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These are the user uploaded subtitles that are being translated: 1 00:00:02,335 --> 00:00:06,256 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW, OOH 2 00:00:06,339 --> 00:00:09,259 ♪ THE LATE LATE SHOW, OH, OH THE LATE LATE SHOW 3 00:00:09,342 --> 00:00:21,271 ♪ OH, OH IT'S THE LATE LATE SHOW ♪ 4 00:00:21,354 --> 00:00:25,275 ♪ ♪ ♪ ♪ ♪ 5 00:00:25,358 --> 00:00:34,284 ♪ ♪ ♪ >> Reggie: ALL RIGHT! 6 00:00:34,367 --> 00:00:36,286 >> JAMES: GOOD EVENING LADIES AND GENTLEMEN, WELCOME TO THE 7 00:00:36,369 --> 00:00:37,287 SHOW. 8 00:00:37,370 --> 00:00:38,371 I HOPE YOU HAD A GOOD DAY. 9 00:00:38,455 --> 00:00:42,292 EVERYONE IN THE STUDIO IS REMAINING -- ARE YOU OKAY, 10 00:00:42,375 --> 00:00:44,252 ARE YOU HAVING TROUBLE WITH YOUR MASK? 11 00:00:44,335 --> 00:00:49,966 >> Reggie: YES, I WAS TAKING IT OFF AND REALIZED I HAD THE 12 00:00:50,049 --> 00:00:51,134 WRONG SEQUENCE. 13 00:00:51,217 --> 00:00:54,387 >> James: YOU WENT TOO LATE WITH THE MASK REMOVAL AND HAD 14 00:00:54,471 --> 00:00:55,305 YOUR EARS IN. 15 00:00:55,388 --> 00:00:56,431 >> Reggie: YES. 16 00:00:56,514 --> 00:00:59,934 >> James: THESE ARE THE THINGS WE HAVE TO GET USED TO. 17 00:01:00,018 --> 00:01:02,103 WE'RE ALL DOING IT SOCIALLY DISTANT. 18 00:01:02,187 --> 00:01:03,855 >> Reggie: WE'RE DOING IT. 19 00:01:03,938 --> 00:01:07,192 >> James: MEAN WHILE, IAN, I FEEL YOU AND 20 00:01:07,275 --> 00:01:09,486 I HAVE BECOME EMOTIONALLY DISTANT. 21 00:01:09,569 --> 00:01:13,907 I FEEL YOU DRIFTING AWAY, IAN, WHY IS THAT? 22 00:01:13,990 --> 00:01:18,953 >> I'M AFRAID IF WE GET ANY CLOSER WE MIGHT BE TOO 23 00:01:19,037 --> 00:01:19,704 VULNERABLE AND YOU WILL HURT ME. 24 00:01:19,788 --> 00:01:25,293 >> James: I'LL NEVER HURT YOU, IAN. 25 00:01:25,376 --> 00:01:26,461 >> CONTINUE YOU LIE TO ME. 26 00:01:26,544 --> 00:01:27,962 >> James: LOOK AT ME. 27 00:01:28,046 --> 00:01:29,422 I'LL NEVER QUIT YOU. 28 00:01:29,506 --> 00:01:30,006 WHAT'S THAT NOISE? 29 00:01:30,089 --> 00:01:31,841 YOU'RE POURING A DRINK. 30 00:01:31,925 --> 00:01:34,135 WE'VE LITERALLY JUST STARTED! 31 00:01:34,219 --> 00:01:36,471 WE'VE STARTED THE SHOW AND THAT'S -- WHAT WERE YOU POURING? 32 00:01:36,554 --> 00:01:39,724 WHAT WERE YOU POURING? 33 00:01:39,808 --> 00:01:41,810 DRINK IT OUT OF THE CAN! 34 00:01:41,893 --> 00:01:47,148 JUST DRINK IT OUT OF THE CAN! 35 00:01:47,232 --> 00:01:51,402 ( LAUGHTER ) WE HAVE A FUN SHOW TONIGHT. 36 00:01:51,486 --> 00:01:53,863 WE'LL BE CHATTING WITH JOSEPH GORDON-LEVITT. 37 00:01:53,947 --> 00:01:56,199 LATER WE'LL HAVE A MUSIC PERFORMANCE FROM THE AMAZING 38 00:01:56,282 --> 00:01:57,867 JEREMY ZUCKER. 39 00:01:57,951 --> 00:02:09,379 I DON'T WANT TO SOUND LIKE BMY MOTHER, BUT IT'S TOO HOT NOW 40 00:02:09,462 --> 00:02:13,758 THERE'S NO WAY OF SAYING IT WITHOUT SOUNDING LIKE YOUR MOM. 41 00:02:13,842 --> 00:02:16,719 BUT IT'S TOO WARM FOR ME. 42 00:02:16,803 --> 00:02:23,351 IT'S ALL ANYONE'S TALKING ABOUT IS IT'S TOO WARM. 43 00:02:23,434 --> 00:02:26,896 I WAS WATCHING THE NEWS THIS MORNING AND THEY DID A WHOLE 44 00:02:26,980 --> 00:02:31,192 SECTION ON HOW TO FRY AN EGG ON THE HOOD OF A CAR. 45 00:02:31,276 --> 00:02:32,443 IS THAT WHERE WE ARE WITH WARMTH? 46 00:02:32,527 --> 00:02:38,241 THAT'S THE ONLY WAY WE CAN SHOW PEOPLE AT HOME IT'S TOO HOT, THE 47 00:02:38,324 --> 00:02:40,034 FRYING OF FOOD ON A CAR? 48 00:02:40,118 --> 00:02:40,618 >> Reggie: YEAH. 49 00:02:40,702 --> 00:02:41,286 >> James: IT DIDN'T WORK. 50 00:02:41,369 --> 00:02:47,375 NO ONE'S EATING THAT EGG. 51 00:02:47,458 --> 00:02:49,586 >> IT'S ALWAYS AN EGG,ETH ALWAYS A CAR. 52 00:02:49,669 --> 00:02:53,423 IT'S SO HOT, YOU COULD MAKE LASAGNA IN A WHEELBORO. 53 00:02:53,506 --> 00:02:56,092 >> James: THAT'S WHAT I'D LIKE TO SEE. 54 00:02:56,175 --> 00:02:57,176 >> Reggie: YES. 55 00:02:57,260 --> 00:03:01,764 >> James: IT'S HOT BUT IS IT LASAGNA WHEELBARROW HOT? 56 00:03:01,848 --> 00:03:02,932 >> Reggie: YES. 57 00:03:03,016 --> 00:03:08,104 >> James: BUT THE HEAT IS PUTTING A LOT OF STRESS ON THE 58 00:03:08,187 --> 00:03:09,147 ELECTRICAL GRID. 59 00:03:09,230 --> 00:03:10,398 SO THE UTILITY COMPANIES HAVE ISSUED A "FLEX ALERT." 60 00:03:10,481 --> 00:03:12,108 WHICH IS ACTUALLY, IRONICALLY WHAT I USED TO BE CALLED BACK IN 61 00:03:12,191 --> 00:03:12,942 HIGH SCHOOL. 62 00:03:13,026 --> 00:03:16,195 "FLEX ALERT CORDEN," THEY CALLED ME. 63 00:03:16,279 --> 00:03:22,452 HEAR HE COMES, FLEX ALERT. 64 00:03:22,535 --> 00:03:25,163 ( LAUGHTER ) IT MEANS WE'RE HAVING ROLLING 65 00:03:25,246 --> 00:03:26,456 BLACKOUTS. 66 00:03:26,539 --> 00:03:28,458 OUR ELECTRICITY COULD GO OUT AT ANY TIME. 67 00:03:28,541 --> 00:03:31,294 I KNOW WHAT YOU'RE THINKING. 68 00:03:31,377 --> 00:03:35,506 "HOW CAN MY LIFE CARRY ON IF I CAN'T WATCH THE SHOW?" 69 00:03:35,590 --> 00:03:36,549 BUT DON'T WORRY. 70 00:03:36,633 --> 00:03:40,303 THE CAMERAS ARE ALL ON GENERATORS, AND WE'VE GOT A 71 00:03:40,386 --> 00:03:42,639 CONTINGENCY PLAN FOR THE LIGHTS. 72 00:03:42,722 --> 00:03:50,188 WE HAVE A PLAN, DON'T WE, GANG? 73 00:03:50,271 --> 00:03:51,022 >> YEAH! 74 00:03:51,105 --> 00:03:54,651 >> James: FORGET "THE LATE LATE SHOW," 75 00:03:54,734 --> 00:03:57,320 WE'RE "THE PREPARED PREPARED SHOW." 76 00:03:57,403 --> 00:03:59,197 ( CHEERS AND APPLAUSE ) NOW, EVERYONE'S TALKING ABOUT 77 00:03:59,280 --> 00:03:59,572 THE DEMOCRATIC NATIONAL CONVENTION THAT KICKED OFF 78 00:03:59,656 --> 00:04:02,492 LAST NIGHT. 79 00:04:02,575 --> 00:04:04,160 IT WAS THE FIRST NIGHT OF A CAREFULLY ORCHESTRATED 80 00:04:04,243 --> 00:04:08,289 FOUR-NIGHT EVENT DESIGNED TO RAMP UP EXCITEMENT TO A LEVEL 81 00:04:08,373 --> 00:04:11,834 WHERE DEMOCRATS GO, "YEAH, I GUESS I'M OKAY WITH BIDEN. 82 00:04:11,918 --> 00:04:12,335 FINE. 83 00:04:12,418 --> 00:04:12,794 WHATEVER IT TAKES. 84 00:04:12,877 --> 00:04:24,013 SURE." 85 00:04:24,097 --> 00:04:25,223 ( LAUGHTER ) "YEAH, YEAH, I'LL DO IT." 86 00:04:25,306 --> 00:04:29,018 BUT MICHELLE OBAMA ABSOLUTELY BLEW UP SOCIAL MEDIA WITH HER 87 00:04:29,102 --> 00:04:29,978 SPEECH. 88 00:04:30,061 --> 00:04:30,687 REG, DID YOU SEE IT? 89 00:04:30,770 --> 00:04:32,021 >> Reggie: WHOO, IT WAS INSANE. 90 00:04:32,105 --> 00:04:32,897 I WAS CRYING. 91 00:04:32,981 --> 00:04:34,023 >> James: IT WAS ABSOLUTELY INCREDIBLE. 