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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:21,000 --> 00:01:23,067 NEXT BULLDOGGER IS CYCLONE PETE JONES. 2 00:01:33,100 --> 00:01:35,067 NEXT CONTESTANT, CHRIS HAYWARD. 3 00:01:41,667 --> 00:01:44,400 MY WORD! SPECTACULAR, ISN'T IT? 4 00:01:44,467 --> 00:01:47,901 COMING OUT OF THE CHUTES NOW, SLIM WILLIAMS. 5 00:01:51,100 --> 00:01:53,067 IT LOOKS PRETTY SILLY TO ME- 6 00:01:53,133 --> 00:01:54,701 WRESTLING WITH COWS. 7 00:01:54,767 --> 00:01:56,501 WHY DON'T THEY WRESTLE MEN? 8 00:01:56,567 --> 00:01:58,133 IT'S TOO DANGEROUS. 9 00:01:58,200 --> 00:02:00,467 WHAT PURPOSE CAN IT POSSIBLY SERVE? 10 00:02:03,367 --> 00:02:06,067 THAT'S HOW THEY GET THOSE POUNDED STEAKS. 11 00:02:06,133 --> 00:02:07,400 YOU DON'T SAY! 12 00:02:07,467 --> 00:02:09,434 THAT CONCLUDES THE BULLDOGGING CONTEST. 13 00:02:11,267 --> 00:02:13,067 LADIES AND GENTLEMEN, 14 00:02:13,133 --> 00:02:15,868 WHILE THEY'RE PREPARING FOR THE NEXT EVENT, 15 00:02:15,934 --> 00:02:18,334 I'D LIKE TO INTRODUCE TO YOU 16 00:02:18,400 --> 00:02:19,767 THE LADY WHO'S RESPONSIBLE FOR THIS BENEFIT, 17 00:02:19,834 --> 00:02:21,801 MISS KAY KINGSLEY. 18 00:02:29,634 --> 00:02:32,100 MOST OF YOU KNOW MISS KINGSLEY, 19 00:02:32,167 --> 00:02:34,100 BUT FOR ANYONE WHO HAPPENS TO HAVE BEEN LOCKED UP 20 00:02:34,167 --> 00:02:36,100 IN A DARK CLOSET FOR THE LAST 10 YEARS, 21 00:02:36,167 --> 00:02:38,567 SHE'S WRITTEN A LOT OF SUCCESSFUL SONGS- 22 00:02:38,634 --> 00:02:40,334 SOME OF THE TOP BROADWAY MUSICALS. 23 00:02:41,868 --> 00:02:45,834 OH. SHE'S ASKED ME TO REMIND YOU THAT I COLLABORATED WITH HER, 24 00:02:45,901 --> 00:02:49,634 SO I WILL, BUT I DON'T NEED TO BE REMINDED 25 00:02:49,701 --> 00:02:54,767 BECAUSE SHE'S EVERYTHING THAT ANY MAN COULD HOPE FOR 26 00:02:54,834 --> 00:02:56,968 AND NOW, WHILE THE COLLECTION BOXES ARE BEING PASSED, 27 00:02:57,033 --> 00:03:00,200 KAY IS GOING TO SING ONE OF OUR LATEST SONGS. 28 00:03:07,934 --> 00:03:12,367 FIRST OF ALL, I WANT TO THANK ALL THE COWBOYS WHO CAME OVER HERE 29 00:03:12,434 --> 00:03:15,834 FROM MADISON SQUARE GARDEN TO PUT ON THIS TERRIFIC SHOW. 30 00:03:15,901 --> 00:03:18,834 LET'S GIVE THEM A REAL BIG HAND. 31 00:03:24,267 --> 00:03:25,534 NEXT THING YOU KNOW, 32 00:03:25,601 --> 00:03:27,667 THESE RODEOS WILL BE HOLDING KNITTING CONTESTS. 33 00:03:27,734 --> 00:03:29,133 YEAH. 34 00:03:34,200 --> 00:03:39,000 * ONCE YOU FIND YOUR GUY * 35 00:03:39,067 --> 00:03:46,734 * YOU'LL KNOW THE WORDS TO ALL THE LOVE SONGS ARE TRUE * 36 00:03:46,801 --> 00:03:51,567 * AND ONCE YOU FIND YOUR GUY * 37 00:03:51,634 --> 00:03:58,400 * IT WOULDN'T MATTER IF THE EARTH SPLIT IN TWO * 38 00:03:58,467 --> 00:04:03,801 * THOSE LONELY DAYS YOU DREADED * 39 00:04:03,868 --> 00:04:09,400 * WILL VANISH FROM YOUR SIGHT * 40 00:04:09,467 --> 00:04:19,767 * THE FUTURE THAT WAS DARK LOOKS BRIGHT * 41 00:04:21,400 --> 00:04:26,701 * SO ONCE YOU FIND YOUR GUY * 42 00:04:26,767 --> 00:04:33,667 * THE ONE AND ONLY WHO IS RIGHT FROM THE START * 43 00:04:33,734 --> 00:04:38,300 * DON'T WAIT TILL IT'S TOO LATE * 44 00:04:38,367 --> 00:04:44,934 * BUT LET HIM KNOW THAT HE IS FIRST IN YOUR HEART... * 45 00:04:45,000 --> 00:04:48,901 MAN, ORVIE, THERE'S A GAL I COULD REALLY GO FOR. 46 00:04:48,968 --> 00:04:50,901 YOU COULD? WELL, LET'S GO OVER. 47 00:04:50,968 --> 00:04:52,701 MAYBE SHE'S GOT A FRIEND. 48 00:04:52,767 --> 00:04:53,667 SHH. 49 00:04:53,734 --> 00:04:57,133 *... WHEN LOVE IS PASSING BY * 50 00:04:57,200 --> 00:05:02,701 * LIFE STARTS * 51 00:05:02,767 --> 00:05:18,834 * THE DAY YOU FIND YOUR GUY * 52 00:05:24,634 --> 00:05:27,033 I'M TELLING YOU, ORVIE, THERE'S A WOMAN. 53 00:05:27,100 --> 00:05:29,033 WHY ARE YOU TELLING ME? 54 00:05:29,100 --> 00:05:30,901 WHY DON'T YOU TELL HER? 55 00:05:30,968 --> 00:05:32,200 YOU MEAN-AHH! 56 00:05:32,267 --> 00:05:34,234 SURE WOULD LIKE TO MEET HER, THOUGH. 57 00:05:34,300 --> 00:05:37,067 DON'T SET PERCHED UP THERE LIKE AN OLD BARN OWL. 58 00:05:37,133 --> 00:05:39,567 JUST WALK UP AND INTRODUCE YOURSELF. 59 00:05:39,634 --> 00:05:41,567 THAT'S WHAT I ALWAYS DONE, AND IT NEVER MISSED. 60 00:05:41,634 --> 00:05:43,400 YOU CAN'T DO THAT WITH A CITY WOMAN. 61 00:05:43,467 --> 00:05:46,033 THE HECK YOU CAN'T. I DONE IT WITH A CITY WOMAN. 62 00:05:46,133 --> 00:05:49,067 MET ELLIE MAE, MY SECOND WIFE, IN WALLA WALLA, 63 00:05:49,133 --> 00:05:51,100 RIGHT ON THE MAIN STREET. 64 00:05:51,167 --> 00:05:54,534 HAPPIEST 3 MONTHS OF MY LIFE WAS WITH ELLIE MAE. 65 00:05:54,601 --> 00:05:56,033 THIS GAL'S NO RANCH WOMAN. 66 00:05:56,100 --> 00:05:58,033 OH, RANCH WOMAN, CITY WOMAN! 67 00:05:58,100 --> 00:06:00,033 PUT THEM IN A MOTHER HUBBARD 68 00:06:00,100 --> 00:06:02,701 AND ON THE LONG END OF A CHURN, AND THEY'RE ALL ALIKE. 69 00:06:02,767 --> 00:06:06,033 Announcer: BUCKING HORSE RIDERS, PLEASE REPORT TO THE CHUTES. 70 00:06:06,100 --> 00:06:08,667 YES, SIR, NOW, SHE LOOKS STOUT AND HEALTHY. 71 00:06:08,734 --> 00:06:12,033 AND IF YOU ASK ME, CHRIS, SHE'D MAKE YOU A FINE WIFE 72 00:06:12,100 --> 00:06:15,167 AND TAKE MIGHTY GOOD CARE OF THEM KIDS OF YOURS, TOO. 73 00:06:15,234 --> 00:06:19,033 HEY, YOU WANT ME TO GO ON OVER THERE AND TELL HER? 74 00:06:19,100 --> 00:06:20,534 NO, I DON'T! 75 00:06:20,601 --> 00:06:23,167 OH, BUT, CHRIS, YOU DO NEED A WIFE. 76 00:06:25,133 --> 00:06:26,634 UH-HUH. 77 00:06:26,701 --> 00:06:31,133 WILL ALL BUCKING HORSE RIDERS PLEASE REPORT TO THE CHUTES? 78 00:06:31,200 --> 00:06:34,067 HOWDY, MA'AM. 79 00:06:34,133 --> 00:06:35,033 OH, HOWDY! 80 00:06:35,100 --> 00:06:37,501 WHAT CAN I DO FOR YOU? 81 00:06:37,567 --> 00:06:40,100 WELL, IT'S ME THAT'S DOING THE DOING, MISS. 82 00:06:40,167 --> 00:06:41,968 I GOT A T-OFF FOR YOU. 83 00:06:42,033 --> 00:06:43,534 REALLY? WHAT IS IT? 84 00:06:43,601 --> 00:06:47,567 WELL, I KNOW A FELLA THAT THINKS YOU'RE PRETTY SALTY. 85 00:06:47,634 --> 00:06:50,067 WELL, THAT'S MIGHTY SWEET OF HIM. 86 00:06:50,133 --> 00:06:51,567 ANYBODY I KNOW? 87 00:06:51,634 --> 00:06:54,501 NO, BUT IT'S SOMEBODY YOU OUGHT TO KNOW. 88 00:06:54,567 --> 00:06:58,033 HA HA! WELL, YOU TELL HIM THANKS A MILLION, 89 00:06:58,100 --> 00:06:59,534 AND TELL HIM I THINK HE'S SALTED, TOO. 90 00:06:59,601 --> 00:07:00,534 YOU TETHERED? 91 00:07:00,601 --> 00:07:02,000 AM I WHAT? 92 00:07:02,067 --> 00:07:04,033 TETHERED. HITCHED. MARRIED. 93 00:07:04,100 --> 00:07:05,200 NO. 94 00:07:05,267 --> 00:07:07,534 WELL, GOOD, BECAUSE HE'S LOOKING FOR A WOMAN, 95 00:07:07,601 --> 00:07:10,901 AND IT'S TIME A GAL LIKE YOU WAS LOOKING FOR A MAN. 96 00:07:10,968 --> 00:07:12,534 WELL... 97 00:07:12,601 --> 00:07:14,701 SHE SURE IS LOOKING FOR A MAN, PARTNER. 98 00:07:14,767 --> 00:07:16,701 WELL, GOOD, AND I GOT HIM. 99 00:07:16,767 --> 00:07:19,033 HE JUST AIN'T THE KIND OF A COWPOKE 100 00:07:19,100 --> 00:07:21,200 THAT COTTONS UP TO ANY OLD GAL, EITHER. 101 00:07:21,267 --> 00:07:23,167 MATTER OF FACT IS, YOU'RE THE FIRST ONE 102 00:07:23,234 --> 00:07:25,567 HE'S ADMIRED SINCE HE BURIED MARTHA. 103 00:07:25,634 --> 00:07:27,968 WELL, I'M VERY FLATTERED. 104 00:07:28,033 --> 00:07:29,067 WELL, YOU OUGHT TO BE. 105 00:07:29,133 --> 00:07:30,567 HE'S A GOOD CATCH 106 00:07:30,634 --> 00:07:33,868 AND THE BEST DAD-BURNED COWHAND YOU'LL EVER SEE. 107 00:07:33,934 --> 00:07:36,133 SURE SHE WANTS TO MEET HIM, COWBOY. 108 00:07:36,200 --> 00:07:37,634 BRING THE CRITTER ON. 109 00:07:37,701 --> 00:07:39,133 THAT'S A DEAL. 110 00:07:39,200 --> 00:07:40,734 FIRST CONTESTANT, CHRIS HAYWARD, 111 00:07:40,801 --> 00:07:42,534 RIDING BUZZ BOMB. 112 00:07:42,601 --> 00:07:44,167 ALL RIGHT, TURN HIM OUT OF HERE. 113 00:07:48,934 --> 00:07:50,901 THAT'S HIM, MA'AM. 114 00:07:59,067 --> 00:08:02,000 I WISH HE'D HOLD STILL SO WE COULD SEE HIS FACE. 115 00:08:02,067 --> 00:08:04,734 YOU'LL SEE IT WHEN HE LANDS. 116 00:08:10,901 --> 00:08:15,367 NEXT RIDER, LAREDO "RED" HIGGINS FROM CARAMORE. 117 00:08:20,067 --> 00:08:21,200 AHH! 118 00:08:22,300 --> 00:08:24,234 SET ME DOWN, ORV. 119 00:08:24,300 --> 00:08:25,534 WELL, HERE HE IS, NUMBER 7. 120 00:08:25,601 --> 00:08:27,000 HE'S A NATURAL. 121 00:08:27,067 --> 00:08:28,033 NICE RIDE. 122 00:08:28,100 --> 00:08:29,367 OH, THANK YOU. 123 00:08:29,434 --> 00:08:31,534 SET ME DOWN, YOU KNOTHEAD. 124 00:08:31,601 --> 00:08:34,133 HOW DO YOU MAKE THE HORSE JUMP THAT WAY? 125 00:08:34,200 --> 00:08:37,734 YOU'D JUMP, TOO, LADY, IF YOU HAD A HAIR ROPE TIED AROUND YOUR BELLY. 126 00:08:37,801 --> 00:08:39,834 ANYWAY, THIS IS HIM. 127 00:08:39,901 --> 00:08:41,834 MISS KINGSLEY, MEET CHRIS HAYWARD. 128 00:08:41,901 --> 00:08:43,067 GLAD TO KNOW YOU, MA'AM. 129 00:08:43,133 --> 00:08:45,033 HOW ABOUT YOU GALS JOINING US AT SHORTIE'S 130 00:08:45,100 --> 00:08:47,067 RIGHT AFTER THE SHOW TONIGHT? 131 00:08:47,133 --> 00:08:49,267 CHRIS WILL THROW A HAMBURGER BUST FOR THE WHOLE BUNCH. 132 00:08:49,334 --> 00:08:51,067 OH, ORV, THEY WOULDN'T LIKE SHORTIE'S. 133 00:08:51,133 --> 00:08:52,534 OH, THEY WOULD TOO. 134 00:08:52,601 --> 00:08:55,434 SHORTIE PUTS MORE GOOP IN HIS SANDWICHES THAN ANYBODY IN TOWN. 135 00:08:55,501 --> 00:08:56,934 WELL, IT SOUNDS WONDERFUL. 136 00:08:57,000 --> 00:08:58,234 I HAVE AN IDEA. 137 00:08:58,300 --> 00:09:00,133 WHY DON'T YOU BRING NUMBER 7 UP TO MISS KINGSLEY'S? 138 00:09:00,200 --> 00:09:01,801 SHE'D BE DELIGHTED. 139 00:09:01,868 --> 00:09:04,167 WOULDN'T YOU, KAY? 140 00:09:04,234 --> 00:09:06,501 WELL, THAT WOULD BE NICE, SOMETIME. 141 00:09:06,567 --> 00:09:09,334 IT'S FIFTY FOUR CENTRAL PARK WEST. 142 00:09:09,400 --> 00:09:10,834 MAKE IT SOON! 143 00:09:10,901 --> 00:09:12,834 WE WILL-MAYBE SOONER THAN YOU THINK. 144 00:09:12,901 --> 00:09:14,434 HERE COMES DENVER DAN BAILEY. 145 00:09:20,400 --> 00:09:21,868 I'M AWFULLY SORRY, MA'AM. 146 00:09:21,934 --> 00:09:23,400 THAT'S ALL RIGHT. 147 00:09:47,767 --> 00:09:49,767 I'M NOT GOING TO RING IT. 148 00:11:14,634 --> 00:11:16,567 I JUST CAN'T BELIEVE IT. 149 00:11:16,634 --> 00:11:17,567 ME EITHER. 150 00:11:17,634 --> 00:11:19,567 I FEEL ABOUT THE SAME WAY I DID 151 00:11:19,634 --> 00:11:21,567 WHEN I BULLDOGGED MY FIRST STEER. 152 00:11:21,634 --> 00:11:23,067 HMM. OH, MY LOVE, 153 00:11:23,133 --> 00:11:25,100 YOU DO TURN A NEAT COMPLIMENT. 154 00:11:25,167 --> 00:11:28,601 I MEAN EXCITED AND PROUD AND KIND OF HOLLOW INSIDE. 155 00:11:28,667 --> 00:11:30,100 YOU KNOW HOW I MEAN. 156 00:11:30,167 --> 00:11:32,100 SURE. I FELT THE SAME WAY 157 00:11:32,167 --> 00:11:34,100 WHEN I BULLDOGGED MY FIRST STEER. 158 00:11:34,167 --> 00:11:37,234 YOU SURE I DIDN'T SELL YOU A BILL OF GOODS, BUCKSHOT? 159 00:11:37,300 --> 00:11:39,734 YOU BET YOUR LIFE YOU DID, NUMBER 7. 160 00:11:39,801 --> 00:11:42,067 DIDN'T YOU SAY, "GET YOUR HAIR IN A BRAID. 161 00:11:42,133 --> 00:11:43,567 WE'RE HITCHING"? 162 00:11:43,634 --> 00:11:45,567 HOW CAN A GAL HOLD OUT 163 00:11:45,634 --> 00:11:47,601 AGAINST A LONG, TEDIOUS ARGUMENT LIKE THAT- 164 00:11:47,667 --> 00:11:49,434 ESPECIALLY FROM A SPECTACULAR MUG 165 00:11:49,501 --> 00:11:50,868 IN A RED SHIRT? 166 00:11:50,934 --> 00:11:55,000 I HOPE IT WASN'T THAT FANCY RODEO STUFF THAT TOOK YOU IN. 167 00:11:55,067 --> 00:11:58,067 LIKE I SAID, THAT WAS JUST TO GET ENOUGH MONEY TOGETHER 168 00:11:58,133 --> 00:11:59,734 TO BUILD UP THE RANCH. 169 00:11:59,801 --> 00:12:01,300 THE WAY THINGS HAPPENED IN NEW YORK, 170 00:12:01,367 --> 00:12:04,901 I GUESS I FORGOT I WAS JUST A COWPUNCH WITH A COUPLE OF KIDS TO RAISE. 171 00:12:04,968 --> 00:12:06,033 WHAT ARE YOU TRYING TO DO, 172 00:12:06,100 --> 00:12:07,300 TALK ME OUT OF IT? 173 00:12:07,367 --> 00:12:08,634 NO. I- 174 00:12:08,701 --> 00:12:10,667 I JUST DON'T WANT YOU TO BE DISAPPOINTED, THAT'S ALL. 175 00:12:10,734 --> 00:12:13,567 WELL, I HAVEN'T BEEN SO FAR. 176 00:12:13,634 --> 00:12:16,534 DIDN'T YOU SAY THE SCENERY'S WONDERFUL - MOUNTAINS AND STUFF? 177 00:12:16,601 --> 00:12:18,534 YEAH. THAT'S A FACT. 178 00:12:18,601 --> 00:12:21,501 WELL, THERE'S NOTHING WRONG WITH THE CHILDREN, IS THERE? 179 00:12:21,567 --> 00:12:23,567 SO HELP ME, BUCKSHOT, THEY'RE THE FINEST LITTLE PAIR OF FILLIES 180 00:12:23,634 --> 00:12:24,868 YOU EVER SAW IN YOUR LIFE. 181 00:12:28,133 --> 00:12:30,400 OH, CHRIS. PORGY. 182 00:12:30,467 --> 00:12:31,601 OH, AGAIN? 183 00:12:31,667 --> 00:12:32,934 UH-HUH. 184 00:12:37,167 --> 00:12:40,100 PORGY'S NEVER SEEN THIS MANY TREES BEFORE. 185 00:12:40,167 --> 00:12:41,934 I MIGHT AS WELL GET OUT 186 00:12:42,000 --> 00:12:43,834 AND TAKE A LITTLE STRETCH MYSELF. 