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>> Announcer: TONIGHT, ON
"LATE NIGHT WITH SETH MEYERS ‐‐"
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JEFF GOLDBLUM.
STAR OF "SCHITT'S CREEK,"
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00:00:14,114 --> 00:00:19,253
ACTRESS ANNIE MURPHY
WRITER AND COMEDIAN, SAM JAY
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FEATURING THE 8G BAND WITH
FRED ARMISEN
AND NOW, SETH MEYERS
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TONIGHT?
LAST NIGHT, MY MASK SHOOK ME
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AWAKE AND ASKED, "ARE YOU EVER
GOING TO WASH ME?"
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LET'S GET TO THE NEWS.
FORMER VICE PRESIDENT JOE BIDEN
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ANNOUNCED YESTERDAY THAT SENATOR
KAMALA HARRIS WOULD BE HIS BEST
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FRIEND
I MEAN, RUNNING MATE
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SORRY, SORRY
I GET ATTACHED TOO QUICK
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A FORCE OF HABIT
PRESIDENT TRUMP TWEETED TODAY
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THAT FORMER VICE PRESIDENT
JOE BIDEN'S PICK OF CALIFORNIA
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SENATOR KAMALA HARRIS AS HIS
RUNNING MATE IS, QUOTE, "THE
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00:00:51,385 --> 00:00:54,021
KIND OF OPPONENT THAT EVERYONE
DREAMS OF.
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SAID, PENCE, "OH, I'M NOT
ALLOWED TO DREAM OF OTHER WOMEN.
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I'M OFTEN ‐‐ I'M OFTEN VEXED."
PRESIDENT TRUMP ALSO TWEETED
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TODAY, QUOTE, "THE SUBURBAN
HOUSEWIFE WILL BE VOTING FOR ME.
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THEY WANT SAFETY AND THRILLED I
ENDED THE LONG RUNNING PROGRAM
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WHERE LOW‐INCOME HOUSING WOULD
INVADE THEIR NEIGHBORHOOD.
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BIDEN WOULD REINSTALL IT IN A
BIGGER FORM WITH CORY BOOKER IN
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CHARGE."
FIRST OF ALL, INCREDIBLY RACIST,
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BUT MOSTLY, I LOVE HOW MUCH HE
SEEMS TO KNOW ABOUT WHAT OTHER
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CANDIDATES WILL DO AND WHAT
THEIR PLANS ARE DOWN TO WHO WILL
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BE PUT IN CHARGE
BUT WHAT HAPPENS WHEN YOU ASK
HIM ABOUT HIS OWN PLANS?
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>> WE HAVE TO LOOK INTO THAT, SO
WE'RE GOING TO LOOK INTO IT.
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>> Seth: COOL, AND BY THE WAY,
THE SUBURBAN HOUSEWIFE WILL BE
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VOTING FOR YOU
THEN I GUESS YOU HAVE A GOOD
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CHANCE OF DEFEATING
DWIGHT EISENHOWER.
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PRESIDENT TRUMP YESTERDAY
CRITICIZED FORMER VICE PRESIDENT
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JOE BIDEN FOR BEING WEAK ON
CHINA, AND WARNED THAT IF BIDEN
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WINS, AMERICANS WILL HAVE TO
LEARN TO SPEAK CHINESE
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WELL, THANKS TO YOUR HANDLING OF
CORONAVIRUS, WE HAVE THE TIME.
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WE HAVE THE TIME TO LEARN OTHER
LANGUAGES.
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PRESIDENT TRUMP SAID IN AN
INTERVIEW YESTERDAY THAT SOME
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MEN MAY FEEL INSULTED BY
JOE BIDEN'S DECISION TO CHOOSE A
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00:02:01,788 --> 00:02:05,959
WOMAN AS HIS RUNNING MATE AND
ADDED THAT BIDEN HAD, QUOTE,
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"ROPED HIMSELF INTO A CERTAIN
GROUP OF PEOPLE.
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LUCKY FOR BIDEN, THAT GROUP OF
PEOPLE IS 51% OF THE POPULATION.
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AFTER RUSSIA ANNOUNCED THAT IT
HAS PROVEN ITS VACCINE AGAINST
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THE CORONAVIRUS TO BE SAFE AND
EFFECTIVE, INFECTIOUS DISEASE
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EXPERT DR. ANTHONY FAUCI SAID
YESTERDAY, QUOTE, "I SERIOUSLY
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DOUBT THEY'VE DONE THAT.
REPLIED DOCTORS IN RUSSIA ‐‐
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NOTHING.
DIDN'T SAY ANYTHING.
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PRESIDENT TRUMP TODAY
PARTICIPATED IN A KIDS FIRST,
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GETTING AMERICA'S CHILDREN
SAFELY BACK TO SCHOOL PANEL.
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IT'S CALLED KIDS FIRST, BECAUSE
THAT'S WHO'S GOING TO GET THE
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VIRUS, KIDS FIRST, AND THEN
TEACHERS, THEN THE LUNCH LADY,
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BUS DRIVERS, CUSTODIAL STAFF,
GUIDANCE COUNSELORS, AND
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FINALLY, VAPE STORE OWNERS
VICE PRESIDENT MIKE PENCE
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TRAVELED TO ARIZONA YESTERDAY TO
SPEAK TO A GROUP OF MORMON
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VOTERS
SO FOR ONCE, IT WAS THE MORMONS
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WHO HAD TO PRETEND THEY WEREN'T
HOME
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"NO, HE'S ‐‐ NO, HE'S STILL OUT
THERE.
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HE LOOKS VERY VEXED.
THE LAST REMAINING BLOCKBUSTER
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00:03:01,481 --> 00:03:03,984
VIDEO HAS RECENTLY STARTED
RENTING OUT ITS BEND, OREGON,
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LOCATION ON AIRBNB FOR NOSTALGIC
MOVIE NIGHTS WHICH INCLUDES FREE
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00:03:06,386 --> 00:03:09,890
RUN TO THE STORE, UNLIMITED
SNACKS, AND AN OVERNIGHT STAY IN
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A REPLICA '90s LIVING ROOM
WOW, IT'S GOT EVERYTHING YOU'D
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EVER WANT, EXCEPT, WELL, YOU
KNOW, NETFLIX.
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A STUNT DOUBLE IN ENGLAND
RECENTLY SET HIMSELF ON FIRE TO
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PROPOSE TO HIS GIRLFRIEND.
SO HE'S EXTREMELY ROMANTIC AND
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BONUS, HE ALREADY KNOWS HOW IT
FEELS TO BE MARRIED.
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AND FINALLY, AUTHORITIES IN
ALASKA RECENTLY DISCOVERED THAT
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A BEAR BROKE INTO A PIZZA
DELIVERY MAN'S CAR WHILE HE WAS
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ASLEEP IN HIS HOME
EVEN CRAZIER, THE BEAR FINISHED
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HIS SHIFT.
THAT'S THE MONOLOGUE, EVERYBODY.
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WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
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THE ALWAYS FUNNY JEFF GOLDBLUM
WILL BE HERE TO TELL US ABOUT
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HIS SHOW, "THE WORLD ACCORDING
TO JEFF," PLUS, FROM "SCHITT'S
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CREEK," ANNIE MURPHY JOINS ME.
THAT SHOW GOT 15 EMMY
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NOMINATIONS INCLUDING ONE FOR
ANNIE.
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I'M SO EXCITED TO TALK TO HER
AND SAM JAY WILL BE HERE
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SHE'S AN "SNL" WRITER WITH A
GREAT NEW NETFLIX SPECIAL OUT
NOW, BUT FIRST ‐
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00:04:04,111 --> 00:04:05,979
DOWN
FOR AN INTERVIEW WITH AXIOS
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00:04:05,979 --> 00:04:10,884
RECENTLY WHERE HE SAID MANY
RIDICULOUS THINGS.
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00:04:10,884 --> 00:04:11,551
PERHAPS THE MOST RIDICULOUS,
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HOWEVER, WAS THIS COMMENT HE
MADE WHILE DISCUSSING THE LATE
CONGRESSMAN, JOHN LEWIS.
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>> NOBODY HAS DONE MORE FOR ‐‐
>> RIGHT
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>> ‐‐ BLACK AMERICANS THAN I
HAVE
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>> Seth: HERE TO TALK ABOUT IT
IS ONE OF OUR WRITERS,
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AMBER RUFFIN
>> HI, SETH.
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>> Seth: SO AMBER, WHAT DID YOU
THINK WHEN YOU HEARD
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DONALD TRUMP SAY, "NO ONE'S DONE
MORE FOR BLACK AMERICANS THAN I
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HAVE?"
>> I THINK HE'S CORRECT.
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>> Seth: YOU DON'T DISAGREE WITH
THAT STATEMENT
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>> WHY SHOULD I?
IT'S TRUE.
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♪
>> Seth: IT IS
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>> IT IS
>> Seth: HOW IS THAT POSSIBLE?
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I MEAN, WHAT HAS HE DONE
>> WHAT HAS TRUMP DONE FOR BLACK
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PEOPLE
WELL ‐
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♪
HE'S DONE THIS
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♪
HE'S DONE THAT
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♪
HE'S DONE THIS AND THIS AND
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00:04:54,060 --> 00:04:56,463
THIS
DON'T YOU FORGET ABOUT THAT.
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♪
>> Seth: BUT THOSE ARE ALL BAD
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00:05:03,470 --> 00:05:05,005
THINGS
>> HE DIDN'T SAY HE'S DONE GOOD
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THINGS FOR BLACK PEOPLE.
HE JUST SAID NO ONE HAS DONE
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00:05:07,507 --> 00:05:10,811
MORE, AND HE'S RIGHT
NO ONE HAS DONE MORE FOR BLACK
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AMERICANS, TO MAKE OUR LIVES
WORSE.
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00:05:13,213 --> 00:05:17,684
♪
HE'S DONE THIS
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♪
HE EVEN DID THIS
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♪
HE'S DONE THIS, AND THIS AND
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THIS
DON'T YOU FORGET ABOUT THAT.
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♪
>> Seth: WOW, THAT'S A LOT
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♪ AND THIS ♪
>> Seth: WOW, THAT'S MORE THAN A
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00:05:46,880 --> 00:05:50,684
LOT.
SO YOU DONE?
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>> HMM‐MM.
>> Seth: OKAY.
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♪
>> HE'S DONE THIS.
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♪
HE EVEN DID THIS
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00:06:01,394 --> 00:06:04,931
♪
HE'S DID THIS.
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00:06:04,931 --> 00:06:10,704
BUT MOST OF ALL, HE DID THIS
♪
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♪
♪
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♪
♪
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♪ THAT'S WHAT HE DID ♪
>> Seth: THANKS, AMBER
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WE'LL BE RIGHT BACK WITH MORE
"LATE NIGHT.
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♪
>> Seth: WELCOME BACK.
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WE'RE SO EXCITED THAT
FRED ARMISEN IS BACK ON DRUMS
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00:07:11,598 --> 00:07:15,735
THIS WEEK.
AND MARK YOUR CALENDAR, FOR
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00:07:15,735 --> 00:07:18,171
FRED'S NEW MOVIE "ALL TOGETHER
NOW," WHICH PREMIERES ON NETFLIX
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00:07:18,171 --> 00:07:20,674
AUGUST 28th.
I MISS YOU, FRED
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OUR FIRST GUEST TONIGHT IS AN
EMMY AND ACADEMY AWARD NOMINATED
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ACTOR AND MUSICIAN
YOU KNOW FROM THE "JURASSIC
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PARK" FRANCHISE AND "THOR:
RAGNAROK."
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00:07:31,551 --> 00:07:33,553
HE'S THE EXECUTIVE PRODUCER AND
HOST OF THE DISNEY PLUS SHOW
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00:07:33,553 --> 00:07:34,788
"THE WORLD ACCORDING TO
JEFF GOLDBLUM," WHICH WAS
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00:07:34,788 --> 00:07:38,058
RECENTLY NOMINATED FOR AN EMMY
HERE'S MY CONVERSATION WITH
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JEFF GOLDBLUM.
JEFF, WONDERFUL TO SEE YOU
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00:07:40,660 --> 00:07:43,530
HOW ARE YOU?
