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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:04,966 ♪ I DON'T WANT TO WAIT FOR MORE ♪ 2 00:00:05,000 --> 00:00:11,966 >> Narrator: PREVIOUSLY ON LOVE ISLAND... 3 00:00:12,000 --> 00:00:12,966 ♪♪♪ >> Narrator: 10 SEXY 4 00:00:13,000 --> 00:00:13,933 SINGLES COUPLED UP. 5 00:00:13,966 --> 00:00:17,966 >> THE GI GIRL I WOULD LIKE TO COUPLE UP WITH 6 00:00:18,000 --> 00:00:19,966 IS...CELY. 7 00:00:20,000 --> 00:00:22,000 >> Narrator: JOHNNY CHOSE CELY. 8 00:00:26,000 --> 00:00:32,866 AND THEN...TWO NEW GIRLS CAUSED A STIR. 9 00:00:32,900 --> 00:00:37,966 >> HERE IS TO US. 10 00:00:38,000 --> 00:00:40,000 >> I'M NOT HERE TO, LIKE, WASTE TIME. 11 00:00:40,566 --> 00:00:42,366 >> IT IS A DIFFERENT ENVIRONMENT. 12 00:00:42,400 --> 00:00:45,866 >> IT IS A SHAME IT WASN'T SUPPOSED TO WORK OUT WITH 13 00:00:45,900 --> 00:00:48,166 WHO EYE PICKED AND THINGS WEREN'T SUPPOSED TO WORK 14 00:00:48,200 --> 00:00:50,066 OUT WITH WHO YOU PICKED. 15 00:00:50,100 --> 00:00:50,800 >> Narrator: TONIGHT... 16 00:00:50,833 --> 00:00:54,000 >> THIS IS, LIKE, A HEARTBREAK. 17 00:00:54,033 --> 00:00:58,700 >> BUT I CAN'T HELP THE VIBES. 18 00:00:58,733 --> 00:01:04,433 >> Narrator: THE BATTLE FOR ONE KISSER IS ON. 19 00:01:04,466 --> 00:01:05,966 >> YOU'RE A GOOD KISSER. 20 00:01:06,000 --> 00:01:08,000 >> JUSTINE ‐‐ I REALLY DON'T KNOW. 21 00:01:21,000 --> 00:01:25,966 ♪♪♪ ♪ AIN'T MY FAULT ♪ 22 00:01:26,000 --> 00:01:27,966 ♪♪♪ ♪ GOT TO BLAME IT ON MY 23 00:01:28,000 --> 00:01:31,966 JUICE ♪ >> Narrator: 2,080 24 00:01:32,000 --> 00:01:33,966 MINUTES SINCE WE LAST SAW EACH OTHER. 25 00:01:34,000 --> 00:01:40,966 SO LET'S DIG IN. 26 00:01:41,000 --> 00:01:41,966 >> ALL YOU BEAUTIFUL PEOPLE, LET'S CELEBRATE 27 00:01:42,000 --> 00:01:42,933 TONIGHT. 28 00:01:42,966 --> 00:01:50,966 >> BEER PONG, WHAT IS THIS, THE FRATERNITY OF 29 00:01:51,000 --> 00:01:51,733 VILLA‐CRAP‐IDEA. 30 00:01:51,766 --> 00:01:57,966 WHAT IS THAT, TRUTH OR DARE? 31 00:01:58,000 --> 00:01:58,933 >> OF COURSE. 32 00:01:58,966 --> 00:02:03,733 >> DO YOU DARE LICK SOMEONE SOMEWHERE FROM THE 33 00:02:03,766 --> 00:02:07,833 NECK UP. 34 00:02:07,866 --> 00:02:14,333 [YELLING] >> STOP. 35 00:02:14,366 --> 00:02:17,966 OH, MY GOSH. 36 00:02:18,000 --> 00:02:20,800 >> OKAY, JUSTINE, TRUTH OR DARE? 37 00:02:20,833 --> 00:02:22,633 >> I'LL DO DARE. 38 00:02:22,666 --> 00:02:23,533 >> OOH. 39 00:02:23,566 --> 00:02:25,600 JUST DO IT REAL QUICK. 40 00:02:25,633 --> 00:02:32,466 [LAUGHTER] >> JUST A LITTLE PECK. 41 00:02:32,500 --> 00:02:34,800 [LAUGHTER] >> KAITLYN, TRUTH OR DARE? 42 00:02:34,833 --> 00:02:38,366 >> TRUTH. 43 00:02:38,400 --> 00:02:42,133 >> H'MMM...IF YOU COULD PICK ANY OTHER GUY TO 44 00:02:42,166 --> 00:02:44,666 COUPLE UP WITH THAT IS NOT YOUR PARTNER, WHO WOULD IT 45 00:02:44,700 --> 00:02:45,266 BE? 46 00:02:45,300 --> 00:02:46,666 >> OH, GETTING DOWN TO IT? 47 00:02:46,700 --> 00:02:50,900 >> WELL, NOW IT WOULD BE TRE. 48 00:02:50,933 --> 00:02:54,233 >> I LOVE THIS. 49 00:02:54,266 --> 00:02:57,366 [LAUGHTER] >> MAN, I'M NOT GOING TO 50 00:02:57,400 --> 00:02:59,166 LIE. 51 00:02:59,200 --> 00:03:01,533 KAITLYN DEFINITELY THREW ME FOR A LOOP WHEN SHE 52 00:03:01,566 --> 00:03:03,433 SAID SHE WOULD COUPLE UP WITH ME. 53 00:03:03,466 --> 00:03:04,866 >> TRE, TRUTH OR DARE? 54 00:03:04,900 --> 00:03:05,866 >> DARE. 55 00:03:05,900 --> 00:03:11,866 >> I DARE YOU TO KISS KAITLYN FOR FIVE SECONDS. 56 00:03:11,900 --> 00:03:14,133 >> THAT'S A LONG TIME. 57 00:03:14,166 --> 00:03:16,266 >> C'MON! 58 00:03:16,300 --> 00:03:22,466 >> FIVE, FOUR, THREE, TWO, ONE! 59 00:03:22,500 --> 00:03:24,600 [LAUGHTER] >> THAT WAS A FAST FIVE 60 00:03:24,633 --> 00:03:25,533 SECONDS, BUT IT WAS FUN. 61 00:03:25,566 --> 00:03:26,333 >> IT WAS. 62 00:03:26,366 --> 00:03:27,900 >> LET IT KEEP GOING. 63 00:03:27,933 --> 00:03:32,166 >> I NEED TO ASK SOMEONE, TRUTH OR DARE? 64 00:03:32,200 --> 00:03:34,466 >> DARE. 65 00:03:34,500 --> 00:03:39,366 >> LICK MACKENZIE FROM HER FOOT UP TO HER THIGH. 66 00:03:39,400 --> 00:03:43,266 >> NO, THAT'S NOT EVEN NICE TO HIM BECAUSE I 67 00:03:43,300 --> 00:03:44,200 HAVEN'T SHOWERED YET. 68 00:03:44,233 --> 00:03:48,900 [LAUGHTER] >> GET IN THERE! 69 00:03:48,933 --> 00:03:52,400 >> THAT'S DOING THE SEXY. 70 00:03:52,433 --> 00:03:56,000 [LAUGHTER] >> JUST DO IT! 71 00:03:56,033 --> 00:04:00,666 >> OH, MY GOSH! 72 00:04:00,700 --> 00:04:02,900 >> OKAY, THAT'S ALL GOOD. 73 00:04:02,933 --> 00:04:04,966 >> OH! 74 00:04:05,000 --> 00:04:05,900 >> MAN! 75 00:04:05,933 --> 00:04:10,000 >> ONE MORE TIME FOR THE PEOPLE IN THE BACK. 76 00:04:10,033 --> 00:04:14,500 [LAUGHTER] >> KAITLYN'S TRUTH OR DARE 77 00:04:14,533 --> 00:04:17,966 REVELATION HAS TRE SEEING HER IN A NEW LIGHT, A 78 00:04:18,000 --> 00:04:21,966 GIANT, GREEN, $20,000 AN HOUR NEON LOVE HARSH 79 00:04:22,000 --> 00:04:22,966 LIGHT. 80 00:04:23,000 --> 00:04:25,466 >> IN THE TRUTH OR DARE GAME, THEY ASKED YOU ON 81 00:04:25,500 --> 00:04:27,866 YOUR TRUTH, AS FAR AS, LIKE, PAIRING UP ‐‐ 82 00:04:27,900 --> 00:04:28,400 >> YEAH. 83 00:04:28,433 --> 00:04:32,966 >> WHY DID YOU SAY ME? 84 00:04:33,000 --> 00:04:36,266 >> THE REASON WHY I PICKED YOU IS BECAUSE I THINK 85 00:04:36,300 --> 00:04:37,966 YOU'RE ABSOLUTELY AMAZING. 86 00:04:38,000 --> 00:04:39,966 YOU'RE REALLY SWEET AND YOU'RE KIND, AND YOU'VE 87 00:04:40,000 --> 00:04:44,966 ALWAYS MADE ME FEEL VERY COMFORTABLE AND SAFE, LIKE 88 00:04:45,000 --> 00:04:47,966 THAT YOU'RE ACTUALLY, GENUINELY INTERESTED IN, 89 00:04:48,000 --> 00:04:49,200 LIKE, HEY, WHAT'S UP? 90 00:04:49,233 --> 00:04:49,966 YOU KNOW WHAT I MEAN? 91 00:04:50,000 --> 00:04:51,600 THAT'S REALLY IMPORTANT TO ME. 92 00:04:51,633 --> 00:04:52,966 >> I'M NOT GOING TO LIE, IT LOOKED LIKE YOU WERE 93 00:04:53,000 --> 00:04:54,900 EXPECTING MORE THAN WHAT I GAVE YOU OVER THERE. 94 00:04:54,933 --> 00:04:59,100 >> I WAS OH, MY GOSH, HE IS A NICE KISSER. 95 00:04:59,133 --> 00:05:01,000 HE HAS DEFINITELY NICE LIPS. 96 00:05:01,033 --> 00:05:04,033 >> I WOULD DEFINITELY LIKE TO KISS YOU MORE? 97 00:05:04,066 --> 00:05:07,666 >> WELL, WE'LL SEE WHAT THE FUTURE HOLDS. 98 00:05:07,700 --> 00:05:10,433 >> TRE EXPRESSED A LITTLE BIT OF INTEREST IN ME, SO 99 00:05:10,466 --> 00:05:12,666 WE'LL SEE WHERE THAT GOES. 100 00:05:12,700 --> 00:05:22,966 YOU NEVER KNOW WHAT COULD HAPPEN IN HERE. 101 00:05:23,000 --> 00:05:26,166 >> YOU'VE GOT TO GO BACK TO THE SPOT. 102 00:05:26,200 --> 00:05:27,766 >> THAT WAS OUR SPOT. 103 00:05:27,800 --> 00:05:29,000 >> THAT IS THE MAIN SPOT. 104 00:05:29,033 --> 00:05:30,200 >> THIS IS OUR SPOT. 105 00:05:30,233 --> 00:05:33,166 >> SO, MR. POPULAR RIGHT NOW. 106 00:05:33,200 --> 00:05:33,900 >> STOP. 107 00:05:33,933 --> 00:05:34,866 STOP. 108 00:05:34,900 --> 00:05:35,966 I WANT TO TALK TO YOU BECAUSE THIS IS, LIKE, A 109 00:05:36,000 --> 00:05:37,966 TALK THAT WE OBVIOUSLY NEED TO HAVE. 110 00:05:38,000 --> 00:05:41,100 >> THE WAY YOU'RE SETTING THIS UP RIGHT NOW, SHOULD 111 00:05:41,133 --> 00:05:42,800 I BE NERVOUS? 112 00:05:42,833 --> 00:05:43,333 >> NO. 113 00:05:43,366 --> 00:05:44,033 NO. 114 00:05:44,066 --> 00:05:45,033 DON'T BE NERVOUS. 