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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:09,129 --> 00:02:12,300 (TRUCK HORN BLOWS) 4 00:03:19,600 --> 00:03:21,702 (SIGHS) 5 00:03:51,532 --> 00:03:53,667 (TYPING) 6 00:04:27,935 --> 00:04:29,637 ANYBODY HOME? 7 00:04:32,773 --> 00:04:34,608 JUST US MICE. 8 00:04:41,449 --> 00:04:43,584 IS THERE SOMETHING WE COULD DRINK 9 00:04:43,617 --> 00:04:45,753 THAT'LL MAKE US 2 INCHES TALL? 10 00:04:45,786 --> 00:04:48,055 THEN WE CAN MOVE IN. 11 00:04:48,088 --> 00:04:49,089 YEAH. 12 00:04:49,122 --> 00:04:52,560 THIS FENESTRATION HERE... 13 00:04:52,593 --> 00:04:54,628 THE WHAT? 14 00:04:54,662 --> 00:04:55,929 OF THE WINDOWS. 15 00:04:55,963 --> 00:04:58,432 SEE THE WINDOWS HERE ON THE WEST WALL? 16 00:04:58,466 --> 00:05:00,067 THEY DON'T QUITE WORK YET. 17 00:05:00,100 --> 00:05:02,370 VINCENT, IT'S THE MOST BEAUTIFUL... 18 00:05:02,403 --> 00:05:03,904 FENESTRATION... 19 00:05:03,937 --> 00:05:06,006 I'VE EVER SEEN. 20 00:05:06,039 --> 00:05:07,841 NOW, COME OVER HERE. 21 00:05:08,942 --> 00:05:09,910 WHO, ME? 22 00:05:09,943 --> 00:05:12,613 YES, YOU. 23 00:05:21,989 --> 00:05:24,792 WHAT WAS YOUR NAME AGAIN? 24 00:05:42,676 --> 00:05:44,678 I DO LOVE YOU. 25 00:05:46,780 --> 00:05:50,083 (HORN BLOWS) 26 00:05:50,117 --> 00:05:52,085 GO GO GO GO GO. 27 00:05:52,119 --> 00:05:53,954 GO GO GO GO GO. 28 00:05:53,987 --> 00:05:55,989 OH, WONDERFUL. 29 00:05:56,023 --> 00:05:56,957 OH! 30 00:05:56,990 --> 00:05:59,827 PLEASE, DON'T LET ME MISS THIS. 31 00:05:59,860 --> 00:06:02,930 (HORN BLOWS) 32 00:06:10,771 --> 00:06:12,806 Woman: OH! I CALLED THE CONTRACTOR. 33 00:06:12,840 --> 00:06:15,008 HE SAID TOMORROW MORNING WOULD BE GOOD. 34 00:06:15,042 --> 00:06:17,144 WE CAN GET THINGS STARTED FINALLY. 35 00:06:17,177 --> 00:06:20,781 THINK YOU CAN YOU GET AWAY FOR A FEW HOURS? 36 00:06:20,814 --> 00:06:22,816 LET'S SEE. WHAT'S TOMORROW? WEDNESDAY, RIGHT? 37 00:06:22,850 --> 00:06:23,817 MM-HMM. 38 00:06:23,851 --> 00:06:25,919 UH... 39 00:06:27,755 --> 00:06:29,623 YEAH. YEAH. 40 00:06:29,657 --> 00:06:31,625 YEAH. WE CAN DO THAT. 41 00:06:31,659 --> 00:06:33,661 I'LL GET THE CAR THIS AFTERNOON 42 00:06:33,694 --> 00:06:35,829 SO WE GET STARTED PRETTY EARLY. 43 00:06:35,863 --> 00:06:36,830 WHAT? 44 00:06:36,864 --> 00:06:38,532 WHY DO YOU DO THAT? 45 00:06:38,566 --> 00:06:40,167 WHAT? WHAT DO YOU MEAN? 46 00:06:40,200 --> 00:06:43,170 WHY DO YOU LEAVE IT AT HER PLACE? 47 00:06:43,203 --> 00:06:46,139 BECAUSE I DON'T NEED IT IN TOWN. 48 00:06:46,173 --> 00:06:48,476 WHY DON'T YOU LEAVE IT AT MY PLACE? 49 00:06:48,509 --> 00:06:50,210 BECAUSE WE HAVE YOUR CAR THERE. 50 00:06:50,243 --> 00:06:52,680 IT'S CONVENIENT. THERE'S A GARAGE. 51 00:06:52,713 --> 00:06:55,048 WHY ARE YOU DOING THIS? PLEASE STOP. 52 00:06:55,082 --> 00:06:56,049 I DON'T WANT TO DO IT ANYMORE. 53 00:06:56,083 --> 00:06:57,485 YOU DON'T LIVE WITH HER ANYMORE, 54 00:06:57,518 --> 00:06:59,687 BUT YOUR CAR STILL DOES. IS THAT IT? 55 00:06:59,720 --> 00:07:02,690 WHAT ELSE DO YOU LEAVE THERE? A TOOTHBRUSH... 56 00:07:02,723 --> 00:07:05,425 MAYBE A PAIR OF SLIPPERS? 57 00:07:08,228 --> 00:07:10,430 A DAUGHTER. 58 00:07:11,164 --> 00:07:12,633 TAXI. 59 00:07:13,701 --> 00:07:15,669 TAXI, HOLD ON A SECOND. 60 00:07:15,703 --> 00:07:16,637 HOLD ON. 61 00:07:16,670 --> 00:07:18,672 I'M SORRY. DO YOU THINK IT'S SO GREAT FOR HER 62 00:07:18,706 --> 00:07:20,040 NOT KNOWING WHETHER YOU'VE LEFT 63 00:07:20,073 --> 00:07:20,974 OR IF YOU'RE COMING BACK? 64 00:07:21,008 --> 00:07:23,644 I'M NOT GOING BACK. WHY ARE YOU DOING THIS? 65 00:07:23,677 --> 00:07:26,446 I WANT TO KNOW WHERE YOU LIVE. 66 00:07:29,817 --> 00:07:32,953 I LIVE WITH YOU. 67 00:07:32,986 --> 00:07:35,455 I LOVE YOU. 68 00:07:39,860 --> 00:07:41,562 YOU'D THINK WITH ALL THOSE BRIDGES, 69 00:07:41,595 --> 00:07:43,831 YOU GUYS WOULDN'T BE AFRAID TO BURN ONE 70 00:07:43,864 --> 00:07:44,865 ONCE IN A WHILE. 71 00:07:44,898 --> 00:07:47,200 (TELEPHONE RINGING) 72 00:07:47,234 --> 00:07:48,201 MORNING. 73 00:07:48,235 --> 00:07:49,169 MORNING. 74 00:07:49,202 --> 00:07:52,105 NORMAN, LOVE THE ELEVATIONS. 75 00:07:52,139 --> 00:07:54,107 I LOVE IT. A LOT. 76 00:07:54,141 --> 00:07:55,843 A LOT. 77 00:08:12,159 --> 00:08:14,094 Woman: SECOND THOUGHTS? 78 00:08:14,127 --> 00:08:15,729 Vincent: I'M STILL NOT HAPPY 79 00:08:15,763 --> 00:08:17,698 WITH THE SPACING OF THE COLUMNS. 80 00:08:17,731 --> 00:08:18,799 IS HE STARTING THAT AGAIN? 81 00:08:18,832 --> 00:08:20,601 NEAL, COME HERE. COME HERE. HEY. 82 00:08:20,634 --> 00:08:22,169 COME HERE. LOOK AT THIS. 83 00:08:22,202 --> 00:08:24,538 WHAT'S IT REMIND YOU OF? 84 00:08:24,572 --> 00:08:26,574 MY GRANDFATHER'S RADIATOR. 85 00:08:26,607 --> 00:08:28,208 ONLY A BIRD SEES IT FROM THERE. 86 00:08:28,241 --> 00:08:29,209 I SEE IT. 87 00:08:29,242 --> 00:08:30,711 SALLY, TELL HIM. 88 00:08:30,744 --> 00:08:32,179 IT'S FABULOUS. DON'T WORRY. 89 00:08:32,212 --> 00:08:34,715 SOME ACT YOU TWO HAVE HERE. 90 00:08:34,748 --> 00:08:36,717 VINCENT, IT'S A BRILLIANT BUILDING. 91 00:08:36,750 --> 00:08:39,720 SOMEWHERE FRANK LLOYD WRIGHT IS EATING HIS HEART OUT. 92 00:08:39,753 --> 00:08:42,723 SIGN OFF THESE MASONRY SPECS FOR THE TELLEY PROJECT. 93 00:08:42,756 --> 00:08:45,025 THEY'RE GOING CRAZY OVER THERE. 94 00:08:49,930 --> 00:08:51,699 OH, IT'S BEAUTIFUL. 95 00:08:53,834 --> 00:08:56,236 YOU DON'T HAVE TO SAY THAT. 96 00:08:56,269 --> 00:08:58,071 I KNOW. 97 00:09:03,010 --> 00:09:04,945 UM... 98 00:09:06,213 --> 00:09:09,149 THE ANTONIA HOUSE IS FULLY ENCLOSED. 99 00:09:09,182 --> 00:09:11,151 THE PLUMBING AND THE ELECTRIC 100 00:09:11,184 --> 00:09:12,653 ARE FINISHED ON THE 10th. 101 00:09:12,686 --> 00:09:16,189 ARCHITECTURAL DIGEST WANTS A PHOTO SESSION 102 00:09:16,223 --> 00:09:18,826 THE WEEK OF THE 15th. 103 00:09:18,859 --> 00:09:20,661 YOU'LL DRIVE DOWN THE DAY BEFORE. 104 00:09:20,694 --> 00:09:22,796 JERRY FAIRCHILD WANTS TO HAVE DINNER WITH YOU. 105 00:09:22,830 --> 00:09:25,332 THAT'S THE OLD GUY? HOW'D YOU SWING THAT? 106 00:09:25,365 --> 00:09:27,334 I HAD DAD CALL HIM. 107 00:09:27,367 --> 00:09:29,970 THEY WENT TO SCHOOL TOGETHER. 108 00:09:30,003 --> 00:09:31,872 HEH. YOU... 109 00:09:33,140 --> 00:09:35,008 YOU REALLY ARE SOMETHING. 110 00:09:35,042 --> 00:09:36,376 HOW'S THAT? 111 00:09:36,409 --> 00:09:39,079 THE WAY YOU JUST KEEP RIGHT IN THERE 112 00:09:39,112 --> 00:09:40,681 SWINGING AWAY. 113 00:09:40,714 --> 00:09:42,883 IT'S LIKE NOTHING'S EVER CHANGED. 114 00:09:42,916 --> 00:09:44,752 I'M JUST PROTECTING MY INVESTMENT. 115 00:09:44,785 --> 00:09:47,220 CAN YOU PICK MEAGHAN UP FROM BALLET SCHOOL? 116 00:09:47,254 --> 00:09:48,221 WHEN, TODAY? 117 00:09:48,255 --> 00:09:49,189 YEAH. 118 00:09:49,222 --> 00:09:52,259 I HAVE THAT FUND RAISER. 119 00:09:52,292 --> 00:09:54,828 I COULD TRADE YOU SOMETHING NEXT WEEK. 120 00:09:54,862 --> 00:09:57,030 NO, IT'S ALL RIGHT. I CAN DO THAT. 121 00:09:57,064 --> 00:09:59,700 I'VE GOT TO PICK UP THE CAR LATER TODAY. 122 00:09:59,733 --> 00:10:01,769 I'LL HAVE NEAL GIVE ME A RIDE OVER. 123 00:10:01,802 --> 00:10:02,803 OK. 124 00:10:02,836 --> 00:10:05,138 WE'RE NOT DOING ANYTHING TOMORROW MORNING, ARE WE? 125 00:10:05,172 --> 00:10:07,207 NO. GOING SOMEWHERE? 126 00:10:07,240 --> 00:10:09,109 NO, I... 127 00:10:10,210 --> 00:10:11,879 JUST HAVE SOMETHING TO SEE. 128 00:10:11,912 --> 00:10:14,314 OK. WELL, WE HAVE THE MUSEUM THING 129 00:10:14,347 --> 00:10:15,248 IN THE AFTERNOON. 130 00:10:15,282 --> 00:10:16,950 YEAH, YEAH. I'LL BE THERE BY 3:00, NO LATER. 131 00:10:16,984 --> 00:10:18,251 ALL RIGHT. 132 00:10:18,285 --> 00:10:20,020 HEY. THAT'S NICE. 133 00:10:21,054 --> 00:10:23,390 THAT SWEATER--IT'S A NICE COLOR ON YOU. 134 00:10:23,423 --> 00:10:25,125 I LIKE IT. 135 00:10:25,158 --> 00:10:27,027 DON'T DO THAT. 136 00:10:35,736 --> 00:10:37,738 Woman: WHERE'D YOU PUT THAT FILE? 137 00:10:37,771 --> 00:10:39,072 IT'S NOT UP HERE. 138 00:10:39,106 --> 00:10:41,875 (INDISTINCT CHATTER) 139 00:10:41,909 --> 00:10:42,642 HEY, GIRL. 140 00:10:42,676 --> 00:10:45,746 THEY'RE WAITING FOR YOU AS USUAL. 141 00:10:45,779 --> 00:10:47,180 OH, AND, HEY, 142 00:10:47,214 --> 00:10:49,683 DON'T FORGET TO CALL YOUR MOM. 143 00:10:50,751 --> 00:10:51,451 BUSINESS... 144 00:10:51,484 --> 00:10:52,419 ENVIRONMENT... 145 00:10:52,452 --> 00:10:53,420 ASTROLOGY! ASTROLOGY. 146 00:10:53,453 --> 00:10:54,421 EVERYBODY OK? 147 00:10:54,454 --> 00:10:55,422 THAT'S IT. 148 00:10:55,455 --> 00:10:57,157 WAIT. WHERE'S OLIVIA? 149 00:10:57,190 --> 00:10:58,158 WHO'S OLIVIA? 150 00:10:58,191 --> 00:10:59,159 All: OOH! 151 00:10:59,192 --> 00:11:02,429 AHA! 152 00:11:02,462 --> 00:11:04,865 NICE TO SEE YOU. 153 00:11:04,898 --> 00:11:06,433 YOU SHOULD TRY THE VALET PARKING. 154 00:11:06,466 --> 00:11:08,435 YOU ARE LATE. SORRY. 155 00:11:08,468 --> 00:11:11,038 COULD'VE FAXED IT IN. 156 00:11:11,071 --> 00:11:12,405 I LIKE THE COMMUTE. 157 00:11:12,439 --> 00:11:13,907 HOW MANY WORDS? 158 00:11:13,941 --> 00:11:14,842 750. 159 00:11:14,875 --> 00:11:16,476 "WOMEN WHO DEMAND EQUALITY 160 00:11:16,509 --> 00:11:18,311 RENOUNCE THEIR SUPERIORITY." 161 00:11:18,345 --> 00:11:19,279 WE PRINT THIS, 162 00:11:19,312 --> 00:11:21,715 YOU'LL GET A DEATH THREAT FROM NORMAN MAILER. 163 00:11:21,749 --> 00:11:24,284 WOULDN'T THAT BE GREAT? 164 00:11:26,820 --> 00:11:29,322 I'M NOT SURE HOW THE EPILOGUE FITS IN. 165 00:11:29,356 --> 00:11:30,824 WHAT EPILOGUE? 166 00:11:33,460 --> 00:11:34,394 AHH. 167 00:11:34,427 --> 00:11:37,965 I GUESS THIS EXPLAINS WHY YOU TURNED ME DOWN. 168 00:11:37,998 --> 00:11:41,001 CHARLIE, YOU COULDN'T HANDLE IT, I PROMISE YOU. 169 00:11:41,034 --> 00:11:42,069 TRY ME. 170 00:11:42,102 --> 00:11:44,838 YOU SOUND LIKE AN AD FOR PHONE SEX. 171 00:11:44,872 --> 00:11:46,874 SO WHAT DOES "V" STAND FOR? 172 00:11:48,508 --> 00:11:49,476 I FOUND THIS-- 173 00:11:49,509 --> 00:11:50,477 SALLY? 174 00:11:50,510 --> 00:11:51,444 YES? 175 00:11:51,478 --> 00:11:52,880 WHEN'S MEAGHAN'S SPRING VACATION? 176 00:11:52,913 --> 00:11:54,481 THE FIRST 2 WEEKS OF APRIL. 177 00:11:54,514 --> 00:11:56,183 YOU GONNA GO RIGHT OUT TO THE ISLAND? 178 00:11:56,216 --> 00:11:57,117 MM-HMM. 179 00:11:57,150 --> 00:12:00,821 I DON'T THINK I'M GONNA BE ABLE TO MAKE IT. 180 00:12:00,854 --> 00:12:02,489 I'M--I'M IN THE MIDDLE OF SOME PROJECT. 181 00:12:02,522 --> 00:12:04,925 HAVE YOU SPOKEN TO MEAGHAN ABOUT THIS? 182 00:12:04,958 --> 00:12:06,827 I'LL SPEND SOME TIME WITH HER 183 00:12:06,860 --> 00:12:07,928 BEFORE YOU LEAVE. 184 00:12:07,961 --> 00:12:10,197 OH, WELL, THAT'LL WORK WONDERS. 185 00:12:11,431 --> 00:12:12,365 WE'VE GOT A PROBLEM 186 00:12:12,399 --> 00:12:14,935 ON THE TELLEY CONSTRUCTION SITE. 187 00:12:18,005 --> 00:12:20,473 Man: THESE ARE MINOR, MINOR, MINOR THINGS. 188 00:12:20,507 --> 00:12:21,474 Vincent: THAT'S BULL CRAP. 189 00:12:21,508 --> 00:12:24,111 I'M NOT TALKING ABOUT THAT. 190 00:12:24,144 --> 00:12:25,779 NO WAY. 191 00:12:26,847 --> 00:12:28,281 ALL RIGHT. WE TALKED ABOUT THIS. 192 00:12:28,315 --> 00:12:30,317 LOOK, NO PARKING, NO MEETING. 193 00:12:30,350 --> 00:12:31,151 WAIT, WAIT. 194 00:12:31,184 --> 00:12:33,286 WHY'D YOU HIRE ME FOR THE JOB ANYWAY? 195 00:12:33,320 --> 00:12:34,287 WE LIKED THE DESIGN. 196 00:12:34,321 --> 00:12:36,156 IF YOU LIKED IT, STAY WITH IT! 197 00:12:36,189 --> 00:12:38,926 WHAT IS THE BIG DEAL? THIS IS INSANE! 