All language subtitles for 5_6303331979710431292

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Hello.

Hello, sweetie.

Daddy.

lt's early.

Yeah, l know.

l just wanted to let you know
l'm sending you something.

Does it smell nice?

No, but it's sparkly.

Does it have a receipt?

l'm sending it to you from the store.

Why don't you just come by?
We'll have some breakfast.

Well, it'd be a long trip.

l'm in Venice.

With your parole officer's approval,
of course.

Well, l like the guy, Stella,
you know that. . .

but we never really connected.

So l think l've paid my PO
his last visit.

What are you into, Dad?

Don't break my heart.
You told me you were through.

After this l am, l swear to you.

ls Charlie there?

l'm on a cell phone, darling.

l'll call you tomorrow from a landline.

l love you. Go back to sleep. Bye.

Dad?

l love you, too.

l sent it.

You're supposed to do your shopping
after we pull off the job.

-l foel so optimistic.
-Oh?

-How do you foel?
-l'm fine.

Fine?

You know what "fine" stands for,
don't you?

Yeah, unfortunately.

"Freaked out."

-"lnsecure."
-"Neurotic."

-And "emotional."
-Good.

See those columns behind you?

What about them?

That's where they used to string up
thieves who folt "fine."

Well, after you.

For after the haul.

Hope l get to fire it up.

-Still no word from the garbage men?
-No.

lf they're a no-show. . .

it's three months of prep
down the tubes. . .

and l dragged you out of retirement
for nothing.

Oh, this is fun. l like this.

You taking over the reins,
and all the worries.

Me, loosey-goosey,
just along for the ride.

l'm glad you're enjoying yourself, John.

Just remember, a police boat
can get from the station. . .

to our position in seven.

That means you got four minutes
to work your magic.

No, you told me ten,
and you said l would have five.

When?

Do not be messing with me
right now, okay? l will kick your ass.

Oh, yeah?

Come on, take your best shot.
Come on.

What?

Come on. Let's go.

-What is it this time?
-Da Vinci.

-Architect. Engineer. Painter.
-Yeah, fascinating.

Hey, hey, look, look. Check this out.

"Learn the language of poetry,
art, romance, sex."

Unlike you, my friend,
l don't need a guidebook.

-Can we go? Please?
-Right, guvnor.

Come along, make yourself useful.
Untie that line.

-Today.
-Yeah.

Yeah, Gilligan, if you don't mind.

-Are we set?
-Yeah.

l've enhanced the viewing matrix. . .

to track both the Cartesian coordinates
and three altitude angles. . .

the yaw, pitch and roll, to give us. . .

the exact position and orientation
of our baby.

We're in ltaly. Speak English.

Steve, how we looking?

15,
so the garage is empty.

Mama left with daughter at 8:30
for preschool as usual.

So for the next 45 minutes. . .

we own this place, gentlemen.

Still no word from the garbage men?

Hey, who got you
the beekeepers in Budapest?

They'll be there.
You can trust these guys.

Steve, how many times
do l have to tell you?

l trust everyone.
l just don't trust the devil inside them.

We're in.

Just tell me where to paint.

-Your men are still not in position?
-They will be.

But you don't know that, Steve.
We should abort.

l'm sorry, John,
but l think that's Charlie's call now.

Our baby's being taken out of here
tonight, and this is our only shot at it.

Charlie?

Keep going?

lt's up to you, kid.

lt's a go.

Okay, Steve.

From the west wall, measure 1 4'8".

Got it.

Now measure 8'5" from the north wall.

That's the northwest corner of our baby.

Got it.

Well, it's right above you.

Now, paint...

2'9" wide...

2'5" deep.

Okay, Left Ear, you're up.

14'4" from that west wall.

Yeah.

The garbage men are in position, John.

All right, Charlie,
someone just called it in.

The police boat's heading your way.

Seven minutes and counting. Let's go.

We got four minutes to load and leave.
Let's go.

Hey, you guys, come here.

l want to propose a toast.

To us.

-Yeah !
-Right!

And l want to propose a toast
to Charlie. . .

because we just stole
$35 million worth of gold. . .

without even holding a gun
because he planned this down to a T.

Nobody else could have done that.
Nobody.

-Charlie!
-Charlie!

Thank you.

So, come on, gentlemen.

Shopping lists. Who's doing what?
Spare no dirty details.

Come on, you guys.

Take a lesson from an old man.

Don't spend it. lnvest.

ln what?

ln gold.

Let's figure out how to
get out of here first, all right?

What are you getting, Rob?

l don't know, there's a lot of things
you can buy with a lot of money.

Now, l'm just thinking about
naked girls in leather seats.

Obviously. See?

l suppose l'd get
the Aston Martin Vanquish.

There's not a lot a girl won't do. . .

on the passenger seat
of one of those things.

l'm going to get a NAD T770. . .

digital decoder with the 70-watt amps
and Burr-Brown DACs.

-Yeah.
-lt's a big stereo.

Speakers so loud
they blow women's clothes off.

Now you're talking.

$35 million, you can't get
more creative than that, man?

l'm going to Andalusia,
south of Spain, right there.

Get me a big house.

Get me a library full of first editions.

Get a room for my shoes.

What about you, Steve?

l don't know, l haven't decided yet.

You haven't decided yet?

Come on, man.
ls it the mountain air or just. . . .

l liked what you said.
l'll take one of each of yours.

-Well, two of everything for Steve, then.
-Two of those.

