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♪ I DON'T WANT TO WAIT FOR
MORE ♪
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00:00:05,000 --> 00:00:11,966
>> Narrator: PREVIOUSLY
ON LOVE ISLAND...
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00:00:12,000 --> 00:00:12,966
♪♪♪
>> Narrator: 10 SEXY
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00:00:13,000 --> 00:00:13,933
SINGLES COUPLED UP.
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00:00:13,966 --> 00:00:17,966
>> THE GI GIRL I WOULD LIKE
TO COUPLE UP WITH
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00:00:18,000 --> 00:00:19,966
IS...CELY.
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>> Narrator: JOHNNY
CHOSE CELY.
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AND THEN...TWO NEW GIRLS
CAUSED A STIR.
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00:00:32,900 --> 00:00:37,966
>> HERE IS TO US.
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00:00:38,000 --> 00:00:40,000
>> I'M NOT HERE TO, LIKE,
WASTE TIME.
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00:00:40,566 --> 00:00:42,366
>> IT
IS A DIFFERENT
ENVIRONMENT.
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00:00:42,400 --> 00:00:45,866
>> IT IS A SHAME IT WASN'T
SUPPOSED TO WORK OUT WITH
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00:00:45,900 --> 00:00:48,166
WHO EYE PICKED AND THINGS
WEREN'T SUPPOSED TO WORK
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00:00:48,200 --> 00:00:50,066
OUT WITH WHO YOU PICKED.
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00:00:50,100 --> 00:00:50,800
>> Narrator: TONIGHT...
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00:00:50,833 --> 00:00:54,000
>> THIS IS, LIKE, A
HEARTBREAK.
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00:00:54,033 --> 00:00:58,700
>> BUT I CAN'T HELP THE
VIBES.
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00:00:58,733 --> 00:01:04,433
>> Narrator: THE BATTLE
FOR ONE KISSER IS ON.
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00:01:04,466 --> 00:01:05,966
>> YOU'RE A GOOD KISSER.
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>> JUSTINE ‐‐ I REALLY
DON'T KNOW.
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♪♪♪
♪ AIN'T MY FAULT ♪
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00:01:26,000 --> 00:01:27,966
♪♪♪
♪ GOT TO BLAME IT ON MY
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00:01:28,000 --> 00:01:31,966
JUICE ♪
>> Narrator: 2,080
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MINUTES SINCE WE LAST SAW
EACH OTHER.
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SO LET'S DIG IN.
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>> ALL YOU BEAUTIFUL
PEOPLE, LET'S CELEBRATE
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TONIGHT.
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>> BEER PONG, WHAT IS
THIS, THE FRATERNITY OF
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00:01:51,000 --> 00:01:51,733
VILLA‐CRAP‐IDEA.
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00:01:51,766 --> 00:01:57,966
WHAT IS THAT, TRUTH OR
DARE?
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>> OF COURSE.
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00:01:58,966 --> 00:02:03,733
>> DO YOU DARE LICK
SOMEONE SOMEWHERE FROM THE
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00:02:03,766 --> 00:02:07,833
NECK UP.
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00:02:07,866 --> 00:02:14,333
[YELLING]
>> STOP.
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00:02:14,366 --> 00:02:17,966
OH, MY GOSH.
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>> OKAY, JUSTINE, TRUTH OR
DARE?
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>> I'LL DO DARE.
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00:02:22,666 --> 00:02:23,533
>> OOH.
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00:02:23,566 --> 00:02:25,600
JUST DO IT REAL QUICK.
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00:02:25,633 --> 00:02:32,466
[LAUGHTER]
>> JUST A LITTLE PECK.
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00:02:32,500 --> 00:02:34,800
[LAUGHTER]
>> KAITLYN, TRUTH OR DARE?
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00:02:34,833 --> 00:02:38,366
>> TRUTH.
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00:02:38,400 --> 00:02:42,133
>> H'MMM...IF YOU COULD
PICK ANY OTHER GUY TO
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COUPLE UP WITH THAT IS NOT
YOUR PARTNER, WHO WOULD IT
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00:02:44,700 --> 00:02:45,266
BE?
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00:02:45,300 --> 00:02:46,666
>> OH, GETTING DOWN TO IT?
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00:02:46,700 --> 00:02:50,900
>> WELL, NOW IT WOULD BE
TRE.
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00:02:50,933 --> 00:02:54,233
>> I LOVE THIS.
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00:02:54,266 --> 00:02:57,366
[LAUGHTER]
>> MAN, I'M NOT GOING TO
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00:02:57,400 --> 00:02:59,166
LIE.
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KAITLYN DEFINITELY THREW
ME FOR A LOOP WHEN SHE
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00:03:01,566 --> 00:03:03,433
SAID SHE WOULD COUPLE UP
WITH ME.
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00:03:03,466 --> 00:03:04,866
>> TRE, TRUTH OR DARE?
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00:03:04,900 --> 00:03:05,866
>> DARE.
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00:03:05,900 --> 00:03:11,866
>> I DARE YOU TO KISS
KAITLYN FOR FIVE SECONDS.
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00:03:11,900 --> 00:03:14,133
>> THAT'S A LONG TIME.
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00:03:14,166 --> 00:03:16,266
>> C'MON!
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00:03:16,300 --> 00:03:22,466
>> FIVE, FOUR, THREE, TWO,
ONE!
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00:03:22,500 --> 00:03:24,600
[LAUGHTER]
>> THAT WAS A FAST FIVE
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00:03:24,633 --> 00:03:25,533
SECONDS, BUT IT WAS FUN.
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00:03:25,566 --> 00:03:26,333
>> IT WAS.
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>> LET IT KEEP GOING.
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>> I NEED TO ASK SOMEONE,
TRUTH OR DARE?
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>> DARE.
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00:03:34,500 --> 00:03:39,366
>> LICK MACKENZIE FROM HER
FOOT UP TO HER THIGH.
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00:03:39,400 --> 00:03:43,266
>> NO, THAT'S NOT EVEN
NICE TO HIM BECAUSE I
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00:03:43,300 --> 00:03:44,200
HAVEN'T SHOWERED YET.
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00:03:44,233 --> 00:03:48,900
[LAUGHTER]
>> GET IN THERE!
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00:03:48,933 --> 00:03:52,400
>> THAT'S DOING THE SEXY.
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00:03:52,433 --> 00:03:56,000
[LAUGHTER]
>> JUST DO IT!
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>> OH, MY GOSH!
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>> OKAY, THAT'S ALL GOOD.
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00:04:02,933 --> 00:04:04,966
>> OH!
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>> MAN!
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>> ONE MORE TIME FOR THE
PEOPLE IN THE BACK.
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[LAUGHTER]
>> KAITLYN'S TRUTH OR DARE
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REVELATION HAS TRE SEEING
HER IN A NEW LIGHT, A
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00:04:18,000 --> 00:04:21,966
GIANT, GREEN, $20,000 AN
HOUR NEON LOVE HARSH
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00:04:22,000 --> 00:04:22,966
LIGHT.
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00:04:23,000 --> 00:04:25,466
>> IN THE TRUTH OR DARE
GAME, THEY ASKED YOU ON
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00:04:25,500 --> 00:04:27,866
YOUR TRUTH, AS FAR AS,
LIKE, PAIRING UP ‐‐
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>> YEAH.
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00:04:28,433 --> 00:04:32,966
>> WHY DID YOU SAY ME?
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00:04:33,000 --> 00:04:36,266
>> THE REASON WHY I PICKED
YOU IS BECAUSE I THINK
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00:04:36,300 --> 00:04:37,966
YOU'RE ABSOLUTELY AMAZING.
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00:04:38,000 --> 00:04:39,966
YOU'RE REALLY SWEET AND
YOU'RE KIND, AND YOU'VE
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00:04:40,000 --> 00:04:44,966
ALWAYS MADE ME FEEL VERY
COMFORTABLE AND SAFE, LIKE
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THAT YOU'RE ACTUALLY,
GENUINELY INTERESTED IN,
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00:04:48,000 --> 00:04:49,200
LIKE, HEY, WHAT'S UP?
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00:04:49,233 --> 00:04:49,966
YOU KNOW WHAT I MEAN?
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00:04:50,000 --> 00:04:51,600
THAT'S REALLY IMPORTANT TO
ME.
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00:04:51,633 --> 00:04:52,966
>> I'M NOT GOING TO LIE,
IT LOOKED LIKE YOU WERE
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00:04:53,000 --> 00:04:54,900
EXPECTING MORE THAN WHAT I
GAVE YOU OVER THERE.
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00:04:54,933 --> 00:04:59,100
>> I WAS OH, MY GOSH, HE
IS A NICE KISSER.
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00:04:59,133 --> 00:05:01,000
HE HAS DEFINITELY NICE
LIPS.
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00:05:01,033 --> 00:05:04,033
>> I WOULD DEFINITELY LIKE
TO KISS YOU MORE?
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00:05:04,066 --> 00:05:07,666
>> WELL, WE'LL SEE WHAT
THE FUTURE HOLDS.
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00:05:07,700 --> 00:05:10,433
>> TRE EXPRESSED A LITTLE
BIT OF INTEREST IN ME, SO
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00:05:10,466 --> 00:05:12,666
WE'LL SEE WHERE THAT GOES.
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00:05:12,700 --> 00:05:22,966
YOU NEVER KNOW WHAT COULD
HAPPEN IN HERE.
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00:05:23,000 --> 00:05:26,166
>> YOU'VE GOT TO GO BACK
TO THE SPOT.
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00:05:26,200 --> 00:05:27,766
>> THAT WAS OUR SPOT.
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00:05:27,800 --> 00:05:29,000
>> THAT IS THE MAIN SPOT.
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00:05:29,033 --> 00:05:30,200
>> THIS IS OUR SPOT.
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00:05:30,233 --> 00:05:33,166
>> SO, MR. POPULAR RIGHT
NOW.
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00:05:33,200 --> 00:05:33,900
>> STOP.
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STOP.
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I WANT TO TALK TO YOU
BECAUSE THIS IS, LIKE, A
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00:05:36,000 --> 00:05:37,966
TALK THAT WE OBVIOUSLY
NEED TO HAVE.
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>> THE WAY YOU'RE SETTING
THIS UP RIGHT NOW, SHOULD
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00:05:41,133 --> 00:05:42,800
I BE NERVOUS?
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00:05:42,833 --> 00:05:43,333
>> NO.
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00:05:43,366 --> 00:05:44,033
NO.
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00:05:44,066 --> 00:05:45,033
DON'T BE NERVOUS.
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00:05:45,066 --> 00:05:46,833
IT IS JUST LIKE I WANT TO
CLEAR UP SOME THINGS.
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00:05:46,866 --> 00:05:48,466
>> YES.
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00:05:48,500 --> 00:05:52,966
>> OBVIOUSLY, THE GAME
THAT WE WERE JUST PLAYING,
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00:05:53,000 --> 00:05:57,900
THE TRUTH OR DARE, WITH
EVERYBODY THERE, IT'S JUST
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00:05:57,933 --> 00:05:58,900
LIKE THINGS HAPPENED AND
SOME THINGS WERE SAID THAT
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00:05:58,933 --> 00:06:00,766
INVOLVED KAITLYN, AS FAR
AS HER TALKING ABOUT HOW
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00:06:00,800 --> 00:06:04,333
SHE WOULD PAIR UP WITH ME,
AND I GOT A DARE TO KISS
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00:06:04,366 --> 00:06:04,800
HER.
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00:06:04,833 --> 00:06:06,333
>> YES.
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00:06:06,366 --> 00:06:11,433
>> I FEEL LIKE I STILL
VIBE WITH YOU MORE NATURAL
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00:06:11,466 --> 00:06:13,466
THAN I VIBE WITH KAITLYN.
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00:06:16,000 --> 00:06:17,033
>> YES.
