSTALK THAT I PLAYED
922
00:23:56,029 --> 00:24:01,020
IN "POOTIE TANG" IS AMAZING.
923
00:23:56,029 --> 00:24:01,020
[ LAUGHTER ]
924
00:24:01,020 --> 00:24:02,022
>> Jimmy: DON'T KNOCK "POOTIE
925
00:24:01,020 --> 00:24:02,022
TANG."
926
00:24:02,022 --> 00:24:05,014
I LOVED IT, MAN.
927
00:24:02,022 --> 00:24:05,014
>> I -- YOU KNOW WHAT'S FUNNY?
928
00:24:05,014 --> 00:24:07,004
I TALKED TO KANYE THE OTHER
929
00:24:05,014 --> 00:24:07,004
DAY.
930
00:24:07,004 --> 00:24:08,010
JUST IN THE -- OUT OF THE BLUE
931
00:24:07,004 --> 00:24:08,010
SKY HE'S LIKE, "'POOTIE
932
00:24:08,010 --> 00:24:09,012
TANG'S'" THE MOST IMPORTANT
933
00:24:08,010 --> 00:24:09,012
MOVIE OF THE LAST -- OF
934
00:24:09,012 --> 00:24:17,011
THE 20th CENTURY," RIGHT
935
00:24:09,012 --> 00:24:17,011
HE WAS BREAKING IT DOWN, RIGHT
936
00:24:17,011 --> 00:24:21,006
HE KNEW "POOTIE TANG" WAY
937
00:24:17,011 --> 00:24:21,006
BETTER THAN ME
938
00:24:21,006 --> 00:24:24,008
>> Jimmy: I LOVE THAT, MAN
939
00:24:21,006 --> 00:24:24,008
BUT THIS ONE, THIS -
940
00:24:24,008 --> 00:24:26,023
>> KANYE LIKED "POOTIE TANG.
941
00:24:24,008 --> 00:24:26,023
>> Jimmy: NOAH HAWLEY, THE
942
00:24:26,023 --> 00:24:29,016
CREATOR, HAD YOU IN MIND
943
00:24:26,023 --> 00:24:29,016
BEFORE -- BEFORE THERE WAS EVEN
944
00:24:29,016 --> 00:24:34,020
A SCRIPT
945
00:24:29,016 --> 00:24:34,020
THAT HAD TO FEEL GOOD.
946
00:24:34,020 --> 00:24:38,018
>> THAT FELT REALLY GOOD
947
00:24:34,020 --> 00:24:38,018
YEAH, HE CALLED ME
948
00:24:38,018 --> 00:24:42,000
HE WANTED TO HAVE A MEETING.
949
00:24:38,018 --> 00:24:42,000
I THOUGHT, "I DON'T KNOW."
950
00:24:42,000 --> 00:24:44,025
I MEAN, I LOVED THE SHOW, SO I
951
00:24:42,000 --> 00:24:44,025
SHOWED UP AT THE MEETING
952
00:24:44,025 --> 00:24:46,024
BUT I THOUGHT, GOING TO ASK ME
953
00:24:44,025 --> 00:24:46,024
TO LIKE, YOU KNOW, HOST HIS
954
00:24:46,024 --> 00:24:48,000
WIFE'S CHARITY EVENT OR
955
00:24:46,024 --> 00:24:48,000
SOMETHING, YOU KNOW.
956
00:24:48,000 --> 00:24:49,025
[ LAUGHTER ]
957
00:24:48,000 --> 00:24:49,025
I'M SURE YOU GET A LOT OF THOSE
958
00:24:49,025 --> 00:24:53,007
REQUESTS ALSO.
959
00:24:49,025 --> 00:24:53,007
>> Jimmy: YEAH, YOU GO,
960
00:24:53,007 --> 00:24:56,028
"SCORSESE, YOU WANT ME TO BE IN
961
00:24:53,007 --> 00:24:56,028
THE MOVIE?
962
00:24:56,028 --> 00:25:00,001
HE'S LIKE, "YEAH
963
00:24:56,028 --> 00:25:00,001
>> "NAH, I'M DOING A LITTLE
964
00:25:00,001 --> 00:25:05,028
THING, TRYING TO RAISE MONEY TO
965
00:25:00,001 --> 00:25:05,028
RESURRECT A BOAT."
966
00:25:05,028 --> 00:25:08,007
>> Jimmy: YEAH
967
00:25:05,028 --> 00:25:08,007
>> "AND WE THINK YOU'LL BE A
968
00:25:08,007 --> 00:25:10,019
A GOOD HOST.
969
00:25:08,007 --> 00:25:10,019
>> Jimmy: MM-HMM
970
00:25:10,019 --> 00:25:11,025
>> OKAY.
971
00:25:10,019 --> 00:25:11,025
>> Jimmy: YEAH, BUT HE WANTED
972
00:25:11,025 --> 00:25:13,014
YOU FOR THIS
973
00:25:11,025 --> 00:25:13,014
AND YOU -- HE WROTE THIS FOR
974
00:25:13,014 --> 00:25:14,022
YOU?
975
00:25:13,014 --> 00:25:14,022
>> HE WANTED -- HE ABSOLUTELY
976
00:25:14,022 --> 00:25:18,005
WANTED ME FOR THIS
977
00:25:14,022 --> 00:25:18,005
AND YOU KNOW, THE WEIRD THING
978
00:25:18,005 --> 00:25:21,020
WAS, I GOT THE OFFER LIKE
979
00:25:18,005 --> 00:25:21,020
A YEAR BEFORE WE STARTED
980
00:25:21,020 --> 00:25:24,022
FILMING.
981
00:25:21,020 --> 00:25:24,022
SO I'M LIKE SUCH A SCAREDY CAT,
982
00:25:24,022 --> 00:25:28,003
I KEPT THINKING I WAS GOING TO
983
00:25:24,022 --> 00:25:28,003
GET A CALL THAT, YOU KNOW,
984
00:25:28,003 --> 00:25:31,011
"HEY, I BUMPED INTO DON CHEADLE
985
00:25:28,003 --> 00:25:31,011
AT A PARTY
986
00:25:31,011 --> 00:25:36,000
[ LAUGHTER ]
987
00:25:31,011 --> 00:25:36,000
AND HEY, I'M SORRY, CHRIS.
988
00:25:36,000 --> 00:25:38,009
>> Jimmy: I WANT TO TALK TO YOU
989
00:25:36,000 --> 00:25:38,009
ABOUT THIS PARTY I'M DOING
990
00:25:38,009 --> 00:25:39,018
>> "I SAW CHIWETEL AT WHOLE
991
00:25:38,009 --> 00:25:39,018
FOODS.
992
00:25:39,018 --> 00:25:47,017
HEY, YOU KNOW, WHAT CAN I SAY?
993
00:25:39,018 --> 00:25:47,017
>> Jimmy: HEY, CHRIS, I WANT TO
994
00:25:47,017 --> 00:25:51,009
SHOW A CLIP OF "FARGO.
995
00:25:51,009 --> 00:25:55,006
HERE'S CHRIS ROCK IN SEASON
996
00:25:51,026 --> 00:25:55,006
FOUR OF "FARGO."
997
00:25:53,011 --> 00:25:55,006
TAKE A LOOK AT THIS.
