All language subtitles for James Corden 2020 09 24 Jason Schwartzman WEB h264 WEBTUBE_track3_eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,257 --> 00:00:12,804 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:12,804 --> 00:00:17,976 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:17,976 --> 00:00:24,524 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:24,524 --> 00:00:35,326 ♪ ♪ ♪ ♪ ♪ ♪ 5 00:00:35,326 --> 00:00:37,412 (CHEERS AND APPLAUSE ) >> James: GOOD EVENING, LADIES 6 00:00:37,412 --> 00:00:38,204 AND GENTLEMEN AND WELCOME TO THE "LATE, LATE SHOW." 7 00:00:38,204 --> 00:00:40,874 I HOPE YOU HAD A GREAT THURSDAY. 8 00:00:40,874 --> 00:00:43,042 WE'VE HAD A GOOD WEEK AT THE SHOW. 9 00:00:43,042 --> 00:00:44,043 I'VE ENJOYED THIS WEEK. 10 00:00:44,043 --> 00:00:46,921 IT'S BEEN A GOOD WEEK, YOU KNOW WHY? 11 00:00:46,921 --> 00:00:49,716 THE FABULOUS ALICIA KEYS HAS BEEN WITH US ALL WEEK LONG 12 00:00:49,716 --> 00:00:52,552 BLOWING US AWAY WITH HER PERFORMANCES EVERY NIGHT. 13 00:00:52,552 --> 00:00:55,221 BUT SADLY THIS IS OUR FINAL NIGHT OF ALICIA KEYS. 14 00:00:55,221 --> 00:01:01,227 IT IS ALICIA LEAVE. 15 00:01:01,227 --> 00:01:04,230 ALICIA, THE FINAL NIGHT. 16 00:01:04,230 --> 00:01:07,525 YOU KNOW WHAT I THINK, YOU KNOW SHE PLAYS PIANO. 17 00:01:07,525 --> 00:01:08,526 >> Reggie: YEAH. 18 00:01:08,526 --> 00:01:11,279 >> James: ALICIA KEYS. 19 00:01:11,279 --> 00:01:19,204 AND I SAID, I SAID YOU SHOULD CHANGE YOUR NAME TO ALICIA PIANO 20 00:01:19,204 --> 00:01:22,248 I DIDN'T HEAR WHAT SHE SAID, SHE HAD A MASK ON BUT IT WAS, BUT 21 00:01:22,248 --> 00:01:26,294 YOU KNOW WHO WILL BE HEAR NEXT WEEK? 22 00:01:26,294 --> 00:01:29,506 NO ONE, NO ONE, NO-- . 23 00:01:29,506 --> 00:01:33,259 ♪ IT IS NOT TRUEK WE HAVE SOME WONDERFUL GESESES. 24 00:01:33,259 --> 00:01:35,720 IT JUST WORKED WITH THE SONG. 25 00:01:35,720 --> 00:01:38,431 BUT ALICIA WILL BE SINGING FROM OUR PARKING LOT AGAIN TONIGHT. 26 00:01:38,431 --> 00:01:41,935 SHE WILL BE PERFORMING HER BRILLIANT SONG UNDERDOG. 27 00:01:41,935 --> 00:01:43,102 THEY'RE OUTSIDE GETTING READY FOR THAT. 28 00:01:43,102 --> 00:01:48,316 AND IT'S BEEN AN ABSOLUTE BLOODY, BLOODY PLEASURE HAVING 29 00:01:48,316 --> 00:01:50,109 H.E.R., HASN'T IT, REG. 30 00:01:50,109 --> 00:01:51,236 >> Reggie: TOP OF THE MORNING. 31 00:01:51,236 --> 00:01:53,279 >> James: YEAH, IT'S BEEN TOP OF THE MORNING. 32 00:01:53,279 --> 00:01:55,323 EVEN IN THE AFTERNOON IT HAS BEEN TOP OF THE MORNING. 33 00:01:55,323 --> 00:01:58,827 ALSO ON THE SHOW WE WILL BE JOINED BY THE ALWAYS CHARMING 34 00:01:58,827 --> 00:02:00,495 JASON SCHWARTZMAN SO STICK AROUND FOR THAT. 35 00:02:00,495 --> 00:02:03,122 AND DID YOU GUYS SEE THIS EARLIER TODAY, PRESIDENT TRUMP 36 00:02:03,122 --> 00:02:05,416 WENT TO PAY HIS RESPECTS TO JUSTICE RUTH BADER GINSBURG AT 37 00:02:05,416 --> 00:02:09,420 THE SUPREME COURT TODAY AND A CROWD GATHERED AND THEY STARTED 38 00:02:09,420 --> 00:02:19,180 JEERING HIM AND CHANTING "VOTE HIM OUT" HAVE A LOOK. 39 00:02:19,180 --> 00:02:24,936 VOTE HIM OUT VOTE HIM OUT. 40 00:02:24,936 --> 00:02:26,020 VOTE HIM OUT. 41 00:02:26,020 --> 00:02:30,149 >> James: THE ONE TIME TRUMP DECIDES TO WEAR A MASK IN 42 00:02:30,149 --> 00:02:33,486 PUBLIC, HE IS GETTING BOOED AND WE CAN'T ENJOY THE GRIMACE ON 43 00:02:33,486 --> 00:02:36,406 HIS ANNOYED FACE. 44 00:02:36,406 --> 00:02:44,163 THIS IS HOW I HOPE PEOPLE HONOR ME ONE DAY. 45 00:02:44,163 --> 00:02:45,999 -- MY ENEMIES. 46 00:02:45,999 --> 00:02:50,044 SIMON FROM FOURTH GRADE. 47 00:02:50,044 --> 00:02:52,338 IT WAS PRETTY BAD THAT YOU JUST KNOW ONE OF TRUMP'S AIDES WHEN 48 00:02:52,338 --> 00:02:59,220 THEY LEFT IS LIKE NO, NO, THEY WERE CHANTING VOGUE HIM OUT, YOU 49 00:02:59,220 --> 00:03:00,471 KNOW, DO YOU REMEMBER? 50 00:03:00,471 --> 00:03:04,392 THAT IS WHAT THEY WERE-- GRETA GAR BEAU, AND MONROE, YOU KNOW, 51 00:03:04,392 --> 00:03:09,063 AND A PRESS BRIEFING YESTERDAY PRESIDENT TRUMP WAS ASKED A VERY 52 00:03:09,063 --> 00:03:13,943 STRAIGHT FORWARD QUESTION ABOUT THE OUTCOME OF THE ELECTION AND 53 00:03:13,943 --> 00:03:15,028 TRUMP'S ANSWER WAS ALARMING. 54 00:03:15,028 --> 00:03:17,405 >> WHEN YOU COMMIT TO MAKING SURE THERE IS A PEACEFUL 55 00:03:17,405 --> 00:03:20,366 TRANSFER OF POWER AFTER THE ELECTION. 56 00:03:20,366 --> 00:03:22,285 >> WELL, WE'RE GOING TO HAVE TO SEE WHAT HAPPENS. 57 00:03:22,285 --> 00:03:25,413 YOU KNOW I HAVE BEEN COMPLAINING VERY STRNGLY ABOUT THE BALLOTS 58 00:03:25,413 --> 00:03:27,540 AND THE BALLOTS ARE A DISASTER. 59 00:03:27,540 --> 00:03:30,126 >> James: YEAH, IT'S THE BALLOTS. 60 00:03:30,126 --> 00:03:32,253 IT'S THE BALLOTS THAT ARE A DISASTER, YOU'RE RIGHT. 61 00:03:32,253 --> 00:03:36,049 TRUMP SAYS YOU KNOW I'VE BEEN COMPLAINING. 62 00:03:36,049 --> 00:03:39,052 WHICH IS ACTUALLY THE TRUEST THING DONALD TRUMP HAS EVER 63 00:03:39,052 --> 00:03:40,261 SAID. 64 00:03:40,261 --> 00:03:42,347 TRUMP SAID HE MAY NOT ACCEPT THE RESULTS OF THE ELECTION BUT 65 00:03:42,347 --> 00:03:46,059 DON'T WORRY, THE SITUATION IS HANDLED. 66 00:03:46,059 --> 00:03:55,360 THE DEMOCRATS RESPONDED WITH A VERY FIRM, OH YEAH, WELL, YOU 67 00:03:55,360 --> 00:03:56,235 BETTER. 68 00:03:56,235 --> 00:03:57,445 (LAUGHTER) TO GIVE YOU AN IDEA FOR A NEW 69 00:03:57,445 --> 00:04:01,908 SITCOM, TRUMP REFUSES TO LEAVE THE WHITE HOUSE, BIDEN MOVES IN 70 00:04:01,908 --> 00:04:07,205 ANYWAY, OUR TWO PRESIDENTS, THIS JANUARY ON CBS. 71 00:04:07,205 --> 00:04:09,499 (LAUGHTER) AND THIS IS BIG NEWS TODAY, THIS 72 00:04:09,499 --> 00:04:14,587 MORNING NEARLY 500 GENERALS, ADMIRALS AND FORMER NATIONAL 73 00:04:14,587 --> 00:04:17,548 SECURITY OFFICIALS FROM BOTH PARTIESES PUB LUSHED A LETTER 74 00:04:17,548 --> 00:04:19,467 OFFICIALLY ENDORSING JOE BIDEN. 