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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,671 --> 00:00:04,635 (panting) 2 00:00:04,635 --> 00:00:07,238 (car alarms blaring in distance) 3 00:00:07,238 --> 00:00:09,380 (woman screaming) 4 00:00:12,413 --> 00:00:16,387 (woman continues screaming) 5 00:00:20,020 --> 00:00:21,152 (grunts) 6 00:00:21,152 --> 00:00:23,154 (woman continues screaming) 7 00:00:23,154 --> 00:00:25,056 (groans) 8 00:00:25,056 --> 00:00:28,059 (car alarms continue blaring) 9 00:00:29,029 --> 00:00:31,202 (grunts) 10 00:00:31,202 --> 00:00:34,105 (sobbing) PLEASE, HELP ME! PLEASE! 11 00:00:34,105 --> 00:00:37,037 (woman screams) SOMEONE, PLEASE! PLEASE! 12 00:00:37,037 --> 00:00:38,669 (man shouting indistinctly) 13 00:00:38,669 --> 00:00:40,311 DEMETRI! 14 00:00:40,311 --> 00:00:44,245 DEMETRI! 15 00:00:44,245 --> 00:00:48,079 (man screaming) 16 00:00:48,079 --> 00:00:58,629 AAH! AAH! 17 00:00:58,629 --> 00:01:02,333 (woman over radio) GOOD MORNING, LOS ANGELES. 18 00:01:02,333 --> 00:01:04,064 IT'S 7:00, 19 00:01:04,064 --> 00:01:07,067 AND IT LOOKS LIKE IT'S GONNA BE ANOTHER BEAUTIFUL DAY. 20 00:01:07,067 --> 00:01:09,340 WE'RE LOOKING AT LIGHT CLOUDS AND HIGHS IN THE MID 70s TODAY. 21 00:01:09,340 --> 00:01:11,342 KEEP THAT UMBRELLA HANDY 22 00:01:11,342 --> 00:01:14,074 BECAUSE WE'VE GOT A CHANCE OF SPRINKLES LATER... 23 00:01:14,074 --> 00:01:15,576 (beeps) 24 00:01:20,080 --> 00:01:21,452 (chuckles) 25 00:01:42,333 --> 00:01:43,874 I HATE YOU, TOO. 26 00:01:43,874 --> 00:01:45,876 (chuckles) MMM. 27 00:01:48,609 --> 00:01:51,612 MM, BABE, DON'T FORGET TO LOOK AT THE GARAGE DOOR. 28 00:01:51,612 --> 00:01:54,215 IT'S ACTING UP AGAIN. 29 00:01:54,215 --> 00:01:55,616 ALREADY FORGOTTEN. 30 00:01:55,616 --> 00:01:57,188 BYE. 31 00:01:57,188 --> 00:02:02,523 (laughs) JUST BECAUSE I'M A SQUIRREL DOESN'T MEAN I LIKE ACORNS. 32 00:02:02,523 --> 00:02:04,355 (gasps) 33 00:02:04,355 --> 00:02:06,227 MMM, SMELLS GOOD. 34 00:02:06,227 --> 00:02:07,898 (cartoon continues indistinctly) 35 00:02:07,898 --> 00:02:11,362 HERE YOU GO, MY PRINCESS. 36 00:02:11,362 --> 00:02:13,133 MMM. (kisses) 37 00:02:13,133 --> 00:02:17,908 (metal grinding) 38 00:02:17,908 --> 00:02:19,540 (gears squeak) 39 00:02:24,375 --> 00:02:26,277 TE AYUDO. 40 00:02:26,277 --> 00:02:28,649 (chuckles) HEY, HECTOR. BUENOS DIAS. 41 00:02:28,649 --> 00:02:31,422 (man) ♪ AND IT DON'T TAKE MUCH TO GET... ♪ 42 00:02:31,422 --> 00:02:32,553 HEY, NICOLE. 43 00:02:32,553 --> 00:02:35,286 I'M SORRY I'M LATE. DON'T WORRY. 44 00:02:35,286 --> 00:02:37,428 HEY, OLIVIA'S WORKING THE LATE SHIFT AT THE HOSPITAL TONIGHT. 45 00:02:37,428 --> 00:02:39,660 YOU THINK YOU CAN STAY AN EXTRA HOUR OR TWO? 46 00:02:39,660 --> 00:02:43,834 YEAH, NO PROBLEM. I'VE GOT STUDYING TO DO ANYWAY. YOU'RE A SAINT. 47 00:02:45,666 --> 00:02:48,669 (man) Hey, this is Bryce. You know what to do. (beep) 48 00:02:48,669 --> 00:02:51,272 BRYCE, IT'S OLIVIA. YOU WEREN'T AROUND YESTERDAY. 49 00:02:51,272 --> 00:02:53,674 YOU BETTER HAVE A DAMN GOOD REASON WHY. 50 00:02:53,674 --> 00:02:57,278 OKAY, YOU CALL ME IMMEDIATELY. I'M WORRIED ABOUT YOU. 51 00:02:57,278 --> 00:03:00,481 (indistinct conversations, seagulls calling) 52 00:03:49,900 --> 00:03:52,903 (man) MY DAUGHTER TRACY WAS 5'5", 53 00:03:52,903 --> 00:03:54,505 118 POUNDS, 54 00:03:54,505 --> 00:03:56,967 BUT... WHEN THE MARINES SHIPPED 55 00:03:56,967 --> 00:03:59,310 HER BODY BACK FROM AFGHANISTAN... 56 00:04:01,442 --> 00:04:05,446 SORRY, HER REMAINS... 57 00:04:05,446 --> 00:04:08,649 THEY WEIGHED 37. 58 00:04:08,649 --> 00:04:11,522 ONLY REASON I KNEW IT WAS HER AT ALL 59 00:04:11,522 --> 00:04:14,955 WAS BECAUSE THEY'D DNA'd WHAT WAS LEFT. 60 00:04:14,955 --> 00:04:16,557 SO... 61 00:04:19,930 --> 00:04:22,593 YEAH. 62 00:04:22,593 --> 00:04:24,835 I TOOK A DRINK THAT NIGHT. 63 00:04:28,899 --> 00:04:31,502 YOU CALL AMANDA YET? YEAH, WE'RE TALKING. 64 00:04:31,502 --> 00:04:33,504 OH, YOU'RE TALKING? REALLY? 65 00:04:33,504 --> 00:04:35,546 REALLY, THAT'S KINDA WEIRD 66 00:04:35,546 --> 00:04:38,649 BECAUSE SHE TOLD OLIVIA SHE NEVER HEARD FROM YOU. HEY, I'M YOUR SPONSOR. 67 00:04:38,649 --> 00:04:40,651 I'M THE ONE WHO'S SUPPOSED TO BE RIDING YOU, 68 00:04:40,651 --> 00:04:42,653 NOT THE OTHER WAY AROUND. 69 00:04:42,653 --> 00:04:44,685 ALL RIGHT, ALL RIGHT. I'M GETTING AROUND TO IT. 70 00:04:44,685 --> 00:04:46,657 COME ON, AARON. JUST CALL. SHE'S COOL. 71 00:04:46,657 --> 00:04:48,659 NURSES CREEP ME OUT, MAN. IT'S A DATE. 72 00:04:48,659 --> 00:04:51,692 SHE'S NOT GIVING YOU A FRIGGIN' ENEMA. HOW DO YOU KNOW THAT'S NOT MY THING? 73 00:04:51,692 --> 00:04:54,695 (Mos Def's "Quiet Dog" playing) (Nicole laughs) 74 00:04:54,695 --> 00:04:56,697 ♪ TO THE RHYTHM OF THE BOOGIE TO BE ♪ 75 00:04:56,697 --> 00:04:58,699 ♪ TO THE RHYTHM OF THE BOOGIE TO BE ♪ 76 00:04:58,699 --> 00:05:00,931 ♪ THERE IT GO LIKE SIMPLE THE PLAINLESS ♪ 77 00:05:00,931 --> 00:05:04,074 ♪ THE PROMINENT BASSNESS, ZULU ARRANGEMENT ♪ 78 00:05:04,074 --> 00:05:06,977 ♪ ROCKIN' AMAZEMENT, FLY GOLD ♪ 79 00:05:06,977 --> 00:05:08,709 WHAT'S WRONG? I THOUGHT I HEARD CHARLIE. 80 00:05:08,709 --> 00:05:12,413 CHARLIE'S ASLEEP. THIS IS SO WRONG. 81 00:05:12,413 --> 00:05:15,346 (laughs) WHICH IS WHY YOU LOVE IT. DUDE, AS SOON AS WE'RE DONE, 82 00:05:15,346 --> 00:05:17,588 YOU HAVE TO GET YOUR ASS OUT OF HERE. 83 00:05:17,588 --> 00:05:20,691 ALL RIGHT, WELL, STOP TALKING AND GET TO WORK. 84 00:05:20,691 --> 00:05:22,993 (camera shutter clicking) 85 00:05:22,993 --> 00:05:25,325 (man) SO THEN WE GET TO THE SUBJECT 86 00:05:25,325 --> 00:05:27,998 OF THE FIRST DANCE, RIGHT? 87 00:05:27,998 --> 00:05:30,561 I'M SORRY, BUT ZOEY PICKS ONE OF THE CORNIEST SONGS 88 00:05:30,561 --> 00:05:32,433 OF ALL TIME-- 89 00:05:32,433 --> 00:05:34,004 "ISLANDS IN THE STREAM." 90 00:05:34,004 --> 00:05:37,968 YEAH. THE OLD KENNY ROGERS/DOLLY PARTON DUET. 91 00:05:37,968 --> 00:05:41,011 OKAY, AND WE USED TO SING IT WHEN WE DID KARAOKE, 92 00:05:41,011 --> 00:05:43,544 BUT THAT WAS WHEN WE WERE, LIKE, REALLY, REALLY DRUNK, YOU KNOW? 93 00:05:43,544 --> 00:05:45,546 AND I PUT UP WITH IT BECAUSE WE WERE DATING, 94 00:05:45,546 --> 00:05:47,548 AND THAT'S WHAT YOU DO. 95 00:05:47,548 --> 00:05:49,550 BUT OUR FRIENDS ARE GONNA BE THERE, MY FAMILY. 96 00:05:49,550 --> 00:05:51,552 I CANNOT DANCE TO "ISLANDS IN THE STREAM." 97 00:05:51,552 --> 00:05:54,024 I WILL NEVER LIVE IT DOWN. 98 00:05:54,024 --> 00:05:58,389 YOU DON'T CARE ABOUT ANY OF THIS, DO YOU? OH, I DO. I DO CARE. I'M RIVETED. I'M FASCINATED. 99 00:05:58,389 --> 00:05:59,960 ♪ UH-HUH ♪ (laughs) 100 00:05:59,960 --> 00:06:02,693 BUT, UH, WHAT DO YOU WANT ME TO SAY, DON'T MARRY HER? 101 00:06:02,693 --> 00:06:05,466 DON'T MARRY HER. THE ODDS ARE AGAINST YOU ANYWAY. 102 00:06:05,466 --> 00:06:07,738 OH, THAT'S GOOD. THANK YOU. YOU'RE STILL MARRIED. 