92 00:04:34,107 --> 00:04:34,524 HERE'S ONE OF THE HIGHLIGHTS. 93 00:04:34,607 --> 00:04:36,025 HAVE A LOOK. 94 00:04:36,109 --> 00:04:40,488 >> SO LET ME BE AS HONEST AND CLEAR AS I CAN, 95 00:04:40,571 --> 00:04:45,034 DONALD TRUMP IS THE WRONG PRESIDENT FOR OUR COUNTRY. 96 00:04:45,118 --> 00:04:49,038 HE HAS HAD MORE THAN ENOUGH TIME TO PROVE THAT HE CAN DO THE JOB, 97 00:04:49,122 --> 00:04:53,167 BUT HE IS CLEARLY IN OVER HIS HEAD. 98 00:04:53,251 --> 00:04:54,919 HE CANNOT MEET THIS MOMENT. 99 00:04:55,003 --> 00:04:57,672 HE SIMPLY CANNOT BE WHO WE NEED HIM TO BE FOR US. 100 00:04:57,755 --> 00:05:05,054 IT IS WHAT IT IS. 101 00:05:05,138 --> 00:05:05,722 >> HUH... 102 00:05:05,805 --> 00:05:08,266 >> JAMES: IT IS WHAT IT IS. 103 00:05:08,349 --> 00:05:09,475 AND WHAT IT IS, IS A SICK BURN. 104 00:05:09,559 --> 00:05:11,894 WHEN I SAY "IT IS WHAT IT IS," I SOUND LIKE A DAD WHO DOESN'T 105 00:05:11,978 --> 00:05:16,858 REALLY KNOW WHAT HE'S TALKING ABOUT. 106 00:05:16,941 --> 00:05:17,567 WHEN SHE SAYS IT, IT'S LIKE "YES! 107 00:05:17,650 --> 00:05:18,443 IT IS! 108 00:05:18,526 --> 00:05:20,570 ONE: OH, MY GOD, I MISSED MICHELLE OBAMA. 109 00:05:20,653 --> 00:05:25,575 AND TWO: IT WOULD SUCK TO GET DUMPED BY MICHELLE OBAMA. 110 00:05:25,658 --> 00:05:28,578 >> Reggie: OH, YES. 111 00:05:28,661 --> 00:05:33,583 YOU CANNOT DEAL WITH THIS IT IS WHAT IT IS." 112 00:05:33,666 --> 00:05:34,876 ( LAUGHTER ) SHE SAID, "HE HAS HAD MORE THAN 113 00:05:34,959 --> 00:05:40,590 ENOUGH TIME TO PROVE THAT HE CAN DO THE JOB, BUT HE IS CLEARLY IN 114 00:05:40,673 --> 00:05:41,799 OVER HIS HEAD." 115 00:05:41,883 --> 00:05:44,594 AND THEN MELANIA TRUMP WAS LIKE, "YOU HAVE TO LET ME PLAGIARIZE 116 00:05:44,677 --> 00:05:47,597 THIS ONE." 117 00:05:47,680 --> 00:05:48,681 ( LAUGHTER ) AND SHE CONCLUDED HER SPEECH 118 00:05:48,765 --> 00:05:51,601 BY HAVING THIS TO SAY: >> SO IF YOU TAKE ONE THING FROM 119 00:05:51,684 --> 00:05:56,272 MY WORDS TONIGHT, IT IS THIS: IF YOU THINK THINGS CANNOT 120 00:05:56,355 --> 00:05:59,484 POSSIBLY GET WORSE, TRUST ME, THEY CAN, AND THEY WILL, IF WE 121 00:05:59,567 --> 00:06:03,613 DON'T MAKE A CHANGE IN THIS ELECTION. 122 00:06:03,696 --> 00:06:08,785 IF WE HAVE ANY HOPE OF ENDING THIS CHAOS, WE HAVE GOT TO VOTE 123 00:06:08,868 --> 00:06:13,331 FOR JOE BIDEN LIKE OUR LIVES DEPEND ON IT. 124 00:06:13,414 --> 00:06:16,667 >> JAMES: I'VE NEVER BEEN MORE INSPIRED OR TERRIFIED IN MY 125 00:06:16,751 --> 00:06:18,711 LIFE. 126 00:06:18,795 --> 00:06:23,132 I WAS WATCHING IT, LIKE, YEAH... 127 00:06:23,216 --> 00:06:25,593 LET'S -- OH, I HOPE SO! 128 00:06:25,676 --> 00:06:28,763 ALSO, I THINK SHE CAME UP WITH A PRETTY APPROPRIATE SLOGAN FOR 129 00:06:28,846 --> 00:06:29,931 TRUMP'S REELECTION CAMPAIGN. 130 00:06:30,014 --> 00:06:35,311 "IF YOU THINK THINGS CAN'T GET WORSE, TRUST ME, THEY CAN." 131 00:06:35,394 --> 00:06:37,313 ( LAUGHTER ) BUT THE SPEECH TRENDED ALL DAY 132 00:06:37,396 --> 00:06:37,814 ON TWITTER, AND FOR GOOD REASON. 133 00:06:37,897 --> 00:06:40,108 EVERYONE LOVED IT. 134 00:06:40,191 --> 00:06:41,484 EVERYONE HAS BEEN SAYING THE SAME THING, THAT IT STRUCK THE 135 00:06:41,567 --> 00:06:46,114 PERFECT TONE TO KICK OFF THE CONVENTION. 136 00:06:46,197 --> 00:06:49,700 EVEN JOE BIDEN WATCHED THE SPEECH AND WAS LIKE, "WELL 137 00:06:49,784 --> 00:06:50,618 SHE'S GOT MY VOTE." 138 00:06:50,701 --> 00:06:53,871 ( LAUGHTER ) HERE'S HOW EFFECTIVE MICHELLE 139 00:06:53,955 --> 00:06:57,375 OBAMA'S SPEECH WAS: EVEN FOX NEWS LIKED IT. 140 00:06:57,458 --> 00:07:01,170 >> OVER THE COURSE OF THE NIGHT, THE FIRST VIRTUAL CONVENTION OF 141 00:07:01,254 --> 00:07:05,675 OUR HISTORY, I THINK THEY WOULD SAY MICHELLE OBAMA STRUCK THE 142 00:07:05,758 --> 00:07:07,844 LANDING. 143 00:07:07,927 --> 00:07:09,679 >> SHE FLAYED, SLICED AND DICED DONALD TRUMP, TALKING ABOUT THE 144 00:07:09,762 --> 00:07:14,684 CHAOS AND CONFUSION AND LACK OF EMPATHY ESPECIALLY COMING FROM 145 00:07:14,767 --> 00:07:16,853 THIS PRESIDENT AND THIS WHITE HOUSE. 146 00:07:16,936 --> 00:07:17,645 >> JAMES: THAT WAS FOX NEWS. 147 00:07:17,728 --> 00:07:21,524 ( CHEERS AND APPLAUSE ) FOX NEWS! 148 00:07:21,607 --> 00:07:25,570 ( CHEERS AND APPLAUSE ) FOX NEWS! 149 00:07:25,653 --> 00:07:28,531 2020 JUST GETS WEIRDER AND WEIRDER. 150 00:07:28,614 --> 00:07:32,243 FOX NEWS LIKED MICHELLE OBAMA'S SPEECH? 151 00:07:32,326 --> 00:07:36,706 THAT'S LIKE THE DISCOVERY CHANNEL COMING OUT AS STAUNCHLY 152 00:07:36,789 --> 00:07:41,627 ANTI-SHARK WEEK. 153 00:07:41,711 --> 00:07:42,712 THAT'S A SHAME. 154 00:07:42,795 --> 00:07:44,672 ( LAUGHTER ) THAT'S A SHAME. 155 00:07:44,755 --> 00:07:45,464 THAT'S A SHAME. 156 00:07:45,548 --> 00:07:47,717 WE WERE ON A RIGHT RUN THERE, GUYS. 157 00:07:47,800 --> 00:07:52,638 WE CAME OFF CLIFF BIG, AND THEN WE JUST -- WE WENT WITH THE 158 00:07:52,722 --> 00:07:53,764 SHARK WEEK. 159 00:07:53,848 --> 00:07:58,686 >> REALLY HAD HIGH HOPES FOR THAT ONE, SHARK WEEK JUST 160 00:07:58,769 --> 00:07:59,562 HAPPENED, TOO. 161 00:07:59,645 --> 00:08:02,899 THOUGHT IT WAS A ZEITGEIST. 162 00:08:02,982 --> 00:08:03,524 NOTHING. 163 00:08:03,608 --> 00:08:04,692 >> James: NOT EVEN CLOSE. 164 00:08:04,775 --> 00:08:07,778 DO YOU KNOW WHAT THEY SAY ABOUT THAT JOKE? 165 00:08:07,862 --> 00:08:08,738 >> WHAT'S THAT? 166 00:08:08,821 --> 00:08:10,072 >> James: IT IS WHAT IT IS. 167 00:08:10,156 --> 00:08:10,907 >> Reggie: COULDN'T MEET THE MOMENT. 168 00:08:10,990 --> 00:08:14,619 >> James: COULDN'T MEET THE MOMENT! 169 00:08:14,702 --> 00:08:15,786 >> Reggie: BURN! 170 00:08:15,870 --> 00:08:18,915 >> James: IMAGINE THAT'S THE MOMENT REREALIZED NONE OF THAT 171 00:08:18,998 --> 00:08:22,919 HAD BEEN NAILED DOWN. 172 00:08:23,002 --> 00:08:27,048 ( LAUGHTER ) HOW DID HE DIE? 173 00:08:27,131 --> 00:08:30,760 WE DID THIS SHARK WEEK JOKE BECAUSE IT HAD JUST BEEN SHARK 174 00:08:30,843 --> 00:08:33,804 WEEK, AND WE THOUGHT IT WAS FUNNY. 175 00:08:33,888 --> 00:08:38,392 IN HIS DEFENSE, BEN DIDN'T LIKE IT, BUT THEN REGGIE SAID HE 176 00:08:38,476 --> 00:08:42,980 DIDN'T MEET THE MOMENT, AND HE FELL, AND IT'S A 100-FOOT DROP! 177 00:08:43,064 --> 00:08:45,983 ( LAUGHTER ) LOOK HOW HIGH WE ARE! 178 00:08:46,067 --> 00:08:47,777 LOOK HOW HIGH UP WE ARE! 179 00:08:47,860 --> 00:08:50,738 YOU DON'T UNDERSTAND, THAT'S A STRAIGHT DROP! 180 00:08:50,821 --> 00:08:51,781 AND THAT WAS IT. 181 00:08:51,864 --> 00:08:53,449 YEAH, GONE NOW. 182 00:08:53,533 --> 00:08:54,951 GONE NOW. 183 00:08:55,034 --> 00:08:55,910 >> FIVE GOOD YEARS. 