187 00:12:43,901 --> 00:12:46,601 CHRIS, YOU KNOW WHAT A GAL WANTS MOST OUT OF LIFE-ANY GAL? 188 00:12:51,667 --> 00:12:54,534 SHE WANTS TO BE NECESSARY TO HER GUY- 189 00:12:54,601 --> 00:12:56,734 NOT JUST ANY GUY, BUT THE RIGHT GUY. 190 00:12:56,801 --> 00:13:01,534 HE'S GOT TO NEED HER TO SEW ON HIS BUTTONS AND SCRUB HIS BACK 191 00:13:01,601 --> 00:13:04,534 AND KID HIM OUT OF THOSE MONDAY MORNING GLOOMS. 192 00:13:04,601 --> 00:13:08,067 NOT THAT I'M AN OLD HAND AT SUCH CHORES, BUT- 193 00:13:08,133 --> 00:13:10,901 THIS IS IT, CHRIS. I COULDN'T BE SURER. 194 00:13:10,968 --> 00:13:13,667 YOU KNOW, BUCKSHOT, I WON'T NEED TO BUY YOU A COW PONY 195 00:13:13,734 --> 00:13:15,567 IF YOU CAN LOPE LIKE THIS UNDER YOUR OWN STEAM. 196 00:13:15,634 --> 00:13:17,801 YOU KNOW, YOU HAVEN'T HEARD A WORD I SAID. 197 00:13:17,868 --> 00:13:19,434 OH, THINK I DIDN'T? 198 00:13:19,501 --> 00:13:22,033 I DON'T KNOW WHETHER YOU'RE JUST PLAIN WACKY, MRS. HAYWARD, 199 00:13:22,100 --> 00:13:24,033 AND I'M JUST PLAIN LUCKY... 200 00:13:24,100 --> 00:13:25,567 OR VICE VERSA. 201 00:13:25,634 --> 00:13:26,934 HEY! 202 00:13:35,701 --> 00:13:37,834 * I'M UP IN THE MORNING AFORE DAYLIGHT * 203 00:13:37,901 --> 00:13:40,167 * AFORE I SLEEP, THE MOON SHINES BRIGHT * 204 00:13:40,234 --> 00:13:42,300 * COME-A TI YI YIPPY YIPPY YEA YIPPY YEA * 205 00:13:42,367 --> 00:13:44,367 * COME-A TI YI YIPPY YIPPY YEA * 206 00:13:44,434 --> 00:13:45,834 * I GOT IN MY SADDLE... * 207 00:13:45,901 --> 00:13:47,501 KAY, SEE THAT BARN OVER THERE? 208 00:13:47,567 --> 00:13:48,501 YEAH. 209 00:13:48,567 --> 00:13:49,567 BELONGS TO TUNK JOHNSON. 210 00:13:49,634 --> 00:13:50,968 MEANS WE'RE ALMOST HOME. 211 00:13:52,267 --> 00:13:53,167 HOW FAR? 212 00:13:53,234 --> 00:13:55,667 OH, JUST A LITTLE WAYS NOW. 213 00:13:55,734 --> 00:13:57,534 GOOD. 214 00:13:57,601 --> 00:14:00,534 HEY, YOU'RE NOT GOING CHICKEN, ARE YOU? 215 00:14:00,601 --> 00:14:03,534 WHO, ME? WHY, I CAN HARDLY WAIT. 216 00:14:05,100 --> 00:14:06,467 UH-OH. 217 00:14:09,534 --> 00:14:11,334 WHAT'S THE MATTER NOW? 218 00:14:11,400 --> 00:14:14,067 DO YOU HEAR THAT CLANKING? 219 00:14:14,133 --> 00:14:15,567 ISN'T IT THE DUCKS? 220 00:14:15,634 --> 00:14:17,033 NO. DUCKS QUACK. 221 00:14:17,100 --> 00:14:18,167 IT'S THE CON ROD BEARING. 222 00:14:18,234 --> 00:14:19,968 OH. WHAT DO THEY DO? 223 00:14:20,033 --> 00:14:21,734 THEY CLANK. 224 00:14:21,801 --> 00:14:24,567 I KNEW WE SHOULD HAVE BROUGHT ORVIE WITH US. 225 00:14:24,634 --> 00:14:27,033 YES. THE 3 OF US WOULD HAVE HAD SUCH FUN. 226 00:14:27,100 --> 00:14:28,567 ORVIE COULD HAVE FIXED IT. 227 00:14:28,634 --> 00:14:30,067 HE CAN FIX ANYTHING. 228 00:14:30,133 --> 00:14:32,033 NOT ONLY CAN, BUT DID. 229 00:14:33,133 --> 00:14:35,067 YOU KNOW HOW TO DRIVE A CAR? 230 00:14:35,133 --> 00:14:37,200 A CAR? YES. 231 00:14:41,133 --> 00:14:43,501 MOVE OVER. MOVE OVER, BOY. 232 00:14:58,601 --> 00:14:59,601 CHRIS! 233 00:14:59,667 --> 00:15:00,667 YEAH? 234 00:15:00,734 --> 00:15:03,667 YOU THINK THE KIDS WILL SEE THROUGH ME? 235 00:15:03,734 --> 00:15:06,033 WILL THEY CATCH ON THAT I'M AS COUNTRY-WISE 236 00:15:06,100 --> 00:15:07,400 AS A PARK AVENUE PIGEON? 237 00:15:07,467 --> 00:15:09,634 YOU THINK THEY'LL HATE ME FOR IT? 238 00:15:09,701 --> 00:15:12,734 DON'T LET THEM SCARE YOU, BUCKSHOT. THEY'RE GOOD KIDS. 239 00:15:27,901 --> 00:15:30,267 SET THE BRAKE TILL I CLOSE THE GATE. 240 00:15:32,133 --> 00:15:34,234 NEVER MIND. I'LL GET IT. 241 00:15:34,300 --> 00:15:36,834 YOU THINK YOU CAN HANDLE IT? 242 00:15:36,901 --> 00:15:39,501 YOU THINK YOU'RE MARRIED TO ONE OF THOSE HELPLESS FEMALES? 243 00:15:39,567 --> 00:15:42,801 IF I CAN'T CLOSE A GATE-OH! 244 00:15:42,868 --> 00:15:44,734 WELL? 245 00:15:50,133 --> 00:15:52,100 YOU THINK YOU GOT ME, HUH? 246 00:15:56,000 --> 00:15:57,934 VERY CLEVER. 247 00:16:11,834 --> 00:16:13,767 WISE GUY. 248 00:16:16,133 --> 00:16:18,067 SO YOU GOT BACK, DID YOU? 249 00:16:18,133 --> 00:16:19,934 HOWDY, MR. MEARS. 250 00:16:20,000 --> 00:16:23,033 WE'D HAVE BEEN BACK SOONER IF WE HADN'T DROPPED A HUNK OF THE MOTOR. 251 00:16:23,100 --> 00:16:25,567 THOUGHT MAYBE YOU TOOK UP RANCHING IN NEW YORK. 252 00:16:25,634 --> 00:16:27,467 WHAT'S THAT YOU GOT WITH YOU? 253 00:16:29,400 --> 00:16:31,400 DIDN'T YOU HEAR? I GOT MARRIED. THAT'S MY WIFE. 254 00:16:31,467 --> 00:16:32,868 HONEY, THIS IS MR. MEARS. 255 00:16:32,934 --> 00:16:35,000 HE OWNS THE PLACE ACROSS THE STREET FROM US. 256 00:16:36,934 --> 00:16:38,868 I DIDN'T MEAN HER. 257 00:16:40,300 --> 00:16:44,901 OH, I'M SO RELIEVED, I CAN'T TELL YOU, MR. SMEARS. 258 00:16:44,968 --> 00:16:46,334 MEARS! 259 00:16:46,400 --> 00:16:48,133 I HEARD YOU. 260 00:16:52,334 --> 00:16:53,968 I MEANT THAT THERE ANIMAL. 261 00:16:54,033 --> 00:16:55,367 WHAT'S IT FOR? 262 00:16:55,434 --> 00:16:56,734 WELL, IT'S A DOG. 263 00:16:56,801 --> 00:17:00,167 I FIGURED IT WAS A DOG, BUT WHAT'S THE FOOL THING FOR? 264 00:17:00,234 --> 00:17:02,033 PORGY, GO BITE THE NICE MAN. 265 00:17:02,100 --> 00:17:03,067 UH, KAY- 266 00:17:03,133 --> 00:17:04,701 WHAT'S YOUR BULL GOT THAT HE HASN'T GOT? 267 00:17:04,767 --> 00:17:06,534 KAY, YOU MIGHT NOT KNOW IT, BUT YOU'RE LOOKING 268 00:17:06,601 --> 00:17:08,534 AT ONE OF THE TOP BULLS IN THIS PART OF THE COUNTRY. 269 00:17:08,601 --> 00:17:09,801 ISN'T THAT RIGHT, MR. MEARS? 270 00:17:09,868 --> 00:17:10,801 HORNS. 271 00:17:10,868 --> 00:17:11,868 HMM? 272 00:17:11,934 --> 00:17:14,334 THAT'S WHAT REDDY'S GOT THAT HE AIN'T GOT! 273 00:17:14,400 --> 00:17:16,634 IS THAT SOMETHING TO BE PROUD OF AMONG YOU BOYS? 274 00:17:16,701 --> 00:17:20,534 WELL, I CAN SEE WHO'S WEARING THE PANTS AROUND HERE, ALL RIGHT. 275 00:17:20,601 --> 00:17:22,100 YOU'RE PRETTY SHARP THERE, MR. SMEARS- 276 00:17:22,167 --> 00:17:23,267 MEARS, DEAR. 277 00:17:23,334 --> 00:17:25,200 MR. MEARS, DID RED BOY MAKE GRAND CHAMPION 278 00:17:25,267 --> 00:17:26,567 AT THE BARNESVILLE FAIR? 279 00:17:26,634 --> 00:17:28,567 NO, HE DIDN'T. GOT CHEATED. 280 00:17:28,667 --> 00:17:31,033 DERN JUDGE GAVE IT TO TUNK JOHNSON'S BULL AGAIN. 281 00:17:31,100 --> 00:17:32,234 HERCULES PRINCE TOOK IT, HUH? 282 00:17:32,300 --> 00:17:33,234 YEAH. 283 00:17:33,300 --> 00:17:35,701 THAT'S TOO BAD, MR. MEARS. 284 00:17:35,767 --> 00:17:37,200 DOG! 285 00:17:37,267 --> 00:17:38,901 BULL! 286 00:17:40,300 --> 00:17:42,400 WELL, I HOPE WE DON'T SEE MUCH OF HIM! 287 00:17:42,467 --> 00:17:44,067 WELL, I HOPE WE DO. 288 00:17:44,133 --> 00:17:46,200 AND, BUCKSHOT, YOU GOT TO BE MORE CAREFUL HOW YOU TALK TO HIM. 289 00:17:46,267 --> 00:17:47,901 WHAT? THAT OLD GOAT? WHY? 290 00:17:47,968 --> 00:17:50,534 BECAUSE WE CAN HARDLY TAKE A BATH WITHOUT THAT OLD GOAT. 291 00:17:50,601 --> 00:17:52,534 OH, WELL, NOW, JUST A MINUTE! 292 00:17:52,601 --> 00:17:54,767 I MEAN THE RANCH. WE DEPEND ON HIM FOR OUR WATER. 293 00:17:54,834 --> 00:17:58,167 OHH. OH, WELL, THAT'S DIFFERENT. 294 00:17:58,234 --> 00:17:59,234 MOVE OVER, PORGY. 295 00:18:09,434 --> 00:18:11,267 THIS IS IT. WE'RE HOME! 296 00:18:11,334 --> 00:18:13,601 WHAT DO YOU THINK, HONEY? 297 00:18:15,767 --> 00:18:20,601 WHY, CHRIS! IT'S LOVELY! 298 00:18:20,667 --> 00:18:22,567 THE WAY YOU UNDERPLAYED IT- 299 00:18:22,634 --> 00:18:25,100 WELL, I DON'T KNOW WHAT I EXPECTED. 300 00:18:25,167 --> 00:18:27,701 PLUS IT'LL LOOK A LOT BETTER WHEN WE GET IT FIXED UP. 301 00:18:27,767 --> 00:18:31,934 FIXED UP? WHY, CHRIS, I WOULDN'T CHANGE A THING. 302 00:18:36,100 --> 00:18:38,767 COUGAR ROCK, HERE WE COME. 303 00:18:43,133 --> 00:18:44,767 HEY, WHERE ARE YOU GOING? 304 00:18:44,834 --> 00:18:46,601 WELL, ISN'T THIS IT? 305 00:18:46,667 --> 00:18:49,000 NO, NO. IT'S OVER THERE. 306 00:18:56,067 --> 00:18:58,300 W- WELL, LET'S GO! 307 00:19:35,601 --> 00:19:37,200 COME ON, PORGY. 308 00:19:40,100 --> 00:19:41,534 WELL? 309 00:19:41,601 --> 00:19:42,501 WELL, WHAT? 310 00:19:42,567 --> 00:19:45,033 UH, DISAPPOINTED? 311 00:19:45,100 --> 00:19:49,067 OH, CHRIS! YOU'RE GOING TO LIVE IN IT, AREN'T YOU? 312 00:19:49,133 --> 00:19:50,334 SURE. 313 00:19:50,400 --> 00:19:54,400 THEN IT LOOKS LIKE A HUNK OF HEAVEN TO ME, YOU DOPE. 314 00:19:54,467 --> 00:19:58,734 WHAT MAKES YOU THINK I HAVE A MIND OF MY OWN ANYMORE, ANYWAY? 315 00:19:58,801 --> 00:20:01,367 SOMEDAY, I'M GOING TO BUILD ME A LAYOUT 316 00:20:01,434 --> 00:20:03,367 AS GOOD AS MEARS' OVER THERE. 317 00:20:03,434 --> 00:20:05,901 WOULD YOU LIKE A PARTNER, PARDNER? 318 00:20:05,968 --> 00:20:07,434 WOULD I. 319 00:20:10,701 --> 00:20:13,934 HEY! COME LIKE THAT ALL THE WAY FROM NEW YORK? 320 00:20:14,000 --> 00:20:15,033 HYAH! 321 00:20:15,100 --> 00:20:16,200 ORVIE! 322 00:20:16,267 --> 00:20:18,567 WE BROKE DOWN THE OTHER SIDE OF TUNK'S PLACE. 323 00:20:18,634 --> 00:20:20,100 I DIDN'T MEAN THAT, CHRIS. 324 00:20:20,167 --> 00:20:22,100 I SEEN YOU SMOOCHING WITH THE MISSIS, 325 00:20:22,167 --> 00:20:24,067 SO I SAID, "DID YOU COME ALL THE WAY FROM"... 326 00:20:24,133 --> 00:20:25,701 YES, ORVIE, WE GOT IT. 327 00:20:25,767 --> 00:20:27,334 COME ON. GIVE ME A HAND WITH THIS STUFF. 328 00:20:27,400 --> 00:20:29,601 SURE. TROUBLE, TROUBLE, HUH? BROKE DOWN? 329 00:20:29,667 --> 00:20:32,367 I KNEW YOU SHOULD HAVE TOOK ME WITH YOU. 330 00:20:32,434 --> 00:20:33,367 YES, ORVIE. 331 00:20:33,434 --> 00:20:34,601 COULD HAVE USED ANOTHER HORSE. 332 00:20:34,667 --> 00:20:37,100 CHRIS, YOU KNOW I CAN'T LOSE ANY WEIGHT. 333 00:20:37,167 --> 00:20:38,567 WHERE ARE THE KIDS? 334 00:20:38,634 --> 00:20:40,100 KIDS? THEY'RE STILL IN SCHOOL. 335 00:20:40,167 --> 00:20:41,567 HEY, HOW WAS THE HONEYMOON? 336 00:20:41,634 --> 00:20:43,100 ORVIE, WILL YOU GET ME THIS ONE FIRST? 337 00:20:43,167 --> 00:20:44,400 YES, MA'AM. EXCUSE ME. 338 00:20:44,467 --> 00:20:45,534 OH, HI, ALBERT. 339 00:20:47,000 --> 00:20:48,267 HOW'D THINGS GO? 340 00:20:48,334 --> 00:20:49,601 EVERYTHING'S ALIVE AND KICKING. 341 00:20:49,667 --> 00:20:50,934 MEET THE NEW MISSIS. 342 00:20:51,000 --> 00:20:52,868 ALBERT HELPED OUT AROUND HERE WHILE I WAS GONE. 343 00:20:52,934 --> 00:20:54,033 HELLO, ALBERT. 344 00:20:54,100 --> 00:20:56,567 HUH. WELL, YOU WON'T BE NEEDING ME ANYMORE. 345 00:20:56,634 --> 00:20:58,567 NO. I GOT A GOOD HAND NOW. MUCH OBLIGED. 346 00:20:58,634 --> 00:20:59,567 GOOD LUCK. 347 00:20:59,634 --> 00:21:00,567 THANKS. 348 00:21:01,634 --> 00:21:02,734 YOU'LL NEED IT. 349 00:21:17,634 --> 00:21:18,567 WELL, WHAT DO YOU KNOW? 350 00:21:18,634 --> 00:21:20,033 THOSE DOGS THINK NOTHING 351 00:21:20,100 --> 00:21:21,367 OF TREEING A COUGAR! 352 00:21:21,434 --> 00:21:24,934 WELL, PORGY, SEE WHAT THEY THINK OF YOU AROUND HERE? 353 00:21:25,033 --> 00:21:26,601 BOSS HOME. 354 00:21:26,667 --> 00:21:28,601 HI, POKEY! 355 00:21:28,667 --> 00:21:32,100 HA HA! HOW'S THE GLAMOUR GIRL? 356 00:21:32,167 --> 00:21:34,300 YOU LOOK FINE, BOSS. 357 00:21:35,667 --> 00:21:37,567 WOMAN GOOD, HUH? 358 00:21:37,634 --> 00:21:39,100 YOU AIN'T FOOLING. 359 00:21:39,167 --> 00:21:40,100 WHAT THAT? 360 00:21:40,167 --> 00:21:41,067 WELL, THAT'S A DOG. 361 00:21:41,133 --> 00:21:42,601 ME KNOW, BUT WHAT FOR? 362 00:21:42,667 --> 00:21:43,601 WELL, UH- 363 00:21:43,667 --> 00:21:44,767 HERE WE GO AGAIN. 364 00:21:44,834 --> 00:21:46,100 MEET YOUR NEW BOSS. 365 00:21:46,167 --> 00:21:47,434 THIS IS POCAHONTAS WHITEFOOT. 366 00:21:47,501 --> 00:21:48,901 HOW DO YOU DO, MRS. WEBFOOT? 367 00:21:48,968 --> 00:21:50,267 JUST CALL HER POKEY. 368 00:21:50,334 --> 00:21:51,934 YOU GOT THE HOUSE CLEANED UP? 369 00:21:52,000 --> 00:21:53,200 EVERYTHING SPICK'UM-SPANK'UM. 370 00:21:53,267 --> 00:21:55,868 ME GO. MAKE YOU BED NOW. 371 00:21:55,934 --> 00:21:57,367 SHE'S A CHARACTER. 372 00:21:57,434 --> 00:22:00,067 BUT, MAN, CAN SHE COOK. WAIT TILL YOU TASTE HER HOMINY GRITS. 373 00:22:00,133 --> 00:22:01,234 I CAN'T WAIT. 374 00:22:01,300 --> 00:22:04,934 HI! HI, DADDY! 375 00:22:05,000 --> 00:22:05,968 DADDY! 376 00:22:06,033 --> 00:22:07,434 HIYA, SPROUTS! 377 00:22:07,501 --> 00:22:08,467 HI, DADDY! 378 00:22:08,534 --> 00:22:10,067 HOW ARE YOU? 379 00:22:10,133 --> 00:22:13,601 MAN, AM I GLAD TO SEE YOU! 380 00:22:16,601 --> 00:22:19,033 WE SAW YOU FROM WAY UP ON PARTING CREEK TRAIL. 381 00:22:19,100 --> 00:22:21,067 WE ALMOST BURNED OUR BRITCHES GETTING BACK. 382 00:22:21,133 --> 00:22:22,400 YOU DID, HUH? 383 00:22:22,467 --> 00:22:24,067 I DIDN'T MISS YOU ANY, EITHER. 384 00:22:24,133 --> 00:22:27,868 LOOKS LIKE WE GALS SEE EYE TO EYE ON CERTAIN MATTERS. 385 00:22:27,934 --> 00:22:28,834 OH. 386 00:22:28,901 --> 00:22:30,567 DADDY, IS THAT HER? 387 00:22:30,634 --> 00:22:32,601 YEAH. THAT'S THE WICKED STEPMOTHER, 388 00:22:32,667 --> 00:22:34,000 JUST ARRIVED ON A BROOM. 389 00:22:34,067 --> 00:22:36,934 MRS. HAYWARD, MEET YOUR READY-MADE FAMILY. 