103 00:06:07,738 --> 00:06:10,641 I'M SURPRISED OLIVIA DIDN'T LEAVE ME A LONG TIME AGO. 104 00:06:10,641 --> 00:06:12,372 ME, TOO, BUDDY. 105 00:06:12,372 --> 00:06:14,374 SO WHAT'D YOU GUYS DANCE TO? 106 00:06:14,374 --> 00:06:17,978 ♪ SIMMER DOWN, I MANAGE YOUR MAYHEM, I'M BRIGHT AS THE A.M. ♪ 107 00:06:17,978 --> 00:06:21,081 I CAN'T EVEN REMEMBER. 108 00:06:21,081 --> 00:06:23,514 ♪ QUIET DOG, WILD HOG, MY GOD ♪ 109 00:06:23,514 --> 00:06:26,086 ♪ HUH, SIMMER DOWN, SIMMER DOWN, SIMMER DOWN ♪ 110 00:06:26,086 --> 00:06:28,959 ♪ YOU KEEP UP THE ROCK AND YOU DON'T STOP THE ROCK ♪ 111 00:06:28,959 --> 00:06:30,961 ♪ MAINTAIN THE ROCK AND YOU DON'T STOP THE ROCK ♪ 112 00:06:30,961 --> 00:06:33,594 ♪ YOU KEEP UP THE ROCK AND YOU DON'T STOP THE ROCK ♪ 113 00:06:33,594 --> 00:06:37,067 HE'S A HOLY TERROR. TERRIBLE TWOs AT ONE YEAR. MM. 114 00:06:37,067 --> 00:06:40,070 (chuckles) YOU'RE LUCKY YOU HAVE A GIRL. UGH. ARE YOU KIDDING ME? 115 00:06:40,070 --> 00:06:42,933 YOU ONLY HAVE TO WORRY ABOUT ONE PENIS. 116 00:06:42,933 --> 00:06:44,935 I GOTTA WORRY ABOUT ALL OF THEM. (laughs) 117 00:06:44,935 --> 00:06:47,177 ♪♪ 118 00:06:47,177 --> 00:06:49,740 HERE WE GO. 119 00:06:49,740 --> 00:06:52,142 SHOWTIME. 120 00:06:52,142 --> 00:06:53,744 (camera shutter clicking) KHALID, OMAR, UNKNOWN FEMALE 121 00:06:53,744 --> 00:06:57,187 GOING MOBILE IN A BLACK S.U.V. 122 00:06:57,187 --> 00:07:00,891 Bobby, you're on point. They should hit you in 20 seconds. (beep) 123 00:07:02,453 --> 00:07:04,695 FBI. JANIS HAWK. 124 00:07:04,695 --> 00:07:07,958 IT'S BENFORD. GET WEDECK. SUSPECTS ARE ON THE MOVE. THREE WEEKS. 125 00:07:07,958 --> 00:07:10,701 IT'S FINALLY ABOUT TO START GETTING INTERESTING. 126 00:07:10,701 --> 00:07:13,964 OKAY, MARK, I'M PUTTING YOU ON SPEAKER. WHAT DO YOU GOT? 127 00:07:13,964 --> 00:07:16,206 KHALID, OMAR 128 00:07:16,206 --> 00:07:18,138 AND AN UNIDENTIFIED CAUCASIAN WOMAN. 129 00:07:18,138 --> 00:07:20,611 WE'RE E-MAILING YOU PICTURES RIGHT NOW. 130 00:07:20,611 --> 00:07:22,713 WHO IS SHE? 131 00:07:22,713 --> 00:07:24,675 UH, THAT'S THE "UNIDENTIFIED" PART, SWEETHEART. 132 00:07:24,675 --> 00:07:27,618 (typing on keyboard) GET THIS TO DIGITAL FORENSICS AND RUN IT BY I.C.E. 133 00:07:27,618 --> 00:07:28,619 OKAY. 134 00:07:28,619 --> 00:07:31,021 (brakes squeal) 135 00:07:31,021 --> 00:07:33,584 THEY MADE US. THEY'RE ON THE MOVE. 136 00:07:33,584 --> 00:07:36,557 (siren wailing) 137 00:07:36,557 --> 00:07:38,489 (tires screech) 138 00:07:41,932 --> 00:07:44,735 WHOA! 139 00:07:44,735 --> 00:07:47,237 HOLY! OHH! 140 00:07:47,237 --> 00:07:50,971 (horns blare, tires screeching) 141 00:07:50,971 --> 00:07:54,575 COME ON! GET SOME BACKUP! GET SOME BACKUP NOW! 142 00:07:54,575 --> 00:07:58,549 ALL RIGHT, ALL RIGHT, ALL RIGHT. SUSPECTS FLEEING WEST ON 6th! 143 00:07:58,549 --> 00:08:01,612 BLACK ESCALADE, LICENSE PLATE 8, "QUEEN," "ROBIN," 144 00:08:01,612 --> 00:08:03,954 7-2-2, "YOUNG." 145 00:08:03,954 --> 00:08:06,016 WE NEED L.A.P.D. AND AIR SUPPORT NOW! 146 00:08:06,016 --> 00:08:08,619 (horn blares) NO! 147 00:08:08,619 --> 00:08:10,160 DROP! CAR! CALM DOWN! 148 00:08:10,160 --> 00:08:11,491 CAR! 149 00:08:11,491 --> 00:08:13,163 SHUT UP! NO! NO! 150 00:08:13,163 --> 00:08:16,166 (laughs) WHAT ARE YOU LAUGHING AT? 151 00:08:16,166 --> 00:08:18,599 I DON'T KNOW. I'VE NEVER DONE THIS BEFORE. 152 00:08:26,737 --> 00:08:30,981 ♪♪ 153 00:08:30,981 --> 00:08:33,984 (tires screeching) 154 00:08:33,984 --> 00:08:35,515 (brakes squealing) 155 00:08:35,515 --> 00:08:37,548 COME ON. 156 00:08:42,723 --> 00:08:44,154 (shouts indistinctly) 157 00:08:44,154 --> 00:08:45,596 (tires screech) 158 00:08:45,596 --> 00:08:46,757 AAH! 159 00:08:46,757 --> 00:08:51,001 (whoosh) 160 00:08:52,933 --> 00:08:54,965 (whoosh) 161 00:09:15,085 --> 00:09:17,988 (whispering indistinctly) 162 00:09:22,192 --> 00:09:23,694 (cocks gun) 163 00:09:37,107 --> 00:09:40,751 (panting) 164 00:09:40,751 --> 00:09:43,153 (car alarms blaring in distance) 165 00:09:43,153 --> 00:09:45,585 (woman screaming) 166 00:09:45,585 --> 00:09:48,588 (man shouting indistinctly) 167 00:09:52,362 --> 00:09:54,364 (woman continues screaming) (grunts) 168 00:09:56,126 --> 00:09:57,968 (groans) 169 00:09:57,968 --> 00:10:00,731 (sobbing) PLEASE HELP ME! 170 00:10:00,731 --> 00:10:03,774 (people screaming) 171 00:10:03,774 --> 00:10:05,776 (gasps) 172 00:10:05,776 --> 00:10:09,910 (surf rolling, seagulls calling) 173 00:10:15,345 --> 00:10:20,020 (alarm beeping rapidly) 174 00:10:20,020 --> 00:10:22,022 (woman) DR. BENFORD, WHAT HAPPENED? 175 00:10:22,022 --> 00:10:24,224 I DON'T KNOW. I LOST CONSCIOUSNESS. 176 00:10:24,224 --> 00:10:26,326 YOU OKAY? YEAH. 177 00:10:26,326 --> 00:10:27,758 (man) NICOLE? 178 00:10:27,758 --> 00:10:29,760 (car alarms blaring in distance) 179 00:10:29,760 --> 00:10:32,102 (groans) WHAT HAPPENED? 180 00:10:32,102 --> 00:10:34,004 I-I BLACKED OUT. 181 00:10:34,004 --> 00:10:37,007 (birds chirping) 182 00:10:43,013 --> 00:10:45,045 HELP! 183 00:10:45,045 --> 00:10:48,118 (woman screaming) DEMETRI! 184 00:10:48,118 --> 00:10:50,150 DEMETRI! 185 00:10:50,150 --> 00:10:52,052 (dog barks) 186 00:10:52,052 --> 00:10:53,653 (screaming continues) 187 00:10:53,653 --> 00:10:56,957 (shouting in Asian language) 188 00:10:56,957 --> 00:10:58,959 CALM DOWN. RELAX, MAN. 189 00:10:58,959 --> 00:11:01,131 OKAY. TRY TO CALM DOWN. (continues shouting) 190 00:11:01,131 --> 00:11:02,763 AAH! AAH! 191 00:11:02,763 --> 00:11:05,766 (screaming) 192 00:11:05,766 --> 00:11:08,438 (loud explosion) 193 00:11:08,438 --> 00:11:10,670 (glass shattering) 194 00:11:10,670 --> 00:11:12,042 (loud whoosh) 195 00:11:12,042 --> 00:11:13,704 (woman) AAH! 196 00:11:17,147 --> 00:11:19,149 (loud crash) 197 00:11:19,149 --> 00:11:23,153 (screaming continues) 198 00:11:26,216 --> 00:11:29,219 (man) AAH! LOOK OUT! AAH! 199 00:11:48,708 --> 00:11:50,710 (loud explosion) 200 00:11:50,710 --> 00:11:54,714 (people screaming) 201 00:11:54,714 --> 00:11:56,987 (loud explosion) 202 00:11:56,987 --> 00:11:59,089 (woman screaming) 203 00:11:59,089 --> 00:12:01,021 MARK! OVER HERE! 204 00:12:01,021 --> 00:12:01,992 HEY! 205 00:12:01,992 --> 00:12:03,253 HEY! 206 00:12:04,995 --> 00:12:06,997 (Mark) ARE YOU ALL RIGHT? 207 00:12:06,997 --> 00:12:09,029 YEAH. 208 00:12:09,029 --> 00:12:10,801 YEAH, I THINK SO. 209 00:12:10,801 --> 00:12:12,732 WE WERE DRIVING, RIGHT? 210 00:12:12,732 --> 00:12:14,734 I BLACKED OUT. ME, TOO. 211 00:12:14,734 --> 00:12:17,007 (woman) HELP ME! 212 00:12:17,007 --> 00:12:19,009 ALL RIGHT, ALL RIGHT, MOVE ASIDE. SORRY. 213 00:12:19,009 --> 00:12:20,811 MOVE ASIDE. EXCUSE ME. 214 00:12:20,811 --> 00:12:24,414 (Mark) STAY CALM. WE GOT YOU. (Demetri) YEAH, GOT HIM. 215 00:12:24,414 --> 00:12:26,516 GET BACK! THIS THING COULD BLOW. 216 00:12:26,516 --> 00:12:29,249 ALL RIGHT, WE GOTTA CALL THIS IN! 217 00:12:29,249 --> 00:12:31,081 WE GOTTA CALL 9-1-1. 