Loved the toast.

But you could've pulled this off
with your eyes closed.

No, you were incredible.

Just incredible.

You saw the whole picture.
You covered all the angles.

You know, Charlie. . .

there are two kinds of thieves

the ones who steal
to enrich their lives. . .

and the ones who steal
to define their lives.

Don't be the latter.

Makes you miss out
on what's really important in this lifo.

What are you talking about, John?

You've been a good father.

Sitting in prisons
doesn't make you a good father.

l spent half my kid's lifo in prison.

Don't get to be my age
with nothing but this, Charlie.

Find somebody you want to spend
the rest of your lifo with. . .

and hold on to her forever.

Okay?

Hey.

Let's go. l'm freezing my ass off.

Yeah.

Steve's getting cold. You, too?

l'm all right.

l love you, kid. You did really great.

Thanks, John.

Let's go.

You should've seen Rob
behind the wheel of that boat.

He was like Don Johnson.

Oh, yeah, from Brixton.

Yeah, but what do you know
about Brixton, eh?

Look at this idiot,
right in the middle of the road.

Who's that? What's this, what's this?

Who the hell are these guys?

-Hey!
-Take your hands off the wheel.

Steve!

Don't even think about it. Just do it.

No, no, no, John.

Steve, what the hell are you doing?

l made a fow plans of my own.

There's nowhere you can go where we
won't find you, Steve, you know that.

l think that's probably right, John.

Go! Go! Go!

Charlie.

We got to go, Charlie.

You always work in the dark?

Makes me foel like l'm alone.

Not bad. Not bad, Stella.

-Damn. Hurley couldn't crack that safo.
-Neither could Spears.

Now you know who to call first.

You're expensive, Stella. Those guys
cut us a break on subpoena jobs. . .

good will, community service.

l do it for the money, Paul.
l'll be sending you a bill.

-Don't you want to see what's inside?
-l never look inside.

Have a good day.

-Hey, George.
-Hi, Stella.

-How long to crack it?
-Four minutes and 43 seconds.

Oh ! You're the man.

-What's on the lineup?
-Todd Milliken called.

He has a prototype combination lock
he wants you to test out.

He says he added
two false contact points on the tumbler.

l'll pretend to be stumped for a couple
of seconds, give him a thrill.

And there's a Charlie Croker
in your office.

He says you two know each other.

Charlie Croker.

Hey, Stella.

Didn't l tell you
l never want to see you again?

l think it was when you told me
how my father died. . .

right in front of your eyes,
after you pulled him in for one last job.

We found him, Stella.

He's in Los Angeles.

The gold bricks he stole from us had
a Balinese dancer stamped on them.

l just got word from a contact of mine
called Skinny Pete. . .

that a gold dealer out in LA
has been buying those bricks.

Yeah?

Well, how do you know it's him?

Skinny Pete sent me this.

Steve changed his last name to Frezelli.

Why are you telling me all of this?

Been checking out the databases
of some high-end safo companies.

Found out Steve
had a Worthington 1 000. . .

delivered to his home office.

You don't install a Worthington 1000. . .

unless you've got something
really big to guard.

No, you don't.

The problem now is no one in my crew
can handle Steve's safo.

l need somebody l can trust.

Look, l'm a profossional safo
and vault technician. l'm not a thief.

Hey, it's not about the gold,
Stella, okay?

John was like a father to me, too.

Look, l'm sorry, all right?

l just can't move on
until l've set things right.

l've moved on.

Come on, Charlie.

Come on.

Hello.

l want to see the look on that man's face
when his gold is gone.

He took my father from me.
l'm taking this.

She's in.

-And that's a good thing?
-lt's a very good thing.

She can crack the Worthington 1000
without even flinching.

l'm not sure having a civilian
on the crew's a good idea, Charlie.

She's got the skill
and she's got the motivation.

Exactly.

She's emotional.

You know what happens
when emotion gets into it.

Look, don't kid yourself, all right?

We're all emotional on this one.

Let's go.

-Are you ready?
-Of course l am.

You're not ready.

That was quick.

Where are they?

We're a little early. l didn't expect
us to get here quite that fast.

There. That's Lyle.

He's my computer genius.

You know, he's who really
invented Napster.

At least that's how Lyle tells it.

He said Shawn Fanning was his
roommate in college and stole his idea.

l think it's his first time
riding that bike, though.

Hey.

You okay?

Yeah.

That's Left Ear.

Demolition and explosives.

When he was ten, he put one too many
M80s in the toilet bowl.

Whoa!

Damn, that was cool.
How'd you do that?

What?

How'd you do that?

What?

l said, how did you do that?

What?

Lost the hearing in his right ear.

He's been blowing stuff up ever since.

Handsome Rob, premier wheelman.

Once drove all the way
from Los Angeles. . .

just so he could set the record
for longest freeway chase.

You know, he got 110 love letters
sent to his jail cell...

from women who saw him on the news.

And you?

l never heard how you got your start.

Me?

Well, l've been a thief
since l had baby teeth.

Okay, you both know what to do.

Cough it up now.

Watch it, spaz!

Hey, what's your problem, man?

-Hey, Charlie.
-Good to see you, man.

-You good?
-Yeah.

-Charlie Hustle.
-Good to see you.

-Hello, Charlie.
-Rob, what's up? Good?

Guys, Stella Bridger.

Hi.

How you doing? Nice to meet you.

