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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,601 --> 00:00:11,965 PREVIOUSLY ON "LOVE & MARRIAGE: HUNTSVILLE"... 2 00:00:11,967 --> 00:00:13,265 Melody: AND YOU KNOW WHAT? TO BE REAL WITH YOU, 3 00:00:13,267 --> 00:00:14,765 I CAN'T WAIT TO TALK TO KIMMI 4 00:00:14,767 --> 00:00:16,799 BECAUSE I'M KIND OF TIRED OF HER PLAYING MEDIATOR. 5 00:00:16,801 --> 00:00:19,965 DON'T FORGET, I MEAN, LIKE, SHE WAS THE SIDE CHICK. 6 00:00:19,967 --> 00:00:21,999 I'M HAPPY YOU WAS HERE TO SUPPORT. 7 00:00:22,001 --> 00:00:23,399 YEAH, YOU KNOW KIMMI WAS GONNA BE HERE. 8 00:00:23,401 --> 00:00:24,799 NO ONE ELSE DIDN'T COME TO THIS. 9 00:00:24,801 --> 00:00:25,699 WHAT IS WRONG WITH HER? 10 00:00:25,701 --> 00:00:27,499 I DON'T KNOW. WHAT'S THAT? 11 00:00:29,467 --> 00:00:31,365 SO YOU JUST GO SEARCHING FOR TROUBLE? 12 00:00:33,334 --> 00:00:34,732 SEEKING COUNSEL DEFINITELY 13 00:00:34,734 --> 00:00:36,699 HELPS ME SEE THINGS IN A DIFFERENT LIGHT. 14 00:00:36,701 --> 00:00:39,665 YOU KNOW, WE TALKED ABOUT YOU AND YOUR DAD. 15 00:00:39,667 --> 00:00:41,365 WE REALLY HAVEN'T BONDED 16 00:00:41,367 --> 00:00:45,232 THE WAY THAT I THINK WE SHOULD HAVE. 17 00:00:45,234 --> 00:00:47,899 I DON'T KNOW WHAT -- I KNOW I'M A GREAT FATHER. 18 00:00:47,901 --> 00:00:49,932 I DON'T KNOW WHAT I'M MISSING BECAUSE I DON'T FEEL IT. 19 00:00:49,934 --> 00:00:52,999 I DON'T FEEL THAT I'M MISSING ANYTHING 20 00:00:53,001 --> 00:00:56,099 FROM THE LACK OF HIM BEING IN MY LIFE. 21 00:00:56,101 --> 00:00:59,999 YOU KNOW, WHEN PEOPLE SAY STUFF THAT I KNOW IS A BUNCH OF BS, 22 00:01:00,001 --> 00:01:02,232 I'M GONNA SAY SOMETHING. MM-HMM. 23 00:01:02,234 --> 00:01:04,865 I MEAN, LIKE, THAT JOB THAT MARSAU DID, 24 00:01:04,867 --> 00:01:07,465 TALKING ABOUT HE HAD A SEX TAPE OF ME. 25 00:01:08,667 --> 00:01:11,665 -- Captions by VITAC -- www.vitac.com 26 00:01:11,667 --> 00:01:14,665 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 27 00:01:14,667 --> 00:01:23,732 ¶¶ 28 00:01:23,734 --> 00:01:25,165 IT'S A WHOLE DIFFERENT GAME 29 00:01:25,167 --> 00:01:27,532 WHEN IT COMES TO FLIPPING COMMERCIAL BUILDINGS. 30 00:01:27,534 --> 00:01:30,065 [ RATTLING ] 31 00:01:30,067 --> 00:01:31,499 OH, MY GOD. 32 00:01:31,501 --> 00:01:32,732 HEY! 33 00:01:32,734 --> 00:01:35,032 LOOK WHO THE CAT DRUG IN. 34 00:01:35,034 --> 00:01:36,465 DAMN! 35 00:01:36,467 --> 00:01:38,999 YOU MOVING AS SLOW WITH THIS DAMN BUILDING 36 00:01:39,001 --> 00:01:41,899 LIKE Y'ALL MOVED AS SLOW AS YOU DID WITH STAG RUN. 37 00:01:41,901 --> 00:01:43,132 HOW YOU DOING, BABY? 38 00:01:43,134 --> 00:01:44,132 Jaylin: I'M GREAT. HOW ARE YOU? 39 00:01:44,134 --> 00:01:45,432 I'M GOOD. HOW IS SCHOOL? 40 00:01:45,434 --> 00:01:46,632 SCHOOL IS GOING GOOD. 41 00:01:46,634 --> 00:01:48,199 WHAT YOU DOING HERE, ANYWAY? WHY YOU AIN'T AT SCHOOL? 42 00:01:48,201 --> 00:01:49,499 I'M IN ONLINE CLASSES NOW. 43 00:01:49,501 --> 00:01:51,099 YOU LIKE IT BETTER? MM-HMM. 44 00:01:51,101 --> 00:01:52,732 WHAT ARE YOU MAJORING IN? 45 00:01:52,734 --> 00:01:54,632 I'M MAJORING IN BUSINESS MANAGEMENT. 46 00:01:54,634 --> 00:01:55,865 OKAY. 47 00:01:55,867 --> 00:01:57,965 AND SO I WANT TO GET INTO PROJECT MANAGEMENT. 48 00:01:57,967 --> 00:01:59,932 THAT'S WHAT'S UP. THAT'S GOOD. 49 00:01:59,934 --> 00:02:01,065 GIVE US A SECOND, MAN. 50 00:02:01,067 --> 00:02:02,299 I THINK WE WANT TALK FOR A SECOND, MAN. 51 00:02:02,301 --> 00:02:04,799 ALRIGHT. 52 00:02:04,801 --> 00:02:07,332 GOOD OLD MISS MELODY HOLT. 53 00:02:07,334 --> 00:02:08,365 YIKES. 54 00:02:08,367 --> 00:02:09,965 GUESS WHAT I DON'T HAVE HERE. 55 00:02:09,967 --> 00:02:10,865 WHAT? 56 00:02:10,867 --> 00:02:12,565 SECURITY TO ESCORT YOU OUT. 57 00:02:12,567 --> 00:02:14,232 YOU AIN'T GONNA HAVE TO ESCORT ME OUT 58 00:02:14,234 --> 00:02:16,265 BECAUSE THIS AIN'T A -- IS THIS A PRIVATE EVENT? 59 00:02:16,267 --> 00:02:17,632 HEY, BUT ANYWAY... 60 00:02:17,634 --> 00:02:18,865 I DIDN'T SEE, "NO TRESPASSING." 61 00:02:18,867 --> 00:02:21,032 MAN, ANYWAY, GO AHEAD. YOU'RE NOT TRESPASSING. 62 00:02:21,034 --> 00:02:22,332 OH, BUT I'M GLAD YOU BROUGHT THAT UP, TOO, 63 00:02:22,334 --> 00:02:23,332 BECAUSE I WANT TO TALK TO YOU ABOUT THAT [BLEEP] 64 00:02:23,334 --> 00:02:24,532 WHAT'S UP? OKAY. 65 00:02:24,534 --> 00:02:26,399 SO THERE'S CERTAIN LEVELS THAT DON'T EVER -- 66 00:02:26,401 --> 00:02:28,232 CAN'T EVER BE CROSSED AND SHOULDN'T BE CROSSED. 67 00:02:28,234 --> 00:02:30,232 LIKE THREATENING YOUR LIFE? ONE OF THOSE -- NO, NO, NO. 68 00:02:30,234 --> 00:02:32,432 ONE OF THOSE IS KIDS. RIGHT. 69 00:02:32,434 --> 00:02:33,999 SECOND THING IS PARENTS, 70 00:02:34,001 --> 00:02:36,732 UNLESS THE PARENT OVERSTEPS THEY BOUNDARY 71 00:02:36,734 --> 00:02:38,999 AND DOES SOMETHING DISRESPECTFUL. 72 00:02:39,001 --> 00:02:40,165 THERE WE GO. 73 00:02:40,167 --> 00:02:41,265 THEN YOU MIGHT NEED TO CHECK THEM, RIGHT? 74 00:02:41,267 --> 00:02:43,165 AND I AGREE. RIGHT, RIGHT, RIGHT, RIGHT. 75 00:02:43,167 --> 00:02:46,399 SO FOR YOU TO GO ONLINE 76 00:02:46,401 --> 00:02:49,132 WHILE WE'RE BEEFING AND BE LIKE, 77 00:02:49,134 --> 00:02:52,499 "OH, WELL, WHAT IF I HAVE A VIDEO OF SOMEONE'S MOTHER?" 78 00:02:52,501 --> 00:02:53,865 I DIDN'T SAY, "I HAD A VIDEO." 79 00:02:53,867 --> 00:02:55,465 I SAID, "SOMEONE HAD A VIDEO." OKAY. 80 00:02:55,467 --> 00:02:56,699 IT DOESN'T MATTER. I SAID, "SOMEONE'S MOTHER." 81 00:02:56,701 --> 00:02:58,032 AND THAT'S NOT A LINE THAT CAN BE CROSSED. 82 00:02:58,034 --> 00:02:59,065 THERE'S A LOT OF PEOPLE'S MOMS. LET'S BE CLEAR. 83 00:02:59,067 --> 00:03:00,099 DON'T PLAY THEM WORD GAMES AT ME. 84 00:03:00,101 --> 00:03:01,499 I'M GONNA PLAY WITH WORD GAMES. 85 00:03:01,501 --> 00:03:02,399 DON'T PLAY THEM WORD GAMES. 86 00:03:02,401 --> 00:03:03,465 HEY, I'M NOT MARTELL EITHER. 87 00:03:03,467 --> 00:03:05,032 YOU KNOW WHAT YOU WERE INSINUATING. 88 00:03:05,034 --> 00:03:06,199 AND THAT'S CROSSING THE LINE. 89 00:03:06,201 --> 00:03:07,265 I THOUGHT YOU CAME OVER HERE TO APOLOGIZE. 90 00:03:07,267 --> 00:03:08,265 OH, NO, I DIDN'T COME TO APOLOGIZE. 91 00:03:08,267 --> 00:03:09,965 OH, OKAY. WHY WOULD I APOLOGIZE? 92 00:03:09,967 --> 00:03:12,399 BECAUSE YOUR HUSBAND THREATENED MY LIFE. 93 00:03:12,401 --> 00:03:14,932 PROVE IT. 94 00:03:14,934 --> 00:03:17,099 I CAN'T PROVE IT. 95 00:03:17,101 --> 00:03:18,199 RIGHT. YEAH. 96 00:03:18,201 --> 00:03:19,399 YOU FILING A POLICE... RIGHT. 97 00:03:19,401 --> 00:03:21,665 ...REPORT AGAINST MY FAMILY, MY HUSBAND... 98 00:03:21,667 --> 00:03:23,932 I KNOW. I KNOW THAT. ...IS CROSSING ANOTHER LINE. 99 00:03:23,934 --> 00:03:25,065 I THINK THAT MARTELL IS USED TO PEOPLE 100 00:03:25,067 --> 00:03:27,399 THAT DO A LOT OF TALKING BUT NOT A LOT OF ACTION. 101 00:03:27,401 --> 00:03:28,632 WHAT THAT GOT TO DO WITH ANYTHING? 102 00:03:28,634 --> 00:03:30,332 BECAUSE YOU SAID YOU GOING TO FILE A POLICE REPORT? 103 00:03:30,334 --> 00:03:32,232 NO, BECAUSE I THINK THAT HE THOUGHT 104 00:03:32,234 --> 00:03:34,932 THAT HE COULD JUST TALK, TALK, TALK AND MAKE THREATS, 105 00:03:34,934 --> 00:03:36,932 AND THERE'D BE NO CONSEQUENCES BEHIND IT. 106 00:03:36,934 --> 00:03:39,165 Marsau: I THINK THAT PEOPLE IN MARTELL'S LIFE HAVE A TENDENCY 107 00:03:39,167 --> 00:03:41,865 TO MAKE THREATS AND DON'T FOLLOW THROUGH IN ACTION, 108 00:03:41,867 --> 00:03:45,932 AND AS A RESULT, THAT GIVES HIM THE FALSE SECURITY THAT, 109 00:03:45,934 --> 00:03:47,299 "PEOPLE ARE JUST TALKING," 110 00:03:47,301 --> 00:03:49,565 AND THAT HE CAN JUST RUN OFF AT THE MOUTH. 111 00:03:49,567 --> 00:03:52,265 DO YOU THINK THAT YOU GUYS ARE ON MY RADAR? 112 00:03:52,267 --> 00:03:53,399 ON YOUR RADAR? 113 00:03:53,401 --> 00:03:55,465 LIKE, YOU THINK THAT I HAVE TIME TO DEAL 114 00:03:55,467 --> 00:03:56,732 WITH HOLT STUFF, AND I JUST DON'T. 115 00:03:56,734 --> 00:03:58,865 BUT YOU DO... BUT I DON'T. BUT I DON'T. 116 00:03:58,867 --> 00:04:01,165 ...JUST LIKE HOW YOU LEAKED OUR TAX INFORMATION. 117 00:04:01,167 --> 00:04:02,465 NO, I DIDN'T. YES, YOU DID, LYING. 118 00:04:02,467 --> 00:04:03,765 DO YOU HAVE THE PROOF? HEY. 119 00:04:03,767 --> 00:04:06,932 HEY, WE CAN DO IT WHEN YOU WANT TO DO IT. 120 00:04:06,934 --> 00:04:08,232 DO YOU HAVE THE PROOF? DO YOU HAVE THE PROOF? 121 00:04:08,234 --> 00:04:09,532 YOU CAN SEE IT WHEN YOU WANT TO SEE IT. 122 00:04:09,534 --> 00:04:11,832 MEL, I DON'T CARE ABOUT YOUR TAX RECORDS. 123 00:04:11,834 --> 00:04:13,199 I DON'T CARE. 124 00:04:13,201 --> 00:04:14,332 THAT'S WHAT YOU SAY, BUT YOU TOOK THE TIME TO... 125 00:04:14,334 --> 00:04:15,765 I DIDN'T. BUT YOU TOOK THE TIME... 126 00:04:15,767 --> 00:04:17,332 BUT I DIDN'T. ...TO SEND THAT... 127 00:04:17,334 --> 00:04:18,799 OKAY. ...TO SOMEONE. 128 00:04:18,801 --> 00:04:19,932 OKAY. 129 00:04:19,934 --> 00:04:21,999 WHEN I SAW THAT, I WAS LIKE, "WAIT, BUT WHY?" 130 00:04:22,001 --> 00:04:22,965 BELIEVE WHAT YOU WANT TO BELIEVE. 131 00:04:22,967 --> 00:04:23,999 "BUT WHY?" 132 00:04:24,001 --> 00:04:25,732 BELIEVE WHAT YOU WANT TO BELIEVE. 133 00:04:25,734 --> 00:04:26,965 NO, I CAN'T BELIEVE WHAT I WANT TO BELIEVE. 134 00:04:26,967 --> 00:04:28,765 I JUST BELIEVE IN FACTS. I JUST BELIEVE THE FACTS. 135 00:04:28,767 --> 00:04:30,532 ONCE AGAIN, MARSAU IS DEFINITELY LYING ABOUT 136 00:04:30,534 --> 00:04:33,699 SHARING OUR TAX-RETURN INFORMATION JUST LIKE, 137 00:04:33,701 --> 00:04:35,865 YOU KNOW, HE TRIED TO FILE THIS POLICE REPORT 138 00:04:35,867 --> 00:04:37,199 COMING FOR THE HOLT BRAND. 139 00:04:37,201 --> 00:04:38,999 AT THE END OF THE DAY, THAT'S WHAT IT WAS ABOUT, 140 00:04:39,001 --> 00:04:40,265 COMING FOR THE HOLT BRAND. 141 00:04:40,267 --> 00:04:41,665 YOU GUYS CROSSED SEVERAL LINES. 142 00:04:41,667 --> 00:04:42,965 WE DIDN'T CROSS THOSE LINES. 143 00:04:42,967 --> 00:04:44,265 YES, YOU DID! WE DIDN'T. 144 00:04:44,267 --> 00:04:46,599 AND MY MOTHER BUILT SCHOLT WITH YOU, 145 00:04:46,601 --> 00:04:49,665 AND YOU KNOW THAT, PROBABLY MORE THAN YOU ACTUALLY DID. 146 00:04:49,667 --> 00:04:51,632 LET'S BE CLEAR. WHAT PART OF SCHOLT, MEL? 147 00:04:51,634 --> 00:04:54,399 THE MOST IMPORTANT PART, THE ADMINISTRATION PART, 148 00:04:54,401 --> 00:04:55,399 GETTING CONTRACTORS, 149 00:04:55,401 --> 00:04:57,065 SENDING CONTRACTORS WORK ORDERS, 150 00:04:57,067 --> 00:04:58,499 MAKING SURE YOUR WORK IS GETTING DONE, 151 00:04:58,501 --> 00:04:59,799 SO YOU CAN HAVE MONEY IN YOUR POCKET. 