218 00:12:31,081 --> 00:12:32,823 TRUST ME, THEY KNOW. 219 00:12:32,823 --> 00:12:35,786 TRY THE OFFICE. SEE IF THEY CAN TELL US WHAT THE HELL HAPPENED. 220 00:12:35,786 --> 00:12:38,288 (loud explosion) 221 00:12:41,761 --> 00:12:44,034 (people screaming) 222 00:12:44,034 --> 00:12:46,236 (loud crash) 223 00:12:50,770 --> 00:12:55,045 (man in distance) ...THE WATER! SOMEBODY! 224 00:12:55,045 --> 00:12:57,047 THEY'RE NOT MOVING! HELP! 225 00:12:57,047 --> 00:12:59,149 HEY! HEY! 226 00:12:59,149 --> 00:13:02,082 HELP! PLEASE! 227 00:13:02,082 --> 00:13:04,784 HELP! I-I NEED SOME HELP! 228 00:13:04,784 --> 00:13:06,456 PLEASE, SOMEBODY! 229 00:13:06,456 --> 00:13:08,458 HELP! 230 00:13:08,458 --> 00:13:11,021 HEY! HELP! 231 00:13:11,021 --> 00:13:13,994 JUST HOLD ON! I'M A DOCTOR! I'LL BE RIGHT THERE! 232 00:13:17,067 --> 00:13:19,799 OH, CRAP. CHARLIE! 233 00:13:19,799 --> 00:13:21,972 CHARLIE! 234 00:13:26,136 --> 00:13:28,138 (exhales deeply) SWEETHEART, ARE YOU OKAY? 235 00:13:28,138 --> 00:13:30,440 I HAD A BAD DREAM. 236 00:13:30,440 --> 00:13:34,314 I DREAMT THERE WERE NO MORE GOOD DAYS. 237 00:13:38,588 --> 00:13:41,091 (people shouting indistinctly) 238 00:13:41,091 --> 00:13:42,452 (beep) 239 00:13:42,452 --> 00:13:44,394 CAN'T GET MY FAMILY. 240 00:13:44,394 --> 00:13:45,996 THAT'S OUR S.U.V. 241 00:13:45,996 --> 00:13:48,828 THAT'S WHAT I WAS THINKIN'. 242 00:13:48,828 --> 00:13:51,231 (man) CAN'T YOU HEAR ME?! 243 00:13:51,231 --> 00:13:53,603 (man shouts indistinctly) HEY, GO THIS WAY! 244 00:13:53,603 --> 00:13:58,038 GET UP AND MOVE IT AROUND! (woman sobbing) 245 00:13:59,839 --> 00:14:01,371 HANDS UP! 246 00:14:01,371 --> 00:14:03,373 HANDS UP! 247 00:14:03,373 --> 00:14:05,415 I GOT HER. 248 00:14:05,415 --> 00:14:07,847 GET OUT. COME ON. 249 00:14:07,847 --> 00:14:10,850 GET OUT. GET OUT! WE KNOW YOU WERE PLANNING AN ATTACK. (woman groans) 250 00:14:10,850 --> 00:14:13,383 WHAT DID YOU DO, HUH? (groans) UHH! 251 00:14:13,383 --> 00:14:16,186 TELL ME WHAT HAPPENED! TAKE IT EASY. 252 00:14:16,186 --> 00:14:21,491 WE KNOW ABOUT THE SUITCASE. DID YOU SET IT OFF? ANSWER ME! (panting) I BLACKED OUT. I WAS SOMEWHERE ELSE. 253 00:14:21,491 --> 00:14:27,237 THERE WAS A STORM. THE HORSES WERE SCARED. WHAT ARE YOU TALKING ABOUT? WHAT ARE YOU TALKING ABOUT? 254 00:14:27,237 --> 00:14:31,001 WHAT ARE YOU TALKING-- CALM DOWN! DOES THIS LOOK LIKE A DIRTY BOMB TO YOU? 255 00:14:31,001 --> 00:14:34,004 DOES IT? WE DON'T KNOW WHAT THIS IS. 256 00:14:34,004 --> 00:14:36,146 MAYBE THEY WEREN'T EVEN INVOLVED. ARE--ARE YOU GUYS COPS? 257 00:14:36,146 --> 00:14:37,347 (Mark) FBI. IT'S OKAY. WHAT HAPPENED? 258 00:14:37,347 --> 00:14:39,349 (woman) WAS IT A NUCLEAR ATTACK? I DON'T KNOW. 259 00:14:39,349 --> 00:14:42,082 IT'S GOTTA BE THE BIG ONE. I MEAN, LOOK. LOOK AT THIS MESS. 260 00:14:42,082 --> 00:14:44,384 IT'S GOTTA BE. WHEN'S HELP GETTING HERE? 261 00:14:44,384 --> 00:14:45,986 LOOK, UNTIL EMERGENCY SERVICES ARRIVE, 262 00:14:46,316 --> 00:14:50,020 WE NEED TO STAY CALM AND HELP WHOEVER WE CAN, ALL RIGHT? THEY AIN'T COMIN'. 263 00:14:50,020 --> 00:14:51,621 WHAT? (Demetri) WHAT'D YOU SAY? 264 00:14:51,621 --> 00:14:54,494 I JUST HEARD ON MY RADIO, SOME GUY IN SAN DIEGO. 265 00:14:54,494 --> 00:14:56,496 THEY'RE DEALING WITH THE SAME THING. 266 00:14:56,496 --> 00:14:59,029 IT'S MORE THAN JUST L.A., MAN. 267 00:14:59,029 --> 00:15:01,531 SIT DOWN. YOU MOVE, I SHOOT. 268 00:15:01,531 --> 00:15:05,275 (man shouting indistinctly) 269 00:15:05,275 --> 00:15:06,276 (beeping) 270 00:15:06,276 --> 00:15:09,039 I CAN'T GET THROUGH TO ZOEY. WHAT ABOUT OLIVIA? 271 00:15:09,039 --> 00:15:11,441 NO. LISTEN, ZOEY'S IN SEATTLE RIGHT NOW. 272 00:15:11,441 --> 00:15:13,183 BUT OLIVIA'S CLOSE BY, RIGHT? 273 00:15:13,183 --> 00:15:15,185 HOSPITAL'S 2 MILES. YOU CAN MAKE IT ON FOOT. 274 00:15:15,185 --> 00:15:17,417 YEAH. NO, NO, I-I-I CAN'T JUST LEAVE-- 275 00:15:17,417 --> 00:15:20,090 LISTEN, THERE'S NOTHING WE CAN DO HERE RIGHT NOW. 276 00:15:20,090 --> 00:15:22,052 OKAY? GO CHECK ON YOUR FAMILY. GO! 277 00:15:22,052 --> 00:15:25,055 (sirens continue wailing) 278 00:15:32,332 --> 00:15:35,335 (man shouting indistinctly) 279 00:15:48,118 --> 00:15:51,351 (electricity crackles) 280 00:15:51,351 --> 00:15:53,123 (woman screams) 281 00:15:53,123 --> 00:15:55,085 HELP ME! 282 00:15:55,085 --> 00:15:58,058 (alarm bell ringing) 283 00:15:58,058 --> 00:16:01,091 (people shouting indistinctly) (man) LOOK OUT! 284 00:16:01,091 --> 00:16:04,094 MOVE! AAH! 285 00:16:04,094 --> 00:16:06,636 (tires screech) WATCH OUT! LOOK OUT, MAN! 286 00:16:06,636 --> 00:16:10,070 HEY! SON OF A... 287 00:16:10,070 --> 00:16:12,372 (indistinct police radio chatter) 288 00:16:12,372 --> 00:16:15,375 (helicopters whirring overhead) 289 00:16:15,375 --> 00:16:18,378 (siren wailing) 290 00:16:27,117 --> 00:16:29,219 (man) Roger. 291 00:16:46,676 --> 00:16:51,611 (man on TV speaking indistinctly) 292 00:16:51,611 --> 00:16:55,045 (woman) THERE ARE THOUSANDS AND THOUSANDS 293 00:16:55,045 --> 00:16:57,687 OF INJURED PEOPLE WAITING FOR EMERGENCY... 294 00:16:57,687 --> 00:17:00,090 (woman, British accent) UH, ALL WE KNOW FOR CERTAIN 295 00:17:00,090 --> 00:17:02,492 IS THAT EVERYONE ON THE PLANET 296 00:17:02,492 --> 00:17:06,556 SEEMED TO HAVE BLACKED OUT AT EXACTLY THE SAME TIME. (man) ...CONFIRMING THAT 297 00:17:06,556 --> 00:17:09,659 THE BLACKOUT WAS A WORLDWIDE PHENOMENON. OFFICIALS ARE... 298 00:17:09,659 --> 00:17:12,562 (woman) ...IS UNKNOWN. FIRE SERVICES AND POLICE SERVICES 299 00:17:12,562 --> 00:17:15,635 ARE COMPLETELY OVERWHELMED AT THIS TIME. (man) ...EN ESTE MOMENTO. 300 00:17:15,635 --> 00:17:18,568 MY GOD. IT'S THE WHOLE WORLD. 301 00:17:18,568 --> 00:17:22,342 (woman) ...INFORMATION AS TO THE CAUSE OF THE BLACKOUT. 302 00:17:30,350 --> 00:17:33,083 (woman) HOSPITALS ARE OVERFLOWING. FIRE SERVICES... (cell phone ringing) 303 00:17:33,083 --> 00:17:35,325 AND POLICE SERVICES ARE COMPLETELY OVERWHELMED... LIVY! LIVY, I'M HERE. 304 00:17:35,325 --> 00:17:38,658 OH, THANK GOD I GOT AHOLD OF YOU. WHAT ABOUT CHARLIE? IS SHE OKAY? 305 00:17:38,658 --> 00:17:40,560 SHE'S FINE. NICOLE CALLED. 306 00:17:40,560 --> 00:17:43,333 SHE CAN STAY PUT TILL ONE OF US GETS HOME. AND YOU'RE ALL RIGHT? 307 00:17:43,333 --> 00:17:45,395 Yeah, I'm fine. 308 00:17:45,395 --> 00:17:48,398 WE WERE IN THE MIDDLE OF SURGERY AND WE ALL LOST CONSCIOUSNESS. 309 00:17:48,398 --> 00:17:51,070 EVERYONE. PATIENT DIED WHILE WE WERE OUT. 310 00:17:51,070 --> 00:17:53,072 I'M DOWNTOWN RIGHT NOW. SAME THING. 311 00:17:53,072 --> 00:17:55,575 SO, UH, W-WHAT? EVERYONE THERE BLACKED OUT? 312 00:17:55,575 --> 00:17:57,577 YEAH, EVERYONE. WE THOUGHT IT WAS JUST THE HOSPITAL, 313 00:17:57,577 --> 00:17:59,579 BUT THEN CORRIE GOT A CALL FROM HER MOTHER IN CHICAGO. 