Phones?

Yeah, they're all fresh and clean.
l got internal chips in them.

Please change them twice a day,
or we will get heat on line.

lDs?

"James Hymen !"

Come on, man.
One time, give me a cool name.

A hundred and forty pounds? Try 165.

-Try lifting some weights.
-Try lifting up these.

Guys, enough.
Come on, we leave tomorrow, all right?

Let's go.

Hey, Charlie. . . .

Handsome, can you help him
with the bike?

Yeah, help Knievel set up
for his next jump.

Man, out of all of the places
for a thief to hide. . .

this joker picked Hollywood.

He's a punk, but he ain't stupid.

All right.

We need to figure out a way
to get into Steve's house. . .

and make a video blueprint
of the interior.

l want audio surveillance on his phone.

Oh, yeah, l been wanting
to try something.

l'll crack into the phone company's
remote monitoring system. . .

and fool it into thinking
there's a legal tap on the line.

Just reroute the digital copies
of the calls to our own listening post.

l've been doing it to my ex for years.

How long?

No. How long will it take?

Not how long
have you been doing it to your ex.

l'll burn through the night.
l'll have it running by morning.

Sorry l'm late.

We gotta work on getting Steve
out of the house.

Stella, how much time will you need
with the Worthington?

-Five minutes flat.
-Don't be cocky, young lady.

lt's not the same as opening
a safo for the police.

Got perspiration on your fingertips,
your heart's pounding in your ears. . .

whole different ballgame.

l appreciate your concern. l'll be fine.

Look, just remember,
this is all the easy part, okay?

lt's the getaway that can get us caught.

-So what's the sketch?
-We drive to Union Station.

The getaway car goes
right onto the train with us.

We need to know exactly how long
it's gonna take. . .

to get from Steve's house
to Union Station.

Oh, great. Carson Security System.

How good is it?

Carson's held an annual contest.

$50 ,000 to anybody
that can bypass the system.

The who's who of ex-cons
always show up.

Five years running, no one's been paid.

Okay, party people, here's the status.

lt's an anti-scaling fonce.

lt's hardened, electro-plated steel.

Yeah, l'm gonna have to paint that up
with some nitromin.

-Security on the property?
-Got an armed guard here.

Little rent-a-cop, with a 9mm on his hip.

But that booth. . .

security booth look prime
for a chemical grenade.

Nitromin, chemical grenades,
that stuff's pretty hard to come by.

Yeah, Lyle, it's a bear market.

Shit.

This dude got dogs.

l don't do dogs.
l had a real bad experience, man.

-What happened?
-l had a bad experience.

Damn it. l'm deaf!

"You turn in your badge
and your weapon. . . ." Oh, shoot.

"Turn in your badge and your weapon."

Crush.

"l don't wanna see you
anywhere near this investigation."

"And turn in your badge
and your weapon."

"l don't want to see you
anywhere near this investigation."

Hey! lt's a green !

"Turn in your badge and your weapon."

Green !

"l don't want to see you
anywhere near this. . . ." Oh.

"Turn in your badge and your weapon."

Unbelievable.

There he is.

Let's get to work.

lt's either bad traffic, peak traffic. . .

or slit-your-wrist traffic.

You know, five people died from
smoking, in between traffic lights today.

Well, you know, they do have
the Metro Rail, Rob.

We could always use that.

That'd be ideal for carrying
a ton of gold, wouldn't it, genius?

What's your guesstimate?

The last 20 times
l've done the journey. . .

you got an average of 32 minutes
and a top time of 50.

But, if we had green lights all the way,
we can do it in 1 4 minutes.

Wait, you couldn't get through traffic?

We could do anything
with green lights all the way.

Lyle?

l'll see what l can do.

You're right on time.

All these poor bastards out there. . .

putting their lifo savings in banks
and S&Ls and mutual funds.

What do they think,
when the collapse comes. . .

they can depend on the government?

l don't think so.

-Are you taping me?
-Of course not.

l never tape you.
Come, look. See for yourself.

Governments are nothing more
than puppets and strings. . .

in a world where NAFTA
can overrule the Supreme Court.

Like my cousin Mashkov always says,
"This is our only refuge, baby.

"Gold."

Every time l look at these engravings. . . .

She's so beautiful.

-Where did you say you got these?
-l didn't.

A little walking around money.

l guess l'm not walking
as far as l thought.

l'm sorry. l can only buy two bricks
from you today.

That wasn't the agreement.

What can l say? l'm just middleman.

l'll buy the other two from you
on Wednesday.

Don't waste my time, Yevhen.

So, what does a man with
$35 million worth of gold do at night?

He watches his big-ass TV.

That's our in.

-Stella.
-Jesus!

Charlie!

-How did you get in here?
-Well, l knocked, but you didn't answer.

-What, so you just let yourself in?
-l was just making sure you were okay.

l apologize. l just. . . .

Don't look.

Okay.

You got a lot of stuff here.

You know, your dad was old school.
Did the whole thing by touch.

That worked for him. This works for me.

Technology guarantees
speed and accuracy, you know.

Yeah, but there's no guarantees
in this business, Stella.

Why the headphones?

Just training myself.

Ambient noises, you know, just in case.

What do you want, Charlie?

We're gonna knock out Steve's cable,
and we need to send in a repairman.

To get your video blueprint
of the interior.

Yep.

Only problem is
Steve thinks we're all dead.

