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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:06,574 --> 00:00:09,177 YOU CUT ME. 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:09,210 --> 00:00:12,180 YOU CUT ME. YOU CUT ME TO THE CORE. 5 00:00:12,213 --> 00:00:13,681 YOU CUT ME, YOU CUT ME, 6 00:00:13,714 --> 00:00:16,517 YOU CUT ME TO THE CORE. 7 00:00:17,685 --> 00:00:21,822 I NEED YOU. 8 00:00:21,855 --> 00:00:23,391 -THANK YOU. - ALL RIGHT, ALL RIGHT. 9 00:00:23,424 --> 00:00:25,059 THAT'S DAVID KADOWSKI EVERYBODY. 10 00:00:25,093 --> 00:00:26,427 AND REMEMBER, GUYS, WHEN YOU GET THE LIGHT 11 00:00:26,460 --> 00:00:28,196 THAT MEANS YOU REALLY HAVE TO WRAP IT UP. 12 00:00:28,229 --> 00:00:32,466 WE CAN'T KEEP GOING OVER. ALL RIGHT, WE ARE AT NUMBER 37, 13 00:00:32,500 --> 00:00:34,368 PAUL SCOTT. 14 00:00:34,402 --> 00:00:36,837 -PAUL SCOTT, ANOTHER NO SHOW. - NO! 15 00:00:36,870 --> 00:00:39,573 PAUL SCOTT? ALL RIGHT, EVERYONE, GIVE A BIG ROUND OF APPLAUSE 16 00:00:39,607 --> 00:00:43,777 -FOR PAUL SCOTT, YEAH. 17 00:00:43,811 --> 00:00:47,348 THANKS A LOT. THANK YOU. 18 00:00:47,381 --> 00:00:53,221 SO, I HAVE THIS BUDDY. HE'S A MUSICIAN, PRETTY FAMOUS. 19 00:00:53,254 --> 00:00:56,590 WE'VE BEEN FRIENDS SINCE WE WERE KIDS. 20 00:00:56,624 --> 00:00:58,292 AND A FEW MONTHS AGO... 21 00:00:58,326 --> 00:00:59,827 -I WENT ON A ROAD TRIP 22 00:00:59,860 --> 00:01:05,199 WITH A BUDDY. AND IT WAS AN OLD FRIEND OF MINE. 23 00:01:05,233 --> 00:01:06,700 WE'D KNOWN EACH OTHER SINCE WE WERE KIDS. 24 00:01:06,734 --> 00:01:07,835 - LOVE YOU, DAVID! -AND HE'S A COMEDIAN. 25 00:01:07,868 --> 00:01:09,370 HE'S A VERY FUNNY GUY. 26 00:01:09,403 --> 00:01:12,340 UM, BUT, HE WAS KIND OF DOWN ON HIS LUCK, 27 00:01:12,373 --> 00:01:15,476 AND HE ASKED ME IF I WANT TO OPEN UP FOR HIM 28 00:01:15,509 --> 00:01:17,278 ON HIS EAST COAST TOUR. 29 00:01:17,311 --> 00:01:20,248 SOUNDS PRETTY COOL, RIGHT? 30 00:01:20,281 --> 00:01:23,151 -NO, IT WAS A FUCKING-- -BREAKTHROUGH. 31 00:01:23,184 --> 00:01:25,419 - YEAH, WHOO! -A BREAKTHROUGH. 32 00:01:25,453 --> 00:01:27,121 AND IT WAS TWO FRIENDS. 33 00:01:27,155 --> 00:01:28,656 YOU KNOW, TWO ARTISTS, REALLY, TRAVELING 34 00:01:28,689 --> 00:01:30,891 THROUGH THE FORGOTTEN COASTAL TOWNS OF AMERICA, 35 00:01:30,924 --> 00:01:33,227 TRYING TO MAKE CONNECTIONS WITH PEOPLE. 36 00:01:33,261 --> 00:01:36,430 NO PRESS AGENTS, NO PUBLICITY, 37 00:01:36,464 --> 00:01:39,467 JUST A MAN AND HIS MICROPHONE. 38 00:01:39,500 --> 00:01:42,536 ANYWAY, I'D LIKE TO DEDICATE THIS SONG TO MY BUDDY, PAUL. 39 00:01:42,570 --> 00:01:45,673 -AND, UH, SHOULD BE GOOD. 40 00:01:52,446 --> 00:01:56,350 * I SHIVER, I SHAKE, YEAH, I'M COLD WHEN I WAKE * 41 00:01:56,384 --> 00:02:00,688 * THE DREAM I WAS HAVING, I'M GLAD IT WAS FAKE * 42 00:02:00,721 --> 00:02:04,658 * MY MOTHER WAS RIGHT, I HAVE TO RELAX * 43 00:02:04,692 --> 00:02:08,629 * THESE THOUGHTS I AM HAVING ARE HOLDING ME BACK * 44 00:02:12,333 --> 00:02:16,537 * IT MAY SOUND DEPRESSING, YEAH, I KNOW IT'S SO SAD, 45 00:02:16,570 --> 00:02:20,374 * IT'S THE HAPPIEST THOUGHT THAT I'VE EVER HAD * 46 00:02:20,408 --> 00:02:25,513 * THEN HOW COME I WAKE AND I FEEL I WILL BREAK * 47 00:02:25,546 --> 00:02:30,418 * YEAH, I'M BROKEN 48 00:02:30,451 --> 00:02:34,322 * THE FEELING COLLAPSING INSIDE ME * 49 00:02:34,355 --> 00:02:38,892 * MY LIFE, WELL, I STRUGGLE INSIDE * 50 00:02:38,926 --> 00:02:42,530 * COULD YOU PLEASE BE MY CONSTANT * 51 00:02:42,563 --> 00:02:46,800 * CAUSE I HAVE 50 THOUGHTS AT A TIME * 52 00:02:46,834 --> 00:02:51,205 * YEAH, DON'T LEAVE ME NOW 53 00:02:51,239 --> 00:02:54,208 * I NEED YOU BY MY SIDE 54 00:02:55,876 --> 00:02:59,647 * DON'T LEAVE ME NOW 55 00:02:59,680 --> 00:03:02,783 * I NEED YOU BY MY SIDE 56 00:03:10,324 --> 00:03:13,661 * CAUSE I'M BROKEN 57 00:03:13,694 --> 00:03:15,629 WHO OWNS A FLAT SCREEN TV HERE? 58 00:03:15,663 --> 00:03:17,698 ANYBODY HAVE A FLAT SCREEN TV? 59 00:03:17,731 --> 00:03:19,500 I RECENTLY GOT A HUGE FLAT SCREEN TV, 60 00:03:19,533 --> 00:03:21,302 I WENT TO THE DEPARTMENT STORE, 61 00:03:21,335 --> 00:03:23,571 AND THE GUY WAS LIKE "THIS IS A 42-INCH TELEVISION." 62 00:03:23,604 --> 00:03:25,873 I WAS LIKE, "REALLY? I DON'T REALLY THINK IT'S 42 INCHES." 63 00:03:25,906 --> 00:03:29,377 I TOOK OUT MY TAPE MEASURE. IT WAS 37 AND A HALF INCHES. 64 00:03:29,410 --> 00:03:31,011 I WAS LIKE, "WHAT'S THIS? THIS IS 37 AN A HALF INCHES." 65 00:03:31,044 --> 00:03:34,582 HE SAYS. "OH, NO, NO, YOU GOTTA MEASURE IT DIAGONALLY." 66 00:03:34,615 --> 00:03:36,450 LATER ON THAT NIGHT I WAS GETTING FRISKY 67 00:03:36,484 --> 00:03:38,519 WITH MY LADY BACK AT MY PLACE, 68 00:03:38,552 --> 00:03:40,321 SHE WAS LIKE, "YOU DON'T HAVE AN EIGHT INCH PENIS." 69 00:03:40,354 --> 00:03:42,590 I WAS LIKE, "NO SWEETHEART, WE GOTTA MEASURE IT DIAGONALLY." 70 00:03:44,292 --> 00:03:45,459 ALL RIGHT, THANK YOU, YOU'VE BEEN A GREAT CROWD. 71 00:03:45,493 --> 00:03:46,760 -GOOD NIGHT, EVERYBODY. 72 00:03:52,333 --> 00:03:55,436 -HEY, RANDY. -HAVE A SEAT. 73 00:03:55,469 --> 00:03:56,704 YOU GOT YOUR DRINK TICKETS? 74 00:03:56,737 --> 00:03:59,707 -I DO, YEAH, THANKS. -HOW'S EMILY? 75 00:03:59,740 --> 00:04:00,941 GOOD. GOOD. 76 00:04:00,974 --> 00:04:03,411 WE BROKE UP, BUT I HEAR SHE'S GOOD. 77 00:04:03,444 --> 00:04:06,614 OH, MAN, I'M SORRY. SHE WAS VERY ATTRACTIVE. 78 00:04:06,647 --> 00:04:08,816 YEAH, YEAH, STILL IS. 79 00:04:08,849 --> 00:04:10,651 STILL IS ATTRACTIVE. STILL ALIVE. 80 00:04:10,684 --> 00:04:12,586 YOU GUYS WERE ENGAGED, RIGHT? 81 00:04:12,620 --> 00:04:15,556 -YEAH, MM-HMM. -SUCKS, MAN. 82 00:04:15,589 --> 00:04:18,592 -THAT'S WHY I NEVER DATE HOT GIRLS. -YEAH. 83 00:04:18,626 --> 00:04:19,927 WHAT ABOUT TONIGHT, HOW DID YOU FEEL? 84 00:04:19,960 --> 00:04:21,995 GOOD, GOOD, I THINK IT WENT PRETTY WELL. 85 00:04:22,029 --> 00:04:24,598 THE CROWD SEEMED A LITTLE-- A LITTLE DISTANT, 86 00:04:24,632 --> 00:04:26,300 BUT I THINK IT WAS GOOD. 87 00:04:26,334 --> 00:04:27,868 YEAH, SURE. 88 00:04:29,370 --> 00:04:30,771 -WHY? HOW DO YOU THINK IT WENT? -ME? 89 00:04:30,804 --> 00:04:32,573 I DON'T KNOW. I MEAN, I'M STARTING TO THINK 90 00:04:32,606 --> 00:04:34,742 MAYBE THE ACT HASN'T CHANGED THAT MUCH IN A FEW YEARS. 91 00:04:34,775 --> 00:04:37,010 MAYBE IT'S STARTING TO FEEL A LITTLE EARLY AUGHTS. 92 00:04:37,044 --> 00:04:39,680 WHAT ABOUT THAT WHOLE LINKEDIN VERSUS FACEBOOK RANT? 93 00:04:39,713 --> 00:04:41,482 I MEAN, ISN'T THAT BASICALLY JUST A REWORKING 94 00:04:41,515 --> 00:04:42,983 OF YOUR MYSPACE BIT THAT YOU USED TO DO? 95 00:04:43,016 --> 00:04:45,052 EVERYTHING IS REWORKED FROM SOMETHING ELSE. 96 00:04:45,085 --> 00:04:47,488 DIDN'T YOU DO LIKE A FRIENDSTER BIT BEFORE YOU DID THE MYSPACE THING? 97 00:04:47,521 --> 00:04:48,889 THAT'S MY POINT, LIKE, IT'S JUST WITH THE-- 98 00:04:48,922 --> 00:04:50,324 YOU'RE JUST FILLING IN NEW PIECES 99 00:04:50,358 --> 00:04:52,025 INTO A PRE-EXISTING STRUCTURE. 100 00:04:52,059 --> 00:04:53,661 ANYWAY, LOOK, I DON'T HAVE THAT MUCH TIME UP THERE. 101 00:04:53,694 --> 00:04:55,062 IT'S ALL SETUP, PUNCH LINE, SETUP, PUNCH LINE. 102 00:04:55,095 --> 00:04:56,864 I DON'T KNOW. MAYBE IT'S YOUR DELIVERY OR-- 103 00:04:56,897 --> 00:04:58,632 YEAH, WELL, WE WERE TALKING ABOUT THAT, 104 00:04:58,666 --> 00:05:00,434 DOING LIKE 30 OR 35 MINUTE HEADLINING SET 105 00:05:00,468 --> 00:05:02,736 AND I FEEL I CAN REALLY KIND OF GET INTO THE RHYTHM 106 00:05:02,770 --> 00:05:04,838 WITH THESE ANECDOTES, LIKE LETTING IT ROAM. 107 00:05:04,872 --> 00:05:06,774 YEAH, WE CAN DO THAT. WE CAN DEFINITELY DO THAT. 108 00:05:06,807 --> 00:05:08,409 COOL. 109 00:05:08,442 --> 00:05:11,912 OR THE OTHER OPTION IS YOU TAKE SOME TIME OFF, 110 00:05:11,945 --> 00:05:17,685 YOU COME BACK WHEN YOU HAVE 15 OR 20 MINUTES OF LIKE, FRESH MATERIAL. 111 00:05:17,718 --> 00:05:18,952 GIVES YOU A CHANCE TO REBOOT. 112 00:05:18,986 --> 00:05:21,054 RECHARGE A LITTLE BIT. 113 00:05:22,089 --> 00:05:23,724 RECHARGE. 114 00:05:26,093 --> 00:05:28,629 -THIS KID'S FUNNY. 115 00:05:40,073 --> 00:05:41,609 DROPPED SOMETHING. 116 00:05:49,417 --> 00:05:52,152 -HELLO? -HEY MAN, WHAT'S UP? 117 00:05:52,185 --> 00:05:54,588 -JASON? -YEAH, WHAT'S GOING ON, DUDE? 118 00:05:54,622 --> 00:05:55,989 HEY, HOW'S IT GOING? 119 00:05:56,023 --> 00:05:57,458 YOU CALLING ME FROM A NEW PHONE? 120 00:05:57,491 --> 00:05:59,493 NO, NO, NO, I'M ON STACY'S PHONE. 121 00:05:59,527 --> 00:06:01,395 STA- WHO'S STACY? 122 00:06:01,429 --> 00:06:04,532 STACY'S A FRIEND OF MINE. SHE JUST-- SHE'S REALLY HOT. 123 00:06:04,565 --> 00:06:06,099 HEY, YOU KNOW WHERE I AM RIGHT NOW? 124 00:06:06,133 --> 00:06:07,668 WE'RE AT THE ICE BAR. 125 00:06:07,701 --> 00:06:09,437 YOU SHOULD COME DOWN HERE AND GET A DRINK. 126 00:06:09,470 --> 00:06:10,704 DUDE, I CAN'T. I'M SORRY. I'D LOVE TO. 127 00:06:10,738 --> 00:06:12,506 WHEN ARE YOU BACK IN TOWN? 128 00:06:12,540 --> 00:06:15,042 I LEAVE TOMORROW MORNING, SO YOU'VE GOTTA COME NOW, MAN. 129 00:06:15,075 --> 00:06:17,511 THERE'S THREE GIRLS HERE, THEY'RE SUPER GOOD-LOOKING. 130 00:06:17,545 --> 00:06:18,746 COME ON. 131 00:06:18,779 --> 00:06:21,449 OKAY, ONE DRINK. 132 00:06:21,482 --> 00:06:23,484 HE HAS NO IDEA. HE'S LOST IN THE MUSIC. 133 00:06:23,517 --> 00:06:25,886 TURNS OUT HE DIDN'T TAKE ECSTASY, 134 00:06:25,919 --> 00:06:27,788 HE TOOK MY DAD'S DICK PILLS. 135 00:06:27,821 --> 00:06:29,457 -I HATE IT WHEN THAT HAPPENS. -RIGHT? 136 00:06:29,490 --> 00:06:32,626 DUDE, YOU SHOULD WORK THAT IN YOUR ACT, MAN. 137 00:06:32,660 --> 00:06:34,795 -YOU'RE A STANDUP? -YEAH, HE IS. 138 00:06:34,828 --> 00:06:36,196 PAUL'S THE FUNNIEST GUY I KNOW. 139 00:06:36,229 --> 00:06:37,931 YEAH? GO AHEAD, TELL US A JOKE. 140 00:06:37,965 --> 00:06:40,768 YEAH, TELL US A JOKE. 141 00:06:40,801 --> 00:06:44,204 I USUALLY TELL-- I USUALLY DO THAT ON STAGE WHERE-- WITH AN AUDIENCE. 142 00:06:44,237 --> 00:06:46,507 IT'S A CONTEXT THING. I DON'T TELL JOKES, REALLY. 143 00:06:46,540 --> 00:06:49,076 WELL, I MEAN WE HUNG OUT AT THIS AFTER PARTY WITH CHRIS ROCK, 144 00:06:49,109 --> 00:06:50,978 HE WAS AMAZING WITH JUST A COUPLE OF US. 145 00:06:51,011 --> 00:06:53,814 HE WAS TELLING JOKES ALL NIGHT. 146 00:06:53,847 --> 00:06:57,117 THAT'S CHRIS ROCK. WHEN YOU'RE IN THAT PANTHEON, LIKE RICHARD PRYOR, 147 00:06:57,150 --> 00:06:58,852 AND GEORGE CARLIN, AND STEVE MARTIN, 148 00:06:58,886 --> 00:07:00,888 -LIKE YOU CAN DO ANYTHING. -WAIT, WAIT, WAIT, WAIT, 149 00:07:00,921 --> 00:07:02,456 HEAR ME OUT HERE, ALL RIGHT? 150 00:07:02,490 --> 00:07:05,893 WHAT IF YOU COME ON TOUR WITH ME? 151 00:07:05,926 --> 00:07:08,596 -OH, THAT'S AWESOME. -WHAT? LIKE A GROUPIE? 152 00:07:08,629 --> 00:07:10,564 I MEAN NO OFFENSE. 153 00:07:10,598 --> 00:07:12,199 -NO, NOT-- -WE'RE NOT GROUPIES. 154 00:07:12,232 --> 00:07:14,835 -SERIOUSLY. -NO, I KNOW, THAT'S WHAT I'M SAYING. 155 00:07:14,868 --> 00:07:16,704 -NO. -NOT LIKE A GROUPIE, 156 00:07:16,737 --> 00:07:18,872 -AND NO YOU GUYS ARE NOT GROUPIES. -DEFINITELY NOT. 157 00:07:18,906 --> 00:07:21,208 NO, AS MY OPENING ACT, MAN. 158 00:07:21,241 --> 00:07:23,611 WHAT ARE YOU DOING FOR THE NEXT FEW WEEKS? 159 00:07:23,644 --> 00:07:25,112 YOU WANT ME TO OPEN UP FOR YOUR BAND? 160 00:07:25,145 --> 00:07:26,980 OH, IF YOU DON'T WANNA DO IT, MY COUSIN ACTUALLY KNOWS 161 00:07:27,014 --> 00:07:28,982 HANNIBAL BURESS. BE PERFECT FOR YOU. 162 00:07:29,016 --> 00:07:30,984 I DIDN'T SAY I DON'T WANNA DO IT, I'M JUST SAYING, 163 00:07:31,018 --> 00:07:33,721 YOU KNOW, JUST GIVE ME A SECOND TO THINK ABOUT IT. 164 00:07:33,754 --> 00:07:36,624 DON'T THINK ABOUT IT FOR TOO LONG, YOU KNOW? 165 00:07:36,657 --> 00:07:38,992 ALL RIGHT, READY? HERE'S TO COMEDY 166 00:07:39,026 --> 00:07:42,062 -BEFORE FOLK ROCK. -CHEERS. 167 00:07:59,212 --> 00:08:00,814 HELLO? 168 00:08:00,848 --> 00:08:02,850 -RISE AND SHINE. -WHAT THE FUCK ARE YOU DOING? 169 00:08:02,883 --> 00:08:04,752 WHAT DO YOU MEAN WHAT THE FUCK AM I DOING? I'M PICKING YOU UP. 170 00:08:04,785 --> 00:08:06,654 DUDE, I THOUGHT YOU WERE BULLSHITTING LAST NIGHT. 171 00:08:06,687 --> 00:08:08,589 NO WAY, DUDE, I WOULDN'T BULLSHIT ABOUT THIS. 172 00:08:08,622 --> 00:08:11,592 WAIT, HOLD THE DOOR! HOLD THE DOOR! I'M COMING UP! 173 00:08:12,593 --> 00:08:14,795 -DAMN. 174 00:08:14,828 --> 00:08:16,530 OKAY, OKAY. 175 00:08:16,564 --> 00:08:18,566 -YO, WHAT'S UP, DUDE? -WHAT'S UP, MAN? HEY. 176 00:08:18,599 --> 00:08:22,536 -WHAT A NIGHT, HUH? -YEAH. 177 00:08:22,570 --> 00:08:25,606 I LIKE WHAT YOU DID WITH THE PLACE. IT'S NICE. 178 00:08:25,639 --> 00:08:29,710 -THANKS, YEAH, IT WAS FEATURED IN "DWELL" MAGAZINE. -FUNNY. 179 00:08:29,743 --> 00:08:31,912 WELL, OUR FIRST STOP'S JERSEY, I WANNA GET ON THE ROAD 180 00:08:31,945 --> 00:08:33,814 AND GET GOING BEFORE RUSH HOUR TRAFFIC. 181 00:08:33,847 --> 00:08:35,883 JASON, I CAN'T JUST EJECT OUT OF MY LIFE 182 00:08:35,916 --> 00:08:38,285 -AND JOIN THE FUCKING CIRCUS. -DUDE, YOU'RE A TEMP. 183 00:08:38,318 --> 00:08:40,621 -CAN I HAVE A BEER? YOU WANT A BEER? -NO, YOU GO AHEAD. 184 00:08:40,654 --> 00:08:42,155 I'M IN A PLACE RIGHT NOW WHERE I NEED 185 00:08:42,189 --> 00:08:44,257 TO FOCUS ON MY WRITING, I NEED TO HUNKER DOWN 186 00:08:44,291 --> 00:08:45,959 AND FLESH OUT SOME NEW MATERIAL. 187 00:08:45,993 --> 00:08:48,028 WELL, THEN FLESH OUT SOME NEW MATERIAL ON THE ROAD. 188 00:08:48,061 --> 00:08:51,298 YOU ARE ASKING ME TO CREATE AN OPENING ACT FOR A MUSICAL PERFORMANCE. 189 00:08:51,331 --> 00:08:53,033 I CAN'T JUST WHIP IT UP IN AN AFTERNOON. 190 00:08:53,066 --> 00:08:55,302 YOU WERE ON CONAN. OKAY, I'M SURE YOU'LL BE FINE 191 00:08:55,335 --> 00:08:57,237 ON MY SOLO ACOUSTIC TOUR. 192 00:08:57,270 --> 00:09:00,073 -YEAH, IN A SKETCH ABOUT BARTMAN. -YEAH. 193 00:09:00,107 --> 00:09:02,275 ANYWAY, MY ROLE WAS A NON-SPEAKING ROLE. 194 00:09:02,309 --> 00:09:04,077 OKAY, IT'S NOT STANDUP. IT'S VERY DIFFERENT. 195 00:09:04,111 --> 00:09:06,647 WELL, WHATEVER, DUDE, I'M SURE IT'LL BE FINE. 196 00:09:06,680 --> 00:09:08,215 JASON, I NEED TO GET MY LIFE IN ORDER. 197 00:09:08,248 --> 00:09:09,883 I NEED TO CLIMB OUT OF DEBT. I NEED TO FIND A MATTRESS 198 00:09:09,917 --> 00:09:11,184 THAT DOESN'T HAVE A SLOW LEAK IN IT. 199 00:09:11,218 --> 00:09:12,920 WHAT THE FUCK ELSE ARE YOU GONNA DO? 200 00:09:12,953 --> 00:09:15,989 WHAT, ARE YOU GOING TO GO BACK TO ADVERTISING? 201 00:09:16,023 --> 00:09:18,826 NO. NO FUCKING WAY, DUDE. 202 00:09:18,859 --> 00:09:21,094 WHAT? WHAT? MY FORMER BOSS, HE STARTED THIS NEW AGENCY. 203 00:09:21,128 --> 00:09:22,796 -HE'S MAKING SIX FIGURES. 204 00:09:22,830 --> 00:09:25,999 HAS EQUITY IN STOCK BACKEND OPTIONS OR SOMETHING, 205 00:09:26,033 --> 00:09:27,801 HE SAID HE'D GIVE ME AN INTERVIEW IN THE NEXT FEW WEEKS. 206 00:09:27,835 --> 00:09:29,336 DUDE, HOW MANY TIMES HAVE WE FUCKING TALKED ABOUT THIS? 207 00:09:29,369 --> 00:09:33,340 A CAREER IN MUSIC? A CAREER IN COMEDY? 208 00:09:33,373 --> 00:09:35,776 THAT, MY FRIEND, IS A LIFETIME COMMITMENT. 209 00:09:35,809 --> 00:09:37,745 AND YOU WANNA LOOK BACK IN FOUR YEARS AND REALIZE 210 00:09:37,778 --> 00:09:39,379 THAT YOU GAVE UP BECAUSE A GIRL DUMPED YOU, 211 00:09:39,412 --> 00:09:41,849 AND THEN FUCKING MONEY WAS TIGHT? 212 00:09:47,354 --> 00:09:50,257 HEY, MAN, IS THERE ANY CHANCE WE CAN SWING BY MY OLD PLACE? 213 00:09:50,290 --> 00:09:51,959 I'D LOVE TO GRAB MY ROLLING BAG. 214 00:09:51,992 --> 00:09:55,663 WHAT? YOU STILL HAVE STUFF AT EMILY'S? 215 00:09:55,696 --> 00:09:57,097 A FEW LITTLE THINGS, YEAH. 216 00:10:00,801 --> 00:10:02,002 THANK YOU. 217 00:10:02,035 --> 00:10:04,137 YOU STILL HAVE A LOT OF STUFF HERE. 218 00:10:04,171 --> 00:10:06,339 YEAH. I'M STILL GETTING SETTLED IN MY NEW PLACE, BABE, 219 00:10:06,373 --> 00:10:07,975 -SORRY. -YOU KNOW, IT'S NO BIG DEAL, 220 00:10:08,008 --> 00:10:10,210 BUT, CAN YOU NOT KEEP CALLING ME "BABE"? 221 00:10:10,243 --> 00:10:12,079 SORRY, FORCE OF HABIT. 222 00:10:12,112 --> 00:10:14,047 OH, I GOT A CALL FROM THE WEDDING PLANNER. 223 00:10:14,081 --> 00:10:16,817 THE HOTEL'S GONNA GIVE US BACK 50% OF OUR DEPOSIT. 224 00:10:16,850 --> 00:10:20,120 OOH, 50%, HOW GENEROUS OF THEM. 225 00:10:20,153 --> 00:10:23,691 YOU REALLY THOUGHT WE WERE READY TO GET MARRIED? 226 00:10:23,724 --> 00:10:26,426 -I THOUGHT I WAS, YEAH. -YOU REALLY THINK THAT? 227 00:10:26,459 --> 00:10:28,028 YOU WERE OUT AT CLUBS EVERY NIGHT. 228 00:10:28,061 --> 00:10:29,262 YOU KNOW, YOU WERE GONE ON THE WEEKEND. 229 00:10:29,296 --> 00:10:31,398 I RARELY BOOK WEEKEND GIGS. 230 00:10:31,431 --> 00:10:33,667 -VERY RARELY. -OKAY, JUST, ALL RIGHT. 231 00:10:33,701 --> 00:10:37,771 ANYWAY, WHATEVER. I'M SURE YOU'LL BE VERY HAPPY HERE WITH... 232 00:10:37,805 --> 00:10:38,972 -ROB? -RON. 233 00:10:39,006 --> 00:10:41,174 RON, THE DJ. 234 00:10:41,208 --> 00:10:43,711 GRANDMASTER RON, RIGHT? THE YANKEES FAN. 235 00:10:43,744 --> 00:10:45,212 HE'S NOT A YANKEES FAN. 236 00:10:45,245 --> 00:10:47,380 -OKAY, HE JUST LIKES THE HAT. -THAT'S EVEN WORSE. 237 00:10:47,414 --> 00:10:49,950 WHAT ABOUT YOUR VINTAGE MILWAUKEE BREWERS JACKET? 238 00:10:49,983 --> 00:10:52,886 IN BOSTON, NO ONE GIVES A SHIT ABOUT THE MILWAUKEE BREWERS. 239 00:10:52,920 --> 00:10:55,188 THEY'RE IN DIFFERENT LEAGUES. IT'S NOT A COMPETITION. 240 00:10:55,222 --> 00:10:56,990 THAT'S WHAT MAKES IT IRONIC. WHAT'S HIS DJ NAME ANYWAY? 241 00:10:57,024 --> 00:10:59,026 -HE DOESN'T HAVE A DJ NAME. -TOO COOL FOR A DJ NAME. 242 00:10:59,059 --> 00:11:00,728 -NO. -HE'S ABOVE THAT. 243 00:11:00,761 --> 00:11:02,930 -DJ NO NAME. -LOOK, HE IS A NICE GUY, ALL RIGHT? 244 00:11:02,963 --> 00:11:04,698 HE'S HAPPY. HE'S NOT TORTURED. 245 00:11:04,732 --> 00:11:07,467 HE DOESN'T GET ANGRY AT ME IF I ORDER POUR OVER COFFEE. 246 00:11:07,500 --> 00:11:09,236 THAT ONE BARISTA WAS A PRICK. 247 00:11:09,269 --> 00:11:10,871 -OKAY, LOOK-- -WITH HIS LITTLE SPOUT. 248 00:11:10,904 --> 00:11:13,006 OKAY, LOOK, I WANT TO BE WITH SOMEBODY WHO DOESN'T 249 00:11:13,040 --> 00:11:17,778 FEEL THE NEED TO CATEGORIZE EVERY KNOWN FLAW IN THE MATERIAL WORLD. 250 00:11:17,811 --> 00:11:20,781 I'M AN OBSERVATIONAL COMIC, BABE. EMILY. 