314 00:17:59,579 --> 00:18:03,383 SAME THING HAPPENED THERE. I KNOW. IT LOOKS LIKE THIS THING IS GLOBAL. 315 00:18:03,383 --> 00:18:05,084 GLOBAL? THAT'S IMPOSSIBLE. 316 00:18:05,084 --> 00:18:08,118 OH, I-I LOVE YOU, BUT, BABE, I GOTTA GO. (beep) 317 00:18:08,118 --> 00:18:10,620 ALL RIGHT, I LOVE YOU. LIVY? (siren wailing) 318 00:18:10,620 --> 00:18:13,223 WHAT DO YOU GOT? GOT AN 8-YEAR-OLD BOY. PEDE VERSUS CAR, 319 00:18:13,223 --> 00:18:15,225 PLOWED STRAIGHT THROUGH A FENCE AT AN ELEMENTARY SCHOOL. 320 00:18:15,225 --> 00:18:17,867 HEAD INJURY ON THE RIGHT, ABDOMINAL BRUISING ON THE LEFT. 321 00:18:17,867 --> 00:18:21,601 DR. BENFORD! BRYCE, WHERE THE HELL HAVE YOU BEEN? GO GET INTO YOUR SCRUBS. 322 00:18:21,601 --> 00:18:23,673 MEET ME IN E.R. OKAY, LET'S GET HIM INTO TRAUMA. 323 00:18:23,673 --> 00:18:26,506 YOU'RE GONNA BE OKAY, HONEY. I KNOW, OLIVIA. 324 00:18:26,506 --> 00:18:28,508 HOW DID YOU KNOW MY NAME? 325 00:18:28,508 --> 00:18:30,340 (monitor beeping steadily) 326 00:18:30,340 --> 00:18:32,382 WHAT HAVE WE HEARD FROM WASHINGTON? 327 00:18:32,382 --> 00:18:35,245 WE'RE THE SAME. EVERYONE'S JUST GATHERING INTEL. 328 00:18:35,245 --> 00:18:37,487 CIA, HOMELAND SECURITY. OUR VARIOUS LEGATS OFFICES OVERSEAS. 329 00:18:37,487 --> 00:18:40,220 IN OTHER WORDS, NOBODY KNOWS ANYTHING. HOW'S HE DOING? 330 00:18:40,220 --> 00:18:42,222 (Bryce) HE'S TAKING A TURN FOR THE WORSE. (monitor beeping steadily) 331 00:18:42,222 --> 00:18:44,394 (boy coughing and gasping) I GOT NO BREATH SOUNDS ON THE LEFT, 332 00:18:44,394 --> 00:18:46,896 POSSIBLE PUNCTURED LUNG. HE NEEDS A LEFT CHEST TUBE STAT. 333 00:18:46,896 --> 00:18:49,599 (monitor beeping rapidly) WE DON'T RELEASE THE PRESSURE SOON, IT'S GONNA 334 00:18:49,599 --> 00:18:52,532 STOP HIS HEART FROM BEATING. HE'S GOING SOUTH. SATs ARE DROPPING. 335 00:18:52,532 --> 00:18:54,534 WHAT THE HELL IS THIS? WORLDWIDE PHENOMENON. 336 00:18:54,534 --> 00:18:56,636 NEAR AS WE CAN TELL. PEOPLE FROM ALL CORNERS LOSING CONSCIOUSNESS 337 00:18:56,636 --> 00:19:00,410 AT EXACTLY THE SAME MOMENT. AND FOR THE SAME DURATION-- 2 MINUTES, 17 SECONDS. 338 00:19:00,410 --> 00:19:02,872 (Mark) HOW IS THAT EVEN POSSIBLE? 339 00:19:02,872 --> 00:19:05,575 WHERE THE HELL IS THAT CHEST TUBE TRAY? I NEED IT NOW. 340 00:19:05,575 --> 00:19:09,148 (Bryce) WE GOT NO PULSE. BLOOD PRESSURE'S 40. THORACOTOMY. 341 00:19:09,148 --> 00:19:11,351 WHAT ARE WE GONNA DO? (Olivia) COME ON, SWEETIE. HANG IN THERE. 342 00:19:11,351 --> 00:19:12,622 PULSE OX 90. PULSE OX 80. ALL RIGHT. 343 00:19:12,622 --> 00:19:16,286 WE'RE DROPPING! WE'RE LOSING HIM! NO PULSE. HOW ARE WE DOING? 344 00:19:16,286 --> 00:19:17,657 NO PULSE. BLOOD PRESSURE'S DROPPING. 345 00:19:17,657 --> 00:19:20,159 SO WE'VE ELIMINATED NUCLEAR LAUNCHES, 346 00:19:20,159 --> 00:19:22,532 E.M.P.s. AND CHEMICAL AGENTS. WHAT ABOUT NATURAL PHENOMENA THEN? 347 00:19:22,532 --> 00:19:24,534 NASA'S CHECKING INTO MORE EXOTIC EXPLANATIONS-- 348 00:19:24,534 --> 00:19:26,936 SOLAR FLARES, GAMMA BURSTS, THAT KIND OF THING. 349 00:19:26,936 --> 00:19:28,938 BUT SO FAR THEY'VE COME UP EMPTY. 350 00:19:28,938 --> 00:19:31,941 WHAT ABOUT THE VATICAN? HAS THE POPE CHIMED IN YET? 351 00:19:31,941 --> 00:19:34,604 (monitor beeping rapidly) (Olivia) LET'S GET THIS CHEST TUBE IN. 352 00:19:34,604 --> 00:19:37,176 SATs IMPROVING, B.P.'s NORMALIZING. 353 00:19:37,176 --> 00:19:38,548 (monitor beeping steadily) (woman) PLEUROVAC. 354 00:19:38,548 --> 00:19:40,610 (chest tube sucking) 355 00:19:40,610 --> 00:19:43,313 DOING GREAT, BUDDY. DOING REAL GOOD. 356 00:19:43,313 --> 00:19:46,216 OKAY, LET'S GET HIM INTO THE C.T. SCANNER, 357 00:19:46,216 --> 00:19:48,218 CHECK OUT THAT HEAD INJURY. BRYCE, YOU CLOSE HIM UP. 358 00:19:48,218 --> 00:19:50,220 NICE JOB. BUT DON'T THINK YOU'RE OFF THE HOOK. 359 00:19:50,220 --> 00:19:52,292 I STILL WANNA KNOW WHERE YOU WERE YESTERDAY. 360 00:19:52,292 --> 00:19:54,424 (monitor continues beeping steadily) 361 00:19:54,424 --> 00:19:56,426 (woman) YEAH, CLEAN THAT UP. 362 00:19:56,426 --> 00:19:58,428 WE NEED TO WRAP OUR HEADS 363 00:19:58,428 --> 00:20:00,570 AROUND THE SCOPE OF THIS THING, PEOPLE. 364 00:20:00,570 --> 00:20:02,672 IT'S NOW BEEN FOUR HOURS SINCE THE BLACKOUT. 365 00:20:02,672 --> 00:20:06,336 YOU SHUT OFF THE CONSCIOUSNESS OF THE ENTIRE HUMAN RACE 366 00:20:06,336 --> 00:20:08,338 FOR TWO MINUTES. 367 00:20:08,338 --> 00:20:10,610 WHAT WOULD THE DEATH TOLL BE? 368 00:20:10,610 --> 00:20:12,342 HOW MANY CARS COLLIDED? 369 00:20:12,342 --> 00:20:14,344 WE HAVE PLANES DOWN AT L.A.X. 370 00:20:14,344 --> 00:20:17,347 HOW MANY MORE ACROSS THE COUNTRY? AROUND THE WORLD? 371 00:20:17,347 --> 00:20:19,349 (man) F.A.A.'s REPORTING 877 AIRCRAFT DOWN 372 00:20:19,349 --> 00:20:21,921 IN THE UNITED STATES ALONE. 373 00:20:21,921 --> 00:20:24,924 AIR FORCE TWO WAS ONE OF 'EM. THE VEEP WAS ON BOARD. 374 00:20:24,924 --> 00:20:26,326 OKAY. 375 00:20:26,326 --> 00:20:27,697 WHAT ABOUT HOSPITALS? 376 00:20:27,697 --> 00:20:28,898 OPERATIONS? 377 00:20:28,898 --> 00:20:30,900 BIRTHS THAT WERE IN PROCESS. 378 00:20:30,900 --> 00:20:34,904 PEOPLE PROBABLY DIED WALKING UP A FLIGHT OF STAIRS. (indistinct whispering) 379 00:20:34,904 --> 00:20:37,607 (man) GLOBAL PROJECTIONS ARE PRETTY STAGGERING. 380 00:20:37,607 --> 00:20:40,310 WHAT ABOUT THE BLACKOUTS THEMSELVES, SIR? 381 00:20:40,310 --> 00:20:42,372 WHAT ABOUT THEM? 382 00:20:42,372 --> 00:20:45,945 WELL, WE'VE BEEN SAYING PEOPLE HAVE BEEN BLACKING OUT, 383 00:20:45,945 --> 00:20:48,548 BUT... 384 00:20:48,548 --> 00:20:50,920 THAT WASN'T MY EXPERIENCE. 385 00:20:50,920 --> 00:20:53,523 FOR ME, IT WAS... 386 00:20:53,523 --> 00:20:57,457 MORE LIKE A DREAM, ONLY MORE VIVID THAN THAT. 387 00:20:57,457 --> 00:20:59,689 ONE SECOND, I WAS IN A CAR. 388 00:20:59,689 --> 00:21:02,662 THE NEXT... 389 00:21:02,662 --> 00:21:04,934 I WAS SOMEWHERE ELSE. 390 00:21:04,934 --> 00:21:06,966 YEAH, THE SAME THING HAPPENED TO ME. ME, TOO. 391 00:21:06,966 --> 00:21:08,398 DURING THE BLACKOUT, 392 00:21:08,398 --> 00:21:11,641 PEOPLE SEEM TO HAVE EXPERIENCED SOME KIND OF... HALLUCINATION. 393 00:21:11,641 --> 00:21:13,373 NO. NO, NO. 394 00:21:13,373 --> 00:21:16,946 EXCEPT THAT MINE DIDN'T FEEL LIKE A HALLUCINATION. 395 00:21:16,946 --> 00:21:19,949 WHAT'S YOUR POINT, BENFORD? I DIDN'T JUST LOSE CONSCIOUSNESS. 396 00:21:19,949 --> 00:21:21,951 IT FELT MORE LIKE MY... 397 00:21:21,951 --> 00:21:23,383 CONSCIOUSNESS WENT SOMEWHERE ELSE. 398 00:21:23,383 --> 00:21:25,715 LIKE I WAS HAVING A MEMORY, 399 00:21:25,715 --> 00:21:30,320 ONLY IT--IT WASN'T OF THE PAST. 400 00:21:30,320 --> 00:21:32,322 IT WAS OF THE FUTURE. 401 00:21:34,324 --> 00:21:36,326 I WAS IN MY OFFICE. 402 00:21:36,326 --> 00:21:38,368 IT WAS NIGHT. 