75 00:04:19,467 --> 00:04:23,346 TOP BREAK FOR TRUMP, THAT, ALTHOUGH THERE IS STILL ONE GUY 76 00:04:23,346 --> 00:04:29,727 IN THE NAVY WHO IS STICKING BY HIM, CAPTAIN CRUNCH. 77 00:04:29,727 --> 00:04:35,400 HERE IS SOME OLD JAPANESE-- AS THEY CALL HIM IT IN JAPAN, NEWS, 78 00:04:35,400 --> 00:04:42,448 A SUPERMARKET THERE HAS JUST INTRODUCED A SEVEN FOOT TALL 79 00:04:42,448 --> 00:04:45,451 ROBOT TO STOCK THE SHELVES. 80 00:04:45,451 --> 00:04:47,996 HERE IT IS HERE, LOOK AT THAT. 81 00:04:47,996 --> 00:05:01,342 IT LOOKS LIKE A COMPUTER WHEN ARE WE GOING TO STOP THE ROBOT. 82 00:05:01,342 --> 00:05:06,806 >> WE EVERY FEW MONTHS WE DO A ROBOT STORY, WE DON'T EVEN HAVE 83 00:05:06,806 --> 00:05:08,766 RELIABLE PAPERER TOWEL DISPENSERS YET. 84 00:05:08,766 --> 00:05:15,023 STP TRYING TO MAKE ROBOTS HAPPEN. 85 00:05:15,023 --> 00:05:19,485 ALSO THEY BUILD ROBOTS. 86 00:05:19,485 --> 00:05:23,948 -- YOU ARE PROBABLY INTO ROBOTS, REG, YOU ARE A ROBOT GUY, YOU 87 00:05:23,948 --> 00:05:25,450 WOULD PROBABLY LIKE A ROBOT, WOULD YOU. 88 00:05:25,450 --> 00:05:28,494 >> HAVE-OF-I HAVE A ROBOT VACUUM CLEANER, I LOVE IT. 89 00:05:28,494 --> 00:05:29,620 THE ROOMBA, YEAH. 90 00:05:29,620 --> 00:05:34,000 >> James: I HAVE A ROOMBA, I DON'T KNOW, WE WILL FIND OUT 91 00:05:34,000 --> 00:05:40,089 WHETHER THIS GETS CUT OUT OR NOT. 92 00:05:40,089 --> 00:05:47,138 IF THEY ADVERTISE ON CBS YOU WILL NEVER SEE THIS. 93 00:05:47,138 --> 00:05:50,141 BLEEP BLEECH CAPTAIN CRUNCH JOKE. 94 00:05:50,141 --> 00:05:53,811 >> I GT A ROOMBA. 95 00:05:53,811 --> 00:05:54,520 YOU CAN [BLEEP]. 96 00:05:54,520 --> 00:05:56,147 >> >> Reggie: YOU DON'T LIKE IT 97 00:05:56,147 --> 00:05:57,815 SWRZ IT IS JUST TERRIBLE. 98 00:05:57,815 --> 00:05:58,691 IT DOESN'T REALLY DO IT. 99 00:05:58,691 --> 00:06:01,527 NOT TO THE STANDARDS THAT I WANT IT DONE. 100 00:06:01,527 --> 00:06:04,030 YOU KNOW? 101 00:06:04,030 --> 00:06:05,114 I MEAN. 102 00:06:05,114 --> 00:06:06,532 >> Reggie: I THINK MINE IS OKAY BUT IT GETS TRAPPED IN 103 00:06:06,532 --> 00:06:11,996 PLACES AND A COME BACK HOME AND ST NOT ON THE-- AND I HAVE TO GO 104 00:06:11,996 --> 00:06:12,622 FIND IT. 105 00:06:12,622 --> 00:06:13,581 >> James: THAT SAY PROBLEM. 106 00:06:13,581 --> 00:06:15,541 STOP WITH THE ROBOTS, IT'S NOT HAPPENING. 107 00:06:15,541 --> 00:06:16,751 I'M IN THE EVEN SURE IT IS NECESSARY. 108 00:06:16,751 --> 00:06:22,173 THE ROBOT THAT YOU JUST THOUGHT IS CONTROLLED REMOTELY BY A 109 00:06:22,173 --> 00:06:25,885 PERSON, IT MIRRORS THEIR MOVEMENTS. 110 00:06:25,885 --> 00:06:34,102 HER IT IS IN ACTION. 111 00:06:34,102 --> 00:06:41,567 RRS NO, NO. 112 00:06:41,567 --> 00:06:42,777 (LAUGHTER). 113 00:06:42,777 --> 00:06:49,075 >> James: WHO CAME IN TO THE SUPERMARKET AND WAS LIKE TOP OF 114 00:06:49,075 --> 00:06:51,202 THE-- CHOCOLATE MILK NEEDS STACKING, GUYS. 115 00:06:51,202 --> 00:06:54,372 WE GT TO STACK THE CHOCOLATE MILK. 116 00:06:54,372 --> 00:06:55,206 ALL RIGHT. 117 00:06:55,206 --> 00:07:00,545 WE SHOULD BUILD A ROBOT. 118 00:07:00,545 --> 00:07:03,631 (LAUGHTER) GIVE IT ABOUT TWO YEARS, NO 119 00:07:03,631 --> 00:07:07,426 CHOCOLATE MILK FOR TWO YEARS BUT AFTER THAT, AFTER THAT I WILL GO 120 00:07:07,426 --> 00:07:11,889 IN A BACK ROOM AND I WILL DO THIS, AND THEN YOU WON'T BE ABLE 121 00:07:11,889 --> 00:07:13,891 TO MOVE THE CHOCOLATE MILK. 122 00:07:23,651 --> 00:07:27,321 HOW ARE WE DOING? 123 00:07:27,321 --> 00:07:30,658 SEE THAT, WHAT HAVE YOU GOT THERE. 124 00:07:30,658 --> 00:07:31,951 >> LACROUX. 125 00:07:31,951 --> 00:07:32,994 >> FRENCH. 126 00:07:32,994 --> 00:07:43,671 >> James: IS IT LA CROUX, EITHER WAY, IT IT [BLEEP] 127 00:07:43,671 --> 00:07:49,802 > Reggie: THAT'S SAYING IT, THAT IS SAYING IT. 128 00:07:49,802 --> 00:07:52,722 OKAY, OKAY JAMES. 129 00:07:52,722 --> 00:07:56,976 >> James: WE HAVEN'T EVEN DONE DOGS IN SUNGLASSES YET. 130 00:07:56,976 --> 00:07:58,102 >> Reggie: OH MY LORD. 131 00:07:58,102 --> 00:08:03,274 >> James: HAVE YOU SEEN THIS, GUCH SI NOW SELLING DENIM 132 00:08:03,274 --> 00:08:09,655 OVERALLS WITH FAKE GRASS STAINS ON THEM, AND THIS IS TRUE, THAT 133 00:08:09,655 --> 00:08:10,823 COST $1400. 134 00:08:10,823 --> 00:08:14,785 THEY MAY BE BE $1300 TASHED IN ONE OF THOSE POCKETS BUT I DO 135 00:08:14,785 --> 00:08:23,002 LIKE THE IDEA OF PRESTAINING, IF I SPILLED CHOCOLATE ON A WHITE 136 00:08:23,002 --> 00:08:25,838 SWEATER, NO, IT SUPPOSED TO BE LIKE THAT, IT'S GUCCI. 137 00:08:25,838 --> 00:08:28,716 DO YOU SEE THE GUCCI OVERALLS AGAIN, LOOK AT THAT, EVERY 138 00:08:28,716 --> 00:08:34,722 FARMER IN NEBRASKA IS NOW LIKE HELEN, GET WHAT? 139 00:08:34,722 --> 00:08:43,189 WE'RE ON FLEEK. 140 00:08:43,189 --> 00:08:46,692 HELEN! 141 00:08:46,692 --> 00:08:50,696 HELEN! 142 00:08:50,696 --> 00:08:55,201 HELEN! 143 00:08:55,201 --> 00:08:58,704 HELEN! 144 00:08:58,704 --> 00:08:59,372 HELEN! 145 00:08:59,372 --> 00:09:01,123 I'M SAYING-- I'LL TEXT YOU. 146 00:09:01,123 --> 00:09:03,125 I'M SAYING WE'RE ON FLEEK. 147 00:09:14,679 --> 00:09:19,100 SORRY. 148 00:09:19,100 --> 00:09:26,774 -- IT IS A LIVING IS WHAT ST. AND FINALLY HELEN! 149 00:09:26,774 --> 00:09:32,947 AND FINALLY A FACTORY IN VIETNAM HAS JUST BEEN ACCUSED OF 150 00:09:32,947 --> 00:09:38,494 BREAKING SEVERAL LAWS AFTER THEY WERE CAUGHT TAKING USED CONDOMS, 151 00:09:38,494 --> 00:09:43,249 WASHING THEM AND THIS IS TRUE, RESELLING THEM. 152 00:09:43,249 --> 00:09:45,584 THEY'RE RESELLING USED CONDOMS. 