998
00:25:57,022 --> 00:26:02,023
FOR YOU.
999
00:25:57,022 --> 00:26:02,023
WE GOT AN ALLIANCE
1000
00:26:02,023 --> 00:26:03,029
AND I KNOW YOU THINK PART OF
1001
00:26:02,023 --> 00:26:03,029
BEING AN AMERICAN IS STANDING
1002
00:26:03,029 --> 00:26:10,003
ON MY NECK
1003
00:26:03,029 --> 00:26:10,003
BUT I SEE THE WINDOW SIGNS
1004
00:26:10,003 --> 00:26:14,027
"NO COLORED.
1005
00:26:10,003 --> 00:26:14,027
"NO ITALIANS."
1006
00:26:14,027 --> 00:26:25,002
SO WE'RE BOTH IN THE GUTTER
1007
00:26:14,027 --> 00:26:25,002
TOGETHER, LIKE IT OR NOT
1008
00:26:25,002 --> 00:26:27,021
>> Jimmy: MY THANKS TO CHRIS -
1009
00:26:25,002 --> 00:26:27,021
WHAT'S THAT?
1010
00:26:27,021 --> 00:26:28,022
>> BEFORE WE GET OFF THE AIR,
1011
00:26:27,021 --> 00:26:28,022
WE HAVE TO SAY, "HI,
1012
00:26:28,022 --> 00:26:33,024
BARRY SOBEL.
1013
00:26:28,022 --> 00:26:33,024
[ LAUGHTER ]
1014
00:26:33,024 --> 00:26:35,020
>> Jimmy: BARRY, WE LOVE YOU,
1015
00:26:33,024 --> 00:26:35,020
BARRY SOBEL.
1016
00:26:35,020 --> 00:26:38,005
MY THANKS TO CHRIS ROCK.
1017
00:26:35,020 --> 00:26:38,005
>> WE LOVE YOU
1018
00:26:38,005 --> 00:26:39,008
>> Jimmy: THE ONE AND ONLY
1019
00:26:38,005 --> 00:26:39,008
"FARGO" PREMIERES SUNDAY AT
1020
00:26:39,008 --> 00:26:42,017
9:00 P.M
1021
00:26:39,008 --> 00:26:42,017
YOU SEE WHAT I DID THERE
1022
00:26:42,017 --> 00:26:46,015
ON FX.
1023
00:26:42,017 --> 00:26:46,015
JONATHAN MAJORS JOINS US AFTER
1024
00:26:46,015 --> 00:26:48,011
THE BREAK.
1025
00:26:46,015 --> 00:26:48,011
STICK AROUND, EVERYBODY.
1026
00:26:48,011 --> 00:27:08,016
♪
1027
00:26:48,011 --> 00:27:08,016
♪
1028
00:27:08,016 --> 00:27:10,011
>> Jimmy: MY NEXT GUEST IS A
1029
00:27:08,016 --> 00:27:10,011
A VERY TALENTED ACTOR.
1030
00:27:10,011 --> 00:27:13,029
HE STARS AS ATTICUS FREEMAN IN
1031
00:27:10,011 --> 00:27:13,029
THE HIT SERIES "LOVECRAFT
1032
00:27:13,029 --> 00:27:14,019
COUNTRY" WHICH AIRS SUNDAYS AT
1033
00:27:14,019 --> 00:27:21,012
9:00 P.M. ON HBO AND IS
1034
00:27:18,002 --> 00:27:21,012
AVAILABLE TO STREAM ON HBO MAX
1035
00:27:19,004 --> 00:27:21,012
HERE IS JONATHAN MAJORS!
1036
00:27:22,009 --> 00:27:25,018
>> Jimmy: JONATHAN, WELCOME.
1037
00:27:22,009 --> 00:27:25,018
THANK YOU SO MUCH FOR BEING
1038
00:27:25,018 --> 00:27:27,017
HERE
1039
00:27:25,018 --> 00:27:27,017
THIS IS YOUR LATE-NIGHT TALK
1040
00:27:27,017 --> 00:27:32,011
SHOW DEBUT
1041
00:27:27,017 --> 00:27:32,011
JUST HOW YOU ALWAYS PICTURED IT
1042
00:27:32,011 --> 00:27:36,015
HAPPENING, OVER ZOOM
1043
00:27:32,011 --> 00:27:36,015
>> UH, YEAH, YEAH, YEAH, YEAH.
1044
00:27:36,015 --> 00:27:38,002
NO, IT'S GREAT, MAN.
1045
00:27:36,015 --> 00:27:38,002
I MEAN, I NEVER THOUGHT IT
1046
00:27:38,002 --> 00:27:41,003
WOULD HAPPEN, OR PICTURED IT
1047
00:27:38,002 --> 00:27:41,003
BUT YEAH, IT'S -- I'M GLAD TO
1048
00:27:41,003 --> 00:27:45,014
BE HERE, MAN
1049
00:27:41,003 --> 00:27:45,014
VERY MUCH SO
1050
00:27:45,014 --> 00:27:46,023
>> Jimmy: THERE'S SO MUCH GOING
1051
00:27:45,014 --> 00:27:46,023
ON I WANT TO TALK TO YOU ABOUT,
1052
00:27:46,023 --> 00:27:48,000
'CAUSE I KNOW YOU WERE IN
1053
00:27:46,023 --> 00:27:48,000
NEW MEXICO FILMING A MOVIE THAT
1054
00:27:48,000 --> 00:27:55,000
IS LIKE A WESTERN?
1055
00:27:48,000 --> 00:27:55,000
THAT JAY-Z'S PRODUCED?
1056
00:27:55,000 --> 00:27:57,000
>> YEAH.
1057
00:27:55,000 --> 00:27:57,000
>> Jimmy: CALLED "THE HARDER
1058
00:27:57,000 --> 00:27:58,008
THEY FALL.
1059
00:27:57,000 --> 00:27:58,008
AND THEN COVID-19 BROKE OUT.
1060
00:27:58,008 --> 00:28:02,006
IS THAT WHAT HAPPENED?
1061
00:27:58,008 --> 00:28:02,006
>> YEAH, WE WERE A DAY FROM --
1062
00:28:02,006 --> 00:28:05,012
A DAY FROM SHOOTING.
1063
00:28:02,006 --> 00:28:05,012
WE HAD DONE A PRE-SHOOT DAY,
1064
00:28:05,012 --> 00:28:06,020
AND THEN WE SAW THE SUITS COME
1065
00:28:05,012 --> 00:28:06,020
IN OR THE NETFLIX GUYS COME IN,
1066
00:28:06,020 --> 00:28:07,023
ONE-ONE THOUSAND, TWO-ONE
1067
00:28:06,020 --> 00:28:07,023
THOUSAND, THREE-ONE THOUSAND
1068
00:28:07,023 --> 00:28:16,005
THEY CALLED US ALL IN.
1069
00:28:07,023 --> 00:28:16,005
WHICH IS NOT THE BEST IDEA,
1070
00:28:16,005 --> 00:28:17,025
WHEN I COME AND THINK OF IT.