403 00:21:38,368 --> 00:21:40,370 IT WAS 10:00 ON THE HOUR. 404 00:21:40,370 --> 00:21:42,372 I WAS LOOKING OUT INTO THE ATRIUM, 405 00:21:42,372 --> 00:21:44,604 AND I HAPPENED TO SEE THE DATE-- 406 00:21:44,604 --> 00:21:48,408 APRIL 29, 2010, 407 00:21:48,408 --> 00:21:50,540 ABOUT HALF A YEAR FROM NOW. 408 00:21:50,540 --> 00:21:52,982 HOLD ON. APRIL 29th? 409 00:21:52,982 --> 00:21:55,985 I SAW THE SAME DATE. IT WAS ON THE NEWS. 410 00:21:55,985 --> 00:21:58,448 SAME FOR ME-- APRIL 29th, 10:00 P.M. 411 00:21:58,448 --> 00:22:00,550 SO YOU'RE SAYING WHAT, 412 00:22:00,550 --> 00:22:03,322 EVERYONE'S CONSCIOUSNESS JUST JUMPED FORWARD SIX MONTHS 413 00:22:03,322 --> 00:22:07,497 TO APRIL 29th? 414 00:22:07,497 --> 00:22:09,899 CRAZY AS THAT SOUNDS, YEAH. 415 00:22:19,609 --> 00:22:22,612 (indistinct conversations) 416 00:22:24,574 --> 00:22:26,716 SIT DOWN. 417 00:22:26,716 --> 00:22:27,977 SIT DOWN. 418 00:22:29,579 --> 00:22:31,721 J.T., COULD YOU, UH, GIVE ME A HAND? THANKS. 419 00:22:31,721 --> 00:22:34,654 WE DIDN'T DO THIS. 420 00:22:34,654 --> 00:22:36,386 EVEN IF YOU DIDN'T, 421 00:22:36,386 --> 00:22:38,928 YOU WERE STILL PLANNING ON KILLING THOUSANDS OF PEOPLE. 422 00:22:38,928 --> 00:22:41,030 SO STAY STILL AND SHUT UP. 423 00:22:42,962 --> 00:22:43,933 HEY. HEY. 424 00:22:43,933 --> 00:22:46,365 YOU GET AHOLD OF ZOEY? YEAH, SHE'S ALL RIGHT. 425 00:22:46,365 --> 00:22:48,137 MARK, HEY. YOU GOT A SEC? SURE. 426 00:22:48,137 --> 00:22:50,139 I THINK THERE MAY BE A WAY TO CORROBORATE 427 00:22:50,139 --> 00:22:52,141 WHAT WE WERE TALKING ABOUT IN THERE. 428 00:22:52,141 --> 00:22:54,103 WHAT DO YOU MEAN? 429 00:22:54,103 --> 00:22:56,105 WELL, IN MY... FLASH-FORWARD, 430 00:22:56,105 --> 00:22:58,708 IT WAS APRIL 30th, 6:00 A.M., BUT I WAS IN LONDON, 431 00:22:58,708 --> 00:23:01,380 WHICH IS EIGHT HOURS AHEAD OF THE WEST COAST, 432 00:23:01,380 --> 00:23:04,383 SO IT MAKES SENSE. WAIT, "FLASH-FORWARD"? WHAT ARE WE TALKING ABOUT? 433 00:23:04,383 --> 00:23:06,656 I'LL EXPLAIN LATER. TELL ME WHAT YOU SAW. 434 00:23:06,656 --> 00:23:09,058 I WAS HAVING A MEETING WITH OUR LIAISON AT NEW SCOTLAND YARD. (speaks indistinctly) 435 00:23:09,058 --> 00:23:11,921 I REMEMBER WE WERE INTERRUPTED BECAUSE... 436 00:23:11,921 --> 00:23:14,524 THIS BIRD JUST CRASHED INTO THE WINDOW. (thud) 437 00:23:14,524 --> 00:23:16,125 THE POINT IS, 438 00:23:16,125 --> 00:23:18,397 I HAD A VISION OF FIONA BANKS. 439 00:23:18,397 --> 00:23:20,930 LET'S SEE IF SHE HAD A VISION OF ME. 440 00:23:20,930 --> 00:23:23,402 (British accent) INSPECTOR BANKS. 441 00:23:23,402 --> 00:23:25,404 FIONA, THIS IS AL GOUGH, FBI. 442 00:23:25,404 --> 00:23:27,406 I'M HERE WITH MY COLLEAGUES IN L.A. 443 00:23:27,406 --> 00:23:28,578 MY GOD. 444 00:23:28,578 --> 00:23:31,941 UH, I KNOW WHY YOU'RE CALLING. YOU WANT TO KNOW WHAT I SAW. 445 00:23:31,941 --> 00:23:33,543 WE ALL DO. 446 00:23:33,543 --> 00:23:36,546 Okay. Um... we were sitting in my office. 447 00:23:36,546 --> 00:23:38,548 WHAT WAS THE DATE? April 30th. 448 00:23:38,548 --> 00:23:39,749 WHAT TIME? 449 00:23:39,749 --> 00:23:42,051 UH, I DON'T KNOW. UH, 6:00 IN THE MORNING. 450 00:23:42,051 --> 00:23:44,754 Don't ask me why it was so early. 451 00:23:44,754 --> 00:23:46,726 Something to do with the Rutherford case. 452 00:23:46,726 --> 00:23:50,159 YES! YES, AND--AND SOMETHING INTERRUPTED US. Yes. Uh, uh, a bird. 453 00:23:50,159 --> 00:23:53,032 IT FLEW AT THE WINDOW. IT BROKE ITS NECK. 454 00:23:53,032 --> 00:23:56,966 SO OUR VISIONS WERE THE SAME. 455 00:23:56,966 --> 00:23:59,939 WHEN THE WORLDWIDE BLACKOUT OCCURRED EARLIER TODAY, 456 00:23:59,939 --> 00:24:02,071 PEOPLE WERE UNDERGOING BRAIN SCANS 457 00:24:02,071 --> 00:24:05,144 AT THAT EXACT MOMENT. (man) SO LIKE M.R.I.s OR P.E.T. SCANS? THAT KIND OF THING? 458 00:24:05,144 --> 00:24:08,117 EXACTLY. AND IN EACH OF THESE CASES, 459 00:24:08,117 --> 00:24:09,749 THE HIPPOCAMPUS-- 460 00:24:09,749 --> 00:24:12,552 THAT'S THE MEMORY CENTER OF THE BRAIN--WAS ACTIVELY ENGAGED 461 00:24:12,552 --> 00:24:14,554 FOR THE ENTIRE 2 MINUTES AND 17 SECONDS. 462 00:24:14,554 --> 00:24:16,085 THESE THOUGHT PATTERNS ARE CONSISTENT 463 00:24:16,085 --> 00:24:17,687 WITH A WAKING EXPERIENCE. 464 00:24:17,687 --> 00:24:20,459 PEOPLE WERE NOT ASLEEP. THEY WERE NOT DREAMING. 465 00:24:20,459 --> 00:24:22,992 SO THEN WHAT IS IT THAT THEY WERE EXPERIENCING? 466 00:24:22,992 --> 00:24:25,034 (crying softly) WELL, BY ALL APPEARANCES, 467 00:24:25,034 --> 00:24:28,137 UH, MEMORIES OF EVENTS THAT HAVEN'T OCCURRED YET. SO EVERYONE SAW THE FUTURE. 468 00:24:28,137 --> 00:24:30,570 BUT DID THEY SEE THE SAME FUTURE? 469 00:24:30,570 --> 00:24:32,572 I MEAN, ARE THESE ACCOUNTS CONSISTENT? 470 00:24:32,572 --> 00:24:35,144 WELL, THEY CERTAINLY SEEM TO BE. 471 00:24:35,144 --> 00:24:37,707 HUNDREDS OF THOUSANDS OF PEOPLE WERE WATCHING NEWS BROADCASTS, 472 00:24:37,707 --> 00:24:40,149 READING NEWSPAPERS, AND THEIR DETAILS SEEM TO BE THE SAME-- 473 00:24:40,149 --> 00:24:42,211 SENATOR GLENWAY WILL BE FACING ETHICS CHARGES. 474 00:24:42,211 --> 00:24:44,614 (beeping) THE DOW WILL BE ON AN UPSWING. 475 00:24:44,614 --> 00:24:47,757 THERE'LL BE FOOD RIOTS IN GHANA, AND THE LIST GOES ON. (cell phone vibrating) 476 00:24:47,757 --> 00:24:50,720 A REMARKABLY CONCISE SERIES OF EVENTS 477 00:24:50,720 --> 00:24:52,491 ARE STARTING TO COME TOGETHER FROM THAT DAY. 478 00:24:52,491 --> 00:24:54,624 IT'S LIKE A GRAND MOSAIC IS BEING FILLED IN. 479 00:24:54,624 --> 00:24:56,025 EVERYONE ON EARTH... 480 00:24:56,025 --> 00:24:59,769 MOSAIC. THAT WAS THE NAME OF THE INVESTIGATION 481 00:24:59,769 --> 00:25:01,771 I WAS WORKING ON IN MY VISION. 482 00:25:01,771 --> 00:25:04,734 IT HAD TO DO WITH WHAT CAUSED ALL THIS. 483 00:25:04,734 --> 00:25:07,006 SO DID YOU SEE ANYTHING IN YOUR VISION THAT WAS HELPFUL? 484 00:25:07,006 --> 00:25:09,779 PHOTOGRAPHS, NAMES, PEOPLE OF INTEREST. 485 00:25:09,779 --> 00:25:12,511 IF THIS REALLY WAS THE FUTURE WE ALL SAW, 486 00:25:12,511 --> 00:25:14,513 THEN I GUESS MAYBE THEY WILL BE LEADS, 487 00:25:14,513 --> 00:25:18,047 BUT NONE OF THEM MAKE ANY SENSE TO ME RIGHT NOW. ANYTHING ELSE? 488 00:25:18,047 --> 00:25:20,790 NO. NO, THAT--THAT WAS IT. WHAT ABOUT YOU? WHAT DID YOU SEE? 489 00:25:20,790 --> 00:25:23,522 NOTHING. I, UH, I BLACKED OUT LIKE EVERYBODY ELSE 490 00:25:23,522 --> 00:25:26,025 AND WOKE UP ON THE ROAD. 491 00:25:26,025 --> 00:25:29,198 WHAT ABOUT OUR, UH, PERSON OF INTEREST? 492 00:25:29,198 --> 00:25:32,201 DO WE THINK SHE'S INVOLVED? (Mark) SHE'S A DEAD END, IF YOU ASK ME, 493 00:25:32,201 --> 00:25:35,204 AND CLUELESS AS THE REST OF US. (Wedeck) WELL, CIRCLE BACK ON IT ANYWAY. 494 00:25:35,204 --> 00:25:37,206 WE'RE GRASPING AT STRAWS AT THIS POINT. 495 00:25:37,206 --> 00:25:39,268 JANIS, YOU WANNA SHARE WHAT YOU SAW? 496 00:25:39,268 --> 00:25:41,010 YEAH, I WAS... (chuckles) 497 00:25:41,010 --> 00:25:42,972 GETTING A PRENATAL SONOGRAM. 