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1
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CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2
00:00:41,242 --> 00:00:43,544
Man: NEW YORK CITY--
3
00:00:43,544 --> 00:00:45,946
SO MANY THINGS
HAVE BEEN SAID ABOUT IT,
4
00:00:45,946 --> 00:00:48,782
BUT THERE'S ONLY ONE
I REALLY LIKE.
5
00:00:48,782 --> 00:00:50,584
NEW YORK--
6
00:00:50,584 --> 00:00:52,386
IT CAN DESTROY YOU
OR FULFILL YOU,
7
00:00:52,386 --> 00:00:55,123
DEPENDING A GOOD DEAL
ON LUCK.
8
00:00:55,123 --> 00:00:56,224
NO ONE SHOULD COME
TO NEW YORK
9
00:00:56,224 --> 00:00:58,592
UNLESS HE'S WILLING
TO BE LUCKY,
10
00:00:58,592 --> 00:01:00,594
AND I GOT LUCKY.
11
00:01:01,495 --> 00:01:02,896
I HAD AN APARTMENT
DOWNTOWN,
12
00:01:02,896 --> 00:01:05,133
BUT HOME WAS CITY HALL.
13
00:01:05,133 --> 00:01:07,268
THAT'S WHERE IT ALL BEGAN.
14
00:01:07,268 --> 00:01:08,836
THE DAY STARTED OUT
LIKE A LOT OF OTHER DAYS,
15
00:01:08,836 --> 00:01:10,238
WITH SOME CEREMONIAL
FUNCTION.
16
00:01:10,238 --> 00:01:12,873
THE MAYOR OF NEW YORK WAS
GIVING THE KEY TO THE CITY
17
00:01:12,873 --> 00:01:14,074
TO THE GOVERNOR OF TOKYO.
18
00:01:14,074 --> 00:01:15,143
Mayor: ...AND
IN THE JAPANESE TRADITION,
19
00:01:15,143 --> 00:01:17,511
HE LIKED SOUP
FOR BREAKFAST--
20
00:01:17,511 --> 00:01:18,346
FISH SOUP.
21
00:01:18,346 --> 00:01:20,214
WELL, MY DAD,
HEARING OF THIS,
22
00:01:20,214 --> 00:01:21,515
OFFERED TO PUT IT
ON THE MENU.
23
00:01:21,515 --> 00:01:23,651
BUT, "NO, NO, NO, NO, NO,"
MR. HIYATAMA SAID--
24
00:01:23,651 --> 00:01:25,686
WHO IS A VERY GENTLE SOUL,
BY THE WAY.
25
00:01:25,686 --> 00:01:28,122
"NO. IT WOULD BE
TOO MUCH TROUBLE."
26
00:01:28,122 --> 00:01:29,490
MY DAD REPLIED,
27
00:01:29,490 --> 00:01:31,024
"TOO MUCH TROUBLE
IS NO CUSTOMERS."
28
00:01:31,024 --> 00:01:32,326
Narrator: THE MAYOR--
29
00:01:32,326 --> 00:01:34,162
AND HE WAS THE BEST MAYOR
THE CITY EVER HAD--
30
00:01:34,162 --> 00:01:36,029
WAS MY BOSS,
31
00:01:36,029 --> 00:01:37,565
AND I WAS HIS DEPUTY MAYOR--
32
00:01:37,565 --> 00:01:40,568
HIS RIGHT-HAND MAN--
OR HIS BOY,
33
00:01:40,568 --> 00:01:43,304
DEPENDING ON
WHO WAS TALKING ABOUT ME.
34
00:01:43,304 --> 00:01:46,607
BUT IN BROOKLYN,
SOMETHING ELSE WAS GOING ON
35
00:01:46,607 --> 00:01:50,244
THAT WAS GOING TO CHANGE
EVERYTHING.
36
00:01:50,244 --> 00:01:51,412
HEY, HOW YOU DOING,
EDDIE?
37
00:01:51,412 --> 00:01:53,481
IT STARTED WITH A COP--
EDDIE SANTOS--
38
00:01:53,481 --> 00:01:56,684
THE TOUGHEST DETECTIVE
IN BROOKLYN NORTH.
39
00:01:57,585 --> 00:02:00,154
HE WAS ON HIS WAY TO A MEETING
WITH TINO ZAPATTI,
40
00:02:00,154 --> 00:02:01,722
A SMALL-TIME DRUG DEALER
41
00:02:01,722 --> 00:02:03,591
WHOSE ONLY DISTINCTION
WAS THAT HE WAS NEPHEW
42
00:02:03,591 --> 00:02:06,794
TO PAUL ZAPATTI,
A MAFIA BOSS.
43
00:02:09,263 --> 00:02:10,898
ALL RIGHT,
THERE YOU GO.
44
00:02:10,898 --> 00:02:14,067
Narrator: JAMES BONE, A CHILD
ON HIS WAY TO SCHOOL...
45
00:02:14,067 --> 00:02:16,704
WATCH YOUR STEP HERE.
46
00:02:19,573 --> 00:02:22,510
AND FINALLY, VINNIE ZAPATTI,
COUSIN TO TINO--
47
00:02:22,510 --> 00:02:25,879
A RAT DETECTIVE EDDIE SANTOS
HAD IN HIS POCKET.
48
00:02:29,950 --> 00:02:31,051
ALL SET?
49
00:02:31,051 --> 00:02:32,620
LET'S GO.
50
00:02:53,140 --> 00:02:54,575
Narrator: IT ALL HAPPENED
51
00:02:54,575 --> 00:02:57,478
ON THE CORNER OF BROADWAY
AND MARCY IN NORTH BROOKLYN.
52
00:02:57,478 --> 00:02:59,480
BOY, YOU AIN'T GOING OUT
ON NO PLAYGROUND TODAY.
53
00:02:59,480 --> 00:03:00,914
PLEASE, DADDY, PLEASE.
54
00:03:00,914 --> 00:03:01,982
NO. IT'S RAINING
TOO HARD.
55
00:03:01,982 --> 00:03:03,183
OH, MAN.
56
00:03:20,901 --> 00:03:22,403
HERE COMES OUR BOY.
57
00:03:24,272 --> 00:03:25,539
GET OUT
OF THE FUCKING CAR.
58
00:03:25,539 --> 00:03:27,508
YOU SAID YOU WANTED
TO FUCKING TAKE HIM IN.
59
00:03:27,508 --> 00:03:29,410
I JUST WANT TO HAVE
A LITTLE TALK WITH HIM.
60
00:03:32,012 --> 00:03:33,447
HEY...
61
00:03:34,482 --> 00:03:35,716
YOU TURN HIM
AWAY FROM ME.
62
00:03:43,023 --> 00:03:44,458
KEEP UP WITH ME, NOW.
63
00:03:44,458 --> 00:03:46,159
COME ON. I THOUGHT YOU COULD
MOVE FASTER THAN THAT.
64
00:03:46,159 --> 00:03:47,895
COME ON.
65
00:03:50,898 --> 00:03:52,766
YO, TINO.
66
00:03:52,766 --> 00:03:54,167
HEY, HOW YOU DOING?
67
00:03:54,167 --> 00:03:55,436
ALL RIGHT. TELL ME,
WHAT'S GOING ON?
68
00:03:55,436 --> 00:03:56,970
Vinnie: LISTEN,
I GOT SOME REALLY GOOD NEWS.
69
00:03:56,970 --> 00:03:59,206
Tino: WHAT THE FUCK
IS WRONG WITH YOU, MAN?
70
00:03:59,206 --> 00:04:00,674
HEY, TINO.
71
00:04:08,882 --> 00:04:10,250
OH!
72
00:04:23,997 --> 00:04:26,266
[SOBS]
73
00:04:28,869 --> 00:04:30,938
Mayor: 2 MEN
DEDICATED TO THEIR LIVES
74
00:04:30,938 --> 00:04:31,939
AND THEIR FAMILIES...
75
00:04:31,939 --> 00:04:32,806
KEVIN.
76
00:04:32,806 --> 00:04:34,942
BRIDGING THE CONTINENTS
OF ASIA
77
00:04:34,942 --> 00:04:36,344
AND SOUTHERN EUROPE...
78
00:04:36,344 --> 00:04:37,345
CAN IT WAIT?
79
00:04:37,345 --> 00:04:39,413
NO, NO.
RIGHT NOW, PLEASE.
80
00:04:39,413 --> 00:04:42,082
2 MEN
CROSSING 2 CONTINENTS
81
00:04:42,082 --> 00:04:43,083
TO MEET IN A THIRD,
82
00:04:43,083 --> 00:04:45,118
AS WE HAVE HERE TODAY--
83
00:04:45,118 --> 00:04:47,621
THE GOVERNOR OF TOKYO
AND THE MAYOR OF NEW YORK.
84
00:04:47,621 --> 00:04:49,757
WELCOME TO NEW YORK CITY,
85
00:04:49,757 --> 00:04:52,092
THE SUSHI CAPITAL
OF THE WORLD.
86
00:04:52,092 --> 00:04:53,060
WELCOME. ENJOY.
87
00:04:53,060 --> 00:04:54,662
SAYONARA.
88
00:05:01,369 --> 00:05:03,571
WE GOT A SERIOUS
SITUATION.
89
00:05:12,413 --> 00:05:13,947
KID'S DEAD.
90
00:05:13,947 --> 00:05:16,116
SO'S THE DEALER.
91
00:05:16,116 --> 00:05:17,117
AND THE COP?
92
00:05:17,117 --> 00:05:18,686
NOT GOOD.
93
00:05:20,654 --> 00:05:22,856
WHOSE BULLET WAS IT
KILLED THE CHILD?
94
00:05:22,856 --> 00:05:24,658
WE DON'T KNOW YET.
95
00:05:28,261 --> 00:05:29,963
WHAT'S OUR E.T.A.?
96
00:05:29,963 --> 00:05:32,032
BELLEVUE IN 10,
SIR.
97
00:05:33,667 --> 00:05:36,036
HOW OLD WAS THE LITTLE--
WHAT WAS IT, A BOY?
98
00:05:36,036 --> 00:05:37,938
6 YEARS OLD.
99
00:05:41,842 --> 00:05:42,776
AND...
100
00:05:42,776 --> 00:05:44,778
WHAT WAS OUR BUDGET
AS OF MIDNIGHT?
101
00:05:44,778 --> 00:05:46,547
31.7 BILLION.
102
00:05:48,148 --> 00:05:49,483
IT COSTS A LOT OF MONEY
103
00:05:49,483 --> 00:05:51,485
TO HAVE OUR CHILDREN
SLAUGHTERED IN THE STREETS.
104
00:05:52,285 --> 00:05:53,487
YEAH.
105
00:05:56,289 --> 00:05:58,492
[CAR HONKS HORN]
106
00:06:07,167 --> 00:06:08,201
HELLO,
MR. MAYOR.
107
00:06:08,201 --> 00:06:10,704
[PEOPLE CHATTERING]
108
00:06:10,704 --> 00:06:12,506
Man: COMING THROUGH.
STEP BACK, PLEASE.
109
00:06:12,506 --> 00:06:14,241
STEP BACK.
COMING THROUGH.
110
00:06:14,241 --> 00:06:15,909
MR. MAYOR.
111
00:06:15,909 --> 00:06:16,810
HOW'S HE DOING?
112
00:06:16,810 --> 00:06:18,412
HE'S JUST COME OUT
OF SURGERY.
113
00:06:18,412 --> 00:06:19,413
Nurse: COMING THROUGH.
114
00:06:19,413 --> 00:06:20,448
Man: GIVE THEM ROOM.
115
00:06:20,448 --> 00:06:22,416
GET BACK.
ALL THE WAY, NOW.
116
00:06:22,416 --> 00:06:23,951
WHERE'S THE WIDOW,
JERRY?
117
00:06:23,951 --> 00:06:25,586
SHE'S NOT A WIDOW YET,
MR. DEPUTY.
118
00:06:25,586 --> 00:06:27,988
GO INTRODUCE ME.
119
00:06:27,988 --> 00:06:29,389
OK?
120
00:06:29,389 --> 00:06:31,191
COMBAT CROSS,
MEDAL FOR MERIT,
121
00:06:31,191 --> 00:06:32,292
HONORABLE MENTION,
122
00:06:32,292 --> 00:06:34,194
DEPARTMENT
MEDAL OF HONOR.
123
00:06:34,194 --> 00:06:35,228
ANY KIDS?
124
00:06:35,228 --> 00:06:37,731
2--5 AND 3.
A BOY AND A GIRL.
125
00:06:37,731 --> 00:06:40,668
WIFE'S NAME IS ELAINE--
ELAINE SANTOS.
126
00:06:40,668 --> 00:06:42,335
WHICH ONE IS SHE?
DON'T POINT.
127
00:06:42,335 --> 00:06:44,171
IN THE RED.
THE OTHER'S HER SISTER.
128
00:06:44,171 --> 00:06:45,172
Jerry: MRS. SANTOS?
129
00:06:45,172 --> 00:06:46,173
I'M JOHN PAPPAS.
130
00:06:46,173 --> 00:06:48,075
I'M SO SORRY.
131
00:06:48,075 --> 00:06:48,942
THANK YOU.
132
00:06:48,942 --> 00:06:50,544
IF THERE'S ANYTHING
WE CAN DO...
133
00:06:50,544 --> 00:06:51,545
WHATEVER...
134
00:06:51,545 --> 00:06:53,113
WHICH ONE
WAS THE SHOOTER?
135
00:06:53,113 --> 00:06:54,748
THEY'RE BOTH SHOOTERS,
MR. DEPUTY MAYOR.
136
00:06:54,748 --> 00:06:56,349
ONE'S DEAD.
ONE'S ALMOST.
137
00:06:56,349 --> 00:06:58,385
NOW, WE KNOW
THE DEALER--TINO ZAPATTI.
138
00:06:58,385 --> 00:06:59,386
ZAPATTI?
139
00:06:59,386 --> 00:07:01,121
HE WAS PAUL'S NEPHEW.
140
00:07:01,121 --> 00:07:02,422
PUNK.
WHAT HAPPENED?
141
00:07:02,422 --> 00:07:03,491
WE DON'T KNOW YET.
142
00:07:03,491 --> 00:07:04,858
DETECTIVE SANTOS
WAS SIGNED OUT.
143
00:07:04,858 --> 00:07:05,826
THAT, WE KNOW.
144
00:07:05,826 --> 00:07:07,027
BUT HE CARRIED
NO RADIO,
145
00:07:07,027 --> 00:07:08,028
WORE NO VEST.
146
00:07:08,028 --> 00:07:09,429
ANY BACKUP?
ZERO.
147
00:07:09,429 --> 00:07:11,465
TOTAL BREACH OF
DEPARTMENT POLICY.
148
00:07:11,465 --> 00:07:12,766
WHAT WAS THE GUY DOING?
149
00:07:12,766 --> 00:07:14,334
TAKING A MEETING WITH
A CONVICTED DRUG DEALER?
150
00:07:14,334 --> 00:07:15,769
YOU GOT ME.
BUT IT ADDS UP
151
00:07:15,769 --> 00:07:17,905
TO A DEAD KID
AND A DEAD NEPHEW
152
00:07:17,905 --> 00:07:19,907
OF THE HEAD
OF THE ZAPATTI FAMILY.
153
00:07:19,907 --> 00:07:22,610
HERE'S A GUY HEADED FOR
ATTICA ON A 10 TO 20,
154
00:07:22,610 --> 00:07:23,811
AND HE COPS PROBATION.
155
00:07:23,811 --> 00:07:24,612
PROBATION?
156
00:07:24,612 --> 00:07:26,079
NO JAIL TIME?
157
00:07:26,079 --> 00:07:28,516
PROBATION IS A SENTENCE IN
NEW YORK THESE DAYS, ISN'T IT?
158
00:07:28,516 --> 00:07:30,784
WHICH HE SKIPS OUT ON
2 YEARS LATER.
159
00:07:30,784 --> 00:07:34,254
Man: WE'VE BEEN
LOOKING FOR HIM EVER SINCE.
160
00:07:34,254 --> 00:07:36,624
THE MAYOR'S GOING TO WANT
TO STEP UP FOR THE WIFE.
161
00:07:36,624 --> 00:07:38,692
I WOULDN'T DO THAT
IF I WERE HIM.
162
00:07:38,692 --> 00:07:39,993
AND WHO ARE YOU AGAIN?
163
00:07:39,993 --> 00:07:41,261
INTERNAL AFFAIRS.
164
00:07:41,261 --> 00:07:42,530
Man: LISTEN...
165
00:07:42,530 --> 00:07:44,331
WE CAN BURY SANTOS,
166
00:07:44,331 --> 00:07:46,399
AND IF IT TURNS OUT
HE WAS DIRTY,
167
00:07:46,399 --> 00:07:48,201
WELL, GOOD COP
TURNS BAD.
168
00:07:48,201 --> 00:07:49,570
HAPPENS ALL THE TIME.
169
00:07:49,570 --> 00:07:52,272
SURE. WE'LL GIVE HIM
A FULL DRESS FUNERAL TO BOOT.
170
00:07:52,272 --> 00:07:53,273
Woman: WAS HE CONSCIOUS?
171
00:07:53,273 --> 00:07:55,408
I'M GOING BACK INSIDE.
172
00:07:55,408 --> 00:07:57,878
WHO IS SHE?
173
00:07:57,878 --> 00:07:59,079
THAT'S ONE
OF THE LAWYERS
174
00:07:59,079 --> 00:08:00,447
FOR THE DETECTIVES
ENDOWMENT ASSOCIATION.
175
00:08:00,447 --> 00:08:01,882
I GUESS SHE'LL BE
REPRESENTING
176
00:08:01,882 --> 00:08:03,416
EDDIE SANTOS
AND HIS FAMILY.
177
00:08:03,416 --> 00:08:04,685
YEAH?
WELL,
178
00:08:04,685 --> 00:08:06,053
I ALWAYS WONDERED WHEN
YOU WERE GOING TO ASK.
179
00:08:06,053 --> 00:08:08,522
WELL, NOW YOU DON'T HAVE
TO WONDER ANYMORE.
180
00:08:14,094 --> 00:08:14,695
STOP.
181
00:08:14,695 --> 00:08:15,929
SHOCK HIM.
CLEAR.
182
00:08:17,565 --> 00:08:19,099
[HEART MONITOR WHINES]
183
00:08:19,099 --> 00:08:20,668
Doctor:
HE'S FLAT.
184
00:08:23,036 --> 00:08:25,238
[WHISPERING]
185
00:08:35,916 --> 00:08:38,085
THIS CITY TAKES CARE
OF ITS OWN.
186
00:08:38,085 --> 00:08:40,153
[ELAINE SOBBING]
187
00:08:47,828 --> 00:08:50,097
Kevin: SET A PRESS
CONFERENCE FOR 12:00.
188
00:08:50,097 --> 00:08:52,633
MAKE SURE THE POST
TAKES THE FIRST QUESTION.
189
00:08:53,934 --> 00:08:56,169
YOU KNOW WHAT THE FIRST
QUESTION'S GOING TO BE?
190
00:08:56,169 --> 00:08:57,204
"WHOSE BULLET WAS IT?"
191
00:08:57,204 --> 00:08:58,305
CALL SENATOR MARQUAND.
192
00:08:58,305 --> 00:08:59,840
BE COOL. TELL HIM
EVERYTHING'S UNDER CONTROL,
193
00:08:59,840 --> 00:09:01,742
AND OF COURSE THE MAYOR
IS ON WITH HIM TONIGHT.
194
00:09:01,742 --> 00:09:03,276
I'M JUST TRYING TO STAY
AHEAD OF THE CURVE HERE.
195
00:09:03,276 --> 00:09:04,544
YES.
196
00:09:04,544 --> 00:09:06,013
AND, ABE, CALL LEONARD
STREET AND GET A COPY
197
00:09:06,013 --> 00:09:07,314
OF TINO ZAPATTI'S
PROBATION REPORT.
198
00:09:07,314 --> 00:09:08,916
WHICH ZAPATTI IS THAT?
199
00:09:08,916 --> 00:09:10,517
A NEPHEW--
ONE CONVICTION.
200
00:09:10,517 --> 00:09:12,119
HE GOT OFF ON PROBATION.
HE'S A PUNK.
201
00:09:12,119 --> 00:09:15,055
WE'RE HEADED FOR PARK
DRIVE--DOWNTOWN IN 20.
202
00:09:15,055 --> 00:09:16,657
Aide: HOW'S ABOUT
WE SWING OVER TO THE F.D.R.?
203
00:09:16,657 --> 00:09:18,859
WE'LL MAKE BETTER TIME.
204
00:09:20,360 --> 00:09:21,561
SIR, WHAT'S
YOUR PLEASURE?
205
00:09:25,232 --> 00:09:26,366
WHERE DID THE BOY LIVE?
206
00:09:26,366 --> 00:09:27,801
Aide: RAINBOW ONE,
RAINBOW TWO,
207
00:09:27,801 --> 00:09:29,502
GIVE ME A READ
ON THE BOY'S APARTMENT.
208
00:09:29,502 --> 00:09:30,938
Woman:
515 SOUTH FIFTH STREET.
209
00:09:30,938 --> 00:09:33,573
FIFTH STREET, JUST OFF
MARCY AND BROADWAY.
210
00:09:33,573 --> 00:09:35,042
OK. THAT'S WHERE
WE'RE GONNA GO.
211
00:09:35,042 --> 00:09:37,177
WE'VE GOT NO ADVANCE MAN.
WE'VE GOT NO PROTECTION.
212
00:09:37,177 --> 00:09:39,146
IT'S OK, KEVIN.
THAT'S WHERE WE'RE GOING.
213
00:09:39,146 --> 00:09:40,147
I'M THE MAYOR.
214
00:09:51,024 --> 00:09:52,092
Man: ALL RIGHT,
MAKE ROOM HERE, PLEASE.
215
00:09:52,092 --> 00:09:55,629
Second man:
HERE YOU GO, MAYOR.
216
00:09:55,629 --> 00:09:57,898
Woman: MAYOR, WE NEED
SOME HELP AROUND HERE.
217
00:09:57,898 --> 00:10:00,067
Third man: WE NEED SOME
MORE POLICE ON THE STREET.
218
00:10:00,067 --> 00:10:02,202
Fourth man: WHEN ARE YOU GOING
TO SEND US SOME HELP, MAN?
219
00:10:02,202 --> 00:10:03,236
Fifth man: MR. MAYOR.
220
00:10:03,236 --> 00:10:05,105
Second woman: GLAD
YOU'RE HERE, MR. MAYOR.
221
00:10:10,811 --> 00:10:14,014
THE FATHER'S SEATED
IN THE CORNER.
222
00:10:33,100 --> 00:10:34,301
YES, YES.
223
00:10:34,301 --> 00:10:35,402
I'M ALL YOURS, LESLIE.
224
00:10:35,402 --> 00:10:37,637
QUESTIONS AND ANSWERS.
LET'S HEAR IT. WHO'S UP?
225
00:10:37,637 --> 00:10:39,206
THE POST.
MARKS OR SADLER?
226
00:10:39,206 --> 00:10:40,440
SADLER.
227
00:10:40,440 --> 00:10:42,409
OHH! THEN I KNOW
WHAT'S COMING.
228
00:10:42,409 --> 00:10:45,445
"HAS PROBATION BECOME
A SENTENCE IN THIS TOWN?"
229
00:10:45,445 --> 00:10:48,281
JUDGE STERN HAS A POWERFUL
RECORD ON THE BENCH.
230
00:10:48,281 --> 00:10:49,249
HE'S SERVED 6 YEARS
231
00:10:49,249 --> 00:10:50,583
AND METED OUT
THE STIFFEST PUNISHMENTS
232
00:10:50,583 --> 00:10:51,719
IN THE HISTORY
OF THIS CITY.
233
00:10:51,719 --> 00:10:53,453
IF THE REPORT
RECOMMENDS PROBATION,
234
00:10:53,453 --> 00:10:55,155
THEN PROBATION
IT HAS TO BE.
235
00:10:55,155 --> 00:10:57,457
AFTER THAT, THEY'LL START IN
ON THE MANDATORY CRAP.
236
00:10:57,457 --> 00:10:58,658
GOTCHA.
237
00:11:02,329 --> 00:11:03,130
Man:
PICTURE, MAYOR?
238
00:11:03,130 --> 00:11:04,698
SIR, OVER HERE?
THANK YOU.
239
00:11:04,698 --> 00:11:05,866
Second man: SIR?
240
00:11:05,866 --> 00:11:07,300
THANK YOU FOR COMING.
241
00:11:07,300 --> 00:11:08,435
THANK YOU FOR COMING.
242
00:11:08,435 --> 00:11:10,437
THANK YOU.
THANK YOU VERY MUCH.
243
00:11:10,437 --> 00:11:11,739
THANK YOU. THANKS...
244
00:11:13,741 --> 00:11:15,242
AHEM.
245
00:11:15,242 --> 00:11:16,844
GOOD MORNING.
246
00:11:17,644 --> 00:11:18,779
I WOULD LIKE TO WELCOME
247
00:11:18,779 --> 00:11:19,913
THE REVERENDS
WILLIAMS AND BIRCH...
248
00:11:19,913 --> 00:11:21,614
YOU GOT THAT
PROBATION REPORT?
249
00:11:21,614 --> 00:11:22,883
IT'S IN THE OFFICE.
250
00:11:22,883 --> 00:11:24,151
HE'LL BE THERE
IN A MINUTE. LET'S GO.
251
00:11:24,151 --> 00:11:26,787
AND MY DEAR FRIEND
REVEREND MILTON PARKS
252
00:11:26,787 --> 00:11:27,955
OF THE FIRST CHURCH
OF HARLEM,
253
00:11:27,955 --> 00:11:31,291
REVEREND CHAPMAN,
AND REVEREND MURRAY.
254
00:11:31,291 --> 00:11:33,526
THANK YOU, GENTLEMEN,
FOR COMING HERE TODAY.
255
00:11:33,526 --> 00:11:35,062
I KNOW IT WASN'T EASY
FOR YOU.
256
00:11:35,062 --> 00:11:37,597
WELL, WHAT CAN I SAY?
HOW DO I START THIS?
257
00:11:37,597 --> 00:11:38,631
UH...
258
00:11:38,631 --> 00:11:41,201
THERE IS ONE THING
AS MAYOR
259
00:11:41,201 --> 00:11:44,437
THAT I WILL NEVER
GET OVER...
260
00:11:44,437 --> 00:11:47,240
AND THAT IS THE DEATH
OF A POLICE OFFICER.
261
00:11:47,240 --> 00:11:51,411
THERE IS ONE THING IN LIFE
THAT I WILL NEVER GET OVER,
262
00:11:51,411 --> 00:11:54,147
AND THAT IS THE DEATH
OF AN INNOCENT CHILD.
263
00:11:56,049 --> 00:11:58,218
BUT THIS IS AN INCIDENT
THAT WILL NOT GO AWAY...
264
00:11:58,218 --> 00:12:00,587
TINO ZAPATTI'S
PROBATION REPORT.
265
00:12:00,587 --> 00:12:02,189
IS THAT IT?
266
00:12:03,556 --> 00:12:04,792
THE WHOLE CITY,
267
00:12:04,792 --> 00:12:06,659
ALL PARTS
OF THE CITY--
268
00:12:06,659 --> 00:12:09,062
BUSHWICK, JAMAICA,
WASHINGTON HEIGHTS,
269
00:12:09,062 --> 00:12:11,731
BROWNSVILLE,
HARLEM--
270
00:12:11,731 --> 00:12:12,732
THE BODIES DROP...
271
00:12:12,732 --> 00:12:13,934
THIS THING LOOKS OK.
272
00:12:13,934 --> 00:12:15,035
IT'S VERY OK.
273
00:12:15,035 --> 00:12:16,269
BUT, LOOK, THERE IS
A CONVICTION--
274
00:12:16,269 --> 00:12:18,705
CRIMINAL POSSESSION
IN THE FOURTH DEGREE.
275
00:12:18,705 --> 00:12:19,940
IN THE FOURTH DEGREE?
276
00:12:19,940 --> 00:12:22,642
A 4-C.
IT'S A PROBATION OFFENSE.
277
00:12:22,642 --> 00:12:23,877
IT'S PRACTICALLY
A MISDEMEANOR.
278
00:12:23,877 --> 00:12:26,746
KEVIN, THERE ARE 4-Cs.
THEN THERE ARE 4-Cs.
279
00:12:26,746 --> 00:12:28,581
OR SOME DARK ALLEY
IN WILLIAMSBURG.
280
00:12:28,581 --> 00:12:30,650
YOU KEEP LOOKING AT THAT THING
AS IF IT WEREN'T KOSHER.
281
00:12:30,650 --> 00:12:32,685
A CUT OF MEAT IS KOSHER.
282
00:12:32,685 --> 00:12:34,687
A PIECE OF FISH,
SAVORY FOODS,
283
00:12:34,687 --> 00:12:36,023
AND ALL KINDS
OF DAINTIES ARE KOSHER,
284
00:12:36,023 --> 00:12:37,590
BUT A PROBATION REPORT
IS NOT KOSHER.
285
00:12:37,590 --> 00:12:41,194
A PROBATION REPORT IS
MERELY A PROBATION REPORT.
286
00:12:41,194 --> 00:12:43,864
I AM A GOOD LOUISIANA
LAPSED CATHOLIC, ABE,
287
00:12:43,864 --> 00:12:45,833
SO JUST DON'T TALK TO ME
ABOUT KOSHER.
288
00:12:45,833 --> 00:12:47,968
JUST GIVE IT TO ME STRAIGHT.
289
00:12:47,968 --> 00:12:49,302
WHAT'S WRONG
WITH THIS REPORT?
290
00:12:49,302 --> 00:12:50,370
IT'S TOO KOSHER.
291
00:12:53,640 --> 00:12:54,774
TRANSLATE THAT FOR ME.
292
00:12:54,774 --> 00:12:56,343
UH...
293
00:12:56,343 --> 00:12:58,278
THE VIRGIN
LOOKS PREGNANT TO ME.
294
00:13:01,114 --> 00:13:03,450
LOOK. YOU SEE?
THE SUPERVISOR SIGNED THIS.
295
00:13:03,450 --> 00:13:04,751
SO WHAT?
296
00:13:04,751 --> 00:13:06,686
THAT'S A LOT OF WEIGHT
FOR A 4-C.
297
00:13:06,686 --> 00:13:08,088
SO WHAT HAPPENED
298
00:13:08,088 --> 00:13:10,723
TO THE ORIGINAL LITTLE
PROBATION OFFICER?
299
00:13:10,723 --> 00:13:12,259
WHERE IS HIS SIGNATURE?
300
00:13:12,259 --> 00:13:15,195
Kevin: WHO IS THIS SUPERVISOR?
DO YOU KNOW HIM?
301
00:13:15,195 --> 00:13:16,763
YEAH.
HIS NAME IS SCHWARTZ.
302
00:13:16,763 --> 00:13:18,031
[MISPRONOUNCES] SCHWARTZ?
A LANDSMAN OF YOURS?
