All language subtitles for Tinto Brass Corti Circuiti Erotici Vol 1 - Eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,560 --> 00:00:22,635 The idea that sex is bad - while it should be a wonderful source of pleasure, 2 00:00:22,720 --> 00:00:25,871 not a monstrous machinery of madness - 3 00:00:25,960 --> 00:00:31,830 is well shown in this short film, which has a self-explanatory title. 4 00:00:31,920 --> 00:00:34,434 Revisiting a famous film by Truffaut, 5 00:00:34,520 --> 00:00:38,832 we are in the land of playfulness and irony, 6 00:00:38,920 --> 00:00:42,833 and not in that of drama or tragedy. 7 00:00:42,920 --> 00:00:46,959 Which have little or nothing to do with eroticism. 8 00:00:52,280 --> 00:00:55,875 TlNTO BRASS presents 9 00:00:56,280 --> 00:00:58,794 The Last Train (The Last Subway) <> (L'ultimo Treno) 10 00:01:06,400 --> 00:01:10,871 Tinto Brass in the role of the Spoilsport 11 00:02:27,520 --> 00:02:30,478 Miss! Miss! 12 00:02:30,560 --> 00:02:32,516 Yes? 13 00:02:33,360 --> 00:02:35,316 The skirt. 14 00:02:35,880 --> 00:02:37,836 The skirt. 15 00:02:38,880 --> 00:02:40,836 - Thanks - You're welcome. 16 00:02:57,560 --> 00:03:00,358 I am going back there, with or without you. 17 00:03:13,800 --> 00:03:16,917 Ugly people go around at night. 18 00:03:21,560 --> 00:03:23,994 I don't understand why you don't like that pub. 19 00:03:24,080 --> 00:03:27,231 The beer is fantastic, you know how much I like drinking. 20 00:03:27,320 --> 00:03:29,117 Beautiful women. 21 00:03:32,960 --> 00:03:36,157 Giorgio? Giorgio, wake up. Giorgio? 22 00:03:37,920 --> 00:03:41,196 Wake up, Giorgio, wake up. 23 00:03:46,760 --> 00:03:51,038 The tickets for tomorrow's concert. Please, say yes. 24 00:03:51,120 --> 00:03:53,793 - Don't worry. - I really want to see him. 25 00:03:53,880 --> 00:03:57,395 The only night in Italy, the greatest double-bass player. 26 00:03:58,080 --> 00:04:00,036 Have you seen him play? 27 00:04:02,000 --> 00:04:04,673 He's really skilled. The train. 28 00:04:57,840 --> 00:05:00,400 You know, you are stunning! 29 00:05:04,880 --> 00:05:06,836 I am in love with you. 30 00:05:11,560 --> 00:05:14,870 You are the most beautiful woman in the world. 31 00:05:26,000 --> 00:05:29,310 I am here. I am not moving. 32 00:06:03,880 --> 00:06:07,156 Last train to Valle Aurelia in seven minutes. 33 00:21:18,640 --> 00:21:20,596 For God's sake! 34 00:22:10,680 --> 00:22:15,071 Too late, grandpa! That was the last one. We've got to walk home. 35 00:23:54,020 --> 00:23:57,729 When we talk about eroticism, the significant is shown by the signifier. 36 00:23:57,820 --> 00:24:00,175 The way it is presented is the real content. 37 00:24:00,260 --> 00:24:04,572 It's not so much about how much you're showing, but how you show it. 38 00:24:04,660 --> 00:24:07,857 This means that you don't have eroticism if the sexual act 39 00:24:07,940 --> 00:24:12,377 is not based on a well-defined style. 40 00:24:12,460 --> 00:24:15,896 Like the stylistic choice of this short movie 41 00:24:15,980 --> 00:24:20,531 which transforms a simple idea into a delicious erotic journey 42 00:24:20,620 --> 00:24:24,454 through the main character's arse, body, heart and brain. 