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[music continues]
[bright music]
[man] ♪ In O-he-O-hi-O-ho ♪
♪ There's a girl I used to know ♪
♪ I don't think much but when I do ♪
♪ I think about that girl I knew ♪
♪ In O-he-O-hi-O-ho ♪
♪ In O-he-O-hi-O-ho ♪
♪ I'll be in Maine on Sunday ♪
♪ On Thursday Tennessee ♪
♪ In Fundy Bay on Monday day ♪
♪ And be back by half past three ♪
♪ In O-he-O-hi-O-ho ♪
♪ There's a girl I used to know ♪
♪ I don't think much but when I do ♪
♪ I think about that girl I knew ♪
♪ In O-he-O-hi-O-ho ♪
♪ In O-he-O-hi-O-ho ♪
♪ My night cap will be Capricorn ♪
♪ I'll snuff the northern light ♪
♪ I'll blow the mom on Old Cape Horn E♪ 23
♪ And be back by Tuesday night ♪
♪ In O-he-O-hi-O-ho ♪
♪ In O-he-O-hi-O-ho ♪
[boy] Hello, Jim.
It's hail and farewell, young Davey.
A drink from your pond, a kiss from your beautiful mother
and I'm on my way.
She--Ma ain't here.
That's why the wash hangs out all night, eh?
Where is she?
She was sick a while.
A good while for her to have her let the apples
ripen on the tree for bird food.
And then she...then she died.
And your pa? What about your pa?
He's been sittin' up there
just sittin' for I don't know how long.
Won't eat, won't move and won't talk.
Maybe, uh...
Maybe him and you better strike out up north with me
for a winter of huntin'.
Jim, you mean it, huh? You mean it?
Well, now--
Here, you take the rest of these clothes in.
I'll go up and talk to your pa.
[mellow music]
You mind if I say a few words, Big Davey?
I reckon you loved her too in your own way.
I never reckoned I'd be as miserable as I was
the day you won her.
But now you lost her.
She always thought to be buried in a proper graveyard.
Church singin' and flowers.
[music continues]
[upbeat music]
Leave! Go!
[growling]
[Davey] What'd he say?
These weeds around here grows as fast as...weeds.
You ought to clear 'em out, they'll smother
your mother's flower bed here.
You mean, we ain't goln' with you?
Now, young Davey, you wouldn't wanna grow up
wild and woodsy, like a weed, would you?
Weeds grow faster than flowers and tougher too.
[Jim] Susan was always afraid her kids would grow up woodsy.
I reckon that's why she decided on your pa instead of me.
I wouldn't want to go and change that.
So I'll be back in the spring, young Davey.
You take care of your pa until then.
[Davey] Bye, Jim.
Goodbye, Davey.
[chickens clucking]
[indistinct singing]
[dog barking]
♪ And I'll be there in... ♪
Pa, how long you gonna carry on this way?
Davey, it looks to me like you ain't put
soap and water to your face in a week.
I reckon I could stand a shave myself.
[mellow music]
"Births and Deaths."
Back East kin folk gather around for funeral doings.
You wouldn't know, Davey, but it makes the heart a lot easier.
Jim says, "Why don't we all strike out North?
For a winter of huntin', maybe."
Davey, this is no time to go huntin'.
I want you this write this in careful-like.
So you remember your ma.
Just say...
"Susan Harvey.
Died, October 15."
[music continues]
[Davey] Of fever.
"Of fever, age 28."
This all you want in here?
Better add "North-west territory."
[music continues]
[Big Davey] It's turnin' colder.
[bright music]
[gunshot]
Back! Back!
Now you stay back.
[music continues]
[music continues]
Davey!
Dave!
[instrumental music]
[hen clucking]
[hen continues clucking]
[bright music]
[splashing]
[whistling]
[Davey whistling]
[dog barking]
Pa! Pa! I'm here!
[Big Davey] You come with me.
[barking]
You gave the Cabin's-In-Danger whistle, Pa.
I did?
Where are we goin'?
Saddle up.
Don't see no danger.
Blaze's liable to act up after bein' out all winter.
Hand me that halter.
That's not Cabin's-In-Danger kinda danger, Pa.
Maybe not. Come on.
You told me I shouldn't use Cabin's-In-Danger whistle
unless it was life and death danger, Pa.
You said it was special.
Cabin can be in danger in more ways than one.
[Davey] Don't see no danger.
[dog barking]
We're proper farmers, Dave.
Not woodsy folk.
A man goes bad if he can't have bread with his meals
and a stitched garment on his back.
- [dog barks] - Hold him. Musket.
Your ma had reading and writing and a little music.
The menfolk in our family were smiths and farmers
and maybe a doctor or the preacher like...
- But not no-account. - I'm gonna be a hunter.
I'm goin' off to hunt and trade with the Injuns.
- Don't you ever say that again. - [Davey] Why not?
'Cause you're not to forget that you're a Harvian.
On account there's gonna be a lady around the cabin.
- Pal - [Blg Davey] You go on, get cleaned up.
We're riding to the stockade to get me a wife and you a ma.
I won't have no other ma! The devil, I will!
Dave, you swear again and I'll tan the hide off of you.
You see if I don't. Now, get!
- And don't forget your shoes. - [muttering] The devil, I will.
[bright music]
[ringing]
Hey, Bob. Somebody wants to come across.
[music continues]
Look, Pa, if you was to wanna change your mind and go home--
I don't. Lead him on.
I wonder what she'll be like.
- Who? - Your new wife.
Could be most anybody, I reckon.
Big and fat like Mrs. Rictor.
- Or a scrawny old bag of bones like some. - Yeah.
I sure hope she don't whistle when she breathes
or she's fat like Mrs. Rictor.
Davey, you chatter like a chipmunk.
We gotta take whoever we can get to take ya, Pa.
- Welcome, Big Davey! - [Big Davey] Howdy, Chad?
- Any Injun signs? - No, clear all the way.
How be Sister Susan these days?
[dog barking]
[music continues]
- Good afternoon, Big Davey. - Good afternoon, ma'am.
- [woman] How you've been, Big Davey? - Howdy.
Well, if it isn't Big David Harvey.
Afternoon, Mrs. Rictor.
And without Susan?
Yessum.
- [Davey] Going to see the Parson? - I reckon.
I ain't so sure Parson Jackson will cotton to this, Pa.
Yeah, me neither.
[banging]
[knock on door]
Who Is It? Up above you, heavenwards.
Oh, Brother Harvey, it's a long while
since you came in out of the wood.
[Parson] Tell me. What brings ya?
How goes the planting with you?
And how's my little beauty, Susan?
Parson, could I have a word with you, private?
Ah.
Marthy!
Come brew a pot of sassafras
for Brother Harvey.
- [Mrs. Jackson] Will of the Lord. - [Parson] I'll speak a word Sunday.
We wrote it into the Bible proper.
[Parson] What do you plan to do?
