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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:36,104 --> 00:00:39,707 THIS WAS ME. I GOT BETTER-LOOKIN' WITH AGE. 4 00:00:39,740 --> 00:00:43,111 THAT'S SOMETHIN' YOU'RE GONNA HAVE TO TRUST ME ON. 5 00:00:43,144 --> 00:00:44,912 I'M TWENTY-ONE HERE. 6 00:00:44,945 --> 00:00:46,714 JUST SIX MONTHS BEFORE THIS, 7 00:00:46,747 --> 00:00:49,750 I HAD SEX FOR ONLY THE THIRD TIME IN MY LIFE. 8 00:00:49,783 --> 00:00:53,954 IF YOU LOOK CLOSE, YOU CAN STILL SEE ME SMILING. 9 00:00:55,323 --> 00:00:59,527 DANNY MORGAN, THE COOLEST GUY I EVER KNEW. 10 00:00:59,560 --> 00:01:02,096 I IDOLIZED THIS GUY FOR SO LONG. 11 00:01:02,130 --> 00:01:04,598 EVERY HIGH SCHOOL IN EVERY CITY HAD ONE, 12 00:01:04,632 --> 00:01:07,235 THE FOOTBALL STAR THAT GOT ALL THE GIRLS. 13 00:01:07,268 --> 00:01:09,770 DANNY WAS OURS AND MY LIFE WAS SOMEHOW BETTER OFF 14 00:01:09,803 --> 00:01:11,972 JUST BY BEING HIS FRIEND. 15 00:01:14,775 --> 00:01:18,212 TIM REESE. EVEN LOOKING AT HIS IMAGE YEARS LATER, 16 00:01:18,246 --> 00:01:21,715 I'M TEMPTED TO WHISPER BECAUSE I DON'T WANT HIM TO HIT ME. 17 00:01:21,749 --> 00:01:24,652 HE'S THE KIND OF GUY WHO WOULD OUT OF NOWHERE, 18 00:01:24,685 --> 00:01:28,822 EVEN IF HE JUST THOUGHT YOU WERE THINKIN' SOMETHING BAD ABOUT HIM. 19 00:01:30,491 --> 00:01:34,128 OW! WHAT WAS THAT FOR? 20 00:01:34,162 --> 00:01:37,765 I DON'T KNOW. I'LL THINK OF SOMETHING. 21 00:01:44,838 --> 00:01:46,840 THIS IS THE "WAR WAGON," 22 00:01:46,874 --> 00:01:48,642 THE BIG BLUE BOMB OF A BUICK 23 00:01:48,676 --> 00:01:50,811 THAT EACH OF US CLAIMED WAS LEGALLY OURS, 24 00:01:50,844 --> 00:01:54,148 YET NONE OF US EVEN BOTHERED TO REGISTER. 25 00:01:54,182 --> 00:01:58,652 TO THE GUYS I GREW UP WITH, THIS WAS AN INFAMOUS PARTY CAR, 26 00:01:58,686 --> 00:02:01,189 A LEGEND IN ITS OWN NEIGHBORHOOD. 27 00:02:06,527 --> 00:02:09,997 THE AMBASSADOR, THE MAIN LINK OVER THE DETROIT RIVER 28 00:02:10,030 --> 00:02:12,600 CONNECTING CANADA AND AMERICA. 29 00:02:12,633 --> 00:02:16,537 WE CROSSED OVER THIS THING MANY, MANY TIMES, DANNY, TIM AND I. 30 00:02:16,570 --> 00:02:19,273 IN HIGH SCHOOL, WE WOULD GO TO CANADIAN STRIP JOINTS 31 00:02:19,307 --> 00:02:21,975 THEIR HOUSE BEER. 32 00:02:22,009 --> 00:02:25,846 BUT THIS WASN'T HIGH SCHOOL. THIS WAS THREE YEARS LATER. 33 00:02:25,879 --> 00:02:28,349 AND THIS ISN'T ABOUT JUST ANY NIGHT. 34 00:02:28,382 --> 00:02:32,286 THIS IS ABOUT A NIGHT WHEN THE AMBASSADOR BECAME MORE THAN A BORDER, 35 00:02:32,320 --> 00:02:35,789 MORE THAN A MERE HIGHWAY OVER A RIVER, 36 00:02:35,823 --> 00:02:38,859 A NIGHT THAT I'LL NEVER FORGET AS LONG AS I LIVE. 37 00:02:38,892 --> 00:02:41,829 THESE ARE THE TALES OF THE WAR WAGON, 38 00:02:41,862 --> 00:02:45,733 AND THIS IS THE STORY OF THE BRIDGE. 39 00:02:52,206 --> 00:02:56,377 MORT! WAKE UP! IT'S ALMOST NOON. 40 00:02:56,410 --> 00:03:00,080 I DON'T WORK 'TIL 4:00, MA. 41 00:03:00,113 --> 00:03:02,916 LET'S GO. TIME TO GET UP. 42 00:03:08,289 --> 00:03:11,725 SO, WHERE WERE YOU LAST NIGHT? JUST HANGIN'. 43 00:03:11,759 --> 00:03:15,563 WITH DANNY AND TIM? 44 00:03:15,596 --> 00:03:17,765 YEAH, MOM. 45 00:03:20,100 --> 00:03:22,069 HOW COME YOU DON'T TALK TO ME? 46 00:03:22,102 --> 00:03:25,906 YOU USED TO TELL ME WHAT YOU WERE DOIN'. 47 00:03:27,107 --> 00:03:29,910 I NEVER TOLD YOU WHAT I WAS DOIN', MOM. 48 00:03:29,943 --> 00:03:34,081 THAT'S RIGHT. YOU'RE JUST LIKE YOUR FATHER. 49 00:03:34,114 --> 00:03:37,217 THE BASTARD! 50 00:03:40,087 --> 00:03:44,191 SO, HAVE YOU GOTTEN ANY MAIL AT THE STORE LATELY? 51 00:03:44,224 --> 00:03:47,194 MAIL? NO, WHY? 52 00:03:47,227 --> 00:03:50,264 I APPLIED FOR A SCHOLARSHIP FOR YOU TO STATE. 53 00:03:50,298 --> 00:03:53,701 I GAVE 'EM YOUR HOME AND YOUR WORK AND I HAVEN'T HEARD, SO I THOUGHT MAYBE -- 54 00:03:53,734 --> 00:03:57,204 ARE YOU GONNA START WITH COLLEGE AGAIN, HUH? 55 00:03:57,237 --> 00:04:00,441 I TOLD YOU, I HAVE NO INTEREST IN GOING TO COLLEGE, NONE. 56 00:04:00,474 --> 00:04:02,743 SO JUST DROP IT, ALL RIGHT? 57 00:04:02,776 --> 00:04:05,012 YOU'RE SO MUCH LIKE YOUR FATHER. 58 00:04:10,484 --> 00:04:13,287 YOU SHOULDN'T SMOKE. 59 00:04:18,926 --> 00:04:21,261 AT LEAST BUY YOUR OWN. 60 00:04:21,295 --> 00:04:23,297 GO! 61 00:04:23,331 --> 00:04:25,799 I'M TELLING YOU, THEY'RE MIDGETS. 62 00:04:25,833 --> 00:04:28,802 FOR HIGH SCHOOL GUYS, THEY'RE FAST. 63 00:04:28,836 --> 00:04:32,306 THEY'RE NOT FAST. 64 00:04:32,340 --> 00:04:34,508 THEY'RE TINY. IT MAKES THEM LOOK FAST. 65 00:04:34,542 --> 00:04:37,411 WE NEVER LOOKED THAT LITTLE, THAT'S FOR SURE. 66 00:04:37,445 --> 00:04:39,012 THESE GUYS ARE LIKE -- 67 00:04:39,046 --> 00:04:43,917 WHAT ARE THOSE LITTLE GUYS ON "GULLIVER'S TRAVELLING"? 68 00:04:43,951 --> 00:04:45,619 "GULLIVER'S TRAVELS," TIM. 69 00:04:45,653 --> 00:04:48,489 AND THEY'RE CALLED LILLIPUTIANS. 70 00:04:48,522 --> 00:04:51,359 YEAH, LILLIPUTIANS STUNK. 71 00:04:51,392 --> 00:04:54,828 LILLIPUTIANS! 72 00:04:54,862 --> 00:04:57,631 ANYONE WANT TO HEAD TO THE CLEARING? 73 00:04:57,665 --> 00:05:00,934 - FUCK THE CLEARING. - SCREW THE CLEARING, MAN. 74 00:05:00,968 --> 00:05:04,505 I GOT A COUPLE OF SIX-PACKS IN THE CAR. 75 00:05:04,538 --> 00:05:08,542 - I KINDA MISS THE CLEARING. - CLEARING SOUNDS GREAT TO ME. 76 00:05:09,543 --> 00:05:11,078 LET'S GO. 77 00:05:21,321 --> 00:05:25,125 SO, WHAT HAPPENED? YOU, YOU WASH OUT AT EASTERN? 78 00:05:25,158 --> 00:05:27,127 JUST GOT TIRED OF FOOTBALL. 79 00:05:27,160 --> 00:05:31,064 IT WASN'T FUN ANYMORE, KNOW WHAT I MEAN? 80 00:05:31,098 --> 00:05:32,733 HE QUIT AFTER TWO DAYS. 81 00:05:32,766 --> 00:05:35,403 EVENTUALLY HE'S GONNA GO BACK AND FINISH OUT THE WHOLE WEEK. 82 00:05:35,436 --> 00:05:38,739 LET'S HOPE THAT'S NOT SUPPOSED TO BE FUNNY, MORT. 83 00:05:38,772 --> 00:05:41,542 YOU GONNA BE A DICK ALL YOUR LIFE? 84 00:05:41,575 --> 00:05:46,847 WHAT THE HELL? STILL GOT THE WAR WAGON, RIGHT? 85 00:05:46,880 --> 00:05:49,683 YEAH, STILL GOT THE W.W. 86 00:05:49,717 --> 00:05:51,952 BOY, IF THAT CAR COULD TALK -- 87 00:05:55,122 --> 00:05:58,559 HE-- HEY, YOU GUYS OUGHTA USE IT TO MAKE SOME DOUGH. 88 00:05:59,893 --> 00:06:02,095 WHAT DO YOU MEAN? 89 00:06:02,129 --> 00:06:05,733 YOU GUYS GO INTO CANADA EVERY NOW AND THEN, RIGHT? 90 00:06:05,766 --> 00:06:08,536 TO THE STRIP JOINTS AND STUFF? 91 00:06:08,569 --> 00:06:10,337 YEAH, SO? 92 00:06:10,370 --> 00:06:12,239 WELL, THE THING IS, 93 00:06:14,408 --> 00:06:17,878 IF ONE OF YOU EVER WANTED TO DO A RUN UP TO TORONTO FOR ME 94 00:06:17,911 --> 00:06:21,248 AND BRING BACK SOME HASH ACROSS THE BRIDGE, 95 00:06:23,283 --> 00:06:25,519 YOU COULD MAKE SOME NICE CHANGE. 96 00:06:25,553 --> 00:06:28,255 HOW MUCH? 97 00:06:31,725 --> 00:06:33,761 ABOUT NINE GRAND. 98 00:06:37,631 --> 00:06:40,133 IT'S WORTH NINE GRAND TO YOU? 99 00:06:40,968 --> 00:06:42,936 SUPPLY AND DEMAND. 100 00:06:42,970 --> 00:06:45,906 YEAH, WHAT IF YOU GET CAUGHT? 101 00:06:45,939 --> 00:06:48,942 YOU WON'T GET CAUGHT. IT'S EASY. 102 00:06:48,976 --> 00:06:52,312 YOU JUST HIDE IT IN THE SPARE TIRE. 103 00:06:53,647 --> 00:06:56,484 BESIDES, IT'S JUST HASH. 104 00:06:56,517 --> 00:07:01,622 WORSE COMES TO WORSE, THEY TAKE IT AWAY FROM YOU AND LET YOU GO. 105 00:07:01,655 --> 00:07:03,757 THAT'S GOOD. 106 00:07:03,791 --> 00:07:07,260 IF IT'S SO EASY TO DO, HOW COME YOU DON'T JUST DO IT YOURSELF? 107 00:07:07,294 --> 00:07:10,464 THE BORDER GUARDS KNOW ME BY NOW. 108 00:07:10,498 --> 00:07:15,102 I'VE BEEN BACK AND FORTH THOUSANDS OF TIMES. 109 00:07:15,135 --> 00:07:17,137 BEATS PUMPIN' GAS! 110 00:07:17,170 --> 00:07:19,139 MULL IT OVER. 111 00:07:22,510 --> 00:07:24,812 BESIDES, NOTHIN' LIKE A LITTLE BORDER-HOPPIN' 112 00:07:24,845 --> 00:07:27,681 TO GET THE OLD GAME JUICES FLOWIN'. 113 00:07:37,390 --> 00:07:38,526 JOHN? 114 00:07:40,828 --> 00:07:42,162 I-IS IT A BAD SIGN 115 00:07:42,195 --> 00:07:44,998 WHEN SMOKE'S COMIN' OUT OF YOUR FINGERNAILS? 116 00:08:06,887 --> 00:08:10,691 HEY, YOU'RE JUST IN TIME. I NEED TWENTY BUCKS. WHAT ARE YOU TALKIN' ABOUT? 117 00:08:10,724 --> 00:08:13,727 TWENTY BUCKS! I BET THESE THREE LITTLE HIGH SCHOOL PUSSY MIDGETS, 118 00:08:13,761 --> 00:08:18,365 I COULD TAKE THEM ALL ON AT ONCE. GIVE ME THE MONEY. 119 00:08:18,398 --> 00:08:20,734 COME ON, TWENTY BUCKS, MAN. 120 00:08:22,402 --> 00:08:24,538 - ALL RIGHT. - YEAH! 121 00:08:24,572 --> 00:08:28,709 I WANT YOU FIRST, SONNY BOY. COME ON. HO, HO, HEY, HO, HO! 122 00:08:28,742 --> 00:08:30,744 I'M IN FOR TWENTY BUCKS. 123 00:08:30,778 --> 00:08:34,414 - SMART MOVE. - ON THEM. 124 00:08:34,447 --> 00:08:36,984 YOU'RE BETTING ON THEM? YEAH. 125 00:08:37,017 --> 00:08:38,752 DICK! 126 00:08:38,786 --> 00:08:41,989 HEY, THEY'RE IN GOOD SHAPE. YOU GET UP AT NOON. 127 00:08:42,022 --> 00:08:43,724 IT'S FOUND MONEY. 128 00:08:43,757 --> 00:08:48,896 THAT'S IT, BET'S OFF. GIVE 'EM THEIR MONEY BACK. 129 00:08:48,929 --> 00:08:51,899 YOU'VE SEEN ME TAKE THREE GUYS ON BEFORE. YOU KNOW I CAN DO IT. 130 00:08:51,932 --> 00:08:54,702 YEAH! WHEW! MAYBE. 131 00:08:54,735 --> 00:08:56,704 WANNA GET DRUNK? 132 00:09:01,374 --> 00:09:04,712 COME ON, LET'S FIGHT HIM, KID. 133 00:09:04,745 --> 00:09:07,781 COME ON, MAN. GIVE HIM A FIGHT. THIS ISN'T PERSONAL. 134 00:09:12,052 --> 00:09:16,289 - GET OFF THAT! - FUCK YOU! FUCK! 135 00:09:16,323 --> 00:09:18,225 YOU'RE GETTIN' HOT! 136 00:09:27,234 --> 00:09:30,570 SHIT! PIECE OF SHIT! SHIT! 137 00:09:31,571 --> 00:09:34,474 THAT'S ENOUGH! THAT'S ENOUGH! 138 00:09:55,362 --> 00:09:57,665 SHOULD WE CRUISE WOODWARD? 139 00:09:58,932 --> 00:10:00,100 UNLESS YOU WANNA STOP 140 00:10:00,133 --> 00:10:01,835 AND BEAT SOMEONE UP ALONG THE WAY, YEAH. 141 00:10:03,804 --> 00:10:07,074 YOU REALLY ARE A VERY SICK LITTLE PUPPY. 142 00:10:07,107 --> 00:10:10,310 YOU KNOW THAT, TIM? I KNOW I AM. 143 00:10:12,479 --> 00:10:15,749 YOU KNOW I'M SICK. SOMEBODY OUGHTA JUST... 144 00:10:15,783 --> 00:10:20,854 TAKE ME OUT BACK, SHOOT ME, AND DO THE WHOLE COMMUNITY A BIG FAVOR. 145 00:10:29,362 --> 00:10:32,499 MORT! SOME FRIENDS OF YOURS ARE HERE. 146 00:10:32,532 --> 00:10:37,304 WAKE UP, MORT. LET'S GO, PAL. MUD BOWL TIME. 147 00:10:39,072 --> 00:10:41,041 MUD BOWL? 148 00:10:41,074 --> 00:10:43,510 I'M TIRED, GUYS. COME ON! 149 00:10:43,543 --> 00:10:46,379 FIRST TIME HE'S BEEN OUT OF THE HOUSE BEFORE NOON IN A YEAR. 150 00:10:46,413 --> 00:10:48,381 IT'S MUD BOWL. I LOVE YOU BOYS. 151 00:10:48,415 --> 00:10:51,651 MUD BOWL! MUD BOWL! MUD BOWL! MUD BOWL! 152 00:10:51,685 --> 00:10:54,688 MUD BOWL! MUD BOWL! MUD BOWL! MUD BOWL! 153 00:10:54,722 --> 00:10:58,325 MUD BOWL! MUD BOWL! MUD BOWL! MUD BOWL! 154 00:10:58,358 --> 00:11:00,393 I'M TOO TIRED TO PLAY FOOTBALL! 155 00:11:00,427 --> 00:11:02,763 YOU GUYS'LL HURT ME. I'M A PUSSY, REMEMBER? 156 00:11:05,232 --> 00:11:07,367 MUD BOWL! 157 00:11:07,400 --> 00:11:09,970 OH, MY GOD! IT'S SMILIN' JACK HARPER, MAN. 158 00:11:10,003 --> 00:11:12,906 BACK FROM COLLEGE FOR MUD BOWL. UNBELIEVABLE! 159 00:11:12,940 --> 00:11:17,510 HE'S IN A SUIT. THE POOR FUCKER'S IN A SUIT. 160 00:11:17,544 --> 00:11:20,714 HEY, NICE SUIT, SMILIN'. WHAT ARE YOU, A FED NOW? 161 00:11:20,748 --> 00:11:22,916 WHAT'S THE DEAL, HARPS? YOU'RE NOT PLAYING? 162 00:11:22,950 --> 00:11:25,719 I GOT AN INTERVIEW OVER AT G.M., PRODUCTS FLOW DIVISION. 