152 00:04:59,801 --> 00:05:01,965 SO YOUR MOM IS KIND OF THE ONE MAKING THIS THING SLOW? 153 00:05:01,967 --> 00:05:03,065 LET'S BE CLEAR. 154 00:05:03,067 --> 00:05:04,732 SHE DON'T WORK HERE NO MORE, BOO. 155 00:05:04,734 --> 00:05:05,832 SO, YEAH, IT'S SLOW BECAUSE MY MAMA 156 00:05:05,834 --> 00:05:06,865 AIN'T WORKING WITH SCHOLT NO MORE! 157 00:05:06,867 --> 00:05:08,099 MEL, MEL, I'M RIGHT HERE, SWEETIE. 158 00:05:08,101 --> 00:05:10,699 I KNOW. I'M JUST SAYING. TRANQUILLO. 159 00:05:10,701 --> 00:05:11,799 BUT YOU TRIED TO COME FOR MY MOTHER AGAIN, 160 00:05:11,801 --> 00:05:12,799 AND I DON'T PLAY IT LIKE THAT [BLEEP] 161 00:05:12,801 --> 00:05:14,132 CALM DOWN. YOU'RE SAYING... 162 00:05:14,134 --> 00:05:15,432 YOU'RE TELLING ME THAT YOUR MOTHER IS PRETTY MUCH 163 00:05:15,434 --> 00:05:16,465 THE NUMBER-ONE PART OF SCHOLT? SHUT THE [BLEEP] UP. 164 00:05:16,467 --> 00:05:17,865 STOP TALKING TO ME LIKE THAT. OOH! 165 00:05:17,867 --> 00:05:19,232 YEAH, LIKE, YOU TOLD YOUR WIFE. 166 00:05:19,234 --> 00:05:20,365 SHUT THE [BLEEP] UP. DON'T DO THAT. 167 00:05:20,367 --> 00:05:21,465 I THINK MARTELL USED TO SAY THAT TO YOU. 168 00:05:21,467 --> 00:05:23,532 OH, WHERE? PROVE IT. 169 00:05:23,534 --> 00:05:25,399 WHERE DID HE SAY, "SHUT THE [BLEEP] UP"? 170 00:05:25,401 --> 00:05:26,365 HE'S NEVER TOLD ME, "SHUT THE [BLEEP] UP." 171 00:05:26,367 --> 00:05:27,599 OKAY. DON'T COME FOR CHILDREN. 172 00:05:27,601 --> 00:05:29,599 DON'T COME FOR MOTHERS. DON'T COME FOR ME. 173 00:05:29,601 --> 00:05:30,632 I WOULD NEVER COME FOR YOU 174 00:05:30,634 --> 00:05:31,965 IF YOU DIDN'T COME FOR ME OR MINE. 175 00:05:31,967 --> 00:05:32,999 THEN TAKE THAT LITTLE MOUTH AND... 176 00:05:33,001 --> 00:05:34,965 DON'T DO THE LITTLE POLICE [BLEEP] 177 00:05:34,967 --> 00:05:36,032 LIKE, WHY? WHY? 178 00:05:36,034 --> 00:05:37,565 BECAUSE SOMEONE THREATENED MY LIFE. 179 00:05:37,567 --> 00:05:39,599 BECAUSE WHAT? SOMEONE THREATENED MY LIFE. 180 00:05:39,601 --> 00:05:40,799 THAT SOUNDS BITCHY... 181 00:05:40,801 --> 00:05:42,399 OKAY. ...FOR REAL. 182 00:05:42,401 --> 00:05:44,165 Melody: MARSAU DEFINITELY DID NOT FEEL 183 00:05:44,167 --> 00:05:46,699 LIKE HIS LIFE WAS THREATENED BY MARTELL. 184 00:05:46,701 --> 00:05:49,265 HE FILED THIS POLICE REPORT TO TRY TO MAKE MARTELL 185 00:05:49,267 --> 00:05:53,565 LOOK BAD HERE IN TOWN, BUT WHAT HE DID WAS ONCE AGAIN 186 00:05:53,567 --> 00:05:56,665 MAKE HIMSELF LOOK FOOLISH AND WEAK. 187 00:05:56,667 --> 00:05:57,932 MEL, YOU SEEM A LITTLE HOSTILE. 188 00:05:57,934 --> 00:05:59,099 BECAUSE YOU CAME FOR MY MOTHER, MAN. 189 00:05:59,101 --> 00:06:00,432 YOU SEEM A LITTLE BOTHERED. 190 00:06:00,434 --> 00:06:01,799 SO IF THAT'S THE GAME YOU WANT TO PLAY, GAME ON. 191 00:06:01,801 --> 00:06:04,265 I'M GOOD. GAME ON. YOU COME FOR MY MOM. 192 00:06:04,267 --> 00:06:05,299 AND BY THE WAY, THAT AIN'T A THREAT BUT GAME ON. 193 00:06:05,301 --> 00:06:06,899 MEL, CAN YOU DO ME A FAVOR, THOUGH? 194 00:06:06,901 --> 00:06:08,299 NUH-UH. I DON'T NEED TO DO NO FAVOR. 195 00:06:08,301 --> 00:06:10,399 NEXT TIME YOU COME IN... YOU CAN WATCH ME EXIT... 196 00:06:10,401 --> 00:06:11,865 NEXT TIME YOU COME IN... 197 00:06:11,867 --> 00:06:13,065 ...BECAUSE WHAT YOU AIN'T GONNA HAVE TO DO IS LIKE 198 00:06:13,067 --> 00:06:14,099 I HAD TO DO YOUR WIFE AND ESCORT ME OUT... 199 00:06:14,101 --> 00:06:15,332 HEY, THANK YOU. 200 00:06:15,334 --> 00:06:16,799 ...BECAUSE I CAN TAKE CARE OF MY OWN WAY OUT. 201 00:06:16,801 --> 00:06:18,399 I JUST DON'T WANT TO GET A LAWSUIT FROM YOU GUYS... 202 00:06:18,401 --> 00:06:19,532 THANK YOU. 203 00:06:19,534 --> 00:06:20,599 ...TRYING TO MAKE SOME MONEY OFF OF ME. 204 00:06:20,601 --> 00:06:21,865 BYE-BYE-BYE. BYE, BYE AND BYE. 205 00:06:21,867 --> 00:06:23,699 THANK YOU, MEL. 206 00:06:25,601 --> 00:06:27,232 THAT WAS FUNNY. 207 00:06:28,434 --> 00:06:35,465 ¶¶ 208 00:06:35,467 --> 00:06:37,399 -HEY, BOO. -HEY, BABE. 209 00:06:37,401 --> 00:06:39,232 WHAT YOU DOING? 210 00:06:39,234 --> 00:06:41,732 LOOKING AT THE RESTAURANT BUILD-OUT. 211 00:06:41,734 --> 00:06:43,399 WE'RE SUPPOSED TO BE DOWN HERE CLEANING UP. 212 00:06:43,401 --> 00:06:45,365 WE ARE. 213 00:06:45,367 --> 00:06:46,999 I FEEL LIKE YOU'RE NOT. 214 00:06:47,001 --> 00:06:48,599 WE NEED TO GET THIS STUFF DOWN HERE ORGANIZED 215 00:06:48,601 --> 00:06:50,332 BECAUSE I REALLY WANT TO... 216 00:06:50,334 --> 00:06:52,865 REMEMBER WHEN I TALKED TO YOU ABOUT GETTING KIMMI 217 00:06:52,867 --> 00:06:54,565 OVER HERE AND HAVING A GET-TOGETHER? 218 00:06:54,567 --> 00:06:57,565 BECAUSE I DEFINITELY WANT TO CELEBRATE KIMMI. 219 00:06:57,567 --> 00:06:58,999 WE MISSED ALL OF HER BIRTHDAYS, 220 00:06:59,001 --> 00:07:01,465 SO I WANT TO, YOU KNOW, HAVE A BIRTHDAY CAKE FOR HER. 221 00:07:01,467 --> 00:07:02,665 WE COULD SING "HAPPY BIRTHDAY" TO HER. 222 00:07:02,667 --> 00:07:04,132 WHERE ARE WE GONNA GO? 223 00:07:04,134 --> 00:07:05,499 WE'RE GONNA HAVE DINNER HERE. 224 00:07:05,501 --> 00:07:07,332 WHERE ARE THEY GOING TO SIT, BABE? 225 00:07:07,334 --> 00:07:08,799 UPSTAIRS. 226 00:07:08,801 --> 00:07:10,032 SO WE DOWNSIZED 227 00:07:10,034 --> 00:07:11,232 AND MOVED INTO A NEW HOME ABOUT A MONTH AGO. 228 00:07:11,234 --> 00:07:12,665 WELL, NOT A NEW HOME. 229 00:07:12,667 --> 00:07:15,599 THIS IS OUR TRANSITION HOME WHILE WE BUILD OUR DREAM HOME. 230 00:07:15,601 --> 00:07:18,099 IT'S MUCH SMALLER THAN WE'RE USED TO, 231 00:07:18,101 --> 00:07:20,065 BUT IF MARSAU DOES HIS SHARE 232 00:07:20,067 --> 00:07:22,165 AND HELP CLEAN UP AROUND HERE, 233 00:07:22,167 --> 00:07:24,365 WE COULD BE COMFORTABLE IN THE MEANTIME. 234 00:07:24,367 --> 00:07:27,165 KIMMI AND MEL, THEY'VE BEEN HANGING OUT, 235 00:07:27,167 --> 00:07:28,965 SO I JUST WANT TO HAVE KIMMI... 236 00:07:28,967 --> 00:07:30,599 HEY, BABE. ...OVER AND TALK TO HER. 237 00:07:30,601 --> 00:07:31,699 DON'T DO THAT. DON'T DO THAT. 238 00:07:31,701 --> 00:07:32,965 I DON'T MIND HER HANGING OUT WITH MEL. 239 00:07:32,967 --> 00:07:34,899 I DON'T CARE. LIKE, WE DON'T TALK ABOUT MEL 240 00:07:34,901 --> 00:07:36,865 WHEN WE'RE TOGETHER, AND I HOPE HER AND MEL 241 00:07:36,867 --> 00:07:38,299 DON'T TALK ABOUT ME WHEN THEY'RE TOGETHER. 242 00:07:38,301 --> 00:07:39,699 I CAN TELL YOU ONE THING. 243 00:07:39,701 --> 00:07:42,932 THEY HAVE A BONE TO PICK. 244 00:07:42,934 --> 00:07:44,265 WHO IS THEY? 245 00:07:44,267 --> 00:07:46,499 THEY IS THE HOLTS. 246 00:07:46,501 --> 00:07:48,832 WHY DO THEY HAVE A BONE TO PICK WITH US? 247 00:07:48,834 --> 00:07:50,199 HAVE YOU TALKED TO THEM? 248 00:07:50,201 --> 00:07:52,599 I'M AT BLACK, AND I'M TALKING TO JAYLIN. 249 00:07:52,601 --> 00:07:55,299 GUESS WHO WALKS IN. MARTELL? 250 00:07:55,301 --> 00:07:59,365 LO AND BEHOLD, IT'S MRS. MELODY HOLT. 251 00:07:59,367 --> 00:08:00,865 OH, MY GOD. RIGHT. 252 00:08:00,867 --> 00:08:02,599 WHY IS SHE POPPING UP THERE? 253 00:08:02,601 --> 00:08:04,365 YOU SHOULD'VE CALLED SECURITY. 254 00:08:04,367 --> 00:08:06,232 I STARTED TO. YOU SHOULD'VE CALLED SECURITY. 255 00:08:06,234 --> 00:08:07,932 I STARTED TO CALL SECURITY. 256 00:08:07,934 --> 00:08:08,999 LIKE, WHAT THE HELL? 257 00:08:09,001 --> 00:08:10,499 WHY IS SHE JUST POPPING UP THERE? 258 00:08:10,501 --> 00:08:12,032 "IF YOU DON'T WANT ME AT YOUR EVENT, 259 00:08:12,034 --> 00:08:13,065 YOU GOT TO CALL SECURITY." 260 00:08:13,067 --> 00:08:14,799 DON'T BE POPPING UP AT MY SPOT. 261 00:08:14,801 --> 00:08:18,899 AND SO SHE COMES IN, AND SHE IS ON 1,000. 262 00:08:18,901 --> 00:08:22,365 SHE GETS TO RANTING AND RAVING ABOUT, YOU KNOW, THE SPOT. 263 00:08:22,367 --> 00:08:24,832 "WAH! WHY IS IT NOT DONE? WHY IS IT NOT DONE?" 264 00:08:24,834 --> 00:08:26,099 WHAT THE HELL DOES THAT HAVE TO DO WITH YOU? 265 00:08:26,101 --> 00:08:27,965 I MEAN, THAT'S NOT EVEN HER [BLEEP] BUSINESS 266 00:08:27,967 --> 00:08:29,265 WHY IT'S NOT DONE. 267 00:08:29,267 --> 00:08:31,432 "WHY ARE YOU POPPING UP HERE TO SAY MEAN STUFF?" 268 00:08:31,434 --> 00:08:32,932 THE WHOLE CONVERSATION FROM... 269 00:08:32,934 --> 00:08:37,732 IT JUST TOOK ME OFF GUARD, AND IT WAS SO ANNOYING. 270 00:08:37,734 --> 00:08:41,299 I MEAN, I POPPED UP AT MEL'S EVENT TO MAKE PEACE, 271 00:08:41,301 --> 00:08:44,865 AND SHE COMING TO BLACK, POPPING UP TO MAKE TROUBLE. 272 00:08:44,867 --> 00:08:47,332 THAT'S THE DIFFERENCE BETWEEN A SCOTT AND A HOLT. 273 00:08:47,334 --> 00:08:49,132 FACTS. BIG FACTS. 274 00:08:49,134 --> 00:08:50,432 MEL IS SAYING, "DON'T COME FOR MOMS. 275 00:08:50,434 --> 00:08:51,865 DON'T COME FOR MOMS," 276 00:08:51,867 --> 00:08:55,899 AND I'M LIKE, "DO YOU FORGET THAT MARTELL CAME FOR MOM?" 277 00:08:55,901 --> 00:08:57,732 MY MOM AND ME. 278 00:08:57,734 --> 00:09:00,999 AND FINALLY, AFTER 5, 6, 7 MONTHS, 279 00:09:01,001 --> 00:09:04,365 WHEN I DECIDE I'M GONNA GET ONE SWING IN, 280 00:09:04,367 --> 00:09:06,499 THEN Y'ALL LIKE, "OH, OH, OH," 281 00:09:06,501 --> 00:09:08,599 PLAYING THE VICTIM LIKE THEY TRY TO ACCUSE YOU OF. 282 00:09:08,601 --> 00:09:10,265 MM-HMM. SO THE WHOLE THING 283 00:09:10,267 --> 00:09:12,465 ABOUT THE WHOLE, "DON'T COME FOR MOMS," 284 00:09:12,467 --> 00:09:14,399 I THINK THAT'S A NEW RULE, SO I'M COOL WITH THAT. 285 00:09:14,401 --> 00:09:18,399 IT'S A RULE BECAUSE IT'S BENEFICIAL TOWARDS THEM. 286 00:09:18,401 --> 00:09:20,899 ALLEGEDLY, THERE'S AN INAPPROPRIATE VIDEO OUT THERE, 287 00:09:20,901 --> 00:09:22,999 AND I HAVEN'T SEEN IT, 288 00:09:23,001 --> 00:09:24,999 SO I CAN'T SPEAK ON IT OR SPECULATE, 289 00:09:25,001 --> 00:09:25,999 BUT I DON'T KNOW. 290 00:09:26,001 --> 00:09:28,132 SOMEBODY SHOULD LOOK INTO THAT. 291 00:09:28,134 --> 00:09:30,032 I'M DONE WITH THEM. I AM OVER IT. 292 00:09:30,034 --> 00:09:31,599 WE DON'T HAVE TO BE COOL. 293 00:09:31,601 --> 00:09:32,899 WE'RE NOT GONNA BE COOL, 294 00:09:32,901 --> 00:09:34,765 BUT WE DON'T HAVE TO BE ENEMIES. 295 00:09:34,767 --> 00:09:36,199 YOU GOT TO LET THAT STUFF GO, TI. 296 00:09:36,201 --> 00:09:37,732 YOU GOT TO LET ALL THAT ENERGY GO, 297 00:09:37,734 --> 00:09:39,199 THAT NEGATIVE ENERGY YOU GOT. 298 00:09:39,201 --> 00:09:40,365 I DON'T HAVE NEGATIVE... 299 00:09:40,367 --> 00:09:43,465 RELAX, RELIGHT, RELEASE. 300 00:09:43,467 --> 00:09:44,799 CAN YOU HELP ME CLEAN THIS STUFF UP? 301 00:09:44,801 --> 00:09:46,332 COME ON. 302 00:09:46,334 --> 00:09:47,465 LET'S GET THIS STUFF TOGETHER SO WE CAN GET UP OUT OF HERE. 303 00:09:47,467 --> 00:09:48,799 COME GET SOME STUFF TOGETHER. 