>> IT'S VERY WONDERFUL TO SEE
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00:07:43,530 --> 00:07:47,267
YOU, SETH.
I AM GOOD, EVERYTHING
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CONSIDERED, YOU KNOW
MY HEART GOES OUT TO ALL THOSE
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WHO ARE NOT SO FORTUNATE, OF
COURSE
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>> Seth: BUT YOU ARE ‐
>> BUT NOW, WE'RE OKAY
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I'M HERE WITH MY FAMILY IN
ENGLAND.
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WE'RE SHOOTING THAT "JURASSIC
WORLD" MOVIE
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00:08:01,014 --> 00:08:02,449
AND THEY'VE PUT THEIR HEART AND
SOUL INTO THE PROTOCOLS, AND
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00:08:02,449 --> 00:08:07,120
WE'RE SAFE AND HAVING A CREATIVE
BLAST, YOU KNOW.
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00:08:07,120 --> 00:08:09,856
>> Seth: THAT'S REALLY NICE.
YOU WERE ONE OF THE FIRST
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PRODUCTIONS TO GO BACK, THE NEW
JURASSIC PARK FILM
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00:08:11,925 --> 00:08:15,562
AND I THINK ONE OF THE THINGS
THAT WAS NICE, WAS NOT JUST THE
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00:08:15,562 --> 00:08:17,063
SAFETY PROTOCOLS YOU WERE
TALKING ABOUT, BUT THIS IS THE
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00:08:17,063 --> 00:08:19,399
FIRST TIME THAT YOU AND
SAM NEILL AND LAURA DERN HAVE
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00:08:19,399 --> 00:08:21,868
BEEN TOGETHER FOR 30 YEARS,
CORRECT?
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00:08:21,868 --> 00:08:24,838
>> YES, YES, THAT'S RIGHT.
OUR CHARACTERS, CERTAINLY.
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OH, WE'VE BEEN IN TOUCH HERE AND
THERE.
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>> Seth: YEAH.
>> BUT, THAT'S RIGHT
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OUR CHARACTERS, SAM NEILL'S
CHARACTER AND LAURA DERN, WE'RE
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00:08:35,081 --> 00:08:36,683
BACK TOGETHER.
COLIN TREVORROW, GREAT
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WRITER/DIRECTOR.
HE'S DIRECTING IT.
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HE'S FANTASTIC, BUT OF COURSE,
CHRIS PRATT IS IN IT
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00:08:40,787 --> 00:08:44,958
BRYCE DALLAS HOWARD AND
MAMOUDOU ATHIE, DeWANDA WISE,
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BD WONG, JUSTICE SMITH
IT'S A WHOLE COTERIE OF
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00:08:48,328 --> 00:08:50,730
LUMINARIES
[ LAUGHTER ]
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00:08:50,730 --> 00:08:54,034
>> Seth: HOW DO YOUR CHILDREN ‐‐
I KNOW WE HAVE KIDS THAT ARE
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00:08:54,034 --> 00:08:56,636
SIMILAR AGE.
ARE THEY ENJOYING ENGLAND SO
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00:08:56,636 --> 00:08:59,172
FAR?
>> WELL, THEY ARE.
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00:08:59,172 --> 00:09:01,241
THEY ARE
WE'RE JUST ‐‐ OF COURSE, WE HAVE
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00:09:01,241 --> 00:09:04,844
A VERY SPECIAL VIEW OF IT RIGHT
HERE, BUT THIS IS A GREAT PLACE.
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00:09:04,844 --> 00:09:09,349
THEY LOVE IT
I'M AROUND ALL THE TIME.
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00:09:09,349 --> 00:09:11,751
>> Seth: YEAH.
>> AND EMILY'S MOM IS HERE,
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00:09:11,751 --> 00:09:13,920
ACTUALLY
AND SO WE'VE GOT LOTS OF ‐‐ IT'S
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00:09:13,920 --> 00:09:17,290
VERY COZY, AND THEY'RE HAVING A
GOOD TIME.
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00:09:17,290 --> 00:09:19,059
THEY'RE DOING ALL KIND OF ‐‐
THEY'RE JUST ‐‐ THEY'RE LOVING
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00:09:19,059 --> 00:09:22,896
IT
THEY FEED THE DUCKS.
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00:09:22,896 --> 00:09:25,965
THEY TOUCH COWS.
THEY WERE KIND OF ‐‐
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00:09:25,965 --> 00:09:28,902
THEY FEED DONKEYS.
THEY'RE GOOD
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00:09:28,902 --> 00:09:30,970
>> Seth: WELL, THAT'S WONDERFUL
TO HEAR.
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00:09:30,970 --> 00:09:32,272
>> I HAVE A PIANO IN MY ROOM AND
CHARLIE IS TAKING PIANO LESSONS,
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00:09:32,272 --> 00:09:36,876
HAD BEEN, BUT I'M TAKING HIM
THROUGH ‐‐
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00:09:36,876 --> 00:09:39,612
NOT ONLY DO I DO MY PIANO
HOMEWORK, BUT TAKING HIM THROUGH
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00:09:39,612 --> 00:09:42,782
HIS SUZUKI LESSON EVERY DAY.
HE'S PROCEEDING TODAY.
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00:09:42,782 --> 00:09:45,285
>> Seth: AND NOW TELL ME, HOW
YOUNG WERE YOU WHEN YOU STARTED?
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00:09:45,285 --> 00:09:48,788
WHEN YOU GOT YOUR FIRST LESSON
>> I THINK AS I REMEMBERED,
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00:09:48,788 --> 00:09:52,058
TEN‐ISH OR NINE‐ISH, OR TEN‐ISH.
HE'S, FOR HEAVEN'S SAKES, FIVE
174
00:09:52,058 --> 00:09:53,827
HE'S WAY AHEAD OF ME, NOT TO
MENTION THE BICYCLE.
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00:09:53,827 --> 00:09:55,228
I THINK AROUND THE SAME TIME,
TEN.
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00:09:55,228 --> 00:09:59,632
I STARTED GET ON THE BIKE.
HE'S WHIZZING AROUND, YOU KNOW
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00:09:59,632 --> 00:10:03,002
>> Seth: AND IS HE TAKING THE
PIANO?
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00:10:03,002 --> 00:10:04,304
DO YOU FEEL LIKE HE HAS A
NATURAL SKILL FOR IT
179
00:10:04,304 --> 00:10:07,707
>> WELL, WHO KNOWS
I DON'T THINK HE'S ANY MOZART,
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00:10:07,707 --> 00:10:09,109
BUT THERE'S NO INDICATION OF
THAT YET
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00:10:09,109 --> 00:10:11,077
BUT HE'S KIND OF LIKE ME,
DISCIPLINED.
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00:10:11,077 --> 00:10:13,613
I MIX AROUND ALL THE TIME AND HE
SEES ME PLAYING ALL THE TIME, SO
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00:10:13,613 --> 00:10:17,217
HE LIKES TO CHECK IN
WE GO THROUGH THE STUFF AND I'LL
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00:10:17,217 --> 00:10:21,020
BE DARNED IF HE ISN'T, YOU KNOW,
PLAYING A BUNCH OF STUFF
185
00:10:21,020 --> 00:10:23,756
YOU KNOW, IT'S THRILLING FOR ME.
>> Seth: THAT'S AMAZING.
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00:10:23,756 --> 00:10:25,525
>> IT'S SOMETIMES MADDENING FOR
ME TOO
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00:10:25,525 --> 00:10:28,261
I'M VERY KIND OF, AROUND PIANO,
I GET KIND OF, YOU KNOW, I'M NOT
188
00:10:28,261 --> 00:10:31,231
LIKE THE FATHER IN SHINE
I'M NOT, YOU KNOW, A MANIAC.
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00:10:31,231 --> 00:10:37,437
I'M NOT GOING TO ‐‐ BUT I'M, YOU
KNOW, FOCUSED NOW.
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00:10:37,437 --> 00:10:40,273
I WANT TO BE FOCUSED, A LITTLE
TOUGH, BUT YOU KNOW, I THINK
191
00:10:40,273 --> 00:10:44,310
IT'S GOOD.
HE'S TAKING TO IT.
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00:10:44,310 --> 00:10:46,179
YEAH, HE'S DOING OKAY.
THE OTHER ONE ‐‐ THE OTHER ONE
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00:10:46,179 --> 00:10:50,450
IS TAKING A LITTLE LESSONS
RIVER IS TAKING LESSONS,
194
00:10:50,450 --> 00:10:53,620
HORRIBLE, HORRIBLE
HE COMES IN AND ALL I'M SUPPOSED
195
00:10:53,620 --> 00:10:56,689
TO DO IS IF HE DOESN'T DO IT,
WHICH HE DOESN'T, IS TAKE HIS
196
00:10:56,689 --> 00:10:58,758
FINGERS LIKE A PUPPET AND PUSH
THEM AGAINST THE THING
197
00:10:58,758 --> 00:11:02,128
I PLAY "TWINKLE TWINKLE LITTLE
STAR" EVERY DAY WITH HIS RIGHT
198
00:11:02,128 --> 00:11:05,465
HAND, HIS LEFT HAND, AS HE'S
MOANING AND STUFF, AND I JUST
199
00:11:05,465 --> 00:11:08,368
KIND OF DO IT.
[ LAUGHTER ]
200
00:11:08,368 --> 00:11:10,570
YOU HAVE TO SAY, "DO IT QUICK,
QUICK AS YOU CAN."
201
00:11:10,570 --> 00:11:12,105
BECAUSE AFTERWARDS, WE GIVE HIM
GUMMY BEARS.
202
00:11:12,105 --> 00:11:13,406
SO THAT'S A ‐‐
>> Seth: OH, WELL, THERE YOU GO.
203
00:11:13,406 --> 00:11:15,175
YOU HAVE TO REWARD THEM SOMEHOW.
I'D ALSO LIKE TO SAY, YOU'VE
204
00:11:15,175 --> 00:11:17,544
BEEN DOING THIS SHOW ‐
YOU KNOW, WE'VE DONE MORE THAN A
205
00:11:17,544 --> 00:11:19,746
THOUSAND OF THESE AND YOU'RE THE
FIRST PERSON TO REFERENCE THE
206
00:11:19,746 --> 00:11:23,683
FATHER IN SHINE.
AND I REALLY APPRECIATE BECAUSE
207
00:11:23,683 --> 00:11:26,019
I FEEL LIKE THAT'S A CALL TO A
REFERENCE WE'VE LOST OVER THE
208
00:11:26,019 --> 00:11:27,820
YEARS.
>> OH, YEAH.
209
00:11:27,820 --> 00:11:31,324
NO, WE HAVE TO APPEAL TO THE
KIDS
210
00:11:31,324 --> 00:11:32,192
THEY LOVE THAT SHINE STUFF
[ LAUGHTER ]
211
00:11:32,192 --> 00:11:33,626
YEAH, CALL ME A PANDERER, BUT I
DON'T CARE
212
00:11:33,626 --> 00:11:36,496
>> Seth: YEAH, YOU LIKE TO PLAY
TO YOUR TEEN BASE.
213
00:11:36,496 --> 00:11:39,999
HEY, I WANT TO ASK ABOUT THIS.
I IMAGINE ONE OF THE THINGS,
214
00:11:39,999 --> 00:11:42,368
AGAIN, IT WAS GROUND BREAKING
TECH IN THE FIRST "JURASSIC
215
00:11:42,368 --> 00:11:45,872
PARK" FILM THAT NOW MUST SEEM
INCREDIBLY DATED, AND I THINK
216
00:11:45,872 --> 00:11:48,274
YOU MUST LOOK BACK
THEY WERE ACTUALLY PRETTY
217
00:11:48,274 --> 00:11:53,179
DANGEROUS, THE EARLY T‐REXES,
YES?
218
00:11:53,179 --> 00:11:54,280
>> I KNOW WHAT YOU'RE TALKING
ABOUT.
219
00:11:54,280 --> 00:11:56,816
WELL, NOT REALLY
THERE'S NO SUCH THING AS
220
00:11:56,816 --> 00:11:58,117
DINOSAURS.