1071
00:28:16,005 --> 00:28:17,025
THEY CALL US IN ONE ROOM TO
1072
00:28:17,025 --> 00:28:20,020
TELL US THAT THERE WAS A
1073
00:28:17,025 --> 00:28:20,020
A PANDEMIC AND WE WERE SHUTTING
1074
00:28:20,020 --> 00:28:23,007
DOWN
1075
00:28:20,020 --> 00:28:23,007
>> Jimmy: NO, YOU KEEP
1076
00:28:23,007 --> 00:28:26,001
EVERYBODY DISTANT.
1077
00:28:23,007 --> 00:28:26,001
>> BUT IT HAPPENED
1078
00:28:26,001 --> 00:28:27,022
>> Jimmy: YEAH
1079
00:28:26,001 --> 00:28:27,022
>> YEAH, "STAY WHERE YOU ARE,
1080
00:28:27,022 --> 00:28:29,010
STAY WHERE YOU ARE, AND LISTEN
1081
00:28:27,022 --> 00:28:29,010
UP."
1082
00:28:29,010 --> 00:28:31,015
>> Jimmy: YOUR CO-STAR IN "THE
1083
00:28:29,010 --> 00:28:31,015
HARDER THEY FALL" IS
1084
00:28:31,015 --> 00:28:35,023
IDRIS ELBA, AKA ONE OF THE
1085
00:28:31,015 --> 00:28:35,023
SEXIEST MEN ALIVE.
1086
00:28:35,023 --> 00:28:38,005
>> CORRECT, YEAH
1087
00:28:35,023 --> 00:28:38,005
>> Jimmy: YEAH
1088
00:28:38,005 --> 00:28:40,001
DID HE HOLD THAT OVER
1089
00:28:38,005 --> 00:28:40,001
EVERYONE'S HEAD?
1090
00:28:40,001 --> 00:28:42,016
DOES HE WALK AROUND WITH A
1091
00:28:40,001 --> 00:28:42,016
A "PEOPLE" MAGAZINE, SHOWING
1092
00:28:42,016 --> 00:28:44,025
EVERYBODY?
1093
00:28:42,016 --> 00:28:44,025
>> NO, THE THING ABOUT DRIS IS
1094
00:28:44,025 --> 00:28:51,015
HE IS A VERY, VERY, VERY SWEET
1095
00:28:44,025 --> 00:28:51,015
MAN.
1096
00:28:51,015 --> 00:28:53,004
YOU KNOW, HE'S JUST SO GENTLE.
1097
00:28:51,015 --> 00:28:53,004
AND LIKE IT'S ALMOST LIKE --
1098
00:28:53,004 --> 00:28:54,007
WHEN YOU SEE HIM YOU GO,
1099
00:28:53,004 --> 00:28:54,007
"THERE'S NO NEED FOR YOU TO
1100
00:28:54,007 --> 00:28:55,012
TELL US THAT, BECAUSE WE CAN
1101
00:28:54,007 --> 00:28:55,012
SEE YOU ARE THE SEXIEST MAN
1102
00:28:55,012 --> 00:29:00,013
ALIVE.
1103
00:28:55,012 --> 00:29:00,013
>> Jimmy: YEAH, YEAH, WE
1104
00:29:00,013 --> 00:29:03,016
ALREADY KNOW
1105
00:29:00,013 --> 00:29:03,016
>> YOU KNOW, HE'S LIKE "OH,
1106
00:29:03,016 --> 00:29:07,021
YEAH, OF COURSE, YEAH, YEAH.
1107
00:29:03,016 --> 00:29:07,021
>> Jimmy: I THOUGHT YOU WERE
1108
00:29:07,021 --> 00:29:11,002
GOING TO HOLD UP -- BECAUSE YOU
1109
00:29:07,021 --> 00:29:11,002
CAN SHOW HIM THAT YOU'RE COMING
1110
00:29:11,002 --> 00:29:12,015
FOR HIM BECAUSE YOU'RE ON THE
1111
00:29:11,002 --> 00:29:12,015
COVER OF OCTOBER ISSUE OF "GQ.
1112
00:29:12,015 --> 00:29:14,010
>> YEAH, WOW, MAN.
1113
00:29:12,015 --> 00:29:14,010
>> Jimmy: I MEAN, COME ON!
1114
00:29:14,010 --> 00:29:16,026
>> YEAH.
1115
00:29:14,010 --> 00:29:16,026
>> Jimmy: THAT'S AWESOME
1116
00:29:16,026 --> 00:29:19,001
>> YEAH, THAT'S ALL RIGHT.
1117
00:29:16,026 --> 00:29:19,001
>> Jimmy: CONGRATS, BUDDY.
1118
00:29:19,001 --> 00:29:21,013
>> THANK YOU, BRO.
1119
00:29:19,001 --> 00:29:21,013
THANK YOU.
1120
00:29:21,013 --> 00:29:22,017
>> Jimmy: CAN YOU THINK BACK
1121
00:29:21,013 --> 00:29:22,017
20 YEARS AGO WHEN YOU WERE A
1122
00:29:22,017 --> 00:29:23,016
A KID?
1123
00:29:22,017 --> 00:29:23,016
DID YOU EVER THINK ONE DAY
1124
00:29:23,016 --> 00:29:27,000
YOU'D BE ON THE COVER OF "GQ"?
1125
00:29:23,016 --> 00:29:27,000
>> YOU KNOW -- I'LL TELL YOU
1126
00:29:27,000 --> 00:29:28,007
THE TRUTH, I DID THINK SO, BUT
1127
00:29:27,000 --> 00:29:28,007
I THOUGHT IT WOULD BE BECAUSE I
1128
00:29:28,007 --> 00:29:29,009
WAS A BASKETBALL STAR.
1129
00:29:28,007 --> 00:29:29,009
I THOUGHT I WAS GOING TO BE
1130
00:29:29,009 --> 00:29:33,015
A POINT GUARD.
1131
00:29:29,009 --> 00:29:33,015
>> Jimmy: REALLY
1132
00:29:33,015 --> 00:29:34,024
>> PLAYING IN THE NBA, YEAH.
1133
00:29:33,015 --> 00:29:34,024
THAT WAS LIKE --
1134
00:29:34,024 --> 00:29:38,025
THAT WAS LIKE THE PLAN
1135
00:29:34,024 --> 00:29:38,025
AND THEN MY UNCLE, WHO WAS
1136
00:29:38,025 --> 00:29:44,002
PROBABLY MY CLOSEST MENTOR TO
1137
00:29:38,025 --> 00:29:44,002
THIS DAY -- I WAS ABOUT
1138
00:29:44,002 --> 00:29:46,021
14 YEARS OLD
1139
00:29:44,002 --> 00:29:46,021
I WAS PLAYING BALL
1140
00:29:46,021 --> 00:29:48,019
AND HE CAME TO THE GAME, MAN
1141
00:29:46,021 --> 00:29:48,019
I WAS LIKE, "OKAY, UNCLE
1142
00:29:48,019 --> 00:29:51,019
CHUCK'S COMING TO THE GAME, I
1143
00:29:48,019 --> 00:29:51,019
GOT TO CLOWN
1144
00:29:51,019 --> 00:29:53,014
I GOT TO DO MY THING."
1145
00:29:51,019 --> 00:29:53,014
AND I PLAYED MY ASS OFF, MAN
1146
00:29:53,014 --> 00:29:56,016
AND AT THE END OF THE GAME, HE
1147
00:29:53,014 --> 00:29:56,016
PULLED ME TO THE SIDE.