303
00:13:18,031 --> 00:13:20,133
LANDSMAN. LANDSMAN.
304
00:13:20,133 --> 00:13:22,035
STOP TRYING YOUR YIDDISH
OUT ON ME.
305
00:13:22,035 --> 00:13:23,603
YOU SOUND LIKE
A SHAKESPEAREAN ACTOR
306
00:13:23,603 --> 00:13:24,905
FROM A SAVANNAH POGROM.
307
00:13:24,905 --> 00:13:26,273
ALL RIGHT, ALL RIGHT,
BUT DO YOU KNOW HIM?
308
00:13:26,273 --> 00:13:28,408
YEAH, SURE, BUT THE TRIAL
WAS ALMOST 2 YEARS AGO.
309
00:13:28,408 --> 00:13:30,610
I WAS LONG GONE
FROM THE DEPARTMENT.
310
00:13:30,610 --> 00:13:32,579
[KNOCKS]
311
00:13:32,579 --> 00:13:33,947
YES?
312
00:13:34,948 --> 00:13:36,149
HELLO, LARRY.
313
00:13:36,149 --> 00:13:37,417
ABE.
314
00:13:38,618 --> 00:13:39,686
GOOD TO SEE YOU.
315
00:13:39,686 --> 00:13:40,888
GOOD TO SEE YOU.
316
00:13:40,888 --> 00:13:42,555
THIS IS
DEPUTY MAYOR CALHOUN.
317
00:13:42,555 --> 00:13:45,125
THE FIRST DEPUTY MAYOR
TO SET FOOT ON THIS FLOOR.
318
00:13:45,125 --> 00:13:46,226
WE GOT
A COMMISSIONER ONCE,
319
00:13:46,226 --> 00:13:47,760
BUT IT WAS
THE WRONG FLOOR.
320
00:13:47,760 --> 00:13:48,761
MAY I HAVE A SEAT?
321
00:13:48,761 --> 00:13:49,997
PLEASE, SIT.
322
00:13:49,997 --> 00:13:51,431
ABE, YOU'RE ALREADY
AT HOME HERE.
323
00:13:51,431 --> 00:13:52,265
THANK YOU.
324
00:13:52,265 --> 00:13:53,600
I THINK I KNOW
WHY YOU'RE HERE.
325
00:13:53,600 --> 00:13:56,036
I'VE LOGGED 12 CALLS
ALREADY TODAY. TINO ZAPATTI?
326
00:13:56,036 --> 00:13:57,437
YES.
AND YOU WANT TO KNOW
327
00:13:57,437 --> 00:13:58,505
WHY I HANDLED THE CASE?
328
00:13:58,505 --> 00:13:59,439
EXACTLY.
329
00:13:59,439 --> 00:14:02,042
BECAUSE SOMETIMES
WE GET OVERLOADED.
330
00:14:02,042 --> 00:14:03,776
AND YOU TAKE ON
THE EXTRAS.
331
00:14:03,776 --> 00:14:04,811
THE EXTRA SPECIALS.
332
00:14:04,811 --> 00:14:06,113
SUCH AS...
333
00:14:06,113 --> 00:14:08,048
ZAPATTI FAMILY MEMBERS?
334
00:14:09,016 --> 00:14:10,183
SOMETHING LIKE THAT.
335
00:14:10,183 --> 00:14:11,551
LOOK, MR. DEPUTY MAYOR--
336
00:14:11,551 --> 00:14:12,552
KEVIN'S GOOD ENOUGH.
337
00:14:12,552 --> 00:14:14,221
ANY CASE
THAT COMES IN HERE
338
00:14:14,221 --> 00:14:15,455
THAT LOOKS LIKE
IT'S CONNECTED,
339
00:14:15,455 --> 00:14:17,790
I'M GONNA TAKE A VERY
SPECIAL INTEREST IN.
340
00:14:17,790 --> 00:14:18,926
WHY IS THAT?
341
00:14:18,926 --> 00:14:20,193
TO AVOID
MAKING MISTAKES.
342
00:14:21,261 --> 00:14:22,896
YOU SURE MADE ONE
ON THIS.
343
00:14:25,565 --> 00:14:27,000
I BLEW ONE, OK?
344
00:14:27,000 --> 00:14:28,468
I--I DON'T MIND
ADMITTING IT,
345
00:14:28,468 --> 00:14:29,869
BUT JUST LET ME
TELL YOU SOMETHING.
346
00:14:29,869 --> 00:14:31,604
I'D RATHER BLOW
ONE IN A HUNDRED
347
00:14:31,604 --> 00:14:33,573
THAN SEND 10 MEN AWAY
ON MANDATORIES
348
00:14:33,573 --> 00:14:34,707
WHO DON'T DESERVE THEM.
349
00:14:34,707 --> 00:14:37,244
YOU SOUND LIKE AN
ENLIGHTENED MAN, MR. SCHWARTZ.
350
00:14:37,244 --> 00:14:39,279
AND YOU SOUND LIKE
YOU'RE FUCKING WITH ME.
351
00:14:42,950 --> 00:14:44,517
YOU HAVE ANYTHING
TO ADD HERE, ABE?
352
00:14:44,517 --> 00:14:46,619
THAT'S OK, LARRY.
YOU'RE DOING FINE.
353
00:14:46,619 --> 00:14:48,989
EVERYBODY'S GONNA WANT TO
KNOW HOW THESE THINGS HAPPEN.
354
00:14:49,990 --> 00:14:51,925
[LAUGHS]
355
00:14:51,925 --> 00:14:54,627
HOW LONG HAVE YOU
BEEN ON THIS JOB?
356
00:14:54,627 --> 00:14:55,795
3 YEARS.
357
00:14:55,795 --> 00:14:58,331
LOOK,
THESE THINGS HAPPEN
358
00:14:58,331 --> 00:15:01,101
BECAUSE
WE ARE AWASH HERE
359
00:15:01,101 --> 00:15:03,971
IN CRIMINALS AND
HALF-BAKED SOCIAL WORKERS
360
00:15:03,971 --> 00:15:05,638
IN A CITY
THAT DOESN'T FUNCTION
361
00:15:05,638 --> 00:15:08,441
IN A WORLD THAT DOESN'T
KNOW RIGHT FROM WRONG.
362
00:15:11,144 --> 00:15:12,345
MR. SCHWARTZ...
363
00:15:12,345 --> 00:15:13,346
LARRY.
364
00:15:16,083 --> 00:15:17,084
I OWE YOU AN APOLOGY.
365
00:15:17,084 --> 00:15:18,885
NO. NO APOLOGIES.
366
00:15:18,885 --> 00:15:20,387
I CAME IN HERE
WITH A BIG HEAD OF STEAM,
367
00:15:20,387 --> 00:15:22,755
AND PERHAPS
IT WAS INAPPROPRIATE.
368
00:15:22,755 --> 00:15:25,225
LOOK, IT TAKES
MORE THAN 3 YEARS
369
00:15:25,225 --> 00:15:27,894
TO GET UP TO SPEED
IN THIS DEPARTMENT.
370
00:15:27,894 --> 00:15:29,162
THERE'S ONLY ONE MAN
371
00:15:29,162 --> 00:15:30,763
WHO WOULD'VE MADE
A GOOD PROBATION OFFICER--
372
00:15:30,763 --> 00:15:33,366
KAFKA--AND HE WASN'T
AVAILABLE.
373
00:15:34,601 --> 00:15:36,569
[LAUGHS]
374
00:15:38,638 --> 00:15:39,706
THANK YOU, LARRY.
375
00:15:39,706 --> 00:15:40,974
HEY, GIVE ME A CALL
376
00:15:40,974 --> 00:15:42,275
IF SOMETHING OPENS UP
IN THAT BIG BUILDING.
377
00:15:42,275 --> 00:15:45,478
YOU KNOW,
KEEP ME IN MIND.
378
00:15:49,916 --> 00:15:51,884
[TELEPHONE RINGS]
379
00:15:51,884 --> 00:15:53,753
HE'LL BE RIGHT
WITH YOU.
380
00:15:53,753 --> 00:15:54,988
[RING]
381
00:15:54,988 --> 00:15:57,924
SOUTH BROOKLYN
DEMOCRATIC CLUB.
382
00:15:57,924 --> 00:15:59,792
OH, YES. YES, YES.
HOW ARE YOU?
383
00:15:59,792 --> 00:16:02,162
I DON'T THINK IT MAKES
ANY DIFFERENCE WHATSOEVER.
384
00:16:02,162 --> 00:16:04,464
JUST HAVE YOUR SON
STOP BY THIS EVENING.
385
00:16:04,464 --> 00:16:06,566
I'LL BE HAPPY TO TAKE
CARE OF THIS PROBLEM.
386
00:16:06,566 --> 00:16:08,968
GUSSIE, COME ON IN.
387
00:16:09,902 --> 00:16:11,504
Gussie:
OH, HELLO, MR. ANSELMO.
388
00:16:11,504 --> 00:16:13,306
THANK YOU SO MUCH
FOR SEEING ME.
389
00:16:13,306 --> 00:16:14,507
YOU LOOK
BEAUTIFUL.
390
00:16:14,507 --> 00:16:15,575
OH, THANKS A LOT.
391
00:16:15,575 --> 00:16:16,676
LET ME GET THAT.
392
00:16:16,676 --> 00:16:17,677
OH, OK,
OK. COME ON.
393
00:16:17,677 --> 00:16:19,012
THANKS.
394
00:16:19,012 --> 00:16:20,180
IT'S MY PLEASURE.
395
00:16:20,180 --> 00:16:21,448
SO, HOW CAN I
HELP YOU, GUSSIE?
396
00:16:21,448 --> 00:16:23,250
THEY'RE GOING TO THROW
ME OUT, MR. ANSELMO.
397
00:16:23,250 --> 00:16:24,051
WHO?
398
00:16:24,051 --> 00:16:25,185
MORTY BRILL.
399
00:16:25,185 --> 00:16:26,386
NO ONE'S GONNA
THROW YOU OUT, GUSSIE.
400
00:16:26,386 --> 00:16:28,388
HE SAYS
I'M UNDEROCCUPIED.
401
00:16:28,388 --> 00:16:30,390
CAN I HELP IT IF
MY DAUGHTER MOVES OUT?
402
00:16:30,390 --> 00:16:32,659
ISN'T SHE ENTITLED
TO A LIFE OF HER OWN?
403
00:16:32,659 --> 00:16:34,794
OF COURSE.
HOW IS ELAINE?
404
00:16:34,794 --> 00:16:36,063
STILL WORKING
AT THE NAVY YARD?
405
00:16:36,063 --> 00:16:38,098
YEAH, THANKS TO YOU.
406
00:16:38,098 --> 00:16:40,933
SO, WHAT CAN YOU DO
FOR ME, MR. ANSELMO?
407
00:16:40,933 --> 00:16:42,935
WELL, IT'S SIMPLE.
408
00:16:42,935 --> 00:16:44,871
JUST SEE THAT MR. BRILL
OBEYS THE LAW.
409
00:16:44,871 --> 00:16:46,273
YOU'RE GRANDFATHERED IN
OVER THERE.
410
00:16:46,273 --> 00:16:48,608
IF HE TELLS YOU YOU'RE NOT,
JUST GIVE ME A CALL.
411
00:16:48,608 --> 00:16:50,277
SEE, A CURVY LANDLORD
LIKE MORTY BRILL
412
00:16:50,277 --> 00:16:52,579
IS ALWAYS LOOKING FOR
WAYS AROUND RENT CONTROL,
413
00:16:52,579 --> 00:16:53,913
BUT HOW WOULD
HE UNDERSTAND A LAW
414
00:16:53,913 --> 00:16:55,548
THAT WAS MEANT
FOR WORKING STIFFS
415
00:16:55,548 --> 00:16:57,084
LIKE YOU AND ME?
416
00:16:57,084 --> 00:16:58,685
THANKS, MR. ANSELMO.
417
00:16:58,685 --> 00:17:00,787
Anselmo: EXCUSE ME.
418
00:17:00,787 --> 00:17:04,791
[WHISPERING] Mr. Schwartz
is right outside.
419
00:17:04,791 --> 00:17:06,559
THANKS, CLARA.
420
00:17:09,762 --> 00:17:10,797
Gussie:
MR. ANSELMO?
421
00:17:10,797 --> 00:17:12,099
MR. ANSELMO?
YES.
422
00:17:12,099 --> 00:17:16,035
WOULD YOU LIKE TO COME
SPEAK TO MY CLUB?
423
00:17:16,035 --> 00:17:17,070
WHICH CLUB IS THAT?
424
00:17:17,070 --> 00:17:19,339
TERRIBLE TILES
MAH-JONGG CLUB.
425
00:17:19,339 --> 00:17:20,807
HOW MANY TILES BELONG?
426
00:17:20,807 --> 00:17:21,974
112.
427
00:17:21,974 --> 00:17:23,976
YOU GOT IT, SWEETHEART.
428
00:17:23,976 --> 00:17:25,245
JUST TELL ME WHEN.
429
00:17:25,245 --> 00:17:26,913
FANTASTIC. SO YOU'LL
COME FOR DINNER BEFORE?
430
00:17:26,913 --> 00:17:28,115
WHAT ARE YOU MAKING?
431
00:17:28,115 --> 00:17:29,316
I'LL MAKE A BRISKET.
IT'S YOUR FAVORITE.
432
00:17:29,316 --> 00:17:31,384
I LOVE BRISKET.
GO HOME SAFE.
433
00:17:31,384 --> 00:17:32,952
YEAH, WELL,
I'M TAKING A CAB, ANYWAY,
434
00:17:32,952 --> 00:17:34,321
BUT THANKS AGAIN.
435
00:17:34,321 --> 00:17:35,722
OK.
436
00:17:40,727 --> 00:17:41,728
AW, SHIT.
437
00:17:42,829 --> 00:17:44,831
[SIGHS]
438
00:17:47,867 --> 00:17:49,001
HELLO, LARRY.
439
00:17:49,001 --> 00:17:50,270
I GOTTA SEE YOU, FRANK.
440
00:17:50,270 --> 00:17:52,472
WELL, HERE I AM.
441
00:17:54,141 --> 00:17:55,875
HOW ABOUT A CUP OF COFFEE?
442
00:17:55,875 --> 00:17:58,010
NO, THANKS. UM...
443
00:17:58,010 --> 00:18:00,147
WE GOTTA TALK.
444
00:18:00,147 --> 00:18:02,315
I'M SORRY. ARE YOU
FINISHED HERE? I...
445
00:18:02,315 --> 00:18:04,617
WELL, THE BUSINESS
OF GOVERNMENT, LARRY,
446
00:18:04,617 --> 00:18:06,919
IS NEVER FINISHED.
447
00:18:06,919 --> 00:18:07,954
COME ON.
LET'S TAKE A WALK.
448
00:18:07,954 --> 00:18:10,089
[PATS BACK]
449
00:18:14,561 --> 00:18:15,628
MR. A.
450
00:18:15,628 --> 00:18:16,896
HOW ARE YOU, MILTON?
451
00:18:16,896 --> 00:18:18,131
* I'M AS CORNY *
452
00:18:18,131 --> 00:18:20,133
* AS KANSAS IN AUGUST *
453
00:18:20,133 --> 00:18:22,034
* I'M AS NORMAL *
454
00:18:22,034 --> 00:18:23,570
* AS BLUEBERRY PIE *
455
00:18:23,570 --> 00:18:27,340
* NO MORE A SMART LITTLE
GIRL WITH NO HEART *
456
00:18:27,340 --> 00:18:31,778
Both: * I HAVE FOUND ME
A WONDERFUL GUY *
457
00:18:31,778 --> 00:18:33,613
[BOTH LAUGH]
458
00:18:33,613 --> 00:18:35,114
YOU KNOW, SPEAKING OF
BLUEBERRY PIES,
459
00:18:35,114 --> 00:18:36,883
BRING US A COUPLE,
MILT.
460
00:18:36,883 --> 00:18:38,017
UH, YOU A LA MODE?
461
00:18:38,017 --> 00:18:40,052
NO, THANK YOU.
I DON'T WANT ANY PIE.
462
00:18:40,052 --> 00:18:41,288
APPLE FOR HIM.
463
00:18:41,288 --> 00:18:42,889
AND COFFEE, MILT.
464
00:18:47,660 --> 00:18:48,595
WHAT'S THE MATTER?
465
00:18:48,595 --> 00:18:50,197
YOU KNOW WHAT
THE MATTER IS, FRANK.
466
00:18:50,197 --> 00:18:52,932
YOU LOOK TERRIBLE.
YOU OUGHT TO TAKE A VACATION.
467
00:18:52,932 --> 00:18:54,634
I DON'T WANT A VACATION.
468
00:18:54,634 --> 00:18:57,069
I GOT 18 YEARS IN,
YOU KNOW?
469
00:18:57,069 --> 00:18:59,239
I SAVE UP MY TIME.
I PUT IN MY HOURS.
470
00:18:59,239 --> 00:19:00,640
I'M ELIGIBLE FOR PENSION
IN 6 MONTHS.
471
00:19:00,640 --> 00:19:01,874
I DON'T WANT
ANY GODDAMN VACATION.
472
00:19:01,874 --> 00:19:02,875
OK.
473
00:19:04,811 --> 00:19:05,678
SO WHAT IS IT?
474
00:19:05,678 --> 00:19:08,080
GET THE DEPUTY MAYOR
OFF MY ASS.
475
00:19:08,080 --> 00:19:10,082
HA HA.
SHRIMP BOATS?
476
00:19:10,082 --> 00:19:11,251
HIM. YEAH.
477
00:19:11,251 --> 00:19:12,819
AND YOU COULDN'T
HANDLE HIM?
478
00:19:12,819 --> 00:19:14,354
IT WAS EASY.
479
00:19:14,354 --> 00:19:16,323
THAT'S WHAT I'M SAYING.
IT WAS TOO EASY.
480
00:19:17,156 --> 00:19:18,425
[FOOTSTEPS]
481
00:19:18,425 --> 00:19:19,826
* DON'T THROW *
482
00:19:19,826 --> 00:19:21,494
* BOUQUETS AT ME *
483
00:19:21,494 --> 00:19:23,296
* DON'T PLEASE *
484
00:19:23,296 --> 00:19:25,832
* MY FOLKS TOO MUCH *
485
00:19:25,832 --> 00:19:26,899
* DON'T LAUGH *
486
00:19:26,899 --> 00:19:29,202
* AT MY JOKES TOO MUCH *
487
00:19:29,202 --> 00:19:31,938
Both:
* PEOPLE WILL SAY *
488
00:19:31,938 --> 00:19:35,242
* WE'RE IN LOVE *
489
00:19:35,242 --> 00:19:36,843
[BOTH LAUGH]
490
00:19:39,111 --> 00:19:40,847
WHAT THE HELL WAS THAT?
491
00:19:40,847 --> 00:19:44,651
WELL, MILT AND I ARE GREAT
RODGERS AND HAMMERSTEIN FANS.
492
00:19:44,651 --> 00:19:46,052
WHEN YOU WALK
THROUGH A STORM,
493
00:19:46,052 --> 00:19:47,854
KEEP YOUR HEAD
UP HIGH, LARRY.
494
00:19:47,854 --> 00:19:50,723
IT'S NOT YOUR SIGNATURE
ON THE PROBATION REPORT.
495
00:19:52,024 --> 00:19:53,726
THEN WATCH YOUR MOUTH.
496
00:20:04,637 --> 00:20:07,073
[LAUGHTER]
497
00:20:07,073 --> 00:20:08,908
Man: THAT WAS
QUITE A RISK YOU TOOK.
498
00:20:08,908 --> 00:20:10,710
THE GUY WAS WRONG.
499
00:20:10,710 --> 00:20:11,644
BUT NO MAYOR--
500
00:20:11,644 --> 00:20:13,513
I DON'T CARE
IF HE IS FROM NEW YORK--
501
00:20:13,513 --> 00:20:15,682
TELLS OFF A CABINET
MEMBER LIKE THAT.
502
00:20:15,682 --> 00:20:17,450
HE'S YOUR ENEMY
FOR LIFE.
503
00:20:17,450 --> 00:20:19,586
THE SECRETARY
OF URBAN DEVELOPMENT,
504
00:20:19,586 --> 00:20:21,020
THAT'S THE HAND
THAT FEEDS THE CITIES.
505
00:20:21,020 --> 00:20:23,823
WELL, YOU KNOW, SENATOR,
THEY SAY A MAN'S STATURE
506
00:20:23,823 --> 00:20:25,558
IS DETERMINED BY HIS
ENEMIES, NOT HIS FRIENDS.
507
00:20:25,558 --> 00:20:27,560
IT ALSO GOT YOU
THE COVER OF TIME.
508
00:20:27,560 --> 00:20:28,661
Woman:
THAT'S TRUE.
509
00:20:28,661 --> 00:20:30,363
BUT GOING NATIONAL,
MAYOR PAPPAS?
510
00:20:30,363 --> 00:20:31,731
PEOPLE MAGAZINE NEXT.
511
00:20:31,731 --> 00:20:33,633
THAT STATURE THING.
WHO SAID THAT?
512
00:20:33,633 --> 00:20:35,302
I BELIEVE I SAID THAT
A MINUTE AGO.
513
00:20:35,302 --> 00:20:37,337
I WAS HAVING AN ACUTE ATTACK
OF SELF-IMPORTANCE.
514
00:20:37,337 --> 00:20:39,506
BUT NOW IT'S ABOUT
TO COME TO AN END,
515
00:20:39,506 --> 00:20:41,841
BECAUSE HERE'S THE MAN
TO CUT ME DOWN TO SIZE.
516
00:20:41,841 --> 00:20:42,875
KEVIN, WE MISSED YOU.
517
00:20:42,875 --> 00:20:44,411
SORRY, FOLKS. DIDN'T
MEAN TO INTERRUPT YOU.
518
00:20:44,411 --> 00:20:45,512
HELLO, SENATOR.
519
00:20:45,512 --> 00:20:47,246
KEVIN'S BEEN BUSY
TODAY, I'LL BET.
520
00:20:47,246 --> 00:20:48,648
THIS MUST BE
MRS. MARQUAND.
521
00:20:48,648 --> 00:20:50,350
IT'S BEEN QUITE A DAY
FOR YOU, HASN'T IT?
522
00:20:50,350 --> 00:20:52,385
INDEED. WE DON'T WANT
ANY STRAY BULLETS
523
00:20:52,385 --> 00:20:53,653
AROUND
MADISON SQUARE GARDEN.
524
00:20:53,653 --> 00:20:55,087
IGNORE THE SENATOR, KEVIN.
525
00:20:55,087 --> 00:20:57,123
HE LIKES TO KEEP A LITTLE
ANCHORED TO WINDWARD.
526
00:20:57,123 --> 00:20:59,191
DON'T WE ALL?
527
00:20:59,191 --> 00:21:00,660
BUT IN THE MEANTIME,
SHOULDN'T WE RETURN
528
00:21:00,660 --> 00:21:02,929
TO THE BURNING ISSUE
OF THE DAY, THE CONVENTION?
529
00:21:02,929 --> 00:21:05,064
WE'RE GONNA TURN THE CITY
UPSIDE DOWN FOR YOU, SIR.
530
00:21:05,064 --> 00:21:07,033
WE'RE GONNA STAGE THE RIGHT
KIND OF CONVENTION.
531
00:21:07,033 --> 00:21:08,435
WHAT KIND IS THAT?
532
00:21:08,435 --> 00:21:09,836
THE KIND THAT'S GOING TO GET
THE PRESIDENT REELECTED.
533
00:21:09,836 --> 00:21:11,938
WHERE YOU GOING TO GO?
SECOND CITIES LIKE CHICAGO,
534
00:21:11,938 --> 00:21:14,407
ALWAYS RESONATING WITH
MEMORIES OF HUBERT IN '68?
535
00:21:14,407 --> 00:21:15,708
CALIFORNIA?
536
00:21:15,708 --> 00:21:17,109
STILL THE LAND OF
JERRY BROWN AND TOM HAYDEN--
537
00:21:17,109 --> 00:21:18,978
THE SORT OF PLACE THAT
NOMINATES A WALTER MONDALE.
538
00:21:18,978 --> 00:21:21,614
YOU COULD GO TO MIAMI,
BUT MIAMI'S CASABLANCA.
539
00:21:21,614 --> 00:21:23,249
WE'LL MAKE YOU A WINNER.
WE GOT THE CITY RIGHT HERE.
540
00:21:23,249 --> 00:21:25,284
YOU'RE NOT A NEW YORKER,
ARE YOU, KEVIN?
541
00:21:25,284 --> 00:21:27,720
FERRIDAY, LOUISIANA--
HUEY LONG COUNTRY.
542
00:21:27,720 --> 00:21:29,956
EVERY MAN A KING,
BUT NO ONE WEARS A CROWN.
543
00:21:29,956 --> 00:21:32,258
HA HA!
I LOVE THIS GUY.
544
00:21:32,258 --> 00:21:34,894
THANK YOU SO MUCH.
545
00:21:34,894 --> 00:21:35,928
DON'T OVERDO IT.
546
00:21:35,928 --> 00:21:36,996
[LAUGHS]
547
00:21:36,996 --> 00:21:37,997
GREAT
TO SEE YOU.
548
00:21:37,997 --> 00:21:39,065
GREAT TO SEE YOU.
549
00:21:39,065 --> 00:21:40,433
GOOD NIGHT.
550
00:21:40,433 --> 00:21:42,535
HEY, KEVIN, GIVE ME
A CALL IN THE MORNING.
551
00:21:42,535 --> 00:21:44,437
I NEED SOME STUFF
FOR THE NEW YORK TIMES--
552
00:21:44,437 --> 00:21:47,006
AN EDITORIAL LAUDING
OUR CHOICE OF CONVENTION CITY.
553
00:21:47,006 --> 00:21:50,643
THE PRESIDENT LOVES
A GOOD TIMES EDITORIAL.
554
00:21:50,643 --> 00:21:52,011
YOU GOT IT, SENATOR.
LET ME JUST ASSURE YOU--
555
00:21:52,011 --> 00:21:53,546
THE VOTE'S IN, KEVIN.
WE GOT THE CONVENTION.
556
00:21:53,546 --> 00:21:55,448
NOW LET THESE PEOPLE
CATCH THEIR SHUTTLE.
557
00:21:55,448 --> 00:21:57,016
I'M SURE THEY'RE
RUNNING LATE.
558
00:21:57,016 --> 00:21:58,017
THANK YOU, MR. MAYOR.
559
00:21:58,017 --> 00:21:58,918
THANK YOU SO MUCH,
SENATOR.
560
00:21:58,918 --> 00:22:00,753
MacNEIL-LEHRER,
FRIDAY NIGHT.
561
00:22:06,459 --> 00:22:08,127
TINO ZAPATTI'S BULLET
KILLED THE CHILD.
562
00:22:08,127 --> 00:22:10,963
IT WASN'T THE COP.
563
00:22:10,963 --> 00:22:12,499
THAT'S IT?
564
00:22:12,499 --> 00:22:14,501
THAT'S WHAT PASSES
FOR GOOD NEWS THESE DAYS?
565
00:22:14,501 --> 00:22:15,735
WELL,
I'LL SURE TAKE IT.
566
00:22:15,735 --> 00:22:18,505
AND I SAW TINO ZAPATTI'S
PROBATION REPORT--
567
00:22:18,505 --> 00:22:20,673
EXEMPLARY,
BUT AN ODD THING.
568
00:22:20,673 --> 00:22:21,474
WHAT?
569
00:22:21,474 --> 00:22:22,475
IT'S FRONT-LOADED.
570
00:22:22,475 --> 00:22:23,476
WITH WHO?
571
00:22:23,476 --> 00:22:25,778
WITH SUPERVISORY
PERSONNEL,
572
00:22:25,778 --> 00:22:28,214
BUT IT'S SIGNED OFF ON
BY AN HONEST JUDGE, SO...
573
00:22:28,214 --> 00:22:29,215
JUDGE WALTER STERN?
574
00:22:29,215 --> 00:22:30,249
YES.
575
00:22:30,249 --> 00:22:32,118
THANK GOD.
576
00:22:32,118 --> 00:22:33,119
I'M MEETING
FRANK ANSELMO
577
00:22:33,119 --> 00:22:34,186
FOR BREAKFAST.
578
00:22:34,186 --> 00:22:35,187
OH, GOOD. WHERE?
579
00:22:35,187 --> 00:22:36,355
WERNER'S.
580
00:22:36,355 --> 00:22:38,858
WERNER'S? THE HANGOUT
AT BOROUGH HALL?
581
00:22:38,858 --> 00:22:39,726
THAT'S IT.
582
00:22:39,726 --> 00:22:41,528
KEVIN, WHEN YOU GO
TO BROOKLYN,
583
00:22:41,528 --> 00:22:42,662
YOU'RE
FRANK ANSELMO'S GUEST.
584
00:22:42,662 --> 00:22:44,130
DON'T PISS UP HIS LEG.
585
00:22:44,130 --> 00:22:46,666
JUST GET HIM OFF THIS
INFRASTRUCTURE THING.
586
00:22:46,666 --> 00:22:47,767
NOTHING WRONG WITH IT.
587
00:22:47,767 --> 00:22:49,936
JUST UNAFFORDABLE
RIGHT NOW.
588
00:22:49,936 --> 00:22:51,938
GOOD WORK TONIGHT.
589
00:22:51,938 --> 00:22:53,640
MRS. MARQUAND COULDN'T
STOP TALKING ABOUT
590
00:22:53,640 --> 00:22:54,641
THE COVER
OF TIME, COULD SHE?
591
00:22:54,641 --> 00:22:56,543
I THINK
SHE COLLECTS THEM.
592
00:22:56,543 --> 00:22:59,946
NATIONAL INK--
THE MOTHER'S MILK OF POLITICS.
593
00:22:59,946 --> 00:23:02,415
SO, DID I HEAR RIGHT,
OR DID WE GET THE CONVENTION?
594
00:23:02,415 --> 00:23:03,683
IT'S NOT SIGNED
AND SEALED,
595
00:23:03,683 --> 00:23:06,052
BUT IT IS DELIVERED,
AND YOU WERE THE CLOSER.
596
00:23:06,052 --> 00:23:08,187
WELL, I THOUGHT I HAD THEM
WITH THAT SECOND CITY STUFF.
597
00:23:08,187 --> 00:23:10,423
OF COURSE YOU DID.
YOU KNOW WHY?
598
00:23:10,423 --> 00:23:11,624
IT BELONGS HERE.
599
00:23:11,624 --> 00:23:13,560
NEW YORK CITY--
THIS IS THE PLACE.
600
00:23:13,560 --> 00:23:14,761
[DOOR OPENS]
601
00:23:14,761 --> 00:23:16,563
EXCUSE ME.
602
00:23:16,563 --> 00:23:20,066
THE STORY'S COMING UP
ON THE 10:00 NEWS.
603
00:23:20,066 --> 00:23:20,900
A LITTLE SLOW.