[ LAUGHTER ]
221
00:11:58,117 --> 00:12:00,753
BUT YES, IT WAS DANGEROUS BACK
THEN
222
00:12:00,753 --> 00:12:02,388
THE ‐‐
[ LAUGHTER ]
223
00:12:02,388 --> 00:12:03,790
I HATE TO BE THE ONE TO BREAK IT
TO YOU, YOU KNOW
224
00:12:03,790 --> 00:12:06,526
>> Seth: NO, SOMEBODY HAD TO
>> YEAH, THERE'S NO EASTER BUNNY
225
00:12:06,526 --> 00:12:08,928
EITHER
NO EASTER BUNNY.
226
00:12:08,928 --> 00:12:11,497
>> Seth: AH, MAN
>> BUT YEAH, IN THE FIRST ONE,
227
00:12:11,497 --> 00:12:13,900
STEVEN SPIELBERG, IF I CAN
INVOKE HIS NAME, WAS OFF THE
228
00:12:13,900 --> 00:12:18,871
SCREEN GOING, "RAWRRR.
EVERYBODY LOOK AT THE TENNIS
229
00:12:18,871 --> 00:12:22,175
BALL
RAWRRR."
230
00:12:22,175 --> 00:12:25,979
IN THIS ONE, YOU KNOW, THEY HAVE
SOUND EFFECTS, YOU HEAD
231
00:12:25,979 --> 00:12:30,583
DINOSAURS.
AND THEY'VE GOT THE BIG
232
00:12:30,583 --> 00:12:34,420
DINOSAURS AND IT'S GREAT, YOU
KNOW
233
00:12:34,420 --> 00:12:36,489
BUT, STAN WINSTON HAD BACK THEN
WON THE OSCAR FOR THE ‐‐ WHAT HE
234
00:12:36,489 --> 00:12:37,590
DID.
BUT THEY WERE NEW, THEY WERE
235
00:12:37,590 --> 00:12:38,725
GROUND BREAKING AND ON AN
OCCASION, THERE WAS T‐REX THAT
236
00:12:38,725 --> 00:12:41,294
WAS LIFE SIZE THAT WHEN YOU WENT
INTO THE SOUND STAGE THEY SAID,
237
00:12:41,294 --> 00:12:44,264
AND "DON'T GO ANYWHERE NEAR IT
BECAUSE IT CAN GET KIND OF
238
00:12:44,264 --> 00:12:45,698
MORBID AND WE'RE STILL TRYING TO
FIGURE OUT HOW TO OPERATE IT."
239
00:12:45,698 --> 00:12:47,066
SO IT CAN GO INTO UNEXPECTED
COMPULSIONS AND DROP ON YOU OR
240
00:12:47,066 --> 00:12:49,168
ATTACK YOU, OR ‐
YOU KNOW, WE DIDN'T WANT TO GET
241
00:12:49,168 --> 00:12:52,238
KILLED BY THE FAKE T‐REX
SO, YOU KNOW
242
00:12:52,238 --> 00:12:54,407
>> Seth: OH, YEAH.
THAT WOULD HAVE BEEN ‐‐
243
00:12:54,407 --> 00:12:55,642
CERTAINLY WOULD HAVE MADE THE
PRESS JUNKET A LOT HARDER IF ONE
244
00:12:55,642 --> 00:12:57,277
OF YOU HAD DIED VIA THE
MECHANICAL T‐REX
245
00:12:57,277 --> 00:13:02,081
>> IT WOULD HAVE BEEN ‐‐
IT WOULD HAVE BEEN DARK DAYS
246
00:13:02,081 --> 00:13:13,067
>> Seth: WE'LL BE BACK WITH MORE
JEFF GOLDBLUM.
247
00:13:16,227 --> 00:13:27,240
♪
>> Seth: HERE'S MORE OF MY
CONVERSATION WITH JEFF GOLDBLUM.
248
00:13:29,876 --> 00:13:31,878
JEFF GOLDBLUM.
WE TALKED ABOUT IT LAST TIME
249
00:13:31,878 --> 00:13:35,682
HERE, THIS IS YOU EXPLORING
TOPICS THAT YOU WERE NOT AN
250
00:13:35,682 --> 00:13:40,820
EXPERT IN BEFORE AN EPISODE
WOULD TAKE THEM INTO ACCOUNT
251
00:13:40,820 --> 00:13:43,856
I KNOW YOU HAD TO CUT SHORT YOUR
SECOND SEASON, BUT ARE THERE
252
00:13:43,856 --> 00:13:47,260
THINGS WHILE YOU'VE BEEN IN
QUARANTINE THAT YOU THOUGHT,
253
00:13:47,260 --> 00:13:48,861
"OH, I'D REALLY LIKE TO ‐‐
MOVING ON, I'D LOVE TO EXPLORE
254
00:13:48,861 --> 00:13:54,167
THIS?"
>> YES
255
00:13:54,167 --> 00:13:56,235
WE'RE ALL TALKING.
WE WERE EXCITED ABOUT DOING IT
256
00:13:56,235 --> 00:14:00,373
WE LOVE WHAT WE DID THE FIRST
TIME, AND SORT OF
257
00:14:00,373 --> 00:14:05,511
COINCIDENTALLY, THE THEME
BECAME, THE FIRST SEASON,
258
00:14:05,511 --> 00:14:08,514
OBJECTS THAT WE ALL LOVE AND
THAT BRING US TOGETHER AROUND
259
00:14:08,514 --> 00:14:12,852
WHICH WE HAVE A CONNECTION
YOU KNOW, RVs AND, YOU KNOW,
260
00:14:12,852 --> 00:14:16,556
BARBECUES AND DENIM AND JEWELRY
AND COSMETICS AND POOLS AND ALL
261
00:14:16,556 --> 00:14:19,459
THAT
SO WE'RE SORT OF SET OFF IN AN
262
00:14:19,459 --> 00:14:22,562
AREA THAT MIGHT ADAPT TO THE NEW
CHANGING AND CHANGED WORLD, BUT
263
00:14:22,562 --> 00:14:28,267
WE'RE ALSO THINKING, FEVERISHLY,
ABOUT WHAT COULD EVEN MORE
264
00:14:28,267 --> 00:14:33,072
RELEVANTLY, AND INTERESTINGLY BE
TALKED ABOUT THIS YEAR
265
00:14:33,072 --> 00:14:37,643
WE HAD STARTED WITH FIREWORKS.
WHICH WAS ANOTHER THING THAT,
266
00:14:37,643 --> 00:14:41,714
YOU KNOW, HAD A LONG HISTORY IN
SCIENCE AND FUTURE AND BRINGS
267
00:14:41,714 --> 00:14:44,317
PEOPLE TOGETHER AND ALL THAT
>> Seth: SURE.
268
00:14:44,317 --> 00:14:50,323
>> AND IT SORT OF SET US OFF
INTO LEFT FIELD AREAS LIKE
269
00:14:50,323 --> 00:14:54,694
PEOPLE WHO LIVE IN THE DARKEST
PLACES, NEIGHBORHOODS IN AMERICA
270
00:14:54,694 --> 00:14:58,898
SO THAT THEY CAN SEE AT NIGHT.
AND THEY ALL HAVE GREAT BIG
271
00:14:58,898 --> 00:15:06,539
TELESCOPES IN THEIR BACKYARD AND
THEN WE TALKED TO AN ASTRONAUT
272
00:15:06,539 --> 00:15:10,576
WHO'D BEEN UP THERE AND SEEN THE
PLANET FROM AFAR AND BEEN CLOSE
273
00:15:10,576 --> 00:15:13,646
TO THE STARS
BECAUSE WE THOUGHT THAT
274
00:15:13,646 --> 00:15:18,217
FIREWORKS WERE POSSIBLY
DEPICTIONS, ANOTHER SORT OF
275
00:15:18,217 --> 00:15:19,986
ERSATZ WAY OF, YOU KNOW, FINDING
THE MYSTERY, MAJESTY AND POETRY
276
00:15:19,986 --> 00:15:22,588
AND AWESOMENESS OF WHERE WE ARE
IN THE UNIVERSE.
277
00:15:22,588 --> 00:15:26,659
ALL THAT KIND OF STUFF, AND
WE'RE TRYING TO IN THE SECOND
278
00:15:26,659 --> 00:15:27,860
SEASON IN THIS VEIN, KIND OF
EXPAND OUR INTELLECTUAL
279
00:15:27,860 --> 00:15:32,031
SUBSTANCE AND ALL THAT
WE HAVE PEOPLE ON THE TEAM TO
280
00:15:32,031 --> 00:15:35,601
HELP US DO THAT.
NOT ME, YOU KNOW, I'M AN EXPERT
281
00:15:35,601 --> 00:15:38,871
IN NOTHING
BUT I'M AN EAGER LEARNER
282
00:15:38,871 --> 00:15:40,740
>> Seth: YOU MENTIONED RVs
WHICH, YOU KNOW, RVs ARE HAVING
283
00:15:40,740 --> 00:15:44,010
A REAL HOT MOMENT RIGHT NOW.
YOU WERE SORT OF AT THE
284
00:15:44,010 --> 00:15:46,446
FOREFRONT OF THIS BECAUSE NOW
YOU COULDN'T GET AN RV IF YOU
285
00:15:46,446 --> 00:15:49,382
TRIED BECAUSE THIS IS THE SAFEST
WAY, I GUESS, TO HAVE A VACATION
286
00:15:49,382 --> 00:15:55,822
WITH YOUR FAMILY RIGHT NOW
>> I'M JUST LEARNING THAT, YES
287
00:15:55,822 --> 00:15:58,224
WE WERE, YOU KNOW, WE WENT TO
JAYCO, THE PEOPLE ‐‐ THE AMISH
288
00:15:58,224 --> 00:16:00,426
PEOPLE WHO PUT THEM ALL
TOGETHER, THESE STATE‐OF‐THE‐ART
289
00:16:00,426 --> 00:16:03,262
THINGS, AND TALKED ABOUT THE
HISTORY OF IT.
290
00:16:03,262 --> 00:16:06,566
BUT ‐‐ AND WENT TO THE FAMILY
WHO JUST ‐‐ THE DAD HAD TAKEN
291
00:16:06,566 --> 00:16:08,401
OFF WORK AND THEY ALL WENT
ACROSS THE COUNTRY
292
00:16:08,401 --> 00:16:11,571
YOU KNOW
AND WE'RE FINDING A BEAUTIFUL
293
00:16:11,571 --> 00:16:13,439
TIME TOGETHER, BUT NOW THAT THIS
LAST PERIOD OF TIME, THIS LAST
294
00:16:13,439 --> 00:16:17,477
UNFORTUNATE PERIOD OF TIME HAS
BEFALLEN US, YEAH.
295
00:16:17,477 --> 00:16:20,313
I GUESS PEOPLE ‐‐ I HADN'T
THOUGHT OF IT THAT MUCH.
296
00:16:20,313 --> 00:16:22,515
YEAH, THEY GET IT.
IT'S A WAY THAT YOU CAN, YOU
297
00:16:22,515 --> 00:16:24,484
KNOW, CLEAN UP YOUR OWN AREA
YOU DON'T HAVE TO RELY ON OTHER
298
00:16:24,484 --> 00:16:27,753
PEOPLE'S BATHROOMS AND STUFF,
SLEEP IN YOUR OWN BED BUT NOT BE
299
00:16:27,753 --> 00:16:30,389
COOPED UP, GET THE FAMILY UNDER
CONTROL.
300
00:16:30,389 --> 00:16:32,325
[ LAUGHTER ]
KEEP THEM ‐‐
301
00:16:32,325 --> 00:16:34,093
>> Seth: HAVE YOU ‐‐
>> ‐‐ AND MOVE AROUND.
302
00:16:34,093 --> 00:16:35,328
>> Seth: DID IT APPEAL TO YOU
WHEN YOU DID YOUR EPISODE ABOUT
303
00:16:35,328 --> 00:16:37,296
IT
DID YOU THINK, "OH, THIS IS
304
00:16:37,296 --> 00:16:41,968
SOMETHING THE GOLDBLUMS SHOULD
DO?"