498 00:25:42,972 --> 00:25:45,975 THE BABY WAS ABOUT 17 WEEKS, 499 00:25:45,975 --> 00:25:48,047 AND IT WAS A LITTLE GIRL. 500 00:25:48,047 --> 00:25:51,220 IT WAS TOTALLY BIZARRE. 501 00:25:51,220 --> 00:25:55,154 BUT I'M OBVIOUSLY NOT PREGNANT. 502 00:25:55,154 --> 00:25:57,987 I DON'T EVEN HAVE A BOYFRIEND. 503 00:25:57,987 --> 00:25:59,959 WHAT ABOUT YOU, SIR? 504 00:25:59,959 --> 00:26:02,191 I... WAS IN A MEETING. 505 00:26:02,191 --> 00:26:03,963 A MEETING... 506 00:26:03,963 --> 00:26:06,696 (whistling) 507 00:26:06,696 --> 00:26:08,968 AND I HAPPENED TO GLANCE DOWN AT THE PAPER. 508 00:26:08,968 --> 00:26:10,199 SPORTS PAGE. 509 00:26:10,199 --> 00:26:12,201 THE RAYS RALLIED FROM 3 RUNS DOWN 510 00:26:12,201 --> 00:26:14,203 TO SWEEP THE SOX AT FENWAY. 511 00:26:14,203 --> 00:26:15,605 AND THERE WAS ANOTHER STORY. 512 00:26:15,605 --> 00:26:19,779 KOBE BRYANT TORE HIS LIGAMENT IN HIS KNEE. OUT FOR THE SEASON. 513 00:26:19,779 --> 00:26:21,711 (toilet flushes) 514 00:26:21,711 --> 00:26:24,353 YOU KNOW WHAT? WE SHOULD START WRITING THESE STORIES DOWN. (Janis) YEAH. 515 00:26:24,353 --> 00:26:26,355 I MEAN, THE "POST" HAS A CIRCULATION OF WHAT, 516 00:26:26,355 --> 00:26:27,987 A MILLION? A MILLION, YEAH. 517 00:26:27,987 --> 00:26:30,990 HOW MANY OTHER PEOPLE WERE READING IT THEN, TOO? 518 00:26:30,990 --> 00:26:34,593 WE GOTTA START COMPARING STORIES. YEAH, IT'S NOT JUST THE "POST." IT'S ALL THE OTHER NEWS OUTLETS. 519 00:26:34,593 --> 00:26:37,366 7 BILLION PEOPLE CAUGHT A GLIMPSE OF THE FUTURE. 520 00:26:37,366 --> 00:26:41,671 MAYBE JUST ONE OF THEM KNOWS WHY THIS HAPPENED. HOW DO WE COMPARE 7 BILLION STORIES? 521 00:26:41,671 --> 00:26:43,673 YOU CREATE A WEB SITE. (Mark) RIGHT. 522 00:26:43,673 --> 00:26:46,005 PEOPLE CAN LOG ON AND POST WHAT THEY SAW 523 00:26:46,005 --> 00:26:48,107 AND CROSS-REFERENCE THEIR VISIONS. 524 00:26:48,107 --> 00:26:51,110 WE CAN PIGGYBACK ON THAT AND SEARCH FOR PATTERNS. I THINK THAT'S WHAT I WAS ALREADY DOING. 525 00:26:51,110 --> 00:26:52,982 (Wedeck) WHAT DO YOU MEAN? MOSAIC. 526 00:26:52,982 --> 00:26:55,014 ALL THOSE LEADS I WAS RUNNING DOWN. 527 00:26:55,014 --> 00:26:58,387 WE SHOULD START FOLLOWING UP ON 'EM NOW. ASSUMING YOUR VISION IS EVEN ACCURATE, 528 00:26:58,387 --> 00:27:02,021 THIS INVESTIGATION DOESN'T EXIST YET. BUT IT COULD. IT WILL. IN MY FLASH-FORWARD, 529 00:27:02,021 --> 00:27:04,023 I WAS INVESTIGATING WHAT CAUSED ALL THIS. 530 00:27:04,023 --> 00:27:06,295 I SEEMED TO HAVE AN IDEA WHY ALL OF THIS WAS HAPPENING. 531 00:27:06,295 --> 00:27:08,297 AND THOSE PEOPLE, THE PLACES I SAW ON THE BOARD-- 532 00:27:08,297 --> 00:27:11,300 THEY WERE PART OF THIS PUZZLE-- MOSAIC. LOOK, I'M CERTAIN OF IT. 533 00:27:11,300 --> 00:27:14,764 FINE. WE'LL SET UP AN INTERAGENCY TASK FORCE. 534 00:27:14,764 --> 00:27:17,206 AND AS FAR AS THIS OFFICE IS CONCERNED, 535 00:27:17,206 --> 00:27:19,308 YOU THREE, YOU OWN THIS. THIS IS KIND OF INSANE. 536 00:27:19,308 --> 00:27:21,711 I MEAN, WE'RE RUNNING POINT ON THIS 537 00:27:21,711 --> 00:27:25,174 BECAUSE HE HAD A VISION OF US RUNNING POINT ON THIS? (Mark) WHAT, YOU-- YOU FIND THAT FUNNY? 538 00:27:25,174 --> 00:27:29,148 (Mark) WE DON'T EVEN KNOW-- WE DON'T KNOW IF-- (Demetri) COME ON. WE DON'T HAVE ANYTHING RIGHT NOW. 539 00:27:29,148 --> 00:27:31,650 IT WORKS--IT WORKS FOR ME! IT WORKS FOR ME! 540 00:27:31,650 --> 00:27:33,783 THE WHOLE WORLD'S ON PINS AND NEEDLES, PEOPLE. 541 00:27:33,783 --> 00:27:34,954 AIR TRAFFIC'S BEEN GROUNDED. 542 00:27:34,954 --> 00:27:37,286 PEOPLE SCARED TO LEAVE THEIR HOMES, WALK ACROSS THE STREET. 543 00:27:37,286 --> 00:27:39,328 HELL, WE'VE GOT MARTIAL LAW ACROSS HALF THIS COUNTRY. 544 00:27:39,328 --> 00:27:41,991 PRIORITY NUMBER ONE-- FINDING OUT WHAT CAUSED THIS. 545 00:27:41,991 --> 00:27:44,994 PRIORITY NUMBER TWO IS FIGURING OUT WHETHER OR NOT 546 00:27:44,994 --> 00:27:47,136 IT'LL HAPPEN AGAIN. YOU GOT IT? 547 00:27:47,136 --> 00:27:50,069 (Mark, Demetri and Janis) YES, SIR. 548 00:27:50,069 --> 00:27:52,071 GOOD. 549 00:27:52,071 --> 00:27:53,302 I'M OUT. 550 00:27:57,146 --> 00:27:59,448 OKAY, MY PSYCHIC FRIEND, 551 00:27:59,448 --> 00:28:01,811 WHAT DO YOU GOT? 552 00:28:01,811 --> 00:28:03,412 I REMEMBER A NAME-- D. GIBBONS. 553 00:28:03,412 --> 00:28:05,684 GIBBONS. THAT'S RIGHT. 554 00:28:05,684 --> 00:28:08,687 YEAH. WHAT ELSE YOU GOT? 555 00:28:08,687 --> 00:28:11,160 THERE WAS A PHOTOGRAPH HERE OF A DOLL. 556 00:28:11,160 --> 00:28:13,392 THE DOLL WAS BURNED. THE HEAD WAS MELTED. 557 00:28:13,392 --> 00:28:16,125 THERE WAS A-A BULLET CASING NEARBY. 558 00:28:16,125 --> 00:28:18,227 SOMETHING ABOUT BALTIMORE. 559 00:28:18,227 --> 00:28:19,969 A HAND. 560 00:28:19,969 --> 00:28:23,702 BALTIMORE... NO. NO, NO, WAIT. WAIT, WAIT, WAIT, WAIT. 561 00:28:23,702 --> 00:28:24,774 A... A "BLUE HAND." 562 00:28:24,774 --> 00:28:28,007 THAT'S WHAT IT SAID. WHAT THE HELL DOES THAT MEAN? 563 00:28:28,007 --> 00:28:31,010 I HAVE NO IDEA. JUST PUT IT UP. 564 00:28:31,010 --> 00:28:34,784 NO, NO, NO. WAIT, WAIT, WAIT. HERE, IN THE CENTER. 565 00:28:34,784 --> 00:28:36,816 THIS IS GONNA SOUND STUPID, 566 00:28:36,816 --> 00:28:38,818 BUT I WAS WEARING ONE OF THOSE, UH... 567 00:28:38,818 --> 00:28:40,389 FRIENDSHIP BRACELETS. 568 00:28:40,389 --> 00:28:42,351 YOU KNOW, LIKE KIDS MAKE. YEAH. 569 00:28:42,351 --> 00:28:46,255 OKAY, THAT'S GOOD. WHAT ELSE? WHAT ELSE? THAT'S IT. 570 00:28:46,255 --> 00:28:49,999 THOSE ARE ALL THE LEADS I CAN REMEMBER. 571 00:28:49,999 --> 00:28:53,132 WHAT ABOUT YOUR STATE OF MIND? WHAT WERE YOU DOING? 572 00:28:53,132 --> 00:28:56,035 (sighs) 573 00:28:56,035 --> 00:28:57,807 I WAS... 574 00:28:57,807 --> 00:28:59,338 CHAMBERING A ROUND. 575 00:28:59,338 --> 00:29:01,340 I WAS SCARED TO DEATH. 576 00:29:01,340 --> 00:29:04,043 YOU WERE SCARED TO DEATH IN HERE? 577 00:29:04,043 --> 00:29:04,874 YEAH. 578 00:29:04,874 --> 00:29:07,476 THE OFFICE WAS EMPTY, BUT... 579 00:29:07,476 --> 00:29:11,080 SOMEONE WAS COMING FOR ME. 580 00:29:11,080 --> 00:29:12,751 THEY WERE WEARING MASKS. 581 00:29:12,751 --> 00:29:15,154 THEY WANTED TO KILL ME BECAUSE OF WHAT I KNEW. 582 00:29:15,154 --> 00:29:18,057 ONE OF 'EM HAD A... 583 00:29:18,057 --> 00:29:20,029 TATTOO. 584 00:29:24,393 --> 00:29:27,166 HOW MANY D. GIBBONS DO YOU THINK THERE ARE IN THE WORLD? MAYBE THOUSANDS. 585 00:29:27,166 --> 00:29:29,438 HAVE JANIS COMPILE A LIST. 586 00:29:29,438 --> 00:29:31,300 (sighs) 587 00:29:31,300 --> 00:29:34,143 NOT A HELL OF A LOT TO GO ON YET. 588 00:29:34,143 --> 00:29:35,774 AT LEAST YOU REMEMBER SOMETHING. 589 00:29:35,774 --> 00:29:38,307 WHAT DO YOU MEAN? 590 00:29:40,179 --> 00:29:41,780 EVERYBODY SAW SOMETHING. 591 00:29:41,780 --> 00:29:43,782 EVERYBODY HAD SOME KIND OF A VISION. 