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00:06:17,066 --> 00:06:20,233
>> I WOULD BE A LIAR IF I
SAT HERE AND TOLD YOU THAT
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I'M NOT ATTRACTED TO
KAITLYN ‐‐
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00:06:22,000 --> 00:06:24,966
>> ‐‐ BECAUSE EVERYBODY
HERE ‐‐ SHE'S AN
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00:06:25,000 --> 00:06:26,433
ATTRACTIVE GIRL.
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00:06:26,466 --> 00:06:28,433
SO JUSTINE'S PERSONALITY
IS VERY, VERY COOL.
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00:06:28,466 --> 00:06:33,966
WE'VE GOT A COMFORT LEVEL
THAT IS, LIKE, ALL THE WAY
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00:06:34,000 --> 00:06:35,033
UP THERE.
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00:06:35,066 --> 00:06:38,966
I HONESTLY FEEL A LOT MORE
COMFORTABLE OPENING UP TO
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00:06:39,000 --> 00:06:44,966
JUSTINE VERSUS OPENING UP
MYSELF TO KAITLYN.
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00:06:45,000 --> 00:06:47,466
LIKE WITH ME OPENING UP, I
FEEL LIKE MAYBE I HAVE
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00:06:47,500 --> 00:06:51,200
BEEN A LITTLE BIT
RESERVED, AND CLOSED
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00:06:51,233 --> 00:06:51,966
OFF ‐‐
>> YES.
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00:06:52,000 --> 00:06:54,033
>> AND MAYBE I COULD OPEN
UP?
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00:06:54,066 --> 00:06:54,966
>> YEAH!
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I WAS TELLING YOU THAT.
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00:06:55,733 --> 00:06:57,533
>> I DON'T WANT TO GET
HURT.
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00:06:57,566 --> 00:07:00,666
>> I DON'T WANT TO GET
HURT.
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00:07:00,700 --> 00:07:02,900
TRE, YOU ARE A
HEARTBREAKER.
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00:07:02,933 --> 00:07:04,033
I SEE IT IN YOUR EYES.
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00:07:04,066 --> 00:07:06,366
>> I'M A HEARTBREAKER?
147
00:07:06,400 --> 00:07:09,266
>> YOU SEEM LIKE A
HEARTBREAKER, AND THAT'S
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00:07:09,300 --> 00:07:11,600
WHY I'VE NERVOUS AND
SKEPTICAL IS LITTLE BIT.
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00:07:11,633 --> 00:07:15,500
BUT I CAN'T HELP THE
VIBES, I CAN'T HELP THE
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00:07:15,533 --> 00:07:17,200
GENUINE, LIKE, CONNECTION
THAT WE HAVE.
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00:07:17,233 --> 00:07:21,266
AT THE MOMENT I'M COUPLED
UP WITH JEREMIAH, BUT TRE
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00:07:21,300 --> 00:07:23,233
IS CUTE, AND DEFINITELY
CHARMING.
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00:07:23,266 --> 00:07:28,133
HE KNOWS HOW TO, LIKE,
REALLY WOO A GIRL.
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00:07:28,166 --> 00:07:35,033
IF SOMEONE SHOWS ME
ATTENTION, AND I'M,
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00:07:35,066 --> 00:07:37,000
LIKE ‐‐ I KNOW YOU HAVE A
HEART.
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00:07:37,033 --> 00:07:38,333
>> YES, I HAVE A HEART.
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00:07:38,366 --> 00:07:44,233
>> YOU'LL HAVE A GIRL,
LIKE, WOW, WOW, WOW.
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00:07:44,266 --> 00:07:47,800
THERE IT IS, THERE IS THAT
SOFT TRE.
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00:07:47,833 --> 00:07:52,500
I'M A SUCKER FOR FOREHEAD
KISSES, YOU KNOW THAT?
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00:07:52,533 --> 00:07:53,100
>> ARE YOU?
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00:07:53,133 --> 00:07:54,100
>> YES.
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00:07:54,133 --> 00:08:00,133
>> I FELT LIKE I GOT A
BETTER UNDERSTANDING ON ME
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00:08:00,166 --> 00:08:01,266
AND KAITLYN'S
RELATIONSHIP.
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00:08:01,300 --> 00:08:05,400
I'M JUST READY TO FIND
SOMEBODY THAT I CAN SHARE
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00:08:05,433 --> 00:08:08,400
MY HAPPY MOMENTS WITH.
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00:08:08,433 --> 00:08:12,466
>> Narrator: THE
JEREMIAH CHECK‐LIST,
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00:08:12,500 --> 00:08:13,866
FRIEND‐ZONE JUSTINE,
CHECK.
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00:08:13,900 --> 00:08:17,233
MAKE OUT WITH RACHEL IN
TRUTH OR DARE?
169
00:08:17,266 --> 00:08:18,766
CHECK.
170
00:08:18,800 --> 00:08:23,466
GET RACHEL ALONE?
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00:08:23,500 --> 00:08:24,633
CHECK...IT OUT.
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00:08:24,666 --> 00:08:27,933
>> THIS DAY WAS DEFINITELY ‐‐ LI
GOOD TO HAVE A FULL DAY IN
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00:08:27,966 --> 00:08:30,466
THE VILLA AND REALLY HANG
OUT WITH EVERYONE.
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00:08:30,500 --> 00:08:37,166
>> IS THAT HOW YOU FEEL
ABOUT TAKING IT HOME?
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00:08:37,200 --> 00:08:39,100
YEAH.
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00:08:39,133 --> 00:08:40,200
>> LET'S JUMP IN.
177
00:08:40,233 --> 00:08:43,966
>> YOU SEEM LIKE YOU KNOW
WHAT YOU WANT.
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00:08:44,000 --> 00:08:48,566
>> IF I HAD 10 EGGS, EIGHT
EGGS ARE, LIKE, IN YOUR
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00:08:48,600 --> 00:08:49,433
BASKET.
180
00:08:49,466 --> 00:08:54,700
SO THEY'RE YOUR EGGS TO
LOSE, BASICALLY.
181
00:08:54,733 --> 00:08:57,266
BUT YOU STILL HAVE TO GAIN
TWO MORE.
182
00:08:57,300 --> 00:08:59,600
YOU'VE GOT TO WORK A
LITTLE BIT.
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00:08:59,633 --> 00:09:01,766
>> I LIKE TO WORK.
184
00:09:01,800 --> 00:09:05,200
I'M GONNA EARN THEM.
185
00:09:05,233 --> 00:09:07,000
YEAH.
186
00:09:07,033 --> 00:09:09,166
♪♪♪
>> JEREMIAH IS VERY
187
00:09:09,200 --> 00:09:12,233
ATTRACTIVE AND REALLY
COOL.
188
00:09:12,266 --> 00:09:17,166
WE REALLY, REALLY GET
ALONG, AND REALLY, REALLY
189
00:09:17,200 --> 00:09:18,966
CONNECT.
190
00:09:19,000 --> 00:09:21,700
I'M REALLY, REALLY EXCITED
FOR WHAT IS TO COME.
191
00:09:21,733 --> 00:09:26,966
>> WE BE VIBEING, MAN, SO
WE CLICK PRETTY WELL.
192
00:09:27,000 --> 00:09:32,666
YOU KNOW WHAT I'M SAYING?
193
00:09:32,700 --> 00:09:36,666
I'VE BEEN TEASING ALL DAY.
194
00:09:36,700 --> 00:09:38,966
>> Narrator: CARRINGTON
AND KAITLYN'S RELATIONSHIP
195
00:09:39,000 --> 00:09:42,933
HAS BEEN HELD TOGETHER BY
THE UNBREAKABLE GLUE OF A
196
00:09:42,966 --> 00:09:45,066
REALITY TV FORMAT.
197
00:09:45,100 --> 00:09:49,266
BUT CARRINGTON IS HOPING
TO MOVE ON WITH INTO GIRL
198
00:09:49,300 --> 00:09:54,400
KIERSTAN OVER SOMETHING
FAR MORE SUBSTANTIAL: HIS
199
00:09:54,433 --> 00:09:55,433
BICEPS.
200
00:09:55,466 --> 00:09:57,466
>> AND THEN THE ARM ‐‐ I'M
NOT GOING TO TRY ALL OF
201
00:09:57,500 --> 00:10:02,266
THAT.
202
00:10:02,300 --> 00:10:04,066
NOW I'M REALLY GLAD I MET
YOU.
203
00:10:04,100 --> 00:10:08,066
>> KIERSTAN IS VERY SEXY,
THE WAY SHE WALKS, TALKS,
204
00:10:08,100 --> 00:10:09,100
AND ACTS.
205
00:10:09,133 --> 00:10:12,033
SHE LOOKS LIKE SHE WOULD
BE A FLIGHT ATTENDANT ON A
206
00:10:12,066 --> 00:10:13,066
PRIVATE DUBAI AIRPLANE.
207
00:10:13,100 --> 00:10:19,300
THAT IS HOW SHE LOOKED
TODAY, ONE OF THE SEXIEST
208
00:10:19,333 --> 00:10:20,266
GIRLS I'VE EVER SEEN.
209
00:10:20,300 --> 00:10:24,000
EVERYONE HERE WAS SO
STOKED WHEN I MET YOU
210
00:10:24,033 --> 00:10:27,966
BECAUSE I WASN'T GETTING
ALONG WITH HER, AND I WAS,
211
00:10:28,000 --> 00:10:30,500
LIKE, MISERABLE, AND I
WAS, LIKE, THIS SUCKS, AND
212
00:10:30,533 --> 00:10:33,566
I MET YOU, AND BOOM,
PERFECT.
213
00:10:33,600 --> 00:10:34,266
THERE YOU GO.
214
00:10:34,300 --> 00:10:35,233
I'M PERFECT.
215
00:10:35,266 --> 00:10:40,200
I FOUND A GIRL WHO I'M
DYING TO GET TO KNOW AND
216
00:10:40,233 --> 00:10:41,066
HAVE FUN WITH.
217
00:10:41,100 --> 00:10:43,100
>> IT HAS DEFINITELY BEEN
FUN.
218
00:10:43,133 --> 00:10:47,533
>> AND MAYBE WE WILL KISS
TO THAT?
219
00:10:47,566 --> 00:10:52,066
>> UH‐HUH.
220
00:10:54,900 --> 00:10:56,766
>> I'LL GIVE YOU MORE
LATER.
221
00:10:56,800 --> 00:10:57,366
>> OKAY.
222
00:10:57,400 --> 00:11:00,033
>> I'M JUST KIDDING.
223
00:11:00,066 --> 00:11:02,733
[LAUGHTER]
♪♪♪
224
00:11:02,766 --> 00:11:05,966
>> Narrator: DURING THE
EXCESS BAGGAGE CHALLENGE
225
00:11:06,000 --> 00:11:10,966
IT WAS REVEALED MOIRA ONCE
USED A SIDEWALK AS A
226
00:11:11,000 --> 00:11:13,566
RESTROOM, AND SHE WAS
CONCERNED IT MIGHT MAKE
227
00:11:13,600 --> 00:11:15,066
HER NUMBER TWO IN JAMES'
EYES.
228
00:11:15,100 --> 00:11:17,966
>> WHEN YOU SAID THAT,
EVERYONE WAS, LIKE, OH, MY
229
00:11:18,000 --> 00:11:18,666
GOSH, GROSS.
230
00:11:18,700 --> 00:11:21,966
TO BE HONEST, I WAS, LIKE,
YES!
231
00:11:22,000 --> 00:11:23,833
BECAUSE I SWEAR THAT
HAPPENED TO ME.
232
00:11:23,866 --> 00:11:26,966
YOU'RE SO DISGUSTING A
LITTLE BIT.
233
00:11:27,000 --> 00:11:27,700
>> I KNOW.
234
00:11:27,733 --> 00:11:28,733
>> IT'S OKAY.