390 00:22:37,000 --> 00:22:38,434 THE RUNT HERE IS CHRISTINA, 391 00:22:38,501 --> 00:22:40,067 AND THIS OLD, WRINKLED ONE IS NANCY, 392 00:22:40,133 --> 00:22:41,767 OTHERWISE KNOWN AS TINA AND NAN. 393 00:22:41,834 --> 00:22:43,834 HELLO. 394 00:22:45,667 --> 00:22:47,601 WELL, IF I'VE GOT TO LIVE WITH 3 FEMALES, 395 00:22:47,667 --> 00:22:49,434 I'M GLAD NONE OF THEM IS GABBY. 396 00:22:50,501 --> 00:22:52,000 LOOK! A DOG WITH MUFFS! 397 00:22:52,067 --> 00:22:54,033 THEY'RE CUFFS. PORGY'S A BOY. 398 00:22:54,100 --> 00:22:56,534 KAY'S A LAUGH A MINUTE, ISN'T SHE? 399 00:22:56,601 --> 00:22:58,000 I BROUGHT YOU SOMETHING FROM NEW YORK. 400 00:22:58,067 --> 00:22:59,534 WOULD YOU LIKE TO COME AND SEE IT? 401 00:22:59,601 --> 00:23:01,000 SURE, THEY'D LIKE TO GO AND SEE IT. 402 00:23:01,067 --> 00:23:02,634 YOU CAN SHOW KAY THE HOUSE, TOO. 403 00:23:02,701 --> 00:23:04,033 I'LL TAKE CARE OF YOUR HORSES. 404 00:23:04,100 --> 00:23:05,567 YOU RUN ALONG. WELL, GO AHEAD. 405 00:23:17,267 --> 00:23:18,367 THIS IS THE KITCHEN. 406 00:23:18,434 --> 00:23:19,400 WE EAT HERE. 407 00:23:19,467 --> 00:23:20,400 THAT'S NICE. 408 00:23:20,467 --> 00:23:22,234 DOWN THIS WAY. 409 00:23:24,601 --> 00:23:26,234 THIS HERE'S THE PARLOR, MA'AM. 410 00:23:26,300 --> 00:23:28,567 WE DON'T USE IT MUCH. 411 00:23:28,634 --> 00:23:30,367 LOOKS NICE AND COMFORTABLE. 412 00:23:30,434 --> 00:23:31,734 WE LIKE IT. 413 00:23:33,167 --> 00:23:36,033 THAT POKEY'S BEEN EATING HER BREAKFAST IN HERE AGAIN! 414 00:23:36,100 --> 00:23:37,901 YOU JUST TELL HER TO QUIT IT. 415 00:23:37,968 --> 00:23:39,400 I WILL. DON'T WORRY. 416 00:23:39,467 --> 00:23:40,868 THIS WAY, MA'AM. 417 00:23:43,334 --> 00:23:44,267 OH, MY! 418 00:23:44,334 --> 00:23:46,100 DON'T LET IT BOTHER YOU, MA'AM. 419 00:23:46,167 --> 00:23:47,133 HAPPENS ALL THE TIME. 420 00:23:47,200 --> 00:23:48,334 IT DOES? 421 00:23:50,501 --> 00:23:52,534 THAT'S THE BATHROOM, MA'AM. 422 00:23:52,601 --> 00:23:54,000 THIS IS OUR ROOM. 423 00:23:54,067 --> 00:23:55,868 OH. PRETTY. 424 00:23:55,934 --> 00:23:58,033 THIS IS DADDY'S ROOM. 425 00:23:58,100 --> 00:23:59,667 OH. 426 00:23:59,734 --> 00:24:03,167 WELL, IT'S VERY NICE. 427 00:24:04,767 --> 00:24:06,534 OH! MY GOODNESS! 428 00:24:06,601 --> 00:24:09,033 WE SHOULD HAVE TOLD YOU ABOUT THAT. 429 00:24:09,100 --> 00:24:11,033 ORVIE'S BEEN GOING TO FIX IT. 430 00:24:11,100 --> 00:24:14,067 WELL, I THINK HE- HE'D BETTER FIX IT. 431 00:24:14,133 --> 00:24:18,033 MY GOODNESS! SOMETHING LIKE THAT CAN BE DANGEROUS. 432 00:24:18,100 --> 00:24:20,567 HAS THAT ALWAYS BEEN LIKE THAT? 433 00:24:23,801 --> 00:24:26,067 OH, HERE'S YOUR PRESENTS. 434 00:24:26,133 --> 00:24:28,400 I PUT THEM RIGHT HERE ON TOP 435 00:24:28,467 --> 00:24:31,400 SO I'D HAVE THEM JUST AS SOON AS I GOT HERE. 436 00:24:31,467 --> 00:24:35,534 NOW, LET'S SEE. THIS IS FOR YOU. 437 00:24:35,601 --> 00:24:37,367 THANK YOU, MA'AM. 438 00:24:37,434 --> 00:24:39,067 AND THIS IS FOR YOU. 439 00:24:39,133 --> 00:24:40,534 THANK YOU, MA'AM. 440 00:24:40,601 --> 00:24:42,067 CAREFUL. 441 00:24:42,133 --> 00:24:45,067 WELL, NOW, AREN'T YOU GOING TO OPEN THEM? 442 00:24:45,133 --> 00:24:48,567 DO YOU MIND IF WE TALK TO YOU FIRST, MA'AM? 443 00:24:48,634 --> 00:24:50,100 DO I MIND? 444 00:24:50,167 --> 00:24:53,033 OH, THAT'S JUST WHAT I'VE BEEN WANTING. 445 00:24:53,100 --> 00:24:55,667 COME ON. SIT DOWN AND FIRE AWAY. 446 00:24:55,734 --> 00:24:57,534 You start. 447 00:24:57,601 --> 00:25:02,033 WELL, MA'AM, THERE'S SOME THINGS WE'D LIKE TO ASK YOU. 448 00:25:02,100 --> 00:25:04,667 ESPECIALLY IF YOU'RE GOING TO TAKE MOMMY'S PLACE. 449 00:25:06,100 --> 00:25:08,534 WELL, I'D APPRECIATE ANY SUGGESTIONS. 450 00:25:08,601 --> 00:25:12,033 WELL... CAN YOU MAKE COFFEE? 451 00:25:12,100 --> 00:25:13,534 WELL, I THINK SO. 452 00:25:13,601 --> 00:25:15,033 MOTHER ALWAYS MADE DADDY A CUP OF COFFEE 453 00:25:15,100 --> 00:25:16,701 FIRST THING IN THE MORNING, 454 00:25:16,767 --> 00:25:18,033 WITH EGGSHELLS. 455 00:25:18,100 --> 00:25:19,534 THINK YOU CAN DO IT, MA'AM? 456 00:25:19,601 --> 00:25:21,033 I'LL SURE AS HECK TRY. 457 00:25:21,100 --> 00:25:23,167 AND SHE MADE CLABBER MILK FLAPJACKS ON SUNDAYS. 458 00:25:23,234 --> 00:25:24,400 THINK YOU CAN? 459 00:25:24,467 --> 00:25:27,067 CLABBER-FLABBER- MILKED- 460 00:25:27,133 --> 00:25:29,567 OH, MY SPECIALTY! 461 00:25:29,634 --> 00:25:31,167 WHAT ELSE? 462 00:25:31,234 --> 00:25:33,901 WHENEVER DADDY GOT UP ON THE WRONG SIDE OF THE BED, 463 00:25:33,968 --> 00:25:36,567 MOTHER ALWAYS MADE HIM GO BACK AND GET UP ON THE RIGHT SIDE. 464 00:25:36,634 --> 00:25:38,067 I'LL DO BETTER THAN THAT. 465 00:25:38,133 --> 00:25:39,901 I'LL MAKE HIM GET UP ON THE RIGHT SIDE 466 00:25:39,968 --> 00:25:41,067 OF THE BED THE FIRST TIME. 467 00:25:41,133 --> 00:25:43,033 SOMETIMES THAT'S A CHORE, MA'AM. 468 00:25:43,100 --> 00:25:44,400 OH. 469 00:25:44,467 --> 00:25:46,868 IS THERE ANYTHING ELSE? 470 00:25:46,934 --> 00:25:49,534 ABOUT ALL I CAN THINK OF. 471 00:25:55,033 --> 00:25:56,534 I don't. 472 00:25:56,601 --> 00:25:57,534 I DO. 473 00:25:57,601 --> 00:25:58,501 WELL, I DON'T. 474 00:25:58,567 --> 00:25:59,534 I DO! 475 00:25:59,601 --> 00:26:02,033 I DON'T CARE WHAT YOU SAY. I DON'T! 476 00:26:02,100 --> 00:26:03,033 I DO! 477 00:26:03,100 --> 00:26:04,334 I DON'T! 478 00:26:04,400 --> 00:26:07,000 WAIT A MINUTE. MAYBE I COULD HELP YOU SETTLE IT. 479 00:26:07,067 --> 00:26:08,534 WHAT IS IT? 480 00:26:08,601 --> 00:26:12,868 WELL, I THINK YOU'RE A LITTLE PRETTIER THAN JEAN. 481 00:26:12,934 --> 00:26:14,033 JEAN? 482 00:26:14,100 --> 00:26:15,868 JEAN MORROW. SHE LIVES ON THE NEXT RANCH 483 00:26:15,934 --> 00:26:17,534 AND LOOKS AFTER US WHEN DADDY GOES AWAY. 484 00:26:17,601 --> 00:26:18,767 OH. 485 00:26:18,834 --> 00:26:21,501 I GUESS DADDY JUST LIKED YOU BETTER. 486 00:26:21,567 --> 00:26:23,033 OHH! 487 00:26:23,100 --> 00:26:26,534 A WATCH! JUST WHAT I BEEN- 488 00:26:26,601 --> 00:26:28,033 JUST WHAT I BEEN WANTING! 489 00:26:28,100 --> 00:26:30,067 ME, TOO! THANK YOU, MA'AM. 490 00:26:30,133 --> 00:26:32,467 THANKS A LOT, MA'AM. 491 00:26:32,534 --> 00:26:35,901 OH, GIRLS, DO YOU THINK IF YOU TRIED REAL HARD, 492 00:26:35,968 --> 00:26:38,868 YOU MIGHT FIND SOMETHING TO CALL ME BESIDES "MA'AM"? 493 00:26:38,934 --> 00:26:40,400 MAYBE. 494 00:26:53,033 --> 00:26:53,968 TIME YOU GOT? 495 00:26:54,033 --> 00:26:54,968 9:15. 496 00:26:55,033 --> 00:26:56,167 ME, TOO. 497 00:26:56,234 --> 00:26:58,467 OH, DADDY, THESE WATCHES ARE WONDERFUL! 498 00:26:58,534 --> 00:26:59,734 THEY BOTH SAY THE SAME TIME. 499 00:26:59,801 --> 00:27:01,200 THEY OUGHT TO. 500 00:27:01,267 --> 00:27:03,033 SHE BOUGHT THEM IN THE BIGGEST STORE IN NEW YORK. 501 00:27:03,100 --> 00:27:04,334 GEE, THAT'S SUPER. 502 00:27:04,400 --> 00:27:05,934 YEAH. 503 00:27:06,000 --> 00:27:09,534 WE SURE WERE LUCKY TO FIND SOMEBODY LIKE KAY, WEREN'T WE? 504 00:27:09,601 --> 00:27:12,501 I MEAN, SHE'S JUST WHAT WE BEEN NEEDING AROUND HERE, ISN'T SHE? 505 00:27:12,567 --> 00:27:14,534 WELL, SHE'S PRETTY AND ALL, 506 00:27:14,601 --> 00:27:16,534 AND SHE SEEMS NICE. 507 00:27:16,601 --> 00:27:19,033 OF COURSE, WE ONLY JUST MET HER. 508 00:27:19,100 --> 00:27:21,868 I THINK YOU'RE GOING TO FIND SHE'S PRETTY WONDERFUL. 509 00:27:21,934 --> 00:27:23,367 SURE LIKE MY WATCH. 510 00:27:23,434 --> 00:27:26,534 BUT YOU'VE ONLY KNOWN HER A WEEK OR SO, DADDY. 511 00:27:26,601 --> 00:27:29,033 YOU KNOW, SOMETIMES IF YOU REALLY WANT TO KNOW ABOUT SOMETHING 512 00:27:29,100 --> 00:27:31,000 AND YOU STUDY IT REAL HARD, 513 00:27:31,067 --> 00:27:33,567 YOU CAN FIND OUT AN AWFUL LOT ABOUT IT IN A MIGHTY SHORT TIME. 514 00:27:33,634 --> 00:27:35,567 HOW COME YOU MARRIED HER SO QUICK? 515 00:27:35,634 --> 00:27:37,033 ORVIE SAID IT WAS LIKE THAT. 516 00:27:37,100 --> 00:27:39,567 WELL, I FELL IN LOVE WITH HER LIKE THAT. 517 00:27:39,634 --> 00:27:43,067 BUT YOU TOLD US YOU WENT WITH MOTHER FOR 3 WHOLE YEARS. 518 00:27:43,133 --> 00:27:45,033 I FELL IN LOVE WITH YOUR MOTHER LIKE THAT, TOO, 519 00:27:45,100 --> 00:27:46,567 BUT IT TOOK ME 3 WHOLE YEARS 520 00:27:46,634 --> 00:27:48,567 TO GET UP THE GUMPTION TO ASK HER TO MARRY ME. 521 00:27:48,634 --> 00:27:50,400 HOW COME YOU ASKED KAY SO QUICK? 522 00:27:50,467 --> 00:27:52,601 THIS TIME, I HAD A HAND FROM ORVIE. 523 00:27:52,667 --> 00:27:55,367 OH, ORVIE! HE'S ALWAYS BUTTING IN ON THINGS. 524 00:27:56,701 --> 00:27:58,667 NAN, LISTEN TO ME, HONEY. 525 00:28:04,067 --> 00:28:05,968 BUT IF YOU'D JUST GIVE HER A CHANCE, 526 00:28:06,067 --> 00:28:08,000 I THINK MAYBE SHE CAN COME KIND OF CLOSE. 527 00:28:08,067 --> 00:28:09,534 HOW ABOUT IT? 528 00:28:09,601 --> 00:28:10,968 OH, DADDY! 529 00:28:12,434 --> 00:28:14,334 OK, KIDS. COME ON. 530 00:28:14,400 --> 00:28:16,501 CLIMB IN THE SACK. 531 00:28:20,567 --> 00:28:22,968 THERE. GOOD NIGHT, PUMPKINS. 532 00:28:23,033 --> 00:28:24,234 NIGHT, DADDY. 533 00:28:32,467 --> 00:28:35,701 JEEPERS. THEY EVEN TELL TIME IN THE DARK. 534 00:28:35,767 --> 00:28:37,033 MINE DOES, TOO. 535 00:28:39,834 --> 00:28:42,067 WHAT A DAY! 536 00:28:42,133 --> 00:28:43,868 KIND OF ROUGH, HUH? 537 00:28:45,634 --> 00:28:47,634 WHAT TIME DO WE GET UP AROUND HERE? 538 00:28:47,701 --> 00:28:49,400 YOU MUST BE DEAD TIRED, HONEY. 539 00:28:49,467 --> 00:28:51,234 WHY DON'T YOU SLEEP IN IN THE MORNING? 540 00:28:51,300 --> 00:28:52,334 GET UP AROUND 6:00. 541 00:28:52,400 --> 00:28:53,834 HA HA! 542 00:28:57,734 --> 00:29:00,334 WHAT TIME DID YOU SAY? 543 00:29:00,400 --> 00:29:01,968 6:15. 544 00:29:02,033 --> 00:29:03,934 YOU... 545 00:29:13,901 --> 00:29:14,801 YAAAA! 546 00:29:21,667 --> 00:29:25,067 YOU KNOW, I'VE GOT A HUNCH WE'RE IN FOR A SHIVAREE. 547 00:29:25,133 --> 00:29:26,634 SHIVER WHAT? 548 00:29:26,701 --> 00:29:27,968 GET INTO SOMETHING. 549 00:29:28,033 --> 00:29:29,367 GET INTO SOMETHING SPECIAL. 550 00:29:29,434 --> 00:29:31,000 YOU'RE ENTERTAINING. 551 00:29:31,067 --> 00:29:34,334 OH, NO! 552 00:29:54,133 --> 00:29:55,868 HA HA! 553 00:29:55,934 --> 00:29:57,067 KAY, HURRY UP! 554 00:29:57,133 --> 00:30:00,067 HEY, KAY, GET OUT OF THE HAY! 555 00:30:00,133 --> 00:30:02,567 I JUST PULLED A GOOD ONE. 556 00:30:02,634 --> 00:30:05,567 I SAID, "HEY, KAY, GET OUT OF THE HAY!" 557 00:30:05,634 --> 00:30:07,067 HI, JEAN! 558 00:30:07,133 --> 00:30:08,901 GLAD YOU JOINED THE SHIVAREE. 559 00:30:08,968 --> 00:30:10,901 JOINED IT? I ORGANIZED IT! 560 00:30:10,968 --> 00:30:13,067 I WANT YOU TO BE THE FIRST TO MEET HER. COME ON. 561 00:30:13,133 --> 00:30:14,434 KAY? 562 00:30:14,501 --> 00:30:16,033 OH! 563 00:30:16,100 --> 00:30:17,567 COME OUT OF THERE, HONEY. 564 00:30:17,634 --> 00:30:18,534 OH! 565 00:30:18,601 --> 00:30:20,100 I WANT YOU TO MEET JEAN MORROW. 566 00:30:20,167 --> 00:30:21,100 JEAN, THIS IS KAY. 567 00:30:21,167 --> 00:30:23,100 I'M GLAD TO MEET YOU, JEAN. 568 00:30:23,167 --> 00:30:25,067 I'M SO HAPPY FOR YOU, KAY. 569 00:30:25,133 --> 00:30:26,767 HOW'S THIS FOR PICKING THEM, JEAN? 570 00:30:26,834 --> 00:30:29,067 GOOD EYE, COWBOY. CONGRATULATIONS. 571 00:30:29,133 --> 00:30:32,100 HERE, YOU BIG LUG, TAKE THAT AND PUT IT IN THE KITCHEN. 572 00:30:32,167 --> 00:30:33,767 NOW, CAN I HELP YOU WITH THAT? 573 00:30:33,834 --> 00:30:37,100 I THINK I'VE GOT IT ON WRONG - OH, DEAR, DEAR! 574 00:30:37,167 --> 00:30:38,567 SUCH A PRETTY DRESS! 575 00:30:38,634 --> 00:30:40,667 BUT IT LOOKS BETTER IF I GET IT ON RIGHT. 576 00:30:41,968 --> 00:30:44,834 COME ON, FOLKS. LET'S GET THE PARTY STARTED. 577 00:30:44,901 --> 00:30:46,200 WoOH, GOOD! 578 00:30:46,267 --> 00:30:48,501 HEY, I WANT TO TALK TO YOU! 579 00:30:48,567 --> 00:30:50,100 HIYA, TUNK! HOW YOU BEEN? 580 00:30:50,167 --> 00:30:52,033 SALLY, TAKE THAT OUT AND PUT IT IN THE KITCHEN. 581 00:30:52,100 --> 00:30:53,067 DADDY! DADDY! 582 00:30:53,133 --> 00:30:54,067 COULDN'T WE STAY UP? 583 00:30:54,133 --> 00:30:55,033 PLEASE? 584 00:30:55,100 --> 00:30:57,067 YOU CAN STAY UP FOR A WHILE. 585 00:30:57,133 --> 00:30:59,400 SO YOU WENT AND DONE IT, HUH? 586 00:30:59,467 --> 00:31:02,067 WELL, MY HEART SURE BLEEDS FOR THE POOR LITTLE BRIDE. HA HA! 587 00:31:02,133 --> 00:31:03,234 THANK YOU. 588 00:31:03,300 --> 00:31:05,567 WELL, HONEY, THIS IS TUNK JOHNSON. 589 00:31:05,634 --> 00:31:08,067 HE OWNS THE BULL THAT OUT-BULLED MEARS' BULL THIS YEAR. 590 00:31:08,133 --> 00:31:09,200 EVERY YEAR. 591 00:31:09,267 --> 00:31:10,567 BULLY FOR YOU! 592 00:31:10,634 --> 00:31:12,567 HA HA! WELL, FOLKS. HERE SHE IS. 593 00:31:12,634 --> 00:31:14,067 MEET THE BRIDE. 594 00:31:16,133 --> 00:31:17,567 ME, I'M BERT. 595 00:31:17,634 --> 00:31:20,734 HI. HELLO. HOW DO YOU DO? 596 00:31:26,601 --> 00:31:29,100 OH, IT'S YOU, CHRIS. 