304 00:09:48,801 --> 00:09:50,499 I INJURED MY KNEE PLAYING BASKETBALL THE OTHER DAY, 305 00:09:50,501 --> 00:09:53,032 SO I'M HAVING A HARD TIME STANDING 306 00:09:53,034 --> 00:09:54,265 AND MOVING AND CLEANING. 307 00:09:54,267 --> 00:09:55,932 WELL, COME ON, MARSAU. 308 00:09:55,934 --> 00:09:58,699 LET'S GET THIS STUFF CLEANED UP. 309 00:09:58,701 --> 00:10:01,732 COMING UP ON "LOVE & MARRIAGE: HUNTSVILLE"... 310 00:10:01,734 --> 00:10:03,199 WHEN THE LAST TIME YOU SEEN YOUR DADDY? 311 00:10:03,201 --> 00:10:04,265 HAS HE SEEN THE BABY? 312 00:10:04,267 --> 00:10:05,665 NO, HE HASN'T SEEN THE BABY. 313 00:10:05,667 --> 00:10:07,799 WILL YOU REACH OUT TO HIM FOR ME, THOUGH? 314 00:10:07,801 --> 00:10:10,199 NO, I AM NOT. [ SIGHS ] 315 00:10:10,201 --> 00:10:11,732 WHAT YOU WORKING ON? 316 00:10:11,734 --> 00:10:12,765 TRYING TO FIGURE OUT THIS STUFF 317 00:10:12,767 --> 00:10:13,765 FOR THE GIRL'S BIRTHDAY PARTY. 318 00:10:13,767 --> 00:10:15,132 WHO ALL ARE YOU INVITING? 319 00:10:15,134 --> 00:10:17,199 MACI AND MILA. 320 00:10:17,201 --> 00:10:18,732 HOW THE HELL THEY GONNA GET THERE? 321 00:10:18,734 --> 00:10:21,265 BECAUSE I KNOW WE AIN'T GONNA HAVE TISHA AND MARSAU THERE. 322 00:10:21,267 --> 00:10:23,132 HAVE YOU HAD, LIKE, A CHANGE OF HEART 323 00:10:23,134 --> 00:10:26,265 WHEN IT COME TO THE [BLEEP] 324 00:10:26,267 --> 00:10:28,099 YOU GOT THAT VOO-DOO-DOO- DOO-DOO-DOO-DOO-DOO-DOO 325 00:10:28,101 --> 00:10:30,099 LIKE A MOTORMOUTH, BUT ANYWAY, THAT'S ME, TOO. 326 00:10:30,101 --> 00:10:31,899 AIN'T THAT THE POT CALLING THE KETTLE BLACK? 327 00:10:31,901 --> 00:10:34,532 SO REEL THAT [BLEEP] BACK. 328 00:10:34,534 --> 00:10:36,365 NO, NO, NO. REEL THAT [BLEEP] BACK. 329 00:10:40,767 --> 00:10:44,299 ¶¶ 330 00:10:44,301 --> 00:10:47,832 ¶¶ 331 00:10:47,834 --> 00:10:49,332 [ KNOCK ON DOOR ] 332 00:10:49,334 --> 00:10:55,599 ¶¶ 333 00:10:55,601 --> 00:10:57,632 HEY, MILL-BEE. HEY, CHICKADEE. 334 00:10:57,634 --> 00:10:58,865 HEY. WHAT'S UP? 335 00:10:58,867 --> 00:11:00,432 WHY YOU COMING THROUGH THE FRONT DOOR? 336 00:11:00,434 --> 00:11:02,499 BECAUSE I CAME TO THE BACK, AND IT WASN'T OPEN. 337 00:11:02,501 --> 00:11:03,499 OH. 338 00:11:03,501 --> 00:11:06,132 SORRY. 339 00:11:06,134 --> 00:11:07,165 THAT ONE WASN'T OPEN EITHER. 340 00:11:07,167 --> 00:11:08,965 THAT'S OKAY. IT'S OKAY. 341 00:11:08,967 --> 00:11:11,799 WITH MAURICE BUSY STUDYING FOR THE BAR EXAM, 342 00:11:11,801 --> 00:11:13,165 I NEED A SOUNDING BOARD. 343 00:11:13,167 --> 00:11:15,699 MILLI IS THE BEST PERSON FOR THIS JOB 344 00:11:15,701 --> 00:11:18,632 BECAUSE MILLI IS HONEST. 345 00:11:18,634 --> 00:11:20,832 WHAT'S GOING ON WITH YOU? 346 00:11:20,834 --> 00:11:24,199 I WAS TRYING TO SEE WHAT I COULD DO 347 00:11:24,201 --> 00:11:25,265 BECAUSE IT'S VOTERS' YEAR. 348 00:11:25,267 --> 00:11:27,032 IT'S THE YEAR WE VOTE. YAY. 349 00:11:27,034 --> 00:11:29,099 MY GOAL IS SIMPLY GETTING PEOPLE 350 00:11:29,101 --> 00:11:30,765 TO HAVE THEIR VOICE HEARD... 351 00:11:30,767 --> 00:11:32,032 JUST TO SHOW UP. 352 00:11:32,034 --> 00:11:33,799 ...THAT NUMBER, JUST HAVE YOUR -- 353 00:11:33,801 --> 00:11:36,099 WHATEVER IT IS YOU WANT, YOU DO WHAT YOU WANT. 354 00:11:36,101 --> 00:11:38,399 I'M NOT HERE TO TRY TO CONVINCE YOU TO DO SOMETHING, 355 00:11:38,401 --> 00:11:40,465 BECAUSE THAT'S NOT MY GOAL. MM-HMM. 356 00:11:40,467 --> 00:11:43,265 WE NEED TO KIND OF BE A LITTLE MORE CONSCIENTIOUS 357 00:11:43,267 --> 00:11:46,132 ABOUT OUR OPTION TO VOTE. CHOICES. 358 00:11:46,134 --> 00:11:49,932 YOU KNOW, A LOT OF PEOPLE MARCHED, SANG, 359 00:11:49,934 --> 00:11:52,132 SAT, KNEELED... 360 00:11:52,134 --> 00:11:53,132 GOT BEAT. 361 00:11:53,134 --> 00:11:54,999 ...DIED FOR US TO VOTE, AND MY GOAL 362 00:11:55,001 --> 00:11:59,132 IS SIMPLY GETTING PEOPLE TO HAVE THEIR VOICE HEARD. 363 00:11:59,134 --> 00:12:00,365 I LIKE IT. 364 00:12:00,367 --> 00:12:04,232 I THINK, IN GENERAL, VOTING IS SOMETHING I DO. 365 00:12:04,234 --> 00:12:08,399 I REMEMBER WHEN I WAS IN ELEMENTARY SCHOOL. 366 00:12:08,401 --> 00:12:11,765 I REMEMBER MOMMY USED TO PULL US OUT OF CLASS 367 00:12:11,767 --> 00:12:14,265 TO LET ME STAND IN LINE WITH HER TO VOTE. 368 00:12:14,267 --> 00:12:18,932 IT WAS SO COOL BECAUSE WHEN CLINTON WAS IN OFFICE, 369 00:12:18,934 --> 00:12:21,565 HE ACTUALLY DID THE TRAIN-WHISTLE-STOP THING. 370 00:12:21,567 --> 00:12:22,465 MM-HMM. MM-HMM. 371 00:12:22,467 --> 00:12:23,732 AND I SHOOK HIS HAND! 372 00:12:23,734 --> 00:12:26,065 REALLY? 373 00:12:26,067 --> 00:12:28,365 SO I'VE BEEN, LIKE... 374 00:12:28,367 --> 00:12:29,932 WHATEVER. OH, THAT WAS SUPER COOL. 375 00:12:29,934 --> 00:12:32,499 YOU KNOW, SO IT'S JUST LITTLE THINGS LIKE THAT 376 00:12:32,501 --> 00:12:34,199 THAT STICK OUT IN MY MIND, 377 00:12:34,201 --> 00:12:36,365 AND IT'S, LIKE, IT WAS IMPORTANT. 378 00:12:36,367 --> 00:12:37,699 MM-HMM. 379 00:12:37,701 --> 00:12:40,132 I VOTED IN EVERY ELECTION, AND NOT ONLY HAVE I VOTED, 380 00:12:40,134 --> 00:12:43,165 I'VE NORMALLY LET MY KIDS GO TO SCHOOL LATE THAT DAY, 381 00:12:43,167 --> 00:12:45,232 AND I TAKE THEM WITH ME. 382 00:12:45,234 --> 00:12:47,599 I THINK A LOT OF PEOPLE GET COMPLACENT. 383 00:12:47,601 --> 00:12:51,499 THEY KIND OF TAKE THEIR VOTING RIGHT FOR GRANTED 384 00:12:51,501 --> 00:12:53,632 LIKE THEIR ONE VOTE DOESN'T MATTER. 385 00:12:53,634 --> 00:12:57,099 I DON'T WANT PEOPLE TO FEEL LIKE THEIR ONE VOTE IS POWERLESS. 386 00:12:57,101 --> 00:12:59,532 EVERYBODY'S VOTE IS POWERFUL. 387 00:12:59,534 --> 00:13:01,265 SO IF IT'S GONNA BE GET PEOPLE TO POLL, 388 00:13:01,267 --> 00:13:03,532 WHAT WE GONNA CALL IT? 389 00:13:03,534 --> 00:13:06,065 "WATCH ME VOTE!" 390 00:13:06,067 --> 00:13:07,265 NOPE. 391 00:13:07,267 --> 00:13:08,899 MY PROJECT, MY NAME. 392 00:13:08,901 --> 00:13:11,865 THAT'S TRUE. YOUR PROJECT, YOUR NAME. 393 00:13:11,867 --> 00:13:13,199 DO YOU HAVE ENOUGH TIME? 394 00:13:13,201 --> 00:13:15,699 I DON'T THINK YOU REALLY NEED TIME AS FAR AS... 395 00:13:15,701 --> 00:13:16,999 UNTIL YOU... 396 00:13:17,001 --> 00:13:19,065 ...TRYING TO SEE WHAT'S AVAILABLE FOR PEOPLE 397 00:13:19,067 --> 00:13:20,765 WHO ARE GOING TO GATHER TO HELP YOU. 398 00:13:20,767 --> 00:13:22,299 YEAH, AND THEN WE CAN GET THE, YOU KNOW, 399 00:13:22,301 --> 00:13:24,565 OTHER PEOPLE INVOLVED, TOO, LIKE THE COMEBACK GROUP. 400 00:13:24,567 --> 00:13:27,132 NO. [BLEEP] NO. 401 00:13:27,134 --> 00:13:33,232 ¶¶ 402 00:13:33,234 --> 00:13:34,199 COME ON. 403 00:13:34,201 --> 00:13:35,399 TAY, SHUT THE DOOR FOR ME, OKAY? 404 00:13:35,401 --> 00:13:37,132 OKAY. ALRIGHT. COME ON. 405 00:13:37,134 --> 00:13:39,232 -HEY, DADDY. -HEY, DADDY! 406 00:13:39,234 --> 00:13:41,432 -HEY! -WHAT'S UP? HOW Y'ALL DOING? 407 00:13:41,434 --> 00:13:43,365 SO, MARIAH, WHAT WOULD YOU LIKE TO DO FOR YOUR BIRTHDAY? 408 00:13:43,367 --> 00:13:44,999 YOU WANT TO GET SOME OF YOUR GIRLS TOGETHER, 409 00:13:45,001 --> 00:13:46,732 HAVE A GIRLS' DAY? -YES, MA'AM. 410 00:13:46,734 --> 00:13:48,099 WHO ALL YOU WANT TO INVITE? 411 00:13:48,101 --> 00:13:53,799 WELL, SOME PEOPLE WHO I WANT TO INVITE IS MACI. 412 00:13:53,801 --> 00:13:55,299 YOU WANT TO INVITE MACI? 413 00:13:55,301 --> 00:13:57,465 THAT'S A NEGATIVE. NO, I'M JUST KIDDING. 414 00:13:57,467 --> 00:13:59,232 NO, YOU CAN INVITE MACI. I WANT TO INVITE MACI! 415 00:13:59,234 --> 00:14:01,565 Melody: MACI IS MARSAU AND LATISHA'S DAUGHTER. 416 00:14:01,567 --> 00:14:03,965 SINCE WE HAVE NOT BEEN HANGING WITH THE SCOTTS, 417 00:14:03,967 --> 00:14:06,532 UNFORTUNATELY THE GIRLS DON'T GET TO SEE EACH OTHER. 418 00:14:06,534 --> 00:14:08,065 THEY HAVEN'T SEEN EACH OTHER IN A WHILE. 419 00:14:08,067 --> 00:14:10,265 AND YOUR LITTLE GIRL WENT TO SLEEP THAT QUICK. 420 00:14:10,267 --> 00:14:11,932 DID SHE? AW! 421 00:14:11,934 --> 00:14:13,365 DADDY BE PUTTING HER TO SLEEP. 422 00:14:13,367 --> 00:14:15,632 -HELLO. -HEY! 423 00:14:15,634 --> 00:14:16,765 WHAT'S UP, MAMA? HOW Y'ALL DOING? 424 00:14:16,767 --> 00:14:18,032 -HEY, GRANDMA. -GETTING READY TO EAT. 425 00:14:18,034 --> 00:14:19,565 GOT YOUR FOOD IN YONDER. 426 00:14:19,567 --> 00:14:21,299 HEY, I GOT YOU SOMETHING. HOW'S IT GOING, DAUGHTER? 427 00:14:21,301 --> 00:14:22,665 HEY! GOOD TO SEE YOU. 428 00:14:22,667 --> 00:14:23,932 IT'S GOOD TO SEE YOU, TOO. OKAY. 429 00:14:23,934 --> 00:14:25,499 HOW YOU DOING? I'M DOING FINE. 430 00:14:25,501 --> 00:14:27,032 YOU DOING FINE? 431 00:14:27,034 --> 00:14:28,232 YES. OKAY. 432 00:14:28,234 --> 00:14:29,999 I WANT TO SEE MY LITTLE PRINCESS OVER THERE, TOO. 433 00:14:30,001 --> 00:14:32,099 AW. 434 00:14:32,101 --> 00:14:35,199 MAMA HOLT LOVES HER GRANDKIDS, AND SHE LOVES TO COME OVER 435 00:14:35,201 --> 00:14:37,565 WHENEVER SHE CAN SO SHE CAN SEE THE BABY. 436 00:14:37,567 --> 00:14:39,665 UNLIKE MY DAD. 437 00:14:39,667 --> 00:14:41,032 I KNOW Y'ALL BEEN BUSY. 438 00:14:41,034 --> 00:14:42,265 YEAH. 439 00:14:42,267 --> 00:14:45,365 IT'S DIFFERENT HAVING A BABY AT 34 440 00:14:45,367 --> 00:14:48,665 VERSUS WHEN WE HAD THOSE AT, WHAT, 20. 441 00:14:48,667 --> 00:14:50,132 IT'S JUST DIFFERENT BECAUSE WE GOT FOUR. 442 00:14:50,134 --> 00:14:52,199 THAT'S WHAT IT IS. [BLEEP] 443 00:14:52,201 --> 00:14:53,565 HEY. WHERE'S THAT NANNY? 444 00:14:53,567 --> 00:14:54,799 I THOUGHT IT COULD BE YOU. 445 00:14:54,801 --> 00:14:55,932 OH, NO, IT'S NOT GONNA BE ME... 446 00:14:55,934 --> 00:14:57,399 WHAT? ...NOT NO TIME SOON, HONEY. 447 00:14:57,401 --> 00:14:58,432 WHY NOT? 448 00:14:58,434 --> 00:14:59,632 THAT AIN'T WHAT MAMA HOLT WANT. 449 00:14:59,634 --> 00:15:00,765 WHAT YOU WANT? WHAT YOU WANT THEN, MAMA HOLT? 450 00:15:00,767 --> 00:15:02,765 MAMA HOLT WANT TO DO WHAT SHE WANTS TO DO. 451 00:15:02,767 --> 00:15:04,165 I DO HAVE A JOB, YOU KNOW. 452 00:15:04,167 --> 00:15:06,599 WELL, WE WAS TALKING ABOUT A LIVE-IN NANNY. 453 00:15:06,601 --> 00:15:09,465 WELL, AIN'T NO LIVING-IN NANNY, NANNY, NOTHING. 454 00:15:09,467 --> 00:15:11,165 SELL YOUR HOUSE. 455 00:15:11,167 --> 00:15:12,799 WHAT DO I LOOK LIKE? 456 00:15:15,234 --> 00:15:16,265 YOU KNOW, Y'ALL BE... OH, SHOOT. 457 00:15:16,267 --> 00:15:17,632 ...YOUR OWN NANNY, MOMMY AND DADDY. 458 00:15:17,634 --> 00:15:19,699 OH, MY GOSH! MARTELL, SHOOT, XFINITY, 459 00:15:19,701 --> 00:15:22,299 I FORGOT ABOUT THAT APPOINTMENT TODAY FOR THE INTERNET. 