198 00:12:38,959 --> 00:12:40,828 I CAN'T SIGN THE LEASE WITHOUT IT. 199 00:12:40,861 --> 00:12:42,329 THIS IS IMPOSSIBLE. TOTALLY IMPOSSIBLE. 200 00:12:42,362 --> 00:12:43,430 WHAT IS THIS CRAP? 201 00:12:43,463 --> 00:12:44,865 MINOR PROBLEM. 202 00:12:44,898 --> 00:12:46,299 EASTMAN, LISTEN TO US. 203 00:12:46,333 --> 00:12:47,801 READ YOUR CONTRACT. 204 00:12:47,835 --> 00:12:49,136 OUR ATTORNEY ASSURES US 205 00:12:49,169 --> 00:12:51,504 WE HAVE THE RIGHT TO ASK FOR INTERNAL-- 206 00:12:51,538 --> 00:12:53,173 WHAT ABOUT MY CONTRACT? 207 00:12:53,206 --> 00:12:54,007 FUCK MY CONTRACT! 208 00:12:54,041 --> 00:12:55,175 DON'T PUSH IT, EASTMAN. 209 00:12:55,208 --> 00:12:56,209 FUCK YOU. 210 00:12:56,243 --> 00:12:57,277 IS THIS REALLY A THREAT? 211 00:12:57,310 --> 00:12:59,546 IS THIS MAN THREATENING ME? 212 00:12:59,579 --> 00:13:02,215 OH, NO. HE DIDN'T... HE DIDN'T-- 213 00:13:02,249 --> 00:13:04,384 YOU CAN BRING ALL YOUR GODDAMN GOOMBAH LAWYERS 214 00:13:04,417 --> 00:13:05,819 OUT OF THE WOODWORK. I DON'T CARE. 215 00:13:05,853 --> 00:13:06,920 FORGET IT. LOOK, LOOK. GIVE ME A PHONE. 216 00:13:06,954 --> 00:13:08,021 WHERE'S A PHONE? WHERE'S A PHONE? 217 00:13:08,055 --> 00:13:09,322 YOU'LL GET YOUR PARKING SPACE. 218 00:13:09,356 --> 00:13:10,924 GIVE IT A DAY OR SO. 219 00:13:10,958 --> 00:13:11,791 THE MAN, THE MAN'S CRAZY. 220 00:13:11,825 --> 00:13:13,293 NO, IT'S ALL RIGHT, JOHN. WE'LL GET IT. 221 00:13:24,604 --> 00:13:26,339 VERY NICE. 222 00:13:26,373 --> 00:13:27,340 VERY DIPLOMATIC. 223 00:13:27,374 --> 00:13:29,943 COME ON, NEAL. 224 00:13:29,977 --> 00:13:31,845 THEY DON'T NEED THAT SHIT. 225 00:13:31,879 --> 00:13:33,313 THEY JUST LIKE TO COME HERE 226 00:13:33,346 --> 00:13:34,447 AND SEE HOW CUTE THEY CAN BE. 227 00:13:34,481 --> 00:13:36,249 THEY'RE THE CLIENTS. 228 00:13:37,317 --> 00:13:38,551 GREAT MEN OF VISION. 229 00:13:38,585 --> 00:13:40,520 EVERYBODY HAS TO WORK FOR SOMEBODY, PAL. 230 00:13:40,553 --> 00:13:43,490 EVEN MICHELANGELO HAD TO PLEASE THE POPE. 231 00:13:43,523 --> 00:13:46,960 THE POPE DID NOT ASK FOR PARKING SPACE. 232 00:13:46,994 --> 00:13:48,361 YOU KNOW, THEY'RE NOT BAD GUYS. 233 00:13:48,395 --> 00:13:50,130 THEY WANT A COUPLE OF CHANGES. 234 00:13:50,163 --> 00:13:53,833 WHAT THE HELL ARE YOU TAKING IT OUT ON THEM? 235 00:13:55,335 --> 00:13:56,603 HEY. 236 00:13:56,636 --> 00:13:58,638 WHAT? 237 00:13:58,671 --> 00:14:01,975 NEAL, TAKING WHAT OUT? 238 00:14:02,009 --> 00:14:04,011 COME ON, NEAL. NEAL, TELL ME. 239 00:14:04,044 --> 00:14:06,513 YOU HAVE SOMETHING TO SAY TO ME? 240 00:14:06,546 --> 00:14:07,547 DO YOU HAVE A PROBLEM? 241 00:14:07,580 --> 00:14:08,548 NO, YOU DO. 242 00:14:08,581 --> 00:14:10,250 WHICH IS? 243 00:14:12,585 --> 00:14:14,254 WHAT? 244 00:14:19,359 --> 00:14:21,161 GOT AN APARTMENT IN TOWN, 245 00:14:21,194 --> 00:14:23,163 GOT A DAUGHTER IN THE HOUSE, 246 00:14:23,196 --> 00:14:25,165 YOU GOT SALLY IN THE OFFICE, 247 00:14:25,198 --> 00:14:26,900 YOU GOT THE GIRLFRIEND SOMEWHERE ELSE. 248 00:14:26,934 --> 00:14:28,335 OLIVIA. HER NAME IS OLIVIA. 249 00:14:28,368 --> 00:14:29,336 OLIVIA. 250 00:14:29,369 --> 00:14:31,171 IT'S BAD DESIGN. 251 00:14:31,204 --> 00:14:34,441 YOU'RE SUPPOSED TO HAVE EVERYTHING UNDER ONE ROOF. 252 00:14:34,474 --> 00:14:37,144 ARCHITECTURE 101. 253 00:14:56,096 --> 00:14:59,199 I ALWAYS LOVED THIS HOUSE. 254 00:14:59,232 --> 00:15:04,071 THE PERFECT HOUSE FOR THE PERFECT COUPLE. 255 00:15:04,104 --> 00:15:06,073 I'LL TELL YOU A SECRET. 256 00:15:06,106 --> 00:15:09,042 IT WASN'T SO PERFECT. SEE YOU TOMORROW. 257 00:15:09,076 --> 00:15:11,011 WHAT YOU HAVE NOW IS PERFECT? 258 00:15:11,044 --> 00:15:12,946 YOU HAD A FAMILY. 259 00:15:16,116 --> 00:15:19,052 WE WEREN'T A FAMILY. 260 00:15:20,553 --> 00:15:22,589 WE...WE WERE A CORPORATION 261 00:15:22,622 --> 00:15:25,192 WITH A KID. 262 00:15:29,096 --> 00:15:32,165 YOU KNOW, WHEN THE BOYS WENT OFF TO COLLEGE, 263 00:15:32,199 --> 00:15:35,402 CLAIRE AND I WERE GOING TO TRAVEL THE WORLD, 264 00:15:35,435 --> 00:15:38,438 SEE ALL THE MUSEUMS-- THE PRADO, PARIS, FLORENCE, 265 00:15:38,471 --> 00:15:40,007 INDIA EVEN. 266 00:15:40,040 --> 00:15:42,242 THERE WAS A PIERO DELLA FRANCESCA 267 00:15:42,275 --> 00:15:43,977 IN A LITTLE CHURCH IN AREZZO. 268 00:15:44,011 --> 00:15:47,180 THE MOST BEAUTIFUL THING IN THE WORLD. 269 00:15:47,214 --> 00:15:51,451 I WANTED TO SHOW IT TO HER. 270 00:15:51,484 --> 00:15:54,054 WE KEPT SAYING NEXT YEAR. 271 00:15:59,759 --> 00:16:01,328 YOU HAVE THIS FUTURE, PAL. 272 00:16:01,361 --> 00:16:05,465 WHATEVER YOU'RE GOING TO DO, DO IT. 273 00:16:08,435 --> 00:16:11,704 (RINGS DOORBELL) 274 00:16:11,738 --> 00:16:14,107 (KNOCKING) 275 00:16:33,326 --> 00:16:35,162 HELLO. 276 00:16:35,728 --> 00:16:38,498 EDWINA! 277 00:16:38,531 --> 00:16:40,600 HELLO. 278 00:16:54,281 --> 00:16:56,416 MEAGHAN. 279 00:16:57,350 --> 00:16:58,385 HELLO. 280 00:16:58,418 --> 00:16:59,552 ANYBODY HERE? 281 00:17:09,696 --> 00:17:11,631 HELLO. 282 00:17:54,174 --> 00:17:56,409 (WATER RUNNING) 283 00:17:59,879 --> 00:18:03,550 VINCENT, COULD YOU HAND ME MY ROBE, PLEASE? 284 00:18:03,583 --> 00:18:04,884 OH, THANK YOU. 285 00:18:04,917 --> 00:18:06,353 YEAH. 286 00:18:12,592 --> 00:18:14,227 YOU KNOW, I THINK 287 00:18:14,261 --> 00:18:17,730 PREDOCK'S GOING TO GET THAT SANTA FE THING. 288 00:18:17,764 --> 00:18:18,865 PREDOCK? HE'S GOOD. 289 00:18:18,898 --> 00:18:21,201 DO A GOOD JOB. 290 00:18:21,234 --> 00:18:23,470 NOT AS GOOD AS YOU. 291 00:18:25,238 --> 00:18:28,107 THERE'S ENOUGH TO GO AROUND. 292 00:18:29,242 --> 00:18:32,545 DON'T FORGET WE HAVE THAT THING TOMORROW NIGHT. 293 00:18:32,579 --> 00:18:33,313 WHAT? 294 00:18:33,346 --> 00:18:36,883 OH, SHIT. THAT, THAT FORMAL EVENT. 295 00:18:36,916 --> 00:18:39,386 I DON'T WANT TO GO. 296 00:18:39,419 --> 00:18:40,720 YOU HAVE TO. 297 00:18:40,753 --> 00:18:43,423 MOM AND DAD ARE GOING TO BE THERE. 298 00:18:54,934 --> 00:18:56,736 WHAT? 299 00:18:56,769 --> 00:18:58,671 OH. 300 00:18:58,705 --> 00:19:00,707 YOU KNOW YOU'RE A KNOCKOUT? 301 00:19:00,740 --> 00:19:02,475 YOU MEAN STILL? 302 00:19:06,679 --> 00:19:09,316 I MEAN YOU'RE A KNOCKOUT. 303 00:19:09,349 --> 00:19:11,284 WELL, SO ARE YOU. 304 00:19:20,660 --> 00:19:22,529 WHY DON'T YOU SHAVE? 305 00:19:25,765 --> 00:19:26,733 REALLY? 306 00:19:26,766 --> 00:19:27,700 REALLY. 307 00:19:27,734 --> 00:19:29,536 YEAH? MM-HMM. 308 00:19:32,739 --> 00:19:34,741 DID YOU CHECK ON MEAGHAN? 309 00:19:34,774 --> 00:19:36,576 YEAH. SHE'S ASLEEP. 310 00:19:52,392 --> 00:19:54,394 MMM. 311 00:19:56,596 --> 00:19:57,564 (TELEPHONE RINGS) 312 00:19:57,597 --> 00:19:58,931 DON'T. DON'T. DON'T. 313 00:19:58,965 --> 00:19:59,932 COME ON. 314 00:19:59,966 --> 00:20:01,501 DON'T. 315 00:20:02,835 --> 00:20:03,803 (RING) 316 00:20:03,836 --> 00:20:04,771 HONEY. 317 00:20:04,804 --> 00:20:06,773 WE'VE GOT AN ANSWERING MACHINE. 318 00:20:06,806 --> 00:20:07,740 IT'S PROBABLY-- 319 00:20:07,774 --> 00:20:09,309 HONEY, IT'S PROBABLY RUSSELL. 320 00:20:09,342 --> 00:20:10,777 HE'LL LEAVE A MESSAGE. 321 00:20:10,810 --> 00:20:12,279 HE'LL LEAVE A MESSAGE. 322 00:20:12,312 --> 00:20:14,781 DON'T, DON'T, DON'T. DON'T, DON'T, DON'T. 323 00:20:14,814 --> 00:20:16,249 HONEY. 324 00:20:17,817 --> 00:20:19,619 SALLY EASTMAN. 325 00:20:20,520 --> 00:20:22,255 RUSSELL. 326 00:20:23,623 --> 00:20:26,593 NO, NO, NO. WE WERE JUST TALKING. 327 00:20:26,626 --> 00:20:29,028 WE WERE TALKING ABOUT WHAT A LOVELY TIME 328 00:20:29,061 --> 00:20:32,265 WE HAD AT DINNER WITH YOU. 329 00:20:32,299 --> 00:20:34,534 (LAUGHING) 330 00:20:35,902 --> 00:20:36,769 YOU'RE KIDDING! 331 00:20:36,803 --> 00:20:39,639 (WHISPERING) They want to build the house. 332 00:20:39,672 --> 00:20:40,840 MR. EASTMAN. 333 00:20:40,873 --> 00:20:41,974 IS SOMETHING WRONG? 334 00:20:42,008 --> 00:20:45,244 EDWINA. NO. UM... 335 00:20:45,945 --> 00:20:47,447 WHERE IS MEAGHAN? 336 00:20:47,480 --> 00:20:50,350 BALLET CLASS. AREN'T YOU PICKING HER UP? 337 00:20:50,383 --> 00:20:52,819 OH, GOD. YES. YES. 338 00:20:53,886 --> 00:20:56,356 (PIANO PLAYING CLASSICAL MUSIC) 339 00:20:58,991 --> 00:21:01,528 Teacher: HEADS UP, PLEASE. 340 00:21:03,763 --> 00:21:05,398 PULL UP. 341 00:21:08,668 --> 00:21:10,470 WATCH YOUR MUSIC. 342 00:21:15,074 --> 00:21:17,677 LONG ARM. 343 00:21:22,081 --> 00:21:25,552 HERE WE GO. LONG IN THE ARM. 344 00:21:29,622 --> 00:21:31,424 (WHISPERING) That's my dad. 345 00:21:31,458 --> 00:21:34,461 AND VERY NICE TIGHT FIFTH... 346 00:21:37,530 --> 00:21:40,333 SO WE ALL GET ON THE STAGE 347 00:21:40,367 --> 00:21:42,369 IN FRONT OF THIS DIRECTOR GUY. 348 00:21:42,402 --> 00:21:43,336 HE'S SITTING THERE 349 00:21:43,370 --> 00:21:44,671 WATCHING ALL OF US ONSTAGE. 350 00:21:44,704 --> 00:21:46,439 HE PICKS ONE GIRL TO DO A SOLO. 351 00:21:46,473 --> 00:21:47,474 ONE, FOR THE REAL OPERA. 352 00:21:47,507 --> 00:21:48,475 FOR THE REAL OPERA. 353 00:21:48,508 --> 00:21:50,643 DER ROSENKAVALIER OR THE MAGIC FLUTE. 354 00:21:50,677 --> 00:21:51,344 OH, YEAH. 355 00:21:51,378 --> 00:21:53,413 AND MRS. KRASK KIND OF IMPLIED 356 00:21:53,446 --> 00:21:56,115 IT'S BETWEEN ME AND CHRISSY TAYLOR. 357 00:21:56,148 --> 00:21:58,685 WOW! I CAN'T BELIEVE THIS. 358 00:21:58,718 --> 00:22:00,487 THAT'S INCREDIBLE. 359 00:22:00,520 --> 00:22:03,423 HONEY, I'M SO PROUD OF YOU. 360 00:22:04,457 --> 00:22:06,426 COME ON. FINISH YOUR SANDWICH NOW. 361 00:22:06,459 --> 00:22:07,960 OH, THAT'S, THAT'S OK. 362 00:22:07,994 --> 00:22:09,696 I'M NOT HUNGRY. 363 00:22:09,729 --> 00:22:11,063 MEAGHAN, GO ON. 364 00:22:11,097 --> 00:22:12,999 I HAD A BIG LUNCH. 365 00:22:13,032 --> 00:22:16,369 BIG LUNCH. YOU HAD A BIG LUNCH? WHAT? 366 00:22:19,171 --> 00:22:20,840 AN APPLE. 367 00:22:23,543 --> 00:22:25,578 YOU KNOW WHAT DR. LINGMER SAID. 368 00:22:25,612 --> 00:22:28,147 I'M A DANCER. I HAVE TO STAY SKINNY. 369 00:22:28,180 --> 00:22:29,449 YOU DON'T WATCH OUT, 370 00:22:29,482 --> 00:22:30,950 YOU'RE GOING TO BE A FAINTER, 371 00:22:30,983 --> 00:22:31,851 NOT A DANCER. 372 00:22:31,884 --> 00:22:34,153 I'LL HAVE TO RUN ONSTAGE AND CARRY YOU OFF. 373 00:22:34,186 --> 00:22:35,121 IT'LL BE HORRIBLE. 374 00:22:35,154 --> 00:22:37,657 COME ON. THAT'S NOT TRUE. 375 00:22:37,690 --> 00:22:40,126 I MEAN, RICHARD SAYS I HAVE A GOOD CHANCE 376 00:22:40,159 --> 00:22:41,994 OF GETTING PICKED FOR THE CORPS DE BALLET. 377 00:22:42,028 --> 00:22:43,796 RICHARD? WHO'S RICHARD? 378 00:22:43,830 --> 00:22:45,598 RICHARD QUARRY. HE'S A FRIEND OF MOM'S. 379 00:22:45,632 --> 00:22:47,867 HE MAKES A TON OF MONEY FOR THE OPERA. 380 00:22:47,900 --> 00:22:48,901 REALLY? 381 00:22:48,935 --> 00:22:49,902 OH, YES. 382 00:22:49,936 --> 00:22:51,137 WELL. 383 00:22:51,170 --> 00:22:52,872 IS HE NICE? 384 00:22:52,905 --> 00:22:54,741 HE'S OK, BUT, I MEAN, 385 00:22:54,774 --> 00:22:57,744 HE MAKES PANCAKES IN THE SHAPE OF ANIMALS 386 00:22:57,777 --> 00:22:58,978 FOR BREAKFAST. 387 00:22:59,011 --> 00:23:00,747 IT'S LIKE... 388 00:23:00,780 --> 00:23:02,882 GIVE ME A BREAK. 389 00:23:04,183 --> 00:23:05,885 FOR BREAKFAST? 390 00:23:10,623 --> 00:23:12,158 UH-OH. 391 00:23:12,191 --> 00:23:15,127 I MEAN, BREAKFAST. 392 00:23:15,161 --> 00:23:16,929 THAT SOUNDS PRETTY SERIOUS. 393 00:23:16,963 --> 00:23:19,632 I DON'T KNOW. I MEAN... 394 00:23:19,666 --> 00:23:21,668 SHE'S TALKING ABOUT INVITING HIM 395 00:23:21,701 --> 00:23:24,504 TO THE ISLAND FOR EASTER. 