43 00:24:31,740 --> 00:24:35,369 Tinto Brass presents 44 00:24:37,620 --> 00:24:41,295 Dream <> 45 00:31:27,260 --> 00:31:28,978 What did you do? And now? 46 00:31:29,060 --> 00:31:31,016 What are we going to do now? 47 00:35:33,020 --> 00:35:35,090 Shall we eat together? 48 00:35:36,500 --> 00:35:38,650 Yes. With pleasure. 49 00:36:02,220 --> 00:36:04,973 Excuse me. The short cut to the restaurant? 50 00:36:09,380 --> 00:36:13,498 On the hill, you'll find a cock on a leash. 51 00:36:15,020 --> 00:36:17,488 You can park there. 52 00:36:17,580 --> 00:36:19,696 The restaurant 53 00:36:19,780 --> 00:36:22,374 is a few steps further. 54 00:36:23,820 --> 00:36:27,210 On the hill. The cock. Now I remember. 55 00:36:29,980 --> 00:36:31,936 Well done! 56 00:36:32,620 --> 00:36:35,418 Don't forget to give him a bit of corn 57 00:36:35,500 --> 00:36:38,617 or he will peck your car. 58 00:36:41,420 --> 00:36:43,729 How much for a postcard? 59 00:36:44,580 --> 00:36:47,299 Let me touch your lady's tits. 60 00:36:52,820 --> 00:36:55,129 Which one do you want? 61 00:36:55,220 --> 00:36:57,973 I want that one, with the red shoe. 62 00:37:00,500 --> 00:37:02,456 This one? 63 00:37:11,900 --> 00:37:13,856 I'll put it here. 64 00:37:15,900 --> 00:37:17,856 I'll start, OK? 65 00:37:25,540 --> 00:37:27,531 That's it. 66 00:37:27,620 --> 00:37:29,770 My goodness! 67 00:42:14,660 --> 00:42:16,616 Good morning! 68 00:42:18,180 --> 00:42:20,136 My kind respects. 69 00:42:22,060 --> 00:42:24,620 - Usual table? - Of course, Omar. 70 00:42:24,700 --> 00:42:26,656 Follow me. 71 00:42:42,500 --> 00:42:45,253 Would you like to give me your clothes? 72 00:42:48,300 --> 00:42:50,256 Thank you. 73 00:43:43,820 --> 00:43:47,654 Would you mind giving me your underwear as well? 74 00:44:07,340 --> 00:44:09,649 Ah, youth! 75 00:44:11,260 --> 00:44:13,091 Enjoy your meal. 76 00:49:20,700 --> 00:49:22,656 Excuse me, lifeguard! 77 00:49:24,420 --> 00:49:25,853 Yes? 78 00:49:26,580 --> 00:49:28,775 What were you looking at? 79 00:49:31,460 --> 00:49:35,248 Either you watch it yourself or you mind your own business. 80 00:49:53,980 --> 00:49:57,575 The end 81 00:51:43,040 --> 00:51:47,670 I've always found female eroticism extremely exciting. 82 00:51:47,760 --> 00:51:51,514 I mean the sort which is the product of women's erotic imagination. 83 00:51:51,600 --> 00:51:55,752 It gives their works a great happiness of expression, 84 00:51:55,840 --> 00:51:59,150 indicative of the expression of happiness which is for them. 85 00:51:59,240 --> 00:52:03,074 It derives from the possibility of talking about topics which, 86 00:52:03,160 --> 00:52:07,631 till not long ago, were considered taboo. 87 00:52:07,720 --> 00:52:12,271 ''Weekend in Lecco'' is a beautiful example of all this. 88 00:52:16,200 --> 00:52:19,829 TINTO BRASS presents 89 00:52:21,640 --> 00:52:26,589 Weekend In LeCCo (What A Weekend) <> 90 00:53:27,680 --> 00:53:28,954 Hello? 91 00:53:30,040 --> 00:53:33,191 Hi, Stefy. Fine! And you? 92 00:53:34,720 --> 00:53:36,870 What are you doing? 93 00:53:38,200 --> 00:53:39,952 Really? 94 00:53:43,400 --> 00:53:46,631 No. It would be great. 