235
00:11:28,766 --> 00:11:31,666
>> THIS IS THE REASON I'M
GROWING TO BE SO FOND OF
236
00:11:31,700 --> 00:11:33,866
HIM, IS BECAUSE WITHOUT
ANY QUESTION OR
237
00:11:33,900 --> 00:11:36,800
HESITATION, HE WAS THERE
FOR ME AND HAD MY BACK.
238
00:11:36,833 --> 00:11:39,866
I FEEL LIKE WE RELATE
TOGETHER SO MUCH.
239
00:11:39,900 --> 00:11:42,966
SOMETIMES I FEEL LIKE HE
IS READING MY MIND.
240
00:11:43,000 --> 00:11:44,200
I'M, LIKE, GETTING
EXCITED.
241
00:11:44,233 --> 00:11:47,533
I HAVE, LIKE, BUTTERFLIES
FOR THIS WHOLE THING.
242
00:11:47,566 --> 00:11:49,733
>> HOW DO YOU FEEL ABOUT
US RIGHT NOW?
243
00:11:49,766 --> 00:11:50,600
>> I LIKE US.
244
00:11:50,633 --> 00:11:53,300
>> I'M DROPPING THE BOMB.
245
00:11:53,333 --> 00:11:56,100
>> WHEN I THINK ABOUT US,
IT MAKES ME EXCITED FOR
246
00:11:56,133 --> 00:11:58,266
MORE US, IF THAT MAKES
SENSE.
247
00:11:58,300 --> 00:12:05,333
♪ THE FIRST TIME ♪
♪ YOU'RE THE LIGHT IN MY
248
00:12:05,366 --> 00:12:13,500
EYE ♪
♪ THE FIRST TIME ♪
249
00:12:13,533 --> 00:12:17,633
♪ I DON'T CARE ♪
>> OH!
250
00:12:17,666 --> 00:12:20,200
>> STOCK FOOTAGE.
251
00:12:20,233 --> 00:12:25,333
♪ WHAT YOU SAY, AS LONG AS
YOU LOVE ME ♪
252
00:12:25,366 --> 00:12:28,900
>> YOU'RE SO GIDDY, AND
I'M LOVING EVERY SECOND OF
253
00:12:28,933 --> 00:12:29,733
THIS.
254
00:12:29,766 --> 00:12:31,400
>> ARE YOU GOING TO SECOND
BASE TODAY?
255
00:12:31,433 --> 00:12:34,333
>> HE TOLD ME HE IS GOING
TO PUT HIS ARM AROUND
256
00:12:34,366 --> 00:12:36,433
ME ‐‐
>> ARE YOU GOING TO TOUCH
257
00:12:36,466 --> 00:12:42,066
ON HIM AND CUDDLE, YOUR
BACK WITH YOUR BUTT.
258
00:12:42,100 --> 00:12:43,733
>> OH!
259
00:12:43,766 --> 00:12:44,966
>> GET AWAY.
260
00:12:45,000 --> 00:12:48,733
>> YOU CAN ACCIDENTALLY
ACT LIKE YOU'RE RUBBING
261
00:12:48,766 --> 00:12:51,766
THE BLANKET ‐‐
>> AND YOU'RE, LIKE, OH,
262
00:12:51,800 --> 00:12:52,233
SORRY.
263
00:12:52,266 --> 00:12:55,066
I GRABBED MY LEG.
264
00:12:55,100 --> 00:13:04,666
♪ I WAS HIDING ♪
♪ BUT I GUESS IT SHOWS ♪
265
00:13:04,700 --> 00:13:13,266
>> THERE WE GO.
266
00:13:13,300 --> 00:13:23,200
♪ AS LONG AS YOU LOVE ME ♪
♪ I DON'T CARE YOU ARE ♪
267
00:13:23,233 --> 00:13:27,966
♪ WHERE YOU'RE FROM ♪
♪ WHAT YOU SAY ♪
268
00:13:28,000 --> 00:13:30,000
♪ AS LONG AS YOU LOVE ME ♪
♪♪♪
269
00:13:41,700 --> 00:13:43,700
♪ AS YOU LOVE ME ♪
270
00:13:58,000 --> 00:13:58,966
♪♪♪
>> Narrator: RISE AND
271
00:13:59,000 --> 00:14:01,966
SHINE, ISLANDERS, MINTAFY
THOSE PEARLIE WHITES.
272
00:14:02,000 --> 00:14:04,466
THERE IS A DAY OF MAKING
OUT WITH SOMEONE ELSE'S
273
00:14:04,500 --> 00:14:07,966
PARTNER.
274
00:14:08,000 --> 00:14:09,866
>> WAKE UP, PEOPLE.
275
00:14:09,900 --> 00:14:12,366
TODAY WAITS FOR NO ONE.
276
00:14:12,400 --> 00:14:15,966
♪ I'M NO LONGER
BROKENHEARTED ♪
277
00:14:16,000 --> 00:14:17,866
♪ SO GLAD I CAME HERE
TONIGHT ♪
278
00:14:17,900 --> 00:14:20,633
>> YOU WERE SNORING FOR SO
LONG.
279
00:14:20,666 --> 00:14:21,266
>> REALLY?
280
00:14:21,300 --> 00:14:22,200
>> YEAH.
281
00:14:22,233 --> 00:14:24,233
[LAUGHTER]
>> IT'S FUNNY.
282
00:14:27,000 --> 00:14:31,033
>♪ I'M SO READY TO GET ON
IT ♪
283
00:14:31,066 --> 00:14:32,233
>> HOW WAS LAST NIGHT?
284
00:14:32,266 --> 00:14:36,233
>> WE MADE OUT SO MUCH.
285
00:14:36,266 --> 00:14:36,833
[LAUGHTER]
>> WHAT?
286
00:14:36,866 --> 00:14:38,833
DID YOU GO TO SECOND BASE?
287
00:14:38,866 --> 00:14:41,300
>> OH, YEAH, DID YOU?
288
00:14:41,333 --> 00:14:42,266
>> YEAH.
289
00:14:42,300 --> 00:14:46,966
>> I KEEP TRYING TO FIGURE
OUT JOHNNY'S SIDES.
290
00:14:47,000 --> 00:14:49,766
>> I'M DEAD.
291
00:14:49,800 --> 00:14:55,133
[LAUGHTER]
>> WE GOT, LIKE, PRETTY
292
00:14:55,166 --> 00:14:55,433
CLOSE.
293
00:14:55,466 --> 00:14:56,433
>> NICE.
294
00:14:56,466 --> 00:14:58,833
>> DO IT, MAN.
295
00:14:58,866 --> 00:15:01,933
♪♪♪
♪ I CAME HERE FOR LOVE ♪
296
00:15:01,966 --> 00:15:08,933
♪ I CAME HERE FOR LOVE ♪
♪ I CAME HERE FOR LOVE ♪
297
00:15:08,966 --> 00:15:14,200
>> OH!
298
00:15:14,233 --> 00:15:16,966
♪♪♪
>> WHAT ARE YOU GRUNTING
299
00:15:17,000 --> 00:15:17,433
FOR?
300
00:15:17,466 --> 00:15:18,966
IT'S FIVE POUNDS.
301
00:15:19,000 --> 00:15:21,766
[LAUGHTER]
>> IT'S LIGHT WORK
302
00:15:21,800 --> 00:15:22,633
(laughing).
303
00:15:22,666 --> 00:15:23,633
[LAUGHTER]
>> Narrator: TURN THIS
304
00:15:23,666 --> 00:15:28,500
WAY, TURN THAT WAY, TURN
THIS WAY, TURN THAT WAY,
305
00:15:28,533 --> 00:15:34,900
TURN THIS WAY, TURN THAT
WAY ‐‐ EXIT!
306
00:15:34,933 --> 00:15:37,766
>> ARMS DOWN.
307
00:15:37,800 --> 00:15:42,366
THANK YOU.
308
00:15:42,400 --> 00:15:46,733
>> I GOT A MOUTHFUL OF
SWEAT.
309
00:15:46,766 --> 00:15:48,133
>> I SAW THAT.
310
00:15:48,166 --> 00:15:51,166
>> I LIKE A LOT OF THINGS
ABOUT KIERSTAN.
311
00:15:51,200 --> 00:15:54,233
I THINK SHE IS SO SIMILAR
TO ME, THE THINGS SHE
312
00:15:54,266 --> 00:15:56,666
LAUGHS AT, THAT SHE LIKES
TO JOKE ABOUT.
313
00:15:56,700 --> 00:16:02,266
WE BOTH HAVE A SIMILAR
LOOK, IT IS ALMOST LIKE
314
00:16:02,300 --> 00:16:03,166
EXOTIC.
315
00:16:03,200 --> 00:16:04,966
WE JUST KIND OF ON ALL
LEVELS ARE MATCHING.
316
00:16:05,000 --> 00:16:07,533
IT IS DEFINITELY SOMETHING
THAT ‐‐ THIS IS WILD YOU
317
00:16:07,566 --> 00:16:08,800
CAME IN HERE.
318
00:16:08,833 --> 00:16:09,366
I'M SO GLAD.
319
00:16:09,400 --> 00:16:10,966
>> IS IT BECAUSE OF ME?
320
00:16:11,000 --> 00:16:13,966
YESTERDAY YOU WERE, LIKE,
YEAH, IT'S NICE TO HAVE
321
00:16:14,000 --> 00:16:17,133
IS IT NICE TO HAVE ME OR
SOMEONE?
322
00:16:17,166 --> 00:16:17,900
>> NO.
323
00:16:17,933 --> 00:16:18,733
IT'S YOU.
324
00:16:18,766 --> 00:16:19,500
SOMEONE LIKE YOU.
325
00:16:19,533 --> 00:16:24,966
>> I FEEL THE SAME WAY.
326
00:16:25,000 --> 00:16:26,966
>> SHOULD I BE LETTING
THIS OUT AFTER A DAY?
327
00:16:27,000 --> 00:16:28,833
SHOULD I BEEN SAYING THIS
OUT LOUD?
328
00:16:28,866 --> 00:16:29,733
>> YEAH.
329
00:16:29,766 --> 00:16:32,366
>> I HAVE TO WARM UP TO
PEOPLE SOME TIMES.
330
00:16:32,400 --> 00:16:35,900
BUT I'M WARMING UP TO YOU
PRETTY BAD.
331
00:16:35,933 --> 00:16:37,433
>> OH, MY GOSH.
332
00:16:37,466 --> 00:16:40,200
AM I KEEPING YOU FROM
ANYTHING?
333
00:16:40,233 --> 00:16:41,166
>> NO.
334
00:16:41,200 --> 00:16:42,666
I HAVE NOTHING TO DO
TODAY, BESIDES GET TO KNOW
335
00:16:42,700 --> 00:16:43,100
YOU MORE.
336
00:16:43,133 --> 00:16:48,800
>> GOOD ANSWER.
337
00:16:48,833 --> 00:16:52,166
>> I LIKE A LOT OF THINGS
ABOUT CARRINGTON.
338
00:16:52,200 --> 00:16:55,700
HE IS JUST VERY TOUCHY,
AND I LOVE THAT.
339
00:16:55,733 --> 00:17:00,600
I DON'T KNOW, HE IS JUST
VERY GENUINE, TOO.
340
00:17:00,633 --> 00:17:02,066
>> SO I SWEAT.
341
00:17:02,100 --> 00:17:05,633
>> UH‐HUH.
342
00:17:05,666 --> 00:17:08,033
>> SO TODAY WE'RE LIKE
CROSSING.
343
00:17:08,066 --> 00:17:09,600
>> THIS THING,,.
344
00:17:09,633 --> 00:17:12,966
>> WE'RE, LIKE...
345
00:17:13,000 --> 00:17:15,633
>> HOW DO YOU KNOW WHAT I
WAS GOING TO DO?