163 00:11:25,753 --> 00:11:28,521 IF YOU WERE HALF A MAN, YOU'D PLAY. YEAH. 164 00:11:28,555 --> 00:11:31,424 LET ME ASK YOU BOYS A QUESTION. 165 00:11:31,458 --> 00:11:34,227 WHICH DO YOU THINK IS MORE IMPORTANT? 166 00:11:34,261 --> 00:11:37,831 SMILIN' JACK GETTIN' THIS JOB AT G.M.? 167 00:11:37,865 --> 00:11:39,599 NO! 168 00:11:39,632 --> 00:11:42,335 OR PLAYIN' IN THIS HERE MUD BOWL! 169 00:11:42,369 --> 00:11:45,005 - DON'T DO IT, COME ON, MAN. 170 00:11:45,038 --> 00:11:49,109 DON'T DO IT? COME ON, DANNY. JESUS, I GOT A MEETIN'. 171 00:11:49,142 --> 00:11:51,678 HARPER HAS THE BALL. HE'S COMIN' DOWN THE FIELD. LEAVE ME ALONE. 172 00:11:51,711 --> 00:11:53,680 LEAVE ME ALONE, TIM. HE'S AT THE TEN! 173 00:11:53,713 --> 00:11:56,283 THEN REESE COMES OUT OF THE BLUE! 174 00:11:56,316 --> 00:11:59,519 HE'S AT THE FIVE! THE TWO! 175 00:11:59,552 --> 00:12:03,623 REESE... STOPS HIM AT THE ONE! 176 00:12:09,562 --> 00:12:13,600 OH! OH, LOOK AT THIS! YOU LOOK GREAT, JACK. 177 00:12:13,633 --> 00:12:16,603 I GOT A MEETING. DIDN'T YOU HEAR ME? NO, NOT REALLY. 178 00:12:16,636 --> 00:12:18,972 DOESN'T THAT MEAN ANYTHING TO YOU GUYS? 179 00:12:19,006 --> 00:12:21,308 NO, NOT A THING! 180 00:12:21,341 --> 00:12:23,310 WHAT'S THE MEANING, JACK? 181 00:12:23,343 --> 00:12:25,478 DANNY. 182 00:12:34,855 --> 00:12:36,824 CATCH. 183 00:12:36,857 --> 00:12:39,860 GET HIM, TIM! GET HIM! 184 00:12:41,194 --> 00:12:44,965 * EVERY ROAD CREEKS AND HILLS * 185 00:12:44,998 --> 00:12:50,670 * DIKES AND DAMS TELL ME WHERE IS SANITY * 186 00:12:57,210 --> 00:13:00,914 * TAX THE RICH FEED THE POOR * 187 00:13:00,948 --> 00:13:05,518 * 'TIL THERE ARE NO RICH NO MORE * 188 00:13:07,187 --> 00:13:09,823 LET'S PLAY BALL! 189 00:13:11,524 --> 00:13:13,026 * OH YEAH 190 00:13:42,655 --> 00:13:47,394 * I'D LOVE TO CHANGE THE WORLD * 191 00:13:48,595 --> 00:13:53,366 YESSIREE! ONE HELL OF A GOOD MUD BOWL! 192 00:13:56,736 --> 00:14:02,709 * SO I LEAVE IT UP TO YOU * 193 00:14:08,949 --> 00:14:11,251 SO THEN WHAT'D YOU DO? DID YOU HIT HIM? 194 00:14:11,284 --> 00:14:15,422 NO, I DIDN'T HIT HIM. I JUST LET HIM FINISH YELLIN' AT ME. 195 00:14:15,455 --> 00:14:17,224 POOR, MISGUIDED FOOL! 196 00:14:17,257 --> 00:14:20,894 YOU'VE BEEN THERE, MORT? YOU ACTUALLY SEEN HIM HIT HIS DAD? 197 00:14:20,928 --> 00:14:24,764 DANNY HAS TOO, RIGHT ON HIS FRONT LAWN. 198 00:14:24,797 --> 00:14:27,734 YOUR DAD, HE LOOKS LIKE UNCLE FESTER IN A CERTAIN LIGHT. 199 00:14:27,767 --> 00:14:29,802 HAS ANYONE EVER TOLD YOU THAT BEFORE? 200 00:14:30,938 --> 00:14:34,541 HEY, TIM, WHAT, ARE YOU DEAF? 201 00:14:34,574 --> 00:14:37,377 DON'T TOUCH THE TOOLS. HOW MANY TIMES I GOTTA SAY IT? 202 00:14:37,410 --> 00:14:41,081 EGGHEAD'S TOUCHY ABOUT THE TOOLS. SPEAKIN' OF GOOFY, RINNY, 203 00:14:41,114 --> 00:14:44,017 YOUR OLDER SISTER, FERN, DOES SHE BRUSH HER TEETH? 204 00:14:44,051 --> 00:14:48,388 SHE SMILED AT ME ONCE AND I SWEAR, I COULDN'T USE MY DICK FOR LIKE A YEAR. 205 00:14:52,225 --> 00:14:53,560 HEY, TRACE, HOW'S IT GOIN'? 206 00:14:53,593 --> 00:14:55,762 AHH, I'M DOIN' FINE. HOW'S YOUR MOM? 207 00:14:55,795 --> 00:14:58,031 - SHE'S GETTIN' BY. - TELL HER, "HI." 208 00:14:58,065 --> 00:15:01,801 SHE WANTS YOU, MARTY. SHE WANTS YOU. 209 00:15:01,834 --> 00:15:04,437 SHE'S A LITTLE OLDER THAN YOU, BUT WHAT THE HELL. 210 00:15:04,471 --> 00:15:06,273 IT'S NOT LIKE YOU CAN AFFORD TO BE PICKY. 211 00:15:06,306 --> 00:15:09,642 WHAT ARE YOU TALKING ABOUT? MORT LIKES OLDER WOMEN. 212 00:15:09,676 --> 00:15:11,911 MORT LIKES ANYONE WHO'LL LOOK AT HIM. IT'S TRUE. 213 00:15:11,945 --> 00:15:15,048 I ONCE HAD SEX WITH A 75-YEAR-OLD WOMAN. 214 00:15:15,082 --> 00:15:18,151 I FELT LIKE I WAS ROBBING THE GRAVE. 215 00:15:23,690 --> 00:15:26,493 - NOT FUNNY. - DEFINITELY NOT FUNNY. 216 00:15:26,526 --> 00:15:31,231 IS THAT A NEW ONE, MORT? BECAUSE IT SUCKS. 217 00:15:31,264 --> 00:15:32,632 IT'S NOT A BIG DEAL, TIM, OKAY? 218 00:15:32,665 --> 00:15:34,634 IT WAS AN AD LIB. IT WAS OFF THE CUFF. 219 00:15:34,667 --> 00:15:38,738 YEAH? WELL HOW MUCH DO YOU GET FOR A JOKE LIKE THAT? 220 00:15:38,771 --> 00:15:41,474 HEY, NUMB-NUTS, DON'T TOUCH THE TOOLS! 221 00:15:41,508 --> 00:15:43,743 YOU WANT IT IN ENGLISH? 222 00:15:43,776 --> 00:15:47,647 DON'T...TOUCH... THE...TOOLS. 223 00:15:47,680 --> 00:15:51,584 A, A BEER? YOU'RE DRINKING A BEER? 224 00:15:51,618 --> 00:15:54,121 THE PLACE IS STILL OPEN, MAN. 225 00:15:54,154 --> 00:15:57,357 YOU TRYIN' TO GET ME FIRED, YOU WASTE-OF-A-LIFE? 226 00:16:01,028 --> 00:16:03,030 HEY, RINNY, JUST LET ME GET THIS STRAIGHT. 227 00:16:03,063 --> 00:16:06,366 TIM SHOULD OR HE SHOULDN'T TOUCH THE TOOLS, WHICH ONE? 228 00:16:06,399 --> 00:16:07,667 I'M NOT QUITE CLEAR ON THIS. 229 00:16:07,700 --> 00:16:09,502 HE CAN TOUCH THE TOOLS AND NOT HAVE A BEER, 230 00:16:09,536 --> 00:16:12,105 OR HE CAN HAVE A BEER BUT NOT TOUCH THE TOOLS? 231 00:16:12,139 --> 00:16:14,474 WHICH ONE? YOU'RE NOT BEING CLEAR HERE. 232 00:16:14,507 --> 00:16:16,043 YOU GOTTA MAKE THAT POINT. 233 00:16:40,900 --> 00:16:43,903 DANNY'S MOM, 234 00:16:43,936 --> 00:16:47,740 SHE DIED THREE WEEKS AFTER WE GRADUATED HIGH SCHOOL. 235 00:16:47,774 --> 00:16:50,009 THE HEAD OF OUR FOOTBALL TEAM'S BOOSTER CLUB, 236 00:16:50,043 --> 00:16:52,679 SHE HUNG IN JUST LONG ENOUGH 237 00:16:52,712 --> 00:16:57,050 TO SEE HER SON TAKE A STATE CHAMPIONSHIP. 238 00:16:57,084 --> 00:17:00,487 DANNY NEVER SAID A WORD TO ME ABOUT HIS MOTHER. 239 00:17:00,520 --> 00:17:03,356 HE NEVER SAID A WORD ABOUT HER TO ANYONE. 240 00:17:15,102 --> 00:17:19,372 THESE TRIPS HERE WERE THE CLOSEST HE EVER CAME TO LETTING ME IN. 241 00:17:32,485 --> 00:17:34,787 YOU REALLY WANT TO BE A WRITER? 242 00:17:34,821 --> 00:17:39,259 ARE YOU SERIOUS ABOUT IT? YEAH, I'M SERIOUS. 243 00:17:39,292 --> 00:17:42,229 ALL RIGHT. 244 00:17:42,262 --> 00:17:45,265 I'M HAVING DINNER TONIGHT WITH MY FRIEND MANNY GOLDFARB, 245 00:17:45,298 --> 00:17:48,101 THE OLD GUY I TOLD YOU ABOUT. 246 00:17:48,135 --> 00:17:54,040 THE ONE THAT GOT HIS THING STUCK IN A WATERMELON? NO, NO. 247 00:17:54,073 --> 00:17:58,445 THAT GUY -- FORGET ABOUT HIM ALREADY, WILL YOU, PLEASE? 248 00:17:58,478 --> 00:17:59,912 MANNY GOLDFARB IS THE WRITER, 249 00:17:59,946 --> 00:18:01,914 THE ONE WHO WROTE FOR THE "NEW YORK TIMES." 250 00:18:01,948 --> 00:18:04,617 HE'S IN TOWN TONIGHT. I'M HAVING DINNER WITH HIM. 251 00:18:04,651 --> 00:18:08,255 IF YOUR HIGHNESS WOULD CARE TO JOIN US, PERHAPS, YOU KNOW, 252 00:18:08,288 --> 00:18:10,490 YOU COULD PICK HIS BRAINS. 253 00:18:10,523 --> 00:18:13,760 THANKS, THANKS A LOT, BUT I CAN'T. 254 00:18:13,793 --> 00:18:17,264 I'M GOING OUT WITH DANNY AND TIM TONIGHT. 255 00:18:17,297 --> 00:18:19,966 DANNY AND TIM! 256 00:18:19,999 --> 00:18:22,969 DANNY AND TIM! DANNY AND TIM. 257 00:18:23,002 --> 00:18:26,673 WE'RE GOIN' OVER THE BORDER TO CANADA TO A, UH, 258 00:18:27,507 --> 00:18:29,509 A, A STRIP JOINT. 259 00:18:29,542 --> 00:18:32,779 EXCUSE ME. IS THIS IMPORTANT? 260 00:18:34,781 --> 00:18:37,317 YEAH. YEAH, IT IS. 261 00:18:37,350 --> 00:18:42,822 AS A WRITER, YOU KNOW, I FEEL THAT IT IS IMPORTANT THAT, 262 00:18:42,855 --> 00:18:46,626 YOU KNOW, THAT I LIVE, YOU KNOW, AS MUCH -- 263 00:18:46,659 --> 00:18:49,696 AS MUCH LIFE AS I POSSIBLY CAN. 264 00:18:49,729 --> 00:18:52,332 YOU KNOW, TO SEIZE EVERY MOMENT, TO JUST -- 265 00:18:52,365 --> 00:18:54,167 DON'T TELL ME. 266 00:18:54,201 --> 00:18:56,536 ALL THE GREAT WRITERS SPENT HOURS AND HOURS 267 00:18:56,569 --> 00:18:59,172 LOOKING AT FAT, NAKED CANADIAN WOMEN 268 00:18:59,206 --> 00:19:02,041 BEFORE THEY LEARNED HOW TO WRITE, IS THAT IT? 269 00:19:02,074 --> 00:19:05,945 I DIDN'T SAY HOURS AND HOURS, UNCLE ALBY, BUT... 270 00:19:05,978 --> 00:19:10,350 I BET THE REALLY GOOD ONES DID THEIR SHARE. 271 00:19:10,383 --> 00:19:12,452 RELAX. 272 00:19:12,485 --> 00:19:15,388 WE'RE GOING INTO CANADA TO CHECK OUT THE BRIDGE. NO BIG DEAL. 273 00:19:15,422 --> 00:19:18,057 TO SEE IF IT'S COOL TO SMUGGLE DOPE ACROSS IT. 274 00:19:18,090 --> 00:19:20,693 THAT'S A BIG DEAL, DANNY. 275 00:19:20,727 --> 00:19:22,128 ANYWAYS, EVEN IF WE DO THIS 276 00:19:22,161 --> 00:19:23,730 AND GO ALL THE WAY TO TORONTO, 277 00:19:23,763 --> 00:19:25,632 I WANT TO STOP AT U. OF T. AND SEE CAROL, OKAY? 278 00:19:25,665 --> 00:19:28,901 SHE DUMPED YOU TWO YEARS AGO. LET IT GO. 279 00:19:28,935 --> 00:19:30,970 I CAN'T LET IT GO, YOU KNOW THAT. 280 00:19:31,003 --> 00:19:34,474 I'D LOVE TO, OKAY? I'D LOVE TO BE LIKE YOU. 281 00:19:34,507 --> 00:19:36,909 SNEAK INTO SOME GIRL'S HOUSE IN THE MIDDLE OF THE NIGHT 282 00:19:36,943 --> 00:19:38,478 AND PULL WILD STUFF LIKE THAT OFF! 283 00:19:38,511 --> 00:19:41,914 DO YOURSELF A FAVOR AND FORGET ABOUT CAROL BROCKTON. 284 00:19:41,948 --> 00:19:44,217 WHY, BECAUSE YOU FUCKED HER? 285 00:19:44,251 --> 00:19:47,086 WHY DON'T YOU DO ME A FAVOR AND ADMIT IT ALREADY? 286 00:19:47,119 --> 00:19:49,155 I DON'T CARE. IT'S NOT A BIG DEAL. 287 00:19:49,188 --> 00:19:51,057 I JUST WANT TO HEAR YOU SAY THE WORDS, 288 00:19:51,090 --> 00:19:53,426 "I FUCKED CAROL BROCKTON." 289 00:19:53,460 --> 00:19:56,896 GOLDEN, GOLDEN! I DON'T CARE! "I FUCKED CAROL BROCKTON." 290 00:19:56,929 --> 00:20:01,234 YOU ARE DRIVING ME CRAZY. WHAT DOES IT MATTER IF I DID FUCK THIS GIRL ANYWAY? 291 00:20:01,268 --> 00:20:05,738 IT WAS THREE YEARS BEFORE YOU EVER WENT OUT WITH HER. 292 00:20:05,772 --> 00:20:08,608 OH, YOU'RE AN ASSHOLE! YOU DID! 293 00:20:08,641 --> 00:20:11,077 WHA-- LOOK AT YOU! YOU DID! 294 00:20:11,110 --> 00:20:12,612 I'M NOT SAYING I FUCKED HER. 295 00:20:12,645 --> 00:20:14,414 I'M SAYING, IF I DID, WHAT DOES IT MATTER? 296 00:20:14,447 --> 00:20:17,784 IT MATTERS TO ME. BECAUSE IT MATTERS. WHY? 297 00:20:17,817 --> 00:20:19,852 YOU WENT OUT WITH THIS GIRL FOR A MONTH, 298 00:20:19,886 --> 00:20:21,721 THE MONTH AFTER HIGH SCHOOL. 299 00:20:21,754 --> 00:20:22,922 DO YOU THINK THIS GIRL DID, 300 00:20:22,955 --> 00:20:24,524 SAT AROUND WAITING FOR THE MONTH 301 00:20:24,557 --> 00:20:26,859 SHE WAS GOING OUT WITH YOU? I DON'T THINK SO. 302 00:20:26,893 --> 00:20:29,095 YOU KNOW, THIS MAY SOUND VERY HARD TO BELIEVE, 303 00:20:29,128 --> 00:20:31,264 BUT SOME PEOPLE DIDN'T HAVE SEX DURING HIGH SCHOOL. 304 00:20:31,298 --> 00:20:35,802 I KNOW IT MAY COME AS A BIG SHOCK TO YOU. BESIDES YOU, NAME ONE. 305 00:20:35,835 --> 00:20:37,236 AND DON'T SAY MARY ELLEN CASTILLIANO 306 00:20:37,270 --> 00:20:41,107 BECAUSE THAT WOULD BE A VERY SICK JOKE. 307 00:20:41,140 --> 00:20:43,410 THAT'S WHAT I THOUGHT. COULD WE GO IN HERE? 308 00:20:43,443 --> 00:20:46,813 ANYWAY, I HAD SEX IN HIGH SCHOOL. WITH WHO? WHERE? 309 00:20:46,846 --> 00:20:49,582 THIS CHICK AT SUMMER CAMP. SUMMER CAMP? 310 00:20:49,616 --> 00:20:51,918 OH, THAT'S REAL TRACEABLE, MORT. 311 00:20:51,951 --> 00:20:55,888 GET OUT! 312 00:20:55,922 --> 00:20:57,957 GET THE HELL OUTTA HERE! 313 00:20:57,990 --> 00:21:03,262 YOU AND YOUR DAMN FRIENDS, GO ON, GET OUT! 314 00:21:11,604 --> 00:21:14,273 YOU GET IN BACK. NO WAY, MAN. I GOT SHOTGUN. 