305
00:16:41,968 --> 00:16:46,339
>> WELL, I'M A KIND OF ‐‐ I'M
NOT A BIG CAMPER
306
00:16:46,339 --> 00:16:48,941
AND IT FEELS A LITTLE ADJACENT
MENTALLY, CAMPING.
307
00:16:48,941 --> 00:16:50,376
>> Seth: YEAH, I AGREE WITH
THAT, I AGREE WITH THAT.
308
00:16:50,376 --> 00:16:53,980
>> YEAH, YEAH.
ALTHOUGH, THEY'RE VERY NICE.
309
00:16:53,980 --> 00:16:57,149
WE MET NICE PEOPLE AND IT'S ‐‐
YOU KNOW, IF I COULD CLONE
310
00:16:57,149 --> 00:16:59,452
MYSELF AND LIVE IN PARALLEL
UNIVERSES, YEAH, PART OF ME, I'D
311
00:16:59,452 --> 00:17:06,993
LOVE TO DO WHAT ALBERT BROOKS
DOES IN "LOST IN AMERICA" AND
312
00:17:06,993 --> 00:17:09,829
JUST GO ON THE ROAD AGAIN LIKE
THEY DO AND, YOU KNOW.
313
00:17:09,829 --> 00:17:12,798
>> Seth: YEAH, THAT'S TRUE
ONCE AGAIN, A REFERENCE FOR THE
314
00:17:12,798 --> 00:17:15,201
TEENS, ALBERT BROOKS' "LOST IN
AMERICA.
315
00:17:15,201 --> 00:17:19,005
A MOVIE THAT DID NOT REALLY
SERVE AS GREAT ADVERTISEMENT
316
00:17:19,005 --> 00:17:22,942
FOR ‐‐ AS CITY PEOPLE LIKE US
JOINING THE CAMPING LIFESTYLE.
317
00:17:22,942 --> 00:17:28,748
>> NO, NO.
'CAUSE NOWADAYS ‐‐ NO, YOU AND I
318
00:17:28,748 --> 00:17:32,251
ARE BOTH, YOU KNOW, URBANE
>> Seth: YES
319
00:17:32,251 --> 00:17:36,055
>> AUTHENTIC AND CONNECTED TO
THE EARTH.
320
00:17:36,055 --> 00:17:39,792
>> Seth: YES
I TRIED TO ‐‐ YEAH, I TRIED TO
321
00:17:39,792 --> 00:17:41,861
HAVE ONE FOOT IN EACH.
YOU KNOW, EACH BUCKET, IF
322
00:17:41,861 --> 00:17:43,162
POSSIBLE
>> AND YOU DO.
323
00:17:43,162 --> 00:17:47,033
YOU STRIDE THE EARTH IN SEVEN
LEAGUE BOOTS LIKE A COLOSSUS
324
00:17:47,033 --> 00:17:49,168
>> Seth: HEY, I WANT TO ASK
BEFORE WE GO, YOU KNOW, WE HAVE
325
00:17:49,168 --> 00:17:52,371
A VERY POLARIZING ADDITION TO
THE SHOW SINCE WE STARTED DOING
326
00:17:52,371 --> 00:17:55,541
THEM IN THIS LOCATION, WHICH IS
THE SEA CAPTAIN.
327
00:17:55,541 --> 00:18:00,446
ARE YOU PRO OR ANTI THE SEA
CAPTAIN?
328
00:18:00,446 --> 00:18:03,716
>> HERE'S WHAT I THINK,
HONESTLY
329
00:18:03,716 --> 00:18:07,119
I LOVE HIM
I LOVE HIM IN THE SET JUST
330
00:18:07,119 --> 00:18:11,490
AESTHETICALLY.
I LIKE THAT PARTICULAR PICTURE
331
00:18:11,490 --> 00:18:13,359
THAT OPERATION IS A LITTLE LIKE,
YOU KNOW, LIKE "CLUTCH CARGO."
332
00:18:13,359 --> 00:18:15,761
>> Seth: YEAH.
>> YOU KNOW.
333
00:18:15,761 --> 00:18:17,063
>> Seth: I THINK WOULD
DEFINITELY OWE A DEBT OF
334
00:18:17,063 --> 00:18:20,800
GRATITUDE TO "CLUTCH CARGO."
YES.
335
00:18:20,800 --> 00:18:21,901
>> I THINK THAT'S NICE
WHOEVER DOES THE VOICE IS VERY
336
00:18:21,901 --> 00:18:26,672
GOOD
IT COULD BE KITSCH BUT THE WAY
337
00:18:26,672 --> 00:18:28,774
YOU INCORPORATE IS, I THINK,
SOPHISTICATED AND ENTIRELY
338
00:18:28,774 --> 00:18:31,711
DELIGHTFUL
[ LAUGHTER ]
339
00:18:31,711 --> 00:18:34,146
SO IT GETS TEN GOLDBLUMS OUT OF
A POSSIBLE TEN GOLDBLUMS
340
00:18:34,146 --> 00:18:37,717
>> Seth: TEN OUT OF TEN.
WELL, THANK YOU VERY MUCH JEFF
341
00:18:37,717 --> 00:18:41,554
I'M SO HAPPY THAT YOU ARE HAPPY,
HEALTHY AND WORKING.
342
00:18:41,554 --> 00:18:45,224
WE SHOULD ALL BE SO LUCKY.
CAN'T WAIT TO SEE WHAT YOU ARE
343
00:18:45,224 --> 00:18:49,095
COMING UP WITH OVER THERE.
>> YOU ARE SO SWEET.
344
00:18:49,095 --> 00:18:50,796
THANK YOU.
I WISH YOU ALL THE BEST IN THE
345
00:18:50,796 --> 00:18:52,398
WORLD.
I'M GLAD TO SEE YOU'RE AS
346
00:18:52,398 --> 00:18:55,334
RADIANT AS EVER.
>> Seth: THANK YOU, JEFF
347
00:18:55,334 --> 00:18:58,838
WE'LL SEE YOU NEXT TIME.
>> THANK YOU, SETH, THANK YOU.
348
00:18:58,838 --> 00:19:00,039
>> Seth: WE'LL BE RIGHT BACK
WITH ANNIE MURPHY FROM "SCHITT'S
349
00:19:00,039 --> 00:19:00,851
CREEK.
♪
350
00:19:24,764 --> 00:19:27,967
>> Seth: OUR NEXT GUEST RECEIVED
AN EMMY NOMINATION FOR HER
351
00:19:27,967 --> 00:19:30,636
PORTRAYAL OF ALEXIS ROSE ON
POPTV'S CRITICALLY ACCLAIMED
352
00:19:30,636 --> 00:19:33,172
SERIES "SCHITT'S CREEK."
HERE'S MY CONVERSATION WITH
353
00:19:33,172 --> 00:19:34,540
ANNIE MURPHY
HI, ANNIE.
354
00:19:34,540 --> 00:19:36,108
HOW ARE YOU?
>> HI, SETH.
355
00:19:36,108 --> 00:19:38,744
I AM DOING JUST FINE
HOW ARE YOU DOING?
356
00:19:38,744 --> 00:19:41,147
>> Seth: I'M DOING WELL.
IT'S REALLY NICE TO MEET YOU
357
00:19:41,147 --> 00:19:44,216
I WISH IT WAS IN PERSON.
BUT I WAS TALKING TO YOUR
358
00:19:44,216 --> 00:19:48,254
CO‐STAR DAN LEVY AND HE WAS
SAYING THAT REALLY, IT'S THE
359
00:19:48,254 --> 00:19:50,556
MOST FITTING OUTCOME THAT THE
YEAR "SCHITT'S CREEK" GETS
360
00:19:50,556 --> 00:19:56,562
15 NOMINATIONS
IT WILL BE A VIRTUAL EMMYS
361
00:19:56,562 --> 00:19:57,530
BECAUSE WE'RE IN THE MIDDLE OF A
PANDEMIC
362
00:19:57,530 --> 00:19:58,898
>> PRECISELY
I COULDN'T AGREE WITH HIM MORE
363
00:19:58,898 --> 00:20:03,002
[ LAUGHTER ]
>> Seth: IT MUST HAVE BEEN, YOU
364
00:20:03,002 --> 00:20:06,939
KNOW, YOUR SHOW TOOK THIS, I
FEEL LIKE HAD THIS CRAZY ARC
365
00:20:06,939 --> 00:20:09,341
ISN'T EVEN THE RIGHT WORD
BECAUSE IT KEPT GOING UP
366
00:20:09,341 --> 00:20:13,179
WHICH IS, IT WAS A SHOW NOT A
LOT OF PEOPLE SAW AND THEN IT
367
00:20:13,179 --> 00:20:15,247
WAS THIS BUILDING SORT OF CULT
FEELING ABOUT IT AND THEN ALL OF
368
00:20:15,247 --> 00:20:18,417
A SUDDEN, IN ITS FINAL YEAR,
IT'S AN EMMY DARLING
369
00:20:18,417 --> 00:20:21,253
WHAT A FUN RUN THAT MUST HAVE
BEEN FOR YOU
370
00:20:21,253 --> 00:20:25,091
>> IT'S BEEN SO WILD BECAUSE
WHEN WE STARTED OUT, IT WAS
371
00:20:25,091 --> 00:20:28,027
REALLY JUST THIS LITTLE SHOW ON
THE CBC IN CANADA AND WE SHOT,
372
00:20:28,027 --> 00:20:32,665
YOU KNOW, IN TORONTO
AND THEN WE GO UP NORTH
373
00:20:32,665 --> 00:20:36,035
45 MINUTES AND SHOOT IN THIS
LITTLE TOWN CALLED
374
00:20:36,035 --> 00:20:39,205
GOODWOOD, ONTARIO.
[ LAUGHTER ]
375
00:20:39,205 --> 00:20:41,707
>> Seth: THAT'S HILARIOUS.
>> HOLD ON TO THAT FOR A SECOND.
376
00:20:41,707 --> 00:20:45,845
SO YEAH, IT FELT REALLY SMALL
AND INSULAR.
377
00:20:45,845 --> 00:20:51,450
AND SO TO HAVE IT BE WHERE IT IS
NOW IS, IT'S PRETTY WONDERFUL.
378
00:20:51,450 --> 00:20:54,153
>> Seth: IS IT TRUE THAT YOU
FELT NOSTALGIC AND MAKE A TRIP
379
00:20:54,153 --> 00:20:56,889
BACK TO GOODWOOD RECENTLY?
>> YEP, YEP.
380
00:20:56,889 --> 00:21:02,161
[ LAUGHTER ]
IT IS NOT MY FINEST MOMENT, I
381
00:21:02,161 --> 00:21:06,132
WOULD SAY.
I WAS GETTING A LITTLE STIR
382
00:21:06,132 --> 00:21:08,501
CRAZY AND NOSTALGIC, AND I WAS
LIKE, I WANT TO TAKE A LITTLE
383
00:21:08,501 --> 00:21:10,569
DRIVE.
I'M GO TO GO TO GOODWOOD
384
00:21:10,569 --> 00:21:12,972
AND THEY HAVE THESE, THERE'S A
BAKERY IN GOODWOOD CALLED
385
00:21:12,972 --> 00:21:16,575
ANNINA'S, WHICH IS THE BEST
BAKERY AND THEY HAVE ‐‐ DO YOU
386
00:21:16,575 --> 00:21:18,778
GUYS HAVE BUTTER TARTS IN
AMERICA?
387
00:21:18,778 --> 00:21:21,480
>> Seth: NO, I'VE NEVER HEARD OF
A BUTTER TART.
388
00:21:21,480 --> 00:21:24,383
>> OKAY, A BUTTER TART IS JUST
THAT, A BUTTER TART, BUT WITH
389
00:21:24,383 --> 00:21:27,086
BROWN SUGAR.
AND ANYWAY, IT'S DELICIOUS
390
00:21:27,086 --> 00:21:29,188
>> Seth: YEAH.