1148
00:29:56,016 --> 00:29:59,005
I WAS IN HIS TRUCK
1149
00:29:56,016 --> 00:29:59,005
AND HE SAID, "NEPHEW, I GOT
1150
00:29:59,005 --> 00:30:01,000
SOMETHING TO TELL YOU.
1151
00:29:59,005 --> 00:30:01,000
I'M LIKE, "WHAT?
1152
00:30:01,000 --> 00:30:02,020
TELL, WHAT WAS IT?
1153
00:30:01,000 --> 00:30:02,020
WHAT WAS IT?
1154
00:30:02,020 --> 00:30:04,026
WHAT'D YOU LIKE?
1155
00:30:02,020 --> 00:30:04,026
WHAT'D YOU LIKE?
1156
00:30:04,026 --> 00:30:06,005
HE SAID, "I DON'T THINK THIS
1157
00:30:04,026 --> 00:30:06,005
BASKETBALL THING IS GOING TO
1158
00:30:06,005 --> 00:30:09,010
WORK OUT."
1159
00:30:06,005 --> 00:30:09,010
>> Jimmy: AWW.
1160
00:30:09,010 --> 00:30:10,013
>> "I DON'T THINK IT'S FOR
1161
00:30:09,010 --> 00:30:10,013
YOU.
1162
00:30:10,013 --> 00:30:12,005
>> Jimmy: NO
1163
00:30:10,013 --> 00:30:12,005
>> AND I GO -- YEAH.
1164
00:30:12,005 --> 00:30:14,024
I GO -- I GO, "WHAT?
1165
00:30:12,005 --> 00:30:14,024
WE DIDN'T TALK FOR PROBABLY --
1166
00:30:14,024 --> 00:30:19,028
PROBABLY SIX MONTHS.
1167
00:30:14,024 --> 00:30:19,028
I AIN'T TALKED TO MY UNCLE
1168
00:30:19,028 --> 00:30:22,023
AND MIND YOU, I'M 6 FEET TALL.
1169
00:30:19,028 --> 00:30:22,023
MY UNCLE'S ABOUT 6'5" AND JUST
1170
00:30:22,023 --> 00:30:28,021
A BRILLIANT ATHLETE.
1171
00:30:22,023 --> 00:30:28,021
>> Jimmy: SO HE KNOWS HOW TO
1172
00:30:28,021 --> 00:30:29,020
PLAY
1173
00:30:28,021 --> 00:30:29,020
>> AND SO HE SAYS IT, I GO,
1174
00:30:29,020 --> 00:30:32,025
"OKAY, COOL.
1175
00:30:29,020 --> 00:30:32,025
AND THEN THAT KIND OF PUT ME ON
1176
00:30:32,025 --> 00:30:35,008
THE TRACK, THOUGH.
1177
00:30:32,025 --> 00:30:35,008
YOU KNOW, THAT'S A HARD NO
1178
00:30:35,008 --> 00:30:37,027
YOU KNOW
1179
00:30:35,008 --> 00:30:37,027
>> Jimmy: I WOULD HAVE -- I
1180
00:30:37,027 --> 00:30:40,005
WOULD HAVE STARTED TO BREAK
1181
00:30:37,027 --> 00:30:40,005
DOWN CRYING RIGHT THERE.
1182
00:30:40,005 --> 00:30:42,001
I WOULD HAVE BEEN LIKE -
1183
00:30:40,005 --> 00:30:42,001
>> OH, THAT HAPPENED
1184
00:30:42,001 --> 00:30:43,020
THAT ABSOLUTELY HAPPENED
1185
00:30:42,001 --> 00:30:43,020
IN HIS CHEVROLET
1186
00:30:43,020 --> 00:30:47,018
IN HIS WHITE CHEVROLET TRUCK
1187
00:30:43,020 --> 00:30:47,018
>> Jimmy: WOW.
1188
00:30:47,018 --> 00:30:49,017
AND THEN YOU THOUGHT, "OH,
1189
00:30:47,018 --> 00:30:49,017
ACTING IS WHAT I WANT TO DO?
1190
00:30:49,017 --> 00:30:54,018
>> I WAS -- I WAS KIND OF
1191
00:30:49,017 --> 00:30:54,018
ALREADY IN IT.
1192
00:30:54,018 --> 00:30:55,024
I WAS KIND OF ALREADY -- THINGS
1193
00:30:54,018 --> 00:30:55,024
HAD HAPPENED IN SCHOOL, YOU
1194
00:30:55,024 --> 00:31:00,001
KNOW
1195
00:30:55,024 --> 00:31:00,001
TROUBLE AND ALL THAT STUFF
1196
00:31:00,001 --> 00:31:01,008
IT KIND OF PUT ME ON THAT PATH,
1197
00:31:00,001 --> 00:31:01,008
AND I WAS GETTING INTO IT AT
1198
00:31:01,008 --> 00:31:07,001
THAT POINT
1199
00:31:01,008 --> 00:31:07,001
BUT THEN -- IT WAS KIND OF LIKE
1200
00:31:07,001 --> 00:31:08,017
A TURBO BOOST WHEN UNCLE CHUCK
1201
00:31:07,001 --> 00:31:08,017
WAS LIKE, "NAH, NEPHEW."
1202
00:31:08,017 --> 00:31:10,027
YOU KNOW
1203
00:31:08,017 --> 00:31:10,027
AND IT WAS SO SOBER.
1204
00:31:10,027 --> 00:31:13,002
THAT'S THE THING
1205
00:31:10,027 --> 00:31:13,002
IT WAS SO SOBER.
1206
00:31:13,002 --> 00:31:14,025
I WAS LIKE, "OKAY.
1207
00:31:13,002 --> 00:31:14,025
>> Jimmy: WOW.
1208
00:31:14,025 --> 00:31:16,024
>> "ALL RIGHT, THEN.
1209
00:31:14,025 --> 00:31:16,024
>> Jimmy: WOW, THAT WAS --
1210
00:31:16,024 --> 00:31:18,019
>> YEAH.
1211
00:31:16,024 --> 00:31:18,019
>> Jimmy: YEAH, YOU REALLY SAID
1212
00:31:18,019 --> 00:31:20,005
THAT
1213
00:31:18,019 --> 00:31:20,005
OH MY GOSH
1214
00:31:20,005 --> 00:31:21,026
>> YEAH, YEAH.
1215
00:31:20,005 --> 00:31:21,026
>> Jimmy: YOU DIDN'T BREAK IT
1216
00:31:21,026 --> 00:31:23,002
DOWN LIKE, I'M A LITTLE KID.
1217
00:31:21,026 --> 00:31:23,002
YOU'RE LIKE, "IT'S OVER, DUDE,
1218
00:31:23,002 --> 00:31:24,003
YEAH."
1219
00:31:23,002 --> 00:31:24,003
PUT YOUR ENERGY --
1220
00:31:24,003 --> 00:31:25,019
>> "IT'S NOT FOR YOU."
1221
00:31:24,003 --> 00:31:25,019
THAT'S EXACTLY WHAT HE SAID.
1222
00:31:25,019 --> 00:31:27,018
"IT'S NOT FOR YOU.
1223
00:31:25,019 --> 00:31:27,018
AND I SAID, "OKAY.
1224
00:31:27,018 --> 00:31:28,024
>> Jimmy: WOW.