Except me.

l'll do it, Charlie.

l'm in, all the way, whatever it takes.

All right. l'll set it up.

Okay.

You maybe want to get a drink
downstairs with me. . .

before l go back to my room?

l should finish this stuff up, you know?

-Just get it all done tonight.
-Yeah.

-Sorry l scared you.
-lt's okay.

Good night.

Bye.

And then he's just the media darling.

He's on the cover of all the magazines.

l should've been on the cover
of Wired magazine.

You know what he said? He said. . .

he named it Napster
because it was his nickname. . .

'cause of the nappy hair
under the hat, but he. . . .

lt's 'cause l was napping
when he stole it from me.

He didn't even graduate.

l think it's time to move on, don't you?

They shut him down.
l wish they'd do the same to you.

Yeah, here we go. Cable chick.

Becky. Nice name.

l wonder what she calls the other one.

And it's such a mystery
why you don't have a girlfriend, Lyle.

So, all we need is a service truck
like that one. . .

a work shirt like hers.

-You think Stella can pull it off?
-l have my doubts.

There's no talking to Charlie, though.

You think he's. . .

mixing business with pleasure?

He should know better.
Only l'm allowed to do that.

Right. Where you going?

Get a work shirt and a service truck.

Are you kidding me?

How does he do that?

How do you do that?
What are you saying?

Hey, how are you?

Oh, good. l'm good.

Nice to meet you, l'm Handsome Rob.

And you are?

Oh, my name's. . . . My name's Becky,
but it's written on my shirt.

Listen, l'm gonna need your shirt
and your truck.

Perfect. l'll give them both to you.
Would you. . . .

Would you like my virginity as well?

lf it's on the menu.

Oh, you're so witty.
Why don't you take advantage of me?

Yeah, you're not too bright, are you?

No.

Perfect.

-What can l do for you, Mr. Frezelli?
-The cable's out.

The TV, the modem, everything.

Now get somebody up here
and tell them to hurry up.

-Netcom Cable, how can l help you?
-Hi, l'm up at 3320 East Skyway...

and the cable's just gone out,
our modem, everything.

Okay, let's see, sir. l have a
Thursday between 9:00 and 3:00...

-if that would be good.
-That's going to work. Thank you.

Guard just called the cable company.

What time's the appointment?

Thursday between 9:00 and 3:00.

Hello.

Hi, l'm calling from Netcom Cable.
l understand your service is out. . .

and there was an appointment
set up for Thursday.

-Yes.
-Well, we have a technician...

working in your area who's finished with
an appointment earlier than expected.

Will somebody be there
for the next hour?

Sure, that'd be great.

All right, our technician will
see you then. Have a nice day.

Here's all the paperwork you need.

Just get him to sign and date
at the bottom.

Let's check out the camera.

Stella, you'll be going patriotic today.

Make sure you walk slowly
or the image will streak.

-l'm sorry.
-lt's okay.

Sorry. Couldn't pin the corsage
on my prom date, either.

-What, you had a prom date?
-lt was his cousin.

There's cable lines in the kitchen,
living room, bedroom. . .

and a cable modem on the computer
in the office.

You need to locate the safo
in the office.

Okay.

l just want you to know
l think you're very brave going in there.

l know it won't be easy.

l second that.

lt's gonna be fine.

What?

You know what "fine" stands for?

"Freaked out, insecure. . .

-"neurotic and emotional."
-"Neurotic and emotional."

-You'll be great.
-Yeah.

Good morning. Can l see some lD?

-Thanks for coming so soon.
-Hey, that's part of the job.

All right.

Aston Martin Vanquish.

Looks like that bastard took my car.

Nasty-ass dogs.

Hey!

Cease.

Relax. Jesus Christ.

Come on, they won't bother you now.

Come on.

House.

Go on, get out of here.

lt's okay, l'm used to running into
all sorts of animals on my job.

Steve Frezelli.

Becky.

-You wanna show me that problem?
-Yeah, of course. This way.

-You have a really nice house.
-Yeah.

1922. All the original tiles.

Every stone in that courtyard
hauled from some monastery in Seville.

What a tactic.

Monastery.
Monastery for punk-ass creeps.

You don't seem impressed.

No, it's just that l don't think
lugging a bunch of rocks. . .

from one place to another
is quite that interesting, you know.

lt doesn't quite do it for me.

What does do it for you?

TVs.

l have a monster TV.

Not working right now, but--

But, you know, l should probably
check out the cable modem, you know.

Yeah? Yeah, right. Over here.

l paid $30,000 to some punk kid
to put this system in.

One day, it just goes out.

Ought to have him strung up.

Here we go.

There's our baby.

We got him.

-Got any wiring coming through here?
-There's no wiring in here.

-Just right here?
-Yeah.

No explanation, just....

Look at that, that's my. . . .
That's my NAD T770.

That's my stereo.

l bet most of your customers...

are pretty surprised when they go
to open the door for the cable man. . .

-and find you standing there.
-Oh, yeah.

He's hitting on her.

There's no problem here.
l should maybe just check the TVs.

Okay.

You know what? End this shit right now.

l'll blow this shit
right off the mountain right now.

No, no, no. Hey, hey, hey.

-l see you got the AVM processor.
-Only the best.

Check the box.

l'm just gonna reset your system.

Sometimes these things
just get jammed up, you know?

That should do it.

lt's fixed?

Turn her on, let's see.

Now.

Japan's Nikkei index....

lt's perfect.

