All language subtitles for Point de fuite (Olivier Smolders, 1987)

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These are the user uploaded subtitles that are being translated: 1 00:00:19,079 --> 00:00:21,707 �B̎N� BOD 2 00:00:25,685 --> 00:00:28,017 Vzd�l�vac� film 3 00:01:28,114 --> 00:01:29,274 Sednout. 4 00:01:58,278 --> 00:02:00,508 Jak jsem sl�bila minule, 5 00:02:00,680 --> 00:02:04,582 budeme pokra�ovat ve studiu z�kon� perspektivy. 6 00:02:05,451 --> 00:02:08,443 Mohl by n�m n�kdo p�ipomenout, co je to perspektiva? 7 00:02:14,961 --> 00:02:18,260 Perspektiva je odrazem linie pohledu. 8 00:02:19,899 --> 00:02:23,858 Je to cesta pro zachycen� prostoru a organizace �ivota v n�m. 9 00:02:25,838 --> 00:02:27,635 V podstat� se jedn� o praktick� cvi�en�. 10 00:02:27,807 --> 00:02:30,469 Mysl�m t�m o dvou rozm�rech, 11 00:02:30,643 --> 00:02:32,304 t�et� lze vypo��tat. 12 00:02:33,146 --> 00:02:37,173 Nezapome�te, �e perspektiva je bl�zkou p��buznou trigonometrie, 13 00:02:37,350 --> 00:02:39,284 kter� pracuje s �hly, 14 00:02:39,452 --> 00:02:41,420 a tak� kartografie, 15 00:02:41,588 --> 00:02:43,954 proto�e projektuje prostorov� pl�ny. 16 00:02:45,692 --> 00:02:49,184 Uplatn�n� perspektivy znamen� p�soben� ve dvou sm�rech, 17 00:02:49,796 --> 00:02:51,889 jedn�m sm�rem ukazuje, co je, 18 00:02:52,065 --> 00:02:54,533 druh�m to, co bylo, 19 00:02:54,701 --> 00:02:57,295 ��m� ukazuje, co by mohlo b�t. 20 00:02:58,504 --> 00:03:01,405 Pou��v� se sp�e jako p�edstava, ne� jako z�znam, 21 00:03:01,574 --> 00:03:05,237 zobrazuj�c� minulost a budoucnost, stejn� tak jako sou�asnost. 22 00:03:07,614 --> 00:03:11,846 Minul� t�den jsem v�m ��kala, �e perspektiva je prastar� v�da, 23 00:03:12,018 --> 00:03:16,512 a b�vala uplat�ov�na v teori�ch o vztaz�ch mezi objekty. 24 00:03:17,357 --> 00:03:20,292 Vzpomene si n�kdo, jak� byly n�stroje 25 00:03:20,460 --> 00:03:22,758 pou��van� perspektivisty v 17. stolet�? 26 00:03:35,675 --> 00:03:37,802 Isabelle, co mysl�? 27 00:04:13,780 --> 00:04:15,714 UD�LEJTE TO JAKO MY 28 00:05:11,170 --> 00:05:12,296 Dob�e. 29 00:05:13,539 --> 00:05:16,440 Ale to mi nezabr�n� u�it v�s jako obvykle. 30 00:06:04,991 --> 00:06:07,482 Zd� se, �e si nem��ete vzpomenout, 31 00:06:07,927 --> 00:06:09,622 jak� byly nepostradateln� n�stroje 32 00:06:09,796 --> 00:06:13,163 renesan�n�ch perspektivist�: 33 00:06:14,033 --> 00:06:15,728 pevn� kuk�tko, 34 00:06:16,969 --> 00:06:19,403 sklen�n� tabule, nebo m��ka, 35 00:06:20,173 --> 00:06:23,472 a n�jak� nit pro stanoven� �b�n�ch bod�. 36 00:06:26,579 --> 00:06:28,945 Dnes se pod�v�me na centr�ln� perspektivu. 