251 00:11:20,814 --> 00:11:22,249 -OKAY? IT'S WHAT I DO. -IS IT? 252 00:11:22,282 --> 00:11:23,984 -YES. -IS IT? BECAUSE THE COMEDY CLUBS 253 00:11:24,017 --> 00:11:26,720 DON'T SEEM TO APPRECIATE HOW FUNNY YOU ARE. 254 00:11:26,754 --> 00:11:29,056 THEY BARELY PAY YOU. YOU KNOW, IN ADVERTISING, 255 00:11:29,089 --> 00:11:31,258 PEOPLE KNEW HOW TALENTED YOU WERE. 256 00:11:31,291 --> 00:11:33,060 THEY DID. THEY GAVE YOU AWARDS. 257 00:11:33,093 --> 00:11:34,294 I MEAN, THEY STILL ASK ABOUT YOU 258 00:11:34,327 --> 00:11:35,996 DOWN AT THE AGENCY ALL THE TIME. 259 00:11:36,029 --> 00:11:37,931 WELL, YOU CAN TELL THEM I'M STILL PAYING MY DUES. 260 00:11:40,233 --> 00:11:44,037 HEY MAN. HOW DID IT GO? 261 00:11:44,071 --> 00:11:46,339 GOOD. REALLY GOOD. 262 00:11:46,373 --> 00:11:47,875 GOOD, THAT'S GOOD. 263 00:11:49,542 --> 00:11:52,079 GOOD. 264 00:11:52,112 --> 00:11:54,481 WHAT SHE WANTED WAS STABILITY. THAT'S WHAT SHE WANTED. 265 00:11:54,514 --> 00:11:56,016 SHE WANTED STABILITY. 266 00:11:56,049 --> 00:11:58,351 SHE WANTED COMFORT. SHE WANTED RELIABILITY. 267 00:11:58,385 --> 00:12:00,754 SHE WANTED A STURDY FOUNDATION TO BUILD A FUTURE ON. 268 00:12:00,788 --> 00:12:03,256 AND I GET IT. THAT'S WHAT I WANTED, TOO. I CAN'T BLAME HER FOR THAT. 269 00:12:03,290 --> 00:12:04,858 YEAH. LET ME ASK YOU A QUESTION. 270 00:12:04,892 --> 00:12:06,226 WHERE DO YOU THINK THAT COMES FROM? 271 00:12:06,259 --> 00:12:08,395 CERTAINLY DOESN'T COME FROM BEING WITH SOMEBODY 272 00:12:08,428 --> 00:12:11,031 WHO DOESN'T BELIEVE IN YOU, AND I BELIEVE IN YOU. 273 00:12:11,064 --> 00:12:12,465 AND YOU USED TO BELIEVE IN YOURSELF 274 00:12:12,499 --> 00:12:14,868 AND THAT'S WHY WE'RE GOING ON THIS TOUR. 275 00:12:14,902 --> 00:12:16,904 THAT'S WHY WE'RE GONNA GO TO PHILLY, WE'RE GONNA GO TO D.C., 276 00:12:16,937 --> 00:12:18,405 WE'RE GONNA GO ALL THE WAY DOWN TO GEORGIA, MAN. 277 00:12:18,438 --> 00:12:19,807 AND IT'S GONNA BE GREAT. 278 00:12:19,840 --> 00:12:21,141 WE'RE GONNA GET YOUR MOJO BACK. 279 00:12:21,174 --> 00:12:22,375 -MOJO? -YEAH! 280 00:12:22,409 --> 00:12:24,244 I'M NOT LOOKING TO DATE ANYONE, JASON. 281 00:12:24,277 --> 00:12:25,345 WHO SAID ABOUT DATING ANYBODY? 282 00:12:25,378 --> 00:12:26,513 THIS IS THE ROAD, OKAY? 283 00:12:26,546 --> 00:12:28,115 COMMITMENTS RUN LIGHT. 284 00:12:28,148 --> 00:12:29,449 SHIT, GET THIS MAN A BEER. 285 00:12:29,482 --> 00:12:31,018 GET HIM A BEER. HERE WE GO! 286 00:12:31,051 --> 00:12:33,120 YEAH, BEER HIM UP. 287 00:12:33,153 --> 00:12:34,521 GUYS! TO THE TOUR, RIGHT? 288 00:12:34,554 --> 00:12:35,956 -TO THE TOUR! -TO THE TOUR! 289 00:12:35,989 --> 00:12:38,826 -TO THE TOUR! -TO THE TOUR! YEAH! 290 00:12:40,593 --> 00:12:41,962 HERE WE GO! 291 00:12:41,995 --> 00:12:43,496 WE'RE AT THE CITY CENTER. 292 00:12:43,530 --> 00:12:45,899 -WELL, WE'RE HERE. -ALL RIGHT, CHUG THAT. 293 00:12:45,933 --> 00:12:47,434 ALL RIGHT, WE'RE HERE. WE GOTTA GO. 294 00:12:51,438 --> 00:12:53,473 OH, WHERE? WE'RE PLAYING HERE TONIGHT? 295 00:12:53,506 --> 00:12:55,042 NO, NO, NO. IN A FEW MONTHS WE WILL BE THOUGH. 296 00:12:55,075 --> 00:12:56,409 GREAT TOUR, GUYS. WAY TO GO. 297 00:12:56,443 --> 00:12:58,445 -SHOULD I GET MY BAG? -YEAH, GET YOUR BAG. 298 00:13:00,347 --> 00:13:02,049 DRIVE SAFE, GUYS. 299 00:13:08,989 --> 00:13:11,825 -OH. -OH, IS THAT YOUR CAR FROM COLLEGE? 300 00:13:11,859 --> 00:13:17,130 YEAH. I FIXED IT UP. PUT A LITTLE MONEY INTO IT. 301 00:13:17,164 --> 00:13:19,066 WELL, WHAT'S IT DOING HERE? 302 00:13:19,099 --> 00:13:21,368 YOU KINDA NEED A CAR FOR A ROAD TRIP. 303 00:13:21,401 --> 00:13:23,536 -RIGHT? -WE'RE NOT GOING ON THE BUS? 304 00:13:23,570 --> 00:13:24,872 WHAT? NO. 305 00:13:24,905 --> 00:13:26,106 -THE BUS? -YEAH. 306 00:13:26,139 --> 00:13:29,009 THE BUS IS LIKE 25 GRAND A WEEK, MAN. 307 00:13:29,042 --> 00:13:32,545 I'M DOING GOOD, BUT NOT THAT GOOD. 308 00:13:32,579 --> 00:13:34,247 NO, MAN, IT'S JUST US, 309 00:13:34,281 --> 00:13:36,383 THE ROAD, 310 00:13:36,416 --> 00:13:38,251 AND THE SWEDISH PICK-UP. 311 00:13:54,334 --> 00:13:56,136 OKAY, LET'S HEAR IT, LET'S HEAR YOUR LIST. 312 00:13:56,169 --> 00:13:59,139 OKAY, WELL, MINE IS LIKE, YOU GOT SIX, PAUL SIMON. 313 00:13:59,172 --> 00:14:00,874 OKAY. 314 00:14:00,908 --> 00:14:02,642 -FIVE, NEIL YOUNG. -OKAY. 315 00:14:02,675 --> 00:14:05,012 -WE GOT FOUR, CAT STEVENS. -CAT STEVENS? 316 00:14:05,045 --> 00:14:06,379 -WHAT DO YOU MEAN CAT STEVENS? -FUMBLE. 317 00:14:06,413 --> 00:14:07,647 -WHAT DO YOU MEAN, "FUMBLE"? -FUMBLE. 318 00:14:07,680 --> 00:14:09,216 -WHAT DO YOU MEAN? -THAT'S A FUMBLE. 319 00:14:09,249 --> 00:14:10,617 IT'S MY LIST. I CAN HAVE CAT STEVENS IF I WANT. 320 00:14:10,650 --> 00:14:12,119 FUMBLE RECOVERED BY THE DEFENSE. 321 00:14:12,152 --> 00:14:13,386 I RESPECTED YOUR LIST. RESPECT MY LIST. 322 00:14:13,420 --> 00:14:14,888 -OKAY. -OKAY? 323 00:14:14,922 --> 00:14:18,191 FOUR, CAT STEVENS. THREE, TOM PETTY. 324 00:14:18,225 --> 00:14:22,129 -AND BRUCE OBVIOUSLY IS ONLY SECOND TO-- -DYLAN. 325 00:14:22,162 --> 00:14:24,131 -BOB DYLAN. -OKAY, AND WHAT ABOUT JOHN LENNON? 326 00:14:24,164 --> 00:14:26,599 NO ROOM FOR JOHN LENNON? ONE OF THE GREATEST ARTISTS OF ALL TIME? 327 00:14:26,633 --> 00:14:28,435 THIS IS A TOUGH ONE, BUT JOHN LENNON, 328 00:14:28,468 --> 00:14:30,337 HE'S A BEATLE, AND WE'RE DOING SOLO ARTISTS. 329 00:14:30,370 --> 00:14:32,039 WELL, HE WAS A SOLO ARTIST FOR A WHILE. 330 00:14:32,072 --> 00:14:33,506 BUT, OKAY, WHAT IF THE BEATLES 331 00:14:33,540 --> 00:14:36,576 WERE CALLED JOHN LENNON AND THE BEATLES? THEN WHAT? 332 00:14:36,609 --> 00:14:39,646 WELL, THEN, HE'D BE LEAVING WHAT, LIKE THE TOP SPOT IN BANDS 333 00:14:39,679 --> 00:14:42,249 TO BE NUMBER THREE IN SOLO ARTISTS? 334 00:14:42,282 --> 00:14:44,117 I DON'T KNOW IF HE'D WANT TO DO THAT. 335 00:14:44,151 --> 00:14:47,087 BY THE WAY, BRUCE SPRINGSTEEN IS PART OF THE E STREET BAND. 336 00:14:47,120 --> 00:14:50,157 -THAT'S TRUE. -NOT TO MAKE A TECHNICALITY, BUT, YOU KNOW? 337 00:14:50,190 --> 00:14:52,025 -THAT'S A PROBLEM. -ALL RIGHT. 338 00:14:52,059 --> 00:14:53,693 WELL, WITH BRUCE, IT'S BRUCE, MAN. 339 00:14:53,726 --> 00:14:56,129 OKAY, SO THE RULES DON'T APPLY TO BRUCE. 340 00:14:56,163 --> 00:14:57,564 RULES DON'T APPLY TO BRUCE. 341 00:14:57,597 --> 00:14:59,066 MY DADDY USED TO TAKE ME DOWN 342 00:14:59,099 --> 00:15:01,501 TO THE OLD ABANDONED CADILLAC FACTORY. 343 00:15:01,534 --> 00:15:04,571 HOLD ON! WHY DID YOUR DADDY TAKE YOU DOWN 344 00:15:04,604 --> 00:15:06,273 TO THE OLD ABANDONED CADILLAC FACTORY? 345 00:15:06,306 --> 00:15:09,176 OH, IT'S BECAUSE MY DAD LIKED TO BE UNEMPLOYED. 346 00:15:09,209 --> 00:15:11,979 WE'D HAVE ALL DAY TO JUST THROW THE OLD BASEBALL AROUND. 347 00:15:12,012 --> 00:15:13,646 I USED TO KNOW THIS FOLK SINGER. 348 00:15:13,680 --> 00:15:15,348 -WHO? -YEAH. 349 00:15:15,382 --> 00:15:17,684 -YEAH. -HE WAS TALL, LOOKED LIKE TARZAN, 350 00:15:17,717 --> 00:15:20,520 BUT HE HAD A BIG BEARD. DIDN'T SMELL SO GOOD. 351 00:15:20,553 --> 00:15:22,155 I SAID, "I KNOW THIS FUNNY GUY." 352 00:15:22,189 --> 00:15:23,556 AND I SAID "YOU TWO SHOULD GO ON THE ROAD TOGETHER. 353 00:15:23,590 --> 00:15:25,658 PUT THAT FUNNY GUY ON THE ROAD WITH YOU. 354 00:15:25,692 --> 00:15:28,528 SEND HIM TO ALL THOSE ABANDONED COLLEGE BARS, 355 00:15:28,561 --> 00:15:31,264 AND BROKEN DOWN LITTLE MUSIC VENUES. 356 00:15:31,298 --> 00:15:33,166 THIS ONE'S CALLED 'FOLK HERO AND FUNNY GUY.'" 357 00:15:33,200 --> 00:15:35,202 ONE, TWO, THREE, FOUR. 358 00:15:44,377 --> 00:15:45,712 HOW ABOUT OUTBACK? OUTBACK'S GOOD? 359 00:15:45,745 --> 00:15:47,214 I DON'T WANNA EAT AT A CHAIN. 360 00:15:47,247 --> 00:15:48,581 DUDE, I'M STARVING. COME ON. 361 00:15:48,615 --> 00:15:50,383 BELIEVE ME, I'M STARVING, TOO. 362 00:15:50,417 --> 00:15:52,585 OKAY, I'M HUNGRY. I'M JUST AS HUNGRY AS YOU ARE, 363 00:15:52,619 --> 00:15:54,587 BUT WE JUST GOTTA GET OFF THIS FUCKING HIGHWAY. 364 00:15:54,621 --> 00:15:57,324 * I'M GONNA MAKE YOU MINE 365 00:15:57,357 --> 00:15:59,526 OKAY, THIS IS WHAT WE NEED RIGHT HERE. 366 00:15:59,559 --> 00:16:01,694 HI, HOW'S IT GOING? TWO PLEASE. 367 00:16:01,728 --> 00:16:03,696 -DRINKS ON THE BACK. -GREAT, THANK YOU SO MUCH. 368 00:16:03,730 --> 00:16:05,632 - AND YOU CAN SIT WHEREVER. -THANK YOU SO MUCH. 369 00:16:05,665 --> 00:16:09,402 I AM GOING TO DEVOUR EVERY MEAT-BASED ITEM ON THIS MENU. 370 00:16:09,436 --> 00:16:11,038 I BET YOU THEY GOT HOMEMADE PIE HERE. 371 00:16:11,071 --> 00:16:12,339 I'M GONNA GET YOU GUYS SOME WATER, 372 00:16:12,372 --> 00:16:14,607 -I'LL BE RIGHT BACK. -WAIT! ONE SECOND. 373 00:16:14,641 --> 00:16:17,244 -WAIT, ACTUALLY, I'VE GOT A COUPLE QUESTIONS ABOUT BEER. -YEAH, SURE. MM-HMM? 374 00:16:17,277 --> 00:16:19,646 I WAS LOOKING FOR AN IPA. DO YOU GUYS HAVE ANY KIND 375 00:16:19,679 --> 00:16:21,681 OF LIKE NON-PINEY, OR TOO HOPPY-- 376 00:16:21,714 --> 00:16:24,117 -CAN I GET A VODKA SODA? -WE HAVE COCKTAILS ON THE BACK. 377 00:16:24,151 --> 00:16:26,719 -YOU DON'T WANNA TRY SOMETHING FANCY? -NO, JUST LIKE A WELL VODKA. 378 00:16:26,753 --> 00:16:28,721 DO YOU GUYS HAVE THOSE FLIGHTS OF BEERS? YOU KNOW WHAT I MEAN? 379 00:16:28,755 --> 00:16:30,557 LIKE THEY HAVE FOUR DIFFERENT KINDS? 380 00:16:30,590 --> 00:16:32,559 NO. I KNOW WHAT YOU'RE TALKING ABOUT. 381 00:16:32,592 --> 00:16:34,294 WE DON'T HAVE ONE OF THOSE. SORRY. 382 00:16:34,327 --> 00:16:36,763 OH, OKAY. I'M GONNA DO THE BRIMMER LAGER. 383 00:16:36,796 --> 00:16:38,631 THAT SOUNDS GOOD. YEAH. GREAT. THANK YOU. 384 00:16:38,665 --> 00:16:42,135 UH, I HAVE TO TELL YOU, I SAW YOU PLAY 385 00:16:42,169 --> 00:16:43,570 AT GARDEN STATE ARTS CENTER LAST YEAR. 386 00:16:43,603 --> 00:16:45,338 OH, COOL. THAT WAS A GOOD SHOW. 387 00:16:45,372 --> 00:16:47,240 AND THEN I SAW YOU THE YEAR BEFORE AT BEACON THEATER. 388 00:16:47,274 --> 00:16:49,276 -COOL. -YEAH, I'M ALSO-- CAN I GET A BOWL OF CHILI? 389 00:16:49,309 --> 00:16:51,344 AND THEN THIS GOES WAY BACK, BUT WHEN YOU OPENED 390 00:16:51,378 --> 00:16:53,680 FOR MUMFORD AND SONS AT THE POCONOS RACEWAY, 391 00:16:53,713 --> 00:16:56,083 OH, MY GOD, A REAL FAN. 392 00:16:56,116 --> 00:16:58,351 -WELL, NO, I JUST LIKE MUSIC, YOU KNOW? -YEAH, YEAH, YEAH. 393 00:16:58,385 --> 00:16:59,486 I'M NOT JUST A WAITRESS. 394 00:16:59,519 --> 00:17:00,720 -I BLOG. -OH, REALLY? 395 00:17:00,753 --> 00:17:02,155 -YEAH. -THAT'S COOL. 396 00:17:02,189 --> 00:17:04,124 OH, WE HAVE AN OPEN MIC NIGHT TONIGHT. 397 00:17:04,157 --> 00:17:06,393 -YOU HAVE TO PLAY. -AN OPEN MIC NIGHT. 398 00:17:06,426 --> 00:17:08,495 -I KNOW, IT'S PERFECT. 399 00:17:08,528 --> 00:17:10,397 NO, NO, NO, IT WOULD BE EPIC. IT WOULD BE-- 400 00:17:10,430 --> 00:17:12,165 YEAH? IT WOULD MEAN SO MUCH TO US. 401 00:17:12,199 --> 00:17:14,267 I JUST DON'T REALLY DO ANY OPEN MICS ANYMORE. 402 00:17:14,301 --> 00:17:16,603 I KNOW, BUT IT-- THIS IS A COOL SPACE, 403 00:17:16,636 --> 00:17:19,139 LIKE THE CROWD'S AWESOME. IT WOULD MEAN A LOT TO US. 404 00:17:19,172 --> 00:17:20,573 IT WOULD BE REALLY COOL. 405 00:17:20,607 --> 00:17:22,375 I'LL TELL YOU WHAT, WHY DON'T YOU GET THIS GUY 406 00:17:22,409 --> 00:17:24,211 TO GET UP ON STAGE AND DO SOME STAND UP 407 00:17:24,244 --> 00:17:26,446 -AND THEN MAYBE I'LL GET UP AND DO A SET. -COMEDY? 408 00:17:26,479 --> 00:17:27,547 -YEAH. -GREAT. 409 00:17:27,580 --> 00:17:29,749 IF-- YOU REALLY WANNA DO A SET? 410 00:17:29,782 --> 00:17:32,419 -LET'S DO A SET. -SURE, YEAH, I'LL DO A QUICK SET, YEAH. 411 00:17:32,452 --> 00:17:34,254 YEAH, I'LL GO SIGN YOU GUYS UP. PERFECT. 412 00:17:34,287 --> 00:17:36,123 OH, OH, WAIT, ONE SECOND. WE'RE ACTUALLY REALLY HUNGRY. 413 00:17:36,156 --> 00:17:37,490 I'M GONNA GET THE PHILLY CHEESESTEAK, 414 00:17:37,524 --> 00:17:39,692 THE WINGS, AND THE CURLY FRIES. 415 00:17:39,726 --> 00:17:42,295 I'M GONNA STOP YOU THERE. OUR KITCHEN'S BEEN CLOSED SINCE 9:00. 416 00:17:42,329 --> 00:17:43,796 -WHAT? -SORRY. 417 00:17:43,830 --> 00:17:46,633 -REALLY, AND THERE'S-- -DID NO ONE TELL YOU? 418 00:17:46,666 --> 00:17:48,201 WHO'S SUPPOSED TO TELL ME BESIDES YOU? 419 00:17:48,235 --> 00:17:49,769 WE HAVE SOME CHIPS. 420 00:17:49,802 --> 00:17:51,738 AND WE HAVE JALAPENO, BUFFALO BLUE CHEESE, 421 00:17:51,771 --> 00:17:53,640 -SALT AND VINEGAR. -OH, THEY'RE HOMEMADE? 422 00:17:53,673 --> 00:17:55,475 -NO. -OH. 423 00:17:55,508 --> 00:17:57,410 OR, OH! THERE'S HALF A HAMBURGER IN THE BACK, 424 00:17:57,444 --> 00:18:00,213 UM, BUSBOY CLEARED IT OFF THE TABLE, NOBODY TOUCHED IT. 425 00:18:00,247 --> 00:18:01,481 IT'S NOT GROSS. I DO IT ALL THE TIME. 426 00:18:01,514 --> 00:18:02,749 I'M JUST GONNA STICK WITH THE CHIPS. 427 00:18:02,782 --> 00:18:04,517 JUST A BAG OF JALAPENO CHIPS, PLEASE. 428 00:18:04,551 --> 00:18:07,454 AND I'LL DO THE-- I'LL DO THE SALT AND VINEGAR. 429 00:18:07,487 --> 00:18:09,622 -COOL. -GREAT, THANK YOU. 430 00:18:12,625 --> 00:18:14,561 TELL ME YOU DIDN'T LIKE THAT. 431 00:18:14,594 --> 00:18:17,364 COME ON. 432 00:18:17,397 --> 00:18:22,169 * IF HAPPY GIRLS ARE THE PRETTIEST GIRLS * 433 00:18:22,202 --> 00:18:26,639 * THEN THIS IS ONE UGLY TALE * 434 00:18:26,673 --> 00:18:30,377 * I SOLD MY OLD COUCH, GRABBED THE FIRST TICKET OUT * 435 00:18:30,410 --> 00:18:33,713 * THOUGHT THESE WORDS UP AND THEN WROTE THEM DOWN * 436 00:18:36,183 --> 00:18:40,920 * BYE BYE, BYE BYE 437 00:18:40,953 --> 00:18:42,489 -SHE'S PRETTY GOOD, HUH? -SHE'S REALLY GOOD. 438 00:18:42,522 --> 00:18:43,923 -REALLY GOOD. -YEAH. 439 00:18:43,956 --> 00:18:48,661 * BYE BYE, BYE BYE 440 00:18:48,695 --> 00:18:51,331 SHE'S DEFINITELY GOT HER OWN THING, THAT'S FOR SURE. 441 00:18:52,399 --> 00:18:54,301 WHAT DOES THAT MEAN EXACTLY? 442 00:18:54,334 --> 00:18:55,802 -WHAT? -THING? 443 00:18:55,835 --> 00:18:57,237 SHE'S GOT HER OWN THING. 444 00:18:57,270 --> 00:18:59,439 YOU KNOW, LIKE MUSICIANS HAVE A THING. 445 00:18:59,472 --> 00:19:04,577 YOU KNOW, AND SOME DO AND SOME DON'T. 446 00:19:04,611 --> 00:19:08,748 -WHAT'S HER THING? -WELL, I'M THE GOOD TIMES OF WILCO MIXED WITH 447 00:19:08,781 --> 00:19:11,418 THE AUTHENTICITY OF BOB DYLAN. 448 00:19:11,451 --> 00:19:13,286 - ROLLING STONE, 2008. -RIGHT, YEAH. 449 00:19:13,320 --> 00:19:18,525 * AND NO ONE'S LISTENING I'M WORKING IT OUT * 450 00:19:20,760 --> 00:19:23,430 * DON'T YOU WORRY ABOUT ME 451 00:19:25,865 --> 00:19:30,637 * WELL, I'M IN MY VAN DRIVING WHERE I CAN * 452 00:19:30,670 --> 00:19:34,407 * UP AND DOWN HIGHWAYS AND STREETS THAT I FIND * 453 00:19:34,441 --> 00:19:36,709 WHAT'S MY THING? 454 00:19:36,743 --> 00:19:39,346 -WHAT'S YOUR THING? -YEAH, WHAT'S MY THING? 455 00:19:39,379 --> 00:19:43,416 YOU MEAN YOUR THING NOW OR LIKE YOUR THING IN THE FUTURE? 456 00:19:45,017 --> 00:19:47,854 YOU'RE SAYING I HAVEN'T FULLY FULFILLED MY THING? 457 00:19:47,887 --> 00:19:49,789 I THINK WE'RE FINDING THAT THING. 458 00:19:49,822 --> 00:19:52,392 THAT'S THE REASON THAT WE'RE ON THIS TOUR. 459 00:19:54,461 --> 00:19:57,330 ALL RIGHT, BRIAN. GIVE IT UP FOR BRIAN, EVERYBODY. 460 00:19:57,364 --> 00:19:59,999 -THAT WAS-- -IT'S BRYN, ACTUALLY, I'M A WOMAN. THANK YOU. 461 00:20:00,032 --> 00:20:02,402 I'M SORRY. THAT WAS REALLY-- IT WAS BEAUTIFUL THOUGH. 462 00:20:02,435 --> 00:20:05,772 OKAY, SO I NOTICED SOME OF YOU TAKING PHOTOS AND VIDEOS. 463 00:20:05,805 --> 00:20:08,775 IF YOU GUYS COULD PLEASE NOT UPLOAD THAT TO SOCIAL MEDIA 464 00:20:08,808 --> 00:20:11,911 WITHOUT HASHTAGGING IT "JBD OPEN MIC," 465 00:20:11,944 --> 00:20:13,846 THAT REALLY HELPS US OUT. THANK YOU VERY MUCH. 466 00:20:13,880 --> 00:20:17,384 AND YES, UP NEXT, WE HAVE A HILARIOUS COMEDIAN 467 00:20:17,417 --> 00:20:18,685 WHO'S CURRENTLY TOURING THE COUNTRY, 468 00:20:18,718 --> 00:20:20,987 OPENING FOR JASON BLACK, PAUL SCOTT. 469 00:20:30,830 --> 00:20:32,031 THANK YOU VERY MUCH. 470 00:20:32,064 --> 00:20:33,600 OH! 471 00:20:33,633 --> 00:20:35,568 IT'S A DILDO, LADIES AND GENTLEMEN. 472 00:20:35,602 --> 00:20:37,837 THAT WAS VERY SWEET OF YOU. 473 00:20:37,870 --> 00:20:39,906 ACTUALLY NEVER-- YOU KNOW WHAT IT FEELS LIKE? 474 00:20:39,939 --> 00:20:43,676 IT FEELS LIKE ONE OF THOSE STRESS BALLS, YOU KNOW? 475 00:20:43,710 --> 00:20:46,346 I SHOULD FEEL A LOT LESS STRESSFUL JUST SQUEEZING IT. 476 00:20:46,379 --> 00:20:48,648 THIS IS NICE. THIS IS RELAXING ME. 477 00:20:48,681 --> 00:20:49,982 I'M GONNA PUT THE DEVICE DOWN HERE. 478 00:20:50,016 --> 00:20:51,818 WHO'S THE BRIDE TO BE HERE AT THIS TABLE? 479 00:20:51,851 --> 00:20:53,386 YOU ARE? WHAT'S YOUR NAME? 480 00:20:53,420 --> 00:20:54,721 -ELIZABETH. -ELIZABETH? 481 00:20:54,754 --> 00:20:55,922 CONGRATULATIONS. 482 00:20:55,955 --> 00:20:59,559 YOUR HUSBAND'S A VERY LUCKY MAN. 483 00:20:59,592 --> 00:21:01,294 YOU KNOW WHAT A TELLTALE SIGN IS 484 00:21:01,328 --> 00:21:02,595 THAT YOUR FRIENDS ARE GETTING MARRIED 485 00:21:02,629 --> 00:21:04,964 IS WHEN THEY ASK FOR YOUR MAILING ADDRESS. 486 00:21:04,997 --> 00:21:07,567 'CAUSE IN TODAY'S DAY AND AGE, THERE'S ABSOLUTELY NO REASON 487 00:21:07,600 --> 00:21:09,001 TO GET SOMEONE'S PHYSICAL MAILING ADDRESS 488 00:21:09,035 --> 00:21:10,036 UNLESS YOU'RE GETTING MARRIED. 489 00:21:10,069 --> 00:21:11,571 THERE'S NOTHING SUBTLE, 490 00:21:11,604 --> 00:21:12,705 THERE'S NOTHING DISCREET ABOUT IT. 491 00:21:12,739 --> 00:21:14,507 IT'S LIKE TINDER AND FACEBOOK. 492 00:21:14,541 --> 00:21:17,043 YOU KNOW HOW YOU HAVE TO BE ON FACEBOOK TO JOIN TINDER, 493 00:21:17,076 --> 00:21:20,513 ONLY IN ALL THE PHOTOS ON TINDER ARE YOUR FACEBOOK PHOTOS? 494 00:21:20,547 --> 00:21:22,482 SO WHEN ALL OF MY GUY FRIENDS STARTED INCORPORATING 495 00:21:22,515 --> 00:21:23,916 ALL THESE PHOTOS OF THEMSELVES, 496 00:21:23,950 --> 00:21:26,486 ALL SUAVE AND COOL, ONTO FACEBOOK, 497 00:21:26,519 --> 00:21:28,788 I WAS LIKE "THAT MOTHERFUCKER'S JOINING TINDER. 498 00:21:28,821 --> 00:21:30,457 JUST GOT OUT OF A RELATIONSHIP. HE'S LONELY. 499 00:21:30,490 --> 00:21:32,024 THIS GUY'S GETTING HIS DICK WET." 500 00:21:32,058 --> 00:21:33,360 NOTHING SUBTLE. 501 00:21:33,393 --> 00:21:35,061 NOTHING DISCREET ABOUT IT. 502 00:21:37,564 --> 00:21:39,499 YOU GUYS DO EVITES HERE? 503 00:21:39,532 --> 00:21:41,468 ANY PEOPLE DO EVITES? 504 00:21:42,469 --> 00:21:43,770 NO? 505 00:21:43,803 --> 00:21:45,905 HEY, FOR ME, EVITES, I THINK IT WOULD BE 506 00:21:45,938 --> 00:21:47,374 A VERY CONVENIENT AND EASY WAY 507 00:21:47,407 --> 00:21:49,542 TO INVITE MY FRIENDS TO A PARTY. 