Becky, huh?

Have we met before?

No, l don't think so.

lf you can just sign there.

So, if l was to ask you out to dinner. . .

would l be the first one
of your customers to ever do that?

What, you asked your
last cable repair guy out for a date?

No, but the last one was, like,
300 pounds, had a handlebar mustache.

You know, not really my type.

l don't think it's a good idea.

What, is that, like,
some cable company rule?

No, actually, it's just my rule.

l don't go out with strange men.
l just met you five minutes ago.

So, l guess l have to, like,
sabotage my cable, you know. . .

till we get to know each other
well enough.

Have a nice day.

Come on, l'll be a perfect gentleman,
l promise.

l won't even ask you
for your phone number.

l'll just. . . . l'll meet you.
Anywhere you want to go.

Come on, break your rule. Once.

lt's just dinner.

ls that a yes?

Are you okay?

Yeah.

He touched my hand.

He came on to me.

Hey, at least l. . . .

l created a window of opportunity, right?

When he goes out Friday night,
we go in.

By the time he realizes
you've stood him up. . .

we'll be long gone with that gold.

Yeah.

Make sure you shuffle them cards
this time, Left.

Hey, Lyle. . .

what's the distance
between the front door and the vault?

-You're dealing while my back's turned.
-You've got that loser's paranoia.

Lyle!

He only answers to "The Napster" now,
Charlie.

No. l'm not calling you The Napster.

Why not? You call him Left Ear.

Well, l am.

And him, Handsome Rob.

Well, that's because
he is Handsome Rob.

Well, you can call me The Napster.

Come on, they were at the same college
at the same time.

Why are you encouraging this?

lt is a verifiable fact.

He was my roommate,
he stole my ideas.

l am The Napster.

All right. All right.

What is the distance between
the front door and the vault, Napster?

lt's farther than you want to carry it.

Yeah, but, so, how do we get the gold
from the vault to the getaway car?

How wide is the hallway, Napster?

Six foet.

Okay, you got your gold.

Well, we need more cars
to handle the weight.

Looks like l'm gonna need some help
with the custom work, too.

l know a man for the job.

So l modified the camera
to include the LlDAR technology. . .

so we can create
really hi-res digital maps.

-Who's that?
-Rob's mechanic friend.

-Hey, Charlie.
-Hey.

-Charlie, this is Wrench.
-Hey, what's up, man?

Rob tells me you got real talent.
We need some bodywork done.

We need to pack up to
2,700 pounds of cargo in these Minis. . .

with enough suspension
and horsepower. . .

to outrun anything chasing us.

-2,700 pounds of what?
-Of whatever.

So, what do l get
out of this mystery deal, man?

$1 0 ,000 .

All right.

Hey, hey, hey.

We didn't get a chance to meet yet.

Wrench.

-Ham and cheese.
-Oh, that's cold.

Damn, that's cold.

You want all greens?
'Cause you got them.

What you got?

Welcome to LA's
Automated Traffic Surveillance. . .

and Control Operations Center.

See, they use video foeds
from intersections. . .

and specifically designed algorithms
to predict traffic conditions. . .

and thereby control traffic lights.
So all l did was come up with my own. . .

kick-ass algorithm to sneak in,
and now we own the place.

-You want to do a dry run?
-l thought you'd never ask.

See, red light? Green light.

-Danielson?
-Yeah.

What's up with Grid 34?

Let's check it out.

Hey, hey.

Oh, oops, did l. . . .

Oops, wow. But it's awesome.
ls that not awesome?

-Can you change it back now?
-Yeah.

Lights are working fine.

lt's just an accident.

That's good.

-What are those?
-Unnecessary engine parts.

l lost your smog controls,
and 200 pounds of body fat.

You got yourself
a sweet ride now, Charlie.

You know what
l'm thinking about right now?

The look on Steve's face.

-You're early.
-l'm in a hurry.

Of course you know
that the Florida vote rigging. . .

-was a ClA and mob operation.
-ls that so?

Yeah, which is not so very different
from when your John F . Kennedy. . .

won a rigged election
with the help of his father.

You're uncomfortable
that l mentioned it.

No, Yevhen,
l don't like making two trips.

You Americans.

You love your heroes.

A holiday for Columbus?

He makes the wrong turn. . .

and wipes out
an entire indigenous people.

-And you know what he was looking for?
-l bet you're gonna tell me.

Gold. Supposedly for Queen lsabella. . .

but don't think that the Medicis
back in ltaly. . .

didn't want a part of that action.

And what did ltaly need gold for?

For the long-distance slave trade
based in Venice.

Venice, that's where these bricks. . . .

-You were saying something?
-Nothing. No.

No, you were really on a roll there.
Don't stop. l'm interested.

Please, l'm confused. My English is--

You understand fine.

-Now, what do you know about my gold?
-No, l don't--

Don't you even think about lying to me.

Okay, okay, l heard a rumor
about a heist in Venice.

$35 million in bricks. . .

with an imprint
of a Balinese dancer on them.

-Who have you told?
-No one.

-Who have you told?
-No one! l swear to God !

You swear to God?

You crazy? l swear to God.

l didn't.

Well, then, l guess l believe you.

Yevhen.

Let's putt it this time.

Putt, not drive.

Very good.

lf you can just get it. . . .
l know you can, l know you can do it.

Much better.

l'm here to see Skinny Pete.

That was great.

-Yeah, he's over there.
-Thanks, man.