Well, I told myself I gotta raise the boy
the way she wanted.
Proper raising, with Bible readin' and writin'.
You told yourself right, Brother Harvey.
Only a man with 30 acres cleared and a 100 more to clear and...
well, crops to be put in and meat to be hunted
can't raise a boy proper.
Reckon that.
What you need's a wife.
Ah-ha!
Oh, I've been fightin' it.
Only it's easier spoken of than did, Sister Jackson.
Unless you wait for new womenfolk
to come from back east.
Oh, I get my mind set. I-I'd rather not wait.
There might be none either.
- There's the widow Rictor. - [Mrs. Jackson] Parson Jackson.
[Parson] Well, brother David didn't say he wanted beauty.
He needs a wife.
We can wait for Milly Plan to grow up.
Oh, 15's 3 might too young
to take on a widower's responsibilities.
- [Parson] There's Goody Cosgrovo. - Now-
And five kids to go with her. Parson, you're a fool.
Miss Jackson, when it comes to a man
choosin' a ma for his boy
he wants a woman with experience.
We can get along, Pa and me.
The bondwoman.
I hadn't heard about any bond servants in these parts.
Yeah, Mr. Green got her for 1,000 bushels of parched corn
from some river traders last autumn.
There wasn't, but one woman around the Green's house then.
Young Matt's got married since.
I don't see as Mrs. Green needs anyone anymore.
You could likely pick up this bondwoman for yourself
at a bargain price, Brother David.
Yeah. Sure.
I could buy a bond servant instead of a wife.
[Parson] I was thinking she'd make a fine wife.
Decent church folk don't live together man and woman
under the same roof without marriage.
Oh, no, no. Sure not.
You're not only getting yourself a wife and Davey a mother--
I don't want any other mother.
But you're buying another human being out of servitude
such things ain't forgot later on, Brother David.
- Yeah, but I, uh-- - Put pride behind thee.
After all, it ain't for love you are wedding
but to have a woman on the place.
That's true enough.
I'll go along with you to Brother Green
and make the bargain.
Ma, you better come along too.
There's some human female questions in this
that I ain't prepared to handle.
Davey, run over to the store before it closes
and see if anything came in for us.
Now, get.
[man] Well, hello, young Davey.
You holding anything for us from the east, Mr. Gallas?
Sit and rest, son.
I'm in a mighty big hurry.
Oh, you young'uns can be in a hurry anywheres
even on the far side of nowhere.
Three months by sea, five by land and river
three months of sittin' here wait to be took
and young David Harvey, he's in a hurry.
- What's your hurry, son? - I can't tell ya.
Well, there you be, Mr. Impatient.
All the way from Paris, France.
I wonder what it is.
- Thank you, Mr. Gallas. - All right.
Oh, I forgot.
Mind you don't sell all them sugar hearts.
Pa promised me some sugar hearts, Mr. Gallas.
I'll put some aside for you, Davey.
Thank you, Mr. Gallas.
You wouldn't like for me to take one on account?
On account of what?
[laughing]
On account I ain't had one In so long
I forgot what they taste like.
Here. Skedaddle.
Thank you, Mr. Gallas.
[Mr. Green] No, Big Davey, I gotta have 18 dollars now and four in the fall.
I'll be making a profit, not selling to loss.
[Big Davey] Now Iooky here. Suppose I pay off three dollars?
[Mr. Green] No. 18 dollars now and four later.
[Big Davey] I can't afford any more.
[Mrs. Green] Come out here, girl, where he can see ya.
I stitched her two dresses.
When we got her, she didn't have a thing to her back.
Four dollars.
I'll give up my fees, Brother Harvey.
Give Brother Green his flesh money
and I'll marry you for nothin'.
Marriage?
[Big Davey] All right.
Eighteen now and four in the fall.
- I'll take it. - Done.
How old is she?
[Mrs. Green] 25 and good health.
Except she talks to herself.
Do you talk to yourself?
I guess I do.
- [Mrs. Jackson] What's your name, girl? - Rachel.
- Rachel. - [Parson] Well, let's get along.
Ceremony will be the first thing in morning
so that you can get an early start.
You're welcome to stay at the parsonage with us, Brother Harvey.
- Thank you. - Get yourself a wife, Pa?
Yeah, I-I reckon so.
Kinda thin, but... not bad lookin'.
[Parson] We're gathered together in the sight of the Lord
and these people to join together this man and this woman
in holy matrimony.
Anybody here has any reason why these two
should not be joined together,
let him speak now or forever after hold his peace.
Rachel, do you take this man, David
to be thy lawful wedded husband?
I do.
David, do you take this woman, Rachel
to be thy lawful wedded wife?
[speaking softly] I do.
- Speak up. - I do.
[clears throat]
Put the ring on her finger.
[Parson] Now by the powers of the voice
that I try to bring into this wilderness
I hereby pronounce you man and wife.
[Davey] Oughtn't we be gettln' on, Pa?
I reckon the stock needs watering. I'll fetch the horse.
Don't forget to get this young'un his Bible teachin's.
Thanks for the use of the ring, Mrs. Jackson.
I'll walk you to Mrs. Green's for your things, Rachel.
David Harvey's decent and hardworking.
He ain't gonna be impatient.
I think I can make him a good wife.
I do too, girl.
I trust, Brother Harvey, you'll be tolerant easing this girl
into her duties.
Oh, yeah. Of course.
I've seen love take seed in rockier ground than this.
But sometimes, it takes mighty tender cultivation.
Oh, I ain't anxious in that direction, Parson, uh...
on account on Susan, I mean.
Don't expect any more than you would of a bondwoman.
Well, Blaze only rides two, and if one of them's Dave--
Pa, is it fittin' a bondwoman should ride and you walk?
Well, I'm used to walking.
Well, anyway it ain't fittin' a woman should ride astraddle.
No need to ride to the barge.
- Thanks, Parson. Goodbye. - [Mrs. Jackson] Goodbye, Mr. Harvey.
- [Parson] Lord be with you. - Goodbye, Rachel.
[bright music]
I hope we did the right thing.
Amen, Marthy.
[man] Best of luck, Big Davey!
My second one was skinny too.
[mellow music]
Pa, what's a bondwoman exactly?
Well, uh...maybe she can say it better than me.
I-I'd rather hear what you think.
Is it like a slave?
Well, you do have to put out the money for both of 'em.
Ain't that so?
Yes.
Difference is that, well, slave don't get no pay
but a bondservant can get enough to pay her worth
and--and she can buy herself out.
[Davey] Where is she gonna get the money if you don't give it to her?
- Well, that's true, too. - Then where's the difference?
- Well, if you-- - [Rachel] Difference is that--
You'd better say.
I was just gonna say the difference is that
I couldn't leave anyhow.
Why not?
'Cause I'm your wife now, too.
Oh...
[instrumental music]
- I'm hungry, Pa. - [Big Davey] Well, so am I.