315 00:21:14,307 --> 00:21:17,176 BULLSHIT! GET IN BACK. I DON'T WANT TO HAVE TO HURT YOU, MORT. 316 00:21:19,346 --> 00:21:22,148 NO. 317 00:21:22,181 --> 00:21:24,784 I'M NOT SCREWING AROUND HERE, MORT. 318 00:21:24,817 --> 00:21:26,653 I'M IN NO MOOD. NOW HOP IN THE BACK. 319 00:21:26,686 --> 00:21:31,090 WHY SHOULD I, TIM? WHY SHOULD I? BECAUSE YOU VALUE YOUR LIFE. 320 00:21:31,123 --> 00:21:35,362 SO HOP YOUR SCRAWNY LITTLE ASS IN BACK! 321 00:21:36,863 --> 00:21:39,198 GET IN, TIM. 322 00:21:47,674 --> 00:21:50,343 YOU WASTE-OF-A-LIFE! 323 00:21:55,915 --> 00:21:59,018 WHAT'S THE PROBLEM, TIM? 324 00:21:59,051 --> 00:22:02,054 MY OLD MAN. 325 00:22:02,088 --> 00:22:04,056 HE'S SUCH A JERK. 326 00:22:04,090 --> 00:22:07,026 SO WHAT ARE YOU GONNA DO, KICK HIS ASS? 327 00:22:07,059 --> 00:22:11,130 LOOK, I DON'T FEEL LIKE TALKING, OKAY? 328 00:22:11,163 --> 00:22:15,034 I HATE LIFE. THAT'S HEALTHY. THAT'S HEALTHY. 329 00:22:17,003 --> 00:22:19,706 I HATE PEOPLE. 330 00:22:19,739 --> 00:22:24,544 I HAVE NO IDEA WHY I'M GOING TO CANADA. 331 00:22:24,577 --> 00:22:25,978 AS FAR AS I'M CONCERNED, 332 00:22:26,012 --> 00:22:27,547 YOU'RE BOTH JUST A COUPLE OF SHITHOLES, 333 00:22:27,580 --> 00:22:30,016 SO JUST SHUT UP AND DRIVE. 334 00:22:32,419 --> 00:22:36,823 * SOME FOLKS ARE BORN MADE TO WAVE THE FLAG * 335 00:22:36,856 --> 00:22:40,226 * OOH, THEY'RE RED WHITE AND BLUE * 336 00:22:40,259 --> 00:22:43,930 * AND WHEN THE BAND PLAYS HAIL TO THE CHIEF * 337 00:22:43,963 --> 00:22:47,700 * OOH, THEY POINT THE CANNON AT YOU * 338 00:22:47,734 --> 00:22:51,070 * IT AIN'T ME IT AIN'T ME * 339 00:22:51,103 --> 00:22:54,907 * I AIN'T NO MILLIONAIRE'S SON NO, NO * 340 00:22:54,941 --> 00:22:58,244 * IT AIN'T ME IT AIN'T ME * 341 00:22:58,277 --> 00:23:02,148 * I AIN'T NO FORTUNATE ONE NO * 342 00:23:09,121 --> 00:23:12,559 * SOME FOLKS ARE BORN SILVER SPOON IN HAND * 343 00:23:12,592 --> 00:23:16,262 * LORD, DON'T THEY HELP THEMSELVES * 344 00:23:16,295 --> 00:23:20,032 * BUT WHEN THE TAX MAN COMES TO THE DOOR * 345 00:23:20,066 --> 00:23:23,770 * LORDY, HOW IT DO LOOK LIKE A RUMMAGE SALE * 346 00:23:23,803 --> 00:23:27,139 * IT AIN'T ME IT AIN'T ME * 347 00:23:27,173 --> 00:23:30,943 * I AIN'T NO FORTUNATE ONE 348 00:23:30,977 --> 00:23:34,280 * IT AIN'T ME IT AIN'T ME * 349 00:23:34,313 --> 00:23:38,084 * I AIN'T NO FORTUNATE ONE 350 00:23:38,117 --> 00:23:40,953 YOU GUYS GO AHEAD IN. I'LL BE BACK IN A WHILE. 351 00:23:40,987 --> 00:23:42,822 WHAT ARE YOU DOING? PARK THE CAR HERE. 352 00:23:42,855 --> 00:23:44,824 GO HAVE SOME FUN. I'LL BE BACK IN A WHILE. 353 00:23:44,857 --> 00:23:49,195 WHAT? HEY, WHERE ARE YOU GOIN'? WHAT ARE YOU DOIN'? 354 00:23:50,763 --> 00:23:53,633 WE MIGHT AS WELL GO INSIDE AS LONG AS WE'RE HERE. 355 00:23:53,666 --> 00:23:56,302 WHAT A DICK! 356 00:23:56,335 --> 00:24:00,139 HE LEAVES ME HERE IN THE MIDDLE OF CANADA... WITH YOU. 357 00:24:00,172 --> 00:24:02,809 LET'S GO INSIDE, TIM. HE'LL BE BACK. 358 00:24:02,842 --> 00:24:06,445 WHAT A JERK! 359 00:24:06,479 --> 00:24:09,949 NAKED WOMEN, TIM. 360 00:24:09,982 --> 00:24:12,852 WE'VE GOT NAKED WOMEN IN THERE. 361 00:24:12,885 --> 00:24:16,155 YOU LOVE NAKED WOMEN. WE HAVE TO GO IN THERE TO SEE THEM. 362 00:24:16,188 --> 00:24:18,491 THERE... COME ON, LET'S GO. 363 00:24:18,525 --> 00:24:21,360 BESIDES, YOU MIGHT HAVE FORGOTTEN, 364 00:24:21,393 --> 00:24:24,597 I HAPPEN TO BE A LOT OF FUN AT THESE PLACES. YEAH, YEAH. 365 00:24:24,631 --> 00:24:27,199 I'M SERIOUS. GIRLS AT A PLACE LIKE THIS LOVE A GUY LIKE ME. 366 00:24:27,233 --> 00:24:31,003 IT'S FOUR APIECE. I KEEP THE CROWD HAPPY. 367 00:24:31,037 --> 00:24:33,205 STAY OFF THE STAGE. 368 00:24:40,012 --> 00:24:41,781 WHERE THE HELL DID HE GO? 369 00:24:41,814 --> 00:24:45,451 I'M GONNA BREAK HIS NECK. MAYBE HE GOT LUCKY. 370 00:24:47,253 --> 00:24:49,656 WHERE THE FUCK WERE YOU? 371 00:24:49,689 --> 00:24:51,991 GET IN. WHERE YOU BEEN? 372 00:24:52,024 --> 00:24:53,526 JUST GET IN. 373 00:25:03,703 --> 00:25:08,407 WE'LL DO A THREE-WAY SPLIT, THREE GRAND EACH. 374 00:25:12,011 --> 00:25:16,048 WHAT ARE YOU TALKIN' ABOUT? TIM, WHAT IS HE TALKING ABOUT? 375 00:25:16,082 --> 00:25:18,751 WHERE DO YOU THINK I WENT? I MADE THE DEAL. 376 00:25:18,785 --> 00:25:21,253 YOU DI-- YOU DID WHAT? 377 00:25:21,287 --> 00:25:24,824 ARE YOU NUTS! ARE YOU OUTTA YOUR MIND? 378 00:25:24,857 --> 00:25:27,493 YOU MEAN, THERE ARE DRUGS IN THIS CAR? YES, MORT, 379 00:25:27,526 --> 00:25:29,228 THERE ARE DRUGS IN THIS CAR, 380 00:25:29,261 --> 00:25:31,263 BUT I THINK YOU NEED TO SAY IT JUST A LITTLE LOUDER 381 00:25:31,297 --> 00:25:33,332 BECAUSE I DON'T BELIEVE BORDER GUARD #4 OVER THERE 382 00:25:33,365 --> 00:25:34,901 QUITE HEARD YOU, SHITHEAD! 383 00:25:34,934 --> 00:25:38,404 YOU DICK! WE'RE DEAD! WE'RE DEAD! 384 00:25:38,437 --> 00:25:42,274 - YOU SHOULD'VE TOLD US, MAN. - WOULD YOU HAVE DONE IT? 385 00:25:42,308 --> 00:25:45,044 I DON'T KNOW. THAT'S NOT THE POINT. 386 00:25:45,077 --> 00:25:47,046 LET'S JUST BACK UP. WE'LL DUMP THE STUFF. 387 00:25:47,079 --> 00:25:51,751 WE CAN'T BACK UP, MORT. WE'RE BLOCKED IN. 388 00:25:51,784 --> 00:25:55,387 JUST RELAX. ACT NORMAL. 389 00:25:55,421 --> 00:25:58,357 ACT NORMAL. ACT NOR-- WE'RE GOING TO PRISON! 390 00:25:58,390 --> 00:26:01,127 ACT NORMAL! 391 00:26:01,160 --> 00:26:03,095 IT'S GONNA BE OKAY. 392 00:26:03,129 --> 00:26:05,297 JUST RELAX. 393 00:26:19,345 --> 00:26:22,114 LICENSE, PLEASE, AND I NEED IDENTIFICATION FROM YOU TWO. 394 00:26:26,452 --> 00:26:29,355 STAND BY, 130. 395 00:26:37,664 --> 00:26:40,432 ...A 1970 CHEVY IMPALA, RED. 396 00:26:40,466 --> 00:26:42,969 ONE MALE, ONE FEMALE, CAUCASIAN -- 397 00:26:43,002 --> 00:26:45,337 YOU BOYS GET OUT OF THE CAR, PLEASE? 398 00:26:45,371 --> 00:26:47,339 TURN THE ENGINE OFF, WILL YOU? 399 00:26:53,179 --> 00:26:57,383 CAN YOU OPEN UP THE TRUNK, PLEASE? 400 00:27:01,688 --> 00:27:05,324 LEAN UP AGAINST THE HOOD, PLEASE. 401 00:27:05,357 --> 00:27:08,260 PUT YOUR HANDS UP AGAINST THE HOOD. 402 00:27:08,294 --> 00:27:10,797 WHICH HOOD? THIS HOOD? THAT'S THE ONE. 403 00:27:10,830 --> 00:27:13,700 I, UH, JUST, I ASKED, 'CAUSE I'M NERVOUS. 404 00:27:13,733 --> 00:27:16,836 I'M, I'M NERVOUS 'CAUSE I'VE NEVER BEEN FRISKED BEFORE, 405 00:27:16,869 --> 00:27:19,672 AS OPPOSED TO BEING NERVOUS FOR SOMETHING I DID WRONG. 406 00:27:22,308 --> 00:27:25,144 SO, WHERE YOU BOYS COMIN' FROM? 407 00:27:25,177 --> 00:27:27,279 JOLLY JEFF'S. 408 00:27:27,313 --> 00:27:30,983 JOLLY JEFF'S? DID YOU HAVE A GOOD TIME? 409 00:27:32,018 --> 00:27:33,820 GREAT TIME. 410 00:28:00,579 --> 00:28:02,448 ALL RIGHT, FELLAS. YOU CAN MOVE OUT. 411 00:28:19,598 --> 00:28:22,201 DICK! WILL YOU TAKE IT EASY? 412 00:28:22,234 --> 00:28:23,702 WE WERE THIS CLOSE TO GOING TO JAIL! 413 00:28:23,736 --> 00:28:25,938 THIS CLOSE! NO, WE WEREN'T. 414 00:28:30,076 --> 00:28:32,244 SO HOW MUCH MONEY WE MAKE? 415 00:28:32,278 --> 00:28:34,446 NONE. 416 00:28:40,319 --> 00:28:43,756 THERE WAS NO HASH IN THE TRUNK, MORT. 417 00:28:47,960 --> 00:28:49,461 I WAS JUST TESTING YOU JERKS 418 00:28:49,495 --> 00:28:51,697 TO SEE IF YOU COULD HANDLE THE PRESSURE. 419 00:28:51,730 --> 00:28:55,467 AND GUESS WHAT. 420 00:28:55,501 --> 00:29:00,106 MORT, YOU SHOULD HAVE SEEN YOUR FACE. 421 00:29:00,139 --> 00:29:02,274 YOU LOOKED LIKE YOU WERE GONNA CRY. 422 00:29:02,308 --> 00:29:04,610 YOU KNOW SOMETHING, MORGAN? 423 00:29:04,643 --> 00:29:06,278 IF YOUR BRAINS WERE DYNAMITE, 424 00:29:06,312 --> 00:29:08,781 YOU WOULDN'T HAVE ENOUGH TO BLOW YOUR ASS. 425 00:29:08,815 --> 00:29:14,353 NOSE, TIM. THE JOKE IS "BLOW YOUR NOSE." 426 00:29:15,487 --> 00:29:18,490 HE KNOWS WHAT I'M TALKIN' ABOUT. 427 00:29:38,310 --> 00:29:40,046 I CAN TAKE YOU HOME, TIM. 428 00:29:42,181 --> 00:29:44,350 WE WOULDN'T HAVE MADE IT. 429 00:29:45,885 --> 00:29:47,653 THE SETUP WAS FINE. 430 00:29:47,686 --> 00:29:51,023 THE ONLY PROBLEM WAS YOU GUYS. NO. 431 00:29:51,057 --> 00:29:52,825 NO, WE WOULDN'T HAVE MADE IT. 432 00:29:52,859 --> 00:29:56,428 THESE GUYS HAD DOGS AND MIRRORS. 433 00:29:56,462 --> 00:29:58,831 THESE BORDER GUYS ARE SERIOUS. 434 00:29:58,865 --> 00:30:01,100 THEY NEVER TOUCHED THE TIRE. 435 00:30:01,133 --> 00:30:03,502 I THINK WE COULD HAVE MADE IT. 436 00:30:03,535 --> 00:30:06,405 COME ON, LET'S GO. 437 00:30:07,373 --> 00:30:08,707 I'M GONNA WALK. 438 00:30:08,740 --> 00:30:10,509 I DON'T WANT MY OLD MAN, IF HE'S UP, 439 00:30:10,542 --> 00:30:11,978 TO HEAR THE W.W. 440 00:30:13,312 --> 00:30:15,647 SEE YA TOMORROW. 441 00:30:23,489 --> 00:30:26,492 TIM. YEAH. 442 00:30:28,527 --> 00:30:31,697 CAN I GET A HUG? 443 00:30:31,730 --> 00:30:34,566 I'LL BREAK BOTH YOUR ARMS. 444 00:30:34,600 --> 00:30:38,570 HEY, ARE YOU SURE YOU DON'T WANNA COME IN, 445 00:30:38,604 --> 00:30:41,507 LAY ON THE FLOOR, LISTEN TO RECORDS, 446 00:30:41,540 --> 00:30:46,445 TALK ABOUT CHICKS? I DON'T THINK SO. 447 00:30:49,515 --> 00:30:51,517 SEE YA, MORT. 448 00:30:51,550 --> 00:30:54,753 SEE YA, TIM. 449 00:31:08,267 --> 00:31:12,004 THIS IS DANNY'S DAD, LOU. 450 00:31:12,038 --> 00:31:14,840 HE USED TO BE OUR HIGH SCHOOL'S FOOTBALL COACH. 451 00:31:14,873 --> 00:31:19,211 A GOOD GUY, JUST KIND OF OUT OF IT THESE LAST FEW YEARS. 452 00:31:19,245 --> 00:31:23,415 WE USED TO SAY THAT LOU SPENT A LOT OF TIME "FIXING THE PORCH." 453 00:31:23,449 --> 00:31:27,753 APPARENTLY, THAT THIRD STEP HE'S SITTING ON IS A LITTLE HIGHER THAN THE OTHERS, 454 00:31:27,786 --> 00:31:29,255 AND LIKE A DELICATE CRAFTSMAN, 455 00:31:29,288 --> 00:31:33,092 LOU IS PATIENTLY WORKING TO GET IT TO COME DOWN. 456 00:31:33,125 --> 00:31:36,695 HERE COMES LOU'S GIRL FAYE TO HELP WITH THE PROJECT. 457 00:31:36,728 --> 00:31:41,033 TWO OF THE BEST PORCH STEP RESETTERS IN THE BUSINESS. 458 00:31:41,067 --> 00:31:43,535 WATCH THIS, LAST SPRING. 459 00:31:43,569 --> 00:31:46,538 DAY AFTER DAY, SEASON AFTER SEASON, 460 00:31:46,572 --> 00:31:49,942 LOU AND FAYE LABORED ON THAT PORCH. 461 00:31:49,976 --> 00:31:54,146 YOU WANT SOMETHING DONE, YOU DO IT YOURSELF. 462 00:31:54,180 --> 00:31:57,416 FAYE, LOU. HELLO, SON. 463 00:31:57,449 --> 00:32:01,153 HOW'S THE PROJECT GOIN'? COMIN' GREAT. 464 00:32:01,187 --> 00:32:03,155 GLAD TO HEAR IT. 465 00:32:06,325 --> 00:32:09,128 WHAT PROJECT'S HE ALWAYS TALKIN' ABOUT? 466 00:32:10,929 --> 00:32:12,664 GOT NO IDEA. 467 00:32:12,698 --> 00:32:16,235 THIS IS VERY NICE OF YOUR UNCLE, I WANT YOU TO KNOW. 468 00:32:16,268 --> 00:32:20,406 THIS MAN, MANNY GOLDFARB, IS A VERY IMPORTANT WRITER. 469 00:32:20,439 --> 00:32:23,442 I KNOW, I KNOW, I KNOW. 470 00:32:23,475 --> 00:32:24,910 HEY, MA, IS THIS GONNA GO LATE? 471 00:32:24,943 --> 00:32:26,845 'CAUSE I GOTTA MEET UP WITH DANNY AND TIM. 472 00:32:27,713 --> 00:32:30,816 NOT LATE. HE'S AN OLDER MAN. 473 00:32:32,484 --> 00:32:36,788 JUST BE POLITE, THAT'S ALL I ASK. 474 00:32:36,822 --> 00:32:38,991 FOR ONCE IN YOUR LIFE, 475 00:32:39,025 --> 00:32:42,694 TRY TO CARE ABOUT SOMEONE ELSE'S FEELINGS 476 00:32:42,728 --> 00:32:44,997 OTHER THAN DANNY AND TIM'S. 477 00:32:47,166 --> 00:32:49,701 HERE WE GO. 478 00:32:49,735 --> 00:32:52,671 MR. GOLDFARB! KATE, HUH? 479 00:32:52,704 --> 00:32:55,474 IT'S NICE TO MEET YOU. COME ON IN. 480 00:32:55,507 --> 00:33:00,012 THIS WAS '38, MAYBE '39. 481 00:33:00,046 --> 00:33:02,814 ALL THE GOOD REPORTERS WERE OVERSEAS. 482 00:33:02,848 --> 00:33:07,319 WELL, I HAD BALLS IF NOTHING ELSE. EXCUSE ME. 483 00:33:07,353 --> 00:33:11,023 SO, I WENT TO SEE THIS EDITOR 484 00:33:11,057 --> 00:33:14,726 A FRIEND OF MINE TOLD ME TO LOOK IN ON. 485 00:33:14,760 --> 00:33:17,463 KATE, COULD I BOTHER YOU FOR MORE GRAVY? 