597 00:31:29,167 --> 00:31:30,601 WANT TO CUT IN? 598 00:31:30,667 --> 00:31:31,601 NO. LATER, HUH? 599 00:31:31,667 --> 00:31:34,601 I SAID, DO YOU WANT TO CUT IN? 600 00:31:34,667 --> 00:31:36,067 NO. NOT NOW. 601 00:31:36,133 --> 00:31:38,100 WHOO! 602 00:31:38,167 --> 00:31:39,634 HOW AM I DOING, DADDY? 603 00:31:39,701 --> 00:31:42,100 YOU'RE DOING FINE. WAIT TILL I GET RID OF THIS. 604 00:31:42,167 --> 00:31:43,300 OK. 605 00:31:47,133 --> 00:31:49,067 WELL, I WARN YOU, JEAN, 606 00:31:49,133 --> 00:31:51,601 I'M GOING TO LEAN ON YOU HEAVILY FOR ADVICE. 607 00:31:51,667 --> 00:31:52,734 YOU'LL DO OK. 608 00:31:52,801 --> 00:31:54,501 YOU HAVE THE RIGHT KIND OF INSIDES. 609 00:31:54,567 --> 00:31:56,834 YOU HAVE TO HAVE THEM TO GIVE UP A CAREER LIKE YOURS. 610 00:31:56,901 --> 00:31:58,501 I DIDN'T GIVE IT UP. 611 00:31:58,567 --> 00:32:00,534 I JUST SWAPPED IT FOR SOMETHING I WANTED MORE. 612 00:32:00,601 --> 00:32:01,868 GOOD GIRL. 613 00:32:01,968 --> 00:32:03,534 GOOD GIRL, YOURSELF. 614 00:32:03,601 --> 00:32:07,567 YOU WERE A SWEETHEART TO TAKE CARE OF THOSE KIDS WHILE CHRIS WAS AWAY. 615 00:32:07,634 --> 00:32:11,067 I DON'T SUPPOSE HE'S TOLD YOU HOW HE TOOK CARE OF OUR RANCH 616 00:32:11,133 --> 00:32:13,534 ALL THOSE MONTHS MY STEVE WAS IN THE HOSPITAL. 617 00:32:13,601 --> 00:32:16,667 NO. NO, HE DIDN'T, BUT THEN, HE WOULDN'T. 618 00:32:16,734 --> 00:32:18,200 NO. 619 00:32:18,267 --> 00:32:20,000 NO, HE WOULDN'T. 620 00:32:30,634 --> 00:32:32,934 HEY, YOU TWO, BREAK IT UP IN THERE. 621 00:32:33,000 --> 00:32:34,434 COMING OUT. 622 00:32:34,501 --> 00:32:36,334 THOUGHT YOU SAID YOU WANTED SOME REFRESHMENTS. 623 00:32:36,400 --> 00:32:38,434 WE JUST SAID THAT TO GET RID OF YOU. 624 00:32:38,501 --> 00:32:40,100 YOU'RE NEVER GOING TO GET RID OF ME. 625 00:32:40,167 --> 00:32:41,767 DID SHE SHAKE ANY SKELETONS OUT OF MY CLOSET? 626 00:32:41,834 --> 00:32:43,434 NOT A SINGLE BONE, DARN IT. 627 00:32:46,501 --> 00:32:47,601 HEY, KAY, COME HERE. 628 00:32:47,667 --> 00:32:48,601 COMING! 629 00:32:51,467 --> 00:32:53,901 CHRIS' WIFE IS JUST AS NICE AS SHE CAN BE. 630 00:32:53,968 --> 00:32:57,300 BUT I'VE SAID IT BEFORE AND I'LL SAY IT AGAIN: 631 00:32:57,367 --> 00:33:00,033 MEN ARE THE BIGGEST FOOLS IN CREATION. 632 00:33:00,100 --> 00:33:02,534 JEAN WOULD HAVE MADE CHRIS SUCH A NICE WIFE. 633 00:33:02,601 --> 00:33:04,834 SHE'D HAVE BEEN A REAL HELP TO HIM, 634 00:33:04,901 --> 00:33:07,067 THE WAY SHE RUNS THAT RANCH OF HERS NOW. 635 00:33:07,133 --> 00:33:11,033 POOR JEAN, LOSING STEVE AND NOW LOSING CHRIS, TOO. 636 00:33:11,100 --> 00:33:14,167 I HOPE SHE DON'T GO INTO A DECLINE LIKE AMY DID 637 00:33:14,234 --> 00:33:17,133 WHEN FRANK RUN OFF WITH THAT CARNIVAL GIRL. 638 00:33:18,734 --> 00:33:21,000 * THE MAN WITH THE BIG FELT HAT * 639 00:33:21,067 --> 00:33:23,567 * OH, THE MAN WITH THE BIG FELT HAT * 640 00:33:23,634 --> 00:33:26,501 * AT 7 A.M., HIS STOCK IS FED * 641 00:33:26,567 --> 00:33:28,868 * HE'S MILKED OLD BESS AND WATERED OLD RED * 642 00:33:28,934 --> 00:33:31,467 * BY 7 P.M., HE'S BACK IN BED * 643 00:33:31,534 --> 00:33:34,000 * THE MAN WITH THE BIG FELT HAT * 644 00:33:34,067 --> 00:33:36,434 * THE MAN WITH THE BIG FELT HAT * 645 00:33:36,501 --> 00:33:39,167 * OH, THE MAN WITH THE BIG FELT HAT * 646 00:33:39,234 --> 00:33:42,000 * AROUND THE RANCH, HE'S KIND OF SLOW * 647 00:33:42,067 --> 00:33:44,534 * LOOKS LIKE ANY OTHER JOE * 648 00:33:44,601 --> 00:33:46,968 * BUT YOU OUGHT TO SEE HIM AT THE RODEO * 649 00:33:47,033 --> 00:33:49,000 * THE MAN WITH THE BIG FELT HAT * 650 00:33:49,067 --> 00:33:50,000 WHO? 651 00:33:50,067 --> 00:33:55,234 * THE MAN WITH THE BIG FELT HAT * 652 00:33:55,300 --> 00:34:00,367 * HE ALWAYS MAKES YOU PROUD ANYWHERE, IN ANY CROWD * 653 00:34:00,434 --> 00:34:02,667 * FROM WHAT I HEAR, HE RAISED- * 654 00:34:02,734 --> 00:34:05,033 * BEST DARN DATE IN 48 STATES * 655 00:34:05,100 --> 00:34:07,534 * THE MAN WITH THE BIG FELT HAT * 656 00:34:07,601 --> 00:34:10,367 * OH, THE MAN WITH THE BIG FELT HAT * 657 00:34:10,434 --> 00:34:12,767 * YOUR ONLY COMPETITION HERE * 658 00:34:12,834 --> 00:34:15,434 * IS A COUGAR TRACK THAT'S FRESH AND CLEAR * 659 00:34:15,501 --> 00:34:18,133 * AND I'LL GET THAT CAT IF IT TAKES A YEAR * 660 00:34:18,200 --> 00:34:20,434 * THE MAN WITH THE BIG FELT HAT * 661 00:34:20,501 --> 00:34:23,367 * THE MAN WITH THE BIG FELT HAT * 662 00:34:23,434 --> 00:34:25,033 ALL RIGHT. MAKE A BIG CIRCLE. 663 00:34:25,100 --> 00:34:27,067 COME ON, HIT IT, BOYS. 664 00:34:30,133 --> 00:34:32,501 ALL JOIN HANDS, CIRCLE SOUTH. 665 00:34:32,567 --> 00:34:35,567 LET A LITTLE MOONSHINE IN YOUR MOUTH. 666 00:34:35,634 --> 00:34:37,400 HALFWAY ROUND, TURN RIGHT BACK, 667 00:34:37,467 --> 00:34:39,067 SINGLE FILE, INDIAN STYLE. 668 00:34:39,133 --> 00:34:40,834 WHOO WHOO WHOO! 669 00:34:40,901 --> 00:34:43,267 EVERYBODY BREAK AND SWING. 670 00:34:44,334 --> 00:34:46,801 FACE THE CENTER OF THE RING. 671 00:34:46,868 --> 00:34:48,934 CLAP YOUR HANDS, SLAP YOUR KNEES. 672 00:34:49,000 --> 00:34:50,467 BOOMPS-A-DAISY, IF YOU PLEASE, 673 00:34:50,534 --> 00:34:52,701 AND SWING THAT CORNER GIRL AROUND. 674 00:34:54,100 --> 00:34:56,067 ENGINE GOING DOWN THE TRACK. 675 00:34:56,133 --> 00:34:57,968 SWING AROUND AND COME RIGHT BACK. 676 00:35:00,100 --> 00:35:01,067 UH-OH. 677 00:35:01,133 --> 00:35:02,367 WHAT'S THE MATTER? 678 00:35:02,434 --> 00:35:03,567 LOOK WHO'S STICKING HIS HEAD IN THE WINDOW. 679 00:35:03,634 --> 00:35:06,000 WELL, IF IT ISN'T THAT OLD DARLING SMEARSY. 680 00:35:06,067 --> 00:35:07,300 WHY DOESN'T HE COME IN? 681 00:35:07,367 --> 00:35:08,701 I GUESS HE WASN'T INVITED. 682 00:35:08,767 --> 00:35:10,534 PROBABLY CAME OVER TO COMPLAIN ABOUT THE NOISE. 683 00:35:10,601 --> 00:35:12,067 WE'RE KEEPING RED BOY UP, HUH? 684 00:35:12,133 --> 00:35:13,534 HE'S PROBABLY GOT RED BOY WITH HIM. 685 00:35:13,601 --> 00:35:14,868 PRETEND YOU DON'T SEE HIM. 686 00:35:14,934 --> 00:35:17,200 YOU TOLD ME TO BE NICE TO HIM. GO AND ASK HIM IN. 687 00:35:17,267 --> 00:35:18,767 NO. TONIGHT I'M HAVING FUN. 688 00:35:18,834 --> 00:35:20,400 WHOO-HOO! 689 00:35:20,467 --> 00:35:23,133 HIM AND HIS WATER. LET HIM STAY OUT THERE. 690 00:35:23,200 --> 00:35:25,901 WHAT'S ALL THIS TALK ABOUT WATER? THE FAUCETS RUN. 691 00:35:25,968 --> 00:35:27,501 HE'S LETTING US HAVE SOME, BUT NOT ENOUGH- 692 00:35:27,567 --> 00:35:29,234 NOT IF WE'RE GOING TO MAKE THIS RANCH PAY BIG. 693 00:35:29,300 --> 00:35:30,734 MAKE HIM GIVE YOU SOME MORE. 694 00:35:30,801 --> 00:35:32,701 THE OLD BUZZARD WON'T GIVE ME ANY MORE, NOT AT ANY PRICE. 695 00:35:32,767 --> 00:35:34,234 DOES HE HATE MONEY? 696 00:35:34,300 --> 00:35:35,534 NO. JUST PEOPLE. 697 00:35:35,601 --> 00:35:36,801 OH. 698 00:35:36,868 --> 00:35:38,601 CLAP YOUR HANDS, SLAP YOUR KNEES. 699 00:35:38,667 --> 00:35:39,534 BOOMPS-A-DAISY- 700 00:35:39,601 --> 00:35:41,033 I'M GOING OUT AND MOO AT HIM. 701 00:35:41,100 --> 00:35:43,234 NOW, KAY, WAIT A MINUTE. 702 00:35:46,667 --> 00:35:49,701 WHY, MR. MEARS, I DIDN'T KNOW YOU WERE OUT HERE. 703 00:35:49,767 --> 00:35:51,067 EVENING. 704 00:35:51,133 --> 00:35:53,868 I JUST CAME OUT TO GET A BREATH OF AIR. 705 00:35:53,934 --> 00:35:55,367 HOW'S RED BOY? 706 00:35:55,434 --> 00:35:57,534 HOPE HE'S ALL RIGHT WITH ALL THIS RUCKUS GOING ON. 707 00:35:57,601 --> 00:36:00,501 WHY DON'T YOU JOIN THE RUCKUS, MR. MEARS? 708 00:36:00,567 --> 00:36:02,534 I AIN'T HERE TO RAISE NOTHING. 709 00:36:02,601 --> 00:36:05,033 COME OVER ON ACCOUNT OF THE NOISE WOULD HAVE KEPT ME AWAKE ANYHOW. 710 00:36:05,100 --> 00:36:06,701 AS LONG AS YOU'RE AWAKE, 711 00:36:06,767 --> 00:36:08,501 WHY DON'T YOU COME IN AND HAVE A GOOD TIME? 712 00:36:08,567 --> 00:36:10,534 I WASN'T ASKED, SO I AIN'T GOING. 713 00:36:10,601 --> 00:36:12,868 IT'S MY SHIVAREE, AND I'M ASKING YOU. 714 00:36:12,934 --> 00:36:14,801 BESIDES, TUNK JOHNSON'S IN THERE. 715 00:36:14,868 --> 00:36:17,033 HE HASN'T GOT HIS BULL WITH HIM. 716 00:36:17,100 --> 00:36:19,000 COME ON IN. YOU JUST STAY CLOSE TO ME. 717 00:36:19,067 --> 00:36:22,534 HOLD IT! HOLD IT, EVERYBODY! 718 00:36:22,601 --> 00:36:25,033 IN THE EXCITEMENT, SOMEBODY FORGOT TO INVITE MR. MEARS, 719 00:36:25,100 --> 00:36:27,067 SO I WENT OVER AND GOT HIM. 720 00:36:27,133 --> 00:36:28,834 GLAD YOU CAME OVER, MR. MEARS. 721 00:36:28,901 --> 00:36:30,567 LET ME TAKE YOUR HAT. CAN I GET YOU A DRINK OR SOMETHING? 722 00:36:30,634 --> 00:36:32,234 NO. HE'S GOING TO DANCE WITH ME FIRST. 723 00:36:32,300 --> 00:36:33,400 DON'T DANCE. 724 00:36:33,467 --> 00:36:34,534 OF COURSE YOU DO. 725 00:36:34,601 --> 00:36:36,934 EVERYBODY SWING. 726 00:36:39,467 --> 00:36:41,567 CIRCLE FORWARD, GO WHERE YOU KNOW. 727 00:36:44,834 --> 00:36:47,467 I'LL SWING YOUR GIRL. YOU SWING MINE. 728 00:36:49,100 --> 00:36:51,968 I'LL SWING MY OWN ANY OLD TIME. 729 00:36:52,033 --> 00:36:53,234 OH, GOLLY, AIN'T THAT FINE? 730 00:36:55,434 --> 00:36:58,634 EVERYBODY MAKE A RING. 731 00:36:58,701 --> 00:37:01,000 CLAP YOUR HANDS, SLAP YOUR KNEES. 732 00:37:01,067 --> 00:37:02,334 BOOMPS-A-DAISY, IF YOU PLEASE, 733 00:37:02,400 --> 00:37:04,334 AND SWING THAT CORNER GIRL AROUND. 734 00:37:11,067 --> 00:37:13,000 MAKE A FOOL OF ME, WILL YOU? 735 00:37:13,067 --> 00:37:14,534 I'LL SHOW YOU! 736 00:37:14,601 --> 00:37:16,534 OH, MR. MEARS, I'M TERRIBLY SORRY. 737 00:37:16,601 --> 00:37:19,033 WHY DID YOU MAKE HIM DANCE WHEN HE DIDN'T WANT TO? 738 00:37:19,100 --> 00:37:22,133 OH, I DON'T KNOW. I WAS JUST TRYING TO BE HELPFUL. 739 00:37:22,200 --> 00:37:23,667 THAT'S ALL RIGHT, BUCKSHOT. 740 00:37:23,734 --> 00:37:25,534 HE SURE LOOKED SILLY, DIDN'T HE? 741 00:37:26,567 --> 00:37:28,000 ON WITH THE MUSIC. COME ON, ORVS. 742 00:37:31,634 --> 00:37:32,734 * MAN WITH THE BIG FELT HAT * 743 00:37:32,801 --> 00:37:34,033 * OH, THE MAN WITH THE BIG FELT HAT * 744 00:37:34,100 --> 00:37:35,567 ENGINE GOING DOWN THE TRACK. 745 00:37:35,634 --> 00:37:37,067 TURN AROUND AND COME RIGHT BACK. 746 00:37:37,133 --> 00:37:38,567 CLAP YOUR HANDS, SLAP YOUR KNEES. 747 00:37:38,634 --> 00:37:40,234 BOOMPS-A-DAISY, IF YOU PLEASE. 748 00:37:40,300 --> 00:37:42,067 AH, SOME SHINDIG, HUH, BUCKSHOT? 749 00:37:42,133 --> 00:37:43,367 YEAH. 750 00:37:43,434 --> 00:37:45,033 ONLY TROUBLE IS, IT BROKE UP TOO EARLY. 751 00:37:45,100 --> 00:37:46,033 OHH! OW! 752 00:37:47,133 --> 00:37:48,067 OH, CHRIS, STOP IT! 753 00:37:48,133 --> 00:37:49,534 OH, ENGINE GOING DOWN THE TRACK. 754 00:37:49,601 --> 00:37:51,567 TURN AROUND, COME RIGHT BACK. 755 00:38:18,067 --> 00:38:18,968 WILL YOU LOOK AT THAT! 756 00:38:19,033 --> 00:38:20,234 PARTY'S HERE. 757 00:38:20,300 --> 00:38:22,100 HE'S THE ONE WHO WANTED TO GET AN EARLY START! 758 00:38:22,167 --> 00:38:24,100 WHAT DO YOU EXPECT FROM A GUY ON HIS HONEYMOON? 759 00:38:24,167 --> 00:38:26,033 HEY, CHRIS, OPEN THEM PRETTY BLUE EYES, SWEETHEART. 760 00:38:26,100 --> 00:38:27,634 YOU GOING TO LAY THERE ON YOUR COYOTE ALL DAY? 761 00:38:27,701 --> 00:38:29,167 LOOK WHAT TIME IT IS. 762 00:38:29,234 --> 00:38:31,534 MY GOSH, I PLUMB FORGOT TO SET THAT ALARM. 763 00:38:31,601 --> 00:38:33,501 GET YOUR PANTS ON. 764 00:38:33,567 --> 00:38:36,701 I'LL TELL YOU, FELLAS, I DON'T FEEL SO GOOD. 765 00:38:37,767 --> 00:38:39,601 COME ON. COME ON. 766 00:38:39,667 --> 00:38:41,133 OH, CHRIS. 767 00:38:41,200 --> 00:38:42,167 MORNING, KAY. 768 00:38:42,234 --> 00:38:43,400 OH, HI, KAY. SWELL PARTY LAST NIGHT. 769 00:38:43,467 --> 00:38:44,667 YEAH. 770 00:38:44,734 --> 00:38:46,067 ME AND THE BOYS ARE GOING ON A COUGAR HUNT. 771 00:38:46,133 --> 00:38:47,567 I FORGOT TO TELL YOU. 772 00:38:47,634 --> 00:38:49,234 THAT'S JUST DANDY. HOPE YOU HAVE FUN. 773 00:38:49,300 --> 00:38:50,901 WE OUGHT TO BE HOME BEFORE DARK. 774 00:38:50,968 --> 00:38:53,300 OH, WE'LL BE BACK BY THEN. 775 00:38:53,367 --> 00:38:54,300 SURE. 776 00:38:54,367 --> 00:38:55,334 OHHH! 777 00:38:55,400 --> 00:38:56,300 EXCUSE ME. 778 00:38:56,367 --> 00:38:57,501 THAT'S ALL RIGHT. 779 00:38:57,567 --> 00:38:58,501 PULL THEM UP A LITTLE. 780 00:38:58,567 --> 00:38:59,634 YEAH, I WILL. 781 00:38:59,701 --> 00:39:01,734 HOW YOU FELLAS GOT THIS THING FIGURED OUT? 782 00:39:01,801 --> 00:39:03,501 WELL, I RECKON THAT PILE OF ROCKS 783 00:39:03,567 --> 00:39:06,467 UP IN MANDEVILLE CANYON'S OUR BEST BET. 784 00:39:06,534 --> 00:39:08,501 HENDERSON CLAIMS THAT'S WHERE HE'S LYING UP. 785 00:39:10,467 --> 00:39:11,868 DARN IT. 786 00:39:12,968 --> 00:39:15,033 HOW DO YOU LIKE THAT? 787 00:39:15,100 --> 00:39:16,200 BOYS! 788 00:39:16,267 --> 00:39:17,701 FIX IT, WILL YOU, FELLAS? 789 00:39:17,767 --> 00:39:20,534 DON'T GET UP, KAY. WE'LL FIX IT. 790 00:39:20,601 --> 00:39:22,534 HAVE IT UP IN A JIFFY. 791 00:39:22,601 --> 00:39:24,767 YOU KNOW, KAY, YOU OUGHT TO GET- 792 00:39:24,834 --> 00:39:26,300 OHHH! 793 00:39:26,367 --> 00:39:27,534 ...THE OTHER END. 794 00:39:27,601 --> 00:39:29,067 ...WOULDN'T HAVE THIS TROUBLE. 