184 00:08:55,993 --> 00:08:57,119 FIVE GOOD YEARS. 185 00:08:57,203 --> 00:08:59,664 >> James: NO, I HAVE TO ON THE AIR FOR FIVE AND A HALF, THREE 186 00:08:59,747 --> 00:09:00,164 YEARS. 187 00:09:00,248 --> 00:09:00,831 >> THREE GOOD YEARS. 188 00:09:00,915 --> 00:09:02,750 THREE GOOD YEARS. 189 00:09:02,833 --> 00:09:03,960 ( LAUGHTER ) >> James: OF COURSE, NOT 190 00:09:04,043 --> 00:09:07,588 EVERYBODY LIKED WHAT MICHELLE OBAMA HAD TO SAY ABOUT DONALD 191 00:09:07,672 --> 00:09:12,134 TRUMP, NAMELY DONALD TRUMP. 192 00:09:12,218 --> 00:09:14,595 >> SHE GETS THESE FAWNING REVIEWS. 193 00:09:14,679 --> 00:09:22,937 IF SHE GAVE A REAL REVIEW IT WOULDN'T BE AS FAWNING. 194 00:09:23,020 --> 00:09:26,816 >> James: FOX NEWS JUST PRAISED THE SPEECH FROM MICHELLE 195 00:09:26,899 --> 00:09:29,694 IF ANYTHING, THE COUNTRY HAS NEVER BEEN MORE UNITED. 196 00:09:29,777 --> 00:09:32,822 IT WAS AN AMAZING SPEECH. 197 00:09:32,905 --> 00:09:37,827 THE CONVENTION CONTINUED WITH JILL BIDEN. 198 00:09:37,910 --> 00:09:46,836 I HOPE MICHELLE OBAMA WROTE LINES FOR THEM, TOO. 199 00:09:46,919 --> 00:09:47,795 DON'T THANK ME. 200 00:09:47,878 --> 00:09:49,839 IT IS WHAT IT IS. 201 00:09:49,922 --> 00:09:50,840 ( LAUGHTER ) >> THERE'S A SHARK WEEK JOKE IN 202 00:09:50,923 --> 00:09:52,341 THERE YOU MIGHT WANT TO USE. 203 00:09:52,425 --> 00:09:56,304 >> James: JILL, GO WITH THE SHARK WEEK STUFF. 204 00:09:56,387 --> 00:09:57,888 IT'S BLOWING UP RIGHT NOW. 205 00:09:57,972 --> 00:10:01,642 THEN ON WEDNESDAY, WE'LL HEAR FROM BARACK OBAMA. 206 00:10:01,726 --> 00:10:03,185 HE WAS IN THE NEWS TODAY. 207 00:10:03,269 --> 00:10:06,355 PRESIDENT OBAMA JUST RELEASED A NEW PLAY LIST OF SONGS. 208 00:10:06,439 --> 00:10:07,023 DID YOU SEE THIS IN? 209 00:10:07,106 --> 00:10:09,692 TO HELP HIM GET THROUGH 2020. 210 00:10:09,775 --> 00:10:12,695 YEAH. 211 00:10:12,778 --> 00:10:13,904 THE PLAY LIST INCLUDES MUSIC FROM 212 00:10:13,988 --> 00:10:18,868 BILLIE EILISH, CHILDISH GAMBINO, SHERYL CROW, AND MEGAN THEE 213 00:10:18,951 --> 00:10:22,872 STALLION'S "SAVAGE" REMIX WITH BEYONCEEÉ. 214 00:10:22,955 --> 00:10:26,167 I'M GOING TO SAY IT, I LOVE BARACK OBAMA. 215 00:10:26,250 --> 00:10:27,918 I THINK HE'S INCREDIBLE. 216 00:10:28,002 --> 00:10:30,212 I DON'T BELIEVE THIS IS HIS ACTUAL PLAYLIST. 217 00:10:30,296 --> 00:10:34,425 ( LAUGHTER ) YEAH, I SAID IT. 218 00:10:34,508 --> 00:10:35,843 ( BOOING ) I BELIEVE SHERYL CROW, AND 219 00:10:35,926 --> 00:10:38,679 CHILDISH GAMBINO, BUT I DON'T BELIEVE HE'S WALKING AROUND 220 00:10:38,763 --> 00:10:40,723 LISTENING TO "SAVAGE." 221 00:10:40,806 --> 00:10:44,352 THE REMIX! 222 00:10:44,435 --> 00:10:45,603 HE'S 59 YEARS OLD. 223 00:10:45,686 --> 00:10:50,858 IF YOU HAD AN UNCLE WHO DID THAT , PICKED YOU UP FROM THE AIRPORT 224 00:10:50,941 --> 00:10:55,237 AND YOU GOT IN AND HE WAS LISTENING TO THAT, YOU WOULD BE, 225 00:10:55,321 --> 00:10:56,947 LIKE, UNCLE ROGER, THIS IS REALLY WEIRD. 226 00:10:57,031 --> 00:11:05,581 I JUST THINK BARACK OBAMA WAS, LIKE, THIS IS COOL AND I GET IT. 227 00:11:05,664 --> 00:11:07,750 I'M NOT GOING TO GIVE THEM MY ACTUAL PLAY LIST. 228 00:11:07,833 --> 00:11:16,759 I WON'T GIVE THEM ACT ONE OF LITTLE SHOP OF HORRORS. 229 00:11:16,842 --> 00:11:18,886 I MIGHT PUT ONE IN THERE. 230 00:11:18,969 --> 00:11:20,388 AND THEN MIX IT UP. 231 00:11:20,471 --> 00:11:25,142 WHAT WOULD BE A REAL PLAY LIST AND WHAT WOULD BE A FAKE PLAY 232 00:11:25,226 --> 00:11:26,310 LIST? 233 00:11:26,394 --> 00:11:27,770 >> Reggie: I GUESS THE REAL PLAY LIST WOULD BE LIKE "TEEN 234 00:11:27,853 --> 00:11:30,648 AGE DREAM" BY KATY PERRY. 235 00:11:30,731 --> 00:11:32,942 ( LAUGHTER ) >> James: ARE YOU SERIOUS? 236 00:11:33,025 --> 00:11:36,779 >> Reggie: IT'S A PERFECT POP SONG. 237 00:11:36,862 --> 00:11:37,947 >> James: AS PERFECT POP SONG. 238 00:11:38,030 --> 00:11:44,662 >> Reggie: BUT FOR REAL, I WOULD SAY SOMETHING LIKE "ALIEN 239 00:11:44,745 --> 00:11:45,788 SEX FIENDS." 240 00:11:45,871 --> 00:11:49,166 >> James: YOU WOULD HAVE ACTS NO ONE WOULD KNOW AND WE 241 00:11:49,250 --> 00:11:50,042 WOULDN'T BE ABLE TO QUESTION. 242 00:11:50,126 --> 00:12:00,803 WE WOULD BE, LIKE, THEY'RE BRILLIAT, YES. 243 00:12:00,886 --> 00:12:01,554 >> GABORA. 244 00:12:01,637 --> 00:12:02,805 >> James: I WOULD BE I LOVE IT. 245 00:12:02,888 --> 00:12:05,057 WHAT'S YOUR FAVORITE TRACK? 246 00:12:05,141 --> 00:12:05,850 OH, I LIKE ALL OF THEM. 247 00:12:05,933 --> 00:12:11,981 IF I HAD TO BE PUSHED, TRACK 3. 248 00:12:12,064 --> 00:12:15,526 BUT ALSO, WE LOOKEDT AT BARACK OBAMA'S LIST. 249 00:12:15,609 --> 00:12:17,987 ARE THOSE THE RIGHT SONGS TO GET YOU THROUGH 2020? 250 00:12:18,070 --> 00:12:21,282 I THINK WE NEED A MORE ACCURATE PLAY LIST. 251 00:12:21,365 --> 00:12:23,993 IN FACT, WE PUT ONE TOGETHER RIGHT HERE. 252 00:12:24,076 --> 00:12:26,162 R.E.M.'S "IT'S THE END OF THE WORLD AS WE KNOW IT." 253 00:12:26,245 --> 00:12:30,207 "WORK FROM HOME" BY FIFTH HARMONY AND TY DOLLA SIGN. 254 00:12:30,291 --> 00:12:32,209 "DON'T STAND SO CLOSE TO ME" BY THE POLICE. 255 00:12:32,293 --> 00:12:33,043 SIX FEET AT LEAST. 256 00:12:33,127 --> 00:12:37,006 AND OF COURSE, "HELP!" BY THE BEATLES. 257 00:12:37,089 --> 00:12:40,050 ( CHEERS AND APPLAUSE ) THAT'S OUR LIST. 258 00:12:40,134 --> 00:12:40,885 IT'S REAL. 259 00:12:40,968 --> 00:12:42,094 IT'S REAL. 260 00:12:42,178 --> 00:12:46,223 MOVING ON, WE'VE ALL SEEN THOSE PRESCRIPTION DRUG ADS ON TV 261 00:12:46,307 --> 00:12:48,184 WHERE AT THE END IT SAYS "SIDE EFFECTS MAY INCLUDE" AND THEN 262 00:12:48,267 --> 00:12:50,227 THEY LIST A LONG SET OF SIDE EFFECTS. 263 00:12:50,311 --> 00:12:57,234 WELL, IT TURNS OUT THAT SIDE EFFECTS AREN'T JUST FOR DRUGS 264 00:12:57,318 --> 00:12:59,695 ( SOUND ) WHAT'S GOING ON? 265 00:12:59,778 --> 00:13:00,529 >> ROLLING BLACKOUT! 266 00:13:00,613 --> 00:13:04,200 >> James: GO TO THE CONTINGENCY PLAN! 267 00:13:04,283 --> 00:13:05,075 EVERYBODY, CONTINGENCY! 