508 00:21:49,576 --> 00:21:51,644 BUT, IN FACT, IT'S A VERY PUBLIC 509 00:21:51,678 --> 00:21:54,013 AND VERY HUMILIATING FORUM FOR MY FRIENDS TO TELL ME 510 00:21:54,046 --> 00:21:56,949 WHY THEY WON'T BE JOINING ME. 511 00:21:56,983 --> 00:21:59,352 I HAVE THIS ONE FRIEND WHO REPLIED, 512 00:21:59,386 --> 00:22:01,688 "SORRY, FLY-FISHING IN BELIZE." 513 00:22:01,721 --> 00:22:04,857 WHO COUNTRY DROPS ON EVITE? 514 00:22:04,891 --> 00:22:07,360 THAT'S JUST SO TACKY. 515 00:22:07,394 --> 00:22:08,795 RIGHT? 516 00:22:08,828 --> 00:22:12,665 I HAVE THIS OTHER FRIEND WHO SAID, "NO PLUS ONE." 517 00:22:12,699 --> 00:22:16,503 SO EVEN PEOPLE I DON'T KNOW AREN'T COMING TO MY PARTY. 518 00:22:39,726 --> 00:22:41,428 YOU WERE REALLY GOOD UP THERE TONIGHT. 519 00:22:41,461 --> 00:22:43,129 OH, THANK YOU. 520 00:22:43,162 --> 00:22:45,532 -YEAH, REALLY GOOD. -THAT'S VERY NICE OF YOU. 521 00:22:45,565 --> 00:22:47,767 -THANKS. -IT WAS A GOOD SET. 522 00:22:47,800 --> 00:22:51,671 YOU'RE VERY FUNNY. YOU REMINDED ME OF LIKE A YOUNG WOODY ALLEN, KIND OF. 523 00:22:51,704 --> 00:22:54,106 -OH, THAT'S NICE OF YOU TO SAY. -YEAH, FUNNY. 524 00:22:54,140 --> 00:22:56,743 YEAH, IT'S KIND OF-- I DON'T KNOW, 525 00:22:56,776 --> 00:23:00,847 I FELT IT'S KIND OF WEIRD TO DO COMEDY AFTER MUSIC. 526 00:23:00,880 --> 00:23:04,016 IT'S LIKE THE AUDIENCE IS IN A DIFFERENT HEAD SPACE OR SOMETHING. 527 00:23:04,050 --> 00:23:07,420 YEAH, AND WE DON'T GET THAT, WE DON'T GET COMEDY HERE MUCH. 528 00:23:07,454 --> 00:23:08,655 OH REALLY, HAVE YOU DONE THIS A BUNCH? 529 00:23:08,688 --> 00:23:09,922 -A FEW TIMES, YEAH. -THIS OPEN MIC? 530 00:23:09,956 --> 00:23:11,190 A FEW TIMES, YEAH. YEAH, IT'S FUN. 531 00:23:11,223 --> 00:23:14,427 I SUPPOSE. GOOD. IT'S A NICE CROWD. 532 00:23:14,461 --> 00:23:15,995 YEAH. I'M PAUL, BY THE WAY. 533 00:23:16,028 --> 00:23:17,597 HEY. 534 00:23:17,630 --> 00:23:18,965 -BRYN. -NICE TO MEET YOU. 535 00:23:18,998 --> 00:23:20,700 -VERY NICE TO MEET YOU. -YEAH. 536 00:23:20,733 --> 00:23:22,535 SO WHAT BRINGS YOU OUT HERE TO JERSEY? 537 00:23:22,569 --> 00:23:24,837 -UM, I LIVE HERE NOW. -OH, WOW. 538 00:23:24,871 --> 00:23:26,673 -YEAH. -COOL. 539 00:23:26,706 --> 00:23:28,908 -DID YOU GROW UP HERE OR--? -NO, I GREW UP IN MARYLAND-- 540 00:23:28,941 --> 00:23:31,778 -IN MARYLAND? -YEAH, I'VE BEEN HERE FOR A FEW MONTHS. 541 00:23:31,811 --> 00:23:35,482 UH, YEAH, I KINDA WANTED TO LIVE IN MANHATTAN, 542 00:23:35,515 --> 00:23:38,217 NEAR BROOKLYN, BUT KINDA EXPENSIVE. 543 00:23:38,250 --> 00:23:39,619 -TOO EXPENSIVE? -YEAH. 544 00:23:39,652 --> 00:23:40,920 I KNOW, IT'S INSANE OVER THERE. 545 00:23:40,953 --> 00:23:42,689 -YEAH, IT'S CRAZY. -I KNOW, IT'S NUTS. 546 00:23:42,722 --> 00:23:44,491 IT'S NOT FAIR. UNLESS YOU'RE A BANKER AND THEN-- 547 00:23:44,524 --> 00:23:46,158 -UNLESS YOU'RE A BANKER -AND THEY'RE FUCKING SHIT. 548 00:23:46,192 --> 00:23:47,994 -DO YOU KNOW A LOT OF BANKERS? -NO. 549 00:23:48,027 --> 00:23:49,729 HOW DO YOU KNOW? FROM WHAT YOU'VE READ? 550 00:23:49,762 --> 00:23:51,831 YEAH. IT'S MY IMAGE OF NEW YORK. 551 00:23:51,864 --> 00:23:54,066 ANYWAY, I'M GONNA GO BACK IN. IT WAS NICE CHATTING WITH YOU. 552 00:23:54,100 --> 00:23:55,835 NICE CHATTING WITH YOU, TOO. 553 00:23:55,868 --> 00:24:00,206 DO-- HEY-- DO-- CAN I BUY YOU A DRINK INSIDE? 554 00:24:00,239 --> 00:24:02,041 -UH, YEAH. -YEAH? 555 00:24:02,074 --> 00:24:04,611 -YEAH. -ALL RIGHT. ALL RIGHT, YEAH, GOOD. 556 00:24:04,644 --> 00:24:07,079 LADIES AND GENTLEMEN, PLEASE WELCOME, JASON BLACK. 557 00:24:08,180 --> 00:24:12,552 * I'M A WHISKEY DRINKER 558 00:24:12,585 --> 00:24:15,955 * A LATE NIGHT THINKER 559 00:24:15,988 --> 00:24:20,059 * AND I CAN TELL YOU WHAT LIFE'S ABOUT * 560 00:24:21,994 --> 00:24:25,865 * I LIKE TEA WITH MY HONEY * 561 00:24:25,898 --> 00:24:29,702 * I DON'T HAVE MUCH MONEY 562 00:24:29,736 --> 00:24:33,806 * AND I CAN SHOW YOU WHAT LIFE'S ABOUT * 563 00:24:36,075 --> 00:24:40,680 * WHAT IF WE ONLY HAVE TONIGHT * 564 00:24:42,682 --> 00:24:47,887 * WHAT IF WE NEVER SEE THE SUNRISE * 565 00:24:49,321 --> 00:24:52,692 * I DON'T WANNA WAIT 566 00:24:52,725 --> 00:24:56,729 * FOR THE RIGHT TIME 567 00:24:56,763 --> 00:25:01,934 * FOR YOU AND ME TO STOP THIS RUN AROUND * 568 00:25:01,968 --> 00:25:04,904 * LET YOUR HAIR FALL DOWN 569 00:25:08,240 --> 00:25:11,978 * LET YOUR HAIR FALL DOWN 570 00:25:13,946 --> 00:25:15,815 HOW LONG HAVE YOU GUYS KNOWN EACH OTHER? 571 00:25:15,848 --> 00:25:17,316 WE'VE KNOWN EACH OTHER SINCE WE WERE KIDS. 572 00:25:17,349 --> 00:25:19,586 -THAT'S SO CUTE. -WE'VE STAYED FRIENDS. 573 00:25:19,619 --> 00:25:21,554 -WE'RE STILL REALLY CLOSE. -DO YOU ALWAYS TOUR TOGETHER? 574 00:25:21,588 --> 00:25:23,923 NO, NO, NO, NO, NO. THIS IS OUR FIRST. 575 00:25:23,956 --> 00:25:26,292 -THAT'S VERY BRAVE. - JASON BLACK, EVERYBODY. 576 00:25:26,325 --> 00:25:28,094 THANK YOU VERY MUCH. THANK YOU. 577 00:25:28,127 --> 00:25:30,597 THANK YOU SO MUCH. THANK YOU FOR COMING. 578 00:25:30,630 --> 00:25:32,098 FEEL FREE TO COME BACK EVERY WEEK 579 00:25:32,131 --> 00:25:34,333 IF YOU EVER WANNA TRY ANYTHING OUT OR ANYTHING. 580 00:25:34,366 --> 00:25:36,903 I HAVE TO ADMIT, I'M A LITTLE BIT OF A JASON BLACK FAN. 581 00:25:36,936 --> 00:25:39,338 SURE, YEAH. GOOD LOOKING, 582 00:25:39,371 --> 00:25:41,941 CHARMING, BAREFOOT. WHAT'S NOT TO LIKE? 583 00:25:41,974 --> 00:25:43,876 EXACTLY, THAT'S WHAT-- IT'S THE BARE FEET. 584 00:25:43,910 --> 00:25:45,645 -THAT'S WHY THEY'RE ALL HERE. -THAT'S WHY I LIKE HIM. 585 00:25:45,678 --> 00:25:46,913 -THEY'RE ALL HERE. FOOT FETISHISTS. -YEAH, NO. 586 00:25:46,946 --> 00:25:49,048 NONE OF THEM REALLY LIKE HIS MUSIC. 587 00:25:50,783 --> 00:25:53,653 WHAT ABOUT YOU? WHAT ARE YOUR ASPIRATIONS? 588 00:25:53,686 --> 00:25:56,022 -MY ASPIRATIONS? -YEAH. 589 00:25:56,055 --> 00:25:58,224 RIGHT NOW I'M JUST KIND OF LIKE FOCUSING ON THE MUSIC THING. 590 00:25:58,257 --> 00:25:59,626 -YEAH? -YEAH. 591 00:25:59,659 --> 00:26:01,327 SO WHAT ABOUT YOU, MR. COMEDIAN? 592 00:26:01,360 --> 00:26:03,262 WHAT ARE YOUR BIG ASPIRATIONS? 593 00:26:03,295 --> 00:26:05,598 I JUST WANNA BE ONE OF THE GREATS. 594 00:26:05,632 --> 00:26:07,634 I WANNA BE REALLY, REALLY GOOD AT THIS. 595 00:26:07,667 --> 00:26:09,769 WELL, I THINK THOSE ARE TWO DIFFERENT THINGS. 596 00:26:09,802 --> 00:26:11,771 -LIKE? -BEING GREAT AND GOOD? 597 00:26:11,804 --> 00:26:13,740 YEAH. WHAT IF YOU CAN ONLY BE GOOD? 598 00:26:13,773 --> 00:26:16,676 LIKE I FEEL LIKE I GAVE UP A WHOLE CAREER PATH TO DO THIS. 599 00:26:16,709 --> 00:26:19,679 SO, I GUESS MY REAL ASPIRATION IS TO SEE IT THROUGH, 600 00:26:19,712 --> 00:26:20,713 SEE IF I CAN REALLY PULL IT OFF. 601 00:26:20,747 --> 00:26:22,081 VERY NOBLE. 602 00:26:22,114 --> 00:26:24,250 TO PURSUING YOUR DREAMS AND BEING VERY POOR. 603 00:26:24,283 --> 00:26:26,185 -BUT HAPPY. -BUT HAPPY. 604 00:26:26,218 --> 00:26:28,154 JUST CHUG THIS, YOU'LL BE HAPPY. 605 00:26:28,187 --> 00:26:30,356 HEY, HOW'S IT GOING? 606 00:26:30,389 --> 00:26:32,091 JASON, THIS IS BRYN. BRYN, THIS IS JASON. 607 00:26:32,124 --> 00:26:33,626 -IT'S SO NICE TO MEET YOU. -IT'S SO NICE TO MEET YOU. 608 00:26:33,660 --> 00:26:34,961 THIS BACHELORETTE PARTY JUST BOUGHT ME A PITCHER 609 00:26:34,994 --> 00:26:36,328 OF FAT TIRE, ISN'T THAT AWESOME? 610 00:26:36,362 --> 00:26:38,397 -GOD, YOU HAVE A KILLER VOICE. -THANK YOU. 611 00:26:38,430 --> 00:26:40,032 -I MEAN, REALLY, REALLY GREAT. -THAT'S REALLY NICE. 612 00:26:40,066 --> 00:26:42,101 YEAH, HEY, AND YOU WERE GREAT. 613 00:26:42,134 --> 00:26:44,003 I DON'T KNOW IF YOU COULD SEE IT, THE LIGHTS WERE BLINDING YOU 614 00:26:44,036 --> 00:26:45,638 IN THE FACE, WHATEVER, BUT THERE WERE A LOT OF PEOPLE 615 00:26:45,672 --> 00:26:47,740 LAUGHING, DUDE, OKAY? 616 00:26:47,774 --> 00:26:49,341 -I DON'T KNOW IF THEY WERE EXPECTING COMEDY. -IT WAS A WEIRD ROOM. 617 00:26:49,375 --> 00:26:51,811 -IT ACTUALLY WAS FREAKY. -YEAH, THIS ROOM WASN'T-- 618 00:26:51,844 --> 00:26:53,680 -IT'S NOT MADE FOR COMEDY. -YEAH, YOU WERE GREAT. 619 00:26:53,713 --> 00:26:57,083 -I THINK SO. -BUT YOU KNOW I HAVE YOU LISTED ON MY WEBSITE 620 00:26:57,116 --> 00:26:59,919 AS A COMEDIAN, SO MY FANS ARE GOING TO BE EXPECTING COMEDY 621 00:26:59,952 --> 00:27:02,989 -EVERY TIME I-- -THE NEW FANS. 622 00:27:03,022 --> 00:27:06,826 -IT SOUNDS SO LAME. -NO, NO, I'M ACTUALLY A FAN OF YOUR MUSIC. 623 00:27:06,859 --> 00:27:08,094 -REALLY? -MM-HMM. 624 00:27:08,127 --> 00:27:10,162 -YOU KNOW MY MUSIC? -I DO KNOW, YES. 625 00:27:10,196 --> 00:27:11,931 WOW, THAT IS SO NICE OF YOU. HOW LONG HAVE YOU BEEN WRITING MUSIC? 626 00:27:11,964 --> 00:27:14,133 I'VE ACTUALLY BEEN WRITING FOR LIKE A COUPLE OF MONTHS. 627 00:27:14,166 --> 00:27:15,367 -REALLY? -YEAH. 628 00:27:15,401 --> 00:27:17,003 -YOU'D NEVER KNOW. -THANK YOU. 629 00:27:17,036 --> 00:27:19,071 -YOU ARE SO COMFORTABLE UP THERE. -THANKS. 630 00:27:19,105 --> 00:27:21,373 -YEAH, REALLY BEAUTIFUL. -YEAH, I'M-- I-- 631 00:27:21,407 --> 00:27:23,710 -IT'S CRAZY TO MEET YOU. -I KNOW, IT'S CRAZY. 632 00:27:23,743 --> 00:27:24,977 THIS IS AWESOME. 633 00:27:25,011 --> 00:27:28,214 * YOU'VE TAKEN ME FOR A RIDE * 634 00:27:28,247 --> 00:27:30,449 * I TALK ABOUT YOU ALL NIGHT * 635 00:27:30,482 --> 00:27:33,019 IT'S HIS REAL TAIL ON THE BACK OF A WHEELCHAIR. 636 00:27:33,052 --> 00:27:34,253 LOOKS LIKE IT'S BLEACHED. 637 00:27:34,286 --> 00:27:35,988 YOU GUYS WANT ANOTHER ROUND? 638 00:27:36,022 --> 00:27:39,125 -I CAN'T. I'M DONE. -WHAT? NO. 639 00:27:39,158 --> 00:27:40,359 YEAH, I'M PRETTY SPENT, TOO. 640 00:27:40,392 --> 00:27:41,928 -REALLY? -YEAH. 641 00:27:41,961 --> 00:27:43,963 IT'S THE FIRST NIGHT OF THE TOUR. COME ON! 642 00:27:43,996 --> 00:27:45,998 YEAH, I HAVE A FEELING THERE'S GONNA BE MORE NIGHTS LIKE THIS. 643 00:27:46,032 --> 00:27:49,201 ALL RIGHT, WHATEVER. WELL, I GOT MY FANS TO HANG OUT WITH. 644 00:27:49,235 --> 00:27:51,137 I'M GONNA WALK BACK TO THE HOTEL. I'LL MEET YOU THERE? 645 00:27:51,170 --> 00:27:52,772 -YEAH. -WHERE YOU STAYING? 646 00:27:52,805 --> 00:27:55,174 THE FERNWOOD. OH, THAT'S RIGHT NEAR WHERE I AM. 647 00:27:55,207 --> 00:27:56,743 -I CAN DROP YOU OFF. -OH, YEAH? 648 00:27:56,776 --> 00:27:58,177 -THAT WOULD BE GREAT. -CAN I FINISH THIS? 649 00:27:58,210 --> 00:27:59,946 -YEAH, GO FOR IT. -IT WAS SO NICE TO MEET YOU. 650 00:27:59,979 --> 00:28:01,313 -I'LL SEE YOU IN A BIT. -OKAY, NICE MEETING YOU, TOO. 651 00:28:01,347 --> 00:28:02,715 -IT WAS A REALLY FUN NIGHT. -YOU'RE GREAT. 652 00:28:02,749 --> 00:28:04,050 YOU'RE GREAT. 653 00:28:04,083 --> 00:28:07,186 HEY! YOU CAN'T TOUCH THE BALL WITH YOUR HAND. 654 00:28:07,219 --> 00:28:09,221 - IT WAS SO LOUD, LIKE IN THE TREBLE? -I KNOW. 655 00:28:09,255 --> 00:28:10,857 I THINK THAT'S WHY I HAVE THAT RINGING IN MY EARS. 656 00:28:10,890 --> 00:28:13,960 YOU WERE LIKE RIGHT INSIDE OF THE SPEAKER, AS WELL. 657 00:28:13,993 --> 00:28:15,728 -BRYN! -OH, HEY! 658 00:28:15,762 --> 00:28:18,097 HEY, ARE YOU LEAVING OR ARE YOU-- 659 00:28:18,130 --> 00:28:19,966 -OH! ARE YOU? -I'M UP. YEAH, I'M UP NEXT. 660 00:28:19,999 --> 00:28:21,433 OH, SHIT, YES. I'M NOT GONNA LEAVE. 661 00:28:21,467 --> 00:28:23,435 -I'M GONNA STAY. -YEAH, OKAY, AWESOME. 662 00:28:23,469 --> 00:28:26,272 -STELLA, PAUL. -HI. NICE TO MEET YOU. 663 00:28:26,305 --> 00:28:28,240 SHE'S LIKE THE NEXT REGINA SPEKTOR. 664 00:28:28,274 --> 00:28:29,241 -SHE'S SO AMAZING. -OH, REALLY? I LOVE REGINA SPEKTOR. 665 00:28:29,275 --> 00:28:32,078 OKAY, BYE. 666 00:28:32,111 --> 00:28:34,080 -SHE WATCHES MY CAT. -OH, REALLY? 667 00:28:34,113 --> 00:28:37,149 SO I FEEL SORT OF-- SHE'S GREAT, BUT, YEAH. 668 00:28:39,385 --> 00:28:40,987 SO I'M GONNA-- 669 00:28:41,020 --> 00:28:45,391 YEAH, I'M GONNA-- AND WALK BACK TO THE HOTEL. 670 00:28:45,424 --> 00:28:48,094 -OKAY. -YEAH. 671 00:28:48,127 --> 00:28:50,029 -OKAY, I'M JUST GONNA-- -YEAH, TOTALLY. 672 00:28:50,062 --> 00:28:51,330 -OKAY. -ALL RIGHT. 673 00:28:51,363 --> 00:28:52,899 -I'LL SEE YOU LATER. -THANK YOU, PAUL. 674 00:28:52,932 --> 00:28:54,266 -IT WAS SO NICE TO MEET YOU. -YOU, TOO. 675 00:28:54,300 --> 00:28:55,534 -BYE. -BYE. 676 00:28:55,567 --> 00:28:57,736 -THANK YOU. -YEAH. 677 00:28:58,838 --> 00:29:00,272 THANK YOU? 678 00:29:11,583 --> 00:29:15,487 I KNOW HOW TO OPEN-- 679 00:29:15,521 --> 00:29:18,457 A DOOR. OKAY, I'M FINE. I'M FINE. 680 00:29:18,490 --> 00:29:21,828 -I'M FINE NOW. -CLOSE THE DOOR. 681 00:29:21,861 --> 00:29:25,397 PAUL, HEY, I GOT GOOD NEWS. 682 00:29:25,431 --> 00:29:26,933 I GOT US A LATE CHECKOUT. 683 00:29:26,966 --> 00:29:29,301 THAT'S AMAZING. NOW CLOSE THE FUCKING DOOR! 684 00:29:29,335 --> 00:29:31,403 SO WE'RE LEAVING AT NOON. 685 00:29:31,437 --> 00:29:34,941 -HEY, PAUL. 686 00:29:34,974 --> 00:29:36,876 I'M REALLY EXCITED. 687 00:29:36,909 --> 00:29:38,978 I THINK YOU'RE IN THE WRONG BED. 688 00:29:50,622 --> 00:29:51,824 HELLO? 689 00:29:51,858 --> 00:29:53,492 OH, HI, HOW YOU DOING? 690 00:29:53,525 --> 00:29:55,594 I'M DOING WELL, THANKS, YEAH. 691 00:29:55,627 --> 00:29:57,129 NO, NO, THIS IS PERFECT. 692 00:29:57,163 --> 00:29:58,230 YEAH, I'M RIGHT BETWEEN TWO MEETINGS. 693 00:29:58,264 --> 00:29:59,866 THIS IS A GREAT TIME. 694 00:29:59,899 --> 00:30:02,835 UH-HUH. WELL, NO, CYLE, CYLE WITH A C, 695 00:30:02,869 --> 00:30:05,838 HE'S MY OLD PARTNER. YEAH, NO, HE'S A GREAT GUY. 696 00:30:05,872 --> 00:30:07,874 -DUDE, SHUT THE FUCK UP, DUDE. -YES. 697 00:30:07,907 --> 00:30:09,475 -COME ON! -COULD YOU JUST HOLD ON FOR ONE QUICK SEC? 698 00:30:09,508 --> 00:30:12,578 -SHUT UP. -ONE OF MY DESIGNERS HAS A QUESTION. 699 00:30:12,611 --> 00:30:14,113 YEAH, JACK? 700 00:30:14,146 --> 00:30:17,149 NO, THESE DESIGNS LOOK GREAT. THANK YOU. 701 00:30:17,183 --> 00:30:18,918 -THANK YOU. -WHAT ARE YOU DOING? 702 00:30:18,951 --> 00:30:21,353 HI, YES, SORRY. IT'S BEEN A LITTLE BIT NUTTY THIS WEEK. 703 00:30:21,387 --> 00:30:24,090 WELL, NO, SO, CYLE SAID THAT YOU GUYS ARE THINKING 704 00:30:24,123 --> 00:30:26,258 ABOUT MAYBE BRINGING ON A NEW WRITER? 705 00:30:26,292 --> 00:30:27,626 REALLY? 706 00:30:27,659 --> 00:30:29,261 -OKAY. -NO, WAY. 707 00:30:29,295 --> 00:30:30,863 - HOLD ON ONE SECOND. - REALLY? 708 00:30:30,897 --> 00:30:32,498 - JACK, THOSE LOOK GREAT. - OKAY. 709 00:30:32,531 --> 00:30:34,934 - THAT'S ALL I NEED FROM YOU. - YUP. 710 00:30:36,068 --> 00:30:38,304 WHERE YOU GOING? 711 00:30:38,337 --> 00:30:39,972 PAUL, WHERE-- 712 00:30:40,006 --> 00:30:42,308 YOU LEFT THE-- YOU CAN'T LEAVE THE CAR RUNNING. 713 00:30:42,341 --> 00:30:45,978 WHAT ARE YOU DOING? WHAT ARE WE DOING HERE, MAN? 714 00:30:46,012 --> 00:30:47,113 ACHIEVEMENTS? SPECIFICALLY COMEDIC. 715 00:30:47,146 --> 00:30:48,414 -HEY PAUL! -PLOT ENDEAVORS. 716 00:30:48,447 --> 00:30:50,382 -YES, RIGHT. -ARE YOU RUNNING FROM ME? 717 00:30:50,416 --> 00:30:53,986 -RIGHT, WELL, I-- -OKAY, YOU'RE GONNA RUN FROM ME? ALL RIGHT. 718 00:30:54,020 --> 00:30:56,388 YES. 719 00:30:56,422 --> 00:30:58,024 YOU SEE WHAT YOU JUST GONNA MAKE ME DO? 720 00:30:58,057 --> 00:30:59,926 YOU ALMOST JUST KILLED ME. 721 00:30:59,959 --> 00:31:02,194 I THINK YOU'RE THINKING OF THE SIMPSON'S CHARACTER. 722 00:31:02,228 --> 00:31:05,197 YEAH, NO, THIS IS THE GUY WHO CAUGHT THE FOUL BALL. 723 00:31:05,231 --> 00:31:07,033 I CAN HAMMER TIME. 724 00:31:07,066 --> 00:31:08,534 I ACTUALLY DON'T KNOW WHERE HE IS RIGHT NOW. 725 00:31:08,567 --> 00:31:10,069 -THAT'S A VERY GOOD QUESTION. -I CAN HAMMER TIME. 726 00:31:13,305 --> 00:31:15,074 BUT, FOR ME, IT'S ALL ABOUT WHAT IS THE RIGHT MEDIUM 727 00:31:15,107 --> 00:31:17,076 FOR THE MESSAGE? 728 00:31:17,109 --> 00:31:18,577 SO, THEORETICALLY, YOU DON'T HIRE HIM, 729 00:31:18,610 --> 00:31:20,379 YOU SHOULD GIVE ME THE POSITION, 730 00:31:20,412 --> 00:31:23,149 I CAN BE AVAILABLE ANYTIME. THANK YOU SO MUCH. BYE-BYE. 731 00:31:25,451 --> 00:31:30,222 DUDE, EITHER COMMIT TO THIS TOUR OR GET OFF, OKAY? 732 00:31:30,256 --> 00:31:31,690 -COMMIT TO THE TOUR? -YEAH. 733 00:31:31,723 --> 00:31:33,625 I'M KEEPING OPTIONS OPEN. WHAT'S WRONG WITH THAT? 734 00:31:33,659 --> 00:31:37,329 NO! DON'T FUCKING B-PLAN, DUDE! 735 00:31:37,363 --> 00:31:40,066 HEY, YOU COULD TEND BAR, WAIT TABLES, 736 00:31:40,099 --> 00:31:42,001 DO ANYTHING BUT FUCKING GO BACK INTO ADVERTISING. 737 00:31:42,034 --> 00:31:43,635 IT'LL SUCK YOU BACK IN, THEN, WHOOSH, 738 00:31:43,669 --> 00:31:46,672 YOU'LL BE A DRONE IN SECTOR D. 739 00:31:46,705 --> 00:31:48,941 I'M HERE, RIGHT? I'M ON THE TOUR. 740 00:31:48,975 --> 00:31:51,377 I'M ON THE GLAMOROUS JASON BLACK WORLD TOUR. 741 00:31:51,410 --> 00:31:53,045 YEAH, WHICH IS WHY I'M PISSED. 742 00:32:05,657 --> 00:32:07,693 -HEY. -HEY. 743 00:32:07,726 --> 00:32:09,128 -HI. -HEY. 744 00:32:09,161 --> 00:32:10,997 I'M SO RELIEVED. 745 00:32:11,030 --> 00:32:12,198 -HEY! -OH, HI. 746 00:32:12,231 --> 00:32:14,133 -HOW'S IT GOING? -GREAT, GOOD TO SEE YOU. 747 00:32:14,166 --> 00:32:16,035 -GOOD TO SEE YOU. -I WAS DEFINITELY SCARED FOR A SECOND 748 00:32:16,068 --> 00:32:17,569 THAT I MADE THIS WHOLE THING UP IN MY HEAD. 749 00:32:17,603 --> 00:32:20,106 WELL, NO, NO, SORRY, WE JUST GOT A LATE START. 750 00:32:20,139 --> 00:32:22,208 AND THEN PAUL HAD THIS REALLY IMPORTANT JOB INTERVIEW 751 00:32:22,241 --> 00:32:23,742 THAT WE HAD-- YOU KNOW, BUT IT WENT GREAT. 752 00:32:23,775 --> 00:32:25,611 OH, THAT'S AWESOME. YEAH, I JUST-- 753 00:32:25,644 --> 00:32:27,379 -HEY, ARE YOU READY TO OPEN UP FOR US TONIGHT? -YES! 754 00:32:27,413 --> 00:32:30,216 I'M DORKILY VERY EXCITED. 755 00:32:30,249 --> 00:32:31,617 YOU'RE OPENING UP FOR US? THAT'S AWESOME! 756 00:32:31,650 --> 00:32:32,718 THAT'S SUCH A BRILLIANT IDEA. 757 00:32:32,751 --> 00:32:34,253 YOU MEAN, YOU DIDN'T KNOW? 758 00:32:34,286 --> 00:32:35,687 YOU DIDN'T TELL HIM. 759 00:32:35,721 --> 00:32:37,223 YOU SEE BRYN PLAY LAST NIGHT? YOU KNOW BRYN. 760 00:32:37,256 --> 00:32:39,091 YEAH, OF COURSE. SHE'S AMAZING. 761 00:32:39,125 --> 00:32:41,127 YEAH, THAT'S SUCH A-- THAT'S BRILLIANT. 762 00:32:41,160 --> 00:32:42,328 - YEAH, GREAT. -OF COURSE, IT MAKES TOTAL SENSE. 763 00:32:42,361 --> 00:32:44,296 WHY DIDN'T I THINK OF THAT? 764 00:32:44,330 --> 00:32:47,599 I THOUGHT THAT YOU COULD OPEN UP AND THAT YOU COULD MIDDLE, 765 00:32:47,633 --> 00:32:49,568 AND OBVIOUSLY I'LL SHORTEN MY SET, 766 00:32:49,601 --> 00:32:51,337 -GIVE YOU GUYS PLENTY OF STAGE TIME. -PERFECT. THAT'S GREAT. 