>> SO I WAS LIKE, I'M GOING TO
391
00:21:29,188 --> 00:21:30,256
GO GET A BUTTER TART AND WALK
AROUND AND ‐
392
00:21:30,256 --> 00:21:34,827
SO I DID THAT, AND I WAS
STROLLING AROUND THE STREETS OF
393
00:21:34,827 --> 00:21:37,897
GOODWOOD, AND THIS CAR OF LADIES
PULLS UP TO ME AND THEY'RE LIKE,
394
00:21:37,897 --> 00:21:45,104
"ALEXIS?
I WAS LIKE
395
00:21:45,104 --> 00:21:48,607
[ LAUGHTER ]
"WHAT ARE YOU DOING HERE?"
396
00:21:48,607 --> 00:21:51,677
LIKE THEY HAVE ‐‐ BECAUSE
GOODWOOD, I GUESS, HAS BECOME A
397
00:21:51,677 --> 00:21:55,481
BIT OF A HOT SPOT FOR TOURISTS
NOW.
398
00:21:55,481 --> 00:21:59,418
>> Seth: SURE.
>> BUT THEY HAD DRIVEN THREE
399
00:21:59,418 --> 00:22:01,821
HOURS TO COME AND TAKE PICTURES
OF GOODWOOD AND THERE I WAS JUST
400
00:22:01,821 --> 00:22:06,425
WANDERING THE STREETS LIKE A
MANIAC
401
00:22:06,425 --> 00:22:10,696
AND THEN LITERALLY, THREE DAYS
LATER, THE SHOW "SCHITT'S CREEK"
402
00:22:10,696 --> 00:22:15,067
POSTED ON SOCIALS.
"PLEASE, PEOPLE, STOP GOING TO
403
00:22:15,067 --> 00:22:17,803
GOODWOOD
THERE IS A PANDEMIC.
404
00:22:17,803 --> 00:22:21,273
EVERYONE NEEDS TO CALM."
AND I WAS LIKE
405
00:22:21,273 --> 00:22:25,444
[ LAUGHTER ]
>> Seth: IT IS REALLY FUNNY
406
00:22:25,444 --> 00:22:27,746
BECAUSE OF COURSE THE LAST ‐‐ I
MEAN, YOU MIGHT EXPECT TO SEE,
407
00:22:27,746 --> 00:22:32,117
LIKE, AN ANNIE LOOK‐ALIKE THAT
THE TOWN HIRED FOR THE PURPOSE
408
00:22:32,117 --> 00:22:35,054
OF TOURISTS, BUT TO GET THE REAL
THING JUST WANDERING AROUND.
409
00:22:35,054 --> 00:22:38,023
[ LAUGHTER ]
>> NOW I THINK THAT THEY THINK
410
00:22:38,023 --> 00:22:40,726
THAT I JUST GO THERE EVERY DAY
JUST TO WAIT FOR PEOPLE TO COME
411
00:22:40,726 --> 00:22:46,665
AND TAKE MY PICTURE.
>> Seth: TO RECOGNIZE YOU, SURE.
412
00:22:46,665 --> 00:22:48,634
THIS IS SOMETHING ELSE THAT'S A
LITTLE BIT EMBARRASSING, BUT
413
00:22:48,634 --> 00:22:51,570
AGAIN, THIS IS SOMETHING YOU
MADE THE MISTAKE OF SHARING WITH
414
00:22:51,570 --> 00:22:55,708
THE WORLD, WHICH IS THAT WHEN
YOU FOUND OUT YOU WERE NOMINATED
415
00:22:55,708 --> 00:22:57,176
FOR AN EMMY, THIS IS GOING
AROUND, YOU CHOKED ON BACON.
416
00:22:57,176 --> 00:22:59,445
[ LAUGHTER ]
WHICH IS, BY THE WAY, THE WAY I
417
00:22:59,445 --> 00:23:00,579
WOULD IMAGINE ALL CANADIAN
ACTORS FINDING OUT ABOUT EMMY
418
00:23:00,579 --> 00:23:03,249
NOMINATIONS, JUST CHOKING ON
BACON.
419
00:23:03,249 --> 00:23:05,351
[ LAUGHTER ]
>> IT WAS ONE OF THE THINGS THAT
420
00:23:05,351 --> 00:23:07,419
LIKE AS I WAS SAYING IT, I WAS
LIKE, DON'T SAY THIS OUT LOUD TO
421
00:23:07,419 --> 00:23:10,155
SOMEBODY
BUT YEAH, I WAS SITTING ON THE
422
00:23:10,155 --> 00:23:12,758
FLOOR EATING PANCAKES, AS ONE
DOES
423
00:23:12,758 --> 00:23:17,363
[ LAUGHTER ]
GOT THE NEWS AND INHALED OR
424
00:23:17,363 --> 00:23:21,867
EXHALED IN A POOR WAY AND YEAH,
AND THAT'S HOW I RUNG IN THE
425
00:23:21,867 --> 00:23:30,276
NEWS WAS CHOKING ON BACON.
[ LAUGHTER ]
426
00:23:30,276 --> 00:23:32,544
>> Seth: WHAT, I CAN'T EVEN
IMAGINE WHAT IT WAS LIKE TO HAVE
427
00:23:32,544 --> 00:23:34,647
BOTH COMEDY ROYALTY AND CANADIAN
ROYALTY IN EUGENE LEVY AND
428
00:23:34,647 --> 00:23:38,250
CATHERINE O'HARA AS YOUR
PARENTS.
429
00:23:38,250 --> 00:23:40,419
WHAT WAS IT LIKE WHEN YOU FIRST
STARTED WORKING WITH THEM?
430
00:23:40,419 --> 00:23:41,954
I MEAN, OBVIOUSLY, THE SCRIPTS
ARE SO FUNNY, BUT YOU KNOW, THEY
431
00:23:41,954 --> 00:23:43,923
ELEVATED SO MUCH BY BEING THE
KIND OF PERFORMERS THEY WERE
432
00:23:43,923 --> 00:23:46,225
WAS IT INTIMIDATING OR WAS IT
JUST AMAZING FROM THE START?
433
00:23:46,225 --> 00:23:48,294
>> UH, BOTH.
>> Seth: YEAH.
434
00:23:48,294 --> 00:23:54,233
>> I'M GOING TO SAY BOTH
THEY ARE ‐‐ THEY HAVE BEEN MY
435
00:23:54,233 --> 00:23:59,338
IDOLS FOR SO MANY YEARS AND WHEN
I FOUND OUT I GOT THE JOB,
436
00:23:59,338 --> 00:24:06,445
BECAUSE I HADN'T WORKED FOR SO
LONG, TEEMED WITH THE FACT THAT
437
00:24:06,445 --> 00:24:09,748
LIKE, IT WAS MY DREAM JOB THAT I
BOOKED
438
00:24:09,748 --> 00:24:14,119
I WAS KIND OF FLOATING ON THIS
HIGH THAT I HAD A JOB AND I WAS
439
00:24:14,119 --> 00:24:16,422
GOING TO BE WORKING WITH EUGENE
AND CATHERINE, BUT I DIDN'T
440
00:24:16,422 --> 00:24:20,993
REALLY REALIZE UNTIL A COUPLE OF
DAYS BEFORE WHEN A FRIEND WAS
441
00:24:20,993 --> 00:24:25,064
LIKE, "HEY, YOU HAVE TO NOW ACT
WITH EUGENE LEVY AND
442
00:24:25,064 --> 00:24:28,968
CHATHERINE O'HARA.
[ LAUGHTER ]
443
00:24:28,968 --> 00:24:31,937
AND I WAS LIKE, "OH, NO.
OH, NO, NO, NO."
444
00:24:31,937 --> 00:24:35,240
AND IT REALLY DAWNED ON ME AND I
HAD A BIT OF A ‐‐ A BIT OF
445
00:24:35,240 --> 00:24:38,711
MOMENT AND WAS TERRIFIED GOING
IN THE FIRST DAY
446
00:24:38,711 --> 00:24:43,082
I WAS SO NERVOUS
BUT LUCKILY, DAN LEVY WAS
447
00:24:43,082 --> 00:24:47,553
EQUALLY GREEN AND HE WAS NERVOUS
TOO.
448
00:24:47,553 --> 00:24:50,723
AND SO WE KIND OF WENT IN
TREMBLING TOGETHER AND GOT THE
449
00:24:50,723 --> 00:24:57,730
FIRST FEW TAKES OUT OF THE WAY
AND THEN EUGENE AND CATHERINE
450
00:24:57,730 --> 00:25:00,265
BEING WHO THEY ARE, IT NEVER
FELT LIKE WE WERE THE NEW
451
00:25:00,265 --> 00:25:05,070
INEXPERIENCED KIDS THAT WE WERE.
IT WAS SO WARM AND AWESOME AND
452
00:25:05,070 --> 00:25:08,774
THEY COULDN'T HAVE BEEN MORE
LOVELY
453
00:25:08,774 --> 00:25:11,276
SO ‐
>> Seth: I WAS TALKING TO DAN
454
00:25:11,276 --> 00:25:14,013
ABOUT THIS
YOU KNOW, SIX YEARS AGO, HE AND
455
00:25:14,013 --> 00:25:16,648
EUGENE CAME ON TO PROMOTE THE
PREMIERE OF "SCHITT'S CREEK" AND
456
00:25:16,648 --> 00:25:20,586
AT THE TIME, I THINK THE ONLY
THING ANYONE KNEW ABOUT THE SHOW
457
00:25:20,586 --> 00:25:26,025
WAS THE CHOICE THAT THEY HAD
MADE WITH THE NAME AND IT WAS
458
00:25:26,025 --> 00:25:27,693
REALLY FUN
ONE, THEY OBVIOUSLY, YOU KNOW,
459
00:25:27,693 --> 00:25:31,063
THE SECRET'S OUT THEY HAVE A
VERY LOVING FATHER/SON
460
00:25:31,063 --> 00:25:33,499
RELATIONSHIP, BUT YOU ACTUALLY
IN THE CITY DOING PRESS AND I'VE
461
00:25:33,499 --> 00:25:35,567
HEARD THAT YOU ACTUALLY WENT
BACK ‐‐ YOU WENT TO THEIR HOTEL
462
00:25:35,567 --> 00:25:39,471
ROOM TO WATCH IT AIR, WHICH IS
PROBABLY PRETTY LATE AT NIGHT.
463
00:25:39,471 --> 00:25:42,107
>> I DID, AND IT WAS
I CAN STAY UP LATE
464
00:25:42,107 --> 00:25:44,610
[ LAUGHTER ]
YEAH, SO THAT WAS ONE OF MY VERY
465
00:25:44,610 --> 00:25:46,912
FIRST OF MANY, BUT VERY FIRST
MOMENTS OF WHAT IS MY LIFE RIGHT
466
00:25:46,912 --> 00:25:56,855
NOW.
BECAUSE I WAS IN NEW YORK CITY
467
00:25:56,855 --> 00:26:00,592
FOR PRESS AND THEY PUT US UP AT
THE WALDORF HOTEL AND WE'D JUST
468
00:26:00,592 --> 00:26:04,730
GONE OUT FOR THIS BEAUTIFUL
STEAK DINNER AND THERE WAS A
469
00:26:04,730 --> 00:26:06,298
SNOWSTORM.
AND I WAS LIKE, I WAS CRAWLING
470
00:26:06,298 --> 00:26:09,101
INTO BED AND I GOT A CALL FROM
DAN BEING LIKE, "WE'RE GOING TO
471
00:26:09,101 --> 00:26:12,604
WATCH SETH MEYERS.
COME ON UP AND GIVE ME YOUR ROOM
472
00:26:12,604 --> 00:26:16,642
NUMBER."
AND SO, I PULLED ON MY CRUMPLED
473
00:26:16,642 --> 00:26:20,045
CLOTHES AND WENT UP.
[ LAUGHTER ]
474
00:26:20,045 --> 00:26:22,981
AND IT WAS LIKE AN IMPRESSIVE
NUMBER IN THE HOTEL.
475
00:26:22,981 --> 00:26:28,887
AND SO I WENT UP TO THE ROOM,
AND KNOCKED ON THE DOOR AND
476
00:26:28,887 --> 00:26:31,723
MARTIN SHORT, DRESSED IN A
TUXEDO, OPENS THE DOOR ‐‐ AND
477
00:26:31,723 --> 00:26:40,632
GOES WITH A TRAY OF CHAMPAGNE
AND GOES, "ANNIE MURPHY!