268 00:13:05,159 --> 00:13:09,038 GET READY, GUYS! 269 00:13:09,121 --> 00:13:13,000 ♪ SO HOT ♪ >> James: 270 00:13:13,083 --> 00:13:15,002 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 271 00:13:15,085 --> 00:13:20,216 ♪ I AM GETTING SO HOT IM GONNA TAKE MY CLOTHES OFF 272 00:13:20,299 --> 00:13:25,346 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 273 00:13:25,429 --> 00:13:28,307 ♪ I AM GETTING SO HOT I'M GONNA TAKE MY CLOTHES OFF 274 00:13:28,390 --> 00:13:33,062 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 275 00:13:33,145 --> 00:13:37,066 ♪ I AM GETTING SO HOT I'M GONNA TAKE MY CLOTHES OFF 276 00:13:37,149 --> 00:13:41,070 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 277 00:13:41,153 --> 00:13:45,574 ♪ I AM GETTING SO HOT ♪ 278 00:13:45,658 --> 00:13:46,075 >> James: OKAY, WE'RE GOOD! 279 00:13:46,158 --> 00:13:51,038 THE POWER'S BACK! 280 00:13:51,121 --> 00:13:52,248 CHECK IT OUT! 281 00:13:52,331 --> 00:13:53,415 YEAH! 282 00:13:53,499 --> 00:13:55,376 WERE YOU FLOSSING DURING THE BREAK? 283 00:13:55,459 --> 00:13:56,126 >> Reggie: I WAS FLOSSING. 284 00:13:56,210 --> 00:13:59,380 >> James: GIVE US YOUR BEST FLOSS. 285 00:13:59,463 --> 00:14:01,257 THERE IT IS! 286 00:14:01,340 --> 00:14:02,299 NOW HE'S FLOSSING! 287 00:14:02,383 --> 00:14:04,260 HA HA! 288 00:14:04,343 --> 00:14:06,136 HE'S STILL GOING! 289 00:14:06,220 --> 00:14:07,054 >> ROLLING BLACKOUT! 290 00:14:07,137 --> 00:14:09,390 >> James: THAT'S ALL RIGHT. 291 00:14:09,473 --> 00:14:10,641 WE'LL FIGURE THIS OUT. 292 00:14:10,724 --> 00:14:13,060 WE'LL BE RIGHT BACK WITH MORE OF "THE LATE LATE SHOW," EVERYBODY! 293 00:14:13,143 --> 00:14:15,938 LET'S GO! ♪ ♪ IT'S GETTING HOT IN HERE 294 00:14:16,021 --> 00:14:21,819 SO TAKE OFF ALL YOUR CLOTHES ♪ I AM GETTING SO HOT 295 00:14:21,902 --> 00:14:22,194 I'M GONNA TAKE MY CLOTHES OFF >>> BACK WITH MORE OF "THE LATE 296 00:14:22,278 --> 00:14:24,488 LATE SHOW"! 297 00:14:25,948 --> 00:14:27,116 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 298 00:14:27,199 --> 00:14:31,245 ♪ I AM GETTING SO HOT I'M GONNA TAKE MY CLOTHES OFF 299 00:14:31,328 --> 00:14:33,122 ♪ IT'S GETTING HOT IN HERE SO TAKE OFF ALL YOUR CLOTHES 300 00:14:33,205 --> 00:14:34,999 ♪ I AM GETTING SO HOT I'M GONNA TAKE MY CLOTHES OFF 301 00:14:47,219 --> 00:14:48,137 >> JAMES: WELCOME BACK. 302 00:14:48,220 --> 00:14:50,139 LET'S MEET OUR FIRST GUEST TONIGHT. 303 00:14:50,222 --> 00:14:53,142 HE IS A TALENTED ACTOR YOU KNOW FROM "INCEPTION," "50/50", "500 304 00:14:53,225 --> 00:14:55,978 DAYS OF SUMMER" AND SO MUCH MORE. 305 00:14:56,061 --> 00:14:59,940 THE MAGNIFICENT JOSEPH GORDON-LEVITT IS JOINING US ON 306 00:15:00,024 --> 00:15:00,316 THE SHOW TONIGHT. 307 00:15:00,399 --> 00:15:01,942 HOW ARE YOU? 308 00:15:02,026 --> 00:15:03,152 NICE TO SEE YOU! 309 00:15:03,235 --> 00:15:04,653 YOU LOOK WELL. 310 00:15:04,737 --> 00:15:07,197 HOW ARE YOU, WHERE ARE YOU? 311 00:15:07,281 --> 00:15:10,117 >> HERE AT MY HOUSE IN LOS ANGELES, GRATEFUL TO BE ABLE 312 00:15:10,200 --> 00:15:11,952 TO STAY SAFE INSIDE. 313 00:15:12,036 --> 00:15:14,121 >> James: FOR SURE. 314 00:15:14,204 --> 00:15:15,039 THANKS A LOT. 315 00:15:15,122 --> 00:15:17,041 >> James: IT'S LOVELY TO SEE YOU ON THE SHOW. 316 00:15:17,124 --> 00:15:19,668 YOU I'M VERY EXCITED TO SEE BECAUSE THE LAST TIME YOU WERE 317 00:15:19,752 --> 00:15:23,797 ON THE SHOW, I WOULD SAY YOU STILL RANK AMONGST OUR FAVORITE 318 00:15:23,881 --> 00:15:25,007 GUESTS OF ALL TIME. 319 00:15:25,090 --> 00:15:26,008 >> WOW. 320 00:15:26,091 --> 00:15:27,760 >> James: WE SHARED QUITE THE MOMENT TOGETHER. 321 00:15:27,843 --> 00:15:29,511 YOU RAN DOWN DURING THE MONOLOGUE. 322 00:15:29,595 --> 00:15:35,100 WE EMBRACED, WE KISSED, YOU THEN PLAYED OUT THE SHOW ON 323 00:15:35,184 --> 00:15:38,062 GUILLERMO'S DRUM KIT, AND I HAVEN'T HEARD FROM YOU. 324 00:15:38,145 --> 00:15:40,522 WHEN WAS THIS? 325 00:15:40,606 --> 00:15:43,192 WHERE WAS THIS, ROB? 326 00:15:43,275 --> 00:15:43,525 2016? 327 00:15:43,609 --> 00:15:43,942 >> 2015. 328 00:15:44,026 --> 00:15:44,652 >> James: 2015. 329 00:15:44,735 --> 00:15:47,029 AND NOTHING, NOT EVEN AN EMAIL. 330 00:15:47,112 --> 00:15:50,157 >> YEAH, WELL, YOU KNOW, SOMETIMES YOU'VE JUST GOT TO 331 00:15:50,240 --> 00:15:54,703 LEAVE THE MAGIC IN THE MOMENT, AND IT IS WHAT IT IS, BABE. 332 00:15:54,787 --> 00:15:57,998 ( LAUGHTER ) >> James: IT IS WHAT IT IS! 333 00:15:58,082 --> 00:16:00,084 NOW, I WANT TO TALK TO YOU ABOUT THIS BECAUSE YOU'VE JUST DONE 334 00:16:00,167 --> 00:16:03,504 SOMETHING WHICH I -- I'M INTRIGUED TO KNOW WHAT THE 335 00:16:03,587 --> 00:16:08,509 EXPERIENCE IS LIKE AND I'M JEALOUS IN MANY WAYS THAT YOU 336 00:16:08,592 --> 00:16:09,760 DID IT. 337 00:16:09,843 --> 00:16:17,226 YOU'VE JUST TAKEN THREE OR FOUR YEARS OFF TO SIMPLY BE WITH YOUR 338 00:16:17,309 --> 00:16:20,729 SONS AND BE A FATHER. 339 00:16:20,813 --> 00:16:24,191 YOU HAVEN'T WORKED, YOU HAVEN'T ACTED -- 340 00:16:24,274 --> 00:16:26,235 >> WELL, I FELT REALLY LUCKY I GOT TO DO THAT. 341 00:16:26,318 --> 00:16:30,239 YOU KNOW, THERE ARE SOME PARTS OF THE WORLD THAT GIVE A LOT OF 342 00:16:30,322 --> 00:16:32,533 PATERNITY LEAVE WHERE THE GOVERNMENT THINKS IT'S SO 343 00:16:32,616 --> 00:16:37,538 IMPORTANT THAT DAD GETS TO SPEND TIME WITH THEIR BABIES, THAT 344 00:16:37,621 --> 00:16:39,248 THERE'S GOVERNMENT-PAID PATERNITY LEAVE. 345 00:16:39,331 --> 00:16:42,626 I WISH THERE WAS MORE OF THAT IN THIS COUNTRY. 346 00:16:42,710 --> 00:16:45,879 I'M IN THE VERY FORTUNATE POSITION I'M ABLE TO HAVE THAT 347 00:16:45,963 --> 00:16:51,260 FOR MYSELF AND I'M SO HAPPY I GOT TO DO IT. 348 00:16:51,343 --> 00:16:55,055 YEAH, SPENT A BUNCH OF TIME BEING A DAD. 349 00:16:55,139 --> 00:16:56,265 >> James: HOW LONG DID YOU TAKE OFF? 350 00:16:56,348 --> 00:17:01,228 >> THE LAST MOVIE I WAS IN CAME OUT IN 2016. 351 00:17:01,311 --> 00:17:03,272 NOW I HAVE THREE MOVIES THIS YEAR, SO DON'T CALL IT A 352 00:17:03,355 --> 00:17:05,149 COMEBACK, BUT -- ( LAUGHTER ) 353 00:17:05,232 --> 00:17:09,403 >> James: DID YOU FEEL YOU WERE READY TO GET BACK OUT 354 00:17:09,486 --> 00:17:10,612 THERE? 355 00:17:10,696 --> 00:17:12,948 I THINK IF I SAID TO MY WIFE, BABE, I'M JUST GOING TO BE HOME 356 00:17:13,031 --> 00:17:17,119 TO BE WITH THE KIDS, I'D LAST MAYBE A DAY AND SHE WOULD BE, 357 00:17:17,202 --> 00:17:20,289 LIKE, GET -- OUT -- NOW. 358 00:17:20,372 --> 00:17:22,124 ( LAUGHTER ) >> I MEAN, YOU KNOW, I STAYED 359 00:17:22,207 --> 00:17:22,708 BUSY. 360 00:17:22,791 --> 00:17:23,834 I DID SOME OTHER STUFF. 