153 00:09:45,584 --> 00:09:49,964 I MEAN I DON'T EVEN LIKE PUTTING ON THE RENTED BOWLING SHOES 154 00:09:49,964 --> 00:09:54,760 AFTER SOMEONE ELSE. 155 00:09:54,760 --> 00:09:58,389 WHAT ARE THEY GOING TO-- THE BOWLING SHOES THARK WHAT THEY 156 00:09:58,389 --> 00:10:01,142 SHOULD BE WORKING ON, NOT ROBOT TO STOCK THE MILK. 157 00:10:01,142 --> 00:10:03,436 LET ME WEAR MY SHOES BOWLING. 158 00:10:03,436 --> 00:10:11,819 HOW ARE WE SO FAR ADVANCED IN SCIENCE, PEOPLE ARE THROWING 159 00:10:11,819 --> 00:10:16,907 HUMAN EARS ON MICE AND THEY'RE LIKE NO, YOU CAN'T, YOU HAVE TO 160 00:10:16,907 --> 00:10:19,327 PUT THESE ON. 161 00:10:19,327 --> 00:10:24,665 THESE ARE CLEAN, DON'T WORRY. 162 00:10:24,665 --> 00:10:27,168 THEY'RE WASHING AND RESELLING THEM. 163 00:10:27,168 --> 00:10:29,795 SO THE NEXT TIME ARE YOU IN THE DRUG STORE, KEEP AN EYE OUT AND 164 00:10:29,795 --> 00:10:35,509 AVOID ANYTHING THAT LOOKS LIKE THIS. 165 00:10:35,509 --> 00:10:39,347 VIETNAMESE CONDOM. 166 00:10:39,347 --> 00:10:44,477 NOW IT SAYS ONE-- IF THERE IS ONE THING WE LOVE DOING HERE IS 167 00:10:44,477 --> 00:10:47,104 LOOKING AT PICTURES OF DOGS IN SUNGLASSES, BUT WHAT PEOPLE 168 00:10:47,104 --> 00:10:50,316 MIGHT NOT KNOW IS THERE IS A LOT MORE TO THESE DOGS IN SUNGLASSES 169 00:10:50,316 --> 00:10:51,484 THAN MEETS THE EYE. 170 00:10:51,484 --> 00:10:54,320 I WILL TELL YOU A LITTLE BIT THEIR PERSONALITIES TO LET YOU 171 00:10:54,320 --> 00:10:57,990 KNOW WHAT THEY ARE ALL ABOUT, THIS IS DOGS IN SUNGLASSES. 172 00:10:57,990 --> 00:11:03,037 >> Reggie: DOGS IN SUNGLASSES, DOGS IN SUNGLASSES. 173 00:11:03,037 --> 00:11:05,664 ♪ DUGS IN SUNGLASSES. 174 00:11:05,664 --> 00:11:09,710 ♪ DUGS IN SUNGLASSES. 175 00:11:09,710 --> 00:11:12,963 ♪ DOGS IN SUNGLASSES. 176 00:11:12,963 --> 00:11:18,969 ♪ WOOF WOOF. 177 00:11:18,969 --> 00:11:27,478 ♪ DOGS. 178 00:11:27,478 --> 00:11:33,567 >> James: HELEN! 179 00:11:33,567 --> 00:11:36,904 ALL RIGHT, ROB, HOW LONG WE GT ON THIS SEGMENT BECAUSE I REALLY 180 00:11:36,904 --> 00:11:37,988 WANT TO GO OUT ON TIME. 181 00:11:37,988 --> 00:11:41,784 >> JUST 22 MORE MINUTES. 182 00:11:41,784 --> 00:11:45,413 >> James: OF THE WHOLE SHOW. 183 00:11:45,413 --> 00:11:49,875 ALL RIGHT, HAGAR, YOU GOT A MINUTE, YOU KNOW RUSSIAN, I WILL 184 00:11:49,875 --> 00:12:01,762 TELL PU THIS, STH GUY, THIS GUY, THIS GUY THIS GUY LETS HIS 185 00:12:01,762 --> 00:12:12,731 FAMILY-- THIS GUY, THIS GUY LEFT HIS FAMILY VIA WHATSAPP. 186 00:12:12,731 --> 00:12:27,663 THIS GUY, THIS GUY CAN HANG TEN ALL RIGHT. WATCHING SEVERAL 187 00:12:27,663 --> 00:12:33,043 THIS GUY, THIS GUY CAN HANG TEN ALL RIGHT. WATCHING SEVERAL 188 00:12:33,043 --> 00:12:36,547 PEOPLE FROWN, STEERVEG YOU GOOD FOR A MINUTE. 189 00:12:36,547 --> 00:12:37,673 >> YEAH HAVE. 190 00:12:37,673 --> 00:12:39,800 >> James: GOOD CUZ I WANT TO TALK TO YOU ABOUT THIS GUY. 191 00:12:39,800 --> 00:12:46,849 THIS GUY IS THE ONLY REMAINING EMPLOYEE OF BLOCKBUSTER VIDEO. 192 00:12:46,849 --> 00:12:52,062 THIS GUY, THIS GUY SPUT A FLAMING BAG OF CRAP ON HIS 193 00:12:52,062 --> 00:12:56,984 NEIGHBOR'S DOORSTEP AND WHEN THINGS GOT OUT OF HAND, HE 194 00:12:56,984 --> 00:13:07,077 BLAMED SOME GUY WHO DID A GENDER REVEAL. 195 00:13:07,077 --> 00:13:10,789 SON, YOU ALL RIGHT FOR A MINUTE, YOU GOOD? 196 00:13:10,789 --> 00:13:14,919 I WOULD LOVE TO TALK TO YOU ABOUT THIS GAL, THIS GAL IS 197 00:13:14,919 --> 00:13:18,005 CONSTANTLY SAYING SURE, I WENT THE WEES MUM IN THE WORLD 198 00:13:18,005 --> 00:13:20,799 BUT-- BEST MUM IN THE WORLD BUT I WAS A LOT OF FUN, RIGHT? 199 00:13:33,979 --> 00:13:39,026 THIS GAL HAS SET TO JERRY GARCIA TWICE WHILE HE WAS ALIVE AND 200 00:13:39,026 --> 00:13:48,035 ONCE WHEN HE WAS DEAD. 201 00:13:48,035 --> 00:13:51,163 LET ME TALK TO YOU ABOUT THIS GAL. 202 00:13:51,163 --> 00:13:54,041 THIS GAL DREUFS AN ELECTRIC CAR THAT USES A GAS POWERED 203 00:13:54,041 --> 00:13:56,919 VIBRATOR. 204 00:13:56,919 --> 00:14:02,299 (LAUGHTER). 205 00:14:02,299 --> 00:14:04,301 >> Reggie: WOW. 206 00:14:21,402 --> 00:14:26,073 >> James: I DON'T KNOW IF I CAN READ IT, THIS GAL, THIS GAL 207 00:14:26,073 --> 00:14:39,086 JUST HAD 300,000 WORTH OF-- THIS GAL VUS HAD $300,000 WORTH OF 208 00:14:39,086 --> 00:14:41,880 COSMETIC SURGERY TO MAKE HER SPHINCTER-- I CAN'T READ IT. 209 00:14:47,678 --> 00:14:57,521 (LAUGHTER) LET ME TALK TO YOU ABOUT THIS 210 00:14:57,521 --> 00:14:58,731 GUY. 211 00:14:58,731 --> 00:15:02,443 THIS GUY SAID THE WORD YOU CAN'T GET HUNGOVER IF YOU NEVER STOP 212 00:15:02,443 --> 00:15:10,826 DRINKING TO A JUDGE ON THREE SEPARATE OCCASIONS. 213 00:15:10,826 --> 00:15:21,712 THIS GUY-- LET ME TALK TO YOU ABOUT THIS GUY. 214 00:15:21,712 --> 00:15:23,088 GUILLERMO, CAN I TALK TO YOU ABOUT THIS GUY. 215 00:15:23,088 --> 00:15:24,256 >> ABSOLUTELY. 216 00:15:24,256 --> 00:15:29,970 >> James: THIS GUY WILL TELL YOU HE ONLY EATS WELL-ROUNDED 217 00:15:29,970 --> 00:15:35,976 MEALS AND THEN-- THIS GIEL, THIS GUY WILL TILL HE ONLY EATS 218 00:15:35,976 --> 00:15:40,439 WELL-ROUNDED MEALS AND THEN IS QUICK TO POINT OUT THAT HIS MOM 219 00:15:40,439 --> 00:15:52,409 HAS A WELL-ROUNDED ASS. 220 00:15:52,409 --> 00:15:54,286 HELEN! 221 00:15:54,286 --> 00:15:56,997 AND STEVE ARE YOU OKAY I KNOW, ARE YOU OKAY, DO WE HAVE THE 222 00:15:56,997 --> 00:16:00,459 TIME BECAUSE I WOULD LOVE TO TALK TO YOU ABOUT THESE GUYS. 223 00:16:00,459 --> 00:16:04,129 THESE GUYS, THESE GUYS LIFELONG DREAM IS TO PLAY BETTER AND 224 00:16:04,129 --> 00:16:11,178 ERNIE, MAINLY BECAUSE THEY WANT TO HANG-- IN THEIR. 225 00:16:11,178 --> 00:16:15,808 >> THAT WAS DOGS IN SUNGLASSES, WE'LL RIGHT BACK WITH MORE OF 226 00:16:15,808 --> 00:16:17,810 THE "LATE, LATE SHOW," EVERYBODY. DOGS WITH GLASSES. 