115 00:05:45,066 --> 00:05:46,833 IT IS JUST LIKE I WANT TO CLEAR UP SOME THINGS. 116 00:05:46,866 --> 00:05:48,466 >> YES. 117 00:05:48,500 --> 00:05:52,966 >> OBVIOUSLY, THE GAME THAT WE WERE JUST PLAYING, 118 00:05:53,000 --> 00:05:57,900 THE TRUTH OR DARE, WITH EVERYBODY THERE, IT'S JUST 119 00:05:57,933 --> 00:05:58,900 LIKE THINGS HAPPENED AND SOME THINGS WERE SAID THAT 120 00:05:58,933 --> 00:06:00,766 INVOLVED KAITLYN, AS FAR AS HER TALKING ABOUT HOW 121 00:06:00,800 --> 00:06:04,333 SHE WOULD PAIR UP WITH ME, AND I GOT A DARE TO KISS 122 00:06:04,366 --> 00:06:04,800 HER. 123 00:06:04,833 --> 00:06:06,333 >> YES. 124 00:06:06,366 --> 00:06:11,433 >> I FEEL LIKE I STILL VIBE WITH YOU MORE NATURAL 125 00:06:11,466 --> 00:06:13,466 THAN I VIBE WITH KAITLYN. 126 00:06:16,000 --> 00:06:17,033 >> YES. 127 00:06:17,066 --> 00:06:20,233 >> I WOULD BE A LIAR IF I SAT HERE AND TOLD YOU THAT 128 00:06:20,266 --> 00:06:21,966 I'M NOT ATTRACTED TO KAITLYN ‐‐ 129 00:06:22,000 --> 00:06:24,966 >> ‐‐ BECAUSE EVERYBODY HERE ‐‐ SHE'S AN 130 00:06:25,000 --> 00:06:26,433 ATTRACTIVE GIRL. 131 00:06:26,466 --> 00:06:28,433 SO JUSTINE'S PERSONALITY IS VERY, VERY COOL. 132 00:06:28,466 --> 00:06:33,966 WE'VE GOT A COMFORT LEVEL THAT IS, LIKE, ALL THE WAY 133 00:06:34,000 --> 00:06:35,033 UP THERE. 134 00:06:35,066 --> 00:06:38,966 I HONESTLY FEEL A LOT MORE COMFORTABLE OPENING UP TO 135 00:06:39,000 --> 00:06:44,966 JUSTINE VERSUS OPENING UP MYSELF TO KAITLYN. 136 00:06:45,000 --> 00:06:47,466 LIKE WITH ME OPENING UP, I FEEL LIKE MAYBE I HAVE 137 00:06:47,500 --> 00:06:51,200 BEEN A LITTLE BIT RESERVED, AND CLOSED 138 00:06:51,233 --> 00:06:51,966 OFF ‐‐ >> YES. 139 00:06:52,000 --> 00:06:54,033 >> AND MAYBE I COULD OPEN UP? 140 00:06:54,066 --> 00:06:54,966 >> YEAH! 141 00:06:55,000 --> 00:06:55,700 I WAS TELLING YOU THAT. 142 00:06:55,733 --> 00:06:57,533 >> I DON'T WANT TO GET HURT. 143 00:06:57,566 --> 00:07:00,666 >> I DON'T WANT TO GET HURT. 144 00:07:00,700 --> 00:07:02,900 TRE, YOU ARE A HEARTBREAKER. 145 00:07:02,933 --> 00:07:04,033 I SEE IT IN YOUR EYES. 146 00:07:04,066 --> 00:07:06,366 >> I'M A HEARTBREAKER? 147 00:07:06,400 --> 00:07:09,266 >> YOU SEEM LIKE A HEARTBREAKER, AND THAT'S 148 00:07:09,300 --> 00:07:11,600 WHY I'VE NERVOUS AND SKEPTICAL IS LITTLE BIT. 149 00:07:11,633 --> 00:07:15,500 BUT I CAN'T HELP THE VIBES, I CAN'T HELP THE 150 00:07:15,533 --> 00:07:17,200 GENUINE, LIKE, CONNECTION THAT WE HAVE. 151 00:07:17,233 --> 00:07:21,266 AT THE MOMENT I'M COUPLED UP WITH JEREMIAH, BUT TRE 152 00:07:21,300 --> 00:07:23,233 IS CUTE, AND DEFINITELY CHARMING. 153 00:07:23,266 --> 00:07:28,133 HE KNOWS HOW TO, LIKE, REALLY WOO A GIRL. 154 00:07:28,166 --> 00:07:35,033 IF SOMEONE SHOWS ME ATTENTION, AND I'M, 155 00:07:35,066 --> 00:07:37,000 LIKE ‐‐ I KNOW YOU HAVE A HEART. 156 00:07:37,033 --> 00:07:38,333 >> YES, I HAVE A HEART. 157 00:07:38,366 --> 00:07:44,233 >> YOU'LL HAVE A GIRL, LIKE, WOW, WOW, WOW. 158 00:07:44,266 --> 00:07:47,800 THERE IT IS, THERE IS THAT SOFT TRE. 159 00:07:47,833 --> 00:07:52,500 I'M A SUCKER FOR FOREHEAD KISSES, YOU KNOW THAT? 160 00:07:52,533 --> 00:07:53,100 >> ARE YOU? 161 00:07:53,133 --> 00:07:54,100 >> YES. 162 00:07:54,133 --> 00:08:00,133 >> I FELT LIKE I GOT A BETTER UNDERSTANDING ON ME 163 00:08:00,166 --> 00:08:01,266 AND KAITLYN'S RELATIONSHIP. 164 00:08:01,300 --> 00:08:05,400 I'M JUST READY TO FIND SOMEBODY THAT I CAN SHARE 165 00:08:05,433 --> 00:08:08,400 MY HAPPY MOMENTS WITH. 166 00:08:08,433 --> 00:08:12,466 >> Narrator: THE JEREMIAH CHECK‐LIST, 167 00:08:12,500 --> 00:08:13,866 FRIEND‐ZONE JUSTINE, CHECK. 168 00:08:13,900 --> 00:08:17,233 MAKE OUT WITH RACHEL IN TRUTH OR DARE? 169 00:08:17,266 --> 00:08:18,766 CHECK. 170 00:08:18,800 --> 00:08:23,466 GET RACHEL ALONE? 171 00:08:23,500 --> 00:08:24,633 CHECK...IT OUT. 172 00:08:24,666 --> 00:08:27,933 >> THIS DAY WAS DEFINITELY ‐‐ LI GOOD TO HAVE A FULL DAY IN 173 00:08:27,966 --> 00:08:30,466 THE VILLA AND REALLY HANG OUT WITH EVERYONE. 174 00:08:30,500 --> 00:08:37,166 >> IS THAT HOW YOU FEEL ABOUT TAKING IT HOME? 175 00:08:37,200 --> 00:08:39,100 YEAH. 176 00:08:39,133 --> 00:08:40,200 >> LET'S JUMP IN. 177 00:08:40,233 --> 00:08:43,966 >> YOU SEEM LIKE YOU KNOW WHAT YOU WANT. 178 00:08:44,000 --> 00:08:48,566 >> IF I HAD 10 EGGS, EIGHT EGGS ARE, LIKE, IN YOUR 179 00:08:48,600 --> 00:08:49,433 BASKET. 180 00:08:49,466 --> 00:08:54,700 SO THEY'RE YOUR EGGS TO LOSE, BASICALLY. 181 00:08:54,733 --> 00:08:57,266 BUT YOU STILL HAVE TO GAIN TWO MORE. 182 00:08:57,300 --> 00:08:59,600 YOU'VE GOT TO WORK A LITTLE BIT. 183 00:08:59,633 --> 00:09:01,766 >> I LIKE TO WORK. 184 00:09:01,800 --> 00:09:05,200 I'M GONNA EARN THEM. 185 00:09:05,233 --> 00:09:07,000 YEAH. 186 00:09:07,033 --> 00:09:09,166 ♪♪♪ >> JEREMIAH IS VERY 187 00:09:09,200 --> 00:09:12,233 ATTRACTIVE AND REALLY COOL. 188 00:09:12,266 --> 00:09:17,166 WE REALLY, REALLY GET ALONG, AND REALLY, REALLY 189 00:09:17,200 --> 00:09:18,966 CONNECT. 190 00:09:19,000 --> 00:09:21,700 I'M REALLY, REALLY EXCITED FOR WHAT IS TO COME. 191 00:09:21,733 --> 00:09:26,966 >> WE BE VIBEING, MAN, SO WE CLICK PRETTY WELL. 192 00:09:27,000 --> 00:09:32,666 YOU KNOW WHAT I'M SAYING? 193 00:09:32,700 --> 00:09:36,666 I'VE BEEN TEASING ALL DAY. 194 00:09:36,700 --> 00:09:38,966 >> Narrator: CARRINGTON AND KAITLYN'S RELATIONSHIP 195 00:09:39,000 --> 00:09:42,933 HAS BEEN HELD TOGETHER BY THE UNBREAKABLE GLUE OF A 196 00:09:42,966 --> 00:09:45,066 REALITY TV FORMAT. 197 00:09:45,100 --> 00:09:49,266 BUT CARRINGTON IS HOPING TO MOVE ON WITH INTO GIRL 198 00:09:49,300 --> 00:09:54,400 KIERSTAN OVER SOMETHING FAR MORE SUBSTANTIAL: HIS 199 00:09:54,433 --> 00:09:55,433 BICEPS. 200 00:09:55,466 --> 00:09:57,466 >> AND THEN THE ARM ‐‐ I'M NOT GOING TO TRY ALL OF 201 00:09:57,500 --> 00:10:02,266 THAT. 202 00:10:02,300 --> 00:10:04,066 NOW I'M REALLY GLAD I MET YOU. 203 00:10:04,100 --> 00:10:08,066 >> KIERSTAN IS VERY SEXY, THE WAY SHE WALKS, TALKS, 204 00:10:08,100 --> 00:10:09,100 AND ACTS. 205 00:10:09,133 --> 00:10:12,033 SHE LOOKS LIKE SHE WOULD BE A FLIGHT ATTENDANT ON A 206 00:10:12,066 --> 00:10:13,066 PRIVATE DUBAI AIRPLANE. 207 00:10:13,100 --> 00:10:19,300 THAT IS HOW SHE LOOKED TODAY, ONE OF THE SEXIEST 208 00:10:19,333 --> 00:10:20,266 GIRLS I'VE EVER SEEN. 209 00:10:20,300 --> 00:10:24,000 EVERYONE HERE WAS SO STOKED WHEN I MET YOU 210 00:10:24,033 --> 00:10:27,966 BECAUSE I WASN'T GETTING ALONG WITH HER, AND I WAS, 211 00:10:28,000 --> 00:10:30,500 LIKE, MISERABLE, AND I WAS, LIKE, THIS SUCKS, AND 212 00:10:30,533 --> 00:10:33,566 I MET YOU, AND BOOM, PERFECT. 213 00:10:33,600 --> 00:10:34,266 THERE YOU GO. 214 00:10:34,300 --> 00:10:35,233 I'M PERFECT. 215 00:10:35,266 --> 00:10:40,200 I FOUND A GIRL WHO I'M DYING TO GET TO KNOW AND 216 00:10:40,233 --> 00:10:41,066 HAVE FUN WITH. 217 00:10:41,100 --> 00:10:43,100 >> IT HAS DEFINITELY BEEN FUN. 218 00:10:43,133 --> 00:10:47,533 >> AND MAYBE WE WILL KISS TO THAT? 219 00:10:47,566 --> 00:10:52,066 >> UH‐HUH. 220 00:10:54,900 --> 00:10:56,766 >> I'LL GIVE YOU MORE LATER. 221 00:10:56,800 --> 00:10:57,366 >> OKAY. 222 00:10:57,400 --> 00:11:00,033 >> I'M JUST KIDDING. 