604
00:23:20,900 --> 00:23:21,901
...EARLIER TODAY
TOOK THE LIFE
605
00:23:21,901 --> 00:23:23,470
OF AN INNOCENT
6-YEAR-OLD BOY
606
00:23:23,470 --> 00:23:24,571
WHO WAS ON HIS WAY
TO SCHOOL
607
00:23:24,571 --> 00:23:25,905
DURING AN APPARENT
POLICE ACTION.
608
00:23:25,905 --> 00:23:27,940
Second anchor: POLICE
DETECTIVE EDDIE SANTOS...
609
00:23:27,940 --> 00:23:29,676
THEY'RE ALL OVER IT
LIKE A CHEAP SUIT.
610
00:23:29,676 --> 00:23:32,679
IT'S GONNA STICK
TO US LIKE ONE, TOO.
611
00:23:32,679 --> 00:23:34,447
Anchor: 6-YEAR-OLD
JAMES BONE
612
00:23:34,447 --> 00:23:35,682
ON HIS WAY TO SCHOOL.
613
00:23:35,682 --> 00:23:38,417
BALLISTICS FROM
THE POLICE LAB NOW CONFIRM
614
00:23:38,417 --> 00:23:40,487
THE WAYWARD BULLET
THAT KILLED THE YOUNG BOY
615
00:23:40,487 --> 00:23:42,555
CAME FROM ZAPATTI'S GUN.
616
00:23:42,555 --> 00:23:43,723
MEANWHILE,
POLICE HERE AT THE SCENE
617
00:23:43,723 --> 00:23:45,191
CONTINUE TO INVESTIGATE.
618
00:23:51,598 --> 00:23:54,200
HERE YOU ARE, MR. ZAPATTI.
619
00:24:10,517 --> 00:24:11,718
MICHAEL.
620
00:24:12,619 --> 00:24:14,587
FIND VINNIE.
621
00:24:17,757 --> 00:24:20,359
I WANT TO HAVE
A LITTLE TALK WITH HIM.
622
00:24:20,359 --> 00:24:23,162
[ALARM BEEPS]
623
00:24:23,162 --> 00:24:24,163
[ALARM STOPS]
624
00:24:28,568 --> 00:24:30,102
Anchor: YESTERDAY,
ON THE CORNER OF BROADWAY
625
00:24:30,102 --> 00:24:30,903
AND MARCY STREET,
626
00:24:30,903 --> 00:24:32,505
GUNFIRE SUDDENLY BROKE OUT,
627
00:24:32,505 --> 00:24:34,406
CLAIMING 6-YEAR-OLD
JAMES BONE,
628
00:24:34,406 --> 00:24:37,009
ALONG WITH 21-YEAR-OLD
TINO ZAPATTI,
629
00:24:37,009 --> 00:24:38,845
A CONVICTED FELON
ON PROBATION,
630
00:24:38,845 --> 00:24:41,113
AND A 32-YEAR-OLD
POLICE DETECTIVE,
631
00:24:41,113 --> 00:24:42,081
EDDIE SANTOS.
632
00:24:42,081 --> 00:24:43,983
THE POLICE COMMISSIONER
HAS DISCLOSED
633
00:24:43,983 --> 00:24:45,785
THAT AN INVESTIGATION
IS UNDER WAY
634
00:24:45,785 --> 00:24:47,754
INTO DETECTIVE SANTOS'
ACTIVITIES.
635
00:24:47,754 --> 00:24:49,789
QUESTION--
WHAT WAS SANTOS DOING
636
00:24:49,789 --> 00:24:51,357
WITH A CONVICTED
DRUG DEALER
637
00:24:51,357 --> 00:24:54,093
WANTED FOR PROBATION
VIOLATIONS?
638
00:24:54,093 --> 00:24:56,395
NOW TURNING
TO NEW YORK'S WEATHER...
639
00:24:56,395 --> 00:24:58,197
GOOD MORNING.
640
00:24:58,197 --> 00:24:59,832
Man on TV: ...WILL RAISE
SERIOUS QUESTIONS
641
00:24:59,832 --> 00:25:01,601
OF CORRUPTION
IN THE COURTS.
642
00:25:01,601 --> 00:25:04,103
STERN GAVE TINO ZAPATTI,
A DRUG DEALER,
643
00:25:04,103 --> 00:25:06,706
PROBATION INSTEAD OF
SENDING HIM TO PRISON,
644
00:25:06,706 --> 00:25:08,407
AND THE QUESTION
EVERYONE IS ASKING,
645
00:25:08,407 --> 00:25:10,843
BECAUSE OF THIS UNUSUAL
DISPOSITION,
646
00:25:10,843 --> 00:25:13,345
IS WHY DID THE JUDGE
DO THAT?
647
00:25:13,345 --> 00:25:14,747
THERE ARE OTHER
CITY OFFICIALS
648
00:25:14,747 --> 00:25:16,115
WHO ARE BEING
INTERROGATED.
649
00:25:22,154 --> 00:25:23,389
HELLO.
650
00:25:23,389 --> 00:25:24,591
HELLO.
651
00:25:32,298 --> 00:25:34,000
GOOD MORNING, MRS. SANTOS.
652
00:25:34,000 --> 00:25:37,203
I'M MARYBETH COGAN.
WE MET AT THE HOSPITAL.
653
00:25:37,203 --> 00:25:38,204
YEAH. HELLO.
654
00:25:39,005 --> 00:25:40,506
AND THAT'S
RANDY AND MARIA THERE?
655
00:25:40,506 --> 00:25:42,575
YEAH.
656
00:25:42,575 --> 00:25:43,810
THESE ARE MY KIDS.
657
00:25:43,810 --> 00:25:45,377
Woman: MS. COGAN?
658
00:25:45,377 --> 00:25:46,579
PLEASE.
659
00:25:46,579 --> 00:25:48,180
YOU SIT DOWN.
660
00:25:50,717 --> 00:25:52,284
I'M SORRY TO HAVE
TO TALK TO YOU HERE.
661
00:25:52,284 --> 00:25:53,886
THAT'S ALL RIGHT.
662
00:25:55,554 --> 00:25:57,824
YOU HEAR FROM ANYONE
IN THE DEPARTMENT TODAY?
663
00:25:57,824 --> 00:25:59,659
A COUPLE OF THE GUYS.
664
00:25:59,659 --> 00:26:01,127
YEAH?
WHAT DID THEY SAY?
665
00:26:01,127 --> 00:26:05,064
I CALLED TO PICK UP HIS
THINGS FROM THE PRECINCT.
666
00:26:05,064 --> 00:26:06,666
THEY TOLD ME
HIS LOCKER WAS SEALED.
667
00:26:06,666 --> 00:26:08,768
BUT THE CAPTAIN
CAME TO SEE ME.
668
00:26:08,768 --> 00:26:10,569
HE WAS VERY NICE.
669
00:26:10,569 --> 00:26:12,371
W-WHAT CAPTAIN?
670
00:26:12,371 --> 00:26:13,973
HOMICIDE SOUTH.
671
00:26:14,874 --> 00:26:16,108
THAT'S EDDIE'S COMMANDER.
672
00:26:16,108 --> 00:26:17,944
HE'S REQUIRED
TO PAY A CALL ON THE WIDOW.
673
00:26:19,211 --> 00:26:21,347
IS ANYTHING WRONG?
674
00:26:21,347 --> 00:26:24,350
DON'T TALK TO ANYONE WITHOUT
CHECKING WITH ME FIRST.
675
00:26:24,350 --> 00:26:25,351
OK?
676
00:26:27,486 --> 00:26:28,855
OK.
677
00:26:33,993 --> 00:26:35,327
A SLIGHT
EXAGGERATION.
678
00:26:35,327 --> 00:26:36,562
WE'RE IN
THE WRONG BUSINESS.
679
00:26:36,562 --> 00:26:37,864
HEY, YOU GET LOST, KID?
680
00:26:37,864 --> 00:26:38,765
SOMEWHERE THERE'S A KEY
TO DOWNTOWN BROOKLYN,
681
00:26:38,765 --> 00:26:40,667
BUT I SURE DON'T HAVE IT.
682
00:26:41,801 --> 00:26:43,870
MURRAY, LENNY,
YOU KNOW KEVIN.
683
00:26:43,870 --> 00:26:45,337
KEVIN, THIS IS DAN.
684
00:26:45,337 --> 00:26:47,606
KEVIN CALHOUN.
HOW YOU DOING?
685
00:26:47,606 --> 00:26:49,341
TEX, SIT DOWN.
TAKE A LOAD OFF YOUR FEET.
686
00:26:49,341 --> 00:26:51,077
LOUISIANA, MURRAY,
FOR THE UMPTEENTH TIME.
687
00:26:51,077 --> 00:26:53,479
HEY, WHAT'S THE MATTER?
YOU CAN'T TAKE A JOKE?
688
00:26:53,479 --> 00:26:55,247
JIMMY.
WHAT'LL YOU HAVE?
689
00:26:56,515 --> 00:26:57,817
I'LL HAVE SOME OATMEAL
WITH SKIM MILK,
690
00:26:57,817 --> 00:26:59,652
SLICED BANANAS, A LITTLE
BROWN SUGAR, PLEASE.
691
00:26:59,652 --> 00:27:00,653
SO, WHAT'S NEW, KEVIN?
692
00:27:00,653 --> 00:27:02,655
I'LL GIVE YOU
THE HEADLINES.
693
00:27:02,655 --> 00:27:05,324
STANDARD & POOR IS GOING TO
LOWER THE CITY'S CREDIT RATING.
694
00:27:05,324 --> 00:27:07,193
WE'RE GOING TO CLOSE
2 FIREHOUSES IN THE BRONX.
695
00:27:07,193 --> 00:27:09,561
RESULTS--150 DEMONSTRATORS
IN FRONT OF CITY HALL.
696
00:27:09,561 --> 00:27:11,798
THE DEPUTY
PARK COMMISSIONER HAS QUIT
697
00:27:11,798 --> 00:27:14,000
TO RUN
THE SAN FRANCISCO BALLET,
698
00:27:14,000 --> 00:27:15,935
AND THE STOCK EXCHANGE INSISTS
THEY'RE LEAVING TOWN,
699
00:27:15,935 --> 00:27:18,570
PLUS A ZILLION OTHER
LITTLE RANCID GOODIES.
700
00:27:18,570 --> 00:27:19,638
PLUS A KID GOT SHOT.
701
00:27:19,638 --> 00:27:20,940
Murray:
BY ANOTHER DRUG DEALER.
702
00:27:20,940 --> 00:27:22,174
AND A COP.
YEAH.
703
00:27:22,174 --> 00:27:23,743
SO NO WONDER THE DEPUTY
MAYOR'S JOINING US
704
00:27:23,743 --> 00:27:24,744
IN BROOKLYN TODAY.
705
00:27:24,744 --> 00:27:27,579
WELL, BUT
HE'S VERY WELCOME.
706
00:27:27,579 --> 00:27:28,948
ON THE STOCK EXCHANGE,
707
00:27:28,948 --> 00:27:30,817
WHERE ARE THEY REMOVING TO,
KEVIN, MY BOY?
708
00:27:30,817 --> 00:27:32,084
WHITE PLAINS,
THEY MIGHT.
709
00:27:32,084 --> 00:27:34,220
THEY'VE BEEN MUTTERING
THAT FOR YEARS.
710
00:27:34,220 --> 00:27:35,154
ONE OF THESE DAYS,
711
00:27:35,154 --> 00:27:36,455
THEY'RE GONNA
STOP MUTTERING AND GO.
712
00:27:36,455 --> 00:27:38,557
THAT'S WHY WE NEED CITY LAND
FOR BANK EXCHANGE.
713
00:27:38,557 --> 00:27:39,658
NO ARGUMENT,
LENNY.
714
00:27:39,658 --> 00:27:41,761
AND A SUBWAY STOP
AND AN OFF-RAMP
715
00:27:41,761 --> 00:27:43,229
FROM THE BROOKLYN-QUEENS
EXPRESSWAY.
716
00:27:43,229 --> 00:27:44,964
THE CITY'S $25 BILLION
IN DEBT, FRANK.
717
00:27:44,964 --> 00:27:46,365
WE'RE IN NO POSITION
TO BUILD SUBWAY STOPS
718
00:27:46,365 --> 00:27:47,499
AND OFF-RAMPS.
HA.
719
00:27:47,499 --> 00:27:48,835
3,000 WORKERS,
YOU DON'T EVEN WANT
720
00:27:48,835 --> 00:27:50,136
TO BUILD THEM
A SUBWAY STOP?
721
00:27:50,136 --> 00:27:51,738
WHAT'S YOUR INTEREST
IN THIS, LENNY?
722
00:27:51,738 --> 00:27:52,839
DID YOU HAPPEN TO BUY
A FEW OPTIONS
723
00:27:52,839 --> 00:27:54,040
AROUND THE CITY
PROPERTY?
724
00:27:54,040 --> 00:27:55,274
[LAUGHS]
725
00:27:55,274 --> 00:27:56,275
OF COURSE HE DID,
726
00:27:56,275 --> 00:27:58,377
AND SO DID EVERY OTHER
DEVELOPER IN TOWN.
727
00:27:58,377 --> 00:28:00,579
NOT WITHSTANDING THAT,
MR. DEPUTY MAYOR,
728
00:28:00,579 --> 00:28:03,149
IF YOU DON'T FIND A WAY TO
TRANSPORT THEIR EMPLOYEES,
729
00:28:03,149 --> 00:28:04,984
BANK EXCHANGE
IS GONNA DUMP THIS DEAL
730
00:28:04,984 --> 00:28:06,886
AND FORGET ABOUT NEW YORK
731
00:28:06,886 --> 00:28:08,287
AND PUT UP
THEIR 60-STORY BUILDING
732
00:28:08,287 --> 00:28:10,689
IN NEW JERSEY
INSTEAD OF BROOKLYN.
733
00:28:10,689 --> 00:28:11,991
SO BE IT.
734
00:28:11,991 --> 00:28:13,259
THE MAYOR LOVES
BANK EXCHANGE, FRANK,
735
00:28:13,259 --> 00:28:14,861
BUT HE CAN'T AFFORD
INFRASTRUCTURE.
736
00:28:14,861 --> 00:28:16,195
YOU KNOW,
FOR A GOOD OLD BOY,
737
00:28:16,195 --> 00:28:17,930
YOU'RE SURE FLYING IN
THE FACE OF REAL POLITICS.
738
00:28:17,930 --> 00:28:21,333
SUBWAYS GET PEOPLE TO JOBS.
739
00:28:21,333 --> 00:28:23,770
JOBS MEAN VOTES.
740
00:28:23,770 --> 00:28:26,005
I THOUGHT JOHN PAPPAS
LIKED VOTES.
741
00:28:26,005 --> 00:28:27,740
HE LOVES VOTES,
FRANK...
742
00:28:27,740 --> 00:28:29,608
AH.
743
00:28:29,608 --> 00:28:31,343
BUT NO INFRASTRUCTURE,
744
00:28:31,343 --> 00:28:33,712
UNLESS THE CITY
APPROVES OF THE IDEA
745
00:28:33,712 --> 00:28:35,447
OF A SUBWAY STATION
AND AN OFF-RAMP
746
00:28:35,447 --> 00:28:36,448
IT CAN'T PAY FOR IT.
747
00:28:36,448 --> 00:28:38,918
[DROPS SILVERWARE]
748
00:28:38,918 --> 00:28:40,052
WHERE YOU GOING?
749
00:28:40,052 --> 00:28:43,122
I HAVE AN APPOINTMENT
IN MANHATTAN.
750
00:28:45,524 --> 00:28:46,993
THIS MEETING'S OVER?
751
00:28:49,361 --> 00:28:51,764
I HEARD YOU SAY NO.
752
00:28:51,764 --> 00:28:54,233
CAN I OFFER YOU A RIDE?
753
00:28:54,233 --> 00:28:55,601
NO, THANKS.
754
00:28:55,601 --> 00:28:57,970
I'D MAKE IT QUICKER
ON THE TRAIN.
755
00:29:00,006 --> 00:29:02,508
Man: HERE HE COMES.
JUDGE STERN!
756
00:29:02,508 --> 00:29:03,509
Woman:
JUDGE STERN!
757
00:29:03,509 --> 00:29:04,610
[REPORTERS CHATTERING]
758
00:29:04,610 --> 00:29:07,246
Man: OVER HERE, SIR.
759
00:29:07,246 --> 00:29:09,681
WHAT DID YOU
GIVE TINO ZAPATTI
760
00:29:09,681 --> 00:29:11,183
PROBATION FOR,
YOUR HONOR?
761
00:29:11,183 --> 00:29:13,019
WHY DID YOU GO SOFT
ON THE DRUG CHARGE?
762
00:29:13,019 --> 00:29:15,187
IS PROBATION A SENTENCE
IN THIS TOWN, JUDGE?
763
00:29:15,187 --> 00:29:17,056
Man: YOUR HONOR, THEY'RE
BURYING LITTLE JAMES BONE.
764
00:29:17,056 --> 00:29:18,324
ARE YOU GOING
TO THE FUNERAL?
765
00:29:18,324 --> 00:29:19,758
Second man:
OVER HERE, JUDGE STERN.
766
00:29:19,758 --> 00:29:21,127
COULD WE GET A STATEMENT
FROM YOU, PLEASE?
767
00:29:21,127 --> 00:29:23,896
GET ME THE FILE
ON TINO ZAPATTI.
768
00:29:26,732 --> 00:29:27,934
HOW ARE YOU?
769
00:29:27,934 --> 00:29:29,768
YOU, TOO.
HI.
770
00:29:30,970 --> 00:29:32,972
MR. DEPUTY MAYOR.
771
00:29:32,972 --> 00:29:34,373
I'M MARYBETH COGAN.
772
00:29:34,373 --> 00:29:35,942
"DETECTIVES ENDOWMENT
ASSOCIATION,
773
00:29:35,942 --> 00:29:38,377
LEGAL AFFAIRS
CO-COUNSEL."
774
00:29:38,377 --> 00:29:39,311
VERY NICE CARD.
775
00:29:39,311 --> 00:29:40,880
I REPRESENT DETECTIVE
EDDIE SANTOS,
776
00:29:40,880 --> 00:29:42,281
AND YOU'RE MUDDYING
MY CLIENT'S NAME.
777
00:29:42,281 --> 00:29:43,983
TAKE UP THE MATTER
WITH CORPORATION COUNSEL.
778
00:29:43,983 --> 00:29:45,384
WHAT, AND GET IT BURIED?
NO, THANK YOU.
779
00:29:45,384 --> 00:29:47,153
AREN'T YOU SUPPOSED TO BE
THE PIPELINE TO THE MAYOR?
780
00:29:47,153 --> 00:29:48,787
YOU SHOULD TELL HIM SOMEBODY'S
TAKING HIM UP THE WRONG STREET.
781
00:29:48,787 --> 00:29:49,989
THIS IS ALL
VERY INTERESTING.
782
00:29:49,989 --> 00:29:51,257
MAYBE WE COULD EXPLORE
IT IN MORE DETAIL,
783
00:29:51,257 --> 00:29:52,758
MAYBE OVER SOME COFFEE
OR SOMETHING.
784
00:29:52,758 --> 00:29:54,426
I'M TALKING ABOUT
A HERO DETECTIVE
785
00:29:54,426 --> 00:29:55,361
AND HIS WIDOW'S PENSION.
786
00:29:55,361 --> 00:29:56,562
WHY DON'T YOU WAIT
IN MY OFFICE.
787
00:29:56,562 --> 00:29:57,763
I WON'T BE
BUT A FEW MINUTES.
788
00:29:57,763 --> 00:29:59,966
NO, I DON'T THINK SO.
YOU HAVE MY CARD.
789
00:29:59,966 --> 00:30:01,467
I'LL EXPECT TO HEAR FROM YOU
IN THE MORNING.
790
00:30:06,839 --> 00:30:09,041
NO, NO, NO, NO. WRONG.
791
00:30:09,041 --> 00:30:10,109
NOTHING'S GONNA GO AWAY
792
00:30:10,109 --> 00:30:11,277
UNLESS YOU
DO SOMETHING ABOUT IT.
793
00:30:11,277 --> 00:30:13,812
THIS IS A CRISIS
THAT COULD DERAIL US--
794
00:30:13,812 --> 00:30:15,982
THE WAY WILLIE HORTON
SUNK DUKAKIS.
795
00:30:15,982 --> 00:30:17,583
TINO ZAPATTI
CAN SINK US.
796
00:30:17,583 --> 00:30:19,051
[DOOR OPENS]
797
00:30:20,252 --> 00:30:21,921
GOOD AFTERNOON.
WHERE YOU BEEN?
798
00:30:21,921 --> 00:30:23,522
MY BROOKLYN MEETING.
799
00:30:23,522 --> 00:30:24,590
OH. HOW'D IT GO?
800
00:30:24,590 --> 00:30:27,326
I THINK I JUST PISSED UP
FRANK ANSELMO'S LEG.
801
00:30:27,326 --> 00:30:28,327
AND?
802
00:30:28,327 --> 00:30:30,129
IT FELT GOOD.
803
00:30:31,263 --> 00:30:32,498
OK, LESLIE.
804
00:30:32,498 --> 00:30:35,935
RIGHT. TOMORROW'S
TIMES, POST, AND NEWS
805
00:30:35,935 --> 00:30:37,569
ARE ALL KEEPING THE SHOOTING
AT BROADWAY AND MARCY
806
00:30:37,569 --> 00:30:38,570
ON THE FRONT PAGE.
807
00:30:38,570 --> 00:30:39,872
WHAT'D YOU EXPECT?
808
00:30:39,872 --> 00:30:41,140
NOTHING SHORT
OF A TRIPLE AX MURDER
809
00:30:41,140 --> 00:30:42,541
IS GONNA TAKE IT OFF.
810
00:30:42,541 --> 00:30:44,944
LET'S JUST KEEP FEEDING
THE PRESS MORNING AND NIGHT.
811
00:30:44,944 --> 00:30:46,012
EMPHASIZE
THE ADMINISTRATION'S
812
00:30:46,012 --> 00:30:47,013
TOUGH STAND ON CRIME.
813
00:30:47,013 --> 00:30:48,814
WE HAD A 20% DROP
814
00:30:48,814 --> 00:30:49,815
IN HOMICIDES
AND STREET CRIME
815
00:30:49,815 --> 00:30:50,883
LAST YEAR ALONE.
816
00:30:50,883 --> 00:30:52,151
ALSO, STERN'S RECORD--
HARD-LINE.
817
00:30:52,151 --> 00:30:54,020
GOOD, KEVIN.
CORPORATION COUNSEL?
818
00:30:54,020 --> 00:30:56,088
WELL, WE'VE COMMISSIONED
A COMPARATIVE STUDY
819
00:30:56,088 --> 00:30:57,523
THAT WILL PROVE
THAT THIS CITY
820
00:30:57,523 --> 00:31:00,392
HAS THE TOUGHEST PROBATION
GUIDELINES IN THE COUNTRY.
821
00:31:00,392 --> 00:31:03,295
EXCELLENT. KEVIN, GET
COMMUNITY AFFAIRS INVOLVED.
822
00:31:03,295 --> 00:31:06,065
TELL PARKS CLEAN UP
THEIR PLAYGROUNDS.
823
00:31:06,065 --> 00:31:08,200
HOVER, NUDGE,
SHOW WE CARE,
824
00:31:08,200 --> 00:31:10,469
AND THEN WE GOT TO DO
SOMETHING CONCRETE--
825
00:31:10,469 --> 00:31:13,172
SOMETHING BIG,
SOMETHING IMPORTANT,
826
00:31:13,172 --> 00:31:15,341
SOMETHING THAT MEANS JOBS.
827
00:31:16,909 --> 00:31:18,610
THAT MEANS BUILDING
BANK EXCHANGE.
828
00:31:19,611 --> 00:31:22,048
I'M NOT GONNA LET
THESE SHOOTINGS INTERFERE
829
00:31:22,048 --> 00:31:24,050
WITH MY PROGRAM
FOR THE CITY.
830
00:31:24,050 --> 00:31:25,084
LESLIE,
I'M GOING TO SPEAK
831
00:31:25,084 --> 00:31:26,018
AT THE LITTLE BOY'S
FUNERAL--
832
00:31:26,018 --> 00:31:27,286
JAMES BONE'S FUNERAL.
833
00:31:27,286 --> 00:31:29,055
I THINK THAT'S A BLUEPRINT
FOR TROUBLE, SIR.
834
00:31:29,055 --> 00:31:30,322
I DON'T CARE.
835
00:31:30,322 --> 00:31:32,058
IT'S THE RIGHT THING
TO DO. I'M GONNA DO IT.
836
00:31:32,058 --> 00:31:33,592
I DON'T THINK YOU'LL BE
WELCOME THERE, MR. MAYOR.
837
00:31:33,592 --> 00:31:35,962
WELL, THEY GOT ME ANYWAY.
COME ON. LET'S GO TO WORK.
838
00:31:35,962 --> 00:31:37,529
COME ON.
ALL RIGHT.
839
00:31:37,529 --> 00:31:39,631
KEVIN, I NEED YOU.
840
00:31:46,038 --> 00:31:47,639
SO, WHAT HAPPENED?
841
00:31:49,241 --> 00:31:50,876
FRANK ANSELMO AND
HIS REAL-ESTATE CRONIES
842
00:31:50,876 --> 00:31:52,644
IS WHAT HAPPENED.
843
00:31:52,644 --> 00:31:53,779
THEY WANT THE SUBWAY STOP
844
00:31:53,779 --> 00:31:54,813
TO INCREASE THE VALUE
OF THEIR LAND
845
00:31:54,813 --> 00:31:56,182
ON THE CITY PROPERTY.
846
00:31:56,182 --> 00:31:57,416
THE PROPERTY
AROUND BANK EXCHANGE?
847
00:31:57,416 --> 00:31:58,417
YEAH.
848
00:31:58,417 --> 00:31:59,251
AND?
849
00:31:59,251 --> 00:32:00,652
ANSELMO SAID
NO SUBWAY STOP,
850
00:32:00,652 --> 00:32:01,687
NO BANK EXCHANGE.
851
00:32:01,687 --> 00:32:02,688
AND YOU SAID?
852
00:32:03,689 --> 00:32:04,690
OK.
853
00:32:06,125 --> 00:32:07,493
I THOUGHT WE COULD
KEEP ANSELMO
854
00:32:07,493 --> 00:32:08,360
ON THE BACK BURNER,
855
00:32:08,360 --> 00:32:10,162
BUT WE GOTTA HAVE
BANK EXCHANGE.
856
00:32:10,162 --> 00:32:11,430
WE NEED THOSE JOBS.
857
00:32:11,430 --> 00:32:12,798
WE NEED THAT MONEY GOING
INTO THE COMMUNITY.
858
00:32:12,798 --> 00:32:14,033
I UNDERSTAND.
859
00:32:14,033 --> 00:32:15,134
GIVEN THE SITUATION
OF BROADWAY AND MARCY,
860
00:32:15,134 --> 00:32:16,302
IT'S POLITICALLY EXPEDIENT.
861
00:32:16,302 --> 00:32:18,270
OH, TO HELL WITH
POLITICALLY EXPEDIENT.
862
00:32:18,270 --> 00:32:20,106
I'M TALKING ABOUT
A 60-STORY BUILDING
863
00:32:20,106 --> 00:32:22,008
THAT'S GOING TO EMPLOY
3,000 PEOPLE.
864
00:32:22,008 --> 00:32:23,309
IT'S GOING TO PUT
FOOD ON THE TABLE,
865
00:32:23,309 --> 00:32:24,643
ROOF OVERHEAD.
THAT'S WHAT COUNTS.
866
00:32:24,643 --> 00:32:27,546
THAT'S WHAT WE'RE ABOUT.
THAT'S BANK EXCHANGE.
867
00:32:27,546 --> 00:32:29,515
THAT'S ALL IT IS.
868
00:32:29,515 --> 00:32:31,450
I THOUGHT YOU SAID WE CAN'T
AFFORD A SUBWAY STOP.
869
00:32:35,087 --> 00:32:36,188
THAT'S GONNA TAKE
POLITICS.
870
00:32:36,188 --> 00:32:38,124
MORE THAN ONE WAY
TO SKIN A CAT.
871
00:32:38,124 --> 00:32:40,592
NOW GET IN THERE, KEEP
THAT STAFF FIRED UP.
872
00:32:40,592 --> 00:32:42,094
YOU'RE THE BOSS.
873
00:32:43,295 --> 00:32:45,431
KEVIN, WHAT ARE YOU
DOING TONIGHT?
874
00:32:47,099 --> 00:32:48,267
HADN'T THOUGHT ABOUT IT.
875
00:32:49,268 --> 00:32:50,602
YOU EVER SEE THE PLAY
CAROUSEL?
876
00:32:50,602 --> 00:32:52,004
THE MUSICAL?
877
00:32:52,004 --> 00:32:53,405
YOU SERIOUS?
878
00:32:53,405 --> 00:32:55,141
A LITTLE BIT
BEFORE MY TIME.
879
00:32:55,141 --> 00:32:56,508
IT'S GOOD.
YOU'RE GONNA LOVE IT.
880
00:32:56,508 --> 00:32:58,110
FRANK ANSELMO'S
GONNA BE THERE.
881
00:32:58,110 --> 00:32:59,711
I'M FREE.
882
00:33:00,946 --> 00:33:06,252
* BUT SOMEHOW I CAN SEE *
883
00:33:06,252 --> 00:33:08,854
* JUST EXACTLY *
884
00:33:08,854 --> 00:33:14,626
* HOW I'D BE *
885
00:33:15,661 --> 00:33:20,666
* IF I LOVED YOU *
886
00:33:20,666 --> 00:33:26,738
* TIME AND AGAIN
I WILL TRY TO SAY *
887
00:33:26,738 --> 00:33:31,277
* ALL I'D WANT YOU *
888
00:33:31,277 --> 00:33:37,749
* TO KNOW *
889
00:33:37,749 --> 00:33:42,754
* IF I LOVED YOU *
890
00:33:42,754 --> 00:33:48,127
* WORDS WOULDN'T COME
IN AN EASY WAY... *
891
00:33:48,927 --> 00:33:50,329
GEORGE.
892
00:33:50,329 --> 00:33:52,064
FRANK ANSELMO'S
SITTING IN THERE.
893
00:33:52,064 --> 00:33:53,465
TELL HIM TO COME UP.
894
00:33:53,465 --> 00:33:54,800
I WANT TO SEE HIM RIGHT NOW
IN THE LOBBY, OK?
895
00:33:58,270 --> 00:34:02,341
* LONGING TO TELL YOU *
896
00:34:02,341 --> 00:34:07,946
* BUT AFRAID AND SHY *
897
00:34:07,946 --> 00:34:12,818
* I'VE LET
MY GOLDEN CHANCES *
898
00:34:12,818 --> 00:34:14,052
* PASS ME... *
899
00:34:14,052 --> 00:34:17,055
JUST LISTEN TO ME
FOR A MINUTE.
900
00:34:17,055 --> 00:34:18,657
THANK YOU.
901
00:34:24,630 --> 00:34:26,832
WAIT. LET ME
GET BACK TO YOU, OK?