396 00:23:28,608 --> 00:23:31,744 UM, SO, HOW IS THE HOUSE COMING? 397 00:23:31,778 --> 00:23:32,745 WHICH ONE? 398 00:23:32,779 --> 00:23:34,180 YOU AND OLIVIA. 399 00:23:34,213 --> 00:23:35,548 OH, THAT HOUSE. 400 00:23:35,582 --> 00:23:37,650 WE'LL START IT PRETTY SOON. 401 00:23:37,684 --> 00:23:38,518 MY ROOM? 402 00:23:38,551 --> 00:23:39,519 YOUR ROOM? YOU HAVE A ROOM? 403 00:23:39,552 --> 00:23:41,220 YOU HAVE A ROOM IN THIS HOUSE? 404 00:23:41,253 --> 00:23:42,655 I HOPE SO. 405 00:23:42,689 --> 00:23:44,557 WELL, LET ME SEE. YOU'VE GOT BIG WINDOWS. 406 00:23:44,591 --> 00:23:46,659 YOU LOOK OUT THESE WINDOWS, THERE IS THE OCEAN. 407 00:23:46,693 --> 00:23:48,027 YOU GOT DOLPHINS, YOU GOT WHALES, 408 00:23:48,060 --> 00:23:49,161 YOU GOT EVERYTHING. 409 00:23:49,195 --> 00:23:50,963 JUST LIKE THE VIEW, YOU ARE SO PRETTY. 410 00:23:50,997 --> 00:23:52,865 COME ON. LET'S GET OUT OF HERE. 411 00:23:57,236 --> 00:23:58,671 OK. 412 00:24:00,039 --> 00:24:01,808 DAD. 413 00:24:01,841 --> 00:24:03,576 YEAH? 414 00:24:03,610 --> 00:24:07,046 WILL YOU COME TO THE ISLAND WITH ME FOR EASTER? 415 00:24:08,715 --> 00:24:10,917 GET IN. WE'LL TALK ABOUT IT. 416 00:24:27,099 --> 00:24:29,135 HONEY! 417 00:24:29,168 --> 00:24:30,169 HONEY! 418 00:24:30,202 --> 00:24:32,572 WE HAVE TADPOLES. WE HAVE FROGS. 419 00:24:32,605 --> 00:24:35,107 WE HAVE FISH... 420 00:24:35,141 --> 00:24:36,275 OYSTERS! 421 00:24:36,308 --> 00:24:37,376 LOOK AT THIS! 422 00:24:37,409 --> 00:24:41,280 LET'S PUT A FLOWER GARDEN OUTSIDE THE BEDROOM WINDOW. 423 00:24:41,313 --> 00:24:43,249 ROSES. NO. CAMELLIAS. 424 00:24:43,282 --> 00:24:45,184 NO! WILDFLOWERS! 425 00:24:45,217 --> 00:24:47,219 WE'LL PUT WILDFLOWERS EVERYWHERE! 426 00:24:47,253 --> 00:24:49,221 AND THE SUMMER NIGHTS. 427 00:24:49,255 --> 00:24:50,523 OH, MY GOD. 428 00:24:50,557 --> 00:24:52,091 (HORN HONKS) 429 00:24:53,225 --> 00:24:54,226 HEY! 430 00:24:54,260 --> 00:24:55,895 OVER HERE! 431 00:25:07,273 --> 00:25:08,240 Man: HEY. 432 00:25:08,274 --> 00:25:10,042 HI. 433 00:25:12,278 --> 00:25:13,279 WHEW. 434 00:25:13,312 --> 00:25:16,215 HOW DO YOU LIKE YOUR VIEW, FOLKS? 435 00:25:16,248 --> 00:25:17,249 GREAT. YEAH. 436 00:25:17,283 --> 00:25:19,285 SO WHEN CAN YOU START? 437 00:25:19,318 --> 00:25:21,621 I THINK I CAN START MONDAY. 438 00:25:21,654 --> 00:25:22,789 I DON'T KNOW. 439 00:25:22,822 --> 00:25:25,291 WE'VE HAD ALL THESE RAINS. 440 00:25:25,324 --> 00:25:28,327 I DON'T THINK YOU WANT TO POUR A FOUNDATION 441 00:25:28,360 --> 00:25:29,729 AND GET RAIN DAMAGE 442 00:25:29,762 --> 00:25:31,931 BEFORE YOU GET THE DAMN THING ENCLOSED. 443 00:25:31,964 --> 00:25:34,166 WHAT DO YOU THINK? 444 00:25:34,200 --> 00:25:37,637 YEAH, THAT'S, UH, PROBABLY WISE. 445 00:25:39,171 --> 00:25:41,908 WELL, GUESS I'LL BE GOING. 446 00:25:41,941 --> 00:25:44,611 YEAH. I'LL BE IN TOUCH WITH YOU. 447 00:25:44,644 --> 00:25:45,645 YEAH. OK. 448 00:25:45,678 --> 00:25:46,713 THANKS FOR COMING. 449 00:25:46,746 --> 00:25:48,915 NICE MEETING YOU, MA'AM. 450 00:25:55,855 --> 00:26:00,993 PAPPAS IS A GOOD MAN. HE'S ONE OF THE BEST. 451 00:26:02,629 --> 00:26:05,564 YOU DON'T WANT THIS HOUSE. 452 00:26:10,737 --> 00:26:13,005 WHAT MAKES YOU SAY THAT? 453 00:26:14,106 --> 00:26:16,108 "NO RUSH." 454 00:26:17,376 --> 00:26:19,378 YOU KNOW, THIS ISN'T AS EASY 455 00:26:19,411 --> 00:26:21,213 AS YOU THINK IT IS. 456 00:26:21,247 --> 00:26:22,849 THEY'VE GOT HIGH WINDS HERE, 457 00:26:22,882 --> 00:26:25,217 IT'S VERY RAINY THIS TIME OF YEAR. 458 00:26:25,251 --> 00:26:27,353 IT'S NOT AN EASY SITE EITHER. 459 00:26:27,386 --> 00:26:29,989 WHAT'S SO COMPLICATED ABOUT A LITTLE HOUSE? 460 00:26:30,022 --> 00:26:31,357 WELL, FOR ONE THING, 461 00:26:31,390 --> 00:26:34,160 I'M ACTUALLY GONNA LIVE IN THIS LITTLE HOUSE. 462 00:26:34,193 --> 00:26:36,829 COME HERE. 463 00:26:38,765 --> 00:26:40,399 I WANT IT TO BE RIGHT. 464 00:26:40,432 --> 00:26:42,234 REALLY RIGHT. 465 00:26:42,268 --> 00:26:45,104 WE GOT ALL THE TIME IN THE WORLD, 466 00:26:45,137 --> 00:26:45,972 YOU AND ME. 467 00:26:46,005 --> 00:26:49,642 BUT YOU SAID WE'D GET STARTED BY EASTER. 468 00:26:52,879 --> 00:26:56,716 WELL, THAT'S NOT GOING TO HAPPEN ANYWAY. 469 00:26:56,749 --> 00:26:59,085 I'VE GOT TO GO TO THE ISLAND. 470 00:26:59,118 --> 00:27:02,822 MEAGHAN ASKED ME. 471 00:27:02,855 --> 00:27:06,425 THIS IS A VERY DIFFICULT TIME FOR HER RIGHT NOW. 472 00:27:06,458 --> 00:27:08,828 SHE NEEDS HER FATHER. 473 00:27:21,273 --> 00:27:22,675 (KNOCK ON DOOR) 474 00:27:22,709 --> 00:27:24,777 YOU WANTED TO SEE ME? 475 00:27:27,279 --> 00:27:28,414 YEAH. 476 00:27:28,447 --> 00:27:30,783 YEAH, I'D LIKE TO COME OUT TO THE ISLAND 477 00:27:30,817 --> 00:27:33,252 FOR EASTER, IF THAT'S OK. 478 00:27:33,285 --> 00:27:34,954 WHAT HAPPENED? 479 00:27:34,987 --> 00:27:38,257 I THOUGHT ABOUT IT. JUST LIKE TO BE THERE. 480 00:27:40,292 --> 00:27:41,761 THAT IS... 481 00:27:41,794 --> 00:27:44,731 IF IT DOESN'T INTERFERE WITH...ANYTHING. 482 00:27:44,764 --> 00:27:46,165 WHAT DO YOU MEAN? 483 00:27:46,198 --> 00:27:48,267 PLANS OF YOURS. YOU KNOW. 484 00:27:48,300 --> 00:27:50,436 NO. 485 00:27:50,469 --> 00:27:52,705 IT'S GREAT. MEAGHAN WILL BE THRILLED. 486 00:27:52,739 --> 00:27:53,840 OH, GOOD. 487 00:27:53,873 --> 00:27:54,707 OK. 488 00:27:54,741 --> 00:27:56,675 SO...RICHARD, HUH? 489 00:27:58,177 --> 00:27:59,145 WHO? 490 00:27:59,178 --> 00:28:00,046 RICHARD. 491 00:28:00,079 --> 00:28:02,782 PANCAKES-IN-THE-SHAPE- OF-ANIMALS RICHARD. 492 00:28:02,815 --> 00:28:04,183 YOU KNOW, RICHARD. 493 00:28:04,216 --> 00:28:06,185 HE'S A FRIEND OF THE FAMILY. 494 00:28:06,218 --> 00:28:07,720 DOES SHE EAT THEM AT LEAST? 495 00:28:07,754 --> 00:28:08,721 NOT USUALLY. 496 00:28:08,755 --> 00:28:11,190 GOOD. GOOD. GLAD TO HEAR THAT. 497 00:28:11,223 --> 00:28:14,193 HAVE WE CONCLUDED THE INTERROGATION, THEN? 498 00:28:20,099 --> 00:28:22,134 I'M SORRY. I'M SORRY, ALL RIGHT? 499 00:28:22,168 --> 00:28:23,502 I'M SORRY. 500 00:28:23,535 --> 00:28:25,471 SHE JUST KIND OF BLURTED IT OUT, 501 00:28:25,504 --> 00:28:28,941 AND I DIDN'T TAKE IT VERY WELL. IT THREW ME. 502 00:28:30,542 --> 00:28:33,145 I SHOULD HAVE TOLD YOU. 503 00:28:33,179 --> 00:28:34,914 I'M SORRY. 504 00:28:41,320 --> 00:28:42,488 WHAT? 505 00:28:42,521 --> 00:28:45,224 YOU KNOW WHAT NEAL ASKED 506 00:28:45,257 --> 00:28:47,093 OUT OF THE BLUE? 507 00:28:47,126 --> 00:28:50,196 HE ASKED ME WHATEVER HAPPENED TO US? 508 00:28:50,229 --> 00:28:52,164 I COULDN'T TELL HIM. I COULDN'T REMEMBER. 509 00:28:52,198 --> 00:28:54,500 YOU FELL IN LOVE WITH ANOTHER WOMAN. 510 00:28:54,533 --> 00:28:56,769 I MEAN BEFORE THAT. 511 00:28:58,504 --> 00:28:59,939 OH. 512 00:29:11,017 --> 00:29:12,952 LOOK... 513 00:29:12,985 --> 00:29:15,121 WE DON'T HAVE TO DO THIS EASTER THING, 514 00:29:15,154 --> 00:29:16,122 YOU AND ME. 515 00:29:16,155 --> 00:29:18,057 THAT'S ALL RIGHT. 516 00:29:18,090 --> 00:29:20,326 THERE'S STILL THAT SHUTTER 517 00:29:20,359 --> 00:29:22,795 THAT RATTLES IN THE WIND. 518 00:29:22,829 --> 00:29:25,331 OH, THE GUEST ROOM. RIGHT. DIDN'T GET AROUND TO THAT. 519 00:29:25,364 --> 00:29:26,365 WELL, YOU BETTER, 520 00:29:26,398 --> 00:29:30,202 BECAUSE IT'S GOING TO BE YOUR ROOM. 521 00:29:40,379 --> 00:29:42,481 WHAT IS IT, YOUR SINUSES? 522 00:29:42,514 --> 00:29:43,582 YEAH. 523 00:29:43,615 --> 00:29:45,217 WELL, YOU LOOK TERRIBLE. 524 00:29:45,251 --> 00:29:46,352 THANKS. 525 00:29:46,385 --> 00:29:48,821 PROBABLY HAVE A FEVER. 526 00:29:52,258 --> 00:29:53,559 SALLY, I'M ALL RIGHT. 527 00:29:53,592 --> 00:29:55,794 I'M, UM... 528 00:29:56,495 --> 00:29:58,931 YOU NEED A SIESTA. 529 00:29:58,965 --> 00:30:01,200 YOU STILL HAVE THAT HOTEL ROOM? 530 00:30:01,233 --> 00:30:02,601 (SIGHS) 531 00:30:02,634 --> 00:30:04,570 WHERE WAS THAT? 532 00:30:04,603 --> 00:30:07,206 MMM. IT WAS, UH... 533 00:30:07,239 --> 00:30:09,575 DENEMEN STREET. 534 00:30:09,608 --> 00:30:12,144 IS IT NICE? 535 00:30:13,245 --> 00:30:15,047 IT'S A HOTEL ROOM. 536 00:30:15,081 --> 00:30:17,316 HOTEL ROOMS CAN BE NICE. 537 00:30:18,617 --> 00:30:20,586 NO PAST... 538 00:30:20,619 --> 00:30:22,821 NO FUTURE. 539 00:30:23,622 --> 00:30:26,225 IT'S TOO PERSONAL. 540 00:30:32,598 --> 00:30:34,867 WHAT'S A GIRL HAVE TO DO 541 00:30:34,901 --> 00:30:38,170 TO GET A LITTLE ACTION AROUND HERE? 542 00:30:47,246 --> 00:30:50,549 HEY, HEY, HEY. 543 00:30:50,582 --> 00:30:53,953 OH, WHERE DID THAT COME FROM? 544 00:30:55,587 --> 00:30:58,958 THAT IS NOT LIKE ME, IS IT? 545 00:31:02,128 --> 00:31:04,230 YOU WANT A RIDE TONIGHT... 546 00:31:04,263 --> 00:31:06,498 UP TO THE MUSEUM? 547 00:31:06,532 --> 00:31:08,234 NO, THANKS. 548 00:31:08,267 --> 00:31:09,668 I HAVE A LIFT. 549 00:31:09,701 --> 00:31:10,669 PANCAKE MAN? 550 00:31:10,702 --> 00:31:11,971 YEAH. 551 00:31:12,004 --> 00:31:13,305 DOES HE WEAR AN APRON? 552 00:31:13,339 --> 00:31:15,641 YOU USED TO BE FUNNIER. 553 00:31:15,674 --> 00:31:17,676 I'LL HIRE A WRITER. 554 00:31:17,709 --> 00:31:20,246 I DON'T THINK THIS IS SUCH A GOOD IDEA. 555 00:31:20,279 --> 00:31:23,115 I DON'T THINK THAT WE CAN COME HERE 556 00:31:23,149 --> 00:31:25,918 EVERYDAY TO THE SAME OFFICE. 557 00:31:25,952 --> 00:31:27,186 I--EH... 558 00:31:27,219 --> 00:31:28,287 YOU'RE RIGHT. 559 00:31:28,320 --> 00:31:29,455 YOU'RE FIRED. 560 00:31:30,356 --> 00:31:32,258 OH. 561 00:31:32,291 --> 00:31:34,126 BETTER. 562 00:31:44,270 --> 00:31:45,204 SPEECH. 563 00:31:45,237 --> 00:31:46,672 SHH. SHH. 564 00:31:46,705 --> 00:31:48,674 IT'S MY TURN, MY TURN. 565 00:31:48,707 --> 00:31:51,143 I'LL TELL YOU THE TRUTH. 566 00:31:51,177 --> 00:31:53,679 WHEN SHE FIRST SHOWED UP WITH HIM, 567 00:31:53,712 --> 00:31:55,681 I WAS NOT CONVINCED. 568 00:31:55,714 --> 00:31:57,149 FAR FROM IT. 569 00:31:57,183 --> 00:32:00,552 AN ART STUDENT? GOD HELP US! 570 00:32:00,586 --> 00:32:03,155 BUT SHE WORKED WITH HIM, 571 00:32:03,189 --> 00:32:04,690 AND SHE STRAIGHTENED HIM OUT. 572 00:32:04,723 --> 00:32:06,158 I'M HAPPY TO REPORT 573 00:32:06,192 --> 00:32:09,095 THAT OUR DAUGHTER HAS NEVER LOOKED BETTER. 574 00:32:09,128 --> 00:32:11,530 SHE LOOKS SO BEAUTIFUL. 575 00:32:11,563 --> 00:32:13,332 (APPLAUSE) 576 00:32:13,365 --> 00:32:14,200 SO, UH... 577 00:32:14,233 --> 00:32:16,702 NOW ALL I WANT TO KNOW IS 578 00:32:16,735 --> 00:32:18,270 WHERE ARE MY GRANDCHILDREN? 579 00:32:18,304 --> 00:32:20,172 OH, DAD! 580 00:32:20,206 --> 00:32:22,341 YOU'VE HAD A YEAR. LET'S GET MOVING! 581 00:32:22,374 --> 00:32:24,576 HEY! I'M EXHAUSTED. 582 00:32:24,610 --> 00:32:26,712 ALL RIGHT, SETTLE DOWN. SETTLE DOWN. 583 00:32:26,745 --> 00:32:29,015 THIS IS NOT A ROAST. 584 00:32:29,048 --> 00:32:31,483 WE'RE PROUD OF YOU... 585 00:32:31,517 --> 00:32:33,652 AND WE LOVE YOU BOTH. 586 00:32:33,685 --> 00:32:36,422 LONG LIFE. 587 00:32:36,455 --> 00:32:38,057 LONG LIFE. 588 00:32:38,090 --> 00:32:40,226 I LOVE YOU, DADDY. 589 00:32:41,693 --> 00:32:42,995 TV reporter: THOUSANDS OF DEMONSTRATORS 590 00:32:43,029 --> 00:32:43,762 LINED THE STREETS OF TEHRAN 591 00:32:43,795 --> 00:32:45,597 SHOUTING, "DOWN WITH AMERICA" 592 00:32:45,631 --> 00:32:46,532 AND "DEATH TO CARTER." 593 00:32:46,565 --> 00:32:48,734 President Carter: ACTIONS OF IRANIAN LEADERS 594 00:32:48,767 --> 00:32:51,003 AND THE RADICALS WHO INVADED OUR EMBASSY 595 00:32:51,037 --> 00:32:53,039 WERE COMPLETELY UNJUSTIFIED. 