767 00:32:51,370 --> 00:32:53,739 IS IT WEIRD? IS IT WEIRD FOR THERE TO BE A STANDUP ACT 768 00:32:53,772 --> 00:32:55,407 IN BETWEEN TWO MUSICAL ACTS? 769 00:32:55,441 --> 00:32:57,176 UH... I DON'T THINK SO. 770 00:32:57,209 --> 00:32:59,445 GREAT. WELCOME ABOARD. THAT'S AWESOME. 771 00:32:59,478 --> 00:33:01,713 -YEAH, IT'LL BE GREAT. -IT'LL BE AWESOME, DUDE. 772 00:33:01,747 --> 00:33:04,350 -IT'LL BE FUCKING FUN. -YEAH. 773 00:33:04,383 --> 00:33:06,252 I'M GONNA GO CHECK OUT THE POOL BACK HERE. 774 00:33:06,285 --> 00:33:08,020 -ALL RIGHT, IT'S COOL. -THERE'S ACTUALLY-- 775 00:33:08,054 --> 00:33:10,156 -IT'S COVERED, BECAUSE I-- -IT'S THIS WAY? 776 00:33:10,189 --> 00:33:12,091 IT'S COVERED. 777 00:33:14,793 --> 00:33:17,696 * THE COUNTRY GIRLS 778 00:33:19,265 --> 00:33:22,134 * WANNA LAY DOWN AND WAIT * 779 00:33:22,168 --> 00:33:26,105 * BUT THE HAND IS HARD 780 00:33:26,138 --> 00:33:32,111 * IT'S LIKE PICKING FRUIT IN THE NIGHT * 781 00:33:32,144 --> 00:33:34,113 -DUDE, I FORGOT. -YOU FORGOT. 782 00:33:34,146 --> 00:33:35,547 I FORGOT. 783 00:33:35,581 --> 00:33:37,749 YOU FORGOT YOU INVITED HER TO JOIN US ON TOUR? 784 00:33:37,783 --> 00:33:41,287 WELL, NOT NOW, BUT IN THE CAR I FORGOT. 785 00:33:41,320 --> 00:33:43,455 YEAH, WE GOT PRETTY WASTED LAST NIGHT. 786 00:33:43,489 --> 00:33:44,623 -YEAH, DID YOU? -REALLY WASTED. 787 00:33:44,656 --> 00:33:46,125 YEAH, I GOT FUCKING DRUNK. 788 00:33:46,158 --> 00:33:48,527 COOL. PAUL SCOTT, ON THE THIRD WHEEL TOUR. 789 00:33:48,560 --> 00:33:52,198 DUDE, NO, OKAY? SHE GETS IT. OKAY? 790 00:33:52,231 --> 00:33:55,367 NOW I TOLD HER THIS IS ABOUT YOU GETTING YOUR MOJO BACK. 791 00:33:55,401 --> 00:33:57,469 -YOU TOLD HER THAT? -YEAH, NO. 792 00:33:57,503 --> 00:33:59,305 I MEAN, NOT THAT. 793 00:33:59,338 --> 00:34:02,141 BUT SHE KNOWS THIS IS ABOUT YOU AND ME HANGING OUT. 794 00:34:02,174 --> 00:34:04,410 OKAY, LOOK, JASON, YOU FUCKED UP. 795 00:34:04,443 --> 00:34:06,578 WE CAN'T UNDO IT NOW, LET'S JUST MOVE ON. 796 00:34:06,612 --> 00:34:09,081 WELL, SHE SAID SHE COULD GO SLEEP IN HER VAN. 797 00:34:09,115 --> 00:34:11,417 -IN HER VAN? -YEAH. 798 00:34:11,450 --> 00:34:13,552 -IS THAT SAFE? -YEAH, SHE'S GOT CURTAINS IN THERE, 799 00:34:13,585 --> 00:34:16,788 SHE'S GOT A MATTRESS, AND IT'S-- 800 00:34:16,822 --> 00:34:18,424 SO YOU GUYS HOOKED UP. 801 00:34:18,457 --> 00:34:19,725 GREAT. THAT'S FUCKING AWESOME. 802 00:34:19,758 --> 00:34:21,460 WAIT, WAIT. WHY? WAIT-- 803 00:34:21,493 --> 00:34:23,862 -SO, YOU'RE INTO BRYN? -DUDE, I TALKED TO HER FIRST. 804 00:34:23,895 --> 00:34:25,431 I WAS HANGING OUT WITH HER ALL NIGHT. 805 00:34:25,464 --> 00:34:27,466 -WHAT DO YOU THINK? -WELL, YOU WENT HOME. 806 00:34:27,499 --> 00:34:29,535 -I WAS BEING A CLASS ACT. -OKAY, WELL, YOU KNOW WHAT, 807 00:34:29,568 --> 00:34:32,204 NEXT TIME CAN YOU FUCKING TELL ME BECAUSE I AM NOT A MIND READER. 808 00:34:32,238 --> 00:34:34,106 AND YOU KNOW WHAT? I'LL TELL HER TO GO HOME. 809 00:34:34,140 --> 00:34:35,807 OKAY? IT'LL JUST BE YOU AND ME, THAT'S IT. 810 00:34:35,841 --> 00:34:38,377 LOOK, WHAT'S DONE IS DONE, OKAY? LET'S JUST MOVE ON. 811 00:34:42,448 --> 00:34:44,150 IT'S JUST, THE THING IS YOU DO THIS EVERY FUCKING TIME. 812 00:34:44,183 --> 00:34:45,651 THERE WAS A MEANING TO THIS. 813 00:34:45,684 --> 00:34:47,186 -YOU'VE DONE THIS A MILLION TIMES BEFORE. -NAME ONE. 814 00:34:47,219 --> 00:34:48,787 -UM, HORDE FESTIVAL, 815 00:34:48,820 --> 00:34:50,289 WHEN YOU DITCHED ME TO HANG OUT WITH BLUES TRAVELER. 816 00:34:50,322 --> 00:34:51,623 REMEMBER THAT? 817 00:34:52,624 --> 00:34:54,126 -HI. -HEY. 818 00:34:54,160 --> 00:34:55,361 -DID I-- WAS IT GOOD? -THAT WAS GREAT. 819 00:34:55,394 --> 00:34:57,229 AWESOME, SO GOOD, MAN. 820 00:34:57,263 --> 00:35:00,232 -OH, MY GOD. -WAY TO GO. 821 00:35:00,266 --> 00:35:03,402 I JUST WISH YOU WOULD THINK THINGS THROUGH, YOU KNOW? 822 00:35:03,435 --> 00:35:06,205 WHICH IS WHY I'M ON THIS FUCKING TOUR TO BEGIN WITH. 823 00:35:06,238 --> 00:35:08,574 MR. PAUL SCOTT. 824 00:35:08,607 --> 00:35:09,908 HEY! 825 00:35:09,941 --> 00:35:12,411 HOW'S IT GOING? 826 00:35:12,444 --> 00:35:14,446 OH, THANK YOU VERY MUCH. HOW YOU GUYS DOING TONIGHT? 827 00:35:15,647 --> 00:35:17,683 IT'S GREAT TO BE IN PENNSYLVANIA. 828 00:35:17,716 --> 00:35:21,287 -P TO THE A, RIGHT? 829 00:35:21,320 --> 00:35:23,522 I WAS RUNNING A LITTLE LATE TONIGHT. I HAD TO TAKE A TAXI. 830 00:35:23,555 --> 00:35:29,295 IS IT ME OR IS VERY, VERY MURKY JUST HOW MUCH YOU'RE SUPPOSED TO TIP THESE CABBIES? 831 00:35:29,328 --> 00:35:31,663 I'M PRETTY UNCLEAR, AND AFTER 911, 832 00:35:31,697 --> 00:35:35,301 IT'S GOTTEN A LOT TRICKIER FOR WHITE GUYS LIKE ME, 833 00:35:35,334 --> 00:35:37,469 BECAUSE MOST CABBIES ARE MIDDLE EASTERN 834 00:35:37,503 --> 00:35:39,305 AND I HAVE A LOT OF WHITE GUILT, 835 00:35:39,338 --> 00:35:42,208 WHICH ALWAYS CONFUSES THE TIP EQUATION FOR ME. 836 00:35:42,241 --> 00:35:43,875 SO, LIKE I'LL PULL UP TO A PLACE 837 00:35:43,909 --> 00:35:46,345 AND THE FARE WILL SAY $11.00, 838 00:35:46,378 --> 00:35:48,180 AND ALL I HAVE IS A TWENTY AND I'LL TELL THE CABBIE, 839 00:35:48,214 --> 00:35:51,183 "YOU KNOW WHAT, YOU CAN KEEP THE TIP. 840 00:35:51,217 --> 00:35:54,253 I'M ALSO FLYING OUT OF LA GUARDIA TOMORROW AT 11:30 IN THE MORNING. 841 00:35:54,286 --> 00:35:56,888 IS THAT A GOOD TIME TO FLY?" 842 00:35:56,922 --> 00:36:00,226 AND TRY AND GET INTEL, BECAUSE YOU DON'T KNOW 843 00:36:00,259 --> 00:36:05,864 IF HE HAS RELATIVES OR SLEEPER CELL AFFILIATIONS. 844 00:36:05,897 --> 00:36:07,566 NOT A LOT OF PEOPLE TAKE TAXIS OUT HERE 845 00:36:07,599 --> 00:36:11,303 IN THIS PART OF PENNSYLVANIA, HUH? 846 00:36:11,337 --> 00:36:14,340 NOT A BIG, UH-- 847 00:36:14,373 --> 00:36:17,309 I GUESS THIS IS ALSO NOT A PRIME TARGET FOR TERRORISTS, 848 00:36:17,343 --> 00:36:19,311 ALL THE WAY OUT HERE. 849 00:36:19,345 --> 00:36:22,481 FLIGHT 93 CRASHED RIGHT HERE IN PENNSYLVANIA, ASSHOLE! 850 00:36:22,514 --> 00:36:23,649 YEAH! 851 00:36:25,317 --> 00:36:26,852 YEAH. 852 00:36:26,885 --> 00:36:29,588 HEY. HOW DID YOU FEEL UP THERE? 853 00:36:29,621 --> 00:36:31,957 -WAS IT THAT BAD? -WHAT? NO. 854 00:36:31,990 --> 00:36:35,661 NO, YOU WERE-- I MEAN, I MEAN, YOU'RE SO CONFIDENT, FIRST OF ALL. 855 00:36:35,694 --> 00:36:38,230 YOUR SHIRT'S GREAT. IT WAS A GOOD CHOICE. 856 00:36:38,264 --> 00:36:41,333 AND I THINK-- I MEAN, I COULD NEVER DO THAT. 857 00:36:41,367 --> 00:36:46,004 UM, THIS NEXT SONG IS-- 858 00:36:46,037 --> 00:36:47,406 WELL, IT'S ABOUT A GIRL. 859 00:36:47,439 --> 00:36:49,241 LOOK, I APPRECIATE THAT SENTIMENT, 860 00:36:49,275 --> 00:36:50,242 BUT YOU DON'T HAVE TO SELL THIS 861 00:36:50,276 --> 00:36:51,810 WELL, I THINK YOU'RE GREAT. 862 00:36:51,843 --> 00:36:54,346 SHE'S VERY SPECIAL TO ME. AND WE DID THAT HARD THING OF-- 863 00:36:54,380 --> 00:36:59,518 WE BECAME FRIENDS AFTER WE BECAME LOVERS. 864 00:36:59,551 --> 00:37:01,520 -CAN I ASK YOU A QUESTION? -SURE. 865 00:37:01,553 --> 00:37:04,590 -HAVE YOU SEEN A LOT OF STANDUP COMEDY? -WHY? 866 00:37:04,623 --> 00:37:06,392 I'M JUST SAYING, IF YOU WERE EXPOSED 867 00:37:06,425 --> 00:37:08,026 TO MORE STAND UP ACTS, YOU'D QUICKLY REALIZE 868 00:37:08,059 --> 00:37:09,928 THAT WHAT I DID UP THERE WOULD NOT CUT THE MUSTARD. 869 00:37:09,961 --> 00:37:11,730 AND I GET THIS PHONE CALL FROM BRETT, 870 00:37:11,763 --> 00:37:13,432 AND HE CALLS ME UP, AND HE'S LIKE, 871 00:37:13,465 --> 00:37:15,967 "HEY, WOULD YOU MIND IF I TOOK HER OUT ON A DATE?" 872 00:37:16,001 --> 00:37:17,936 YOU KNOW, I THINK I KNOW WHAT IT IS, ACTUALLY, 873 00:37:17,969 --> 00:37:21,440 BECAUSE I'M A WOMAN, AND LIKE WE DON'T UNDERSTAND COMEDY. 874 00:37:21,473 --> 00:37:23,509 WE JUST GET REALLY CONFUSED BY IT, 875 00:37:23,542 --> 00:37:24,943 AND I DIDN'T TAKE THAT COLLEGE COURSE 876 00:37:24,976 --> 00:37:26,778 ON WHAT'S FUNNY, DAMN IT! 877 00:37:26,812 --> 00:37:29,581 ONE THING YOU'D REALIZE VERY QUICKLY IN YOUR STUDIES 878 00:37:29,615 --> 00:37:31,983 IS THAT THIS ROOM IS NOT BUILT FOR COMEDY. 879 00:37:32,017 --> 00:37:33,719 JOKES DON'T WORK IN THIS ROOM. 880 00:37:33,752 --> 00:37:36,422 THAT PANG OF JEALOUSY JUST STARTED TO COME OVER ME, 881 00:37:36,455 --> 00:37:38,957 AND I FELT LIKE I NEEDED TO WRITE A SONG ABOUT IT, 882 00:37:38,990 --> 00:37:42,394 AND IT'S CALLED, "SHE'S JUST A GIRL THAT I KNEW." 883 00:37:54,573 --> 00:37:58,444 * I CAN RECALL ON THE PHONE YESTERDAY * 884 00:37:58,477 --> 00:38:03,014 * YOU TOLD ME YOU MET HER AT A BAR ALONG THE WAY * 885 00:38:03,048 --> 00:38:08,354 * YOU SAID THAT SHE LOOKED LIKE A HEAVENLY ANGEL IN JEANS * 886 00:38:08,387 --> 00:38:12,324 THAT'S GREAT. THAT'S FANTASTIC. THANK YOU. 887 00:38:12,358 --> 00:38:16,495 * YOU SAID THAT SHE SHARED A FEW DRINKS FOR A WHILE * 888 00:38:16,528 --> 00:38:20,732 * SHE MUST HAVE FALLEN IN LOVE WITH THAT SMILE * 889 00:38:20,766 --> 00:38:22,834 * YOU WALKED HER HOME SAFELY * 890 00:38:22,868 --> 00:38:27,573 * BUT I THINK I KNOW WHAT THAT MEANS * 891 00:38:27,606 --> 00:38:30,075 FULL-ON PENETRATION. THAT'S WHAT THAT MEANS. 892 00:38:31,510 --> 00:38:33,078 A MUSICAL COMEDY IS A COMPLETELY 893 00:38:33,111 --> 00:38:34,480 DIFFERENT ANIMAL. 894 00:38:36,882 --> 00:38:38,984 AND THE REALLY FUCKED UP PART WAS THAT I FELT 895 00:38:39,017 --> 00:38:43,889 THE BREAK UP WOULD SOMEHOW GIVE ME MORE MATERIAL TO DRAW FROM. 896 00:38:43,922 --> 00:38:46,057 YOU KNOW, GIVE ME MORE LIFE EXPERIENCE. 897 00:38:46,091 --> 00:38:50,529 LIKE MY SITUATION, MADE ME TOO SOFT AND BLAND AND COMFORTABLE, WHATEVER. 898 00:38:50,562 --> 00:38:53,064 YEAH, I'VE BEEN THERE, DONE THAT. 899 00:38:53,098 --> 00:38:54,966 SHE DESERVED BETTER. 900 00:38:55,000 --> 00:38:57,869 YEAH, THAT'S PROBABLY WHY I WAITED SO LONG. YOU KNOW? 901 00:38:57,903 --> 00:39:01,106 I'D WORK ON MY MUSIC AND SOW MY WILD OATS 902 00:39:01,139 --> 00:39:03,509 AND JUST GET ALL THAT VOODOO SHIT OUT OF MY SYSTEM. 903 00:39:03,542 --> 00:39:04,643 HOW'S THAT WORKING OUT FOR YOU? 904 00:39:04,676 --> 00:39:07,646 GOT ANOTHER DECADE OF VOODOO? 905 00:39:07,679 --> 00:39:11,049 HEY, NOW, I WANTED TO TELL YOU SOMETHING EARLIER, 906 00:39:11,082 --> 00:39:13,084 AND I THOUGHT THAT IT MIGHT STEP ON A SORE SPOT, 907 00:39:13,118 --> 00:39:18,490 SO I DIDN'T SAY ANYTHING, BUT I THINK I MIGHT HAVE FOUND 908 00:39:18,524 --> 00:39:20,726 THE PERSON THAT I WANT TO SPEND THE REST OF MY LIFE WITH. 909 00:39:20,759 --> 00:39:23,061 BRYN? YOU'RE GONNA SPEND THE REST OF YOUR LIFE 910 00:39:23,094 --> 00:39:24,930 -WITH FUCKING BRYN? -NO, NO, NO, NO. 911 00:39:24,963 --> 00:39:27,633 I MEAN BRYN'S COOL. YEAH, BUT, NO, NOT BRYN. 912 00:39:27,666 --> 00:39:29,735 BECKY. 913 00:39:29,768 --> 00:39:31,136 BECKY. WHO'S BECKY? 914 00:39:31,169 --> 00:39:32,604 WHAT DO YOU MEAN, WHO'S BECKY? 915 00:39:32,638 --> 00:39:35,974 -BECKY BELLINGTON. -BECKY BELLINGTON? 916 00:39:36,007 --> 00:39:37,943 -YOU REMEMBER-- -BIOLOGY T.A., BECKY BELLINGTON? 917 00:39:37,976 --> 00:39:39,445 YES. 918 00:39:39,478 --> 00:39:41,012 HOW LONG YOU GUYS BEEN GOING OUT FOR? 919 00:39:41,046 --> 00:39:44,082 OH, GOD, I DON'T KNOW. FOR YEARS, REALLY. 920 00:39:44,115 --> 00:39:47,653 -FOR YEARS? -YEAH, I MEAN EVERY TIME THAT I'D ROLL THROUGH TOWN 921 00:39:47,686 --> 00:39:50,188 WE HAD THESE LIKE CRAZY NIGHTS TOGETHER, 922 00:39:50,221 --> 00:39:52,123 AND SOMETIMES ON WEEKENDS. 923 00:39:52,157 --> 00:39:53,992 I DON'T KNOW, I JUST NEVER FELT ANYBODY-- 924 00:39:54,025 --> 00:39:56,662 FELT THE WAY ABOUT HER AS I DO FEEL ANYBODY ELSE. 925 00:39:56,695 --> 00:39:59,197 -BECKY BELLINGTON? -YEAH. 926 00:39:59,230 --> 00:40:01,833 -DO YOU HAVE A PHOTO? -YEAH, HERE. 927 00:40:03,569 --> 00:40:06,104 -FOR YEARS YOU WERE HANGING OUT. -YEAH, YEAH. 928 00:40:06,137 --> 00:40:08,807 I MEAN, LOOK, HERE. 929 00:40:08,840 --> 00:40:10,809 THAT ONE. THAT ONE THERE. 930 00:40:10,842 --> 00:40:13,912 YOU AND BRYN ARE ALREADY FRIENDS ON FACEBOOK? 931 00:40:13,945 --> 00:40:15,213 -YEAH. -WHEN DID THAT HAPPEN? 932 00:40:15,246 --> 00:40:16,848 I DON'T KNOW, SHE ADDED ME LIKE YESTERDAY. 933 00:40:19,918 --> 00:40:21,553 WOW, SHE LOOKS EXACTLY THE SAME. 934 00:40:21,587 --> 00:40:23,822 MM-HMM. 935 00:40:23,855 --> 00:40:25,156 SHE'S ENGAGED? 936 00:40:25,190 --> 00:40:27,626 YEAH, THAT'S THE NOT SO SWEET PART. 937 00:40:29,260 --> 00:40:31,096 SO WHERE DOES SHE LIVE? 938 00:40:31,129 --> 00:40:32,831 SHE LIVES IN CHARLESTON. 939 00:40:32,864 --> 00:40:35,033 -CHARLESTON? -YEAH. 940 00:40:35,066 --> 00:40:38,169 -ISN'T THAT ONE OF OUR LAST STOPS? -MM-HMM. 941 00:40:38,203 --> 00:40:41,507 YEAH, YEAH, I THOUGHT IT COULD BE KIND OF LIKE 942 00:40:41,540 --> 00:40:44,476 MY LAST HURRAH OF SINGLEDOM. 943 00:40:44,510 --> 00:40:46,778 -YOUR LAST HURRAH. -YEAH. 944 00:40:46,812 --> 00:40:50,215 SO, IS THIS EVEN A REAL TOUR? 945 00:40:50,248 --> 00:40:52,250 WHAT? IS THIS EVEN A REAL TOUR? 946 00:40:52,283 --> 00:40:54,686 YEAH, IT'S A REAL TOUR. 947 00:40:54,720 --> 00:40:56,087 OKAY, LOOK. 948 00:40:56,121 --> 00:40:58,524 I BOOKED ONE GIG IN CHARLESTON 949 00:40:58,557 --> 00:40:59,858 TO SEE BECKY. 950 00:40:59,891 --> 00:41:01,693 AND I WENT ON MY WEBSITE AND I LOOKED 951 00:41:01,727 --> 00:41:02,928 AND I THOUGHT IT MIGHT BE A LITTLE OBVIOUS, 952 00:41:02,961 --> 00:41:04,996 LIKE ONE LONE SHOW IN HER HOMETOWN, 953 00:41:05,030 --> 00:41:07,566 SO I BOOKED A FEW MORE GIGS ALONG THE WAY. 954 00:41:07,599 --> 00:41:09,267 I THOUGHT IT WOULD BE FUN TO DRIVE, YOU KNOW? 955 00:41:09,300 --> 00:41:10,869 WHAT? JUST TO LIKE THROW OFF THE SCENT, 956 00:41:10,902 --> 00:41:13,872 YOU PUT ON MORE GIGS TO SMOKESCREEN IT? 957 00:41:13,905 --> 00:41:17,743 NO, NO, WELL, AT FIRST, YEAH, BUT THEN I GOT EXCITED ABOUT IT. 958 00:41:17,776 --> 00:41:21,747 YOU KNOW? PLAYING SMALLER VENUES TO, LIKE, FEWER PEOPLE, 959 00:41:21,780 --> 00:41:23,615 A LITTLE MORE INTIMATE OF AN AUDIENCE. 960 00:41:23,649 --> 00:41:25,951 I THOUGHT IT'D BE COOL. 961 00:41:25,984 --> 00:41:27,185 WHAT? 962 00:41:27,218 --> 00:41:29,521 THAT FACE. 963 00:41:29,555 --> 00:41:31,289 OKAY, REMEMBER WHEN WE SAW BRUCE? 964 00:41:31,322 --> 00:41:33,792 -WHEN HE DROPPED IN AT THE STONE PONY? -YEAH. 965 00:41:33,825 --> 00:41:37,596 OKAY, AND WASN'T THAT THE BEST FUCKING SHOW YOU EVER SAW? 966 00:41:37,629 --> 00:41:40,699 -YEAH, IT WAS A GOOD SHOW. -AND WAS HE PLAYING A REAL SHOW? 967 00:41:40,732 --> 00:41:44,002 JASON, WHEN YOU PLAY SMALL INTIMATE VENUES 968 00:41:44,035 --> 00:41:45,537 WHERE YOU CONNECT WITH THE CROWD, 969 00:41:45,571 --> 00:41:47,205 THAT'S ONE THING. THAT'S HIP. 970 00:41:47,238 --> 00:41:49,741 OKAY? THAT'S A HAPPENING. PEOPLE SAY "I WAS THERE." 971 00:41:49,775 --> 00:41:52,644 WHEN I PLAY THOSE SAME VENUES, IT'S DIFFERENT. 972 00:41:52,678 --> 00:41:55,013 YOU UNDERSTAND THAT? IT'S A REINFORCEMENT OF A DEAD END. 973 00:41:55,046 --> 00:41:57,048 OKAY, BUT IF THIS WERE A REAL TOUR, 974 00:41:57,082 --> 00:41:59,050 YOU PROBABLY WOULDN'T EVEN BE HERE. 975 00:41:59,084 --> 00:42:02,954 THERE WOULD PROBABLY BE SOME INDIE, LIKE, SKINNY JEAN HIP BAND 976 00:42:02,988 --> 00:42:04,756 MY LABEL WOULD FORCE DOWN MY THROAT, 977 00:42:04,790 --> 00:42:07,593 -SO THAT I COULD APPEAL TO GEN X. -WE ARE GEN X. 978 00:42:07,626 --> 00:42:10,295 LOOK, I THINK YOUR SET'S JUST KIND OF-- 979 00:42:10,328 --> 00:42:12,263 -CLENCHED. -WHAT DOES THAT MEAN? 980 00:42:12,297 --> 00:42:15,133 -"CLENCHED"? -I DON'T KNOW THE CORRECT COMEDY TERM FOR IT, 981 00:42:15,166 --> 00:42:16,334 OKAY, BUT IT'S JUST, I DON'T KNOW, 982 00:42:16,367 --> 00:42:18,837 A LITTLE TIGHT-ASS? 983 00:42:18,870 --> 00:42:20,739 FUCKING THROW AWAY THE JOKE BOOK, MAN. 984 00:42:20,772 --> 00:42:22,741 LET GO. OKAY, AND IN MUSIC 985 00:42:22,774 --> 00:42:24,910 THE MORE REAL IT IS, THE MORE PERSONAL IT IS, 986 00:42:24,943 --> 00:42:26,277 PEOPLE CAN RELATE TO THAT. 987 00:42:26,311 --> 00:42:28,680 LOOK, I WANT ALL OF THESE PEOPLE, 988 00:42:28,714 --> 00:42:31,216 I WANT EVERYBODY TO KNOW-- I WANT THIS GUY 989 00:42:31,249 --> 00:42:33,919 HI. OKAY? I WANT HIM TO KNOW WHO YOU ARE. 990 00:42:33,952 --> 00:42:35,954 TO KNOW THE PAUL SCOTT THAT I KNOW AND LOVE. 991 00:42:35,987 --> 00:42:38,323 AND IF YOU CAN BRING THAT GUY ON STAGE 992 00:42:38,356 --> 00:42:39,658 NIGHT AFTER NIGHT AFTER NIGHT, 993 00:42:39,691 --> 00:42:40,859 WITH THAT KIND OF CONSISTENCY, 994 00:42:40,892 --> 00:42:42,961 FUCK, THE SKY'S THE LIMIT FOR YOU, DUDE. 995 00:42:42,994 --> 00:42:45,096 I APPRECIATE YOU SAYING IT. 996 00:42:46,632 --> 00:42:48,767 CAN WE HUG IT OUT? COME ON. 997 00:42:48,800 --> 00:42:50,135 COME ON, COME ON. 998 00:42:50,168 --> 00:42:51,803 BRING IT FOR THE REAL THING. 999 00:42:51,837 --> 00:42:53,071 YEAH. 1000 00:42:55,073 --> 00:42:57,976 DID THEY PUT ME IN COUNTRY? 1001 00:42:58,009 --> 00:43:00,912 SO IS BRYN COMING DOWN WITH US TO CHARLESTON? 1002 00:43:00,946 --> 00:43:02,180 YEAH, IF SHE'S UP FOR IT. 1003 00:43:02,213 --> 00:43:03,348 WELL, I'M SURE SHE'S UP FOR IT. 1004 00:43:03,381 --> 00:43:05,216 I THINK YOU SHOULD TELL HER THOUGH, 1005 00:43:05,250 --> 00:43:08,820 'CAUSE, YOU KNOW, IT'S KIND OF A BIG DEAL FOR HER. 1006 00:43:08,854 --> 00:43:10,689 YEAH? 1007 00:43:10,722 --> 00:43:14,325 I THINK BRYN'S KIND OF A BIG DEAL FOR YOU, HEY, BUDDY? 1008 00:43:14,359 --> 00:43:17,863 FEAR NOT TONIGHT, I'M GONNA LEAVE YOU TWO ALONE, ALL RIGHT? 1009 00:43:17,896 --> 00:43:19,898 I'M GONNA MAKE MYSELF SCARCE. I'LL CRASH SOMEWHERE ELSE. 1010 00:43:19,931 --> 00:43:21,166 NO, THAT'S GONNA MAKE IT AWKWARD. 1011 00:43:21,199 --> 00:43:23,201 IT WOULD MAKE EVERYONE UNCOMFORTABLE. 1012 00:43:23,234 --> 00:43:25,370 DUDE, IT'S NOT GONNA MAKE IT AWKWARD. OKAY? IT'S GONNA BE FINE. 1013 00:43:25,403 --> 00:43:27,038 -IT'S GONNA BE FINE? -YEAH, ALL RIGHT, 1014 00:43:27,072 --> 00:43:28,406 IT WOULD BE MORE AWKWARD FOR ME 1015 00:43:28,439 --> 00:43:31,376 IF I'M WATCHING YOU SIFT THROUGH THE FOG. 1016 00:43:31,409 --> 00:43:34,079 -OKAY, SO THIS IS ABOUT YOU. -YEAH, YES. 1017 00:43:34,112 --> 00:43:35,881 -NOW I GET IT. -YES, THIS IS ABOUT ME. 1018 00:43:35,914 --> 00:43:38,083 -NOW IT MAKES PERFECT SENSE. -YEAH, I NEED THIS FOR YOU. 1019 00:43:38,116 --> 00:43:40,318 OKAY, LOOKS LIKE WE'VE GOT A COUPLE ROOMS AVAILABLE. 