460 00:15:22,301 --> 00:15:23,832 SEE, MELODY'S THING RIGHT NOW, 461 00:15:23,834 --> 00:15:27,199 SHE'S ALWAYS FORGETTING TO DO A LOT OF THINGS, 462 00:15:27,201 --> 00:15:30,232 AND I WILL DEFINITELY SAY YOU'RE DOING TOO MUCH. 463 00:15:30,234 --> 00:15:32,565 WELL, MAYBE YOU NEED TO STEP UP 464 00:15:32,567 --> 00:15:34,299 AND DO A LITTLE BIT MORE. 465 00:15:34,301 --> 00:15:36,999 I'M SAYING WE NEED A NANNY. 466 00:15:37,001 --> 00:15:38,732 WHEN THE LAST TIME YOU SEEN YOUR DADDY? 467 00:15:38,734 --> 00:15:39,799 HAS HE SEEN THE BABY? 468 00:15:39,801 --> 00:15:41,165 NO, HE HASN'T SEEN THE BABY. 469 00:15:41,167 --> 00:15:43,299 I'M A BIT DISAPPOINTED THAT HE HASN'T SEEN HER. 470 00:15:43,301 --> 00:15:44,965 HE'LL COME AROUND. I HOPE SO. 471 00:15:44,967 --> 00:15:46,432 YOU KNOW, EVERY TIME WE TALK, YOU KNOW, 472 00:15:46,434 --> 00:15:47,632 HE SPEAK ABOUT COMING AND SEEING THE KIDS 473 00:15:47,634 --> 00:15:48,765 AND THINGS LIKE THAT. 474 00:15:48,767 --> 00:15:51,299 YEAH, I MEAN, HE GOT A LOT OF GOOD IN HIM. 475 00:15:51,301 --> 00:15:54,432 DO YOU EVER THINK ABOUT WHAT IT COULD'VE BEEN 476 00:15:54,434 --> 00:15:55,932 IF HE WAS, LIKE, IN OUR LIVES? 477 00:15:55,934 --> 00:15:57,399 BECAUSE I KNOW THERE'S A LOT OF TIMES THAT, YOU KNOW, 478 00:15:57,401 --> 00:15:58,799 YOU STRUGGLED AS A SINGLE PARENT. 479 00:15:58,801 --> 00:16:02,199 WELL, AS ME, I KNEW I HAD TO TAKE CARE OF YOU. 480 00:16:02,201 --> 00:16:03,365 YES. 481 00:16:03,367 --> 00:16:04,599 THAT'S WHY I ALWAYS KEPT ME TWO JOBS. 482 00:16:04,601 --> 00:16:06,865 MM. SO LOOK WHAT I DID. 483 00:16:06,867 --> 00:16:08,532 YEAH. I RAISED MY CHILD. 484 00:16:08,534 --> 00:16:09,599 THAT'S RIGHT. I UNDERSTAND. 485 00:16:09,601 --> 00:16:11,399 OKAY. YOU INCARCERATED. 486 00:16:11,401 --> 00:16:12,799 THAT'S WHY I DIDN'T SEE YOU, 487 00:16:12,801 --> 00:16:15,065 BUT THEN YOU GOT OUT FOR A FEW YEARS, AND... 488 00:16:15,067 --> 00:16:16,332 HE CHOSE DOPE. ...I STILL DIDN'T SEE YOU? 489 00:16:16,334 --> 00:16:18,132 YEAH. 490 00:16:18,134 --> 00:16:20,799 Martell: MY DAD WASN'T AROUND LIKE MY MOM WAS 491 00:16:20,801 --> 00:16:23,732 OR LIKE I AM WITH MY KIDS. 492 00:16:23,734 --> 00:16:27,199 IT MIGHT BE TOO LATE FOR HIM TO INSTILL CERTAIN QUALITIES IN ME 493 00:16:27,201 --> 00:16:29,665 CONSIDERING THAT I AM A GROWN MAN NOW, 494 00:16:29,667 --> 00:16:31,265 BUT IT'S DEFINITELY NOT TOO LATE FOR HIM 495 00:16:31,267 --> 00:16:33,765 TO BE A GRANDFATHER TO HIS GRANDKIDS. 496 00:16:33,767 --> 00:16:35,699 WILL YOU REACH OUT TO HIM FOR ME, THOUGH? 497 00:16:35,701 --> 00:16:37,765 NO. NOW WHY YOU BEING SO TOUGH? 498 00:16:37,767 --> 00:16:38,865 HOW OLD ARE YOU? 499 00:16:38,867 --> 00:16:40,932 IT DOESN'T MATTER. 500 00:16:40,934 --> 00:16:42,065 I AIN'T FIXING TO DO NOTHING. 501 00:16:42,067 --> 00:16:43,199 OKAY. 502 00:16:43,201 --> 00:16:45,299 SEE, I STAY IN MY LANE, BABY. 503 00:16:45,301 --> 00:16:47,032 NOW, I COULD SEE IF ME AND HIM HAD SOMETHING GOING. 504 00:16:47,034 --> 00:16:48,399 YOU KNOW WHAT I'M SAYING? YEAH. 505 00:16:48,401 --> 00:16:49,599 NOW IT'D BE DIFFERENT. 506 00:16:49,601 --> 00:16:50,532 I'D BE LIKE, "YOU BETTER GET YOUR ASS OVER THERE 507 00:16:50,534 --> 00:16:52,399 AND SEE THEM GRANDKIDS." 508 00:16:52,401 --> 00:16:53,865 WHY YOU CAN'T MENTION IT NOW THEN? 509 00:16:53,867 --> 00:16:55,732 I AM NOT TALKING TO YOUR DADDY, NO... 510 00:16:55,734 --> 00:16:56,765 PERIOD? ...ABOUT THAT. 511 00:16:56,767 --> 00:16:57,799 NO. 512 00:16:57,801 --> 00:16:59,532 [ SIGHS ] 513 00:16:59,534 --> 00:17:00,732 I WOULD DEFINITELY LIKE FOR MY DAD 514 00:17:00,734 --> 00:17:02,299 TO REACH OUT TO ME FOR A CHANGE 515 00:17:02,301 --> 00:17:04,632 INSTEAD OF ME HAVING ALWAYS TO REACH OUT TO HIM. 516 00:17:04,634 --> 00:17:06,399 YOU JUST KEEP DOING WHAT YOU DO, BABY... 517 00:17:06,401 --> 00:17:07,699 YEAH. 518 00:17:07,701 --> 00:17:09,632 ...BECAUSE THE MAIN THING, YOU A GOOD DADDY AND, 519 00:17:09,634 --> 00:17:11,665 YOU KNOW, A GOOD HUSBAND, TAKING CARE OF YOUR FAMILY. 520 00:17:11,667 --> 00:17:12,799 RIGHT. 521 00:17:12,801 --> 00:17:14,465 YOU KNOW, YOU BEING A BETTER DAD TO YOUR KIDS 522 00:17:14,467 --> 00:17:15,932 THAN YOUR DADDY WAS TO YOU. 523 00:17:15,934 --> 00:17:16,965 YEAH. 524 00:17:16,967 --> 00:17:18,565 SO YOU JUST KEEP DOING WHAT YOU DO. 525 00:17:18,567 --> 00:17:19,699 THE REST OF MY DAY, 526 00:17:19,701 --> 00:17:21,932 I'M GONNA CONTACT HIM AND SEE WHAT'S UP. 527 00:17:21,934 --> 00:17:24,999 YEAH. 528 00:17:25,001 --> 00:17:26,165 COMING UP ON "LOVE & MARRIAGE: HUNTSVILLE"... 529 00:17:26,167 --> 00:17:30,132 I JUST WANT YOU TO BE MY FRIEND OVER HERE 530 00:17:30,134 --> 00:17:32,065 AND FAMILY AND FRIEND OVER THERE 531 00:17:32,067 --> 00:17:34,565 AND NOT NECESSARILY TRYING TO BRING BRIDGES TOGETHER. 532 00:17:34,567 --> 00:17:36,865 I'VE LET BRINGING Y'ALL TOGETHER GO. 533 00:17:36,867 --> 00:17:38,399 THIS IS NOT MY FIGHT. 534 00:17:43,601 --> 00:17:44,632 YOU GOT TO PUT FORTH THE EFFORT. 535 00:17:44,634 --> 00:17:45,965 I'M PUTTING FORTH A LITTLE EFFORT, 536 00:17:45,967 --> 00:17:47,665 BUT I'M NOT GONNA BE PUTTING FORTH SO MUCH EFFORT 537 00:17:47,667 --> 00:17:49,499 THAT IT SEEM LIKE I'M FORCING YOU. 538 00:17:51,367 --> 00:17:52,299 ¶ TRYING TO BRING ME DOWN ¶ 539 00:17:52,301 --> 00:17:53,232 ¶ I'M ON MY FEET ¶ 540 00:17:53,234 --> 00:17:54,565 ¶ I GOT MYSELF ¶ 541 00:17:54,567 --> 00:17:56,065 ¶ AND I DON'T NEED ¶ 542 00:17:56,067 --> 00:17:58,299 ¶ NOBODY-BODY-BODY-BODY-BODY ¶ 543 00:17:58,301 --> 00:18:00,765 ¶ NOBODY-BODY-BODY-BODY-BODY ¶ 544 00:18:00,767 --> 00:18:03,032 Melody: OH, THERE SHE IS. HOW YOU DOING? 545 00:18:03,034 --> 00:18:04,799 HEY! YOU LOOK SO PRETTY. 546 00:18:04,801 --> 00:18:06,532 YOU DO, TOO. WHAT'S UP, GIRL? 547 00:18:06,534 --> 00:18:07,599 YEAH. 548 00:18:07,601 --> 00:18:08,899 YOUR HAIR LOOK REALLY, REALLY PRETTY. 549 00:18:08,901 --> 00:18:10,332 -YOU LOOK BEAUTIFUL. -THIS IS A COOL LITTLE SPOT. 550 00:18:10,334 --> 00:18:12,599 YOU DO, TOO. GIRL, I'M ORDERING ME A DRINK 551 00:18:12,601 --> 00:18:13,632 BECAUSE YOU KNOW I CAN DRINK NOW. 552 00:18:13,634 --> 00:18:15,799 I'M NOT PREGNANT ANYMORE. 553 00:18:15,801 --> 00:18:18,765 I HAVEN'T TALKED TO KIMMI SINCE MY MBRACE EVENT, 554 00:18:18,767 --> 00:18:21,499 AND CONSIDERING THE WAY EVERYTHING WENT DOWN, 555 00:18:21,501 --> 00:18:23,199 I REALLY, REALLY NEED TO TALK TO HER 556 00:18:23,201 --> 00:18:25,465 TO MAKE SURE THAT WE ARE ON THE SAME PAGE. 557 00:18:25,467 --> 00:18:26,832 AND WHAT YOU BEEN UP TO? 558 00:18:26,834 --> 00:18:28,332 YOU KNOW IT'S ELECTION YEAR. YEAH. 559 00:18:28,334 --> 00:18:31,665 AND SO I WANTED TO TRY TO SEE IF I COULD DO SOMETHING 560 00:18:31,667 --> 00:18:34,032 IN THE VEIN OF GETTING PEOPLE OUT TO VOTE. 561 00:18:34,034 --> 00:18:35,432 OKAY. 562 00:18:35,434 --> 00:18:36,565 AND SO I FELT LIKE 563 00:18:36,567 --> 00:18:38,132 IF WE KIND OF BEAT THE PAVEMENT A LITTLE BIT. 564 00:18:38,134 --> 00:18:39,565 RIGHT. 565 00:18:39,567 --> 00:18:40,899 IT'S JUST WALKING AROUND LIKE, "HOW Y'ALL DOING? 566 00:18:40,901 --> 00:18:42,499 Y'ALL GONNA GET OUT THIS YEAR AND GET TO VOTING?" 567 00:18:42,501 --> 00:18:43,865 I'D LOVE TO BE A PART. 568 00:18:43,867 --> 00:18:46,299 I THINK BOOTS ON THE GROUND LIKE YOU'RE SAYING, 569 00:18:46,301 --> 00:18:48,299 THAT WOULD BE -- THAT'S THE MAIN THING. 570 00:18:48,301 --> 00:18:51,065 I THINK THAT KIMMI WANTING TO GET PEOPLE OUT TO THE POLLS 571 00:18:51,067 --> 00:18:53,332 AND TO REALLY, YOU KNOW, MAKE PEOPLE WANT TO VOTE, 572 00:18:53,334 --> 00:18:54,632 I THINK THAT'S GREAT. 573 00:18:54,634 --> 00:18:56,165 BUT NOW IF SHE'S THINKING, "THIS ABOUT TO BE 574 00:18:56,167 --> 00:18:59,232 A MEL AND TISHA MAKEUP KISS AND ALL OF THIS STUFF," 575 00:18:59,234 --> 00:19:02,032 HONEY, COUNT ME OUT BECAUSE I AIN'T CHECKING FOR THAT. 576 00:19:02,034 --> 00:19:04,999 THANK YOU FOR COMING TO MY MBRACE EVENT. 577 00:19:05,001 --> 00:19:06,565 I'M SO GLAD YOU CAME. 578 00:19:06,567 --> 00:19:10,365 SO OBVIOUSLY I WANT TO TALK ABOUT THAT. 579 00:19:10,367 --> 00:19:13,365 ME TOO. 580 00:19:13,367 --> 00:19:14,999 ME TOO. 581 00:19:17,034 --> 00:19:20,699 I DON'T EVEN KNOW WHAT TO SAY. 582 00:19:20,701 --> 00:19:26,265 I'M EXTREMELY TORN, SO... 583 00:19:26,267 --> 00:19:29,932 I FELT THAT THE SECURITY GUARD WAS A BIT MUCH. 584 00:19:31,467 --> 00:19:34,799 YES? 585 00:19:34,801 --> 00:19:36,432 WHY? 586 00:19:42,901 --> 00:19:44,499 DON'T PLAY WITH ME. 587 00:19:44,501 --> 00:19:45,899 MM-HMM. 588 00:19:45,901 --> 00:19:47,265 AND I THINK IT COULD'VE BEEN HANDLED 589 00:19:47,267 --> 00:19:49,732 DIFFERENTLY ON BOTH SIDES, 590 00:19:49,734 --> 00:19:52,265 AND IF IT WERE HANDLED DIFFERENTLY ON BOTH SIDES, 591 00:19:52,267 --> 00:19:54,132 I PROBABLY WOULD'VE STAYED. 592 00:19:54,134 --> 00:19:56,499 FOR ME, WHEN YOU LEFT EARLY 593 00:19:56,501 --> 00:19:58,999 BECAUSE SHE HAD TO BE DISMISSED, 594 00:19:59,001 --> 00:20:00,632 IT MADE ME FEEL SOME KIND OF WAY, 595 00:20:00,634 --> 00:20:02,032 LIKE, "OKAY, KIMMI AND I ARE WORKING ON US." 596 00:20:02,034 --> 00:20:03,165 MM-HMM. 597 00:20:03,167 --> 00:20:04,932 "AND WE'RE MOVING, YOU KNOW, IN A GOOD DIRECTION. 598 00:20:04,934 --> 00:20:07,299 THERE ARE NO HARD FEELINGS GOING ON BETWEEN US." 599 00:20:07,301 --> 00:20:08,899 LIKE, IF I WAS OUT RIGHT NOW AND SOMEBODY WAS SAYING 600 00:20:08,901 --> 00:20:11,199 SOMETHING BAD ABOUT KIMMI, I WOULD BE LIKE, "NO, HOLD UP." 601 00:20:11,201 --> 00:20:13,932 SO I'M TRYING TO FIGURE OUT IF YOU'RE ABLE, REALLY, 602 00:20:13,934 --> 00:20:15,699 TO BE RIGHT IN THE MIDDLE, 603 00:20:15,701 --> 00:20:19,032 NOT BEING A MEDIATOR OR NOT TRYING TO PICK SIDES. 604 00:20:19,034 --> 00:20:21,365 SHE MAY NOT BE ABLE TO NOT DO THAT, YOU KNOW? 605 00:20:21,367 --> 00:20:23,632 THAT WAS JUST AN EVENT I WAS INVITED TO, 606 00:20:23,634 --> 00:20:27,465 AND ONCE AGAIN, I HAPPENED TO GET CAUGHT IN THE MIDDLE. 607 00:20:27,467 --> 00:20:29,465 I DON'T WANT YOU TO BE IN THE MIDDLE. 608 00:20:29,467 --> 00:20:33,599 I JUST WANT YOU TO BE MY FRIEND OVER HERE 609 00:20:33,601 --> 00:20:35,499 AND FAMILY AND FRIEND OVER THERE 610 00:20:35,501 --> 00:20:38,565 AND NOT NECESSARILY TRYING TO BRING BRIDGES TOGETHER. 611 00:20:38,567 --> 00:20:42,132 I CAN SAY THAT I'M GLAD MEL SEEMS TO UNDERSTAND 612 00:20:42,134 --> 00:20:45,632 THAT I DON'T LIKE BEING STUCK IN THE MIDDLE. 