95 00:53:46,720 --> 00:53:48,676 I'm dying to see you. 96 00:53:51,520 --> 00:53:54,353 OK. I'll pack my things and come over. 97 00:53:55,200 --> 00:53:57,873 Me too. See you later. Bye. 98 00:54:52,280 --> 00:54:54,396 Hi! How are you? 99 00:54:54,480 --> 00:54:56,118 - Fine. And you? - Fine. 100 00:54:56,200 --> 00:54:58,634 - Remember how we used to greet? - Yes. 101 00:54:59,400 --> 00:55:03,279 Tits to tits, arse to arse, 102 00:55:03,360 --> 00:55:06,750 twirl, twirl and kiss! 103 00:55:11,240 --> 00:55:13,196 Let's go. 104 00:55:22,840 --> 00:55:24,910 Still not wearing knickers? 105 00:55:26,400 --> 00:55:28,630 Of course. 106 00:55:28,720 --> 00:55:32,679 - Nice pussy! - Clear off. It's not for you. 107 00:55:50,680 --> 00:55:52,830 Nice place. 108 00:56:14,000 --> 00:56:17,834 Do you know how a whore, a nun and a housewife eat a banana? 109 00:56:18,400 --> 00:56:21,358 - How? - The whore goes... 110 00:56:50,120 --> 00:56:52,509 The nun like this. 111 00:56:54,000 --> 00:56:57,356 - And the housewife? - The housewife like this. 112 00:57:00,040 --> 00:57:02,076 That's an old one. I knew it. 113 00:57:02,160 --> 00:57:03,912 Why didn't you stop me, then? 114 00:57:04,000 --> 00:57:07,151 I wanted to see you giving a banana a blow job. 115 00:57:10,560 --> 00:57:13,313 I love eating in bed and watching TV. 116 00:57:29,800 --> 00:57:32,758 - Have you seen Il Danno? - No. 117 00:57:33,840 --> 00:57:35,990 Switch off the light. 118 00:58:02,800 --> 00:58:05,075 I have a new girlfriend. 119 00:58:05,160 --> 00:58:08,277 - Ah, really? - What do you mean? 120 00:58:08,360 --> 00:58:13,718 I wonder why women don't realise it. It's obvious that she's after your pussy. 121 00:58:18,680 --> 00:58:21,478 By the way, Edward phoned. 122 00:58:23,240 --> 00:58:25,800 Your dad is an amazing person. 123 00:59:21,320 --> 00:59:23,436 He's sexy, isn't he? 124 00:59:53,720 --> 00:59:59,113 - What's wrong? Don't you like it? - That film turned me off. 125 01:00:01,920 --> 01:00:05,037 - Let's play a game. - Yes. 126 01:00:51,440 --> 01:00:54,034 See all these books? 127 01:01:02,320 --> 01:01:04,470 Pick them all up. 128 01:01:32,560 --> 01:01:34,790 Shut up, slave. 129 01:02:37,440 --> 01:02:39,431 You like that, don't you? 130 01:02:39,520 --> 01:02:41,670 Dirty little slave. 131 01:02:49,720 --> 01:02:51,676 Open your legs. 132 01:07:53,640 --> 01:07:55,790 Now I'll make you groan. 133 01:07:55,880 --> 01:07:57,916 Where are you going? 134 01:07:58,000 --> 01:07:59,558 Don't move! 135 01:07:59,640 --> 01:08:02,234 Stefy. Stefy! 136 01:08:10,120 --> 01:08:12,076 This is our gardener. 137 01:08:36,000 --> 01:08:38,150 Fuck her. 138 01:08:38,960 --> 01:08:41,428 Serena, you surprise me. 139 01:08:41,520 --> 01:08:43,476 Use her mouth. 140 01:10:35,360 --> 01:10:38,511 Attention please, platform 2, train passing through. 141 01:11:02,000 --> 01:11:04,560 I've really enjoyed this weekend in Lecco. 142 01:11:04,640 --> 01:11:07,154 Your gardener is not bad, you know. 143 01:11:07,240 --> 01:11:10,676 I know, it's not the first time he's joined in these games. 144 01:11:10,760 --> 01:11:13,911 - Here comes my train. - Well, we just have to say goodbye. 145 01:11:14,000 --> 01:11:16,434 - Like when you arrived? - Yes. 146 01:11:16,680 --> 01:11:20,389 Tits to tits, arse to arse, 147 01:11:20,480 --> 01:11:23,950 twirl, twirl and kiss! 148 01:11:31,040 --> 01:11:33,349 To Chiavari. 10577

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