361 00:17:23,917 --> 00:17:28,589 I HAVE MY HIT RECORD COMPANY THAT I STILL WAS WORKING ON. 362 00:17:28,672 --> 00:17:32,676 SO I, LIKE, WAS DOING SOME WORK, BUT, UM, YEAH, I DON'T KNOW, 363 00:17:32,760 --> 00:17:33,385 MAN, IT WAS A DELIGHT. 364 00:17:33,469 --> 00:17:37,306 I WAS A REAL WORKAHOLIC BEFORE. 365 00:17:37,389 --> 00:17:44,938 IT'S LIKE I JUST NEVER EVER TURNED OFF. 366 00:17:45,022 --> 00:17:48,317 AND IT WAS GREAT TO JUST, YOU KNOW, MAKE IT NOT ABOUT ME FOR A 367 00:17:48,400 --> 00:17:49,193 LITTLE WHILE. 368 00:17:49,276 --> 00:17:50,778 >> James: SO WHEN CORONAVIRUS HAPPENED -- 369 00:17:50,861 --> 00:17:54,323 >> AND NOW IT'S ALL ABOUT ME AGAIN. 370 00:17:54,406 --> 00:17:56,492 I'M IN MOVIES! 371 00:17:56,575 --> 00:17:58,452 ( LAUGHTER ) >> James: WHEN CORONAVIRUS 372 00:17:58,535 --> 00:18:07,336 HAPPENED, WERE YOU LIKE, GUYS, I LITERALLY JUST DID THIS! 373 00:18:07,419 --> 00:18:08,420 ( LAUGHTER ) >> YES, EXACTLY. 374 00:18:08,504 --> 00:18:11,340 >> James: NOW, YOU'VE JUST BEEN WORKING WITH ONE OF OUR 375 00:18:11,423 --> 00:18:12,382 ABSOLUTE FAVORITES HERE AT THE THE SHOW WITH AARON SALKIN WHO 376 00:18:12,466 --> 00:18:15,344 WROTE AND DIRECTED "THE TRIAL OF THE CHICAGO SEVEN." 377 00:18:15,427 --> 00:18:17,721 >> YES, COMING OUT IN A COUPLE OF MONTHS. 378 00:18:17,805 --> 00:18:19,348 >> James: WHAT WAS HE LIKE AS A DIRECTOR ON THAT SET BECAUSE 379 00:18:19,431 --> 00:18:22,351 IT HAD AN EXTRAORDINARY CAST. 380 00:18:22,434 --> 00:18:23,310 >> IT WAS. 381 00:18:23,393 --> 00:18:27,356 IT WAS, LIKE, THE ACTOR OLYMPICS OVER THERE. 382 00:18:27,439 --> 00:18:35,030 THERE'S EDDIE REDMOND AND MARK RYLANDS WHO ARE YOUR FELLOW 383 00:18:35,114 --> 00:18:36,031 COUNTRYMEN LIKE SHAKESPEARE. 384 00:18:36,115 --> 00:18:37,449 >> James: OSCAR WINNERS. 385 00:18:37,533 --> 00:18:43,038 AND YOUR OTHER FELLOW COUNTRYMAN SASHA BARON COHEN WHO 386 00:18:43,121 --> 00:18:49,378 IS NOT SHAKESPEARE BUT A BRILLIANT ACTOR. 387 00:18:49,461 --> 00:18:58,178 FRANKLIN JELLA AND SO MANY AMAZING ACTORS AND IT'S A CROOM 388 00:18:58,262 --> 00:18:59,388 DRAMA. 389 00:18:59,471 --> 00:19:04,601 AARON SORKIN IS SORT OF THE HIGH PRIEST OF CROOM DRAMA AS HE 390 00:19:04,685 --> 00:19:07,062 WROTE -- >> James: "A FEW GOOD MEN." 391 00:19:07,145 --> 00:19:08,939 YOU CAN'T HANDLE THE TRUTH! 392 00:19:09,022 --> 00:19:11,400 AND WE'RE ALL WATCHING EACH OTHER TO THESE SCENES BECAUSE 393 00:19:11,483 --> 00:19:13,402 EVEN IF YOU'RE NOT TALKING, YOU'RE SITTING THERE IN COURT, 394 00:19:13,485 --> 00:19:16,405 SO IT'S, LIKE, ACTING CLASS JUST WATCHING ALL THESE BRILLIANT 395 00:19:16,488 --> 00:19:20,450 ACTORS AND KNOWING WHEN I GO UP THERE THEY'RE ALL WATCHING ME. 396 00:19:20,534 --> 00:19:23,412 >> James: SO DID IT EVER FEEL COMPETITIVE? 397 00:19:23,495 --> 00:19:30,460 >> I HAD TO -- I WILL BE TOTALLY HONEST, I HAD TO WORK EVERY DAY 398 00:19:30,544 --> 00:19:34,298 TO MAKE IT NOT BE THAT WAY -- IT'S NOT A COMPETITION, WE'RE 399 00:19:34,381 --> 00:19:35,007 ALL ON THE SAME MOVIE, THE SAME STORY. 400 00:19:35,090 --> 00:19:36,300 THAT'S THE THING ABOUT ACTING. 401 00:19:36,383 --> 00:19:43,724 I CONSCIOUSLY DO MY BEST TO NOT THINK OF IT THAT WAY. 402 00:19:43,807 --> 00:19:46,727 BUT, YOU KNOW, WITH THINGS LIKE AWARDS SHOWS WHERE IT'S 403 00:19:46,810 --> 00:19:49,396 TURNED INTO THE COMPETITION, THERE ARE WINNERS AND LOSERS AND 404 00:19:49,479 --> 00:19:56,737 BOX OFFICE RATINGS, EVERYTHING IS SO QUANTITYTIZED AND PUT ON 405 00:19:56,820 --> 00:20:02,618 SOCIAL MEDIA, IT'S HARD TO NOT THINK OF IT AS A COMPETITION. 406 00:20:02,701 --> 00:20:04,786 >> James: YOU CAN'T. 407 00:20:04,870 --> 00:20:09,750 THERE'S NOTHING TO WIN BECAUSE YOU KNOW WHY -- ULTIMATELY, WE 408 00:20:09,833 --> 00:20:10,626 ALL DIE. 409 00:20:10,709 --> 00:20:13,754 >> I LIKE THAT. 410 00:20:13,837 --> 00:20:17,758 >> James: WE NEED TO LEAN INTO THAT MORE ON THE SHOW, ACTUALLY, 411 00:20:17,841 --> 00:20:18,967 ( LAUGHTER ) I THINK IT WOULD BE GREAT IF WE 412 00:20:19,051 --> 00:20:24,181 STARTED EVERY EPISODE IS, JUST REMEMBER, IT ALL ENDS IN DEATH. 413 00:20:24,264 --> 00:20:26,767 >> IN DEATH. 414 00:20:26,850 --> 00:20:31,313 ALL ALONE IS ALL WE ARE. 415 00:20:31,396 --> 00:20:33,774 >> James: WE HAVE TO CONGRATULATE YOU ON YOUR NEW 416 00:20:33,857 --> 00:20:37,819 MOVIE "PROJECT POWER," THE NUMBER ONE FILM ON IN EFFECT 417 00:20:37,903 --> 00:20:42,532 NETFLIX OVERTHE WEEKEND. 418 00:20:42,616 --> 00:20:46,536 >> THIS IS A SUPER FUN ACTION MOVIE. 419 00:20:46,620 --> 00:20:47,871 JAMIE FOXX. 420 00:20:47,955 --> 00:20:48,914 I'M IN IT, TOO. 421 00:20:48,997 --> 00:20:54,836 A BRILLIANT YOUNG ACTRESS NAMED DOMINICK FISHBACK. 422 00:20:54,920 --> 00:20:59,967 IF YOU'RE A FAN OF ACTORS AND MOVIES, WATCH HER. 423 00:21:00,050 --> 00:21:01,176 SHE'S BRILLIANT. 424 00:21:01,259 --> 00:21:05,639 IT'S A SCI-FI THING ABOUT A PILL, GIVES SUPER POWER, BUT YOU 425 00:21:05,722 --> 00:21:07,975 DON'T KNOW WHAT YOU'RE GOING TO GET. 426 00:21:08,058 --> 00:21:09,226 IT COULD BE AN INCREDIBLE SUPERPOWER OR IT COULD KILL YOU 427 00:21:09,309 --> 00:21:15,524 ON THE SPOT AND THERE'S AN EVIL, CORRUPT INSTITUTION TESTING THE 428 00:21:15,607 --> 00:21:18,694 PILL ON THE STREETS OF NEW ORLEANS, AND I PLAY A COP 429 00:21:18,777 --> 00:21:21,154 TRYING TO GET TO THE BOTTOM OF IT. 430 00:21:21,238 --> 00:21:24,992 IT'S REALLY FUN, THE VISUALS ARE INCREDIBLE. 431 00:21:25,075 --> 00:21:27,369 IT'S GREAT MUSIC, SET IN NEW ORLEANS. 432 00:21:27,452 --> 00:21:30,038 IF YOU'RE LOOKING LIKE AN ENTERTAINING MOVIE THAT'S GOING 433 00:21:30,122 --> 00:21:34,042 TO DELIVER WHAT YOU WANT OUT OF A POPCORN SATURDAY NIGHT, 434 00:21:34,126 --> 00:21:36,753 PROJECT POWER IS DEFINITELY GOING TO DO IT FOR YOU. 435 00:21:36,837 --> 00:21:40,382 >> James: LET'S TAKE A LOOK FROM PROJECT POWER AVAILABLE NOW 436 00:21:40,465 --> 00:21:42,342 ON NETFLIX. 437 00:21:42,426 --> 00:21:43,010 >> ON YOUR KNEES! 438 00:21:43,093 --> 00:21:46,555 HANDS BEHIND YOU HEAD! 439 00:21:46,638 --> 00:21:47,180 >> N.O.P.D. 440 00:21:47,264 --> 00:21:49,057 WE HAVE A LADY. 441 00:21:49,141 --> 00:21:52,310 YOU, TOO, AS WELL, MA'AM. 442 00:21:52,394 --> 00:21:52,644 HANDS. 443 00:21:52,728 --> 00:21:52,978 VERY GOOD. 444 00:21:53,061 --> 00:21:54,146 THANK YOU. 445 00:21:54,229 --> 00:21:55,022 HOW'S EVERYBODY DOING TONIGHT? 