613 00:20:45,634 --> 00:20:49,265 TISHA IS MY FAMILY AND MY FRIEND, 614 00:20:49,267 --> 00:20:52,332 AND THAT'S NOT GONNA CHANGE, 615 00:20:52,334 --> 00:20:54,265 SO I GUESS WE'RE JUST GONNA HAVE TO KEEP DEALING 616 00:20:54,267 --> 00:20:56,799 WITH THESE TOUGH SITUATIONS... 617 00:20:56,801 --> 00:21:00,299 AS THEY COME. 618 00:21:00,301 --> 00:21:02,532 OOH, JESUS, TAKE THE WHEEL. 619 00:21:02,534 --> 00:21:04,199 LET'S TALK ABOUT HOW WE GONNA MOVE FORWARD, YOU AND I. 620 00:21:04,201 --> 00:21:05,999 I DIDN'T THINK WE HAD MOVED BACKWARDS. 621 00:21:06,001 --> 00:21:09,765 WELL, I MEAN, WE MAYBE CAME TO A TINY HOP FOR A MINUTE. 622 00:21:13,234 --> 00:21:15,465 MARIAH AND MALIAH, THEY'RE HAVING A BIRTHDAY PARTY. 623 00:21:15,467 --> 00:21:17,565 I WOULD LOVE FOR Y'ALL TO COME. 624 00:21:17,567 --> 00:21:18,832 BE HAPPY TO. YEAH. 625 00:21:18,834 --> 00:21:20,765 WE ALWAYS HAVE A GOOD TIME WHEN WE GET TOGETHER. 626 00:21:20,767 --> 00:21:22,465 HAD YOU DECIDED ON IF YOU WERE GONNA 627 00:21:22,467 --> 00:21:25,232 INVITE THE KIDS, LIKE MACI? 628 00:21:25,234 --> 00:21:26,499 I'M THINKING ABOUT IT. 629 00:21:26,501 --> 00:21:27,899 MARIAH WANTS THEM TO COME, 630 00:21:27,901 --> 00:21:30,532 SO IT'S KIND OF ONE OF THOSE THINGS WHERE WE... 631 00:21:30,534 --> 00:21:33,432 RIGHT NOW, WE DON'T LIKE BEING IN EACH OTHER'S PRESENCE. 632 00:21:33,434 --> 00:21:35,732 TISHA AND I, YOU KNOW, WE REALLY DON'T... 633 00:21:35,734 --> 00:21:37,599 WE DON'T TALK. 634 00:21:37,601 --> 00:21:39,232 WE DON'T GET ALONG, FOR REAL. 635 00:21:39,234 --> 00:21:41,465 AS LONG AS WE CAN AGREE AS THE PARENTS 636 00:21:41,467 --> 00:21:43,732 TO PUT OUR DIFFERENCES ASIDE FOR THAT DAY, 637 00:21:43,734 --> 00:21:46,032 LET THE KIDS ENJOY EACH OTHER AND CHOOSE WHETHER OR NOT 638 00:21:46,034 --> 00:21:47,699 THEY WANT TO BE FRIENDS BY THEMSELVES, 639 00:21:47,701 --> 00:21:48,999 YOU KNOW WHAT I MEAN? WHICH, I WILL SAY, 640 00:21:49,001 --> 00:21:50,099 THEY'LL CHOOSE THAT THEY WANT TO BE FRIENDS. 641 00:21:50,101 --> 00:21:51,365 THEY'VE BEEN FRIENDS FOR A WHILE. 642 00:21:51,367 --> 00:21:52,532 LET THEM HAVE THAT. 643 00:21:52,534 --> 00:21:53,932 I JUST DON'T WANT TO FEEL LIKE, "OKAY. 644 00:21:53,934 --> 00:21:57,065 KIMMI IS GONNA BE TRYING TO BRING US TOGETHER TODAY." 645 00:21:57,067 --> 00:21:58,699 I DON'T WANT TO FEEL LIKE THAT. 646 00:21:58,701 --> 00:22:00,699 TO BE CLEAR, 647 00:22:00,701 --> 00:22:04,665 I'VE LET BRINGING Y'ALL TOGETHER GO. 648 00:22:04,667 --> 00:22:06,599 THIS IS NOT MY FIGHT. 649 00:22:06,601 --> 00:22:08,165 AWESOME. 650 00:22:10,467 --> 00:22:12,499 ¶ LET ME SEE YOU GET LIT ¶ 651 00:22:12,501 --> 00:22:14,865 ¶ GET LIT, EVERYBODY, GET LIT ¶ 652 00:22:14,867 --> 00:22:17,432 ¶ DJ, WHO'S SPINNING, TELL THEM, "PLAY MY HIT" ¶ 653 00:22:17,434 --> 00:22:19,199 ¶ UH, UH ¶ 654 00:22:19,201 --> 00:22:21,865 ¶ AND I PULL UP IN THAT 'RARI THOUGH ¶ 655 00:22:21,867 --> 00:22:22,965 ¶ PULL UP, UH ¶ 656 00:22:22,967 --> 00:22:24,599 ¶ MIX A DRINK WITH CAMPARI, BRO ¶ 657 00:22:24,601 --> 00:22:27,665 HEY. GOOD. HOW ARE YOU? 658 00:22:27,667 --> 00:22:29,132 IT'S IMPOSSIBLE TO SAY WHAT MY LIFE WOULD BE LIKE 659 00:22:29,134 --> 00:22:31,999 IF MY DAD WERE AROUND WHEN I WAS A KID. 660 00:22:32,001 --> 00:22:34,699 MAYBE HIS ABSENCE IS WHAT CAUSED ME TO ACHIEVE 661 00:22:34,701 --> 00:22:36,732 SO MUCH IN LIFE RIGHT NOW, 662 00:22:36,734 --> 00:22:38,332 BUT WHAT'S MORE IMPORTANT TO ME RIGHT NOW 663 00:22:38,334 --> 00:22:40,065 IS MY CHILDREN HAVING A GRANDFATHER. 664 00:22:40,067 --> 00:22:42,332 SO IF HE STANDS ME UP AGAIN LIKE HE DID 665 00:22:42,334 --> 00:22:44,799 WITH THE BABY SHOWER, THERE'S GONNA BE A PROBLEM. 666 00:22:44,801 --> 00:22:47,065 THERE'S GONNA BE A REAL BIG PROBLEM. 667 00:22:49,467 --> 00:22:51,565 POPS, WHAT'S UP, MAN? 668 00:22:51,567 --> 00:22:53,232 DOING ALRIGHT? 669 00:22:53,234 --> 00:22:54,499 GOOD, GOOD, GOOD. HOW ARE YOU? 670 00:22:54,501 --> 00:22:56,599 WANT TO GRAB YOU SOMETHING TO EAT? 671 00:22:56,601 --> 00:22:58,099 YOU AIN'T GONNA EAT? 672 00:22:58,101 --> 00:22:59,232 I'M GOOD. 673 00:22:59,234 --> 00:23:01,332 WHAT'S BEEN GOING ON? I'M GOOD. 674 00:23:01,334 --> 00:23:02,899 YEAH? SO WHAT YOU EAT? 675 00:23:02,901 --> 00:23:04,365 I HAD ME A LITTLE SNACK, MAN. 676 00:23:04,367 --> 00:23:05,532 OH, REALLY? YEAH. 677 00:23:05,534 --> 00:23:07,199 THEN WE MISSED YOU AT THE BABY SHOWER. 678 00:23:07,201 --> 00:23:08,299 YEAH. 679 00:23:11,367 --> 00:23:13,632 I FEEL THAT'S ABOUT EFFORT IN PRIORITIES 680 00:23:13,634 --> 00:23:14,932 AND THINGS LIKE THAT, YOU KNOW? 681 00:23:14,934 --> 00:23:16,232 IF CERTAIN THINGS MEAN SOMETHING TO YOU, 682 00:23:16,234 --> 00:23:17,732 YOU'RE GONNA BE THERE. 683 00:23:17,734 --> 00:23:19,099 MM-HMM. 684 00:23:19,101 --> 00:23:21,965 AND I'M THINKING, LIKE, FAMILY, YOUR KIDS, GRANDKIDS, 685 00:23:21,967 --> 00:23:24,665 IT SHOULD BE HELD AT THE SAME PRIORITY ZONE. 686 00:23:24,667 --> 00:23:25,999 YOU KNOW WHAT I'M TALKING ABOUT? 687 00:23:26,001 --> 00:23:27,632 ESPECIALLY IF YOU TELL YOUR SON YOU GONNA BE THERE. 688 00:23:27,634 --> 00:23:29,032 YOU KNOW WHAT I'M SAYING? 689 00:23:29,034 --> 00:23:31,365 SO FOR MY DOOR TO BE OPEN FOR YOU TO COME INTO IT... 690 00:23:31,367 --> 00:23:32,732 MM-HMM? 691 00:23:32,734 --> 00:23:34,099 ...I THINK YOU SHOULD MAKE A LOT OF EFFORT TO DO SO. 692 00:23:34,101 --> 00:23:37,065 MAN, SEE, POPS, YOU WASN'T THERE IN MY LIFE. 693 00:23:37,067 --> 00:23:38,432 YOU WEREN'T THERE IN YOUR GRANDKIDS' LIFE, 694 00:23:38,434 --> 00:23:40,999 AND YOU, YOU KNOW, YOU WEREN'T INCARCERATED, 695 00:23:41,001 --> 00:23:43,532 YOU KNOW, WITH THE GRANDKIDS, YOU KNOW? 696 00:23:43,534 --> 00:23:45,665 THERE WE GO. 697 00:23:45,667 --> 00:23:47,732 YEAH. 698 00:23:47,734 --> 00:23:49,432 YEAH, BECAUSE, YOU KNOW, I'M IN COUNSELING. 699 00:23:49,434 --> 00:23:50,732 MY THERAPIST, DR. FRANCIS... 700 00:23:50,734 --> 00:23:52,499 MM-HMM. ...YOU KNOW, HE ALWAYS... 701 00:23:52,501 --> 00:23:54,265 HE TRY TO TIE THINGS IN WHEN IT COMES TO, 702 00:23:54,267 --> 00:23:57,132 YOU KNOW, LIKE, CERTAIN... THE REASON I'M CERTAIN WAYS, 703 00:23:57,134 --> 00:23:58,999 LIKE, CERTAIN INSECURITIES OR, YOU KNOW, 704 00:23:59,001 --> 00:24:00,065 MY DAD NOT BEING A PART OF MY LIFE 705 00:24:00,067 --> 00:24:01,099 OR SOMETHING LIKE THAT. 706 00:24:01,101 --> 00:24:02,199 MM-HMM. I WAS LIKE, "I DON'T KNOW 707 00:24:02,201 --> 00:24:03,865 HOW IT WOULD'VE BEEN IF YOU WERE, 708 00:24:03,867 --> 00:24:05,865 LIKE, 100% IN MY LIFE EARLIER ON," YOU KNOW? 709 00:24:05,867 --> 00:24:07,299 MM-HMM. YOU FOLLOW ME? 710 00:24:07,301 --> 00:24:09,999 SO I DON'T KNOW HOW GOOD 711 00:24:10,001 --> 00:24:11,132 OR HOW BAD THINGS WOULD'VE BEEN 712 00:24:11,134 --> 00:24:13,799 IF YOU WERE IN MY LIFE, SO... 713 00:24:21,467 --> 00:24:24,599 YEAH. 714 00:24:24,601 --> 00:24:25,765 YOU NOT EVEN KNOWING IT. 715 00:24:37,534 --> 00:24:38,832 I DON'T EVEN WANT YOU TO ATTEMPT TO. 716 00:24:38,834 --> 00:24:40,165 ALL YOU CAN DO... EXACTLY. 717 00:24:41,934 --> 00:24:43,599 YEAH. 718 00:24:51,234 --> 00:24:52,432 YEAH. 719 00:24:55,734 --> 00:24:58,099 OKAY. OKAY. 720 00:24:58,101 --> 00:24:59,165 THE DOOR IS ALWAYS OPEN. 721 00:24:59,167 --> 00:25:00,399 YOU KNOW WHAT I'M SAYING? 722 00:25:00,401 --> 00:25:01,965 BUT ALSO, YOU GOT TO PUT FORTH THE EFFORT. 723 00:25:01,967 --> 00:25:03,299 I'M PUTTING FORTH A LITTLE EFFORT, 724 00:25:03,301 --> 00:25:04,999 BUT I'M NOT GONNA BE PUTTING FORTH SO MUCH EFFORT 725 00:25:05,001 --> 00:25:06,365 THAT IT SEEM LIKE I'M FORCING YOU. 726 00:25:10,734 --> 00:25:12,165 COMING UP ON "LOVE & MARRIAGE: HUNTSVILLE"... 727 00:25:12,167 --> 00:25:13,632 GOT TO BE A LITTLE CORDIAL. 728 00:25:13,634 --> 00:25:15,665 WHAT'S WRONG WITH BEING A LITTLE CORDIAL, A LITTLE CORDIAL? 729 00:25:15,667 --> 00:25:17,532 BECAUSE THEY CAME FOR US SO MANY TIMES! 730 00:25:17,534 --> 00:25:20,365 PARENTS CAN'T WORK IT OUT. GRANDMOTHER BRING THEM. 731 00:25:20,367 --> 00:25:21,365 BUT THEN I'M THINKING, LIKE, 732 00:25:21,367 --> 00:25:22,565 "THE GRANDMA IS A [BLEEP] TOO." 733 00:25:22,567 --> 00:25:25,132 JUST BEING SHADY, ALL OVER THERE BEING SHADY. 734 00:25:25,134 --> 00:25:26,332 Maurice: YOU'RE SAYING YOU'RE BEING SHADY? 735 00:25:26,334 --> 00:25:27,732 NO, Y'ALL ARE. 736 00:25:27,734 --> 00:25:30,132 ARE YOU A TRUE SCOTT, OR ARE YOU DOWN WITH THE HOLTS? 737 00:25:30,134 --> 00:25:31,899 ZIP IT! 738 00:25:33,501 --> 00:25:39,765 ¶¶ 739 00:25:39,767 --> 00:25:41,199 WHAT'S UP, BABY? HEY. 740 00:25:41,201 --> 00:25:42,432 HOW YOU DOING? 741 00:25:42,434 --> 00:25:43,699 GOOD. HOW ARE YOU DOING? 742 00:25:43,701 --> 00:25:44,699 LOOKING SEXY. 743 00:25:44,701 --> 00:25:45,865 OH, WHATEVER. 744 00:25:45,867 --> 00:25:47,232 I'M SITTING HERE GETTING SOME WORK DONE. 745 00:25:47,234 --> 00:25:48,665 WHERE YOU BEEN? 746 00:25:48,667 --> 00:25:50,132 JUST HAD A MEETING WITH CHRIS 747 00:25:50,134 --> 00:25:53,899 ABOUT THIS LAND TRANSACTION. 748 00:25:53,901 --> 00:25:55,032 OH, REALLY? HOW'S THAT GOING? 749 00:25:55,034 --> 00:25:57,499 YEAH, KEL, HE WAS THERE, TOO. OH, OKAY. 750 00:25:57,501 --> 00:25:58,799 WHAT IS KELMAN GONNA BE DOING? 751 00:25:58,801 --> 00:26:01,432 I MEAN, YOU KNOW, WE DISCUSSING THE PROJECTS. 752 00:26:01,434 --> 00:26:02,565 MM-HMM. 753 00:26:02,567 --> 00:26:03,599 YOU KNOW, GOT DIFFERENT PROJECTS, 754 00:26:03,601 --> 00:26:05,432 SO TRYING TO SEE WHAT'S HAPPENING. 755 00:26:05,434 --> 00:26:06,932 WHAT YOU WORKING ON? 756 00:26:06,934 --> 00:26:07,965 TRYING TO FIGURE OUT THIS STUFF 757 00:26:07,967 --> 00:26:09,332 FOR THE GIRLS' BIRTHDAY PARTY. 758 00:26:09,334 --> 00:26:11,232 YOU KNOW, THEY WANT TO HAVE IT AT STARS AND STRIKES. 759 00:26:11,234 --> 00:26:12,565 YEAH, I KNOW. I HEARD. 760 00:26:12,567 --> 00:26:14,399 IT'S ONE OF THEIR FAVORITE PLACES, HONEY. 761 00:26:14,401 --> 00:26:16,865 WHEN I SAY EVERYTHING IS RIGHT HERE ONLINE, LIKE, 762 00:26:16,867 --> 00:26:18,232 WHAT COMES WITH EACH PACKAGE, 763 00:26:18,234 --> 00:26:21,199 HOW MUCH IT'LL BE PER PERSON, ALL OF THAT. 764 00:26:21,201 --> 00:26:22,399 YEAH. AND SO WHAT I'M THINKING... 765 00:26:22,401 --> 00:26:24,599 BUT HOW MANY PEOPLE YOU LOOKING TO HAVE? 766 00:26:24,601 --> 00:26:27,399 WELL, THE ONE... THE PACKAGE I WANT TO DO 767 00:26:27,401 --> 00:26:31,432 FOR THEM IS, LIKE, $24.95 A PERSON. 