1225
00:31:27,018 --> 00:31:28,024
>> YEAH.
1226
00:31:28,024 --> 00:31:30,016
>> Jimmy: ACTUALLY WORKED OUT.
1227
00:31:28,024 --> 00:31:30,016
IT WORKED OUT, MAN
1228
00:31:30,016 --> 00:31:32,012
WOW.
1229
00:31:30,016 --> 00:31:32,012
I MEAN -
1230
00:31:32,012 --> 00:31:35,007
>> HE STILL GOT ON THE COVER OF
1231
00:31:32,012 --> 00:31:35,007
GQ, UNCLE CHUCK.
1232
00:31:35,007 --> 00:31:37,019
IT STILL HAPPENED.
1233
00:31:35,007 --> 00:31:37,019
>> Jimmy: IT STILL HAPPENED.
1234
00:31:37,019 --> 00:31:39,012
YOU CAN'T STOP
1235
00:31:37,019 --> 00:31:39,012
YOU CAN'T STOP A TRAIN, YEAH
1236
00:31:39,012 --> 00:31:40,028
NO, NO, NO
1237
00:31:39,012 --> 00:31:40,028
>> YEAH.
1238
00:31:40,028 --> 00:31:42,021
>> Jimmy: I WANT TO TALK ABOUT
1239
00:31:40,028 --> 00:31:42,021
"LOVECRAFT COUNTRY."
1240
00:31:42,021 --> 00:31:45,029
>> DEFINITELY.
1241
00:31:42,021 --> 00:31:45,029
>> Jimmy: BUT FIRST, THERE'S A
1242
00:31:45,029 --> 00:31:48,009
A RUMOR OUT THERE I WANT TO ASK
1243
00:31:45,029 --> 00:31:48,009
YOU ABOUT.
1244
00:31:48,009 --> 00:31:49,015
IT WAS REPORTED, I THINK IT WAS
1245
00:31:48,009 --> 00:31:49,015
LAST WEEK, THAT YOU MIGHT BE
1246
00:31:49,015 --> 00:31:55,008
JOINING THE MARVEL CINEMATIC
1247
00:31:49,015 --> 00:31:55,008
UNIVERSE AS KANG THE CONQUEROR
1248
00:31:55,008 --> 00:31:58,029
YOU TELL ME IF THIS IS TRUE,
1249
00:31:55,008 --> 00:31:58,029
RIGHT?
1250
00:31:58,029 --> 00:32:00,015
THERE'S NO ONE HERE IN THE
1251
00:31:58,029 --> 00:32:00,015
STUDIO
1252
00:32:00,015 --> 00:32:02,024
IT'S JUST US
1253
00:32:00,015 --> 00:32:02,024
>> IT'S JUST YOU AND ME?
1254
00:32:02,024 --> 00:32:04,009
>> Jimmy: OH, YEAH, YEAH, YEAH
1255
00:32:02,024 --> 00:32:04,009
>> MAN, I HEARD THE SAME THING,
1256
00:32:04,009 --> 00:32:08,027
BRO.
1257
00:32:04,009 --> 00:32:08,027
I HEARD THE SAME THING
1258
00:32:08,027 --> 00:32:10,023
IT WAS LIKE, "WHAT
1259
00:32:08,027 --> 00:32:10,023
WHAT
1260
00:32:10,023 --> 00:32:14,001
WHAT?"
1261
00:32:10,023 --> 00:32:14,001
SO -- YOU KNOW
1262
00:32:14,001 --> 00:32:16,008
WE -- WE APPARENTLY HAVE THE
1263
00:32:14,001 --> 00:32:16,008
SAME SOURCE BECAUSE I HEARD IT
1264
00:32:16,008 --> 00:32:20,006
TOO.
1265
00:32:16,008 --> 00:32:20,006
>> Jimmy: GOD.
1266
00:32:20,006 --> 00:32:23,007
I KNEW -- I KNEW I WAS GOING TO
1267
00:32:20,006 --> 00:32:23,007
GET NOTHING.
1268
00:32:23,007 --> 00:32:25,003
LET'S TALK ABOUT "LOVECRAFT
1269
00:32:23,007 --> 00:32:25,003
COUNTRY.
1270
00:32:25,003 --> 00:32:27,012
IT'S A BIG HIT
1271
00:32:25,003 --> 00:32:27,012
OH, MY GOSH.
1272
00:32:27,012 --> 00:32:30,020
CONGRATS ON THIS
1273
00:32:27,012 --> 00:32:30,020
ALL MY WRITERS LOVE IT
1274
00:32:30,020 --> 00:32:31,025
EVERYONE'S LIKE, "THAT'S THE
1275
00:32:30,020 --> 00:32:31,025
SHOW YOU'VE GOT TO WATCH RIGHT
1276
00:32:31,025 --> 00:32:32,021
NOW.
1277
00:32:31,025 --> 00:32:32,021
FOR ANYONE WHO HASN'T SEEN IT,
1278
00:32:32,021 --> 00:32:36,015
HOW WOULD YOU DESCRIBE IT?
1279
00:32:32,021 --> 00:32:36,015
>> IT'S A STORY ABOUT A FAMILY
1280
00:32:36,015 --> 00:32:37,021
AND A MAN SEARCHING FOR THEIR
1281
00:32:36,015 --> 00:32:37,021
LEGACY DURING A VERY TURBULENT
1282
00:32:37,021 --> 00:32:49,022
TIME IN AMERICA.
1283
00:32:37,021 --> 00:32:49,022
RIGHT, IT TAKES PLACE DURING
1284
00:32:49,022 --> 00:32:57,001
THE JIM CROW ERA
1285
00:32:49,022 --> 00:32:57,001
AND THEY MOVE THROUGH THIS
1286
00:32:57,001 --> 00:32:58,003
AMERICA AS BLACK PEOPLE
1287
00:32:57,001 --> 00:32:58,003
ATTEMPTING TO STAY SAFE, TO
1288
00:32:58,003 --> 00:33:05,016
GROW AS A FAMILY, AND TO PUSH
1289
00:32:58,003 --> 00:33:05,016
THE LINEAGE FORWARD.
1290
00:33:05,016 --> 00:33:12,026
AND CHAOS ENSUES ON SO MANY
1291
00:33:05,016 --> 00:33:12,026
LEVELS, YOU COULDN'T EVEN
1292
00:33:12,026 --> 00:33:15,018
IMAGINE.
1293
00:33:12,026 --> 00:33:15,018
>> Jimmy: YOU'RE GREAT IN THIS
1294
00:33:15,018 --> 00:33:18,026
AS WE SAID, THE SHOW TAKES
1295
00:33:15,018 --> 00:33:18,026
PLACE IN THE '50s, BUT THERE
1296
00:33:18,026 --> 00:33:20,000
ARE A LOT OF THEMES, I WOULD
1297
00:33:18,026 --> 00:33:20,000
SAY, IN "LOVECRAFT COUNTRY"
1298
00:33:20,000 --> 00:33:25,017
THAT FEEL RELEVANT NOW
1299
00:33:20,000 --> 00:33:25,017
>> YEAH.