223 00:11:00,066 --> 00:11:02,733 [LAUGHTER] ♪♪♪ 224 00:11:02,766 --> 00:11:05,966 >> Narrator: DURING THE EXCESS BAGGAGE CHALLENGE 225 00:11:06,000 --> 00:11:10,966 IT WAS REVEALED MOIRA ONCE USED A SIDEWALK AS A 226 00:11:11,000 --> 00:11:13,566 RESTROOM, AND SHE WAS CONCERNED IT MIGHT MAKE 227 00:11:13,600 --> 00:11:15,066 HER NUMBER TWO IN JAMES' EYES. 228 00:11:15,100 --> 00:11:17,966 >> WHEN YOU SAID THAT, EVERYONE WAS, LIKE, OH, MY 229 00:11:18,000 --> 00:11:18,666 GOSH, GROSS. 230 00:11:18,700 --> 00:11:21,966 TO BE HONEST, I WAS, LIKE, YES! 231 00:11:22,000 --> 00:11:23,833 BECAUSE I SWEAR THAT HAPPENED TO ME. 232 00:11:23,866 --> 00:11:26,966 YOU'RE SO DISGUSTING A LITTLE BIT. 233 00:11:27,000 --> 00:11:27,700 >> I KNOW. 234 00:11:27,733 --> 00:11:28,733 >> IT'S OKAY. 235 00:11:28,766 --> 00:11:31,666 >> THIS IS THE REASON I'M GROWING TO BE SO FOND OF 236 00:11:31,700 --> 00:11:33,866 HIM, IS BECAUSE WITHOUT ANY QUESTION OR 237 00:11:33,900 --> 00:11:36,800 HESITATION, HE WAS THERE FOR ME AND HAD MY BACK. 238 00:11:36,833 --> 00:11:39,866 I FEEL LIKE WE RELATE TOGETHER SO MUCH. 239 00:11:39,900 --> 00:11:42,966 SOMETIMES I FEEL LIKE HE IS READING MY MIND. 240 00:11:43,000 --> 00:11:44,200 I'M, LIKE, GETTING EXCITED. 241 00:11:44,233 --> 00:11:47,533 I HAVE, LIKE, BUTTERFLIES FOR THIS WHOLE THING. 242 00:11:47,566 --> 00:11:49,733 >> HOW DO YOU FEEL ABOUT US RIGHT NOW? 243 00:11:49,766 --> 00:11:50,600 >> I LIKE US. 244 00:11:50,633 --> 00:11:53,300 >> I'M DROPPING THE BOMB. 245 00:11:53,333 --> 00:11:56,100 >> WHEN I THINK ABOUT US, IT MAKES ME EXCITED FOR 246 00:11:56,133 --> 00:11:58,266 MORE US, IF THAT MAKES SENSE. 247 00:11:58,300 --> 00:12:05,333 ♪ THE FIRST TIME ♪ ♪ YOU'RE THE LIGHT IN MY 248 00:12:05,366 --> 00:12:13,500 EYE ♪ ♪ THE FIRST TIME ♪ 249 00:12:13,533 --> 00:12:17,633 ♪ I DON'T CARE ♪ >> OH! 250 00:12:17,666 --> 00:12:20,200 >> STOCK FOOTAGE. 251 00:12:20,233 --> 00:12:25,333 ♪ WHAT YOU SAY, AS LONG AS YOU LOVE ME ♪ 252 00:12:25,366 --> 00:12:28,900 >> YOU'RE SO GIDDY, AND I'M LOVING EVERY SECOND OF 253 00:12:28,933 --> 00:12:29,733 THIS. 254 00:12:29,766 --> 00:12:31,400 >> ARE YOU GOING TO SECOND BASE TODAY? 255 00:12:31,433 --> 00:12:34,333 >> HE TOLD ME HE IS GOING TO PUT HIS ARM AROUND 256 00:12:34,366 --> 00:12:36,433 ME ‐‐ >> ARE YOU GOING TO TOUCH 257 00:12:36,466 --> 00:12:42,066 ON HIM AND CUDDLE, YOUR BACK WITH YOUR BUTT. 258 00:12:42,100 --> 00:12:43,733 >> OH! 259 00:12:43,766 --> 00:12:44,966 >> GET AWAY. 260 00:12:45,000 --> 00:12:48,733 >> YOU CAN ACCIDENTALLY ACT LIKE YOU'RE RUBBING 261 00:12:48,766 --> 00:12:51,766 THE BLANKET ‐‐ >> AND YOU'RE, LIKE, OH, 262 00:12:51,800 --> 00:12:52,233 SORRY. 263 00:12:52,266 --> 00:12:55,066 I GRABBED MY LEG. 264 00:12:55,100 --> 00:13:04,666 ♪ I WAS HIDING ♪ ♪ BUT I GUESS IT SHOWS ♪ 265 00:13:04,700 --> 00:13:13,266 >> THERE WE GO. 266 00:13:13,300 --> 00:13:23,200 ♪ AS LONG AS YOU LOVE ME ♪ ♪ I DON'T CARE YOU ARE ♪ 267 00:13:23,233 --> 00:13:27,966 ♪ WHERE YOU'RE FROM ♪ ♪ WHAT YOU SAY ♪ 268 00:13:28,000 --> 00:13:30,000 ♪ AS LONG AS YOU LOVE ME ♪ ♪♪♪ 269 00:13:41,700 --> 00:13:43,700 ♪ AS YOU LOVE ME ♪ 270 00:13:58,000 --> 00:13:58,966 ♪♪♪ >> Narrator: RISE AND 271 00:13:59,000 --> 00:14:01,966 SHINE, ISLANDERS, MINTAFY THOSE PEARLIE WHITES. 272 00:14:02,000 --> 00:14:04,466 THERE IS A DAY OF MAKING OUT WITH SOMEONE ELSE'S 273 00:14:04,500 --> 00:14:07,966 PARTNER. 274 00:14:08,000 --> 00:14:09,866 >> WAKE UP, PEOPLE. 275 00:14:09,900 --> 00:14:12,366 TODAY WAITS FOR NO ONE. 276 00:14:12,400 --> 00:14:15,966 ♪ I'M NO LONGER BROKENHEARTED ♪ 277 00:14:16,000 --> 00:14:17,866 ♪ SO GLAD I CAME HERE TONIGHT ♪ 278 00:14:17,900 --> 00:14:20,633 >> YOU WERE SNORING FOR SO LONG. 279 00:14:20,666 --> 00:14:21,266 >> REALLY? 280 00:14:21,300 --> 00:14:22,200 >> YEAH. 281 00:14:22,233 --> 00:14:24,233 [LAUGHTER] >> IT'S FUNNY. 282 00:14:27,000 --> 00:14:31,033 >♪ I'M SO READY TO GET ON IT ♪ 283 00:14:31,066 --> 00:14:32,233 >> HOW WAS LAST NIGHT? 284 00:14:32,266 --> 00:14:36,233 >> WE MADE OUT SO MUCH. 285 00:14:36,266 --> 00:14:36,833 [LAUGHTER] >> WHAT? 286 00:14:36,866 --> 00:14:38,833 DID YOU GO TO SECOND BASE? 287 00:14:38,866 --> 00:14:41,300 >> OH, YEAH, DID YOU? 288 00:14:41,333 --> 00:14:42,266 >> YEAH. 289 00:14:42,300 --> 00:14:46,966 >> I KEEP TRYING TO FIGURE OUT JOHNNY'S SIDES. 290 00:14:47,000 --> 00:14:49,766 >> I'M DEAD. 291 00:14:49,800 --> 00:14:55,133 [LAUGHTER] >> WE GOT, LIKE, PRETTY 292 00:14:55,166 --> 00:14:55,433 CLOSE. 293 00:14:55,466 --> 00:14:56,433 >> NICE. 294 00:14:56,466 --> 00:14:58,833 >> DO IT, MAN. 295 00:14:58,866 --> 00:15:01,933 ♪♪♪ ♪ I CAME HERE FOR LOVE ♪ 296 00:15:01,966 --> 00:15:08,933 ♪ I CAME HERE FOR LOVE ♪ ♪ I CAME HERE FOR LOVE ♪ 297 00:15:08,966 --> 00:15:14,200 >> OH! 298 00:15:14,233 --> 00:15:16,966 ♪♪♪ >> WHAT ARE YOU GRUNTING 299 00:15:17,000 --> 00:15:17,433 FOR? 300 00:15:17,466 --> 00:15:18,966 IT'S FIVE POUNDS. 301 00:15:19,000 --> 00:15:21,766 [LAUGHTER] >> IT'S LIGHT WORK 302 00:15:21,800 --> 00:15:22,633 (laughing). 303 00:15:22,666 --> 00:15:23,633 [LAUGHTER] >> Narrator: TURN THIS 304 00:15:23,666 --> 00:15:28,500 WAY, TURN THAT WAY, TURN THIS WAY, TURN THAT WAY, 305 00:15:28,533 --> 00:15:34,900 TURN THIS WAY, TURN THAT WAY ‐‐ EXIT! 306 00:15:34,933 --> 00:15:37,766 >> ARMS DOWN. 307 00:15:37,800 --> 00:15:42,366 THANK YOU. 308 00:15:42,400 --> 00:15:46,733 >> I GOT A MOUTHFUL OF SWEAT. 309 00:15:46,766 --> 00:15:48,133 >> I SAW THAT. 310 00:15:48,166 --> 00:15:51,166 >> I LIKE A LOT OF THINGS ABOUT KIERSTAN. 311 00:15:51,200 --> 00:15:54,233 I THINK SHE IS SO SIMILAR TO ME, THE THINGS SHE 312 00:15:54,266 --> 00:15:56,666 LAUGHS AT, THAT SHE LIKES TO JOKE ABOUT. 313 00:15:56,700 --> 00:16:02,266 WE BOTH HAVE A SIMILAR LOOK, IT IS ALMOST LIKE 314 00:16:02,300 --> 00:16:03,166 EXOTIC. 315 00:16:03,200 --> 00:16:04,966 WE JUST KIND OF ON ALL LEVELS ARE MATCHING. 316 00:16:05,000 --> 00:16:07,533 IT IS DEFINITELY SOMETHING THAT ‐‐ THIS IS WILD YOU 317 00:16:07,566 --> 00:16:08,800 CAME IN HERE. 318 00:16:08,833 --> 00:16:09,366 I'M SO GLAD. 319 00:16:09,400 --> 00:16:10,966 >> IS IT BECAUSE OF ME? 320 00:16:11,000 --> 00:16:13,966 YESTERDAY YOU WERE, LIKE, YEAH, IT'S NICE TO HAVE 321 00:16:14,000 --> 00:16:17,133 IS IT NICE TO HAVE ME OR SOMEONE? 322 00:16:17,166 --> 00:16:17,900 >> NO. 323 00:16:17,933 --> 00:16:18,733 IT'S YOU. 324 00:16:18,766 --> 00:16:19,500 SOMEONE LIKE YOU. 325 00:16:19,533 --> 00:16:24,966 >> I FEEL THE SAME WAY. 326 00:16:25,000 --> 00:16:26,966 >> SHOULD I BE LETTING THIS OUT AFTER A DAY? 327 00:16:27,000 --> 00:16:28,833 SHOULD I BEEN SAYING THIS OUT LOUD? 328 00:16:28,866 --> 00:16:29,733 >> YEAH. 329 00:16:29,766 --> 00:16:32,366 >> I HAVE TO WARM UP TO PEOPLE SOME TIMES. 330 00:16:32,400 --> 00:16:35,900 BUT I'M WARMING UP TO YOU PRETTY BAD. 331 00:16:35,933 --> 00:16:37,433 >> OH, MY GOSH. 332 00:16:37,466 --> 00:16:40,200 AM I KEEPING YOU FROM ANYTHING? 333 00:16:40,233 --> 00:16:41,166 >> NO. 334 00:16:41,200 --> 00:16:42,666 I HAVE NOTHING TO DO TODAY, BESIDES GET TO KNOW 335 00:16:42,700 --> 00:16:43,100 YOU MORE. 336 00:16:43,133 --> 00:16:48,800 >> GOOD ANSWER. 