346
00:17:15,666 --> 00:17:16,966
>> Narrator: I THINK
THEY'RE MOVING TO SECOND
347
00:17:17,000 --> 00:17:18,233
AND A HALF BASE.
348
00:17:18,266 --> 00:17:22,000
HE IS TEACHING HER THE
OFFICIAL BROKERING.
349
00:17:22,033 --> 00:17:23,733
NO, THEY'RE SWING DANCING.
350
00:17:23,766 --> 00:17:26,566
WELL, IT IS THE ROARING
'20s.
351
00:17:26,600 --> 00:17:28,966
>> THAT'S GOOD.
352
00:17:29,000 --> 00:17:31,733
>> OKAY.
353
00:17:31,766 --> 00:17:36,333
OKAY.
354
00:17:36,366 --> 00:17:37,366
H'MMM...
355
00:17:37,400 --> 00:17:39,000
>> ALL OF THE FEELINGS I'M
HAVING WITH JOHNNY IS SO
356
00:17:39,033 --> 00:17:40,000
EXCITING.
357
00:17:40,033 --> 00:17:43,333
JUST SEEING WE CAN BE
GOOFY TOGETHER LIKE THAT,
358
00:17:43,366 --> 00:17:47,700
THAT'S ALL I COULD EVER
WANT IN SOMEONE.
359
00:17:47,733 --> 00:17:49,533
>> C'MON!
360
00:17:49,566 --> 00:17:50,833
THERE ARE TWO KEYS.
361
00:17:50,866 --> 00:17:54,900
>> ASIDE FROM BEING, LIKE,
SUPER ATTRACTED TO HIM,
362
00:17:54,933 --> 00:17:56,600
LIKE, PHYSICALLY AND
HAVING A DEEP CONNECTION
363
00:17:56,633 --> 00:18:01,033
WITH HIM, WE HAVE THAT
SILLY AND GOOFY
364
00:18:01,066 --> 00:18:02,533
FRIENDSHIP, ALSO.
365
00:18:02,566 --> 00:18:07,766
SO ALL AROUND, IT IS AN 11
OUT OF 10.
366
00:18:07,800 --> 00:18:10,866
IT'S SO GOOD.
367
00:18:10,900 --> 00:18:15,700
♪♪♪
♪ SO SWEET ♪
368
00:18:15,733 --> 00:18:20,533
[LUGHTER]
>> WE CAN JUST...
369
00:18:20,566 --> 00:18:22,700
[LAUGHTER]
♪♪♪
370
00:18:22,733 --> 00:18:25,833
>> ARE YOU ALREADY WARMED
UP AND EVERYTHING?
371
00:18:25,866 --> 00:18:28,566
>> I WAKE UP WARM.
372
00:18:28,600 --> 00:18:32,533
>> Narrator: JUSTINE IS
FINALLY RETALIATING ‐‐ GET
373
00:18:32,566 --> 00:18:33,900
'EM, GIRL!
374
00:18:33,933 --> 00:18:36,633
WAIT, TRE IS TRAINING HER.
375
00:18:36,666 --> 00:18:37,833
♪♪♪
>> Narrator: I WONDER IF
376
00:18:37,866 --> 00:18:43,633
ALL OF THE WORKOUTS HE HAS
VOLVE GROIN‐THRUSTING
377
00:18:43,666 --> 00:18:44,066
MOTION?
378
00:18:44,100 --> 00:18:44,466
H'MMM...
379
00:18:44,500 --> 00:18:46,166
>> WHAT'S UP?
380
00:18:46,200 --> 00:18:50,500
>> Narrator: IF THAT
WORKOUT GETS YOU JACKED, I
381
00:18:50,533 --> 00:18:52,800
SHOULD BE THE INCREDIBLE
HULK.
382
00:18:52,833 --> 00:18:54,400
>> TRE IS SMART.
383
00:18:54,433 --> 00:18:56,466
HE WAS, LIKE, YOU WANT TO
WORK OUT.
384
00:18:56,500 --> 00:18:59,366
AND HE WAS LIKE HIP
THRUSTS.
385
00:18:59,400 --> 00:19:03,633
I WAS, LIKE, I HAVE TO
WORK THIS BUTT.
386
00:19:03,666 --> 00:19:06,733
>> I DIDN'T WANT THE BAR
TO HURT HER HIPS.
387
00:19:06,766 --> 00:19:12,433
SO I PUT MY HANDS THERE TO
GIVE HER SOME LEVITY.
388
00:19:12,466 --> 00:19:16,566
♪♪♪
>> IT WAS DEFINITELY NOT
389
00:19:16,600 --> 00:19:18,800
JUST A WORKOUT FOR EITHER
OF US.
390
00:19:18,833 --> 00:19:21,000
IT IS DEFINITELY SOMETHING
MORE.
391
00:19:21,033 --> 00:19:22,066
I'M LIVING FOR IT.
392
00:19:22,100 --> 00:19:25,933
THEY'RE BOTH SO GOOD AND I
THINK THEY WOULD BE BETTER
393
00:19:25,966 --> 00:19:26,666
TOGETHER.
394
00:19:26,700 --> 00:19:28,833
>> WHY ARE YOU ACTING
SURPRISED?
395
00:19:28,866 --> 00:19:29,866
WHY SHOULD I TELL YOU?
396
00:19:29,900 --> 00:19:32,433
>> Narrator: WHILE I'VE
BEEN CUTTING MY OWN HAIR,
397
00:19:32,466 --> 00:19:43,600
LIKE SOME QUARANTINE
FONTEEN, THE BOYS ARE
398
00:19:43,633 --> 00:19:44,633
TREATED.
399
00:19:44,666 --> 00:19:50,966
THE TOPIC IN QUESTION: THE
HAIRY SITUATION BETWEEN
400
00:19:51,000 --> 00:19:51,966
CARRINGTON AND KAITLYN.
401
00:19:52,000 --> 00:19:55,566
>> I FELT LIKE EVERYBODY
GOT THEIR PERSON FIGURED
402
00:19:55,600 --> 00:20:03,300
OUT, AND THEN THIS ‐‐
>> LIKE, WHATCHA DOING?
403
00:20:03,333 --> 00:20:06,766
ARE YOU MORE SEXUALLY
ATTRACTED TO KAITLYN?
404
00:20:06,800 --> 00:20:08,733
>> EVERY GIRL HERE IS
ATTRACTIVE.
405
00:20:08,766 --> 00:20:11,166
>> SO HOW DO YOU FEEL,
LIKE, ABOUT TRE?
406
00:20:11,200 --> 00:20:12,666
>> HE REALLY SHOCKED ME.
407
00:20:12,700 --> 00:20:14,100
WE HAVE SO MUCH IN COMMON.
408
00:20:14,133 --> 00:20:15,766
HE WAS SO EASY TO TALK TO.
409
00:20:15,800 --> 00:20:18,800
AND THEN, LIKE, AFTER
THAT, I WAS, LIKE, OKAY, I
410
00:20:18,833 --> 00:20:21,233
CAN SEE SOMETHING WITH
TRE.
411
00:20:21,266 --> 00:20:25,200
LIKE I STILL HAVE ‐‐ I WAS
A LITTLE STILL SKEPTICAL
412
00:20:25,233 --> 00:20:28,966
BECAUSE HE SEEMED A LITTLE
RESERVE, AND I WOULD LOVE
413
00:20:29,000 --> 00:20:31,466
FOR HIM TO OPEN UP A
LITTLE BIT.
414
00:20:31,500 --> 00:20:34,433
>> I DEFINITELY FEEL LIKE
HE HAS THAT.
415
00:20:34,466 --> 00:20:37,133
I FEEL LIKE THE MORE YOU
TALK, HE'LL OPEN UP.
416
00:20:37,166 --> 00:20:39,966
>> DON'T GET ME WRONG, I
LIKE KISSING KAITLYN, AND
417
00:20:40,000 --> 00:20:42,833
KAITLYN IS REALLY, REALLY
GOOD TO LOOK AT.
418
00:20:42,866 --> 00:20:44,366
I COULD LOOK AT KAITLYN
ALL DAY.
419
00:20:44,400 --> 00:20:47,566
>> WHEN I WAS TALKING TO
HIM, TOO, I FEEL LIKE IT
420
00:20:47,600 --> 00:20:51,966
WAS A VERY GENUINE
CONVERSATION.
421
00:20:52,000 --> 00:20:55,033
OBVIOUSLY THE INTEREST FOR
ME WASN'T THERE, AND I
422
00:20:55,066 --> 00:20:59,966
DON'T WANT TO COME IN HERE
AND FAKE IT.
423
00:21:00,000 --> 00:21:01,966
>> IT IS HARD WHEN YOU'RE
NOT IN, LIKE, A SECURE
424
00:21:02,000 --> 00:21:02,866
COUPLE LIKE EVERYBODY
ELSE.
425
00:21:02,900 --> 00:21:03,733
>> RIGHT.
426
00:21:03,766 --> 00:21:06,400
>> YOU NEVER KNOW WHAT
COULD COME OUT OF
427
00:21:06,433 --> 00:21:07,066
ANYTHING.
428
00:21:07,100 --> 00:21:08,966
SO GIVE EVERYBODY A
CHANCE.
429
00:21:09,000 --> 00:21:11,566
HAVE CONVERSATIONS WITH
EVERYONE, YOU KNOW?
430
00:21:11,600 --> 00:21:12,600
>> YEAH.
431
00:21:12,633 --> 00:21:17,033
>> I'VE BEEN HOLDING BACK,
TO BE HONEST, BECAUSE IF
432
00:21:17,066 --> 00:21:20,266
NOBODY WANTED ME IN A
VULNERABLE SITUATION.
433
00:21:20,300 --> 00:21:22,900
I TALKED TO HER, AND
JUSTINE SAID SHE IS
434
00:21:22,933 --> 00:21:24,266
WILLING TO OPEN UP FOR ME.
435
00:21:24,300 --> 00:21:28,000
AND IF SHE IS WILLING TO
OPEN UP FOR ME, I'LL BE
436
00:21:28,033 --> 00:21:29,700
WILLING TO OPEN UP FOR
HER.
437
00:21:29,733 --> 00:21:32,466
OBVIOUSLY I HAVE TO MAKE A
DECISION ON, LIKE, WHAT IS
438
00:21:32,500 --> 00:21:33,466
THE BEST MATCH FOR ME.
439
00:21:33,500 --> 00:21:36,366
>> I THINK YOU SHOULD
DEFINITELY FOCUS ON HAVING
440
00:21:36,400 --> 00:21:37,966
MORE CONVERSATIONS WITH
THEM.
441
00:21:38,000 --> 00:21:39,300
YOU KNOW WHAT I MEAN?
442
00:21:39,333 --> 00:21:41,833
TRY TO GET DEEP WITH THE
BOTH OF THEM, SEE WHERE
443
00:21:41,866 --> 00:21:43,433
THEIR HEARTS ARE AT.
444
00:21:43,466 --> 00:21:47,400
>> BASICALLY WHAT Y'ALL
ARE SAYING IS I NEED TO
445
00:21:47,433 --> 00:21:49,533
TEST DRIVE BEFORE I DRIVE
OFF THE LOT.
446
00:21:49,566 --> 00:21:56,833
>> I KNOW MY BOY TRE, HE
IS DECIDING.
447
00:21:56,866 --> 00:21:58,100
JUSTINE IS REAL.
448
00:21:58,133 --> 00:22:00,966
SHE IS A GOOD GIRL.
449
00:22:01,000 --> 00:22:02,033
IT GOES BEYOND LOOKS.
450
00:22:02,066 --> 00:22:04,833
I FEEL LIKE JUSTINE HAS
THE SUBSTANCE.
451
00:22:04,866 --> 00:22:07,300
I FEEL LIKE THEY CLICK
TOGETHER REALLY WELL.
452
00:22:07,333 --> 00:22:09,066
I FEEL LIKE THAT IS A GOOD
THING.