478
00:26:40,632 --> 00:26:45,170
AND I WAS LIKE, "WHAT?
AND I PROCEEDED TO GO INTO
479
00:26:45,170 --> 00:26:51,643
MARTIN SHORT'S HOTEL ROOM AT THE
WALDORF AND WATCH MY FRIENDS,
480
00:26:51,643 --> 00:26:58,417
EUGENE AND DAN LEVY, ON
SETH MYERS
481
00:26:58,417 --> 00:27:00,152
AND IT WAS A VERY, VERY ‐‐ I
THINK IT'S LIKE A FLASH BEFORE
482
00:27:00,152 --> 00:27:04,323
MY EYES WHILE I'M DYING MOMENT
>> Seth: IT ALSO SEEMS VERY COOL
483
00:27:04,323 --> 00:27:09,228
AND I THINK ONE OF THE MOST
SPECIAL THINGS ABOUT ALL THE
484
00:27:09,228 --> 00:27:10,762
NOMINATIONS IS THAT BOTH EUGENE
AND DAN GOT NOMINATED AND I CAN
485
00:27:10,762 --> 00:27:14,299
ONLY IMAGINE HOW PROUD IT MADE
EUGENE
486
00:27:14,299 --> 00:27:17,336
YOU KNOW, HE'S GOT TWO KIDS IN
THE CAST AS WELL
487
00:27:17,336 --> 00:27:19,605
IS IT TRUE THAT HE JUST DELIGHTS
IN WATCHING HIS CHILDREN
488
00:27:19,605 --> 00:27:24,209
PERFORM?
>> COULDN'T BE MORE DELIGHTED
489
00:27:24,209 --> 00:27:28,046
WATCHING HIS KIDS PERFORM.
IT IS, THAT IS ACTUALLY ONE OF
490
00:27:28,046 --> 00:27:30,215
THE THINGS THAT I'M GOING TO
MISS THE VERY MOST ABOUT
491
00:27:30,215 --> 00:27:36,121
SHOOTING IS WATCHING EUGENE
WATCH SARAH AND DAN.
492
00:27:36,121 --> 00:27:39,625
BECAUSE HE STANDS ‐‐ HE GOES,
FIRST OF ALL, HE GOES TO GET
493
00:27:39,625 --> 00:27:42,561
SNACKS AND THEN HE STANDS BEHIND
THE MONITOR AND JUST WATCHES
494
00:27:42,561 --> 00:27:48,500
THEM ACT
AND HE'S MUCH LIKE A DANCE MOM
495
00:27:48,500 --> 00:27:53,272
OR LIKE A STAGE MOTHER
HE MOUTHS THEIR LINES AND IS
496
00:27:53,272 --> 00:27:57,776
VERY SAD WHEN THEY'RE SAD AND
HAPPY WHEN THEY'RE HAPPY
497
00:27:57,776 --> 00:28:01,380
[ LAUGHTER ]
LIKE WHEN IT'S GOING ON, ALL OF
498
00:28:01,380 --> 00:28:03,348
THE CREW KIND OF NUDGE EACH
OTHER AND WE ALL TAKE GREAT
499
00:28:03,348 --> 00:28:05,651
PLEASURE IN WATCHING HIM WATCH
THEM
500
00:28:05,651 --> 00:28:08,253
>> Seth: IT IS FULLY ADORABLE.
AND I WANT TO ASK ABOUT
501
00:28:08,253 --> 00:28:10,889
CATHERINE.
SHE MADE SO MANY WONDERFUL
502
00:28:10,889 --> 00:28:14,059
CHOICES IN HER DELIVERY AND
DICTION.
503
00:28:14,059 --> 00:28:18,630
WAS THERE A CERTAIN WORD OF HERS
THAT YOU ENJOYED HEARING THE
504
00:28:18,630 --> 00:28:22,701
MOST OVER THE COURSE OF THE SIX
SEASONS?
505
00:28:22,701 --> 00:28:25,204
>> YEAH, AND IT'S NOT THE WORD
YOU WOULD EXPECT BECAUSE IT'S
506
00:28:25,204 --> 00:28:28,273
NOT ONE OF THE FLOWERY, YOU
KNOW, PIECES OF VOCABULARY THAT
507
00:28:28,273 --> 00:28:34,179
SHE CHOOSES.
BUT SHE WAS ABLE TO MAKE THE
508
00:28:34,179 --> 00:28:40,619
WORD "HOW," JUST THE WORD HOW,
H‐O‐W, THREE SYLLABLES
509
00:28:40,619 --> 00:28:47,392
IT WENT FROM HOW TO "H‐O‐W."
[ LAUGHTER ]
510
00:28:47,392 --> 00:28:51,230
AND IT BLEW MY MIND.
IT BLEW MY MIND.
511
00:28:51,230 --> 00:28:55,067
SHE'S A MIRACLE.
>> Seth: YEAH WELL, YOU WERE
512
00:28:55,067 --> 00:28:59,738
VERY LUCKY TO BE THAT PROXIMITY
TO GREATNESS
513
00:28:59,738 --> 00:29:03,575
IT'S VERY RARE IN THIS GAME, AND
IT'S REALLY AWESOME THAT THE
514
00:29:03,575 --> 00:29:09,047
EMMY VOTERS RECOGNIZED HOW
ACROSS THE BOARD WONDERFUL YOU
515
00:29:09,047 --> 00:29:10,882
ALL WERE ON THAT SHOW.
AND CONGRATULATIONS, ANNIE
516
00:29:10,882 --> 00:29:12,084
>> THANK YOU
THANKS, SETH
517
00:29:12,084 --> 00:29:15,821
IT WAS REALLY NICE TO MEET YOU
>> Seth: IT WAS THE SAME HERE.
518
00:29:15,821 --> 00:29:20,092
WE'LL BE RIGHT BACK WITH
COMEDIAN SAM JAY
519
00:29:20,092 --> 00:29:20,822
♪
520
00:29:30,435 --> 00:29:40,779
>> Seth: OUR NEXT GUEST IS AN
521
00:29:40,779 --> 00:29:46,685
EMMY NOMINATED WRITER AND
COMEDIAN WHOSE WORK YOU KNOW
522
00:29:46,685 --> 00:29:49,154
FROM "SATURDAY NIGHT LIVE.
HER STAND‐UP SPECIAL "SAM JAY
523
00:29:49,154 --> 00:29:50,522
3:00 IN THE MORNING" IS
AVAILABLE ON NETFLIX NOW
524
00:29:50,522 --> 00:29:52,924
HERE'S MY CONVERSATION WITH
SAM JAY.
525
00:29:52,924 --> 00:29:54,326
HI, SAM, HOW ARE YOU
>> HEY, SETH, WHAT'S GOING ON?
526
00:29:54,326 --> 00:29:56,962
HOW ARE YOU?
>> Seth: I'M DOING GREAT
527
00:29:56,962 --> 00:29:58,263
I WANT TO TALK ABOUT YOUR
SPECIAL WHICH I LOVED, BUT I
528
00:29:58,263 --> 00:30:00,932
ALSO WANT TO TALK ABOUT WHEN WE
COLLABORATED, I GUESS YOU COULD
529
00:30:00,932 --> 00:30:04,069
SAY.
WHEN I HOSTED SNL, YOU AND
530
00:30:04,069 --> 00:30:06,138
GARY RICHARDSON WROTE A SKETCH
FOR ME
531
00:30:06,138 --> 00:30:11,410
DO YOU WANT TO DESCRIBE THE
PREMISE TO EVERYONE?
532
00:30:11,410 --> 00:30:14,780
>> WELL, THE PREMISE OF THE
SKETCH WAS THAT YOU WERE LIKE AN
533
00:30:14,780 --> 00:30:18,617
EXECUTIVE FOR A COMPANY AND YOU
HAD DRESSED UP LIKE CARDI B. FOR
534
00:30:18,617 --> 00:30:21,453
HALLOWEEN BUT ALL YOU DID WAS
THE WIG AND THE PURSE, AND I
535
00:30:21,453 --> 00:30:24,222
THINK THE NAILS.
AND EVERYTHING ELSE WAS JUST A
536
00:30:24,222 --> 00:30:26,625
MAN'S BUSINESS SUIT, SO YOU
DIDN'T REALLY COMMIT TO THE
537
00:30:26,625 --> 00:30:29,628
COSTUME.
AND THEN YOU GOT VERY FRUSTRATED
538
00:30:29,628 --> 00:30:33,498
WITH YOUR EMPLOYEES BECAUSE THEY
DIDN'T RECOGNIZE WHO YOU WERE.
539
00:30:33,498 --> 00:30:36,635
[ LAUGHTER ]
>> Seth: IT WAS A LOT OF FUN,
540
00:30:36,635 --> 00:30:40,472
AND IT WAS ‐‐ A VERY NATURAL
CONCLUSION AS TO WHAT TO WRITE
541
00:30:40,472 --> 00:30:44,176
FOR SETH MEYERS.
I APPRECIATE ‐
542
00:30:44,176 --> 00:30:48,013
>> IT WAS DEFINITELY ONE OF
THOSE ONES WHERE WE WERE INTO
543
00:30:48,013 --> 00:30:52,284
THE SKETCH, AND WE'RE LIKE ‐‐ IN
THE FIRST BLOCKING, I WAS LIKE,
544
00:30:52,284 --> 00:30:53,485
"GARY, I DON'T KNOW IF SETH
WANTS TO DO THIS."
545
00:30:53,485 --> 00:30:55,454
[ LAUGHTER ]
>> Seth: NO, NO.
546
00:30:55,454 --> 00:30:57,856
I SWEAR, I WAS ALL IN.
[ LAUGHTER ]
547
00:30:57,856 --> 00:31:00,792
I WAS ALL IN
IF ANYTHING ‐‐
548
00:31:00,792 --> 00:31:03,528
>> I DON'T KNOW IF HE LIKES
THIS
549
00:31:03,528 --> 00:31:04,763
>> Seth: I THINK YOU WERE UP
AGAINST MY LIMITATIONS AS A
550
00:31:04,763 --> 00:31:08,500
PERFORMER IF ANYTHING.
SO YOU ‐‐ YOU'RE A WRITER ON THE
551
00:31:08,500 --> 00:31:10,535
SHOW, BUT YOU ‐‐ I DIDN'T
REALIZE THAT YOU HAD AUDITIONED.
552
00:31:10,535 --> 00:31:13,171
THAT'S HOW THEY ‐‐ THAT ‐‐ THEY
BASICALLY FOUND YOU TO JOIN THE
553
00:31:13,171 --> 00:31:16,775
STAFF.
WHAT DID YOU AUDITION WITH WHEN
554
00:31:16,775 --> 00:31:18,510
YOU ‐‐
>> JUST STAND‐UP
555
00:31:18,510 --> 00:31:22,114
THAT'S ALL I HAD
SO I JUST WENT UP AND JUST DID
556
00:31:22,114 --> 00:31:25,183
MY JOKES
WHICH WAS VERY NERVE‐WRACKING
557
00:31:25,183 --> 00:31:28,453
BECAUSE THAT'S SUCH A WEIRD
SPACE TO DO JUST STRAIGHT COMEDY
558
00:31:28,453 --> 00:31:31,957
IN
>> Seth: SURE.