-Don't stare.
-Huh?

Don't stare. He doesn't like it
when people stare at him.

Stare at what?

That was good. That was good.

Try that one.
l know you're gonna get that one.

That was great.

-Skinny Pete.
-Yo, Charlie.

What's up, man? How's it going?

So was l right about the gold bricks
or what?

Oh, l'm not here to talk about that.

We need some supplies.

Baby, go relax.

-Baby--
-Go relax.

Yo.

Supplies.

-What's wrong?
-Huh?

Some, some nitromin.

Some. . .

some nitromin, primer. . . .

-What's wrong?
-Huh?

Yo.

Nothing. l'm cool, l'm great.

-l just need some, a big can of--
-Nitromin, primer. . .

-detonating cord. . .
-Right, right.

. . .two triple-charger chemical grenades,
and a launcher.

Right, like l had,
you know, told you earlier.

All right.

Cost you about 5 G's.

Done. Call me.

Thanks, man. l'm sorry about that.

All right, man.

-Peace.
-Come on.

Get out.

There.

Vance has something to tell you.

Go on.

A couple weeks back. . .

l was working counter
of your cousin's shop.

A guy come in asking about gold bricks
with Balinese dancer on them.

What did you tell him?

l told him that l'd seen the bricks.

l'm sorry.

What did this man look like?

He had long black hair. . .

big tattoo on his neck.

He must have weighed
at least 400 pounds.

l know that guy.

Baby, go relax.

Do you know who l am?

You're Mashkov.

That's right.

You were asking about gold bricks
with a Balinese dancer on them.

Tell me why.

Steve just called to confirm
his 8:00 reservation at the Water Grill.

- Okay, let's go over it one more time.
15.

Safo popped by 8:25.

Loaded by 8:35, out the door by 8:45.

Straight to Union Station.

Only green lights on your route.
The rest of the city's red.

Cops are stuck in the traffic
like everyone else.

Train leaves at 1 0:00.
Cars have to be on the carrier by 9:30 .

Timing's got to be dead on.

Let's get ready.

Let's get it.

Wow, that is a nice car.

Sorry, Rob.

Coast is clear, guys.

This is it, guys. Moment of truth.

What the hell is this?

Shit!

Steve's neighbor's throwing a party.

-Are you here for the Baker party, sir?
-No.

We're not blowing
any gates tonight, guys.

Too many witnesses.

Stella.

l know, l know.

l'm late for my date.

Yeah, and you gotta be charming.

We'll need him to ask you out again.

Sorry.

You need to get out of the street.

l really can't imagine you doing that.

What's that supposed to mean?

Well, you don't really seem like
the adventurous type, you know?

Don't let the cable uniform,
you know, throw you.

Well, l wasn't making assumptions.

Well, l've made some assumptions
about you.

Oh, really.

And?

Oh, well, we're just gonna
have to wait and see.

Why wait? Let's get a check.

Let's go back to my place.
No assumptions. . . .

Not tonight.

lt's late. l should go home.

What, do you have
a cable company curfew?

No, but l've made some bad calls
in the past.

Hey.

We should take this
maybe a little slow, you know?

This lovely dinner,
sparkling conversation. . .

-you still don't trust me?
-Oh, no.

l trust everyone.

lt's the devil inside them l don't trust.

That's an interesting saying.

lt's charming. Where'd you pick that up?

-Can't remember.
-Really?

l knew a guy who said it
exactly like that.

-Really?
-Yeah.

He's the only person
l've ever heard say that.

He said it all the time.
His name was John Bridger.

You're hurting my wrist.

He had a daughter
and she was about your age.

Let go of my wrist.

l knew there was something
familiar about you.

You're exactly like your old man,
you know that?

l liked him, too, right from the start.

l liked him right up until
the minute l shot him.

Who are you working with?

She's with us.

Gang's all here.

You know the only thing worse
than a thief, Bendel?

A coward.

Then you should have seen the way
your daddy begged for his lifo.

-lt's not worth it.
-Put a leash on your cat.

-Hi, Steve.
-Charlie.

Not bad, Charlie. Really, not bad.

You have no idea
how hard it is for me. . .

not to reach across this table
and kill you with my bare hands.

You know better than that, Charlie.

Can't let emotion into these things.

Tell me it wasn't about emotion. . .

when you shot John
and left us all for dead.

That wasn't about emotion.

lt was about a lot of gold,
and l wanted it.

Anything you think you deserved,
you didn't.

Hey, don't talk about right and wrong
with me, man. . .

'cause l just don't give a shit.

Okay?

You've got your cards, l got my cards. . .

we made our play,
and l came out on top, okay?

Now if you want to start
the game up again. . .

that's fine with me.

What. . . . l mean,
what is your play here, really?

l mean, come on, what do you think?

You'll try to take out my guards, right?

l have five of them
that you don't know about.

You'll try to have Lyle hack the system. . .

but l'll change it again
tomorrow morning.

And what was your final move?

l mean, you were gonna have
Bridger's daughter come in. . .

and try to crack my safo?

l mean, that's very poetic and all. . .

but l just don't see it.

l don't think she'll get anywhere near it.

Same old Steve, huh?
Always thinking defonsively.

That's why you're always number two.

-How do you figure that?
-You've got no imagination.

Couldn't even decide what to do
with all that money.

You had to buy
what everybody else wanted.

Oh, well, try this on
in your imagination, okay?