But you gotta take care of Blaze first.
[dogs barking]
You must be hungry yourself.
I'll go first. Light the light.
[Big Davey] Eh. Out of here.
Come on. Get out. Get out.
[howling]
Hush up, Musket.
You'll find things in kind of a mess.
Tell me where I should put my belongings, I'll make supper.
Uh, well there's only one room besides this one.
Put your things in there.
Davey can sleep in the loft.
[mellow music]
Pa, this here parcel was meant for Ma.
Uh, put it inside and save it till after supper.
Stock needs feeding.
[instrumental music]
"Susan Harvey."
[ticking]
- [Big Davey] I don't understand it. - [Davey] Ticks to and fro.
Regular as music.
- That's what it is, Dave. - Music box?
No, your mom sent away for some new contraption
to give you music lessons by.
I guess I won't get no music lessons now.
[ticking continues]
We took a lot of trouble bringin' this spinet out here.
It belonged to her pa.
Drug it by boat, by wagon,
finally by sledge all the way from the stockade.
Oh.
Davey and Jim Fairways and me cleared a path the whole way.
Little music after supper is a mighty proud thing.
Do you recollect, Davey?
Uh-huh.
[metronome ticking]
If you close your eyes and listen to that tickin',
you can almost hear her playin'.
[ticking continues]
[water gushing]
[mellow music]
Pa, I'll never love any other woman like I did Ma.
Go to sleep, Davey.
[music continues]
- [Davey] Goodnight, Pa. - Goodnight.
- We better turn In.
I'll put up by the fire for the time being.
[music continues]
[music continues]
[pendulum ticking]
[chickens clucking]
[birds chirping]
[chickens squawking]
Mr. Harvey? Davey?
Go away! Shoo! Shoo!
[squawking continues]
Oh...
I hope you're loaded and I hope you know what you're doin'.
[clucking continues]
- [gunshot] - [shouts]
Oh!
- [wood creaking] - [thuds]
Sounds like the new girl's finally up and about.
Better go take a look.
[birds chirping]
Guess I couldn't hit the broad side of a barn.
Ma, she could shoot anythin'.
It's not so good, me not bein' able to shoot, huh?
Uh, it's like the boy says, Susan could take care of herself
but I reckon with you, it's gonna be a little different.
- Yeah. - I reckon she can't even whistle.
Uh, we got a Cabin's-In-Danger whistle. I'll show you.
[whistling]
Oh.
Y-you try it once now. Go ahead.
Uh, like this?
[blows air]
Oh...
Uh, uh, t-try it with two fingers.
Like this, under your tongue.
Mm-hmm.
[whistling]
- That was good, Davey. - Yeah.
- Well, you'll get on to it. - Yeah, yeah, I'll learn.
Maybe you could help me, Davey.
Come on, Pistol.
[dogs barking]
He'll come around by-and-by.
- I'll get breakfast now. - Had it.
Oh, then I'll get right to the milkin'.
I've done it.
- The firewood? - Yep.
[chickens clucking]
You'll need a spell to come to know what's expected.
- Oh, you mean chores? - Uh, yeah.
It's more than just chores, I reckon.
Yeah, I reckon.
I expected so, Mr. Harvey.
[Big Davey] It's, uh...
- Well, It's--It's appearances. - Yeah?
Ain't easy to speak out, but we might as well
talk about it now and we won't have to go over it later.
[Big Davey] You see, there was something special about us.
About me, that is.
The way I look at it, building a homesite
ain't just doin' what you gotta do.
There used to be a flower garden here and
she was gonna lay some flat stones
so the floor wouldn't get so tracked up.
Oh, that's nice.
Cabin's just a cabin, but it's, it's got
a cellar like a house has, foundation like.
It's like giving the boy readin' and writin'
and arithmetic
saying grace before meals.
It's, well, keeping up appearances
no matter how deep you get in the wilderness.
I understand.
Is that all?
I reckon you'll have trouble with your hands at first.
And it ain't fittin' that you're so frail
you oughta fill out a little.
I'll see to it, Mr. Harvey.
You sure got a mess of hair.
That's all I got to say.
Except one other thing.
At noon time, Susan used to come down to the fields
where I was clearing.
That's what I was wonderin' about mostly.
- What's that? - Well,
whether I was just expected to do the chores
and give the boy his schooling or...
- Yeah, sure. - Or was more expected?
Well, you know other things, like...like, comfort
and--and knowin' your moods and, and planning things together.
Well, things a bond servant wouldn't likely do.
Like goin' out to the fields at noontime to see her husband.
Well, the only reason Susan came out was to bring me my meal.
I'll--I'll bring your meal, Mr. Harvey.
[instrumental music]
[dogs barking]
[music continues]
- Good mornin'. - Maybe.
- [Davey whistling] - Morning, Davey.
[Davey] Come on, Pistol!
[dogs barking]
Ho!
[Rachel] Must've had most of these cleared.
Yeah.
Well, I'll be getting' on back.
Come on! Come on, Pistol!
[dog barks]
[music continues]
David, did you have a good day?
Uh, yeah.
Are you hungry? Are you hungry, Mr. Harvey?
- Yeah. - That's good.
[mellow music]
Goodnight, Mr. Harvey.
[rain pattering]
[sobbing]
[rooster crowing]
- It don't seem fittin', Pa. - What don't?
Always seemed to me the master of the house
oughta have the best place instead of on the floor.
Yeah.
If she's to take the loft
you and me could share the room like last winter, Pa.
She's got “me enough comfort, Davey.
Come on, Pistol.
And a good morning to you too.
Now, don't go talkin' to yourself
even if he don't open his mouth for months on end.
Don't start talking to yourself.
It ain't fittin'.
You're the one.
Maybe if I could get to know you
through you, the boy and through the boy, his pa, th--
Well, talking to a gun ain't like talking to yourself.
If I could just learn to handle you without anybody hearin', th--
[axe thudding]
[gunshot in distance]
[gunshot in distance]
[metal scraping]
[gunshot]
[Rachel] Hit the candle.
Hmm. Pretty good if we'd meant it.
- Rachel? - Yes, Mr. Harvey?
How's the boy doing with his schoolin'?
He's bright.
Pa, did you hear anything queer today?
Yeah, I meant to ask. You hear it?
Hear what?
Well, as near as I could figure it sounded like
one time back home when a jug of cider busted open in the attic.
Sound comes from the north, I reckon.
I reckoned it southernly.
[Davey] Uh, yeah, someone shootln'
in the next valley, I reckon.
- [Big Davey] Yeah, I reckon. - Yeah, I reckon.
[Davey] Come on, get over there and jump through.
That's it, come on, over.
Over. Jump over it.
Jump over.
[Rachel] All right, Davey. Schoolln' time.
[Davey] Jump over It, Pistol, come on.
Jump through.
Davey!
Why the devil won't you leave me alone?
Please don't swear. Your pa don't like it.