768 00:26:31,434 --> 00:26:33,365 [BLEEP] 769 00:26:33,367 --> 00:26:34,499 $24.95? 770 00:26:34,501 --> 00:26:36,732 AND IT'S A MINIMUM OF 10 CHILDREN. 771 00:26:36,734 --> 00:26:37,932 OH, WELL, STILL... 772 00:26:37,934 --> 00:26:39,665 AND THE NEXT ONE IS $22.95. 773 00:26:39,667 --> 00:26:41,232 NOW, I AIN'T GONNA LIE. 774 00:26:41,234 --> 00:26:42,832 THERE IS AN OPTION FOR THE BOWLING FOR ME 775 00:26:42,834 --> 00:26:45,132 TO BE ABLE TO DO, LIKE, THE V.I.P. ROOM. 776 00:26:45,134 --> 00:26:46,299 YEAH, YEAH. 777 00:26:46,301 --> 00:26:48,432 THAT IS GONNA COST MORE PER HOUR PER LANE. 778 00:26:48,434 --> 00:26:50,699 WELL, I GUESS IT DEPENDS ON HOW MUCH IT COSTS. 779 00:26:50,701 --> 00:26:52,665 I THINK IT'S, LIKE, 50 BUCKS. I DON'T HAVE IT ON HERE. 780 00:26:52,667 --> 00:26:54,465 IT SAYS, "CALL." OH, PER LANE? 781 00:26:54,467 --> 00:26:55,765 UH-HUH. 782 00:26:55,767 --> 00:26:58,199 THERE'S, LIKE, EIGHT LANES BACK THERE. 783 00:26:58,201 --> 00:27:00,299 SO THAT'S $400 BY ITSELF. 784 00:27:00,301 --> 00:27:01,865 FOR 1 HOUR, AND IT'S 2 HOURS. 785 00:27:01,867 --> 00:27:03,632 GOD DOG. 786 00:27:03,634 --> 00:27:04,799 SO I REMEMBER BACK IN THE DAY, 787 00:27:04,801 --> 00:27:06,699 MY MOM USED TO PUT TOGETHER A PARTY FOR ME 788 00:27:06,701 --> 00:27:08,632 AND MY BROTHER FOR, LIKE, $20. 789 00:27:08,634 --> 00:27:09,799 WELL, MARTELL, THE FACT OF THE MATTER... 790 00:27:09,801 --> 00:27:10,832 JUST SAYING. 791 00:27:10,834 --> 00:27:12,132 ...IS, HONEY, THIS IS 2020, OKAY? 792 00:27:12,134 --> 00:27:13,599 THERE AIN'T NO BIRTHDAY PARTIES, 793 00:27:13,601 --> 00:27:15,299 NOT NO QUALITY ONES, HAPPENING FOR $20, 794 00:27:15,301 --> 00:27:18,732 SO YOU NEED TO PUT, LIKE, TWO MORE ZEROES BEHIND THAT. 795 00:27:18,734 --> 00:27:20,932 200? OKAY. I'M DOWN FOR THAT. 796 00:27:20,934 --> 00:27:23,865 NO, 20, TWO MORE ZEROES, $2,000, 2 GRAND. 797 00:27:23,867 --> 00:27:24,865 OH, OH, OH. 798 00:27:24,867 --> 00:27:26,832 OKAY, SO CHECK THIS OUT. I'M LISTENING. 799 00:27:26,834 --> 00:27:28,065 WHO ALL ARE YOU INVITING, FIRST OFF? 800 00:27:28,067 --> 00:27:29,399 THAT'S WHAT I'M ABOUT TO GO TO NEXT. 801 00:27:29,401 --> 00:27:31,499 MACI AND MILA. 802 00:27:31,501 --> 00:27:35,165 HOW THE HELL THEY GONNA GET THERE? 803 00:27:35,167 --> 00:27:37,132 I MEAN, LIKE, FOR REAL, HOW THEY GONNA GET THERE? 804 00:27:37,134 --> 00:27:39,632 BECAUSE I KNOW WE AIN'T GONNA HAVE 805 00:27:39,634 --> 00:27:41,265 TISHA AND MARSAU THERE. 806 00:27:41,267 --> 00:27:43,832 OR HAVE YOU HAD, LIKE, A CHANGE OF HEART 807 00:27:43,834 --> 00:27:46,565 WHEN IT COME TO THEM [BLEEP] 808 00:27:46,567 --> 00:27:49,099 OKAY, SO HERE IS WHAT I'VE BEEN KIND OF THINKING. 809 00:27:49,101 --> 00:27:50,565 SO I WENT AND MET UP WITH KIMMI, 810 00:27:50,567 --> 00:27:54,399 AND I WAS TELLING HER THAT MARIAH WANTED TO INVITE MACI, 811 00:27:54,401 --> 00:27:55,965 AND SHE WAS LIKE, "WELL, HOW YOU GONNA DO THAT 812 00:27:55,967 --> 00:27:57,732 IF Y'ALL AIN'T EVEN TALKING? LIKE, WHAT YOU GONNA DO?" 813 00:27:57,734 --> 00:28:00,165 I WAS LIKE, "[BLEEP] THIS. I'M GONNA CALL HER." 814 00:28:00,167 --> 00:28:03,965 MNH-MNH. I'M AGAINST THAT. 815 00:28:03,967 --> 00:28:06,065 OUR KIDS, YOU KNOW, 816 00:28:06,067 --> 00:28:07,565 THEY HAVE BUILT A GOOD FRIENDSHIP TOGETHER, 817 00:28:07,567 --> 00:28:08,832 AND THEY LOVE PLAYING WITH EACH OTHER. 818 00:28:08,834 --> 00:28:11,032 WELL, YEAH, BUT THEY KIDS AT THE END OF THE DAY. 819 00:28:11,034 --> 00:28:13,432 JUST BECAUSE SHE MENTIONS SOMEBODY'S NAME DON'T MEAN 820 00:28:13,434 --> 00:28:14,732 THEY GOT TO BE IN OUR PRESENCE. 821 00:28:14,734 --> 00:28:16,832 THEY ARE KIDS. WHAT'S WRONG WITH THAT? 822 00:28:16,834 --> 00:28:19,399 THE NEXT THING YOU KNOW, WE'LL HAVE TO SEE THEM. 823 00:28:19,401 --> 00:28:20,865 GOT TO BE A LITTLE CORDIAL. 824 00:28:20,867 --> 00:28:22,832 WHAT'S WRONG WITH BEING A LITTLE CORDIAL, A LITTLE CORDIAL? 825 00:28:22,834 --> 00:28:24,932 BECAUSE THEY CAME FOR US SO MANY TIMES. 826 00:28:24,934 --> 00:28:26,399 I DIDN'T SAY, "BE FRIENDS." 827 00:28:26,401 --> 00:28:28,299 I SAID, "BE A LITTLE CORDIAL," BE IN THE SAME ROOM. 828 00:28:28,301 --> 00:28:29,765 CORDIAL FOR ME IS... 829 00:28:29,767 --> 00:28:32,232 YEAH, BUT NOT INVITING THEIR ASSES TO ANYTHING. 830 00:28:32,234 --> 00:28:33,665 YOU INVITING THE KIDS IS JUST LIKE INVITING THEM 831 00:28:33,667 --> 00:28:34,732 BECAUSE THEY GOT TO COME. 832 00:28:34,734 --> 00:28:36,299 TYPICALLY HOW IT WOULD HAPPEN, LIKE, 833 00:28:36,301 --> 00:28:37,632 PARENTS CAN'T WORK IT OUT. 834 00:28:37,634 --> 00:28:39,132 GRANDMOTHER BRING THEM. 835 00:28:39,134 --> 00:28:40,132 BUT THEN I'M THINKING LIKE, 836 00:28:40,134 --> 00:28:41,265 "THE GRANDMA IS A [BLEEP] TOO." 837 00:28:41,267 --> 00:28:42,832 NOW SHE DIDN'T... NOW SHE AIN'T... 838 00:28:42,834 --> 00:28:45,032 SHE DEFINITELY CAN'T STEP UP IN THERE. 839 00:28:45,034 --> 00:28:46,632 NOW, I'M DEFINITELY NOT COOL 840 00:28:46,634 --> 00:28:48,599 WITH ALLOWING A SOON-TO-BE 8-YEAR-OLD 841 00:28:48,601 --> 00:28:52,499 AND A 3-YEAR-OLD TO MAKE A DECISION ON ANYTHING, 842 00:28:52,501 --> 00:28:54,699 ESPECIALLY PEOPLE COMING TO A BIRTHDAY PARTY. 843 00:28:54,701 --> 00:28:56,699 I MEAN, AT THE END OF THE DAY, WHO KNOWS, HONEY? 844 00:28:56,701 --> 00:28:58,932 IT MAY BE THE GOOD LORD WORKING THROUGH OUR CHILDREN 845 00:28:58,934 --> 00:29:00,499 TO BRING THE HOLTS AND SCOTTS BACK TOGETHER. 846 00:29:00,501 --> 00:29:01,499 YOU THINK THAT'S WHAT IT IS? 847 00:29:01,501 --> 00:29:02,965 POSSIBLY. HMM. 848 00:29:02,967 --> 00:29:04,499 WELL, I'LL TELL YOU WHAT. 849 00:29:04,501 --> 00:29:06,032 YOU DO WHAT YOU WANT TO DO, 850 00:29:06,034 --> 00:29:07,865 AND HELL, I JUST WON'T SPEAK. 851 00:29:07,867 --> 00:29:09,265 YOU SOMETHING ELSE. 852 00:29:09,267 --> 00:29:10,332 FIXING TO CALL HER RIGHT NOW. 853 00:29:10,334 --> 00:29:11,432 WHO? TISHA. 854 00:29:11,434 --> 00:29:13,032 I DON'T EVEN WANT TO HEAR THAT [BLEEP] 855 00:29:13,034 --> 00:29:14,132 OKAY, WELL, I'M GONNA CALL HER. 856 00:29:14,134 --> 00:29:17,299 I'LL BE GONNA THE BACK ROOM THEN. 857 00:29:17,301 --> 00:29:20,499 DON'T BE TOO FRIENDLY. 858 00:29:20,501 --> 00:29:22,932 I'M GONNA BE ME, OKAY? YOU ALREADY KNOW. 859 00:29:22,934 --> 00:29:24,532 "HEY, GIRL! HEY!" 860 00:29:24,534 --> 00:29:29,665 ¶¶ 861 00:29:29,667 --> 00:29:34,832 ¶¶ 862 00:29:34,834 --> 00:29:36,599 [ Cellphone rings ] 863 00:29:36,601 --> 00:29:38,732 HELLO. THIS LATISHA. 864 00:29:38,734 --> 00:29:42,199 Hey, Tisha. This is Mel. 865 00:29:42,201 --> 00:29:44,632 I was just giving you a call really quickly. 866 00:29:44,634 --> 00:29:47,232 Mariah and Maliah are having a birthday party. 867 00:29:47,234 --> 00:29:50,199 I asked Mariah, you know, to give me her list of children 868 00:29:50,201 --> 00:29:51,632 she wanted to invite to her party, 869 00:29:51,634 --> 00:29:52,699 and Maci and Mila 870 00:29:52,701 --> 00:29:55,165 were one of the first two people she named. 871 00:29:55,167 --> 00:29:58,732 I know that, you know, stuff isn't right with the adults, 872 00:29:58,734 --> 00:30:01,265 the parents and with us right now, but the kids, 873 00:30:01,267 --> 00:30:04,132 you know, they have been friends for a long time, 874 00:30:04,134 --> 00:30:07,165 and, you know, I don't feel like what we have going on 875 00:30:07,167 --> 00:30:09,965 should affect the children and them being friends. 876 00:30:09,967 --> 00:30:11,499 So I just wanted to call and reach out 877 00:30:11,501 --> 00:30:12,832 and let you know that we're having a party 878 00:30:12,834 --> 00:30:17,265 Saturday from 10:00 to 12:00 at Stars and Strikes. 879 00:30:17,267 --> 00:30:19,332 UM, YEAH, YEAH, 880 00:30:19,334 --> 00:30:20,832 WELL, YOU KNOW, I APPRECIATE THE EFFORT OF YOU 881 00:30:20,834 --> 00:30:22,532 CALLING TO REACH OUT TO INVITE THEM, 882 00:30:22,534 --> 00:30:23,665 SO I DEFINITELY... 883 00:30:23,667 --> 00:30:27,332 MACI HAS BEEN ASKING ABOUT MARIAH A LOT, 884 00:30:27,334 --> 00:30:30,765 SO, UM, I'LL THINK ABOUT IT. 885 00:30:30,767 --> 00:30:32,132 Okay, sounds great. 886 00:30:32,134 --> 00:30:33,399 Thank you, girl. Bye-bye. 887 00:30:33,401 --> 00:30:34,799 OKAY, BYE. 888 00:30:34,801 --> 00:30:38,199 MY KIDS AND MELODY'S KIDS HAVE BEEN FRIENDS FOREVER, 889 00:30:38,201 --> 00:30:40,032 BUT AFTER MEL'S BEHAVIOR, 890 00:30:40,034 --> 00:30:42,699 I'M DEFINITELY UNDECIDED ABOUT LETTING MY KIDS 891 00:30:42,701 --> 00:30:45,132 GO TO THE BIRTHDAY PARTY BECAUSE AT THIS POINT, 892 00:30:45,134 --> 00:30:48,465 YOU HAVE MADE IT CRYSTAL CLEAR THAT YOU DON'T WANT ME AROUND, 893 00:30:48,467 --> 00:30:50,665 SO THEREFORE, IT'S OVER. 894 00:30:50,667 --> 00:30:52,299 IT'S DONE. 895 00:30:52,301 --> 00:30:53,999 [ SIGHS ] 896 00:30:54,534 --> 00:30:57,432 COMING UP ON "LOVE & MARRIAGE: HUNTSVILLE"... 897 00:30:57,434 --> 00:30:59,932 YOU'RE SAYING THAT I PUT THEIR TAX INFORMATION OUT. 898 00:30:59,934 --> 00:31:01,465 YOU SHOULDN'T EVEN BE TALKING TO HER! 899 00:31:01,467 --> 00:31:03,565 YOU SHOULD'VE KICKED HER BUTT RIGHT BACK OUT THE DOOR 900 00:31:03,567 --> 00:31:04,632 LIKE SHE DID YOUR WIFE. 901 00:31:04,634 --> 00:31:05,632 OH, MA. THAT WHAT YOU SHOULD HAVE DONE. 902 00:31:05,634 --> 00:31:07,165 I DON'T DO THAT. I DON'T DO THAT. 903 00:31:07,167 --> 00:31:08,265 MAN, YOU'RE GONNA SIT THERE. I DON'T CARE WHAT YOU DON'T DO. 904 00:31:08,267 --> 00:31:09,599 THAT WHAT YOU SHOULD HAVE DONE, THOUGH. 905 00:31:16,001 --> 00:31:19,432 I GOT KIMMI'S FAVORITE CAKE, SO WE GONNA MAKE SURE WE SING 906 00:31:19,434 --> 00:31:21,599 "HAPPY BIRTHDAY" TO HER AND EVERYTHING WHILE SHE'S HERE... 907 00:31:21,601 --> 00:31:23,099 Marsau: MM-HMM. 908 00:31:23,101 --> 00:31:24,199 ...BECAUSE I DIDN'T GET A CHANCE TO SEE HER 909 00:31:24,201 --> 00:31:25,365 ON HER BIRTHDAY. 910 00:31:25,367 --> 00:31:26,532 [ KNOCK ON DOOR ] 911 00:31:26,534 --> 00:31:27,932 SOMEBODY KNOCKING ON THE DOOR? 912 00:31:27,934 --> 00:31:28,899 YEAH, I THINK SO. 913 00:31:31,467 --> 00:31:33,865 HEY! 914 00:31:33,867 --> 00:31:35,199 THE WHOLE FAMILY IS HERE! 915 00:31:35,201 --> 00:31:37,065 IT IS STORMING! I KNOW. 916 00:31:37,067 --> 00:31:38,999 THANK YOU FOR COMING. IT'S RAINING SO BAD. 917 00:31:39,001 --> 00:31:40,399 GOLLY! OH, MY GOD. 918 00:31:40,401 --> 00:31:42,099 MONSTER IS ALMOST TALLER THAN ME. 919 00:31:42,101 --> 00:31:44,799 LaTisha: I'M EXCITED TO HAVE THE FAMILY OVER FOR DINNER. 