902
00:34:31,237 --> 00:34:32,371
WE'RE MISSING
THE BEST PART.
903
00:34:32,371 --> 00:34:34,106
WELL, YOU KNOW IT
BY HEART, ANYWAY.
904
00:34:34,106 --> 00:34:35,607
I SAW YOU
LIP-SYNCHING WITH IT.
905
00:34:35,607 --> 00:34:36,875
WELL, LUCKY I DO.
906
00:34:36,875 --> 00:34:38,277
I COULDN'T HEAR
ALL THE WORDS.
907
00:34:38,277 --> 00:34:40,179
I MEAN, I DON'T KNOW
IF IT'S MY OLD EARS
908
00:34:40,179 --> 00:34:41,980
OR THE SUBWAY
RUNNING UNDERNEATH.
909
00:34:41,980 --> 00:34:44,049
DID YOU LIKE
THE BILLY BIGELOW?
910
00:34:44,049 --> 00:34:45,517
HE'S GOOD.
UH, GOOD VOICE.
911
00:34:45,517 --> 00:34:46,452
YEAH.
912
00:34:46,452 --> 00:34:48,053
WHAT'D YOU THINK
OF THE JULIE JORDAN?
913
00:34:48,053 --> 00:34:49,455
GOOD ACT. NO VOICE.
914
00:34:49,455 --> 00:34:51,323
MY NETTIE
COULD SING BETTER.
915
00:34:51,323 --> 00:34:53,459
WE MET 25 YEARS AGO
WESTBURY MUSIC THING.
916
00:34:53,459 --> 00:34:54,926
I HEARD ABOUT THAT.
YEAH?
917
00:34:54,926 --> 00:34:56,462
SPEAKING OF
PERFORMANCES, FRANK,
918
00:34:56,462 --> 00:34:58,497
I DON'T WANT TO HEAR
ABOUT ANOTHER ONE
919
00:34:58,497 --> 00:35:00,332
LIKE THAT ONE
YOU GAVE THIS MORNING.
920
00:35:00,332 --> 00:35:01,433
YOUR BOY EMBARRASSED ME.
921
00:35:01,433 --> 00:35:02,901
YOU'RE GONNA HAVE
TO LIVE WITH IT.
922
00:35:02,901 --> 00:35:03,902
WHY?
923
00:35:03,902 --> 00:35:04,903
BECAUSE HE'S MY BOY.
924
00:35:04,903 --> 00:35:06,605
OHH. IS THAT IT?
925
00:35:06,605 --> 00:35:09,808
THERE'S OIL UNDER
THAT VACANT LOT, FRANK.
926
00:35:09,808 --> 00:35:11,210
JOBS.
927
00:35:17,082 --> 00:35:20,085
YOU DON'T NEED
TO POLITIC ME.
928
00:35:20,085 --> 00:35:22,087
I RUN KINGS COUNTY.
929
00:35:22,087 --> 00:35:24,423
JOBS FOR PEOPLE
OF THIS CITY, FRANK,
930
00:35:24,423 --> 00:35:26,492
NOT LEASES FOR LENNY LASKER,
MURRAY SAFIRE,
931
00:35:26,492 --> 00:35:27,959
AND ALL YOUR GREEDY PALS.
932
00:35:27,959 --> 00:35:29,428
WHAT'S HAPPENED
TO YOU, JOHN, HUH?
933
00:35:29,428 --> 00:35:31,363
JUST BECAUSE THIS KID THINKS
HE CAN ELECT YOU PRESIDENT,
934
00:35:31,363 --> 00:35:32,831
YOU'RE GONNA FORGET
WHO GOT YOU HERE?
935
00:35:32,831 --> 00:35:34,333
I DON'T FORGET ANYTHING.
YOU'RE DEVELOPING
936
00:35:34,333 --> 00:35:36,368
A SHORT MEMORY, FRANK,
OR A VERY SELECTIVE ONE.
937
00:35:36,368 --> 00:35:38,704
YOU WANT ME
TO REFRESH IT FOR YOU?
938
00:35:40,639 --> 00:35:41,740
I'M SORRY, JOHN.
939
00:35:41,740 --> 00:35:44,443
FRANK, HERE IT IS...
940
00:35:44,443 --> 00:35:46,445
THE OFF-RAMP
COSTS ME 5 MILLION.
941
00:35:46,445 --> 00:35:48,580
ANOTHER 35 MILLION
FOR THE SUBWAY STOP.
942
00:35:48,580 --> 00:35:50,582
NOW, YOU'RE GONNA GET
3 1/2 FROM ME.
943
00:35:50,582 --> 00:35:52,284
THE REST,
I GOTTA GO BEG ALBANY.
944
00:35:52,284 --> 00:35:54,920
NOW, I GOT BETTER THINGS
TO BEG FOR FROM ALBANY.
945
00:35:56,788 --> 00:35:58,790
I GOT A SOLUTION.
946
00:36:02,328 --> 00:36:04,330
HOW ABOUT A SPUR
OFF THE--
947
00:36:04,330 --> 00:36:06,198
A SPUR?
WHAT, ARE YOU CRAZY?
948
00:36:06,198 --> 00:36:10,302
A SPUR IS 120 MILLION
A TRACK MILE.
949
00:36:12,471 --> 00:36:15,207
BANK EXCHANGE
IS GOOD FOR THE POOR.
950
00:36:15,207 --> 00:36:16,608
IT'S GOOD
FOR THE JOBLESS.
951
00:36:16,608 --> 00:36:18,810
IT'S GOOD FOR
THE WHOLE GODDAMN CITY.
952
00:36:18,810 --> 00:36:20,212
AS FOR SUBWAY STOPS,
953
00:36:20,212 --> 00:36:21,947
INFRASTRUCTURE,
OFF-RAMPS--
954
00:36:21,947 --> 00:36:23,615
WE CAN'T AFFORD IT.
955
00:36:23,615 --> 00:36:26,818
WELL, THEN YOU'RE GONNA HAVE
TO FORGET THE WHOLE THING.
956
00:36:26,818 --> 00:36:28,620
[APPLAUSE AND CHEERING]
957
00:36:28,620 --> 00:36:30,489
I LOVE THE SECOND-ACT
OPENING.
958
00:36:30,489 --> 00:36:32,624
GOOD. THEN YOU'RE NOT
GONNA WANT TO MISS IT.
959
00:36:32,624 --> 00:36:35,427
THIS WAS
A REAL NICE CLAMBAKE.
960
00:36:37,629 --> 00:36:40,866
I'M BUILDING UP
MY I.O.U.s WITH ALBANY.
961
00:36:40,866 --> 00:36:42,234
NEXT YEAR,
THE GOVERNOR'S
962
00:36:42,234 --> 00:36:44,270
GONNA HAVE TO STEP UP
WITH A NEW SUBWAY STOP,
963
00:36:44,270 --> 00:36:46,872
OR I WON'T SUPPORT HIM
FOR REELECTION.
964
00:36:46,872 --> 00:36:48,240
AND THE OFF-RAMP?
965
00:36:48,240 --> 00:36:49,408
NEXT YEAR.
966
00:36:49,408 --> 00:36:51,142
IT'S ALREADY FACTORED
INTO MY BUDGET.
967
00:36:51,142 --> 00:36:52,811
NEXT YEAR
IS TOO FAR AWAY.
968
00:36:52,811 --> 00:36:55,881
YOU'RE ONLY A BOSS, FRANK.
I'M THE FUCKING MAYOR.
969
00:36:55,881 --> 00:36:57,883
MAYORS RULE.
970
00:36:57,883 --> 00:36:59,885
BANK EXCHANGE.
971
00:36:59,885 --> 00:37:01,487
MY WAY OR THE HIGHWAY.
972
00:37:02,421 --> 00:37:04,155
WHY DO I GET
THE FEELING
973
00:37:04,155 --> 00:37:05,891
YOU'RE GETTING
THE BIGGER HALF?
974
00:37:05,891 --> 00:37:07,293
LET ME ASK YOU
SOMETHING.
975
00:37:07,293 --> 00:37:08,327
MM-HMM.
976
00:37:08,327 --> 00:37:09,695
IF I'D HAVE
OFFERED YOU LESS,
977
00:37:09,695 --> 00:37:11,897
WOULD YOU HAVE BEEN
POLITE AND TAKEN IT?
978
00:37:13,299 --> 00:37:14,400
OF COURSE.
979
00:37:14,400 --> 00:37:16,502
WELL, THEN YOU GOT
WHAT YOU WANTED.
980
00:37:23,709 --> 00:37:25,911
[SOFTLY SINGING
A REAL NICE CLAMBAKE]
981
00:37:30,282 --> 00:37:31,717
OH, YEAH...
982
00:37:31,717 --> 00:37:32,918
I LIKE TO KISS
THE PRETTY ONES.
983
00:37:32,918 --> 00:37:34,720
OOH,
THERE'S ANOTHER ONE.
984
00:37:34,720 --> 00:37:37,323
NICE TO SEE YOU.
GOOD LUCK, STEVE.
985
00:37:37,323 --> 00:37:38,724
KEVIN!
986
00:37:41,993 --> 00:37:43,395
YOU GOT
BANK EXCHANGE.
987
00:37:43,395 --> 00:37:44,663
HOW DID YOU KNOW?
988
00:37:44,663 --> 00:37:46,398
I SAW THE KISS.
I SAW THE SMILE.
989
00:37:46,398 --> 00:37:47,766
HOW'D
YOU GET IT?
990
00:37:47,766 --> 00:37:49,034
I DIDN'T SAY NO.
991
00:37:49,034 --> 00:37:50,802
BUT THAT'S A NO. HE'S GONNA
TAKE A BATH ON THOSE LEASES.
992
00:37:50,802 --> 00:37:52,804
NO, NO. JUST GONNA TAKE
HIM A LITTLE LONGER.
993
00:37:52,804 --> 00:37:54,406
SOMETHING FOR HIM,
SOMETHING FOR ME.
994
00:37:54,406 --> 00:37:55,441
MORE FOR YOU?
995
00:37:55,441 --> 00:37:56,408
NO, NO, NO.
MORE FOR THE CITY.
996
00:37:56,408 --> 00:37:57,743
HEY. CIGAR.
997
00:37:57,743 --> 00:37:59,311
WHAT ARE YOU DOING,
SNEAKING A DRINK FOR SYDNEY?
998
00:37:59,311 --> 00:38:01,413
I WAS.
NOW THEY'RE BOTH FOR ME.
999
00:38:01,413 --> 00:38:03,081
HELPS FRANK ANSELMO
GO DOWN.
1000
00:38:03,081 --> 00:38:06,217
OFF-RAMP AND A SUBWAY STOP
ALREADY BUDGETED FOR.
1001
00:38:06,217 --> 00:38:08,086
YEAH, BUT I'M LEFT
HOLDING THE BAG.
1002
00:38:08,086 --> 00:38:09,621
WHAT ARE YOU
COMPLAINING ABOUT?
1003
00:38:09,621 --> 00:38:11,222
THE BAG'S
FULL OF CASH.
1004
00:38:11,222 --> 00:38:12,491
MINUS A YEAR.
1005
00:38:12,491 --> 00:38:14,192
YOU CAN WEATHER
THE YEAR, LENNY.
1006
00:38:14,192 --> 00:38:15,461
YOU CAN WEATHER 100 YEARS.
1007
00:38:15,461 --> 00:38:16,495
I'VE GOT PARTNERS.
1008
00:38:16,495 --> 00:38:17,596
WHAT ARE YOU
TALKING ABOUT?
1009
00:38:17,596 --> 00:38:18,764
YOU'RE MY PARTNERS.
1010
00:38:18,764 --> 00:38:20,666
YOU'RE HOLDING
SO MANY OPTIONS ON LAND
1011
00:38:20,666 --> 00:38:22,634
IN THIS TOWN THAT YOU
COULD BUY BROOKLYN.
1012
00:38:22,634 --> 00:38:25,704
YEAH, YOU COULD PROBABLY
BUY STATEN ISLAND, TOO.
1013
00:38:25,704 --> 00:38:29,107
LENNY, WOULD YOU
EXCUSE US, PLEASE?
1014
00:38:29,107 --> 00:38:30,141
OF COURSE.
1015
00:38:30,141 --> 00:38:32,378
I GOT AN APPOINTMENT,
ANYWAY.
1016
00:38:32,378 --> 00:38:33,445
GOOD.
1017
00:38:33,445 --> 00:38:35,847
THEN IT WORKS OUT
NICELY. YEAH.
1018
00:38:37,716 --> 00:38:39,317
HE'S SO...
1019
00:38:41,553 --> 00:38:44,289
YOU'RE SURE NOW
BANK EXCHANGE IS ALL SET?
1020
00:38:44,289 --> 00:38:46,458
WE GOT EVERYTHING
WE WANTED.
1021
00:38:47,292 --> 00:38:49,294
THEN YOU CAN GET
SOMETHING ELSE FOR ME.
1022
00:38:49,294 --> 00:38:50,295
WHAT'S THAT?
1023
00:38:50,295 --> 00:38:52,063
MY NAME
OUT OF THE PAPERS.
1024
00:38:52,063 --> 00:38:53,465
HOW?
1025
00:38:53,465 --> 00:38:55,467
WITH $40,000.
1026
00:38:55,467 --> 00:38:58,136
WHAT AM I GONNA DO
WITH $40,000?
1027
00:38:58,136 --> 00:39:00,539
LET ME ASK YOU A QUESTION.
1028
00:39:00,539 --> 00:39:03,442
YOU EVER HEARD OF A COP
WITH $40,000?
1029
00:39:05,310 --> 00:39:06,912
YEAH.
1030
00:39:07,913 --> 00:39:09,147
WHO WASN'T CROOKED?
1031
00:39:09,147 --> 00:39:10,716
NO.
1032
00:39:10,716 --> 00:39:15,654
A COP WITH $40,000
WOULD MAKE BIG HEADLINES.
1033
00:39:18,457 --> 00:39:20,358
SAY HELLO TO NETTIE FOR ME,
WILL YOU, FRANK?
1034
00:39:20,358 --> 00:39:21,359
I WILL, PAUL.
1035
00:39:21,359 --> 00:39:23,194
OK.
1036
00:39:23,194 --> 00:39:24,329
TAKE CARE.
1037
00:39:24,329 --> 00:39:26,064
ALL RIGHT.
1038
00:39:26,064 --> 00:39:27,065
OH, PAULIE.
1039
00:39:27,065 --> 00:39:28,734
HMM?
1040
00:39:28,734 --> 00:39:31,403
THAT'S FOR
THE DEAD COP.
1041
00:39:45,817 --> 00:39:48,019
[CHOIR SINGING
GOSPEL HYMNAL]
1042
00:40:00,165 --> 00:40:02,367
* ...BOOK IS OPEN *
1043
00:40:02,367 --> 00:40:04,369
* WHAT THEN? *
1044
00:40:04,369 --> 00:40:05,971
* WHAT THEN? *
1045
00:40:05,971 --> 00:40:07,105
* WHAT THEN? *
1046
00:40:07,105 --> 00:40:09,240
* AND THE WORLD *
1047
00:40:09,240 --> 00:40:11,342
* THAT REJECTED *
1048
00:40:11,342 --> 00:40:15,146
* ITS SAVIOR *
1049
00:40:15,146 --> 00:40:17,449
* WILL HAVE... *
1050
00:40:18,517 --> 00:40:20,986
REVEREND CHAPMAN
WILL INTRODUCE ME?
1051
00:40:20,986 --> 00:40:22,988
WITH ONE SENTENCE.
1052
00:40:22,988 --> 00:40:24,389
AND THEN WHAT?
1053
00:40:24,389 --> 00:40:25,657
WE GET OUT OF HERE.
1054
00:40:25,657 --> 00:40:26,992
AND WHICH WAY IS THAT?
1055
00:40:26,992 --> 00:40:27,993
SIDE DOOR.
1056
00:40:27,993 --> 00:40:30,261
NO, NO. WE'RE GOING
OUT THE FRONT DOOR.
1057
00:40:30,261 --> 00:40:31,997
IS THAT A GOOD IDEA?
1058
00:40:31,997 --> 00:40:33,398
INTEL'S OUT THERE NOW,
1059
00:40:33,398 --> 00:40:35,501
AND THEY SAY THAT PEOPLE
ARE NOT HAPPY.
1060
00:40:35,501 --> 00:40:39,871
* WHAT THEN? *
1061
00:40:39,871 --> 00:40:41,072
SISTERS...
1062
00:40:41,072 --> 00:40:42,608
BRETHREN...
1063
00:40:42,608 --> 00:40:44,743
THE MAYOR OF THE CITY
OF NEW YORK,
1064
00:40:44,743 --> 00:40:47,813
THE HONORABLE JOHN PAPPAS.
1065
00:40:51,082 --> 00:40:52,684
THANK YOU, REVEREND.
1066
00:41:07,766 --> 00:41:10,569
I WAS WARNED
NOT TO COME HERE.
1067
00:41:11,503 --> 00:41:13,104
I WAS WARNED.
1068
00:41:13,104 --> 00:41:14,840
THEY WARNED ME...
1069
00:41:15,641 --> 00:41:18,577
DON'T STAND
BEHIND THAT COFFIN.
1070
00:41:19,511 --> 00:41:23,181
BUT WHY SHOULD I HEED
SUCH A WARNING...
1071
00:41:24,916 --> 00:41:28,119
WHEN A HEARTBEAT
IS SILENT...
1072
00:41:28,119 --> 00:41:31,122
AND A CHILD LIES DEAD?
1073
00:41:32,524 --> 00:41:36,127
DON'T STAND
BEHIND THIS COFFIN.
1074
00:41:38,797 --> 00:41:42,200
THAT BOY WAS AS PURE
AND AS INNOCENT
1075
00:41:42,200 --> 00:41:44,670
AS THE DRIVEN SNOW.
1076
00:41:45,737 --> 00:41:47,739
BUT I MUST STAND HERE,
1077
00:41:47,739 --> 00:41:51,342
BECAUSE I HAVE NOT GIVEN YOU
WHAT YOU SHOULD HAVE.
1078
00:41:51,342 --> 00:41:56,147
UNTIL WE CAN WALK ABROAD
AND RECREATE OURSELVES,
1079
00:41:56,147 --> 00:42:00,218
UNTIL WE CAN STROLL ALONG
THE STREETS LIKE BOULEVARDS,
1080
00:42:00,218 --> 00:42:02,487
CONGREGATE IN PARKS
1081
00:42:02,487 --> 00:42:04,089
FREE FROM FEAR,
1082
00:42:04,089 --> 00:42:05,891
OUR FAMILIES MINGLING,
1083
00:42:05,891 --> 00:42:08,493
OUR CHILDREN LAUGHING,
OUR HEARTS JOINED,
1084
00:42:08,493 --> 00:42:10,696
UNTIL THAT DAY,
WE HAVE NO CITY.
1085
00:42:10,696 --> 00:42:15,200
YOU CAN LABEL ME A FAILURE
UNTIL THAT DAY.
1086
00:42:16,034 --> 00:42:19,237
THE FIRST AND PERHAPS
ONLY GREAT MAYOR
1087
00:42:19,237 --> 00:42:21,239
WAS GREEK.
1088
00:42:21,239 --> 00:42:23,041
HE WAS
PERICLES OF ATHENS,
1089
00:42:23,041 --> 00:42:25,644
AND HE LIVED
SOME 2,500 YEARS AGO,
1090
00:42:25,644 --> 00:42:27,779
AND HE SAID...
1091
00:42:27,779 --> 00:42:31,249
"ALL THINGS GOOD
OF THIS EARTH
1092
00:42:31,249 --> 00:42:33,251
FLOW INTO THE CITY..."
1093
00:42:33,251 --> 00:42:34,152
AMEN.
AMEN.
1094
00:42:34,152 --> 00:42:37,255
"BECAUSE
OF THE CITY'S GREATNESS."
1095
00:42:37,255 --> 00:42:40,892
WELL, WE WERE GREAT ONCE.
1096
00:42:42,293 --> 00:42:44,129
CAN WE NOT BE GREAT AGAIN?
1097
00:42:44,129 --> 00:42:45,530
YES, WE CAN.
YES.
1098
00:42:45,530 --> 00:42:49,300
NOW, I PUT THAT QUESTION
TO JAMES BONE,
1099
00:42:49,300 --> 00:42:51,069
AND THERE'S ONLY SILENCE.
1100
00:42:53,571 --> 00:42:54,973
YET...
1101
00:42:54,973 --> 00:43:00,178
COULD NOT SOMETHING PASS
FROM THIS SWEET YOUTH TO ME?
1102
00:43:00,178 --> 00:43:02,580
COULD HE NOT EMPOWER ME
1103
00:43:02,580 --> 00:43:04,816
TO FIND IN MYSELF
1104
00:43:04,816 --> 00:43:07,318
THE STRENGTH...
1105
00:43:07,318 --> 00:43:09,721
TO HAVE THE KNOWLEDGE,
1106
00:43:09,721 --> 00:43:12,724
TO SUMMON UP THE COURAGE
1107
00:43:12,724 --> 00:43:16,461
TO ACCOMPLISH THIS SEEMINGLY
INSURMOUNTABLE TASK
1108
00:43:16,461 --> 00:43:19,297
OF MAKING A CITY LIVABLE?
1109
00:43:19,297 --> 00:43:21,032
JUST LIVABLE.
1110
00:43:21,032 --> 00:43:22,233
YES.
YES.
1111
00:43:22,233 --> 00:43:24,235
THERE WAS A PALACE
1112
00:43:24,235 --> 00:43:25,737
THAT WAS A CITY.
1113
00:43:25,737 --> 00:43:27,739
IT WAS A PALACE!
1114
00:43:27,739 --> 00:43:29,474
IT WAS A PALACE,
1115
00:43:29,474 --> 00:43:32,143
AND IT CAN BE
A PALACE AGAIN!
1116
00:43:32,143 --> 00:43:36,147
A PALACE IN WHICH
THERE IS NO KING OR QUEEN
1117
00:43:36,147 --> 00:43:38,349
OR DUKES OR EARLS
OR PRINCES,
1118
00:43:38,349 --> 00:43:39,985
BUT SUBJECTS ALL,
1119
00:43:39,985 --> 00:43:42,420
SUBJECTS BEHOLDEN
TO EACH OTHER
1120
00:43:42,420 --> 00:43:44,956
TO MAKE
A BETTER PLACE TO LIVE.
1121
00:43:44,956 --> 00:43:46,557
IS THAT
TOO MUCH TO ASK?
1122
00:43:46,557 --> 00:43:47,625
NO!
NO!
1123
00:43:47,625 --> 00:43:49,427
ARE WE ASKING TOO MUCH
FROM THAT?
1124
00:43:49,427 --> 00:43:51,029
IS IT BEYOND
OUR REACH?
1125
00:43:51,029 --> 00:43:51,830
NO!
NO!
1126
00:43:51,830 --> 00:43:53,431
BECAUSE IF IT IS,
1127
00:43:53,431 --> 00:43:55,566
THEN WE ARE NOTHING
BUT SHEEP
1128
00:43:55,566 --> 00:43:59,871
BEING HERDED
TO THE FINAL SLAUGHTERHOUSE!
1129
00:43:59,871 --> 00:44:03,574
I WILL NOT GO DOWN
THAT WAY!
1130
00:44:03,574 --> 00:44:04,843
RIGHT ON!
RIGHT!
1131
00:44:04,843 --> 00:44:07,578
I CHOOSE TO FIGHT BACK!
1132
00:44:07,578 --> 00:44:08,579
RIGHT!
AMEN!
1133
00:44:08,579 --> 00:44:09,614
THAT'S RIGHT!
1134
00:44:09,614 --> 00:44:11,983
I CHOOSE TO RISE, NOT FALL!
1135
00:44:11,983 --> 00:44:13,584
AMEN!
THAT'S RIGHT!
1136
00:44:13,584 --> 00:44:16,054
I CHOOSE TO LIVE, NOT DIE!
1137
00:44:16,054 --> 00:44:17,455
AND I KNOW--
1138
00:44:17,455 --> 00:44:19,858
I KNOW
THAT WHAT'S WITHIN ME
1139
00:44:19,858 --> 00:44:22,460
IS ALSO WITHIN YOU!
1140
00:44:22,460 --> 00:44:23,862
AMEN.
AMEN!
1141
00:44:23,862 --> 00:44:27,065
THAT'S WHY
I ASK YOU NOW...
1142
00:44:27,465 --> 00:44:28,934
TO JOIN ME.
1143
00:44:29,735 --> 00:44:31,336
JOIN ME.
1144
00:44:32,603 --> 00:44:34,339
RISE UP WITH ME.
1145
00:44:34,339 --> 00:44:35,340
AMEN.
AMEN.
1146
00:44:35,340 --> 00:44:37,608
RISE UP ON THE WINGS
1147
00:44:37,608 --> 00:44:39,510
OF THIS SLAIN ANGEL!
1148
00:44:39,510 --> 00:44:40,879
AMEN.
AMEN.
1149
00:44:40,879 --> 00:44:44,249
WE'LL REBUILD ON THE SOUL
OF THIS LITTLE WARRIOR.
1150
00:44:44,249 --> 00:44:45,183
AMEN!
AMEN!
1151
00:44:45,183 --> 00:44:47,252
WE WILL PICK UP
HIS STANDARD
1152
00:44:47,252 --> 00:44:48,787
AND RAISE IT HIGH!
1153
00:44:48,787 --> 00:44:50,255
YES!
AMEN!
1154
00:44:50,255 --> 00:44:52,257
CARRY IT FORWARD
1155
00:44:52,257 --> 00:44:54,392
UNTIL THIS CITY...
1156
00:44:54,392 --> 00:44:56,361
YOUR CITY...
1157
00:44:56,361 --> 00:44:58,263
OUR CITY...
1158
00:44:58,263 --> 00:45:00,265
HIS CITY...
1159
00:45:00,265 --> 00:45:02,400
IS A PALACE AGAIN!
1160
00:45:02,400 --> 00:45:05,003
IS A PALACE AGAIN!
1161
00:45:11,676 --> 00:45:14,012
I AM WITH YOU,
LITTLE JAMES.
1162
00:45:16,547 --> 00:45:18,149
I AM YOU.
1163
00:45:26,424 --> 00:45:28,159
[KISSES]
1164
00:45:34,699 --> 00:45:36,868
[ORGAN MUSIC BEGINS]
1165
00:45:36,868 --> 00:45:39,838
Rev. Chapman: THANK YOU
VERY MUCH, MR. MAYOR.
1166
00:45:39,838 --> 00:45:41,840
[GOSPEL CHOIR BEGINS SINGING]
1167
00:45:41,840 --> 00:45:43,641
GOD BLESS YOU,
MR. MAYOR.
1168
00:45:43,641 --> 00:45:45,376
GOD BLESS YOU, TOO.
1169
00:45:45,376 --> 00:45:47,112
THANK YOU
SO MUCH.
1170
00:45:48,179 --> 00:45:50,115
GREAT SPEECH,
MR. MAYOR.
1171
00:46:15,941 --> 00:46:18,409
TERRIBLE THING,
TO BURY A CHILD.
1172
00:46:29,821 --> 00:46:31,489
YOUR TRIP TO WASHINGTON.
1173
00:46:31,489 --> 00:46:33,825
THE STUFF FOR
THE CONVENTION COMMITTEE.
1174
00:46:33,825 --> 00:46:36,094
HISTORY OF NEW YORK CITY
FOR SENATOR MARQUAND.
1175
00:46:36,094 --> 00:46:37,829
RESERVATION
AT THE WILLARD HOTEL.
1176
00:46:37,829 --> 00:46:39,764
LINCOLN STAYED THERE,
BY THE WAY.
1177
00:46:39,764 --> 00:46:41,566
ENOUGH ABOUT ME.
ENOUGH ABOUT ME.
1178
00:46:41,566 --> 00:46:44,302
WHAT ARE YOU GONNA DO
TONIGHT AFTER I'M GONE?
1179
00:46:44,302 --> 00:46:46,905
ME? I DON'T KNOW.
I HADN'T THOUGHT ABOUT IT.
1180
00:46:46,905 --> 00:46:49,307
WELL, YOU'RE GOING TO
GET YOURSELF A GOOD MEAL,
1181
00:46:49,307 --> 00:46:52,310
YOU'RE GOING TO PASS UP
THAT DOUBLE-CHEESEBURGER
1182
00:46:52,310 --> 00:46:54,913
FROM ROY ROGERS,
WHEREVER IT IS YOU GO,
1183
00:46:54,913 --> 00:46:56,314
AND YOU'RE GONNA GO
TO DOMINICK'S,
1184
00:46:56,314 --> 00:46:58,917
AND YOU'RE GONNA
GET TAKE-OUT ON ME.
1185
00:46:58,917 --> 00:47:00,651
GET A DECENT MEAL THERE.
1186
00:47:00,651 --> 00:47:02,053
BUT BEFORE YOU GO
TO DOMINICK'S,
1187
00:47:02,053 --> 00:47:03,922
I WANT YOU
TO GO TO MACY'S
1188
00:47:03,922 --> 00:47:06,524
AND GET A CHAIR
WITH LEGS AND ARMS.
1189
00:47:06,524 --> 00:47:08,726
THAT APARTMENT OF YOURS...
1190
00:47:08,726 --> 00:47:11,362
LOOKS LIKE SOMETHING THAT
BELONGS IN A HOMELESS FILE.
1191
00:47:12,230 --> 00:47:15,066
OH, THEN IT'S OFF
TO CRATE & BARREL
1192
00:47:15,066 --> 00:47:18,336
FOR A KNIFE, A FORK,
A SPOON...
1193
00:47:18,336 --> 00:47:20,071
OH, AND A GLASS
WHILE YOU'RE AT IT.
1194
00:47:20,071 --> 00:47:21,639
THEN I'D HAVE TO GET
A DISHWASHER.
1195
00:47:21,639 --> 00:47:22,941
YOU DON'T HAVE
TO WASH THEM.
1196
00:47:22,941 --> 00:47:24,943
JUST THROW THEM OUT
AFTER YOU FINISH EATING.
1197
00:47:24,943 --> 00:47:26,544
IT'S ON ME.
1198
00:47:26,544 --> 00:47:28,880
GET A LIFE.
1199
00:47:28,880 --> 00:47:31,149
I'VE GOT YOURS.
IT'S QUITE ENOUGH.
1200
00:47:33,051 --> 00:47:34,452
YOU READ THIS?
1201
00:47:34,452 --> 00:47:36,054
TODAY'S
TIMES EDITORIAL.
1202
00:47:36,054 --> 00:47:37,388
"JUDGE OR BE JUDGED."
1203
00:47:37,388 --> 00:47:38,556
YES.
1204
00:47:38,556 --> 00:47:39,991
"...NOT WITHSTANDING
1205
00:47:39,991 --> 00:47:41,726
"JUDGE STERN'S
DISTINGUISHED RECORD,
1206
00:47:41,726 --> 00:47:43,261
"ONE MUST ASK
THE QUESTION,
1207
00:47:43,261 --> 00:47:44,529
WOULD HE BE
ON THE BENCH
1208
00:47:44,529 --> 00:47:46,131
IN HE WERE NOT
A FORMER LAW PARTNER
1209
00:47:46,131 --> 00:47:47,165
OF THE MAYOR'S?"