1300
00:33:25,017 --> 00:33:26,020
>> Jimmy: ESPECIALLY GIVEN THE
1301
00:33:25,017 --> 00:33:26,020
NEWS YESTERDAY OF THE
1302
00:33:26,020 --> 00:33:29,011
BREONNA TAYLOR GRAND JURY
1303
00:33:26,020 --> 00:33:29,011
DECISION
1304
00:33:29,011 --> 00:33:30,017
DOES IT FEEL EVEN MORE SPECIAL
1305
00:33:29,011 --> 00:33:30,017
TO BE PART OF THIS SHOW WHERE
1306
00:33:30,017 --> 00:33:36,005
WE ARE RIGHT NOW
1307
00:33:30,017 --> 00:33:36,005
>> YOU KNOW, THAT'S A -- THAT'S
1308
00:33:36,005 --> 00:33:39,019
A TOUGH WORD, ISN'T IT
1309
00:33:36,005 --> 00:33:39,019
SPECIAL.
1310
00:33:39,019 --> 00:33:43,017
YOU KNOW
1311
00:33:39,019 --> 00:33:43,017
>> Jimmy: YEAH
1312
00:33:43,017 --> 00:33:45,016
>> LIKE IT'S -- BUT IT DOES, IT
1313
00:33:43,017 --> 00:33:45,016
FEELS NOVEL.
1314
00:33:45,016 --> 00:33:50,004
IT FEELS -- THERE'S A CERTAIN
1315
00:33:45,016 --> 00:33:50,004
GRAVITY TO IT.
1316
00:33:50,004 --> 00:33:52,026
I WOULDN'T SAY WEIGHT.
1317
00:33:50,004 --> 00:33:52,026
I'D SAY GRAVITY TO IT.
1318
00:33:52,026 --> 00:33:56,015
YOU KNOW WHAT I MEAN
1319
00:33:52,026 --> 00:33:56,015
AND YOU KNOW, WITH SISTER
1320
00:33:56,015 --> 00:33:58,007
TAYLOR, IT'S HEAVY
1321
00:33:56,015 --> 00:33:58,007
YOU KNOW
1322
00:33:58,007 --> 00:34:01,025
'CAUSE YOU LOOK AT OUR SHOW,
1323
00:33:58,007 --> 00:34:01,025
AND KIND OF WHAT I FEEL WE'VE
1324
00:34:01,025 --> 00:34:05,007
DONE IS A LOT OF FOLKS SAY,
1325
00:34:01,025 --> 00:34:05,007
"OH, IT'S SO RELEVANT.
1326
00:34:05,007 --> 00:34:07,007
YOU KNOW
1327
00:34:05,007 --> 00:34:07,007
I SAY, "YEAH -- I MEAN, MOST
1328
00:34:07,007 --> 00:34:09,025
THINGS ARE RELEVANT.
1329
00:34:07,007 --> 00:34:09,025
YOU KNOW WHAT I'M SAYING
1330
00:34:09,025 --> 00:34:11,007
LIKE EVERYBODY'S IN CHARGE OF
1331
00:34:09,025 --> 00:34:11,007
MAKING IT.
1332
00:34:11,007 --> 00:34:14,025
YOU KNOW WHAT I'M SAYING
1333
00:34:11,007 --> 00:34:14,025
BUT NOBODY'S A FOOL, YOU KNOW.
1334
00:34:14,025 --> 00:34:17,024
BUT TO MAKE SOMETHING THAT IS
1335
00:34:14,025 --> 00:34:17,024
BOTH RELEVANT AND, IN MY
1336
00:34:17,024 --> 00:34:22,008
OPINION, REVEALING, IS A BIT OF
1337
00:34:17,024 --> 00:34:22,008
A -- BIT OF A HAT TRICK.
1338
00:34:22,008 --> 00:34:23,021
YOU KNOW
1339
00:34:22,008 --> 00:34:23,021
BECAUSE WHAT THE SHOW DOES --
1340
00:34:23,021 --> 00:34:24,027
ONE OF THE THINGS I'VE SAID
1341
00:34:23,021 --> 00:34:24,027
BEFORE, AND I'LL SAY IT AGAIN,
1342
00:34:24,027 --> 00:34:26,003
IT'S LIKE YOU PUT A BODY CAM ON
1343
00:34:24,027 --> 00:34:26,003
AN ENTIRE CULTURE, YOU KNOW.
1344
00:34:26,003 --> 00:34:38,001
AND THE ADVENT OF THE BODY CAM
1345
00:34:26,003 --> 00:34:38,001
REALLY BLEW EVERYBODY'S MIND
1346
00:34:38,001 --> 00:34:39,005
LIKE, "OH MY GOD, I CAN'T
1347
00:34:38,001 --> 00:34:39,005
BELIEVE THIS IS HAPPENING THIS
1348
00:34:39,005 --> 00:34:42,025
[ BLEEP ] IS HAPPENING TO
1349
00:34:39,005 --> 00:34:42,025
SO-AND-SO AT THESE STOPS."
1350
00:34:42,025 --> 00:34:46,003
BUT TO PUT A BODY CAM ON AN
1351
00:34:42,025 --> 00:34:46,003
ENTIRE CULTURE FOR JUST A DAY
1352
00:34:46,003 --> 00:34:47,007
IN A LIFE IS SUCH A -- SUCH
1353
00:34:46,003 --> 00:34:47,007
A SPECIAL THING, AS YOU SAY,
1354
00:34:47,007 --> 00:34:52,010
YOU KNOW
1355
00:34:47,007 --> 00:34:52,010
AND THOSE BODY CAMS ARE PUTTING
1356
00:34:52,010 --> 00:34:56,024
THEM ON OUR BLACK BODIES, YOU
1357
00:34:52,010 --> 00:34:56,024
KNOW
1358
00:34:56,024 --> 00:34:58,000
AND WE'RE TELLING SOMETHING
1359
00:34:56,024 --> 00:34:58,000
THAT ALLEGEDLY WAS IN THE PAST,
1360
00:34:58,000 --> 00:34:59,005
BUT AS WE CAN SEE, WITH SISTER
1361
00:34:58,000 --> 00:34:59,005
TAYLOR, IS VERY CURRENT, YOU
1362
00:34:59,005 --> 00:35:07,021
KNOW
1363
00:34:59,005 --> 00:35:07,021
AND WE REVEAL THAT, YOU KNOW,
1364
00:35:07,021 --> 00:35:12,004
EVERY SUNDAY
1365
00:35:07,021 --> 00:35:12,004
SO YEAH, "SPECIAL" IS AN
1366
00:35:12,004 --> 00:35:13,027
INTERESTING WORD
1367
00:35:12,004 --> 00:35:13,027
AND I WOULD SAY IT'S WHAT IT
1368
00:35:13,027 --> 00:35:15,025
IS
1369
00:35:13,027 --> 00:35:15,025
>> Jimmy: I WANT TO SHOW
1370
00:35:15,025 --> 00:35:17,001
EVERYONE A CLIP.
1371
00:35:17,001 --> 00:35:19,029
HERE'S JONATHAN MAJORS IN
1372
00:35:18,007 --> 00:35:19,029
"LOVECRAFT COUNTRY."
1373
00:35:18,027 --> 00:35:19,029
TAKE A LOOK AT THIS.
1374
00:35:21,022 --> 00:35:27,016
♪
1375
00:35:21,022 --> 00:35:27,016
>> HER NAME WAS YOUNG-JA
1376
00:35:27,016 --> 00:35:29,019
SHE'S WAS A NURSE.