I'll swear like I want to, Rachel.
And you ain't gonna tell me to not.
Davey, I want you to know something.
I ain't trying to steal your ma's place.
- You better shouldn't. - Not with you nor your pa.
- You couldn't if you wanted. - I know that.
It's gonna seem mighty queer to Jim.
Who is Jim?
Jim Fairways. A friend of the family.
Oh. Well, what's gonna seem queer to him?
Me in the loft, Pa, the master of the house on the floor,
with you taking the best room all to yourself.
- Oh. It ain't fittin'? - No, it ain't.
You think I oughta take the loft?
When Jim comes, maybe Pa will listen to him.
Maybe so. Maybe so.
But in the meantime, I gotta do my chores.
I gotta do what's expected, teach you your schoolin'
and try to keep cheerful.
Oh, Davey, one of the reasons your pa wanted me here
was so I could sorta mother you.
The devil it was.
You're a bond slave, that's all.
Pa bought ya, I seen him through the window
when he paid out your price.
You was 18 dollars and four owing.
You can go out today, Davey, without your schoolin'.
Zowee! Come on, Pistol!
[dog barking]
[Davey in distance] Come on, Pistol.
[axe thudding]
[creaking]
[Rachel] Mr. Harvey?
Is right here all right?
- Well, hello, Musket. - [dog growls]
Takes Musket a while to get along with strangers.
How long do you think it'll take?
Uh, Mr. Harvey, I...
I been concerned about your sleeping by the fireplace.
No need to be concerned about that.
Oh.
'Course, when I was at the Greens
I...I-I did sleep in the loft.
Hadn't thought about that.
Davey and me could share the big bed,
and there'd be no one left over to sleep on the floor.
Would it be more fittin', huh?
Sure, you're up first with the milkin' and breakfast.
That's right.
You know that way maybe the boy would
be less resentful to you.
Maybe.
I'll see to it this afternoon, Mr. Harvey.
[axe thudding]
You've been by the cabin, Dave?
Been huntin'.
Huh, no smoke from the chimney.
Supper fire ought to be up by now.
You seen Rachel since schoolin'?
Didn't have no schooling today, Pa.
What's that?
[turkey gobbles]
Can I take your gun for one crack
at that old turkey gobbler?
- Can I, Pa? - How come you had no schoolln'?
I want you to answer me, Davey.
She told me I could go out without no schoolin' today, Pa.
- [turkey gobbles] - Just one shot at 'em, Pa.
Gobbler's meat would taste mighty good for supper, Pa.
What is it, Pa?
Only an old gobbler.
Gobbler call is the Shawnee signal.
Now, be quiet.
[turkey gobbles]
[laughing]
If I really was a Shawnee, I'd be hanging
two fine scalps on my belt about now.
Been along spell, Big Davey.
Ain't you got a word of welcome for an old friend?
Brung my own meat too.
Jim, the devil himself wouldn't consider that
a fittin' joke to play.
[Jim] I ain't acquainted with the gentleman yet myself.
But I don't consider it fittin' for a man to keep
talking about a boy's schoolin' when he hears a Shawnee call.
At least not when there's signs of Shawnee up to the north.
- That ain't a joke, Jim. - [Jim] No, it ain't.
It's been mighty fine here
without any trouble of that sort.
Well, trouble comes when you don't least expect it.
Come on, let's get this deer off the horse's back
and in our bellies.
That ought to be enough meat to hold you for a while.
You know, it must get pretty lonely for you, Big Davey,
out here in the deep wood with no womenfolk.
Well, it is and it ain't, Jim.
You know, it ain't proper to raise a boy without womenfolk.
No.
Men can't hardly live without 'em either,
unless he wants to grow up wild and woodsy.
Jim, sounds like you're trying to talk yourself into something.
Well, it's a fact, Big Davey.
I got an itch to live within four walls.
Figure to get me a wife and maybe a piece of land
to break some wood out of.
That ain't another joke, is it, Jim?
- Who's that? - That?
- Her. - Oh, her name's Rachel.
Rachel?
She's a bondwoman I bought from Matt Green.
Had to have a woman around the place.
Uh-huh.
- Can't raise a boy properly. - Uh-huh.
- Servant girl? - No.
- Kin folk? - No.
Just a bondwoman, huh?
Well, a bondwoman or no, decent folk can't live together
man and woman without takin' in marriage.
Oh. Took her in marriage?
Come on in and set.
[ducks quacking]
Rachel, uh, this here's Jim Fairways.
- You've heard his name. - That I have.
[Jim] How do you do, Mrs. Harvey?
How do you do?
Davey, fetch the jug out of the barn.
[dog barking]
Yeah, so, Big Davey, looks like you've had
just about everything a man could ever want for.
Oh. So, you enjoy the idea of marriage, Mr. Fairways?
I'm tracking it like a wild critter, Mrs. Harvey.
[Rachel] Well, I congratulate the lady.
[Jim] She ain't trapped yet.
[Rachel] Oh, you won't have any trouble.
I ain't so sure.
Well, now that we're down to honest talk, Mrs. Harvey
is Big Davey the all-devastative and devoted husband
he makes himself out to be?
'Cause if he ain't, you're a powerful good cook
and I happen to settle in humor.
I thought you might like something to eat
with your conversation.
It's mighty considerate, ma'am.
Yeah, thanks, Rachel.
[Jim] Well, don't go away, Mrs. Harvey. Sit down.
Yeah, sit, Rachel.
[Jim] Davey, you and me ever sing the hunter's song together?
[Davey]
[Jim] You play the spinet, Mrs. Harvey?
- Yes, I do. - No, she don't.
Rachel, you never mentioned you could do that.
You never asked me.
It has been a long time.
Well, you can chord, can't you?
Yes. I think I can.
Now, everything I say, you say, "Just like me," right after.
It's all there is to it.
[bright music]
- ♪ There once was a hunter ♪ - ♪ Just like me ♪
- ♪ Only go a-hunting ♪ - ♪ Just like me ♪
- ♪ Took up his musket ♪ - ♪ Just like me ♪
- ♪ And he set out at sunset ♪ - ♪ Just like me ♪
- ♪ He was strong as an ox ♪ - ♪ Just like-- ♪
♪ And tall as a tree and smart as a fox ♪
♪ Just like me ♪
- ♪ He climbed up the mountain ♪ - ♪ Just like me I
- ♪ Biggest highest mountain ♪ - ♪ Just like me I
- ♪ Felt a little thirsty ♪ - ♪ Just like me I
♪ Found a first spring a-bubblin' ♪
♪ Just like me ♪
♪ Bended down to drink some just like me ♪
♪ When he looked in the pool what did he see? I
- ♪ Swell-headed mule S' - 3 Just like me ♪
[laughing]
[Jlm] ♪ Now what you say Is entirely true ♪
♪ A swell-headed mule ♪
- ♪ Just like you ♪ - ♪ You ♪
[chuckles]
[spinet music]
[Rachel humming]
♪ Di-di-dee ♪
♪ La-da da-dum ♪
[Rachel] ♪ Oh the orchard ♪
♪ Blossoms ripen ♪
♪ Into fruits so round I
- ♪ And sweet ♪ - [Jim] ♪ Sweet ♪
[helm ♪ As with nature In her garden ♪
♪ So it is with all and one ♪
♪ Love may blossom ♪
♪ In the spring time I
♪ But it blooms ♪
♪ With summer sun r
♪ As with nature in her garden ♪
♪ Full with light the days are long 5'
- ♪ Soft the evenings pass to... ♪ - [metronome ticking]
I--I didn't mean to interrupt on your singin'.