1210
00:47:47,165 --> 00:47:49,000
OH. I DIDN'T APPOINT HIM.
1211
00:47:49,000 --> 00:47:51,136
HE WAS NOMINATED
LIKE EVERYBODY ELSE.
1212
00:47:51,136 --> 00:47:52,403
SURE, BUT EVERYBODY KNOWS
1213
00:47:52,403 --> 00:47:54,005
THE PARTY ARRANGES
THE NOMINATION OF JUDGES.
1214
00:47:54,005 --> 00:47:56,141
HEY, WHOSE SIDE
ARE YOU ON?
1215
00:47:56,141 --> 00:47:58,009
I'M ON YOURS,
AND I ALWAYS WILL BE,
1216
00:47:58,009 --> 00:47:59,610
BUT I SMELL
A HANGING PARTY.
1217
00:48:01,246 --> 00:48:02,914
I THINK WE SHOULD PUT
A LITTLE BIT OF DISTANCE
1218
00:48:02,914 --> 00:48:04,916
BETWEEN OURSELVES
AND WALTER STERN.
1219
00:48:04,916 --> 00:48:06,517
DISTANCE IS SHIT.
1220
00:48:06,517 --> 00:48:08,153
DISTANCE.
1221
00:48:08,153 --> 00:48:10,388
DISTANCE IS SOMETHING
YOU DO TO YOUR ENEMIES.
1222
00:48:10,388 --> 00:48:12,690
IT'S A THING OF THE NINETIES
TO MAKE FRIENDS EXTINCT.
1223
00:48:12,690 --> 00:48:15,994
DISTANCE IS THE ABSENCE
OF MENSCHKEIT.
1224
00:48:17,028 --> 00:48:18,429
TRANSLATE THAT FOR ME.
1225
00:48:18,429 --> 00:48:20,631
YOU DON'T KNOW
WHAT MENSCHKEIT MEANS?
1226
00:48:20,631 --> 00:48:22,367
NO, I DON'T.
1227
00:48:22,367 --> 00:48:23,434
MENSCHKEIT.
1228
00:48:23,434 --> 00:48:25,903
YOU KNOW,
SOMETHING BETWEEN MEN.
1229
00:48:25,903 --> 00:48:28,373
IT'S ABOUT HONOR,
CHARACTER.
1230
00:48:29,774 --> 00:48:31,042
UNTRANSLATABLE.
1231
00:48:31,042 --> 00:48:32,443
THAT'S WHY
IT'S YIDDISH.
1232
00:48:32,443 --> 00:48:34,645
I DIDN'T KNOW YOU'D
TAKEN UP THE LANGUAGE.
1233
00:48:34,645 --> 00:48:35,913
ABE LAID IT ON ME.
1234
00:48:35,913 --> 00:48:37,048
ABE.
1235
00:48:37,048 --> 00:48:38,649
ABE'S A GOOD MAN.
1236
00:48:38,649 --> 00:48:40,851
YOU'RE A GOOD MAN,
PAPPY.
1237
00:48:40,851 --> 00:48:44,122
UNDERNEATH
THAT LOUISIANA CANE SYRUP,
1238
00:48:44,122 --> 00:48:46,124
PLAIN RED DIRT.
1239
00:48:46,124 --> 00:48:48,726
NOT ALL THAT DIFFERENT
FROM THE PAVEMENTS OF ASTORIA
1240
00:48:48,726 --> 00:48:50,128
WHERE I'M FROM.
1241
00:48:50,128 --> 00:48:52,130
YOU AND ME...
1242
00:48:52,130 --> 00:48:54,632
WE'RE STICKING BY
JUDGE WALTER STERN.
1243
00:48:55,566 --> 00:48:57,969
[BAGPIPES PLAYING
AMAZING GRACE]
1244
00:49:12,883 --> 00:49:15,620
MAN, THOU ART DUST,
1245
00:49:15,620 --> 00:49:17,155
AND TO DUST...
1246
00:49:17,155 --> 00:49:19,324
THOU SHALT RETURN.
1247
00:49:42,713 --> 00:49:45,316
MRS. SANTOS, IF THERE'S
ANYTHING I CAN DO,
1248
00:49:45,316 --> 00:49:46,917
PLEASE FEEL FREE
TO CALL.
1249
00:49:46,917 --> 00:49:48,053
THANKS FOR THE WORDS.
1250
00:49:48,053 --> 00:49:49,454
IT'S THE LEAST
WE CAN DO.
1251
00:49:49,454 --> 00:49:50,921
GOOD MORNING.
WHERE'S THE MAYOR?
1252
00:49:50,921 --> 00:49:52,357
HE HAD TO GO TO WASHINGTON
1253
00:49:52,357 --> 00:49:53,624
THIS MORNING
ON CONVENTION BUSINESS.
1254
00:49:53,624 --> 00:49:55,226
A DETECTIVE KILLED
IN THE LINE OF DUTY
1255
00:49:55,226 --> 00:49:56,827
RATES AN INSPECTOR'S
FUNERAL,
1256
00:49:56,827 --> 00:49:58,196
AND THAT INCLUDES
THE MAYOR.
1257
00:49:58,196 --> 00:49:59,397
LET ME ASSURE YOU
1258
00:49:59,397 --> 00:50:00,731
THE MAYOR'S ABSENCE
IN NO WAY DIMINISHES
1259
00:50:00,731 --> 00:50:02,600
HIS CONCERN FOR MRS. SANTOS
AND HER CHILDREN.
1260
00:50:02,600 --> 00:50:04,802
WHERE DO THEY GET THAT STUFF
FROM IN THE NEWSPAPERS?
1261
00:50:04,802 --> 00:50:06,204
AT SCHOOL,
1262
00:50:06,204 --> 00:50:07,772
THEY TELL MY LITTLE GIRL
HER DADDY WAS A DRUG DEALER.
1263
00:50:07,772 --> 00:50:09,807
I'M SO SORRY. WE'LL GET
OUR PRESS PEOPLE RIGHT ON IT.
1264
00:50:09,807 --> 00:50:11,209
NEVER MIND
THE NEWSPAPERS.
1265
00:50:11,209 --> 00:50:12,610
WHAT ABOUT
INTERNAL AFFAIRS?
1266
00:50:12,610 --> 00:50:14,579
WHAT ARE THOSE CLOWNS
OUT THERE DOING?
1267
00:50:18,616 --> 00:50:20,218
[HONK HONK]
1268
00:50:29,960 --> 00:50:31,562
WHERE YOU GOING?
1269
00:50:32,563 --> 00:50:33,398
THE CITY.
1270
00:50:33,398 --> 00:50:35,233
I THOUGHT
WE WERE IN THE CITY.
1271
00:50:35,233 --> 00:50:36,401
NOT IF YOU'RE
FROM QUEENS.
1272
00:50:36,401 --> 00:50:38,536
LET'S START OVER.
WHERE ARE YOU GOING?
1273
00:50:38,536 --> 00:50:39,870
MANHATTAN.
1274
00:50:39,870 --> 00:50:41,005
HOP IN.
1275
00:50:41,005 --> 00:50:43,241
GO FUCK YOURSELF.
1276
00:50:43,241 --> 00:50:45,009
NOT TO BE
DISRESPECTFUL,
1277
00:50:45,009 --> 00:50:46,277
BUT YOU REALIZE
1278
00:50:46,277 --> 00:50:47,412
THE TRANSPORTATION
DEPARTMENT OF SAINT ANNE'S
1279
00:50:47,412 --> 00:50:49,480
WASN'T PREPARED
FOR 1,000 PEOPLE.
1280
00:50:49,480 --> 00:50:50,415
999!
1281
00:50:50,415 --> 00:50:52,016
WE WERE EXPECTING
THE MAYOR.
1282
00:50:52,016 --> 00:50:54,285
AND YOU'RE JUST GONNA WAIT UNDER
THAT PLASTIC AWNING FOR AN HOUR
1283
00:50:54,285 --> 00:50:55,953
AND THEN RIDE A QUEENS BUS
1284
00:50:55,953 --> 00:50:57,888
AND THEN SLEP ON A SUBWAY
TO MANHATTAN.
1285
00:50:57,888 --> 00:50:59,157
SCHLEP!
1286
00:50:59,157 --> 00:51:00,758
SCHLEP, NOT SLEP.
SCHLEP.
1287
00:51:00,758 --> 00:51:01,659
SCHLEP.
1288
00:51:01,659 --> 00:51:03,494
GET THE GUMBO
OUT OF YOUR YIDDISH.
1289
00:51:11,436 --> 00:51:13,304
HOW DO YOU FEEL
ABOUT THE L.I.E.?
1290
00:51:13,304 --> 00:51:16,174
I HATE THE L.I.E.
TAKE THE GRAND CENTRAL.
1291
00:51:16,174 --> 00:51:18,042
CATCH IT
AT ASTORIA BOULEVARD.
1292
00:51:18,042 --> 00:51:19,577
GO AHEAD.
I'LL SHOW YOU.
1293
00:51:26,451 --> 00:51:28,186
EDDIE SANTOS
WAS A GOOD COP.
1294
00:51:28,186 --> 00:51:29,754
YOU'RE DOING
A VILE THING.
1295
00:51:29,754 --> 00:51:31,322
IT'S WRONG.
1296
00:51:31,322 --> 00:51:32,823
IT'S WRONG TO BLAME
A DEAD COP.
1297
00:51:32,823 --> 00:51:34,325
IT'S WRONG TO STEAL
A WIDOW'S RIGHTS. IT'S WRONG.
1298
00:51:34,325 --> 00:51:36,161
YOU KEEP SAYING THAT.
NOBODY'S DOING ANYTHING.
1299
00:51:36,161 --> 00:51:37,928
YOU'VE GOT ALL THE ANSWERS,
DON'T YOU?
1300
00:51:37,928 --> 00:51:39,997
DON'T EVEN HAVE
THE QUESTIONS YET.
1301
00:51:39,997 --> 00:51:41,999
WELL, I GOT A QUESTION
FOR YOU.
1302
00:51:41,999 --> 00:51:43,067
YEAH?
1303
00:51:43,067 --> 00:51:45,002
YOU HUNGRY?
1304
00:51:45,002 --> 00:51:46,304
YEAH.
1305
00:51:46,304 --> 00:51:48,673
SWING BY THAT DINER UP THERE,
THE NORTH STAR.
1306
00:51:48,673 --> 00:51:51,609
BEST PHILLY STEAK SANDWICHES
IN NEW YORK CITY.
1307
00:51:52,543 --> 00:51:55,613
OR DO YOU CALL THEM
PHILADELPHIA STEAK SANDWICHES?
1308
00:52:04,655 --> 00:52:07,358
NOW, WHO WE GONNA MEET
IN THIS DINER?
1309
00:52:08,559 --> 00:52:09,860
WHAT ARE YOU
TALKING ABOUT?
1310
00:52:09,860 --> 00:52:12,830
YOU SURFACE IN FRONT
OF MY CAR AT THE CEMETERY,
1311
00:52:12,830 --> 00:52:15,433
YOU SHOW JUST ENOUGH LEG
SO I'D STOP,
1312
00:52:15,433 --> 00:52:16,834
AND THE GRAND
CENTRAL PARKWAY
1313
00:52:16,834 --> 00:52:18,269
IS THE LONG WAY AROUND.
1314
00:52:19,304 --> 00:52:20,838
WHO WE GONNA MEET?
1315
00:52:22,640 --> 00:52:23,841
ALBERT HOLLY.
1316
00:52:23,841 --> 00:52:25,976
HE WAS EDDIE SANTOS' PARTNER
2 YEARS AGO
1317
00:52:25,976 --> 00:52:27,778
WHEN TINO ZAPATTI
GOT PROBATION.
1318
00:52:28,779 --> 00:52:29,780
THANK YOU.
1319
00:52:30,848 --> 00:52:32,783
Holly: WHEN EDDIE
GOT AHOLD OF SOMETHING,
1320
00:52:32,783 --> 00:52:34,452
HE WOULDN'T LET GO.
1321
00:52:34,452 --> 00:52:37,788
EDDIE SANTOS
WAS A PIT BULL.
1322
00:52:37,788 --> 00:52:40,525
PIT BULL'S ARE UGLY,
BUT THEY'RE NOT STUPID.
1323
00:52:40,525 --> 00:52:42,393
WHAT WAS HE DOING
WITHOUT A BACKUP?
1324
00:52:42,393 --> 00:52:45,530
WASN'T THE FIRST TIME
HE'D TAKEN TINO DOWN.
1325
00:52:45,530 --> 00:52:48,733
ONLY HE'D NEVER HAD
A PROBLEM WITH HIM BEFORE.
1326
00:52:48,733 --> 00:52:50,134
SOMEHOW...
1327
00:52:50,134 --> 00:52:52,002
TINO MUST'VE
GOT THE DROP ON HIM.
1328
00:52:52,002 --> 00:52:53,271
IT HAPPENS.
1329
00:52:53,271 --> 00:52:54,872
WHY DIDN'T SANTOS
LET ANYBODY ELSE KNOW
1330
00:52:54,872 --> 00:52:56,140
HE WAS GOING UP THERE?
1331
00:52:56,140 --> 00:52:57,542
BECAUSE
IT WAS HIS COLLAR.
1332
00:52:57,542 --> 00:52:59,277
HE MADE THAT CASE
AGAINST TINO.
1333
00:52:59,277 --> 00:53:01,279
THEN THE JUDGE
WENT SOUTH.
1334
00:53:01,279 --> 00:53:02,680
THERE IS NO WAY
1335
00:53:02,680 --> 00:53:06,684
TINO ZAPATTI COULD'VE
WALKED 2 YEARS AGO UNLESS...
1336
00:53:06,684 --> 00:53:09,554
UNLESS INTERESTED PARTIES
1337
00:53:09,554 --> 00:53:11,622
HAD THE JUDGE
IN THEIR POCKET.
1338
00:53:11,622 --> 00:53:14,625
WALTER STERN IS A JURIST
OF NATIONAL REPUTATION.
1339
00:53:14,625 --> 00:53:17,295
I DON'T CARE IF HE'S
OLIVER WENDELL HOLMES.
1340
00:53:17,295 --> 00:53:19,330
SOMEBODY GOT TO HIM.
1341
00:53:19,330 --> 00:53:21,732
Lawyer: AND BASED
ON THAT ONE INTERVIEW...
1342
00:53:21,732 --> 00:53:24,168
YOU WERE ABLE
TO COME THE CONCLUSION
1343
00:53:24,168 --> 00:53:25,770
STATED IN YOUR TESTIMONY?
1344
00:53:26,704 --> 00:53:29,574
Man: THAT AND
THE V.A. RECORDS. YES.
1345
00:53:29,574 --> 00:53:30,841
Lawyer: IS IT UNUSUAL...
1346
00:53:30,841 --> 00:53:32,910
WOULD YOU MIND PASSING
THIS ON TO THE JUDGE?
1347
00:53:32,910 --> 00:53:34,178
THANKS.
1348
00:53:34,178 --> 00:53:36,046
Lawyer: ...BASED ON
ONLY ONE INTERVIEW?
1349
00:53:36,046 --> 00:53:37,448
Man: THE DEFENDANT HAS
1350
00:53:37,448 --> 00:53:39,049
A LENGTHY DOCUMENTED
CASE HIST--
1351
00:53:39,049 --> 00:53:41,286
Lawyer: PLEASE
ANSWER THE QUESTION.
1352
00:53:42,219 --> 00:53:43,821
Man: WOULD YOU RESTATE
THE QUESTION?
1353
00:53:43,821 --> 00:53:45,155
ALL RIGHT.
1354
00:53:45,155 --> 00:53:46,624
BASED ON
THAT ONE INTERVIEW,
1355
00:53:46,624 --> 00:53:48,326
YOU WERE ABLE TO COME TO--
1356
00:53:48,326 --> 00:53:49,994
WHERE ARE YOU GOING
WITH THIS, MR. McKENNA?
1357
00:53:49,994 --> 00:53:50,995
YOUR HONOR,
1358
00:53:50,995 --> 00:53:52,397
THE WITNESS INTERPRETS
1359
00:53:52,397 --> 00:53:53,898
THE DEFENDANT
V.A. RECORD ONE WAY.
1360
00:53:53,898 --> 00:53:55,900
OUR PSYCHOLOGIST
INTERPRETS IT ANOTHER.
1361
00:53:55,900 --> 00:53:58,503
AND ANOTHER AND ANOTHER
UNTIL THE END OF TIME.
1362
00:53:58,503 --> 00:54:00,204
SO MUCH FOR EXPERT WITNESSES.
1363
00:54:00,204 --> 00:54:01,606
LET'S TAKE A BREAK.
1364
00:54:01,606 --> 00:54:03,708
2:30 ALL RIGHT
FOR EVERYBODY?
1365
00:54:05,743 --> 00:54:06,911
AH, MR. CALHOUN.
1366
00:54:06,911 --> 00:54:10,381
I SEE YOU'VE ALREADY MET
PETER RAGAN, MY LAW CLERK.
1367
00:54:10,381 --> 00:54:12,983
THIS YOUNG MAN HAS WRITTEN
SOME OF MY BEST OPINIONS.
1368
00:54:12,983 --> 00:54:14,552
HE APPEARED BEFORE ME
1369
00:54:14,552 --> 00:54:16,787
FIRST TIME I PRESIDED
OVER THE MOOT COURT AT YALE.
1370
00:54:16,787 --> 00:54:19,857
I'D SAY PETER AND I
ARE JOINED AT THE HIP.
1371
00:54:19,857 --> 00:54:21,125
THANKS, PETER.
1372
00:54:21,125 --> 00:54:22,527
PLEASE, HAVE A SEAT.
1373
00:54:22,527 --> 00:54:24,862
THANK YOU FOR SEEING ME,
JUDGE STERN.
1374
00:54:24,862 --> 00:54:26,597
AND HOW CAN I HELP YOU?
1375
00:54:29,734 --> 00:54:31,302
TINO ZAPATTI.
1376
00:54:32,102 --> 00:54:33,571
WHAT ABOUT HIM?
1377
00:54:34,805 --> 00:54:37,107
HOW DID TINO ZAPATTI
GET OFFERED PROBATION?
1378
00:54:37,107 --> 00:54:39,344
MR. CALHOUN...
1379
00:54:39,344 --> 00:54:40,745
I CAN ONLY SENTENCE
1380
00:54:40,745 --> 00:54:42,347
IN ACCORDANCE
WITH A CONVICTION.
1381
00:54:42,347 --> 00:54:43,748
MR. ZAPATTI WAS CONVICTED
1382
00:54:43,748 --> 00:54:45,483
OF A CRIMINAL POSSESSION
IN THE FOURTH DEGREE.
1383
00:54:45,483 --> 00:54:47,752
THEY FOUND A KILO
IN HIS CAR.
1384
00:54:47,752 --> 00:54:49,754
IS IT YOUR INTENTION
TO TRY THE CASE AGAIN?
1385
00:54:49,754 --> 00:54:52,423
NO, NOT AT ALL, SIR,
BUT I READ THE RAP SHEET.
1386
00:54:52,423 --> 00:54:53,758
MR. CALHOUN,
1387
00:54:53,758 --> 00:54:55,960
I AM CERTIFIED
IN THE STATE OF NEW YORK
1388
00:54:55,960 --> 00:54:57,161
AS A SUPREME COURT JUDGE,
1389
00:54:57,161 --> 00:54:59,964
AND YOU'RE SITTING HERE
REARGUING A 2-YEAR-OLD CASE.
1390
00:54:59,964 --> 00:55:01,366
YOU'RE OUT OF LINE, SIR,
1391
00:55:01,366 --> 00:55:03,167
AND I'M GOING TO SO INFORM
THE MAYOR.
1392
00:55:03,167 --> 00:55:05,536
I'M HERE ON
THE MAYOR'S BEHALF.
1393
00:55:08,906 --> 00:55:11,842
YOU THINK I'VE SLEPT
THE LAST 2 NIGHTS?
1394
00:55:11,842 --> 00:55:14,412
DON'T YOU REALIZE
I KNOW WHAT A MISTAKE I MADE?
1395
00:55:25,823 --> 00:55:26,957
THAT'S IT.
1396
00:55:26,957 --> 00:55:28,225
SATISFIED?
1397
00:55:28,225 --> 00:55:30,094
NO BASEMENT
OR ANYTHING?
1398
00:55:30,094 --> 00:55:32,229
YOU SAW IT.
THE RUMPUS ROOM.
1399
00:55:32,229 --> 00:55:33,631
THE KNOTTY PINE
WITH THE POOL TABLE?
1400
00:55:33,631 --> 00:55:34,865
YEAH, THAT'S RIGHT,
CAPTAIN.
1401
00:55:34,865 --> 00:55:37,735
MRS. SANTOS,
I'M ONLY DOING MY JOB.
1402
00:55:37,735 --> 00:55:39,136
I'M REALLY VERY SORRY
ABOUT THIS.
1403
00:55:39,136 --> 00:55:40,471
OH, SORRY, CRAP!
1404
00:55:40,471 --> 00:55:42,072
YOU'RE SNOOPING AROUND
EDDIE'S HOUSE LIKE A NAZI.
1405
00:55:42,072 --> 00:55:43,340
PLEASE.
YOU KNOW THIS IS
1406
00:55:43,340 --> 00:55:45,075
THE LAST THING
I WANTED TO DO.
1407
00:55:45,075 --> 00:55:47,277
THEN WHY DON'T YOU GET THE HELL
OUT OF INTERNAL AFFAIRS
1408
00:55:47,277 --> 00:55:48,879
AND GET YOURSELF
AN HONEST JOB?
1409
00:55:48,879 --> 00:55:50,748
[TELEPHONE RINGS]
1410
00:55:50,748 --> 00:55:51,749
HELLO.
1411
00:55:51,749 --> 00:55:52,817
YEAH.
1412
00:55:54,719 --> 00:55:55,753
MARYBETH.
1413
00:55:55,753 --> 00:55:57,555
YEAH, 2-BARS HAS BEEN
IN HERE ALL MORNING.
1414
00:55:57,555 --> 00:56:00,791
HE WENT OVER THE PLACE
FROM TOP TO BOTTOM.
1415
00:56:00,791 --> 00:56:01,959
YEAH.
1416
00:56:01,959 --> 00:56:04,762
LOOK, YOU GOTTA DO SOMETHING
ABOUT EDDIE'S PENSION.
1417
00:56:04,762 --> 00:56:06,964
THEY'RE GONNA TRY
AND REDUCE IT.
1418
00:56:06,964 --> 00:56:08,566
AND WHAT HAPPENED TO
THE POLICE MEMORIAL AWARD?
1419
00:56:08,566 --> 00:56:09,800
THE PRECINCT SAYS
1420
00:56:09,800 --> 00:56:12,202
IT GOES AUTOMATICALLY
TO THE NEXT OF KIN.
1421
00:56:12,202 --> 00:56:14,739
YEAH, WELL,
THIS PIECE OF BRASS
1422
00:56:14,739 --> 00:56:17,041
ISN'T HERE TO GIVE ME
ANY AWARD.
1423
00:56:22,179 --> 00:56:24,248
$40,000 IN CASH WAS FOUND
1424
00:56:24,248 --> 00:56:26,651
IN DETECTIVE SANTOS'
STRONGBOX
1425
00:56:26,651 --> 00:56:28,252
HERE AT HIS SUMMER COTTAGE
1426
00:56:28,252 --> 00:56:29,687
ON LAKE ASHOKAN
IN ULSTER COUNTY.
1427
00:56:29,687 --> 00:56:31,856
EMERGENCY SERVICE UNIT WORKERS
ARE NOW CLEARING OUT...
1428
00:56:31,856 --> 00:56:33,257
FRANK.
1429
00:56:33,257 --> 00:56:34,659
YEAH, I'M UP
AT THE CABIN.
1430
00:56:34,659 --> 00:56:35,926
THEY FOUND
THE MONEY.
1431
00:56:35,926 --> 00:56:38,362
GOOD WORK.
I'M WATCHING IT NOW.
1432
00:56:38,362 --> 00:56:39,430
...IS HIS CONNECTION
TO THE DEATHS
1433
00:56:39,430 --> 00:56:41,532
OF JAMES BONE
AND TINO ZAPATTI?
1434
00:56:41,532 --> 00:56:44,969
WHAT WAS SANTOS DOING
WITH $40,000?
1435
00:57:01,018 --> 00:57:02,820
THE MAYOR UNDERSTANDS
THE IMPLICATIONS THIS MORNING
1436
00:57:02,820 --> 00:57:04,889
OF THE STATE TROOPERS' DISCOVERY
IN ULSTER COUNTY...
1437
00:57:04,889 --> 00:57:06,223
[DOORBELL RINGS]
1438
00:57:06,223 --> 00:57:08,092
BUT HE WOULD LIKE TO STRESS THAT
THESE ARE IMPLICATIONS ONLY.
1439
00:57:08,092 --> 00:57:09,694
MOREOVER, UNTIL A CONNECTION
CAN BE MADE
1440
00:57:09,694 --> 00:57:11,696
BETWEEN DETECTIVE SANTOS
AND THE $40,000--
1441
00:57:11,696 --> 00:57:13,698
Reporter: $40,000
IN A COP'S STRONGBOX?
1442
00:57:13,698 --> 00:57:15,299
COME ON,
YOU GOTTA ADMIT...
1443
00:57:15,299 --> 00:57:16,901
CAN YOU BELIEVE
THIS SHIT?
1444
00:57:16,901 --> 00:57:17,802
NO.
1445
00:57:17,802 --> 00:57:19,704
WE NEVER EVEN SET FOOT
IN THAT DUMP
1446
00:57:19,704 --> 00:57:21,305
AFTER EDDIE'S FATHER DIED.
1447
00:57:21,305 --> 00:57:22,740
IT'S FULL OF HORNETS' NESTS.
1448
00:57:22,740 --> 00:57:24,141
YEAH, BUSY HORNETS.
1449
00:57:24,141 --> 00:57:26,944
AND NEVER IN OUR LIFE
DID WE SEE $4,000 CASH,
1450
00:57:26,944 --> 00:57:28,345
MUCH LESS 40.
1451
00:57:28,345 --> 00:57:30,548
[TELEPHONE RINGS]
1452
00:57:32,483 --> 00:57:33,784
HELLO?
1453
00:57:33,784 --> 00:57:35,753
Man: THERE'S ONLY 2 PEOPLE
IN THIS WHOLE WORLD
1454
00:57:35,753 --> 00:57:37,755
KNOW THAT'S NOT EDDIE'S MONEY--
YOU AND ME.
1455
00:57:37,755 --> 00:57:39,089
[WHISPERING]
Marybeth, pick up.
1456
00:57:39,089 --> 00:57:40,090
[TURNS VOLUME DOWN]
1457
00:57:41,091 --> 00:57:42,126
WHO IS THIS?
1458
00:57:42,126 --> 00:57:44,361
VINNIE ZAPATTI.
I CAN GET YOU OUT OF THIS.
1459
00:57:44,361 --> 00:57:46,030
I CAN GET YOU THE PENSION,
THE MEDALS,
1460
00:57:46,030 --> 00:57:47,698
EVERYTHING YOU GOT
COMING TO YOU. YOU WANT 'EM?
1461
00:57:47,698 --> 00:57:49,466
SURE.
SURE, I WANT 'EM.
1462
00:57:49,466 --> 00:57:51,168
GOOD. NOW, I LIKED EDDIE,
1463
00:57:51,168 --> 00:57:53,804
AND I WANNA HELP YOU,
BUT YOU GOTTA HELP ME.
1464
00:57:53,804 --> 00:57:55,405
WELL, WHAT'S THAT MEAN?
1465
00:57:55,405 --> 00:57:57,508
Vinnie: AN AIRPLANE TICKET
AND $10,000.
1466
00:57:57,508 --> 00:57:59,043
$10,000. FOR GOD'S SAKE,
I CAN'T--
1467
00:57:59,043 --> 00:58:01,478
WE'RE TALKING ABOUT A LOT
OF MONEY. WHAT HAVE YOU GOT?
1468
00:58:01,478 --> 00:58:02,680
WHOA, WHOA.
WHO THE HELL ARE YOU?
1469
00:58:02,680 --> 00:58:03,781
MARYBETH COGAN,
1470
00:58:03,781 --> 00:58:04,849
DETECTIVE'S ENDOWMENT
ASSOCIATION.
1471
00:58:04,849 --> 00:58:06,183
I REPRESENT
THE SANTOS FAMILY.
1472
00:58:06,183 --> 00:58:07,417
WHAT HAVE YOU GOT?
1473
00:58:07,417 --> 00:58:09,620
I'M THE ONE THAT MADE THE
MEETING FOR EDDIE WITH TINO
1474
00:58:09,620 --> 00:58:11,756
SO HE CAN GIVE UP WHAT
HE KNEW ABOUT THE JUDGE.
1475
00:58:11,756 --> 00:58:13,123
AND WHAT WAS THAT?
1476
00:58:13,123 --> 00:58:14,525
10,000 AND A PLANE TICKET.
1477
00:58:14,525 --> 00:58:16,060
I'LL GIVE YOU
THE DESTINATION LATER.
1478
00:58:16,927 --> 00:58:18,529
YOUR INFORMATION
IS WORTH NOTHING
1479
00:58:18,529 --> 00:58:20,197
UNLESS I CAN BRING
A WITNESS.
1480
00:58:21,766 --> 00:58:23,400
Kevin: NOW, WHICH ZAPATTI
ARE WE MEETING?
1481
00:58:23,400 --> 00:58:24,802
Marybeth: BIG PAULIE
HAD 2 BROTHERS.
1482
00:58:24,802 --> 00:58:27,271
TINO IS JOHN'S BOY.
VINNIE IS JIMMY'S.
1483
00:58:27,271 --> 00:58:30,440
SO VINNIE AND TINO
ARE COUSINS?
1484
00:58:30,440 --> 00:58:31,776
THAT'S RIGHT. COUSINS.
1485
00:58:31,776 --> 00:58:33,410
THEY HAVE COUSINS
IN LOUISIANA?
1486
00:58:33,410 --> 00:58:34,812
OH, DOWN THERE,
WE ALL COUSINS,
1487
00:58:34,812 --> 00:58:36,413
'CAUSE IF YOU GOT A COUSIN,
YOU GOT A VOTE.
1488
00:58:36,413 --> 00:58:38,082
SO THEN WHY DON'T YOU
RUN FOR OFFICE
1489
00:58:38,082 --> 00:58:39,884
INSTEAD OF CARRYING
THE MAYOR'S BAG?
1490
00:58:39,884 --> 00:58:42,519
I CONSIDER IT AN HONOR
NOT ONLY TO CARRY HIS BAG,
1491
00:58:42,519 --> 00:58:43,788
BUT ALSO TO FILL IT
AT NIGHT
1492
00:58:43,788 --> 00:58:45,355
WITH THE THINGS
I THINK THE CITY NEEDS.
1493
00:58:45,355 --> 00:58:47,958
OH, THE KINGMAKER.