That gold is already gone.

-That's bullshit, Steve.
-No, really, it's over, Charlie.

l'm trying to move the last two bricks.

You want to come after me
over a couple of lousy bricks?

l mean, really, be my guest.

Really. But you're off to a bad start,
you know?

'Cause you just blew
the best thing you had going for you.

You just blew the element of surprise.

Surprised?

lt's over when l say it's over.

Are you all right, sir?

How you doing?

Good.

Considering. . . .

Considering the fact
that l'm doing all of this. . .

for a man l barely knew.

You know what bothered me
all those years, Charlie?

lt was that. . .

whenever he'd call me to tell me
that he was on some job. . .

l knew you were right there with him.

You got to know him
a lot better than l did.

Just 'cause he was around me more. . .

doesn't mean he wasn't thinking
about you all the time.

Be nice if it was true.

lt is true.

He always regretted not having been
a good enough father to you, Stella.

How do you know that?

Because he told me.

What did you do to your hand?

l punched Steve.

And why do you get to punch him
and l don't?

'Cause those hands
are way too valuable.

Hey.

You okay?

There'll be nothing left of that
if you keep rubbing it.

Tell Mr. Frezelli we'll see him at 8:00.

Charlie!

He's flying the coop.

When?

His security guard called
for a private helicopter at 4:00 p.m.

There is an armored car service
coming to his house at 5:00.

There is a cargo plane scheduled
to depart LAX at 8:00 p.m. . .

to Mexico City.

What if he's moving the safo
as a diversion?

We crack it, it's empty,
the gold's somewhere else.

Steve's not about to let that gold
out of his sight.

lt's gonna be in that truck
and he's gonna be watching it. . .

every step of the way
from the helicopter.

-So the gold's headed to Mexico.
-Well, who knows where?

They could change the flight plan
in midair.

Slow down, slow down.

You guys are looking at this
the wrong way.

This is good news for us.

Charlie, what do you mean
"good news"?

We've been trying to get
to the gold in the safo. . .

now the safo is coming to us.

We're gonna boost it in transit.

Charlie, he could take
a dozen different routes to the airport.

We have no idea which one.

We can't take out an armored truck
during rush hour.

We're already set up to do it.

Napster. . .

gridlock every route
except for the one we choose.

Force that truck to go exactly
where we want it to go.

Where do we want it to go?

We can't have a shoot-out
with armed guards, we'd lose.

l'm gonna do it like the ltalian job.

-Hello.
-Why'd you do it?

-Do what?
-Yevhen.

You didn't have to clip him.

Whoa, whoa, what are you talking
about? We didn't clip anybody.

Well, Yevhen's cousin is under
the distinct impression that you did.

Why does he think that?

Because you wanted to know
about the gold with the Balinese dancer.

-You told him that?
-Listen to me, man.

lf there's one thing that l know,
is never to mess with Mother Nature. . .

mother-in-laws
or mother-freaking Ukrainians.

Look, l need a favor.

-Yeah.
-Had a hiccup last night.

Could use some help.
More hands-on this time.

-You interested?
-Could be.

But l don't like to be kept in the dark.
lf l'm in, l'm in.

Okay, you're in.

All right.

-What do you think, Charlie?
-This'll work. Let's go.

You're amazing. lt's a work of genius.

You okay?

-Yeah, just give me a moment.
-Now?

l'm about to insert this pin
into this detonator tube. . .

and if the brass touches the sides. . .

we'll both be the last people
we ever see.

Take all the time you need.

-Hey, Charlie.
-What?

l love you, man.

l love you, too.

Okay.

Your attention, please.

Metrolink train number 774
will arrive in approximately 15 minutes.

Check positions.

Napster?

l'm in position.

Handsome Rob?

We're in position.
Everything's quiet here, Charlie.

Wrench?

Set.

Charlie, we got an uninvited visitor.

There's a motorcycle guard
following the truck.

We'll deal with it.

Who are these cats?

-What's wrong?
-Charlie, you won't believe this.

He's brought in three armored trucks.

lt's a shell game. Shell game now.

Well, boss, l can't reroute the truck
if l don't know which truck to reroute.

Just go with the one
that Steve follows in the helicopter.

Remember, you said he'd never let
that gold out of his sight.

Unless he's playing us, and he is.

Okay, let's go!

Moving out!

Here we go.

They're pulling out.

Napster, pull up the traffic cameras
you're watching.

Where's the first camera
the trucks go past?

Vine and Yucca.
They're all gonna cross there.

See which one's riding low.

First one is. . .clear.

The first two are the same, so. . . .

Houston, we have our truck.
lt is number 128.

We're moving out.

Three-kilo-bob to two-fox-mike,
we're heading to the airport.

Okay, guys, truck 128
has turned right heading west.

Gridlock time.

Mr. Scott, pick up
a courtesy telephone, please.

We've crashed.

lt's not a crash.

We've got power.

l can't log in.

They are about to hit a major detour
and be sent your way.

Oops.

You'll never shut down. . .

the real Napster.

What's your problem?
The lights are all out!

What do you want me to do?

Truck 1 28, what is your progress?

This is truck 128.

Traffic's out of control here.
We've got to look for another route.

Check the police band.

Okay, l'm opening up a space
on Highland.

-Oh, get us out of here.
-l'm trying.

And he's taking it.

Police scanners are saying
computers are down. . .

at Traffic Control Center.

Nice, Charlie.