486 00:33:17,496 --> 00:33:21,033 SO I TELL THIS GUY WHEN I WENT TO SEE HIM 487 00:33:21,067 --> 00:33:24,636 THAT I USED TO BE A CORRESPONDENT FOR THIS POLISH NEWSPAPER 488 00:33:24,670 --> 00:33:27,673 THAT WAS NONEXISTENT. HUH! 489 00:33:27,706 --> 00:33:31,009 WELL, I WENT IN LOOKING FOR A NICE, CUSHY JOB 490 00:33:31,043 --> 00:33:35,714 WRITING ABOUT SAUSAGE PRICES IN MANHATTAN, HUH? 491 00:33:35,747 --> 00:33:37,916 SAUSAGE PRICES? 492 00:33:37,949 --> 00:33:41,087 THE NEXT THING I KNOW, I AM FLYING TO POLAND 493 00:33:41,120 --> 00:33:44,390 TO BE A STRINGER FOR THIS DAILY. 494 00:33:44,423 --> 00:33:47,893 1939: NOT A VERY GOOD TIME 495 00:33:47,926 --> 00:33:50,062 FOR A JEWISH BOY TO BE HEADING INTO POLAND. 496 00:33:50,096 --> 00:33:54,233 UH, COULD I HAVE A LITTLE MORE POTATOES, KATE? 497 00:33:54,266 --> 00:33:57,002 THE POINT IS, 498 00:33:57,035 --> 00:34:00,506 I WAS A WRITER. I WAS MAKING MY LIVING 499 00:34:00,539 --> 00:34:05,411 DOING WHAT I ALWAYS SAID I WANTED TO DO WHEN I GREW UP. 500 00:34:07,713 --> 00:34:11,083 A LITTLE MORE POTATOES. THERE'S A LOT OF GRAVY HERE. 501 00:34:11,117 --> 00:34:14,686 LET THE POTATOES SOAK UP THE GRAVY. THAT'S NICE. 502 00:34:14,720 --> 00:34:19,591 SO, I DID THIS RUSSIAN FOLK DANCE MY FATHER TAUGHT ME. 503 00:34:19,625 --> 00:34:22,794 I DID IT FOR THEM IN EXCHANGE FOR PRIVILEGES. 504 00:34:22,828 --> 00:34:26,398 IT WENT... * YA-BA-BA BA-BUM, HEY * 505 00:34:26,432 --> 00:34:28,800 * DA-BA-BA BA-BUM, HI * 506 00:34:28,834 --> 00:34:31,437 * DA-BA-BA BA-TUM, TAP * 507 00:34:31,470 --> 00:34:33,805 * DA-BA-BA BA-BOOM * NO, SIR. 508 00:34:33,839 --> 00:34:36,408 NO, NO, NO. COME ON, UNCLE ALBY. 509 00:34:36,442 --> 00:34:38,210 IT'S EASY, COME ON. NOW, HERE. 510 00:34:38,244 --> 00:34:41,247 YOU GUYS LOOK VERY CUTE. * YA-BA-BA BA-BUM, HA * 511 00:34:41,280 --> 00:34:43,782 COME ON. NO, YOU MAKE A NICE COUPLE, REALLY. 512 00:34:43,815 --> 00:34:46,318 COME ON, GET YOUR MOTHER INTO THIS THING. 513 00:34:46,352 --> 00:34:48,154 NOW, YEAH. OH, WAIT. 514 00:34:48,187 --> 00:34:50,722 * YA-BA-BA BA-BUM, HEY * COME ON, MOM. 515 00:34:50,756 --> 00:34:52,724 IF I'M DOIN' IT, YOU'RE DOIN' IT. 516 00:34:52,758 --> 00:34:57,229 * YA-BA-BA-BA-BUM, HEY DA-DA-DEE-DUM-DUM, HEY * 517 00:34:57,263 --> 00:34:59,265 * RAISEL-DEEDLE-DUM 518 00:35:05,504 --> 00:35:09,841 AGH! TOO MUCH FOOD. 519 00:35:11,510 --> 00:35:13,679 SO... 520 00:35:14,546 --> 00:35:17,048 WHY DO YOU WANT TO BE A WRITER? 521 00:35:19,818 --> 00:35:21,820 I DON'T KNOW. 522 00:35:21,853 --> 00:35:24,356 I JUST, I JUST ALWAYS WANTED TO WRITE. 523 00:35:24,390 --> 00:35:28,494 COMEDY? YEAH. I LIKE TO MAKE PEOPLE LAUGH, I GUESS. 524 00:35:28,527 --> 00:35:30,996 COMEDY'S GOOD. 525 00:35:31,029 --> 00:35:34,333 TO MAKE US LAUGH IS A WONDERFUL THING. 526 00:35:34,366 --> 00:35:36,302 LET ME ASK YOU AGAIN. 527 00:35:36,335 --> 00:35:39,771 WHY DO YOU THINK THAT YOU WANT TO BE A WRITER? 528 00:35:39,805 --> 00:35:42,841 YOU GOT SOMETHING IMPORTANT TO SAY? 529 00:35:42,874 --> 00:35:46,077 YOU WANNA SAVE THE WORLD, HMM? 530 00:35:47,145 --> 00:35:50,516 NO. OF COURSE, "NO"! HUH! 531 00:35:50,549 --> 00:35:53,619 SAVE THE WORLD? BULLSHIT! 532 00:35:53,652 --> 00:35:56,888 YOU WRITE FOR YOU BECAUSE IT'S WHAT YOU DO, 533 00:35:56,922 --> 00:35:58,990 BECAUSE IT MAKES YOU FEEL GOOD, 534 00:35:59,024 --> 00:36:00,692 BECAUSE YOU WANNA EAT, 535 00:36:00,726 --> 00:36:03,862 TO BE LOVED, TO BE HELD IN ESTEEM. 536 00:36:03,895 --> 00:36:07,199 YOU JUST WRITE FOR YOU, AND EVENTUALLY 537 00:36:07,233 --> 00:36:09,201 YOU'LL FIND OUT WHAT YOU'RE WRITING FOR. 538 00:36:09,235 --> 00:36:13,539 THEN, MAYBE, YOU'LL HAVE YOUR REASON, 539 00:36:13,572 --> 00:36:15,741 YOUR, UH, CAUSE. 540 00:36:15,774 --> 00:36:18,710 "I AM NOW READY TO SAVE THE WORLD!" 541 00:36:18,744 --> 00:36:22,914 WHEN I WROTE THE TRUTH ABOUT HITLER, I KNEW I WOULD LOSE MY JOB. 542 00:36:22,948 --> 00:36:26,852 BUT I KEPT WRITING. YOU KNOW WHY? BECAUSE NOBODY ELSE WAS! 543 00:36:26,885 --> 00:36:30,489 THERE WERE NO MESSAGES FROM GOD. NOTHING! ZIP! 544 00:36:30,522 --> 00:36:34,226 I WAS A WRITER, SO I HAD TO WRITE. NO TALK! WRITE! 545 00:36:35,427 --> 00:36:37,263 UH, GEE WHIZ, WHAT TH-- 546 00:36:37,296 --> 00:36:39,498 HEY, UH, MANNY, ARE YOU ALL RIGHT? 547 00:36:39,531 --> 00:36:40,666 I DON'T KNOW, I -- 548 00:36:47,373 --> 00:36:49,708 ALBY! 549 00:36:49,741 --> 00:36:52,911 ALBY! MOM! COME IN HERE, QUICK. 550 00:36:52,944 --> 00:36:57,383 NOW! 551 00:36:57,416 --> 00:36:58,550 WHA-- 552 00:37:01,620 --> 00:37:05,357 MANNY. MANNY. MANNY! WHAT IS IT? 553 00:37:05,391 --> 00:37:08,093 MANNY! MANNY! 554 00:37:08,126 --> 00:37:10,862 IS HE BREATHING? 555 00:37:10,896 --> 00:37:14,099 IS HE -- IS HE -- 556 00:37:26,345 --> 00:37:28,113 WHAT'D YOU DO? 557 00:37:28,146 --> 00:37:31,216 WHA-WHAT ARE YOU GUYS TALKING ABOUT? 558 00:37:31,249 --> 00:37:33,885 I DIDN'T SAY ANYTHING. WERE YOU BEING A WISE GUY? 559 00:37:33,919 --> 00:37:36,988 WHAT DID YOU SAY TO THE MAN? NO, HE WAS JUST -- 560 00:37:37,022 --> 00:37:40,292 HE WAS FINE. WE GO UPSTAIRS, COME BACK DOWN, HE'S DEAD! 561 00:37:40,326 --> 00:37:44,496 THAT TELLS ME THAT YOU SAID OR DID SOMETHING! 562 00:37:44,530 --> 00:37:48,400 OOH. OH, YOU GUYS ARE CRAZY. 563 00:37:48,434 --> 00:37:51,069 I DIDN'T SAY ANYTHING. 564 00:37:51,102 --> 00:37:53,472 HE LIKES ME. HE DOESN'T LIKE YOU. 565 00:37:53,505 --> 00:37:57,008 HE'S DEAD. HE DOESN'T LIKE ANYTHING ANYMORE. 566 00:37:57,042 --> 00:38:00,045 HE, HE, HE'S VOID OF OPINION. 567 00:38:01,813 --> 00:38:03,782 HE'S DEAD? OH, PLEASE. 568 00:38:04,850 --> 00:38:07,819 HE'S DE-- 569 00:38:07,853 --> 00:38:12,324 YES, OPERATOR, GIVE ME THE, UH, AMBULANCE, 570 00:38:12,358 --> 00:38:16,762 THE POLICE, WHATEVER. OH MY -- 571 00:38:16,795 --> 00:38:20,031 AMBULANCE! POLICE! 572 00:38:25,303 --> 00:38:28,674 THAT MAN SURVIVED THE DEATH CAMPS OF NAZI GERMANY 573 00:38:28,707 --> 00:38:32,478 ONLY EVENTUALLY TO SUCCUMB TO AN EVENING... WITH YOU! 574 00:38:34,045 --> 00:38:38,149 YEAH, I'LL HOLD ON. OH, MORT! 575 00:38:41,887 --> 00:38:44,690 WHAT'D YOU DO TO HIM, MORT? 576 00:38:44,723 --> 00:38:46,792 DID YOU TELL HIM A JOKE? 577 00:38:46,825 --> 00:38:49,395 THE GUY UP AND DIED JUST LIKE THAT? 578 00:38:49,428 --> 00:38:51,196 YEAH. 579 00:38:51,229 --> 00:38:54,966 WHAT'D YOU TELL HIM? DID YOU TELL HIM ONE OF YOUR IDEAS? 580 00:38:55,000 --> 00:38:59,137 IS THAT IT? DID YOU KILL HIM WITH ONE OF YOUR STORIES? 581 00:38:59,170 --> 00:39:01,707 DID YOU DO A MONOLOGUE FOR HIM, GOLDEN? 582 00:39:01,740 --> 00:39:04,710 THAT'S REAL CUTE, GUYS. 583 00:39:04,743 --> 00:39:07,045 YOU SHOULD HAVE SEEN THE PLACE. 584 00:39:07,078 --> 00:39:10,315 THE COPS, AMBULANCES! IT WAS A ZOO. 585 00:39:10,348 --> 00:39:13,719 DON'T TELL ME. YOU DID THE "ROBBING THE GRAVE" JOKE. 586 00:39:13,752 --> 00:39:16,822 IS THAT THE ONE THAT PUSHED HIM OVER? 587 00:39:21,393 --> 00:39:24,696 SO, WHO WAS THIS GUY, MORT? 588 00:39:24,730 --> 00:39:27,065 HOW'D YOU KNOW HIM? 589 00:39:29,768 --> 00:39:31,437 I DIDN'T KNOW HIM. 590 00:39:33,605 --> 00:39:35,407 HE WAS NOBODY. 591 00:39:40,779 --> 00:39:43,615 JUST A WRITER. 592 00:39:55,393 --> 00:39:59,397 * WELL I'VE BEEN OUT WALKIN' * 593 00:40:02,067 --> 00:40:09,140 * I DON'T DO THAT MUCH TALKIN' THESE DAYS * 594 00:40:09,174 --> 00:40:16,482 * THESE DAYS 595 00:40:16,515 --> 00:40:20,285 * THESE DAYS I SEEM TO THINK A LOT * 596 00:40:20,318 --> 00:40:26,492 * ABOUT THE THINGS THAT I FORGOT TO DO * 597 00:40:30,428 --> 00:40:37,669 * AND ALL THE TIMES I HAD THE CHANCE TO * 598 00:40:42,874 --> 00:40:46,244 ALBY! ALBY, ALBY, ALBY! 599 00:40:46,277 --> 00:40:49,180 THIS CAME FOR YOU IN THE MAIL. 600 00:40:49,214 --> 00:40:51,817 I'M SORRY I'M LATE, OKAY? I OVERSLEPT. 601 00:40:51,850 --> 00:40:53,184 IT'S OKAY. YOU CAN BE LATE 602 00:40:53,218 --> 00:40:55,120 WHEN YOU DON'T WORK AT A PLACE ANYMORE. 603 00:40:56,488 --> 00:40:59,691 WHAT DO YOU MEAN? YOU'RE KIDDING, RIGHT? 604 00:40:59,725 --> 00:41:03,194 NO, NO, NO. I'M NOT KIDDING. 605 00:41:03,995 --> 00:41:05,997 YOU'RE FIRING ME? 606 00:41:06,031 --> 00:41:09,467 I OVERSLEPT! IT'S 4:30 IN THE AFTERNOON. 607 00:41:09,501 --> 00:41:11,803 WELL, I WAS UP LATE. SO WAS I... 608 00:41:13,672 --> 00:41:15,741 THINKIN' ABOUT MANNY. 609 00:41:18,877 --> 00:41:21,513 ALBY, LOOK, 610 00:41:21,547 --> 00:41:24,482 I AM SORRY ABOUT YOUR FRIEND, OKAY? 611 00:41:24,516 --> 00:41:26,284 I REALLY AM. 612 00:41:26,317 --> 00:41:28,820 BUT, HEY, I DIDN'T KILL THE GUY, ALL RIGHT? 613 00:41:28,854 --> 00:41:30,488 NO ONE SAID YOU KILLED HIM. 614 00:41:30,522 --> 00:41:32,558 THE FACT IS, UH, 615 00:41:32,591 --> 00:41:37,062 YOU'RE NOT INTERESTED IN THIS TYPEWRITER BUSINESS, AND UH, 616 00:41:37,095 --> 00:41:40,231 I DON'T WANT YOU AROUND HERE ANYMORE. 617 00:41:40,265 --> 00:41:42,467 UH, UNCLE ALBY, I -- 618 00:41:42,500 --> 00:41:46,004 GO ON, GET OUT OF HERE. I GOT A BUSINESS TO RUN. 619 00:41:46,037 --> 00:41:49,575 ALBY, COME ON, I -- GET OUT OF HERE. 620 00:42:07,392 --> 00:42:11,897 * WELL I'LL KEEP ON LOOKIN' * 621 00:42:11,930 --> 00:42:13,899 * AROUND 622 00:42:13,932 --> 00:42:20,371 * THINGS ARE BOUND TO BE IMPROVIN' THESE DAYS * 623 00:42:20,405 --> 00:42:28,279 * ONE OF THESE DAYS 624 00:42:28,313 --> 00:42:31,850 * THESE DAYS I'LL SIT ON A CORNERSTONE * 625 00:42:31,883 --> 00:42:38,624 * COUNT THE TIME IN QUARTER TONES TO TEN * 626 00:42:38,657 --> 00:42:41,593 * MY FRIEND 627 00:42:41,627 --> 00:42:46,364 * DON'T CONFRONT ME WITH MY FAILURES * 628 00:42:46,397 --> 00:42:50,535 * I HAD NOT FORGOTTEN THEM * 629 00:42:58,576 --> 00:43:00,278 HI. 630 00:43:00,311 --> 00:43:02,113 YOU MUST BE JACK'S BUDDIES. 631 00:43:02,147 --> 00:43:04,282 YOU MUST BE MONICA. THANKS FOR INVITING US. 632 00:43:04,315 --> 00:43:06,451 I'M DANNY. THIS IS MORT AND TIM. 633 00:43:06,484 --> 00:43:07,919 IT'S A GREAT HOUSE. 634 00:43:07,953 --> 00:43:09,955 THANKS. IT'S MY PARENTS'. 635 00:43:09,988 --> 00:43:13,625 - BETTER BE. 636 00:43:13,659 --> 00:43:15,627 DANNY MORGAN! 637 00:43:15,661 --> 00:43:20,398 SMILIN' JACK HARPER. CONGRATULATIONS, PAL. 638 00:43:20,431 --> 00:43:22,834 GENERAL MOTORS JUNIOR EXECUTIVE. NOT BAD, HARPS. 639 00:43:22,868 --> 00:43:26,638 GUYS, THESE ARE MY OLD BUDDIES DANNY, TIM, AND MORT. 640 00:43:26,672 --> 00:43:28,774 THIS IS OLLIE, ELAN, ELLEN AND CHRIS, 641 00:43:28,807 --> 00:43:31,643 PEOPLE YOU'D KNOW IF YOU EVER CAME TO ANN ARBOR TO VISIT. 642 00:43:31,677 --> 00:43:34,312 AND RANDY YOU GUYS KNOW, RIGHT? 643 00:43:34,345 --> 00:43:37,849 OH YEAH, RANDALL SUSSMAN. IT'S BEEN A LONG TIME. 644 00:43:37,883 --> 00:43:42,587 TIM REESE, WEARING THE SAME CLOTHES AS WHEN I SAW YOU LAST. 645 00:43:42,620 --> 00:43:47,458 YEAH, Y-YOU WERE IN TIGHTS AT THE TIME. WEREN'T YOU IN SOME PLAY? 646 00:43:47,492 --> 00:43:52,197 STILL GETTING DRUNK EVERY NIGHT AND DRIVING AROUND IN THE WAR WAGON, I'LL BET. 647 00:43:52,230 --> 00:43:55,934 IT SEEMS TO ME YOU USED TO JUMP THROUGH HOOPS TO GET IN THE WAR WAGON. 648 00:43:55,967 --> 00:43:59,170 I REMEMBER YOU BOUGHT US A CASE OF BEER JUST TO RIDE WITH US. 649 00:43:59,204 --> 00:44:03,775 THAT'S FUNNY, 'CAUSE I SEEM TO REMEMBER YOU OFFERING YOUR SISTER, RANDALL. 650 00:44:06,077 --> 00:44:10,515 HEY, RANDY, YOU'RE STILL UP IN SCHOOL IN TORONTO, RIGHT? PRE LAW. 651 00:44:10,548 --> 00:44:12,851 WHAT ARE YOU DOING NOWADAYS? 652 00:44:12,884 --> 00:44:17,222 DIDN'T I HEAR YOU WERE, UH, PUMPING GAS OR SOMETHING? 653 00:44:17,255 --> 00:44:20,692 OH, RANDY, ARE YOU STILL UPSET THAT WE FLUSHED YOUR HEAD IN THE TOILET... 