1494
00:58:47,958 --> 00:58:49,393
THE MAN
BEHIND THE THRONE.
1495
00:58:49,393 --> 00:58:52,697
I'M BEGINNING TO SUSPECT
YOU DON'T LIKE POLITICIANS.
1496
00:58:52,697 --> 00:58:55,099
YOU'RE NO POLITICIAN.
POLITICIANS RUN FOR OFFICE.
1497
00:58:55,099 --> 00:58:56,100
YOU'RE A WALKER.
1498
00:58:56,100 --> 00:58:57,167
HMM.
1499
00:58:57,167 --> 00:59:00,270
ALL RIGHT, YOU'RE GONNA
WANT TO TAKE A RIGHT
1500
00:59:00,270 --> 00:59:01,538
AT THIS GAS STATION,
1501
00:59:01,538 --> 00:59:04,074
BECAUSE WE ARE
ALMOST THERE.
1502
00:59:04,074 --> 00:59:05,275
THANK YOU.
1503
00:59:18,823 --> 00:59:21,692
VINNIE SURE LIKES
STRANGE PLACES.
1504
00:59:21,692 --> 00:59:24,528
LOOKS LIKE MONDAY NIGHT
IN KEY LARGO.
1505
00:59:24,528 --> 00:59:25,963
HE'S IMPERSONATING MAFIA.
1506
00:59:25,963 --> 00:59:28,565
VINNIE ZAPATTI'S
A JOKE TO HIS UNCLE,
1507
00:59:28,565 --> 00:59:29,900
BUT A DANGEROUS JOKE.
1508
00:59:29,900 --> 00:59:31,368
AS FAR AS I'M CONCERNED,
1509
00:59:31,368 --> 00:59:32,837
THEY'RE ALL
DANGEROUS JOKES.
1510
00:59:32,837 --> 00:59:34,939
DO ME A FAVOR AND DON'T WRITE
THESE FOLKS OFF JUST YET.
1511
00:59:34,939 --> 00:59:37,842
I SAID
THEY WERE DANGEROUS.
1512
00:59:47,284 --> 00:59:49,253
WONDER WHAT VINNIE'S DOING
IN A PLACE LIKE THIS?
1513
00:59:49,253 --> 00:59:52,657
WONDER WHAT WE'RE DOING
IN A PLACE LIKE THIS?
1514
01:00:04,401 --> 01:00:06,671
HMM. THIS IS IT.
1515
01:00:06,671 --> 01:00:07,705
WHERE'S OUR BOY?
1516
01:00:07,705 --> 01:00:09,273
I DON'T KNOW.
1517
01:00:09,273 --> 01:00:11,575
YOU THINK OLD VINNIE
HAD A CHANGE OF HEART?
1518
01:00:11,575 --> 01:00:13,744
HE'S A ZAPATTI.
HE HAS NO HEART.
1519
01:00:13,744 --> 01:00:15,312
LET'S GET OUT OF HERE.
1520
01:00:15,312 --> 01:00:17,314
DON'T TURN AROUND.
1521
01:00:19,049 --> 01:00:22,386
WHOA, WHOA, WHOA, WHOA,
WHOA, WHOA, WHOA.
1522
01:00:22,386 --> 01:00:24,088
MARYBETH, RIGHT?
1523
01:00:25,489 --> 01:00:26,891
WHO THE FUCK IS THIS?
1524
01:00:26,891 --> 01:00:28,425
THIS IS
THE DEPUTY MAYOR.
1525
01:00:28,425 --> 01:00:29,727
DEPUTY MAYOR?
1526
01:00:29,727 --> 01:00:31,696
OH, WHAT THE FUCK DO I
NEED YOU FOR, THEN?
1527
01:00:31,696 --> 01:00:32,897
DON'T GET SMART,
VINNIE.
1528
01:00:32,897 --> 01:00:34,398
I'M THE ONLY CHANCE
YOU'VE GOT.
1529
01:00:35,465 --> 01:00:37,167
ALL RIGHT. LET'S GO.
1530
01:00:47,778 --> 01:00:49,780
Kevin:
THIS A SEA RIDER?
1531
01:00:49,780 --> 01:00:51,415
WHAT, YOU KNOW BOATS?
1532
01:00:51,415 --> 01:00:53,150
YEAH. I ONCE WORKED
ON A SHRIMPER LIKE THIS.
1533
01:00:53,150 --> 01:00:55,619
THIS AIN'T NO SEA RIDER.
IT'S A PIECE OF SHIT.
1534
01:00:55,619 --> 01:00:57,621
THEY CALL IT
A SURF RIDER.
1535
01:00:57,621 --> 01:00:58,789
I WANTED THE SEA RIDER,
1536
01:00:58,789 --> 01:00:59,924
BUT MY UNCLE
WOULDN'T POP FOR IT.
1537
01:00:59,924 --> 01:01:01,625
YOUR UNCLE LIKE BOATS?
1538
01:01:01,625 --> 01:01:03,761
WHO, PAULIE?
PAULIE WOULDN'T KNOW
1539
01:01:03,761 --> 01:01:06,731
A CLEAVER
FROM A FUCKING CLEAT.
1540
01:01:06,731 --> 01:01:08,833
THAT WAS MY DREAM,
YOU KNOW?
1541
01:01:08,833 --> 01:01:10,067
FREE OF THE GOOMBAHS,
1542
01:01:10,067 --> 01:01:11,836
MAYBE RUN A CHARTER
IN THE ISLANDS.
1543
01:01:11,836 --> 01:01:13,804
EDDIE SANTOS WAS GONNA
HELP ME WITH THAT.
1544
01:01:13,804 --> 01:01:15,072
YOU AND EDDIE, HUH?
YEAH.
1545
01:01:15,072 --> 01:01:16,440
THAT'S
A STRANGE MARRIAGE.
1546
01:01:16,440 --> 01:01:18,542
HE WAS ONLY GONNA FIND ME
CLIENTS, AND THAT'S IT.
1547
01:01:18,542 --> 01:01:19,744
AND I'LL TELL YOU
SOMETHING ELSE,
1548
01:01:19,744 --> 01:01:20,845
IF I'D HAVE MET HIM
EARLIER,
1549
01:01:20,845 --> 01:01:23,013
I'D NEVER BE IN
THIS FUCKING MESS.
1550
01:01:23,013 --> 01:01:25,215
IF ONLY TINO HADN'T
WHACKED EDDIE.
1551
01:01:25,215 --> 01:01:27,151
YOU KNOW WHY HE WAS
THERE THAT MORNING?
1552
01:01:27,151 --> 01:01:29,353
SANTOS WAS NOT THERE
TO TAKE TINO DOWN.
1553
01:01:29,353 --> 01:01:30,955
HE WAS ONLY THERE
TO GET INFORMATION
1554
01:01:30,955 --> 01:01:32,289
ON THE JUDGE.
YOU UNDERSTAND?
1555
01:01:32,289 --> 01:01:33,423
HOW DO YOU KNOW?
1556
01:01:33,423 --> 01:01:35,726
I WAS THERE
THAT MORNING.
1557
01:01:35,726 --> 01:01:38,528
WHAT INFORMATION
ON THE JUDGE?
1558
01:01:38,528 --> 01:01:39,830
THAT YOU GET
WITH THE 10,000
1559
01:01:39,830 --> 01:01:40,998
AND A PLANE TICKET.
1560
01:01:40,998 --> 01:01:42,833
YOU COME UP WITH IT
BY TOMORROW.
1561
01:01:42,833 --> 01:01:44,769
THIS MEETING
IS ADJOURNED.
1562
01:01:44,769 --> 01:01:47,504
WHY DON'T YOU LET US
BRING YOU IN?
1563
01:01:47,504 --> 01:01:48,605
Marybeth:
WE'LL PUT YOU
1564
01:01:48,605 --> 01:01:50,007
IN THE WITNESS
PROTECTION PROGRAM.
1565
01:01:50,007 --> 01:01:54,111
NO, THANKS. I GOT MY OWN
WITNESS PROTECTION PROGRAM.
1566
01:01:59,649 --> 01:02:01,451
[BLOWS HORN]
1567
01:02:48,532 --> 01:02:49,766
[BUZZ]
1568
01:02:52,536 --> 01:02:53,603
GOOD MORNING.
1569
01:02:53,603 --> 01:02:55,139
THE SHARKS ARE
ALREADY CIRCLING.
1570
01:02:55,139 --> 01:02:57,107
ANOTHER ZAPATTI WASHED UP.
1571
01:02:57,107 --> 01:02:59,977
THEY FISHED HIM OUT OF
THE 79th STREET BOAT BASIN.
1572
01:02:59,977 --> 01:03:02,412
VICTIM'S HANDS WERE BOUND
IN A 3-INCH CHAIN.
1573
01:03:02,412 --> 01:03:03,713
SHIP'S CHANDLERY TYPE.
1574
01:03:03,713 --> 01:03:07,151
PRELIMINARY FORENSICS REVEAL
BLOWS FROM A BLUNT INSTRUMENT.
1575
01:03:13,723 --> 01:03:15,459
WHERE HAVE YOU BEEN?
1576
01:03:15,459 --> 01:03:16,927
I HAD ME A BUSY NIGHT.
1577
01:03:16,927 --> 01:03:18,195
I'M SURE YOU DID.
1578
01:03:18,195 --> 01:03:22,232
YOU READ THIS MORNING'S
OPERATIONS PRINTOUT?
1579
01:03:22,232 --> 01:03:23,400
WHAT ABOUT IT?
1580
01:03:27,804 --> 01:03:30,340
I WAS WITH VINNIE ZAPATTI
LAST NIGHT.
1581
01:03:31,808 --> 01:03:33,077
HE'S DEAD
1582
01:03:33,077 --> 01:03:35,946
BECAUSE OF TINO ZAPATTI'S
PROBATION REPORT.
1583
01:03:35,946 --> 01:03:37,347
NOW THERE'S 4 DEATHS.
THEY'RE CONNECTED.
1584
01:03:37,347 --> 01:03:39,216
THAT'S ALL I KNOW.
THAT MUCH I LEARNED--
1585
01:03:39,216 --> 01:03:41,185
AND THAT'S ALL
I WANT TO KNOW.
1586
01:03:41,185 --> 01:03:44,955
JUST TRYING TO CIRCLE
THE WAGONS HERE, JOHN.
1587
01:03:44,955 --> 01:03:46,690
CIRCLE THE WAGONS?
WHAT ARE YOU TALK--
1588
01:03:46,690 --> 01:03:48,192
WHO DO YOU THINK
YOU ARE?
1589
01:03:48,192 --> 01:03:50,694
SOME GUMSHOE
IN A DIME NOVEL,
1590
01:03:50,694 --> 01:03:52,362
LOOSE-CANNONING
AROUND THE CITY?
1591
01:03:52,362 --> 01:03:54,231
CONSORTING WITH
KNOWN MOBSTERS?
1592
01:03:54,231 --> 01:03:56,733
KEVIN, FOR GOD'S SAKES!
YOU'RE MY RIGHT HAND.
1593
01:03:56,733 --> 01:03:57,834
YOU'RE THE MAYOR'S
RIGHT HAND.
1594
01:03:57,834 --> 01:04:00,037
WHAT ARE YOU
FUCKING AROUND FOR?
1595
01:04:07,978 --> 01:04:09,413
YOU SEE THIS DESK?
1596
01:04:10,314 --> 01:04:13,083
THIS DESK BELONGED
TO FIORELLO La GUARDIA,
1597
01:04:13,083 --> 01:04:14,251
THE LITTLE FLOWER.
1598
01:04:14,251 --> 01:04:16,053
HE WAS ABOUT
5 FOOT TALL,
1599
01:04:16,053 --> 01:04:17,321
USED TO READ
THE FUNNY PAPERS
1600
01:04:17,321 --> 01:04:19,356
TO HIS CONSTITUENTS'
CHILDREN OVER THE RADIO
1601
01:04:19,356 --> 01:04:20,958
AND WAS ABOUT
THE BEST GODDAMN MAYOR
1602
01:04:20,958 --> 01:04:21,992
THIS CITY EVER HAD.
1603
01:04:21,992 --> 01:04:23,393
YOU KNOW WHAT
La GUARDIA SAID?
1604
01:04:23,393 --> 01:04:27,264
"WHY IS IT EVERY TIME
YOU CAN DO SOME GOOD,
1605
01:04:27,264 --> 01:04:30,467
THE NICE PEOPLE COME IN
AND MESS YOU UP?"
1606
01:04:32,970 --> 01:04:34,071
KEVIN...
1607
01:04:34,071 --> 01:04:37,942
BE NICE.
DON'T MESS ME UP.
1608
01:04:43,113 --> 01:04:45,615
[TELEPHONE RINGS]
1609
01:04:48,752 --> 01:04:51,355
[RING]
1610
01:04:54,358 --> 01:04:54,824
[RING]
1611
01:04:54,824 --> 01:04:55,759
HELLO.
1612
01:04:55,759 --> 01:04:57,161
Kevin:
DID I WAKE YOU UP?
1613
01:04:57,161 --> 01:04:58,462
NO. NO, ARE YOU KIDDING?
I'VE BEEN UP HALF THE NIGHT
1614
01:04:58,462 --> 01:05:00,797
TRYING TO FIGURE OUT
HOW RAISE $10,000.
1615
01:05:00,797 --> 01:05:02,632
THE HOOK IS IN,
AND I'M CLOSE.
1616
01:05:02,632 --> 01:05:05,602
VINNIE IS EDDIE SANTOS'
PASSPORT TO AN HONORABLE DEATH--
1617
01:05:05,602 --> 01:05:07,938
VINNIE'S DEAD,
MURDERED.
1618
01:05:07,938 --> 01:05:09,039
WHAT?
1619
01:05:09,039 --> 01:05:10,941
VINNIE ZAPATTI'S DEAD.
HE WASHED UP
1620
01:05:10,941 --> 01:05:12,943
NEAR THE 79th STREET
BOAT BASIN THIS MORNING.
1621
01:05:12,943 --> 01:05:14,044
OH, GOD.
1622
01:05:14,044 --> 01:05:15,412
HEADS UP.
1623
01:05:15,412 --> 01:05:16,981
CALL ME WHEN YOU
GET TO YOUR OFFICE.
1624
01:05:16,981 --> 01:05:19,449
MM-HMM.
1625
01:05:19,449 --> 01:05:21,418
[HORNS HONKING]
1626
01:05:29,559 --> 01:05:30,694
TAXI!
1627
01:05:33,230 --> 01:05:35,199
BRONX.
TAKE EAST RIVER DRIVE.
1628
01:05:40,370 --> 01:05:41,505
NOW, LOOK...
1629
01:05:41,505 --> 01:05:44,274
I DON'T HAVE
A LOT OF TIME TODAY.
1630
01:05:44,274 --> 01:05:45,842
THAT'S ALL RIGHT. I CLEARED IT
WITH KEVIN GILLATI.
1631
01:05:45,842 --> 01:05:47,344
HE SAID TO TAKE ALL
THE TIME YOU NEED.
1632
01:05:47,344 --> 01:05:49,679
WHAT, YOU'RE
PULLING RANK ON ME?
1633
01:05:49,679 --> 01:05:50,947
YES.
1634
01:05:52,582 --> 01:05:55,785
SO YOU'RE STILL LOOKING
FOR A NEW SHOE SIZE?
1635
01:05:55,785 --> 01:05:58,122
I KNOW ALL THE JOKES.
CEMENT "C."
1636
01:05:58,122 --> 01:06:01,058
WHAT I NEED NOW
ARE THE STRAIGHT LINES.
1637
01:06:04,961 --> 01:06:07,497
ALL RIGHT, I'LL GIVE IT
TO YOU STRAIGHT.
1638
01:06:07,497 --> 01:06:09,599
THE POLICE COMMISSIONER
WORKS FOR THE MAYOR.
1639
01:06:09,599 --> 01:06:10,734
WHAT IS YOUR POINT?
1640
01:06:10,734 --> 01:06:12,336
TRUST ME, OR FUCK YOU.
1641
01:06:12,336 --> 01:06:13,603
STAND UP.
1642
01:06:14,938 --> 01:06:19,143
I JUST NEED TO SEE
HOW MANY PEOPLE...
1643
01:06:19,143 --> 01:06:20,644
THAT I'M TALKING TO.
1644
01:06:21,678 --> 01:06:23,080
IT'S JUST ME.
1645
01:06:30,020 --> 01:06:31,355
ALL RIGHT.
1646
01:06:34,024 --> 01:06:36,026
EDDIE CALLED ME
FROM MANHATTAN SOUTH.
1647
01:06:36,026 --> 01:06:37,327
THE NIGHT BEFORE?
1648
01:06:37,327 --> 01:06:39,629
YEAH. HE WANTED ME TO
COME UP THERE WITH HIM.
1649
01:06:39,629 --> 01:06:42,832
YOU DIDN'T GO.
YOU DID THE RIGHT THING.
1650
01:06:42,832 --> 01:06:45,235
NO, I DIDN'T!
1651
01:06:45,235 --> 01:06:47,537
HE HAD NO BUSINESS GOING
UP THERE WITHOUT A GHOST.
1652
01:06:47,537 --> 01:06:50,107
THAT SHOULD HAVE BEEN ME,
PLUS A RAFT OF BACKUPS.
1653
01:06:50,107 --> 01:06:53,110
BUT EDDIE WAS
SUCH A HOTHEAD!
1654
01:06:57,581 --> 01:06:59,383
I MEAN...
1655
01:06:59,383 --> 01:07:02,752
THE KIND THAT
NEVER COOLS OFF.
1656
01:07:02,752 --> 01:07:04,554
WHAT DO YOU
WANT TO TELL ME?
1657
01:07:12,596 --> 01:07:14,564
THERE WAS ANOTHER
PROBATION REPORT.
1658
01:07:23,640 --> 01:07:25,075
[SIGHS]
1659
01:07:27,477 --> 01:07:29,246
THIS ONE...
1660
01:07:29,246 --> 01:07:32,682
IT SET TINO UP
FOR THE MAX--10 TO 20.
1661
01:07:32,682 --> 01:07:33,950
WHAT HAPPENED TO IT?
1662
01:07:33,950 --> 01:07:36,086
I DON'T KNOW.
1663
01:07:36,086 --> 01:07:37,554
WHO WROTE IT?
1664
01:07:37,554 --> 01:07:39,055
THAT'S ALL I GOT.
1665
01:07:47,697 --> 01:07:49,466
MR. CALHOUN...
1666
01:07:51,701 --> 01:07:53,370
THE PROBATION OFFICER.
1667
01:07:54,738 --> 01:07:55,872
NAME?
1668
01:07:55,872 --> 01:07:57,073
JAMES WAKELEY,
1669
01:07:57,073 --> 01:07:58,908
BUT YOU WON'T FIND HIM
ON LEONARD STREET.
1670
01:07:58,908 --> 01:08:00,110
WHERE IS HE?
1671
01:08:00,110 --> 01:08:02,246
UPSTATE WORKING PAROLE.
1672
01:08:02,246 --> 01:08:04,814
[TRAIN HORN BLOWING]
1673
01:08:10,720 --> 01:08:15,392
[BUZZ]
1674
01:08:31,508 --> 01:08:34,544
I TOLD YOU PEOPLE
NOT TO COME UP HERE.
1675
01:08:34,544 --> 01:08:37,314
YOU MADE A LONG TRIP
FOR NOTHING.
1676
01:08:37,314 --> 01:08:39,115
DO YOU WANT TO TELL ME
THE TRUTH NOW, MR. WAKELEY,
1677
01:08:39,115 --> 01:08:40,484
OR WOULD YOU LIKE
TO DO IT UNDER OATH?
1678
01:08:40,484 --> 01:08:42,852
YOU'RE LOOKIN' TO GROW
A PAIR OF BRASS BALLS, MISS?
1679
01:08:42,852 --> 01:08:45,189
NO, THANK YOU. I'M DOING
WELL ENOUGH WITHOUT THEM.
1680
01:08:45,189 --> 01:08:48,258
SO DO YOU WANT A SUBPOENA,
OR MAY WE CONTINUE?
1681
01:08:57,434 --> 01:08:59,169
WHAT BROUGHT YOU
UP HERE
1682
01:08:59,169 --> 01:09:00,704
FROM LEONARD STREET,
MR. WAKELEY?
1683
01:09:00,704 --> 01:09:04,208
NEW YORK STATE PAROLE OFFICER--
BETTER PAY, BETTER PENSION.
1684
01:09:04,208 --> 01:09:05,209
NICER SURROUNDINGS.
1685
01:09:05,209 --> 01:09:06,243
YOU THINK SO?
1686
01:09:06,243 --> 01:09:08,245
WHAT HAPPENED
TO TINO ZAPATTI?
1687
01:09:08,245 --> 01:09:09,513
HE'S DEAD, ISN'T HE?
1688
01:09:09,513 --> 01:09:11,648
I'M TALKING
ABOUT 2 YEARS AGO.
1689
01:09:11,648 --> 01:09:14,551
HE GOT PROBATION.
1690
01:09:14,551 --> 01:09:17,387
WHAT SENTENCE
DID YOU RECOMMEND?
1691
01:09:20,790 --> 01:09:22,459
10 TO 20.
1692
01:09:22,459 --> 01:09:25,495
I SAW THE RAP SHEET.
1693
01:09:25,495 --> 01:09:28,097
TINO WAS PUSHING DRUGS
TO KIDS--
1694
01:09:28,097 --> 01:09:29,366
NOT DOING IT HIMSELF,
1695
01:09:29,366 --> 01:09:31,835
BUT HAVING THE KIDS
DEAL FOR HIM.
1696
01:09:33,237 --> 01:09:35,572
WEAPON FROM
A PREVIOUS HOMICIDE...
1697
01:09:36,506 --> 01:09:38,342
DISAPPEARED
IN THE SECOND REPORT.
1698
01:09:38,342 --> 01:09:40,244
WHO ORDERED IT?
1699
01:09:40,244 --> 01:09:42,446
THAT I DON'T KNOW.
1700
01:09:43,813 --> 01:09:44,948
WHY DIDN'T YOU ASK?
1701
01:09:44,948 --> 01:09:46,983
SUDDEN URGE OVERCAME ME
TO MOVE TO THE COUNTRY,
1702
01:09:46,983 --> 01:09:48,117
AND I FORGOT ALL ABOUT IT.
1703
01:09:48,117 --> 01:09:50,254
NOW, IF YOU'LL EXCUSE ME,
1704
01:09:50,254 --> 01:09:52,222
YOU PEOPLE HAD BETTER
GET OUT OF HERE.
1705
01:09:52,222 --> 01:09:54,958
MY LUMBAGO TELLS ME
THAT SNOW IS COMING.
1706
01:09:56,192 --> 01:09:57,327
YOU BETTER HURRY.
1707
01:09:57,327 --> 01:09:59,829
BUFFALO GETS SOCKED IN
PRETTY FAST.
1708
01:10:03,166 --> 01:10:04,734
THANK YOU FOR YOUR TIME.
1709
01:10:09,038 --> 01:10:11,241
[TRAIN HORN BLOWS]
1710
01:10:28,091 --> 01:10:30,427
WATCH YOUR STEP.
IT'S SLIPPERY.
1711
01:10:30,427 --> 01:10:32,529
Woman: THANK YOU.
1712
01:10:32,529 --> 01:10:34,030
HOW LONG?
ABOUT AN HOUR.
1713
01:10:34,030 --> 01:10:35,365
AN HOUR?
1714
01:10:35,365 --> 01:10:37,667
YOU DON'T WANT TO SUFFOCATE
IN A TUNNEL, DO YOU?
1715
01:10:37,667 --> 01:10:40,003
THEY GOTTA DIG ONE OUT
A FEW MILES AHEAD.
1716
01:10:40,003 --> 01:10:42,205
MEANWHILE,
ENJOY THE SNOW.
1717
01:10:42,205 --> 01:10:44,107
WE CAN'T EAT SNOW.
1718
01:10:44,107 --> 01:10:45,842
TRY THAT DINER
OVER THERE.
1719
01:10:45,842 --> 01:10:46,643
ANY GOOD?
1720
01:10:46,643 --> 01:10:48,612
LEMON PUDDING'S
NOT BAD.
1721
01:10:48,612 --> 01:10:49,413
OH, WELL.
1722
01:10:49,413 --> 01:10:51,915
BE BACK IN
HALF AN HOUR.
1723
01:10:51,915 --> 01:10:53,517
THANKS.
1724
01:11:14,037 --> 01:11:16,673
LIKE A SAUNA IN HERE.
1725
01:11:16,673 --> 01:11:19,075
FOR YOU, MAYBE. MY TOES
ARE LIKE ICICLES.
1726
01:11:19,075 --> 01:11:20,143
WARMING UP?
1727
01:11:20,143 --> 01:11:22,145
SLOWLY.
1728
01:11:22,145 --> 01:11:23,380
WHAT'LL IT BE?
1729
01:11:23,380 --> 01:11:25,615
OH, I'LL HAVE A BURGER,
FRIES, AND A COKE.
1730
01:11:25,615 --> 01:11:27,984
HOW IS
THE LEMON PUDDING?
1731
01:11:27,984 --> 01:11:29,218
HOMEMADE.
1732
01:11:29,218 --> 01:11:30,286
I'LL GIVE IT A SHOT.
EVERYTHING TO GO.
1733
01:11:30,286 --> 01:11:31,588
YOU GOT IT.
1734
01:11:31,588 --> 01:11:34,358
THANKS. SAY, WHY IS THIS
CALLED THE FLOYD DINER
1735
01:11:34,358 --> 01:11:35,859
INSTEAD OF FLOYD'S DINER?
1736
01:11:35,859 --> 01:11:38,995
'CAUSE YOU'RE IN
FLOYD, NEW YORK, MISS.
1737
01:11:40,063 --> 01:11:41,264
HA HA!
1738
01:11:41,264 --> 01:11:42,666
WHO'D-A THUNK IT?
1739
01:11:42,666 --> 01:11:44,233
FLOYD, NEW YORK,
LIKE CLYDE, NEW JERSEY.
1740
01:11:44,233 --> 01:11:45,502
COULD YOU IMAGINE
SPENDING
1741
01:11:45,502 --> 01:11:47,270
YOUR ENTIRE LIFE
IN A PLACE LIKE THIS?
1742
01:11:47,270 --> 01:11:49,473
I CAN. I GREW UP IN ONE.
1743
01:11:49,473 --> 01:11:50,874
FERRIDAY, LOUISIANA.
1744
01:11:50,874 --> 01:11:53,743
THERE IS SOMETHING SPECIAL
ABOUT SMALL-TOWN LIFE.
1745
01:11:53,743 --> 01:11:55,912
SO THEN WHAT ARE YOU
DOING IN NEW YORK?
1746
01:11:55,912 --> 01:11:57,714
[SIGHS]
1747
01:11:57,714 --> 01:11:59,716
WELL, YOU KNOW
EVERY LOUISIANA BOY
1748
01:11:59,716 --> 01:12:01,317
CATCHES POLITICS
LIKE A DISEASE?
1749
01:12:01,317 --> 01:12:02,486
NO, I DIDN'T KNOW THAT.
1750
01:12:02,486 --> 01:12:04,721
THAT'S A FACT,
AND I WAS NO EXCEPTION.
1751
01:12:04,721 --> 01:12:07,791
SO, AFTER LAW SCHOOL,
I HEAD TO WHERE ELSE?
1752
01:12:07,791 --> 01:12:09,426
FLOYD, NEW YORK.
1753
01:12:09,426 --> 01:12:11,661
WASHINGTON.
LEAPFROGGED BACK AND FORTH
1754
01:12:11,661 --> 01:12:13,630
FROM COMMITTEE STAFFER
TO CONGRESSIONAL ASSISTANT
1755
01:12:13,630 --> 01:12:16,800
UNTIL THE MAYOR OF NEW YORK CITY
CAME DOWN TO TESTIFY.
1756
01:12:16,800 --> 01:12:19,636
AND HE GAVE A SPEECH THAT DAY
ON THE FLOOR I REMEMBER
1757
01:12:19,636 --> 01:12:22,205
THAT WILL STAY WITH ME
FOR THE REST OF MY LIFE.
1758
01:12:22,205 --> 01:12:24,641
I WENT UP TO HIM AFTERWARDS
1759
01:12:24,641 --> 01:12:26,476
AND TOLD HIM I ADMIRED HIM
AND WHAT HE STOOD FOR,
1760
01:12:26,476 --> 01:12:28,277
AND WHILE
I WAS THANKING HIM,
1761
01:12:28,277 --> 01:12:31,415
HE ASKED ME IF
I LIKED STONE CRABS.
1762
01:12:31,415 --> 01:12:33,116
HALFWAY THROUGH DINNER,
I HAD A NEW JOB,
1763
01:12:33,116 --> 01:12:36,285
AT THE END OF DINNER,
IT FELT LIKE I HAD A NEW HOME.
1764
01:12:36,285 --> 01:12:37,854
AND HERE WE GO.
1765
01:12:37,854 --> 01:12:39,656
I HEAR THE CURVE IN YOUR VOICE,
BUT LET ME TELL YOU SOMETHING.
1766
01:12:39,656 --> 01:12:42,392
I'VE BEEN WITH
JOHN PAPPAS FOR 3 YEARS,
1767
01:12:42,392 --> 01:12:44,193
AND I'VE FINALLY FOUND
A PLACE IN GOVERNMENT
1768
01:12:44,193 --> 01:12:46,963
WHERE, PARDON THE EXPRESSION,
YOU CAN MAKE A DIFFERENCE.
1769
01:12:46,963 --> 01:12:48,164
WELL, YOU DID. YOU DID.
1770
01:12:48,164 --> 01:12:50,467
YOU CERTAINLY MADE A
DIFFERENCE TO ELAINE SANTOS.
1771
01:12:50,467 --> 01:12:51,701
YOU FOUND WAKELEY,
CLEAR EDDIE'S NAME.
1772
01:12:51,701 --> 01:12:52,936
GET THEM THEIR PENSION.
1773
01:12:52,936 --> 01:12:55,672
YEAH, BUT NOT SO FAST.
1774
01:12:55,672 --> 01:12:58,508
WE GOTTA KEEP WAKELEY ON ICE
TILL I FIND THAT REPORT.
1775
01:12:58,508 --> 01:13:00,510
WELL, WE DON'T
NEED THE REPORT.
1776
01:13:00,510 --> 01:13:02,045
WE JUST TAKE
WAKELEY'S DEPOSITION.
1777
01:13:02,045 --> 01:13:04,548
NO, THAT'S ALL YOU NEED.
I GOTTA GET THAT REPORT,
1778
01:13:04,548 --> 01:13:06,049
SEE WHAT'S ON IT,
SEE WHERE IT LEADS.
1779
01:13:06,049 --> 01:13:07,917
BUT WHAT IF WHILE
YOU'RE PLAYING DETECTIVE,
1780
01:13:07,917 --> 01:13:09,419
WHAT IF JAMES WAKELEY
SUDDENLY DECIDES
1781
01:13:09,419 --> 01:13:11,154
IT'D BE HEALTHIER
TO JUST DISAPPEAR
1782
01:13:11,154 --> 01:13:13,122
AND WE'RE LEFT WITH NOTHING?