1020 00:43:40,351 --> 00:43:44,155 413, WITH A FIREPLACE AND ROOM 420. 1021 00:43:44,189 --> 00:43:45,423 WHICH IS A SMOKING ROOM. 1022 00:43:45,456 --> 00:43:48,226 THE FIREPLACE ROOM IS FINE, THANKS. 1023 00:43:48,259 --> 00:43:52,898 HEY, HEY, PAUL. IS IT COOL IF BRYN CRASHES WITH US TONIGHT? 1024 00:43:52,931 --> 00:43:55,200 -YEAH, YEAH, OF COURSE. -ARE YOU SURE? 1025 00:43:55,233 --> 00:43:56,835 -TOTALLY. -YES, SEE. 1026 00:43:56,868 --> 00:43:58,269 THAT'S REALLY NICE. 1027 00:43:58,303 --> 00:44:00,038 SHALL WE GET A COT, THEN? 1028 00:44:00,071 --> 00:44:01,907 -SURE. -YEAH? 1029 00:44:01,940 --> 00:44:03,441 YEAH, YEAH, THAT'S A GOOD IDEA. 1030 00:44:03,474 --> 00:44:05,811 WE SHOULD GET A COT. 1031 00:44:05,844 --> 00:44:06,945 SO, YOU NEED A COT? 1032 00:44:06,978 --> 00:44:08,747 YEAH, I GUESS WE NEED A COT. 1033 00:44:08,780 --> 00:44:11,149 UM, YOU KNOW, I'M GONNA GO MAKE A FEW IMPORTANT PHONE CALLS, 1034 00:44:11,182 --> 00:44:13,785 AND THEN SMOKE A CIGARETTE, AND BE-- 1035 00:44:13,819 --> 00:44:16,021 -THANKS, BUD. -BE BACK IN A WHILE. 1036 00:44:17,723 --> 00:44:19,991 ALL RIGHT. YOU'RE ALL SET. 1037 00:44:20,025 --> 00:44:22,260 CONTINENTAL BREAKFAST 6:00 TO 8:00 EVERY MORNING. 1038 00:44:22,293 --> 00:44:24,029 JUST RIGHT UP THE STAIRS IS YOUR ROOM. 1039 00:44:24,062 --> 00:44:25,931 AND THERE'S A SNACK MACHINE 1040 00:44:25,964 --> 00:44:27,899 IN CASE YOU GET THE MUNCHIES. 1041 00:44:27,933 --> 00:44:30,201 -GREAT. -THANK YOU. 1042 00:44:30,235 --> 00:44:32,704 OH, THIS ISN'T SO BAD. 1043 00:44:34,339 --> 00:44:37,008 -YEAH, IT'S NOT BAD AT ALL, ACTUALLY. -NO. 1044 00:44:37,042 --> 00:44:39,711 IT'S EVEN KIND OF FANCY. 1045 00:44:39,745 --> 00:44:42,213 I DON'T KNOW IF I'D GO THAT FAR. 1046 00:44:42,247 --> 00:44:44,482 UM, DO YOU MIND IF I USE THE BATHROOM? 1047 00:44:44,515 --> 00:44:46,885 YEAH, OF COURSE. THIS ISN'T SHAWSHANK. 1048 00:44:46,918 --> 00:44:48,787 YOU DON'T HAVE TO ASK FOR PERMISSION. 1049 00:44:48,820 --> 00:44:50,255 IT WAS A VERY WEIRD QUESTION. 1050 00:44:50,288 --> 00:44:53,825 IT WAS A VERY WEIRD-- I'M GIVING YOU 45 SECONDS. 1051 00:44:57,528 --> 00:45:00,832 HEY, GOT THE COT YOU GUYS WANTED. 1052 00:45:00,866 --> 00:45:02,500 OH, YEAH, YEAH, YOU KNOW WHAT, ACTUALLY, I DON'T THINK WE NEED THE COT. 1053 00:45:02,533 --> 00:45:05,971 - WHO IS IT? -IT'S HOUSEKEEPING. 1054 00:45:06,004 --> 00:45:07,973 I'M ACTUALLY THE ASSISTANT MANAGER. 1055 00:45:08,006 --> 00:45:10,341 - WITH THE COT? -YUP! 1056 00:45:10,375 --> 00:45:12,110 YEAH, OKAY, WHY DON'T YOU COME ON IN? 1057 00:45:12,143 --> 00:45:15,981 YUP, JUST RIGHT THROUGH HERE. 1058 00:45:16,014 --> 00:45:18,283 I'LL JUST PULL THIS OUT REAL QUICK. 1059 00:45:18,316 --> 00:45:19,985 -HOW'S YOUR DAY GOING? -GOOD. HOW ABOUT YOU? 1060 00:45:20,018 --> 00:45:21,787 DO YOU NEED ANY HELP WITH ANYTHING? 1061 00:45:21,820 --> 00:45:23,488 -I'LL LEAVE THIS RIGHT THERE, OKAY? -IT'S OKAY. 1062 00:45:23,521 --> 00:45:26,257 SO, YEAH, IF YOU GUYS NEED ANY RECOMMENDATIONS HERE IN TOWN 1063 00:45:26,291 --> 00:45:27,959 FOR RESTAURANTS, BOWLING ALLEYS, 1064 00:45:27,993 --> 00:45:30,528 WEED, JUST HIT ZERO. I'M YOUR GUY. 1065 00:45:30,561 --> 00:45:32,297 -GREAT. -HI. 1066 00:45:32,330 --> 00:45:34,432 -THAT'S FANTASTIC. -YEAH, SO. ALL RIGHT. 1067 00:45:34,465 --> 00:45:36,467 -COOL. -ALL RIGHT. 1068 00:45:36,501 --> 00:45:38,036 OH, HERE. 1069 00:45:38,069 --> 00:45:40,005 FORGOT THE-- 1070 00:45:40,038 --> 00:45:42,340 YEAH, ALL I HAVE IS A-- ALL I HAVE IS A TWENTY. 1071 00:45:42,373 --> 00:45:44,075 -I DON'T HAVE ANY CHANGE. -RIGHT. 1072 00:45:44,109 --> 00:45:45,844 -THING IS-- - I DON'T HAVE ANY CHANGE. 1073 00:45:45,877 --> 00:45:47,178 -YOU DON'T HAVE ANY CHANGE EITHER? -NO. 1074 00:45:47,212 --> 00:45:49,180 YOU DON'T HAVE TO. YOU DON'T NEED CHANGE. 1075 00:45:49,214 --> 00:45:52,217 SO, OH, WOW, THAT IS VERY GENEROUS, YEAH. 1076 00:45:52,250 --> 00:45:55,553 OH, IF YOU GUY WANT FIREWOOD FOR THE FIREPLACE, 1077 00:45:55,586 --> 00:45:57,488 -I CAN BRING THAT UP. -SURE, YEAH, IT COMES WITH THE ROOM. 1078 00:45:57,522 --> 00:46:01,392 OH, IT'S $50, BUT IT COMES WITH CHAMPAGNE. 1079 00:46:01,426 --> 00:46:02,560 50 BUCKS? 1080 00:46:02,593 --> 00:46:03,829 I THINK WE'RE GOOD. 1081 00:46:03,862 --> 00:46:05,130 YEAH, I GUESS WE'RE GOOD. 1082 00:46:05,163 --> 00:46:07,565 YOU'LL JUST KEEP EACH OTHER WARM THEN. 1083 00:46:07,598 --> 00:46:08,834 -YEAH. -YEAH. 1084 00:46:08,867 --> 00:46:10,568 -ALL RIGHT. -THANK YOU. 1085 00:46:10,601 --> 00:46:13,304 YOU GOT IT. I'LL JUST PUT THIS ON THE DOOR OUTSIDE. 1086 00:46:13,338 --> 00:46:17,308 YEAH. THIS IS SO MUCH BETTER THAN MY VAN. 1087 00:46:17,342 --> 00:46:18,910 OH, NO, YOU SHOULD TAKE ONE OF THE BEDS. 1088 00:46:18,944 --> 00:46:20,011 -I WAS GONNA TAKE THE COT. -ARE YOU KIDDING? 1089 00:46:20,045 --> 00:46:21,246 -ARE YOU SURE? -STOP. 1090 00:46:21,279 --> 00:46:22,447 -BUT THANK YOU, THOUGH. -ALL RIGHT. 1091 00:46:22,480 --> 00:46:24,082 -WELL, IF YOU RECONSIDER. -OKAY. 1092 00:46:24,115 --> 00:46:25,984 -EVERYTHING GOOD? -DO YOU WANNA USE THE BATH-- 1093 00:46:26,017 --> 00:46:27,252 -OH, I WAS GONNA TAKE A SHOWER. -NO, I ALREADY SHOWERED. 1094 00:46:27,285 --> 00:46:28,486 -YOU SURE? -NO, I'M SURE. I'M SURE. 1095 00:46:28,519 --> 00:46:29,988 OKAY, OKAY. 1096 00:46:30,021 --> 00:46:32,958 -I SHOWER QUICKLY. -GOOD. COOL. ENJOY. 1097 00:46:32,991 --> 00:46:34,192 A PRIEST COULD WALK IN ON YOU, 1098 00:46:34,225 --> 00:46:35,961 BONING A GIRL IN THE CONFESSION BOOTH, 1099 00:46:35,994 --> 00:46:38,529 AND HE'D BE LIKE, "WHOO! SHE'S SMOKING. YOU'RE FINE." 1100 00:46:40,065 --> 00:46:42,267 THREE HAIL MARYS AND SEND ME SOME JPEGS. 1101 00:46:44,102 --> 00:46:46,437 NOW, MARYLAND, I HAVE SOME GOOD NEWS FOR YOU TONIGHT. 1102 00:46:46,471 --> 00:46:49,841 LED ZEPPELIN COULDN'T DO IT, 1103 00:46:49,875 --> 00:46:52,543 FLEETWOOD MAC DID NOT DO IT, 1104 00:46:52,577 --> 00:46:54,880 BUT TONIGHT, WE ARE GONNA DO IT, 1105 00:46:54,913 --> 00:46:58,984 STAND UP COMEDY BEFORE FOLK ROCK, ARE YOU READY? 1106 00:46:59,017 --> 00:47:01,452 ARE YOU READY? 1107 00:47:01,486 --> 00:47:03,054 ALL RIGHT! 1108 00:47:03,088 --> 00:47:05,857 WHOO! YEAH! 1109 00:47:07,425 --> 00:47:08,459 ALL RIGHT. 1110 00:47:08,493 --> 00:47:11,863 SO, WHAT IS UP WITH EVITES? 1111 00:47:14,032 --> 00:47:16,334 WHAT'S UP WITH IT? 1112 00:47:16,367 --> 00:47:17,602 -HEY. -HEY. 1113 00:47:17,635 --> 00:47:19,104 HOW'S IT GOING? I GOT YOU A BEER. 1114 00:47:19,137 --> 00:47:20,872 -OH, THANKS. -CHEERS. 1115 00:47:20,906 --> 00:47:22,473 CHEERS. 1116 00:47:22,507 --> 00:47:24,542 YOU SHOULD FEEL REALLY GOOD ABOUT THE BEGINNING OF THAT. 1117 00:47:24,575 --> 00:47:26,344 -IT WAS AWESOME. -THANKS. 1118 00:47:26,377 --> 00:47:28,279 YEAH, I MEAN, THAT WAS JUST CROWD WORK, BUT THANK YOU. 1119 00:47:28,313 --> 00:47:30,248 OH, WHATEVER IT WAS, IT WAS GREAT. 1120 00:47:30,281 --> 00:47:32,317 IT WAS LIKE HERE AND HONEST. 1121 00:47:37,055 --> 00:47:39,157 I LOVE THIS SONG. 1122 00:47:39,190 --> 00:47:41,559 AND JASON WAS TOTALLY RIGHT WHEN HE SAID THAT 1123 00:47:41,592 --> 00:47:43,228 THAT'S WHERE YOUR TICKET IS. 1124 00:47:43,261 --> 00:47:45,063 -LIKE THAT'S WHERE-- -HEY BRYN, COULD WE NOT-- 1125 00:47:45,096 --> 00:47:47,065 COULD WE NOT DECONSTRUCT MY ACT 1126 00:47:47,098 --> 00:47:49,167 EVERY NIGHT WE HANG OUT? IS THAT OKAY? 1127 00:47:49,200 --> 00:47:50,501 -I'M SORRY. -IT'S OKAY. 1128 00:47:50,535 --> 00:47:51,636 I'M JUST TRYING TO BE HELPFUL. 1129 00:47:51,669 --> 00:47:53,504 AND I JUST SEE YOUR POTENTIAL. 1130 00:47:53,538 --> 00:47:55,373 -OH, OH, MY GOD, I SOUND LIKE MY MOM. -MY POTENTIAL. 1131 00:47:55,406 --> 00:47:58,209 NO, YOU HAVE POTENTIAL, TOO. I'M JUST LIKE-- 1132 00:47:58,243 --> 00:48:00,645 HOW WOULD YOU LIKE IT IF I PICK APART YOUR ACT 1133 00:48:00,678 --> 00:48:04,015 LIKE MOMENTS AFTER YOU GET OFF STAGE? 1134 00:48:04,049 --> 00:48:05,917 -HONESTLY? -YEAH, HONESTLY. 1135 00:48:05,951 --> 00:48:07,652 -I COULD HANDLE IT. -YOU THINK YOU'D BE FINE WITH IT? 1136 00:48:07,685 --> 00:48:09,354 -YUP. -OKAY. 1137 00:48:09,387 --> 00:48:11,689 MAYBE WE SHOULD GET OUT OF HERE BEFORE JASON 1138 00:48:11,722 --> 00:48:13,391 -YEAH. -ROPES US INTO ANOTHER NIGHT OF DRINKING. 1139 00:48:13,424 --> 00:48:16,161 HI. SORRY TO BUG YOU GUYS, BUT, DO YOU THINK WE CAN 1140 00:48:16,194 --> 00:48:18,063 -GET A PHOTO WITH YOU? -YOU WERE SO FUNNY. 1141 00:48:18,096 --> 00:48:20,098 HE WAS, RIGHT? YOU REALLY WERE. 1142 00:48:20,131 --> 00:48:22,167 -SURE, YEAH. -YOUR WORK IS HYSTERICAL. 1143 00:48:22,200 --> 00:48:24,435 -THANK YOU. -ARE YOU HIS GIRLFRIEND? 1144 00:48:24,469 --> 00:48:26,471 -NO. -WELL, YOU GUYS LOOK REALLY GOOD TOGETHER. 1145 00:48:26,504 --> 00:48:28,373 -OH, THANKS. -IF YOU WERE, THAT WOULD BE GOOD. 1146 00:48:28,406 --> 00:48:29,407 -YEAH, YEAH. -WOULD YOU MIND? 1147 00:48:29,440 --> 00:48:30,641 NO, NOT AT ALL. 1148 00:48:30,675 --> 00:48:32,443 -I REALLY LIKE YOUR HAIR. -THANKS. 1149 00:48:32,477 --> 00:48:34,012 -YEAH. -YOU'RE SO SWEET, ALL RIGHT. 1150 00:48:34,045 --> 00:48:35,413 -YOU GUYS READY? -ARE YOU? 1151 00:48:35,446 --> 00:48:39,284 -SAY PAUL SCOTT. - PAUL SCOTT. 1152 00:48:39,317 --> 00:48:40,418 -HERE YOU GO. -THANK YOU SO MUCH. 1153 00:48:40,451 --> 00:48:42,253 YEAH, NO PROBLEM. 1154 00:48:42,287 --> 00:48:45,256 OH, WOW, I LOOK SO FAT THERE. 1155 00:48:45,290 --> 00:48:47,292 DO YOU STILL WANT TO GO? 1156 00:48:47,325 --> 00:48:49,327 WELL, WHY DON'T WE ALL JUST HAVE A DRINK AND WAIT FOR JASON? 1157 00:48:49,360 --> 00:48:51,162 -YEAH, WE'LL, GET YOU A DRINK. -YEAH. 1158 00:48:51,196 --> 00:48:53,965 OKAY, YOU'RE GOOD. YOU WANNA HANG OUT AND GET A-- 1159 00:48:53,999 --> 00:48:56,367 UH, NO, I'M GOOD, I'M GOOD. 1160 00:48:56,401 --> 00:49:01,239 BUT, I'M GONNA QUICK FINISH THIS-- AND YOU GUYS HAVE FUN. 1161 00:49:01,272 --> 00:49:02,440 I'M GONNA HEAD BACK TO THE ROOM. 1162 00:49:02,473 --> 00:49:03,741 -I'LL SEE YOU THERE. -YOU SURE? 1163 00:49:03,774 --> 00:49:05,110 -YEAH. -YOU DON'T WANNA HAVE ONE DRINK? 1164 00:49:05,143 --> 00:49:06,344 -NO, YOU GUYS HAVE FUN. -JUST ONE? 1165 00:49:06,377 --> 00:49:07,345 NO, I'M GOOD. 1166 00:49:07,378 --> 00:49:09,247 NICE TO MEET YOU. 1167 00:49:09,280 --> 00:49:10,448 -HEY. -SO GOOD, 1168 00:49:10,481 --> 00:49:13,151 YOU'RE FRIENDS WITH JASON BLACK? 1169 00:49:13,184 --> 00:49:14,719 -YEAH, YEAH. -YEAH. 1170 00:49:17,222 --> 00:49:19,590 AND I LOOK, AND IT'S MY TOUR MANAGER, KYLE. 1171 00:49:19,624 --> 00:49:23,194 YOU KNOW KYLE, RIGHT? AND HE'S RIDING ON HORSEBACK INTO THE MOUNTAINS 1172 00:49:23,228 --> 00:49:25,496 WITH NO CLOTHES ON. I SWEAR TO GOD. 1173 00:49:25,530 --> 00:49:28,466 AND SO NOW, YOU GOTTA REMEMBER, IT'S JUST ME, BEN FOLDS, 1174 00:49:28,499 --> 00:49:30,735 BON IVER, AND TREY ANASTASIO, 1175 00:49:30,768 --> 00:49:32,303 FROM PHISH? YOU GUYS KNOW HIM, RIGHT? 1176 00:49:32,337 --> 00:49:33,771 YEAH, AND WE'RE SITTING IN THIS LIKE-- 1177 00:49:33,804 --> 00:49:35,773 -IN THIS UM-- -WIGWAM. 1178 00:49:35,806 --> 00:49:37,575 WIGWAM, WIGWAM, BEAUTIFUL WIGWAM, 1179 00:49:37,608 --> 00:49:41,112 IN THE DOOR I SEE A SHADOW, AND IT WAS A POSSUM. 1180 00:49:41,146 --> 00:49:42,447 OH! 1181 00:49:42,480 --> 00:49:43,748 -DO YOU LOVE POSSUMS? -I DO. 1182 00:49:43,781 --> 00:49:45,350 THAT'S GREAT. ARE WE CONNECTED. 1183 00:49:45,383 --> 00:49:47,452 -WOW. -YEAH, IT WAS REALLY GREAT. 1184 00:49:47,485 --> 00:49:48,586 LAST CALL. 1185 00:49:48,619 --> 00:49:49,787 ALL RIGHT. LAST CALL. 1186 00:49:49,820 --> 00:49:52,590 UM, WHAT DO YOU GUYS WANNA DO? 1187 00:49:52,623 --> 00:49:55,093 I MEAN, SINCE WE'RE STAYING AT THE SAME HOTEL-- 1188 00:49:55,126 --> 00:49:57,362 I MEAN, WE HAVE PLENTY OF BOOZE, S0-- 1189 00:49:57,395 --> 00:49:58,629 YEAH, LET'S KEEP IT GOING. 1190 00:49:58,663 --> 00:50:00,565 -AFTER PARTY! -AFTER PARTY! 1191 00:50:00,598 --> 00:50:01,699 -AFTER PARTY. -YEAH! 1192 00:50:01,732 --> 00:50:03,434 WAIT, YOU SHOULD GO BACK. 1193 00:50:03,468 --> 00:50:05,736 NO, DUDE, YOU JUST GOT OUT OF A FUCKING RELATIONSHIP 1194 00:50:05,770 --> 00:50:07,438 -FOR FIVE YEARS. -YEAH. 1195 00:50:07,472 --> 00:50:09,574 ALL RIGHT. YOU'RE JUST-- THIS IS EXACTLY WHAT YOU NEED. 1196 00:50:09,607 --> 00:50:11,342 I PROMISE. 1197 00:50:11,376 --> 00:50:12,710 -I HEAR SOUNDS COMING OUT. 1198 00:50:12,743 --> 00:50:14,445 -IS THIS-- -THIS IS IT. 1199 00:50:14,479 --> 00:50:17,182 -323. -OKAY. 1200 00:50:17,215 --> 00:50:19,184 -I THINK SOMEONE'S MOVING. 1201 00:50:19,217 --> 00:50:20,585 -WHAT ARE YOU GUYS DOING? -HEY! 1202 00:50:20,618 --> 00:50:22,553 -HI! -HI, WHAT'S UP? 1203 00:50:22,587 --> 00:50:24,322 -LET'S GO. -THERE'S A PARTY OVER THERE, TOO. 1204 00:50:24,355 --> 00:50:26,624 -YEAH. -WHERE'S ANASTACIA? 1205 00:50:26,657 --> 00:50:29,260 OH, SHE HAD TO MAKE A BOOTY CALL OR SOMETHING. 1206 00:50:29,294 --> 00:50:31,429 BUT, I MEAN, I'M STILL AROUND TO HANG OUT IF YOU GUYS WANT. 1207 00:50:31,462 --> 00:50:34,332 -THERE'S PLENTY OF BOOZE, SO-- -YEAH, HEY, YOU KNOW, 1208 00:50:34,365 --> 00:50:36,434 I THINK I'LL JUST LET YOU TWO LOVE BIRDS HANG OUT 1209 00:50:36,467 --> 00:50:39,404 -AND I'LL HIT THE ROAD. -NO WAY. 1210 00:50:39,437 --> 00:50:42,707 OKAY, YOU ARE STAYING. ALL RIGHT, YOU BOTH ARE HANGING OUT. 1211 00:50:42,740 --> 00:50:45,676 OKAY, JASON, YOU SIT THERE, 1212 00:50:45,710 --> 00:50:48,213 AND PAUL, WHY DON'T YOU COME WITH ME TO THE BATHROOM 1213 00:50:48,246 --> 00:50:51,316 AND HELP ME MAKE SOME DRINKS. 1214 00:50:51,349 --> 00:50:54,852 YEAH. 1215 00:50:54,885 --> 00:50:56,354 SHH. JUST-- 1216 00:50:56,387 --> 00:50:57,855 OKAY, JUST TAKE THE WHOLE THING OFF, YEAH. 1217 00:50:57,888 --> 00:51:00,391 -SO MUCH CHEST HAIR. -OH, OKAY. 1218 00:51:05,363 --> 00:51:07,298 -I FEEL BAD. -WHY? 1219 00:51:07,332 --> 00:51:09,434 -JASON. -HE'S FINE. HE'S A BIG BOY. 1220 00:51:09,467 --> 00:51:11,502 -IT'S OKAY. -LET'S MAKE HIM A DRINK. 1221 00:51:11,536 --> 00:51:13,338 -OKAY? -OKAY. 1222 00:51:13,371 --> 00:51:14,872 OKAY. BLENDER. 1223 00:51:14,905 --> 00:51:17,642 -OH! WHOO-HOO! OKAY, STOP. 1224 00:51:20,445 --> 00:51:22,480 OH, NO, YOU THOUGHT WE FORGOT ABOUT YOU. 1225 00:51:22,513 --> 00:51:24,115 DIDN'T YOU? HERE'S YOUR DRINK. 1226 00:51:24,149 --> 00:51:25,683 I THINK I'M JUST GONNA SACK OUT. 1227 00:51:25,716 --> 00:51:30,288 OH, NO, NO, NO. WILL YOU STAY AND PARTY WITH US, PLEASE? 1228 00:51:30,321 --> 00:51:32,723 NAH, I GOTTA GET UP EARLY AND I GOTTA DO STUFF IN THE MORNING. 1229 00:51:32,757 --> 00:51:34,359 OH, YEAH, EARLY DAY FOR THE ROCK STAR, HUH? 1230 00:51:34,392 --> 00:51:35,726 OKAY, YOU'RE HAVING A SPECIAL SHOT! 1231 00:51:35,760 --> 00:51:37,262 -A SPECIAL SHOT. -MHMM. 1232 00:51:37,295 --> 00:51:39,130 -OKAY, ALL RIGHT. -SPECIAL. 1233 00:51:39,164 --> 00:51:40,865 -I'LL JUST WAIT HERE FOR YOU. -I'LL MAKE YOU ONE, DON'T WORRY. 1234 00:51:40,898 --> 00:51:42,400 WHERE'S THE-- WHERE'S THE SHOT? 1235 00:51:42,433 --> 00:51:45,370 I WAS GONNA-- 1236 00:51:45,403 --> 00:51:47,205 -HEY, PAUL. -YUP? 1237 00:51:47,238 --> 00:51:49,907 WANNA COME AND SAVE ME FROM NICOLE HERE? 1238 00:51:49,940 --> 00:51:53,311 OH, TELL JASON TO TAKE HIS SHIRT OFF. 1239 00:51:53,344 --> 00:51:55,180 I'LL TALK TO THE GENTLEMAN. 1240 00:51:55,213 --> 00:51:57,148 I DON'T WANT TO GET EMBROILED IN A SEXUAL HARASSMENT SUIT. 1241 00:51:57,182 --> 00:51:59,217 OH, WELL, I'M NOT A POLICE OFFICER, 1242 00:51:59,250 --> 00:52:02,553 SO, YOU CAN BOTH SEXUALLY HARASS ME, IF YOU WANT TO. 1243 00:52:04,755 --> 00:52:08,259 UM, THAT'S-- 1244 00:52:08,293 --> 00:52:09,660 OH, MY GOD, ARE YOU GUYS GAY? 1245 00:52:09,694 --> 00:52:11,429 -NO. -NO, NO. 1246 00:52:11,462 --> 00:52:12,863 'CAUSE I HAVE A GAY BROTHER, SO LIKE I TOTALLY GET IT. 1247 00:52:12,897 --> 00:52:15,300 -I WOULD NOT BE OFFENDED. -OH, NO, NO. 1248 00:52:15,333 --> 00:52:17,335 -I HAVE A LOT OF GAY FRIENDS. -YEAH, I HAVE GAY SECOND COUSINS. 1249 00:52:17,368 --> 00:52:18,836 -THEY'RE AWESOME. -SO WHAT AM I LIKE-- 1250 00:52:18,869 --> 00:52:20,905 AM I NOT HOT ENOUGH FOR YOU GUYS? 1251 00:52:20,938 --> 00:52:22,307 -NO, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. -WHY WON'T YOU TAKE 1252 00:52:22,340 --> 00:52:23,641 -YOUR CLOTHES OFF. -NO, NO WAY. 1253 00:52:23,674 --> 00:52:25,210 HERE, TELL YOU WHAT, WHY DON'T YOU GO GET 1254 00:52:25,243 --> 00:52:27,778 THAT BLENDER STARTED, ALL RIGHT, AND UM... 1255 00:52:27,812 --> 00:52:29,314 MAYBE I'LL TAKE MY SHIRT OFF. 1256 00:52:29,347 --> 00:52:30,848 -OKAY. -DEAL? 1257 00:52:30,881 --> 00:52:32,583 OKAY, DEAL. 1258 00:52:32,617 --> 00:52:35,453 DUDE, I AM SO SORRY. -NO, NO. 1259 00:52:35,486 --> 00:52:36,654 I DIDN'T DO ANYTHING, I SWEAR TO GOD. 1260 00:52:36,687 --> 00:52:37,788 -I KNOW. -I'LL GO. 1261 00:52:37,822 --> 00:52:39,324 NO, NO, NO. THIS IS GREAT. 1262 00:52:39,357 --> 00:52:40,625 YOU GUYS HAVE A GOOD THING GOING. 1263 00:52:40,658 --> 00:52:42,193 I'M GONNA GO HOME AND HANG OUT WITH BRYN. 1264 00:52:42,227 --> 00:52:43,794 -WHAT? HANG WITH BRYN? -YEAH. 1265 00:52:43,828 --> 00:52:45,763 DUDE, YOU HAVE YOUR WHOLE LIFE TO WORK ON BRYN. 1266 00:52:45,796 --> 00:52:47,232 OKAY? THIS IS TONIGHT. 1267 00:52:47,265 --> 00:52:48,599 SHE'S A FUCKING 10. 1268 00:52:48,633 --> 00:52:51,269 ACTUALLY, CLOSER TO A HIGH 7, BUT YEAH. 1269 00:52:51,302 --> 00:52:53,704 -HIGH 7'S FUCKING GREAT. -IT IS GREAT. IT IS. 1270 00:52:53,738 --> 00:52:57,542 SIT DOWN, DUDE. LOOK, THIS IS MY LAST HURRAH, 1271 00:52:57,575 --> 00:52:59,810 OKAY, BEFORE I THROW MY FUCKING LIFE AWAY AND GET MARRIED, 1272 00:52:59,844 --> 00:53:01,946 ALL RIGHT? SO JUST DO THIS WITH ME. 1273 00:53:01,979 --> 00:53:03,814 THIS'LL BE GREAT. COME ON! 1274 00:53:03,848 --> 00:53:06,817 AND LOOK, DO YOU REMEMBER WHEN I HAD TO CONVINCE YOU 1275 00:53:06,851 --> 00:53:08,886 TO GO RIDING ATVS WITH JOHN POPPER? 1276 00:53:08,919 --> 00:53:10,621 -THAT WAS AWESOME. -THAT WAS GREAT, RIGHT? 1277 00:53:10,655 --> 00:53:12,690 -AWESOME. -AND YOU DIDN'T WANT TO DO THAT. 1278 00:53:12,723 --> 00:53:14,459 THOSE ARE COMPLETELY DIFFERENT. 1279 00:53:14,492 --> 00:53:15,693 NEITHER OF US ARE TRYING TO FUCK JOHN POPPER. 