337 00:16:48,833 --> 00:16:52,166 >> I LIKE A LOT OF THINGS ABOUT CARRINGTON. 338 00:16:52,200 --> 00:16:55,700 HE IS JUST VERY TOUCHY, AND I LOVE THAT. 339 00:16:55,733 --> 00:17:00,600 I DON'T KNOW, HE IS JUST VERY GENUINE, TOO. 340 00:17:00,633 --> 00:17:02,066 >> SO I SWEAT. 341 00:17:02,100 --> 00:17:05,633 >> UH‐HUH. 342 00:17:05,666 --> 00:17:08,033 >> SO TODAY WE'RE LIKE CROSSING. 343 00:17:08,066 --> 00:17:09,600 >> THIS THING,,. 344 00:17:09,633 --> 00:17:12,966 >> WE'RE, LIKE... 345 00:17:13,000 --> 00:17:15,633 >> HOW DO YOU KNOW WHAT I WAS GOING TO DO? 346 00:17:15,666 --> 00:17:16,966 >> Narrator: I THINK THEY'RE MOVING TO SECOND 347 00:17:17,000 --> 00:17:18,233 AND A HALF BASE. 348 00:17:18,266 --> 00:17:22,000 HE IS TEACHING HER THE OFFICIAL BROKERING. 349 00:17:22,033 --> 00:17:23,733 NO, THEY'RE SWING DANCING. 350 00:17:23,766 --> 00:17:26,566 WELL, IT IS THE ROARING '20s. 351 00:17:26,600 --> 00:17:28,966 >> THAT'S GOOD. 352 00:17:29,000 --> 00:17:31,733 >> OKAY. 353 00:17:31,766 --> 00:17:36,333 OKAY. 354 00:17:36,366 --> 00:17:37,366 H'MMM... 355 00:17:37,400 --> 00:17:39,000 >> ALL OF THE FEELINGS I'M HAVING WITH JOHNNY IS SO 356 00:17:39,033 --> 00:17:40,000 EXCITING. 357 00:17:40,033 --> 00:17:43,333 JUST SEEING WE CAN BE GOOFY TOGETHER LIKE THAT, 358 00:17:43,366 --> 00:17:47,700 THAT'S ALL I COULD EVER WANT IN SOMEONE. 359 00:17:47,733 --> 00:17:49,533 >> C'MON! 360 00:17:49,566 --> 00:17:50,833 THERE ARE TWO KEYS. 361 00:17:50,866 --> 00:17:54,900 >> ASIDE FROM BEING, LIKE, SUPER ATTRACTED TO HIM, 362 00:17:54,933 --> 00:17:56,600 LIKE, PHYSICALLY AND HAVING A DEEP CONNECTION 363 00:17:56,633 --> 00:18:01,033 WITH HIM, WE HAVE THAT SILLY AND GOOFY 364 00:18:01,066 --> 00:18:02,533 FRIENDSHIP, ALSO. 365 00:18:02,566 --> 00:18:07,766 SO ALL AROUND, IT IS AN 11 OUT OF 10. 366 00:18:07,800 --> 00:18:10,866 IT'S SO GOOD. 367 00:18:10,900 --> 00:18:15,700 ♪♪♪ ♪ SO SWEET ♪ 368 00:18:15,733 --> 00:18:20,533 [LUGHTER] >> WE CAN JUST... 369 00:18:20,566 --> 00:18:22,700 [LAUGHTER] ♪♪♪ 370 00:18:22,733 --> 00:18:25,833 >> ARE YOU ALREADY WARMED UP AND EVERYTHING? 371 00:18:25,866 --> 00:18:28,566 >> I WAKE UP WARM. 372 00:18:28,600 --> 00:18:32,533 >> Narrator: JUSTINE IS FINALLY RETALIATING ‐‐ GET 373 00:18:32,566 --> 00:18:33,900 'EM, GIRL! 374 00:18:33,933 --> 00:18:36,633 WAIT, TRE IS TRAINING HER. 375 00:18:36,666 --> 00:18:37,833 ♪♪♪ >> Narrator: I WONDER IF 376 00:18:37,866 --> 00:18:43,633 ALL OF THE WORKOUTS HE HAS VOLVE GROIN‐THRUSTING 377 00:18:43,666 --> 00:18:44,066 MOTION? 378 00:18:44,100 --> 00:18:44,466 H'MMM... 379 00:18:44,500 --> 00:18:46,166 >> WHAT'S UP? 380 00:18:46,200 --> 00:18:50,500 >> Narrator: IF THAT WORKOUT GETS YOU JACKED, I 381 00:18:50,533 --> 00:18:52,800 SHOULD BE THE INCREDIBLE HULK. 382 00:18:52,833 --> 00:18:54,400 >> TRE IS SMART. 383 00:18:54,433 --> 00:18:56,466 HE WAS, LIKE, YOU WANT TO WORK OUT. 384 00:18:56,500 --> 00:18:59,366 AND HE WAS LIKE HIP THRUSTS. 385 00:18:59,400 --> 00:19:03,633 I WAS, LIKE, I HAVE TO WORK THIS BUTT. 386 00:19:03,666 --> 00:19:06,733 >> I DIDN'T WANT THE BAR TO HURT HER HIPS. 387 00:19:06,766 --> 00:19:12,433 SO I PUT MY HANDS THERE TO GIVE HER SOME LEVITY. 388 00:19:12,466 --> 00:19:16,566 ♪♪♪ >> IT WAS DEFINITELY NOT 389 00:19:16,600 --> 00:19:18,800 JUST A WORKOUT FOR EITHER OF US. 390 00:19:18,833 --> 00:19:21,000 IT IS DEFINITELY SOMETHING MORE. 391 00:19:21,033 --> 00:19:22,066 I'M LIVING FOR IT. 392 00:19:22,100 --> 00:19:25,933 THEY'RE BOTH SO GOOD AND I THINK THEY WOULD BE BETTER 393 00:19:25,966 --> 00:19:26,666 TOGETHER. 394 00:19:26,700 --> 00:19:28,833 >> WHY ARE YOU ACTING SURPRISED? 395 00:19:28,866 --> 00:19:29,866 WHY SHOULD I TELL YOU? 396 00:19:29,900 --> 00:19:32,433 >> Narrator: WHILE I'VE BEEN CUTTING MY OWN HAIR, 397 00:19:32,466 --> 00:19:43,600 LIKE SOME QUARANTINE FONTEEN, THE BOYS ARE 398 00:19:43,633 --> 00:19:44,633 TREATED. 399 00:19:44,666 --> 00:19:50,966 THE TOPIC IN QUESTION: THE HAIRY SITUATION BETWEEN 400 00:19:51,000 --> 00:19:51,966 CARRINGTON AND KAITLYN. 401 00:19:52,000 --> 00:19:55,566 >> I FELT LIKE EVERYBODY GOT THEIR PERSON FIGURED 402 00:19:55,600 --> 00:20:03,300 OUT, AND THEN THIS ‐‐ >> LIKE, WHATCHA DOING? 403 00:20:03,333 --> 00:20:06,766 ARE YOU MORE SEXUALLY ATTRACTED TO KAITLYN? 404 00:20:06,800 --> 00:20:08,733 >> EVERY GIRL HERE IS ATTRACTIVE. 405 00:20:08,766 --> 00:20:11,166 >> SO HOW DO YOU FEEL, LIKE, ABOUT TRE? 406 00:20:11,200 --> 00:20:12,666 >> HE REALLY SHOCKED ME. 407 00:20:12,700 --> 00:20:14,100 WE HAVE SO MUCH IN COMMON. 408 00:20:14,133 --> 00:20:15,766 HE WAS SO EASY TO TALK TO. 409 00:20:15,800 --> 00:20:18,800 AND THEN, LIKE, AFTER THAT, I WAS, LIKE, OKAY, I 410 00:20:18,833 --> 00:20:21,233 CAN SEE SOMETHING WITH TRE. 411 00:20:21,266 --> 00:20:25,200 LIKE I STILL HAVE ‐‐ I WAS A LITTLE STILL SKEPTICAL 412 00:20:25,233 --> 00:20:28,966 BECAUSE HE SEEMED A LITTLE RESERVE, AND I WOULD LOVE 413 00:20:29,000 --> 00:20:31,466 FOR HIM TO OPEN UP A LITTLE BIT. 414 00:20:31,500 --> 00:20:34,433 >> I DEFINITELY FEEL LIKE HE HAS THAT. 415 00:20:34,466 --> 00:20:37,133 I FEEL LIKE THE MORE YOU TALK, HE'LL OPEN UP. 416 00:20:37,166 --> 00:20:39,966 >> DON'T GET ME WRONG, I LIKE KISSING KAITLYN, AND 417 00:20:40,000 --> 00:20:42,833 KAITLYN IS REALLY, REALLY GOOD TO LOOK AT. 418 00:20:42,866 --> 00:20:44,366 I COULD LOOK AT KAITLYN ALL DAY. 419 00:20:44,400 --> 00:20:47,566 >> WHEN I WAS TALKING TO HIM, TOO, I FEEL LIKE IT 420 00:20:47,600 --> 00:20:51,966 WAS A VERY GENUINE CONVERSATION. 421 00:20:52,000 --> 00:20:55,033 OBVIOUSLY THE INTEREST FOR ME WASN'T THERE, AND I 422 00:20:55,066 --> 00:20:59,966 DON'T WANT TO COME IN HERE AND FAKE IT. 423 00:21:00,000 --> 00:21:01,966 >> IT IS HARD WHEN YOU'RE NOT IN, LIKE, A SECURE 424 00:21:02,000 --> 00:21:02,866 COUPLE LIKE EVERYBODY ELSE. 425 00:21:02,900 --> 00:21:03,733 >> RIGHT. 426 00:21:03,766 --> 00:21:06,400 >> YOU NEVER KNOW WHAT COULD COME OUT OF 427 00:21:06,433 --> 00:21:07,066 ANYTHING. 428 00:21:07,100 --> 00:21:08,966 SO GIVE EVERYBODY A CHANCE. 429 00:21:09,000 --> 00:21:11,566 HAVE CONVERSATIONS WITH EVERYONE, YOU KNOW? 430 00:21:11,600 --> 00:21:12,600 >> YEAH. 431 00:21:12,633 --> 00:21:17,033 >> I'VE BEEN HOLDING BACK, TO BE HONEST, BECAUSE IF 432 00:21:17,066 --> 00:21:20,266 NOBODY WANTED ME IN A VULNERABLE SITUATION. 433 00:21:20,300 --> 00:21:22,900 I TALKED TO HER, AND JUSTINE SAID SHE IS 434 00:21:22,933 --> 00:21:24,266 WILLING TO OPEN UP FOR ME. 435 00:21:24,300 --> 00:21:28,000 AND IF SHE IS WILLING TO OPEN UP FOR ME, I'LL BE 436 00:21:28,033 --> 00:21:29,700 WILLING TO OPEN UP FOR HER. 437 00:21:29,733 --> 00:21:32,466 OBVIOUSLY I HAVE TO MAKE A DECISION ON, LIKE, WHAT IS 438 00:21:32,500 --> 00:21:33,466 THE BEST MATCH FOR ME. 439 00:21:33,500 --> 00:21:36,366 >> I THINK YOU SHOULD DEFINITELY FOCUS ON HAVING 440 00:21:36,400 --> 00:21:37,966 MORE CONVERSATIONS WITH THEM. 441 00:21:38,000 --> 00:21:39,300 YOU KNOW WHAT I MEAN? 442 00:21:39,333 --> 00:21:41,833 TRY TO GET DEEP WITH THE BOTH OF THEM, SEE WHERE 443 00:21:41,866 --> 00:21:43,433 THEIR HEARTS ARE AT. 444 00:21:43,466 --> 00:21:47,400 >> BASICALLY WHAT Y'ALL ARE SAYING IS I NEED TO 445 00:21:47,433 --> 00:21:49,533 TEST DRIVE BEFORE I DRIVE OFF THE LOT. 446 00:21:49,566 --> 00:21:56,833 >> I KNOW MY BOY TRE, HE IS DECIDING. 