453
00:22:09,100 --> 00:22:10,100
>> IT WILL BE A FUN NIGHT,
454
00:22:25,000 --> 00:22:27,966
♪ THE BEAT GOES ON AND ON
AND ON ♪
455
00:22:28,000 --> 00:22:30,066
>> Narrator: WELCOME TO
LOVE ISLAND.
456
00:22:30,100 --> 00:22:32,966
WE HAVE A PERM, REPEAT, WE
HAVE A PERM.
457
00:22:33,000 --> 00:22:36,966
LET'S RIDE THOSE
PLATINUM‐HEATED WAVES INTO
458
00:22:37,000 --> 00:22:39,366
A GIRL CHAT ABOUT BOYS.
459
00:22:39,400 --> 00:22:39,866
>> HELLO.
460
00:22:39,900 --> 00:22:41,433
>> HOW IS IT GOING?
461
00:22:41,466 --> 00:22:43,900
>> YOU GUYS LOOK SO
BEAUTIFUL SITTING HERE.
462
00:22:43,933 --> 00:22:46,533
>> YOU LOOK SO BEAUTIFUL.
463
00:22:46,566 --> 00:22:47,533
>> THANK YOU.
464
00:22:47,566 --> 00:22:51,800
>> SO HOW IS EVERYONE
FEELING ABOUT THEIR GUYS?
465
00:22:51,833 --> 00:22:53,633
>> WELL...
466
00:22:53,666 --> 00:22:59,966
>> WE KNOW SHE'S ALREADY
IN LOVE, MARRIED, ABOUT TO
467
00:23:00,000 --> 00:23:04,233
HAVE A KID.
468
00:23:04,266 --> 00:23:05,966
[LAUGHTER]
>> ISN'T IT SURPRISING HOW
469
00:23:06,000 --> 00:23:08,033
WELL WE GOT ALONG.
470
00:23:08,066 --> 00:23:10,866
>> I NEVER HAVE DATED
ANYONE LIKE HIM IN THE
471
00:23:10,900 --> 00:23:11,700
PAST.
472
00:23:11,733 --> 00:23:14,133
AND I FEEL LIKE I'M HAVING
SO MUCH FUN.
473
00:23:14,166 --> 00:23:18,066
>> HOW ARE YOU AND
CARRINGTON DOING?
474
00:23:18,100 --> 00:23:20,866
>> I'M READY TO JUMP IN
THAT BED, LET'S GO.
475
00:23:20,900 --> 00:23:22,600
YEAH, NO, I REALLY LIKE
HIM.
476
00:23:22,633 --> 00:23:26,600
BUT I DON'T KNOW WHAT GOES
THROUGH THAT GUY'S HEAD OR
477
00:23:26,633 --> 00:23:28,500
WHAT IS GOING TO COME OUT
OF HIS MOUTH.
478
00:23:28,533 --> 00:23:30,600
I'M ALWAYS ON MY TOES.
479
00:23:30,633 --> 00:23:35,733
>> YOU DO GRAVITATE
TOWARDS SLIGHTLY MATURE ‐‐
480
00:23:35,766 --> 00:23:38,233
>> AND OLDER GUYS, BUT I
THINK HE IS GREAT.
481
00:23:38,266 --> 00:23:40,300
I CAN'T STOP SMILING.
482
00:23:40,333 --> 00:23:43,600
>> KIERSTAN HAS MENTIONED
SHE USUALLY GOES FOR,
483
00:23:43,633 --> 00:23:48,533
LIKE, OLDER GUYS BECAUSE
OF, LIKE, MA MATURITY, AND I
484
00:23:48,566 --> 00:23:52,333
KIND OF GET A LITTLE BIT
OF A YOUTHFUL VIBE FROM
485
00:23:52,366 --> 00:23:53,266
CARRINGTON.
486
00:23:53,300 --> 00:23:55,200
I FEEL THAT IS KIND OF A
REASON WHY I WASN'T
487
00:23:55,233 --> 00:23:56,233
INTERESTED IN HIM.
488
00:23:56,266 --> 00:23:59,200
>> IT IS LOVE ISLAND, AND
YOU WANT TO TRY OUT NEW
489
00:23:59,233 --> 00:24:00,066
THINGS.
490
00:24:00,100 --> 00:24:01,466
>> BASICALLY OUR
CONVERSATION WIN THE HOT
491
00:24:01,500 --> 00:24:04,300
TUB WAS SO ELECTRIC.
492
00:24:04,333 --> 00:24:08,433
IT WAS, LIKE, I'M SO INTO,
I WANT TO GET TO KNOW YOU.
493
00:24:08,466 --> 00:24:12,366
IT IS ALMOST LIKE SHE
CAUGHT THAT CUPID ARROW.
494
00:24:12,400 --> 00:24:12,966
AND I KIND OF DID, TOO.
495
00:24:13,000 --> 00:24:14,933
>> WE'LL SEE WHAT HAPPENS.
496
00:24:14,966 --> 00:24:16,866
IT IS STILL, LIKE, REALLY
EARLY.
497
00:24:16,900 --> 00:24:20,333
BUT I'M REALLY HAPPY RIGHT
NOW.
498
00:24:20,366 --> 00:24:24,366
>> Narrator: THE GIRLS
ARE HAPPILY ENJOYING EACH
499
00:24:24,400 --> 00:24:27,000
OTHER'S COMPANY, BUT JAMES
HAD NO CHOICE BUT TO STEP
500
00:24:27,033 --> 00:24:28,800
IN AND REMEDY THE
SITUATION.
501
00:24:28,833 --> 00:24:30,933
>> WHAT ARE YOU GUYS
DOING?
502
00:24:30,966 --> 00:24:31,933
>> TALKING.
503
00:24:31,966 --> 00:24:34,000
>> CAN I COME AND JOIN?
504
00:24:34,033 --> 00:24:38,033
WE MISSED YOU GUYS SO MUCH ‐‐ GI
HERE.
505
00:24:38,066 --> 00:24:39,800
THANK YOU.
506
00:24:39,833 --> 00:24:40,366
>> AH!
507
00:24:40,400 --> 00:24:41,833
>> YOU GUYS ARE SO CUTE.
508
00:24:41,866 --> 00:24:44,933
>> WE DID SOMETHING FOR
YOU GUYS TODAY.
509
00:24:44,966 --> 00:24:47,100
YOU KNOW JOHNNY IS A
BARBER, RIGHT?
510
00:24:47,133 --> 00:24:47,800
>> YEAH.
511
00:24:47,833 --> 00:24:50,733
>> SO HE CUT EVERYBODY'S
HAIR.
512
00:24:50,766 --> 00:24:52,866
YOUR BOY HAS A BALD HEAD
NOW.
513
00:24:52,900 --> 00:24:56,333
WILL YOU STILL LIKE HIM ‐‐
>> ARE YOU BEING SERIOUS?
514
00:24:56,366 --> 00:24:59,333
>> YOUR BOY HAS A MOHAWK.
515
00:24:59,366 --> 00:25:00,833
>> THAT FIGURES.
516
00:25:00,866 --> 00:25:02,566
IT MAKES SENSE.
517
00:25:02,600 --> 00:25:04,966
>> INTRODUCING JEREMIAH.
518
00:25:05,000 --> 00:25:09,766
COME ON OUT!
519
00:25:09,800 --> 00:25:18,633
6' 3, JEREMIAH.
520
00:25:18,666 --> 00:25:21,966
>> Narrator: LET'S SEE
THE NEW LOOK.
521
00:25:22,000 --> 00:25:24,966
WHOA, LITERALLY NO
DIFFERENCE.
522
00:25:25,000 --> 00:25:27,100
>> NEXT COMING OUT, WE
HAVE TRE.
523
00:25:27,133 --> 00:25:32,033
COME ON, TRE, BRING IT
DOWN, STRUT IT.
524
00:25:32,066 --> 00:25:35,433
[APPLAUSE AND CHEERING]
>> COMING IN FROM OHIO
525
00:25:35,466 --> 00:25:38,733
STATE, MR. BUCKEYE
HIMSELF.
526
00:25:38,766 --> 00:25:40,166
>> LOOKING GOOD, TRE.
527
00:25:40,200 --> 00:25:43,600
>> AND NOW FOR THE MAIN,
THE MAIN EVENT HIMSELF,
528
00:25:43,633 --> 00:25:51,500
THE ONE WHO CUTS THE HAIR,
CELY'S BOY, IT IS JOHNNY!
529
00:25:51,533 --> 00:25:54,366
[APPLAUSE]
>> JOHNNY WILL LINE
530
00:25:54,400 --> 00:25:56,100
HIMSELF UP TO TAKE A LOOK.
531
00:25:56,133 --> 00:25:57,566
>> OKAY.
532
00:25:57,600 --> 00:25:58,500
>> LEGENDARY.
533
00:25:58,533 --> 00:26:03,200
>> I WAS A PRE‐HEIGHT MAN.
534
00:26:03,233 --> 00:26:05,366
>> WELL DONE.
535
00:26:05,400 --> 00:26:09,700
>> Narrator: THAT
EVENING CELY IS HAVING
536
00:26:09,733 --> 00:26:11,966
THOUGHTS ABOUT JOHNNY THAT
WOULD MAKE OUR SPONSORS
537
00:26:12,000 --> 00:26:14,000
DELIGHTED AND OUR CENSORS
WEAK.
538
00:26:14,033 --> 00:26:17,966
>> CELY IS READY TO TAKE
HER MAN DOWN TONIGHT.
539
00:26:18,000 --> 00:26:19,700
>> UNLEASH HER.
540
00:26:19,733 --> 00:26:24,133
>> I FEEL LIKE YOUR MOOD
IS A MIX BETWEEN A
541
00:26:24,166 --> 00:26:31,966
14‐YEAR‐OLD BOY AND A GIRL
IN LOVE.
542
00:26:32,000 --> 00:26:32,966
A 14‐YEAR‐OLD BOY?
543
00:26:33,000 --> 00:26:37,333
>> IT'S LIKE A LITTLE BIT
HORNY, LET'S ADMIT IT.
544
00:26:37,366 --> 00:26:38,200
>> WELL, YOU'RE NOT WRONG.
545
00:26:38,233 --> 00:26:38,966
>> YOU'RE NOT WRONG
BECAUSE YOU'RE LIKE
546
00:26:39,000 --> 00:26:39,966
UNLEASH ME.
547
00:26:40,000 --> 00:26:43,966
>> I NEVER HAVE HAD THIS
MUCH FUN WITH A GUY EVER
548
00:26:44,000 --> 00:26:44,466
IN MY LIFE.
549
00:26:44,500 --> 00:26:45,800
>> THAT IS SO SWEET.
550
00:26:45,833 --> 00:26:48,700
>> I DON'T GO FOR GUYS
LIKE HIM.
551
00:26:48,733 --> 00:26:51,533
AND I'M, LIKE, MAYBE I'VE
BEEN DOING IT ALL WRONG
552
00:26:51,566 --> 00:26:53,966
THIS WHOLE TIME.
553
00:26:54,000 --> 00:26:54,966
>> IT IS KIND OF THE SAME
WITH ME AND CONNOR.
554
00:26:55,000 --> 00:26:57,966
HE IS NOT A GUY I WOULD
TYPICALLY GO FOR.
555
00:26:58,000 --> 00:27:00,733
AND I THINK THE SAME FOR
MOIRA AND JAMES.
556
00:27:00,766 --> 00:27:04,000
BUT TYPICALLY WHEN PEOPLE
ARE GETTING ON THIS WELL,
557
00:27:04,033 --> 00:27:06,666
THEY'RE NORMAL TYPES, AND
THAT IS NOT THE CASE FOR
558
00:27:06,700 --> 00:27:07,266
ANY OF US.
559
00:27:07,300 --> 00:27:10,300
>> YEAH.