1280 00:53:15,726 --> 00:53:17,795 OKAY? IT'S DIFFERENT, AND IT'S WEIRD. 1281 00:53:17,828 --> 00:53:20,498 IT'S NOT WEIRD. I CAN ARGUE THAT IT'S MORE WEIRD IF WE DON'T DO IT. 1282 00:53:20,531 --> 00:53:22,267 JUST TAKE YOUR FUCKING PANTS OFF. 1283 00:53:22,300 --> 00:53:23,968 -LET'S GO. -ALL RIGHT, ALL RIGHT, LET'S DO IT. 1284 00:53:24,001 --> 00:53:25,936 IF WE'RE GONNA DO THIS WE SHOULD ESTABLISH SOME GUIDELINES. 1285 00:53:25,970 --> 00:53:28,239 YEAH, THAT'S A GOOD IDEA. GUIDELINES. 1286 00:53:28,273 --> 00:53:31,309 -WE WANNA AVOID CONGESTION BACK THERE. -RIGHT. RIGHT. 1287 00:53:31,342 --> 00:53:33,311 -WE DON'T WANNA CRISSCROSS. -I KNOW, YOU KNOW WHAT WE'LL DO? 1288 00:53:33,344 --> 00:53:35,780 YOU STAY ON ONE SIDE, AND THEN YOU'RE ON THE OTHER. 1289 00:53:35,813 --> 00:53:37,715 YOU'RE LOOKING AT THE ATLANTIC THEATER OF THE WORLD 1290 00:53:37,748 --> 00:53:39,417 I'M ACROSS THE WORLD IN THE PACIFIC THEATER. 1291 00:53:39,450 --> 00:53:41,286 THAT'S GOOD. GREAT ANALOGY. 1292 00:53:41,319 --> 00:53:43,521 AND THEN WE'LL JUST LET HER GO BACK AND FORTH TO EITHER OF US. 1293 00:53:43,554 --> 00:53:45,923 -WORSE THAN SHARING? -AND WE'LL NEVER EVEN CRISSCROSS. 1294 00:53:45,956 --> 00:53:49,927 -OKAY, I GOT MARGARITAS FOR BOTH MEN. -ALL RIGHT! 1295 00:53:49,960 --> 00:53:52,963 -WHERE'S YOUR DRINK? -OH, I DON'T REALLY DRINK. 1296 00:53:52,997 --> 00:53:54,499 -OH. -THAT'S OKAY. 1297 00:53:54,532 --> 00:53:56,301 -OKAY. -CHUG, CHUG, CHUG. 1298 00:53:56,334 --> 00:53:57,535 WHOO! ALL RIGHT. 1299 00:53:57,568 --> 00:53:59,470 YUMMY. SO YUMMY. 1300 00:53:59,504 --> 00:54:03,408 -WOW, OKAY, ALL RIGHT. -I LIKE YOUR CHEST HAIR, IT'S SO SEXY. 1301 00:54:03,441 --> 00:54:05,276 -THANK YOU. -OKAY, SO I ONLY HAVE MAGNUMS. 1302 00:54:05,310 --> 00:54:07,445 THAT'S COOL, RIGHT? 1303 00:54:07,478 --> 00:54:08,779 -YEAH. -YEAH, MAGNUMS ARE GREAT. 1304 00:54:08,813 --> 00:54:10,381 - MAGNUMS! -YEAH. 1305 00:54:10,415 --> 00:54:12,417 -WHOO! -I USE MAGNUMS ALL THE TIME. 1306 00:54:12,450 --> 00:54:14,419 I'M SORRY TO BE LIKE SUCH A SQUARE, 1307 00:54:14,452 --> 00:54:16,053 I JUST-- I DON'T HAVE SEX WITH STRANGERS 1308 00:54:16,086 --> 00:54:17,855 -WITHOUT PROTECTION -NO, WHY WOULD YOU? 1309 00:54:17,888 --> 00:54:20,024 NEITHER DO I. BAD IDEA. 1310 00:54:20,057 --> 00:54:22,460 -OKAY, DARLING! -OH, BOY. 1311 00:54:22,493 --> 00:54:23,928 THESE ARE DOUBLE XLS. 1312 00:54:23,961 --> 00:54:26,364 WOW, THESE ARE THE BIGGEST THAT THEY MAKE, I THINK. 1313 00:54:26,397 --> 00:54:27,898 YEAH, I USED TO DATE A LOT OF BASKETBALL PLAYERS, SO... 1314 00:54:27,932 --> 00:54:29,800 -OH, REALLY. -COLLEGE OR PROS? 1315 00:54:29,834 --> 00:54:31,669 -OH, I DON'T-- ACTUALLY I DON'T REALLY KNOW. -OH, NO? 1316 00:54:31,702 --> 00:54:35,340 -DO YOU GUYS NEED HELP? -WHY DON'T YOU GUYS GET GOING THERE? 1317 00:54:35,373 --> 00:54:37,975 - OH, OKAY. - I'M GONNA GET THE BLOOD FLOWING A LITTLE. 1318 00:54:38,008 --> 00:54:39,677 - OKAY. - OOH. 1319 00:54:41,646 --> 00:54:42,980 OW. 1320 00:54:43,013 --> 00:54:45,416 WHOA, WHAT THE FUCK? WAIT, WHOA, WHOA, WHOA. 1321 00:54:45,450 --> 00:54:46,717 -WHAT IS THE-- WHAT THE FUCK IS THAT? WAIT! - SHH. 1322 00:54:46,751 --> 00:54:48,353 WHAT THE FUCK IS-- WHAT IS THAT? 1323 00:54:48,386 --> 00:54:49,820 IT'S A SELFIE STICK? IT TAKES PICTURES. 1324 00:54:49,854 --> 00:54:51,622 NO, I DON'T THINK THAT'S A GOOD IDEA. 1325 00:54:51,656 --> 00:54:53,424 IT'S NOT VIDEO, YOU PUSSIES. 1326 00:54:53,458 --> 00:54:55,092 -I'M WITH JASON ON THIS ONE. -IT'S A BAD IDEA. 1327 00:54:55,125 --> 00:54:59,830 LISTEN, YOU TAKE THE CAMERA, AND YOU HAVE THE CONTROL. 1328 00:54:59,864 --> 00:55:02,633 -JESUS. -WHOA, WHOA! 1329 00:55:02,667 --> 00:55:06,337 -WHOO! -NO, WHAT? 1330 00:55:17,948 --> 00:55:19,817 NO, NO, NO, NO, NO! 1331 00:55:19,850 --> 00:55:21,452 OH, NO! MY CONDOM FELL OFF. 1332 00:55:21,486 --> 00:55:23,721 -WE HAVEN'T EVEN STARTED. -I MEAN, IT BROKE. 1333 00:55:23,754 --> 00:55:26,424 -OH FUCK IT, YOU GUYS ARE CLEAN, RIGHT? -ARE YOU CLEAN? 1334 00:55:26,457 --> 00:55:28,393 YEAH, I GET TESTED EVERY HALLOWEEN. 1335 00:55:28,426 --> 00:55:30,395 OKAY, YEAH, I'M JUST GONNA GO OUT AND GET SOME ICE REAL QUICK. 1336 00:55:30,428 --> 00:55:32,497 WAIT, WE HAVE ICE CUBES IN THE BATHROOM. 1337 00:55:32,530 --> 00:55:34,365 I NEED CRUSHED ICE. I'LL SEE YOU GUYS IN A SEC. 1338 00:55:34,399 --> 00:55:35,933 -OKAY. -YOU STAY. 1339 00:55:35,966 --> 00:55:37,635 - YOU GO, CALIGULA! WHAT ARE YOU DOING? 1340 00:55:37,668 --> 00:55:38,669 SEND ME JPEGS! 1341 00:55:38,703 --> 00:55:40,671 YOU'RE NICKNAMED CALIGULA? 1342 00:55:40,705 --> 00:55:43,340 HEY, COULD WE TAKE IT LIKE A LITTLE SLOWER, MAYBE? 1343 00:55:49,013 --> 00:55:52,483 SUCH A GOOD PAL. 1344 00:55:52,517 --> 00:55:53,718 THE PRINCESS! 1345 00:55:53,751 --> 00:55:56,421 THE GIANT HAS STOLEN THE PRINCESS! 1346 00:55:56,454 --> 00:55:59,690 HENRY, DO YOU HEAR WHAT THEY'RE YELLING? 1347 00:55:59,724 --> 00:56:03,594 THE GIANT HAS KIDNAPPED THE PRINCESS! 1348 00:56:06,764 --> 00:56:07,865 -HEY. -HEY. 1349 00:56:07,898 --> 00:56:09,667 LET ME TAKE THE COT. 1350 00:56:09,700 --> 00:56:12,036 I'M OKAY. 1351 00:56:12,069 --> 00:56:13,838 WHERE ARE YOUR LADY FRIENDS? 1352 00:56:13,871 --> 00:56:16,040 -HUH? -YOUR LADY FRIENDS? 1353 00:56:16,073 --> 00:56:18,075 OH, THE GIRLS FROM THE BAR? 1354 00:56:18,108 --> 00:56:20,044 YEAH, THE GIRLS FROM THE BAR. 1355 00:56:20,077 --> 00:56:22,513 JASON'S HANGING OUT WITH THEM. 1356 00:56:22,547 --> 00:56:24,882 WHY DON'T YOU JUST TAKE THAT BED? 1357 00:56:24,915 --> 00:56:27,418 JASON'S PAYING FOR THE TOUR. HE SHOULD HAVE HIS OWN BED. 1358 00:56:27,452 --> 00:56:28,719 I'M FINE. 1359 00:56:28,753 --> 00:56:32,857 YOU COULD JUST SHARE THIS ONE WITH ME. 1360 00:56:32,890 --> 00:56:35,125 COME ON. JUST NO FUNNY STUFF. 1361 00:56:36,827 --> 00:56:38,496 OKAY. 1362 00:56:38,529 --> 00:56:41,165 AND IF JASON DOESN'T COME BACK, I'LL JUST SLIDE OVER. 1363 00:57:03,821 --> 00:57:06,591 YOU CAN SPREAD OUT A LITTLE BIT. 1364 00:57:06,624 --> 00:57:09,994 I JUST DON'T WANNA CREATE THE PERCEPTION OF FUNNY STUFF. 1365 00:57:10,027 --> 00:57:11,562 HERE, I HAVE AN IDEA. 1366 00:57:11,596 --> 00:57:15,833 WHY DON'T WE PUT A PILLOW BETWEEN US? 1367 00:57:15,866 --> 00:57:17,468 CAN'T YOU STILL GET PREGNANT THAT WAY? 1368 00:57:17,502 --> 00:57:19,970 MM-MMM, PILLOW METHOD WORKS. 1369 00:57:20,004 --> 00:57:24,542 OKAY, GOOD, 'CAUSE I DO NOT WANT ANY MORE INADVERTENT PILLOW CHILDREN. 1370 00:57:25,743 --> 00:57:29,614 I'LL BE SO CAREFUL. GOOD NIGHT. 1371 00:57:29,647 --> 00:57:31,882 CAN I TURN THE TV OFF? 1372 00:57:33,584 --> 00:57:34,985 * IT'S 4:00 IN THE MORNING 1373 00:57:35,019 --> 00:57:38,956 * AND I RODE IN YOUR NEW CADILLAC * 1374 00:57:41,158 --> 00:57:42,993 * I AIN'T ONE FOR SURPRISES * 1375 00:57:43,027 --> 00:57:46,597 * BUT I FOUND MYSELF SLEEPING IN THE BACK * 1376 00:57:48,799 --> 00:57:50,968 * DOESN'T HAVE TO BE FOREVER * 1377 00:57:51,001 --> 00:57:54,204 * BUT RIGHT NOW IS JUST FINE WITH ME * 1378 00:57:56,273 --> 00:57:58,909 * A NEW CITY IN THE MORNING 1379 00:57:58,943 --> 00:58:02,179 * BUT TONIGHT YOU'RE JUST WHAT I NEED * 1380 00:58:05,082 --> 00:58:07,585 * WON'T YOU RIDE 1381 00:58:07,618 --> 00:58:09,754 -OKAY, NOW LOWER REGISTER. -GO DEEPER. 1382 00:58:09,787 --> 00:58:11,121 -DEEPER REGISTER. -A LITTLE DEEPER, OKAY. 1383 00:58:11,155 --> 00:58:12,289 * RIDE ARE YOU READY? 1384 00:58:12,322 --> 00:58:13,290 -YEAH. -WE'LL START FROM THERE. 1385 00:58:13,323 --> 00:58:14,825 GO, I'M READY. 1386 00:58:14,859 --> 00:58:16,861 * WON'T YOU RIDE 1387 00:58:18,596 --> 00:58:21,031 * WON'T YOU RIDE 1388 00:58:23,100 --> 00:58:27,572 * IN MY NEW CADILLAC 1389 00:58:27,605 --> 00:58:29,206 * TREELINE FLIES BY 1390 00:58:29,239 --> 00:58:32,543 * AND THE SUN STARTS TO RISE ON YOUR BROW * 1391 00:58:35,312 --> 00:58:37,582 * NO PLANS FOR THE FUTURE 1392 00:58:37,615 --> 00:58:41,018 * BUT NOTHING'S AS FREE AS YOU NOW * 1393 00:58:43,821 --> 00:58:45,890 * THROW CAUTION TO THE WIND 1394 00:58:45,923 --> 00:58:49,827 * COME ON, BABY LOOK ME IN THE EYE * 1395 00:58:51,629 --> 00:58:53,631 * THE BITTER STORM ON MY SHOULDERS * 1396 00:58:53,664 --> 00:58:57,267 * HAS BROKE AND YOU'RE THE REASON WHY * 1397 00:58:59,670 --> 00:59:01,606 * WON'T YOU RIDE 1398 00:59:04,742 --> 00:59:06,944 * WON'T YOU RIDE 1399 00:59:09,279 --> 00:59:11,882 * IN MY NEW CADILLAC 1400 00:59:17,387 --> 00:59:19,757 WHO--WHO COUNTRY-DROPS IN AN EVITE? 1401 00:59:19,790 --> 00:59:21,692 THAT'S JUST TACKY, RIGHT? 1402 00:59:21,726 --> 00:59:24,762 WHAT? HOW DID YOU GET THE GIRAFFE COSTUME ON THAT CHICK? 1403 00:59:24,795 --> 00:59:27,131 UNCOUTH. 1404 00:59:27,164 --> 00:59:28,733 OKAY GUYS, YOU'VE BEEN A GREAT CROWD. 1405 00:59:28,766 --> 00:59:30,034 THANK YOU SO MUCH, VIRGINIA BEACH, GOODNIGHT. 1406 00:59:31,736 --> 00:59:33,303 -OH, YEAH. WHOO! -WHOO WHOO! 1407 00:59:33,337 --> 00:59:34,872 WHOO, PAUL SCOTT! 1408 00:59:34,905 --> 00:59:37,975 -OOH, WAY TO GO. -IT'S A FUCKIN' NIGHTMARE. 1409 00:59:38,008 --> 00:59:40,210 WELL, I THOUGHT FUCK YOU WERE GREAT, MAN. YOU WERE GREAT. 1410 00:59:40,244 --> 00:59:41,712 HEY, I WANT YOU TO MEET THESE GUYS. 1411 00:59:41,746 --> 00:59:43,748 THEY MAKE THESE FUCKIN' YOUTUBE VIDEOS... 1412 00:59:43,781 --> 00:59:46,116 -YEAH. WHAT'S UP, MAN? -THEY'RE SO--THEY'RE HILARIOUS, MAN. 1413 00:59:46,150 --> 00:59:48,152 -THEY'RE SO FUCKIN' FUNNY. -THANK YOU. NICE SET, MAN. 1414 00:59:48,185 --> 00:59:50,287 -IT WAS GREAT. -YEAH, IT WAS GOOD. IT WAS A TOUGH CROWD. 1415 00:59:50,320 --> 00:59:51,889 YOU GOTTA SEE-- YOU GOTTA SEE THESE VID-- 1416 00:59:51,922 --> 00:59:53,791 CAN YOU PULL THOSE OTHER ONES UP? 1417 00:59:53,824 --> 00:59:55,826 YOU GOTTA SEE THESE VIDEOS, MAN. I THOUGHT IT'D BE FUN 1418 00:59:55,860 --> 00:59:57,261 IF THEY COME ON TOUR WITH US, 1419 00:59:57,294 --> 00:59:59,329 AND, LIKE, THEY GOT A THING THAT'S KINDA COOL. 1420 00:59:59,363 --> 01:00:01,398 -CAN I TALK TO YOU FOR A QUICK SECOND? -HMM? YEAH. 1421 01:00:01,431 --> 01:00:03,267 -OKAY. ONE SECOND, GUYS. -OKAY. YEAH. 1422 01:00:05,970 --> 01:00:08,773 -OOH. ALL RIGHT. -DUDE, I'M FUCKING BOMBING UP THERE. HARD. 1423 01:00:08,806 --> 01:00:10,975 NO ONE'S LISTENING, INCLUDING YOU, AND NOW YOU'RE TELLING ME 1424 01:00:11,008 --> 01:00:13,377 YOU WANT TO BRING TWO COMICS ON TOUR WITH US? 1425 01:00:13,410 --> 01:00:16,280 I'M JUST--THEY'RE JUST-- IT WAS AN IDEA, I DON'T KNOW. 1426 01:00:16,313 --> 01:00:20,117 I KNOW, YOU HAVE A LOT OF IDEAS. A LOT OF BAD, BAD IDEAS. 1427 01:00:20,150 --> 01:00:22,152 HEY, GUYS. WHAT'S GO-- THIS IS SO SERIOUS. 1428 01:00:22,186 --> 01:00:24,188 -WAIT, WAIT, HOLD ON, WAIT. -LET ME GET US SOME DRINKS. 1429 01:00:24,221 --> 01:00:28,158 OKAY. I ASKED YOU IF YOU WANTED TO HEADLINE AND YOU SAID YES. 1430 01:00:28,192 --> 01:00:31,295 -AND NOW I'M THE BAD GUY? WHAT THE FUCK IS THAT? -COME ON. COME ON. 1431 01:00:31,328 --> 01:00:33,130 WHAT? NO. WE'RE COOL. WE'RE COOL. 1432 01:00:33,163 --> 01:00:34,665 -ARE WE COOL? -WE'RE COOL. 1433 01:00:34,699 --> 01:00:36,266 WE'RE COOL. OKAY, THEY'RE FU--ALL RIGHT. 1434 01:00:36,300 --> 01:00:39,036 LOOK. I FUCKED UP, OKAY? I'M SORRY. 1435 01:00:39,069 --> 01:00:42,106 BUT THIS WAS JUST ONE SHOW AND WE HAVE A SHOW TOMORROW NIGHT 1436 01:00:42,139 --> 01:00:43,874 AND THIS DOESN'T EVEN MATTER. 1437 01:00:43,908 --> 01:00:46,677 IT DOES MATTER, JASON. IT MATTERS TO ME, OKAY? 1438 01:00:46,711 --> 01:00:48,713 AND I WANT YOU TO UNDERSTAND THAT, OKAY? 1439 01:00:48,746 --> 01:00:53,117 -I DON'T PARTY IN WIGWAMS WITH...BONIVER. -BON--BON IVER. 1440 01:00:53,150 --> 01:00:55,252 BON IVER? OKAY. I DON'T DO THAT. THAT'S NOT HOW I ROLL. 1441 01:00:55,285 --> 01:00:58,188 I HAVE TO GO UP THERE ON THAT STAGE AND FIND A WAY TO MAKE IT WORK. 1442 01:00:58,222 --> 01:01:01,792 BECAUSE IF I DON'T, I HAVE TO CRAWL BACK INTO A 9-TO-5 CAVE. 1443 01:01:01,826 --> 01:01:04,261 DO YOU UNDERSTAND THAT? YOU SAY THERE'S NO B-PLAN? 1444 01:01:04,294 --> 01:01:07,197 WELL, THIS? THIS? THIS IS MY A-PLAN? 1445 01:01:07,231 --> 01:01:09,900 OKAY. I'M SORRY, OKAY? YOU'RE RIGHT. 1446 01:01:09,934 --> 01:01:11,936 YOU'RE RIGHT. I'M GONNA MAKE THIS RIGHT, OKAY? 1447 01:01:11,969 --> 01:01:15,339 NOW, LIKE, JUST, LET'S-- STARTING TOMORROW, OKAY? 1448 01:01:15,372 --> 01:01:17,908 -ARE YOU BRINGING THESE GUYS ON TOUR WITH US? -NO. NO, I'M NOT. 1449 01:01:17,942 --> 01:01:20,344 -JUST--JUST US. -OKAY. HERE WE GO. LET'S DO IT. 1450 01:01:20,377 --> 01:01:22,880 -HERE WE GO. ALL RIGHT. -I'M GOING BACK TO THE HOTEL. YOU GUYS HANG OUT. 1451 01:01:22,913 --> 01:01:24,348 -OKAY. ALL RIGHT. -I'M GONNA COME WITH YOU. 1452 01:01:24,381 --> 01:01:26,050 ALL RIGHT. YEAH. YOU GUYS--YOU GUYS GO. 1453 01:01:26,083 --> 01:01:29,219 FUCKING JASON. IT'S BEEN LIKE THAT SINCE WE WERE KIDS. 1454 01:01:29,253 --> 01:01:32,156 YOU KNOW, HE LIKE... 1455 01:01:32,189 --> 01:01:34,358 ...STUMBLES HIS WAY INTO SUCCESS, OVER AND OVER AND OVER. 1456 01:01:34,391 --> 01:01:37,161 -JUST LET IT OUT. 1457 01:01:37,194 --> 01:01:39,997 OKAY. I'M GONNA STOP. I'VE SAID MY PIECE. 1458 01:01:42,166 --> 01:01:44,034 WELL, IN OTHER NEWS, I... 1459 01:01:44,068 --> 01:01:45,770 I LOST MY JOB. 1460 01:01:47,204 --> 01:01:49,073 YOU LOST YOUR JOB? WHEN? 1461 01:01:49,106 --> 01:01:51,141 -A FEW DAYS AGO. -I DIDN'T KNOW YOU HAD A JOB. 1462 01:01:51,175 --> 01:01:53,143 -WHAT WERE YOU DOIN'? -I WAS A COAT CHECK GIRL. 1463 01:01:53,177 --> 01:01:57,047 -ARE YOU SERIOUS? -WELL, YEAH. IS IT THAT INSANE? 1464 01:01:57,081 --> 01:01:59,216 NO, IT'S JUST, I DON'T KNOW, IT'S JUST SO DAMNED CUTE. 1465 01:01:59,249 --> 01:02:01,085 -IT'S NOT CUTE. -IT IS, IT'S ADORABLE. 1466 01:02:01,118 --> 01:02:03,287 FIRST OF ALL, A VERY NOBLE PROFESSION. 1467 01:02:03,320 --> 01:02:05,155 IT'S LUCRATIVE, AND SOMEONE HAS TO DO IT. 1468 01:02:08,793 --> 01:02:12,029 CAN YOU NOT TELL JASON ABOUT THE...JOB THING? 1469 01:02:12,062 --> 01:02:14,064 -WHY? -I'M EMBARRASSED. 1470 01:02:14,098 --> 01:02:15,800 -YOU'RE EMBARRASSED? -YEAH. 1471 01:02:15,833 --> 01:02:18,468 IT'S LAME, BUT I JUST WANT HIM TO TAKE ME SERIOUSLY 1472 01:02:18,502 --> 01:02:19,536 AS AN ARTIST, YOU KNOW? 1473 01:02:21,538 --> 01:02:23,974 -YOUR SECRET'S SAFE WITH ME. -THANK YOU. 1474 01:02:42,392 --> 01:02:45,229 CAN WE JUST KEEP IT LIKE-- LIKE THIS? 1475 01:02:46,230 --> 01:02:47,231 LIKE WHAT? 1476 01:02:49,533 --> 01:02:52,803 I JUST-- I GOT OUTTA SOMETHING KIND OF RECENTLY 1477 01:02:52,837 --> 01:02:53,971 AND I JUST... 1478 01:02:55,039 --> 01:02:58,075 RIGHT. THAT OLD CHESTNUT. 1479 01:02:59,376 --> 01:03:00,811 WHAT? 1480 01:03:00,845 --> 01:03:03,247 NOTHING. IT DOESN'T MATTER. 1481 01:03:03,280 --> 01:03:05,582 WELL CLEARLY SOMETHING'S BOTHERING YOU SO YOU SHOULD JUST SAY IT. 1482 01:03:05,615 --> 01:03:08,185 UH, YEAH, I GUESS I JUST DON'T UNDERSTAND HOW, LIKE, YOU AND JASON-- 1483 01:03:08,218 --> 01:03:10,187 OH, GOD. 1484 01:03:12,056 --> 01:03:14,458 WHAT? I THOUGHT WE REALLY, LIKE, HAD A NICE THING GOIN'. 1485 01:03:14,491 --> 01:03:17,227 I THOUGHT WE HAD A NICE THING GOING TOO, WHEN WE MET. 1486 01:03:17,261 --> 01:03:19,163 -YOU DID? -AND YOU WENT HOME. 1487 01:03:19,196 --> 01:03:20,397 -I WENT HOME? -YEAH. 1488 01:03:20,430 --> 01:03:21,966 WE WERE SUPPOSED TO WALK HOME TOGETHER 1489 01:03:21,999 --> 01:03:23,934 AND THEN YOU DID A 180 AND DARTED BACK INSIDE. 1490 01:03:23,968 --> 01:03:26,370 I DID NOT DO A 180. MY FRIEND CAME UP TO ME 1491 01:03:26,403 --> 01:03:28,538 AND SAID "ARE YOU GONNA COME LISTEN TO ME PLAY?" I HAD TO. 1492 01:03:28,572 --> 01:03:30,340 -YOU HAD TO. -I THOUGHT YOU WERE GONNA COME IN WITH ME. 1493 01:03:30,374 --> 01:03:33,343 YOU HAD TO DITCH ME, GO BACK INSIDE AND FUCK JASON? 1494 01:03:33,377 --> 01:03:37,982 REALLY? REALLY? OKAY, FIRST OF ALL, YOU WERE SOME GUY THAT I MET AT A BAR, 1495 01:03:38,015 --> 01:03:41,151 WHO LIVED IN BOSTON. AND I DON'T KNOW WHY I SHOULD FEEL BAD. 1496 01:03:41,185 --> 01:03:43,220 I DIDN'T THINK I WAS GONNA EVER SEE YOU AGAIN. 1497 01:03:43,253 --> 01:03:45,990 IT'S NOT LIKE-- I'M FEELING I'M MADE TO FEEL LIKE I'M CHEATING 1498 01:03:46,023 --> 01:03:48,558 ON SOMEBODY THAT I KNEW FOR 10 MINUTES. 1499 01:03:50,895 --> 01:03:54,031 ALSO, I JUST FELT LIKE IF YOU WOULD'VE BEEN ON YOUR WAY BACK TO THE HOTEL 1500 01:03:54,064 --> 01:03:57,167 AND YOU RAN INTO SOME REALLY CUTE GIRL YOU WOULD'VE DONE EXACTLY THE SAME THING. 1501 01:03:57,201 --> 01:03:59,403 YEAH, WELL, STUFF LIKE THAT DOESN'T REALLY HAPPEN TO ME, SO... 1502 01:03:59,436 --> 01:04:01,972 WELL I DON'T KNOW WHY I-- WHATEVER. 1503 01:04:04,208 --> 01:04:05,442 ANYWAY, WHATEVER. WE DON'T NEED TO TALK ABOUT IT. 1504 01:04:05,475 --> 01:04:06,843 OKAY, GOODNIGHT. 1505 01:04:21,992 --> 01:04:23,660 HELLO? 1506 01:04:23,693 --> 01:04:26,163 HEY, DAVID. HOW ARE YA? 1507 01:04:26,196 --> 01:04:29,967 I'M DOIN' WELL THANKS, YEAH. 1508 01:04:30,000 --> 01:04:33,037 NO, NO, NO, JIM AND I ARE JUST FINISHING UP A FREELANCE PROJECT, 1509 01:04:33,070 --> 01:04:34,171 -SO THIS IS A GOOD-- -JACK. 1510 01:04:34,204 --> 01:04:36,373 THIS IS A GOOD TIME TO CHAT. 1511 01:04:36,406 --> 01:04:38,375 YEAH. THIS A GOOD TIME TO CHAT FOR YOU? 1512 01:04:38,408 --> 01:04:42,112 UH-HUH. SO, UH, WHEN WOULD YOU NEED A DEFINITIVE ANSWER FROM ME, 1513 01:04:42,146 --> 01:04:44,114 UH, REGARDING-- REGARDING THE POSITION? 1514 01:04:49,219 --> 01:04:51,455 SO JASON, LET ME ASK YOU WHAT BRINGS YOUR... 1515 01:04:51,488 --> 01:04:54,158 PEREGRINATION TO OUR FAIR CITY OF CHARLESTON? 1516 01:04:54,191 --> 01:04:57,061 ACTUALLY, THERE'S A VERY SPECIAL PUH--PERSON-- 1517 01:04:57,094 --> 01:04:59,296 THERE'S A LOT OF SPECIAL PEOPLE 1518 01:04:59,329 --> 01:05:02,132 UM, IN CHARLESTON. THEY'VE REALLY SUPPORTED ME OVER MY CAREER. 1519 01:05:02,166 --> 01:05:04,368 AND I KINDA THOUGHT IT WOULD BE REALLY GREAT TO GIVE BACK 1520 01:05:04,401 --> 01:05:07,571 IN A WAY WHERE I COULD GO PLAY SOME SMALLER VENUES 1521 01:05:07,604 --> 01:05:10,274 AND SMALLER SHOWS, A LITTLE MORE INTIMATE CROWDS. 1522 01:05:10,307 --> 01:05:13,043 SO TONIGHT WE ARE GOING TO BE PLAYING A FREE SHOW 1523 01:05:13,077 --> 01:05:15,445 UH, AT THE SLITTED SKIRT, SO COME ON DOWN. 1524 01:05:15,479 --> 01:05:19,249 AND AS AN AMUSE-BOUCHE FOR THE AURAL DELIGHTS OF THIS EVENING, 1525 01:05:19,283 --> 01:05:23,587 JASON AND BRYN ARE GOING TO FAVOR US WITH A SONG, LIVE IN STUDIO, YES? 1526 01:05:23,620 --> 01:05:27,191 ABSOLUTELY. AND UH, AND THIS TALL DRINK OF WATER BEHIND ME, 1527 01:05:27,224 --> 01:05:30,160 THIS BEAUTIFUL MAN, IS, UH, A STAND UP COMIC. 