559
00:31:31,957 --> 00:31:36,094
>> NOT THAT THERE'S WORSE SPACE
TO DO ANYTHING IN BUT
560
00:31:36,094 --> 00:31:39,431
PARTICULARLY, LIKE, COMEDY
BECAUSE EVERYONE IS JUST OFF IN
561
00:31:39,431 --> 00:31:41,833
A CORNER, LIKE, STARING AT YOU,
YOU KNOW
562
00:31:41,833 --> 00:31:47,472
>> Seth: YEAH, IT'S DEFINITELY
ONE OF THE HARDEST ROOMS I'VE
563
00:31:47,472 --> 00:31:49,341
EVER BEEN IN AND I CAN IMAGINE
HOW IT WOULD BE PARTICULARLY
564
00:31:49,341 --> 00:31:50,542
TOUGH FOR STAND‐UP WHERE YOU'RE
USED TO DOING IT FOR AN
565
00:31:50,542 --> 00:31:51,510
AUDIENCE
>> YEAH, OR AT LEAST PEOPLE THAT
566
00:31:51,510 --> 00:31:54,379
ARE WILLING TO REACT
LIKE GIVE YOU A REACTION
567
00:31:54,379 --> 00:31:55,747
[ LIGHT LAUGHTER ]
>> Seth: IT'S A PRETTY CHILLY
568
00:31:55,747 --> 00:31:59,384
ROOM
SO SAM, IT WAS INTERESTING
569
00:31:59,384 --> 00:32:03,221
BECAUSE, AGAIN I ‐‐ YOU KNOW, I
MET YOU AT "SNL," AND BEING A
570
00:32:03,221 --> 00:32:07,058
WRITER AT SNL OFTENTIMES, YOU'RE
TRYING TO FIGURE OUT, LIKE,
571
00:32:07,058 --> 00:32:10,429
WHAT'S THE VOICE I CAN WRITE FOR
THIS HOST THIS WEEK OR HOW DO I
572
00:32:10,429 --> 00:32:13,098
FIND THE RIGHT THING FOR THIS
PERSON TO SAY.
573
00:32:13,098 --> 00:32:16,568
AND I LOVED WATCHING YOUR
SPECIAL BECAUSE OBVIOUSLY, THAT
574
00:32:16,568 --> 00:32:22,474
IS NATURALLY YOUR VOICE.
YOU KNOW, IT WOULD HAVE BEEN
575
00:32:22,474 --> 00:32:26,178
NOTHING IN THAT SPECIAL WOULD
HAVE WORKED IN ANYONE ELSE'S ‐‐
576
00:32:26,178 --> 00:32:29,681
YOU KNOW, FOR ANYONE BUT YOU
SO HOW ‐‐ WHAT IS THE DIFFERENCE
577
00:32:29,681 --> 00:32:31,082
LIKE WHEN YOU'RE TRYING TO WRITE
FOR "SNL" AND WRITE FOR STAND‐UP
578
00:32:31,082 --> 00:32:34,186
AT THE SAME TIME
>> I MEAN, I THINK IT'S JUST,
579
00:32:34,186 --> 00:32:38,757
YOU HAVE TO LEARN HOW TO WRITE
FOR OTHER VOICES, REALLY, AND
580
00:32:38,757 --> 00:32:42,260
ALSO KIND OF LIKE START TO WATCH
THE CAST AND REALLY FIGURE OUT
581
00:32:42,260 --> 00:32:45,096
WHAT THEY LIKE AND WHAT TYPE OF
THINGS THEY REALLY THRIVE IN
582
00:32:45,096 --> 00:32:48,166
SO, IT'S WAY MORE COLLABORATIVE
AND LIKE, STAND‐UP, WHICH IS
583
00:32:48,166 --> 00:32:49,568
ALL, LIKE, IN A CORNER BEING
CYNICAL, YOU KNOW, WITH
584
00:32:49,568 --> 00:32:51,303
OURSELVES.
>> Seth: YEAH.
585
00:32:51,303 --> 00:32:53,705
>> AND THEN, LIKE, IMPROV'S SO
HAPPY.
586
00:32:53,705 --> 00:33:01,913
ONE, IT'S JUST SUCH A HAPPIER
SPACE.
587
00:33:01,913 --> 00:33:08,153
AND SOMETIMES, THAT WAS
DEFINITELY OFF‐PUTTING AT FIRST.
588
00:33:08,153 --> 00:33:11,223
I WAS JUST LIKE, "I DON'T GET
WHY EVERYONE IS SO JOYOUS.
589
00:33:11,223 --> 00:33:15,460
AND THEN, IT'S ALSO JUST
LEARNING HOW TO WRITE FOR FOUR
590
00:33:15,460 --> 00:33:18,196
AND FIVE DIFFERENT PEOPLE AND
TRULY CAST A PIECE, AND CHOOSE
591
00:33:18,196 --> 00:33:19,898
THE RIGHT PEOPLE FOR THE RIGHT
THINGS
592
00:33:19,898 --> 00:33:22,501
>> Seth: OF COURSE, THE NICE
DIFFERENCE IS, I FEEL LIKE AFTER
593
00:33:22,501 --> 00:33:23,735
WATCHING YOUR SPECIAL, I HAVE A
FAR BETTER SENSE OF WHO YOU ARE.
594
00:33:23,735 --> 00:33:24,870
I FEEL LIKE I KNOW YOU NOW,
WHICH IS, YOU KNOW AGAIN, I
595
00:33:24,870 --> 00:33:25,737
THINK WHAT THE BEST STAND‐UP
SPECIALS DO.
596
00:33:25,737 --> 00:33:26,538
YOU CALLED IT 3:00 IN THE
MORNING.
597
00:33:26,538 --> 00:33:28,707
WHY DID YOU COME UP WITH THAT
TITLE?
598
00:33:28,707 --> 00:33:29,908
>> I JUST REALLY FELT LIKE
THAT'S WHERE THE SPECIAL GOT
599
00:33:29,908 --> 00:33:31,376
MADE
I JUST FELT LIKE THAT'S WHEN I
600
00:33:31,376 --> 00:33:35,814
WAS UP AT THE CELLAR ARGUING
WITH KEITH ROBINSON ABOUT, YOU
601
00:33:35,814 --> 00:33:38,116
KNOW, WHO'S BETTER, WHITNEY OR
BEYONCE OR JUST HAVING SOME,
602
00:33:38,116 --> 00:33:42,587
LIKE, MINDLESS COMIC FIGHT THAT
WOULD INFORM A JOKE OR AN IDEA
603
00:33:42,587 --> 00:33:45,757
OR IT WHEN IT WAS UP ‐‐ WHEN MY
MIND WAS STEWING ON THINGS
604
00:33:45,757 --> 00:33:48,693
OR WHEN I WAS ARGUING WITH MY
GIRL FOR BEING OUT TOO LATE AT
605
00:33:48,693 --> 00:33:51,229
THE CELLAR, YOU KNOW, SO IT JUST
KIND OF FELT TO ME, LIKE THAT'S
606
00:33:51,229 --> 00:33:54,299
WHERE ALL THE SWEAT EQUITY
HAPPENED
607
00:33:54,299 --> 00:33:57,569
AND I DIDN'T WANT TO CALL IT,
LIKE, SHE'S UPSET OR SOMETHING,
608
00:33:57,569 --> 00:33:59,971
YOU KNOW
>> Seth: RIGHT
609
00:33:59,971 --> 00:34:01,506
>> I WANTED TO THINK OF
SOMETHING THAT FELT NATURAL AND
610
00:34:01,506 --> 00:34:05,877
GOOD AND REALLY EMBODIED WHAT
THE SPECIAL WAS FOR ME
611
00:34:05,877 --> 00:34:07,846
>> Seth: IT ALSO ‐‐ YOU KNOW
OBVIOUSLY I'M GONNA ASSUME YOU
612
00:34:07,846 --> 00:34:10,248
DIDN'T SHOOT IT AT 3:00 IN THE
MORNING BUT IT REALLY HAS THIS
613
00:34:10,248 --> 00:34:13,285
NICE LOOK AND FEEL TO IT THAT I
THINK CAPTURES THE IDEA OF THE
614
00:34:13,285 --> 00:34:16,154
KIND OF CONVERSATIONS AND KIND
OF THINGS YOU SAY WHEN YOU'RE
615
00:34:16,154 --> 00:34:17,455
WITH A GROUP OF PEOPLE YOU FEEL
COMFORTABLE WITH THAT LATE IN
616
00:34:17,455 --> 00:34:21,393
THE NIGHT.
>> YEAH, THAT WAS ALSO, LIKE,
617
00:34:21,393 --> 00:34:23,461
I'M GLAD YOU PICKED THAT UP
BECAUSE THAT WAS A PART OF MY
618
00:34:23,461 --> 00:34:24,763
GENIUS
YOU KNOW WHAT I'M SAYING
619
00:34:24,763 --> 00:34:29,034
[ LAUGHTER ]
BUT ‐‐ THAT WAS DEFINITELY,
620
00:34:29,034 --> 00:34:31,102
LIKE, SOMETHING THAT I WANTED
PEOPLE TO FEEL
621
00:34:31,102 --> 00:34:34,940
I WANTED IT TO HAVE THAT OLD,
LIKE RED FOX SPECIAL FEEL LIKE,
622
00:34:34,940 --> 00:34:37,008
THIS IS LATE NIGHT THING AND
YOU'RE PROBABLY GOING TO HEAR
623
00:34:37,008 --> 00:34:40,845
SOME THINGS THAT YOU PROBABLY
DON'T WANT TO BE PLAYING IN THE
624
00:34:40,845 --> 00:34:43,915
DAY.
BUT LIKE, WE'RE UP, WE'RE
625
00:34:43,915 --> 00:34:45,216
DRINKING, AND IT'S GROWN FOLK
TALK
626
00:34:45,216 --> 00:34:47,085
YOU KNOW WHAT I MEAN
I JUST ‐‐ I DEFINITELY WANTED IT
627
00:34:47,085 --> 00:34:49,688
TO FEEL LIKE THAT.
>> Seth: ONE OF THE COOL THINGS
628
00:34:49,688 --> 00:34:53,191
ABOUT "SNL" IS YOU GET TO WORK
WITH YOUR HEROES, SOMETIMES ON
629
00:34:53,191 --> 00:34:56,027
THINGS THAT ARE SPECIFICALLY THE
REASON THEY'RE YOUR HEROES
630
00:34:56,027 --> 00:34:58,330
I REMEMBER GETTING TO WORK ON
"WAYNE'S WORLD" WITH MIKE MYERS
631
00:34:58,330 --> 00:35:01,433
AND DANA CARVEY AND PINCHING
MYSELF THE WHOLE TIME.
632
00:35:01,433 --> 00:35:05,236
WHEN EDDIE MURPHY CAME BACK, YOU
GOT TO WORK WITH HIM ON
633
00:35:05,236 --> 00:35:07,205
VELVET JONES
WHAT WAS THAT LIKE
634
00:35:07,205 --> 00:35:08,974
>> IT WAS SURREAL, BECAUSE IT
DEFINITELY WAS ONE OF THOSE
635
00:35:08,974 --> 00:35:11,876
RELATIONSHIPS WHERE I USED TO
WATCH THE BEST OF EDDIE MURPHY
636
00:35:11,876 --> 00:35:15,513
"SNL" TAPE EVERY DAY FOR LIKE A
WHOLE SUMMER, AND I WOULD JUST
637
00:35:15,513 --> 00:35:19,017
WATCH THOSE SKETCHES OVER AND
OVER AND VELVET JONES WAS
638
00:35:19,017 --> 00:35:22,821
DEFINITELY ONE THAT STOOD OUT TO
ME AND ALWAYS MADE ME LAUGH.
639
00:35:22,821 --> 00:35:27,192
SO WHEN I GOT ‐‐ WHEN I WAS ABLE
TO DO THAT AND LIKE, THE
640
00:35:27,192 --> 00:35:31,129
ORIGINAL WRITERS THAT CAME WITH
EDDIE TO, YOU KNOW, HELP HIM
641
00:35:31,129 --> 00:35:33,565
THAT WEEK AND WHEN THEY WERE
EVEN LIKE, YEAH, THIS IS SUPER
642
00:35:33,565 --> 00:35:35,967
FUNNY.
IT JUST FELT LIKE A WEIRD
643
00:35:35,967 --> 00:35:38,670
VALIDATION OF LIKE, "OH, I'M
LIKE A GOOD SUPER FAN.
644
00:35:38,670 --> 00:35:43,808
[ LAUGHTER ]
>> Seth: YEAH, ABSOLUTELY.
645
00:35:43,808 --> 00:35:46,878
WHEN YOU REALIZED, LOOK, YOU
KNOW I'M A FAN, BUT AT LEAST I'M
646
00:35:46,878 --> 00:35:48,179
THE RIGHT KIND OF FAN BECAUSE I
UNDERSTOOD WHAT WAS FUNNY ABOUT
647
00:35:48,179 --> 00:35:49,381
YOU.