560
00:27:10,333 --> 00:27:13,833
♪ WHEN THAT MOON IS BIG
AND BRIGHT ♪
561
00:27:13,866 --> 00:27:24,900
♪ IT'S A SUPER NATURAL
NIGHT ♪
562
00:27:24,933 --> 00:27:30,233
♪ DANCING IN THE
MOONLIGHT ♪
563
00:27:30,266 --> 00:27:34,366
♪ EVERYBODY IS FEELING
WARM AND LIGHT ♪
564
00:27:34,400 --> 00:27:39,100
♪ EVERYBODY IS DANCING IN
THE MOONLIGHT ♪
565
00:27:39,133 --> 00:27:48,533
>> WE'RE HOT TOGETHER.
566
00:27:48,566 --> 00:27:55,733
♪♪♪
♪ EVERYBODY IS DANCING IN
567
00:27:55,766 --> 00:28:02,266
THE MOONLIGHT ♪
>> THEY'RE GETTING
568
00:28:02,300 --> 00:28:03,066
CUDDLED.
569
00:28:03,100 --> 00:28:05,566
♪ EVERYBODY HERE IS OUT OF
SIGHT ♪
570
00:28:05,600 --> 00:28:11,966
♪ THEY DON'T BARK AND THEY
DON'T BITE ♪
571
00:28:12,000 --> 00:28:17,766
♪ THEY KEEP THINGS LOOSE,
THEY KEEP THEM TIGHT ♪
572
00:28:17,800 --> 00:28:21,500
♪ EVERYBODY'S DANCING IN
THE MOONLIGHT ♪
573
00:28:21,533 --> 00:28:24,366
♪ DANCING IN THE
MOONLIGHT ♪
574
00:28:24,400 --> 00:28:29,133
♪ EVERYBODY'S FEELING WARM
AND BRIGHT ♪
575
00:28:29,166 --> 00:28:33,533
♪ IT'S SUCH A BRIGHT AND
NATURAL LIGHT ♪
576
00:28:33,566 --> 00:28:39,166
♪ EVERYBODY'S DANCING IN
THE MOONLIGHT ♪
577
00:28:39,200 --> 00:28:41,933
>> Narrator: IF I HAD TO
SLEEP IN A BED LIKE THAT,
578
00:28:41,966 --> 00:28:44,100
I WOULD NEED A SPA TO
RECOVER.
579
00:28:44,133 --> 00:28:46,966
NO WAY, I JUST REMEMBER
HOW AMAZING THE SPA IS AT
580
00:28:47,000 --> 00:28:47,966
CAESAR'S PALACE, RIGHT AT
THE MOMENT I'M
581
00:28:48,000 --> 00:28:49,266
CONTRACTUALLY OBLIGATED TO
MENTION IT.
582
00:28:49,300 --> 00:28:55,966
YOU HIT THE SPA AND THEN
YOU GO TO AN AWARD‐WINNING
583
00:28:56,000 --> 00:28:56,933
RESTAURANT.
584
00:28:56,966 --> 00:28:58,966
GO
585
00:29:19,000 --> 00:29:19,966
>> Narrator: DOWN FROM
MY FAVORITE LOVE LANGUAGE,
586
00:29:20,000 --> 00:29:23,900
SOMEONE WITH A PERFECT
BODY COOKING ME FOOD, LIKE
587
00:29:23,933 --> 00:29:26,066
JEREMIAH IS DOING FOR
RACHEL, AND SHE IS NOT
588
00:29:26,100 --> 00:29:27,133
EVEN HIS PARTNER.
589
00:29:27,166 --> 00:29:31,333
I HOPE FOR HER SAKE, HE
DOESN'T USE HIS FINGERS IN
590
00:29:31,366 --> 00:29:32,066
A QUESTIONABLE WAY.
591
00:29:32,100 --> 00:29:36,633
WELL, BEGGERS CAN'T BE
CHOOSERS.
592
00:29:36,666 --> 00:29:39,600
>> I TOOK A BREAK.
593
00:29:39,633 --> 00:29:42,266
>> ME AND RACHEL ARE IN A
GOOD PLACE.
594
00:29:42,300 --> 00:29:46,900
I COULDN'T ASK FOR IT TO
GO NO SMOOTHER, YOU KNOW
595
00:29:46,933 --> 00:29:47,600
WHAT I'M SAYING?
596
00:29:47,633 --> 00:29:50,233
WE'RE TAKING OUR TIME WITH
IT.
597
00:29:50,266 --> 00:29:52,633
THAT'S HOW IT GONNA GO
RIGHT NOW.
598
00:29:52,666 --> 00:29:54,833
>> OH, MY GOSH!
599
00:29:54,866 --> 00:29:59,266
>> OH, MY GOSH.
600
00:29:59,300 --> 00:30:03,333
>> JEREMIAH MADE ME
BREAKFAST THIS MORNING,
601
00:30:03,366 --> 00:30:05,300
WHICH WAS REALLY, REALLY
NICE.
602
00:30:05,333 --> 00:30:11,333
IT IS DEFINITELY OFF TO A
GOOD START.
603
00:30:11,366 --> 00:30:11,966
JEREMIAH!
604
00:30:12,000 --> 00:30:15,000
[LAUGHTER]
>> NICE OUTFIT.
605
00:30:15,033 --> 00:30:19,066
>> Narrator: WHILE
JUSTINE'S ROMANCE WITH TRE
606
00:30:19,100 --> 00:30:19,966
SEEMS TO BE TRAILING OFF,
AND CARRINGTON GETS INTO A
607
00:30:20,000 --> 00:30:24,166
LITTLE, MAYBE I'LL SIT,
MAYBE I'LL STAND.
608
00:30:24,200 --> 00:30:25,133
>> WHATCHA UP TO?
609
00:30:25,166 --> 00:30:28,100
>> I HAVE A LOT OF ENERGY
TODAY.
610
00:30:28,133 --> 00:30:29,133
SO WE'LL TALK.
611
00:30:29,166 --> 00:30:31,966
WE'LL CHITCHAT.
612
00:30:32,000 --> 00:30:33,533
YOU OKAY?
613
00:30:33,566 --> 00:30:34,466
YOU SEEM DOWN?
614
00:30:34,500 --> 00:30:35,033
>> I'M GOOD.
615
00:30:35,066 --> 00:30:37,966
I JUST NEED TO WORK OUT.
616
00:30:38,000 --> 00:30:38,900
>> WE'LL TALK.
617
00:30:38,933 --> 00:30:39,700
I'LL SEE YOU.
618
00:30:39,733 --> 00:30:41,100
>> ALL RIGHT.
619
00:30:41,133 --> 00:30:42,100
FOR SURE.
620
00:30:42,133 --> 00:30:45,800
>> I WOKE UP THIS MORNING
FEELING CONFIDENT AND
621
00:30:45,833 --> 00:30:48,633
CONVERSATIONS THAT I'VE
HAD WITH TRE YESTERDAY AND
622
00:30:48,666 --> 00:30:52,766
THE DAY BEFORE ‐‐ AND HE
EVEN CAME OVER AND SAID
623
00:30:52,800 --> 00:30:55,600
GOOD NIGHT TO ME, AND THEN
I WAKE UP THIS MORNING AND
624
00:30:55,633 --> 00:30:58,700
HE IS NOT BEING HIMSELF AT
ALL.
625
00:30:58,733 --> 00:31:03,333
MAYBE HE HAD A REALLY BAD
DREAM ABOUT ME AND WAS,
626
00:31:03,366 --> 00:31:07,200
LIKE, UGH, I HATE HER.
627
00:31:07,233 --> 00:31:10,200
>> Narrator: HASHTAG,
MOIRA HAS BEEN DOING LOTS
628
00:31:10,233 --> 00:31:13,333
OF SPOONING, BUT SHE IS
CONCERNED IT MAY TOO
629
00:31:13,366 --> 00:31:14,400
QUICKLY TURN INTO A FORK.
630
00:31:14,433 --> 00:31:19,033
>> WHAT DO YOU THINK ABOUT
THE PACE WE'RE GOING AT?
631
00:31:19,066 --> 00:31:23,700
>> I JUST HOPE YOU'RE
READY TO REALLY GET
632
00:31:23,733 --> 00:31:29,166
INVOLVED IN SOMETHING THAT
COULD REALLY BE FUN.
633
00:31:29,200 --> 00:31:30,633
>> SEXUALLY?
634
00:31:30,666 --> 00:31:31,600
>> YEAH.
635
00:31:31,633 --> 00:31:32,966
>> IT IS HARD TO DO
ANYTHING WHEN THERE ARE SO
636
00:31:33,000 --> 00:31:35,766
MANY OTHER PEOPLE LOOKING
AT US.
637
00:31:35,800 --> 00:31:38,133
I DEFINITELY TOLD THE
GIRLS YOU HAVE A BIG
638
00:31:38,166 --> 00:31:39,133
PERSONALITY.
639
00:31:39,166 --> 00:31:41,166
AND THEY WERE, LIKE, WE
SAW YOU MAKING OUT LAST
640
00:31:41,200 --> 00:31:41,966
NIGHT.
641
00:31:42,000 --> 00:31:45,533
THEY WERE, LIKE, HOW FAR
DID YOU GO?
642
00:31:45,566 --> 00:31:49,200
AND I WAS, LIKE, SECOND
BASE, AND WALKED OUT THE
643
00:31:49,233 --> 00:31:49,900
ROOM.
644
00:31:49,933 --> 00:31:51,733
>> I LIKE MOIRA, SHE IS
GREAT.
645
00:31:51,766 --> 00:31:53,300
IT IS NOT JUST ALL ABOUT
ME.
646
00:31:53,333 --> 00:31:55,333
IT IS ABOUT THE PERSON,
TOO.
647
00:31:55,366 --> 00:31:58,166
AND WE'RE STILL LEARNING
ABOUT EACH OTHER.
648
00:31:58,200 --> 00:32:01,533
I HOPE SHE KNOWS I'M
ACCEPTING IT AND I'M
649
00:32:01,566 --> 00:32:02,966
ENJOYING IT, AND HOPEFULLY
SHE THINKS THE SAME WAY.
650
00:32:03,000 --> 00:32:07,966
>> I FEEL LIKE I WANT TO
TAKE IT SLOWER.
651
00:32:08,000 --> 00:32:11,733
>> YOU MEAN GETTING TO
KNOW MORE OF MY
652
00:32:11,766 --> 00:32:13,200
PERSONALITY, EVEN THOUGH
YOU WANT THIS?
653
00:32:13,233 --> 00:32:14,700
>> YES.
654
00:32:14,733 --> 00:32:15,933
>> YOU WANT THIS?
655
00:32:15,966 --> 00:32:22,333
>> I DO KNOW WHAT I WANT,
BUT I DON'T WANT TO GET ‐‐
656
00:32:22,366 --> 00:32:27,966
DON'T WANT MY HEART TO GET
BROKEN.
657
00:32:28,000 --> 00:32:31,800
> WELL, THANKS FOR
FIGURING IT OUT.
658
00:32:31,833 --> 00:32:35,633
>> I KNOW.
659
00:32:37,266 --> 00:32:38,466
>> H'MMM...
660
00:32:38,500 --> 00:32:40,966
>> RIGHT?
661
00:32:41,000 --> 00:32:43,400
>> UH‐HUH.
662
00:32:43,433 --> 00:32:45,566
I'M DOING LITTLE MANNERS
LIKE YOU.
663
00:32:45,600 --> 00:32:46,200
YOU FEEL IT NOW?
664
00:32:46,233 --> 00:32:47,933
>> I FEEL IT.
665
00:32:47,966 --> 00:32:51,566
>> Narrator: SHE DOESN'T
WANT TO SEE HIS BIG
666
00:32:51,600 --> 00:32:52,133
PERSONALITY?
667
00:32:52,166 --> 00:33:00,300
WHY NOT ‐‐ OH, I GET IT!