795 00:39:29,133 --> 00:39:30,567 I SLEEP ON THE FLOOR. 796 00:39:30,634 --> 00:39:32,534 I'LL SPEAK TO HIM ABOUT IT. 797 00:39:32,601 --> 00:39:34,033 CHRIS, I SAW HIS TRACKS YESTERDAY MORNING. 798 00:39:34,100 --> 00:39:35,534 SURE IS A BIG ONE. 799 00:39:35,601 --> 00:39:36,534 WHO? 800 00:39:36,601 --> 00:39:38,033 KILLED ONE OF JIM'S CALVES 801 00:39:38,100 --> 00:39:39,534 ON THE OTHER SIDE YESTERDAY, 802 00:39:39,601 --> 00:39:41,033 SO HE CAN'T HAVE MOVED OUT YET. 803 00:39:41,100 --> 00:39:43,033 WE BETTER GET HIM BEFORE HE GETS SOME OF OUR STOCK. 804 00:39:43,100 --> 00:39:44,934 OW! 805 00:39:45,000 --> 00:39:46,634 OH! NO! 806 00:39:51,267 --> 00:39:52,567 OH, HI, PORG. 807 00:39:52,634 --> 00:39:55,067 WHOA! WHAT'S THAT? 808 00:39:55,133 --> 00:39:57,033 IT'S A DOG. 809 00:39:57,100 --> 00:39:58,801 WHAT'S HE FOR? 810 00:39:58,868 --> 00:40:02,167 AHEM. PORGY IS AN ELECTRICIAN. 811 00:40:02,234 --> 00:40:04,567 HE FIXES RADIOS AND FUSES AND WIRING. 812 00:40:04,634 --> 00:40:07,234 WE FIND HE'S A VERY HANDY DOG TO HAVE AROUND THE HOUSE. 813 00:40:07,300 --> 00:40:08,367 AN ELECTRICIAN? 814 00:40:08,434 --> 00:40:09,567 YES. 815 00:40:09,634 --> 00:40:12,067 HA HA! LADY, YOU'RE SURE A CARD! 816 00:40:13,634 --> 00:40:17,033 MY LIFELONG AMBITION, ACHIEVED AT LAST. 817 00:40:17,100 --> 00:40:19,934 HEY, WHAT KIND OF A MUTT IS THAT? 818 00:40:20,033 --> 00:40:21,567 A MUTT? 819 00:40:21,634 --> 00:40:26,968 ARE YOU REFERRING TO CHARLEMAGNE CHAFLEUR DE LA FONTAINE DE L'AMBRIAC? 820 00:40:27,033 --> 00:40:29,067 NO KIDDING. 821 00:40:29,133 --> 00:40:30,934 OK, FELLAS. I'M ALL SET. 822 00:40:31,000 --> 00:40:32,100 SO LONG, KAY. 823 00:40:32,167 --> 00:40:33,100 SO LONG. SO LONG. 824 00:40:33,167 --> 00:40:34,100 BYE, KAY. 825 00:40:34,167 --> 00:40:35,434 NICE SEEING YOU. 826 00:40:35,501 --> 00:40:36,601 ELECTRICIAN. HA HA! 827 00:40:36,667 --> 00:40:38,567 GOOD-BYE, BABY. GO BACK TO SLEEP. 828 00:40:38,634 --> 00:40:40,434 OH, NO. I'M GOING TO GET UP. 829 00:40:40,501 --> 00:40:41,767 IT'S KIND OF EARLY. 830 00:40:41,834 --> 00:40:43,367 I LIKE TO GET UP EARLY. 831 00:40:43,434 --> 00:40:44,434 COME ON, CHRIS! 832 00:40:44,501 --> 00:40:45,767 OK! GOOD-BYE, HONEY. 833 00:40:45,834 --> 00:40:47,267 GOOD-BYE. HAPPY HUNTING. 834 00:40:47,334 --> 00:40:48,868 I'LL BE BACK AS SOON AS I CAN. 835 00:40:48,934 --> 00:40:50,267 ALL RIGHT. 836 00:41:03,267 --> 00:41:04,701 GUESS YOU'RE RIGHT, TINA. 837 00:41:04,767 --> 00:41:07,801 SHE IS PRETTIER THAN JEAN AND LOTS OF FUN. 838 00:41:07,868 --> 00:41:09,501 SHE SMELLS AWFUL GOOD. 839 00:41:09,567 --> 00:41:11,501 AND THEY ARE BEAUTIFUL WATCHES. 840 00:41:15,467 --> 00:41:17,067 OF COURSE, THE MAIN THING IS, 841 00:41:17,133 --> 00:41:19,234 IS SHE GOING TO BE A FAIR HAND AROUND THE RANCH? 842 00:41:19,300 --> 00:41:21,067 THAT'S WHAT DADDY NEEDS MOST. 843 00:41:21,133 --> 00:41:24,033 WON'T TAKE LONG TO FIND THAT OUT. 844 00:41:24,100 --> 00:41:26,033 YEAH! 845 00:41:32,601 --> 00:41:33,734 KAY! KAY! 846 00:41:33,801 --> 00:41:34,734 OOOOOH! 847 00:41:34,801 --> 00:41:36,567 OH! AH. 848 00:41:36,634 --> 00:41:38,067 KAY, DID WE WAKE YOU UP? 849 00:41:38,133 --> 00:41:40,567 OH, ME? LITTLE OLD BRIGHT EYES? 850 00:41:40,634 --> 00:41:42,100 WE'VE GOT CHORES TO DO. 851 00:41:42,167 --> 00:41:43,234 CHORES? 852 00:41:43,300 --> 00:41:44,434 YEAH. CHORES. 853 00:41:44,501 --> 00:41:45,667 OH, SURE! CHORES. 854 00:41:45,734 --> 00:41:47,801 WE'LL MEET YOU IN THE BARN IN 10 MINUTES, OK? 855 00:41:47,868 --> 00:41:48,834 SURE. 10 MINUTES. 856 00:41:48,901 --> 00:41:50,601 IT'S GETTING LATE. ALMOST 5:00. 857 00:41:50,667 --> 00:41:52,167 5:00-OH! 858 00:41:52,234 --> 00:41:54,968 AND I HAD TO GIVE THEM WATCHES! 859 00:42:01,534 --> 00:42:02,968 HEY, KAY! 860 00:42:03,033 --> 00:42:06,300 WE WON'T NEVER FINISH UNLESS YOU THROW DOWN MORE HAY THAN THAT! 861 00:42:18,434 --> 00:42:22,300 GOSH, KAY, WE DIDN'T MEAN FOR YOU TO BRING IT DOWN! 862 00:42:22,367 --> 00:42:23,901 I LIKE SHORTCUTS. 863 00:42:35,801 --> 00:42:37,501 WHOA! 864 00:42:50,634 --> 00:42:52,467 COME ON. PUT YOUR LEG RIGHT UP THERE. 865 00:42:52,534 --> 00:42:53,501 NOW GRAB HOLD UP THERE. 866 00:42:53,567 --> 00:42:54,534 I KNOW. 867 00:42:54,601 --> 00:42:55,534 GRAB HOLD. 868 00:42:55,601 --> 00:42:56,501 THAT'S IT. 869 00:42:56,567 --> 00:42:58,901 1, 2, 3... 870 00:42:58,968 --> 00:42:59,901 GO! 871 00:42:59,968 --> 00:43:01,767 SWING YOUR OTHER LEG OVER. 872 00:43:01,834 --> 00:43:02,901 THAT'S IT! 873 00:43:02,968 --> 00:43:04,200 OH. 874 00:43:04,267 --> 00:43:05,234 OH! 875 00:43:05,300 --> 00:43:07,067 WHOA! 876 00:43:07,133 --> 00:43:10,067 NOW WE'LL SHOW YOU HOW TO BRING IN THE COWS. 877 00:43:10,133 --> 00:43:11,567 COME ON. GIDDYAP! 878 00:43:11,634 --> 00:43:14,067 DON'T GO TOO FAST TO START WITH. 879 00:43:14,133 --> 00:43:15,267 COME ON, DEAR. 880 00:43:16,634 --> 00:43:20,400 YOU GIRLS GO ON AHEAD, AND I'LL FOLLOW. 881 00:43:24,701 --> 00:43:25,634 OOOOOH! 882 00:43:27,467 --> 00:43:28,601 HEY! 883 00:43:31,133 --> 00:43:33,567 HEY, KAY. WAIT A MINUTE. 884 00:43:33,634 --> 00:43:35,534 WAIT FOR US, KAY. 885 00:43:35,601 --> 00:43:38,767 WHOA! WHOA! 886 00:43:38,834 --> 00:43:40,334 DON'T GO SO FAST! 887 00:43:40,400 --> 00:43:42,300 WE CAN'T KEEP UP WITH YOU, KAY! 888 00:43:43,167 --> 00:43:45,067 OHHHHHH! 889 00:43:45,133 --> 00:43:46,434 OH! 890 00:43:46,501 --> 00:43:48,267 PULL BACK! PULL BACK! 891 00:43:48,334 --> 00:43:49,267 WHOA! 892 00:43:49,334 --> 00:43:51,267 TURN TO THE LEFT, KAY! 893 00:43:51,334 --> 00:43:53,000 NO, TURN HIM TO THE RIGHT! 894 00:43:53,067 --> 00:43:54,434 WHOA, GEORGE! 895 00:43:57,734 --> 00:44:00,801 KAY, DON'T YOU KNOW HOW TO JUMP FENCES? 896 00:44:00,868 --> 00:44:03,267 WELL, I MADE IT, DIDN'T I? 897 00:44:03,334 --> 00:44:06,067 IT'S THAT FOOL HORSE THAT DOESN'T KNOW HOW. 898 00:44:06,133 --> 00:44:08,434 OOOH! OHHH! 899 00:44:25,067 --> 00:44:26,167 OOOH! 900 00:44:27,133 --> 00:44:29,467 OH, NO. 901 00:44:29,534 --> 00:44:31,200 STINK-UM PLENTY GOOD, HUH? 902 00:44:31,267 --> 00:44:32,567 YOU- 903 00:44:32,634 --> 00:44:35,400 YOU GIVE ME THAT! 904 00:44:35,467 --> 00:44:38,400 AND DO GET OUT OF THAT DRESS. 905 00:44:38,467 --> 00:44:39,901 YOU NO LIKE-UM? 906 00:44:39,968 --> 00:44:41,901 NO, I NO LIKE IT. 907 00:44:41,968 --> 00:44:43,067 YOU GET OUT OF IT, AND HURRY, TOO. 908 00:44:43,133 --> 00:44:44,367 ALL RIGHT. ALL RIGHT. 909 00:44:44,467 --> 00:44:45,901 YOU GET OUT OF MY ROOM. 910 00:44:45,968 --> 00:44:47,267 ME GO. 911 00:44:47,334 --> 00:44:49,267 YOU PACK YOUR THINGS AND GET OUT OF THIS HOUSE, TOO. 912 00:44:49,334 --> 00:44:50,567 ME GO. 913 00:44:50,634 --> 00:44:52,033 OH, WAIT A MINUTE. 914 00:44:52,100 --> 00:44:54,000 YOU TAKE OFF MY SLIPPERS! 915 00:44:54,067 --> 00:44:55,534 HURT FEET ANYWAY. 916 00:44:55,601 --> 00:44:57,534 AND DON'T YOU EVER COME BACK. 917 00:44:57,601 --> 00:44:58,901 ALL RIGHT. ME GO. 918 00:44:58,968 --> 00:45:00,834 DON'T YOU EVER COME BACK! 919 00:45:37,734 --> 00:45:40,434 WHAT ARE YOU SO HAPPY ABOUT? 920 00:45:42,601 --> 00:45:43,801 KAY? 921 00:45:43,868 --> 00:45:45,667 CAN WE COME IN? 922 00:45:45,734 --> 00:45:47,767 OH, YES, DARLINGS. 923 00:45:47,834 --> 00:45:50,534 COME IN, DARLINGS. 924 00:45:57,934 --> 00:45:59,200 HERE. 925 00:45:59,267 --> 00:46:01,267 IT'S FOR YOU. 926 00:46:03,133 --> 00:46:04,200 WHY- 927 00:46:04,267 --> 00:46:06,734 IT BELONGED TO OUR REAL MOTHER. 928 00:46:06,801 --> 00:46:08,667 SHE WAS AWFUL BRAVE, TOO. 929 00:46:08,734 --> 00:46:10,033 TAKE IT. 930 00:46:10,100 --> 00:46:12,000 OH, I- 931 00:46:12,067 --> 00:46:13,534 I CAN'T. 932 00:46:13,601 --> 00:46:15,133 WHY NOT? 933 00:46:15,200 --> 00:46:17,000 DON'T YOU LIKE IT? 934 00:46:17,067 --> 00:46:21,000 OH, MY LAMBS! 935 00:46:21,067 --> 00:46:23,033 IT'S BEAUTIFUL! 936 00:46:23,100 --> 00:46:26,000 BUT I CAN'T TAKE IT, NOT FOR BEING BRAVE. 937 00:46:26,067 --> 00:46:28,567 I WAS SCARED EVERY MINUTE TODAY, 938 00:46:28,634 --> 00:46:30,267 AND YOU TWO LITTLE DEVILS KNOW IT. 939 00:46:30,334 --> 00:46:32,067 SURE WE DO. 940 00:46:32,133 --> 00:46:34,200 BUT DADDY SAYS WHEN YOU'RE SCARED TO DO SOMETHING 941 00:46:34,267 --> 00:46:35,901 AND YOU DO IT ANYWAYS, 942 00:46:35,968 --> 00:46:38,400 THAT'S REALLY BEING BRAVE. 943 00:46:38,467 --> 00:46:40,567 YEAH. TAKE IT. 944 00:46:40,634 --> 00:46:42,434 WE WANT YOU TO. 945 00:46:46,133 --> 00:46:48,534 MAY I SAY, FELLOW CLUB MEMBERS, 946 00:46:48,601 --> 00:46:52,567 THAT THIS IS THE PROUDEST MOMENT OF MY LIFE. 947 00:46:53,868 --> 00:46:55,567 OH, KAY! OH, KAY! 948 00:46:55,634 --> 00:46:58,501 OH! OH! OOH! MY BACK. 949 00:46:58,567 --> 00:47:00,701 HEY, BUCKSHOT! WHERE ARE YOU? 950 00:47:00,801 --> 00:47:02,501 HEY, YOU STILL IN BED? 951 00:47:02,567 --> 00:47:04,367 YOU OUGHT TO SEE THE COUGAR WE GOT. 952 00:47:04,434 --> 00:47:06,000 IT'S BIGGER THAN A YOUNG HEIFER. 953 00:47:06,067 --> 00:47:07,534 LET'S GO LOOK! 954 00:47:07,601 --> 00:47:09,501 IT'S ON THE BACK PORCH. 955 00:47:09,567 --> 00:47:12,200 I, UH, BROUGHT THE BOYS HOME FOR SUPPER. 956 00:47:12,267 --> 00:47:15,701 COULDN'T I MEET THEM SOMETIME WITH MY CLOTHES ON? 957 00:47:15,767 --> 00:47:17,868 TELL POKEY TO GET COOKING. 958 00:47:17,934 --> 00:47:21,067 WE'RE HUNGRY ENOUGH TO EAT THAT COUGAR WITH THE FUR ON. 959 00:47:21,133 --> 00:47:22,667 ALL RIGHT. 960 00:47:22,734 --> 00:47:25,033 OH, BUT- BUT POKEY'S- 961 00:47:25,100 --> 00:47:27,300 OOOH. 962 00:47:27,367 --> 00:47:28,701 SHOT HIM RIGHT THROUGH THERE. 963 00:47:28,767 --> 00:47:31,033 OH, DADDY, HE ISN'T SUCH A BIG ONE. 964 00:47:31,100 --> 00:47:33,033 OH, IS THAT SO? HE WAS A TOUGH OLD CAT, ANYWAY. 965 00:47:33,100 --> 00:47:34,534 IT TOOK TWO SHOTS TO GET HIM. 966 00:47:34,634 --> 00:47:35,734 TWO SHOTS! 967 00:47:35,801 --> 00:47:36,901 YOU'RE SLIPPING! 968 00:47:36,968 --> 00:47:38,701 DID YOU KIDS GET YOUR CHORES DONE? 969 00:47:38,767 --> 00:47:40,067 NOT EXACTLY. 970 00:47:40,133 --> 00:47:42,901 BETTER GET AT IT. IT'LL BE SUPPERTIME PRETTY QUICK. 971 00:47:42,968 --> 00:47:44,200 OH, CHRIS- 972 00:47:44,267 --> 00:47:45,667 OH! 973 00:48:17,501 --> 00:48:20,033 OH, CHRIS... 974 00:48:25,801 --> 00:48:28,033 OH! 975 00:48:28,100 --> 00:48:30,534 WHAT'S THE MATTER, BUCKSHOT? 976 00:48:30,601 --> 00:48:32,033 WHY ARE YOU CRYING, BABY? 977 00:48:32,100 --> 00:48:34,000 I CAN'T... 978 00:48:34,067 --> 00:48:35,734 YOU CAN'T WHAT? 979 00:48:37,100 --> 00:48:39,901 I CAN'T COOK A COUGAR. 980 00:48:39,968 --> 00:48:41,267 YOU CAN'T- 981 00:48:43,133 --> 00:48:45,033 OH, IT'S NOT FUNNY. 982 00:48:45,100 --> 00:48:46,434 HONEST? CAN'T YOU COOK A COUGAR? 983 00:48:46,501 --> 00:48:49,634 I DON'T THINK IT'S VERY NICE OF YOU TO LAUGH AT ME. 984 00:48:54,100 --> 00:48:56,000 BUT, JEAN, I'VE GOT TO HAVE SOMEONE TO HELP ME. 985 00:48:56,067 --> 00:48:58,000 YOU WOULDN'T WANT CHRIS AND ME TO MURDER EACH OTHER 986 00:48:58,067 --> 00:48:59,734 WHILE THE HONEYMOON'S STILL YOUNG. 987 00:48:59,801 --> 00:49:01,501 THE NEXT TIME YOU CATCH YOUR COOK 988 00:49:01,567 --> 00:49:03,000 WEARING YOUR HATTIE CARNEGIE 989 00:49:03,067 --> 00:49:05,400 AND TAKING A BATH IN YOUR FAVORITE PERFUME, DON'T FIRE HER. 990 00:49:05,467 --> 00:49:07,868 SERVANTS ARE NOT SCARCE AROUND HERE. 991 00:49:07,934 --> 00:49:09,501 THERE JUST AREN'T ANY. 992 00:49:09,567 --> 00:49:11,000 JULIA CRADDOCK GETS AROUND. 993 00:49:11,067 --> 00:49:12,634 SHE MAY KNOW OF SOMEONE. 994 00:49:12,701 --> 00:49:14,033 WONDER WHERE JULIA IS. 995 00:49:14,100 --> 00:49:15,501 SHE MUST BE AILING, 996 00:49:15,567 --> 00:49:16,667 NOT TO GET TO THE PHONE. 997 00:49:16,734 --> 00:49:19,667 HI. I HAD TO RUN BASTE MY CHICKEN. 998 00:49:19,734 --> 00:49:21,033 LISTEN, THERE'S A FELLA 999 00:49:21,100 --> 00:49:22,701 USED TO COOK FOR LUMBER CAMPS- 1000 00:49:22,767 --> 00:49:24,200 OH, NO! KAY WOULDN'T HAVE HIM AROUND. 1001 00:49:24,267 --> 00:49:25,667 HE'S BEEN IN JAIL A COUPLE OF TIMES 1002 00:49:25,734 --> 00:49:27,033 FOR SETTING FIRES. 1003 00:49:27,100 --> 00:49:28,534 SOME TIME BACK, I HEARD 1004 00:49:28,601 --> 00:49:30,534 OF A GIRL IN BARNESVILLE 1005 00:49:30,601 --> 00:49:32,367 THAT WANTED TO HIRE OUT. 1006 00:49:32,434 --> 00:49:33,834 OH, I FORGOT. 1007 00:49:33,901 --> 00:49:35,367 SHE JUST HAD AN OPERATION. 1008 00:49:35,434 --> 00:49:36,534 SHE DID? TELL ME ALL ABOUT IT. 1009 00:49:36,601 --> 00:49:38,033 WAS IT BAD? 1010 00:49:38,100 --> 00:49:39,501 YOU SHOULD HAVE SEEN 1011 00:49:39,567 --> 00:49:40,534 THE SIZE OF THE STONES 1012 00:49:40,601 --> 00:49:41,534 THEY TOOK OUT OF HER. 1013 00:49:41,601 --> 00:49:42,734 YOU DON'T SAY! 1014 00:49:42,801 --> 00:49:45,033 WHAT DOCTOR DID SHE HAVE? 1015 00:49:48,100 --> 00:49:49,534 COME ON. PUT SOME BEEF INTO IT. 1016 00:49:49,601 --> 00:49:51,534 BEEF? HOW ARE YOU GOING TO GET ANY BEEF 1017 00:49:51,601 --> 00:49:53,567 WITH KAY COOKING NOTHING BUT FARINA WITH LUMPS? 