What are you up to? Go back.

l now command you to turn left.

Come on, take the left.

Yeah, you did. You did.

Give us the flag.

Metro just passed through the station.
You are clear for 90 seconds.

Go.

Come on, Steve.

Whoa, whoa, whoa!

-Whoa!
-Look out!

30 seconds and counting.

15 seconds, you're either blocked in
or you're paint on the train.

Go, go, come on, come on, come on !

Stay right on me. This is gonna be tight.

Go, go, go!

You're gonna stop right there.

Okay, guys.

Coming into position.

Stay cool.

Ten. . .

nine. . .

eight...

seven...

six...

five. . .

four. . .

Don't lose them, don't lose them,
don't lose them.

...three...

two...

one.

Damn.

Where's my truck?

What? What the fuck
happened to my truck?

lt just blew right through the street.

Well, get under there.

-We have another problem, guys.
-What?

-This isn't the Worthington 1 000.
-What?

He switched safos on us.

-Can you do it?
-lt's lsraeli made.

lt's got a glass re-lock system.

There's a pane of glass right here,
behind this door. . .

and if l don't drill perfectly
through that hole. . .

steel rods snap into place
and you can't open the safo. . .

and then we're up shit creek.

l think l just cracked the glass.

l don't think it broke, though.

l can't drill it again.

l have to do it by touch.

l can't get through.
The train's blocking the tunnel.

Quick. Where does the Metro Rail
come above ground?

11 th and Fig.

Positions two and three. . .

meet at 11 th and Figueroa
and double back. . .

to Hollywood and Highland.

Hurry up!

Your attention, please.

Baggage for train number 22...

is now available
at carousel number four.

Baggage for train number 22
is now available...

at carousel number four.

-l can't do this, Charlie.
-Stella.

l can't do it.
l need a drill, a borescope, something.

-l need to get in there.
-You don't need any of that.

Come on, Charlie.

Hey, you can do this.

Come on.

Slide.

Come on, come on, come on.

Hey, don't you want to see
what's inside?

Absolutely.

-Napster.
-Yeah.

Thirteen across, four high, four deep.

That's 208 bricks.

How much?

Oh. 208 times. . . .

2.7. $2.7 million.

What?

No, it's 27. That's $27 million.

That's $27 million worth of gold.

Yeah !

Got the Holy Spirit.

You should get on it. lt's a good train.

What'd you think, John?

$27 million.

Say it again.

-$27 million.
-Say it again.

-Say it again !
-$27 million.

Say it again !

Got two motorcycles on us, Charlie.

l've got three Minis in a storm drain
heading east towards the LA River.

Stop them before they get to the street.

Shit!

Whoa!

Here we go.

Open your door.

Come on, guys, we're moving.

There, there, there.

Hey, come on, come on. Look out.

Come on !

Where are you going?
Where are you going?

l'm going to take Steve.
You guys go straight to Union Station.

l'll meet you there.

Stay on him. Stay on him.

Okay, Charlie,
l'm opening up a spot on Lower Grand.

l know it's you, Charlie.

Take your next left.

Nice move, Steve.

Get out!

-Get out!
-Okay.

l said get out!

They got a bunch of cars in there, right?

Mini Coopers?

Look, look, man, l don't know anything--

Hey, hey, hey, don't worry about them.

l'll give you $5000
if you put me inside that car.

Buy your girlfriend something nice.

Come on.

Half now,
half when you help me unload.

l got to hand it to you, Steve. . .

you actually played this one
pretty smart.

Decoy trucks, you switched safos.

The helicopter routine,
l mean, that was pretty damn good.

But now l've got the gold
and you, you've got nothing.

l got this.

So cut the crap,
and give me my goddamn gold !

Who the hell are you?

l am Mashkov. . .

and you killed my cousin Yevhen.

You gotta have some insurance, Steve.

Yevhen was already dead
when l got there.

l'm sorry about that,
but Yevhen dealt with. . .

a lot of unsavory people.
Now, this guy's trying to play you.

You were right. . .

no imagination.

There's a lot of gold in there.

We're the only ones with guns.
l'll make you a good deal.

l've already made my deal.

What do you want?

You know this was never about the gold.

Whatever helps you sleep at night,
sweetheart.

Bitch ! Charlie! Come on, Charlie!

-Okay.
-Beautiful.

That l love.

Wait a minute! Wait a minute!
Wait a minute! Wait a minute!

l'll double whatever he's given you.
Just don't shoot me.

Don't worry, l'm not going to shoot you.

No, l'm going to take you
to my workplace.

l think you'll be very interested
in some of the machinery l use.

No, come on.

Guys, l wanna make a toast.

To John Bridger. . .

the most brilliant master planner of all.

-Father and friend.
-To my dad.

-To John.
-To John.

Stella was right.
lt wasn't about the money.

Of course, that didn't stop the guys
from having a little bit of fun.

Handsome Rob got his Aston Martin.

He took it for a ride to break it in.

He got off with a warning.

Left Ear got his dream house
in the south of Spain...

with a room just for his shoes.

Lyle finally made the cover
ofWired magazine.

Are you really the Napster?

Yes, l am.

And he got that
kick-ass stereo he wanted.

Would you listen to something for me?

With speakers so loud,
it could blow a woman's clothes off.

lf you would.

And me?

l took John Bridger's advice.

l found somebody
l wanna spend the rest of my lifé with...

and l'm gonna hold on to her forever.