You know any more funny songs, Jim?
I know a million of them, Davey.
But I better be on my way if I'm gonna make
the stockade before mornin'.
Oh, you sure you won't spend the night, Jim?
No, thank you, Big Davey.
A man's got a craving to marry, it doesn't do
to pause along the way.
Too many things liable to start turnin' over in a man's mind.
- Now, so long, Big Davey. - Goodbye, Jim.
It was a pleasure meeting you, Mrs. Harvey.
It's been a pleasure meeting you, Mr. Fairways.
- Thank you. - You're always welcome, Jim.
Bye, Jim.
- Drop around any time. - [Jim] I'll do that thing.
After you get settled.
[whistling]
Well, I...
guess I'll bring in the wood for the morning.
Davey, you go to bed.
- Rachel? - Come on, Pistol.
How is it you never mentioned being musical?
You never asked.
- Hmm, you said that before. - That's right.
[instrumental music]
Well, that ain't what I wanted to talk to you about.
Oh?
Was Jim Fairways, uh...
offensive to you this evening?
Why, no. No, I thought he was mighty nice.
And cheerful.
[Big Davey] Bein' the way he is, he seems to sort of take on around women.
Oh?
I just hoped he wasn't offensive.
- Oh, no. - Even with Susan, he used to...
[mellow music]
That ain't what I wanted to talk to you about neither.
Then what is it, Mr. Harvey?
Well...
sometimes I don't think I rightly understand people.
Davey tells me you didn't give him his lessons today.
- No, I didn't. - Well, why not?
'Cause he said I was nothin' but a bondwoman.
Was the hurt of that so that you couldn't school him?
It was the way he said it.
I reckon I'll get me a drink of water.
Hard liquor leaves you thirsty.
[instrumental music]
- Where'd you learn music at? - My pa.
Oh. Your pa schooled folks in music?
Yeah, and other things.
Guess that's why he died in debt.
Don't pay very well.
[Big Davey] Then that's how you got bond into service,
for your pa's debts?
Yeah, that's right.
Never knew that about you.
- I reckon I never asked. - I reckon.
[Big Davey] You can play anytime you feel like it.
Well, thank you, Mr. Harvey--
Oh, I didn't mean it that way.
I'll see the boy gets music lessons too, if you want.
I may as well give you a hand.
Thank you.
I, uh, I-I think I'll get me a drink too.
Salt pork leaves you thirsty.
[music continues]
Oh, look! There's a shooting star.
Yeah, there are lots of them up here this time of year.
- Pretty. - Yeah.
Stars seem so close to you up here.
It's funny how people get separated
with miles in between 'em.
Don't seem right.
No, it don't.
[door opens]
[bright music]
Dave, I thought I told you to get to bed.
[Davey] I'm thirsty.
I reckon it was the singin'.
[music continues]
Night.
I suppose singin' does make you thirsty
like salt pork, hard liquor.
[mellow music]
Your hair looks sort of blue with the moonlight.
Moon does funny things. It--
I never looked at your face so close on before.
[Big Davey] Guess I didn't have it pictured clear in my mind.
I mean, what it'd be like gettin' married again.
[Big Davey] I was thinking mostly of the chores
and...and the boy and...
but I reckon there's more to it than I reckoned.
[music continues]
There should be talking to each other...
respect...maybe even..
[Davey whistling]
[dramatic music]
- [metronome ticking] - What is the danger, Davey?
You told me yourself, cabin can be in danger
in more ways than one, Pa.
Go to bed, Dave.
- Aren't you comin'? - I said, go to bed.
[mellow music]
- I'm sorry, Rachel. - I know.
He was very fond of Susan.
Well, of course.
Rachel, I...
I reckon I ain't ready to fall in love yet.
Hmm.
- Where are you going? - To fetch the wood.
You turn in, I'll get it.
[instrumental music]
[strums strings]
[bright music]
[Rachel] Piggy, piggy, piggy!
Piggy, piggy, piggy, piggy!
Piggy, piggy, piggy, piggy, piggy!
[Jim] ♪ I don't say much but when I do ♪
♪ I think about that girl I knew ♪
♪ In O-he-O-hi-O-ho ♪
♪ In O-he-O-hi-O-ho ♪
♪ I'll breakfast in Ohio ♪
♪ Eat lunch in Canad-y ♪
♪ I'll supper-o in Mexico ♪
♪ And I'm back by Saturd-y ♪
Pa, Jim's back!
Uh, yeah.
♪ I don't think much but when I do ♪
♪ I think about that girl I knew ♪
♪ In O-he-O-hi-O-ho ♪
♪ In O-he-O-hi-O-ho ♪
What happened, Jim?
[Jim] Now, if the sight of store-bought clothes
tracked as a funny, Big Davey,
you may not be interested in a store-bought tobacco
I brought you for your pipe.
[Big Davey] Well, a pipe and tobacco go together, Jim,
but you in that Parson's outfit.
[Davey] Bring me anythin'?
Well, here's a few, uh, sugar hearts.
- [Davey] Thanks. - And, uh...
[Davey] And what?
Little something for the benefit of your music school.
- [Big Davey] What brings you back, Jim? - [Davey plays flute]
- Forgot my guitar. - Oh.
Didn't figure I could start wife-hunting
without store-bought clothes and my guitar.
Staying tonight?
[flute music]
You staying tonight?
If, uh, Mrs. Harvey don't mind.
[Big Davey] She don't.
Do you, Rachel?
It's a joy.
I took the liberty, ma'am, if it's acceptable to you.
Little, uh...go-to-meetin' dress
in token for the way you've taken care of my two boys here.
It...is it fitting I should accept gifts, Mr. Harvey?
- Hm, I reckon so. - Thank you, Mr. Fairways.
I figured for sometimes after supper
when you sit at the spinet.
[spinet music]
[Jim] ♪ Once was a man a hateful man ♪
♪ Had a wife but would then exchange her 3
[both] ♪ T”! one day one fateful day ♪
♪ Along came a tall dark stranger ♪
[whistling]
[flute music]
♪ Once was a man a hateful man ♪
♪ Had a wife but didn't see the danger' ♪
♪ Ti" one day one fateful day' ♪
♪ Along came a tall dark stranger ♪
[whistling]
[flute music]
[Rachel and Jim chuckle]
[flute music]
Kinda slicked out, ain't you, Jim?