446 00:21:55,105 --> 00:21:58,317 YOU SURE YOU WANT TO DO THAT, YOUNG MAN? 447 00:21:58,400 --> 00:22:00,902 YOU EVER TAKEN ONE OF THOSE BEFORE? 448 00:22:00,986 --> 00:22:02,696 YOU HAVEN'T, I CAN TELL. 449 00:22:02,779 --> 00:22:08,201 I BET YOU HEARD IT CAN MAKE YOU FAST, STRONG, MAKE THIS A FAIR 450 00:22:08,285 --> 00:22:11,913 FIGHT EVEN THOUGH I HAVE A GUN POINTED AT YOUR FACE. 451 00:22:11,997 --> 00:22:13,040 >> TWIST IT, TONY. 452 00:22:13,123 --> 00:22:14,624 BUT THAT'S ONLY IF YOU HAVE A GOOD POWER. 453 00:22:14,708 --> 00:22:16,543 NOT EVERYBODY DOES. 454 00:22:16,626 --> 00:22:17,878 SOME PEOPLE TAKE IT AND BLOW UP. 455 00:22:17,961 --> 00:22:22,424 >> I DON'T WANT TO DO THIS ANYMORE, MAN. 456 00:22:22,507 --> 00:22:24,760 >> THE QUESTION, IS WHAT'S YOUR POWER? 457 00:22:24,843 --> 00:22:28,472 >> James: STICK AROUND, MORE JOSEPH GORDON-LEVITT RIGHT AFTER 458 00:22:28,555 --> 00:22:29,222 THIS! 459 00:22:41,693 --> 00:22:42,611 ♪ >> James: WELCOME BACK, JOSEPH 460 00:22:42,694 --> 00:22:44,613 GORDON-LEVITT IS HERE WITH US NOW. 461 00:22:44,696 --> 00:22:47,616 WE HAVE BEEN DOING A THING ON THE SHOW, A "THE LATE LATE SHOW" 462 00:22:47,699 --> 00:22:52,287 SHOW AND TELL WHERE WE ASK OUR GUESTS TO SHOW SOMETHING WITH US 463 00:22:52,370 --> 00:22:53,622 FROM HOME WE MIGHT NOT OTHERWISE GET TO SEE. 464 00:22:53,705 --> 00:22:56,625 DO YOU HAVE SOMETHING YOU WOULD LIKE TO SHARE WITH US TONIGHT? 465 00:22:56,708 --> 00:22:58,460 >> I ACTUALLY WAS THINKING ABOUT THIS. 466 00:22:58,543 --> 00:23:01,254 IST RIGHT THERE. 467 00:23:01,338 --> 00:23:01,797 >> James: OOOH! 468 00:23:01,880 --> 00:23:03,465 THOSE ARE MY DRUMS. 469 00:23:03,548 --> 00:23:09,971 THIS IS THE ONLY ROOM IN MY HOUSE THAT I, LIKE, PUT OUT 470 00:23:10,055 --> 00:23:10,639 ONLINE. 471 00:23:10,722 --> 00:23:11,056 THIS IS MY LITTLE MUSIC ROOM. 472 00:23:11,139 --> 00:23:12,224 >> James: SURE. 473 00:23:12,307 --> 00:23:16,978 BUT THOSE DRUMS I GOT WHEN I WAS 18, AND THEY HAVE BEEN MY 474 00:23:17,062 --> 00:23:17,646 DRUMS FOREVER. 475 00:23:17,729 --> 00:23:21,775 I CARE ABOUT THEM VERY DEARLY. 476 00:23:21,858 --> 00:23:24,486 BUT I FIGURED LIKE, SINCE, YOU KNOW, SINCE I PLAYED ON YOUR 477 00:23:24,569 --> 00:23:28,156 SHOW LAST TIME AND YOU ASKED ABA SHOW AND TELL, I WANTED YOU TO 478 00:23:28,240 --> 00:23:29,991 SEE, THESE ARE THE DRUMS I LEARNED ON. 479 00:23:30,075 --> 00:23:31,034 THESE ARE MINE. 480 00:23:31,118 --> 00:23:41,628 >> James: BUT WE WOULD LOVE SOME KIND OF DRUM DEMO. 481 00:23:41,711 --> 00:23:42,796 >> YEAH. 482 00:23:42,879 --> 00:23:47,634 I KNOW WE HAVEN'T COMPARED BUT CAN WE DO A DRUMOFF BETWEEN 483 00:23:47,717 --> 00:23:51,096 GUILLERMO AND JOSEPH GORDON-LEVITT? 484 00:23:51,179 --> 00:23:53,348 GUILLERMO PUT HIS HOOD DOWN! 485 00:23:53,431 --> 00:23:54,349 HE'S STRAIGHT IN! 486 00:23:54,432 --> 00:23:55,725 HE DIDN'T EVEN HAVE A CHANCE TO THINK ABOUT IT. 487 00:23:55,809 --> 00:23:58,687 LET'S SEE WHAT WE'VE GOT. 488 00:23:58,770 --> 00:24:01,815 OH, THIS IS EXCITING. 489 00:24:01,898 --> 00:24:02,649 OKAY. 490 00:24:02,732 --> 00:24:03,733 >> WE WON'T BE ABLE TO PLAY TOGETHER. 491 00:24:03,817 --> 00:24:05,193 >> James: NOT TOGETHER. 492 00:24:05,277 --> 00:24:06,361 THERE WILL BE TOO MUCH OF A LAG. 493 00:24:06,444 --> 00:24:07,654 WE'LL GO BACK AND FORTH. 494 00:24:07,737 --> 00:24:08,905 >> Reggie: JUST TRADES. 495 00:24:08,989 --> 00:24:11,658 >> James: WE'RE JUST GOING TO TRADE OFF. 496 00:24:11,741 --> 00:24:12,033 OKAY. 497 00:24:12,117 --> 00:24:14,744 HERE WE GO. 498 00:24:14,828 --> 00:24:15,537 HERE IT IS. 499 00:24:15,620 --> 00:24:18,290 JOSEPH GORDON-LEVITT ON THE DRUMS! 500 00:24:34,681 --> 00:24:34,890 >> OKAY. 501 00:24:34,973 --> 00:24:43,607 >> OKAY. 502 00:24:43,690 --> 00:24:45,734 ( APPLAUSE ) >> James: OH, MY WORD! 503 00:24:56,786 --> 00:24:59,956 ( APPLAUSE ) THAT WAS -- THAT WAS MY FAVORITE 504 00:25:00,040 --> 00:25:01,666 DRUMOFF I'VE SEEN TODAY, WITHOUT QUESTION. 505 00:25:01,750 --> 00:25:06,755 >> HE'S A MUCH BETTER DRUMMER THAN I AM. 506 00:25:06,838 --> 00:25:07,672 BRAVO! 507 00:25:07,756 --> 00:25:08,423 >> James: I THOUGHT THAT WAS VERY IMPRESSIVE. 508 00:25:08,506 --> 00:25:10,258 >> Reggie: IT'S NOT A COMPETITION. 509 00:25:10,342 --> 00:25:10,800 IT'S NOT A COMPETITION. 510 00:25:10,884 --> 00:25:12,719 >> THANKS, REGGIE. 511 00:25:12,802 --> 00:25:13,136 WHAT'S UP? 512 00:25:13,220 --> 00:25:13,929 GOOD TO SEE YOU. 513 00:25:14,012 --> 00:25:16,640 >> Reggie: HEY, MAN, HOW YOU DOING? 514 00:25:16,723 --> 00:25:21,436 >> James: IT'S NOT A COMPETITION BECAUSE IT ALL -- 515 00:25:21,519 --> 00:25:22,646 ENDS -- IN -- DEATH. 516 00:25:22,729 --> 00:25:23,313 >> RIGHT! 517 00:25:23,396 --> 00:25:26,399 >> James: WHAT DOES IT END IN? 518 00:25:26,483 --> 00:25:27,609 DEATH! 519 00:25:27,692 --> 00:25:29,069 >> James: REGGIE, DO YOU HAVE A QUESTION FOR OUR GUESTS THIS 520 00:25:29,152 --> 00:25:29,611 EVENING? 521 00:25:29,694 --> 00:25:31,404 >> Reggie: YES, I DO. 522 00:25:31,488 --> 00:25:38,286 TONIGHT'S QUESTION GOES TO -- MR. -- OH, GOSH -- WHY DON'T WE 523 00:25:38,370 --> 00:25:39,496 MAKE IT FOR JOSEPH. 524 00:25:39,579 --> 00:25:41,998 >> James: OKAY, HERE WE GO. 525 00:25:42,082 --> 00:25:42,958 OKAY. 526 00:25:43,041 --> 00:25:44,751 >> James: DO YOU LIKE LIVING WHERE YOU LIVE? 527 00:25:44,834 --> 00:25:48,797 ( LAUGHTER ) >> I LOVE LIVING WHERE I LIVE, 528 00:25:48,880 --> 00:25:49,297 MAN. 529 00:25:49,381 --> 00:25:49,631 THIS IS WHERE I LIVE. 530 00:25:49,714 --> 00:25:50,423 I'M ALIVE. 531 00:25:50,507 --> 00:25:53,802 AND YOU KNOW, IT ALL ENDS IN DEATH. 532 00:25:53,885 --> 00:25:56,638 BUT RIGHT NOW I'M ALIVE. 533 00:25:56,721 --> 00:25:56,972 ( LAUGHTER ) >> James: IS THAT THE RIGHT 534 00:25:57,055 --> 00:25:57,806 ANSWER, REG. 535 00:25:57,889 --> 00:25:58,598 >> James: >> Reggie: I'M AFRAID THAT'S 536 00:25:58,682 --> 00:26:00,475 >> James: IT'S ABSOLUTELY DIRECT. 537 00:26:00,558 --> 00:26:02,811 THANK THE WONDERFUL JOSEPH GORDON-LEVITT. 538 00:26:02,894 --> 00:26:06,606 MUSIC WITH JEREMY ZUCKER WHEN WE COME BACK, EVERYBODY! 539 00:26:06,690 --> 00:26:07,691 THAT WAS GREAT! 