920 00:31:44,801 --> 00:31:48,032 I MEAN, IT'S BEEN A WHILE SINCE WE'VE HAD SOMETHING LIKE THIS. 921 00:31:48,034 --> 00:31:49,599 THERE'S GONNA BE NOWHERE FOR ME TO GO 922 00:31:49,601 --> 00:31:52,365 IN THIS TINY-ASS HOUSE. 923 00:31:52,367 --> 00:31:54,132 LITTLE BITTY. 924 00:31:54,134 --> 00:31:55,465 OH, GOD. 925 00:31:55,467 --> 00:31:57,365 SO ONE, TWO, THREE. YEAH, I THINK THAT'S IT. 926 00:31:57,367 --> 00:31:58,565 THAT'S ENOUGH FOR ALL THE KIDS, RIGHT? 927 00:31:58,567 --> 00:32:02,199 BECAUSE I HAVE MY THREE, THEN YOUR TWO. 928 00:32:02,201 --> 00:32:03,665 OH, YOU SO FUNNY. 929 00:32:03,667 --> 00:32:04,732 YOU'RE GONNA MAKE JAYLIN 930 00:32:04,734 --> 00:32:06,399 SIT AT THAT TABLE AND EAT WITH THEM? 931 00:32:09,001 --> 00:32:10,132 SO HOW'S SCHOOL GOING, BRO? 932 00:32:10,134 --> 00:32:11,332 I KNOW YOU BEEN STUDYING FOR THE BAR. 933 00:32:11,334 --> 00:32:12,632 IT'S A GRIND. 934 00:32:12,634 --> 00:32:13,965 LISTEN TO THIS. I WENT OLD-SCHOOL. 935 00:32:13,967 --> 00:32:15,632 I DON'T NEVER GO ANYWHERE... 936 00:32:15,634 --> 00:32:16,632 YOU HAVE SOMETHING IN THAT POCKET? 937 00:32:16,634 --> 00:32:17,799 YEAH, BOY. 938 00:32:17,801 --> 00:32:19,465 DOESN'T PASS THAT BAR THE FIRST TIME... 939 00:32:19,467 --> 00:32:20,632 OH. 940 00:32:20,634 --> 00:32:22,165 OH, LISTEN. 941 00:32:22,167 --> 00:32:23,399 HEY, YOU KNOW WHAT I'M GONNA DO? 942 00:32:23,401 --> 00:32:26,032 I'M SORRY. I'M GONNA TAKE IT AGAIN. 943 00:32:26,034 --> 00:32:27,799 HEY! 944 00:32:27,801 --> 00:32:30,865 SO THE DOOR OPENS, AND I SEE A LIGHT, AND I'M THINKING, 945 00:32:30,867 --> 00:32:32,632 "COULD THAT BE THE GLORY?" 946 00:32:32,634 --> 00:32:34,032 HEY! HOW YOU DOING, WANDA? 947 00:32:34,034 --> 00:32:35,832 I DIDN'T KNOW YOU WAS COMING. 948 00:32:35,834 --> 00:32:38,265 EXACT OPPOSITE. 949 00:32:38,267 --> 00:32:40,699 SURPRISE! 950 00:32:40,701 --> 00:32:44,332 SATAN...IN THE FLESH. 951 00:32:44,334 --> 00:32:47,132 HEY! HEY! 952 00:32:47,134 --> 00:32:49,465 HOW Y'ALL DOING? 953 00:32:49,467 --> 00:32:50,632 HEY! OH, GIRL. 954 00:32:50,634 --> 00:32:52,632 LOOK AT THEM EARRINGS. OKAY. 955 00:32:52,634 --> 00:32:53,865 GIRL, THEY SAID YOU HAD COOKED. 956 00:32:53,867 --> 00:32:55,065 MARSAU COOKED. 957 00:32:55,067 --> 00:32:57,232 WHO? 958 00:32:57,234 --> 00:32:59,032 MARSAU COOKED THIS? 959 00:32:59,034 --> 00:33:00,232 OH, MY GOD. 960 00:33:00,234 --> 00:33:04,299 I WOULD NEVER, EVER EAT ANYTHING MARSAU COOKING. 961 00:33:04,301 --> 00:33:08,099 THAT WOULD BE Y'ALL LAST TIME EVER, EVER SEEING ME AGAIN. 962 00:33:08,101 --> 00:33:11,065 I KNOW TISHA PROBABLY TOLD YOU ABOUT OUR CONVERSATION 963 00:33:11,067 --> 00:33:13,432 WE HAD LAST WEEK ABOUT YOU. 964 00:33:13,434 --> 00:33:14,532 NOT YET. 965 00:33:14,534 --> 00:33:17,132 WHAT CONVERSATION YOU HAVE ABOUT ME 966 00:33:17,134 --> 00:33:19,099 THAT I WASN'T INVITED TO? 967 00:33:19,101 --> 00:33:20,465 BUT YOU KNOW I LIKE YOU, RIGHT? 968 00:33:20,467 --> 00:33:22,632 I DON'T KNOW. I DON'T KNOW WHERE YOU'RE GOING WITH IT. 969 00:33:22,634 --> 00:33:24,199 OH, NO, I KNOW WHAT'S GOING ON. I'M JUST WAITING. 970 00:33:24,201 --> 00:33:26,199 YOU GOT TO LISTEN. I'M WAITING! 971 00:33:26,201 --> 00:33:28,265 SO YOU GOT THAT VOO-DOO- DOO-DOO-DOO-DOO-DOO-DOO-DOO 972 00:33:28,267 --> 00:33:30,099 LIKE A MOTORMOUTH, BUT ANYWAY, THAT'S ME, TOO. 973 00:33:30,101 --> 00:33:32,832 AIN'T THAT THE POT CALLING THE KETTLE BLACK? 974 00:33:32,834 --> 00:33:34,132 I AGREE. 975 00:33:34,134 --> 00:33:36,432 I AGREE, 976 00:33:36,434 --> 00:33:39,832 BUT I TOLD TISHA LAST WEEK, 977 00:33:39,834 --> 00:33:42,899 IT MAY BE A LITTLE TOO MUCH TONIGHT. 978 00:33:42,901 --> 00:33:43,965 SO HAVE YOU ATE YET? 979 00:33:43,967 --> 00:33:45,165 BECAUSE I DON'T WANT YOU TO THROW IT UP. 980 00:33:45,167 --> 00:33:47,099 OH, I DON'T THROW UP EASY. 981 00:33:47,101 --> 00:33:49,132 OH, OKAY. 982 00:33:49,134 --> 00:33:51,365 BECAUSE YOU KNOW LAST TIME WE WAS TOGETHER, I SAY, 983 00:33:51,367 --> 00:33:55,132 "KIMMI WAS REALLY BASICALLY THROWING YOU UP UNDER THE BUS," 984 00:33:55,134 --> 00:33:56,599 AND I DIDN'T LIKE THAT. 985 00:33:56,601 --> 00:33:58,365 WHAT THINGS DID I SAY? 986 00:33:58,367 --> 00:34:00,932 ABOUT THE LITTLE PART THAT WHEN MELODY WAS OVER THERE 987 00:34:00,934 --> 00:34:02,565 MAKING LITTLE REMARKS. 988 00:34:02,567 --> 00:34:05,432 YOU KNOW, I'VE BEEN CALLED THE POST QUEEN. 989 00:34:05,434 --> 00:34:09,932 I HAVE BEEN CALLED, YOU KNOW, ALWAYS GOING TO GALAS AND STUFF 990 00:34:09,934 --> 00:34:13,132 AND BOUGIE AND ALL OF THIS OTHER STUFF. 991 00:34:13,134 --> 00:34:14,299 MELODY IS ACCURATE. 992 00:34:14,301 --> 00:34:17,799 WE TALKED ABOUT HER POSTING, PERIOD. 993 00:34:17,801 --> 00:34:19,865 BY YOU ANSWERING THAT QUESTION, 994 00:34:19,867 --> 00:34:21,632 EVERYBODY SEEN IT, 995 00:34:21,634 --> 00:34:24,099 AND IT WAS LIKE, "OKAY. 996 00:34:24,101 --> 00:34:26,899 NOW YOU THROWING TISHA UP UNDER THE BUS," 997 00:34:26,901 --> 00:34:29,999 AND I FELT KIND OF BAD ABOUT IT. 998 00:34:30,001 --> 00:34:31,232 AND I CAN UNDERSTAND THAT. 999 00:34:31,234 --> 00:34:32,899 AND I SAID, "WELL, IF THAT'S WHAT YOU WANT TO SAY, 1000 00:34:32,901 --> 00:34:34,999 LET TISHA AGREE TO HER OWN MISTAKE." 1001 00:34:35,001 --> 00:34:36,599 THAT'S WHAT I FELT LIKE IT SHOULD'VE HAPPENED. 1002 00:34:36,601 --> 00:34:38,199 I HEAR YOU. WHEN SHE ASKED YOU THAT PART, 1003 00:34:38,201 --> 00:34:39,699 YOU SHOULD'VE SAID, "YES, I SAID IT." 1004 00:34:39,701 --> 00:34:41,932 I CAN'T SPEAK FOR TISHA WHAT SHE SAID, 1005 00:34:41,934 --> 00:34:44,032 AND YOU... IF ME AND YOU ARE FRIENDS, 1006 00:34:44,034 --> 00:34:45,899 I AIN'T GOT TO SAY WHAT YOU SAYING. 1007 00:34:45,901 --> 00:34:48,599 Kimmi: THIS IS THE SECOND TIME 1008 00:34:48,601 --> 00:34:51,599 WANDA HAS COME FOR ME OVER SOME BULL[BLEEP] 1009 00:34:51,601 --> 00:34:56,865 AND I IMAGINE TISHA JUST DISAPPEARS INTO THE WALLPAPER 1010 00:34:56,867 --> 00:34:59,065 WHEN WANDA COMES ON THE ATTACK. 1011 00:34:59,067 --> 00:35:01,999 I SAID, "I JUST CAN'T BELIEVE KIMMI WOULD GO... 1012 00:35:02,001 --> 00:35:03,732 WOULD STOOP DOWN LIKE THAT"... 1013 00:35:03,734 --> 00:35:05,432 STOOP WHERE? WHERE AM I STOOPING? 1014 00:35:05,434 --> 00:35:07,365 ..."TO GO DOWN"... WHERE AM I STOOPING? 1015 00:35:07,367 --> 00:35:09,465 WHEN I SEEN IT, WHEN I SEEN IT, WHEN ALL US WAS TOGETHER, 1016 00:35:09,467 --> 00:35:11,465 AND I SEEN IT, I WAS LIKE, "OH, MY GOD"... 1017 00:35:11,467 --> 00:35:12,399 SO... ..."KIMMI?" 1018 00:35:12,401 --> 00:35:13,899 ...FOR MY VERSION OF WHAT... "KIMMI?" 1019 00:35:13,901 --> 00:35:14,965 ...HAPPENED TO BE DIFFERENT 1020 00:35:14,967 --> 00:35:17,032 THAN TISHA'S MAKE ME STOOPING DOWN? 1021 00:35:17,034 --> 00:35:18,532 -TOGETHER. -BUT IT WASN'T MY VERSION. 1022 00:35:18,534 --> 00:35:21,265 SHE SAYING ABOUT WHAT SHE SAW THE LAST TIME 1023 00:35:21,267 --> 00:35:23,532 WE WAS TOGETHER FROM HER PERSPECTIVE. 1024 00:35:23,534 --> 00:35:24,732 YEAH, AND... 1025 00:35:24,734 --> 00:35:25,999 SO SHE CAME TO ME, AND I EXPLAINED IT TO HER. 1026 00:35:26,001 --> 00:35:28,199 NO, SHE SAID I SHOULDN'T HAVE SAID, "YES," 1027 00:35:28,201 --> 00:35:29,532 THAT WE DID TALK ABOUT HER. 1028 00:35:29,534 --> 00:35:31,065 SHE SAID I SHOULD NOT HAVE SAID THAT. 1029 00:35:31,067 --> 00:35:33,565 SHE SAID I SHOULD HAVE SAID... 1030 00:35:33,567 --> 00:35:35,165 BUT SHE FEEDING YOU A WHOLE BUNCH OF STUFF, 1031 00:35:35,167 --> 00:35:36,599 AND I KNOW SHE DO. WHAT IS SHE FEEDING ME? 1032 00:35:36,601 --> 00:35:38,432 I KNOW BECAUSE HER LITTLE THING IS, 1033 00:35:38,434 --> 00:35:40,199 SHE INVITES YOU TO LITTLE THINGS, SO, 1034 00:35:40,201 --> 00:35:42,165 "OKAY, WELL, TISHA CAN'T COME TO THIS RIGHT HERE. 1035 00:35:42,167 --> 00:35:43,199 YEAH, KIMMI CAN COME." 1036 00:35:43,201 --> 00:35:44,799 I DON'T ASK HER WHO SHE INVITES! 1037 00:35:44,801 --> 00:35:46,132 I UNDERSTAND THAT. 1038 00:35:46,134 --> 00:35:48,332 I UNDERSTAND THAT, BUT IT'S A REASON WHY 1039 00:35:48,334 --> 00:35:50,465 BECAUSE ALL OF Y'ALL HUNG OUT TOGETHER, 1040 00:35:50,467 --> 00:35:51,932 SO WHY DO SHE PICK JUST KIMMI? 1041 00:35:51,934 --> 00:35:53,332 AND LET ME TELL YOU THE FUNNY PART 1042 00:35:53,334 --> 00:35:55,232 WHILE YOU "JUST KIMMI"-ING ME. 1043 00:35:55,234 --> 00:35:56,999 THERE WAS A MILLION TIMES 1044 00:35:57,001 --> 00:35:59,932 HER AND TISHA WOULD GO PLACES WITHOUT ME. 1045 00:35:59,934 --> 00:36:01,332 WITH THE KIDS! AND IT WAS NO BIG DEAL! 1046 00:36:01,334 --> 00:36:02,532 WITH THE KIDS. IT WAS NO BIG DEAL. 1047 00:36:02,534 --> 00:36:04,265 OKAY, BUT THAT WAS BEFORE YOUR TIME. 1048 00:36:04,267 --> 00:36:05,999 WHAT SHE WAS SAYING WAS... 1049 00:36:06,001 --> 00:36:07,599 NO, IT WASN'T BEFORE MY TIME! 1050 00:36:07,601 --> 00:36:09,132 IT WASN'T BEFORE -- 1051 00:36:09,134 --> 00:36:10,932 WE MET HER AT THE SAME TIME. 1052 00:36:10,934 --> 00:36:13,465 SO REEL THAT [BLEEP] BACK. 1053 00:36:13,467 --> 00:36:15,365 NO, NO, NO. REEL THAT [BLEEP] BACK. 1054 00:36:15,367 --> 00:36:20,165 ¶¶ 1055 00:36:22,701 --> 00:36:23,965 Wanda: SHE FEEDING YOU A WHOLE BUNCH OF STUFF, 1056 00:36:23,967 --> 00:36:25,899 AND I KNOW SHE DO. Kimmi: WHAT IS SHE FEEDING ME? 1057 00:36:25,901 --> 00:36:29,165 WE MET HER AT THE SAME TIME. 1058 00:36:29,167 --> 00:36:30,999 SO REEL THAT [BLEEP] BACK. NO, NO, NO. 1059 00:36:31,001 --> 00:36:32,665 REEL THAT [BLEEP] BACK. I AIN'T GONNA TAKE IT BACK. 1060 00:36:32,667 --> 00:36:34,299 I'M JUST GONNA KEEP IT, LIKE, I'M GONNA KEEP IT ROLLING. 1061 00:36:34,301 --> 00:36:35,465 NO, YOU GOT TO REEL IT BACK BECAUSE... 1062 00:36:35,467 --> 00:36:36,599 NO, NO, NO, NO. ...YOU'RE COMING FOR ME. 1063 00:36:36,601 --> 00:36:37,732 SHE CAN BE A WITNESS. 1064 00:36:37,734 --> 00:36:38,899 I'M NOT GONNA DRAG HER IN THERE. 1065 00:36:38,901 --> 00:36:40,465 I AIN'T DRAG HER! I'M JUST GONNA LET HER KNOW, 1066 00:36:40,467 --> 00:36:42,032 "YES, I SAID IT. I SAID THIS MYSELF." 1067 00:36:42,034 --> 00:36:43,832 I DON'T WANT TO TALK ABOUT MEL AND THIS SITUATION. 1068 00:36:43,834 --> 00:36:45,132 I COULD CARE LESS. 1069 00:36:45,134 --> 00:36:46,965 WE SUPPOSED GET TOGETHER TO HAVE A FAMILY GET-TOGETHER. 1070 00:36:46,967 --> 00:36:49,032 I DON'T WANT TO TALK ABOUT THIS. 1071 00:36:49,034 --> 00:36:50,632 Y'ALL ALREADY KNOW 1072 00:36:50,634 --> 00:36:53,399 HOW I FEEL ABOUT THE WHOLE SITUATION. 