654 00:44:20,726 --> 00:44:24,162 AND GAVE YOU THAT SWIRLIE IN THE 10th GRADE? 655 00:44:24,195 --> 00:44:27,032 YOUR HAIR'S DRY NOW. GIVE US A BREAK. 656 00:44:27,065 --> 00:44:30,969 HEY, R-RANDY, YOU EVER SEE CAROL BROCKTON UP THERE ANYMORE? 657 00:44:31,002 --> 00:44:36,174 AS A MATTER OF FACT, I SEE HER A LOT. SHE DROVE DOWN WITH ME. 658 00:44:36,207 --> 00:44:39,310 CAROL BROCKTON? SHE'S, SHE'S IN TOWN? 659 00:44:39,344 --> 00:44:42,881 - SHE'S IN THE KITCHEN. - SH-SH-SHE'S HERE? 660 00:44:42,914 --> 00:44:45,183 IN THIS KITCHEN? 661 00:44:45,216 --> 00:44:47,352 NOW? 662 00:44:50,355 --> 00:44:52,323 WELL -- OH, SURE. EXCUSE ME. 663 00:44:52,357 --> 00:44:55,727 MORT. HI. 664 00:44:55,761 --> 00:44:58,864 CAROL! OH, MY G-- 665 00:44:58,897 --> 00:45:02,934 THIS IS SUCH A SURPRISE! YOU WERE LIKE THE LAST PERSON I EXPECTED TO SEE HERE. 666 00:45:02,968 --> 00:45:07,105 THIS IS SO FUNNY. WHAT ARE YOU DOING HERE? I CAME UP FOR JACK'S PARTY. 667 00:45:07,138 --> 00:45:09,908 HOW ARE YOU? I'M GOOD. I'M GOOD. 668 00:45:09,941 --> 00:45:13,344 GREAT! MORT, YOU LOOK -- 669 00:45:13,378 --> 00:45:16,614 YOU LOOK THE SAME. 670 00:45:16,647 --> 00:45:19,350 THE SAME? IS THE SAME GOOD? 671 00:45:19,384 --> 00:45:21,953 NO, THE SAME'S GREAT. 672 00:45:21,987 --> 00:45:25,423 CAN I HAVE A HUG? 673 00:45:25,456 --> 00:45:29,427 EXCUSE ME, EVERYBODY. DINNER IS SERVED. 674 00:45:29,460 --> 00:45:32,263 ARE YOU READY TO SIT DOWN, HONEY? 675 00:45:32,297 --> 00:45:34,599 YEAH, I'LL BE THERE IN A MINUTE. 676 00:45:34,632 --> 00:45:38,736 IT'S REALLY GOOD SEEING YOU, MORT. 677 00:45:48,279 --> 00:45:52,784 HEY, MORT! ZERO IN, BUDDY. 678 00:45:55,020 --> 00:45:56,922 I DON'T KNOW ABOUT CAMPAIGN WORK. 679 00:45:56,955 --> 00:45:58,790 I SPENT MY SUMMER BUSTING MY HUMP FOR SOME GUY 680 00:45:58,824 --> 00:46:01,059 AND THEN I DIDN'T EVEN VOTE FOR HIM. 681 00:46:01,092 --> 00:46:03,661 I DIDN'T REALIZE YOU COULD GET ALL THAT WITH A GOLD CARD. 682 00:46:03,694 --> 00:46:05,596 I THOUGHT IT WAS JUST FOR STATUS. 683 00:46:05,630 --> 00:46:08,466 TELL HER TO BEND OVER. I'LL GIVE HER SOME STATUS. 684 00:46:08,499 --> 00:46:10,268 I THINK THE TWO INDUSTRIES WILL MERGE, 685 00:46:10,301 --> 00:46:13,071 ESPECIALLY BY THE TIME IT MAKES A DIFFERENCE TO ANYONE OUR AGE. 686 00:46:13,104 --> 00:46:15,106 I HOPE IT HAPPENS SOON. 687 00:46:15,140 --> 00:46:18,076 I WANT MY FATHER TO LOSE HIS SHIRT WHILE I'M YOUNG ENOUGH TO APPRECIATE IT. 688 00:46:18,109 --> 00:46:21,679 WHAT IF HE IS ELECTED AND THE STUDENT BODY GETS BEHIND HIM? 689 00:46:21,712 --> 00:46:24,015 HE COULD AFFECT THE LAW DEPARTMENT. 690 00:46:27,685 --> 00:46:29,287 WILL YOU LOOK AT THOSE TWO? 691 00:46:29,320 --> 00:46:31,322 I WANT TO BE AROUND HERE WHEN THEY'RE THIRTY, 692 00:46:31,356 --> 00:46:33,691 DRIVIN' A WAR WAGON! 693 00:46:43,501 --> 00:46:46,671 WE HAVE A CHANCE TO CAPITALIZE ON THE BABY-BOOMER YEARS. 694 00:46:46,704 --> 00:46:50,976 THAT'S RIGHT! WHAT DID YOU DO THERE? 695 00:46:54,479 --> 00:46:57,482 CAN I HAVE A DRINK, PLEASE? 696 00:47:07,758 --> 00:47:11,863 HOW MANY OF YOU WILL GET TO BE WHAT YOU WANTED TO BE AS A KID? 697 00:47:11,897 --> 00:47:14,032 WHAT? 698 00:47:14,065 --> 00:47:18,436 HOW MANY OF YOU WILL DO FOR A LIVING WHAT YOU WANTED TO DO AS A CHILD? 699 00:47:20,105 --> 00:47:25,310 IT'S A SIMPLE QUESTION. THERE'S A VERY SIMPLE ANSWER. 700 00:47:25,343 --> 00:47:28,479 WHAT'S THE ANSWER, MORT? 701 00:47:28,513 --> 00:47:32,517 THE ANSWER, RANDALL, IS PROBABLY NONE OF YOU. 702 00:47:32,550 --> 00:47:36,821 MAYBE ONE OR TWO, BUT I DOUBT IT. 703 00:47:36,854 --> 00:47:41,026 DON'T GET ME WRONG. YOU'RE ALL LIKELY TO BE VERY SUCCESSFUL, 704 00:47:41,059 --> 00:47:45,763 BUT I DON'T THINK ULTIMATELY ANY OF YOU WILL SEE YOUR DREAMS COME TRUE. 705 00:48:10,721 --> 00:48:14,659 MONICA, THANK YOU FOR DINNER. IT WAS GREAT. 706 00:48:17,762 --> 00:48:22,867 WHAT WAS THAT ALL ABOUT? 707 00:48:22,900 --> 00:48:25,937 SEE YOU LATER. STAY DRY! DRIVE SAFE. 708 00:48:25,971 --> 00:48:28,573 DANNY, THANKS FOR COMIN'. I REALLY APPRECIATE IT. 709 00:48:28,606 --> 00:48:31,776 THANKS A LOT. TIMMY, THANKS, MAN. TAKE IT EASY. 710 00:48:31,809 --> 00:48:35,947 DON'T BE STRANGERS, ALL RIGHT? 711 00:48:37,582 --> 00:48:39,550 GLAD THAT'S OVER. 712 00:48:39,584 --> 00:48:43,321 HIGH-TECH BITCH. WHAT A ZOO. 713 00:48:43,354 --> 00:48:45,156 CAN'T BELIEVE I MADE IT THROUGH THE NIGHT 714 00:48:45,190 --> 00:48:47,158 WITHOUT KICKIN' SOMEONE'S ASS. 715 00:48:47,192 --> 00:48:50,128 WHAT ABOUT MORT? 716 00:48:51,997 --> 00:48:54,165 WHAT THE HELL GOT INTO HIM? 717 00:48:54,199 --> 00:48:56,301 I DON'T KNOW. I KINDA LIKED IT. 718 00:48:56,334 --> 00:48:57,969 DID YOU NOTICE THAT WAS THE ONLY THING 719 00:48:58,003 --> 00:48:59,804 THAT SHUT THOSE WINDBAGS UP THE WHOLE NIGHT? 720 00:48:59,837 --> 00:49:02,473 NO SHIT! FOR ONCE IN HIS LIFE, 721 00:49:02,507 --> 00:49:05,610 HE WAS ACTUALLY PRETTY COOL. 722 00:49:05,643 --> 00:49:07,612 THANKS, TIM. 723 00:49:07,645 --> 00:49:10,748 I WAS PRETTY COOL, IF I DO SAY SO MYSELF. 724 00:49:10,781 --> 00:49:12,750 WHAT THE HELL ARE YOU DOING BACK THERE? 725 00:49:12,783 --> 00:49:15,620 YOU BEEN OUT HERE ALL NIGHT? IT WAS THE ONE HITCH. 726 00:49:15,653 --> 00:49:19,624 I FORGOT I DIDN'T HAVE A RIDE. 727 00:49:19,657 --> 00:49:21,826 WHAT THE HELL GOT INTO YOU? 728 00:49:21,859 --> 00:49:23,861 I DON'T KNOW. NOTHING, REALLY. 729 00:49:23,894 --> 00:49:27,498 I THOUGHT THEY WERE ALL A BIT TOO SMUG, YOU KNOW? 730 00:49:27,532 --> 00:49:29,800 NEEDED TO BE BROUGHT DOWN A COUPLE PEGS. 731 00:49:29,834 --> 00:49:35,006 NEXT TIME, WAIT 'TIL THE END OF THE NIGHT, MORON. I KNOW. 732 00:49:38,709 --> 00:49:40,711 DID YOU SEE ME KISS HER, THOUGH? 733 00:49:42,580 --> 00:49:48,519 DID YOU? IT WAS PRETTY NEAT, HUH? 734 00:49:51,189 --> 00:49:53,358 GOD, I LOVE HER. 735 00:49:53,391 --> 00:49:56,194 * THE WORDS I HAVE TO SAY * 736 00:49:56,227 --> 00:50:02,033 * MAY WELL BE SIMPLE, BUT THEY'RE TRUE * 737 00:50:04,835 --> 00:50:07,872 * UNTIL YOU GIVE YOUR LOVE * 738 00:50:07,905 --> 00:50:13,278 * THERE'S NOTHING MORE THAT WE CAN DO * 739 00:50:16,514 --> 00:50:19,517 * YOU SAY IT'S VERY HARD 740 00:50:19,550 --> 00:50:23,621 * TO LEAVE BEHIND THE LIFE WE KNEW * 741 00:50:28,093 --> 00:50:31,062 * BUT THERE'S NO OTHER WAY * 742 00:50:31,096 --> 00:50:35,933 * AND NOW IT'S REALLY UP TO YOU * 743 00:50:40,771 --> 00:50:46,377 * LOVE IS THE OPENING DOOR * 744 00:50:46,411 --> 00:50:51,949 * LOVE IS WHAT WE CAME HERE FOR * 745 00:50:51,982 --> 00:50:57,722 * NO ONE COULD OFFER YOU MORE * 746 00:50:57,755 --> 00:51:01,959 * YOU KNOW WHAT I MEAN * 747 00:51:03,628 --> 00:51:07,098 * HAVE YOUR EYES REALLY SEEN * 748 00:51:12,603 --> 00:51:18,109 * LOVE IS THE KEY WE MUST TURN * 749 00:51:18,143 --> 00:51:23,981 * TRUTH IS THE FLAME WE MUST BURN * 750 00:51:24,014 --> 00:51:29,587 * FREEDOM THE LESSON WE MUST LEARN * 751 00:51:29,620 --> 00:51:32,923 * YOU KNOW WHAT I MEAN * 752 00:51:35,160 --> 00:51:39,497 * HAVE YOUR EYES REALLY SEEN * FOR SALE. 753 00:51:39,530 --> 00:51:42,467 WHAT THE HELL IS THIS? 754 00:51:50,508 --> 00:51:52,009 HEY, LOU. 755 00:51:54,279 --> 00:51:56,247 REMEMBER THIS? 756 00:51:56,281 --> 00:51:59,784 I TAUGHT YOU AND YOUR MOTHER TO PITCH ON THIS THING. 757 00:51:59,817 --> 00:52:04,422 HEH! GOT IT AT K-MART. MUST HAVE COST ALL OF $8. 758 00:52:04,455 --> 00:52:07,458 WHAT'S GOIN' ON? 759 00:52:07,492 --> 00:52:09,394 EH... 760 00:52:12,197 --> 00:52:15,333 FAYE AND I ARE GETTIN' MARRIED, PAL. 761 00:52:15,366 --> 00:52:19,036 HEY, HEY, LOOK AT THIS. 762 00:52:20,671 --> 00:52:22,940 YOUR FIRST BICYCLE. 763 00:52:22,973 --> 00:52:25,009 LOU, YOU TWO DON'T EVEN KNOW EACH OTHER. 764 00:52:25,042 --> 00:52:29,013 ALL YOU DO IS GET DRUNK EVERY NIGHT AND SIT ON THE FRONT PORCH. 765 00:52:29,046 --> 00:52:31,949 COME ON, DANNY. DON'T BE SAYIN' STUFF 766 00:52:31,982 --> 00:52:34,952 THAT YOU'RE JUST GONNA REGRET UP THE ROAD. 767 00:52:34,985 --> 00:52:36,987 WHAT'S GOING ON WITH THE HOUSE, LOU? 768 00:52:37,021 --> 00:52:39,490 WHAT'S WITH THE "FOR SALE" SIGN 769 00:52:39,524 --> 00:52:41,192 AND THE CLEANING-UP CRAP? 770 00:52:43,728 --> 00:52:47,031 WE'RE GONNA SELL THE HOUSE. 771 00:52:47,064 --> 00:52:51,402 UH, FAYE'S NOT COMFORTABLE HERE, AND THEN... 772 00:52:51,436 --> 00:52:53,871 WE'RE GONNA GET AN APARTMENT, 773 00:52:53,904 --> 00:52:55,906 SOMETHIN' WITH A NICE BALCONY, 774 00:52:55,940 --> 00:52:58,175 MAYBE OVERLOOKIN' A GOLF COURSE. 775 00:52:58,209 --> 00:53:01,546 YOU DON'T THINK YOU NEEDED TO TELL ME? 776 00:53:01,579 --> 00:53:04,081 YOU JUST PUT UP A SIGN? 777 00:53:06,917 --> 00:53:08,786 IT'S MY HOUSE. 778 00:53:12,957 --> 00:53:16,594 THIS IS MY FUCKING HOUSE TOO! 779 00:53:16,627 --> 00:53:19,664 - NOW, SETTLE DOWN. - NO! YOU SETTLE DOWN! 780 00:53:19,697 --> 00:53:21,866 HEY, DANNY. SHUT UP, MORT. 781 00:53:21,899 --> 00:53:25,370 DANNY, COME ON, HUH? I JUST, UH -- 782 00:53:25,403 --> 00:53:27,372 STAY AWAY FROM ME, LOU! 783 00:53:31,776 --> 00:53:33,944 THIS IS MY FUCKING HOUSE! 784 00:53:44,289 --> 00:53:46,591 ANYONE WANT A BEER? 785 00:53:46,624 --> 00:53:48,993 FUCK YOU, FAYE. 786 00:53:52,162 --> 00:53:54,465 COME ON, MORT. LET'S GO. 787 00:53:57,635 --> 00:53:58,936 YOU KNOW, I'M REALLY SURPRISED 788 00:53:58,969 --> 00:54:00,805 THAT YOU'D SELL THE HOUSE, LOU... 789 00:54:03,474 --> 00:54:07,478 ESPECIALLY AFTER ALL THE HARD WORK YOU DID ON THE FRONT PORCH. 790 00:54:31,536 --> 00:54:34,339 OKAY, THEN GILLIGAN SAYS TO THE PROFESSOR, RIGHT, 791 00:54:34,372 --> 00:54:36,807 "HEY, PROFESSOR, HAVE YOU SEEN MRS. HOWELL?" 792 00:54:36,841 --> 00:54:39,076 AND THE PROFESSOR SAYS TO GILLIGAN -- 793 00:54:39,109 --> 00:54:40,911 "SHE'S IN THE HUT WASHING HER TITS, GILLIGAN. 794 00:54:40,945 --> 00:54:42,447 WHY DON'T YOU BEAT IT?" 795 00:54:48,118 --> 00:54:52,657 THE PROFESSOR NOW SAYS TO GILLIGAN, 796 00:54:52,690 --> 00:54:54,825 "I'M SORRY TO TELL YOU THIS, GILLIGAN, 797 00:54:54,859 --> 00:54:57,595 BUT MRS. HOWELL IS DEAD." 798 00:54:57,628 --> 00:55:00,465 COMMERCIAL, RIGHT? 799 00:55:00,498 --> 00:55:02,667 SO WE COME BACK FROM THE COMMERCIAL, RIGHT? 800 00:55:02,700 --> 00:55:04,201 GILLIGAN'S STILL STUNNED. 801 00:55:04,234 --> 00:55:07,872 HE DOESN'T KNOW WHAT'S GOING ON. MORT, WHOA. 802 00:55:07,905 --> 00:55:10,341 MRS. HOWELL IS DEAD. 803 00:55:10,375 --> 00:55:12,643 I THOUGHT THIS WAS SUPPOSED TO BE A COMEDY. 804 00:55:12,677 --> 00:55:16,981 IT IS, DANNY. I TOLD YOU, IT'S A NIGHTMARE SEQUENCE. 805 00:55:17,014 --> 00:55:18,349 GILLIGAN IS HAVING A NIGHTMARE 806 00:55:18,383 --> 00:55:20,284 THAT EVERYONE ON THE ISLAND DIES BUT HIM. 807 00:55:20,317 --> 00:55:22,853 HEY, MORT, I DON'T WANT TO RAIN ON YOUR PARADE, 808 00:55:22,887 --> 00:55:26,256 BUT THEY DON'T MAKE "GILLIGAN'S ISLAND" ANYMORE. 809 00:55:29,159 --> 00:55:31,362 I DON'T WANNA RAIN ON YOUR PARADE EITHER, 810 00:55:31,396 --> 00:55:33,864 BUT I KNOW THAT, OKAY? 811 00:55:33,898 --> 00:55:35,165 I JUST HAPPEN TO BE WRITING 812 00:55:35,199 --> 00:55:37,234 WHAT IS KNOWN AS A SAMPLE SCRIPT 813 00:55:37,267 --> 00:55:40,170 TO SEND TO THE TV GUYS TO SHOW HOW I WRITE. 814 00:55:40,204 --> 00:55:42,907 I HAPPEN TO KNOW WHAT I'M DOING. HEY, MORT. 815 00:55:42,940 --> 00:55:46,944 ANYONE EVER TELL YOU YOU KINDA LOOK LIKE GILLIGAN? 