596 00:33:04,150 --> 00:33:05,351 WHAT ARE YOU DOING? 597 00:33:05,384 --> 00:33:07,486 YOU'RE SUPPOSED TO BE MINGLING. 598 00:33:07,519 --> 00:33:09,788 I THINK I'M MINGLED OUT. 599 00:33:09,821 --> 00:33:12,291 WELL, IT DOESN'T MATTER ANYWAY. 600 00:33:12,324 --> 00:33:13,359 YOU'RE A HIT. 601 00:33:13,392 --> 00:33:14,360 YEAH? 602 00:33:14,393 --> 00:33:15,194 YEAH. 603 00:33:15,227 --> 00:33:16,662 TELL ME. I'M LISTENING. 604 00:33:16,695 --> 00:33:19,198 WELL, OF COURSE YOU'RE THE MOST FABULOUS, 605 00:33:19,231 --> 00:33:21,200 AND YOU CAN BE SO CHARMING. 606 00:33:21,233 --> 00:33:22,668 OH, YES, OF COURSE. MM-HMM. 607 00:33:22,701 --> 00:33:25,371 AND, UM, YOU'RE INCREDIBLY FUNNY... 608 00:33:25,404 --> 00:33:26,372 MM-HMM. 609 00:33:26,405 --> 00:33:27,373 UH, VERY TALENTED. 610 00:33:27,406 --> 00:33:28,374 YES... 611 00:33:28,407 --> 00:33:29,275 UM... 612 00:33:29,308 --> 00:33:31,643 YEAH? I DIDN'T HEAR SEXUALLY IRRESISTIBLE. 613 00:33:31,677 --> 00:33:34,280 OH, MY GRANDMOTHER SAID THAT. 614 00:33:38,384 --> 00:33:39,518 LISTEN TO THIS. 615 00:33:39,551 --> 00:33:42,088 THE RAINERS, THEY WANT YOU 616 00:33:42,121 --> 00:33:43,655 TO BUILD A NEW SUMMER COTTAGE FOR THEM. 617 00:33:43,689 --> 00:33:44,656 REALLY? YES. 618 00:33:44,690 --> 00:33:46,358 OH, WOW. HEH HEH HEH. 619 00:33:46,392 --> 00:33:47,393 ISN'T THAT NICE? 620 00:33:47,426 --> 00:33:48,227 YEAH, IT'S GREAT. 621 00:33:48,260 --> 00:33:50,796 AND, UM, RANDALL OTIS, 622 00:33:50,829 --> 00:33:53,665 HE WANTS YOU TO REDO HIS EXECUTIVE OFFICES. 623 00:33:53,699 --> 00:33:55,201 GOD! THAT'S WONDERFUL. 624 00:33:55,234 --> 00:33:56,468 ISN'T IT GREAT? YEAH. 625 00:33:56,502 --> 00:33:57,136 AND I THINK-- 626 00:33:57,169 --> 00:33:58,670 I'M NOT SURE, BUT I THINK-- 627 00:33:58,704 --> 00:33:59,805 LISTEN, LISTEN. YEAH. 628 00:33:59,838 --> 00:34:02,808 I THINK WE HAVE LUNCH WITH BRIAN KENNEDY. 629 00:34:02,841 --> 00:34:04,243 WHO'S THAT? 630 00:34:04,276 --> 00:34:05,677 FROM THE UNIVERSITY. 631 00:34:05,711 --> 00:34:08,680 HE I THE CONSTRUCTION COMMITTEE. 632 00:34:08,714 --> 00:34:10,682 I MEAN-- YOU'RE A GENIUS. 633 00:34:10,716 --> 00:34:12,718 YOU AND I'LL GO HOME, CHANGE. 634 00:34:12,751 --> 00:34:14,386 GREAT. 635 00:34:14,420 --> 00:34:16,355 NO. DON'T. 636 00:34:16,388 --> 00:34:17,389 YES. NO. 637 00:34:17,423 --> 00:34:18,390 YES. 638 00:34:18,424 --> 00:34:20,292 VINCENT. HONEY. 639 00:34:20,326 --> 00:34:21,393 YES. 640 00:34:21,427 --> 00:34:22,060 COME ON. 641 00:34:22,094 --> 00:34:24,630 THERE ARE PEOPLE DOWNSTAIRS. 642 00:34:26,265 --> 00:34:28,700 YOU GO AND YOU LOCK THAT DOOR. 643 00:34:28,734 --> 00:34:29,701 OH! I-- 644 00:34:29,735 --> 00:34:30,702 YEAH. UH-- 645 00:34:30,736 --> 00:34:32,704 HE SAID HE WANTED GRANDCHILDREN. 646 00:34:32,738 --> 00:34:34,373 LISTEN TO YOUR FATHER. 647 00:34:34,406 --> 00:34:35,707 VINCENT. 648 00:34:35,741 --> 00:34:39,178 GOD! I DON'T THINK HE MEANT TONIGHT. 649 00:34:40,412 --> 00:34:41,247 OK. 650 00:34:41,280 --> 00:34:43,382 BUT YOU BE QUIET, OK? 651 00:34:43,415 --> 00:34:45,217 NO, I MEAN IT. 652 00:34:45,251 --> 00:34:48,154 COME ON. MY PARENTS ARE DOWNSTAIRS. 653 00:34:49,288 --> 00:34:50,456 OK. 654 00:34:53,625 --> 00:34:55,727 I GOT IT. I--I'LL DO IT. 655 00:34:55,761 --> 00:34:58,230 I GOT IT. 656 00:34:58,864 --> 00:35:00,499 UH. 657 00:35:02,734 --> 00:35:06,104 DON'T GET YOUR FINGERS ON MY DRESS. 658 00:35:08,407 --> 00:35:10,276 COME ON. 659 00:35:11,710 --> 00:35:12,678 KISS ME. 660 00:35:12,711 --> 00:35:13,679 SHH. 661 00:35:13,712 --> 00:35:14,680 KISS ME. 662 00:35:14,713 --> 00:35:16,382 THAT'S GOOD. COME ON. 663 00:35:16,415 --> 00:35:17,849 HURRY UP. 664 00:35:17,883 --> 00:35:21,253 COME ON. THAT'S GOOD. 665 00:35:22,588 --> 00:35:24,356 OK. THAT'S GOOD. 666 00:35:24,390 --> 00:35:25,424 UNH! OK. 667 00:35:25,457 --> 00:35:27,693 (GRUNTING) 668 00:35:27,726 --> 00:35:29,595 SHH. SHH. 669 00:35:34,800 --> 00:35:36,368 OK. 670 00:35:36,402 --> 00:35:37,836 OK. 671 00:35:37,869 --> 00:35:39,371 DON'T LEAVE. STAY. 672 00:35:39,405 --> 00:35:40,906 MY GRANDMOTHER IS DOWNSTAIRS. 673 00:35:40,939 --> 00:35:41,907 STAY. STAY. 674 00:35:41,940 --> 00:35:43,609 NO, NO, NO. 675 00:35:43,642 --> 00:35:45,377 MMM. 676 00:35:46,545 --> 00:35:47,746 OH. 677 00:35:47,779 --> 00:35:49,248 OK. 678 00:35:49,281 --> 00:35:51,183 ALL RIGHT. HURRY UP. 679 00:35:54,286 --> 00:35:56,422 LOOK. I'M ALL WRINKLED. 680 00:35:57,789 --> 00:35:59,425 OK. COME ON, NOW. 681 00:35:59,458 --> 00:36:00,759 BE FAST, OK? 682 00:36:00,792 --> 00:36:03,329 WE'RE WAITING FOR YOU. 683 00:36:39,465 --> 00:36:42,468 YOU SURE ARE A HANDSOME DEVIL. 684 00:36:43,369 --> 00:36:45,737 I MEAN, FOR AN OLD GUY. 685 00:36:52,010 --> 00:36:52,844 YOU KNOW, 686 00:36:52,878 --> 00:36:55,581 MAYBE THE HOUSE ISN'T SUCH A GOOD IDEA. 687 00:36:55,614 --> 00:36:58,450 MAYBE IT'S JUST TOO SOON FOR YOU... 688 00:36:58,484 --> 00:36:59,585 FOR US. 689 00:36:59,618 --> 00:37:02,621 MAYBE IT'S A LITTLE TOO COMPLICATED. 690 00:37:02,654 --> 00:37:04,756 I MEAN IT. 691 00:37:04,790 --> 00:37:06,758 AND IT'S OK. 692 00:37:06,792 --> 00:37:09,461 YES. IT IS OK. 693 00:37:17,303 --> 00:37:19,037 WHAT TIME WILL YOU BE HOME? 694 00:37:19,070 --> 00:37:20,906 PROBABLY AROUND MIDNIGHT. 695 00:37:20,939 --> 00:37:22,040 SO LATE? 696 00:37:22,073 --> 00:37:24,510 YEAH. I'VE GOT THAT THING AT THE MUSEUM. 697 00:37:24,543 --> 00:37:25,744 WHAT THING? 698 00:37:25,777 --> 00:37:27,746 THE RECEPTION. 699 00:37:27,779 --> 00:37:28,747 YOUR MUSEUM? 700 00:37:28,780 --> 00:37:30,749 YEAH. I TOLD YOU ABOUT THAT. 701 00:37:30,782 --> 00:37:32,050 I DON'T REMEMBER. 702 00:37:32,083 --> 00:37:34,386 OH. WELL, IT'S JUST SOME DUMB THING 703 00:37:34,420 --> 00:37:35,721 FOR THE TRUSTEES. 704 00:37:35,754 --> 00:37:37,889 THEY PARADE ME AROUND LIKE A TRAINED SEAL 705 00:37:37,923 --> 00:37:38,890 AT THESE THINGS. 706 00:37:38,924 --> 00:37:39,858 YOU WANT ME TO COME? 707 00:37:39,891 --> 00:37:43,629 NO, NO. I'M JUST GOING TO TAKE A RUN UP THERE, 708 00:37:43,662 --> 00:37:46,064 MAKE AN APPEARANCE, AND GET OUT. 709 00:37:46,097 --> 00:37:49,301 I WILL BE BACK BEFORE MIDNIGHT. 710 00:37:49,335 --> 00:37:51,570 I LOVE YOU. 711 00:37:55,541 --> 00:37:58,877 YOU REALLY WANT THE HOUSE? 712 00:37:58,910 --> 00:38:00,479 YES. 713 00:38:08,119 --> 00:38:10,356 WHAT'S A MONTH? 714 00:38:11,623 --> 00:38:13,091 ONE MONTH. 715 00:38:13,124 --> 00:38:15,060 I'VE GOT YEARS. 716 00:38:15,093 --> 00:38:18,864 Auctioneer: 120 0N THE SIDE. 130. 130 NOW. 717 00:38:18,897 --> 00:38:19,898 AND 130. 718 00:38:19,931 --> 00:38:22,067 130 I HAVE. AND TO 140. 140? 719 00:38:22,100 --> 00:38:24,069 AT 140. THANK YOU. AND TO 150, TO 150. 720 00:38:24,102 --> 00:38:26,104 AT 140 IN THE BACK. 721 00:38:26,137 --> 00:38:27,573 AND TO 150 ANYWHERE? AT 150. THANK YOU. 722 00:38:27,606 --> 00:38:30,576 AND TO 160. AT 160. AT 160 NOW, THEN. 160. 723 00:38:30,609 --> 00:38:32,744 THANK YOU. I HAVE THE LADY. 724 00:38:32,778 --> 00:38:34,580 AT 160. AND TO 170. 725 00:38:34,613 --> 00:38:36,081 WISH TO GO 170? 170 NOW. 726 00:38:36,114 --> 00:38:38,083 AT 160, 170 I HAVE. THANK YOU. AND TO 180. 727 00:38:38,116 --> 00:38:39,885 I HAVE 170 IN THE BACK. AND TO 180. 180? 728 00:38:39,918 --> 00:38:42,020 AT 170, 180. 180. 180 NOW? 729 00:38:42,053 --> 00:38:43,689 IT'S AGAINST YOU, MA'AM. 180? YES. 730 00:38:43,722 --> 00:38:45,724 180. SHE COMES BACK. THANK YOU. I HAVE 190. 731 00:38:45,757 --> 00:38:48,694 AT 180 AND THE 190. 190, 190 ANYWHERE? 732 00:38:48,727 --> 00:38:49,961 AT $180 ONLY, 733 00:38:49,995 --> 00:38:51,763 FIRST, SECOND, THIRD, AND LAST TIMES-- 734 00:38:51,797 --> 00:38:52,831 200. 735 00:38:52,864 --> 00:38:54,099 $200 ON THIS SIDE. 736 00:38:54,132 --> 00:38:56,968 NEW BIDDER. THE GENTLEMAN AT 200. 737 00:38:57,002 --> 00:38:58,804 AND THE 25 THEN. AT 200 AND THE 25. 738 00:38:58,837 --> 00:39:00,739 I HAVE 200 FROM A GENTLEMAN STANDING ON THE SIDE. 739 00:39:00,772 --> 00:39:03,709 AT 200 AND THE 25. AT 200 AND THE 25. 740 00:39:03,742 --> 00:39:05,110 25. SHE COMES BACK. AND THE 50? 741 00:39:05,143 --> 00:39:06,578 I HAVE 225. THE LADY AND THE 50. 742 00:39:06,612 --> 00:39:08,714 WELL WORTH THE VALUE. AND THE 50. YES. 743 00:39:08,747 --> 00:39:11,116 AND THE 75. AT 250 AND THE 75. 744 00:39:11,149 --> 00:39:12,584 AND THE 75 NOW. 745 00:39:12,618 --> 00:39:14,753 AT $250. FIRST, SECOND, THIRD-- 746 00:39:14,786 --> 00:39:16,121 300 I HAVE. THANK YOU. 747 00:39:16,154 --> 00:39:17,489 AND THE 4. 748 00:39:17,523 --> 00:39:18,590 AT 300 ON THE SIDE. 749 00:39:18,624 --> 00:39:21,460 AND THE 4, AND THE 4 NOW. 300 ON THE SIDE, AND THE 4. 750 00:39:21,493 --> 00:39:24,129 AND THE 4. AND THE 4? AT 300, AND THE 4. 751 00:39:24,162 --> 00:39:25,130 WELL, WELL WORTH IT. 752 00:39:25,163 --> 00:39:26,164 500. 753 00:39:26,197 --> 00:39:28,099 500! YES! 754 00:39:28,133 --> 00:39:29,601 AND THE 6. I HAVE 500 ON THE SIDE. 755 00:39:29,635 --> 00:39:31,570 AND THE 6. THE 6 NOW. 756 00:39:31,603 --> 00:39:34,440 WISH TO GO TO 6? AT $500. 757 00:39:34,473 --> 00:39:35,907 ANY ADVANCE ON $500? 758 00:39:35,941 --> 00:39:37,042 IT'S GOING TO GO. 759 00:39:37,075 --> 00:39:38,744 FIRST, SECOND, THIRD, AND LAST. 760 00:39:38,777 --> 00:39:40,779 SOLD. $500. GENTLEMAN ON THE SIDE. 761 00:39:40,812 --> 00:39:41,847 THANK YOU. 762 00:39:41,880 --> 00:39:43,482 CASH OR CHECK? 763 00:39:43,515 --> 00:39:44,583 CHARGE, PLEASE. 764 00:39:44,616 --> 00:39:47,619 EXCUSE ME. I'M-- I'M SORRY. I, UH... 765 00:39:47,653 --> 00:39:49,187 IT'S SUCH AN UNUSUAL CLOCK. 766 00:39:49,220 --> 00:39:50,889 I COULDN'T RESIST. I'M SORRY. 767 00:39:50,922 --> 00:39:53,058 I WAS JUST BIDDING YOU UP. 768 00:39:53,091 --> 00:39:54,893 BIDDING ME UP? 769 00:39:54,926 --> 00:39:56,462 MM-HMM. 770 00:39:57,796 --> 00:40:00,098 WHAT, DO YOU WORK FOR THE AUCTIONEER? 771 00:40:00,131 --> 00:40:01,767 IS THAT IT? YEAH. 772 00:40:01,800 --> 00:40:03,134 MMM. 773 00:40:03,168 --> 00:40:05,871 YOU EVER GET STUCK? 774 00:40:05,904 --> 00:40:07,606 NEVER. 775 00:40:10,108 --> 00:40:12,210 WHAT IF I HADN'T COME IN? 776 00:40:12,243 --> 00:40:14,079 THE GUY WITH THE SUN HAT, 777 00:40:14,112 --> 00:40:16,114 I KNEW HE'D GO TO 350. 778 00:40:16,147 --> 00:40:19,117 ACTUALLY, I THINK HE WAS OUT AT 170. 779 00:40:19,150 --> 00:40:22,020 OH. 780 00:40:22,053 --> 00:40:24,923 WELL. 781 00:40:25,924 --> 00:40:27,192 SIR? 782 00:40:27,225 --> 00:40:28,794 YEAH. 783 00:40:28,827 --> 00:40:32,964 YEAH, IT'S A CONGREVE CLOCK ACTUALLY. 784 00:40:32,998 --> 00:40:34,165 ENGLISH... 785 00:40:34,199 --> 00:40:36,935 KIND OF RARE BIRD AROUND HERE. 786 00:40:36,968 --> 00:40:38,470 YOU DON'T SEE VERY MANY. 787 00:40:38,504 --> 00:40:39,838 PHONE NUMBER. YEAH. 788 00:40:39,871 --> 00:40:41,473 KEEPS TERRIBLE TIME, 789 00:40:41,507 --> 00:40:44,442 BUT IT'S A VERY BEAUTIFUL OBJECT. 790 00:40:48,714 --> 00:40:50,215 THERE YOU GO. THAT'S YOURS. 791 00:40:50,248 --> 00:40:52,050 THAT'S YOURS. THAT'S MINE. 792 00:40:59,791 --> 00:41:00,892 WHOA. 793 00:41:03,194 --> 00:41:04,730 HEY, JUST A SECOND. 794 00:41:04,763 --> 00:41:07,699 DO YOU HAVE A PLACE AT THE ISLAND? 795 00:41:07,733 --> 00:41:08,567 NO. 796 00:41:08,600 --> 00:41:09,901 I DIDN'T THINK SO. 797 00:41:09,935 --> 00:41:11,102 WHY IS THAT? 798 00:41:11,136 --> 00:41:13,038 WELL, YOU'RE SO FAIR. 799 00:41:13,071 --> 00:41:14,640 I TRY TO BE. 800 00:41:14,673 --> 00:41:17,042 WHAT DID YOU SAY YOUR NAME WAS? 801 00:41:17,075 --> 00:41:19,210 EASTMAN, VINCENT. 