447 00:21:56,866 --> 00:21:58,100 JUSTINE IS REAL. 448 00:21:58,133 --> 00:22:00,966 SHE IS A GOOD GIRL. 449 00:22:01,000 --> 00:22:02,033 IT GOES BEYOND LOOKS. 450 00:22:02,066 --> 00:22:04,833 I FEEL LIKE JUSTINE HAS THE SUBSTANCE. 451 00:22:04,866 --> 00:22:07,300 I FEEL LIKE THEY CLICK TOGETHER REALLY WELL. 452 00:22:07,333 --> 00:22:09,066 I FEEL LIKE THAT IS A GOOD THING. 453 00:22:09,100 --> 00:22:10,100 >> IT WILL BE A FUN NIGHT, 454 00:22:25,000 --> 00:22:27,966 ♪ THE BEAT GOES ON AND ON AND ON ♪ 455 00:22:28,000 --> 00:22:30,066 >> Narrator: WELCOME TO LOVE ISLAND. 456 00:22:30,100 --> 00:22:32,966 WE HAVE A PERM, REPEAT, WE HAVE A PERM. 457 00:22:33,000 --> 00:22:36,966 LET'S RIDE THOSE PLATINUM‐HEATED WAVES INTO 458 00:22:37,000 --> 00:22:39,366 A GIRL CHAT ABOUT BOYS. 459 00:22:39,400 --> 00:22:39,866 >> HELLO. 460 00:22:39,900 --> 00:22:41,433 >> HOW IS IT GOING? 461 00:22:41,466 --> 00:22:43,900 >> YOU GUYS LOOK SO BEAUTIFUL SITTING HERE. 462 00:22:43,933 --> 00:22:46,533 >> YOU LOOK SO BEAUTIFUL. 463 00:22:46,566 --> 00:22:47,533 >> THANK YOU. 464 00:22:47,566 --> 00:22:51,800 >> SO HOW IS EVERYONE FEELING ABOUT THEIR GUYS? 465 00:22:51,833 --> 00:22:53,633 >> WELL... 466 00:22:53,666 --> 00:22:59,966 >> WE KNOW SHE'S ALREADY IN LOVE, MARRIED, ABOUT TO 467 00:23:00,000 --> 00:23:04,233 HAVE A KID. 468 00:23:04,266 --> 00:23:05,966 [LAUGHTER] >> ISN'T IT SURPRISING HOW 469 00:23:06,000 --> 00:23:08,033 WELL WE GOT ALONG. 470 00:23:08,066 --> 00:23:10,866 >> I NEVER HAVE DATED ANYONE LIKE HIM IN THE 471 00:23:10,900 --> 00:23:11,700 PAST. 472 00:23:11,733 --> 00:23:14,133 AND I FEEL LIKE I'M HAVING SO MUCH FUN. 473 00:23:14,166 --> 00:23:18,066 >> HOW ARE YOU AND CARRINGTON DOING? 474 00:23:18,100 --> 00:23:20,866 >> I'M READY TO JUMP IN THAT BED, LET'S GO. 475 00:23:20,900 --> 00:23:22,600 YEAH, NO, I REALLY LIKE HIM. 476 00:23:22,633 --> 00:23:26,600 BUT I DON'T KNOW WHAT GOES THROUGH THAT GUY'S HEAD OR 477 00:23:26,633 --> 00:23:28,500 WHAT IS GOING TO COME OUT OF HIS MOUTH. 478 00:23:28,533 --> 00:23:30,600 I'M ALWAYS ON MY TOES. 479 00:23:30,633 --> 00:23:35,733 >> YOU DO GRAVITATE TOWARDS SLIGHTLY MATURE ‐‐ 480 00:23:35,766 --> 00:23:38,233 >> AND OLDER GUYS, BUT I THINK HE IS GREAT. 481 00:23:38,266 --> 00:23:40,300 I CAN'T STOP SMILING. 482 00:23:40,333 --> 00:23:43,600 >> KIERSTAN HAS MENTIONED SHE USUALLY GOES FOR, 483 00:23:43,633 --> 00:23:48,533 LIKE, OLDER GUYS BECAUSE OF, LIKE, MA MATURITY, AND I 484 00:23:48,566 --> 00:23:52,333 KIND OF GET A LITTLE BIT OF A YOUTHFUL VIBE FROM 485 00:23:52,366 --> 00:23:53,266 CARRINGTON. 486 00:23:53,300 --> 00:23:55,200 I FEEL THAT IS KIND OF A REASON WHY I WASN'T 487 00:23:55,233 --> 00:23:56,233 INTERESTED IN HIM. 488 00:23:56,266 --> 00:23:59,200 >> IT IS LOVE ISLAND, AND YOU WANT TO TRY OUT NEW 489 00:23:59,233 --> 00:24:00,066 THINGS. 490 00:24:00,100 --> 00:24:01,466 >> BASICALLY OUR CONVERSATION WIN THE HOT 491 00:24:01,500 --> 00:24:04,300 TUB WAS SO ELECTRIC. 492 00:24:04,333 --> 00:24:08,433 IT WAS, LIKE, I'M SO INTO, I WANT TO GET TO KNOW YOU. 493 00:24:08,466 --> 00:24:12,366 IT IS ALMOST LIKE SHE CAUGHT THAT CUPID ARROW. 494 00:24:12,400 --> 00:24:12,966 AND I KIND OF DID, TOO. 495 00:24:13,000 --> 00:24:14,933 >> WE'LL SEE WHAT HAPPENS. 496 00:24:14,966 --> 00:24:16,866 IT IS STILL, LIKE, REALLY EARLY. 497 00:24:16,900 --> 00:24:20,333 BUT I'M REALLY HAPPY RIGHT NOW. 498 00:24:20,366 --> 00:24:24,366 >> Narrator: THE GIRLS ARE HAPPILY ENJOYING EACH 499 00:24:24,400 --> 00:24:27,000 OTHER'S COMPANY, BUT JAMES HAD NO CHOICE BUT TO STEP 500 00:24:27,033 --> 00:24:28,800 IN AND REMEDY THE SITUATION. 501 00:24:28,833 --> 00:24:30,933 >> WHAT ARE YOU GUYS DOING? 502 00:24:30,966 --> 00:24:31,933 >> TALKING. 503 00:24:31,966 --> 00:24:34,000 >> CAN I COME AND JOIN? 504 00:24:34,033 --> 00:24:38,033 WE MISSED YOU GUYS SO MUCH ‐‐ GI HERE. 505 00:24:38,066 --> 00:24:39,800 THANK YOU. 506 00:24:39,833 --> 00:24:40,366 >> AH! 507 00:24:40,400 --> 00:24:41,833 >> YOU GUYS ARE SO CUTE. 508 00:24:41,866 --> 00:24:44,933 >> WE DID SOMETHING FOR YOU GUYS TODAY. 509 00:24:44,966 --> 00:24:47,100 YOU KNOW JOHNNY IS A BARBER, RIGHT? 510 00:24:47,133 --> 00:24:47,800 >> YEAH. 511 00:24:47,833 --> 00:24:50,733 >> SO HE CUT EVERYBODY'S HAIR. 512 00:24:50,766 --> 00:24:52,866 YOUR BOY HAS A BALD HEAD NOW. 513 00:24:52,900 --> 00:24:56,333 WILL YOU STILL LIKE HIM ‐‐ >> ARE YOU BEING SERIOUS? 514 00:24:56,366 --> 00:24:59,333 >> YOUR BOY HAS A MOHAWK. 515 00:24:59,366 --> 00:25:00,833 >> THAT FIGURES. 516 00:25:00,866 --> 00:25:02,566 IT MAKES SENSE. 517 00:25:02,600 --> 00:25:04,966 >> INTRODUCING JEREMIAH. 518 00:25:05,000 --> 00:25:09,766 COME ON OUT! 519 00:25:09,800 --> 00:25:18,633 6' 3, JEREMIAH. 520 00:25:18,666 --> 00:25:21,966 >> Narrator: LET'S SEE THE NEW LOOK. 521 00:25:22,000 --> 00:25:24,966 WHOA, LITERALLY NO DIFFERENCE. 522 00:25:25,000 --> 00:25:27,100 >> NEXT COMING OUT, WE HAVE TRE. 523 00:25:27,133 --> 00:25:32,033 COME ON, TRE, BRING IT DOWN, STRUT IT. 524 00:25:32,066 --> 00:25:35,433 [APPLAUSE AND CHEERING] >> COMING IN FROM OHIO 525 00:25:35,466 --> 00:25:38,733 STATE, MR. BUCKEYE HIMSELF. 526 00:25:38,766 --> 00:25:40,166 >> LOOKING GOOD, TRE. 527 00:25:40,200 --> 00:25:43,600 >> AND NOW FOR THE MAIN, THE MAIN EVENT HIMSELF, 528 00:25:43,633 --> 00:25:51,500 THE ONE WHO CUTS THE HAIR, CELY'S BOY, IT IS JOHNNY! 529 00:25:51,533 --> 00:25:54,366 [APPLAUSE] >> JOHNNY WILL LINE 530 00:25:54,400 --> 00:25:56,100 HIMSELF UP TO TAKE A LOOK. 531 00:25:56,133 --> 00:25:57,566 >> OKAY. 532 00:25:57,600 --> 00:25:58,500 >> LEGENDARY. 533 00:25:58,533 --> 00:26:03,200 >> I WAS A PRE‐HEIGHT MAN. 534 00:26:03,233 --> 00:26:05,366 >> WELL DONE. 535 00:26:05,400 --> 00:26:09,700 >> Narrator: THAT EVENING CELY IS HAVING 536 00:26:09,733 --> 00:26:11,966 THOUGHTS ABOUT JOHNNY THAT WOULD MAKE OUR SPONSORS 537 00:26:12,000 --> 00:26:14,000 DELIGHTED AND OUR CENSORS WEAK. 538 00:26:14,033 --> 00:26:17,966 >> CELY IS READY TO TAKE HER MAN DOWN TONIGHT. 539 00:26:18,000 --> 00:26:19,700 >> UNLEASH HER. 540 00:26:19,733 --> 00:26:24,133 >> I FEEL LIKE YOUR MOOD IS A MIX BETWEEN A 541 00:26:24,166 --> 00:26:31,966 14‐YEAR‐OLD BOY AND A GIRL IN LOVE. 542 00:26:32,000 --> 00:26:32,966 A 14‐YEAR‐OLD BOY? 543 00:26:33,000 --> 00:26:37,333 >> IT'S LIKE A LITTLE BIT HORNY, LET'S ADMIT IT. 544 00:26:37,366 --> 00:26:38,200 >> WELL, YOU'RE NOT WRONG. 545 00:26:38,233 --> 00:26:38,966 >> YOU'RE NOT WRONG BECAUSE YOU'RE LIKE 546 00:26:39,000 --> 00:26:39,966 UNLEASH ME. 547 00:26:40,000 --> 00:26:43,966 >> I NEVER HAVE HAD THIS MUCH FUN WITH A GUY EVER 548 00:26:44,000 --> 00:26:44,466 IN MY LIFE. 549 00:26:44,500 --> 00:26:45,800 >> THAT IS SO SWEET. 550 00:26:45,833 --> 00:26:48,700 >> I DON'T GO FOR GUYS LIKE HIM. 551 00:26:48,733 --> 00:26:51,533 AND I'M, LIKE, MAYBE I'VE BEEN DOING IT ALL WRONG 552 00:26:51,566 --> 00:26:53,966 THIS WHOLE TIME. 553 00:26:54,000 --> 00:26:54,966 >> IT IS KIND OF THE SAME WITH ME AND CONNOR. 554 00:26:55,000 --> 00:26:57,966 HE IS NOT A GUY I WOULD TYPICALLY GO FOR. 555 00:26:58,000 --> 00:27:00,733 AND I THINK THE SAME FOR MOIRA AND JAMES. 