668
00:33:00,333 --> 00:33:02,900
♪♪♪
>> UH‐OH!
669
00:33:02,933 --> 00:33:04,633
I GOT A TEXT!
670
00:33:04,666 --> 00:33:08,633
>> HEY, HEY, HEY.
671
00:33:08,666 --> 00:33:13,000
>> WHO GOT A TEXT?
672
00:33:13,033 --> 00:33:15,633
>> ISLANDERS, TONIGHT
THERE WILL BE A
673
00:33:15,666 --> 00:33:16,666
RECOUPLING.
674
00:33:16,700 --> 00:33:21,233
THE BOYS WILL CHOICE AND
THE GIRL NOT PICKED RISKS
675
00:33:21,266 --> 00:33:24,200
BEING DUMPED FROM THE
ISLAND.
676
00:33:24,233 --> 00:33:26,866
GET PICKED OR GET PACKING.
677
00:33:26,900 --> 00:33:28,966
HASHTAG OVER BEFORE IT
BEGAN.
678
00:33:29,000 --> 00:33:32,466
HASHTAG WHAT ARE YOU
WAITING FOR.
679
00:33:32,500 --> 00:33:37,233
>> I OBVIOUSLY FEEL, LIKE,
A LITTLE NERVOUS FOR THE
680
00:33:37,266 --> 00:33:38,900
RECOUPLING TONIGHT BECAUSE
THERE IS THE POSSIBILITY
681
00:33:38,933 --> 00:33:41,000
OF ME OR JUSTINE GOING
HOME.
682
00:33:41,033 --> 00:33:44,833
I THINK BOTH OF US WANT TO
BE HERE, AND BOTH OF US
683
00:33:44,866 --> 00:33:45,866
DESERVE TO BE HERE.
684
00:33:45,900 --> 00:33:48,300
BUT I STILL NEED TO HAVE A
CONVERSATION WITH TRE TO
685
00:33:48,333 --> 00:33:50,633
SEE WHERE HIS HEAD'S AT.
686
00:33:50,666 --> 00:33:55,633
YEAH, IT IS A LITTLE
NERVE‐WRACKING.
687
00:33:55,666 --> 00:33:58,366
>> I WONDER WHO CHANGED?
688
00:33:58,400 --> 00:34:01,600
>> THERE IS A 50% CHANCE
THAT I'M GOING HOME.
689
00:34:01,633 --> 00:34:04,333
THAT HAS JUST BEEN MY LUCK
IN HERE.
690
00:34:04,366 --> 00:34:07,766
AS SOON AS I LIKE
SOMEBODY, THEY'RE I DON'T
691
00:34:07,800 --> 00:34:09,166
LIKE YOU BACK.
692
00:34:09,200 --> 00:34:13,200
AS SOON AS THEY START TO
LIKE ME BACK, OH, THERE IS
693
00:34:13,233 --> 00:34:14,233
A RECOUPLING.
694
00:34:14,266 --> 00:34:19,833
I WOULD BE JUST SO BUMMED
IF AS SOON AS IT STARTED
695
00:34:19,866 --> 00:34:23,333
TO HAPPEN FOR ME IT'S,
LIKE, PACK YOUR BAGS,
696
00:34:23,366 --> 00:34:24,900
GIRL, YOU'RE GOING HOME.
697
00:34:24,933 --> 00:34:27,133
THAT WOULD JUST BE THE
WORST.
698
00:34:27,166 --> 00:34:33,966
♪♪♪
>> I (indescernable) I
699
00:34:34,000 --> 00:34:36,000
FEEL LIKE IT'S GONNA BE
KAITLYN.
700
00:34:48,000 --> 00:34:54,966
RECOUPLING IS HAPPENING
VERY SOONISH, LOVE
701
00:34:55,000 --> 00:34:56,966
ISLAND'S SOCIAL
SCIENTISTS, JOHNNY AND
702
00:34:57,000 --> 00:34:59,566
CARRINGTON ARE
STATISTICALLY LIKELY TO BE
703
00:34:59,600 --> 00:35:01,600
DUMPED.
704
00:35:05,000 --> 00:35:07,966
>> TRE DEFINITELY HAS A
TOUGH DECISION TO MAKE,
705
00:35:08,000 --> 00:35:11,200
JUST BECAUSE HE IS FRIENDS
WITH KAITLYN AND HE IS
706
00:35:11,233 --> 00:35:12,233
FRIENDS WITH JUSTINE.
707
00:35:12,266 --> 00:35:15,066
I THINK THE BEST WAY TO
LOOK AT IT IS, WHO IS HERE
708
00:35:15,100 --> 00:35:17,833
FOR THE RIGHT REASONS,
MORE SO THAN WHO WOULD
709
00:35:17,866 --> 00:35:18,866
HAVE MY BACK.
710
00:35:18,900 --> 00:35:20,900
BECAUSE WHO WOULD HAVE MY
BACK, YOU'RE KIND OF
711
00:35:20,933 --> 00:35:21,833
LOOKING OUT FOR YOURSELF.
712
00:35:21,866 --> 00:35:24,300
>> THEY'RE BOTH DEFINITELY
HERE FOR THE RIGHT
713
00:35:24,333 --> 00:35:25,200
REASONS.
714
00:35:25,233 --> 00:35:27,800
YOU NEVER KNOW, BUT ‐‐
>> IT'S TOUGH, BRO.
715
00:35:27,833 --> 00:35:31,600
>> IF I HAD TO PUT MY
MONEY ON IT, I WOULD
716
00:35:31,633 --> 00:35:33,033
PROBABLY HAVE TO SAY
JUSTINE.
717
00:35:33,066 --> 00:35:34,333
I WANT TO SEE HER STAY.
718
00:35:34,366 --> 00:35:37,800
BUT IF SHE STAYS, I DON'T
WANT TO SEE HER FACE
719
00:35:37,833 --> 00:35:40,433
REJECTION AGAIN AND FEEL
THE WAY SHE HAS BEEN
720
00:35:40,466 --> 00:35:41,400
FEELING.
721
00:35:41,433 --> 00:35:43,133
>> Narrator: JAMES AND
CONNOR, WHO DON'T SHAVE
722
00:35:43,166 --> 00:35:46,266
THEIR FACES BUT SHAVE
THEIR CHESTS, TALK ABOUT
723
00:35:46,300 --> 00:35:49,133
HOW PERFECT THEIR LIVES
ARE.
724
00:35:49,166 --> 00:35:51,866
LET'S SEE IF THE PLANS
COME TO LIFE.
725
00:35:51,900 --> 00:35:56,533
>> MY GUYS, HAS THE DAY
BEEN GOING WELL FOR YOU?
726
00:35:56,566 --> 00:35:59,633
>> OH, BOY, MOIRA AND I
ARE AMAZING.
727
00:35:59,666 --> 00:36:01,200
WE'RE COOL.
728
00:36:01,233 --> 00:36:03,233
LITERALLY EVERY HOUR I
SPEND WITH HER, I LIKE HER
729
00:36:03,266 --> 00:36:04,200
MORE AND MORE.
730
00:36:04,233 --> 00:36:06,733
I'M PUTTING MYSELF OUT
THERE, AND SHE KNOWS HOW
731
00:36:06,766 --> 00:36:07,800
OPEN I AM.
732
00:36:07,833 --> 00:36:09,466
AND I'M SO APPRECIATE THAT
SHE IS BEING OPEN BECAUSE
733
00:36:09,500 --> 00:36:11,733
SHE IS RESERVED, SHE IS
SHY.
734
00:36:11,766 --> 00:36:14,933
SHE EVEN TOLD ME TODAY IT
IS HARD FOR HER TO TRUST
735
00:36:14,966 --> 00:36:17,166
SOMEONE, AND SHE WANTS TO
SO BAD.
736
00:36:17,200 --> 00:36:22,433
AND WHEN SHE IS WILLING TO
DO IT WITH ME, I AM JUST
737
00:36:22,466 --> 00:36:24,733
SO HAPPY SHE IS DOING
THAT.
738
00:36:24,766 --> 00:36:27,533
OBVIOUSLY, YEAH, SHE IS MY
NUMBER ONE.
739
00:36:27,566 --> 00:36:31,800
>> THAT'S AWESOME, MAN.
740
00:36:31,833 --> 00:36:36,066
FOR ME, MACKENZIE IS SO
EXTREMELY SELFLESS, AND
741
00:36:36,100 --> 00:36:40,133
SHE MAKES YOU FEEL
COMFORTABLE BEING
742
00:36:40,166 --> 00:36:40,866
YOURSELF.
743
00:36:40,900 --> 00:36:43,166
I FELT THAT IN MY HEART
TODAY ‐‐
744
00:36:43,200 --> 00:36:44,033
>> THAT'S THE STUFF.
745
00:36:44,066 --> 00:36:44,933
THAT'S THE STUFF.
746
00:36:44,966 --> 00:36:47,366
>> I FEEL LIKE I'M
DEFINITELY GOING ALL IN
747
00:36:47,400 --> 00:36:48,433
WITH MACKENZIE.
748
00:36:48,466 --> 00:36:51,366
I COULDN'T BE HAPPIER, AND
I'M SUPER HAPPY JUST TO GO
749
00:36:51,400 --> 00:36:55,100
TO SLEEP WITH HER BY MY
SIDE.
750
00:36:55,133 --> 00:36:58,866
AND I LOOK JUST AS MUCH TO
WAKE UP IN THE MORNING
751
00:36:58,900 --> 00:37:03,833
NEXT TO HER EACH AND EVERY
SINGLE DAY.
752
00:37:03,866 --> 00:37:06,200
>> OBVIOUSLY, WE KNOW
WHERE YOU'RE AT.
753
00:37:06,233 --> 00:37:08,700
ME AND YOU HAVE BEEN
STEADY WITH OUR GIRLS.
754
00:37:08,733 --> 00:37:12,300
IT IS NICE TO SEE ‐‐ I'M
SO HAPPY WE'RE IN THE SAME
755
00:37:12,333 --> 00:37:15,266
BOAT BECAUSE I WANT TO
PROGRESS THIS WITH YOU,
756
00:37:15,300 --> 00:37:15,766
BRO.
757
00:37:15,800 --> 00:37:16,800
LIKE, YOU'RE MY GUY.
758
00:37:16,833 --> 00:37:20,600
>> IT IS SO CRAZY HOW IT
IS SO COOL TO THINK ABOUT
759
00:37:20,633 --> 00:37:23,366
THE DYNAMIC THAT WE'VE GOT
IN EACH OTHER.
760
00:37:23,400 --> 00:37:25,966
>> Narrator: ON THE
VIRGE OF POSSIBLY BEING
761
00:37:26,000 --> 00:37:27,966
KICKED OFF THE SHOW,
KAITLYN SEEKS THE FOUR
762
00:37:28,000 --> 00:37:33,400
SYMPATHETIC EARS OF JAMES
AND MOIRA.
763
00:37:33,433 --> 00:37:37,366
>> JAMES IS GOING TO MAKE
A DECISION, AND HE BETTER
764
00:37:37,400 --> 00:37:41,966
THINK IT THROUGH.
765
00:37:42,000 --> 00:37:45,033
>> BEING THE NOT CHOSEN
ONE SEEMS TO BE THE THEME
766
00:37:45,066 --> 00:37:47,266
OF MY LIFE, ACTUALLY.
767
00:37:47,300 --> 00:37:51,200
SO I WOULDN'T BE SURPRISED
IF I WASN'T.
768
00:37:51,233 --> 00:37:55,033
♪ WHY DO I FEEL LIKE I'M
DROWNING ♪
769
00:37:55,066 --> 00:37:59,233
>> I FEEL AS THOUGH PEOPLE
MIGHT BE MORE TEAM
770
00:37:59,266 --> 00:38:04,933
JUSTINE, WHICH I LOVE HER,
THEY SHOULD BE, BUT I AM
771
00:38:04,966 --> 00:38:06,033
ALSO WANTING KAITLYN.