1018 00:49:53,634 --> 00:49:55,067 GIVE HER TIME. SHE'LL LEARN. 1019 00:49:55,133 --> 00:49:56,934 IN THE MEANTIME, A FELLA COULD STARVE! 1020 00:49:57,000 --> 00:49:59,067 UH-OH. THERE'S OLD ICE-CREAM PUSS. 1021 00:49:59,133 --> 00:50:00,300 WONDER WHAT HE WANTS. 1022 00:50:00,367 --> 00:50:02,801 THAT ICE CREAM SURE MELTED FAST 1023 00:50:02,868 --> 00:50:05,234 ON HIS HOT NECK, DIDN'T IT? HA HA! 1024 00:50:05,300 --> 00:50:06,534 HOWDY, MR. MEARS. 1025 00:50:06,601 --> 00:50:07,567 HI, MR. MEARS. 1026 00:50:07,634 --> 00:50:09,067 I WAS JUST TELLING CHRIS, 1027 00:50:09,133 --> 00:50:11,067 THAT ICE CREAM SURE MELTED FAST- 1028 00:50:11,133 --> 00:50:12,334 WHAT DID I SAY? 1029 00:50:12,400 --> 00:50:14,834 WANT TO SELL YOUR PLACE, HAYWARD? 1030 00:50:14,901 --> 00:50:16,868 WHAT GAVE YOU THAT IDEA? 1031 00:50:16,934 --> 00:50:20,100 OH, JUST THINKING IS ALL. 1032 00:50:20,167 --> 00:50:22,067 YOU MIGHT AS WELL QUIT THINKING. 1033 00:50:22,133 --> 00:50:23,234 IT'S NOT FOR SALE. 1034 00:50:23,300 --> 00:50:24,400 MAYBE? 1035 00:50:24,467 --> 00:50:26,067 NO "MAYBES." 1036 00:50:26,133 --> 00:50:28,000 MAYBE. 1037 00:50:33,133 --> 00:50:34,434 HUH. 1038 00:50:34,501 --> 00:50:36,434 YOU CAN SAY THAT AGAIN, PARTNER. 1039 00:50:36,501 --> 00:50:38,601 WELL, LET'S TAKE IT AROUND THE CORNER. 1040 00:50:38,667 --> 00:50:40,200 HERE, YOU STAPLE IT. 1041 00:50:42,133 --> 00:50:43,300 BUZZARD. 1042 00:50:45,167 --> 00:50:47,067 WAIT TILL I GET IT STRETCHED. 1043 00:50:49,834 --> 00:50:52,033 CHRIS! CHRIS, HELP! 1044 00:50:52,100 --> 00:50:53,701 ORVIE, COME ON! 1045 00:51:01,367 --> 00:51:02,934 STOVE'S ON FIRE. 1046 00:51:03,000 --> 00:51:05,067 NO. IT'S JUST THAT DAMPER AGAIN. 1047 00:51:06,534 --> 00:51:08,067 CLOSES UP BY ITSELF EVERY ONCE IN A WHILE. 1048 00:51:08,133 --> 00:51:10,067 WHENEVER IT DOES THAT, JUST GIVE IT A COUPLE OF WHACKS- 1049 00:51:10,133 --> 00:51:11,400 LIKE THAT, SEE? 1050 00:51:11,467 --> 00:51:12,567 OH. 1051 00:51:12,634 --> 00:51:14,067 THAT'LL OPEN IT UP. 1052 00:51:14,133 --> 00:51:15,734 SEE? IT'S DRAWING BETTER ALREADY. 1053 00:51:15,801 --> 00:51:17,067 Orvie: HELP! HELP! 1054 00:51:17,133 --> 00:51:19,234 OH, WHAT'S THE MATTER WITH ORVIE NOW? 1055 00:51:20,801 --> 00:51:22,701 WHAT ARE YOU DOING IN THERE? 1056 00:51:22,767 --> 00:51:25,567 CHRIS! 1057 00:51:33,734 --> 00:51:35,567 YOU SEE? IT'S EASY, JUST LIKE PLAYING GOLF. 1058 00:51:35,634 --> 00:51:37,601 KEEP YOUR HEAD DOWN AND YOUR EYE ON THE BUCKET. 1059 00:51:38,767 --> 00:51:40,100 OH, I'M SORRY, DAISY. 1060 00:51:40,167 --> 00:51:42,767 I FORGOT TO GET MY MANICURE THIS MORNING. 1061 00:51:42,834 --> 00:51:45,601 SHE'S ABOUT EMPTY. YOU CAN LET GO NOW. 1062 00:51:45,667 --> 00:51:47,601 OOP! GOSH, I- 1063 00:51:47,667 --> 00:51:49,100 AH, YOU'RE A VETERAN. 1064 00:51:49,167 --> 00:51:50,601 YEAH. OF WHICH WAR? 1065 00:51:52,467 --> 00:51:53,701 HERE. 1066 00:51:57,067 --> 00:52:00,067 WELL, WHAT WAS MY TIMING ON THAT BUCKET? 1067 00:52:00,133 --> 00:52:01,067 WHAT DO YOU CARE? 1068 00:52:01,133 --> 00:52:02,567 YOU FILLED IT, DIDN'T YOU? 1069 00:52:02,634 --> 00:52:04,067 THANKS TO YOU. 1070 00:52:04,133 --> 00:52:06,133 OH, JEAN, THERE'S SO MUCH TO LEARN. 1071 00:52:06,200 --> 00:52:09,567 BRONCO BUSTING AND BUTCHERING AND WATER DIVINING- 1072 00:52:09,634 --> 00:52:11,033 NOW, WAIT A MINUTE. 1073 00:52:11,100 --> 00:52:13,133 WELL, AM I A RANCHER'S WIFE OR NOT? 1074 00:52:13,200 --> 00:52:15,567 WHAT CHRIS NEEDS AROUND HERE IS A FAIR HAND, 1075 00:52:15,634 --> 00:52:18,234 NOT A LITTLE WIFE WHO'S GOING TO SIT BY THE FIRESIDE 1076 00:52:18,300 --> 00:52:19,567 WITH HER PETIT POINT. 1077 00:52:19,634 --> 00:52:21,067 WHAT CHRIS NEEDS IS YOU. 1078 00:52:21,133 --> 00:52:24,067 OH, YOU. EVERY TIME I GET BOGGED DOWN, 1079 00:52:24,133 --> 00:52:26,067 YOU COME ALONG WITH A WELL-TIMED REMARK. 1080 00:52:26,133 --> 00:52:28,767 CHRIS WAS A FOOL NOT TO MARRY YOU. 1081 00:52:28,834 --> 00:52:30,567 A GUY USUALLY HAS TO BE IN LOVE WITH A GAL 1082 00:52:30,634 --> 00:52:32,033 BEFORE HE ASKS HER TO MARRY HIM. 1083 00:52:32,100 --> 00:52:35,100 WHY HAVEN'T YOU PUT POISON IN MY SOUP? 1084 00:52:35,167 --> 00:52:37,601 DON'T THINK I WASN'T TEMPTED 1085 00:52:37,667 --> 00:52:39,734 TILL I'D KNOWN YOU ABOUT 5 MINUTES. 1086 00:52:39,801 --> 00:52:41,601 ALL RIGHT, NOW LET'S SEE YOU CUT OUT YOUR HORSE. 1087 00:52:41,667 --> 00:52:42,601 OK. 1088 00:52:42,667 --> 00:52:44,100 NICE BIG LOOP. 1089 00:52:44,167 --> 00:52:45,100 ALL RIGHT. 1090 00:52:45,167 --> 00:52:46,067 OPEN. 1091 00:52:46,133 --> 00:52:48,434 ALL RIGHT. WHICH ONE WOULD YOU LIKE? 1092 00:52:48,501 --> 00:52:49,667 TAKE IT EASY. 1093 00:52:53,267 --> 00:52:55,033 Jean: THAT'S THE GIRL! RIGHT ON THE NOSE. 1094 00:52:55,100 --> 00:52:56,033 WHOA! 1095 00:52:56,100 --> 00:52:57,501 HELP! 1096 00:52:57,567 --> 00:52:58,901 AAH! 1097 00:53:03,067 --> 00:53:05,400 WHAT HAPPENED? 1098 00:53:05,467 --> 00:53:06,968 YOU FORGOT ONE SMALL DETAIL- 1099 00:53:07,067 --> 00:53:09,067 TO LET GO OF THE ROPE. 1100 00:53:09,133 --> 00:53:10,567 OH, NO! 1101 00:53:11,968 --> 00:53:13,434 OH. OH! 1102 00:53:32,234 --> 00:53:33,601 COOKBOOK. COOKBOOK. 1103 00:53:36,601 --> 00:53:39,033 POT ROAST. 1104 00:53:39,100 --> 00:53:40,934 "FISH... " 1105 00:53:41,000 --> 00:53:42,400 "SOUP... " 1106 00:53:52,601 --> 00:53:54,834 "ONCE YOU FIND YOUR GUY." 1107 00:53:54,901 --> 00:53:56,834 HMM. 1108 00:54:01,067 --> 00:54:04,534 PORG. OH, PORG, WHO WOULD HAVE THOUGHT 1109 00:54:04,601 --> 00:54:07,501 4 MONTHS AROUND HERE WOULD DO THAT TO YOU- 1110 00:54:07,567 --> 00:54:08,968 OR ME EITHER? 1111 00:54:11,100 --> 00:54:12,534 WHAT DO YOU WANT? 1112 00:54:16,634 --> 00:54:17,868 WHAT DO YOU WANT? 1113 00:54:25,734 --> 00:54:27,601 NO! 1114 00:54:31,601 --> 00:54:36,567 WELL, NOBODY CAN SAY THERE'S A CASTE SYSTEM ON THIS RANCH, ANYWAY. 1115 00:54:36,634 --> 00:54:39,033 I HOPE YOU CAN SUPPORT THEM. 1116 00:54:39,100 --> 00:54:41,033 OH, MY BISCUITS! 1117 00:54:59,334 --> 00:55:02,033 WHAT DID I DO WRONG THIS TIME? 1118 00:55:02,100 --> 00:55:04,701 THIS BOOK CAN'T BE RIGHT. 1119 00:55:07,100 --> 00:55:09,033 OH... OH! 1120 00:55:09,100 --> 00:55:11,067 OH, MY WASH! 1121 00:55:42,501 --> 00:55:44,300 DANDY! 1122 00:55:50,100 --> 00:55:52,501 SUCH A PLACE... 1123 00:55:52,567 --> 00:55:54,968 DUST AND DIRT. 1124 00:56:00,000 --> 00:56:02,234 OH. 1125 00:56:21,801 --> 00:56:24,300 OH, NO, YOU DON'T. 1126 00:56:25,968 --> 00:56:27,734 OOH! 1127 00:56:37,667 --> 00:56:39,267 NO. 1128 00:56:59,067 --> 00:57:01,200 CLOSE THAT DOOR! 1129 00:57:03,734 --> 00:57:04,801 NO! 1130 00:57:04,868 --> 00:57:06,567 YES. 1131 00:57:06,634 --> 00:57:08,701 GIVE ME A HAND. 1132 00:57:08,767 --> 00:57:11,334 HERE, HELP ME. IF YOU'LL TAKE HOLD OF- 1133 00:57:11,400 --> 00:57:12,734 OH, GRAB THAT WINDOW. 1134 00:57:12,801 --> 00:57:14,400 CAN'T YOU EVEN SAY HELLO? 1135 00:57:14,467 --> 00:57:16,501 DON'T TELL ME YOU WERE BLOWN ALL THE WAY FROM NEW YORK. 1136 00:57:16,567 --> 00:57:18,000 JUST FROM THE DEPOT. 1137 00:57:18,067 --> 00:57:19,467 THAT'S RIGHT. LET'S GRAB THIS ONE. 1138 00:57:19,534 --> 00:57:22,300 I HOPE THE ROOF IS NAILED ON TIGHT. 1139 00:57:22,367 --> 00:57:23,734 OW! 1140 00:57:23,801 --> 00:57:25,868 OH, I'M SORRY. 1141 00:57:25,934 --> 00:57:27,400 OH... 1142 00:57:27,467 --> 00:57:30,801 BABY, YOU LOOK LIKE A BAD REVIEW COME TO LIFE. 1143 00:57:30,868 --> 00:57:32,200 OH... 1144 00:57:32,267 --> 00:57:35,033 OH, JED. 1145 00:57:35,100 --> 00:57:38,467 OH, I AM GLAD TO SEE YOU. 1146 00:57:41,133 --> 00:57:44,968 WELL, THE GUY WHO THOUGHT HE'D GET SCALPED 1147 00:57:45,033 --> 00:57:48,434 IF HE TRAVELED WEST OF TIMES SQUARE. 1148 00:57:48,501 --> 00:57:52,000 HA HA! ALL IS FORGIVEN? 1149 00:57:52,067 --> 00:57:54,000 THAT'S WHAT YOU THINK. 1150 00:57:54,067 --> 00:57:58,567 DON'T TELL ME YOU CAME ALL THE WAY OUT HERE JUST TO GET A LAUGH. 1151 00:57:58,634 --> 00:58:00,934 UH-UH. I CAME TO TAKE YOU BACK WITH ME. 1152 00:58:01,000 --> 00:58:02,000 YOU WHAT? 1153 00:58:02,067 --> 00:58:04,000 HOW LONG BEFORE YOU CAN BE PACKED? 1154 00:58:04,067 --> 00:58:05,234 WELL, HEY... 1155 00:58:05,300 --> 00:58:06,334 DON'T GET ME WRONG. 1156 00:58:06,400 --> 00:58:08,601 WE WERE IN BUSINESS TOGETHER, TOO, REMEMBER? 1157 00:58:08,667 --> 00:58:10,067 YES, I REMEMBER. 1158 00:58:10,133 --> 00:58:13,033 THAT GUY I TEAMED UP WITH AFTER YOU LEFT DIDN'T WORK OUT. 1159 00:58:13,100 --> 00:58:15,367 THE SCORE STINKS- 1160 00:58:15,434 --> 00:58:17,767 NONE OF THAT KAY KINGSLEY SPARKLE. 1161 00:58:17,834 --> 00:58:20,033 THE SHOW WILL DIE ON ITS FEET. 1162 00:58:20,100 --> 00:58:22,033 OH, JED. HA HA! 1163 00:58:22,100 --> 00:58:25,534 OH, YOU'RE CONFUSING ME WITH SOME OTHER CHICK. 1164 00:58:25,601 --> 00:58:29,534 MRS. CHRIS HAYWARD. I ALREADY HAVE A JOB. 1165 00:58:29,601 --> 00:58:31,033 WHAT A JOB. 1166 00:58:31,100 --> 00:58:33,334 AND WHAT DOES IT PAY YOU? 1167 00:58:33,400 --> 00:58:34,901 OOH! 1168 00:58:37,100 --> 00:58:38,968 NOTHING YOU CAN SEE, JED. 1169 00:58:39,033 --> 00:58:40,934 DON'T THEY USE MONEY OUT HERE? 1170 00:58:41,033 --> 00:58:42,701 WHY, WITH WHAT YOU'D MAKE IN THIS NEW SHOW, 1171 00:58:42,767 --> 00:58:44,467 YOU COULD BUY CATTLE WITH GOLD RINGS IN THEIR NOSES. 1172 00:58:44,534 --> 00:58:48,100 WELL, NOW, WHO WANTS CATTLE WITH GOLD- 1173 00:58:52,234 --> 00:58:53,567 WATER... 1174 00:58:53,634 --> 00:58:55,901 WHAT WAS THAT? WATER? 1175 00:58:55,968 --> 00:58:58,300 I COULD BUY US A PLACE WITH PLENTY OF WATER. 1176 00:58:58,367 --> 00:59:01,133 DON'T TELL ME YOU HAVEN'T GOT WATER OUT HERE. 1177 00:59:01,200 --> 00:59:04,667 NOT ENOUGH FOR WHAT WE'RE PLANNING. 1178 00:59:04,734 --> 00:59:09,234 YEAH. I COULD BUY US A PLACE RUNNING OVER WITH IT. 1179 00:59:09,300 --> 00:59:10,968 A FEW WEEKS' WORK WITH ME IN NEW YORK, 1180 00:59:11,033 --> 00:59:13,434 AND YOU CAN HAVE YOUR LITTLE DOGIES GUZZLING CHAMPAGNE. 1181 00:59:22,067 --> 00:59:24,300 IT MIGHT ONLY TAKE A FEW WEEKS, HUH? 1182 00:59:24,367 --> 00:59:27,667 WE MIGHT BE ABLE TO KNOCK IT OFF IN LESS THAN THAT. 1183 00:59:27,734 --> 00:59:30,100 YEAH. 1184 00:59:30,167 --> 00:59:34,501 I... I THINK CHRIS WOULD UNDERSTAND. 1185 00:59:34,567 --> 00:59:36,367 HE WOULDN'T WORRY. 1186 00:59:36,434 --> 00:59:38,801 HE KNOWS I'VE GOT NEW YORK OUT OF MY SYSTEM. 1187 00:59:53,133 --> 00:59:54,400 DADDY! DADDY! 1188 00:59:54,467 --> 00:59:56,834 HAVEN'T GOT TIME TO TALK TO YOU NOW, KIDS. 1189 00:59:56,901 --> 00:59:58,667 BUT THIS IS VERY IMPORTANT. 1190 00:59:58,734 --> 01:00:00,467 WHAT'LL WE DO? 1191 01:00:00,534 --> 01:00:02,834 BETTER GET BACK AND WATCH THEM. 1192 01:00:03,934 --> 01:00:05,567 WELL, THINK IT OVER, KAY. 1193 01:00:05,634 --> 01:00:09,033 I'LL BE AT THE JUNIPER JUNCTION HOTEL. 1194 01:00:09,100 --> 01:00:11,200 NO, NO. YOU WAIT JUST RIGHT HERE. 1195 01:00:11,267 --> 01:00:12,934 YOU HAVE TO HELP ME TELL CHRIS. 1196 01:00:13,000 --> 01:00:15,534 NO, NO, YOU DON'T NEED ME. 1197 01:00:15,601 --> 01:00:18,934 YOU CAN HANDLE IT MUCH BETTER BY YOURSELF. 1198 01:00:19,000 --> 01:00:21,667 WELL, ALL RIGHT. 1199 01:00:21,734 --> 01:00:24,334 I'LL TELEPHONE YOU AS SOON AS I'VE BROKEN THE NEWS. 1200 01:00:24,400 --> 01:00:26,400 NOW YOU'RE BEING PRACTICAL. 1201 01:00:26,467 --> 01:00:28,267 OH... 1202 01:00:30,067 --> 01:00:31,601 IT'S BETTER THAN IT WAS. 1203 01:00:31,667 --> 01:00:34,100 GOOD-BYE. 1204 01:00:34,167 --> 01:00:37,801 YEAH, GEE.. NEW YORK. 1205 01:00:39,300 --> 01:00:42,234 OH, I DON'T THINK CHRIS WOULD OBJECT. 1206 01:00:42,300 --> 01:00:45,434 GOSH, IT MAY GET THAT MEARS OFF HIS NECK. 1207 01:00:49,033 --> 01:00:51,667 GEE, KAY, WE DON'T WANT TO GO TO BED. 1208 01:00:51,734 --> 01:00:54,033 WE WANT TO STAY UP AND SEE DADDY. 1209 01:00:54,100 --> 01:00:55,567 YOU CAN SEE DADDY IN THE MORNING. 1210 01:00:55,634 --> 01:00:57,067 YOU BOTH LOOK A LITTLE TIRED, 1211 01:00:57,133 --> 01:00:59,067 AND DADDY SAID HE MIGHT BE LATE. 1212 01:00:59,133 --> 01:01:01,033 YOU KNOW HOW IT IS WHEN THE BOYS GET TOGETHER 1213 01:01:01,100 --> 01:01:04,033 ON THOSE STRICTLY MALE ENTERPRISES. 1214 01:01:04,100 --> 01:01:05,567 WORK, THEY CALL IT. 1215 01:01:05,634 --> 01:01:07,534 COME ON, NOW. GET UNDRESSED. 1216 01:01:07,601 --> 01:01:09,567 HURRY UP, AND I'LL COME BACK 1217 01:01:09,634 --> 01:01:12,267 AND KISS YOU GOOD NIGHT IN A MINUTE. HURRY UP. 1218 01:01:13,634 --> 01:01:15,234 SHOOT. 1219 01:01:18,634 --> 01:01:20,934 AW, GEE. 1220 01:01:58,767 --> 01:02:02,067 CHRIS, ARE YOU ALL RIGHT? 