816 00:55:55,953 --> 00:55:59,123 I THINK WE SHOULD MAKE THE BORDER RUN. 817 00:56:01,426 --> 00:56:04,729 ANDERSON MADE US AN OFFER, AND I THINK WE SHOULD TAKE IT. 818 00:56:04,762 --> 00:56:08,265 IT'S A GOOD RUN AND I WANNA MAKE IT. 819 00:56:08,298 --> 00:56:11,936 WHAT'S THE PROBLEM, TIM? NOTHIN'. 820 00:56:13,704 --> 00:56:15,440 YOU ALWAYS SAY 821 00:56:15,473 --> 00:56:18,042 THAT YOU WANT TO DO SOMETHING, TIM, DON'T YOU? 822 00:56:18,075 --> 00:56:20,745 WELL, HERE'S SOMETHING TO DO, 823 00:56:20,778 --> 00:56:24,114 SOMETHING DIFFERENT. 824 00:56:25,315 --> 00:56:27,284 MORT? 825 00:56:33,123 --> 00:56:36,093 FUCK YOU, MORT. 826 00:56:36,126 --> 00:56:37,762 YOU IN OR NOT, TIM? YES OR NO. 827 00:56:37,795 --> 00:56:39,497 I WANT AN ANSWER RIGHT NOW. 828 00:56:43,333 --> 00:56:46,270 YEAH. YEAH, I'M IN. GOOD. 829 00:56:46,303 --> 00:56:49,440 FINE. LAST CHANCE, MORT. 830 00:57:05,990 --> 00:57:08,459 GOOD, MORT. 831 00:57:08,493 --> 00:57:10,795 YOU STAY HERE. 832 00:57:10,828 --> 00:57:12,530 MORE MONEY FOR ME AND TIM. 833 00:57:13,931 --> 00:57:15,666 BESIDES, MAYBE WHEN I'M UP THERE, 834 00:57:15,700 --> 00:57:18,469 I'LL PAY A LITTLE VISIT TO YOUR FRIEND CAROL BROCKTON. 835 00:57:20,437 --> 00:57:22,673 GIVE HER A LITTLE HAND WITH HER HOMEWORK. 836 00:57:32,517 --> 00:57:35,119 GOOD. 837 00:57:35,152 --> 00:57:37,021 WE'LL GO TOMORROW. 838 00:58:22,199 --> 00:58:25,736 A TIE? YOU'RE WEARING A TIE TO A BORDER RUN? 839 00:58:25,770 --> 00:58:28,205 I TOLD YOU I'M GONNA STOP AND SEE CAROL, DANNY. 840 00:58:28,238 --> 00:58:30,140 AND I THOUGHT I WAS TROUBLED. 841 00:58:30,174 --> 00:58:31,842 COME ON, TIM. GET IN BACK. I GOT SHOTGUN. 842 00:58:31,876 --> 00:58:33,243 I CALLED IT LAST NIGHT. 843 00:58:34,545 --> 00:58:36,547 GET IN BACK. 844 00:58:36,581 --> 00:58:40,084 COME ON, TIM. I GOT A TIE ON. GET IN BACK! 845 00:58:41,351 --> 00:58:45,189 TIM, LOOK. LOOK AT ME, OKAY? 846 00:58:45,222 --> 00:58:47,558 LOOK AT ME. NOW LOOK AT YOU. 847 00:58:47,592 --> 00:58:51,662 OKAY, GET IN BACK. 848 00:58:51,696 --> 00:58:54,264 GET IN, MORT. 849 00:58:54,298 --> 00:58:57,401 * BEHIND A GUN 850 00:58:57,434 --> 00:59:03,741 * I'LL MAKE MY FINAL STAND 851 00:59:03,774 --> 00:59:05,776 * HEY-EY 852 00:59:05,810 --> 00:59:09,246 * THAT'S WHY THEY CALL ME 853 00:59:09,279 --> 00:59:11,749 * BAD COMPANY 854 00:59:11,782 --> 00:59:14,451 * AND I CAN'T DENY IT 855 00:59:17,154 --> 00:59:20,257 * BAD COMPANY 856 00:59:20,290 --> 00:59:22,559 * 'TIL THE DAY I DIE 857 00:59:24,328 --> 00:59:27,464 * 'TIL THE DAY I DIE 858 00:59:28,766 --> 00:59:30,635 * 'TIL THE DAY I DIE 859 00:59:37,274 --> 00:59:39,777 * REBEL SOULS 860 00:59:39,810 --> 00:59:45,816 * DESERTERS WE ARE CALLED 861 00:59:45,850 --> 00:59:49,086 * CHOSE A GUN 862 00:59:49,119 --> 00:59:54,291 * AND THREW AWAY THE SUN * 863 00:59:57,662 --> 01:00:01,331 NOW, MUHAMMAD WAS THE FIRST 864 01:00:01,365 --> 01:00:06,937 HISTORICALLY-EFFECTIVE REFORMER AMONGST THE ARABS 865 01:00:06,971 --> 01:00:09,339 AND PROCLAIMED HIS TEACHINGS TO BE 866 01:00:09,373 --> 01:00:12,309 AN INTIMATE CONCERN TO ALL. 867 01:00:12,342 --> 01:00:16,647 REJECTING THE POLYTHEISTIC NOTION OF RELIGION, 868 01:00:16,681 --> 01:00:19,449 MUHAMMAD WOULD RETIRE TO THE CAVERNS 869 01:00:19,483 --> 01:00:21,986 IN THE MOUNTAINS NEAR MECCA. 870 01:00:22,019 --> 01:00:24,655 THERE HE FELT THE CALL OF GOD 871 01:00:24,689 --> 01:00:28,993 BIDDING HIM TO GO AMONGST HIS PEOPLE. 872 01:00:29,026 --> 01:00:30,828 IT WAS IN THESE VISIONS 873 01:00:30,861 --> 01:00:34,131 THAT HE GAINED THE DRIVE TO WARN AND EXHORT HIS PEOPLE. 874 01:00:34,164 --> 01:00:39,636 HEY, MORT. THERE SHE IS. 875 01:00:39,670 --> 01:00:44,675 AH! NO SHIT. 876 01:00:44,709 --> 01:00:47,511 WELL, GET HER ATTENTION. WE DON'T HAVE ALL SEMESTER. 877 01:00:47,544 --> 01:00:50,014 WOULD YOU SHUT UP? SHUT UP. 878 01:00:50,047 --> 01:00:55,820 MUHAMMAD WAS NOT SOLELY AD-- 879 01:00:55,853 --> 01:00:57,722 SHUT UP. 880 01:00:59,656 --> 01:01:02,326 ADHERENCE TO THE TRADITIONS... 881 01:01:02,359 --> 01:01:04,394 WAS NOT SOLELY -- 882 01:01:04,428 --> 01:01:06,496 CAROL BROCKTON. 883 01:01:09,233 --> 01:01:11,201 TURN AROUND. 884 01:01:11,235 --> 01:01:13,203 WAS NOT SOLELY AN ACT OF -- 885 01:01:13,237 --> 01:01:15,405 DANNY, WILL YOU SHUT HIM UP? 886 01:01:16,240 --> 01:01:17,908 YOU, SIR! 887 01:01:32,089 --> 01:01:34,058 ME? YES, YOU. 888 01:01:34,091 --> 01:01:36,260 WHY DON'T YOU STAND UP AND TELL EVERYONE 889 01:01:36,293 --> 01:01:39,296 WHAT THE FIVE PILLARS OF ISLAM ARE? 890 01:01:55,780 --> 01:01:58,382 THERE ARE FIVE PILLARS TO THE FIVE PILLARS OF ISLAM, MA'AM. 891 01:01:58,415 --> 01:02:01,886 YES, THAT MUCH WE KNOW. 892 01:02:01,919 --> 01:02:05,122 BUT WHAT ARE THEY EXACTLY? 893 01:02:05,155 --> 01:02:07,958 EXACTLY? 894 01:02:11,295 --> 01:02:14,264 OKAY. 895 01:02:14,298 --> 01:02:19,269 ONE IS THAT THERE IS NO GOD BUT ALLAH. 896 01:02:19,303 --> 01:02:21,538 GO ON. 897 01:02:21,571 --> 01:02:26,743 THE SECOND ONE IS THAT THEY PRAY 898 01:02:26,777 --> 01:02:31,581 FIVE TIMES A DAY. 899 01:02:31,615 --> 01:02:34,151 THIRD? 900 01:02:34,184 --> 01:02:36,620 THIRD IS THAT THEY HAVE TO GIVE 901 01:02:36,653 --> 01:02:38,455 SOME OF THEIR INCOME TO CHARITY. 902 01:02:38,488 --> 01:02:40,457 I BELIEVE, NOW CORRECT ME IF I'M WRONG, MA'AM, 903 01:02:40,490 --> 01:02:42,226 THEY CALL IT ALMSGIVING. 904 01:02:42,259 --> 01:02:44,628 FOUR, THE FAST OF RAMADAN. 905 01:02:44,661 --> 01:02:47,497 AND THE LAST ONE, BUT CERTAINLY NOT THE LEAST ONE, 906 01:02:47,531 --> 01:02:49,166 IS THAT ONCE IN A MUSLIM'S LIFE, 907 01:02:49,199 --> 01:02:52,469 HE'S GOT TO MAKE A PILGRIMAGE TO MECCA. 908 01:02:52,502 --> 01:02:54,471 THANK YOU, SIR. 909 01:02:54,504 --> 01:02:58,542 I SEE SOME OF US HAVE DONE THE READINGS. 910 01:03:01,846 --> 01:03:04,581 ADHERENCE TO THE TRADITIONS OF THE PROPHET MUHAMMAD -- 911 01:03:04,614 --> 01:03:06,650 HOW THE HELL DID HE KNOW THAT? 912 01:03:09,019 --> 01:03:12,556 JUST STUFF YOU PICK UP WATCHING A LOT OF "JEOPARDY." 913 01:03:19,696 --> 01:03:23,667 YOU GUYS JUST HANG ON A SECOND, OKAY? 914 01:03:23,700 --> 01:03:26,837 WOW, SO THIS IS WHERE YOU LIVE, HUH? 915 01:03:26,871 --> 01:03:31,108 YEP, THAT'S MY WINDOW RIGHT THERE NEXT TO THE STATUE. 916 01:03:31,141 --> 01:03:32,977 WOW, IT'S NICE. 917 01:03:33,010 --> 01:03:37,147 SO, NOW, TELL ME WHAT IT IS YOU GUYS ARE DOING UP HERE AGAIN? 918 01:03:37,181 --> 01:03:39,950 YOU'RE DELIVERING SOME ART? 919 01:03:39,984 --> 01:03:45,189 YEAH, WE'RE PICKIN' UP SOME REAL RARE ART. 920 01:03:45,222 --> 01:03:47,657 LOOK, CAROL, 921 01:03:47,691 --> 01:03:51,862 WHAT I WANTED TO TELL YOU THE OTHER NIGHT IS, UM, 922 01:03:51,896 --> 01:03:54,331 I'M NOT GONNA BOTHER YOU ANYMORE. 923 01:03:54,364 --> 01:03:59,536 MORT, YOU DON'T BOTHER ME. YOU NEVER DID. 924 01:03:59,569 --> 01:04:03,740 WELL, I'M NOT GONNA WRITE YOU ANY MORE LETTERS EITHER. 925 01:04:03,773 --> 01:04:06,676 WE'LL JUST BE FRIENDS, OKAY? 926 01:04:06,710 --> 01:04:10,380 I MEAN, LOOK, YOU GOT A LIFE. 927 01:04:10,414 --> 01:04:15,052 YOU GOT A BOYFRIEND. I KINDA GOT A LIFE. 928 01:04:15,085 --> 01:04:17,922 LET'S JUST LEAVE IT AT THAT. 929 01:04:25,896 --> 01:04:30,367 OH, GOD, I JUST WISH YOU DIDN'T SMELL SO DAMN GOOD. 930 01:04:30,400 --> 01:04:32,269 GOT 'IM! LET'S GO! 931 01:04:32,302 --> 01:04:34,538 WHAT ARE YOU GUYS DOIN'? 932 01:04:34,571 --> 01:04:36,840 PUT ME DOWN, YOU FUCKING DICKHEADS! 933 01:04:36,873 --> 01:04:40,444 BYE, CAROL. GOOD SEEING YOU! 934 01:04:46,616 --> 01:04:49,686 LET'S JUST SEE HOW MUCH IS IN HERE. 935 01:04:49,719 --> 01:04:52,089 PUT IT BACK, TIM. WHAT THE HELL. 936 01:04:52,122 --> 01:04:55,625 I JUST WANT TO SEE HOW MUCH ANDERSON'S RIPPING US OFF. WHAT DO YOU CARE? 937 01:04:55,659 --> 01:04:58,428 WE MADE A DEAL FOR NINE GRAND. NOW PUT IT BACK. 938 01:04:58,462 --> 01:05:00,397 I JUST WANT TO LOOK AT IT. 939 01:05:00,430 --> 01:05:02,066 COME ON, TIM, THEY'RE GONNA KNOW 940 01:05:02,099 --> 01:05:04,134 IT WAS PICKED OPEN. YOU'RE JUST LOOKIN' FOR TROUBLE. 941 01:05:06,603 --> 01:05:08,472 TAKE THE CASE, MORT. 942 01:05:11,675 --> 01:05:16,113 PULL OVER, DANNY. I WANNA KICK MORT'S ASS. 943 01:05:16,146 --> 01:05:17,581 YEAH, RIGHT. 944 01:05:19,149 --> 01:05:20,550 WHAT WOULD YOU DO, MORT, 945 01:05:20,584 --> 01:05:22,452 IF YOU EVER HAD TO GET IN A FIGHT 946 01:05:22,486 --> 01:05:24,688 WITHOUT ONE OF US TO BACK YOU UP? 947 01:05:26,656 --> 01:05:29,994 WRITE 'EM AN EPISODE OF "GILLIGAN'S ISLAND"? 948 01:05:30,027 --> 01:05:32,963 WHY DON'T YOU JUST TURN AROUND AND LEAVE HIM ALONE, TIM? 949 01:05:35,132 --> 01:05:37,001 JUST LEAVE HIM ALONE. 950 01:05:41,771 --> 01:05:46,576 DICK. 951 01:05:46,610 --> 01:05:50,214 * OH IT'S HAULIN' DOWN THE CORRIDOR * 952 01:05:52,816 --> 01:05:56,520 FORGET ABOUT HER, MORT. SHE DUMPED YOU! 953 01:05:56,553 --> 01:05:58,488 COME ON, DANNY. WE GOT THE TIME TO KILL. 954 01:05:58,522 --> 01:05:59,990 I'M JUST ASKING YOU FOR A FAVOR. 955 01:06:00,024 --> 01:06:04,628 HE WANTS TO GO SEE BROCKTON AGAIN. 956 01:06:04,661 --> 01:06:06,496 POOR LITTLE FUCKER. 957 01:06:06,530 --> 01:06:08,198 YOU GUYS, I HAVE TO, OKAY? 958 01:06:08,232 --> 01:06:10,800 I MEAN IT. YOU GUYS MADE AN ASS OF ME BACK THERE. 959 01:06:10,834 --> 01:06:13,170 I HAVE TO GO BACK, OKAY? THIS IS A MUST. 960 01:06:13,203 --> 01:06:14,704 I WON'T TAKE NO FOR AN ANSWER. 961 01:06:14,738 --> 01:06:16,706 I CANNOT TAKE NO FOR AN ANSWER. 962 01:06:18,375 --> 01:06:20,310 THE ANSWER'S NO, MORT. 963 01:06:22,212 --> 01:06:24,214 PLEASE? 964 01:06:25,682 --> 01:06:27,151 THIS IS GREAT. 965 01:06:27,184 --> 01:06:29,886 WE'RE GONNA BE LATE FOR OUR FIRST BIG DRUG DEAL. 966 01:06:31,721 --> 01:06:35,192 I HOPE HE FALLS AND BREAKS HIS ASS. 967 01:06:35,225 --> 01:06:37,127 YOU CAN'T BREAK AN ASS, TIM. 968 01:06:37,161 --> 01:06:40,697 START THINKING ABOUT SOME OF THE THINGS YOU SAY, PLEASE. 969 01:06:40,730 --> 01:06:44,568 I THINK ABOUT THINGS. YOU CAN BREAK AN ASS. 970 01:07:01,451 --> 01:07:03,253 MORT? 971 01:07:03,287 --> 01:07:05,989 WHAT'S GOING ON? CAROL! 972 01:07:06,022 --> 01:07:08,525 I WAS JUST GONNA COME UP -- GET OUT, MORT. 973 01:07:08,558 --> 01:07:10,894 CAROL, IT'S NOT WHAT YOU THINK, REALLY -- 974 01:07:10,927 --> 01:07:12,929 I DON'T CARE. GET OUT, MORT. 975 01:07:25,609 --> 01:07:28,245 I JUST HAVE SOMETHING TO SAY AND THEN I'LL LEAVE. 976 01:07:30,980 --> 01:07:35,919 LOOK, THAT THING THAT WE HAD TWO SUMMERS AGO... 977 01:07:38,988 --> 01:07:42,592 I NEVER REALLY GOT OVER YOU. 978 01:07:42,626 --> 01:07:46,396 THAT'S WHY I WROTE YOU ALL THOSE STUPID LETTERS. 979 01:07:46,430 --> 01:07:51,435 AND THEN SEEING YOU AGAIN LAST WEEK, 980 01:07:51,468 --> 01:07:55,339 BE SOMETHING BETWEEN US AGAIN. 981 01:07:59,309 --> 01:08:03,480 I'VE FOUGHT IT, CAROL, BELIEVE ME, I REALLY HAVE. 982 01:08:03,513 --> 01:08:08,152 BUT I'M REALLY STILL IN LOVE WITH YOU. 983 01:08:11,488 --> 01:08:13,790 I'M SCARED I'M ALWAYS GONNA BE TOO. 984 01:08:22,832 --> 01:08:28,004 * ONE DAY WE WALKED ALONG THE SAND * 985 01:08:28,037 --> 01:08:34,178 * ONE DAY IN EARLY SPRING 986 01:08:34,211 --> 01:08:39,916 * YOU HELD A PIPER IN YOUR HAND * 987 01:08:39,949 --> 01:08:45,789 * TO MEND ITS BROKEN WING * 988 01:08:45,822 --> 01:08:50,194 * NOW I'LL REMEMBER OTHER THAN ME, 989 01:08:50,227 --> 01:08:54,298 YOU'RE THE ONLY OTHER PERSON I KNOW OUR AGE WHO LIKES TONY BENNETT. 990 01:08:54,331 --> 01:08:57,967 TONY BENNETT'S KIDS DON'T EVEN LIKE TONY BENNETT. 