802 00:41:19,244 --> 00:41:21,112 WELL, GOODBYE, MR. EASTMAN. 803 00:41:21,146 --> 00:41:22,981 ENJOY YOUR CLOCK. 804 00:41:23,014 --> 00:41:25,083 RIGHT THIS WAY, MA'AM. 805 00:41:47,673 --> 00:41:50,041 LOOK, I KNOW THIS IS REALLY ANNOYING. 806 00:41:50,075 --> 00:41:51,276 HAVE WE MET? 807 00:41:51,309 --> 00:41:52,277 NO. 808 00:41:52,310 --> 00:41:54,546 YOU ARE SO FAMILIAR. 809 00:41:54,580 --> 00:41:57,148 I THOUGHT I WAS BEING RATHER ALOOF. 810 00:41:57,182 --> 00:41:59,851 YOU ARE, YOU ARE. YEAH. 811 00:41:59,885 --> 00:42:01,052 BUT I THOUGHT-- 812 00:42:01,086 --> 00:42:01,987 WELL, YOU KNOW MY NAME NOW. 813 00:42:02,020 --> 00:42:04,823 I THOUGHT MAYBE AT LEAST I COULD KNOW YOURS. 814 00:42:05,657 --> 00:42:08,159 OLIVIA...MARSHAK. 815 00:42:08,193 --> 00:42:10,829 OLIVIA MARSH-- ARE YOU THE WRITER? 816 00:42:10,862 --> 00:42:11,663 MM-HMM. 817 00:42:11,697 --> 00:42:12,931 STEP MAGAZINE? 818 00:42:12,964 --> 00:42:15,300 ARE YOU REAL-- I CAN'T BELIEVE THIS. 819 00:42:15,333 --> 00:42:17,302 THAT'S TERRIFIC. I KNEW I KNEW YOU FROM-- 820 00:42:17,335 --> 00:42:19,004 YOU HAVE YOUR PICTURE ON TOP OF THE COLUMN. 821 00:42:19,037 --> 00:42:21,807 RIGHT? I REALLY--IT'S SO NICE MEETING YOU. 822 00:42:21,840 --> 00:42:22,808 I DON'T FORGET A FACE, EVER. 823 00:42:22,841 --> 00:42:24,309 I HAVE INCREDIBLE VISUAL MEMORY. 824 00:42:24,342 --> 00:42:25,577 WOULD YOU LIKE TO SIT DOWN? 825 00:42:25,611 --> 00:42:27,178 NO, NO, NO. THAT'S OK. 826 00:42:27,212 --> 00:42:28,947 YEAH. YEAH. IT'S REALLY TERRIFIC. 827 00:42:28,980 --> 00:42:30,982 THE--THE MAGAZINE COMES TO THE OFFICE. 828 00:42:31,016 --> 00:42:31,750 EVERYONE READS IT THERE. 829 00:42:31,783 --> 00:42:32,584 THE YOUNGER STAFF REALLY LIKES IT. 830 00:42:32,618 --> 00:42:35,286 OH, THE YOUNG PEOPLE. GOD BLESS THEM. 831 00:42:35,320 --> 00:42:36,655 Waitress: HI. EXCUSE ME. 832 00:42:36,688 --> 00:42:38,657 CAN I, UH, GET YOU SOMETHING FROM THE BAR? 833 00:42:38,690 --> 00:42:40,058 NOT JUST YET. 834 00:42:40,091 --> 00:42:41,192 OK. I'LL COME BACK. 835 00:42:41,226 --> 00:42:43,161 I REMEMBER THIS REALLY GREAT COLUMN 836 00:42:43,194 --> 00:42:44,696 THAT YOU, UH, YOU DID. 837 00:42:44,730 --> 00:42:45,731 IT WAS VERY FUNNY. 838 00:42:45,764 --> 00:42:47,232 WE WERE PASSING IT AROUND THE OFFICE. 839 00:42:47,265 --> 00:42:48,934 IT WAS, UH... 840 00:42:48,967 --> 00:42:50,368 SOMETHING ABOUT... 841 00:42:50,401 --> 00:42:52,370 HOW YOU WERE ALWAYS BEING INVITED 842 00:42:52,403 --> 00:42:54,372 TO THESE REALLY DUMB DINNERS 843 00:42:54,405 --> 00:42:55,874 AS THE UNATTACHED FEMALE, 844 00:42:55,907 --> 00:42:58,744 AND YOU WOULD ALWAYS SAY NO, 845 00:42:58,777 --> 00:43:01,647 YOU'D RATHER HAVE YOUR SOLITUDE. 846 00:43:01,680 --> 00:43:04,716 WHAT DID YOU CALL IT? IT WAS, UH... 847 00:43:04,750 --> 00:43:07,352 "HELL IS OTHER PEOPLE." 848 00:43:07,385 --> 00:43:10,922 VERY GOOD. 849 00:43:10,956 --> 00:43:13,859 SO? IS IT TRUE? 850 00:43:14,793 --> 00:43:17,696 WOULD YOU RATHER BE ALONE? 851 00:43:19,397 --> 00:43:21,232 IT DEPENDS. 852 00:43:21,266 --> 00:43:24,870 ARE YOU SORRY I SAT DOWN HERE? 853 00:43:24,903 --> 00:43:27,005 NOT YET. 854 00:43:28,139 --> 00:43:30,709 HOW ABOUT YOU? 855 00:43:57,068 --> 00:43:58,369 WE STOLE THEIR LAND. 856 00:43:58,403 --> 00:44:01,006 WE--WE DECIMATED THEIR CULTURE. 857 00:44:01,039 --> 00:44:03,875 WE OFFERED THEM WELFARE IN EXCHANGE. 858 00:44:03,909 --> 00:44:06,712 WE WANTED TO DO A BUILDING HERE 859 00:44:06,745 --> 00:44:08,046 THAT WOULD CELEBRATE, 860 00:44:08,079 --> 00:44:11,216 THAT WOULD REASSURE THEM-- AND US, TOO, I THINK-- 861 00:44:11,249 --> 00:44:13,451 OF THE GREATNESS OF THAT CULTURE. 862 00:44:13,484 --> 00:44:15,921 (APPLAUSE) 863 00:44:18,123 --> 00:44:20,759 YOU KNOW, WHEN I-- WHEN I STARTED THINKING 864 00:44:20,792 --> 00:44:22,060 ABOUT THIS PROJECT-- 865 00:44:22,093 --> 00:44:24,763 AND EVERY PROJECT KIND OF HAS ITS OWN, 866 00:44:24,796 --> 00:44:26,097 ITS OWN APPROACH-- 867 00:44:26,131 --> 00:44:27,432 I REALLY WANTED TO GET 868 00:44:27,465 --> 00:44:30,435 INTO THE MINDS OF THE PEOPLE WHO LIVED HERE-- 869 00:44:30,468 --> 00:44:32,103 UH, TRY, ANYHOW. 870 00:44:32,137 --> 00:44:33,772 UH, I WANTED TO FEEL 871 00:44:33,805 --> 00:44:35,440 THEIR RELATIONSHIP WITH NATURE, 872 00:44:35,473 --> 00:44:38,076 THIS EXTRAORDINARY FEELING OF DIVINITY 873 00:44:38,109 --> 00:44:38,744 THAT THEY HAD WITH-- 874 00:44:38,777 --> 00:44:40,411 WITH EVERYTHING AROUND THEM. 875 00:44:40,445 --> 00:44:43,348 THE WHOLE NATURAL WORLD AS A DIVINE CHURCH. 876 00:44:43,381 --> 00:44:45,851 UH, I'LL TELL YOU A LITTLE SECRET, 877 00:44:45,884 --> 00:44:47,986 IF YOU PROMISE NOT TO TELL ANYBODY. 878 00:44:48,019 --> 00:44:50,455 I THINK THERE'S SOMETHING ELSE HERE 879 00:44:50,488 --> 00:44:54,760 BESIDES THE CONCRETE, STONE, AND STEEL 880 00:44:54,793 --> 00:44:57,028 THAT'S HOLDING THIS PLACE UP. 881 00:44:57,062 --> 00:44:58,696 (APPLAUSE) 882 00:44:59,497 --> 00:45:00,799 UH... 883 00:45:00,832 --> 00:45:02,467 ANYHOW, IT'S HERE. 884 00:45:02,500 --> 00:45:05,436 IT'S DONE. WE'RE VERY PROUD OF THIS. 885 00:45:05,470 --> 00:45:07,138 PLEASE WALK AROUND AND ENJOY. 886 00:45:07,172 --> 00:45:08,373 YOU PAID FOR IT. 887 00:45:08,406 --> 00:45:09,808 (APPLAUSE) 888 00:45:09,841 --> 00:45:12,110 BUT DON'T TOUCH ANYTHING. 889 00:45:23,154 --> 00:45:24,522 THANK YOU VERY MUCH. 890 00:45:24,555 --> 00:45:26,091 I WAS REAL ARTICULATE. 891 00:45:26,124 --> 00:45:28,760 VINCENT, VINCENT, WE'RE PROUD OF YOU. 892 00:45:28,794 --> 00:45:29,761 THANK YOU. 893 00:45:29,795 --> 00:45:30,962 MORE THAN WE EXPECTED. 894 00:45:30,996 --> 00:45:32,363 OH, YOU'RE VERY SWEET. THANK YOU, THANK YOU. 895 00:45:32,397 --> 00:45:33,531 THANKS. 896 00:45:33,564 --> 00:45:35,366 I'D STILL RATHER DRAW SOMETHING 897 00:45:35,400 --> 00:45:36,868 THAN EXPLAIN IT. WHAT WAS THAT-- 898 00:45:36,902 --> 00:45:38,870 THAT UH, SCHOOL, THAT CLASS? 899 00:45:38,904 --> 00:45:40,772 THEY WANTED-- THE TERM PAPER WAS DUE. 900 00:45:40,806 --> 00:45:42,373 I ASKED IF I COULD DRAW IT. 901 00:45:42,407 --> 00:45:43,374 EUROPEAN HISTORY. 902 00:45:43,408 --> 00:45:44,375 18th CENTURY. RIGHT. 903 00:45:44,409 --> 00:45:45,376 YOU WERE GOING TO DRAW 904 00:45:45,410 --> 00:45:46,912 THE ENTIRE FRENCH REVOLUTION. 905 00:45:46,945 --> 00:45:48,947 ME AND DELACROIX. 906 00:45:48,980 --> 00:45:50,348 GREAT WORK, VINCENT. 907 00:45:50,381 --> 00:45:51,316 THANK YOU. 908 00:45:51,349 --> 00:45:52,517 SEE YOU. BYE. THANK YOU. 909 00:45:52,550 --> 00:45:54,352 WHAT WAS THE PROFESSOR'S NAME? 910 00:45:54,385 --> 00:45:56,121 OH, UH... 911 00:45:56,154 --> 00:45:58,790 LUDKE. HANS LUDKE. 912 00:45:58,824 --> 00:46:03,061 HAD A TERRIBLE TOUPEE. IT WAS OVER HIS EYES. 913 00:46:04,830 --> 00:46:06,331 AND HE HAD A THING FOR YOU. 914 00:46:06,364 --> 00:46:08,133 OH, HE DID NOT. STOP IT. 915 00:46:08,166 --> 00:46:09,300 SALLY, WONDERFUL. 916 00:46:09,334 --> 00:46:11,036 CONGRATULATIONS. BEAUTIFUL JOB. 917 00:46:11,069 --> 00:46:12,537 YOU'RE VERY KIND. THANK YOU. 918 00:46:12,570 --> 00:46:13,538 REGINALD, THANKS A LOT. 919 00:46:13,571 --> 00:46:15,306 SEE YOU WEDNESDAY, REGINALD. 920 00:46:15,340 --> 00:46:16,541 EVERYONE KNEW IT. 921 00:46:16,574 --> 00:46:19,144 EVERYONE TALKED ABOUT IT. THE GUY WAS A MESS. 922 00:46:19,177 --> 00:46:21,847 HE HAD A BREAKDOWN WHEN WE GOT MARRIED. 923 00:46:21,880 --> 00:46:23,014 HE DID A FLIP-FLOP. 924 00:46:23,048 --> 00:46:25,851 PULLED THE RUG RIGHT OUT FROM OVER HIM. 925 00:46:31,322 --> 00:46:32,991 HMM. 926 00:46:33,024 --> 00:46:35,927 OH, COME ON. YOU'RE NOT LEAVING. 927 00:46:36,995 --> 00:46:38,563 PRETTY SOON. I DON'T THINK 928 00:46:38,596 --> 00:46:40,431 I CAN DO THIS TOO MUCH LONGER. 929 00:46:40,465 --> 00:46:43,501 OH. SOMEBODY WILL TALK TO YOU. 930 00:46:43,534 --> 00:46:44,569 OH, COME ON. 931 00:46:44,602 --> 00:46:46,337 YOU HAVE TO SEE ARCHER BEFORE YOU GO. 932 00:46:46,371 --> 00:46:47,372 SALLY-- 933 00:46:47,405 --> 00:46:49,107 COME ON. PLEASE? 934 00:46:49,140 --> 00:46:51,342 HUH? FOR ME? 935 00:47:04,289 --> 00:47:05,590 CONGRATULATIONS. 936 00:47:05,623 --> 00:47:07,358 IT'S A MARVELOUS BUILDING. 937 00:47:07,392 --> 00:47:08,459 THANK YOU. 938 00:47:08,493 --> 00:47:09,594 AS A MATTER OF FACT, 939 00:47:09,627 --> 00:47:11,462 I WANTED TO CALL YOU ABOUT SOMETHING. 940 00:47:11,496 --> 00:47:13,464 NEW RECITAL HALL AT THE UNIVERSITY. 941 00:47:13,498 --> 00:47:16,367 I THINK YOU'D BE PERFECT FOR IT. 942 00:47:16,401 --> 00:47:18,403 I DON'T THINK WE'VE MET. 943 00:47:23,208 --> 00:47:25,176 RICHARD QUARRY. 944 00:47:27,645 --> 00:47:29,847 PANCAKE MAN. 945 00:47:30,515 --> 00:47:32,083 EXCUSE ME? 946 00:47:33,118 --> 00:47:36,421 YOU MAKE PANCAKES FOR MY DAUGHTER. 947 00:47:38,323 --> 00:47:40,291 OH. 948 00:47:40,325 --> 00:47:42,360 YES. 949 00:47:42,393 --> 00:47:45,163 I, UH, SUPPOSE I DO. 950 00:47:48,699 --> 00:47:50,568 SHE'S A LOVELY GIRL. 951 00:47:50,601 --> 00:47:52,603 WHAT THE HELL DO YOU KNOW 952 00:47:52,637 --> 00:47:54,205 ABOUT MY DAUGHTER? 953 00:47:57,208 --> 00:47:59,577 I APPRECIATE IT. THANK YOU. THANK YOU. 954 00:47:59,610 --> 00:48:00,511 THANKS. 955 00:48:00,545 --> 00:48:02,113 Man: WHAT A BEAUTIFUL JOB. 956 00:48:02,147 --> 00:48:03,348 THANK YOU. 957 00:48:04,149 --> 00:48:06,051 THANK YOU. THANK YOU. THANKS. 958 00:48:06,084 --> 00:48:08,954 NICE JOB. NICE JOB. 959 00:48:09,654 --> 00:48:10,588 Vincent: THANK YOU. 960 00:48:10,621 --> 00:48:11,556 Man: GREAT WORK, VINCENT. 961 00:48:11,589 --> 00:48:14,059 Second man: CONGRATULATIONS. WE'LL TALK LATER. 962 00:48:21,566 --> 00:48:24,135 EXCUSE ME. HOW DID YOU GET HERE? 963 00:48:24,169 --> 00:48:25,003 I FLEW. 964 00:48:25,036 --> 00:48:26,304 THERE'S AN AIRPORT A FEW MILES FROM HERE. 965 00:48:26,337 --> 00:48:28,673 I THOUGHT WE COULD DRIVE HOME TOGETHER. 966 00:48:28,706 --> 00:48:30,275 JESUS. 967 00:48:31,509 --> 00:48:33,111 WHAT'S THE MATTER? 968 00:48:33,144 --> 00:48:34,479 THEY DON'T LIKE IT. 969 00:48:34,512 --> 00:48:35,680 THEY LIKE IT. 970 00:48:35,713 --> 00:48:36,681 IT'S BEAUTIFUL. 971 00:48:36,714 --> 00:48:38,016 LET'S GET A DRINK, OK? 972 00:48:38,049 --> 00:48:39,917 EXCUSE US. EXCUSE US. 973 00:48:44,355 --> 00:48:46,324 HI. YES, MA'AM? 974 00:48:46,357 --> 00:48:47,558 UH, RED WINE. 975 00:48:47,592 --> 00:48:48,994 AND FOR YOU, SIR? 976 00:48:49,027 --> 00:48:50,328 NO, THANK YOU. 977 00:48:50,361 --> 00:48:52,463 UH, CLUB SODA. 978 00:48:57,035 --> 00:48:58,236 HERE YOU GO. 979 00:48:58,269 --> 00:48:59,937 THANK YOU. 980 00:49:02,707 --> 00:49:05,276 WHAT'S THE MATTER WITH YOU? 981 00:49:10,048 --> 00:49:12,050 SALLY IS HERE. 982 00:49:12,083 --> 00:49:14,952 AND MEAGHAN. 983 00:49:17,622 --> 00:49:19,057 OH. 984 00:49:24,762 --> 00:49:26,697 THAT'S COZY. 985 00:49:26,731 --> 00:49:30,135 MAYBE WE COULD ALL GO OUT FOR PIZZA. 986 00:49:31,736 --> 00:49:33,038 YOU'RE DRUNK. 987 00:49:33,071 --> 00:49:35,273 JUST A LITTLE BOTTLE AT THE AIRPORT. 988 00:49:35,306 --> 00:49:37,275 ARE YOU TRYING TO HIDE ME? 989 00:49:37,308 --> 00:49:39,277 BECAUSE IF YOU ARE, IT'S NOT GONNA WORK. 990 00:49:39,310 --> 00:49:42,180 I'M NOT TRYING TO HIDE YOU. I JUST WISH YOU'D TOLD ME. 991 00:49:42,213 --> 00:49:43,248 IT'S A VERY IMPORTANT-- 992 00:49:43,281 --> 00:49:45,750 I KNOW IT'S AN IMPORTANT RECEPTION 993 00:49:45,783 --> 00:49:48,353 FOR THE TRUSTEES. 