1377
00:35:27,016 --> 00:35:29,019
YOUR UNIT SHOT SOME OF US AT
1378
00:35:29,019 --> 00:35:32,013
CHECKPOINT THEN DRAGGED HER
1379
00:35:29,019 --> 00:35:32,013
AWAY
1380
00:35:32,013 --> 00:35:35,015
♪
1381
00:35:32,013 --> 00:35:35,015
>> SHE WAS A COMMUNIST
1382
00:35:35,015 --> 00:35:36,025
SYMPATHIZER.
1383
00:35:35,015 --> 00:35:36,025
>> IS THAT WHAT YOU'RE TELLING
1384
00:35:36,025 --> 00:35:39,017
YOURSELF
1385
00:35:36,025 --> 00:35:39,017
>> I WAS FOLLOWING ORDERS.
1386
00:35:39,017 --> 00:35:42,003
WHO KNOWS HOW MANY LIVES I'VE
1387
00:35:39,017 --> 00:35:42,003
SAVED BY DOING WHAT I DID?
1388
00:35:42,003 --> 00:35:44,005
>> DOES IS HAVE BALANCE, HOW
1389
00:35:42,003 --> 00:35:44,005
MANY HAVE YOU TAKEN?
1390
00:35:44,005 --> 00:35:45,021
THE ONES THAT KEEP YOU UP AT
1391
00:35:44,005 --> 00:35:45,021
NIGHT AND SOBBING?
1392
00:35:45,021 --> 00:35:49,002
THERE'S NO BOOK FOR YOU TO
1393
00:35:45,021 --> 00:35:49,002
ESCAPE WHAT YOU HAVE DONE.
1394
00:35:49,002 --> 00:35:52,014
>> YOU KNEW THIS ENTIRE TIME
1395
00:35:49,002 --> 00:35:52,014
BUT DIDN'T SAY A WORD?
1396
00:35:52,014 --> 00:35:55,022
JI, YOU MADE ME CARE FOR YOU
1397
00:35:52,014 --> 00:35:55,022
WHAT'S WRONG WITH YOU?
1398
00:35:55,022 --> 00:36:01,009
>> NOTHING IS WRONG WITH ME.
1399
00:35:55,022 --> 00:36:01,009
YOU'RE THE MONSTER
1400
00:36:01,009 --> 00:36:02,028
>> WHY DID YOU AGREE TO GO OUT
1401
00:36:01,009 --> 00:36:02,028
WITH ME, THEN?
1402
00:36:02,028 --> 00:36:06,010
>> BECAUSE I WAS GOING TO KILL
1403
00:36:02,028 --> 00:36:06,010
YOU.
1404
00:36:06,010 --> 00:36:07,013
>> Jimmy: JONATHAN MAJORS,
1405
00:36:06,010 --> 00:36:07,013
EVERYBODY.
1406
00:36:07,013 --> 00:36:08,022
CHECK OUT "LOVECRAFT COUNTRY"
1407
00:36:07,013 --> 00:36:08,022
SUNDAYS AT 9:00 P.M. ON HBO AND
1408
00:36:08,022 --> 00:36:15,003
STREAMING ON HBO MAX
1409
00:36:08,022 --> 00:36:15,003
AND HE'S ON THE COVER, COME ON,
1410
00:36:15,003 --> 00:36:19,011
OF "GQ."
1411
00:36:15,003 --> 00:36:19,011
HEAR THAT, UNCLE CHUCK
1412
00:36:19,011 --> 00:36:21,010
WE'LL BE RIGHT BACK WITH A
1413
00:36:19,011 --> 00:36:21,010
A PERFORMANCE FROM SASHA SLOAN
1414
00:36:21,010 --> 00:36:39,002
STICK AROUND, EVERYBODY!
1415
00:36:21,010 --> 00:36:39,002
♪
1416
00:36:39,002 --> 00:36:41,017
>> Jimmy: PERFORMING THE SONG
1417
00:36:39,002 --> 00:36:41,017
"LIE" FROM HER UPCOMING DEBUT
1418
00:36:41,017 --> 00:36:42,002
ALBUM "ONLY CHILD" OUT
1419
00:36:42,002 --> 00:36:50,003
OCTOBER 16th, HERE IS
1420
00:36:42,018 --> 00:36:50,003
SASHA SLOAN.
1421
00:36:47,015 --> 00:36:50,003
[ APPLAUSE ]
1422
00:36:50,024 --> 00:36:53,019
♪ DON'T SLEEP O
1423
00:36:50,024 --> 00:36:53,019
THE COUCH AGAI
1424
00:36:53,019 --> 00:36:59,012
EVEN THOUGH YOU TOOK I
1425
00:36:53,019 --> 00:36:59,012
FOR THE WEEKEND ♪
1426
00:36:59,012 --> 00:37:01,028
♪ KISS ME LIK
1427
00:36:59,012 --> 00:37:01,028
YOU WANNA STAY
1428
00:37:01,028 --> 00:37:07,015
EVEN THOUGH YOU'RE
1429
00:37:01,028 --> 00:37:07,015
THINKING ABOUT LEAVING ♪
1430
00:37:07,015 --> 00:37:10,017
♪ PLEASE JUST FAKE IT
1431
00:37:07,015 --> 00:37:10,017
BUT TURN TO LOOK
1432
00:37:10,017 --> 00:37:12,009
WHEN I MAKE IT ♪
1433
00:37:10,017 --> 00:37:12,009
♪ DON'T BE HONEST
1434
00:37:12,009 --> 00:37:16,015
PROMISE ME THA
1435
00:37:12,009 --> 00:37:16,015
YOU WANT THIS ♪
1436
00:37:16,015 --> 00:37:20,029
♪ SAY YOU'RE LUCK
1437
00:37:16,015 --> 00:37:20,029
SAY YOU'RE LUCKY TO LOVE M
1438
00:37:20,029 --> 00:37:27,002
LIKE YOU USED TO
1439
00:37:20,029 --> 00:37:27,002
EVEN IF IT ISN'T TRUE ♪
1440
00:37:27,002 --> 00:37:30,027
♪ I WANT YOU TO LIE, LI
1441
00:37:27,002 --> 00:37:30,027
LIE TO MY FACE ♪
1442
00:37:30,027 --> 00:37:36,014
♪ I WANT YOU TO PUT YOU
1443
00:37:30,027 --> 00:37:36,014
HANDS ON MY WAIST ♪
1444
00:37:36,014 --> 00:37:41,002
♪ CAN WE JUST DANCE 'TI
1445
00:37:36,014 --> 00:37:41,002
THE SKY'S AWAK
1446
00:37:41,002 --> 00:37:44,026
CAUSE I REALLY CAN'T GET
1447
00:37:41,002 --> 00:37:44,026
MY HEART BROKEN TONIGHT ♪
1448
00:37:44,026 --> 00:37:47,012
♪ I WANT YOU TO SHOW ME
1449
00:37:44,026 --> 00:37:47,012
THERE'S A FUTURE HER
1450
00:37:47,012 --> 00:37:54,025
EVEN IF WE'VE NEVE
1451
00:37:47,012 --> 00:37:54,025
REALLY SEEN IT ♪
1452
00:37:54,025 --> 00:37:57,001