1783
01:13:13,122 --> 01:13:15,659
HOW IS ELAINE SANTOS
SUPPOSED TO FEED HER KIDS?
1784
01:13:15,659 --> 01:13:17,427
THAT'S A RISK
WE'RE GONNA HAVE TO TAKE.
1785
01:13:17,427 --> 01:13:18,862
THAT'S A RISK YOU'RE
GOING TO HAVE TO TAKE,
1786
01:13:18,862 --> 01:13:20,930
BECAUSE I DON'T NEED YOU TO
GET WAKELEY'S DEPOSITION.
1787
01:13:20,930 --> 01:13:23,199
IF YOU INSIST ON TALKING
TO JAMES WAKELEY ON YOUR OWN,
1788
01:13:23,199 --> 01:13:24,968
I GUARANTEE YOU
YOU WILL FEEL THE FULL WEIGHT
1789
01:13:24,968 --> 01:13:26,636
OF THE MAYOR'S OFFICE
BEARING DOWN UPON YOU.
1790
01:13:26,636 --> 01:13:29,405
IT'S NOT A PLEASANT FEELING.
1791
01:13:31,374 --> 01:13:33,009
YOU'RE A MEAN PRICK.
YOU KNOW THAT?
1792
01:13:34,410 --> 01:13:36,780
WHERE I COME FROM,
THAT'S A COMPLIMENT.
1793
01:13:40,016 --> 01:13:41,518
HOLD ON A MINUTE.
1794
01:13:41,518 --> 01:13:43,152
FOR WHAT?
1795
01:13:43,152 --> 01:13:45,655
YOUR AMBITION AND
JOHN PAPPAS' COATTAILS?
1796
01:13:45,655 --> 01:13:47,957
BURGER, FRIES, COKE,
AND A LEMON PUDDING.
1797
01:13:49,325 --> 01:13:50,594
I'LL TAKE THESE.
1798
01:13:50,594 --> 01:13:53,697
THE MAYOR'S BOY
GETS THE LEMON PUDDING.
1799
01:14:34,638 --> 01:14:37,040
MR. SCHWARTZ?
1800
01:14:37,040 --> 01:14:38,808
KEVIN CALHOUN.
1801
01:14:38,808 --> 01:14:41,244
I JUST BEEN TALKING
TO A FRIEND OF YOURS.
1802
01:15:02,599 --> 01:15:04,968
[TELEPHONE RINGS]
1803
01:15:06,502 --> 01:15:09,105
[RING]
1804
01:15:10,473 --> 01:15:13,877
[RING]
1805
01:15:13,877 --> 01:15:14,978
HELLO?
1806
01:15:14,978 --> 01:15:16,946
SCHWARTZ HERE. I'VE GOT
THE PROBATION REPORT.
1807
01:15:16,946 --> 01:15:17,747
WHERE ARE YOU?
1808
01:15:17,747 --> 01:15:18,948
RIGHT AROUND THE CORNER.
1809
01:15:18,948 --> 01:15:20,884
MEET ME AT FRANKLIN
AND HUDSON. [GASPS]
1810
01:15:26,289 --> 01:15:28,825
SCHWARTZ? HELLO?
1811
01:15:28,825 --> 01:15:29,826
HELLO?
1812
01:15:34,130 --> 01:15:35,732
[EXHALES]
1813
01:16:06,529 --> 01:16:08,798
[ENGINE STARTS]
1814
01:16:26,482 --> 01:16:27,550
GEORGE.
1815
01:16:27,550 --> 01:16:29,719
ABE CALLED ME.
HE'S IN THE BACK.
1816
01:16:29,719 --> 01:16:32,021
THAT'S THE ONLY WAY IN.
THE BACK DOOR'S GATED.
1817
01:16:32,922 --> 01:16:34,490
ALL RIGHT?
THANKS.
1818
01:16:34,490 --> 01:16:36,325
[LAUGHTER
AND CONVERSATION]
1819
01:16:36,325 --> 01:16:37,393
ABE.
1820
01:16:37,393 --> 01:16:39,963
HA HA HA!
1821
01:16:39,963 --> 01:16:41,264
ABE!
1822
01:16:41,264 --> 01:16:42,966
HA HA HA!
1823
01:16:42,966 --> 01:16:44,367
COME ON!
1824
01:16:44,367 --> 01:16:45,534
IT'S YOUR PLAY.
1825
01:16:45,534 --> 01:16:46,936
THROW THE CARD
FOR ME, MORTY.
1826
01:16:46,936 --> 01:16:48,972
YOU'VE BEEN PRACTICING
ALL YOUR LIFE.
1827
01:16:53,042 --> 01:16:56,045
FREDDIE, GIVE US
A MINUTE, WILL YOU?
1828
01:16:59,983 --> 01:17:01,617
HE'S DEAD.
1829
01:17:01,617 --> 01:17:03,853
SCHWARTZ IS DEAD.
I HEARD IT ON THE PHONE.
1830
01:17:03,853 --> 01:17:05,822
I WAS--
I HEARD HIM GET SHOT.
1831
01:17:05,822 --> 01:17:07,123
GET AHOLD OF YOURSELF.
IT'S OK.
1832
01:17:07,123 --> 01:17:09,125
YOU WERE RIGHT.
1833
01:17:09,125 --> 01:17:11,995
YOU KNEW IT FROM THE MINUTE
WE SAW HIM THAT DAY.
1834
01:17:11,995 --> 01:17:14,497
IT WASN'T KOSHER.
THERE WAS A SECOND REPORT.
1835
01:17:14,497 --> 01:17:16,666
RIGHT, BUT I WASN'T SURE.
THAT WAS ONLY A FEELING.
1836
01:17:16,666 --> 01:17:19,002
WELL, NOW IT'S A FACT,
AND 5 PEOPLE ARE DEAD.
1837
01:17:19,002 --> 01:17:21,637
WALTER STERN LOOKED SO JUDICIAL.
HOW COULD HE BE SO CORRUPT?
1838
01:17:21,637 --> 01:17:24,107
THE SWEATER UNRAVELS.
1839
01:17:24,107 --> 01:17:26,676
I'LL GIVE YOU ONE
THIS TIME.
1840
01:17:26,676 --> 01:17:30,146
THE ONLY THING NEW IN THIS WORLD
IS THE HISTORY YOU DON'T KNOW.
1841
01:17:31,314 --> 01:17:32,315
NEW TESTAMENT?
1842
01:17:32,315 --> 01:17:34,017
HARRY TRUMAN.
1843
01:17:44,560 --> 01:17:46,429
JUDGE WALTER STERN'S
A GOOD MAN.
1844
01:17:46,429 --> 01:17:48,464
HE'S GOOD?
5 PEOPLE ARE DEAD!
1845
01:17:48,464 --> 01:17:49,833
OK, WHAT'S YOUR POINT?
1846
01:17:49,833 --> 01:17:51,067
YOU THROW THE BOOK
AT THE GUY,
1847
01:17:51,067 --> 01:17:52,535
AND YOU HURRY
OUT OF THE WAY.
1848
01:17:52,535 --> 01:17:54,270
EMBRACE
DETECTIVE SANTOS.
1849
01:17:54,270 --> 01:17:55,839
MAX DEATH SETTLEMENT
FOR THE WIDOW.
1850
01:17:55,839 --> 01:17:57,006
MEDAL OF HONOR
FOR THE DECEASED.
1851
01:17:57,006 --> 01:17:58,742
AND I MAKE SURE LESLIE
1852
01:17:58,742 --> 01:18:00,844
MAKES THE MORNING
EDITIONS WITH IT.
1853
01:18:00,844 --> 01:18:03,112
SO YOU GOT THIS
ALL FIGURED OUT?
1854
01:18:03,112 --> 01:18:04,714
THAT'S MY JOB,
ISN'T IT?
1855
01:18:04,714 --> 01:18:07,717
WELL, THAT'S COLD, PAPPY.
THAT'S COLD.
1856
01:18:07,717 --> 01:18:10,053
I MEAN, YOU DON'T JUST...
1857
01:18:10,053 --> 01:18:12,288
IT'S MORE COMPLICATED
THAN THAT, NO?
1858
01:18:14,190 --> 01:18:15,391
YEAH.
1859
01:18:16,926 --> 01:18:19,896
FORGIVE ME. I KNOW THE TWO
OF YOU ARE OLD FRIENDS.
1860
01:18:20,964 --> 01:18:23,800
BE CAREFUL
HOW YOU JUDGE PEOPLE,
1861
01:18:23,800 --> 01:18:25,268
MOST OF ALL, FRIENDS.
1862
01:18:26,736 --> 01:18:29,438
YOU DON'T SUM UP A MAN'S LIFE
IN ONE MOMENT.
1863
01:18:30,740 --> 01:18:33,943
THERE ARE NO COLD ANSWERS,
ARE THERE?
1864
01:18:33,943 --> 01:18:35,678
THERE'S NO SIMPLE
YES OR NO.
1865
01:18:35,678 --> 01:18:38,948
A MAN'S LIFE IS NOT THE BRICKS,
IT'S THE MORTAR, PAPPY.
1866
01:18:38,948 --> 01:18:41,985
IT'S THE STUFF THAT
LAYS BETWEEN, THE STUFF--
1867
01:18:44,620 --> 01:18:46,155
THE STUFF YOU CAN'T SEE.
1868
01:18:46,155 --> 01:18:47,891
I'VE KNOWN WALTER
MY WHOLE LIFE.
1869
01:18:47,891 --> 01:18:49,292
GOD, THE MAN IS--
1870
01:18:49,292 --> 01:18:52,061
HE'S A DECENT MAN.
HE'S A GOOD MAN.
1871
01:18:52,061 --> 01:18:53,863
BUT THIS IS TOUGH STUFF.
1872
01:18:53,863 --> 01:18:55,631
THIS IS BODY BAG STUFF.
1873
01:18:55,631 --> 01:18:57,366
YOU TELL ME IF
THERE'S SOME OTHER WAY.
1874
01:18:59,568 --> 01:19:02,671
THERE ISN'T.
THE DIE'S BEEN CAST.
1875
01:19:02,671 --> 01:19:05,008
IT WAS CAST A LONG TIME AGO.
1876
01:19:06,642 --> 01:19:07,777
GO EASY.
1877
01:19:07,777 --> 01:19:10,313
GIVE HIM A BLINDFOLD
AND HAVE MERCY.
1878
01:19:11,280 --> 01:19:15,151
WALTER STERN WAS A TOUGH MAN,
BUT HE WAS FAIR.
1879
01:19:15,151 --> 01:19:17,453
WE GIVE BACK THE SAME, NO?
1880
01:19:19,422 --> 01:19:20,656
AND YOU BE CAREFUL.
1881
01:19:20,656 --> 01:19:23,059
KEEP GEORGE WITH YOU.
LET HIM DRIVE.
1882
01:19:23,059 --> 01:19:24,260
I GOTTA GO IN HERE.
1883
01:19:24,260 --> 01:19:25,895
YEAH.
1884
01:19:30,733 --> 01:19:32,768
[SIGHS]
1885
01:19:36,772 --> 01:19:39,508
I KNEW JAMES WAKELEY
WOULD SURFACE.
1886
01:19:39,508 --> 01:19:43,679
JUST AS I KNEW WHEN
THAT BULLET HIT THAT BOY,
1887
01:19:43,679 --> 01:19:46,115
IT WOULD KEEP TRAVELING.
1888
01:19:46,950 --> 01:19:49,385
Kevin: THEN
FIND ITS WAY...
1889
01:19:49,385 --> 01:19:51,120
TO ME.
1890
01:19:54,557 --> 01:19:56,425
IF ONLY IT HAD
FOUND ME FIRST.
1891
01:19:56,425 --> 01:20:00,329
IF ONLY I COULD HAVE
STEPPED IN FRONT OF HIM.
1892
01:20:02,365 --> 01:20:05,301
REGRETS ARE PATHETIC,
AREN'T THEY?
1893
01:20:05,301 --> 01:20:09,839
I WAS TIRED OF BEING
THE WHITE-SHOE LITIGATOR,
1894
01:20:09,839 --> 01:20:12,241
DEFENDING THE ARBITRAGEURS
1895
01:20:12,241 --> 01:20:15,111
OR THE EIGHTIES GO-GO BOYS.
1896
01:20:15,111 --> 01:20:20,249
ALL IT TOOK WAS $50,000
TO CHANGE MY LIFE.
1897
01:20:21,284 --> 01:20:25,321
50,000,
AND THE JUDGESHIP WAS MINE.
1898
01:20:25,321 --> 01:20:28,824
ABSURD, ISN'T IT?
1899
01:20:28,824 --> 01:20:30,226
THE MAYOR HAS ALWAYS
1900
01:20:30,226 --> 01:20:32,595
HAD THE HIGHEST REGARD
FOR YOU, JUDGE.
1901
01:20:36,432 --> 01:20:38,301
AND I FOR HIM.
1902
01:20:45,008 --> 01:20:47,010
YOUR RESIGNATION
IN ABOUT 6 MONTHS
1903
01:20:47,010 --> 01:20:49,012
WOULD BE
APPROPRIATE.
1904
01:20:53,582 --> 01:20:55,919
6 MONTHS, DID YOU SAY?
1905
01:20:58,587 --> 01:21:00,789
HOW ABOUT 6 HOURS?
1906
01:21:00,789 --> 01:21:02,191
THIS IS THE SCENE
THIS MORNING
1907
01:21:02,191 --> 01:21:03,526
OUTSIDE THE DISTRICT
ATTORNEY'S OFFICE
1908
01:21:03,526 --> 01:21:05,061
WHERE SEVERAL CITY OFFICIALS
HAVE BEEN BROUGHT IN
1909
01:21:05,061 --> 01:21:07,563
FOR QUESTIONING IN
THE RAPIDLY DEVELOPING STORY
1910
01:21:07,563 --> 01:21:09,765
SURROUNDING THE RESIGNATION
OF JUDGE WALTER STERN.
1911
01:21:09,765 --> 01:21:11,600
AFTER THE CHECKS
AND BALANCES WRAP,
1912
01:21:11,600 --> 01:21:13,002
WE GO INTO...
1913
01:21:13,002 --> 01:21:14,870
"THE RECENT REVELATIONS
ARE NOT UNPRECEDENTED.
1914
01:21:14,870 --> 01:21:16,005
"CONSIDER JUDGE WACHTLER
1915
01:21:16,005 --> 01:21:17,306
OF THE NEW YORK
STATE SUPREME COURT,
1916
01:21:17,306 --> 01:21:20,109
A MAN OF IMPECCABLE
CREDENTIALS WHO FELL--"
1917
01:21:20,109 --> 01:21:21,710
TAKE IT OUT.
IT SOUNDS LIKE SHAKESPEARE.
1918
01:21:21,710 --> 01:21:23,179
THE WHOLE THING?
1919
01:21:23,179 --> 01:21:24,747
NO, NO. LEAVE THE WACHLER
STUFF IN. THAT'S GOOD.
1920
01:21:24,747 --> 01:21:25,781
JUST SAY IT PLAIN.
1921
01:21:25,781 --> 01:21:26,916
YOU KNOW THE REST.
1922
01:21:26,916 --> 01:21:29,318
THE SHARKS
ARE GETTING HUNGRY.
1923
01:21:29,318 --> 01:21:31,754
OK, OK. GIVE THEM
THE ONE-MINUTE SIGN.
1924
01:21:31,754 --> 01:21:33,622
TV reporter: WE'LL BRING IT
TO YOU LIVE AS IT HAPPENS.
1925
01:21:33,622 --> 01:21:36,492
Pappas: LEAN AND HUNGRY,
EVEN THE FAT ONES.
1926
01:21:40,429 --> 01:21:41,230
Woman: ANY NEWS?
1927
01:21:41,230 --> 01:21:43,066
Man: YOU GOT
ANYTHING?
1928
01:21:45,768 --> 01:21:47,770
30 SECONDS,
LADIES AND GENTLEMEN.
1929
01:21:47,770 --> 01:21:48,938
30.
1930
01:21:48,938 --> 01:21:51,040
CONVENTION'S
COMING TO TOWN.
1931
01:21:51,040 --> 01:21:53,209
YOU GOING TO BE
ALL RIGHT?
1932
01:21:53,209 --> 01:21:55,244
THANKS FOR ASKING, KEVIN.
I'M GOING TO BE FINE.
1933
01:21:55,244 --> 01:21:57,113
DAMAGE CONTROL, REMEMBER.
DAMAGE CONTROL.
1934
01:21:57,113 --> 01:21:58,114
YOU LOOK GOOD.
1935
01:21:58,114 --> 01:22:00,349
OF COURSE.
I'M THE MAYOR.
1936
01:22:06,655 --> 01:22:08,424
[CLEARS THROAT]
1937
01:22:10,793 --> 01:22:13,129
LYNDON JOHNSON SAID...
1938
01:22:13,129 --> 01:22:15,298
"EVERYBODY
WILL GIVE YOU IDEAS
1939
01:22:15,298 --> 01:22:18,334
"ON HOW TO GET OUT OF TROUBLE
CHEAPLY AND FAST,
1940
01:22:18,334 --> 01:22:19,802
"AND THEY ALL COME DOWN
TO THIS--
1941
01:22:19,802 --> 01:22:22,505
DENY YOUR RESPONSIBILITY."
1942
01:22:22,505 --> 01:22:23,906
JOHN F. KENNEDY SAID,
1943
01:22:23,906 --> 01:22:26,409
"AN ERROR DOESN'T HAVE
TO BECOME A MISTAKE
1944
01:22:26,409 --> 01:22:28,211
UNTIL YOU REFUSE
TO CORRECT IT."
1945
01:22:30,980 --> 01:22:33,182
[TV PLAYING]
1946
01:22:36,085 --> 01:22:38,587
TV: ...INCOME TAX
WITH A FLAT TAX.
1947
01:22:38,587 --> 01:22:39,989
MORE TOMORROW, FOLLOWING
1948
01:22:39,989 --> 01:22:41,624
THE SENATE FINANCE
COMMITTEE HEARINGS.
1949
01:22:41,624 --> 01:22:42,992
ACCORDING TO LOCAL NEWS,
1950
01:22:42,992 --> 01:22:44,393
THERE WERE
EXPLOSIVE DEVELOPMENTS
1951
01:22:44,393 --> 01:22:47,130
WITH THE INCIDENT AT
BROADWAY AND MARCY THIS MORNING.
1952
01:22:47,130 --> 01:22:49,365
THE REVELATION OF
A MISSING PROBATION REPORT
1953
01:22:49,365 --> 01:22:52,368
IS EXPECTED TO RESULT
IN THE HANDING UP OF INDICTMENTS
1954
01:22:52,368 --> 01:22:55,338
BY THE GRAND JURY OF
SUPREME COURT JUDGE WALTER STERN
1955
01:22:55,338 --> 01:22:58,241
AND BROOKLYN DEMOCRATIC
COUNTY LEADER FRANK ANSELMO.
1956
01:22:58,241 --> 01:23:01,410
ANSELMO'S CONNECTIONS TO
MAFIA CHIEFTAIN PAUL ZAPATTI
1957
01:23:01,410 --> 01:23:02,778
ARE CERTAIN TO BE EXAMINED.
1958
01:23:02,778 --> 01:23:04,180
AND INFORMED SOURCES SAY
1959
01:23:04,180 --> 01:23:06,315
THE CAREER OF THE PERSONABLE
POLITICAL BOSS IS OVER
1960
01:23:06,315 --> 01:23:09,352
AND A LONG PRISON TERM
IS NOW IN THE OFFING.
1961
01:23:09,352 --> 01:23:10,753
[CLICK]
1962
01:23:10,753 --> 01:23:12,755
[BIRD CHIRPING]
1963
01:23:22,865 --> 01:23:24,433
CHESTER...
1964
01:23:24,433 --> 01:23:27,370
CHESTER,
WHAT ARE YOU DOING?
1965
01:23:27,370 --> 01:23:28,637
EH?
1966
01:23:28,637 --> 01:23:30,173
DID MOMMY LET YOU OUT?
1967
01:23:30,173 --> 01:23:33,176
DID SHE? AND HOW WAS
YOUR DAY TODAY?
1968
01:23:33,176 --> 01:23:36,112
GIMME A KISS. GOOD.
1969
01:23:36,112 --> 01:23:37,646
[CHUCKLES]
1970
01:23:37,646 --> 01:23:40,183
Nettie:
YOU OK, FRANK?
1971
01:23:40,183 --> 01:23:42,318
FINE, SWEETHEART.
I'M FINE.
1972
01:23:42,318 --> 01:23:45,020
IT'S BEEN ON THE TV
ALL MORNING.
1973
01:23:45,020 --> 01:23:47,556
YEAH, I--I KNOW.
I HEARD.
1974
01:23:49,792 --> 01:23:51,560
I FIXED YOU
SOME OSSO BUCO.
1975
01:23:55,531 --> 01:23:56,332
YEAH?
1976
01:23:56,332 --> 01:23:57,933
YEAH.
I HAD A FEELING
1977
01:23:57,933 --> 01:23:59,868
YOU MIGHT COME HOME
FOR LUNCH TODAY.
1978
01:23:59,868 --> 01:24:01,404
HMM.
1979
01:24:02,205 --> 01:24:03,806
IT SMELLS GOOD.
1980
01:24:03,806 --> 01:24:06,942
I'LL JUST GO GET
THE CLOTHES.
1981
01:24:06,942 --> 01:24:09,278
THAT MACHINE'S
THUNKING AGAIN.
1982
01:24:44,813 --> 01:24:46,582
PAULIE.
1983
01:24:52,155 --> 01:24:53,722
HOW ARE YOU, FRANK?
1984
01:24:53,722 --> 01:24:55,924
I'M GOOD.
CONSIDERING.
1985
01:24:55,924 --> 01:24:56,992
YEAH, OF COURSE.
1986
01:24:56,992 --> 01:24:58,727
OF COURSE.
1987
01:25:02,097 --> 01:25:03,532
COFFEE?
1988
01:25:03,532 --> 01:25:04,467
UH...
1989
01:25:04,467 --> 01:25:06,635
NETTIE'S DOWN
WITH THE, UH, LAUNDRY.
1990
01:25:06,635 --> 01:25:07,436
MM-HMM.
1991
01:25:07,436 --> 01:25:09,672
STAY FOR LUNCH?
OSSO BUCO.
1992
01:25:09,672 --> 01:25:11,507
OSSO BUCO. YEAH.
1993
01:25:11,507 --> 01:25:15,077
NETTIE FIXES THE PIMANTES
AND PEPPERS AND EVERYTHING.
1994
01:25:15,077 --> 01:25:17,646
NAH, THAT'S ALL RIGHT.
I HAD MY LUNCH.
1995
01:25:17,646 --> 01:25:18,914
LIKE A COFFEE?
1996
01:25:18,914 --> 01:25:20,249
NO, THANKS.
1997
01:25:23,486 --> 01:25:24,620
SO...
1998
01:25:26,021 --> 01:25:27,790
WHAT DO YOU THINK,
FRANK?
1999
01:25:29,024 --> 01:25:30,793
OH, THE SAME OLD THING.
2000
01:25:33,296 --> 01:25:36,098
THIS TIME,
IT'S THIS CALHOUN GUY.
2001
01:25:36,098 --> 01:25:37,866
I NEVER LIKED HIM
FROM DAY ONE.
2002
01:25:37,866 --> 01:25:39,168
HE'S A CRACKER.
2003
01:25:39,168 --> 01:25:42,104
OF THE WORST KIND.
HE'S OUT OF HERE TOMORROW.
2004
01:25:42,104 --> 01:25:44,240
NO, I DON'T THINK SO.
2005
01:25:44,240 --> 01:25:46,775
WHAT ARE YOU
TALKING ABOUT?
2006
01:25:46,775 --> 01:25:48,377
HE'S A REED.
2007
01:25:48,377 --> 01:25:51,046
WE PUSH HIM,
AND--AND HE BENDS.
2008
01:25:51,046 --> 01:25:52,448
NOT THIS ONE.
2009
01:25:52,448 --> 01:25:54,350
THIS ONE'S A TERRIER.
2010
01:25:54,350 --> 01:25:57,620
HMM. I HAD A DOG
LIKE HIM ONCE.
2011
01:25:57,620 --> 01:25:59,622
I WENT TO HAVE HIM
PUT DOWN.
2012
01:25:59,622 --> 01:26:01,924
HE JUMPED OUT OF
MY ARMS AT THE VET'S
2013
01:26:01,924 --> 01:26:03,692
AND TOOK OFF
FOR THE PARK.
2014
01:26:03,692 --> 01:26:07,763
SOMETIMES I STILL THINK
I SEE HIM OUT THERE
2015
01:26:07,763 --> 01:26:09,532
WATCHING ME...
2016
01:26:10,466 --> 01:26:13,702
GNAWING ON AN OLD BONE.
2017
01:26:13,702 --> 01:26:15,671
EXCUSE ME.
2018
01:26:15,671 --> 01:26:18,341
HELLO, NETTIE.
2019
01:26:18,341 --> 01:26:19,942
CAN I HELP YOU
WITH THE BASKET?
2020
01:26:19,942 --> 01:26:21,644
NO, NO.
2021
01:26:21,644 --> 01:26:23,679
I DIDN'T KNOW FRANK
WAS EXPECTING YOU.
2022
01:26:23,679 --> 01:26:26,215
DUE ESPRESSI?
2023
01:26:26,215 --> 01:26:28,150
UH, MAYBE LATER.
2024
01:26:28,150 --> 01:26:30,686
OK.
2025
01:26:34,089 --> 01:26:35,491
UH...
2026
01:26:35,491 --> 01:26:37,493
99 OUT OF 100 TIMES,
2027
01:26:37,493 --> 01:26:39,495
WE CAN--WE CAN BEAT
SOMETHING LIKE THIS.
2028
01:26:39,495 --> 01:26:41,430
I DON'T LIKE THE ODDS.
2029
01:26:42,698 --> 01:26:45,167
WE GO BACK A LONG WAY,
PAULIE.
2030
01:26:45,167 --> 01:26:46,935
I KNOW. I KNOW.
2031
01:26:49,605 --> 01:26:52,675
I TRIED TO CLOSE
THE DOOR, FRANK.
2032
01:26:54,243 --> 01:26:56,579
COULDN'T GET IT SHUT.
2033
01:26:56,579 --> 01:26:59,315
WELL, WHAT DO YOU
WANT ME TO DO?
2034
01:26:59,315 --> 01:27:01,584
TAKE THE PRESSURE
OFF YOURSELF.
2035
01:27:03,151 --> 01:27:04,720
NOW, HERE'S THE THING.
2036
01:27:04,720 --> 01:27:05,854
THEY'LL TELL YOU,
2037
01:27:05,854 --> 01:27:07,656
"YEAH, YEAH, SURE.
2038
01:27:07,656 --> 01:27:10,593
YOU HAVE THE KEY
TO THE CELL. GO AHEAD."
2039
01:27:12,361 --> 01:27:15,998
BUT YOU WON'T BE ABLE TO
OPEN IT WITHOUT SINGING.
2040
01:27:15,998 --> 01:27:17,633
YOU'RE A SINGER, FRANK.
2041
01:27:28,844 --> 01:27:30,245
GIVE ME A CHANCE,
2042
01:27:30,245 --> 01:27:33,115
AND I-I'LL SHOW YOU
HOW QUIET I CAN BE.
2043
01:27:33,115 --> 01:27:36,184
IT'S OUT OF MY HANDS,
FRANK.
2044
01:27:36,184 --> 01:27:38,120
DO THE RIGHT THING,
WILL YOU?
2045
01:27:38,120 --> 01:27:40,456
MAKE IT EASY
FOR YOURSELF.
2046
01:27:40,456 --> 01:27:42,491
Nettie:
FRANK, HONEY, LUNCH.
2047
01:27:42,491 --> 01:27:45,494
AND YOUR FAMILY.
2048
01:27:51,033 --> 01:27:52,501
YEAH.
2049
01:28:08,784 --> 01:28:09,818
[DOOR OPENS]
2050
01:28:11,320 --> 01:28:12,655
[DOOR CLOSES]
2051
01:28:19,595 --> 01:28:21,530
SENATOR, I GUARANTEE YOU
THIS EVENT IS NOTHING
2052
01:28:21,530 --> 01:28:23,999
BUT A BLEMISH ON THE SKIN
OF A GREAT METROPOLIS.
2053
01:28:23,999 --> 01:28:26,268
THE PARTY'S NEVER GONNA SEE
THAT BLEMISH IN JUNE.
2054
01:28:26,268 --> 01:28:27,936
ALL IT'S GONNA SEE
IS THE GARDEN,
2055
01:28:27,936 --> 01:28:29,405
THE PLAZA, THE WALDORF,
2056
01:28:29,405 --> 01:28:31,840
ELECTRICITY,
EXCITEMENT, FUN.
2057
01:28:31,840 --> 01:28:35,077
YOU CATCH THE BITE
ON THE NOON NEWS IN D.C.
2058
01:28:35,077 --> 01:28:36,445
HE'S ONLY MAGNIFICENT.
2059
01:28:36,445 --> 01:28:38,180
Pappas: 29,000 UNIFORMED
POLICEMEN ON THE STREET...
2060
01:28:38,180 --> 01:28:39,748
BYE, SENATOR.
2061
01:28:39,748 --> 01:28:43,819
Pappas: 4 EXTRA CLASSES
GRADUATE THE ACADEMY THIS YEAR.
2062
01:28:43,819 --> 01:28:46,555
UNIONS? DID I HEAR YOU
SAY, "UNIONS"?
2063
01:28:46,555 --> 01:28:47,856
EVERY MUNICIPAL CONTRACT...
2064
01:28:47,856 --> 01:28:50,426
HARRIET, KEVIN CALHOUN.
ARE YOU WATCHING THIS?
2065
01:28:52,227 --> 01:28:53,962
WORLD BANK
INTERESTS YOU MORE.
2066
01:28:55,464 --> 01:28:57,199
DO YOU WANT TO READ ABOUT
THE DEMOCRATIC CONVENTION
2067
01:28:57,199 --> 01:28:59,101
IN THE CHICAGO TRIBUNE?
2068
01:28:59,101 --> 01:29:00,636
WELL, OK--WELL, OK, THEN.
2069
01:29:00,636 --> 01:29:02,838
WAIT TILL YOU SEE
HIS PERFORMANCE
2070
01:29:02,838 --> 01:29:04,473
ON THE 6:00 NEWS.
2071
01:29:04,473 --> 01:29:06,308
HARRIET, WHEN THE TRAIN
LEAVES THE STATION,
2072
01:29:06,308 --> 01:29:08,544
THE NEW YORK TIMES, GOOD
AND GRAY LADY THAT SHE IS,
2073
01:29:08,544 --> 01:29:10,979
IS GONNA WANT TO BE ONBOARD.
2074
01:29:14,116 --> 01:29:15,651
[RING]
2075
01:29:17,853 --> 01:29:19,354
[RING]
2076
01:29:22,024 --> 01:29:23,358
HELLO.