994 00:49:48,386 --> 00:49:50,288 MEAGHAN--A TRUSTEE? 995 00:49:50,321 --> 00:49:52,290 SO YOUNG, YET SO ACCOMPLISHED. 996 00:49:52,323 --> 00:49:54,359 OK. LET'S-- LET'S GO OVER HERE. 997 00:49:54,392 --> 00:49:55,393 WHERE? 998 00:49:55,426 --> 00:49:56,627 WE'RE GOING HOME. 999 00:49:56,661 --> 00:49:59,030 NO, WE'RE NOT. I JUST GOT HERE. 1000 00:49:59,064 --> 00:50:01,066 I WANT TO MEET THE TRUSTEES. 1001 00:50:01,099 --> 00:50:02,133 SHH. STOP IT. 1002 00:50:02,167 --> 00:50:04,035 NO. I HAVE A BETTER IDEA. 1003 00:50:04,069 --> 00:50:06,371 DO YOU HAVE ONE OF THOSE LITTLE OFFICES, 1004 00:50:06,404 --> 00:50:07,772 LITTLE DIRECTOR'S OFFICES HERE? 1005 00:50:07,805 --> 00:50:08,639 UPSTAIRS. WHY? 1006 00:50:08,673 --> 00:50:10,541 WE COULD GO, AND WE COULD LOCK THE DOOR, 1007 00:50:10,575 --> 00:50:12,643 AND WE COULD DO IT ON THE RUG. 1008 00:50:12,677 --> 00:50:14,245 YOU KNOW, A LITTLE CEREMONIAL QUICKIE. 1009 00:50:14,279 --> 00:50:15,713 WOULD YOU PLEASE GROW UP? 1010 00:50:15,746 --> 00:50:17,548 FOR CHRIST'S SAKE, GROW UP. 1011 00:50:17,582 --> 00:50:21,086 OK. I WON'T MAKE A SOUND. 1012 00:50:21,119 --> 00:50:23,621 JUST LIKE SALLY. 1013 00:50:24,755 --> 00:50:26,424 GO TO HELL. 1014 00:50:26,457 --> 00:50:29,194 I WILL AS SOON AS I FIGURE OUT HOW I FIT INTO ALL THIS. 1015 00:50:29,227 --> 00:50:31,496 WANT TO KNOW HOW YOU FIT IN? COME HERE. 1016 00:50:32,697 --> 00:50:34,599 YOU WANT TO KNOW HOW YOU FIT IN? 1017 00:50:34,632 --> 00:50:36,234 YOU WANT TO KNOW? YOU DON'T! 1018 00:50:36,267 --> 00:50:38,269 YOU DO NOT FIT INTO THIS! 1019 00:50:38,303 --> 00:50:41,106 NOW, I WORK WITH SALLY. 1020 00:50:41,139 --> 00:50:43,108 SALLY AND I DID THIS PROJECT. 1021 00:50:43,141 --> 00:50:45,410 WE ARE VERY PROUD OF THIS PROJECT. 1022 00:50:45,443 --> 00:50:47,545 IT'S NOT ABOUT YOU. IT'S ABOUT THE MUSEUM. 1023 00:50:47,578 --> 00:50:48,446 OK? THE MUSEUM. 1024 00:50:48,479 --> 00:50:51,382 NOT EVERYTHING IN THE WORLD IS ABOUT YOU. 1025 00:50:51,416 --> 00:50:52,583 Sally: HELLO. 1026 00:50:59,724 --> 00:51:02,327 I'M SALLY EASTMAN. 1027 00:51:06,697 --> 00:51:09,434 SALLY, THIS IS OLIVIA MARSHAK. 1028 00:51:09,467 --> 00:51:11,269 HOW ARE YOU? 1029 00:51:11,302 --> 00:51:14,305 FINE. 1030 00:51:14,872 --> 00:51:16,841 I READ YOUR COLUMN. 1031 00:51:16,874 --> 00:51:18,709 IT'S VERY GOOD. 1032 00:51:18,743 --> 00:51:20,445 IT'S VERY CLEVER. 1033 00:51:20,478 --> 00:51:22,447 THANKS. 1034 00:51:22,480 --> 00:51:26,451 I RECOGNIZED YOU FROM YOUR PHOTO. 1035 00:51:26,484 --> 00:51:27,552 YOU, TOO? 1036 00:51:27,585 --> 00:51:29,187 EXCUSE ME? 1037 00:51:29,220 --> 00:51:32,890 UH, IT'S A PASSPORT PHOTO. 1038 00:51:32,923 --> 00:51:34,659 REALLY? 1039 00:51:35,426 --> 00:51:37,562 IT'S VERY NICE. I LIKE IT. 1040 00:51:37,595 --> 00:51:38,863 YOU KNOW WHAT THEY SAY-- 1041 00:51:38,896 --> 00:51:41,266 IF YOU LOOK LIKE YOUR PASSPORT PHOTO, 1042 00:51:41,299 --> 00:51:43,568 YOU'RE NOT WELL ENOUGH TO TRAVEL. 1043 00:51:44,902 --> 00:51:47,338 HI, MEAGHAN. 1044 00:51:47,372 --> 00:51:48,573 HI. 1045 00:51:52,743 --> 00:51:56,614 WELL, IT'S NICE TO HAVE MET YOU... 1046 00:51:56,647 --> 00:51:58,483 AT LAST. 1047 00:51:58,516 --> 00:52:01,186 LIKEWISE. 1048 00:52:01,786 --> 00:52:03,254 COME ON. 1049 00:52:05,390 --> 00:52:06,357 READY? 1050 00:52:06,391 --> 00:52:07,225 YES. 1051 00:52:07,258 --> 00:52:08,526 HOW ABOUT YOU? 1052 00:52:11,262 --> 00:52:13,364 I GUESS THAT'S WHAT YOU CALL 1053 00:52:13,398 --> 00:52:15,266 A HOME COURT ADVANTAGE. 1054 00:52:30,715 --> 00:52:33,284 (THUNDER) 1055 00:52:59,344 --> 00:53:02,179 VINCENT, I'M SORRY. 1056 00:53:03,914 --> 00:53:08,286 I GOT DRUNK. I GOT A LITTLE CRAZY. 1057 00:53:08,319 --> 00:53:10,655 MAYBE I KIND OF SUSPECTED THEY'D BE THERE. 1058 00:53:10,688 --> 00:53:13,291 I JUST WANTED TO SEE WHAT I WAS UP AGAINST. 1059 00:53:13,324 --> 00:53:16,561 DO YOU UNDERSTAND? 1060 00:53:16,594 --> 00:53:18,729 I LIKE HER, 1061 00:53:18,763 --> 00:53:23,301 BUT I CAN'T GIVE YOU WHAT YOU HAD WITH THEM. 1062 00:53:23,334 --> 00:53:26,537 SUMMERS ON A BOAT WITH MEAGHAN. 1063 00:53:26,571 --> 00:53:28,706 16 YEARS. 1064 00:53:28,739 --> 00:53:31,609 ALL THAT HISTORY. WE DON'T HAVE A HISTORY. 1065 00:53:31,642 --> 00:53:34,445 WE CAN MAKE ONE. 1066 00:53:34,479 --> 00:53:37,615 VINCENT, I CAN MAKE YOU SO HAPPY. 1067 00:53:37,648 --> 00:53:39,284 IF YOU-- 1068 00:53:40,285 --> 00:53:43,721 I SWORE I WASN'T GOING TO DO THIS. 1069 00:53:47,792 --> 00:53:49,427 LOOK... 1070 00:53:49,460 --> 00:53:51,996 AHEM. IT'S GOING TO BE ALL RIGHT. 1071 00:53:52,029 --> 00:53:53,764 WE'LL BUILD A FIRE. 1072 00:53:53,798 --> 00:53:57,335 LIFE IS SO...HARD. 1073 00:53:57,368 --> 00:54:00,471 I GOT TO GO BACK TO THE MUSEUM. 1074 00:54:01,639 --> 00:54:02,807 TONIGHT? 1075 00:54:02,840 --> 00:54:04,709 YEAH. I'VE GOT A MEETING UP THERE 1076 00:54:04,742 --> 00:54:06,277 IN THE MORNING. 1077 00:54:14,952 --> 00:54:16,721 YOU KNOW WHAT? 1078 00:54:17,955 --> 00:54:21,626 I THINK YOU LIKED WHAT HAPPENED TONIGHT. 1079 00:54:22,960 --> 00:54:25,796 ME AND SALLY WITH YOU IN THE MIDDLE. 1080 00:54:31,068 --> 00:54:32,770 ARE YOU GETTING OUT? 1081 00:54:35,039 --> 00:54:37,308 YES. 1082 00:54:37,342 --> 00:54:40,478 I THINK SO. 1083 00:55:10,641 --> 00:55:12,577 (THUNDER) 1084 00:55:16,881 --> 00:55:18,983 Olivia: OH! 1085 00:55:19,016 --> 00:55:21,452 (LAUGHING) 1086 00:55:26,924 --> 00:55:28,426 Vincent: WATCH YOUR HEAD. 1087 00:55:28,459 --> 00:55:30,595 WATCH YOUR HEAD. 1088 00:55:30,628 --> 00:55:32,329 OHH! 1089 00:55:34,632 --> 00:55:36,033 (BOTH LAUGH) 1090 00:55:36,066 --> 00:55:37,868 (COUGHS) 1091 00:55:39,604 --> 00:55:41,472 WHY DON'T YOU TAKE YOUR COAT OFF? 1092 00:55:41,506 --> 00:55:43,541 I'LL GET A TOWEL. 1093 00:55:47,578 --> 00:55:49,013 THERE YOU GO, YEAH. 1094 00:55:49,046 --> 00:55:50,781 (GIGGLES) 1095 00:55:52,149 --> 00:55:54,619 AHH. NICE. 1096 00:55:54,652 --> 00:55:56,053 VERY NICE. 1097 00:55:56,086 --> 00:55:57,722 THIS IS NICE, ISN'T IT? 1098 00:55:57,755 --> 00:55:59,056 YES. 1099 00:55:59,089 --> 00:56:00,725 YES, SHE IS A NICE BOAT. 1100 00:56:00,758 --> 00:56:02,092 I THINK SO. 1101 00:56:02,126 --> 00:56:04,462 YEP, SHE IS A... 1102 00:56:04,495 --> 00:56:10,000 SWAN 44, DESIGNED BY SPARKMAN & STEVENS, 1103 00:56:10,034 --> 00:56:11,469 ABOUT 20 YEARS OLD. 1104 00:56:11,502 --> 00:56:13,604 DECK IS TEAK, INTERIOR IS TEAK-- 1105 00:56:13,638 --> 00:56:14,472 (YAWNS) 1106 00:56:14,505 --> 00:56:15,473 BROAD IN THE BEAM, 1107 00:56:15,506 --> 00:56:17,675 I HAD TO LOOK HARD TO FIND-- 1108 00:56:17,708 --> 00:56:20,511 LISTEN, YOU'RE A REAL BOAT PERSON, I CAN TELL. 1109 00:56:22,179 --> 00:56:24,482 MY UNCLE USED TO SAY GOING ON A BOAT 1110 00:56:24,515 --> 00:56:27,418 WAS LIKE BEING IN JAIL WITH A CHANCE OF DROWNING. 1111 00:56:27,452 --> 00:56:30,555 HEH HEH. I LIKE THAT ONE. 1112 00:56:32,189 --> 00:56:33,891 MMM. 1113 00:56:33,924 --> 00:56:35,793 AHH, YES. 1114 00:56:41,832 --> 00:56:43,668 YOU'RE MARRIED. 1115 00:56:48,072 --> 00:56:50,508 IT SHOWS, HUH? 1116 00:56:50,541 --> 00:56:52,943 LIKE A NEON SIGN. 1117 00:56:54,144 --> 00:56:55,846 WHAT ABOUT YOU? 1118 00:56:55,880 --> 00:56:57,615 NOT ANYMORE. 1119 00:57:02,487 --> 00:57:03,854 WELL... 1120 00:57:03,888 --> 00:57:05,189 DOWN THE HATCH. 1121 00:57:05,222 --> 00:57:06,757 (GLASSES CLINK) 1122 00:57:10,928 --> 00:57:12,563 MMM. 1123 00:57:12,597 --> 00:57:15,700 SO, HOW LONG HAVE YOU BEEN MARRIED? 1124 00:57:18,102 --> 00:57:22,206 UH, IT'LL BE 16 YEARS IN OCTOBER. 1125 00:57:22,239 --> 00:57:24,609 ANY CHILDREN? 1126 00:57:24,642 --> 00:57:25,843 13. 1127 00:57:25,876 --> 00:57:27,878 YOU HAVE 13 CHILDREN? 1128 00:57:27,912 --> 00:57:29,680 NO, I MEANT-- 1129 00:57:29,714 --> 00:57:30,548 UH... 1130 00:57:30,581 --> 00:57:33,984 NO, I--I HAVE... 1131 00:57:34,018 --> 00:57:37,488 I HAVE A LITTLE GIRL WHO'S 13. 1132 00:57:37,522 --> 00:57:39,857 HER NAME IS MEAGHAN. 1133 00:57:51,101 --> 00:57:53,203 SO, YOU WANT TO TAKE ME TO BED, 1134 00:57:53,237 --> 00:57:54,739 IS THAT IT? 1135 00:57:58,208 --> 00:58:00,177 WHY DON'T YOU JUST COME OUT 1136 00:58:00,210 --> 00:58:02,513 AND SAY WHAT'S ON YOUR MIND? 1137 00:58:02,547 --> 00:58:03,781 SHARE IT WITH ME. 1138 00:58:03,814 --> 00:58:05,616 WHY DON'T YOU? 1139 00:58:08,886 --> 00:58:11,756 WHY DON'T WE JUST TRADE STORIES? 1140 00:58:11,789 --> 00:58:15,092 I THINK I'VE HEARD YOURS. 1141 00:58:19,630 --> 00:58:21,198 LOOK, I'M SORRY. 1142 00:58:21,231 --> 00:58:23,668 I'M NOT VERY GOOD AT THIS. 1143 00:58:31,642 --> 00:58:34,178 YOU'RE DOING FINE. 1144 00:58:34,211 --> 00:58:37,582 SO, WHAT HAPPENED WITH THE MARRIAGE? 1145 00:58:42,653 --> 00:58:45,756 WE MET IN FLORENCE. 1146 00:58:45,790 --> 00:58:48,793 I WAS ON A SCHOLARSHIP. 1147 00:58:50,327 --> 00:58:53,330 WE GOT MARRIED, WE HAD MEAGHAN, 1148 00:58:53,363 --> 00:58:54,899 WE STARTED A COMPANY, 1149 00:58:54,932 --> 00:58:59,536 AND WE'VE BEEN WORKING TOGETHER EVER SINCE. 1150 00:59:00,104 --> 00:59:01,171 THAT'S IT? 1151 00:59:01,205 --> 00:59:03,908 ESSENTIALLY, YES. 1152 00:59:05,109 --> 00:59:09,046 I MUST HAVE MISSED SOMETHING. 1153 00:59:11,816 --> 00:59:13,984 ME, TOO. 1154 00:59:19,089 --> 00:59:21,759 SHALL WE GO? 1155 00:59:23,327 --> 00:59:25,029 NO. 1156 00:59:27,732 --> 00:59:30,935 I'LL HAVE ANOTHER. 1157 01:00:01,198 --> 01:00:03,200 AH, SHIT. 1158 01:00:16,413 --> 01:00:17,381 OK, ED. 1159 01:00:17,414 --> 01:00:19,049 SO LONG, BABE. 1160 01:00:19,083 --> 01:00:20,751 THANKS. SEE YA. 1161 01:00:26,223 --> 01:00:27,858 HI. 1162 01:00:27,892 --> 01:00:28,859 (SIGHS) 1163 01:00:28,893 --> 01:00:30,194 THANKS. 1164 01:00:31,361 --> 01:00:32,930 WHAT'LL IT BE? 1165 01:00:33,898 --> 01:00:35,165 UM... 1166 01:00:36,433 --> 01:00:38,168 BOURBON... 1167 01:00:38,202 --> 01:00:40,270 WITH SOME WATER ON THE SIDE 1168 01:00:40,304 --> 01:00:43,273 AND A CUP OF COFFEE, PLEASE. 1169 01:00:43,307 --> 01:00:45,142 STILL RAINING, HUH? 1170 01:00:45,175 --> 01:00:46,677 YEAH. 1171 01:00:47,778 --> 01:00:49,046 CAN YOU TELL ME WHY 1172 01:00:49,079 --> 01:00:52,783 WE DON'T ALL JUST MOVE TO ARIZONA? 1173 01:00:54,785 --> 01:00:57,021 WELL, THEY SAY... 1174 01:00:57,054 --> 01:00:58,288 THAT RAINY CLIMATES 1175 01:00:58,322 --> 01:01:00,157 ARE GOOD FOR THE COMPLEXION. 1176 01:01:00,190 --> 01:01:01,325 YEAH, WELL, 1177 01:01:01,358 --> 01:01:04,995 IT'S NOT MY SKIN THAT I'M WORRIED ABOUT, 1178 01:01:05,029 --> 01:01:07,798 IT'S MY SANITY. 1179 01:01:17,441 --> 01:01:20,010 HOW LONG HAVE YOU KNOWN HER? 1180 01:01:22,212 --> 01:01:24,815 ABOUT 2 MONTHS. 1181 01:01:25,883 --> 01:01:28,018 WE MET IN AUGUST. 1182 01:01:28,052 --> 01:01:29,319 DO I KNOW HER? 1183 01:01:29,353 --> 01:01:33,157 HER NAME IS OLIVIA MARSHAK. 1184 01:01:33,190 --> 01:01:36,126 MARSHAK? 1185 01:01:36,160 --> 01:01:37,728 MARSHAK. 1186 01:01:37,762 --> 01:01:39,830 SHE'S A JOURNALIST. 1187 01:01:39,864 --> 01:01:43,067 YOU MUST HAVE KNOWN SOMETHING WAS GOING ON. 1188 01:01:43,100 --> 01:01:46,403 YES. I THOUGHT YOU WERE WORKING LATE. 1189 01:01:46,436 --> 01:01:48,773 ARE YOU IN LOVE WITH HER? 1190 01:01:48,806 --> 01:01:49,807 I'M SORRY. 1191 01:01:49,840 --> 01:01:51,809 ISN'T THAT THE TRADITIONAL QUESTION? 