- Any reason special? - It's the Sabbath.
These here from last fortnight are still fresh.
Hadn't realized you'd been with us a fortnight already.
- Oh, more than that. - Can I go swimmin', Pa?
Yeah, I reckon.
[dogs barking]
Come on, Pistol. Come on! Come on!
[splashing]
Pistol, come on, boy!
Looky there, Big Davey.
It's the Sabbath, Jim.
[gunshot in distance]
Listen, Pa, I heard it again.
Yeah, it's queer.
Reckon it's Shawnee, Pa?
Probably nothin', but some old squatter.
Unh-unh. Queer sound to it, I can't make it out.
Oh, it's probably just an echo,
you know somebody shooting off in some other valley
and all you get is the echo.
Don't seem right, Rachel at the cabin alone.
Well, to set your mind at rest, I'll scout around
on the other side of the valley. See you at dinner.
Ma could've took care of herself.
Yeah. Get your clothes on.
[Big Davey] You got your new dress on.
Ain't you afraid you'll get it all were out?
- It's the Sabbath. - Uh-huh.
- Dinner ready? - [Rachel] Yes.
Where's Mr. Fairways?
- He'll be along. - Oh.
For the food we're about to receive
the Lord make us grateful.
- Amen. - Amen.
Remember the last time I wore this outfit?
Yes, I do.
It's been more than a fortnight.
It certainly has. It's been an age.
- Oh, I didn't mean that. - Oh.
Well, what's been more than a fortnight?
Since he's been visitin'. Jim.
- Don't seem like it. - Hmm.
Must make considerable more chores for you.
No, he's very generous about helpin' out.
Not to speak of winter comin' on.
Well, not till after autumn.
And Jim and me are gonna go huntin' all next week.
- He said so. - Oh, you are?
Well, the way I'm thinkin', he may not be here next week.
And stop eatin' like a pig.
He's learnin' the boy woodsy ways.
Not a sign, folks.
[Jim] Not a sign.
Can't figure it out unless there's a ghost 'round these parts.
[Jim] Say, you kinda slicked out, ain't you, Big Davey?
It's the Sabbath.
- No sign of anyone shootln'? - Nope.
Nothing to be seen on the surface.
[Jim] Let me help you with that, Mrs. Harvey.
Oh. Thank you, Mr. Fairways.
You know somethin', Big Davey?
You and me ain't hunted a fox yet.
We gotta test those hound dogs voices out.
[Jim] How about a week Saturday?
Well, why wait so long?
No hurry. I'll be around.
[metal scraping]
[Rachel] ♪ La-da-da-da-da-da-da-da ♪
♪ La-da-da-da-da ♪
[Jim] ♪ Looked in the pool and what did he see? ♪
♪ A beautiful girl 5'
That's where you come in.
[Rachel] I thought you'd gone hunting, Mr. Fairways.
Hell, I figured these garments were in need of a little wash.
Well, just put 'em down right there, I'll do 'em for you.
Why, I wouldn't think of adding to your chores, ma'am.
Seems Big Davey's already took care of that.
[Rachel chuckles]
Anyhow, it ain't really the washin'.
I...been trying to get you alone
for quite a spell now.
Only Big Davey seems a mite miserly
with your time and company.
I think you and me got a secret.
That's why I figured it might be profitable
if we had a little talk in private.
[Rachel] I don't think it would be very profitable for you, Mr. Fairways.
I'd rather you just went to Mr. Harvey with your discovery.
Why, I only thought you could
do with a word of advice on shooting, ma'am.
You're losing your laundry, Mr. Fairways.
[splashing]
[Rachel] Here. I'll do it for you.
You know, first time I heard that shootin',
I figured it might be you.
Why?
On account of Susan took to the musket
just like a minuteman.
Well, now why should I d--
Well, just because Susan could shoot...
Well, you're so much a pair in every other way
including the husband.
No reason why you shouldn't be the same with a rifle.
Well, I don't hardly know how to shoot.
Figured that.
Well, then, I don't know what you mean, Mr. Fairways.
Well, I just mean that you're settin' out to prove
that you're just as good as Susan Harvey any day, any way.
All I mean is I think you two
oughta be friends instead of rivals.
You would've liked each other fine.
- What was she like? - Oh, like you mostly.
How?
Practical, patient, pure, pretty.
- Maybe even beautiful. - Oh.
Smart too. Smarter than me or Big Davey.
She must have been.
We both thought she'd marry me, but I never gave up hope.
If she'd left Big Davey, I'd have married her in a minute.
I'm gettin' better.
- You're pulling to the right. - Yeah, I know.
- Comes of jerking the trigger. - Don't you have to?
Oh, no, you squeeze it, sort of easy and gentle.
Sort of...caressing, like holdin' hands.
I think it's near time for Davey's lessons.
You know, I'm sure in need of a little schoolin', Mrs. Harvey.
- Do you mind If I hang around? - No, not at all.
We're having Bible reading today.
- Rachel give you your lessons? - Sure, and Jim too.
Jim's good at schooling, Pa. He thinks of things to do.
For sums, we figured out how old a tree is by its circles.
And how many weeks you'd take to get enough fox
to make a fur coat for Rachel and such.
Ain't you and Jim gonna hunt fox, Pa?
[Rachel laughing]
[Jim] Uh-huh. Then you're supposed to say, "Just like me."
[Rachel] "Just like me."
I reckon I'll do that.
I reckon maybe I'd better.
Can I sit with you while you listen to the hounds?
No, Dave.
Jim and me have been wasting for a talk
for quite a spell.
[dogs barking]
- Davey? - Oh, what?
You better come in now, it's past bedtime.
Listen, they're on to him now.
[Davey] I sure wish I was up there with Jim and Pa.
Wonder why your pa changed his mind about goin' huntin'.
He said Jim and him was wastin' for a talk for a long time.
Pretty soon they'll light a fire up yonder
and sit out all night Iistenin' to the hounds
and pickin' them up by their voices.
[barking continues]
Well, come on now, you don't wanna stay out here all alone.
[Davey] Maybe after Jlm talks to Pa
you won't be telling me what I don't wanna do all the time.
Well, suit yourself, Davey.
[dogs barking]
- That's Musket out front. - Yup.
- Tobacco, Jim? - No, thank you, Dave.
I drug along the jug.
[dogs barking]
Amy-Lou's a-tailin' him now.
Yup.
It's a mighty nice long visit you've paid us, Jim.
Sure is.
Mighty long for a walkin' man with an itch in his heels.
Oh, I got rid of that itch.
[dog barking]
Sounds like they jumped him now.
Never knew a walkin' man who could stop walkin'
and take root in one place.
Oh, some can if they got reason enough to settle.
I recollect your saying something about settlin' down.