556 00:27:00,766 --> 00:27:04,000 BUT TYPICALLY WHEN PEOPLE ARE GETTING ON THIS WELL, 557 00:27:04,033 --> 00:27:06,666 THEY'RE NORMAL TYPES, AND THAT IS NOT THE CASE FOR 558 00:27:06,700 --> 00:27:07,266 ANY OF US. 559 00:27:07,300 --> 00:27:10,300 >> YEAH. 560 00:27:10,333 --> 00:27:13,833 ♪ WHEN THAT MOON IS BIG AND BRIGHT ♪ 561 00:27:13,866 --> 00:27:24,900 ♪ IT'S A SUPER NATURAL NIGHT ♪ 562 00:27:24,933 --> 00:27:30,233 ♪ DANCING IN THE MOONLIGHT ♪ 563 00:27:30,266 --> 00:27:34,366 ♪ EVERYBODY IS FEELING WARM AND LIGHT ♪ 564 00:27:34,400 --> 00:27:39,100 ♪ EVERYBODY IS DANCING IN THE MOONLIGHT ♪ 565 00:27:39,133 --> 00:27:48,533 >> WE'RE HOT TOGETHER. 566 00:27:48,566 --> 00:27:55,733 ♪♪♪ ♪ EVERYBODY IS DANCING IN 567 00:27:55,766 --> 00:28:02,266 THE MOONLIGHT ♪ >> THEY'RE GETTING 568 00:28:02,300 --> 00:28:03,066 CUDDLED. 569 00:28:03,100 --> 00:28:05,566 ♪ EVERYBODY HERE IS OUT OF SIGHT ♪ 570 00:28:05,600 --> 00:28:11,966 ♪ THEY DON'T BARK AND THEY DON'T BITE ♪ 571 00:28:12,000 --> 00:28:17,766 ♪ THEY KEEP THINGS LOOSE, THEY KEEP THEM TIGHT ♪ 572 00:28:17,800 --> 00:28:21,500 ♪ EVERYBODY'S DANCING IN THE MOONLIGHT ♪ 573 00:28:21,533 --> 00:28:24,366 ♪ DANCING IN THE MOONLIGHT ♪ 574 00:28:24,400 --> 00:28:29,133 ♪ EVERYBODY'S FEELING WARM AND BRIGHT ♪ 575 00:28:29,166 --> 00:28:33,533 ♪ IT'S SUCH A BRIGHT AND NATURAL LIGHT ♪ 576 00:28:33,566 --> 00:28:39,166 ♪ EVERYBODY'S DANCING IN THE MOONLIGHT ♪ 577 00:28:39,200 --> 00:28:41,933 >> Narrator: IF I HAD TO SLEEP IN A BED LIKE THAT, 578 00:28:41,966 --> 00:28:44,100 I WOULD NEED A SPA TO RECOVER. 579 00:28:44,133 --> 00:28:46,966 NO WAY, I JUST REMEMBER HOW AMAZING THE SPA IS AT 580 00:28:47,000 --> 00:28:47,966 CAESAR'S PALACE, RIGHT AT THE MOMENT I'M 581 00:28:48,000 --> 00:28:49,266 CONTRACTUALLY OBLIGATED TO MENTION IT. 582 00:28:49,300 --> 00:28:55,966 YOU HIT THE SPA AND THEN YOU GO TO AN AWARD‐WINNING 583 00:28:56,000 --> 00:28:56,933 RESTAURANT. 584 00:28:56,966 --> 00:28:58,966 GO 585 00:29:19,000 --> 00:29:19,966 >> Narrator: DOWN FROM MY FAVORITE LOVE LANGUAGE, 586 00:29:20,000 --> 00:29:23,900 SOMEONE WITH A PERFECT BODY COOKING ME FOOD, LIKE 587 00:29:23,933 --> 00:29:26,066 JEREMIAH IS DOING FOR RACHEL, AND SHE IS NOT 588 00:29:26,100 --> 00:29:27,133 EVEN HIS PARTNER. 589 00:29:27,166 --> 00:29:31,333 I HOPE FOR HER SAKE, HE DOESN'T USE HIS FINGERS IN 590 00:29:31,366 --> 00:29:32,066 A QUESTIONABLE WAY. 591 00:29:32,100 --> 00:29:36,633 WELL, BEGGERS CAN'T BE CHOOSERS. 592 00:29:36,666 --> 00:29:39,600 >> I TOOK A BREAK. 593 00:29:39,633 --> 00:29:42,266 >> ME AND RACHEL ARE IN A GOOD PLACE. 594 00:29:42,300 --> 00:29:46,900 I COULDN'T ASK FOR IT TO GO NO SMOOTHER, YOU KNOW 595 00:29:46,933 --> 00:29:47,600 WHAT I'M SAYING? 596 00:29:47,633 --> 00:29:50,233 WE'RE TAKING OUR TIME WITH IT. 597 00:29:50,266 --> 00:29:52,633 THAT'S HOW IT GONNA GO RIGHT NOW. 598 00:29:52,666 --> 00:29:54,833 >> OH, MY GOSH! 599 00:29:54,866 --> 00:29:59,266 >> OH, MY GOSH. 600 00:29:59,300 --> 00:30:03,333 >> JEREMIAH MADE ME BREAKFAST THIS MORNING, 601 00:30:03,366 --> 00:30:05,300 WHICH WAS REALLY, REALLY NICE. 602 00:30:05,333 --> 00:30:11,333 IT IS DEFINITELY OFF TO A GOOD START. 603 00:30:11,366 --> 00:30:11,966 JEREMIAH! 604 00:30:12,000 --> 00:30:15,000 [LAUGHTER] >> NICE OUTFIT. 605 00:30:15,033 --> 00:30:19,066 >> Narrator: WHILE JUSTINE'S ROMANCE WITH TRE 606 00:30:19,100 --> 00:30:19,966 SEEMS TO BE TRAILING OFF, AND CARRINGTON GETS INTO A 607 00:30:20,000 --> 00:30:24,166 LITTLE, MAYBE I'LL SIT, MAYBE I'LL STAND. 608 00:30:24,200 --> 00:30:25,133 >> WHATCHA UP TO? 609 00:30:25,166 --> 00:30:28,100 >> I HAVE A LOT OF ENERGY TODAY. 610 00:30:28,133 --> 00:30:29,133 SO WE'LL TALK. 611 00:30:29,166 --> 00:30:31,966 WE'LL CHITCHAT. 612 00:30:32,000 --> 00:30:33,533 YOU OKAY? 613 00:30:33,566 --> 00:30:34,466 YOU SEEM DOWN? 614 00:30:34,500 --> 00:30:35,033 >> I'M GOOD. 615 00:30:35,066 --> 00:30:37,966 I JUST NEED TO WORK OUT. 616 00:30:38,000 --> 00:30:38,900 >> WE'LL TALK. 617 00:30:38,933 --> 00:30:39,700 I'LL SEE YOU. 618 00:30:39,733 --> 00:30:41,100 >> ALL RIGHT. 619 00:30:41,133 --> 00:30:42,100 FOR SURE. 620 00:30:42,133 --> 00:30:45,800 >> I WOKE UP THIS MORNING FEELING CONFIDENT AND 621 00:30:45,833 --> 00:30:48,633 CONVERSATIONS THAT I'VE HAD WITH TRE YESTERDAY AND 622 00:30:48,666 --> 00:30:52,766 THE DAY BEFORE ‐‐ AND HE EVEN CAME OVER AND SAID 623 00:30:52,800 --> 00:30:55,600 GOOD NIGHT TO ME, AND THEN I WAKE UP THIS MORNING AND 624 00:30:55,633 --> 00:30:58,700 HE IS NOT BEING HIMSELF AT ALL. 625 00:30:58,733 --> 00:31:03,333 MAYBE HE HAD A REALLY BAD DREAM ABOUT ME AND WAS, 626 00:31:03,366 --> 00:31:07,200 LIKE, UGH, I HATE HER. 627 00:31:07,233 --> 00:31:10,200 >> Narrator: HASHTAG, MOIRA HAS BEEN DOING LOTS 628 00:31:10,233 --> 00:31:13,333 OF SPOONING, BUT SHE IS CONCERNED IT MAY TOO 629 00:31:13,366 --> 00:31:14,400 QUICKLY TURN INTO A FORK. 630 00:31:14,433 --> 00:31:19,033 >> WHAT DO YOU THINK ABOUT THE PACE WE'RE GOING AT? 631 00:31:19,066 --> 00:31:23,700 >> I JUST HOPE YOU'RE READY TO REALLY GET 632 00:31:23,733 --> 00:31:29,166 INVOLVED IN SOMETHING THAT COULD REALLY BE FUN. 633 00:31:29,200 --> 00:31:30,633 >> SEXUALLY? 634 00:31:30,666 --> 00:31:31,600 >> YEAH. 635 00:31:31,633 --> 00:31:32,966 >> IT IS HARD TO DO ANYTHING WHEN THERE ARE SO 636 00:31:33,000 --> 00:31:35,766 MANY OTHER PEOPLE LOOKING AT US. 637 00:31:35,800 --> 00:31:38,133 I DEFINITELY TOLD THE GIRLS YOU HAVE A BIG 638 00:31:38,166 --> 00:31:39,133 PERSONALITY. 639 00:31:39,166 --> 00:31:41,166 AND THEY WERE, LIKE, WE SAW YOU MAKING OUT LAST 640 00:31:41,200 --> 00:31:41,966 NIGHT. 641 00:31:42,000 --> 00:31:45,533 THEY WERE, LIKE, HOW FAR DID YOU GO? 642 00:31:45,566 --> 00:31:49,200 AND I WAS, LIKE, SECOND BASE, AND WALKED OUT THE 643 00:31:49,233 --> 00:31:49,900 ROOM. 644 00:31:49,933 --> 00:31:51,733 >> I LIKE MOIRA, SHE IS GREAT. 645 00:31:51,766 --> 00:31:53,300 IT IS NOT JUST ALL ABOUT ME. 646 00:31:53,333 --> 00:31:55,333 IT IS ABOUT THE PERSON, TOO. 647 00:31:55,366 --> 00:31:58,166 AND WE'RE STILL LEARNING ABOUT EACH OTHER. 648 00:31:58,200 --> 00:32:01,533 I HOPE SHE KNOWS I'M ACCEPTING IT AND I'M 649 00:32:01,566 --> 00:32:02,966 ENJOYING IT, AND HOPEFULLY SHE THINKS THE SAME WAY. 650 00:32:03,000 --> 00:32:07,966 >> I FEEL LIKE I WANT TO TAKE IT SLOWER. 651 00:32:08,000 --> 00:32:11,733 >> YOU MEAN GETTING TO KNOW MORE OF MY 652 00:32:11,766 --> 00:32:13,200 PERSONALITY, EVEN THOUGH YOU WANT THIS? 653 00:32:13,233 --> 00:32:14,700 >> YES. 654 00:32:14,733 --> 00:32:15,933 >> YOU WANT THIS? 655 00:32:15,966 --> 00:32:22,333 >> I DO KNOW WHAT I WANT, BUT I DON'T WANT TO GET ‐‐ 656 00:32:22,366 --> 00:32:27,966 DON'T WANT MY HEART TO GET BROKEN. 657 00:32:28,000 --> 00:32:31,800 > WELL, THANKS FOR FIGURING IT OUT. 658 00:32:31,833 --> 00:32:35,633 >> I KNOW. 659 00:32:37,266 --> 00:32:38,466 >> H'MMM... 660 00:32:38,500 --> 00:32:40,966 >> RIGHT? 661 00:32:41,000 --> 00:32:43,400 >> UH‐HUH. 662 00:32:43,433 --> 00:32:45,566 I'M DOING LITTLE MANNERS LIKE YOU. 663 00:32:45,600 --> 00:32:46,200 YOU FEEL IT NOW? 664 00:32:46,233 --> 00:32:47,933 >> I FEEL IT. 665 00:32:47,966 --> 00:32:51,566 >> Narrator: SHE DOESN'T WANT TO SEE HIS BIG 666 00:32:51,600 --> 00:32:52,133 PERSONALITY? 