1192 01:01:51,842 --> 01:01:54,745 I SAY, "ARE YOU IN LOVE WITH HER?" 1193 01:01:54,779 --> 01:01:56,747 AND THEN YOU SAY, "WELL, I DON'T KNOW. 1194 01:01:56,781 --> 01:01:58,215 I'M VERY CONFUSED. I NEED SOME TIME." 1195 01:01:58,248 --> 01:01:59,483 AND THEN I RESPOND-- 1196 01:01:59,516 --> 01:02:02,186 LOOK... 1197 01:02:02,219 --> 01:02:04,755 I...I DIDN'T PLAN THIS. 1198 01:02:04,789 --> 01:02:06,090 I BELIEVE THAT. 1199 01:02:06,123 --> 01:02:06,957 WHAT DOES THAT MEAN? 1200 01:02:06,991 --> 01:02:09,326 I'M THE PLANNER. YOU'RE THE CREATIVE ONE. 1201 01:02:09,359 --> 01:02:10,194 ISN'T THAT THE DEAL? 1202 01:02:10,227 --> 01:02:12,429 ISN'T THAT WHAT THIS WHOLE RELATIONSHIP 1203 01:02:12,462 --> 01:02:13,998 IS BASED ON? 1204 01:02:15,465 --> 01:02:17,401 I'M GOING TO A HOTEL. 1205 01:02:17,434 --> 01:02:19,937 OH, REALLY? NOW, JUST WHEN WE'RE FINALLY 1206 01:02:19,970 --> 01:02:22,873 REALLY GETTING TO KNOW EACH OTHER. 1207 01:02:30,280 --> 01:02:31,982 VINCENT, ARE YOU ALL RIGHT? 1208 01:02:32,016 --> 01:02:34,985 WHAT DO YOU MEAN, AM I ALL RIGHT? 1209 01:02:35,019 --> 01:02:36,987 HONEY, YOU'RE ACTING A LITTLE CRAZY. 1210 01:02:37,021 --> 01:02:39,223 WHAT THE HELL IS WRONG WITH YOU? 1211 01:02:39,256 --> 01:02:41,291 DON'T YOU KNOW WHAT I JUST SAID TO YOU? 1212 01:02:41,325 --> 01:02:42,559 I LOVE ANOTHER WOMAN! SHH! 1213 01:02:42,592 --> 01:02:44,161 I DON'T CARE. I DON'T CARE. 1214 01:02:44,194 --> 01:02:46,263 I'M LEAVING YOU. DO YOU UNDERSTAND THAT? 1215 01:02:46,296 --> 01:02:48,198 I HEARD YOU. 1216 01:02:48,232 --> 01:02:50,300 YOU'RE AMAZING. 1217 01:02:50,334 --> 01:02:52,136 OH, REALLY? AND HOW IS THAT? 1218 01:02:52,169 --> 01:02:55,405 DID YOU EVER CONSIDER MAYBE, JUST MAYBE, 1219 01:02:55,439 --> 01:02:57,274 IF YOU'D JUST FELT THIS A LITTLE MORE, 1220 01:02:57,307 --> 01:02:59,276 A LITTLE MORE UPSET, IT WOULDN'T HAVE HAPPENED! 1221 01:02:59,309 --> 01:03:00,945 DON'T YOU GET ANGRY AT ME 1222 01:03:00,978 --> 01:03:02,880 BECAUSE YOU'RE FUCKING ANOTHER WOMAN. 1223 01:03:02,913 --> 01:03:04,314 IT LACKS CONVICTION. 1224 01:03:04,348 --> 01:03:06,851 I'M GOING TO TAKE A BATH. 1225 01:03:06,884 --> 01:03:08,853 YOU WILL CALL ME TOMORROW, 1226 01:03:08,886 --> 01:03:11,788 AND WE'LL TALK THIS OVER, OK? 1227 01:03:26,470 --> 01:03:28,939 (GLASS SHATTERS) 1228 01:03:29,473 --> 01:03:31,075 SALLY... 1229 01:03:31,108 --> 01:03:33,210 HEY. SALLY? 1230 01:03:37,481 --> 01:03:38,548 DON'T MOVE. 1231 01:03:38,582 --> 01:03:40,550 THERE'S GLASS ON THE FLOOR. 1232 01:03:40,584 --> 01:03:41,551 DON'T MOVE. 1233 01:03:41,585 --> 01:03:44,221 I'LL HELP YOU OUT. 1234 01:03:44,254 --> 01:03:45,222 DON'T-- 1235 01:03:45,255 --> 01:03:47,591 DON'T TOUCH ME. 1236 01:03:47,624 --> 01:03:49,226 SALLY, DON'T MOVE. 1237 01:03:49,259 --> 01:03:51,595 JUST LEAVE ME ALONE. 1238 01:03:51,628 --> 01:03:53,931 DON'T YOU TOUCH ME! 1239 01:03:53,964 --> 01:03:56,333 SALLY, I DON'T WANT YOU TO GET HURT. 1240 01:03:56,366 --> 01:03:57,834 COME HERE. 1241 01:03:59,904 --> 01:04:02,206 I HATE YOU! 1242 01:04:02,239 --> 01:04:03,207 STOP IT. 1243 01:04:03,240 --> 01:04:04,408 STOP IT! 1244 01:04:05,943 --> 01:04:07,277 STOP IT! STOP IT! 1245 01:04:07,311 --> 01:04:08,545 STOP IT! STOP IT! 1246 01:04:08,578 --> 01:04:10,981 IT'S ALL RIGHT. IT'S ALL RIGHT. 1247 01:04:11,015 --> 01:04:12,849 IT'S OK. IT'S OK. 1248 01:04:33,270 --> 01:04:35,339 (THUNDER) 1249 01:05:46,676 --> 01:05:49,079 (THUNDER) 1250 01:07:34,318 --> 01:07:37,487 I WAS SO LOOKING FORWARD TO MEETING YOU. 1251 01:07:37,521 --> 01:07:39,723 OH? 1252 01:07:39,756 --> 01:07:42,559 YOUR FATHER'S TOLD ME A LOT ABOUT YOU. 1253 01:07:42,592 --> 01:07:44,394 YOU'RE TAKING BALLET? 1254 01:07:44,428 --> 01:07:46,330 YEAH. 1255 01:07:47,631 --> 01:07:49,099 DO YOU LIKE IT? 1256 01:07:49,133 --> 01:07:53,203 WELL, YOU KNOW, I'M STUDYING IT. 1257 01:07:55,872 --> 01:07:58,342 WHY DON'T WE ORDER? 1258 01:08:02,879 --> 01:08:05,715 MEAGHAN, THIS IS NOT A CONTEST. 1259 01:08:05,749 --> 01:08:09,353 I'M NOT TRYING TO REPLACE ANYBODY, 1260 01:08:09,386 --> 01:08:12,722 NOT YOU AND NOT YOUR MOTHER. 1261 01:08:12,756 --> 01:08:16,593 I JUST WANT TO MAKE YOUR FATHER HAPPY. 1262 01:08:16,626 --> 01:08:17,727 I CAN'T DO THAT 1263 01:08:17,761 --> 01:08:19,896 IF YOU'RE GOING TO FIGHT ME. 1264 01:08:19,929 --> 01:08:22,266 DO YOU UNDERSTAND? 1265 01:08:23,900 --> 01:08:25,835 THEN WHAT DO YOU SAY? 1266 01:08:25,869 --> 01:08:28,672 YOU'LL GIVE IT A SHOT? 1267 01:08:37,381 --> 01:08:38,348 SURE... 1268 01:08:38,382 --> 01:08:40,317 I GUESS. 1269 01:08:42,219 --> 01:08:43,753 OH, I ALMOST FORGOT. 1270 01:08:43,787 --> 01:08:46,156 I HAVE SOMETHING FOR YOU. 1271 01:08:51,961 --> 01:08:53,497 OH, MY GOSH. 1272 01:08:53,530 --> 01:08:54,198 (GASPS) 1273 01:08:54,231 --> 01:08:56,466 IS THIS REALLY HIS HANDWRITING? 1274 01:08:56,500 --> 01:08:57,567 MM-HMM. 1275 01:08:57,601 --> 01:08:58,935 I CAN'T BELIEVE IT! 1276 01:08:58,968 --> 01:09:01,371 "TO MEAGHAN. KEEP DANCING. 1277 01:09:01,405 --> 01:09:02,939 MIKHAIL BARYSHNIKOV." I CAN'T BELIEVE IT. 1278 01:09:02,972 --> 01:09:04,908 WHERE DID YOU FIND THIS? 1279 01:09:04,941 --> 01:09:06,776 I INTERVIEWED HIM LAST YEAR. 1280 01:09:06,810 --> 01:09:09,679 WHO DO YOU THINK YOU'RE DEALING WITH? 1281 01:10:18,448 --> 01:10:20,684 (TRAIN WHISTLE BLOWS) 1282 01:10:28,992 --> 01:10:31,428 (BELL RINGING) 1283 01:10:38,702 --> 01:10:41,371 (TRAIN WHISTLE BLOWS) 1284 01:11:23,079 --> 01:11:25,449 MISTER... 1285 01:11:25,482 --> 01:11:27,684 DO YOU WANT A SWEET ROLL? 1286 01:11:27,717 --> 01:11:30,086 THAT'S FOR ME? 1287 01:11:30,119 --> 01:11:31,655 MM-HMM. 1288 01:11:31,688 --> 01:11:33,289 WELL... 1289 01:11:36,593 --> 01:11:37,694 THANK YOU. 1290 01:11:39,496 --> 01:11:41,698 AREN'T YOU GOING TO EAT IT? 1291 01:11:56,012 --> 01:11:58,615 YES! THIS IS IT! 1292 01:11:58,648 --> 01:12:01,785 THIS IS THE ONE I WAS LOOKING FOR. 1293 01:12:01,818 --> 01:12:02,852 THANK YOU. 1294 01:12:02,886 --> 01:12:03,853 BYE. 1295 01:12:03,887 --> 01:12:04,854 BYE-BYE. 1296 01:12:04,888 --> 01:12:06,923 (HUMMING) 1297 01:12:15,765 --> 01:12:18,602 LOOKS LIKE MORE RAIN. 1298 01:12:19,736 --> 01:12:21,337 YEAH. 1299 01:12:23,740 --> 01:12:25,475 ARE YOU LOST? 1300 01:12:29,746 --> 01:12:30,880 NO. 1301 01:12:36,019 --> 01:12:37,787 GRANDCHILD? 1302 01:12:39,756 --> 01:12:40,757 BEAUTIFUL. 1303 01:12:40,790 --> 01:12:42,759 REALLY BEAUTIFUL. 1304 01:12:44,093 --> 01:12:47,764 GRANDPA, COME ON, IT'S LATE. 1305 01:13:16,092 --> 01:13:18,094 Operator: PLEASE DEPOSIT 75 CENTS 1306 01:13:18,127 --> 01:13:20,797 FOR THE NEXT 3 MINUTES. 1307 01:13:26,670 --> 01:13:28,805 (RINGING) 1308 01:13:29,739 --> 01:13:30,540 HI. 1309 01:13:30,574 --> 01:13:31,975 Olivia on answering machine: HI. 6723. 1310 01:13:32,008 --> 01:13:33,109 OH, SHIT. 1311 01:13:33,142 --> 01:13:35,779 I'M NOT IN. YOU KNOW WHAT TO DO. 1312 01:13:35,812 --> 01:13:36,546 (BEEP) 1313 01:13:36,580 --> 01:13:39,583 HI. IT'S ME. I WAS DRIVING AROUND, 1314 01:13:39,616 --> 01:13:43,653 AND...UH, THERE WAS THIS GUY... 1315 01:13:43,687 --> 01:13:45,489 HE WAS DELIVERING MILK. 1316 01:13:45,522 --> 01:13:47,991 HE HAD THIS LITTLE GIRL WITH HIM, 1317 01:13:48,024 --> 01:13:51,495 THIS MOST INCREDIBLE LITTLE GIRL WITH RED HAIR. 1318 01:13:51,528 --> 01:13:54,097 SHE HAD RED HAIR AND THESE EYES WERE JUST-- 1319 01:13:54,130 --> 01:13:55,632 SHE REMINDED ME OF YOU, 1320 01:13:55,665 --> 01:13:58,502 AND I WAS--I DON'T KNOW, 1321 01:13:58,535 --> 01:13:59,903 SOMETHING HAPPENED. IT JUST CLICKED. 1322 01:13:59,936 --> 01:14:01,104 EVERYTHING CAME TOGETHER, 1323 01:14:01,137 --> 01:14:03,106 AND I... 1324 01:14:03,139 --> 01:14:05,108 I DON'T WANT TO LOSE YOU! 1325 01:14:05,141 --> 01:14:07,210 I CAN'T LOSE YOU! I WANT TO BE WITH YOU! 1326 01:14:07,243 --> 01:14:09,112 SO LET'S DO THIS THING. ALL RIGHT? 1327 01:14:09,145 --> 01:14:10,113 LET'S GET MARRIED. 1328 01:14:10,146 --> 01:14:11,114 I WANT--I WANT KIDS, 1329 01:14:11,147 --> 01:14:12,516 I WANT--I WANT A FAMILY, 1330 01:14:12,549 --> 01:14:13,617 I WANT THE HOUSE, 1331 01:14:13,650 --> 01:14:15,118 I WANT THE WHOLE THING. 1332 01:14:15,151 --> 01:14:17,521 AND...LOOK, UH, 1333 01:14:17,554 --> 01:14:19,556 LOOK, THIS IS WHAT I WANT YOU TO DO, ALL RIGHT? 1334 01:14:19,589 --> 01:14:20,524 LISTEN TO ME. 1335 01:14:20,557 --> 01:14:21,725 I WANT YOU TO GET IN A CAR. 1336 01:14:21,758 --> 01:14:23,727 I WANT YOU TO DRIVE UP, UP TO THE BEDFORD INN. 1337 01:14:23,760 --> 01:14:26,496 IT'S ABOUT 2 MILES NORTH OF THE MUSEUM, 1338 01:14:26,530 --> 01:14:28,865 AND WAIT FOR ME THERE. OK? CAN YOU DO THAT? 1339 01:14:28,898 --> 01:14:30,900 PROMISE ME. DO THAT. 1340 01:14:30,934 --> 01:14:34,504 UH, AND I WAS WRONG. IT I ABOUT YOU. 1341 01:14:34,538 --> 01:14:35,972 IT IS ABOUT YOU. EVERYTHING'S ABOUT YOU. 1342 01:14:36,005 --> 01:14:40,009 IT ALWAYS WAS ABOUT YOU. ONLY YOU. UH... 1343 01:14:40,043 --> 01:14:41,811 WHAT ELSE? 1344 01:14:42,579 --> 01:14:43,547 MARRY ME. 1345 01:14:43,580 --> 01:14:44,881 I SAID THAT ALREADY. 1346 01:14:44,914 --> 01:14:45,982 UH... 1347 01:14:46,015 --> 01:14:47,116 IT'S ABOUT... 1348 01:14:47,150 --> 01:14:49,653 IT'S QUARTER AFTER 8:00. 1349 01:14:49,686 --> 01:14:51,555 I LOOK LIKE SHIT, UH... 1350 01:14:51,588 --> 01:14:53,523 BUT I'M CRAZY ABOUT YOU. 1351 01:14:53,557 --> 01:14:55,892 I'M ALWAYS GOING TO BE CRAZY ABOUT YOU. 1352 01:14:55,925 --> 01:14:57,527 UH... 1353 01:14:57,561 --> 01:14:59,896 OH, BY THE WAY, THIS IS VINCENT... 1354 01:14:59,929 --> 01:15:02,632 VINCENT EASTMAN. 1355 01:15:04,834 --> 01:15:06,703 OH, GOD! 1356 01:15:07,704 --> 01:15:08,972 YES! 1357 01:15:28,057 --> 01:15:29,025 Vincent: 2--SECOND WORD. 1358 01:15:29,058 --> 01:15:29,726 Olivia: NO! 1359 01:15:29,759 --> 01:15:31,194 SECOND WORD. SECOND WORD IS... 1360 01:15:31,227 --> 01:15:32,696 YOUR TUSHIE. 1361 01:15:32,729 --> 01:15:34,864 SHE HAS A REALLY GOOD TUSHIE. 1362 01:15:34,898 --> 01:15:35,865 NO! 1363 01:15:35,899 --> 01:15:37,634 A--A... 1364 01:15:37,667 --> 01:15:38,802 A TAIL! YES! 1365 01:15:38,835 --> 01:15:40,336 IT'S A TAIL! A TAIL! OK. 1366 01:15:40,369 --> 01:15:42,238 TALE OF SOMETHING SOMETHING SOMETHING. 1367 01:15:42,271 --> 01:15:44,173 HISTORICAL NOVEL, 5 WORDS. 1368 01:15:44,207 --> 01:15:45,174 BEFORE. AFTER. 1369 01:15:45,208 --> 01:15:46,275 "V." VICTORY. 1370 01:15:46,309 --> 01:15:47,811 VINCENT. EYES. TWO. 1371 01:15:47,844 --> 01:15:49,045 AH! 1372 01:15:49,078 --> 01:15:50,279 TWO, YES! TWO, TWO. 1373 01:15:50,313 --> 01:15:52,982 A TALE OF TWO... SOMETHING. OK. 1374 01:15:53,016 --> 01:15:54,317 HISTORICAL NOVEL, 1375 01:15:54,350 --> 01:15:55,919 UH, 5 WORDS, FOURTH WORD IS... 1376 01:15:55,952 --> 01:15:57,186 I CAN'T BELIEVE-- 1377 01:15:57,220 --> 01:15:58,321 NO. DON'T SAY ANYTHING! I CAN DO IT! 1378 01:15:58,354 --> 01:15:59,155 I CAN DO IT. I CAN DO IT. 1379 01:15:59,188 --> 01:16:00,323 COME ON, COME ON, COME ON. NO, REALLY. 1380 01:16:00,356 --> 01:16:01,324 I CAN DO IT, I SWEAR. I SWEAR. 1381 01:16:01,357 --> 01:16:02,826 GIVE IT TO ME. COME ON, BABY. 1382 01:16:02,859 --> 01:16:03,927 GO, GO, GO. 1383 01:16:03,960 --> 01:16:05,962 UH, SOUNDS LIKE... 1384 01:16:06,930 --> 01:16:08,765 TITTIES! YES! 1385 01:16:08,798 --> 01:16:11,000 A TALE OF TWO TITTIES! 1386 01:16:11,034 --> 01:16:12,301 I NEVER READ THAT. 1387 01:16:12,335 --> 01:16:14,337 A TALE OF TWO TITTIES? 