227 00:16:22,189 --> 00:16:22,314 ♪ I WOULD LIKE TO TAKE A MOMENT TO 228 00:16:23,232 --> 00:16:26,193 WISH A HAPPY BIRTHDAY TO A DEAR FRIEND OF MINE. 229 00:16:26,193 --> 00:16:30,197 THIS IS SOMEONE WHO HAS ALWAYS HAD MY BACK. 230 00:16:30,197 --> 00:16:34,159 THROUGH GOOD TIMES AND BAD, HAS ALWAYS BEEN THERE FOR ME. 231 00:16:34,159 --> 00:16:40,541 I'M TALKING OF COURSE ABOUT THE MCDONALD'S McFLURY. 232 00:16:40,541 --> 00:16:44,712 I CAN'T BELIEVE IT, IT HAS BEEN 25 YEARS. 233 00:16:44,712 --> 00:16:47,464 YOU, YOU HAVE DONE SO MUCH FOR ME. 234 00:16:47,464 --> 00:16:49,800 YOU ARE MADE WITH REAL DAIRY. 235 00:16:49,800 --> 00:16:52,553 PRODUCED BY DAIRY FARMERS RIGHT HERE IN THE UNITED STATES. 236 00:16:52,553 --> 00:16:59,226 BUT MOST IMPORTANTLY,-- I AM GOING TO CELEBRATE WITH A CHIPS 237 00:16:59,226 --> 00:17:04,898 A'HOY McFLURY AND MY McFLURY 25th B DAY-- AND YOU SHOULD 238 00:17:04,898 --> 00:17:08,318 GO TO YOUR NEAREST MCDONALD'S FOR A McFLURY OR ONLINE MERCH 239 00:17:08,318 --> 00:17:16,493 SHOP GOLDEN ARCHES UNLIMITED FOR TIS TRENDY LOUNGEWEAR SUIT AND 240 00:17:16,493 --> 00:17:16,869 CHAIN. 241 00:17:16,869 --> 00:17:23,041 WOW, 25 YEARS. 242 00:17:23,041 --> 00:17:25,252 OH, NO, THANK YOU, THANK YOU FOR EVERYTHING. 243 00:17:25,252 --> 00:17:27,045 HEY, STOP IT. 244 00:17:51,278 --> 00:17:53,280 ♪ ♪ ♪ >> James: ALICIA, IS THAT YOU? 245 00:17:53,280 --> 00:17:54,281 >> OH, HEY, JAMES. 246 00:17:54,281 --> 00:17:56,200 >> James: WHAT ARE YOU DOING? 247 00:17:56,200 --> 00:17:57,910 >> YOU KNOW, JUST MESSING AROUND. 248 00:17:57,910 --> 00:18:03,290 IT'S JUST KINDA WEIRD NOT HAVING AN AUDIENCE ANYMORE. 249 00:18:03,290 --> 00:18:03,916 IT'S WEIRD. 250 00:18:03,916 --> 00:18:05,042 >> James: YOU'RE TELLING ME. 251 00:18:05,042 --> 00:18:07,044 I KNOW, WE'RE BOTH USED TO PERFORMING FOR THOUSANDS OF 252 00:18:07,044 --> 00:18:08,295 PEOPLE. 253 00:18:08,295 --> 00:18:13,425 >> I MEAN, I'M USED TO PLAYING MADISON SQUARE GARDEN. 254 00:18:13,425 --> 00:18:17,054 >> James: IS THAT BIGGER THAN MY STUDIO? 255 00:18:17,054 --> 00:18:22,309 I DIDN'T GROW UP HERE. 256 00:18:22,309 --> 00:18:31,318 ♪ EMPTY STUDIO ♪ FOR OUR SAFETY, IT'S BETTER 257 00:18:31,318 --> 00:18:39,159 NOT A SOUL IN SIGHT ♪ AND IT ECHOES FOREVER 258 00:18:39,159 --> 00:18:47,125 WE USED TO BE TOGETHER ♪ THERE WERE CROWDS AND LIGHTS 259 00:18:47,125 --> 00:18:51,296 BUT NOT RIGHT NOW ¡CAUSE ♪ NOBODY CAN BE PACKED IN TIGHT 260 00:18:51,296 --> 00:18:55,342 SKIP THE CROWDSURFING ♪ PEOPLE STAY BACK SIX FEET 261 00:18:55,342 --> 00:19:02,015 AND ALL I SEE ARE ♪ EMPTY ROWS OF BLANK SEATS' 262 00:19:02,015 --> 00:19:07,980 NO ONE, NO ONE, NO ONE ♪ IS HERE IN THE ROOM 263 00:19:07,980 --> 00:19:17,322 IT'S A WEIRD FEELING NO ONE, NO ONE, NO ONE 264 00:19:17,322 --> 00:19:21,910 ♪ NOW WHEN I PLAY IT'S JUST TO YOU, JUST YOU, 265 00:19:21,910 --> 00:19:33,005 ♪ AND YOU, YOU TOO' THIS IS THE WAY IT HAS TO BE ♪ 266 00:19:33,005 --> 00:19:34,131 >> HELLO? 267 00:19:34,131 --> 00:19:35,132 DID SOMEONE HIT THE LIGHTS? 268 00:19:35,132 --> 00:19:37,384 >> James: EXCUSE US, WE'RE STILL SINGING IN HERE. 269 00:19:37,384 --> 00:19:39,970 >> OH, SORRY. 270 00:19:39,970 --> 00:19:42,347 I DIDN'T REALIZE ANYONE WAS IN HERE. 271 00:19:42,347 --> 00:19:44,474 >> WELL THERE ISN'T REALLY. 272 00:19:44,474 --> 00:19:46,518 THAT'S WHAT THE SONG IS ABOUT. 273 00:19:46,518 --> 00:19:47,728 >> UH, OKAY. 274 00:19:47,728 --> 00:19:51,732 JUST LET ME KNOW WHEN YOU'RE DONE, WE GOTTA CLOSE UP FOR THE 275 00:19:51,732 --> 00:19:55,652 NIGHT. 276 00:19:55,652 --> 00:19:57,529 >> James: WILL DO. 277 00:19:57,529 --> 00:20:03,869 ♪ NO ONE, NO ONE, NO ONE CAN GET IN THE WAY 278 00:20:03,869 --> 00:20:12,252 ♪ OF US PERFORMING NO ONE, NO ONE, NO ONE 279 00:20:12,252 --> 00:20:17,215 ♪ HOPING SOMEDAY WE'LL MEET AGAIN REAL SOON 280 00:20:17,215 --> 00:20:21,887 ♪ OH OH OH OH OH OH OH OH 281 00:20:21,887 --> 00:20:24,890 ♪ OH OH OH OH OH OH OH OH 282 00:20:24,890 --> 00:20:33,231 ♪ EVERYBODY ♪ ♪ ♪ 283 00:20:33,231 --> 00:20:38,737 OH OH OH OH ♪ OH OH OH OH 284 00:20:38,737 --> 00:20:44,242 OH OH OH OH ♪ OH OH OH OH 285 00:20:44,242 --> 00:20:49,206 ♪ HOPING SOMEDAY WE'LL MEET AGAIN REAL SOON 286 00:20:49,206 --> 00:20:53,794 >> James: LADIES AND GENTLEMEN, ALICIA KEYS! 287 00:20:53,794 --> 00:20:55,921 YEAH! 288 00:20:55,921 --> 00:20:56,672 >> HEY! 289 00:20:56,672 --> 00:21:00,217 DOES THAT MEAN YOU GUYS ARE DONE? 290 00:21:00,217 --> 00:21:04,304 >> James: YEAH, THANKS MAN. 291 00:21:04,304 --> 00:21:10,269 >> FUN SONG. 292 00:21:10,269 --> 00:21:14,272 FUN NIGHT. 293 00:21:14,272 --> 00:21:14,648 ♪ NOBODY ♪ 294 00:21:22,489 --> 00:21:23,657 ♪ ♪ ♪ >> James: WELCOME BACK, LET'S 295 00:21:23,657 --> 00:21:26,618 MEET OUR GUEST TONIGHT, IS HE A GOLDEN GLOBE AWARD-WINNING 296 00:21:26,618 --> 00:21:30,497 ACTOR, WRITER, PRODUCER, AN ABSOLUTE DELIGHT. 297 00:21:30,497 --> 00:21:34,501 WE ARE SO HAPPY HE IS HERE, THE FANTASTIC MR. JASON SCHWARTZMAN 298 00:21:34,501 --> 00:21:40,340 IS ON THE SHOW HOW ARE YOU, FRIEND? 299 00:21:40,340 --> 00:21:41,967 >> I AM GOOD, HOW ARE YOU, SIR. 300 00:21:41,967 --> 00:21:45,971 >> James: I'M GOOD, I'M LOVING THIS, HAVE YOU DONE THIS 301 00:21:45,971 --> 00:21:48,473 ESPECIALLY FOR US OR IS THIS JUST FOR YOUR DAILY ZOOM CALLS 302 00:21:48,473 --> 00:21:51,351 THIS PARTY ATMOSPHERE? 