1528 01:05:30,194 --> 01:05:33,563 YOU MIGHT'VE SEEN HIM ON CONAN O'BRIEN. HIS NAME IS PAUL SCOTT. 1529 01:05:33,597 --> 01:05:36,200 -GOOD MORNING. -ALL RIGHT, SCOTT, I HAVE NOT SEEN 1530 01:05:36,233 --> 01:05:39,336 YOUR COMEDY STYLINGS. I--I HAVEN'T SEEN YOU ON CONAN, 1531 01:05:39,369 --> 01:05:42,439 BUT, UH, WHY DON'T YOU FAVOR US WITH YOUR FAVORITE JOKE. 1532 01:05:44,374 --> 01:05:47,744 I'M A STAND-UP COMEDIAN, SO I USUALLY JUST PERFORM IN CLUBS. 1533 01:05:47,777 --> 01:05:51,048 WELL, CONSIDER US YOUR COMEDY CLUB. 1534 01:05:51,081 --> 01:05:53,050 WELL, YEAH, BUT NO, IT'S LIKE A CONTEXT THING. 1535 01:05:53,083 --> 01:05:55,219 LIKE IT, YOU KNOW-- THERE NEEDS TO BE A CROWD IN FRONT OF ME 1536 01:05:55,252 --> 01:05:58,088 -AND A STAGE AND... -THE WAY RADIO WORKS IS, THERE IS A CROWD OUT THERE 1537 01:05:58,122 --> 01:06:01,158 AND THEY'RE LISTENING RIGHT NOW, SO, JUST IMAGINE, 1538 01:06:01,191 --> 01:06:04,328 WHAT WOULD YOU SAY TO A CROWD IF YOU COULD SEE THEM? 1539 01:06:04,361 --> 01:06:09,166 IMAGINE YOU'RE SEEING OVER A HUNDRED THOUSAND WPPC LISTENERS. 1540 01:06:09,199 --> 01:06:12,336 OKAY. WELL, HAVE YOU HEARD OF, UM, EVITES? 1541 01:06:12,369 --> 01:06:16,273 YES, UH, EVITES ARE-- THE "E" STANDS FOR "ELECTRONIC" 1542 01:06:16,306 --> 01:06:19,709 SO IT'S AN ELECTRONIC INVITATION, I BELIEVE IS WHAT THEY CALL IT. 1543 01:06:19,743 --> 01:06:23,747 -AND, UH, IT'S SOMETHING YOU'D GET ON YOUR EMAIL. -YEAH. RIGHT. 1544 01:06:23,780 --> 01:06:28,052 SO YOU'D THINK IT WOULD BE A VERY CONVENIENT WAY TO INVITE ALL OF YOUR FRIENDS 1545 01:06:28,085 --> 01:06:30,154 IN ONE FELL SWOOP TO A PARTY YOU MIGHT BE HAVING. 1546 01:06:30,187 --> 01:06:33,457 UH, BUT FOR ME, IT'S ACTUALLY A VERY PUBLIC AND VERY HUMILIATING FORUM 1547 01:06:33,490 --> 01:06:36,326 FOR PEOPLE TO TELL ME WHY THEY WON'T ATTEND MY PARTY. 1548 01:06:38,262 --> 01:06:41,131 LIKE I HAD ONE FRIEND, SHE ACTUALLY SAID, "NO, PLUS ONE." 1549 01:06:41,165 --> 01:06:44,601 SO EVEN PEOPLE THAT I DON'T KNOW AREN'T COMING TO MY PARTY. 1550 01:06:44,634 --> 01:06:47,071 HMM. HMM. 1551 01:06:47,104 --> 01:06:48,738 IT'S FUNNY 'CAUSE IT'S TRUE, I SUPPOSE. 1552 01:06:48,772 --> 01:06:52,076 ALL RIGHT. WELL, THANK YOU SO MUCH THERE, SCOTT. 1553 01:06:52,109 --> 01:06:55,679 AND WHEN WE ARE BACK FROM A VERY QUICK PLEDGE DRIVE ANNOUNCEMENT, 1554 01:06:55,712 --> 01:06:59,149 WE WILL BE LIVE IN STUDIO WITH JASON BLACK 1555 01:06:59,183 --> 01:07:00,384 AND BRYN MILLER. 1556 01:07:01,785 --> 01:07:04,254 OKAY, YOU KNOW, THIS SPACE IS A LITTLE BIJOU. 1557 01:07:04,288 --> 01:07:06,390 UM, SCOTT, WHY DON'T YOU, UH, 1558 01:07:06,423 --> 01:07:08,725 WHY DON'T YOU SLIDE OVER INTO STUDIO-B, GET ON THAT MIC. 1559 01:07:08,758 --> 01:07:10,194 YEAH. YOU WANT ME TO LEAVE THE ROOM? 1560 01:07:10,227 --> 01:07:12,396 GO AROUND THIS WAY AND ENTER. 1561 01:07:13,630 --> 01:07:15,732 OKAY. ALL RIGHT. 1562 01:07:15,765 --> 01:07:18,068 HEY, CHRIS, I WAS WONDERING IF MAYBE WE COULD MENTION 1563 01:07:18,102 --> 01:07:20,270 SOME OF PAUL'S COMEDY STYLINGS AND LIKE, JUST GET INTO THAT 1564 01:07:20,304 --> 01:07:22,239 A LITTLE BIT, 'CAUSE I THINK IT'D REALLY HELP HIM OUT. 1565 01:07:22,272 --> 01:07:24,308 WE MAY NOT HAVE TIME TO BE ABLE TO DO THAT, 1566 01:07:24,341 --> 01:07:26,843 BUT WE CAN CERTAINLY SCRIBE SOMETHING ON OUR TWITTER FEED. 1567 01:07:26,876 --> 01:07:29,646 OKAY, WE'RE GONNA BE BACK LIVE IN... 1568 01:07:29,679 --> 01:07:31,648 FOUR...THREE... 1569 01:07:32,816 --> 01:07:36,153 SO TRUE, SO TRUE. 1570 01:07:36,186 --> 01:07:38,188 OKAY, WE ARE BACK ON "MORNING ASSORTED" 1571 01:07:38,222 --> 01:07:44,161 AND NOW AN EXCLUSIVE WPPC CHARLESTON PUBLIC RADIO DELIGHT. 1572 01:07:44,194 --> 01:07:46,230 HERE'S JASON BLACK AND BRYN MILLER. 1573 01:07:46,263 --> 01:07:47,464 -READY? -YEAH. 1574 01:07:53,337 --> 01:07:55,739 * WE'RE COMIN' UP ONTO YOU * 1575 01:07:55,772 --> 01:07:59,543 * SINCE YOU'VE BEEN OUT OF MY LIFE * 1576 01:07:59,576 --> 01:08:02,779 * AND OCCASIONALLY I DO SEE A BACKHAND THING * 1577 01:08:02,812 --> 01:08:06,183 * WHERE IT WOULD'VE BEEN LIKE TO BE YOUR BRIDE * 1578 01:08:07,751 --> 01:08:10,554 * YOU TRY TO GET ME TO APOLOGIZE * 1579 01:08:10,587 --> 01:08:14,658 * BUT THERE WON'T BE NONE OF THAT HERE * 1580 01:08:14,691 --> 01:08:17,561 * YOU WEREN'T THE ANGEL THAT I THOUGHT YOU WERE * 1581 01:08:17,594 --> 01:08:21,431 * AND I HAVEN'T HAD A BEER IN OVER A YEAR * 1582 01:08:21,465 --> 01:08:25,802 * GET GOIN', MOVE ON * 1583 01:08:25,835 --> 01:08:31,208 * YOU CAN TAKE THE DOG AND GIVE ME BACK MY SONG * 1584 01:08:31,241 --> 01:08:35,245 * GET GOIN', MOVE ON * 1585 01:08:35,279 --> 01:08:39,449 * YOU CAN TAKE THE DOG BUT GIVE ME BACK MY SONG * 1586 01:08:41,951 --> 01:08:44,154 -HEY. -HEY. 1587 01:08:44,188 --> 01:08:46,590 THE SOUND GUY WANTS TO KNOW HOW MANY GUITARS YOU'RE GONNA USE. 1588 01:08:46,623 --> 01:08:47,791 UH, JUST ONE, THE STICKEL. 1589 01:08:47,824 --> 01:08:49,426 AND THEN, IT HAS A SOUNDHOLE PICKUP. 1590 01:08:49,459 --> 01:08:51,328 -HE NEEDS TO KNOW THAT. -OKAY. 1591 01:08:51,361 --> 01:08:53,797 -THE REST OF THE STUFF IS IN MY CASE. -OKAY, GREAT. 1592 01:08:53,830 --> 01:08:55,699 HOW DO I LOOK? DO I LOOK GOOD? 1593 01:08:55,732 --> 01:08:57,901 YOU LOOK GREAT. YOU LOOK SMART, DASHING. 1594 01:08:57,934 --> 01:08:59,936 -PROFESSOR-LIKE? -PROFESSORIAL. 1595 01:08:59,969 --> 01:09:02,172 YEAH. YOU LOOK GREAT. MAYBE JUST TUCK, UH, THIS STUFF. 1596 01:09:02,206 --> 01:09:04,274 NO--NO NECKLACES? ACTUALLY, YOU KNOW WHAT, 1597 01:09:04,308 --> 01:09:06,343 ON YOU, THEY'RE BETTER OUT BECAUSE THEY GET JAMBLED. 1598 01:09:06,376 --> 01:09:08,512 -OKAY. HOW'S THAT? -LOOKS GREAT. 1599 01:09:08,545 --> 01:09:10,680 -QUICK FINGER-COMB OF THE BEARD. -FINGER-COMB. 1600 01:09:10,714 --> 01:09:12,416 -OKAY. HOW'S THAT? -GOOD. LOOK GREAT. 1601 01:09:12,449 --> 01:09:14,251 -THAT GOOD? -YOU GOT THIS. 1602 01:09:15,452 --> 01:09:17,221 -PHEW. ALL RIGHT. -GOOD LUCK. 1603 01:09:24,961 --> 01:09:27,397 -HEY, BECKY. HEY. -HI. 1604 01:09:27,431 --> 01:09:29,933 -HOW'S IT GOIN'? HI. -HEY. 1605 01:09:29,966 --> 01:09:32,202 -YOU LOOK FANTASTIC. -JASON, OH, MY GOD. 1606 01:09:32,236 --> 01:09:33,837 -YOU LOOK SUPER. -YOU'RE SO SWEET. 1607 01:09:33,870 --> 01:09:35,705 -YOU LOOK SO GREAT. -THANK YOU. 1608 01:09:35,739 --> 01:09:37,374 -WHOA. -YEAH, RIGHT? I KNOW. 1609 01:09:37,407 --> 01:09:41,711 SPORTS COAT. FIRST TIME IN--FOR EVERYTHING. 1610 01:09:41,745 --> 01:09:44,314 -GOD, YOU LOOK FANTASTIC. -OH, THANK YOU. 1611 01:09:44,348 --> 01:09:46,316 -YEAH. -I APPRECIATE IT. 1612 01:09:46,350 --> 01:09:49,853 -IT'S ALL RIGHT. -WELL, I'VE NEVER, UM, BEEN HERE BEFORE. 1613 01:09:49,886 --> 01:09:52,789 -REALLY, YEAH, IT'S-- -YEAH, IT'S, UH, NEAT. 1614 01:09:52,822 --> 01:09:55,359 YEAH, WELL, I-- YOU KNOW, WE CAN GO SOMEWHERE ELSE. 1615 01:09:55,392 --> 01:09:59,963 NO, NO. LIKE, I MEAN... LIKE TO A STRIP CLUB, OR... 1616 01:09:59,996 --> 01:10:02,732 A LITTLE STEP DOWN OR-- OH, HI. 1617 01:10:02,766 --> 01:10:04,834 -HI. WELCOME TO THE SLITTED SKIRT. -HI. 1618 01:10:04,868 --> 01:10:07,237 MY NAME IS KELLY, I WILL BE YOUR WAITRESS TONIGHT. 1619 01:10:07,271 --> 01:10:09,939 -HI, KELLY. -WE HAVE A COUPLE SPECIALS. 1620 01:10:09,973 --> 01:10:12,976 WE HAVE A LEGGY LAGER AND A HORNY HEFEWEISEN. 1621 01:10:13,009 --> 01:10:16,480 - UM, O YOU WANT SOME... -THEY BOTH SOUND GREAT. 1622 01:10:16,513 --> 01:10:18,448 -OKAY, YEAH, THE HEF WOULD BE GREAT. 1623 01:10:18,482 --> 01:10:20,584 -THE HORNY HEF? -THE HORNY HEF. 1624 01:10:20,617 --> 01:10:21,585 -YOU GOT IT. 1625 01:10:21,618 --> 01:10:23,620 YEAH, THANK YOU. 1626 01:10:23,653 --> 01:10:29,426 YOU KNOW, I HAVE NOT BEEN OUT ON A SUNDAY IN A REALLY LONG TIME. 1627 01:10:29,459 --> 01:10:31,961 REALLY? WHY? WHAT'S-- 1628 01:10:31,995 --> 01:10:36,733 YEAH, WELL, I MEAN I'M OUT OF THE HOUSE MOST MORNINGS BY, LIKE, SIX, SO... 1629 01:10:38,402 --> 01:10:40,404 YOU KNOW WHAT? FOR YOU I AM MAKING AN EXCEPTION. 1630 01:10:40,437 --> 01:10:42,806 AH, WELL, I'M--I'M HONORED. 1631 01:10:42,839 --> 01:10:44,674 HEY, HOW'S YOUR DAD? 1632 01:10:44,708 --> 01:10:47,711 OH, HE'S GREAT. HE'S DOIN' A LOT BETTER. THANKS. 1633 01:10:47,744 --> 01:10:51,815 -I'LL TELL HIM YOU SAID "HEY." HE'LL LIKE THAT. -YEAH. THANKS. 1634 01:10:51,848 --> 01:10:54,451 I THINK THE LAST TIME I SAW YOU IT WAS AT THE ATLANTA SHOW. 1635 01:10:54,484 --> 01:10:57,287 NO, AT THE SHOW IN NEW YORK. 1636 01:10:57,321 --> 01:11:00,690 -YEAH, YOU REMEMBER I FLEW UP? -OH. YEAH. 1637 01:11:00,724 --> 01:11:04,394 THE SHOW IN NEW YORK. THAT WAS A CRAZY WEEKEND. 1638 01:11:05,595 --> 01:11:07,731 -LOOK, AND YOU'RE ENGAGED. -YUP. 1639 01:11:07,764 --> 01:11:10,800 -I MEAN, LOOK. WOW. -NOT EVERY GIRL 1640 01:11:10,834 --> 01:11:13,803 CAN JUST SIT AROUND AND WAIT FOR MR. JASON BLACK. 1641 01:11:13,837 --> 01:11:16,306 -YOU KNOW? SO. -YEAH. YEAH. 1642 01:11:17,641 --> 01:11:21,945 -WELL, HE'S A LUCKY DUDE. -THANK YOU. 1643 01:11:24,080 --> 01:11:27,817 YEAH, I GUESS I ALWAYS JUST WONDERED... 1644 01:11:27,851 --> 01:11:30,086 WHAT IT WOULD BE LIKE IF WE WERE TOGETHER 1645 01:11:30,119 --> 01:11:32,922 -AND WE HAD KEPT-- -HERE'S Y'ALL'S HORNY HEF, 1646 01:11:32,956 --> 01:11:36,960 AND I GOT BOTH OF Y'ALL A COUPLE OF TEQUILA SHOTS JUST FOR THE WAIT. 1647 01:11:36,993 --> 01:11:39,329 -OH, THAT'S A REPOSADO. - WOW. 1648 01:11:39,363 --> 01:11:41,030 IT'S VERY SMOOTH. 1649 01:11:41,064 --> 01:11:42,932 I ACTUALLY JUST HAD ONE IN THE BACK WITH THE BUSBOY. 1650 01:11:42,966 --> 01:11:45,335 -GREAT. -CAN I START YOU OFF WITH SOME WINGS? 1651 01:11:45,369 --> 01:11:47,704 UM, DO YOU WANT-- ARE YOU HUNGRY? 1652 01:11:47,737 --> 01:11:49,873 -DO YOU WANNA EAT? -NO, I'M GOOD, 1653 01:11:49,906 --> 01:11:52,409 BUT YOU SHOULD EAT, YOU'RE PROBABLY STARVED. 1654 01:11:52,442 --> 01:11:56,913 UH, OKAY, FINE. I'LL GET THE 12 WINGS WITH THE BLUE CHEESE DRESSING. 1655 01:11:56,946 --> 01:11:59,115 -AND THEN, UM-- -HOW ABOUT THE NAUGHTY SAUCE? 1656 01:11:59,148 --> 01:12:01,084 -THE NAUGHTY SAUCE, THANK YOU. -ALL RIGHT, THAT'S A GOOD ONE. 1657 01:12:01,117 --> 01:12:02,852 THAT'S IT, YUP. GREAT. 1658 01:12:02,886 --> 01:12:05,355 THANK YOU. 1659 01:12:05,389 --> 01:12:09,359 UM, SORRY, UH, YEAH, I GUESS I JUST ALWAYS WAS WONDERING 1660 01:12:09,393 --> 01:12:13,863 WHAT IT WOULD BE LIKE IF WE HAD BEEN A COUPLE. 1661 01:12:13,897 --> 01:12:14,998 ARE YOU FUCKING KIDDING? 1662 01:12:15,031 --> 01:12:17,867 I THINK ABOUT IT A LOT. 1663 01:12:17,901 --> 01:12:19,436 ALL THE TIME. I REALLY DO. 1664 01:12:19,469 --> 01:12:21,871 WELL, IF YOU THINK ABOUT IT ALL THE TIME, 1665 01:12:21,905 --> 01:12:26,843 WHY DID YOU NEVER THINK TO CALL ME, OR EMAIL ME? 1666 01:12:26,876 --> 01:12:29,145 -FUCKING TEXT ME? -I KNOW. 1667 01:12:29,178 --> 01:12:30,580 OKAY, THAT'S WHY I WANTED TO BRING YOU OUT TONIGHT. 1668 01:12:30,614 --> 01:12:31,781 THAT'S WHAT I WANTED TO TELL YOU. 1669 01:12:31,815 --> 01:12:33,683 I WANTED TO LET YOU KNOW HOW I FEEL. 1670 01:12:33,717 --> 01:12:37,621 OH, OKAY. GREAT. SO, HOW DO YOU FEEL? TELL ME HOW YOU FEEL. 1671 01:12:37,654 --> 01:12:41,525 WELL, I FEEL LIKE I'M READY TO START THE NEXT CHAPTER OF MY LIFE. 1672 01:12:41,558 --> 01:12:43,460 YOU KNOW? I FEEL LIKE I'M READY TO SETTLE DOWN, 1673 01:12:43,493 --> 01:12:45,529 AND HAVE KIDS, 1674 01:12:45,562 --> 01:12:47,797 AND A HOUSE. 1675 01:12:47,831 --> 01:12:50,033 YOU-- YOU COULD BE THE ONE. 1676 01:12:51,034 --> 01:12:52,636 YOU THINK I'M THE ONE? 1677 01:12:52,669 --> 01:12:57,507 I MEAN, I KNEW THAT I WAS ONE OF, LIKE, MANY. 1678 01:12:57,541 --> 01:13:00,076 LIKE, I'M THE MOST SPECIAL OF EVERYONE? 1679 01:13:00,109 --> 01:13:03,547 IF YOU THINK I'M THE ONE, I MEAN, YOU-- 1680 01:13:03,580 --> 01:13:05,915 YOU HAVE A REALLY INTERESTING WAY OF SHOWING IT. 1681 01:13:05,949 --> 01:13:07,617 TRUST ME, I KNOW. 1682 01:13:07,651 --> 01:13:11,087 ARE YOU SAYING TO ME THAT YOU'RE READY, 1683 01:13:11,120 --> 01:13:13,823 THAT YOU WANT TO BE IN A MONOGAMOUS RELATIONSHIP? 1684 01:13:13,857 --> 01:13:17,427 YEAH, WELL, I MEAN, I THINK THOSE ARE THINGS THAT WE CAN FIGURE OUT. 1685 01:13:17,461 --> 01:13:20,564 THESE ARE THINGS THAT YOU SHOULD HAVE CONSIDERED 1686 01:13:20,597 --> 01:13:22,499 BEFORE YOU SHOWED UP HERE TONIGHT 1687 01:13:22,532 --> 01:13:25,769 AND JUST DUMPED THIS ON ME. 1688 01:13:25,802 --> 01:13:28,505 DON'T YOU THINK THAT THERE'S SOMETHING THAT'S STILL HERE? 1689 01:13:28,538 --> 01:13:32,476 HERE YOU GO. NAUGHTY WINGS WITH NAUGHTY SAUCE. 1690 01:13:32,509 --> 01:13:34,678 GREAT, THANK YOU. THANKS A LOT. 1691 01:13:34,711 --> 01:13:36,179 -CAN I GET Y'ALL SOMETHING ELSE? -YOU KNOW WHAT, 1692 01:13:36,212 --> 01:13:38,181 JUST THE CHECK, I THINK, WOULD BE GOOD. 1693 01:13:38,214 --> 01:13:41,485 OKAY, UM, ALL RIGHT. 1694 01:13:43,086 --> 01:13:45,889 JUST DON'T YOU REMEMBER WHEN WE'D SIT ALONE 1695 01:13:45,922 --> 01:13:49,058 AND WE'D TALK ABOUT WHAT IT WOULD BE LIKE, 1696 01:13:49,092 --> 01:13:51,461 -JUST YOU AND I? -YES. 1697 01:13:51,495 --> 01:13:53,897 YEAH, OF COURSE I REMEMBER THAT. 1698 01:13:53,930 --> 01:13:59,703 AND, AT THAT TIME, I WANTED THAT MORE THAN ANYTHING. 1699 01:13:59,736 --> 01:14:02,739 BUT YOU NEVER STEPPED UP, 1700 01:14:02,772 --> 01:14:05,108 AND NOW I'M ABOUT TO GET MARRIED. 1701 01:14:07,010 --> 01:14:10,814 AND YOU LOVE HIM? 1702 01:14:10,847 --> 01:14:12,949 FUCK YOU. FUCK YOU, JASON. 1703 01:14:12,982 --> 01:14:15,051 YOU DON'T GET TO DO THIS. 1704 01:14:15,084 --> 01:14:18,855 YOU DON'T GET TO JUST BREEZE INTO TOWN AND CARRY GIRLS OFF 1705 01:14:18,888 --> 01:14:22,225 TO, LIKE-- ROCK AND ROLL LAND. 1706 01:14:23,226 --> 01:14:26,696 JUST GIVE ME A NIGHT. 1707 01:14:26,730 --> 01:14:27,997 JUST ONE NIGHT. 1708 01:14:28,031 --> 01:14:31,067 I THINK THAT THAT'S THE PROBLEM... 1709 01:14:32,902 --> 01:14:37,607 BECAUSE ALL YOU'RE GOOD FOR IS ONE NIGHT. 1710 01:14:52,188 --> 01:14:57,594 * I SEE ON OUR FACES 1711 01:14:59,663 --> 01:15:01,698 WELL, MAYBE BECKY IS STRESSED OUT 1712 01:15:01,731 --> 01:15:03,499 BECAUSE SHE'S PLANNING A WEDDING. 1713 01:15:05,735 --> 01:15:07,604 YEAH, I KNOW WHAT YOU'RE GONNA SAY, ALL RIGHT? 1714 01:15:07,637 --> 01:15:08,772 I TOLD YOU SO, I KNOW. 1715 01:15:08,805 --> 01:15:11,541 I WASN'T GONNA SAY THAT. 1716 01:15:11,575 --> 01:15:12,876 I WAS GONNA SAY THAT I'M SORRY. 1717 01:15:12,909 --> 01:15:14,544 I'M GENUINELY SORRY. 1718 01:15:14,578 --> 01:15:16,012 DUDES, SHE IS ON HER LAST SONG, 1719 01:15:16,045 --> 01:15:17,781 SO YOU GOT ABOUT TWO MORE MINUTES, ALL RIGHT? 1720 01:15:17,814 --> 01:15:19,583 THAT'S GREAT. THANKS A LOT. 1721 01:15:19,616 --> 01:15:21,150 LOOK, MAN, THE MOST IMPORTANT THING IS YOU TRIED. 1722 01:15:21,184 --> 01:15:23,086 YOU MUSTERED THE COURAGE TO TALK TO HER, 1723 01:15:23,119 --> 01:15:24,788 TO PLAN THIS WHOLE THING OUT. 1724 01:15:24,821 --> 01:15:26,690 YOU KNOW, YOU STEPPED UP TO THE PLATE. 1725 01:15:26,723 --> 01:15:30,326 -I RESPECT THAT. -OH, MAN, I WAS A DICK. WHAT WAS I THINKING? 1726 01:15:30,359 --> 01:15:33,830 -SHE'S ENGAGED. -YEAH, BUT YOU DIDN'T KNOW THAT FOR SURE. 1727 01:15:33,863 --> 01:15:37,233 -YOU HAD TO FIND OUT. -YEAH, WELL, I GUESS THERE'S THAT. 1728 01:15:41,838 --> 01:15:45,775 SO WHAT'S UM-- WHAT'S GOING ON WITH YOU AND BRYN? 1729 01:15:45,809 --> 01:15:47,877 WITH BRYN? 1730 01:15:47,911 --> 01:15:49,112 WHAT DO YOU MEAN? 1731 01:15:49,145 --> 01:15:50,780 I DON'T KNOW. IT'S BEEN TWO WEEKS, 1732 01:15:50,814 --> 01:15:52,582 I THOUGHT SOMETHING WOULD HAVE HAPPENED BY NOW. 1733 01:15:52,616 --> 01:15:54,784 YOU KNOW, JUST HANGING OUT, GETTING TO KNOW EACH OTHER. 1734 01:15:54,818 --> 01:15:58,021 WELL, LET ME KNOW. 1735 01:15:58,054 --> 01:16:00,256 "LET YOU KNOW"? WHAT IS THAT SUPPOSED TO MEAN? 1736 01:16:00,289 --> 01:16:04,994 YOU KNOW, I THINK IT WOULD BE A SHAME IF WE BOTH LOST OUT ON IT, YOU KNOW? 1737 01:16:05,028 --> 01:16:06,896 WHAT THE FUCK ARE YOU TALKING ABOUT RIGHT NOW? 1738 01:16:06,930 --> 01:16:08,998 WHAT THE FUCK AM I TALKING ABOUT? I'M TALKING ABOUT BRYN. 1739 01:16:09,032 --> 01:16:11,801 YOU'RE TALKING ABOUT A WOMAN HERE. 1740 01:16:11,835 --> 01:16:13,603 -DO YOU REALIZE THAT? -YEAH, AND SHE'S GREAT. 1741 01:16:13,637 --> 01:16:15,672 WE'RE NOT TALKING ABOUT PIECE OF PROPERTY. 1742 01:16:15,705 --> 01:16:18,908 IS THIS-- IS THIS-- ARE WE-- IS THIS THE BEGINNING OF A LECTURE? 1743 01:16:18,942 --> 01:16:22,378 OKAY, I FUCKING KNOW THAT. I KNOW, ALL RIGHT, 1744 01:16:22,411 --> 01:16:24,814 SO DON'T FUCKING-- DON'T LECTURE ME. 1745 01:16:24,848 --> 01:16:27,183 DO YOU HAVE ANY IDEA WHAT IT'S LIKE 1746 01:16:27,216 --> 01:16:29,886 TO GET YOUR SLOPPY SECONDS TO MY WHOLE FUCKING LIFE? 1747 01:16:29,919 --> 01:16:31,354 DO YOU HAVE ANY IDEA WHAT IT'S LIKE? 1748 01:16:31,387 --> 01:16:33,623 DO YOU? EVER SINCE WE WERE FUCKING KIDS, 1749 01:16:33,657 --> 01:16:35,324 WHENEVER I'D SHOW ANY INTEREST IN A GIRL, 1750 01:16:35,358 --> 01:16:37,627 YOU WOULD SWEEP IN AND SNATCH HER AWAY 1751 01:16:37,661 --> 01:16:39,729 -LIKE A VULTURE. -THAT'S BULLSHIT. 1752 01:16:39,763 --> 01:16:41,364 -IT'S BULLSHIT? -YEAH. 1753 01:16:41,397 --> 01:16:45,034 YOU LEAVE THAT FUCKING DOOR OPEN BECAUSE YOU DON'T DO ANYTHING. 1754 01:16:45,068 --> 01:16:46,636 YOU DON'T DO ANYTHING. 1755 01:16:46,670 --> 01:16:48,237 AND RIGHT NOW WITH BRYN. 1756 01:16:48,271 --> 01:16:49,706 ALL RIGHT? WHAT THE FUCK ARE YOU DOING? 1757 01:16:49,739 --> 01:16:51,174 I'M SORRY IT'S HARD FOR YOU, JASON. 1758 01:16:51,207 --> 01:16:53,242 I'M SORRY THAT I MOVE AT A SLOWER PACE THAN YOU. 1759 01:16:53,276 --> 01:16:56,279 I'M SORRY I CAN'T RUN GAME ON WOMEN THE WAY THAT YOU CAN, OKAY? 1760 01:16:56,312 --> 01:16:58,014 I LIKE TO GET TO KNOW WOMEN FIRST. 