♪ TELL ME WHEN YOU CLOS
1453
00:37:54,025 --> 00:37:57,001
YOUR EYES, I'M ALL YOU SEE
1454
00:37:57,001 --> 00:38:04,001
EVEN IF YOU'RE
1455
00:37:57,001 --> 00:38:04,001
NOT DREAMING ♪
1456
00:38:04,001 --> 00:38:05,020
♪ PLEASE JUST FAKE IT
1457
00:38:04,001 --> 00:38:05,020
BUT TURN TO LOOK
1458
00:38:05,020 --> 00:38:09,008
WHEN I MAKE IT ♪
1459
00:38:05,020 --> 00:38:09,008
♪ DON'T BE HONEST
1460
00:38:09,008 --> 00:38:11,010
PROMISE ME THA
1461
00:38:09,008 --> 00:38:11,010
YOU WANT THIS ♪
1462
00:38:11,010 --> 00:38:16,017
♪ SAY YOU'RE LUCK
1463
00:38:11,010 --> 00:38:16,017
SAY YOU'RE LUCKY TO LOVE M
1464
00:38:16,017 --> 00:38:22,002
LIKE YOU USED TO
1465
00:38:16,017 --> 00:38:22,002
EVEN IF IT ISN'T TRUE ♪
1466
00:38:22,002 --> 00:38:26,023
♪ I WANT YOU TO LIE, LI
1467
00:38:22,002 --> 00:38:26,023
LIE TO MY FACE ♪
1468
00:38:26,023 --> 00:38:31,004
♪ I WANT YOU TO PUT YOU
1469
00:38:26,023 --> 00:38:31,004
HANDS ON MY WAIST ♪
1470
00:38:31,004 --> 00:38:35,022
♪ CAN WE JUST DANCE 'TI
1471
00:38:31,004 --> 00:38:35,022
THE SKY'S AWAK
1472
00:38:35,022 --> 00:38:40,016
CAUSE I REALLY CAN'T GET
1473
00:38:35,022 --> 00:38:40,016
MY HEART BROKEN TONIGHT ♪
1474
00:38:40,016 --> 00:38:47,016
♪ I WANT YOU TO TOUCH M
1475
00:38:40,016 --> 00:38:47,016
LIKE YOU DID IN THE BEGINNIN
1476
00:38:47,016 --> 00:38:52,006
BABY, JUST GIVE ME
1477
00:38:47,016 --> 00:38:52,006
ANOTHER DAY ♪
1478
00:38:52,006 --> 00:38:57,005
♪ TOUCH ME LIKE THERE ISN'T
1479
00:38:52,006 --> 00:38:57,005
SOMETHING MISSIN
1480
00:38:57,005 --> 00:38:58,027
'CAUSE EVEN IF
1481
00:38:57,005 --> 00:38:58,027
YOU DON'T STAY ♪
1482
00:38:58,027 --> 00:39:03,015
♪ I WANT YOU TO LIE, LI
1483
00:38:58,027 --> 00:39:03,015
LIE TO MY FACE
1484
00:39:03,015 --> 00:39:08,012
I WANT YOU TO PUT YOUR
1485
00:39:03,015 --> 00:39:08,012
HANDS ON MY WAIST ♪
1486
00:39:08,012 --> 00:39:12,010
♪ CAN WE JUST DANCE 'TI
1487
00:39:08,012 --> 00:39:12,010
THE SKY'S AWAK
1488
00:39:12,010 --> 00:39:17,008
'CAUSE I REALLY CAN'T GE
1489
00:39:12,010 --> 00:39:17,008
MY HEART BROKEN TONIGHT ♪
1490
00:39:17,008 --> 00:39:22,005
♪ I WANT YOU TO LIE, LI
1491
00:39:17,008 --> 00:39:22,005
LIE TO MY FACE ♪
1492
00:39:22,005 --> 00:39:26,006
♪ I WANT YOU TO PUT YOU
1493
00:39:22,005 --> 00:39:26,006
HANDS ON MY WAIST ♪
1494
00:39:26,006 --> 00:39:32,014
♪ CAN WE JUST DANCE 'TI
1495
00:39:26,006 --> 00:39:32,014
THE SKY'S AWAKE ♪
1496
00:39:32,014 --> 00:39:35,022
♪ CAUSE I REALLY CAN'T GE
1497
00:39:32,014 --> 00:39:35,022
MY HEART BROKEN TONIGHT ♪
1498
00:39:35,022 --> 00:39:42,028
♪ I WANT YOU TO TOUCH M
1499
00:39:35,022 --> 00:39:42,028
LIKE YOU DID IN THE BEGINNIN
1500
00:39:42,028 --> 00:39:46,020
BABY, JUST GIVE ME
1501
00:39:42,028 --> 00:39:46,020
ANOTHER DAY ♪
1502
00:39:46,020 --> 00:39:49,012
♪ HMM, HMM ♪
1503
00:39:46,020 --> 00:39:49,012
♪ TOUCH ME LIKE THERE ISN'T
1504
00:39:49,012 --> 00:39:53,003
SOMETHING MISSING ♪
1505
00:39:49,012 --> 00:39:53,003
♪ 'CAUSE EVEN I
1506
00:39:53,003 --> 00:39:55,019
YOU DON'T STAY
1507
00:39:53,003 --> 00:39:55,019
I WANT YOU TO ♪
1508
00:39:55,019 --> 00:40:05,014
♪ OH-OH, OH-OH, OH-OH ♪
1509
00:39:55,019 --> 00:40:05,014
♪ I WANT YOU TO LIE ♪
1510
00:40:05,014 --> 00:40:14,013
♪
1511
00:40:05,014 --> 00:40:14,013
[ APPLAUSE ]
1512
00:40:14,013 --> 00:40:16,005
>> Jimmy: THANK YOU TO
1513
00:40:14,013 --> 00:40:16,005
SASHA SLOAN.
1514
00:40:16,005 --> 00:40:17,028
MORE "TONIGHT SHOW" WHEN WE
1515
00:40:16,005 --> 00:40:17,028
COME BACK.
1516
00:40:17,028 --> 00:40:31,023
♪
1517
00:40:17,028 --> 00:40:31,023
>> Jimmy: THANK YOU ALL FOR
1518
00:40:31,023 --> 00:40:33,005
WATCHING
1519
00:40:31,023 --> 00:40:33,005
STAY SAFE OUT THERE.
1520
00:40:33,005 --> 00:40:34,027
WASH YOUR HANDS.
1521
00:40:33,005 --> 00:40:34,027
DON'T TOUCH YOUR FACE.
1522
00:40:34,027 --> 00:40:37,017
STAY TUNED FOR "LATE NIGHT WITH
1523
00:40:34,027 --> 00:40:37,017
SETH MEYERS.
1524
00:40:37,017 --> 00:40:39,025
GOODNIGHT, EVERYBODY
1525
00:40:37,017 --> 00:40:39,025
THANK YOU SO MUCH.
1526
00:40:39,025 --> 00:40:42,017
[ CHEERS AND APPLAUSE
1527
00:40:39,025 --> 00:40:42,017
WE GOT THIS.
1528
00:40:42,017 --> 00:40:55,007
♪
1529
00:40:42,017 --> 00:40:55,007
♪
93793
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