667 00:32:52,166 --> 00:33:00,300 WHY NOT ‐‐ OH, I GET IT! 668 00:33:00,333 --> 00:33:02,900 ♪♪♪ >> UH‐OH! 669 00:33:02,933 --> 00:33:04,633 I GOT A TEXT! 670 00:33:04,666 --> 00:33:08,633 >> HEY, HEY, HEY. 671 00:33:08,666 --> 00:33:13,000 >> WHO GOT A TEXT? 672 00:33:13,033 --> 00:33:15,633 >> ISLANDERS, TONIGHT THERE WILL BE A 673 00:33:15,666 --> 00:33:16,666 RECOUPLING. 674 00:33:16,700 --> 00:33:21,233 THE BOYS WILL CHOICE AND THE GIRL NOT PICKED RISKS 675 00:33:21,266 --> 00:33:24,200 BEING DUMPED FROM THE ISLAND. 676 00:33:24,233 --> 00:33:26,866 GET PICKED OR GET PACKING. 677 00:33:26,900 --> 00:33:28,966 HASHTAG OVER BEFORE IT BEGAN. 678 00:33:29,000 --> 00:33:32,466 HASHTAG WHAT ARE YOU WAITING FOR. 679 00:33:32,500 --> 00:33:37,233 >> I OBVIOUSLY FEEL, LIKE, A LITTLE NERVOUS FOR THE 680 00:33:37,266 --> 00:33:38,900 RECOUPLING TONIGHT BECAUSE THERE IS THE POSSIBILITY 681 00:33:38,933 --> 00:33:41,000 OF ME OR JUSTINE GOING HOME. 682 00:33:41,033 --> 00:33:44,833 I THINK BOTH OF US WANT TO BE HERE, AND BOTH OF US 683 00:33:44,866 --> 00:33:45,866 DESERVE TO BE HERE. 684 00:33:45,900 --> 00:33:48,300 BUT I STILL NEED TO HAVE A CONVERSATION WITH TRE TO 685 00:33:48,333 --> 00:33:50,633 SEE WHERE HIS HEAD'S AT. 686 00:33:50,666 --> 00:33:55,633 YEAH, IT IS A LITTLE NERVE‐WRACKING. 687 00:33:55,666 --> 00:33:58,366 >> I WONDER WHO CHANGED? 688 00:33:58,400 --> 00:34:01,600 >> THERE IS A 50% CHANCE THAT I'M GOING HOME. 689 00:34:01,633 --> 00:34:04,333 THAT HAS JUST BEEN MY LUCK IN HERE. 690 00:34:04,366 --> 00:34:07,766 AS SOON AS I LIKE SOMEBODY, THEY'RE I DON'T 691 00:34:07,800 --> 00:34:09,166 LIKE YOU BACK. 692 00:34:09,200 --> 00:34:13,200 AS SOON AS THEY START TO LIKE ME BACK, OH, THERE IS 693 00:34:13,233 --> 00:34:14,233 A RECOUPLING. 694 00:34:14,266 --> 00:34:19,833 I WOULD BE JUST SO BUMMED IF AS SOON AS IT STARTED 695 00:34:19,866 --> 00:34:23,333 TO HAPPEN FOR ME IT'S, LIKE, PACK YOUR BAGS, 696 00:34:23,366 --> 00:34:24,900 GIRL, YOU'RE GOING HOME. 697 00:34:24,933 --> 00:34:27,133 THAT WOULD JUST BE THE WORST. 698 00:34:27,166 --> 00:34:33,966 ♪♪♪ >> I (indescernable) I 699 00:34:34,000 --> 00:34:36,000 FEEL LIKE IT'S GONNA BE KAITLYN. 700 00:34:48,000 --> 00:34:54,966 RECOUPLING IS HAPPENING VERY SOONISH, LOVE 701 00:34:55,000 --> 00:34:56,966 ISLAND'S SOCIAL SCIENTISTS, JOHNNY AND 702 00:34:57,000 --> 00:34:59,566 CARRINGTON ARE STATISTICALLY LIKELY TO BE 703 00:34:59,600 --> 00:35:01,600 DUMPED. 704 00:35:05,000 --> 00:35:07,966 >> TRE DEFINITELY HAS A TOUGH DECISION TO MAKE, 705 00:35:08,000 --> 00:35:11,200 JUST BECAUSE HE IS FRIENDS WITH KAITLYN AND HE IS 706 00:35:11,233 --> 00:35:12,233 FRIENDS WITH JUSTINE. 707 00:35:12,266 --> 00:35:15,066 I THINK THE BEST WAY TO LOOK AT IT IS, WHO IS HERE 708 00:35:15,100 --> 00:35:17,833 FOR THE RIGHT REASONS, MORE SO THAN WHO WOULD 709 00:35:17,866 --> 00:35:18,866 HAVE MY BACK. 710 00:35:18,900 --> 00:35:20,900 BECAUSE WHO WOULD HAVE MY BACK, YOU'RE KIND OF 711 00:35:20,933 --> 00:35:21,833 LOOKING OUT FOR YOURSELF. 712 00:35:21,866 --> 00:35:24,300 >> THEY'RE BOTH DEFINITELY HERE FOR THE RIGHT 713 00:35:24,333 --> 00:35:25,200 REASONS. 714 00:35:25,233 --> 00:35:27,800 YOU NEVER KNOW, BUT ‐‐ >> IT'S TOUGH, BRO. 715 00:35:27,833 --> 00:35:31,600 >> IF I HAD TO PUT MY MONEY ON IT, I WOULD 716 00:35:31,633 --> 00:35:33,033 PROBABLY HAVE TO SAY JUSTINE. 717 00:35:33,066 --> 00:35:34,333 I WANT TO SEE HER STAY. 718 00:35:34,366 --> 00:35:37,800 BUT IF SHE STAYS, I DON'T WANT TO SEE HER FACE 719 00:35:37,833 --> 00:35:40,433 REJECTION AGAIN AND FEEL THE WAY SHE HAS BEEN 720 00:35:40,466 --> 00:35:41,400 FEELING. 721 00:35:41,433 --> 00:35:43,133 >> Narrator: JAMES AND CONNOR, WHO DON'T SHAVE 722 00:35:43,166 --> 00:35:46,266 THEIR FACES BUT SHAVE THEIR CHESTS, TALK ABOUT 723 00:35:46,300 --> 00:35:49,133 HOW PERFECT THEIR LIVES ARE. 724 00:35:49,166 --> 00:35:51,866 LET'S SEE IF THE PLANS COME TO LIFE. 725 00:35:51,900 --> 00:35:56,533 >> MY GUYS, HAS THE DAY BEEN GOING WELL FOR YOU? 726 00:35:56,566 --> 00:35:59,633 >> OH, BOY, MOIRA AND I ARE AMAZING. 727 00:35:59,666 --> 00:36:01,200 WE'RE COOL. 728 00:36:01,233 --> 00:36:03,233 LITERALLY EVERY HOUR I SPEND WITH HER, I LIKE HER 729 00:36:03,266 --> 00:36:04,200 MORE AND MORE. 730 00:36:04,233 --> 00:36:06,733 I'M PUTTING MYSELF OUT THERE, AND SHE KNOWS HOW 731 00:36:06,766 --> 00:36:07,800 OPEN I AM. 732 00:36:07,833 --> 00:36:09,466 AND I'M SO APPRECIATE THAT SHE IS BEING OPEN BECAUSE 733 00:36:09,500 --> 00:36:11,733 SHE IS RESERVED, SHE IS SHY. 734 00:36:11,766 --> 00:36:14,933 SHE EVEN TOLD ME TODAY IT IS HARD FOR HER TO TRUST 735 00:36:14,966 --> 00:36:17,166 SOMEONE, AND SHE WANTS TO SO BAD. 736 00:36:17,200 --> 00:36:22,433 AND WHEN SHE IS WILLING TO DO IT WITH ME, I AM JUST 737 00:36:22,466 --> 00:36:24,733 SO HAPPY SHE IS DOING THAT. 738 00:36:24,766 --> 00:36:27,533 OBVIOUSLY, YEAH, SHE IS MY NUMBER ONE. 739 00:36:27,566 --> 00:36:31,800 >> THAT'S AWESOME, MAN. 740 00:36:31,833 --> 00:36:36,066 FOR ME, MACKENZIE IS SO EXTREMELY SELFLESS, AND 741 00:36:36,100 --> 00:36:40,133 SHE MAKES YOU FEEL COMFORTABLE BEING 742 00:36:40,166 --> 00:36:40,866 YOURSELF. 743 00:36:40,900 --> 00:36:43,166 I FELT THAT IN MY HEART TODAY ‐‐ 744 00:36:43,200 --> 00:36:44,033 >> THAT'S THE STUFF. 745 00:36:44,066 --> 00:36:44,933 THAT'S THE STUFF. 746 00:36:44,966 --> 00:36:47,366 >> I FEEL LIKE I'M DEFINITELY GOING ALL IN 747 00:36:47,400 --> 00:36:48,433 WITH MACKENZIE. 748 00:36:48,466 --> 00:36:51,366 I COULDN'T BE HAPPIER, AND I'M SUPER HAPPY JUST TO GO 749 00:36:51,400 --> 00:36:55,100 TO SLEEP WITH HER BY MY SIDE. 750 00:36:55,133 --> 00:36:58,866 AND I LOOK JUST AS MUCH TO WAKE UP IN THE MORNING 751 00:36:58,900 --> 00:37:03,833 NEXT TO HER EACH AND EVERY SINGLE DAY. 752 00:37:03,866 --> 00:37:06,200 >> OBVIOUSLY, WE KNOW WHERE YOU'RE AT. 753 00:37:06,233 --> 00:37:08,700 ME AND YOU HAVE BEEN STEADY WITH OUR GIRLS. 754 00:37:08,733 --> 00:37:12,300 IT IS NICE TO SEE ‐‐ I'M SO HAPPY WE'RE IN THE SAME 755 00:37:12,333 --> 00:37:15,266 BOAT BECAUSE I WANT TO PROGRESS THIS WITH YOU, 756 00:37:15,300 --> 00:37:15,766 BRO. 757 00:37:15,800 --> 00:37:16,800 LIKE, YOU'RE MY GUY. 758 00:37:16,833 --> 00:37:20,600 >> IT IS SO CRAZY HOW IT IS SO COOL TO THINK ABOUT 759 00:37:20,633 --> 00:37:23,366 THE DYNAMIC THAT WE'VE GOT IN EACH OTHER. 760 00:37:23,400 --> 00:37:25,966 >> Narrator: ON THE VIRGE OF POSSIBLY BEING 761 00:37:26,000 --> 00:37:27,966 KICKED OFF THE SHOW, KAITLYN SEEKS THE FOUR 762 00:37:28,000 --> 00:37:33,400 SYMPATHETIC EARS OF JAMES AND MOIRA. 763 00:37:33,433 --> 00:37:37,366 >> JAMES IS GOING TO MAKE A DECISION, AND HE BETTER 764 00:37:37,400 --> 00:37:41,966 THINK IT THROUGH. 765 00:37:42,000 --> 00:37:45,033 >> BEING THE NOT CHOSEN ONE SEEMS TO BE THE THEME 766 00:37:45,066 --> 00:37:47,266 OF MY LIFE, ACTUALLY. 767 00:37:47,300 --> 00:37:51,200 SO I WOULDN'T BE SURPRISED IF I WASN'T. 768 00:37:51,233 --> 00:37:55,033 ♪ WHY DO I FEEL LIKE I'M DROWNING ♪ 769 00:37:55,066 --> 00:37:59,233 >> I FEEL AS THOUGH PEOPLE MIGHT BE MORE TEAM 770 00:37:59,266 --> 00:38:04,933 JUSTINE, WHICH I LOVE HER, THEY SHOULD BE, BUT I AM 771 00:38:04,966 --> 00:38:06,033 ALSO WANTING KAITLYN. 