303 00:21:51,351 --> 00:21:52,060 >> A LITTLE OF BOTH. 304 00:21:52,060 --> 00:21:53,979 I THINK IT IS A LITTLE OF BOTH. 305 00:21:53,979 --> 00:21:57,399 I THINK THIS IS DEFINITELY, I SPENT THE LAST HOUR PUTTING THIS 306 00:21:57,399 --> 00:21:58,525 UP FOR YOU. 307 00:21:58,525 --> 00:22:01,653 THESE ARE PART OF MY SON'S BIRTHDAY PARTY YESTERDAY AND 308 00:22:01,653 --> 00:22:03,155 THEN WE THREW THEM AWAY. 309 00:22:03,155 --> 00:22:07,617 AND THEN I HAD THE IDEA TO GET THEM, SO I GOT THEM OUT OF THE 310 00:22:07,617 --> 00:22:08,785 TRASH AND I HAVE TAPED THEM UP. 311 00:22:08,785 --> 00:22:12,497 THEY MIGHT COME DOWN AT SOME POINT DURING THE SHOW, BY THE 312 00:22:12,497 --> 00:22:13,665 WAY. 313 00:22:13,665 --> 00:22:15,042 >> James: WELL LOOK AT THAT, VIEWERS, THAT IS SOMETHING TO 314 00:22:15,042 --> 00:22:17,627 LOOK FORWARD TO. 315 00:22:17,627 --> 00:22:20,839 DON'T-- DON'T CHANGE THE CHANNEL CUZ YOU NEVER KNOW. 316 00:22:20,839 --> 00:22:21,590 >> YEAH. 317 00:22:21,590 --> 00:22:22,841 >> James: YOU NEVER, EVER KNOW. 318 00:22:22,841 --> 00:22:23,425 HOW ARE YOU? 319 00:22:23,425 --> 00:22:23,884 YOU LOOK VERY, VERY WELL. 320 00:22:23,884 --> 00:22:24,843 HOW ARE YOU DOING? 321 00:22:24,843 --> 00:22:26,053 HOW IS YOUR LIFE? 322 00:22:26,053 --> 00:22:30,474 >> YOU KNOW, I'M DOING-- YOU KNOW, THE BEST I CAN, ALL THINGS 323 00:22:30,474 --> 00:22:31,224 CONSIDERED. 324 00:22:31,224 --> 00:22:34,686 I HOPE THAT YOU ARE DOING WELL TOO. 325 00:22:34,686 --> 00:22:42,319 AND YOU ARE, YOU KNOW SPENDING A LOT OF TIME WITH OUR KIDS THESE 326 00:22:42,319 --> 00:22:42,694 DAYS. 327 00:22:42,694 --> 00:22:43,862 >> James: YES. 328 00:22:43,862 --> 00:22:46,490 >> I JUST WANT TO SAY THAT, WHILE I HAVE THE CHANCE TO SAY 329 00:22:46,490 --> 00:22:47,741 IT, THAT YOU ARE A BIG PART OF THAT. 330 00:22:47,741 --> 00:22:56,541 IN FACT, I HEAR YOUR VOICE DAILY BECAUSE MY MIDDLE DAUGHTER TINA 331 00:22:56,541 --> 00:23:03,006 WHO SHARES A BIRTHDAY WITH REGGIE, I FOUND OUT, SHE IS 332 00:23:03,006 --> 00:23:06,885 OBSESSED WITH TROLLS, OBSESSED. 333 00:23:06,885 --> 00:23:16,061 BEYOND OBSESSED AND TROLLS, IS ON ALL THE TIME IN OUR HOME. 334 00:23:16,061 --> 00:23:19,231 AND YOUR CHARACTER IS THE CHARACTER THAT I SHOW HAVE BEEN 335 00:23:19,231 --> 00:23:20,440 DESIGNATED TO PLAY. 336 00:23:20,440 --> 00:23:23,193 >> James: OH, YOU'RE BIGGIE. 337 00:23:23,193 --> 00:23:24,361 >> SORT OF. 338 00:23:24,361 --> 00:23:25,570 >> James: YEAH. 339 00:23:25,570 --> 00:23:30,534 >> I DON'T DO A LOT OF LINES BUT SHE LIKES TO RUN AWAY AND I'M 340 00:23:30,534 --> 00:23:31,159 CONSTANTLY CHASING HER AROUND. 341 00:23:31,159 --> 00:23:33,286 SHE REALLY RESPONDS TO THAT. 342 00:23:33,286 --> 00:23:35,539 >> James: THAT MAKES ME SO HAPPY. 343 00:23:35,539 --> 00:23:39,709 >> THANK YOU FOR ALL THE JOY THAT YOU HAVE BROUGHT TO MY LIFE 344 00:23:39,709 --> 00:23:42,587 AND IT REALLY IS A GREAT MOVIE. 345 00:23:42,587 --> 00:23:46,133 >> James: THAT HAS REALLY MADE MY DAY, IT HAS. 346 00:23:46,133 --> 00:23:49,636 AND I'M PLEASED THAT YOU ARE ALL WELL AND HEALTHY AND SAFE IN 347 00:23:49,636 --> 00:23:51,888 YOUR GLORIOUS FAMILY. 348 00:23:51,888 --> 00:23:54,641 I MEAN HOW HAS IT BEEN FOR YOU. 349 00:23:54,641 --> 00:23:58,478 YOU HAVE BEEN WORKING NOW FOR I THINK 23 YEARS OR SOMETHING LIKE 350 00:23:58,478 --> 00:24:00,939 THAT AND THEN LOCKDOWN HAPPENS. 351 00:24:00,939 --> 00:24:04,818 HOW HAVE YOU FOUND BEING AT HOME FOR ALL OF THESE MONTHS, HAVE 352 00:24:04,818 --> 00:24:07,279 YOU FOUND IT A DIFFICULT ADJUSTMENT? 353 00:24:07,279 --> 00:24:11,449 >> YEAH, MY TYPE OF WORK DOESN'T HAVE LIKE A CHECK LIST TYPE 354 00:24:11,449 --> 00:24:11,867 THING. 355 00:24:11,867 --> 00:24:13,118 >> James: SURE. 356 00:24:13,118 --> 00:24:18,999 >> THINKING ABOUT THINGS OR YOU KNOW, AND THE ODDEST THING HAS 357 00:24:18,999 --> 00:24:22,586 BEEN HAVING TO GET COMFORTABLE WITH THAT AROUND MY CHILDREN. 358 00:24:22,586 --> 00:24:26,840 LIKE HOW DO I NOT LOOK LIKE-- THEY'RE USUALLY IN DISOOL 359 00:24:26,840 --> 00:24:31,344 WHEN I'M SITTING THERE GOING LIKE THIS. 360 00:24:31,344 --> 00:24:36,808 THAT IS WHY-- WHY I PRETEND THAT I'M WORKING HARD, I AM WORKING 361 00:24:36,808 --> 00:24:40,020 HARD AND WHEN GI TO WORK I GO TO WORK HARD, BUT WHEN I AM HOME 362 00:24:40,020 --> 00:24:41,229 TRK IS JUST A DIFFERENT THING. 363 00:24:41,229 --> 00:24:44,649 I DON'T WANT THEM TO SAY WHAT DOES HE DO ALL DAY, MY FATHER. 364 00:24:44,649 --> 00:24:45,442 WHAT IS HE DOING. 365 00:24:45,442 --> 00:24:46,651 >> James: THAT IS A VERY GOOD POINT. 366 00:24:46,651 --> 00:24:49,821 >> AND IT IS ODD. 367 00:24:49,821 --> 00:24:54,451 LIKE THE OTHER MORNING I WAS READING AN ARTICLE, LIKE ON MY 368 00:24:54,451 --> 00:24:57,913 iPAD AND MY DAUGHTER CAME OVER AND SAID DAD I'M SO SORRY TO BUG 369 00:24:57,913 --> 00:24:59,456 YOU, I KNOW YOU ARE WORKING. 370 00:24:59,456 --> 00:25:03,335 I WAS READING AN ARTICLE LIKE ABOUT CLONING OR SOMETHING. 371 00:25:03,335 --> 00:25:06,796 AND SHE GOES, DADDY, I'M SO SORRY TO BUG YOU, I KNOW YOU ARE 372 00:25:06,796 --> 00:25:07,839 WORKING. 373 00:25:07,839 --> 00:25:13,303 AND I JUST KIND OF WENT WITH IT, I WAS LIKE-- YEAH. 374 00:25:13,303 --> 00:25:13,803 I AM. 375 00:25:13,803 --> 00:25:15,430 HOW CAN I HELP YOU? 376 00:25:15,430 --> 00:25:19,517 LIKE I NEED HELP WITH THE HOMEWORK. 377 00:25:19,517 --> 00:25:22,229 LET ME FINISH THIS, I'M ALMOST DONE WITH THIS. 378 00:25:22,229 --> 00:25:24,689 WHEN I AM DONE I WILL COME HELP YOU, OKAY. 379 00:25:24,689 --> 00:25:25,649 YEAH. 380 00:25:25,649 --> 00:25:28,568 JUST DON'T BE WORRY-- SORRY, THIS IS HOW IT IS. 381 00:25:28,568 --> 00:25:30,862 pWE ARE BOTH DOING THIS. 382 00:25:30,862 --> 00:25:36,743 IT IS KIND OF LIKE THIS KIND OF CHARADE, I'M KEEPING UP A 383 00:25:36,743 --> 00:25:39,829 CHARADE OF LOOKING LIKE I'M WORKING ALL THE TIME, LISTENING 384 00:25:39,829 --> 00:25:42,707 TO LIKE-- I AM GOING TO LISTEN THIS AUDIO BOOK BECAUSE I GOT TO 385 00:25:42,707 --> 00:25:45,335 GO WORK ON IT. 386 00:25:45,335 --> 00:25:47,545 AND IT'S NOTHING, TO DO WITH WORK. 387 00:25:47,545 --> 00:25:50,006 >> James: NOW LET'S TALK, I'M EXCITED ABOUT THIS. 388 00:25:50,006 --> 00:25:52,008 LET'S TALK ABOUT THE NEW SEASON OF FARGO. 