Still do.
- Clear a few acres? - That's right.
- Get yourself a wife. - Yup.
- Wives don't grow on trees. - Reckon not.
Leastways not on the trees around here.
Never spoke truer, Big Davey.
You gotta go out a-hunting.
Don't reckon I got so much hunting to do.
[Davey whistling]
Rachel's in trouble.
Someone's gotta stomp out the fire.
So I reckon I'll go on ahead.
[intense music]
[growling]
[bleating]
[gunshot]
[Rachel] You can come down now, Davey.
[instrumental music]
- Sure is a big 'un. - Yeah, sure is.
Rachel, I'd sure thank you if you wasn't to tell Jim or Pa
about how I--I...
- Hey, Pa! - Here.
A mountain cat. A big 'un.
- Did you shoot him, Dave? - She did.
[chuckles]
I thought you said you couldn't tote a gun.
And don't say I never asked you about that.
I heard the steers bellowing, then Davey whistled here...
Jim, a mountain cat.
It...it was fretting the animals.
Clean square between the eyes.
No trigger jerking there.
[sighs] Thank you.
Said you couldn't hit the broad side of a barn.
I've been practicing in the cellar.
[music continues]
Ain't you cold, Rachel?
Oh. Come on, Davey.
[Rachel] Come on.
Let's get to skinnin', Big Davey.
Wanna get an early start in the morning.
You pullin' out, Jim?
Like you said, I'm a man with an itch, and that ain't
gettin' scratched the way things stand around here.
Well, Jim, when you do get settled down,
let us know and we'll have a cabin raising.
- Yeah, thanks. - You all ready?
Soon as I, uh, saddle my horse.
I've already done that.
- Mrs. Harvey, I-- - Goodbye, Mr. Fairways.
You're, uh, you're forgetting your guitar.
You'll be havin' use for It, I believe.
Thank you.
[door closes]
Mighty fine, fair woman.
Yeah.
Reckon she's worth more than you paid out.
[Davey] Four's still owin'.
[Jim] I'm wlllln', Blg Davey.
I don't get what you mean, Jim.
You paid out 18 dollars cash and four owing.
I've got silver in my pocket and I'm prepared
to pay you 40 dollars, cash money.
She's my wife, Jim.
You don't treat her like men treat a wife.
You treat her like a bondwoman.
I've been ten years in the deep woods, Jim.
I never ordered anybody off my property.
You ain't ordering me off, Davey.
I'm leaving of my own accord, but not without Rachel.
I offer to buy you out, fair and square.
[groans]
[barks]
Wait till I catch my horse, Dave!
[dogs barking]
- My horse! - My cattle!
[barking continues]
[Davey shouting]
- [Davey] Rachel! - What is it?
- What's all that racket? - They're fightin'.
Pa and Jim, like panthers.
[dogs barking]
[thuds]
[thuds]
[splashes]
[barking continues]
Men.
Two full-grown men fighting
like a couple of wild Indians.
Why?
All right, Davey, why was they fighting?
- You shut, Dave. - You speak, Dave.
Well, Jim wanted to buy you with a profit for Pa.
- And Pa told him to-- - You shut it, Dave!
He'll speak if he wants and all he wants.
- [Rachel] And so will I. - Maybe that's best.
Now, you tell Big Davey you're going along with me.
- Why, you-- - Now, hold on.
Hold on!
Me going along with you?
Now, this may-- may come as a surprise
to you, Rachel. It is to me, but I--
80's I can be bought and sold as you two please?
Now, you wanna buy me so's you can have a wife and a slave
at the same time just like he has.
And then when you want to change you can sell me
to somebody else like he's doin'.
- Now, Rachel, I-- - You shut!
I'm beginning to believe that's just the way
you think about a wife.
Both of you.
Someone to be bought or sold.
Someone to cook for you and do your chores
and flatter your manhood every now and then.
Manhood. Just look at you.
I'm going back to the stockade.
And if you think the work I've done here for you and Davey
and that lazy no-account hunter
Isn't worth 18 dollars cash and four owln',
then you can warrant me with Judge Lang
when he makes circuit.
Only I wouldn't if I was you.
'Cause he likely to throw the lot of you in the guardhouse.
[door shuts]
[sniffing]
Pa, better go after the stock.
[Jim] Come back, boy.
[mooing]
[Big Davey] Get in there. Get in there.
[Big Davey] Get in there. Go on.
Get in there. Get in there.
RacheL
Rachel !
Reckon I'll be on my way, Big Davey,
as soon as I get a bite to eat.
Worked up a powerful appetite.
[Davey]
Guess we won't get no dinner cooked.
Now, ain't that just like a woman?
"Lazy no-account hunter."
Seems kinda strange now she's gone.
- Dave, fetch me my gun. - Where're you going?
[Big Davey] After her.
- Gonna put a warrant on her? - [Big Davey] Nope.
Can't do much without you laying hands on her.
I never laid hands on a woman In my life.
Figurin' on reasonin' her back?
- [Big Davey] I ain't brlngln' her back. - Oh.
If she's ungrateful enough to leave the man
that bought her out of bond and married her legal,
then I don't want her.
Well then, what are you going after her for?
[Big Davey] Shawnee.
Ain't likely they'll move towards the stockade.
Well, she might get lost.
Mind if I ride along with you?
It ain't my forest.
[whistling]
- Get down, Davey. - Why?
- Rachel, uh-- - What do you want?
Oh, nothin'. Nothin' except, uh...
well, you might as well ride. It's long ways to the stockade.
- I walked it before. - Yeah.
Well, uh...here's the horse.
[Rachel] Ride him on back to the cabin and leave me alone.
You're welcome to this horse, ma'am.
No, thanks, Mr. Fairways, I'm walking. Alone.
Well, we can't leave you in the deep woods.
- Been Injun signs. - That's true.
Rachel, you shouldn't go off like this.
It ain't that I'm trying to stop you,
only you're going the wrong way.
Oh.
You've gotta follow the river or you'll get lost.
Thanks.
Jim, I'd appreciate your allowin' me to speak to Rachel alone.
Like you said, not your forest.
I'm tellin' you to stay away from my wife.
Ain't exactly your wife either, come to that.
- Dave, hold this horse. - She won't like it, Pa.
[guitar music]
[Jlm] ♪ Dwells a spinster ♪
♪ Nigh to a bachelor ♪
♪ In between lives ♪
♪ Foolish pride ♪
♪ Long his beard ♪
♪ And grey her tresses ♪
♪ Knowin' not what ♪
♪ Happiness is ♪
♪ Thus they live there ♪
♪ Side by side ♪
Rachel's got you right, Jim. You're a lazy no-account.
Well, someone's meant to sing to lighten others labor, Big Davey.
[Rachel] Davey, want somethln' to eat?
I ain't hungry. Not very.
Well, just a little maybe?
[fire crackling]
I guess they're mighty hungry.