991 01:08:58,001 --> 01:09:01,505 * THE ECHO OF I DO. 992 01:09:01,538 --> 01:09:05,809 * THE PIPER'S SONG 993 01:09:07,010 --> 01:09:10,880 * THE SHADOW OF 994 01:09:10,914 --> 01:09:14,718 * HER SMILE 995 01:09:17,187 --> 01:09:23,727 * THE SHADOW OF YOUR SMILE * 996 01:09:27,096 --> 01:09:30,967 * WHEN YOU ARE GONE BUT... 997 01:09:31,000 --> 01:09:33,903 DON'T YOU HAVE TO GO SOMEWHERE TO BE A WRITER, THOUGH? 998 01:09:33,937 --> 01:09:36,473 I MEAN LIKE, THESE GUYS, 999 01:09:36,506 --> 01:09:39,209 THEY LIVE IN... CALIFORNIA. 1000 01:09:39,243 --> 01:09:42,712 LIKE THE GUYS WHO WRITE "RHODA," FOR INSTANCE -- 1001 01:09:42,746 --> 01:09:44,714 WHERE DO THEY LIVE? "RHODA"? 1002 01:09:44,748 --> 01:09:47,551 YEAH. 1003 01:09:47,584 --> 01:09:48,918 "RHODA" I DON'T KNOW ABOUT, CAROL. 1004 01:09:48,952 --> 01:09:50,387 OTHER SHOWS I KNOW A LOT ABOUT. 1005 01:09:50,420 --> 01:09:51,755 BUT, "RHODA," 1006 01:09:51,788 --> 01:09:54,090 I'M DRAWING BLANKS. I DON'T KNOW. 1007 01:09:54,123 --> 01:09:59,863 MORT, I'M SERIOUS. I DON'T KNOW. 1008 01:09:59,896 --> 01:10:03,233 MAYBE CALIFORNIA, MAYBE NEW YORK. 1009 01:10:03,267 --> 01:10:06,270 I GUESS MOST OF THE STUFF'S PROBABLY WRITTEN IN L.A. 1010 01:10:08,405 --> 01:10:11,441 NOT WRITTEN IN MICHIGAN, THAT'S FOR SURE. 1011 01:10:11,475 --> 01:10:16,446 * ALL THE LOVELY THINGS 1012 01:10:16,480 --> 01:10:20,216 * YOU ARE 1013 01:10:20,250 --> 01:10:22,952 * TO ME 1014 01:10:22,986 --> 01:10:26,590 MMM, GOD. YOU SMELL SO GOOD. 1015 01:10:26,623 --> 01:10:34,298 * HOW A WISTFUL LITTLE STAR * 1016 01:10:34,331 --> 01:10:40,069 * WAS FAR TO HIDE 1017 01:10:43,640 --> 01:10:45,775 IT'S OKAY. 1018 01:10:45,809 --> 01:10:47,777 * A TEARDROP 1019 01:10:47,811 --> 01:10:51,481 * KISSED YOUR LIPS 1020 01:10:52,682 --> 01:10:56,553 * AND SO DID I 1021 01:10:56,586 --> 01:11:00,324 THANK YOU. 1022 01:11:00,357 --> 01:11:02,292 GO BE A WRITER. 1023 01:11:02,326 --> 01:11:06,996 * NOW WHEN I REMEMBER SPRING * 1024 01:11:09,999 --> 01:11:16,540 * ALL THE JOY THAT LOVE CAN BRING * 1025 01:11:19,676 --> 01:11:24,013 * I WILL BE REMEMBERING * 1026 01:11:27,351 --> 01:11:29,519 * THE SHADOW 1027 01:11:29,553 --> 01:11:35,859 * OF YOUR SMILE 1028 01:12:15,198 --> 01:12:18,201 OKAY, TIM, YOU TAKE IN THE CASE. 1029 01:12:18,234 --> 01:12:23,907 MORT, JUST KEEP YOUR EYES OPEN AND LOOK LIKE YOU KNOW WHAT YOU'RE DOING, OKAY? 1030 01:12:25,909 --> 01:12:28,211 LET'S GO. 1031 01:12:34,418 --> 01:12:36,453 * WILD THING 1032 01:12:41,190 --> 01:12:43,593 * WILD THING I THINK I LOVE YOU * 1033 01:12:48,097 --> 01:12:50,900 WELL, WHAT DO WE HAVE HERE? 1034 01:12:50,934 --> 01:12:55,405 - NICE LITTLE COLLEGE BOYS. - YOU WISH. 1035 01:12:55,439 --> 01:12:59,743 OH, BIG TOUGH COLLEGE BOY WITH HIS BIG TOUGH COLLEGE JACKET. 1036 01:12:59,776 --> 01:13:03,580 YEAH, LOOK. ONE OF 'EM EVEN WORE A TIE. 1037 01:13:09,786 --> 01:13:13,089 GO GET SOMETHIN' ON. LOOK AT YOU. 1038 01:13:13,122 --> 01:13:17,026 WE HAVE COMPANY HERE. 1039 01:13:17,060 --> 01:13:19,429 WHICH ONE'S, UH, DANNY? 1040 01:13:19,463 --> 01:13:22,466 THAT'S ME. 1041 01:13:22,499 --> 01:13:24,468 PUT IT HERE. 1042 01:13:30,339 --> 01:13:35,244 HEY, FREE, UH, WASN'T THIS FUCK-UP SUPPOSED TO COME ALONE? 1043 01:13:35,278 --> 01:13:38,414 - HE WAS. - THE HELL HE WAS. 1044 01:13:45,421 --> 01:13:47,957 OUR LITTLE BOY, JOHN, CAME THROUGH, DIDN'T HE, CARLYLE? RIGHT ON! 1045 01:13:47,991 --> 01:13:53,630 YOU SEE, YOU GIVE SOMEONE THE OPPORTUNITY TO STEP UP TO THE PLATE, 1046 01:13:53,663 --> 01:13:55,298 HE HITS A HOME RUN. 1047 01:13:55,331 --> 01:13:58,001 MUST BE A LOT OF HASH IN THAT TIRE. 1048 01:13:58,034 --> 01:14:02,138 HELL OF A LOT OF HASH. 1049 01:14:11,848 --> 01:14:14,150 IT IS HASH, RIGHT? 1050 01:14:15,685 --> 01:14:20,990 THE STUFF IS OVER THERE. PUT IT IN YOUR TRUNK 1051 01:14:21,024 --> 01:14:22,826 AND TAKE OFF. 1052 01:14:22,859 --> 01:14:26,062 WE'RE NOT TAKING ANYTHING UNTIL YOU TELL US WHAT IT IS. 1053 01:14:30,366 --> 01:14:35,104 WHAT DID HE TELL YA? DID HE TELL YA IT WAS HASH? 1054 01:14:35,138 --> 01:14:39,275 IF HE TOLD YOU IT WAS HASH, IT WAS HASH. 1055 01:14:39,308 --> 01:14:43,680 NICE TIE. THANK YOU. 1056 01:14:43,713 --> 01:14:47,684 IT'S HEROIN, ISN'T IT? 1057 01:14:47,717 --> 01:14:51,020 IT'S HEROIN? 1058 01:14:51,054 --> 01:14:53,857 YOU FREAKS OF NATURE ARE OUTTA YOUR MINDS IF YOU THINK WE'RE DEALING HEROIN FOR YA. 1059 01:14:53,890 --> 01:14:55,892 THAT IS NOT THE DEAL THAT WE MADE. 1060 01:14:55,925 --> 01:14:58,027 WHAT WAS THE DEAL? 1061 01:14:58,061 --> 01:15:00,296 LET'S CUT THE BULLSHIT, OKAY? 1062 01:15:00,329 --> 01:15:03,366 I'M JUST SAYING THAT IS NOT THE DEAL WE MADE WITH JOHN. 1063 01:15:03,399 --> 01:15:07,303 THAT IS BETWEEN YOU... AND JOHN. 1064 01:15:07,336 --> 01:15:10,707 LET'S GET OUTTA HERE. 1065 01:15:10,740 --> 01:15:12,876 HEY, THAT'S MY MONEY YOU'RE PLAYING WITH, MAN. SET IT DOWN! 1066 01:15:12,909 --> 01:15:15,178 I'M NOT PLAYING WITH IT. WE'RE LEAVING. 1067 01:15:15,211 --> 01:15:17,380 - YOU HEARD HIM, ASSHOLE! - GET OFF ME, MAN! 1068 01:15:17,413 --> 01:15:20,884 - YO! - THAT'S IT! PARTY'S OVER. 1069 01:15:20,917 --> 01:15:22,652 I'LL BLOW YOUR FUCKIN' HEAD OFF. 1070 01:15:22,686 --> 01:15:24,988 WHAT THE FUCK IS THE MATTER WITH YOU? 1071 01:15:25,021 --> 01:15:26,823 YOU THINK THIS IS A FUCKIN' GAME? 1072 01:15:26,856 --> 01:15:30,426 IS THAT WHAT YOU THINK? IS THAT WHAT YOU THINK! 1073 01:15:32,596 --> 01:15:35,899 I THINK YOU NEED TO GO BRUSH YOUR TEETH. 1074 01:15:35,932 --> 01:15:40,103 OH! STUPID MAN! 1075 01:15:44,908 --> 01:15:49,345 PUT THE TIRE IN THEIR CAR. 1076 01:15:49,378 --> 01:15:52,816 THE REST OF YOU, BRING THESE PUNKS AND FOLLOW ME. 1077 01:16:07,997 --> 01:16:11,768 THIS IS GREAT, TIM. I'M GLAD YOU KNOW WHEN TO PLAY IT COOL. 1078 01:16:11,801 --> 01:16:14,370 MOVE IT! 1079 01:16:14,403 --> 01:16:16,973 FUCKIN' MIDGET. 1080 01:16:17,006 --> 01:16:22,746 YOU STUPID-ASS LITTLE KID, MAN. WHAT THE HELL ARE YOU THINKIN'? 1081 01:16:29,986 --> 01:16:33,489 NO ONE HEARD THAT, MAN. THERE'S NO ONE AROUND FOR MILES. 1082 01:16:33,522 --> 01:16:37,761 AND WHEN IT GOES IN THE BACK OF YOUR HEAD, IT'S EVEN QUIETER. 1083 01:16:39,696 --> 01:16:43,633 YOU GET MY POINT? YEAH, YEAH, YEAH. 1084 01:16:43,667 --> 01:16:45,635 HEY, LOOK, WE ALL KNOW HE'S A HOTHEAD, OKAY? 1085 01:16:45,669 --> 01:16:48,672 YOU LOOKIN' FOR TROUBLE TOO? 1086 01:16:48,705 --> 01:16:51,841 NO. 1087 01:16:51,875 --> 01:16:54,410 TAKE OFF YOUR SHOE. 1088 01:16:54,443 --> 01:16:58,648 WHAT? TAKE OFF YOUR SHOE, MAN. I DON'T GOT ALL NIGHT. 1089 01:17:00,016 --> 01:17:03,152 YOU'RE REALLY FUCKIN' OUTTA YOUR MIND. 1090 01:17:03,186 --> 01:17:05,254 WHAT ARE YOU DOIN'? 1091 01:17:05,288 --> 01:17:08,424 TAKE OFF YOUR SHOE WHILE YOU STILL GOT A RIGHT HAND TO DO IT WITH. 1092 01:17:08,457 --> 01:17:12,295 TAKE YOUR SHOE OFF. 1093 01:17:12,328 --> 01:17:16,099 I'M GONNA TEACH YOU A LESSON. NOW THE SOCK. 1094 01:17:16,132 --> 01:17:18,534 SOCK? YEAH. 1095 01:17:18,567 --> 01:17:21,170 YOU'RE LEAVING A TOE OUT HERE TONIGHT, MY FRIEND. 1096 01:17:21,204 --> 01:17:25,474 MY TOE? TAKE IT OFF! TAKE IT OFF! 1097 01:17:25,508 --> 01:17:28,511 YOU GOT IT, MAN. 1098 01:17:28,544 --> 01:17:33,282 - YOU WANNA LOSE A TOE TOO? - NO! 1099 01:17:33,316 --> 01:17:37,386 SHUT YOUR MOUTH AND STEP BACK. 1100 01:17:37,420 --> 01:17:40,023 I AGREE THAT HE NEEDS TO BE TAUGHT A LESSON. 1101 01:17:40,056 --> 01:17:42,625 BUT THIS ISN'T IT. 1102 01:17:42,658 --> 01:17:45,028 I KNOW THIS GUY A LONG TIME. 1103 01:17:45,061 --> 01:17:50,233 YOU SHOOT HIS TOE OFF? HE'LL HEAL AND USE IT AS A TROPHY. 1104 01:17:50,266 --> 01:17:55,538 YOU'RE AIMIN' TOO HIGH. WHAT HE NEEDS... IS A GOOD ASS KICKIN'. 1105 01:17:55,571 --> 01:17:58,875 HEY, I'LL DECIDE WHAT HE NEEDS, OKAY? 1106 01:17:58,908 --> 01:18:02,411 I'M JUST TRYING TO HELP. 1107 01:18:02,445 --> 01:18:07,583 YOU JUST BEAT HIS ASS... REAL GOOD. 1108 01:18:07,616 --> 01:18:11,387 THAT'S WHAT HE'LL UNDERSTAND. THAT'S WHAT HE NEEDS. 1109 01:18:19,262 --> 01:18:21,564 OKAY. I'LL KICK HIS ASS. 1110 01:18:52,661 --> 01:18:55,765 HEY! COME ON! THAT'S ENOUGH! 1111 01:19:04,440 --> 01:19:07,476 HOW'S THAT, COLLEGE BOY? 1112 01:19:07,510 --> 01:19:11,214 -GODDAMN PIECE OF SHIT. -I THINK HE NEEDS A LITTLE MORE. 1113 01:19:11,247 --> 01:19:13,616 MORT, WHAT THE FUCK? JUST SHUT UP! 1114 01:19:14,683 --> 01:19:16,920 YEAH, I THINK YOU'RE RIGHT. 1115 01:19:46,883 --> 01:19:51,254 HEY, MAN, ENOUGH. 1116 01:19:54,490 --> 01:19:59,162 IS THEIR CAR LOADED UP? YEAH. 1117 01:19:59,195 --> 01:20:03,699 GET HIS ASS UP AND GET IN THE CAR... 1118 01:20:03,732 --> 01:20:08,872 AND DON'T EVER, EVER COME BACK. 1119 01:20:09,906 --> 01:20:12,708 TIM! 1120 01:20:12,741 --> 01:20:15,511 TIM! SHIT! 1121 01:20:15,544 --> 01:20:18,347 COME ON, HEY! COME ON, TIM, COME ON. 1122 01:20:18,381 --> 01:20:21,717 LET'S GET THE FUCK OUTTA HERE. 1123 01:20:26,822 --> 01:20:31,194 YOU'RE GONNA BE OKAY. 1124 01:20:35,698 --> 01:20:39,535 NO, JOHN! THAT WASN'T THE DEAL! 1125 01:20:39,568 --> 01:20:41,804 MAYBE IF YOU DIDN'T TOKE SO MUCH DOPE YOU'D REMEMBER. 1126 01:20:41,837 --> 01:20:44,640 YOU NEVER SAID A GODDAMN THING ABOUT HEROIN! 1127 01:20:44,673 --> 01:20:47,410 AAAH! 1128 01:20:47,443 --> 01:20:51,714 MY FACE IS KILLIN' ME. 1129 01:20:51,747 --> 01:20:56,552 I CAN'T BELIEVE A HIPPIE DID THIS TO ME. NO WAY! NO WAY! 1130 01:20:56,585 --> 01:21:01,390 YOU SAVED MY ASS. 1131 01:21:01,424 --> 01:21:04,160 NO, ACTUALLY I SAVED YOUR TOE. 1132 01:21:04,193 --> 01:21:07,063 FIGURED AT LEAST A BEATING WASN'T PERMANENT. 1133 01:21:07,096 --> 01:21:10,366 WHAT'D ANDERSON SAY? 1134 01:21:10,399 --> 01:21:14,270 HE SAYS HE'S SORRY ABOUT THE MIX-UP. 1135 01:21:14,303 --> 01:21:16,705 DICK. 1136 01:21:16,739 --> 01:21:21,945 HE ALSO SAYS THAT HE'LL GIVE US TEN GRAND APIECE IF WE BRING THAT TIRE BACK. 1137 01:21:21,978 --> 01:21:26,549 DANNY, YOU'RE TALKING ABOUT SMUGGLING HEROIN ACROSS THE U.S. BORDER. 1138 01:21:26,582 --> 01:21:28,751 YOU GET 50 YEARS FOR THAT! 1139 01:21:28,784 --> 01:21:32,021 I REALIZE THAT, MORT, BUT I'M ALSO TALKIN' ABOUT... 1140 01:21:32,055 --> 01:21:34,423 $10,000 APIECE. 1141 01:21:34,457 --> 01:21:37,626 DO YOU UNDERSTAND? THAT'S A LOT OF MONEY. 1142 01:21:43,299 --> 01:21:45,501 YOU BACKIN' OUT ON ME? 1143 01:21:51,340 --> 01:21:53,309 GOOD. 1144 01:21:53,342 --> 01:21:55,945 LET'S GO. 1145 01:22:11,494 --> 01:22:15,031 MORT, YOU WANT THE FRONT? 1146 01:22:17,366 --> 01:22:20,469 NO, YOU GO ON. 1147 01:22:20,503 --> 01:22:22,638 NO, GO AHEAD. YOU TAKE THE FRONT. 1148 01:22:22,671 --> 01:22:27,810 TIM, I DON'T WANT THE FRONT, OKAY? YOU TAKE IT. 1149 01:22:27,843 --> 01:22:30,479 GO AHEAD, MORT. I'M GIVIN' IT TO YOU. TAKE THE FRONT. 1150 01:22:30,513 --> 01:22:34,183 WILL YOU TWO JUST GET IN? 1151 01:22:51,534 --> 01:22:55,171 * THERE MIGHT HAVE BEEN THINGS I MISSED * 1152 01:22:55,204 --> 01:22:57,606 * BUT DON'T BE UNKIND 1153 01:22:57,640 --> 01:23:00,509 DANNY, STOP THE CAR. 1154 01:23:00,543 --> 01:23:02,978 GOTTA GET OUT. 1155 01:23:03,012 --> 01:23:07,383 * THE HEART SAYS A THING OR TWO * 1156 01:23:07,416 --> 01:23:11,487 * I THINK OF LYING IN BED * 1157 01:23:11,520 --> 01:23:14,657 * I SHOULDN'T HAVE SAID 1158 01:23:14,690 --> 01:23:18,227 WHAT'S WRONG? 1159 01:23:18,261 --> 01:23:21,530 IT'S THIS JACKET. 1160 01:23:21,564 --> 01:23:24,567 I DON'T WANT IT ANYMORE. 