592 00:29:43,782 --> 00:29:45,784 I DIDN'T SEE A DAMN THING, MARK. 593 00:29:45,784 --> 00:29:49,058 MAYBE IT MEANS YOU'LL BE SLEEPING SIX MONTHS FROM NOW. 594 00:29:49,058 --> 00:29:51,020 IF I WAS SLEEPING, WHY WASN'T I DREAMING? 595 00:29:51,020 --> 00:29:54,023 LOOK, I NEVER REMEMBER MY DREAMS. 596 00:29:54,023 --> 00:29:56,996 STOP, ALL RIGHT? 597 00:29:56,996 --> 00:29:58,998 WE'RE BOTH THINKING THE SAME THING, 598 00:29:58,998 --> 00:30:01,000 SO LET'S JUST SAY IT. 599 00:30:06,805 --> 00:30:08,807 WHAT IF I DIDN'T SEE ANYTHING 600 00:30:08,807 --> 00:30:11,110 BECAUSE SIX MONTHS FROM NOW... 601 00:30:11,110 --> 00:30:13,212 I'M GONNA BE DEAD? 602 00:30:20,089 --> 00:30:22,221 (crickets chirping) MR. BENFORD? 603 00:30:22,221 --> 00:30:24,353 ARE YOU ALL RIGHT? 604 00:30:26,125 --> 00:30:28,457 YEAH. HOW'S CHARLIE? 605 00:30:28,457 --> 00:30:29,598 SHE'S FINE. 606 00:30:29,598 --> 00:30:31,961 SHE'S SLEEPING. 607 00:30:33,832 --> 00:30:37,066 I WAS WATCHING THE NEWS ALL DAY. 608 00:30:37,066 --> 00:30:39,068 THEY SAY IT HAPPENED EVERYWHERE. 609 00:30:39,068 --> 00:30:41,310 IT'S GONNA BE OKAY. 610 00:30:41,310 --> 00:30:43,312 IS THAT WHAT THEY'RE SAYING AT THE FBI? 611 00:30:43,312 --> 00:30:45,244 DO YOU HAVE INSIDE INFORMATION? 612 00:30:45,244 --> 00:30:47,616 I WISH WE DID. 613 00:30:47,616 --> 00:30:51,350 SO THEN YOU DON'T KNOW IT'S GONNA BE OKAY. 614 00:30:51,350 --> 00:30:54,153 I THINK GOD DID THIS. 615 00:30:56,085 --> 00:30:58,087 WHY? 616 00:30:58,087 --> 00:31:00,589 TO PUNISH US. 617 00:31:03,532 --> 00:31:05,634 (Olivia) STILL NO LUCK FINDING HIS PARENTS? 618 00:31:05,634 --> 00:31:08,397 WELL, HIS MOTHER DIED ON THE 405. 619 00:31:08,397 --> 00:31:11,640 FATHER'S NAME IS LLOYD SIMCOE. HE WORKS AT STANFORD. 620 00:31:11,640 --> 00:31:16,005 BUT, UH, NO ONE'S BEEN ABLE TO LOCATE HIM YET. (whispers) YEAH. 621 00:31:16,005 --> 00:31:18,147 (normal voice) SO EVEN IF THE KID PULLS THROUGH, 622 00:31:18,147 --> 00:31:20,649 HE COULD STILL WIND UP AN ORPHAN. HEY, YOU SAVED HIS LIFE TODAY. 623 00:31:20,649 --> 00:31:22,651 YOU CHALK THAT UP AS A VICTORY. 624 00:31:22,651 --> 00:31:25,554 YEAH, I'M TRYING, BUT AFTER A DAY LIKE TODAY... 625 00:31:25,554 --> 00:31:27,286 WHAT ABOUT YOU? 626 00:31:27,286 --> 00:31:29,418 HOW ARE YOU STAYING SO ZEN THROUGH ALL THIS? 627 00:31:29,418 --> 00:31:32,091 WHO SAYS I AM? 628 00:31:35,524 --> 00:31:38,127 YOU WANNA KNOW WHY I WASN'T AT WORK YESTERDAY? 629 00:31:38,127 --> 00:31:39,628 MM-HMM. 630 00:31:39,628 --> 00:31:41,630 I'VE BEEN GOING THROUGH 631 00:31:41,630 --> 00:31:44,203 SOME REALLY HEAVY THINGS RECENTLY. 632 00:31:44,203 --> 00:31:46,205 I DON'T WANT TO GET INTO IT NOW. 633 00:31:46,205 --> 00:31:48,177 BUT THE--THE POINT IS, 634 00:31:48,177 --> 00:31:50,579 THIS MORNING, I WAS OUT ON THE VENICE PIER, 635 00:31:50,579 --> 00:31:52,241 AND... 636 00:31:52,241 --> 00:31:55,114 AND I WAS THINKING ABOUT COMMITTING SUICIDE. 637 00:31:55,114 --> 00:31:56,615 OH, MY GOD! 638 00:31:56,615 --> 00:31:58,517 IT'S OKAY. I'M--I'M OKAY. 639 00:31:58,517 --> 00:32:01,350 I SAW A GLIMPSE OF MY FUTURE, 640 00:32:01,350 --> 00:32:04,623 AND I WAS ALIVE. 641 00:32:04,623 --> 00:32:08,057 YOU KNOW, AND EVERYTHING'S CHANGED FOR ME NOW. 642 00:32:08,057 --> 00:32:11,060 WHATEVER I WAS THINKING ABOUT DOING 643 00:32:11,060 --> 00:32:14,133 OBVIOUSLY WASN'T MEANT TO HAPPEN. 644 00:32:14,133 --> 00:32:16,535 IT--IT'S LIKE A SIGN FROM GOD OR SOMETHING. 645 00:32:16,535 --> 00:32:19,408 YOU KNOW, THESE VISIONS WERE A GIFT. 646 00:32:19,408 --> 00:32:22,511 DON'T YOU THINK? 647 00:32:24,413 --> 00:32:26,115 A GIFT? 648 00:32:26,115 --> 00:32:28,117 I DON'T KNOW. NOT FOR ME. 649 00:32:28,117 --> 00:32:30,049 WHY? WHAT--WHAT DID YOU SEE? 650 00:32:33,652 --> 00:32:36,255 I SAW THE END OF MY MARRIAGE. 651 00:32:38,457 --> 00:32:42,061 I WAS DRINKING AGAIN, 652 00:32:42,061 --> 00:32:43,462 IN MY FLASH-FORWARD. 653 00:32:43,462 --> 00:32:46,465 AND IN MY HEAD, I... 654 00:32:46,465 --> 00:32:49,338 I KNOW IT WASN'T JUST A ONE-TIME THING. 655 00:32:49,338 --> 00:32:52,101 I WAS FULL-FLEDGED DRINKING AGAIN. 656 00:32:52,101 --> 00:32:54,473 ALL THE ANXIETY, 657 00:32:54,473 --> 00:32:56,105 SHAME. 658 00:32:56,105 --> 00:32:57,646 (whispers) IT WAS ALL BACK. 659 00:32:57,646 --> 00:33:02,111 JUST BECAUSE YOU SAW THAT DOESN'T MEAN IT'S GONNA HAPPEN. 660 00:33:02,111 --> 00:33:06,555 EVEN IF THIS FUTURE STUFF IS REAL, 661 00:33:06,555 --> 00:33:08,557 MAYBE IT'S A BLESSING IN DISGUISE. 662 00:33:08,557 --> 00:33:11,660 MAYBE BECAUSE YOU SAW IT, YOU CAN CHANGE IT. 663 00:33:11,660 --> 00:33:14,493 GHOST OF CHRISTMAS FUTURE CRAP. 664 00:33:14,493 --> 00:33:16,265 WHAT IF I CAN'T? 665 00:33:16,265 --> 00:33:20,269 PEOPLE RELAPSE. I DID. YOU PICK YOURSELF UP AGAIN. 666 00:33:20,269 --> 00:33:23,272 OLIVIA SAID SHE'D-- SHE'D LEAVE ME IF I SLIP AGAIN. 667 00:33:23,272 --> 00:33:25,274 SHE MADE THAT CLEAR. THEN DON'T SLIP. 668 00:33:27,206 --> 00:33:30,409 UNTIL YOU SEE SOMETHING THAT CORROBORATES THESE VISIONS, 669 00:33:30,409 --> 00:33:32,381 IT--IT'S ALL FANTASY. 670 00:33:32,381 --> 00:33:34,543 THE FUTURE IS STILL UP IN THE AIR. 671 00:33:34,543 --> 00:33:37,216 YOU'RE A TERRIBLE SPONSOR. YOU KNOW THAT? (sets down mug) 672 00:33:37,216 --> 00:33:39,218 WHAT DO YOU WANT ME TO SAY, MARK? 673 00:33:39,218 --> 00:33:42,151 YOU'RE NOT THE ONLY ONE THIS-- THIS HAS HAPPENED TO, YOU KNOW? 674 00:33:42,151 --> 00:33:46,125 I'VE GOT THE OPPOSITE PROBLEM. 675 00:33:46,125 --> 00:33:48,657 WHAT DO YOU MEAN? 676 00:33:48,657 --> 00:33:53,031 TRACY WAS KILLED IN AFGHANISTAN. 677 00:33:53,031 --> 00:33:55,404 AND YOU WERE AT THE FUNERAL, RIGHT? RIGHT. 678 00:33:55,404 --> 00:34:00,239 BUT IN MY FLASH-FORWARD, 679 00:34:00,239 --> 00:34:02,271 SHE'S ALIVE. 680 00:34:02,271 --> 00:34:07,076 (explosion in distance) DOESN'T MAKE ANY SENSE. THEY I.D.'ed HER REMAINS. 681 00:34:07,076 --> 00:34:09,078 I KNOW. 682 00:34:10,479 --> 00:34:13,222 I CAN'T EXPLAIN IT, BUT... 683 00:34:13,222 --> 00:34:16,155 IT WAS HER. I'M--I'M CERTAIN OF IT. 684 00:34:16,155 --> 00:34:20,259 AND IF SHE'S OUT THERE SOMEWHERE, SHE NEEDS ME. 685 00:34:24,062 --> 00:34:26,465 FOR TWO YEARS, I'VE-- I'VE BEEN PUTTING HER TO REST. 686 00:34:26,465 --> 00:34:30,068 NOW... I DON'T KNOW WHAT TO THINK. 687 00:34:30,068 --> 00:34:32,241 I-I'M--I'M CONFUSED. 688 00:34:32,241 --> 00:34:33,802 I'M... 689 00:34:36,575 --> 00:34:37,806 HOPEFUL. 690 00:34:40,479 --> 00:34:45,083 AND I'M ANGRY THAT I'M HOPEFUL. 691 00:34:45,083 --> 00:34:46,185 (sighs) 692 00:34:48,457 --> 00:34:52,491 YOU'RE WORRIED... 