1221 01:02:02,133 --> 01:02:05,467 YEAH, I'M ALL RIGHT. I'M JUST BUSHED, THAT'S ALL. 1222 01:02:19,868 --> 01:02:22,400 CHRIS, YOU'RE HURT. 1223 01:02:22,467 --> 01:02:25,734 NO. WE JUST BUTCHERED A BEEF. 1224 01:02:25,801 --> 01:02:27,434 OH. 1225 01:02:36,968 --> 01:02:38,300 THANKS. 1226 01:02:47,167 --> 01:02:52,267 OH, I THOUGHT YOU WERE HAVING FUN FOR YOURSELF. 1227 01:02:52,334 --> 01:02:54,534 HAVING FUN, HUH? 1228 01:02:54,601 --> 01:02:58,267 SORT OF A PRIVATE RODEO. 1229 01:03:00,400 --> 01:03:03,601 DARLING, YOU ARE TIRED... 1230 01:03:03,667 --> 01:03:05,934 TERRIBLY TIRED. 1231 01:03:07,534 --> 01:03:10,367 AND SUCH A MESS. 1232 01:03:10,434 --> 01:03:12,567 YEAH, I GUESS I AM. 1233 01:03:12,634 --> 01:03:16,000 CHRIS, IT NEVER USED TO GET TO YOU LIKE THIS IN NEW YORK- 1234 01:03:16,067 --> 01:03:17,801 ALL THE RIDING AND BULLDOGGING. 1235 01:03:17,868 --> 01:03:22,934 SILK SHIRT AND THE PRIZE MONEY AND THE FOLKS CHEERING. 1236 01:03:23,000 --> 01:03:25,000 THAT WAS THE CREAM, BABY. 1237 01:03:25,067 --> 01:03:27,567 TODAY WAS THE BREAD AND BUTTER. 1238 01:03:27,634 --> 01:03:30,367 CONTINUOUS PERFORMANCE, NO REST BETWEEN SHOWS. 1239 01:03:30,434 --> 01:03:32,033 OH... 1240 01:03:32,100 --> 01:03:35,534 DON'T LOOK SO BIG-EYED. I'M JUST PLAIN OLD TIRED. 1241 01:03:35,601 --> 01:03:39,567 ANY RANCHER WORTH HIS SALT GETS THIS WAY ONCE IN A WHILE. 1242 01:03:41,133 --> 01:03:43,100 OH, COME ON. GET CLEANED UP. 1243 01:03:43,167 --> 01:03:45,601 JUST LET ME SIT HERE A MINUTE, HUH? 1244 01:03:45,667 --> 01:03:48,868 NO. NOW, COME ON. GET A NICE, HOT BATH AND SOME FOOD, 1245 01:03:48,934 --> 01:03:50,868 AND YOU'LL BE GOOD AS NEW. 1246 01:03:50,934 --> 01:03:52,467 OK. 1247 01:03:52,534 --> 01:03:53,734 HURRY UP. 1248 01:03:56,400 --> 01:03:58,234 YOU KNOW SOMETHING, BUCKSHOT? 1249 01:03:59,934 --> 01:04:03,033 THE HOUSE USED TO BE DARK WHEN I'D GET HOME. 1250 01:04:03,100 --> 01:04:05,534 NIGHTS LIKE THIS, I'D FALL INTO BED 1251 01:04:05,601 --> 01:04:08,367 WITH MY CLOTHES ON AND MY BELLY EMPTY. 1252 01:04:08,434 --> 01:04:10,534 BUT NOW I... 1253 01:04:10,601 --> 01:04:12,968 YOU'RE REALLY SOMETHING. 1254 01:04:13,033 --> 01:04:14,534 I'M LIVING NOW. 1255 01:04:17,067 --> 01:04:19,267 BOY, I'M REALLY LIVING. 1256 01:04:48,400 --> 01:04:50,267 GIVE ME THE HOTEL, WILL YOU, TESS? 1257 01:04:50,334 --> 01:04:52,667 DID KAY TELL THIS JED FELLA SHE'D- 1258 01:04:52,734 --> 01:04:54,868 WELL, SHE DIDN'T SAY SHE WOULDN'T. 1259 01:04:54,934 --> 01:04:58,567 BUT YOU'LL ASK KAY NOT TO GO, WON'T YOU, DADDY? 1260 01:04:58,634 --> 01:05:01,367 SHE WON'T IF YOU SAY NOT TO. 1261 01:05:01,434 --> 01:05:04,000 WELL, SPROUTS, THAT'S KIND OF UP TO KAY 1262 01:05:04,067 --> 01:05:06,534 TO DECIDE FOR HERSELF. 1263 01:05:06,601 --> 01:05:10,234 WE'VE GOT ENOUGH TO ANSWER FOR ALREADY. 1264 01:05:10,300 --> 01:05:13,000 YOU SEE, IT'S LIKE WE CAUGHT A LARK 1265 01:05:13,067 --> 01:05:16,901 AND TRIED TO MAKE A BARN SWALLOW OUT OF IT. 1266 01:05:16,968 --> 01:05:20,834 BUT-BUT I DON'T WANT KAY TO GO, DADDY. 1267 01:05:20,901 --> 01:05:23,067 WHAT WILL WE DO WITHOUT HER? 1268 01:05:23,133 --> 01:05:25,868 MY GUESS IS YOU'D NEVER WASH YOUR EARS. 1269 01:05:28,133 --> 01:05:32,267 IF YOU THINK I'M GOING TO GIVE YOU A BREAK LIKE THAT, YOU'RE CRAZY. 1270 01:05:33,501 --> 01:05:35,067 KAY. 1271 01:05:35,133 --> 01:05:38,567 OH, CHRIS. OH... 1272 01:05:38,634 --> 01:05:40,934 DON'T EVER DO THAT TO ME AGAIN, BABY. 1273 01:05:43,334 --> 01:05:44,534 HELLO? HELLO? 1274 01:05:44,601 --> 01:05:46,901 IS THIS STILL YOU, THAT JED PERSON? 1275 01:05:46,968 --> 01:05:49,067 BECAUSE IF IT IS, KAY GAVE YOU HER ANSWER, 1276 01:05:49,133 --> 01:05:51,033 AND IF YOU KNOW WHAT'S GOOD FOR YOU, 1277 01:05:51,100 --> 01:05:52,501 YOU'LL JUST SCAT. 1278 01:05:52,567 --> 01:05:54,033 THE IDEA! 1279 01:05:54,100 --> 01:05:56,000 MAYBE A LITTLE TAR AND FEATHERS WOULD DO IT. 1280 01:05:56,067 --> 01:05:58,000 AND RIDE OUT OF TOWN ON A RAIL. 1281 01:05:58,067 --> 01:05:59,801 MY MAN WOULD LEND A HAND, 1282 01:05:59,868 --> 01:06:01,968 BUT HIS BACK'S STARTING TO HURT AGAIN. 1283 01:06:02,033 --> 01:06:03,501 IT IS? 1284 01:06:03,567 --> 01:06:06,534 MAYBE IT'S LIKE THAT RHEUMATISM I HAD IN MY NECK LAST- 1285 01:06:24,467 --> 01:06:25,601 YOU'LL DO, COWBOY. 1286 01:06:25,667 --> 01:06:27,801 YOU'RE PRETTY FAIR YOURSELF, COWBOY. 1287 01:06:27,868 --> 01:06:29,234 I'M GOING INTO TOWN WITH JEAN. 1288 01:06:29,300 --> 01:06:31,067 PICK ME UP A COUPLE OF SUITS OF UNDERWEAR, WILL YOU? 1289 01:06:31,133 --> 01:06:32,067 SIZE, UH... 1290 01:06:32,133 --> 01:06:34,067 OH, I KNOW THE SIZE. 1291 01:06:34,133 --> 01:06:35,901 HEY, CHRIS! 1292 01:06:39,634 --> 01:06:40,701 WHAT'S UP? 1293 01:06:40,767 --> 01:06:42,067 WE'RE IN TROUBLE. 1294 01:06:42,133 --> 01:06:44,033 FERN SPRINGS IS JUST AS DRY AS A BONE. 1295 01:06:44,100 --> 01:06:45,200 DRY? 1296 01:06:45,267 --> 01:06:46,567 IT JUST AIN'T ANYMORE. 1297 01:06:46,634 --> 01:06:47,734 IT CAN'T BE. 1298 01:06:47,801 --> 01:06:49,400 IT IS. THAT'S WHAT I SAID, 1299 01:06:49,467 --> 01:06:51,734 BUT YOU'LL GET THE SURPRISE OF YOUR LIFE 1300 01:06:51,801 --> 01:06:53,667 WHEN YOU GET OUT THERE. 1301 01:06:58,734 --> 01:07:02,000 LOOK. THERE AIN'T ENOUGH LEFT TO WET A JAYBIRD'S WHISTLE. 1302 01:07:02,067 --> 01:07:05,000 IF MEARS DOESN'T LET ME HAVE MORE WATER, I'M OUT OF BUSINESS. 1303 01:07:05,067 --> 01:07:07,501 I'M GOING TO TALK TO HIM, AND THIS TIME HE'S GOING TO LISTEN. 1304 01:07:07,567 --> 01:07:09,167 TAKE YOUR SHOOTING IRON WITH YOU. 1305 01:07:09,234 --> 01:07:11,334 THERE AIN'T NOTHING THAT'LL MAKE A MAN HEAR BETTER 1306 01:07:11,400 --> 01:07:13,501 THAN TO PLUG UP HIS EAR WITH A.45. 1307 01:07:15,934 --> 01:07:18,267 OUT OF THE BLUE HE SAYS, "YOU'LL DO, COWBOY." 1308 01:07:18,334 --> 01:07:20,000 THOUGH COMING FROM HIM THAT CAN ONLY MEAN 1309 01:07:20,067 --> 01:07:22,767 THAT AT LAST HE THINKS I'M A PRETTY FAIR HAND AROUND THE PLACE, 1310 01:07:22,834 --> 01:07:24,200 THANKS TO YOU. 1311 01:07:24,267 --> 01:07:26,400 YOU KNOW, I MAY ASK YOU TO WRITE ME A TESTIMONIAL- 1312 01:07:26,467 --> 01:07:30,033 "HOW TO LEARN TO BECOME A RANCH WOMAN IN 6 EASY LESSONS." 1313 01:07:30,100 --> 01:07:32,534 YOU MEAN 60 NOT-SO-EASY LESSONS 1314 01:07:32,601 --> 01:07:35,801 AND 60 BOTTLES OF LINIMENT. 1315 01:07:35,868 --> 01:07:39,200 UH-OH. LAUGHING BOY. 1316 01:07:43,000 --> 01:07:45,067 THANK YOU, MRS. JONES. 1317 01:07:45,133 --> 01:07:47,634 HOWDY, MR. MEARS. WHAT CAN I DO FOR YOU? 1318 01:07:47,701 --> 01:07:48,868 HALTERS. 1319 01:07:48,934 --> 01:07:50,300 MM-HMM, HALTERS. 1320 01:07:50,367 --> 01:07:54,334 HOW IS RED BOY? 1321 01:07:54,400 --> 01:07:57,501 LIKE HE WAS THAT TIME HE BROKE LOOSE AND RUN OFF IN THE HILLS. 1322 01:07:57,567 --> 01:07:58,834 MIGHT BE HIS DIET. 1323 01:07:58,901 --> 01:08:01,300 YOU MIGHT TRY THIS NEW ELIXIR - VERY GOOD STUFF. 1324 01:08:01,367 --> 01:08:03,467 I'M GOING TO HAVE DOC HENRY LOOK AT HIM. I'LL TAKE THIS. 1325 01:08:03,534 --> 01:08:04,701 DOC'S GOOD. 1326 01:08:14,100 --> 01:08:16,234 POW, PARTNER. 1327 01:08:21,734 --> 01:08:25,434 HI, OLD-TIMER. WHAT'S COOKING HOME ON THE RANGE, PARD? 1328 01:08:25,501 --> 01:08:26,534 ARE THEM YOUR BRATS? 1329 01:08:26,601 --> 01:08:27,701 YEAH. AIN'T THEY SOMETHING? 1330 01:08:29,100 --> 01:08:31,200 BEEN ACTING LIKE THAT FOR DAYS. 1331 01:08:31,267 --> 01:08:33,033 JUST THINK. WE HARDLY GOT HERE, 1332 01:08:33,100 --> 01:08:34,701 AND ALREADY THEY'RE LIKE THEY WAS BORN 1333 01:08:34,767 --> 01:08:36,334 TO THE BIG, OPEN SPACES. 1334 01:08:36,400 --> 01:08:38,901 HEY, MAYBE YOU CAN GIVE US SOME INFORMATION. 1335 01:08:38,968 --> 01:08:40,868 WE SEEM TO BE RIDING WILD. 1336 01:08:40,934 --> 01:08:42,534 GET YOUR INFORMATION FROM SOMEBODY ELSE. 1337 01:08:42,601 --> 01:08:44,267 AND WHO'S PAYING FOR THIS DAMAGE? 1338 01:08:44,334 --> 01:08:47,801 THESE FELLAS ARE AS FRIENDLY AS A BOBCAT WITH HIVES. 1339 01:08:47,868 --> 01:08:50,033 WILL $100 TAKE CARE OF IT? 1340 01:08:50,100 --> 01:08:52,434 I HOPE SO. NOW, WHAT DO YOU WANT TO KNOW? 1341 01:08:52,501 --> 01:08:54,968 WHERE WE'RE AIMING FOR IS PEYTON BRIGGS' PLACE. 1342 01:08:55,033 --> 01:08:57,000 YEAH, THE DUDE RANCH, YOU KNOW? 1343 01:08:57,067 --> 01:08:59,467 WELL, IT'S 14 MILES EAST... 1344 01:08:59,534 --> 01:09:01,634 PEYTON BRIGGS. 1345 01:09:01,701 --> 01:09:06,501 AND THEN IT'S ABOUT A LOOK AND A HALF STRAIGHT AHEAD. 1346 01:09:07,567 --> 01:09:09,534 OH, CLEAR AS A PRAIRIE DOG'S EYE. 1347 01:09:09,601 --> 01:09:13,300 JEAN, DON'T LET MEARS GET AWAY. I'LL BE RIGHT BACK. 1348 01:09:13,367 --> 01:09:16,033 ROPING EVERY MORNING AND WHOOPEE AT NIGHT. 1349 01:09:16,100 --> 01:09:17,767 WELL, SO LONG, OLD-TIMER! 1350 01:09:17,834 --> 01:09:19,534 DON'T ROPE ANY WOODEN STEERS. 1351 01:09:19,601 --> 01:09:22,367 COME ON, COWHANDS. TIME TO HIT THE TRAIL. 1352 01:09:25,234 --> 01:09:26,801 BLAMED DUDES. 1353 01:09:26,868 --> 01:09:28,634 CIGAR COWBOYS. 1354 01:09:31,400 --> 01:09:32,634 OH, MR. MEARS, 1355 01:09:32,701 --> 01:09:35,033 I COULDN'T HELP OVERHEARING YOU TELLING MR. KLINGER 1356 01:09:35,100 --> 01:09:36,801 ABOUT HOW FIDGETY RED BOY'S BEEN LATELY. 1357 01:09:36,868 --> 01:09:39,567 I HAD THE SAME TROUBLE WITH ONE OF MY VERY BEST MILKERS, 1358 01:09:39,634 --> 01:09:43,367 AND I PUT SULFUR MOLASSES IN HER BRAN, AND SHE JUST QUIETED DOWN RIGHT AWAY. 1359 01:09:43,434 --> 01:09:44,567 I'LL TRY IT SOMETIME. 1360 01:09:44,634 --> 01:09:46,267 NOW, IT'S IMPORTANT THAT YOU GET THE RIGHT MIXTURE. 1361 01:09:46,334 --> 01:09:47,767 THAT'S TWO PARTS OF MOLASSES 1362 01:09:47,834 --> 01:09:50,167 AND ONE PART OF SULFUR TO TWO PACKS OF BRAN. 1363 01:09:50,234 --> 01:09:51,534 OH, JEAN. 1364 01:09:51,601 --> 01:09:53,701 I'M SO GLAD I FOUND YOU. HELLO, MR. MEARS. 1365 01:09:53,767 --> 01:09:55,067 WHAT DO YOU THINK? 1366 01:09:55,133 --> 01:09:56,567 WHAT? 1367 01:09:56,634 --> 01:09:57,801 I SAW THOSE DUDES AGAIN, AND THEY WANT TO BUY OUR RANCH. 1368 01:09:57,868 --> 01:09:58,868 YOU DON'T SAY! 1369 01:09:58,934 --> 01:10:00,801 UH-HUH. THEY'RE FRIENDS OF PEYTON BRIGGS. 1370 01:10:00,868 --> 01:10:02,167 ARE YOU GOING TO SELL TO THEM? 1371 01:10:02,234 --> 01:10:05,033 WHY NOT? THE PLACE IS ABOUT AS BIG AS IT CAN GET 1372 01:10:05,100 --> 01:10:06,434 WITH THE AMOUNT OF WATER WE HAVE, 1373 01:10:06,501 --> 01:10:08,067 AND IT'S JUST WHAT THEY WANT. 1374 01:10:08,133 --> 01:10:09,667 HOLD ON, MRS. HAYWARD. 1375 01:10:09,734 --> 01:10:11,200 I OFFERED TO BUY YOUR PLACE. 1376 01:10:11,267 --> 01:10:13,701 OH, YOU-YES, I KNOW YOU DID, MR. MEARS. 1377 01:10:13,767 --> 01:10:16,400 BUT DUDES PAY AWFULLY GOOD MONEY, 1378 01:10:16,467 --> 01:10:18,534 REALLY MUCH MORE THAN IT'S WORTH. 1379 01:10:18,601 --> 01:10:21,067 YOU WOULDN'T SELL OUT TO THE LIKES OF THEM, WOULD YOU? 1380 01:10:21,133 --> 01:10:23,767 WHAT CAN WE DO IF WE CAN'T GET ANY MORE WATER? 1381 01:10:23,834 --> 01:10:25,834 AND THEY'RE THE NICEST PEOPLE, 1382 01:10:25,901 --> 01:10:27,968 NOT OLD STICK-IN-THE-MUDS LIKE US. 1383 01:10:28,033 --> 01:10:30,200 THEY'LL WHOOP IT UP FROM DUSK TO DAWN- 1384 01:10:30,267 --> 01:10:31,601 WILD WEST WHOOPEE. 1385 01:10:31,667 --> 01:10:32,834 YOU'LL START LIVING. 1386 01:10:32,901 --> 01:10:35,334 I AIN'T GONNA HAVE THEM DUDES OUT THERE! 1387 01:10:35,400 --> 01:10:39,434 WELL, THEN, IT LOOKS LIKE YOU'LL HAVE TO TAKE YOUR CHOICE. 1388 01:10:39,501 --> 01:10:43,601 IT'S DUDES FOR YOU OR WATER FOR US. 1389 01:10:43,667 --> 01:10:46,567 ALL RIGHT. WATER. 1390 01:10:46,634 --> 01:10:49,300 WELL, THEY'RE GOING TO BE MIGHTY DISAPPOINTED, 1391 01:10:49,367 --> 01:10:50,634 BUT ALL RIGHT. 1392 01:10:50,701 --> 01:10:51,801 YOU HEARD HIM. 1393 01:10:51,868 --> 01:10:52,934 YES. 1394 01:10:55,133 --> 01:10:56,534 MEARS, I WANT TO TALK TO YOU. 1395 01:10:56,601 --> 01:10:57,567 CHRIS... 1396 01:10:57,634 --> 01:10:59,067 YOU STAY OUT OF THIS. 1397 01:10:59,133 --> 01:11:01,067 I'M NOT ASKING YOU THIS TIME. I'M TELLING YOU. 1398 01:11:01,133 --> 01:11:03,067 I NEED WATER, AND I NEED IT BAD, AND I AIM TO GET IT. 1399 01:11:03,133 --> 01:11:04,200 NOT TILL FRIDAY. 1400 01:11:04,267 --> 01:11:05,667 THIS IS BETWEEN MEARS AND ME. 1401 01:11:05,734 --> 01:11:08,033 IT'S NOT A MATTER OF PERSONAL LIKES OR DISLIKES- 1402 01:11:08,100 --> 01:11:09,567 WHAT DID YOU SAY? 1403 01:11:09,634 --> 01:11:11,167 I SAID IT WOULDN'T BE TILL FRIDAY. 1404 01:11:11,234 --> 01:11:13,534 IT'LL TAKE ME A COUPLE OF DAYS TO GET THE PAPERS DRAWN UP. 1405 01:11:13,601 --> 01:11:15,400 I'LL BRING THEM OVER TO YOU THEN. 1406 01:11:15,467 --> 01:11:17,067 YOU MEAN WE GET THE WATER? 1407 01:11:17,133 --> 01:11:20,033 STARTING FRIDAY. I KNOW WHEN I'M LICKED. 