37 00:06:29,115 --> 00:06:31,310 Je to jedna z nejv�ce pou��van�ch metod 38 00:06:31,484 --> 00:06:35,147 pro prezentaci r�zn�ch bod� ve v�kresu. 39 00:06:36,489 --> 00:06:39,219 Jej� vyu�it� bude vy�adovat n�kolik definic. 40 00:06:53,639 --> 00:06:55,869 P�edpokl�dejme, �e "O" 41 00:06:57,310 --> 00:06:58,834 je pevn� bod, 42 00:06:59,879 --> 00:07:03,371 st�ed projekce p�edstavuj�c� oko pozorovatele. 43 00:07:03,549 --> 00:07:05,517 jinak zn�m� jako zorn� bod. 44 00:07:07,553 --> 00:07:09,077 P�echod od "O", 45 00:07:10,756 --> 00:07:12,724 polop��mka "R", 46 00:07:13,960 --> 00:07:16,622 odkazy na r�zn� body dan�ho p�edm�tu, 47 00:07:16,796 --> 00:07:20,095 kter� maj� b�t zobrazeny v perspektiv� na obraze. 48 00:07:23,703 --> 00:07:24,870 Na tabuli 49 00:07:26,038 --> 00:07:29,371 "T" p�edstavuje souhrn p�edpokl�dan�ch bod�, 50 00:07:29,542 --> 00:07:31,942 nebo-li perspektivu subjektu. 51 00:07:32,645 --> 00:07:34,374 Vodorovn� rovina 52 00:07:38,017 --> 00:07:39,780 prot�naj�c� "R" 53 00:07:39,952 --> 00:07:41,419 roz��zne obraz 54 00:07:41,587 --> 00:07:44,556 po p��mce "H", 55 00:07:45,258 --> 00:07:47,226 kter� p�edstavuje horizont. 56 00:07:47,393 --> 00:07:49,361 Tato p��mka je limitem 57 00:07:49,529 --> 00:07:52,657 v�ech vodorovn�ch rovin kolm�ch na "T". 58 00:07:53,032 --> 00:07:55,023 Z�kladn� p��mka "LT", 59 00:07:55,201 --> 00:07:57,863 vodorovn� ��ra dole na obr�zku, 60 00:07:58,037 --> 00:08:00,938 p�edstavuje nejbli��� spojnici 61 00:08:01,107 --> 00:08:04,702 mezi pozorovatelem "O" a rovinou ter�nu. 62 00:08:06,879 --> 00:08:08,608 Hlavn� �b�n� bod 63 00:08:08,781 --> 00:08:12,808 je kolm�m pr�m�tem na "H". 64 00:08:14,153 --> 00:08:15,814 "D1" 65 00:08:17,790 --> 00:08:19,485 a "D2" 66 00:08:21,294 --> 00:08:24,991 jsou um�st�ny na obzoru, ve stejn� vzd�lenosti od "FP". 67 00:08:25,965 --> 00:08:28,456 P�edstavuj� rozd�l v "H" 68 00:08:28,668 --> 00:08:31,159 na vzd�lenost "OFP". 69 00:08:31,737 --> 00:08:35,070 To znamen�, �e pozorovatel nem� v�dy pot�ebn� prostor 70 00:08:35,241 --> 00:08:38,802 mezi "FP" a "D" za pr�se��kem. 71 00:08:39,278 --> 00:08:41,872 Oko tedy m��e b�t p�edm�tem optick� iluze, 72 00:08:42,048 --> 00:08:45,779 kterou perspektivist� naz�vaj� anamorf�za, 73 00:08:45,952 --> 00:08:48,147 a kter� d�v� fale�nou p�edstavu reality. 74 00:08:48,487 --> 00:08:50,853 Nakonec si m��eme p�edstavit p��mku 75 00:08:51,023 --> 00:08:54,686 prot�naj�c� v�echny �b�n� body, a t�m definovat to, 76 00:08:54,860 --> 00:08:58,261 co se v 17. stolet� naz�valo "�chylka". 77 00:09:06,906 --> 00:09:07,930 D�le. 5910

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