389 00:25:52,008 --> 00:25:53,885 ONE OF MY FAVORITE SHOWS ON TV. 390 00:25:53,885 --> 00:25:57,722 FOR ANYONE WHO DOESN'T KNOW, IT IS AN ANALOGY, THERE IS A NEW 391 00:25:57,722 --> 00:26:01,768 STORY, NEW CAST, TELL ANYONE WHAT THIS ONE IS ABOUT AND WHO 392 00:26:01,768 --> 00:26:02,894 YOU PLAY. 393 00:26:02,894 --> 00:26:04,104 >> BASICALLY I DON'T WANT TO GIVE TOO MUCH AWAY BUT IT IS 394 00:26:04,104 --> 00:26:09,567 ABOUT THESE TWO CRIME FAMILIES THAT ARE FIGHTING FOR POWER IN 395 00:26:09,567 --> 00:26:11,736 KANSAS CITY IN THE '50S. 396 00:26:11,736 --> 00:26:16,616 AND ONE OF THE ASPECTS TO IT IS THAT THEY EACH HAVE TO TRADE 397 00:26:16,616 --> 00:26:21,913 THEIR YOUNGEST SON TO THE OTHER CRIME FAMILY BOSS TO LOOK AFTER 398 00:26:21,913 --> 00:26:23,081 THEM. 399 00:26:23,081 --> 00:26:28,086 AND SO WE'RE WATCHING CHRIS ROCK'S CHILD AND HE'S WATCHING 400 00:26:28,086 --> 00:26:29,379 MY LITTLE BROTHER. 401 00:26:29,379 --> 00:26:38,305 AND IT IS BASICALLY JUST, TO ME I THINK IT'S THE BEST JOB I HAVE 402 00:26:38,305 --> 00:26:38,847 HAD. 403 00:26:38,847 --> 00:26:40,432 >> James: REALLY, WOW. 404 00:26:40,432 --> 00:26:43,101 >> I THINK SHALL-- I MEAN I REALLY WAS HONORED. 405 00:26:43,101 --> 00:26:45,645 AND I KNOW, YOU KNOW, IT IS FUNNY BECAUSE ST ANALOGY. 406 00:26:45,645 --> 00:26:48,106 EVERY SEASON IT IS A DIFFERENT CAST. 407 00:26:48,106 --> 00:26:51,901 BUT YOU REALLY, YOU KNOW, WHEN-- YOU ARE RARELY ASKED TO 408 00:26:51,901 --> 00:26:53,611 JOIN SOMETHING YOU LOVE. 409 00:26:53,611 --> 00:26:54,738 LIKE THE THINGS THAT I LOVE ARE ALREADY DONE WITH. 410 00:26:54,738 --> 00:26:57,741 >> James: YEAH. 411 00:26:57,741 --> 00:27:02,829 >> SO TO BECOME PART OF SOMETHING THAT YOU LOVE, EVEN 412 00:27:02,829 --> 00:27:05,957 WITH ALL NEW PEOPLE, YOU FEEL A RESPONSIBILITY TO MARTIN FREEMAN 413 00:27:05,957 --> 00:27:10,920 WHOS WITH IN THE FIRST SEASON AND KIRSTEN DUNST AND EWING 414 00:27:10,920 --> 00:27:12,922 McGREGER, ALL THESE PEOPLE IT IS LIKE A BATON, YOU KNOW, AND I 415 00:27:12,922 --> 00:27:16,926 YUS DON'T WANT TO RUIN ALL OF THEIR WORK EITHER. 416 00:27:16,926 --> 00:27:18,178 I DON'T WANT TO BE THE WORST SEASON. 417 00:27:18,178 --> 00:27:23,808 LIKE I DON'T WANT-- YOU KNOW, I DON'T WANT TO NEGLECT ATE THEIR 418 00:27:23,808 --> 00:27:28,104 WORK OR-- THEY GATE THEIR WORK OR WHATEVER, AS A HUGE FAN, I 419 00:27:28,104 --> 00:27:29,481 WANT IT TO BE A GREAT SEASON. 420 00:27:29,481 --> 00:27:30,440 I REALLY THINK IT IS. 421 00:27:30,440 --> 00:27:32,817 IT WAS SUCH AN INCREDIBLE EXPERIENCE FOR ME. 422 00:27:32,817 --> 00:27:34,778 >> James: IT IS A REAL DEPARTURE OF CHARACTER. 423 00:27:34,778 --> 00:27:39,157 WHEN YOU PAY A CHARACTER LIKE, THIS THE HEAD OF A MAFIA CRIME 424 00:27:39,157 --> 00:27:41,993 FAMILY, IS IT, IS THAT SOMETHING, IS THAT EASY TO 425 00:27:41,993 --> 00:27:45,288 SWITCH OFF FROM AT THE END OF A WORKING DAY? 426 00:27:45,288 --> 00:27:49,667 >> IT'S NOT THAT IT IS HARD TO SWITCH OFF BUT IT IS HARD TO 427 00:27:49,667 --> 00:27:54,881 REMIND YOURSELF THAT NOBODY ELSE KNOWS THAT YOU ARE DOING THIS. 428 00:27:54,881 --> 00:28:01,513 SO FOR INSTANCE SALVATOREEE ESPOSITO, A FULL BLENDED ITALIAN 429 00:28:01,513 --> 00:28:05,892 PIECE OF MAN WHO MAYS MY LITTLE BROTHER, BUT HE'S MY 430 00:28:05,892 --> 00:28:09,354 FALLER-- TALLER BROTHER, ANYWAY, HE'S FROM ITALY. 431 00:28:09,354 --> 00:28:10,855 AND HE WAS IN CHICAGO. 432 00:28:10,855 --> 00:28:15,402 AND WE-- COULD TO GO TO THE MOVIES TOGETHER. 433 00:28:15,402 --> 00:28:18,863 WE HAVE A ROUTINE WHERE A CAR WOULD COME, AN UBER OR WHATEVER, 434 00:28:18,863 --> 00:28:21,825 WOULD PICK ME UP AND PICK HIM UP ALONG THE WAY TO THE MOVIE 435 00:28:21,825 --> 00:28:23,368 THEATER AND GO SEE THE MOVIE. 436 00:28:23,368 --> 00:28:28,081 WELL, IT HAD BEEN LIKE A FEW-- LIKE RIGHT AFTER COUNTRIES 437 00:28:28,081 --> 00:28:30,875 MACE-- CHRISTMAS, I HADN'T SEEN HIM SO WE WERE GOING TO GO SEE A 438 00:28:30,875 --> 00:28:32,085 MOVIE. 439 00:28:32,085 --> 00:28:34,712 I GET THE CAR AND THEN I SAY TO THE GENTLEMAN WHO IS DRIVING, 440 00:28:34,712 --> 00:28:38,091 WE'RE GOING TO GO TO MAKE A QUICK STOP OVER HERE, PICK UP MY 441 00:28:38,091 --> 00:28:41,511 BUDDY, HE'S FROM ITALY ON BUSINESS, A GOOD MAN, YOU'LL 442 00:28:41,511 --> 00:28:41,970 SEE. 443 00:28:41,970 --> 00:28:42,887 HOW ARE YOU DOING? 444 00:28:42,887 --> 00:28:45,849 >> GOOD, THIS IS MY LAST DRIVE OF THE DAY. 445 00:28:45,849 --> 00:28:49,018 TIRED, WANT TO GO HOME. 446 00:28:49,018 --> 00:28:51,771 WE'LL BE OUT OF HERE SOON. 447 00:28:51,771 --> 00:28:56,359 WE PULL UP, GET N HELLO MY FRIEND, WHAT'S HAPPENING, GIVES 448 00:28:56,359 --> 00:28:57,610 ME A BIG HUG. 449 00:28:57,610 --> 00:29:01,906 AND WE'RE CATCH UP, HE SAYS HOW ARE YOU, I'M GOOD, GOOD, HOW ARE 450 00:29:01,906 --> 00:29:04,200 YOU, WHAT DID YOU DO THERE WEEK? 451 00:29:04,200 --> 00:29:09,205 >> THIS WEEK WE SHOOT THE THREE GUYS IN THE PARKING LOT, WE 452 00:29:09,205 --> 00:29:09,706 ASSASSINATE THEM. 453 00:29:09,706 --> 00:29:10,582 >> YOU DID. 454 00:29:10,582 --> 00:29:10,915 YOU DID THAT? 455 00:29:10,915 --> 00:29:11,332 HOW WAS IT? 456 00:29:11,332 --> 00:29:13,042 WAS IT SHALL. 457 00:29:13,042 --> 00:29:13,835 >> IT WAS FUN, IT WAS FAST. 458 00:29:13,835 --> 00:29:16,087 >> WAS THERE A LOT OF BLOOD. 