693 00:34:52,491 --> 00:34:55,594 YOUR FUTURE'S GONNA COME TRUE. 694 00:34:55,594 --> 00:34:58,397 I'M WORRIED MINE WON'T. 695 00:35:05,374 --> 00:35:08,537 (Mojave 3's "All Your Tears" playing) 696 00:35:12,281 --> 00:35:15,284 (garage door whirring) 697 00:35:30,128 --> 00:35:31,660 YOU FIXED THE GARAGE DOOR. 698 00:35:31,660 --> 00:35:33,532 IT WAS A SLOW DAY. 699 00:35:33,532 --> 00:35:37,466 ♪ WHERE'S THE MAGIC THAT YOU WEAR? ♪ 700 00:35:39,908 --> 00:35:46,615 ♪ THAT KEEPS YOU SAFE AND KEEPS YOU FEELING FREE ♪ 701 00:35:46,615 --> 00:35:48,677 ♪ WHOSE ARMS HAVE HELD YOU ♪ 702 00:35:48,677 --> 00:35:52,181 ♪ THAT YOU DON'T KNOW WHO YOU ARE ANYMORE ♪ 703 00:35:52,181 --> 00:35:54,483 DO YOU REMEMBER OUR SONG? 704 00:35:54,483 --> 00:35:56,425 WHAT? 705 00:35:56,425 --> 00:35:58,687 THE ONE WE DANCED TO AT OUR WEDDING. 706 00:35:58,687 --> 00:36:01,290 ETTA JAMES. "AT LAST." 707 00:36:01,290 --> 00:36:04,863 (chuckles) 708 00:36:04,863 --> 00:36:07,666 RIGHT. 709 00:36:07,666 --> 00:36:10,199 WHAT DID YOU SEE? 710 00:36:10,199 --> 00:36:13,372 (sighs) 711 00:36:13,372 --> 00:36:16,174 I WAS AT THE OFFICE, 712 00:36:16,174 --> 00:36:17,606 WORKING ON A CASE. 713 00:36:17,606 --> 00:36:20,178 IT WAS--IT WAS THIS-- 714 00:36:20,178 --> 00:36:22,681 WHAT CAUSED THE FLASH-FORWARDS. 715 00:36:22,681 --> 00:36:25,454 I GOT THE SENSE I WAS IN DANGER. THEN... 716 00:36:25,454 --> 00:36:27,886 THEN IT ENDED. 717 00:36:27,886 --> 00:36:29,288 NOTHING ELSE? 718 00:36:32,190 --> 00:36:34,863 NO, THAT WAS IT. 719 00:36:37,266 --> 00:36:38,927 WHAT ABOUT YOU? 720 00:36:42,531 --> 00:36:43,932 BABE? 721 00:36:45,704 --> 00:36:48,307 I DON'T WANT TO TALK ABOUT IT. 722 00:36:48,307 --> 00:36:49,438 WHY? 723 00:36:49,438 --> 00:36:51,480 'CAUSE IT WAS TOO UPSETTING. 724 00:36:51,480 --> 00:36:54,483 I NEED TO HEAR IT, WHATEVER IT WAS. 725 00:36:54,483 --> 00:36:57,486 NO. 726 00:36:57,486 --> 00:36:59,488 NO, YOU DON'T. 727 00:37:02,521 --> 00:37:05,254 (whispers) COME ON. WHAT DID YOU SEE? 728 00:37:10,559 --> 00:37:14,333 YOU KNOW WHAT? JUST... LET IT GO. 729 00:37:16,665 --> 00:37:20,509 (normal voice) OLIVIA, WHAT DID YOU SEE? 730 00:37:27,376 --> 00:37:30,248 (crying) I WAS WITH ANOTHER MAN. 731 00:37:31,980 --> 00:37:33,922 (whispers) WHO? 732 00:37:33,922 --> 00:37:36,455 I DON'T KNOW. 733 00:37:36,455 --> 00:37:38,887 I'VE NEVER SEEN HIM BEFORE. 734 00:37:49,037 --> 00:37:52,541 HE WAS DOWNSTAIRS. 735 00:37:52,541 --> 00:37:54,543 I DON'T KNOW WHO HE WAS, 736 00:37:54,543 --> 00:37:58,347 AND YET MY VISION-- I HAD ALL THESE INTENSE... 737 00:37:58,347 --> 00:38:00,949 (cries) FEELINGS FOR HIM. I... 738 00:38:00,949 --> 00:38:03,352 (voice echoes) HEY, HONEY. 739 00:38:08,056 --> 00:38:09,958 I DON'T UNDERSTAND, MARK. 740 00:38:09,958 --> 00:38:12,461 I WOULD NEVER CHEAT ON YOU. 741 00:38:12,461 --> 00:38:15,464 I WOULDN'T BETRAY YOU. I WOULDN'T--I... 742 00:38:20,599 --> 00:38:22,601 JUST BECAUSE WE SAW THESE THINGS 743 00:38:22,601 --> 00:38:24,903 DOESN'T MEAN THEY'RE GONNA HAPPEN. 744 00:38:42,921 --> 00:38:44,393 DYLAN! 745 00:38:44,393 --> 00:38:45,694 UH, I'M SORRY. YOU ARE... 746 00:38:45,694 --> 00:38:47,726 (British accent) HIS FATHER LLOYD SIMCOE. 747 00:38:47,726 --> 00:38:50,959 HOW IS HE? HE'LL BE FINE. 748 00:38:50,959 --> 00:38:52,601 HIS ATTENDING PHYSICIAN, DR. BENFORD, 749 00:38:52,601 --> 00:38:54,603 WILL BE HERE IN THE MORNING. 750 00:38:54,603 --> 00:38:57,736 SHE CAN FILL YOU IN ON SOME OF THE DETAILS. 751 00:38:57,736 --> 00:39:00,469 THEN I'LL WAIT FOR HER. 752 00:39:15,984 --> 00:39:17,956 (whispering) DADDY? 753 00:39:17,956 --> 00:39:21,059 WHAT ARE YOU DOING UP, SWEETIE? 754 00:39:21,059 --> 00:39:22,961 IT'S AFTER MIDNIGHT. 755 00:39:22,961 --> 00:39:25,133 I HAD A BAD DREAM. 756 00:39:25,133 --> 00:39:27,896 COME HERE. 757 00:39:27,896 --> 00:39:30,068 YOU WANNA TALK ABOUT IT? 758 00:39:30,068 --> 00:39:32,701 (normal voice) WHY WAS MOMMY CRYING? 759 00:39:32,701 --> 00:39:37,906 OH, SHE WAS JUST SCARED. IT'S GONNA BE OKAY. 760 00:39:37,906 --> 00:39:39,708 ARE YOU SCARED? 761 00:39:39,708 --> 00:39:43,011 NO, HONEY. I'M FINE. 762 00:39:47,385 --> 00:39:50,388 WHAT DO YOU HAVE THERE? WHAT DO YOU GOT IN YOUR HAND? 763 00:39:50,388 --> 00:39:53,021 HMM? SOMETHING I MADE FOR YOU. 764 00:39:53,021 --> 00:39:55,464 I WANT YOU TO HAVE IT. 765 00:39:58,567 --> 00:40:00,469 TAKE IT, DADDY. 766 00:40:02,931 --> 00:40:07,976 DO YOU WANT ME TO HELP YOU PUT IT ON? 767 00:40:11,740 --> 00:40:13,942 SURE. 768 00:40:13,942 --> 00:40:15,413 OKAY. 769 00:40:23,552 --> 00:40:25,554 THERE YOU GO. 770 00:40:49,578 --> 00:40:52,581 I'M STILL AT WORK, BABE. (Kenny Rogers and Dolly Parton) ♪ ISLANDS IN THE STREAM ♪ 771 00:40:52,581 --> 00:40:54,983 MM, THEY GOT US WORKING LATE. ♪ THAT IS WHAT WE ARE ♪ 772 00:40:54,983 --> 00:40:58,226 YEAH, I'M WATCHING IT RIGHT NOW. ♪ NO ONE IN BETWEEN, HOW CAN WE BE WRONG? ♪ 773 00:40:58,226 --> 00:41:02,130 ♪ SAIL AWAY WITH ME ♪ IF, UH, THIS IS THE SONG YOU WANT, 774 00:41:02,130 --> 00:41:04,132 YOU GOT IT, BABY. ♪ TO ANOTHER WORLD ♪ 775 00:41:04,132 --> 00:41:06,735 (laughs) ♪ AND WE RELY ON EACH OTHER, UH-HUH ♪ 776 00:41:06,735 --> 00:41:08,997 ♪ FROM ONE LOVER TO ANOTHER, UH-HUH ♪ 777 00:41:08,997 --> 00:41:12,741 LET'S, UM, LET'S TALK ABOUT THE FUTURE WHEN YOU GET HOME. 778 00:41:12,741 --> 00:41:15,003 DEM, COME HERE. YOU HAVE TO SEE THIS. 779 00:41:15,003 --> 00:41:17,005 ♪ THAT IS WHAT WE ARE ♪ GOTTA GO. 780 00:41:17,005 --> 00:41:18,707 ♪ NO ONE IN BETWEEN ♪ 781 00:41:18,707 --> 00:41:20,579 I LOVE YOU, TOO. 782 00:41:23,612 --> 00:41:26,084 WHAT'S UP? 783 00:41:26,084 --> 00:41:29,057 OKAY, SO AS FAR AS WE KNOW, 784 00:41:29,057 --> 00:41:31,489 EVERY SINGLE PERSON ON THE ENTIRE PLANET 785 00:41:31,489 --> 00:41:34,563 LOST CONSCIOUSNESS AT THE EXACT SAME PERIOD OF TIME, RIGHT? 786 00:41:34,563 --> 00:41:37,265 RIGHT. OKAY, SO I STARTED CYCLING THROUGH 787 00:41:37,265 --> 00:41:40,168 A BUNCH OF SURVEILLANCE CAMERAS FOR THE LAST FIVE HOURS... 788 00:41:40,168 --> 00:41:43,271 (hits key) BECAUSE I WAS CURIOUS TO SEE WHAT THEY RECORDED. 789 00:41:43,271 --> 00:41:45,503 I LOOKED AT HUNDREDS OF 'EM. 790 00:41:45,503 --> 00:41:47,636 I CHECKED EVERY MAJOR CITY, EVEN WEB CAMS IN OTHER COUNTRIES... (types) 791 00:41:47,636 --> 00:41:49,778 AND THEY ALL SHOW THE EXACT SAME THING. 792 00:41:49,778 --> 00:41:52,510 AT 11:00 A.M., PEOPLE START DROPPING LIKE FLIES. 793 00:41:52,510 --> 00:41:55,083 OKAY, AND THEN 2 MINUTES AND 17 SECONDS LATER, 794 00:41:55,083 --> 00:41:59,047 THEY START TO COME TO. AND THEN I SAW THIS. 795 00:41:59,047 --> 00:42:00,048 (hits key) 796 00:42:00,048 --> 00:42:02,791 THIS WAS IN DETROIT. 797 00:42:02,791 --> 00:42:05,624 WHAT AM I LOOKING AT HERE? JUST HANG ON A SECOND. 798 00:42:05,624 --> 00:42:09,297 (hits keys) RIGHT THERE. LOOK RIGHT THERE. 799 00:42:16,765 --> 00:42:17,936 NO WAY. 800 00:42:17,936 --> 00:42:19,067 YEAH. 801 00:42:19,067 --> 00:42:22,711 WHO THE HELL IS THAT? 802 00:42:24,212 --> 00:42:26,544 AND WHY ARE THEY AWAKE? 803 00:42:26,544 --> 00:42:27,946 (hits key) 56401

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