772 00:38:06,066 --> 00:38:10,833 >> WE SHOULD ALL WEAR PINK TONIGHT. 773 00:38:10,866 --> 00:38:14,966 >> I'M GLAD I HAVE MY GIRL MOIRA AND MY MAN JAMES 774 00:38:15,000 --> 00:38:18,133 BECAUSE I DEFINITELY KNOW THEY'LL PUT IN A GOOD WORD 775 00:38:18,166 --> 00:38:20,066 FOR ME. 776 00:38:20,100 --> 00:38:21,166 ♪♪♪ >> THERE ARE GOING TO BE 777 00:38:21,200 --> 00:38:23,166 PEOPLE WALKING THROUGH THAT DOOR, AND WE DON'T 778 00:38:23,200 --> 00:38:26,300 KNOW WHO THOSE PEOPLE ARE, AND THAT'S WHY I NEED TO 779 00:38:26,333 --> 00:38:27,200 STAY. 780 00:38:27,233 --> 00:38:29,133 >> HOPEFULLY NOTHING BAD HAPPENS, YOU KNOW. 781 00:38:29,166 --> 00:38:31,833 >> A. K. A., ME LEAVING. 782 00:38:31,866 --> 00:38:32,700 >> YOU'RE NOT LEAVING. 783 00:38:32,733 --> 00:38:34,733 >> THAT WOULD BE THE BAD THING. 784 00:38:49,000 --> 00:38:49,966 ♪♪♪ >> Narrator: AND WE'RE 785 00:38:50,000 --> 00:38:53,966 BACK AT THE LOVE ISLAND VEGAS ROOF‐TOP ISLAND. 786 00:38:54,000 --> 00:38:56,466 BUTTER ON AVOCADO TOAST. 787 00:38:56,500 --> 00:38:59,000 LET'S SEE IF MOIRA RELATIONSHIP ADVICE IS 788 00:38:59,033 --> 00:39:00,400 ALSO AGAINST THE WHOLE GRAIN. 789 00:39:00,433 --> 00:39:02,900 >> IT SEEMS LIKE IT COULD BE A PRETTY BIG DAY FOR 790 00:39:02,933 --> 00:39:03,500 YOU. 791 00:39:03,533 --> 00:39:04,366 >> WHY DO YOU SAY FOR ME? 792 00:39:04,400 --> 00:39:07,700 >> BECAUSE OF THE SITUATION AT HAND, YOU 793 00:39:07,733 --> 00:39:08,133 KNOW? 794 00:39:08,166 --> 00:39:08,733 TWO EXTRA GIRLS. 795 00:39:08,766 --> 00:39:09,900 >> WHAT DO YOU THINK? 796 00:39:09,933 --> 00:39:13,866 >> YOU KNOW, I DON'T WANT TO PUSH YOU IN ANY 797 00:39:13,900 --> 00:39:17,466 DIRECTION, OBVIOUSLY, BUT ARE YOU THAT CLOSE WITH 798 00:39:17,500 --> 00:39:18,733 JUSTINE RIGHT NOW? 799 00:39:18,766 --> 00:39:25,633 >> LIKE, I MEAN, I'VE TALKED TO JUSTINE, AND 800 00:39:25,666 --> 00:39:28,100 WE'RE JIVING AND VIBING AND I'M STARTING TO OPEN 801 00:39:28,133 --> 00:39:32,000 UP A LITTLE BIT AND GETTING TO KNOW HER MORE. 802 00:39:32,033 --> 00:39:37,800 AND THINGS ARE GOING COOL, BUT I'M VERY ATTRACTED TO 803 00:39:37,833 --> 00:39:38,900 KAITLYN. 804 00:39:38,933 --> 00:39:41,933 OBVIOUSLY, LIKE, WE...I HONESTLY JUST DON'T KNOW 805 00:39:41,966 --> 00:39:43,733 WHERE KAITLYN'S HEAD IS. 806 00:39:43,766 --> 00:39:49,500 >> YOU KNOW, I CAN'T OBVIOUSLY BECUSE SHE IS 807 00:39:49,533 --> 00:39:50,000 MY GIRL. 808 00:39:50,033 --> 00:39:51,466 AND SHE SHOULD STAY. 809 00:39:51,500 --> 00:39:54,566 >> I THINK BOTH OF YOU DESERVE TO FIND LOVE. 810 00:39:54,600 --> 00:39:58,100 >> I'M TRYING TO KEEP MY GIRL KAITLYN HERE. 811 00:39:58,133 --> 00:40:01,600 SHE IS MY ROCK IN THIS VILLA. 812 00:40:01,633 --> 00:40:03,566 WE JUST CLICK ON THE NEXT LEVEL, YOU KNOW? 813 00:40:03,600 --> 00:40:05,166 >> WHAT DO YOU THINK? 814 00:40:05,200 --> 00:40:09,366 >> I DON'T THINK THAT IS GOING TO MAKE IT ANY 815 00:40:09,400 --> 00:40:10,366 EASIER. 816 00:40:10,400 --> 00:40:18,733 >> AFTER MOIRA PLED THE CASE OF KAITLYN, CONNOR 817 00:40:18,766 --> 00:40:22,600 AND MACKENZIE LOBBIED THEIR GIRL, JUSTINE. 818 00:40:22,633 --> 00:40:25,600 >> I THINK KAITLYN ENJOYED THE TALK. 819 00:40:25,633 --> 00:40:29,166 AND SHE ENJOYED THE KISS, BUT HONESTLY, LIKE, 820 00:40:29,200 --> 00:40:31,666 EVERYONE IS SEEING YOU WITH JUSTINE AND THE WAY 821 00:40:31,700 --> 00:40:32,700 YOU'VE BEEN WITH HER. 822 00:40:32,733 --> 00:40:36,033 YOU HAVEN'T TRIED TO BE AS FORWARD WITH HER, LIKE, 823 00:40:36,066 --> 00:40:37,833 PHYSICALLY, WHICH WE'RE ALL SEEING A DIFFERENT 824 00:40:37,866 --> 00:40:41,033 SIDE OF YOU FROM THAT, AND THAT IS, LIKE, REFRESHING. 825 00:40:41,066 --> 00:40:45,066 I KNOW THAT KAITLYN AND JUSTINE ARE STILL VERY 826 00:40:45,100 --> 00:40:46,133 OPEN TO GETTING TO KNOW YOU. 827 00:40:46,166 --> 00:40:48,566 >> IN HERE, YOU'RE DEFINITELY LOOKING FOR 828 00:40:48,600 --> 00:40:50,900 THAT PERSON WHO JUST MAKES YOUFEEL COMFORTABLE. 829 00:40:50,933 --> 00:40:53,633 AND I THINK THAT TRE AND JUSTINE ARE THAT FOR ONE 830 00:40:53,666 --> 00:40:54,633 ANOTHER. 831 00:40:54,666 --> 00:40:57,366 >> IT IS GOOD TO TALK TO A GIRL AND GET A GIRL'S 832 00:40:57,400 --> 00:41:00,766 PERSPECTIVE BECAUSE, LIKE, YOU'RE SITTING HERE AND 833 00:41:00,800 --> 00:41:01,766 THINKING ABOUT IT. 834 00:41:01,800 --> 00:41:03,633 >> I WOULD SAY IN THE FUTURE, ESPECIALLY IF YOU 835 00:41:03,666 --> 00:41:09,900 DO GET RECOUPLED, AND YOU'RE PURSUING OTHER 836 00:41:09,933 --> 00:41:11,766 THINGS, MAYBE JUST THINK ABOUT THAT. 837 00:41:11,800 --> 00:41:12,800 DOES THAT HELP? 838 00:41:12,833 --> 00:41:15,433 >> IT MAKES THINGS MORE COMPLICATED, BUT IT HELPS. 839 00:41:15,466 --> 00:41:16,333 >> FOLLOW YOUR HEART. 840 00:41:16,366 --> 00:41:17,566 >> THANK YOU. 841 00:41:17,600 --> 00:41:18,966 >> YOU'RE WELCOME. 842 00:41:19,000 --> 00:41:20,200 >> I APPRECIATE YOU. 843 00:41:20,233 --> 00:41:21,166 >> OF COURSE. 844 00:41:21,200 --> 00:41:26,966 >> I'LL LET YOU TWO LOVEBIRDS GET BACK TO YOUR 845 00:41:27,000 --> 00:41:28,066 TIME. 846 00:41:28,100 --> 00:41:32,133 >> YOU GIVE SUPER GOOD ADVICE. 847 00:41:32,166 --> 00:41:34,433 >> AH, SO DO YOU. 848 00:41:34,466 --> 00:41:36,200 7♪ >> WE'RE GOOD? 849 00:41:36,233 --> 00:41:37,100 >> YEAH. 850 00:41:37,133 --> 00:41:39,033 >> WHAT'S WRONG? 851 00:41:39,066 --> 00:41:42,233 >> NOTHING. 852 00:41:42,266 --> 00:41:43,033 >> IT'S COOL. 853 00:41:43,066 --> 00:41:44,300 >> YEAH? 854 00:41:44,333 --> 00:41:46,900 >> YEAH. 855 00:41:46,933 --> 00:41:49,433 ♪♪♪ ♪ IT'S BEEN A LONG DAY ♪ 856 00:41:49,466 --> 00:41:52,066 ♪ AND I'M TRYING TO FIGURE 857 00:41:52,100 --> 00:41:59,900 IT OUT ♪ ♪ THE WAY THOSE WORDS LEFT 858 00:41:59,933 --> 00:42:02,200 YOUR MOUTH ♪ >> OH! 859 00:42:02,233 --> 00:42:06,566 ♪ I FEEL BROKEN, SHATTERED AND BLUE ♪ 860 00:42:06,600 --> 00:42:09,500 ♪ AND IT'S ALL BECAUSE OF YOU ♪ 861 00:42:09,533 --> 00:42:14,933 >> IT'S JUST ‐‐ IT'S A TOUGH SITUATION, MAN. 862 00:42:14,966 --> 00:42:17,233 LIKE, I DON'T KNOW. 863 00:42:17,266 --> 00:42:20,866 TO BE HONEST, I WOULD BE HAPPY TO BE PAIRED UP WITH 864 00:42:20,900 --> 00:42:23,366 EITHER ONE, JUSTINE OR KAITLYN. 865 00:42:23,400 --> 00:42:24,900 THIS IS TOUGH. 866 00:42:24,933 --> 00:42:25,900 IT'S REALLY TOUGH. 867 00:42:25,933 --> 00:42:30,000 ♪ IT'S BEEN A LONG TIME SINCE I'VE FELT THE WAY 868 00:42:30,033 --> 00:42:35,500 THAT I DO ♪ >> TRE IS TORN, AND, YES, 869 00:42:35,533 --> 00:42:40,033 I AM TRYING TO KEEP MY GIRL KAITLYN HERE. 870 00:42:40,066 --> 00:42:42,633 ♪♪♪ >> I'M JUST FOR TEAM 871 00:42:42,666 --> 00:42:44,533 JUSTINE, THAT'S MY GIRL. 872 00:42:44,566 --> 00:42:50,166 >> I LITERALLY WOULD BE DEVASTATED TO SEE HER GO. 873 00:42:50,200 --> 00:42:54,066 ♪♪♪ ♪ IT TEARS ME APART ♪ 874 00:42:54,100 --> 00:42:57,500 >> Narrator: TOMORROW NIGHT...SOMEONE IS GETTING 875 00:42:57,533 --> 00:43:01,200 DUMPED IN OUR FIRST THREE COUPLINGS. 876 00:43:01,233 --> 00:43:02,233 AND TWO NEW BOYS ‐‐ >> I'M KAYLIN, AND I'M 24 62878

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