1073 00:36:53,401 --> 00:36:54,899 OKAY, LADIES. 1074 00:36:54,901 --> 00:36:57,065 WE'RE GONNA GO AHEAD AND HAVE A CONVERSATION WITH THE GUYS. 1075 00:36:57,067 --> 00:36:58,665 ...SINCE MONSTER MADE HIS... 1076 00:36:58,667 --> 00:37:01,765 BOY, SHE PUT THE BRAKES ON THAT, DIDN'T SHE? 1077 00:37:01,767 --> 00:37:04,132 THIS WAS SUPPOSED TO BE A NICE FAMILY DINNER, 1078 00:37:04,134 --> 00:37:06,299 BUT FOR REAL, CAN WE JUST ALL GET ALONG? 1079 00:37:06,301 --> 00:37:09,299 THIS IS NOT THE TIME OR PLACE FOR THIS RIGHT NOW. 1080 00:37:09,301 --> 00:37:10,999 ALL THIS ENERGY IS GOOD. 1081 00:37:11,001 --> 00:37:12,232 I LIKE IT. -THIS ENERGY IS NOT GOOD. 1082 00:37:12,234 --> 00:37:13,532 ...BECAUSE I'M GONNA NEED THIS ENERGY... 1083 00:37:13,534 --> 00:37:14,965 I LIKE WHAT HE'S SAYING. 1084 00:37:14,967 --> 00:37:16,299 ...BECAUSE I WANT US TO DO SOME STUFF 1085 00:37:16,301 --> 00:37:17,899 FOR VOTER REGISTRATION. HE PUT ME OUT. 1086 00:37:17,901 --> 00:37:19,199 AND SO I NEED ALL THIS ENERGY... 1087 00:37:19,201 --> 00:37:22,599 LISTEN! LISTEN! TWO EARS. 1088 00:37:22,601 --> 00:37:24,065 THAT SAME ENERGY. I JUST GOT A MOUTH. 1089 00:37:24,067 --> 00:37:26,399 KIMMI SAID SHE NEED THAT ENERGY TO FOLLOW HER TO HER NEXT EVENT. 1090 00:37:26,401 --> 00:37:27,699 -LISTEN! -WHAT EVENT IS THIS, KIMMI? 1091 00:37:27,701 --> 00:37:29,465 I HAD TALKED TO MILLI THE OTHER DAY, 1092 00:37:29,467 --> 00:37:31,965 AND MILLI AND I WERE KIND OF BRAINSTORMING ABOUT SOME STUFF 1093 00:37:31,967 --> 00:37:35,232 WE COULD DO TO KIND OF HELP REMIND PEOPLE 1094 00:37:35,234 --> 00:37:36,465 TO GET OUT AND VOTE. 1095 00:37:36,467 --> 00:37:39,399 WHO'S ALL GONNA BE A PART OF THE EVENT? 1096 00:37:39,401 --> 00:37:42,832 OBVIOUSLY, I WANT TO EXTEND THE INVITATION TO EVERYBODY, 1097 00:37:42,834 --> 00:37:45,365 MELODY AND ALL OF THEM, AND I DON'T KNOW... 1098 00:37:45,367 --> 00:37:46,765 I WANT THAT TO BE A... 1099 00:37:46,767 --> 00:37:50,565 SO WE'RE GONNA HAVE DIFFERENT TEAMS, BASICALLY. 1100 00:37:50,567 --> 00:37:51,932 YOU SAID, "TEAMS"? 1101 00:37:51,934 --> 00:37:53,732 I'M JUST SAYING, WE COULD HAVE A TEAM "A" AND TEAM "B." 1102 00:37:53,734 --> 00:37:55,699 I DIDN'T THINK ABOUT TEAMS. I THINK SO. 1103 00:37:55,701 --> 00:37:57,032 BUT THAT SOUNDS REASONABLE. 1104 00:37:57,034 --> 00:37:58,199 YEAH. 1105 00:37:58,201 --> 00:37:59,432 GUYS, Y'ALL DON'T UNDERSTAND WHAT HAPPENED. 1106 00:37:59,434 --> 00:38:00,699 Maurice: WHAT HAPPENED? 1107 00:38:00,701 --> 00:38:02,965 I'M OVER HERE WORKING AT BLACK THE OTHER DAY. 1108 00:38:02,967 --> 00:38:04,599 ME AND JAYLIN SITTING THERE WORKING. 1109 00:38:04,601 --> 00:38:05,999 IN COME THROUGH THE DOOR, 1110 00:38:06,001 --> 00:38:08,632 JUST A-SWITCHING COMES... 1111 00:38:08,634 --> 00:38:10,599 MARTELL? 1112 00:38:10,601 --> 00:38:12,632 [ LAUGHTER ] 1113 00:38:12,634 --> 00:38:16,099 Wanda: OH, GOD! 1114 00:38:16,101 --> 00:38:19,665 OH, GOD! I GOT TO PUT MY CHEST IN IT NOW, 1115 00:38:19,667 --> 00:38:21,965 FOR REAL. 1116 00:38:21,967 --> 00:38:23,499 NO, NO, NO, NO, NO. 1117 00:38:23,501 --> 00:38:26,632 [ YELLS INDISTINCTLY ] 1118 00:38:26,634 --> 00:38:27,765 OH, NO! 1119 00:38:27,767 --> 00:38:29,299 NO, BUT SERIOUSLY... 1120 00:38:29,301 --> 00:38:30,865 IT WAS A JOKE! 1121 00:38:30,867 --> 00:38:32,965 [ LAUGHTER ] 1122 00:38:32,967 --> 00:38:34,265 NO, BUT SERIOUSLY, IT WAS... 1123 00:38:34,267 --> 00:38:35,399 [ SPEAKS INDISTINCTLY ] 1124 00:38:35,401 --> 00:38:37,532 MEL...SO MEL COMES THROUGH THE DOOR, 1125 00:38:37,534 --> 00:38:41,299 AND I'M SITTING HERE AT BLACK, AND I SWEAR TO GOD, 1126 00:38:41,301 --> 00:38:43,365 THEY'RE CLAIMING RIGHT NOW, JUST SO YOU'RE AWARE, 1127 00:38:43,367 --> 00:38:45,165 AND YOU'LL SEE IT, 1128 00:38:45,167 --> 00:38:47,565 THEY'RE SAYING THAT I PUT THEIR TAX INFORMATION OUT. 1129 00:38:47,567 --> 00:38:49,865 SO THEY'RE SAYING THAT I'M TRYING TO RUIN THEIR BRAND, 1130 00:38:49,867 --> 00:38:51,399 AND I TOLD THEM THAT I THINK THERE'S TWO PEOPLE 1131 00:38:51,401 --> 00:38:54,299 THAT ARE MORE RESPONSIBLE FOR RUINING THEIR BRAND THAN ME. 1132 00:38:54,301 --> 00:38:55,965 BUT I DIDN'T REALLY GO INTO THE DETAILS 1133 00:38:55,967 --> 00:38:57,499 OF WHO THE TWO PEOPLE ARE. 1134 00:38:57,501 --> 00:38:58,999 YOU SHOULDN'T EVEN BE TALKING TO THEM! 1135 00:38:59,001 --> 00:39:00,232 WELL, YOU TALKING ABOUT... YOU SHOULD'VE KICKED HER BUTT 1136 00:39:00,234 --> 00:39:02,099 RIGHT BACK OUT THE DOOR LIKE SHE DID YOUR WIFE. 1137 00:39:02,101 --> 00:39:03,099 OH, MA. THAT WHAT YOU SHOULD'VE DONE. 1138 00:39:03,101 --> 00:39:04,632 I DON'T DO THAT. I DON'T DO THAT. 1139 00:39:04,634 --> 00:39:05,699 MAN, YOU GONNA SIT THERE. I DON'T CARE WHAT YOU DON'T DO. 1140 00:39:05,701 --> 00:39:07,032 THAT WHAT YOU SHOULD HAVE DONE, THOUGH. 1141 00:39:07,034 --> 00:39:08,065 OKAY. 1142 00:39:08,067 --> 00:39:11,399 MEL CONTACTED ME AND INVITED THE GIRLS 1143 00:39:11,401 --> 00:39:14,165 TO HER DAUGHTER'S BIRTHDAY PARTY. 1144 00:39:14,167 --> 00:39:16,299 WE'RE GONNA THINK ABOUT IT, AND WE MAY, 1145 00:39:16,301 --> 00:39:18,399 AND WE MAY NOT, BUT WE MAY. 1146 00:39:18,401 --> 00:39:19,632 Wanda: SO ARE Y'ALL GOING? 1147 00:39:19,634 --> 00:39:22,099 ARE WE GOING? MORE THAN LIKELY. 1148 00:39:22,101 --> 00:39:24,265 MORE THAN LIKELY. I FIGURED THAT. 1149 00:39:24,267 --> 00:39:26,032 THAT WHAT? 1150 00:39:26,034 --> 00:39:28,632 JUST BEING SHADY, ALL OVER THERE BEING SHADY. 1151 00:39:28,634 --> 00:39:29,965 OH, YOU'RE SAYING YOU'RE BEING SHADY? 1152 00:39:29,967 --> 00:39:31,832 -NO, Y'ALL ARE. -OH. 1153 00:39:31,834 --> 00:39:33,532 HOW ARE WE BEING SHADY? 1154 00:39:33,534 --> 00:39:34,632 KIMMI. 1155 00:39:34,634 --> 00:39:35,765 NO, I MEAN, I'M GOING, TOO. 1156 00:39:35,767 --> 00:39:36,799 WE'RE A TEAM AND GOING TOGETHER, 1157 00:39:36,801 --> 00:39:37,899 SO HOW ARE WE BEING SHADY? 1158 00:39:37,901 --> 00:39:38,899 SO BOTH OF YOU ARE. BOTH OF Y'ALL ARE. 1159 00:39:38,901 --> 00:39:40,132 OKAY, SO HOW ARE WE BEING SHADY? 1160 00:39:40,134 --> 00:39:42,299 ARE YOU A TRUE SCOTT, OR ARE YOU DOWN WITH THE HOLTS? 1161 00:39:42,301 --> 00:39:44,099 ZIP IT. HEY, WANDA. 1162 00:39:44,101 --> 00:39:45,399 I FEEL LIKE THAT'S BEING VERY SHADY. 1163 00:39:45,401 --> 00:39:46,799 DO YOU THINK WE'RE SHADY? 1164 00:39:46,801 --> 00:39:48,265 HOW CAN YOU GO SOMEWHERE, AND YOU CONSIDER YOURSELVES 1165 00:39:48,267 --> 00:39:50,165 SITTING HERE WITH YOUR SISTER ALL THE TIME, 1166 00:39:50,167 --> 00:39:51,499 AND Y'ALL COMMUNICATE, 1167 00:39:51,501 --> 00:39:53,399 AND THEN Y'ALL ARE GONNA JUST TAKE ONE SIDE? 1168 00:39:53,401 --> 00:39:54,699 EITHER Y'ALL DOWN WITH THE HOLTS... 1169 00:39:54,701 --> 00:39:56,965 YOU THINK I SHOULD DENY MACI'S FRIENDS... 1170 00:39:56,967 --> 00:39:58,232 YES. 1171 00:39:58,234 --> 00:39:59,365 ...BASED ON MY RELATIONSHIP WITH THEIR PARENTS? 1172 00:39:59,367 --> 00:40:01,099 YES, YES, YES... OKAY. OKAY. 1173 00:40:01,101 --> 00:40:02,365 ...BECAUSE IF I CAN'T TRUST A FRIEND, I CAN'T TRUST... 1174 00:40:02,367 --> 00:40:03,565 I'M JUST GLAD YOU'RE NOT MACI'S -- 1175 00:40:03,567 --> 00:40:04,765 ...I'M NOT GOING TO TRUST MY CHILD... 1176 00:40:04,767 --> 00:40:05,899 I'M GLAD YOU'RE NOT MACI'S PARENT. 1177 00:40:05,901 --> 00:40:07,265 ...AROUND A FRIEND THAT I CANNOT TRUST. 1178 00:40:07,267 --> 00:40:08,332 THEY'RE NOT YOUR FRIENDS. THEY'RE NOT MY FRIENDS. 1179 00:40:08,334 --> 00:40:09,499 OKAY. BUT MY DAUGHTER HAS A FRIEND. 1180 00:40:09,501 --> 00:40:10,532 SO WHY I WOULD TAKE MY CHILD AROUND THERE? 1181 00:40:10,534 --> 00:40:11,599 BECAUSE MY DAUGHTER HAS A FRIEND. 1182 00:40:11,601 --> 00:40:12,832 YOUR DAUGHTER CAN HAVE MORE FRIENDS. 1183 00:40:12,834 --> 00:40:14,265 THAT KIND OF LOGIC MAKES ABSOLUTELY NO SENSE TO ME. 1184 00:40:14,267 --> 00:40:15,199 THANK YOU, THOUGH. 1185 00:40:15,201 --> 00:40:16,399 OKAY, WELL, MAYBE NOT. RIGHT. 1186 00:40:16,401 --> 00:40:17,599 MAYBE NOT. I'M GLAD THEY'RE MY KIDS. 1187 00:40:17,601 --> 00:40:18,699 BUT SAYING THAT TO ME THAT YOU EAT [BLEEP] 1188 00:40:18,701 --> 00:40:19,965 THAT'S WHAT IT SEEMED LIKE TO ME. 1189 00:40:19,967 --> 00:40:21,732 WHAT'S EATING [BLEEP] GOT TO DO WITH THIS? 1190 00:40:21,734 --> 00:40:23,899 THAT WHAT YOU DOING. THAT EXACTLY WHAT YOU DOING. 1191 00:40:23,901 --> 00:40:26,499 YOU'D BE SURPRISED WHOSE [BLEEP] I EAT. 1192 00:40:26,501 --> 00:40:27,799 YOU'D BE SURPRISED WHOSE [BLEEP] I EAT. 1193 00:40:27,801 --> 00:40:29,832 NO, NO, NO, NO, NO. YOU WOULD. 1194 00:40:29,834 --> 00:40:31,699 I'M GONNA TELL Y'ALL SOMETHING. 1195 00:40:31,701 --> 00:40:33,865 WHOO! 1196 00:40:33,867 --> 00:40:36,365 ¶ HAPPY BIRTHDAY TO YOU ¶ 1197 00:40:38,367 --> 00:40:41,999 ¶ HAPPY BIRTHDAY TO KIMMI ¶ 1198 00:40:42,001 --> 00:40:43,365 OH, THAT'S FOR ME? 1199 00:40:43,367 --> 00:40:45,132 ¶ HAPPY BIRTHDAY ¶ 1200 00:40:45,134 --> 00:40:46,632 YAY, ME! 1201 00:40:49,101 --> 00:40:52,765 YAY! THANK YOU, LATISHA! 1202 00:40:52,767 --> 00:40:55,099 YOU'RE WELCOME! 1203 00:40:55,101 --> 00:40:56,965 BROUGHT IT OUT SO FAST! 1204 00:40:56,967 --> 00:40:59,165 OH, I'M GETTING CAKE EVERY DAY! 1205 00:40:59,167 --> 00:41:02,799 NEXT ON "LOVE & MARRIAGE: HUNTSVILLE"... 1206 00:41:02,801 --> 00:41:03,965 SO THERE'S THIS AMAZING LADY, 1207 00:41:03,967 --> 00:41:05,532 AND SHE'S PUTTING TOGETHER THIS STAGE PLAY, 1208 00:41:05,534 --> 00:41:06,699 AND SHE WANTS YOU TO BE A PART. 1209 00:41:06,701 --> 00:41:08,465 WOW. I THINK IT'S A GOOD IDEA. 1210 00:41:08,467 --> 00:41:09,999 Martell: THAT DOESN'T MEAN WE GOT TO TAKE IT. 1211 00:41:10,001 --> 00:41:11,332 HOLD ON. DON'T GET MAD. 1212 00:41:11,334 --> 00:41:13,199 BUT A LOT OF THINGS THAT WE'RE DOING RIGHT NOW, 1213 00:41:13,201 --> 00:41:14,465 EVERYTHING ISN'T BRINGING IN MONEY. 1214 00:41:14,467 --> 00:41:16,399 SO IF WE KEEP DISHING OUR MONEY OUT, 1215 00:41:16,401 --> 00:41:17,699 WE'LL MESS AROUND AND BE BROKE. 1216 00:41:19,734 --> 00:41:22,565 HE TOLD ME THAT HE WASN'T ACCEPTING MY RESIGNATION. 1217 00:41:24,201 --> 00:41:27,965 YOU TAKING MY LAST NAME IS VERY IMPORTANT TO ME. 1218 00:41:27,967 --> 00:41:29,765 WE'LL TALK ABOUT THIS IN COUNSELING. 1219 00:41:31,801 --> 00:41:34,532 I JUST WANT TO JUST TRY TO STOP THE MEANNESS. 1220 00:41:34,534 --> 00:41:36,299 SO WHERE DO YOU THINK THE MEANNESS COMES FROM? 1221 00:41:36,301 --> 00:41:38,399 YOU AND YOUR HUSBAND. 96275

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