459 00:29:16,087 --> 00:29:18,465 >> NO, NO, NO. 460 00:29:18,465 --> 00:29:19,757 VERY FAST. HOW ABOUT YOU. 461 00:29:19,757 --> 00:29:21,050 >> WHAT DID I DO? 462 00:29:21,050 --> 00:29:26,598 I DID THE THING WHERE WE PRETEND-- PRETENDED TO KILL THAT 463 00:29:26,598 --> 00:29:30,894 GUY, WE LIT HIM ON FIRE AND WE SHOVED HIM DOWN THE HILL, HE WAS 464 00:29:30,894 --> 00:29:35,398 ROLLING THEN WE BLEW HIS BODY APART DOWN THERE, IT HAS BEEN A 465 00:29:35,398 --> 00:29:36,608 GREAT WEEK. 466 00:29:36,608 --> 00:29:39,944 I LOOK UP, AT SOME POINT I LOOK UP AT THE REARVIEW MIRROR AND 467 00:29:39,944 --> 00:29:45,909 THE DRIVER OF THIS CAR IS LIKE-- AND I DON'T THINK 468 00:29:45,909 --> 00:29:51,915 ERECTED, SALVATORE DID NOT, AND I SAID IMMEDIATELY, SIR, I'M SO 469 00:29:51,915 --> 00:29:55,168 SORRY, WE ARE ACTORS, THIS IS NOT, WE AREN'T TALKING, THESE 470 00:29:55,168 --> 00:29:59,088 AREN'T REAL DEATHS WE ARE TALKING ABOUT, WE ARE NOT, LOOK, 471 00:29:59,088 --> 00:30:09,849 AND HE SAID THANK YOU SO MUCH, I WOULDN'T HAVE SAID ANYTHING. 472 00:30:09,849 --> 00:30:11,142 BUT-- OKAY, I'M GLAD EVERYONE IS OKAY. 473 00:30:11,142 --> 00:30:11,976 BUT I WOULDN'T HAVE SAID ANYTHING. 474 00:30:11,976 --> 00:30:14,020 LITERALLY, I WOULDN'T HAVE SAID. 475 00:30:14,020 --> 00:30:16,689 JUST, JUST SO YOU KNOW. 476 00:30:16,689 --> 00:30:17,982 AND I THOUGHT TO MYSELF, YEAH, THIS IS ODD. 477 00:30:17,982 --> 00:30:20,985 YOU HAVE TO BE CAREFUL WHEN ARE YOU TALKING ABOUT YOUR JOB IN 478 00:30:20,985 --> 00:30:24,989 PUBLIC, IF YOUR JOB IS KILLING PEOPLE THIS TIME AROUND. 479 00:30:24,989 --> 00:30:26,533 YOU HAVE TO BE VERY MINDFUL OF THAT. 480 00:30:26,533 --> 00:30:29,160 >> James: WELL, I'M SO EXCITED TO SEE THE SHOW. 481 00:30:29,160 --> 00:30:32,038 I REALLY, REALLY AM, LET'S LOOK AT A CLIP FROM FARGO WHICH 482 00:30:32,038 --> 00:30:37,627 PREMIER THIS SUNDAY AT 9:00 ON FX AND THE NEXT DAY ON FX ON 483 00:30:37,627 --> 00:30:41,756 GOOGLE. 484 00:30:41,756 --> 00:30:48,096 >> HEY, YOU GOT ANY BENNYS, GLEERMS, LAY LITTLE CHICKEN 485 00:30:48,096 --> 00:30:50,682 POWDER, SOMETHING TO PICK ME UP. 486 00:30:50,682 --> 00:30:54,978 I'VE HAD A WORLD-CLASS DAY. 487 00:30:54,978 --> 00:31:00,525 >> WOW, SURE, THERE ARE TRIEPS OF NARCOTICS WHEN PRESCRIBEDS A 488 00:31:00,525 --> 00:31:04,195 MEDICAL REMEDY SAY AS A MOOD ELEVATOR OR TO STRENGTHEN THE 489 00:31:04,195 --> 00:31:06,990 CONCENTRATION CAN BE QUITE EFFECTIVE BUT INGESTED THEM 490 00:31:06,990 --> 00:31:10,493 WITHOUT THE WRITTEN PRESCRIPTION OF A CERTIFIED PHYSICIAN, THAT'S 491 00:31:10,493 --> 00:31:21,212 NOT SOMETHING I CAN HELP YOU WITH. 492 00:31:21,212 --> 00:31:27,093 >> WHAT IF I SHARE? 493 00:31:27,093 --> 00:31:30,888 >> James: STICK AROUND, MORE WITH JASON SCHWARTZMAN WHEN WE 494 00:31:30,888 --> 00:31:32,849 COME BACK. 495 00:31:32,849 --> 00:31:32,890 (APPLAUSE) 496 00:31:46,112 --> 00:31:48,072 >> James: WELCOME BACK, WE ARE HERE WITH JASON SCHWARTZMAN, WE 497 00:31:48,072 --> 00:31:51,743 HAVE BEEN DOING A THING, A "LATE, LATE SHOW" AND TELL WHERE 498 00:31:51,743 --> 00:31:54,078 WE ASK OUR GUESTS TO SHARE SOMETHING FROM HOME THAT WE MAY 499 00:31:54,078 --> 00:31:55,413 OTHERWISE NEVER GET TO SEE. 500 00:31:55,413 --> 00:31:57,206 DO YOU HAVE SOMETHING YOU WOULD LIKE TO SHARE WITH US THIS 501 00:31:57,206 --> 00:31:58,374 EVENING. 502 00:31:58,374 --> 00:31:58,916 >> I DO. 503 00:31:58,916 --> 00:31:59,626 I DO. 504 00:31:59,626 --> 00:32:00,752 I WAS THINK BEING THIS. 505 00:32:00,752 --> 00:32:05,006 I HAVE SOMETHING THAT IS VERY MEANINGFUL TO ME. 506 00:32:05,006 --> 00:32:09,552 I HAVE A DAUGHTER, MY MIDDLE CHILD HAS SPECIAL NEEDS. 507 00:32:09,552 --> 00:32:13,097 AND SPEAKING IS SOMETHING SHE IS WORKING ON. 508 00:32:13,097 --> 00:32:20,730 AND YOU KNOW, THAT SHE IS CHALLENGED WITH. 509 00:32:20,730 --> 00:32:26,110 AND WE NOTICED THOUGH THAT SHE SPEAKS OR SHE VOCALIZES THE MOST 510 00:32:26,110 --> 00:32:31,449 WHEN SHE'S ON THE PHONE. 511 00:32:31,449 --> 00:32:35,161 AND FOR AWHILE AT OUR HOUSE I WOULD CALL LINE ONE CALL PICK UP 512 00:32:35,161 --> 00:32:40,917 LINE TWO, LINE ONE, LINE TWO, AND GIVE IT TO HER AND RUN TO A 513 00:32:40,917 --> 00:32:43,461 DIFFERENT ROOM AND TALK TO HER FOR LIKE AN HOUR. 514 00:32:43,461 --> 00:32:47,715 AND SHE WAS JUST TALKING AND IT WAS JUST SO WONDERFUL BUT IT WAS 515 00:32:47,715 --> 00:32:50,802 A PROBLEM BECAUSE IT WAS TIEING UP THE PHONE LINES. 516 00:32:50,802 --> 00:32:51,219 >> RIGHT. 517 00:32:51,219 --> 00:32:52,303 >> James: AND. 518 00:32:52,303 --> 00:32:56,307 >> AND SO ANYWAY, I WAS WONDERING LIKE HOW DO I GET A 519 00:32:56,307 --> 00:33:00,520 PHONE BUT THAT DOESN'T HAVE, YOU KNOW, THAT DOESN'T ACTUALLY USE 520 00:33:00,520 --> 00:33:05,024 UP OUR LINES AND WHEN I WAS ON FARGO I WAS TALKING TO THE 521 00:33:05,024 --> 00:33:14,325 PROPERTY MASTER, AND HE BUILT ME THIS FOR MY DAUGHTER. 522 00:33:14,325 --> 00:33:20,206 THIS PHONE ACTUALLY GOES TO A BOX, A SEPARATE BOX AND THEN IT 523 00:33:20,206 --> 00:33:25,670 RINGS TO THIS OTHER PHONE THAT IS CONNECTED TO THE OTHER SIDE 524 00:33:25,670 --> 00:33:28,047 OF IT, THIS ONE, AND I CAN PUT IT WHEREVER I WANT. 525 00:33:28,047 --> 00:33:36,139 AND IT IS JUST, FOR HER, WE CAN TALK FOR HOURS AND STUFF ON OUR 526 00:33:36,139 --> 00:33:38,850 OWN PHONE LINES THAT IS NOT BEING USED. 527 00:33:38,850 --> 00:33:44,230 AND IT IS WHEN HE TBAIF IT TO ME, IT WAS ONE OF THE MOST 528 00:33:44,230 --> 00:33:48,234 MEANINGFUL GIFTS I'VE EVER BEEN PRESENTED WITH IN MY LIFE. 529 00:33:48,234 --> 00:33:49,861 AND MY DAUGHTER LOVES IT. 530 00:33:49,861 --> 00:33:51,696 >> James: THAT IS SO. 531 00:33:51,696 --> 00:33:53,573 >> I'M REALLY PROUD TO HAVE THERE IN MY LIFE. 532 00:33:53,573 --> 00:33:55,158 >> James: THAT IS SO BEAUTIFUL. 533 00:33:55,158 --> 00:33:56,033 THANK YOU SO MUCH FOR SHARING. 534 00:33:56,033 --> 00:33:57,410 THAT IS GORGEOUS. 