2077
01:29:23,358 --> 01:29:25,127
Nettie:
WHAT HAPPENED TO YOU?
2078
01:29:25,127 --> 01:29:26,395
I CALLED TO YOU.
2079
01:29:26,395 --> 01:29:29,031
YOU WERE DOWN
IN THE BASEMENT.
2080
01:29:29,031 --> 01:29:32,267
I'M GONNA GET A WASHER
AT ORCHARD SUPPLY,
2081
01:29:32,267 --> 01:29:34,069
STOP THE MACHINE
FROM THUNKING.
2082
01:29:34,069 --> 01:29:35,738
I'LL EAT
WHEN I GET HOME.
2083
01:29:35,738 --> 01:29:37,272
OH?
2084
01:29:37,272 --> 01:29:39,074
OK.
2085
01:29:39,074 --> 01:29:40,876
BE CAREFUL.
2086
01:29:40,876 --> 01:29:42,545
OF COURSE.
2087
01:29:59,828 --> 01:30:01,764
[ADRIEN RAYNIER SINGING
YOU'LL NEVER WALK ALONE]
2088
01:30:01,764 --> 01:30:06,769
* WALK ON THROUGH THE WIND *
2089
01:30:06,769 --> 01:30:10,238
* WALK ON THROUGH THE RAIN *
2090
01:30:10,238 --> 01:30:19,548
* THOUGH YOUR DREAMS
BE TOSSED AND BLOWN *
2091
01:30:19,548 --> 01:30:24,186
* WALK ON, WALK ON *
2092
01:30:24,186 --> 01:30:28,857
* WITH HOPE IN YOUR HEART *
2093
01:30:28,857 --> 01:30:38,734
* AND YOU'LL NEVER WALK ALONE *
2094
01:30:38,734 --> 01:30:43,238
* YOU'LL NEVER... *
2095
01:30:43,238 --> 01:30:44,773
[GUNSHOT]
2096
01:30:49,878 --> 01:30:51,847
I HEAR YOU. I KNOW THE WATER
KEEPS RISING, MR. SADLER.
2097
01:30:51,847 --> 01:30:53,649
IN FACT, RIGHT NOW,
IT IS UP TO THE FLOORBOARDS,
2098
01:30:53,649 --> 01:30:54,983
BUT I GUARANTEE YOU,
2099
01:30:54,983 --> 01:30:57,185
WE'RE BAILING OUT FASTER
THAN WE'RE TAKING IT IN.
2100
01:30:57,185 --> 01:30:59,988
THERE'S NO WAY THIS THING'S
GONNA DERAIL--
2101
01:31:01,156 --> 01:31:02,958
LET ME CALL YOU BACK.
SOMETHING'S JUST COME UP.
2102
01:31:02,958 --> 01:31:05,761
I'LL CALL YOU WHEN
WE CAN TALK AT LENGTH.
2103
01:31:05,761 --> 01:31:07,930
FRANK ANSELMO
JUST KILLED HIMSELF.
2104
01:31:10,933 --> 01:31:14,336
AND THIS IS THE ORIGINAL
PROBATION REPORT,
2105
01:31:14,336 --> 01:31:16,539
THE ONE WE WERE
LOOKING FOR.
2106
01:31:17,439 --> 01:31:20,042
THEY FOUND IT
IN ANSELMO'S CAR.
2107
01:31:20,042 --> 01:31:22,077
THE POLICE COMMISSIONER
GAVE IT TO ME.
2108
01:31:24,012 --> 01:31:27,249
HE DIDN'T WANT IT ENDING UP
AS TOMORROW'S HEADLINE.
2109
01:31:37,425 --> 01:31:39,628
"TINO ZAPATTI."
2110
01:31:40,629 --> 01:31:43,231
"RECOMMENDED PRISON SENTENCE--
10-20 YEARS."
2111
01:31:43,231 --> 01:31:45,200
CHECK THIS ONE OUT?
2112
01:31:45,200 --> 01:31:46,635
THIS ONE'S KOSHER.
2113
01:31:46,635 --> 01:31:49,638
SO THE STORY ENDS
WHERE IT ALL BEGAN.
2114
01:31:49,638 --> 01:31:52,841
WHITE-SHOE LAWYER.
BROOKLYN CLUBHOUSE BOSS.
2115
01:31:52,841 --> 01:31:54,509
NO.
2116
01:31:54,509 --> 01:31:56,444
WALTER STERN
AND FRANK ANSELMO--
2117
01:31:56,444 --> 01:31:58,914
DON'T SEE 'EM
IN THE SAME ROOM.
2118
01:32:01,650 --> 01:32:04,386
SOMETHING'S STILL WRONG
WITH THE PICTURE, YOU KNOW.
2119
01:32:04,386 --> 01:32:06,088
I KNOW.
2120
01:32:08,624 --> 01:32:11,660
BEFORE WE NAIL UP THE HOUSE
FOR THE SEASON,
2121
01:32:11,660 --> 01:32:14,096
ONE MORE DOOR TO CLOSE.
2122
01:32:20,903 --> 01:32:22,671
AFTERNOON, MR. CALHOUN.
2123
01:32:22,671 --> 01:32:25,407
I'M SORRY, BUT THE JUDGE
HAS LEFT FOR THE DAY.
2124
01:32:25,407 --> 01:32:26,775
OF COURSE YOU'RE SORRY.
2125
01:32:26,775 --> 01:32:29,211
IS THAT YOUR SIGNATURE?
2126
01:32:29,211 --> 01:32:32,380
WE'RE REQUIRED TO RECORD
THE RECEIPT OF ALL DOCUMENTS.
2127
01:32:32,380 --> 01:32:33,415
WHAT ABOUT PHONE CALLS?
2128
01:32:33,415 --> 01:32:35,350
YOU KEEP A LOG
OF PHONE CALLS?
2129
01:32:35,350 --> 01:32:37,586
YES.
2130
01:32:37,586 --> 01:32:39,554
TAKE A MINUTE FOR ME,
PLEASE.
2131
01:32:39,554 --> 01:32:42,357
LOOK UP THE DATES OF
FRANK ANSELMO'S CALLS
2132
01:32:42,357 --> 01:32:44,092
TO THIS OFFICE.
2133
01:32:44,092 --> 01:32:46,595
YOU'RE IN THE WRONG PEW,
MR. CALHOUN.
2134
01:32:46,595 --> 01:32:49,632
FRANK ANSELMO NEVER
CALLED THIS OFFICE.
2135
01:33:00,475 --> 01:33:02,611
WHAT ABOUT THE MAYOR?
2136
01:33:13,488 --> 01:33:15,958
HE'S IN HIS DRESSING ROOM,
MR. CALHOUN.
2137
01:33:42,751 --> 01:33:44,152
WHERE YOU BEEN?
2138
01:33:44,152 --> 01:33:46,221
I WAS LOOKING FOR YOU
HALF AN HOUR AGO.
2139
01:33:46,221 --> 01:33:48,891
TRYING TO GET THROUGH
TO SENATOR MARQUAND.
2140
01:33:48,891 --> 01:33:50,693
WELL, HE GOT
THROUGH TO ME.
2141
01:33:50,693 --> 01:33:51,960
YEAH?
2142
01:33:51,960 --> 01:33:54,262
THEY'RE MOVING
THE CONVENTION TO MIAMI.
2143
01:33:54,262 --> 01:33:55,898
MIAMI? WHY?
2144
01:33:55,898 --> 01:33:58,500
THEY LIKE MIAMI.
LOTS OF GLAMOUR.
2145
01:33:58,500 --> 01:33:59,768
YOU GOT
WHOOPI GOLDBERG.
2146
01:33:59,768 --> 01:34:02,004
MADONNA JUST BOUGHT
HOUSES IN SOUTH BEACH.
2147
01:34:02,004 --> 01:34:04,506
WHO KNOWS? MAYBE WE
CAN NOMINATE THEM.
2148
01:34:04,506 --> 01:34:06,241
I THOUGHT IT WAS ALL CUT.
2149
01:34:06,241 --> 01:34:07,575
CUT? NOT CUT.
2150
01:34:07,575 --> 01:34:09,211
POLITICS, PAPPY.
NOTHING'S CUT.
2151
01:34:09,211 --> 01:34:10,779
WHERE ARE YOU GOING?
2152
01:34:10,779 --> 01:34:13,782
I'M GONNA PAY MY RESPECTS
TO NETTIE ANSELMO.
2153
01:34:13,782 --> 01:34:15,550
DO YOU THINK THAT'S WISE?
2154
01:34:15,550 --> 01:34:17,519
WHAT'S WISE GOT
TO DO WITH IT?
2155
01:34:17,519 --> 01:34:18,787
BECAUSE THE PERCEPTION'S
GONNA--
2156
01:34:18,787 --> 01:34:22,157
OH, FUCK PERCEPTION.
PERCEPTION.
2157
01:34:22,157 --> 01:34:24,126
I'M TALKING MENSCHKEIT.
2158
01:34:26,361 --> 01:34:29,531
STUFF BETWEEN MEN.
2159
01:34:29,531 --> 01:34:31,700
YOU KNOW,
THE THERE THAT'S THERE,
2160
01:34:31,700 --> 01:34:33,869
THE THOUSAND
TELEPHONE CALLS,
2161
01:34:33,869 --> 01:34:36,772
THE BOUQUETS
AND THE BRICKBATS...
2162
01:34:37,672 --> 01:34:41,276
THE SPACE BETWEEN
A HANDSHAKE.
2163
01:34:41,276 --> 01:34:43,111
YOU KNOW.
2164
01:34:43,111 --> 01:34:46,114
THE STUFF THAT GOES
WITH YOU TO YOUR GRAVE.
2165
01:34:46,114 --> 01:34:49,284
THE SPACE BETWEEN A HANDSHAKE
FOR RIGHT AND WRONG?
2166
01:34:52,220 --> 01:34:53,956
WHY ARE YOU PRESSING ME
TONIGHT? WHAT'S UP?
2167
01:34:53,956 --> 01:34:55,858
I'M LOOKING
FOR AN ANSWER.
2168
01:34:57,760 --> 01:34:59,762
YOU WANT AN ANSWER?
2169
01:34:59,762 --> 01:35:03,598
OK, PAPPY.
THINK OF IT AS COLORS.
2170
01:35:03,598 --> 01:35:05,768
THERE'S BLACK,
AND THERE'S WHITE,
2171
01:35:05,768 --> 01:35:08,103
AND IN BETWEEN IS
MOSTLY GRAY. THAT'S US.
2172
01:35:08,103 --> 01:35:09,905
NOW,
GRAY IS A TOUGH COLOR,
2173
01:35:09,905 --> 01:35:12,240
BECAUSE IT'S NOT AS SIMPLE
AS BLACK AND WHITE,
2174
01:35:12,240 --> 01:35:13,876
AND FOR THE MEDIA,
2175
01:35:13,876 --> 01:35:15,878
CERTAINLY NOT
AS INTERESTING.
2176
01:35:15,878 --> 01:35:18,046
BUT IT'S WHO WE ARE.
2177
01:35:26,588 --> 01:35:28,791
WHAT ARE YOU
GONNA DO NOW?
2178
01:35:32,795 --> 01:35:34,329
YOU MEAN WE.
2179
01:35:34,329 --> 01:35:37,165
WE'RE GONNA FIGHT
THE SONS OF BITCHES.
2180
01:35:37,165 --> 01:35:39,467
WE'RE GONNA
COME OUT SWINGING.
2181
01:35:41,069 --> 01:35:44,606
WE'RE GONNA TELL THEM,
"HEY, WE'RE ONLY HUMAN.
2182
01:35:44,606 --> 01:35:46,408
"EVERYBODY MAKES MISTAKES.
2183
01:35:46,408 --> 01:35:49,978
"FRANK ANSELMO IS DEAD.
HE WAS A FRIEND.
2184
01:35:49,978 --> 01:35:52,347
BUT THE LAST OF
THE CLUBHOUSE BOSSES IS GONE."
2185
01:35:52,347 --> 01:35:55,450
WE'RE GONNA CLEAN UP
THE AUGEAN STABLES.
2186
01:35:55,450 --> 01:35:58,286
WE'RE GONNA SHOW UP IN MIAMI,
HAVE THEM ON THEIR KNEES
2187
01:35:58,286 --> 01:36:00,688
BEGGING ME TO MAKE
THE KEYNOTE SPEECH.
2188
01:36:00,688 --> 01:36:02,757
AND THEN?
2189
01:36:04,459 --> 01:36:06,929
A SHORT SOJOURN
TO ALBANY,
2190
01:36:06,929 --> 01:36:10,098
FOLLOWED BY A LONG ONE
AT THE WHITE HOUSE.
2191
01:36:12,801 --> 01:36:15,170
IF I DIDN'T KNOW BETTER,
2192
01:36:15,170 --> 01:36:17,039
I'D BE BURSTING
WITH ADMIRATION.
2193
01:36:17,039 --> 01:36:20,208
I THOUGHT I'D COME IN HERE
AND FIND YOU ON YOUR KNEES.
2194
01:36:20,208 --> 01:36:23,445
INSTEAD YOU'RE READY TO TURN
ADVERSITY INTO TRIUMPH.
2195
01:36:23,445 --> 01:36:26,781
OH, THAT'S JUST A REFLEX,
AN OLD HABIT OF MINE,
2196
01:36:26,781 --> 01:36:29,484
BUT IT'S STILL GOOD
TO HEAR YOU SAY IT.
2197
01:36:29,484 --> 01:36:31,119
THE WAY YOU SAY IT, TOO.
2198
01:36:31,119 --> 01:36:33,055
ADVERSITY INTO TRIUMPH.
2199
01:36:33,055 --> 01:36:34,957
IT'S GOOD TO KNOW
YOU STILL BELIEVE IN ME.
2200
01:36:34,957 --> 01:36:36,358
DID I SAY THAT?
2201
01:36:36,358 --> 01:36:40,762
I DON'T KNOW. THAT'S WHAT
I THOUGHT YOU DID.
2202
01:36:40,762 --> 01:36:43,098
DON'T FATHERS
LISTEN TO THEIR SONS?
2203
01:36:52,140 --> 01:36:54,176
HOW IS YOUR FATHER
THESE DAYS?
2204
01:36:54,176 --> 01:36:57,445
I HAVEN'T HEARD YOU
MENTION HIM FOR QUITE A WHILE.
2205
01:36:57,445 --> 01:36:59,114
WHERE IS HE?
2206
01:36:59,114 --> 01:37:01,249
HE'S IN A NURSING HOME
IN CROWLEY, LOUISIANA.
2207
01:37:01,249 --> 01:37:04,019
PLAYS DOMINOES
WITH ORDERLIES.
2208
01:37:04,019 --> 01:37:05,753
FULMINATES OVER
HIS CREAM OF WHEAT.
2209
01:37:05,753 --> 01:37:09,958
HO. DON'T BE
TOO HARD ON HIM.
2210
01:37:09,958 --> 01:37:11,860
WE CAN'T DICTATE
OUR FINISHES, YOU KNOW.
2211
01:37:11,860 --> 01:37:13,795
I DON'T LIKE
THE SOUND OF THAT.
2212
01:37:13,795 --> 01:37:15,898
OF COURSE YOU DON'T.
2213
01:37:15,898 --> 01:37:19,667
BECAUSE UNDERNEATH
ALL THAT NEED TO BELIEVE,
2214
01:37:19,667 --> 01:37:24,106
HMM? UNDER ALL THE CONCRETE
YOU POURED INTO MY PEDESTAL,
2215
01:37:24,106 --> 01:37:26,608
SOMETHING IS CRYING
TO GET OUT.
2216
01:37:29,844 --> 01:37:31,179
WHAT?
2217
01:37:35,850 --> 01:37:38,553
YOU KNOW I CALLED
JUDGE WALTER STERN.
2218
01:37:40,455 --> 01:37:41,623
YES.
2219
01:37:45,627 --> 01:37:49,097
ANSELMO CALLED ME.
2220
01:37:51,466 --> 01:37:53,936
I KNEW THE MAFIOSO
HAD CALLED HIM,
2221
01:37:53,936 --> 01:37:57,405
BUT IN THIS BUSINESS,
YOU DON'T TRADE NAMES.
2222
01:37:57,405 --> 01:37:58,907
AND I CALLED WALTER.
2223
01:37:58,907 --> 01:38:02,344
THAT'S ALL THERE WAS
TO IT.
2224
01:38:03,912 --> 01:38:06,114
I WAS DOING
ANSELMO A FAVOR.
2225
01:38:10,318 --> 01:38:12,854
RUN CAUTION LIGHTS
ALL MY LIFE.
2226
01:38:12,854 --> 01:38:14,589
THIS TIME YOU RAN A RED,
2227
01:38:14,589 --> 01:38:17,092
AND SOMEONE CUT ACROSS
THE INTERSECTION--
2228
01:38:17,092 --> 01:38:19,194
A COP
AND A 6-YEAR-OLD CHILD.
2229
01:38:19,194 --> 01:38:22,064
THAT'S WITH ME FOREVER.
2230
01:38:22,064 --> 01:38:23,431
THAT'S NOT GOOD ENOUGH.
2231
01:38:23,431 --> 01:38:25,800
NOT GOOD ENOUGH?
2232
01:38:25,800 --> 01:38:28,803
UGH! YOU THINK
I DON'T KNOW THAT?
2233
01:38:28,803 --> 01:38:30,238
I HOPE SO, JOHN.
2234
01:38:30,238 --> 01:38:32,440
SCARES ME
WHEN YOU CALL ME JOHN.
2235
01:38:32,440 --> 01:38:34,009
YEAH? WHY'S THAT?
2236
01:38:35,410 --> 01:38:37,112
BECAUSE I, UH...
2237
01:38:38,313 --> 01:38:40,815
I THOUGHT A MINUTE AGO
WE WERE...
2238
01:38:40,815 --> 01:38:42,550
OFF TO THE WHITE HOUSE.
2239
01:38:42,550 --> 01:38:44,619
I...
2240
01:38:44,619 --> 01:38:47,355
I THOUGHT I COULD
FEEL YOU COME ABOARD.
2241
01:38:47,355 --> 01:38:49,291
YOU KNOW,
THE OLD MENSCHKEIT.
2242
01:38:52,727 --> 01:38:54,162
HORSESHIT.
2243
01:38:55,097 --> 01:38:56,664
MENSCHKEIT IS HORSESHIT.
2244
01:38:56,664 --> 01:38:59,267
IT'S 120 YEARS OF GRAFT
2245
01:38:59,267 --> 01:39:00,768
AND SWEETHEART CONTRACTS
AND FEATHERBEDS
2246
01:39:00,768 --> 01:39:02,504
AND INSIDE INFORMATION
AND GOLDEN PARACHUTES,
2247
01:39:02,504 --> 01:39:04,139
AND EVERYWHERE,
PEOPLE IN POWER
2248
01:39:04,139 --> 01:39:06,274
GATHER UP
TO CARVE UP THE TURF.
2249
01:39:06,274 --> 01:39:08,710
THAT'S YOUR MENSCHKEIT.
2250
01:39:08,710 --> 01:39:09,944
IT'S HORSESHIT,
2251
01:39:09,944 --> 01:39:11,946
AND YOU KNOW
WHERE YOU CAN PUT IT.
2252
01:39:11,946 --> 01:39:14,116
MAYBE SPREAD IT OUT
ALL OVER THE FIELDS.
2253
01:39:14,116 --> 01:39:15,583
WE CROSS OUR FINGERS,
GET A LITTLE RAIN,
2254
01:39:15,583 --> 01:39:16,784
MAYBE A FLOWER WILL GROW.
2255
01:39:16,784 --> 01:39:18,320
IT HAS.
2256
01:39:19,854 --> 01:39:21,623
OUT OF ALL THIS CRAP...
2257
01:39:23,125 --> 01:39:24,392
YOU EMERGED.
2258
01:39:24,392 --> 01:39:26,928
YOU'RE THE ONLY VOTER
I EVER CARED--
2259
01:39:26,928 --> 01:39:28,730
I'M GETTING
THAT OLD CON FEELING, JOHN,
2260
01:39:28,730 --> 01:39:30,065
LIKE YOU COPPING A PLEA.
2261
01:39:30,065 --> 01:39:32,467
NO, COME ON.
NO PLEA. NOPE.
2262
01:39:32,467 --> 01:39:34,969
I'M JUST A POL
WHO KEPT ROLLING ALONG
2263
01:39:34,969 --> 01:39:37,072
UNTIL HE RAN
INTO A STONE WALL.
2264
01:39:37,072 --> 01:39:39,141
YOU WERE THAT WALL,
2265
01:39:39,141 --> 01:39:40,275
AND I REALIZED,
2266
01:39:40,275 --> 01:39:43,245
JUST LIKE ME
WHEN I WAS A KID.
2267
01:39:43,245 --> 01:39:46,981
YOUNG, AMBITIOUS,
GO-GETTER...BUT FAIR?
2268
01:39:46,981 --> 01:39:48,550
TRADING UP, OF COURSE,
2269
01:39:48,550 --> 01:39:51,486
BUT ALWAYS FOR
THE RIGHT CAUSES.
2270
01:39:51,486 --> 01:39:52,487
YOU'RE DOING GOOD.
2271
01:39:52,487 --> 01:39:53,921
YOU'RE NOT PUTTING
MONEY IN YOUR POCKET.
2272
01:39:53,921 --> 01:39:56,458
YOU'RE JUST TRYING TO
MAINTAIN YOUR POSITION,
2273
01:39:56,458 --> 01:39:57,625
YOUR POWER.
2274
01:39:57,625 --> 01:40:00,695
'CAUSE WHAT GOOD ARE YOU
TO THE PEOPLE WITHOUT IT?
2275
01:40:00,695 --> 01:40:03,731
BUT DOWN DEEP...
2276
01:40:03,731 --> 01:40:05,033
YOU KNOW...
2277
01:40:05,033 --> 01:40:07,235
THERE'S A LINE
YOU CAN'T CROSS.
2278
01:40:09,404 --> 01:40:12,240
AND AFTER
A THOUSAND TRADES,
2279
01:40:12,240 --> 01:40:14,076
ONE DEAL TOO MANY...
2280
01:40:15,777 --> 01:40:17,779
THE LINE
GETS RUBBED OUT.
2281
01:40:22,817 --> 01:40:25,087
I HAD THE FIRE
IN THE BELLY
2282
01:40:25,087 --> 01:40:26,754
JUST LIKE YOU, KEVIN.
2283
01:40:27,655 --> 01:40:30,958
AND THE ODD THING IS,
I STILL HAVE IT.
2284
01:40:30,958 --> 01:40:33,095
NEVER LEFT ME.
2285
01:40:35,230 --> 01:40:37,499
I HAD THE DREAM...
2286
01:40:40,368 --> 01:40:42,137
AND I HAD THE WEIGHT.
2287
01:40:46,040 --> 01:40:48,810
LIKE ONE OF THOSE GUYS
BEFORE ME SAID...
2288
01:40:51,012 --> 01:40:54,682
"IF A SPARROW DIES
IN CENTRAL PARK,
2289
01:40:54,682 --> 01:40:56,218
I FEEL RESPONSIBLE."
2290
01:40:56,218 --> 01:40:59,053
WELL SAID.
I FEEL THAT WAY.
2291
01:40:59,053 --> 01:41:01,556
AND I WAS GONNA TAKE
THAT FEELING WITH ME...
2292
01:41:03,291 --> 01:41:05,293
ALL THE WAY
TO WASHINGTON.
2293
01:41:14,336 --> 01:41:16,504
THE THINGS
YOU COULD'VE DONE.
2294
01:41:16,504 --> 01:41:19,207
FUCKING THINGS
I COULD HAVE DONE.
2295
01:41:33,455 --> 01:41:36,224
YOU'RE GONNA TAKE
YOURSELF OUT, JOHN.
2296
01:41:40,862 --> 01:41:42,830
YOU'RE GONNA
TAKE YOURSELF OUT.
2297
01:42:02,284 --> 01:42:04,719
TAKE A LONG VACATION
IN GREECE.
2298
01:42:06,921 --> 01:42:08,590
PICK UP THE LAW AGAIN.
2299
01:42:08,590 --> 01:42:11,859
GO THE WAY OF
WILLIAM O'DWYER.
2300
01:42:11,859 --> 01:42:15,096
HE FUCKED UP AND PLAYED
AMBASSADOR TO MEXICO.
2301
01:42:15,096 --> 01:42:17,332
I'M NOT THAT AMBITIOUS.
2302
01:42:17,332 --> 01:42:20,402
THEN SUCK IT UP
AND FIND SOME OTHER WAY.
2303
01:42:21,736 --> 01:42:23,338
LISTEN TO YOU.
2304
01:42:23,338 --> 01:42:25,773
I THOUGHT I'D SEE
A BOY'S TEARS.
2305
01:42:27,342 --> 01:42:28,810
THE TEARS ARE THERE.
2306
01:42:30,245 --> 01:42:32,714
YOU JUST CAN'T
SEE 'EM RIGHT NOW.
2307
01:42:47,629 --> 01:42:50,198
[WHISPERING]
You got the stuff, Pappy.
2308
01:42:51,933 --> 01:42:54,669
I love to see it
in a guy.
2309
01:43:03,611 --> 01:43:07,181
P.A.: KEVIN CALHOUN
FOR CITY COUNCIL.
2310
01:43:07,181 --> 01:43:09,317
VOTERS OF
THE SIXTH DISTRICT,
2311
01:43:09,317 --> 01:43:12,454
COME MEET YOUR NEXT
CITY COUNCILMAN, KEVIN CALHOUN.
2312
01:43:12,454 --> 01:43:14,289
KEVIN CALHOUN.
HOW ARE YOU?
2313
01:43:14,289 --> 01:43:16,358
KEVIN CALHOUN.
2314
01:43:16,358 --> 01:43:18,226
HOW ABOUT SOME
OF THIS LITERATURE?
2315
01:43:18,226 --> 01:43:19,327
THANK YOU.
2316
01:43:19,327 --> 01:43:21,463
KEVIN CALHOUN.
HOW ARE YOU, SIR?
2317
01:43:21,463 --> 01:43:23,631
GOOD AFTERNOON, MA'AM.
KEVIN CALHOUN.
2318
01:43:23,631 --> 01:43:24,832
I'M RUNNING FOR
THE SIXTH DISTRICT
2319
01:43:24,832 --> 01:43:25,733
IN THIS PRIMARY,
2320
01:43:25,733 --> 01:43:26,968
AND WE GOT SOME
IMPORTANT ISSUES.
2321
01:43:26,968 --> 01:43:28,169
WE NEED TO CLEAN
THIS PLACE UP.
2322
01:43:28,169 --> 01:43:28,970
WE'RE TURNING INTO
A STRIP MALL.
2323
01:43:28,970 --> 01:43:30,071
I'D LOVE YOUR VOTE.
2324
01:43:30,071 --> 01:43:31,138
HEY. KEVIN CALHOUN.
HOW YOU DOING?
2325
01:43:31,138 --> 01:43:32,139
I'M RUNNING
FOR CITY COUNCIL.
2326
01:43:32,139 --> 01:43:33,408
HELLO, MA'AM.
KEVIN CALHOUN.
2327
01:43:33,408 --> 01:43:34,976
I'M RUNNING
FOR CITY COUNCIL.
2328
01:43:34,976 --> 01:43:36,711
GREAT. I'LL
VOTE FOR YOU.
2329
01:43:36,711 --> 01:43:37,745
HELLO, SIR.
2330
01:43:37,745 --> 01:43:39,447
KE--
2331
01:43:41,249 --> 01:43:43,017
[LAUGHING]
2332
01:43:43,017 --> 01:43:44,252
GOOD AFTERNOON, MA'AM.
2333
01:43:44,252 --> 01:43:45,820
WILL YOU BE VOTING
IN THE UPCOMING PRIMARY?
2334
01:43:45,820 --> 01:43:49,123
WELL, YOU'RE RUNNING IN
THE SIXTH DISTRICT, AREN'T YOU?
2335
01:43:49,123 --> 01:43:50,625
YES, I AM.
2336
01:43:50,625 --> 01:43:52,660
WELL, SIXTH DISTRICT
IS MY DISTRICT,
2337
01:43:52,660 --> 01:43:55,697
AND I'M VERY INTERESTED IN WHO'S
GOING TO BE REPRESENTING ME.
2338
01:43:55,697 --> 01:43:58,300
WELL, I'M INTERESTED
THAT YOU'RE INTERESTED.
2339
01:43:58,300 --> 01:44:00,167
AS HUEY LONG ONCE SAID,
AND I QUOTE,
2340
01:44:00,167 --> 01:44:01,536
"IF YOU GOT A FRIEND,
YOU GOT A VOTE."
2341
01:44:01,536 --> 01:44:03,137
OH, DID HE SAY THAT?
2342
01:44:03,137 --> 01:44:04,439
YEAH, HE SURE DID.
2343
01:44:04,439 --> 01:44:06,107
HE ALSO TOLD ME TO MOVE
TO THE SIXTH DISTRICT
2344
01:44:06,107 --> 01:44:07,208
SO I CAN RUN IN IT,
2345
01:44:07,208 --> 01:44:09,344
SAID THE PEOPLE
ARE REAL SPECIAL.
2346
01:44:09,344 --> 01:44:10,945
SO DO I HAVE YOUR VOTE?
2347
01:44:10,945 --> 01:44:12,179
YOU CAN COUNT ON IT.
2348
01:44:12,179 --> 01:44:13,481
WELL, THAT'S ONE.
2349
01:44:13,481 --> 01:44:15,950
NO, MORE THAN ONE,
ACTUALLY.
2350
01:44:15,950 --> 01:44:20,054
I HEAR ELAINE SANTOS IS READY
TO STAND UP FOR YOU.
2351
01:44:20,054 --> 01:44:21,623
SOUNDS LIKE
A GROUNDSWELL.
2352
01:44:21,623 --> 01:44:23,825
YEAH.
2353
01:44:23,825 --> 01:44:26,828
Kevin, narrating: I WISH
I COULD TELL YOU I WON,
2354
01:44:26,828 --> 01:44:27,795
BUT I GOT THRASHED
2355
01:44:27,795 --> 01:44:30,097
BY A DOMINICAN
FROM 104th STREET.
2356
01:44:30,097 --> 01:44:32,767
I GOT BRANDED AN OUTSIDER,
AND I WAS NEVER IN IT.
2357
01:44:32,767 --> 01:44:35,903
BUT I'LL BE BACK
IN 2 YEARS, AND I'LL WIN.
2358
01:44:35,903 --> 01:44:37,271
YOU KNOW WHY?
2359
01:44:37,271 --> 01:44:39,273
I'M WILLING TO BE LUCKY.
2360
01:44:39,273 --> 01:44:41,376
AND IF YOU'RE WILLING
TO BE LUCKY,
2361
01:44:41,376 --> 01:44:43,478
NEW YORK'LL GIVE YOU
A CHANCE.
2362
01:44:52,854 --> 01:44:55,857
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2363
01:44:55,857 --> 01:44:59,060
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
154653
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