>> YEAH, EXACTLY
648
00:35:49,381 --> 00:35:51,449
AND SO THAT FELT ‐‐ THAT FELT
AMAZING.
649
00:35:51,449 --> 00:35:56,154
>> Seth: IT WAS SUCH A FANTASTIC
WEEK TO WATCH BECAUSE IT'S WEIRD
650
00:35:56,154 --> 00:35:59,124
HOW I JUST FORGOT THE BEST THING
ABOUT EDDIE IS THAT ALL HIS
651
00:35:59,124 --> 00:36:01,960
CHARACTERS ARE IN A GOOD MOOD.
THEY'RE JUST ALL HAPPY
652
00:36:01,960 --> 00:36:05,664
>> YEAH.
>> Seth: AND THEN YOU'RE JUST ‐‐
653
00:36:05,664 --> 00:36:08,333
IT'S JUST SO CONTAGIOUS TO WATCH
HIM.
654
00:36:08,333 --> 00:36:10,602
>> YEAH, AND IT WAS CRAZY TO,
LIKE, WATCH HIM GET HIS FEET
655
00:36:10,602 --> 00:36:12,671
UNDER HIM.
YOU KNOW, YOU COULD TELL WHEN HE
656
00:36:12,671 --> 00:36:14,839
WAS FIRST WALKING AROUND, IT WAS
LIKE, THIS IS FAMILIAR SPACE BUT
657
00:36:14,839 --> 00:36:18,677
UNFAMILIAR SPACE, YOU KNOW WHAT
I MEAN
658
00:36:18,677 --> 00:36:20,945
AND THEN BY LIKE, FRIDAY, YOU'RE
IN BLOCKING AND YOU'RE LIKE, OH
659
00:36:20,945 --> 00:36:25,116
NO, HE'S FULL EDDIE MURPHY
HE'S IN IT AGAIN AND IT WAS KIND
660
00:36:25,116 --> 00:36:26,985
OF COOL TO JUST WATCH HIM GET
HIS LEGS BACK UNDER HIM AND GET
661
00:36:26,985 --> 00:36:29,187
TO RUNNING
IT WAS GREAT
662
00:36:29,187 --> 00:36:30,588
>> Seth: YOU TALK ABOUT YOUR
GIRLFRIEND A FAIR AMOUNT IN THE
663
00:36:30,588 --> 00:36:34,092
SPECIAL AND YOU ALSO GIVE HER A
SPECIAL THANKS AND YOU REFERENCE
664
00:36:34,092 --> 00:36:36,828
A PURPLE COUCH
CAN YOU GIVE US THE BACKGROUND
665
00:36:36,828 --> 00:36:39,798
OF THE PURPLE COUCH?
>> YEAH, WELL, WHEN I FIRST WAS
666
00:36:39,798 --> 00:36:42,967
WITH MY GIRLFRIEND, SHE WAS
LIKE, SHE HAD A BUSINESS AND
667
00:36:42,967 --> 00:36:46,337
STUFF, SO SHE RAN HER OWN
BUSINESS ON AUBURN AVE IN
668
00:36:46,337 --> 00:36:51,142
ATLANTA.
AND SHE WAS THE FIRST
669
00:36:51,142 --> 00:36:52,444
PROFESSIONAL GIRL I HAD EVER
DATED AND I WAS LIKE KIND OF A
670
00:36:52,444 --> 00:36:56,381
SUPER BUM.
AND LIKE, I WORKED AT A
671
00:36:56,381 --> 00:36:58,917
STARBUCKS AND I DIDN'T EVEN HAVE
MONEY TO BUY HER PIZZA ON OUR
672
00:36:58,917 --> 00:37:02,087
FIRST DATE
IT WAS SUPER EMBARRASSING AND
673
00:37:02,087 --> 00:37:06,458
ALL OF THAT.
BUT SHE WAS LIKE, THE FIRST GIRL
674
00:37:06,458 --> 00:37:08,760
THAT I EVER HAD TO CALL A ‐‐ A
DOORMAN HAD TO CALL UP TO LET ME
675
00:37:08,760 --> 00:37:12,797
UP ‐‐ THAT KIND OF JAZZ.
AND SHE HAD THIS VERY
676
00:37:12,797 --> 00:37:15,667
UNCOMFORTABLE PURPLE COUCH IN
HER APARTMENT THAT SHE HAD
677
00:37:15,667 --> 00:37:18,470
PURELY FOR VANITY AND NOT FOR
COMFORT IN ANY WAY
678
00:37:18,470 --> 00:37:21,873
[ LAUGHTER ]
AND ONE NIGHT, WE WERE SITTING
679
00:37:21,873 --> 00:37:23,508
ON IT AND SHE JUST KIND ASKED ME
WHAT I WANTED TO DO WITH MY
680
00:37:23,508 --> 00:37:26,111
LIFE
SHE WAS LIKE, I JUST DON'T FEEL
681
00:37:26,111 --> 00:37:27,979
LIKE THIS IS WHAT YOU WANT TO
BE
682
00:37:27,979 --> 00:37:30,281
AND YOU KNOW, WHAT IS IT THAT
YOU REALLY WANT AND I TOLD HER
683
00:37:30,281 --> 00:37:35,186
THAT I WANTED TO BE A COMEDIAN
AND SHE ASKED ME WHY I JUST
684
00:37:35,186 --> 00:37:37,388
DON'T GO DO IT AND I TOLD HER
BECAUSE I WAS AFRAID
685
00:37:37,388 --> 00:37:40,024
SO SHE WAS THE FIRST PERSON THAT
I WAS VULNERABLE ABOUT MY DREAMS
686
00:37:40,024 --> 00:37:45,463
WITH IN THAT WAY
AND TO THEN BE ABLE TO SHARE
687
00:37:45,463 --> 00:37:49,067
DOING A SPECIAL WITH HER, IT WAS
JUST SUCH A FULL CIRCLE, LIKE,
688
00:37:49,067 --> 00:37:53,004
REALLY, TOUCHING MOMENT FOR US
>> Seth: THAT'S REALLY COOL.
689
00:37:53,004 --> 00:37:54,973
IT'S ALSO, I MEAN, I COULD SAY
THE SAME ABOUT HOW SUPPORTIVE MY
690
00:37:54,973 --> 00:37:58,042
WIFE HAS BEEN.
OF COURSE, THE PRICE THEY PAY
691
00:37:58,042 --> 00:38:00,445
FOR BEING WITH COMEDIANS, AS WE
TALK ABOUT THEM A GREAT DEAL
692
00:38:00,445 --> 00:38:03,081
WHEN WE GET ON STAGE
DOES SHE SIGN OFF ON THE THINGS
693
00:38:03,081 --> 00:38:06,584
YOU TALK ABOUT
>> YEAH, FOR SURE.
694
00:38:06,584 --> 00:38:08,787
LIKE, I ALWAYS RUN THINGS BY
HER.
695
00:38:08,787 --> 00:38:10,822
EVEN IF I GET UP AND I JUST SAY
IT WITHOUT HER KNOWING
696
00:38:10,822 --> 00:38:13,358
BEFOREHAND, AS SOON AS I GET OFF
STAGE, I'M LIKE, WERE YOU COOL
697
00:38:13,358 --> 00:38:15,794
WITH THAT?
WOULD YOU RATHER I NEVER SAID
698
00:38:15,794 --> 00:38:19,731
THAT AGAIN
YOU KNOW, I'M VERY, LIKE,
699
00:38:19,731 --> 00:38:22,233
PARTICULAR ABOUT CHECKING IN
WITH HER BECAUSE I LIVE WITH HER
700
00:38:22,233 --> 00:38:23,968
AND I ‐‐
>> Seth: YEAH.
701
00:38:23,968 --> 00:38:28,873
>> NEXT TO HER, SO I SHOULD WANT
TO MAKE SURE THAT SHE'S GOOD
702
00:38:28,873 --> 00:38:30,308
>> Seth: THAT'S A VERY, YOU'RE
PLAYING IT VERY WISELY
703
00:38:30,308 --> 00:38:35,547
LATELY I FEEL LIKE THE BEST
THING TO DO IS SAY, LIKE, HEY,
704
00:38:35,547 --> 00:38:38,283
HERE'S WHAT I WANT MY SPECIAL TO
BE
705
00:38:38,283 --> 00:38:41,019
YOU CAN VETO THREE JOKES AND I
FEEL LIKE YOU TRY TO HAVE AT
706
00:38:41,019 --> 00:38:45,056
LEAST 20 IN ABOUT THEM, THEN
THREE IS A VERY FAIR TRADE‐OFF
707
00:38:45,056 --> 00:38:47,992
>> YEAH.
PLUS, WITH MY GIRL, LIKE, SHE
708
00:38:47,992 --> 00:38:50,094
LIKES FOR ME TO TALK ABOUT HER A
LITTLE BIT
709
00:38:50,094 --> 00:38:51,830
YOU KNOW WHAT I MEAN
>> Seth: SURE, YEAH.
710
00:38:51,830 --> 00:38:54,499
>> SO SHE'S LIKE, YEAH THAT'S ‐‐
SHE'S KIND OF INTO IT, DEPENDING
711
00:38:54,499 --> 00:38:58,369
ON WHAT I SAY.
>> Seth: WELL, THAT WOULD, I
712
00:38:58,369 --> 00:39:02,774
REMEMBER SAYING TO MY WIFE, WHAT
ELSE DO YOU WANT ME TO TELL
713
00:39:02,774 --> 00:39:04,509
JOKES ABOUT?
I LITERALLY SPEND MORE TIME WITH
714
00:39:04,509 --> 00:39:05,944
YOU THAN ANYONE.
>> RIGHT, I DON'T HAVE ANY OTHER
715
00:39:05,944 --> 00:39:08,646
OPTIONS.
SOMETIMES IT FEELS BAD, LIKE
716
00:39:08,646 --> 00:39:10,748
YOU'RE MINING YOUR PARTNER, BUT
IT'S LIKE, I'M WITH YOU ALL THE
717
00:39:10,748 --> 00:39:12,050
TIME
SO, LIKE, I DON'T KNOW WHAT ELSE
718
00:39:12,050 --> 00:39:16,187
TO DO.
>> Seth: I THINK WE'RE BOTH VERY
719
00:39:16,187 --> 00:39:18,623
LUCKY TO HAVE UNDERSTANDING
PARTNERS IN THAT REGARD.
720
00:39:18,623 --> 00:39:21,559
>> SURE.
>> Seth: HEY, CONGRATS AGAIN ON
721
00:39:21,559 --> 00:39:24,195
THE SPECIAL AND IT'S REALLY NICE
TO SEE YOU SAM AND HOPEFULLY,
722
00:39:24,195 --> 00:39:26,397
ONE OF THESE DAYS, I'LL BUMP TO
YOU IN 30 ROCK AGAIN
723
00:39:26,397 --> 00:39:30,201
>> YEAH, AND MAYBE THIS
HALLOWEEN YOU'LL BE CARDI B.
724
00:39:30,201 --> 00:39:34,138
[ LAUGHTER ]
>> Seth: I GOT THE WIG
725
00:39:34,138 --> 00:39:36,541
[ LAUGHTER ]
THANKS, THANKS, SAM.
726
00:39:36,541 --> 00:39:38,710
>> THANKS.
>> Seth: WE'LL BE RIGHT BACK
727
00:39:38,710 --> 00:39:39,228
WITH MORE "LATE NIGHT.
♪
728
00:40:01,032 --> 00:40:02,333
>> Seth: I WANT TO THANK
JEFF GOLDBLUM, ANNIE MURPHY AND
729
00:40:02,333 --> 00:40:04,269
SAM JAY.
I WANT TO THANK FRED ARMISEN AND
730
00:40:04,269 --> 00:40:07,639
THE 8G BAND.
STAY TUNED FOR LILLY SINGH
731
00:40:07,639 --> 00:40:09,073
STAY SAFE.
WASH YOUR HANDS.
732
00:40:09,073 --> 00:40:13,878
WEAR A MASK, WE LOVE YOU
♪
733
00:40:13,878 --> 00:40:54,886
♪
65685
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