540 00:26:22,914 --> 00:26:24,124 >> James: WELCOME BACK. 541 00:26:24,207 --> 00:26:28,670 NOW, WE HAVE A PRETTY INCREDIBLE GRAPHICS DEPARTMENT HERE AT "THE 542 00:26:28,753 --> 00:26:32,674 LATE LATE SHOW," AND I'VE REALIZED THAT USING THEIR SKILLS 543 00:26:32,757 --> 00:26:34,968 I CAN SEE LITERALLY ANYTHING, ANYTHING AT ALL. 544 00:26:35,051 --> 00:26:38,638 SO I THOUGHT I WOULD LET THEM GO WILD AND PUTTING TO SOME THINGS 545 00:26:38,722 --> 00:26:42,684 THAT I MIGHT OTHERWISE NEVER GET TO SEE, THIS IS IS "JAMES WANNA 546 00:26:42,767 --> 00:26:47,188 SEE IT." 547 00:26:47,272 --> 00:26:52,610 ( APPLAUSE ) SO I SAID TO THE STAFF, I SAID, 548 00:26:52,694 --> 00:26:56,323 GUYS, -- I SAID, GUYS, HERE'S WHAT I WANT TO SEE. 549 00:26:56,406 --> 00:26:57,866 THEY SAID, HANG ON, YOU'RE ON MUTE. 550 00:26:57,949 --> 00:26:59,451 I SAID, SORRY. 551 00:26:59,534 --> 00:26:59,868 OKAY. 552 00:26:59,951 --> 00:27:01,369 I CAME OFF MUTE. 553 00:27:01,453 --> 00:27:05,040 I SAID, I WANT TO SEE A WHEEL. 554 00:27:05,123 --> 00:27:06,041 THEY SAID COOL. 555 00:27:06,124 --> 00:27:13,757 I SAID I WANNA SEE A WHEEL, A WHEEL I WANNA SEE. 556 00:27:13,840 --> 00:27:19,763 THEY SANITIZED IT AND SENT IT OVER AND BANG, THAT'S A WHEEL I 557 00:27:19,846 --> 00:27:22,307 WANNA SEE. 558 00:27:22,390 --> 00:27:23,892 SO THESE ARE THINGS WHAT JAMES WANNA SEE. 559 00:27:23,975 --> 00:27:26,895 SO I'M GOING TO GIVE THIS A SPIN AND SEE WHAT IT LANDS ON AND IF 560 00:27:26,978 --> 00:27:29,898 JAMES WANNA SEE IT, JAMES WANNA SEE IT. 561 00:27:29,981 --> 00:27:32,150 IN THIS SITUATION, I AM JAMES. 562 00:27:32,233 --> 00:27:34,903 THE JAMES IS ME. 563 00:27:34,986 --> 00:27:37,906 IT IS I. 564 00:27:37,989 --> 00:27:40,909 SO THE QUESTION IS DOES JAMES WANNA SEE IT. 565 00:27:40,992 --> 00:27:44,913 LET'S HAVE A LOOK. 566 00:27:44,996 --> 00:27:46,998 A RABBIT WHOSE BODY IS A SINGLE HUMAN LEG. 567 00:27:57,050 --> 00:28:08,937 ( LAUGHTER ) DOES JAMES WANNA SEE IT? 568 00:28:09,020 --> 00:28:20,949 ♪ ♪ JAMES WANNA SEE IT! 569 00:28:21,032 --> 00:28:27,872 ( APPLAUSE ) OKAY. 570 00:28:27,956 --> 00:28:30,667 SNOOPY GOT BACK. 571 00:28:30,750 --> 00:28:31,751 IAN, DO YOU WANT TO SEE IT? 572 00:28:31,835 --> 00:28:33,294 >> DON'T PUT ME IN THIS POSITION. 573 00:28:33,378 --> 00:28:36,965 >> James: YOU'RE IN THE POSITION, IAN. 574 00:28:37,048 --> 00:28:42,429 FORGET THE GAME'S CALLED JAMES " WANNA SEE IT." 575 00:28:42,512 --> 00:28:47,976 IMAGINE YOU GET A TEXT THAT SAID GOT A PICTURE OF SNOOPY. 576 00:28:48,059 --> 00:28:50,395 DO YOU WANT TO SEE IT. 577 00:28:50,478 --> 00:28:50,979 >> I DON'T KNOW. 578 00:28:51,062 --> 00:28:52,480 >> James: IT'S IRRELEVANT. 579 00:28:52,564 --> 00:28:57,610 YOUR REPLY SHOULD BE IT'S NOT IMPORTANT WHETHER I WANNA SEE 580 00:28:57,694 --> 00:29:00,363 IT, DOES JAMES WANNA SEE IT. 581 00:29:00,447 --> 00:29:02,157 SO DO YOU WANNA SEE IT? 582 00:29:02,240 --> 00:29:04,159 >> IT'S COMPLETELY IRRELEVANT. 583 00:29:04,242 --> 00:29:06,995 ( LAUGHTER ) >> James: THIS FEELS WEIRD 584 00:29:07,078 --> 00:29:09,956 DOING IT WITHOUT -- ( LAUGHTER ) 585 00:29:10,039 --> 00:29:13,168 THIS IS THE FIRST TIME -- THIS IS THE FIRST TIME WE HAVE BEEN 586 00:29:13,251 --> 00:29:17,005 DOING THIS SHOW WITHOUT AN AUDIENCE AND I'M, LIKE, WE CAN'T 587 00:29:17,088 --> 00:29:20,842 PUT THIS ON TV, CAN WE? 588 00:29:20,925 --> 00:29:25,555 ( LAUGHTER ) DAVE, YOU HAVING THAT FEELING? 589 00:29:25,638 --> 00:29:26,014 >> LITTLE BIT. 590 00:29:26,097 --> 00:29:28,391 >> James: YEAH? 591 00:29:28,475 --> 00:29:30,602 ASIDE FROM THAT, DO YOU WANNA SEE IT? 592 00:29:30,685 --> 00:29:32,353 >> I DO WANNA SEE IT. 593 00:29:32,437 --> 00:29:36,691 >> James: DON'T GIVE A ( BLEEP ), DAVE! 594 00:29:36,774 --> 00:29:39,235 LET'S FIND OW, DOES JAMES WANNA SEE IT. 595 00:29:39,319 --> 00:29:45,825 ( BLEEP ). 596 00:29:45,909 --> 00:29:49,871 ( SUSPENSEFUL MUSIC ) IT! 597 00:29:49,954 --> 00:29:56,461 ( APPLAUSE ) ( CLICKING ) 598 00:29:56,544 --> 00:29:59,422 OKAY, KELSEY GRAMMER ACCIDENTALLY FLUSHING HIMSELF 599 00:29:59,506 --> 00:30:00,548 DOWN THE TOILETTE. 600 00:30:00,632 --> 00:30:02,008 YOU WANNA SEE IT, REG? 601 00:30:02,091 --> 00:30:02,550 >> Reggie: NO. 602 00:30:02,634 --> 00:30:04,052 >> James: NO? 603 00:30:04,135 --> 00:30:08,264 ALL RIGHT, REG DOESN'T WANNA SEET IT. 604 00:30:08,348 --> 00:30:09,390 >> Reggie: WAIT. 605 00:30:09,474 --> 00:30:13,353 >> James: NO, IF YOU DON'T WANNA SEE IT, YOU DON'T WANNA 606 00:30:13,436 --> 00:30:13,895 SEE IT. 607 00:30:13,978 --> 00:30:15,021 >> Reggie: BUT IT'S YOU. 608 00:30:15,104 --> 00:30:17,106 >> James: I ASKED YOU A QUESTION, YOU DON'T WANNA SEET 609 00:30:17,190 --> 00:30:17,565 IT. 610 00:30:17,649 --> 00:30:18,441 WE WON'T SEE IT. 611 00:30:18,525 --> 00:30:23,196 SORRY, EVERYONE, REG SAID WE CAN'T SEE IT. 612 00:30:23,279 --> 00:30:23,863 ( BOOING ) OH! 613 00:30:23,947 --> 00:30:25,573 OH! 614 00:30:25,657 --> 00:30:28,868 OH, AND IT'S COME BACK AROUND! 615 00:30:28,952 --> 00:30:32,830 EVEN THE WHEEL DISRESPECTS YOU! 616 00:30:32,914 --> 00:30:38,378 THE WHEEL -- NO ONE WILL BELIEVE THAT THAT'S TRUE, MIKE. 617 00:30:38,461 --> 00:30:42,048 DOES JAMES WANNA SEE IT? 618 00:30:42,131 --> 00:30:47,762 ( SUSPENSEFUL MUSIC ) STILL NO. 619 00:30:47,845 --> 00:30:49,556 NO. 620 00:30:49,639 --> 00:30:52,976 DON'T WANNA SEET IT. 621 00:30:53,059 --> 00:31:04,237 A FRANKENSTEIN ACTING LIKE HE DROWNED DRAG L.A. I WANT TO ASK 622 00:31:04,320 --> 00:31:07,824 THE ROOM, DOES THE ROOM WANT TO SEET IT? 623 00:31:07,907 --> 00:31:09,117 THE ANSWER SIT DOESN'T MATTER! 624 00:31:09,200 --> 00:31:10,159 THANK YOU, DAVE! 625 00:31:10,243 --> 00:31:12,370 YOU'RE THE ONLY ONE PAYING ATTENTION! 626 00:31:12,453 --> 00:31:17,083 PAUSE YOU ONLY COME IN ON SPECIFIC BITS. 627 00:31:17,166 --> 00:31:21,588 ( LAUGHTER ) YOU ONLY COME IN WHEN SAFETY AND 628 00:31:21,671 --> 00:31:24,048 STANDARDS SAY YOU CAN, AND IT'S IMPORTANT FOR PEOPLE TO 629 00:31:24,132 --> 00:31:29,095 UNDERSTAND THE REASON YOU'RE HERE IS BECAUSE OF THIS BIT. 630 00:31:29,178 --> 00:31:32,140 BECAUSE GOD KNOWS HOW THIS GENIUS WOULD WORK IF YOU WERE 631 00:31:32,223 --> 00:31:36,477 DOING IT REMOTELY ON ZOOM! 632 00:31:36,561 --> 00:31:38,313 DOES JAMES WANNA SEE IT? 633 00:31:38,396 --> 00:31:43,484 I'VE GOT TO BE IN THE ROOM. 634 00:31:43,568 --> 00:31:47,780 JAMES WANNA SEE IT! 635 00:31:47,864 --> 00:31:54,954 ( APPLAUSE ) OKAY. 636 00:31:55,038 --> 00:32:03,254 IF DON CHEADLE WAS TURNED INTO A WHEELBARROW -- PETE, DO YOU 637 00:32:03,338 --> 00:32:04,380 WANNA SEE IT? 638 00:32:04,464 --> 00:32:05,840 >> I KIND OF DO. 639 00:32:05,923 --> 00:32:07,842 ( LAUGHTER ) >> James: DO YOU? 640 00:32:07,925 --> 00:32:09,344 YOU WANNA SEE IT? 641 00:32:09,427 --> 00:32:11,012 >> NOT THAT IT MATTERS, BUT YEAH. 642 00:32:11,095 --> 00:32:13,514 >> James: IT DOES MATTER. 