1161 01:23:29,438 --> 01:23:34,043 FEELS LIKE I CAN HARDLY BREATH. 1162 01:23:38,547 --> 01:23:42,017 I JUST DON'T WANT THIS ANYMORE. 1163 01:23:50,726 --> 01:23:55,298 FEEL BETTER? 1164 01:23:57,966 --> 01:24:00,103 YEAH. 1165 01:24:02,605 --> 01:24:06,175 CAN WE GO? 1166 01:24:06,209 --> 01:24:10,113 LET'S GO. 1167 01:24:20,789 --> 01:24:23,092 HEY! YOU JERK! 1168 01:24:23,126 --> 01:24:27,930 THIS IS YOUR JACKET. THAT WAS MY JACKET YOU JUST THREW AWAY. 1169 01:24:35,504 --> 01:24:39,575 * YA SEE IT'S ALL CLEAR * 1170 01:24:39,608 --> 01:24:43,812 * YOU WERE MEANT TO BE HERE * 1171 01:24:49,285 --> 01:24:52,821 * FROM THE BEGINNING 1172 01:24:52,855 --> 01:24:56,492 * MAYBE I MIGHT HAVE CHANGED * 1173 01:24:56,525 --> 01:24:59,895 * AND NOT BEEN SO CRUEL 1174 01:24:59,928 --> 01:25:03,266 * NOT BEEN SUCH A FOOL 1175 01:25:05,501 --> 01:25:09,004 * WHATEVER WAS DONE IS DONE * 1176 01:25:09,037 --> 01:25:12,341 * I JUST CAN'T RECALL 1177 01:25:12,375 --> 01:25:16,145 * IT DOESN'T MATTER AT ALL 1178 01:25:27,523 --> 01:25:30,826 * YOU SEE IT'S ALL CLEAR * 1179 01:25:30,859 --> 01:25:36,199 * YOU WERE MEANT TO BE HERE * 1180 01:25:39,835 --> 01:25:44,873 * FROM THE BEGINNING 1181 01:25:59,555 --> 01:26:01,890 OKAY. 1182 01:26:04,327 --> 01:26:07,363 DANNY, I'M NOT DOIN' IT. 1183 01:26:09,732 --> 01:26:12,067 WHAT? 1184 01:26:12,100 --> 01:26:17,973 I'M NOT DOIN' IT. NOT DOIN' IT. 1185 01:26:18,006 --> 01:26:23,412 YOU'RE JUST GETTIN' COLD FEET. YOU'RE FINE. 1186 01:26:23,446 --> 01:26:25,414 I'M WALKIN' ACROSS. 1187 01:26:25,448 --> 01:26:29,218 YOU'RE NOT GOIN' ANYWHERE, REESE. 1188 01:26:29,252 --> 01:26:31,387 LET GO. 1189 01:26:31,420 --> 01:26:34,022 JUST RELAX. 1190 01:26:34,056 --> 01:26:37,092 DANNY! 1191 01:26:40,095 --> 01:26:44,467 LET GO. 1192 01:26:48,604 --> 01:26:52,207 I CAN'T DO THIS. 1193 01:26:52,241 --> 01:26:55,611 DAMN IT! 1194 01:26:55,644 --> 01:26:57,780 I'M NOT AFRAID OF GETTIN' CAUGHT. 1195 01:26:57,813 --> 01:27:01,684 I'M AFRAID OF GETTIN' THROUGH. 1196 01:27:01,717 --> 01:27:05,053 I'M GONNA GET KILLED. CAN'T YOU SEE THAT? 1197 01:27:07,055 --> 01:27:10,726 I'LL COME BACK AND DO IT AGAIN. 1198 01:27:10,759 --> 01:27:14,797 YOU AND MORT'LL GO LAUGH IT OFF. 1199 01:27:14,830 --> 01:27:19,468 AND I'LL END UP LIKE THOSE SICK FUCKERS BACK THERE IN THAT FARMHOUSE. 1200 01:27:43,826 --> 01:27:47,430 I'M SORRY, MORT. 1201 01:28:13,956 --> 01:28:16,825 DANNY, LET'S NOT DO THIS. 1202 01:28:16,859 --> 01:28:19,094 COME ON, LET'S JUST GET OUT TOO. 1203 01:28:19,127 --> 01:28:23,198 YOU WANT OUT, YOU GO. 1204 01:28:24,467 --> 01:28:26,502 I'M DOIN' IT. 1205 01:28:26,535 --> 01:28:29,638 HEY, IT'S JUST NOT WORTH IT. LET'S JUST LEAVE THE CAR. 1206 01:28:29,672 --> 01:28:32,508 IT'S NOT REGISTERED TO ANY OF US. WE COULD JUST WALK AWAY. 1207 01:28:32,541 --> 01:28:35,010 SHUT UP, MORT. 1208 01:28:35,043 --> 01:28:37,846 YOU KNOW WHAT YOUR PROBLEM IS? 1209 01:28:37,880 --> 01:28:42,017 WHY ARE YOU SO GOOD AT TELLING PEOPLE WHAT THEIR PROBLEMS ARE, HUH? 1210 01:28:44,987 --> 01:28:49,958 GET OUT. 1211 01:28:49,992 --> 01:28:53,061 BEFORE YOU GET ME BUSTED. 1212 01:28:53,095 --> 01:28:57,366 OKAY, I'LL GET OUT. 1213 01:29:13,449 --> 01:29:18,554 REGISTRATION NUMBER ONE, SEVEN -- 1214 01:29:39,442 --> 01:29:43,912 I DON'T KNOW WHY YOU CAME BACK. JUST GET OUT. 1215 01:29:43,946 --> 01:29:48,050 LOOK, MAN, 1216 01:29:48,083 --> 01:29:50,919 I MEAN, AS FAR AS I'M CONCERNED, 1217 01:29:50,953 --> 01:29:53,622 YOU'RE A FUCKIN' LEGEND. 1218 01:29:53,656 --> 01:29:57,259 I MEAN, YOU HAVE BEEN A LEGEND FOR AS LONG AS I CAN REMEMBER. 1219 01:29:59,728 --> 01:30:03,999 EVER SINCE WE WERE KIDS, EVERYBODY WANTED TO BE YOU. 1220 01:30:10,939 --> 01:30:12,575 I WANTED TO BE YOU. 1221 01:30:16,579 --> 01:30:21,316 JUST DON'T DO THIS, DANNY. PLEASE, DON'T DO THIS. 1222 01:30:23,151 --> 01:30:26,589 GET THE FUCK OUT. 1223 01:30:31,927 --> 01:30:34,663 FINE. 1224 01:30:50,012 --> 01:30:53,248 GIVE ME A BREAK. 1225 01:30:53,281 --> 01:30:56,084 WILL YOU MAKE UP YOUR GODDAMN MIND? 1226 01:30:56,118 --> 01:30:58,987 IF YOU INSIST ON GOIN' THROUGH, THEN I HAVE TO GO THROUGH WITH YOU. 1227 01:30:59,021 --> 01:31:01,824 I DON'T HAVE A CHOICE. YES, YOU DO. 1228 01:31:01,857 --> 01:31:05,027 NO, I DON'T. 1229 01:31:05,060 --> 01:31:09,532 IF YOU DO IT, I DO IT. AND IT PISSES ME OFF. 1230 01:32:17,199 --> 01:32:20,235 ...FOUR-DOOR -- 1231 01:32:20,268 --> 01:32:24,740 CITIZENSHIP? 1232 01:32:24,773 --> 01:32:27,175 AMERICAN. 1233 01:32:27,209 --> 01:32:31,747 SEARCH OF VEHICLE IN PROGRESS. 1234 01:32:31,780 --> 01:32:34,416 LET ME SEE YOUR LICENSE. 1235 01:32:48,931 --> 01:32:53,101 HOW LONG HAVE YOU BEEN IN CANADA? 1236 01:32:53,135 --> 01:32:56,304 JUST OVERNIGHT. 1237 01:32:58,506 --> 01:33:02,577 REPORT, ONE-ELEVEN. 1238 01:33:16,324 --> 01:33:20,328 OKAY, YOU CAN GO THROUGH. 1239 01:33:37,445 --> 01:33:40,482 I THINK THIS BELONGS TO YOU. 1240 01:33:44,787 --> 01:33:48,456 I GOT NO USE FOR IT. 1241 01:34:09,812 --> 01:34:14,116 LET'S GO. 1242 01:34:14,149 --> 01:34:16,384 HEY, TIM. 1243 01:34:17,219 --> 01:34:19,888 YEAH? 1244 01:34:24,860 --> 01:34:27,495 CAN I GET A HUG? 1245 01:34:37,272 --> 01:34:39,808 HEY, WHAT, WHAT ARE YOU DOIN'? 1246 01:34:39,842 --> 01:34:42,878 I'M KIDDING. 1247 01:34:42,911 --> 01:34:45,313 IT'S A JOKE, MORON. 1248 01:34:45,347 --> 01:34:47,883 I'LL BREAK BOTH YOUR ARMS. 1249 01:34:57,059 --> 01:35:01,563 NO ONE KNOWS FOR SURE WHATEVER HAPPENED TO THE WAR WAGON. 1250 01:35:01,596 --> 01:35:05,768 SOMEONE SOMEWHERE SAID IT WAS 1251 01:35:05,801 --> 01:35:08,570 I HAVE NO WAY OF KNOWING IF IT'S TRUE. 1252 01:35:08,603 --> 01:35:11,106 I JUST KNOW IT HAS A NICE RING TO IT 1253 01:35:11,139 --> 01:35:13,608 AS IF THIS HERE WERE ITS FINAL RIDE. 1254 01:35:19,114 --> 01:35:20,883 YOU GETTIN' IN? 1255 01:35:20,916 --> 01:35:23,752 NO, I'M GONNA CATCH UP WITH YOU GUYS LATER. 1256 01:35:31,059 --> 01:35:33,762 YOU DID REAL GOOD, MORT. 1257 01:35:35,097 --> 01:35:38,400 YEAH? YEAH. 1258 01:35:38,433 --> 01:35:40,936 YOU DID REALLY GOOD. 1259 01:35:45,140 --> 01:35:46,441 THANKS. 1260 01:35:49,444 --> 01:35:51,847 SEE YA LATER. 1261 01:36:09,832 --> 01:36:13,068 DANNY AND TIM ARE BOTH DOING FINE. 1262 01:36:13,101 --> 01:36:14,736 I DON'T SEE THEM MUCH ANYMORE. 1263 01:36:14,769 --> 01:36:17,806 ONCE IN A WHILE WE'LL TALK ON THE PHONE. 1264 01:36:17,840 --> 01:36:20,242 ONCE IN A BLUE MOON I'LL MAKE IT HOME FOR A MUD BOWL, 1265 01:36:20,275 --> 01:36:22,077 BUT NOT OFTEN. 1266 01:36:22,110 --> 01:36:25,948 IT'S KINDA SAD, BUT IT'S THE WAY THINGS ARE. 1267 01:36:25,981 --> 01:36:29,985 FRIENDSHIP HAS A WAY OF SLOWLY FADING. 1268 01:36:30,018 --> 01:36:31,486 NO MATTER HOW GOOD IT IS, 1269 01:36:31,519 --> 01:36:35,590 IT ALWAYS JUST SEEMS TO HAVE ITS TIME. 1270 01:36:35,623 --> 01:36:39,327 AT THE CRACK OF DAWN I WAS BY MYSELF, 1271 01:36:39,361 --> 01:36:42,664 MY MIND CLEARER THAN IT HAD EVER BEEN BEFORE. 1272 01:36:42,697 --> 01:36:45,333 THE ONE GOOD THING ABOUT ALMOST COMMITTING A MAJOR FELONY 1273 01:36:45,367 --> 01:36:47,369 IS THAT IT ALLOWS YOU TO COME FACE-TO-FACE 1274 01:36:47,402 --> 01:36:50,505 WITH WHO IT IS YOU REALLY ARE. 1275 01:36:50,538 --> 01:36:53,541 SIX MONTHS LATER, I WAS A FULL-TIME COLLEGE STUDENT. 1276 01:36:58,213 --> 01:37:00,815 IT HAD BEEN A LONG NIGHT. 1277 01:37:00,849 --> 01:37:05,553 I WAS TIRED, I WAS COLD, AND I WAS SPENT. 1278 01:37:05,587 --> 01:37:08,690 I DID WHAT ANYONE WOULD HAVE DONE IN MY SHOES. 1279 01:37:08,723 --> 01:37:10,625 I HEADED STRAIGHT HOME, 1280 01:37:10,658 --> 01:37:13,695 AND I HAD MY MOTHER MAKE ME BREAKFAST. 1281 01:37:30,512 --> 01:37:34,482 * TAKE AWAY MY INHIBITIONS 1282 01:37:34,516 --> 01:37:38,553 * TAKE AWAY MY SOLITUDE 1283 01:37:38,586 --> 01:37:40,688 * FIRE ME UP WITH YOUR RESISTANCE * 1284 01:37:40,722 --> 01:37:43,558 * MMM, PUT ME IN THE MOOD 1285 01:37:46,694 --> 01:37:50,765 * STORM THE WALLS AROUND THIS PRISON * 1286 01:37:50,798 --> 01:37:54,903 * LEAVE THE INMATES FREE THE GUARDS * 1287 01:37:54,937 --> 01:37:59,607 SOME BRAND-NEW DECK OF CARDS * 1288 01:38:03,078 --> 01:38:07,082 * TAKE THE CHIP OFF OF MY SHOULDER * 1289 01:38:07,115 --> 01:38:11,419 * SMOOTH OUT ALL THE LINES 1290 01:38:11,453 --> 01:38:15,457 * TAKE ME OUT AMONG THE RUSTLIN' PINES * 1291 01:38:18,260 --> 01:38:21,696 * 'TIL IT SHINES 1292 01:38:21,729 --> 01:38:24,766 * MMM, 'TIL IT SHINES 1293 01:38:43,918 --> 01:38:48,156 * SEE THE RICH MAN LOST AND LONELY * 1294 01:38:48,190 --> 01:38:51,994 * WATCH HIM AS HE DINES 1295 01:38:52,027 --> 01:38:55,998 * SITTING THERE JUST TESTING ALL THE WINES * 1296 01:38:59,034 --> 01:39:02,337 * 'TIL IT SHINES 1297 01:39:02,370 --> 01:39:06,975 * MMM, 'TIL IT SHINES 1298 01:39:07,009 --> 01:39:10,445 * 'TIL IT SHINES 1299 01:39:10,478 --> 01:39:15,117 * OH, 'TIL IT SHINES 1300 01:39:15,150 --> 01:39:17,719 * 'TIL IT SHINES 1301 01:39:22,624 --> 01:39:25,227 * MMM-MMM 1302 01:40:16,844 --> 01:40:20,282 * ALL THESE IMPERMANENT THINGS * 1303 01:40:22,217 --> 01:40:27,755 * OH HOW THEY FOOL ME DOMINATE AND RULE ME * 1304 01:40:27,789 --> 01:40:33,095 * THEY KEEP ME WAITING HERE FOREVER * 1305 01:40:33,128 --> 01:40:37,899 * ALL THESE IMPERMANENT THINGS * 1306 01:40:37,932 --> 01:40:40,202 * WELL, THEIR BEAUTY'S NEVER AGING * 1307 01:40:40,235 --> 01:40:42,737 * BUT THEIR WORTHLESSNESS'S ENRAGING * 1308 01:40:42,770 --> 01:40:47,609 WHEN WE'RE TOGETHER * 1309 01:40:48,776 --> 01:40:54,416 * SO WHY KEEP HANGIN' ON 1310 01:40:54,449 --> 01:40:59,421 * TO THINGS THAT NEVER STAY 1311 01:40:59,454 --> 01:41:04,226 * THINGS THAT JUST KEEP STRINGIN' US ALONG * 1312 01:41:04,259 --> 01:41:08,763 * FROM DAY TO DAY 1313 01:41:11,566 --> 01:41:15,002 * ALL THESE IMPERMANENT THINGS * 1314 01:41:16,471 --> 01:41:19,274 * PRESENT YET ILLUSIVE 1315 01:41:19,307 --> 01:41:21,776 * PASSIVE YET ABUSIVE 1316 01:41:21,809 --> 01:41:25,847 * AND TEARING OUT THE HEART IN UTTER SILENCE * 1317 01:41:27,849 --> 01:41:32,287 * ALL THESE IMPERMANENT THINGS * 1318 01:41:32,320 --> 01:41:35,123 * WELL, THEY POINT IN ALL DIRECTIONS * 1319 01:41:35,157 --> 01:41:37,559 * LIKE SECONDHAND REFLECTIONS * 1320 01:41:37,592 --> 01:41:42,297 * AND THEY'RE LEADING US TO SUBTLE SHADES OF VIOLENCE * 1321 01:41:43,598 --> 01:41:48,836 * AND WHY KEEP HANGIN' ON 1322 01:41:48,870 --> 01:41:52,374 * TO THINGS THAT NEVER STAY * 1323 01:41:54,008 --> 01:41:58,613 * THINGS THAT JUST KEEP STRINGIN' US ALONG * 1324 01:41:58,646 --> 01:42:04,686 * FROM DAY TO DAY 1325 01:42:22,537 --> 01:42:27,141 * ALL THESE IMPERMANENT THINGS * 1326 01:42:27,175 --> 01:42:29,877 * WELL, THEY'RE TRYING TO CONVINCE ME * 1327 01:42:29,911 --> 01:42:32,847 * BAPTIZE MY SOUL AND RINSE ME * 1328 01:42:32,880 --> 01:42:37,051 * PURGE MY MIND OF HONESTY AND FIRE * 1329 01:42:38,853 --> 01:42:43,658 * ALL THESE IMPERMANENT THINGS * 1330 01:42:43,691 --> 01:42:46,160 * WELL, THEY ALL ADD UP TO ZERO * 1331 01:42:46,194 --> 01:42:49,030 * MAKE-BELIEVE THAT THEY'RE MY HEROES * 1332 01:42:49,063 --> 01:42:54,536 * THEN THEY FILL MY MIND WITH DOUBT AND FALSE DESIRES * 1333 01:42:54,569 --> 01:43:00,041 * SO WHY KEEP HANGING ON 1334 01:43:00,074 --> 01:43:05,213 * TO THINGS THAT NEVER STAY 1335 01:43:05,247 --> 01:43:09,751 * THINGS THAT JUST KEEP STRINGIN' US ALONG * 1336 01:43:09,784 --> 01:43:16,591 * FROM DAY TO DAY 1337 01:43:16,624 --> 01:43:19,761 * YEAH 92603