772
00:38:06,066 --> 00:38:10,833
>> WE SHOULD ALL WEAR PINK
TONIGHT.
773
00:38:10,866 --> 00:38:14,966
>> I'M GLAD I HAVE MY GIRL
MOIRA AND MY MAN JAMES
774
00:38:15,000 --> 00:38:18,133
BECAUSE I DEFINITELY KNOW
THEY'LL PUT IN A GOOD WORD
775
00:38:18,166 --> 00:38:20,066
FOR ME.
776
00:38:20,100 --> 00:38:21,166
♪♪♪
>> THERE ARE GOING TO BE
777
00:38:21,200 --> 00:38:23,166
PEOPLE WALKING THROUGH
THAT DOOR, AND WE DON'T
778
00:38:23,200 --> 00:38:26,300
KNOW WHO THOSE PEOPLE ARE,
AND THAT'S WHY I NEED TO
779
00:38:26,333 --> 00:38:27,200
STAY.
780
00:38:27,233 --> 00:38:29,133
>> HOPEFULLY NOTHING BAD
HAPPENS, YOU KNOW.
781
00:38:29,166 --> 00:38:31,833
>> A. K. A., ME LEAVING.
782
00:38:31,866 --> 00:38:32,700
>> YOU'RE NOT LEAVING.
783
00:38:32,733 --> 00:38:34,733
>> THAT WOULD BE THE BAD
THING.
784
00:38:49,000 --> 00:38:49,966
♪♪♪
>> Narrator: AND WE'RE
785
00:38:50,000 --> 00:38:53,966
BACK AT THE LOVE ISLAND
VEGAS ROOF‐TOP ISLAND.
786
00:38:54,000 --> 00:38:56,466
BUTTER ON AVOCADO TOAST.
787
00:38:56,500 --> 00:38:59,000
LET'S SEE IF MOIRA
RELATIONSHIP ADVICE IS
788
00:38:59,033 --> 00:39:00,400
ALSO AGAINST THE WHOLE
GRAIN.
789
00:39:00,433 --> 00:39:02,900
>> IT SEEMS LIKE IT COULD
BE A PRETTY BIG DAY FOR
790
00:39:02,933 --> 00:39:03,500
YOU.
791
00:39:03,533 --> 00:39:04,366
>> WHY DO YOU SAY FOR ME?
792
00:39:04,400 --> 00:39:07,700
>> BECAUSE OF THE
SITUATION AT HAND, YOU
793
00:39:07,733 --> 00:39:08,133
KNOW?
794
00:39:08,166 --> 00:39:08,733
TWO EXTRA GIRLS.
795
00:39:08,766 --> 00:39:09,900
>> WHAT DO YOU THINK?
796
00:39:09,933 --> 00:39:13,866
>> YOU KNOW, I DON'T WANT
TO PUSH YOU IN ANY
797
00:39:13,900 --> 00:39:17,466
DIRECTION, OBVIOUSLY, BUT
ARE YOU THAT CLOSE WITH
798
00:39:17,500 --> 00:39:18,733
JUSTINE RIGHT NOW?
799
00:39:18,766 --> 00:39:25,633
>> LIKE, I MEAN, I'VE
TALKED TO JUSTINE, AND
800
00:39:25,666 --> 00:39:28,100
WE'RE JIVING AND VIBING
AND I'M STARTING TO OPEN
801
00:39:28,133 --> 00:39:32,000
UP A LITTLE BIT AND
GETTING TO KNOW HER MORE.
802
00:39:32,033 --> 00:39:37,800
AND THINGS ARE GOING COOL,
BUT I'M VERY ATTRACTED TO
803
00:39:37,833 --> 00:39:38,900
KAITLYN.
804
00:39:38,933 --> 00:39:41,933
OBVIOUSLY, LIKE, WE...I
HONESTLY JUST DON'T KNOW
805
00:39:41,966 --> 00:39:43,733
WHERE KAITLYN'S HEAD IS.
806
00:39:43,766 --> 00:39:49,500
>> YOU KNOW, I CAN'T
OBVIOUSLY BECUSE SHE IS
807
00:39:49,533 --> 00:39:50,000
MY GIRL.
808
00:39:50,033 --> 00:39:51,466
AND SHE SHOULD STAY.
809
00:39:51,500 --> 00:39:54,566
>> I THINK BOTH OF YOU
DESERVE TO FIND LOVE.
810
00:39:54,600 --> 00:39:58,100
>> I'M TRYING TO KEEP MY
GIRL KAITLYN HERE.
811
00:39:58,133 --> 00:40:01,600
SHE IS MY ROCK IN THIS
VILLA.
812
00:40:01,633 --> 00:40:03,566
WE JUST CLICK ON THE NEXT
LEVEL, YOU KNOW?
813
00:40:03,600 --> 00:40:05,166
>> WHAT DO YOU THINK?
814
00:40:05,200 --> 00:40:09,366
>> I DON'T THINK THAT IS
GOING TO MAKE IT ANY
815
00:40:09,400 --> 00:40:10,366
EASIER.
816
00:40:10,400 --> 00:40:18,733
>> AFTER MOIRA PLED THE
CASE OF KAITLYN, CONNOR
817
00:40:18,766 --> 00:40:22,600
AND MACKENZIE LOBBIED
THEIR GIRL, JUSTINE.
818
00:40:22,633 --> 00:40:25,600
>> I THINK KAITLYN ENJOYED
THE TALK.
819
00:40:25,633 --> 00:40:29,166
AND SHE ENJOYED THE KISS,
BUT HONESTLY, LIKE,
820
00:40:29,200 --> 00:40:31,666
EVERYONE IS SEEING YOU
WITH JUSTINE AND THE WAY
821
00:40:31,700 --> 00:40:32,700
YOU'VE BEEN WITH HER.
822
00:40:32,733 --> 00:40:36,033
YOU HAVEN'T TRIED TO BE AS
FORWARD WITH HER, LIKE,
823
00:40:36,066 --> 00:40:37,833
PHYSICALLY, WHICH WE'RE
ALL SEEING A DIFFERENT
824
00:40:37,866 --> 00:40:41,033
SIDE OF YOU FROM THAT, AND
THAT IS, LIKE, REFRESHING.
825
00:40:41,066 --> 00:40:45,066
I KNOW THAT KAITLYN AND
JUSTINE ARE STILL VERY
826
00:40:45,100 --> 00:40:46,133
OPEN TO GETTING TO KNOW
YOU.
827
00:40:46,166 --> 00:40:48,566
>> IN HERE, YOU'RE
DEFINITELY LOOKING FOR
828
00:40:48,600 --> 00:40:50,900
THAT PERSON WHO JUST MAKES
YOUFEEL COMFORTABLE.
829
00:40:50,933 --> 00:40:53,633
AND I THINK THAT TRE AND
JUSTINE ARE THAT FOR ONE
830
00:40:53,666 --> 00:40:54,633
ANOTHER.
831
00:40:54,666 --> 00:40:57,366
>> IT IS GOOD TO TALK TO A
GIRL AND GET A GIRL'S
832
00:40:57,400 --> 00:41:00,766
PERSPECTIVE BECAUSE, LIKE,
YOU'RE SITTING HERE AND
833
00:41:00,800 --> 00:41:01,766
THINKING ABOUT IT.
834
00:41:01,800 --> 00:41:03,633
>> I WOULD SAY IN THE
FUTURE, ESPECIALLY IF YOU
835
00:41:03,666 --> 00:41:09,900
DO GET RECOUPLED, AND
YOU'RE PURSUING OTHER
836
00:41:09,933 --> 00:41:11,766
THINGS, MAYBE JUST THINK
ABOUT THAT.
837
00:41:11,800 --> 00:41:12,800
DOES THAT HELP?
838
00:41:12,833 --> 00:41:15,433
>> IT MAKES THINGS MORE
COMPLICATED, BUT IT HELPS.
839
00:41:15,466 --> 00:41:16,333
>> FOLLOW YOUR HEART.
840
00:41:16,366 --> 00:41:17,566
>> THANK YOU.
841
00:41:17,600 --> 00:41:18,966
>> YOU'RE WELCOME.
842
00:41:19,000 --> 00:41:20,200
>> I APPRECIATE YOU.
843
00:41:20,233 --> 00:41:21,166
>> OF COURSE.
844
00:41:21,200 --> 00:41:26,966
>> I'LL LET YOU TWO
LOVEBIRDS GET BACK TO YOUR
845
00:41:27,000 --> 00:41:28,066
TIME.
846
00:41:28,100 --> 00:41:32,133
>> YOU GIVE SUPER GOOD
ADVICE.
847
00:41:32,166 --> 00:41:34,433
>> AH, SO DO YOU.
848
00:41:34,466 --> 00:41:36,200
7♪
>> WE'RE GOOD?
849
00:41:36,233 --> 00:41:37,100
>> YEAH.
850
00:41:37,133 --> 00:41:39,033
>> WHAT'S WRONG?
851
00:41:39,066 --> 00:41:42,233
>> NOTHING.
852
00:41:42,266 --> 00:41:43,033
>> IT'S COOL.
853
00:41:43,066 --> 00:41:44,300
>> YEAH?
854
00:41:44,333 --> 00:41:46,900
>> YEAH.
855
00:41:46,933 --> 00:41:49,433
♪♪♪
♪ IT'S BEEN A LONG DAY ♪
856
00:41:49,466 --> 00:41:52,066
♪
AND I'M TRYING TO FIGURE
857
00:41:52,100 --> 00:41:59,900
IT OUT ♪
♪ THE WAY THOSE WORDS LEFT
858
00:41:59,933 --> 00:42:02,200
YOUR MOUTH ♪
>> OH!
859
00:42:02,233 --> 00:42:06,566
♪ I FEEL BROKEN, SHATTERED
AND BLUE ♪
860
00:42:06,600 --> 00:42:09,500
♪ AND IT'S ALL BECAUSE OF
YOU ♪
861
00:42:09,533 --> 00:42:14,933
>> IT'S JUST ‐‐ IT'S A
TOUGH SITUATION, MAN.
862
00:42:14,966 --> 00:42:17,233
LIKE, I DON'T KNOW.
863
00:42:17,266 --> 00:42:20,866
TO BE HONEST, I WOULD BE
HAPPY TO BE PAIRED UP WITH
864
00:42:20,900 --> 00:42:23,366
EITHER ONE, JUSTINE OR
KAITLYN.
865
00:42:23,400 --> 00:42:24,900
THIS IS TOUGH.
866
00:42:24,933 --> 00:42:25,900
IT'S REALLY TOUGH.
867
00:42:25,933 --> 00:42:30,000
♪ IT'S BEEN A LONG TIME
SINCE I'VE FELT THE WAY
868
00:42:30,033 --> 00:42:35,500
THAT I DO ♪
>> TRE IS TORN, AND, YES,
869
00:42:35,533 --> 00:42:40,033
I AM TRYING TO KEEP MY
GIRL KAITLYN HERE.
870
00:42:40,066 --> 00:42:42,633
♪♪♪
>> I'M JUST FOR TEAM
871
00:42:42,666 --> 00:42:44,533
JUSTINE, THAT'S MY GIRL.
872
00:42:44,566 --> 00:42:50,166
>> I LITERALLY WOULD BE
DEVASTATED TO SEE HER GO.
873
00:42:50,200 --> 00:42:54,066
♪♪♪
♪ IT TEARS ME APART ♪
874
00:42:54,100 --> 00:42:57,500
>> Narrator: TOMORROW
NIGHT...SOMEONE IS GETTING
875
00:42:57,533 --> 00:43:01,200
DUMPED IN OUR FIRST THREE
COUPLINGS.
876
00:43:01,233 --> 00:43:02,233
AND TWO NEW BOYS ‐‐
>> I'M KAYLIN, AND I'M 24
62878
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