643 00:32:13,598 --> 00:32:14,057 IT MATTERS TO ME. 644 00:32:14,140 --> 00:32:16,184 IT DOESN'T. 645 00:32:16,267 --> 00:32:18,186 I'M LYING, OF COURSE IT DOESN'T. 646 00:32:18,269 --> 00:32:22,357 IT'S CALLED DOES JAMES WANNA SEE IT. 647 00:32:22,440 --> 00:32:25,818 LET'S FIND OUT, DOES JAMES WANNA SEE IT. 648 00:32:25,902 --> 00:32:40,166 ( SUSPENSEFUL MUSIC ) JAMES WANNA SEE IT! 649 00:32:40,249 --> 00:32:41,334 THAT'S IT! 650 00:32:41,417 --> 00:32:44,545 I DON'T KNOW WHAT YOU WERE EXPECTING BUT THAT WAS DON 651 00:32:44,629 --> 00:32:48,216 CHEADLE TURNED INTO A WHEELBARROW. 652 00:32:48,299 --> 00:32:50,093 WE'LL BE RIGHT BACK! 653 00:33:05,316 --> 00:33:06,401 ♪ WELCOME BACK ♪ >> James: WELCOME BACK. 654 00:33:06,484 --> 00:33:08,236 UR NEXT GUEST IS A PLATINUM SELLING SINGER-SONGWRITER AND 655 00:33:08,319 --> 00:33:10,238 PRODUCER HAILING FROM NEW JERSEY. 656 00:33:10,321 --> 00:33:14,075 HE'S HERE TONIGHT TO MAKE HIS LATE NIGHT TELEVISION DEBUT. 657 00:33:14,158 --> 00:33:18,037 THE PHENOMENAL, THE ELECTRIC, JEREMY ZUCKER! 658 00:33:18,121 --> 00:33:20,206 HOW ARE YOU, JEREMY? 659 00:33:20,289 --> 00:33:21,958 THANK YOU SO MUCH FOR JOINING US. 660 00:33:22,041 --> 00:33:25,586 NOW, WE HAVE A LOT OF MUSIC ACTS COME BY THE SHOW, BUT YOURS, I 661 00:33:25,670 --> 00:33:32,719 THINK, HAS THE MOST IMPRESSIVE UNIVERSITY QUALIFICATIONS. 662 00:33:32,802 --> 00:33:36,305 YOU ARE A MOLECULAR BIOLOGY MAJOR IN COLLEGE. 663 00:33:36,389 --> 00:33:37,473 >> YES, I WAS. 664 00:33:37,557 --> 00:33:40,643 >> James: WHICH SOUNDS LIKE THE HARDEST SUBJECT YOU COULD 665 00:33:40,727 --> 00:33:41,561 PICK. 666 00:33:41,644 --> 00:33:44,105 HOW DID YOU THEN PIVOT FROM THAT TO MUSIC? 667 00:33:44,188 --> 00:33:45,356 >> IT WAS STRANGE. 668 00:33:45,440 --> 00:33:49,235 I'VE ALWAYS DONE MUSIC MY WHOLE LIFE BUT I NEVER HOOKED LOOKED 669 00:33:49,318 --> 00:33:53,114 AT IT LIKE A REALISTIC CAREER. 670 00:33:53,197 --> 00:33:56,284 SO IN THE BACK OF MY MIND I WAS, LIKE, I'M GOING TO STUDY HARD 671 00:33:56,367 --> 00:34:00,079 AND BE A DOCTOR AND DO MUSIC FOR FUN. 672 00:34:00,163 --> 00:34:03,207 ONE DAY I STARTED PUTTING MUSIC OUT AND ONE DAY GOT A RECORD 673 00:34:03,291 --> 00:34:05,293 DEAL WHEN I WAS A JUNIOR IN COLLEGE. 674 00:34:05,376 --> 00:34:10,256 I WAS TOO FAR ALONG TO DROP OUT AND I DIDN'T WANT TO DROP OUT, 675 00:34:10,339 --> 00:34:11,132 SO JUST SORT OF HAPPENED. 676 00:34:11,215 --> 00:34:13,301 >> James: WE SO APPRECIATE YOU BEING HERE. 677 00:34:13,384 --> 00:34:16,304 THANKS FOR COMING TO THE SHOW AND MAKING HIS LATE NIGHT 678 00:34:16,387 --> 00:34:17,305 TELEVISION DEBUT PERFORMING HIS LATEST "SUPERCUTS," PLEASE 679 00:34:17,388 --> 00:34:20,933 WELCOME JEREMY ZUCKER. 680 00:34:21,017 --> 00:34:26,314 ♪ ♪ ♪ ♪ I THOUGHT 681 00:34:26,397 --> 00:34:34,322 I WOULD BE GOOD BY NOW ♪ I'D HAVE IT FIGURED ALL OUT 682 00:34:34,405 --> 00:34:41,329 WE'D SKIP THE SCENIC ROUTE ♪ AND, OH, WELL 683 00:34:41,412 --> 00:34:48,336 AT LEAST I NEVER LIED ♪ STILL, I'M ALWAYS THE BAD GUY 684 00:34:48,419 --> 00:34:55,343 SO MUCH FOR BEING NICE ♪ 'CAUSE I DON'T WANNA BE 685 00:34:55,426 --> 00:34:59,347 SOMEONE WHO MAKES YOU HAPPY ♪ THEN LETS YOU DOWN 686 00:34:59,430 --> 00:35:02,850 WE'LL BOTH FEEL CRAPPY ♪ I'LL HATE YOUR FRIENDS 687 00:35:02,934 --> 00:35:07,313 WHEN THIS ENDS ♪ WELL, ALRIGHT 688 00:35:07,396 --> 00:35:11,317 AND I DON'T WANNA MAKE YOUR ♪ MAMA CRY AT DINNER 689 00:35:11,400 --> 00:35:18,699 AND SEE HER AT THE MALL ♪ NEXT WINTER AT SUPERCUTS 690 00:35:18,783 --> 00:35:23,371 SHE HATES MY GUTS ♪ WELL, ALRIGHT 691 00:35:23,454 --> 00:35:31,379 WELL, I DON'T ♪ DON'T NEED A HAND TO HOLD 692 00:35:31,462 --> 00:35:38,886 DON'T NEED YOU TO CONSOLE ME ♪ IT'S HONESTLY GETTING OLD 693 00:35:38,970 --> 00:35:43,391 WELL, I'VE THOUGHT ♪ THERE'S SO MANY PLACES 694 00:35:43,474 --> 00:35:44,892 WE COULD GO ♪ WELL, MAYBE I'M BETTER 695 00:35:44,976 --> 00:35:51,315 OFF AT HOME ♪ MAYBE I'M BETTER ON MY OWN 696 00:35:51,399 --> 00:35:56,904 'CAUSE I DON'T WANNA BE ♪ SOMEONE WHO MAKES YOU HAPPY 697 00:35:56,988 --> 00:36:00,283 THEN LETS YOU DOWN ♪ WE'LL BOTH FEEL CRAPPY 698 00:36:00,366 --> 00:36:03,244 I'LL HATE YOUR FRIENDS ♪ WHEN THIS ENDS 699 00:36:03,327 --> 00:36:08,875 WELL, ALRIGHT ♪ AND I DON'T WANNA MAKE 700 00:36:08,958 --> 00:36:14,922 YOUR MAMA CRY AT DINNER ♪ AND SEE HER AT THE MALL 701 00:36:15,006 --> 00:36:19,302 NEXT WINTER AT SUPERCUTS ♪ SHE HATES MY GUTS 702 00:36:19,385 --> 00:36:31,397 WELL, ALRIGHT ♪ ♪ ♪ 703 00:36:31,480 --> 00:36:39,322 ♪ ♪ ♪ ♪ FIND ME DROWNING IN 704 00:36:39,405 --> 00:36:43,284 THIS AGAIN ♪ STARTED SOMETHING THAT 705 00:36:43,367 --> 00:36:47,330 WE'RE JUST GONNA END ♪ WONDER IF WE WOULD 706 00:36:47,413 --> 00:36:55,463 BE BETTER AS FRIENDS ♪ BUT WE WON'T 707 00:36:55,546 --> 00:37:00,009 'CAUSE I DON'T WANNA BE ♪ SOMEONE WHO MAKES YOU HAPPY 708 00:37:00,092 --> 00:37:02,929 THEN LETS YOU DOWN ♪ WE'LL BOTH FEEL CRAPPY 709 00:37:03,012 --> 00:37:07,308 I'LL HATE YOUR FRIENDS ♪ WHEN THIS ENDS 710 00:37:07,391 --> 00:37:12,313 WELL, ALRIGHT ♪ AND I DON'T WANNA MAKE 711 00:37:12,396 --> 00:37:15,399 YOUR MAMA CRY AT DINNER ♪ AND SEE HER AT THE MALL 712 00:37:15,483 --> 00:37:20,947 NEXT WINTER AT SUPERCUTS ♪ SHE HATES MY GUTS 713 00:37:21,030 --> 00:37:35,878 WELL, ALRIGHT ♪ ♪ ♪ ♪ 714 00:37:35,962 --> 00:37:38,881 WELL, ALRIGHT ♪ ♪ ♪ ♪ 715 00:37:38,965 --> 00:37:46,347 WELL, ALRIGHT ♪ >> James: THAT WAS WONDERFUL. 716 00:37:46,430 --> 00:37:47,014 JEREMY ZUCKER! 717 00:37:47,098 --> 00:37:48,516 "SUPERCUTS" IS AVAILABLE NOW. 718 00:37:48,599 --> 00:37:49,600 WE'LL BE RIGHT BACK! 719 00:38:05,616 --> 00:38:06,534 ♪ >> James: THANK YOU SO MUCH 720 00:38:06,617 --> 00:38:07,743 FOR WATCHING. 721 00:38:07,827 --> 00:38:11,038 TOMORROW NIGHT: DANNY DEVITO, PLUS MUSIC FROM CHRIS TOMLIN, 722 00:38:11,122 --> 00:38:12,498 THOMAS RHETT, AND FLORIDA GEORGIA LINE. 723 00:38:12,581 --> 00:38:13,541 WE HOPE TO SEE YOU THEN. 724 00:38:13,624 --> 00:38:14,542 REGGIE, TAKE US HOME. 725 00:38:14,625 --> 00:38:16,419 ♪ ♪ 55002

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