Plenty of game in the woods if they care to hunt.
I reckon you're the better hunter, Jim.
Well, thank you, Big Davey.
I ain't accustomed to shootin' in the dark.
Answer me this, Dave.
Would you give me a half an hour
to plead my cause alone with Rachel?
Not while I'm able.
Well, I ain't no bigger fool than you.
- Well, I ain't hungry. - Me neither.
[guitar music]
♪ In the churchyard ♪
♪ Now they are laid to rest ♪
♪ Buried with them ♪
♪ Foolish pride ♪
♪ Lonely graves' ♪
♪ And granite head ♪'
♪ Grave and only :
♪ Died unwed ♪
♪ So they lie there ♪
♪ Side by side ♪:
[mellow music]
- Davey. - Hmm?
You better go sleep by your pa's fire.
Why?
'Cause he'll be hurt.
He's probably lonesome for you.
- You reckon? - Yeah.
Your mom must have been awful nice, Davey.
She was.
And so are you.
I reckon you take after her.
Not after your pa.
Go on. Get.
[bright music]
- Pa. - Get, you ungrateful whelp.
She ain't so bad, Pa.
Just like a hound dog,
take up with the first one to feed you.
She told me to come back.
She allowed you'd to be lonely.
Well, what's she doing to make a man less lonely?
I reckon we'll get somebody else to do our chores.
I think if you was to ask her--
I ain't askin' her no favors.
Well, I'm gonna speak my piece.
Get it off my chest and go to sleep.
Those that don't care to listen, not obliged.
Rachel, I'm asking that you marry me.
Just as simple as that except for separatin' you and Big Davey.
[Jim] He never appreciated you.
I ain't the catch of the river
but I ain't got so much mule-headed vanity.
I can't admit I'm in love
and come right out and do somethin' about it.
Well, that's my piece, I've said it.
Now, I'm goin' to sleep.
If you like the notion, you'll think it over.
Let me know in the mornin'.
I ain't never let Jim have the last word
and I don't intend starting now.
[Davey] Ask her to come back, Pa.
If the boy wants you to come back, that's good enough for me.
[Big Davey] I ain't beggin'.
But I reckon if you was to say the word, I'd be willin'.
[tense music]
[instrumental music]
Reckon the dogs would miss you too.
[chuckles]
[music continues]
[tense music]
That's a mighty queer-looking sky.
[Jim] Too far cast for you, ain't It?
- [Rachel] Is it forest fire? - [Big Davey] Maybe.
[Davey] The cabin In danger, Pa?
Rachel, you better take Dave
and ride on to stockade and tell 'em.
I'll go back with Jim if he's willin'.
[music continues]
Davey, it could be Shawnees that set fire to the cabin.
- Is that what they think? - I reckon.
You think you can get to stockade alone?
- Sure. - Well then, go there
- and tell 'em, Davey. - But, Rachel--
I gotta go back. I gotta. Now, go ahead.
[intense music]
[turkey gobbles]
[music continues]
[arrow whooshes, thuds]
[dramatic music]
[arrows whooshing, thudding]
Shawnee haven't been on the warpath for a while.
They've lost their eye.
I reckon east-west gives the best vision.
[glass shatters]
[Jim] Pretty quiet back here.
[intense music]
[gunshot]
He's lettin' out the stock.
Hold your temper, Big Davey.
[mooing]
[gunshot]
Davey, you start off, then I'll have to knock your head off.
But they turned the stock loose.
[glass shatters]
Better to lose a few head of stock than your own.
[music continues]
[arrow whooshes, thuds]
[gunshot]
[hooves clattering]
Someone's comin' on a horse.
[music continues]
It's Rachel come back alone.
Moon's breaking out of the clouds.
Head to the cabin!
[dramatic music]
[Rachel screaming]
[arrows whoosh, thud]
[gasps] I sent Davey on to-- to the stockade.
- He'll make it. - Yeah, I reckon.
Yeah.
[intense music]
[turkey gobbles]
[arrow whooshes, thuds]
[gunshot]
[Big Davey] Rachel.
[turkey gobbles]
[intense music]
[gunshot]
[gunshot]
[dramatic music]
[flames crackling]
You shouldn't have come back.
It's just a matter of time now
and this ain't a fittin' place for a woman.
I reckon I know best what's fitting for a woman.
[music continues]
- [gunshot] - [screams]
[indistinct screaming]
[gunshot]
[Shawnees shouting]
[music continues]
[arrow whooshes]
[shouting]
[gunshot]
[gunshot]
[music continues]
[glass shatters]
[gunshot]
[Shawnees shouting]
[flames crackling]
[gunshot]
Fire is awful bad in the bedroom.
[music continues]
- [Shawnees shouting] - [flames crackling]
Come on, Big Davey, we better hole up in the cellar.
[gunshot]
[intense music]
A little low of powder.
Davey must be at the stockade by now.
[shouting]
[coughs]
[tense music]
- [gunfire] - [hooves clattering]
[indistinct screaming]
[door rattling]
[Parson] If you're a Shawnee, prepare to meet your maker.
If you're Big Davey, stay put till we smother the fire.
[chuckles]
[sobbing]
[Parson] All right, you can come out now.
- You all right, Pa? - Yeah, Davey.
I brung 'em, Jim.
[Jim] So you did, young Davey, and I'm proud of you.
- Where's my horse? - Out there.
[Parson] We were mighty worried about you.
Sister Jackson's gonna be relieved.
[Jim] Come on, Parson, let's get after them Shawnee.
Jim.
I oughta give a word of comfort
to Brother and Sister Harvey
and arrange a cabin raising.
You take my council, Parson, you'll leave them two be.
Reckon they've had just about enough visitors
for the time bein'.
Are you leavin', Jim?
I'm a free man, young Davey.
I got an itch to my heel and a load in my gun.
Ain't tasted food in a day and a half.
Reckon I was just born to hunt the meat for other men's tables.
Tell your pa I'll see him when spring comes around again.
If you see Pistol anywhere, send him home!
- Let's go, men. - [Davey] Goodbye, Jim!
[man] We'll be back to help you build!
Pistol!
Pistol!
[whistling]
[Davey] Pistol!
No more bedroom.
[somber music]
No more loft.
[groans] Oh!
Now, that's a real pity.
[spinet music]
Oh, the heart of it's whole and good.
And that's what's important.
- I'll build a new case. - Yeah.
I reckon I never told you.
[Big Davey] I like the way you play.
[mellow music]
[Big Davey] There's a lot ahead of us.
- Yeah. - [Davey] Pa, Rachel.
I found Pistol. He ain't hurt.
He was hidin' all the time.
- I am glad, Davey. - I'm awful hungry.
Well, the fireplace is still there.
Davey, you run on down the river
and see if there's any fish in the trap.
I'll cook up breakfast.
But I'm all tuckered out.
Davey...do as your ma says.
[instrumental music]
[music continues]
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