535 00:33:57,410 --> 00:34:01,748 PLEASE THANK THE ONE, THE ONLY JASON SCHWARTZMAN, EVERYBODY. 536 00:34:01,748 --> 00:34:04,667 ALICIA KEYS GIVES HER FINAL PERFORMANCE OF THE WEEK OUTSIDE 537 00:34:04,667 --> 00:34:05,251 RIGHT AFTER THIS. 538 00:34:05,251 --> 00:34:09,005 COME ON BACK, EVERYBODY. 539 00:34:22,268 --> 00:34:24,312 ♪ ♪ ♪ >> James: WELCOME BACK, HERE 540 00:34:24,312 --> 00:34:27,065 PERFORMING UNDERDOG FROM HER NEW ALBUM ALICIA, PLEASE WELCOME 541 00:34:27,065 --> 00:34:36,574 ALICIA KEYS! 542 00:34:36,574 --> 00:34:42,997 IN SONG IS FOR EVERYBODY WHO DEFIES THE ODDS, WHO BREAKFAST 543 00:34:42,997 --> 00:34:44,624 ANY CEILINGS, THIS IS FOR YOU. 544 00:34:44,624 --> 00:34:47,126 ♪ SHE WAS WALKING IN THE STREET LOOKED UP AND NOTICED 545 00:34:47,126 --> 00:34:49,128 ♪ HE WAS NAMELESS HE WAS HOMELESS 546 00:34:49,128 --> 00:34:50,379 ♪ SHE ASKED HIM HIS NAME AND TOLD HIM WHAT HERS WAS 547 00:34:50,379 --> 00:34:53,257 ♪ HE GAVE HER A STORY 'BOUT A LIFE 548 00:34:53,257 --> 00:34:57,094 ♪ WITH A GLINT IN HIS EYE AND A CORNER OF A SMILE 549 00:34:57,094 --> 00:34:59,222 ♪ ONE CONVERSATION A SIMPLE MOMENT 550 00:34:59,222 --> 00:35:01,641 ♪ THE THINGS THAT CHANGE US IF WE NOTICE 551 00:35:01,641 --> 00:35:06,979 ♪ WHEN WE LOOK UP, SOMETIMES THEY SAID I WOULD NEVER MAKE IT 552 00:35:06,979 --> 00:35:09,774 ♪ BUT I WAS BUILT TO BREAK THE MOLD 553 00:35:09,774 --> 00:35:16,322 ♪ THE ONLY DREAM THAT I'VE BEEN CHASING IS MY OWN 554 00:35:16,322 --> 00:35:20,618 ♪ SO I SING A SONG FOR THE HUSTLERS TRADING AT THE BUS STOP 555 00:35:20,618 --> 00:35:24,455 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 556 00:35:24,455 --> 00:35:26,958 ♪ YOUNG TEACHERS STUDENT DOCTORS 557 00:35:26,958 --> 00:35:29,293 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 558 00:35:29,293 --> 00:35:31,295 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT 559 00:35:31,295 --> 00:35:35,633 ♪ WHAT YOU LOVE YOU'LL FIND THAT 560 00:35:35,633 --> 00:35:38,678 ♪ SOMEDAY SOON ENOUGH YOU WILL RISE UP 561 00:35:38,678 --> 00:35:42,640 ♪ RISE UP, YEAH OOH, OOH, OOH 562 00:35:42,640 --> 00:35:46,435 ♪ OOH, OOH, OOH YEAH 563 00:35:46,435 --> 00:35:50,982 ♪ OOH, OOH, OOH SHE'S RIDING IN A TAXI 564 00:35:50,982 --> 00:35:53,317 ♪ BACK TO THE KITCHEN TALKING TO THE DRIVER 'BOUT 565 00:35:53,317 --> 00:35:55,403 ♪ HIS WIFE AND HIS CHILDREN ON THE RUN FROM A COUNTRY 566 00:35:55,403 --> 00:35:59,073 ♪ WHERE THEY PUT YOU IN PRISON FOR BEING A WOMAN AND 567 00:35:59,073 --> 00:36:01,200 ♪ SPEAKING YOUR MIND SHE LOOKED IN HIS EYES IN 568 00:36:01,200 --> 00:36:04,120 ♪ THE MIRROR AND HE SMILED ONE CONVERSATION 569 00:36:04,120 --> 00:36:06,956 ♪ A SINGLE MOMENT THE THINGS THAT CHANGE US 570 00:36:06,956 --> 00:36:11,168 ♪ IF WE NOTICE WHEN WE LOOK UP, SOMETIMES 571 00:36:11,168 --> 00:36:13,337 ♪ THEY SAID I WOULD NEVER MAKE IT, BUT I WAS BUILT 572 00:36:13,337 --> 00:36:17,508 ♪ TO BREAK THE MOLD THE ONLY DREAM THAT I'VE 573 00:36:17,508 --> 00:36:22,179 ♪ BEEN CHASING IS MY OWN SO I SING A SONG FOR THE 574 00:36:22,179 --> 00:36:24,515 ♪ HUSTLERS TRADING AT THE BUS STOP 575 00:36:24,515 --> 00:36:26,392 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 576 00:36:26,392 --> 00:36:29,645 ♪ YOUNG TEACHERS STUDENT DOCTORS 577 00:36:29,645 --> 00:36:32,899 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 578 00:36:32,899 --> 00:36:36,777 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT 579 00:36:36,777 --> 00:36:38,404 ♪ WHAT YOU LOVE YOU'LL FIND THAT SOMEDAY 580 00:36:38,404 --> 00:36:42,366 ♪ SOON ENOUGH YOU WILL RISE UP, RISE UP, YEAH 581 00:36:42,366 --> 00:36:50,833 ♪ OOH, OOH, OOH OOH, OOH, OOH 582 00:36:50,833 --> 00:36:53,252 ♪ YEAH OOH, OOH, OOH 583 00:36:53,252 --> 00:37:03,512 ♪ EVERYBODY RISE UP YOU GONNA RISE UP, AY 584 00:37:03,512 --> 00:37:11,187 ♪ I SING A SONG FOR THE HUSTLERS YOU GONNA RISE UP, AY 585 00:37:11,187 --> 00:37:19,028 ♪ YEAH ♪ I SING A SONG FOR THE HUSTLERS 586 00:37:19,028 --> 00:37:20,571 ♪ SINGLE MOTHERS WAITING ON A CHECK TO COME 587 00:37:20,571 --> 00:37:22,990 ♪ YOUNG TEACHERS STUDENT DOCTORS 588 00:37:22,990 --> 00:37:26,077 ♪ SONS ON THE FRONTLINE KNOWING THEY DON'T GET TO RUN 589 00:37:26,077 --> 00:37:31,082 ♪ THIS GOES OUT TO THE UNDERDOG KEEP ON KEEPING AT WHAT YOU LOVE 590 00:37:31,082 --> 00:37:33,918 ♪ YOU'LL FIND THAT SOMEDAY SOON ENOUGH YOU WILL 591 00:37:33,918 --> 00:37:39,590 ♪ RISE UP, RISE UP, YEAH OOH, OOH, OOH 592 00:37:39,590 --> 00:37:45,262 ♪ OOH, OOH, OOH OOH, OOH, OOH 593 00:37:45,262 --> 00:37:56,065 ♪ OOH, OOH, OOH ♪ OOH, OOH, OOH 594 00:37:56,065 --> 00:38:10,997 ♪ OOH, OOH, OOH ♪ ♪ ♪ ♪ 595 00:38:10,997 --> 00:38:17,753 ♪ OOH, OOH, OOH ♪ ♪ ♪ ♪ 596 00:38:17,753 --> 00:38:25,094 (CHEERS AND APPLAUSE ) (CARS HONKING ) 597 00:38:25,094 --> 00:38:25,970 >> James: ALICIA KEYS EVERYBODY! 598 00:38:25,970 --> 00:38:31,642 HER NEW ALBUM "ALICIA" IS OUT RIGHT NOW! 599 00:38:31,642 --> 00:38:40,359 COME ON BACK, EVERYBODY. 600 00:38:40,359 --> 00:38:41,861 ♪ 601 00:38:48,576 --> 00:38:49,535 ♪ ♪ ♪ >> James: LADIES AND 602 00:38:49,535 --> 00:38:52,538 GENTLEMEN, THIS IS THE END OF ALICIA WEEK. 603 00:38:52,538 --> 00:38:59,045 WHAT AN INCREDIBLE THING TO HAVE ALICIA KEYS HERE EVERY NIGHT, 604 00:38:59,045 --> 00:39:00,588 BLESSED WITH HER MUSIC AND HER PRESENCE. 605 00:39:00,588 --> 00:39:04,425 WE'LL NEVER FORGET T ALICIA, THANK YOU, FOR COMING AND DOING 606 00:39:04,425 --> 00:39:05,634 THIS, IT HAS BEEN INCREDIBLE. 607 00:39:05,634 --> 00:39:10,473 WE'LL SEE YOU NECK WEEK, STAY SAFE, EVERYBODY. 608 00:39:10,473 --> 00:39:13,601 REGGIE, TAKE US HOME! 609 00:39:14,226 --> 00:39:14,852 Captioning sponsored by CBS Captioned by 49081

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.