1761 01:16:58,047 --> 01:17:01,017 I HAVE VULNERABILITY. I'M SORRY THAT FRUSTRATES YOU. 1762 01:17:01,050 --> 01:17:02,919 I'M SORRY I CAN'T LOCK IT DOWN LIKE YOU CAN. 1763 01:17:02,952 --> 01:17:04,688 -YOU HAVE VULNERABILITY? -YEAH. 1764 01:17:04,721 --> 01:17:05,889 THAT'S THE BIGGEST BUNCH OF BULLSHIT 1765 01:17:05,922 --> 01:17:07,123 I'VE EVER HEARD YOU SAY. 1766 01:17:07,156 --> 01:17:09,258 YOU GO UP THERE, AND YOU DO SOMETHING 1767 01:17:09,292 --> 01:17:12,729 FROM A GREEN FUCKING NOTEBOOK BECAUSE YOU CAN'T THINK OF ANYTHING ELSE. 1768 01:17:12,762 --> 01:17:16,332 YOU CAN'T BE WHO YOU ARE. YOU'RE DESPERATELY AFRAID. 1769 01:17:16,365 --> 01:17:18,968 YOU ARE SCARED OUT OF YOUR FUCKING MIND TO BE YOU. 1770 01:17:19,002 --> 01:17:21,905 AND IF YOU THINK BRYN WANTS TO BE WITH THAT GUY, 1771 01:17:21,938 --> 01:17:23,239 GO AHEAD, YOU CAN HAVE BRYN. 1772 01:17:23,272 --> 01:17:26,042 I CAN HAVE HER. THANK YOU, KING JASON. 1773 01:17:26,075 --> 01:17:29,713 I DON'T NEED YOUR FUCKING PERMISSION TO SLEEP WITH BRYN. 1774 01:17:29,746 --> 01:17:33,282 SORRY TO INTERRUPT YOU GUYS, BUT JUST FYI, 1775 01:17:33,316 --> 01:17:36,786 I HAVE ZERO INTEREST IN SLEEPING WITH EITHER OF YOU. 1776 01:17:38,354 --> 01:17:40,089 THANK YOU, CHARLESTON. 1777 01:17:40,123 --> 01:17:42,391 STICK AROUND FOR ONE OF THESE TWO ASSHOLES. 1778 01:17:45,795 --> 01:17:48,064 THAT WAS BRYN MILLER. THAT WAS FUN. 1779 01:17:48,097 --> 01:17:51,334 -OKAY, WHO LIKES COMEDY? 1780 01:17:51,367 --> 01:17:55,772 EVERYBODY DOES. ALL RIGHT, LET'S GIVE A WARM SUIT AND SKIRT WELCOME 1781 01:17:55,805 --> 01:17:58,975 TO COMEDIAN EXTRAORDINAIRE, PAUL SCOTT! 1782 01:17:59,008 --> 01:18:00,343 HAVE A GREAT SET. 1783 01:18:05,448 --> 01:18:07,717 HOW YOU GUYS DOING? 1784 01:18:07,751 --> 01:18:09,385 WHOO! 1785 01:18:09,418 --> 01:18:14,023 MY NAME IS PAUL SCOTT. I'M A FAKE COMEDIAN. 1786 01:18:14,057 --> 01:18:17,794 I'M CURRENTLY ON A FAKE TOUR 1787 01:18:17,827 --> 01:18:20,329 WITH THE MAN THAT YOU'RE ALL PATIENTLY WAITING TO SEE TONIGHT, 1788 01:18:20,363 --> 01:18:23,099 -JASON BLACK. 1789 01:18:23,132 --> 01:18:25,434 I'M A FAKE COMEDIAN, 1790 01:18:25,468 --> 01:18:30,073 ON A FAKE TOUR THAT JASON SET UP 1791 01:18:30,106 --> 01:18:33,176 SO THAT HE COULD CONFESS HIS LOVE TO A WOMAN 1792 01:18:33,209 --> 01:18:35,478 THAT HE SEES ABOUT ONCE A YEAR. 1793 01:18:35,511 --> 01:18:37,113 OH, AND SHE'S ENGAGED. DID I MENTION THAT? 1794 01:18:37,146 --> 01:18:39,749 SHE'S ENGAGED TO BE MARRIED. 1795 01:18:39,783 --> 01:18:41,384 SO, ALL YOU MEN OUT THERE IN THE AUDIENCE, 1796 01:18:41,417 --> 01:18:43,019 MAKE SURE YOU HOLD YOUR LADIES CLOSE, 1797 01:18:43,052 --> 01:18:45,855 BECAUSE HE WILL TRY TO LURE THEM AWAY, 1798 01:18:45,889 --> 01:18:48,792 WITH HIS GUITAR, 1799 01:18:48,825 --> 01:18:52,929 AND HIS HIPPIE CHARMS, AND HIS DIRTY FEET. 1800 01:18:52,962 --> 01:18:54,831 NO, YEAH, WE'RE DOING OKAY, THANKS. 1801 01:18:54,864 --> 01:18:57,133 YOU GUYS WANNA HEAR SOME TRUTH, RIGHT? 1802 01:18:57,166 --> 01:18:59,368 -HONESTY, RIGHT? - YEAH! 1803 01:18:59,402 --> 01:19:00,870 WELL, HERE'S THE HONEST TRUTH. 1804 01:19:00,904 --> 01:19:03,339 IT'S NOT ENTIRELY JASON'S FAULT. 1805 01:19:03,372 --> 01:19:06,309 IF I WAS COMPLETELY HONEST, I'D HAVE TO SAY THAT. 1806 01:19:06,342 --> 01:19:09,112 SOME MEN ARE BORN WITH IT, AND THE OTHERS, 1807 01:19:09,145 --> 01:19:13,182 LIKE MOST OF US, LIKE ME, THEY AREN'T BORN WITH IT, 1808 01:19:13,216 --> 01:19:16,452 AND THINGS ARE A STRUGGLE, AND YOU HAVE TO FIGHT, 1809 01:19:16,485 --> 01:19:19,255 AND IT'S MESSY, AND THERE'S PAIN. 1810 01:19:19,288 --> 01:19:24,293 I HAD A FIANCEE AND RECENTLY SHE LEFT ME 1811 01:19:24,327 --> 01:19:26,896 TO BE WITH A GUY NAMED RON. 1812 01:19:26,930 --> 01:19:31,134 DJ RON, WHO WEARS A YANKEES HAT. 1813 01:19:31,167 --> 01:19:34,137 HE DOESN'T EVEN KNOW THE RULES OF BASEBALL, BUT HE WEARS A YANKEES HAT. 1814 01:19:34,170 --> 01:19:36,005 THAT'S THE KIND OF GUY SHE'S GONNA MARRY. 1815 01:19:36,039 --> 01:19:38,842 -DJ RON. 1816 01:19:38,875 --> 01:19:40,343 WE DIDN'T GET TO A DIVORCE. WE DIDN'T GET THAT FAR. 1817 01:19:40,376 --> 01:19:42,111 A DIVORCE WOULD HAVE BEEN HONORABLE. 1818 01:19:42,145 --> 01:19:45,514 A DIVORCE IMPLIES THAT YOU ACTUALLY ACCOMPLISHED SOMETHING. 1819 01:19:45,548 --> 01:19:49,085 WE DIDN'T GET THAT FAR. WE HAD A DISENGAGEMENT. 1820 01:19:49,118 --> 01:19:51,320 WE HAD A PRE-VORCE. DOESN'T SOUND GREAT, DOES IT? 1821 01:19:51,354 --> 01:19:53,056 PREVORCE. 1822 01:19:53,089 --> 01:19:56,125 DO YOU THINK FRANK SINATRA BROKE OFF ENGAGEMENTS? NO. 1823 01:19:56,159 --> 01:20:00,563 THAT GUY GOT DIVORCED. DI-VORCED. 1824 01:20:00,596 --> 01:20:03,066 BUT IT'S NOT ALL BAD NEWS. 1825 01:20:03,099 --> 01:20:06,169 THE SILVER LINING IS THAT I GOT 50% OF MY WEDDING DEPOSIT BACK, 1826 01:20:06,202 --> 01:20:09,472 SO, IN THE FUTURE, IF I EVER WERE TO GET TO THE ALTAR AGAIN, 1827 01:20:09,505 --> 01:20:11,240 YOU KNOW, MAYBE I COULD FUND HALF A WEDDING. 1828 01:20:11,274 --> 01:20:15,845 MAYBE DJ ROB COULD COME WITH JUST ONE OF HIS TURNTABLES. 1829 01:20:15,879 --> 01:20:17,346 JUST HAVE HALF A WEDDING. 1830 01:20:17,380 --> 01:20:20,483 AND YOU KNOW WHAT, THAT'S OKAY. THAT'S FINE. 1831 01:20:20,516 --> 01:20:22,551 THAT'S LIFE. THAT'S PART OF BEING A HUMAN. 1832 01:20:22,585 --> 01:20:26,322 AND YOU'RE BETTER OFF HEARING IT FROM ME, THAN FROM JASON, 1833 01:20:26,355 --> 01:20:31,294 BECAUSE JASON HAS NEVER KNOWN A DAY OF STRUGGLE IN HIS LIFE. 1834 01:20:31,327 --> 01:20:33,496 I LOVE THE GUY. HE'S A GREAT GUY, 1835 01:20:33,529 --> 01:20:36,232 BUT HE DOESN'T KNOW STRUGGLE. 1836 01:20:36,265 --> 01:20:39,435 AND THAT'S THE TRUTH. AND THANKS FOR HEARING IT. 1837 01:20:39,468 --> 01:20:42,205 YOU GUYS HAVE BEEN A GREAT GROUP OF LISTENERS. 1838 01:20:42,238 --> 01:20:46,275 THIS HAS BEEN AN AMAZING TOUR, AND NOW WITHOUT ANY FURTHER ADO, 1839 01:20:46,309 --> 01:20:48,544 THE MAN OF THE HOUR, MR. JASON BLACK. 1840 01:20:52,515 --> 01:20:57,186 * YOU JUST SETTLE BACK, DARLING * 1841 01:20:57,220 --> 01:21:01,557 * YOU LOOK ALL HUNG DOWN AND RAGGY * 1842 01:21:01,590 --> 01:21:04,160 * I CAN TELL YOU'VE BEEN WANDERING * 1843 01:21:04,193 --> 01:21:05,929 * ACROSS THE ROAD 1844 01:21:05,962 --> 01:21:09,465 * WIND DID BLOW 1845 01:21:09,498 --> 01:21:11,434 * A LITTLE COLDER 1846 01:21:11,467 --> 01:21:13,536 * A LITTLE OLDER 1847 01:21:13,569 --> 01:21:17,673 * AND IT'S WHISPERING 'SLEEP NOW, SOLDIER' * 1848 01:21:17,706 --> 01:21:20,109 * IT'S BEEN A LONG DAY 1849 01:21:20,143 --> 01:21:23,546 * AND IT LOOKS LIKE YOU NEED A LITTLE TIME * 1850 01:21:26,015 --> 01:21:28,084 * WELL, REST YOUR HEAD, NOW 1851 01:21:28,117 --> 01:21:30,319 * CLOSE YOUR EYES 1852 01:21:30,353 --> 01:21:34,991 * CAUSE IN THE MORNING THE SUN WILL RISE * 1853 01:21:35,024 --> 01:21:36,926 * AND YOU WILL REMEMBER 1854 01:21:36,960 --> 01:21:42,331 * THERE'S NOTHING SHINING LIKE THE DAWN * 1855 01:21:42,365 --> 01:21:45,134 * SHINING LIKE THE DAWN 1856 01:21:46,469 --> 01:21:49,238 * SHINING LIKE THE DAWN 1857 01:21:50,673 --> 01:21:54,143 * SHINING LIKE THE DAWN 1858 01:22:00,216 --> 01:22:05,321 THANK YOU. THANK YOU VERY MUCH. 1859 01:22:05,354 --> 01:22:07,656 THANKS A LOT. THANK YOU, THANK YOU, THANK YOU. 1860 01:22:07,690 --> 01:22:10,126 - LOVE YOU. - WOW. 1861 01:22:10,159 --> 01:22:14,597 LOVE YOU, TOO. SO, A FEW MONTHS AGO 1862 01:22:14,630 --> 01:22:18,567 I WENT ON A ROAD TRIP WITH A BUDDY, 1863 01:22:18,601 --> 01:22:22,371 AND IT WAS AN OLD FRIEND OF MINE. 1864 01:22:22,405 --> 01:22:24,307 WE'D KNOWN EACH OTHER SINCE WE WERE KIDS. 1865 01:22:24,340 --> 01:22:27,376 AND HE'S A COMEDIAN. HE'S A VERY FUNNY GUY. 1866 01:22:27,410 --> 01:22:29,345 BUT HE WAS KIND OF DOWN ON HIS LUCK, 1867 01:22:29,378 --> 01:22:32,581 KIND OF DOWN ON HIMSELF. THINGS WEREN'T REALLY GOING THAT WELL. 1868 01:22:32,615 --> 01:22:36,352 -SO, I ASKED HIM-- -HEY, SORRY, THAT TICKET'S FOR THE VIP SECTION. 1869 01:22:36,385 --> 01:22:37,586 THAT'S ALL THE WAY ON THE OTHER SIDE OF THE BUILDING. 1870 01:22:37,620 --> 01:22:39,288 OTHER SIDE? OKAY, THANKS. 1871 01:22:39,322 --> 01:22:42,992 AND HE SAID, YEAH. SO WE WENT ON TOUR. 1872 01:22:43,026 --> 01:22:47,030 AND AFTER A FEW WEEKS, IT WAS A TOTAL BREAKTHROUGH. 1873 01:22:47,063 --> 01:22:49,532 - YEAH! -A BREAKTHROUGH. 1874 01:22:49,565 --> 01:22:52,201 AND IT WAS TWO FRIENDS, WELL, TWO ARTISTS, 1875 01:22:52,235 --> 01:22:55,004 REALLY TRAVELLING THROUGH THE FORGOTTEN COASTAL TOWNS OF AMERICA 1876 01:22:55,038 --> 01:22:57,540 AND TRYING TO MAKE CONNECTIONS WITH PEOPLE 1877 01:22:57,573 --> 01:23:00,676 IN VERY REAL, VERY DIFFERENT WAYS. 1878 01:23:00,709 --> 01:23:06,449 AND IT WAS REALLY SPECIAL TO ME. 1879 01:23:06,482 --> 01:23:09,785 - RIGHT ON! -HE REMINDED ME OF WHY I DO THIS, 1880 01:23:09,818 --> 01:23:13,489 REMINDED ME OF WHEN I FIRST STARTED PLAYING MUSIC, 1881 01:23:13,522 --> 01:23:17,560 AND THERE WERE NO TOUR BUSES. 1882 01:23:17,593 --> 01:23:19,562 NO PRESS AGENTS. 1883 01:23:19,595 --> 01:23:22,465 -NO FANS. 1884 01:23:22,498 --> 01:23:24,633 BUT IT REMINDED ME OF WHAT WAS REAL ABOUT IT 1885 01:23:24,667 --> 01:23:28,537 WHICH WAS THE DESIRE, THE HOPE, 1886 01:23:28,571 --> 01:23:33,676 THE HUNGER, AND THE FREEDOM. 1887 01:23:33,709 --> 01:23:36,579 -FREE. 1888 01:23:36,612 --> 01:23:39,482 ANYWAY, I'D LIKE TO DEDICATE THIS SONG TO MY BUDDY, PAUL. 1889 01:23:39,515 --> 01:23:42,585 -AND HOPE YOU ENJOY IT. 1890 01:24:05,808 --> 01:24:08,111 * A BOY WAKES UP FROM HIS DREAM * 1891 01:24:08,144 --> 01:24:12,748 * JUMPS OUT OF BED AND KNOWS THAT HE WILL CONQUER THE WORLD * 1892 01:24:17,486 --> 01:24:18,621 CHEERS. 1893 01:24:30,399 --> 01:24:32,768 -HI. -HEY. 1894 01:24:32,801 --> 01:24:34,770 -HOW ARE YOU? -NICE TO SEE YOU. 1895 01:24:34,803 --> 01:24:36,172 IT'S REALLY NICE TO SEE YOU. 1896 01:24:36,205 --> 01:24:37,606 -THAT WAS AMAZING. -OH, THANKS. 1897 01:24:37,640 --> 01:24:39,108 I'M SO PROUD OF YOU. THAT WAS AN AWESOME SHOW. 1898 01:24:39,142 --> 01:24:41,377 -THANKS. I WAS A ROCK STAR. -I KNOW. 1899 01:24:41,410 --> 01:24:43,779 -I ROCK-STARRED HARD. -I KNOW. 1900 01:24:43,812 --> 01:24:45,281 THAT WAS REALLY, REALLY AWESOME. 1901 01:24:45,314 --> 01:24:46,682 -THANKS FOR COMING. -OF COURSE. 1902 01:24:46,715 --> 01:24:48,651 YEAH. 1903 01:24:48,684 --> 01:24:50,786 -DID YOU HAVE FUN? -I HAD A BLAST, ARE YOU KIDDING? 1904 01:24:50,819 --> 01:24:52,555 WERE YOUR SEATS-- WERE THEY GOOD? 1905 01:24:52,588 --> 01:24:54,890 -THEY WERE GREAT. -OKAY, GOOD. GOOD TO KNOW. 1906 01:24:54,923 --> 01:24:57,126 YEAH, YOU SHOULD HAVE SEEN THE WOMAN'S FACE AT WILL CALL 1907 01:24:57,160 --> 01:24:58,561 WHEN I PICKED THEM UP, VERY IMPRESSED. 1908 01:24:58,594 --> 01:24:59,628 SHUT UP. 1909 01:25:01,630 --> 01:25:03,266 OH, GOOD. HOW'S YOUR NEW JOB? 1910 01:25:03,299 --> 01:25:04,867 -IT'S GOOD. -YEAH? 1911 01:25:04,900 --> 01:25:06,269 YEAH, IT'S GOOD. I CAN HONESTLY SAY 1912 01:25:06,302 --> 01:25:07,903 THAT I DON'T COMPLETELY DESPISE IT. 1913 01:25:07,936 --> 01:25:10,473 YOU SHOULD WORD IT LIKE THAT WHEN YOU ASK FOR A PROMOTION. 1914 01:25:10,506 --> 01:25:12,641 RIGHT, VERBATIM. HOW'S THE TOUR? 1915 01:25:12,675 --> 01:25:15,211 -HOW'S ALL THIS TREATING YOU? -IT'S CRAZY. 1916 01:25:15,244 --> 01:25:16,745 -YEAH? -YEAH, NO, IT'S GOOD. 1917 01:25:16,779 --> 01:25:19,815 UM, YEAH, JASON, HE'S BEEN REALLY SUPPORTIVE, 1918 01:25:19,848 --> 01:25:21,750 AND, LIKE, HELPFUL. YEAH, IT'S BEEN GOOD. 1919 01:25:21,784 --> 01:25:23,686 GREAT, GOOD. 1920 01:25:23,719 --> 01:25:27,756 AND ARE YOU TWO, MM-MM-- 1921 01:25:27,790 --> 01:25:30,893 NO, WE'RE NOT "MM-MM"-ING, NO. 1922 01:25:30,926 --> 01:25:33,296 ANY OTHER LUCKY GUYS IN THE PICTURE? 1923 01:25:33,329 --> 01:25:35,364 NOPE, JUST THE GROUPIES. 1924 01:25:35,398 --> 01:25:37,200 BUT I USE THEM FOR THEIR BODIES. 1925 01:25:37,233 --> 01:25:40,135 -WELL, OF COURSE. 1926 01:25:41,670 --> 01:25:43,939 UM, DO YOU MAYBE WANNA MAYBE GO TO DINNER WITH US? 1927 01:25:43,972 --> 01:25:47,776 WE-- IT'S A WEIRD GROUP DINNER, BUT YOU COULD PROBABLY COME. 1928 01:25:47,810 --> 01:25:51,347 UH, YOU KNOW, I'M DOING THIS THING AT THE NORTH SIDE TONIGHT. 1929 01:25:51,380 --> 01:25:53,749 -SO, I-- 1930 01:25:53,782 --> 01:25:55,918 ARE YOU GUYS COOL? 1931 01:25:55,951 --> 01:25:57,453 -ME AND JASON? -YEAH. 1932 01:25:57,486 --> 01:25:59,488 YEAH, WE'RE COOL. 1933 01:25:59,522 --> 01:26:03,626 I MEAN, I HAVEN'T TALKED TO HIM SINCE, YOU KNOW, SINCE-- 1934 01:26:03,659 --> 01:26:05,428 THE MELTDOWN. 1935 01:26:05,461 --> 01:26:07,730 THE MELTDOWN? IS THAT WHAT YOU GUYS ARE CALLING IT? 1936 01:26:07,763 --> 01:26:10,499 NO. NO, WE'RE NOT-- I MEAN, YOU KNOW HIM. 1937 01:26:10,533 --> 01:26:15,471 HE KEEPS EVERYTHING BURIED, BUT I WAS WONDERING. 1938 01:26:15,504 --> 01:26:18,874 SO, UM, CAN I SEE YOU LATER ON TONIGHT? 1939 01:26:18,907 --> 01:26:22,478 YEAH, I WOULD LOVE THAT. I MEAN, I DON'T KNOW OUR EXACT SCHEDULE-- 1940 01:26:22,511 --> 01:26:24,713 -FEEL IT OUT. -I'LL FEEL IT OUT. 1941 01:26:24,747 --> 01:26:27,650 YEAH. 1942 01:26:27,683 --> 01:26:29,218 COOL. 1943 01:26:29,252 --> 01:26:30,886 ALL RIGHT, I'LL TEXT YOU IN A BIT. 1944 01:26:30,919 --> 01:26:32,755 -I'LL SEE YOU LATER. -ALL RIGHT. 1945 01:26:33,822 --> 01:26:35,291 -BYE. -BYE. 1946 01:26:55,444 --> 01:26:57,446 * OOGUM, OOGUM, BOOGUM, BOOGUM, BOOGUM * 1947 01:26:57,480 --> 01:27:00,749 * NOW, BABY, YOU'RE CASTING YOUR SPELL ON ME * 1948 01:27:03,419 --> 01:27:06,389 * I SAY OOGUM, OOGUM, BOOGUM, BOOGUM, BOOGUM * 1949 01:27:06,422 --> 01:27:08,724 * NOW, BABY, YOU'RE CASTING YOUR SPELL ON ME * 1950 01:27:11,527 --> 01:27:15,698 * YOU GOT ME DOING FUNNY THINGS LIKE A CLOWN * 1951 01:27:15,731 --> 01:27:17,533 * JUST LOOK AT ME 1952 01:27:20,436 --> 01:27:22,471 * WHEN YOU WEAR YOUR HIGH HEEL BOOTS * 1953 01:27:22,505 --> 01:27:25,341 * WITH YOUR HIP HUGGER SUIT 1954 01:27:25,374 --> 01:27:27,410 * IT'S ALL RIGHT, YOU'RE OUTTA SIGHT...* 1955 01:27:27,443 --> 01:27:31,980 YOU CUT ME, YOU CUT ME, YOU CUT ME TO THE CORE. 1956 01:27:32,014 --> 01:27:36,685 I NEED YOU. THANK YOU. 1957 01:27:36,719 --> 01:27:39,322 ALL RIGHT, ALL RIGHT, THAT'S STEVEN KADOWSKI EVERYBODY. 1958 01:27:39,355 --> 01:27:40,756 AND REMEMBER, GUYS, WHEN YOU GET THE LIGHT 1959 01:27:40,789 --> 01:27:42,024 THAT MEANS YOU REALLY HAVE TO WRAP IT UP. 1960 01:27:42,057 --> 01:27:43,826 WE CAN'T KEEP GOING OVER, ALL RIGHT? 1961 01:27:43,859 --> 01:27:48,364 WE'RE AT NUMBER 37, PAUL SCOTT. 1962 01:27:48,397 --> 01:27:49,865 PAUL SCOTT, ANOTHER NO-SHOW? 1963 01:27:49,898 --> 01:27:52,701 -NOPE. -PAUL SCOTT. ALL RIGHT, EVERYONE. 1964 01:27:52,735 --> 01:27:55,070 GIVE A BIG ROUND OF APPLAUSE FOR PAUL SCOTT, YEAH. 1965 01:27:59,074 --> 01:28:01,477 THANKS A LOT. THANK YOU. 1966 01:28:05,914 --> 01:28:10,386 SO I HAVE THIS BUDDY, HE'S A MUSICIAN, 1967 01:28:10,419 --> 01:28:11,787 PRETTY FAMOUS, 1968 01:28:11,820 --> 01:28:14,289 WE'VE BEEN FRIENDS... 1969 01:28:18,126 --> 01:28:21,430 SINCE WE WERE KIDS, AND UM-- 1970 01:28:24,367 --> 01:28:26,669 A FEW MONTHS AGO HE ASKED ME IF I WANTED TO JOIN HIM 1971 01:28:26,702 --> 01:28:28,371 ON THIS EAST COAST TOUR. 1972 01:28:28,404 --> 01:28:31,674 * OOH, OOH, OOH 1973 01:28:31,707 --> 01:28:35,043 * NOW, MERCY, MERCY ON ME 1974 01:28:35,077 --> 01:28:36,579 * ALL RIGHT 1975 01:28:36,612 --> 01:28:39,081 * WHEN YOU WEAR THAT CUTE TRENCH COAT * 1976 01:28:39,114 --> 01:28:41,450 * AND YOU'RE STANDING AND POSING * 1977 01:28:41,484 --> 01:28:45,120 * YOU GOT SOUL, YOU GOT TOO MUCH SOUL * 1978 01:28:45,153 --> 01:28:46,789 * I JUST SAYS WHO GOT THE BLUES * 1979 01:28:46,822 --> 01:28:48,991 * SAY, WHO GOT THE BLUES SAY WHO GOT THE BLUES * 1980 01:28:49,024 --> 01:28:51,527 * NOW CASTING YOUR SPELL ON ME * 1981 01:28:53,496 --> 01:28:55,030 * BUT I SAY WHO GOT THE BLUES * 1982 01:28:55,063 --> 01:28:57,099 * SAY, WHO GOT THE BLUES SAY WHO GOT THE BLUES * 1983 01:28:57,132 --> 01:29:00,503 * NOW CASTING YOUR SPELL ON ME * 1984 01:29:04,006 --> 01:29:09,044 * OOH, OOH, OOH, OOH 1985 01:29:09,077 --> 01:29:14,016 * OOH, OOH, OOH 1986 01:29:14,049 --> 01:29:19,388 * OOH, OOH, OOH, OOH 1987 01:29:19,422 --> 01:29:24,493 * OOH, OOH, OOH 1988 01:29:24,527 --> 01:29:27,430 * TAKE MY HAND, TAKE MY HAND 1989 01:29:27,463 --> 01:29:29,665 * TAKE MY HAND, TAKE MY HAND * 1990 01:29:29,698 --> 01:29:32,134 * I'LL HOLD ON TO YOU, MY FRIEND * 1991 01:29:32,167 --> 01:29:34,903 * I'LL HOLD ON TO YOU, MY FRIEND * 1992 01:29:34,937 --> 01:29:38,073 * THIS WORLD WILL BREAK THE BEST-MADE PLANS * 1993 01:29:38,106 --> 01:29:40,108 * BABY, BABY 1994 01:29:40,142 --> 01:29:45,147 * WE'LL STICK TOGETHER 1995 01:29:45,180 --> 01:29:48,016 * DOWN THIS ROAD, DOWN THIS ROAD * 1996 01:29:48,050 --> 01:29:50,653 * DOWN THIS ROAD, DOWN THIS ROAD * 1997 01:29:50,686 --> 01:29:53,589 * YOU WILL SHARE MY HEAVY LOAD * 1998 01:29:53,622 --> 01:29:55,691 * YOU WILL SHARE MY HEAVY LOAD * 1999 01:29:55,724 --> 01:29:58,060 * WHERE WE'LL END UP WE DON'T KNOW * 2000 01:29:58,093 --> 01:30:00,896 * HEY, YEAH, HEY, YEAH * 2001 01:30:00,929 --> 01:30:05,167 * WE'LL STICK TOGETHER 2002 01:30:05,200 --> 01:30:10,473 * AND WE'LL BE DANCING TILL WE SURRENDER * 2003 01:30:10,506 --> 01:30:16,178 * WE'LL FALL DOWN WHEN WE'RE DONE * 2004 01:30:16,211 --> 01:30:21,717 * THEY KNOW WHERE THEY CAN FIND US * 2005 01:30:21,750 --> 01:30:25,053 * OUT HERE ON THE RUN 2006 01:30:25,087 --> 01:30:26,822 * SO COME ON OVER 2007 01:30:26,855 --> 01:30:29,692 * WHOO HOO 2008 01:30:31,827 --> 01:30:34,162 * WHOO HOO 2009 01:30:36,799 --> 01:30:39,134 * WHOO HOO 2010 01:30:41,804 --> 01:30:43,972 * WHOO HOO 2011 01:30:47,075 --> 01:30:49,945 * HOLD YOU CLOSE, HOLD YOU CLOSE * 2012 01:30:49,978 --> 01:30:52,615 * HOLD YOU CLOSE, HOLD YOU CLOSE * 2013 01:30:52,648 --> 01:30:55,150 * YOU'RE THE ONE I NEED THE MOST * 2014 01:30:57,820 --> 01:31:00,188 * FROM THE PEAKS DOWN TO THE COAST * 2015 01:31:00,222 --> 01:31:02,891 * BABY, BABY 2016 01:31:02,925 --> 01:31:07,930 * WE'LL STICK TOGETHER 2017 01:31:07,963 --> 01:31:10,499 * TAKE MY HAND, TAKE MY HAND 2018 01:31:10,533 --> 01:31:13,068 * TAKE MY HAND, TAKE MY HAND * 2019 01:31:13,101 --> 01:31:15,504 * I'LL HOLD ON TO YOU, MY FRIEND * 2020 01:31:15,538 --> 01:31:17,973 * I'LL HOLD ON TO YOU, MY FRIEND * 2021 01:31:18,006 --> 01:31:20,876 * THIS WORLD WILL BREAK THE BEST-MADE PLANS * 2022 01:31:20,909 --> 01:31:23,278 * HEY YEAH, HEY YEAH 2023 01:31:23,311 --> 01:31:27,716 * WE'LL STICK TOGETHER 2024 01:31:27,750 --> 01:31:31,720 * AND WE'LL BE DANCING TILL WE SURRENDER * 148216