1388 01:16:14,370 --> 01:16:15,371 I DON'T-- 1389 01:16:15,404 --> 01:16:16,873 (GIGGLING) 1390 01:16:53,209 --> 01:16:54,343 (SINGING) 1391 01:16:54,377 --> 01:16:56,713 * OH, WAY UP THERE 1392 01:16:56,746 --> 01:17:00,650 * THE OTHER DAY I MET A BEAR * 1393 01:17:00,684 --> 01:17:04,620 * IN THE WOODS A-WAY UP THERE... * 1394 01:17:17,734 --> 01:17:18,668 (ENGINE STALLS) 1395 01:17:18,702 --> 01:17:20,236 OH, IT WON'T START. 1396 01:17:23,339 --> 01:17:24,307 START IT. STUPID-- 1397 01:17:24,340 --> 01:17:25,308 I'M TRYING. START IT. 1398 01:17:25,341 --> 01:17:27,343 IT MUST BE THE BATTERY. 1399 01:17:27,376 --> 01:17:28,344 OH, GOD! 1400 01:17:28,377 --> 01:17:29,879 START IT! 1401 01:17:35,384 --> 01:17:38,054 (HORN HONKS) 1402 01:19:08,577 --> 01:19:09,913 YOU OK? 1403 01:19:09,946 --> 01:19:12,048 YEAH, I THINK SO. 1404 01:19:12,081 --> 01:19:13,449 HE BOUNCED OFF THIS TRUCK. 1405 01:19:13,482 --> 01:19:15,218 HE'S GOT TO BE DOWN THE ROAD. 1406 01:19:15,251 --> 01:19:17,286 BOBBY, WHERE YOU GOING? 1407 01:19:17,320 --> 01:19:18,287 BOBBY! 1408 01:19:18,321 --> 01:19:19,555 BOBBY, COME HERE! 1409 01:19:19,588 --> 01:19:21,958 BOBBY, LOOK OUT FOR THAT TRUCK! 1410 01:19:21,991 --> 01:19:23,259 WHOA! 1411 01:19:23,292 --> 01:19:25,761 (YELLING) 1412 01:19:27,163 --> 01:19:28,397 THERE HE IS! 1413 01:19:28,431 --> 01:19:29,999 Mom: BOBBY! STAY UP HERE. 1414 01:19:30,033 --> 01:19:32,869 PATTY, SEE IF THIS GUY'S GOT A CB. 1415 01:19:32,902 --> 01:19:34,270 CALL AN AMBULANCE. 1416 01:19:36,172 --> 01:19:37,506 WHAT'S THE PROBLEM? 1417 01:19:37,540 --> 01:19:39,008 THERE'S BEEN AN ACCIDENT. YOU GOT A CB? 1418 01:19:39,042 --> 01:19:39,876 YES. 1419 01:19:39,909 --> 01:19:41,244 CALL AN AMBULANCE, PLEASE. 1420 01:19:41,277 --> 01:19:42,278 ANYBODY COPY? OVER. 1421 01:19:42,311 --> 01:19:44,280 WHY THE HELL DID YOU STOP? 1422 01:19:44,313 --> 01:19:45,514 I DIDN'T STOP. I STALLED. 1423 01:19:45,548 --> 01:19:47,516 YOU FORCED HIM OFF THE ROAD. 1424 01:19:47,550 --> 01:19:48,885 I DIDN'T FORCE HIM OFF. HE WAS DOING 100. 1425 01:19:48,918 --> 01:19:50,987 THERE WAS NOTHING I COULD DO. 1426 01:19:51,020 --> 01:19:53,189 IT ALL HAPPENED IN A COUPLE SECONDS. 1427 01:20:01,264 --> 01:20:03,366 (HORN HONKING) 1428 01:20:17,947 --> 01:20:21,450 Vincent: FUNNY, I DON'T HURT ANYWHERE. 1429 01:20:21,484 --> 01:20:23,586 MY MIND'S FUNCTIONING. 1430 01:20:23,619 --> 01:20:27,123 MY NAME IS VINCENT EASTMAN... 1431 01:20:27,156 --> 01:20:28,591 42 YEARS OLD. 1432 01:20:28,624 --> 01:20:30,593 I LIVE AT... 1433 01:20:30,626 --> 01:20:32,929 I LIVE AT, UM... 1434 01:20:32,962 --> 01:20:34,197 YES, VINCENT, 1435 01:20:34,230 --> 01:20:35,899 WHERE DO YOU LIVE? 1436 01:20:35,932 --> 01:20:38,267 I WANT TO KNOW WHERE YOU LIVE. 1437 01:20:38,301 --> 01:20:39,602 PULL IT OPEN! 1438 01:20:39,635 --> 01:20:41,905 I'LL HOLD HIS HEAD. 1439 01:20:41,938 --> 01:20:43,472 YOU GRAB HIS SHOULDERS, ALL RIGHT? 1440 01:20:43,506 --> 01:20:44,607 YOU GUYS GRAB HIS LEGS. 1441 01:20:44,640 --> 01:20:46,075 EASY NOW...GENTLY. 1442 01:20:46,109 --> 01:20:48,577 LET'S GET HIM OUT OF HERE. 1443 01:20:48,611 --> 01:20:52,015 DON'T JIGGLE HIM AROUND. 1444 01:20:52,648 --> 01:20:54,250 TAKE IT EASY. 1445 01:20:54,283 --> 01:20:55,251 DOWN EASY. 1446 01:20:55,284 --> 01:20:56,619 PUT HIM DOWN GENTLY. 1447 01:20:56,652 --> 01:20:58,354 VERY GENTLY. 1448 01:20:58,387 --> 01:21:00,957 IS HE BAD, DO YOU THINK? 1449 01:21:00,990 --> 01:21:03,492 I DON'T THINK SO. HIS EYES ARE OPEN. 1450 01:21:03,526 --> 01:21:05,294 HE'S IN SHOCK PROBABLY. 1451 01:21:05,328 --> 01:21:08,097 BOBBY, GET THAT BLANKET FROM THE VAN, OK! 1452 01:21:08,131 --> 01:21:11,935 Vincent: I JUST NEED TO HAVE A REST FOR A WHILE. 1453 01:21:11,968 --> 01:21:14,503 OH, I GOT TO CALL OLIVIA 1454 01:21:14,537 --> 01:21:17,140 AND TELL HER I'M GOING TO BE LATE. 1455 01:21:17,173 --> 01:21:20,143 Man: GOOD MORNING, OLIVIA. 1456 01:21:47,736 --> 01:21:48,504 (RING) 1457 01:21:48,537 --> 01:21:51,274 Answering machine: HI. THIS IS 6723. 1458 01:21:51,307 --> 01:21:52,508 I'M NOT IN. 1459 01:21:52,541 --> 01:21:53,709 YOU KNOW WHAT TO DO. 1460 01:21:53,742 --> 01:21:55,011 (BEEP) 1461 01:21:55,044 --> 01:21:56,512 Vincent: HI. UH, IT'S ME. 1462 01:21:56,545 --> 01:21:58,481 I WAS JUST DRIVING AROUND, 1463 01:21:58,514 --> 01:22:00,716 AND, UH, THERE WAS THIS GUY, 1464 01:22:00,749 --> 01:22:02,118 HE WAS DELIVERING MILK. 1465 01:22:02,151 --> 01:22:04,120 HE HAD THIS LITTLE GIRL WITH HIM, 1466 01:22:04,153 --> 01:22:07,456 THIS MOST INCREDIBLE LITTLE GIRL WITH RED HAIR... 1467 01:22:49,498 --> 01:22:50,733 Nurse: WHAT HAVE WE GOT? 1468 01:22:50,766 --> 01:22:52,168 WE GOT A 42-YEAR-OLD MALE. 1469 01:22:52,201 --> 01:22:53,736 HIS NAME'S VINCENT EASTMAN. 1470 01:22:53,769 --> 01:22:55,471 HE WAS INVOLVED IN A ROLLOVER MVA. 1471 01:22:55,504 --> 01:22:57,106 WAS HE WEARING A SEAT BELT? 1472 01:22:57,140 --> 01:23:00,543 YES, HE WAS EXTRICATED FROM THE VEHICLE BY... 1473 01:23:00,576 --> 01:23:02,078 I PROPOSE A TOAST. 1474 01:23:02,111 --> 01:23:03,712 HEAR! HEAR! 1475 01:23:03,746 --> 01:23:06,049 I PROPOSE THAT YOU HAVE A LONG, HAPPY, 1476 01:23:06,082 --> 01:23:08,017 HEALTHY, AND PROSPEROUS LIFE! 1477 01:23:08,051 --> 01:23:09,652 YAY! YAY! 1478 01:23:09,685 --> 01:23:11,320 THANKS. 1479 01:23:14,723 --> 01:23:16,592 (CLASSICAL MUSIC PLAYING) 1480 01:23:47,323 --> 01:23:48,724 WAS HE RESPONSIVE COMING IN? 1481 01:23:48,757 --> 01:23:50,526 HE'S NOT RESPONDING APPROPRIATELY. 1482 01:23:50,559 --> 01:23:51,527 WHAT'S HIS GCI? 1483 01:23:51,560 --> 01:23:52,661 ABOUT 10. 1484 01:23:52,695 --> 01:23:53,762 MEDS, ALLERGIES? 1485 01:23:53,796 --> 01:23:56,132 UH, I DON'T KNOW. 1486 01:23:56,165 --> 01:23:58,267 THE R.C.H.P. ARE NOTIFYING HIS FAMILY. 1487 01:23:58,301 --> 01:24:00,403 YOUR CLIENT ASKED ME FOR TOP-QUALITY MATERIAL. 1488 01:24:00,436 --> 01:24:02,671 WHERE DO YOU WANT ME TO GET THAT? YEAH? 1489 01:24:02,705 --> 01:24:04,407 THERE'S A CALL FOR VINCENT. 1490 01:24:04,440 --> 01:24:07,443 WELL, HE'S NOT HERE YET. COULD YOU TAKE A MESSAGE? 1491 01:24:07,476 --> 01:24:08,377 UH, ABOUT HIM, I MEAN. 1492 01:24:08,411 --> 01:24:11,414 THEY ASKED IF THIS WAS HIS PLACE OF BUSINESS. 1493 01:24:11,447 --> 01:24:12,081 WHO DID? 1494 01:24:12,115 --> 01:24:16,085 THE HIGHWAY POLICE. ON ONE. 1495 01:24:16,119 --> 01:24:18,354 (HORN BLOWS) 1496 01:24:22,658 --> 01:24:24,293 OK. YOU GET HIS PRESSURE? 1497 01:24:24,327 --> 01:24:25,828 ABOUT 100. 1498 01:24:25,861 --> 01:24:27,296 RIGHT PUPIL'S DILATED. 1499 01:24:27,330 --> 01:24:29,332 WE'RE GONNA HAVE TO INTUBATE. 1500 01:24:29,365 --> 01:24:30,366 I NEED THE NEUROSURGICAL RESIDENT 1501 01:24:30,399 --> 01:24:32,168 IN RESPIRATORY, STAT. TRAUMA ROOM 3. 1502 01:24:32,201 --> 01:24:33,436 ALL RIGHT, LET'S GET A SECOND LINE INTO HIM 1503 01:24:33,469 --> 01:24:34,870 AND DRAW SOME TRAUMA BLOOD WORK. 1504 01:24:34,903 --> 01:24:36,572 AIR ENTRY EQUAL BILATERALLY. 1505 01:24:36,605 --> 01:24:38,707 HE'S IN A SINUS TAP 120. 1506 01:24:38,741 --> 01:24:39,875 HIS PRESSURE'S 144 AND 94. 1507 01:24:39,908 --> 01:24:42,111 GIVE ME 5 OF VERSET, 100 OF FENTANYL, 1508 01:24:42,145 --> 01:24:43,612 AND 120 OF LIDO. 1509 01:24:55,791 --> 01:24:57,626 THERE IT IS. 1510 01:24:57,660 --> 01:24:59,728 THERE'S A LARGE HEMATOMA, THE RIGHT FRONTAL LOBE, 1511 01:24:59,762 --> 01:25:01,197 WITH A SHIFT TO THE LEFT. 1512 01:25:01,230 --> 01:25:02,865 BP IS 200 SYSTOLIC. 1513 01:25:02,898 --> 01:25:04,367 LET'S GET HIM TO O.R. 1514 01:25:32,528 --> 01:25:33,729 HOW OLD ARE THESE? 1515 01:25:33,762 --> 01:25:34,897 ABOUT 20 MINUTES. 1516 01:25:34,930 --> 01:25:35,931 HE'S RESPONSIVE? 1517 01:25:35,964 --> 01:25:38,301 NOT REALLY. RIGHT PUPIL IS DILATED BUT NOT FIXED. 1518 01:25:38,334 --> 01:25:39,502 HAS HE BEEN PREPPED? 1519 01:25:39,535 --> 01:25:40,303 YES, SIR. 1520 01:25:40,336 --> 01:25:41,604 I'LL GO IN AND RELIEVE THE PRESSURE. 1521 01:25:41,637 --> 01:25:43,172 HOW OLD IS HE? 1522 01:25:43,206 --> 01:25:44,607 42. IN GOOD SHAPE? 1523 01:25:44,640 --> 01:25:45,308 BETTER THAN ME. 1524 01:25:45,341 --> 01:25:47,543 NO REASON HE CAN'T HANDLE IT. 1525 01:25:47,576 --> 01:25:49,512 OK, LET'S DO IT. 1526 01:25:54,917 --> 01:25:57,320 OFFICER, CAN I GO UP ON THE SHOULDER? 1527 01:25:57,353 --> 01:25:59,688 IT'S JUST GONNA BE A MINUTE. OK, MA'AM? 1528 01:25:59,722 --> 01:26:01,624 LET'S GO. LET'S GO. 1529 01:26:01,657 --> 01:26:03,259 WHAT HAPPENED? 1530 01:26:03,292 --> 01:26:06,229 STAY OFF THE ROAD, PLEASE, MA'AM. 1531 01:26:10,499 --> 01:26:12,301 THE MAN THAT WAS IN THAT CAR, 1532 01:26:12,335 --> 01:26:13,336 WHERE DID THEY TAKE HIM? 1533 01:26:13,369 --> 01:26:15,170 LOCAL HOSPITAL IN ABBOTSFORD. 1534 01:26:21,377 --> 01:26:24,313 HEY, HEY, HEY! HEY, LADY! 1535 01:26:27,750 --> 01:26:30,719 CAN I--CAN I GET YOU SOMETHING? 1536 01:26:30,753 --> 01:26:32,688 I'M OK. THANK YOU. 1537 01:26:34,623 --> 01:26:35,724 (STRIKES MATCH) 1538 01:26:41,430 --> 01:26:44,600 I'LL SEE IF THERE'S ANY NEWS. 1539 01:26:49,705 --> 01:26:51,840 WHAT'S THIS GUY DO? 1540 01:26:51,874 --> 01:26:53,309 I DON'T KNOW. 1541 01:26:53,342 --> 01:26:55,444 HIS NAME IS, UM, EASTMAN, 1542 01:26:55,478 --> 01:26:57,012 UH, VICTOR SOMETHING. 1543 01:26:57,045 --> 01:26:58,447 VINCENT EASTMAN? 1544 01:26:58,481 --> 01:26:59,315 THAT'S IT. 1545 01:26:59,348 --> 01:27:00,449 HE'S AN ARCHITECT. 1546 01:27:00,483 --> 01:27:01,784 HMM. 1547 01:27:02,685 --> 01:27:03,652 GOOD. 1548 01:27:03,686 --> 01:27:04,653 LOOKS GOOD. 1549 01:27:04,687 --> 01:27:06,822 LOOKS REALLY GOOD. 1550 01:27:06,855 --> 01:27:07,990 OK, WE CAN CLOSE. 1551 01:27:08,023 --> 01:27:09,558 DOCTOR, HE'S GOING FLAT. 1552 01:27:12,895 --> 01:27:14,363 HEY. 1553 01:27:39,388 --> 01:27:41,557 YOU DIDN'T OPEN IT, DID YOU? 1554 01:27:41,590 --> 01:27:42,758 OPEN WHAT? 1555 01:27:42,791 --> 01:27:43,959 THE LETTER. 1556 01:27:43,992 --> 01:27:45,394 WHAT LETTER? 1557 01:27:45,428 --> 01:27:47,996 I DIDN'T MAIL IT. 1558 01:27:48,030 --> 01:27:50,733 HA HA HA! I NEVER MAILED IT! 1559 01:27:50,766 --> 01:27:53,402 WHAT DIDN'T YOU MAIL? 1560 01:28:59,167 --> 01:29:01,136 I'LL TALK TO THEM DOWNSTAIRS, 1561 01:29:01,169 --> 01:29:03,739 SEE WHAT HAS TO BE DONE. 1562 01:29:06,575 --> 01:29:09,678 I'LL PHONE FOR A TAXI. 1563 01:29:16,485 --> 01:29:19,422 I HAVE TO CALL MEAGHAN. 1564 01:29:21,990 --> 01:29:24,527 TELL HER WE'LL BE LATE. 1565 01:29:26,061 --> 01:29:27,496 I'LL DO IT. 1566 01:29:27,530 --> 01:29:30,365 JUST TELL HER WE'LL BE LATE. 1567 01:29:31,133 --> 01:29:32,768 OK. 1568 01:29:51,854 --> 01:29:53,956 MRS. EASTMAN? 1569 01:31:13,869 --> 01:31:16,572 WHERE CAN I FIND A VINCENT EASTMAN? 1570 01:31:16,605 --> 01:31:17,906 JUST A MINUTE. 1571 01:31:22,611 --> 01:31:24,980 VINCENT EASTMAN? 1572 01:32:07,790 --> 01:32:11,560 COULD YOU EXCUSE ME FOR A SECOND? 1573 01:32:19,635 --> 01:32:21,904 I'M SORRY. 1574 01:32:21,937 --> 01:32:23,939 NO. 1575 01:32:38,721 --> 01:32:41,256 HE DIDN'T SAY ANYTHING. 1576 01:32:41,289 --> 01:32:44,860 WE BOTH GOT HERE TOO LATE. 1577 01:32:54,703 --> 01:32:57,973 HOW DID YOU HAPPEN TO BE UP HERE? 1578 01:33:01,710 --> 01:33:04,680 I WAS JUST ON MY WAY TO SEE THE MUSEUM AGAIN, 1579 01:33:04,713 --> 01:33:08,116 AND I SAW THE CAR BEING PULLED UP ON THE ROAD. 1580 01:33:10,986 --> 01:33:12,587 WELL... 1581 01:33:17,760 --> 01:33:19,662 GOOD-BYE, THEN. 1582 01:38:16,691 --> 01:38:19,995 Captioning Sponsored by PARAMOUNT PICTURES 1583 01:38:20,028 --> 01:38:24,399 Captioned by Media Access Group at WGBH access.wgbh.org 92902