1408 01:11:20,100 --> 01:11:24,300 WELL, THAT'S THE WAY TO HANDLE THAT CHARACTER. 1409 01:11:24,367 --> 01:11:26,133 WASN'T CHRIS WONDERFUL? 1410 01:11:26,200 --> 01:11:27,601 OH, ESPECIALLY WONDERFUL. 1411 01:11:27,667 --> 01:11:30,334 IT WAS NOTHING. I DIDN'T THINK IT WAS GOING TO BE THAT EASY. 1412 01:11:30,400 --> 01:11:32,400 DO YOU MIND IF I RIDE HOME WITH CHRIS? 1413 01:11:32,467 --> 01:11:33,601 NO, NO. 1414 01:11:33,667 --> 01:11:35,100 I CAN HARDLY WAIT TO TELL THE COWS. 1415 01:11:35,167 --> 01:11:36,267 SEE YOU LATER. 1416 01:11:36,334 --> 01:11:37,534 BYE. 1417 01:11:41,567 --> 01:11:43,067 YOU KNOW, BUCKSHOT, I DON'T GET IT. 1418 01:11:43,133 --> 01:11:45,067 ALL I SAID WAS, "MEARS, I WANT TO TALK TO YOU." 1419 01:11:45,133 --> 01:11:47,067 I KNOW IT. I WAS STANDING RIGHT THERE WHEN YOU SAID IT. 1420 01:11:47,133 --> 01:11:48,767 AND THEN I SAID, "YOU STAY OUT OF THIS." 1421 01:11:48,834 --> 01:11:50,400 UH-HUH, YOU SURE DID. 1422 01:11:50,467 --> 01:11:51,934 I DIDN'T MEAN TO HURT YOUR FEELINGS, BUT- 1423 01:11:52,000 --> 01:11:53,334 OH, YOU DIDN'T. 1424 01:11:53,400 --> 01:11:55,033 THE CHIPS WERE DOWN, AND... 1425 01:11:55,100 --> 01:11:56,701 I STILL DON'T UNDERSTAND IT. 1426 01:11:56,767 --> 01:11:58,400 HE GAVE IN SO EASILY. 1427 01:11:58,467 --> 01:12:01,834 WELL, YOU HAD HIM BACKED AGAINST THE WALL. 1428 01:12:01,901 --> 01:12:05,000 YOU WERE SO DYNAMIC. 1429 01:12:05,067 --> 01:12:07,100 YEAH. 1430 01:12:12,400 --> 01:12:13,868 WELL, IT'S STILL OURS, 1431 01:12:13,934 --> 01:12:16,200 BUT WE CAME AWFUL CLOSE TO HAVING TO GIVE THE WHOLE THING UP. 1432 01:12:16,267 --> 01:12:17,601 WHAT DO YOU MEAN? 1433 01:12:17,667 --> 01:12:20,400 I DIDN'T WANT TO TELL YOU, BUT FERN SPRING DRIED UP ON US- 1434 01:12:20,467 --> 01:12:22,033 OUR MAIN SOURCE OF WATER. 1435 01:12:22,100 --> 01:12:24,634 CHRIS, I DIDN'T KNOW THAT. 1436 01:12:24,701 --> 01:12:26,067 WELL, WHAT IF I HADN'T SUP- 1437 01:12:26,133 --> 01:12:29,534 WELL, SUPPOSE MEARS HADN'T DECIDED TO GIVE IN? 1438 01:12:29,601 --> 01:12:33,033 WE JUST COULDN'T GET BY ON THE WATER HE'S GIVING US NOW. 1439 01:12:33,100 --> 01:12:34,033 WELL, WHAT- 1440 01:12:34,100 --> 01:12:35,100 I DON'T KNOW WHAT WE'D HAVE DONE. 1441 01:12:35,167 --> 01:12:36,601 OH, GEE. 1442 01:12:36,667 --> 01:12:39,367 YOU KNOW, BUCKSHOT, I GUESS A LOT OF FOLKS MIGHT NOT THINK 1443 01:12:39,434 --> 01:12:41,901 COUGAR ROCK IS THE BEST RANCH IN THE WORLD, 1444 01:12:41,968 --> 01:12:43,667 BUT WHEN YOU BUILD A PLACE UP FROM SCRATCH 1445 01:12:43,734 --> 01:12:46,100 AND KIND OF IRRIGATED IT WITH YOUR OWN SWEAT, 1446 01:12:46,167 --> 01:12:48,033 WELL, YOU GET A FEELING ABOUT IT. 1447 01:12:48,100 --> 01:12:50,367 I'VE ALWAYS KIND OF FELT LIKE IT WAS ALIVE- 1448 01:12:50,434 --> 01:12:52,834 NOT JUST DIRT AND ROCK AND SCRUB, 1449 01:12:52,901 --> 01:12:55,000 BUT LIKE A REAL PERSON THAT'S NEVER HAD A BREAK, 1450 01:12:55,067 --> 01:12:56,400 AND IT'S WAITING TO HIT ITS STRIDE. 1451 01:12:56,467 --> 01:12:59,901 I KIND OF SOUND LIKE A REAL-ESTATE SALESMAN, DON'T I? 1452 01:12:59,968 --> 01:13:01,601 YOU SOLD ME, MISTER. 1453 01:13:01,667 --> 01:13:04,467 WELL, ANYWAY, BUCKSHOT, WE'RE ON OUR WAY NOW. 1454 01:13:04,534 --> 01:13:06,968 YOU KNOW, CHRIS, IF WE GET ALL THE WATER WE NEED, 1455 01:13:07,033 --> 01:13:09,100 WE'LL BUY CATTLE UNTIL THESE BARNS BULGE. 1456 01:13:09,167 --> 01:13:11,067 WE'LL OWN HALF THE STATE BEFORE WE'RE THROUGH. 1457 01:13:11,133 --> 01:13:12,033 YEAH. 1458 01:13:12,100 --> 01:13:13,501 MAYBE JUST A QUARTER. 1459 01:13:13,567 --> 01:13:16,267 AND WE'LL BUY BULLS THAT WILL OUT-BULL THE BULL 1460 01:13:16,334 --> 01:13:17,968 THAT OUT-BULLED MEARS' BULL. 1461 01:13:18,033 --> 01:13:21,000 YEAH, BRIDE OF THE CATTLE KING, THAT'S ME. 1462 01:13:21,067 --> 01:13:22,067 HEY, QUEENIE? 1463 01:13:22,133 --> 01:13:23,067 WHAT? 1464 01:13:23,133 --> 01:13:24,934 HOW ABOUT DECLARING A ROYAL HOLIDAY? 1465 01:13:25,000 --> 01:13:27,033 THE BOYS ARE GOING ON A DEER HUNT. WHY DON'T WE GO ALONG WITH THEM? 1466 01:13:27,100 --> 01:13:28,167 SURE. OH, NO. 1467 01:13:28,234 --> 01:13:29,734 I PROMISED TO TAKE THE KIDS- 1468 01:13:29,801 --> 01:13:32,634 I FORGOT TO TELL YOU. I SAW POKEY IN TOWN. SHE WANTS TO COME BACK. 1469 01:13:32,701 --> 01:13:34,767 OF COURSE, IF YOU DON'T WANT HER- 1470 01:13:34,834 --> 01:13:36,968 OH, CHRIS, OH! 1471 01:13:37,033 --> 01:13:40,067 OH, CHRIS, TELL HER SHE CAN WEAR MY HATTIE CARNEGIES 1472 01:13:40,133 --> 01:13:42,300 ALL AT THE SAME TIME IF SHE WANTS, 1473 01:13:42,367 --> 01:13:45,100 AND TELL HER I'LL RUN A WHOLE TUBFUL OF PERFUME FOR HER. 1474 01:13:45,167 --> 01:13:46,434 PERFUME, NOTHING. 1475 01:13:46,501 --> 01:13:49,033 YOU CAN FILL IT UP WITH WATER NOW. 1476 01:13:49,100 --> 01:13:50,300 OH! 1477 01:13:50,367 --> 01:13:51,934 YOU'VE NEVER BEEN ON A HUNTING TRIP, HAVE YOU? 1478 01:13:52,000 --> 01:13:53,367 YOU'LL HAVE A LOT OF FUN, 1479 01:13:53,434 --> 01:13:55,200 EVEN IF YOU DON'T KNOW THE BACK END OF A SHOTGUN 1480 01:13:55,267 --> 01:13:57,000 FROM THE FRONT END. 1481 01:13:57,067 --> 01:13:58,434 OH, MY AIM'S PRETTY GOOD. 1482 01:13:58,501 --> 01:13:59,501 PRETTY GOOD. 1483 01:13:59,567 --> 01:14:00,701 MINE, TOO. 1484 01:14:00,767 --> 01:14:02,000 YOU LIKE IT? OH, CHRIS. 1485 01:14:10,601 --> 01:14:12,534 WHAT TIME DO WE HAVE TO GET UP 1486 01:14:12,601 --> 01:14:14,534 TO START AFTER THESE DEER, DEAR? 1487 01:14:14,601 --> 01:14:16,067 WE'LL GET UP AROUND 4:00. 1488 01:14:16,133 --> 01:14:18,067 OH. 1489 01:14:18,133 --> 01:14:20,000 WELL... 1490 01:14:20,067 --> 01:14:23,901 I DON'T KNOW ABOUT THE REST OF YOU GALOOTS, 1491 01:14:23,968 --> 01:14:28,567 BUT I THINK I'LL JUST HIT THE SACK. 1492 01:14:28,634 --> 01:14:29,567 NIGHT, KAY. 1493 01:14:29,634 --> 01:14:30,567 GOOD NIGHT. 1494 01:14:30,634 --> 01:14:32,133 GOOD NIGHT. 1495 01:14:34,133 --> 01:14:38,534 YEAH. 4:00 DOES COME KIND OF EARLY. 1496 01:15:12,100 --> 01:15:16,734 "BE BACK. HAVE BREAKFAST READY FOR THE GANG AT 6:00." 1497 01:15:19,934 --> 01:15:23,100 WHAT A DIRTY TRICK. 1498 01:15:30,968 --> 01:15:35,033 "HOW WOULD YOU LIKE TO GO ON A HUNTING TRIP?" HE SAYS. 1499 01:15:37,133 --> 01:15:41,067 "NEVER CAMPED OUT OVERNIGHT, HAVE YOU, BUCKSHOT? 1500 01:15:41,133 --> 01:15:43,934 YOU'LL JUST LOVE IT." 1501 01:15:46,801 --> 01:15:50,267 BROUGHT ME ALONG TO COOK THEIR OLD BREAKFAST. 1502 01:15:51,601 --> 01:15:54,400 "WE'LL HAVE A ROYAL HOLIDAY." 1503 01:15:56,100 --> 01:16:01,367 OK, BOYS, I'LL GIVE YOU A ROYAL BREAKFAST. 1504 01:16:02,501 --> 01:16:05,267 FIRST, WE'LL HAVE SOME COFFEE- 1505 01:16:05,334 --> 01:16:09,501 A LITTLE WATER, A LOT OF COFFEE. 1506 01:16:09,567 --> 01:16:11,367 EGGSHELL... 1507 01:16:15,100 --> 01:16:17,968 THERE'S SOMETHING FOR YOUR BACK TEETH. 1508 01:16:24,634 --> 01:16:26,901 OH, OH! CHRIS! 1509 01:16:42,033 --> 01:16:45,000 IT'S A COUGAR. 1510 01:16:45,067 --> 01:16:48,033 THAT'S WHAT IT IS, A COUGAR. 1511 01:16:48,100 --> 01:16:50,067 WHAT'LL I DO? 1512 01:17:21,100 --> 01:17:24,400 OH, CHRIS! 1513 01:17:24,467 --> 01:17:25,734 WHAT'S THE MATTER, BUCKSHOT? 1514 01:17:25,801 --> 01:17:27,534 CHRIS, I GOT HIM. 1515 01:17:27,601 --> 01:17:28,767 YOU GOT WHAT? 1516 01:17:28,834 --> 01:17:30,033 HE'S RIGHT OVER THERE IN THE BUSHES. 1517 01:17:30,100 --> 01:17:32,033 I SNUCK UP ON HIM AND SHOT HIM. WHAT A SHOT-BANG! 1518 01:17:32,100 --> 01:17:33,701 AT FIRST I THOUGHT I HEARD A SOUND... 1519 01:17:33,767 --> 01:17:35,133 WHAT ARE YOU TALKING ABOUT? 1520 01:17:35,200 --> 01:17:37,734 A COUGAR TRIED TO KILL ME. 1521 01:17:37,801 --> 01:17:40,400 I SHOT HIM. HE'S OVER IN THE BUSHES. 1522 01:17:40,467 --> 01:17:41,934 THIS I GOT TO SEE. 1523 01:17:42,000 --> 01:17:43,434 YOU THOUGHT I DIDN'T KNOW 1524 01:17:43,501 --> 01:17:46,400 THE BUZZLE END OF A GUN FROM A MUTT, TOO. 1525 01:17:46,467 --> 01:17:48,234 HE'S RIGHT OVER HERE. 1526 01:17:48,300 --> 01:17:49,734 OH, I CAN'T LOOK. 1527 01:17:49,801 --> 01:17:51,334 WHAT DID HE DO, JUST WALK INTO CAMP AND- 1528 01:17:51,400 --> 01:17:52,901 AND HE WAS SUCH A BIG ONE. 1529 01:17:52,968 --> 01:17:54,334 KAY! 1530 01:17:54,400 --> 01:17:56,000 IS HE STILL ALIVE? 1531 01:17:57,701 --> 01:17:59,367 RED BOY! 1532 01:18:19,801 --> 01:18:21,000 NO SOAP? 1533 01:18:21,067 --> 01:18:23,000 NO SOAP, NO WATER RIGHTS, NO NOTHING... 1534 01:18:23,067 --> 01:18:24,934 FROM HIM, THAT IS. 1535 01:18:25,000 --> 01:18:29,000 FROM US, COUGAR ROCK RANCH TO HEAL HIS ACHING HEART. 1536 01:18:29,067 --> 01:18:32,634 CHRIS, WHY DID YOU HAVE TO MARRY SUCH A DOPE? 1537 01:18:32,701 --> 01:18:34,968 OH, FORGET IT. WE'LL MAKE OUT. 1538 01:18:36,601 --> 01:18:38,601 I'VE WRECKED EVERYTHING FOR YOU. 1539 01:18:38,667 --> 01:18:41,000 LOOK, THIS ISN'T THE ONLY RANCH IN THE COUNTRY. 1540 01:18:41,067 --> 01:18:42,634 SO WE LOSE IT. 1541 01:18:42,701 --> 01:18:44,400 I'LL HIT THE RODEO CIRCUIT AGAIN, 1542 01:18:44,467 --> 01:18:45,868 AND SOMEDAY WE'LL GET ANOTHER PLACE, 1543 01:18:45,934 --> 01:18:47,501 A BETTER ONE. 1544 01:18:47,567 --> 01:18:51,033 I'LL SEE TOM RIDDLEY AND ENTER THE HAZELTON ROUNDUP NEXT MONTH. 1545 01:18:51,100 --> 01:18:54,567 CHRIS, WHY DON'T YOU CUSS ME OUT 1546 01:18:54,634 --> 01:18:56,968 OR GIVE ME A POKE IN THE NOSE? 1547 01:18:57,033 --> 01:18:59,501 DON'T GET YOUR LEVI'S IN AN UPROAR, BUCKSHOT. 1548 01:18:59,567 --> 01:19:02,968 ANYBODY CAN HAVE A HUNTING ACCIDENT. 1549 01:19:03,033 --> 01:19:05,634 YOU KNOW, CHRIS, WHEN JED WAS OUT HERE, HE SAID- 1550 01:19:05,701 --> 01:19:07,467 I KNOW WHAT HE SAID. 1551 01:19:07,534 --> 01:19:11,000 INCIDENTALLY, THANKS FOR LETTING ME THINK I WAS A BIG SHOT. 1552 01:19:11,067 --> 01:19:12,234 WHAT DO YOU MEAN? 1553 01:19:12,300 --> 01:19:14,100 IN THE PLEASANT DISCUSSION WITH MEARS ABOUT THE BULL, 1554 01:19:14,167 --> 01:19:17,501 IT SORT OF CAME OUT THAT YOU AND I WERE GOING TO SELL THE PLACE TO DUDES. 1555 01:19:17,567 --> 01:19:19,033 CHRIS, I WAS ONLY TRYING- 1556 01:19:19,100 --> 01:19:22,067 YEAH, I KNOW. LIKE YOU SAID, I SURE WAS DYNAMIC. 1557 01:19:23,601 --> 01:19:25,501 I'M SORRY. 1558 01:19:25,567 --> 01:19:28,033 I WON'T LET HIM DO THIS. 1559 01:19:28,100 --> 01:19:31,167 I WON'T LET THAT OLD BUZZARD PICK YOUR BONES LIKE THIS. 1560 01:19:31,234 --> 01:19:33,133 HOW ARE YOU GOING TO STOP HIM? 1561 01:19:33,200 --> 01:19:36,601 BY GOING BACK TO NEW YORK AND DOING THAT SHOW, THAT'S HOW. 1562 01:19:36,667 --> 01:19:39,200 GET THIS THROUGH YOUR HEAD, KAY. RANCHING'S MY BUSINESS. 1563 01:19:39,267 --> 01:19:41,200 ANYTHING THAT HAS TO DO WITH THIS PLACE IS MY PROBLEM. 1564 01:19:41,267 --> 01:19:42,634 YOU KEEP OUT OF IT. 1565 01:19:42,701 --> 01:19:44,067 KEEP OUT OF IT? 1566 01:19:44,133 --> 01:19:46,634 YOU WOULDN'T HAVE LET ME FOOL MEARS ABOUT THE DUDES, EITHER, 1567 01:19:46,701 --> 01:19:48,100 BUT WE GOT THE WATER RIGHTS, DIDN'T WE? 1568 01:19:48,167 --> 01:19:49,567 YEAH, WE GOT THEM. 1569 01:19:49,634 --> 01:19:52,100 THEN YOU SHOT RED BOY, AND WE LOST THEM. 1570 01:19:52,167 --> 01:19:54,567 SO YOU ARE HOLDING IT AGAINST ME. 1571 01:19:54,634 --> 01:19:56,567 "ANYBODY CAN HAVE A HUNTING ACCIDENT," HE SAYS. 1572 01:19:56,634 --> 01:19:57,901 WELL, THEY CAN, 1573 01:19:57,968 --> 01:20:00,367 AND I'M NOT HOLDING IT AGAINST YOU. 1574 01:20:00,434 --> 01:20:02,868 OF COURSE, YOU COULD HAVE LOOKED. 1575 01:20:02,934 --> 01:20:06,300 OH, FINE. NOW IT BEGINS TO COME OUT. 1576 01:20:06,367 --> 01:20:07,567 DOGGONE IT, ALL I MEANT WAS- 1577 01:20:07,634 --> 01:20:08,834 YOU DON'T HAVE TO SHOUT AT ME. 1578 01:20:08,901 --> 01:20:10,534 I'M NOT SHOUTING. I'M JUST TRYING TO TELL YOU- 1579 01:20:10,601 --> 01:20:11,601 I KNOW I'VE MESSED THINGS UP PLENTY. 1580 01:20:11,667 --> 01:20:13,000 BUT IT ISN'T ANYTHING MONEY CAN'T FIX, 1581 01:20:13,067 --> 01:20:14,033 SO WHY CAN'T I PAY FOR IT? 1582 01:20:14,100 --> 01:20:15,067 NO! 1583 01:20:15,133 --> 01:20:17,067 WHY DO YOU HAVE TO BE SO STUBBORN? 1584 01:20:17,133 --> 01:20:19,033 WHY CAN'T YOU BE PRACTICAL FOR ONCE IN YOUR LIFE? 1585 01:20:19,100 --> 01:20:20,534 LOOK WHO'S TALKING ABOUT BEING PRACTICAL. 1586 01:20:20,601 --> 01:20:22,200 YOU LISTEN TO ME. I'M GOING TO NEW YORK, 1587 01:20:22,267 --> 01:20:23,567 AND I'LL COLLECT ENOUGH TO BUY YOU- 1588 01:20:23,634 --> 01:20:24,968 YOU WON'T BUY ME ANYTHING. 1589 01:20:25,033 --> 01:20:26,267 WHAT AM I SUPPOSED TO DO? 1590 01:20:26,334 --> 01:20:28,501 GO AROUND THE REST OF MY LIFE IN SACKCLOTH AND ASHES 1591 01:20:28,567 --> 01:20:30,534 JUST BECAUSE A BIG TENDERLOIN STEAK GOT SHOT? 1592 01:20:30,601 --> 01:20:32,067 NO, YOU LISTEN TO ME, MR. HAYWARD. 1593 01:20:32,133 --> 01:20:34,067 I KNOW WHAT I'M GOING TO DO, AND NOBODY'S GOING TO STOP ME. 1594 01:20:34,133 --> 01:20:35,934 YOU'RE JUST TALKING TO HEAR YOURSELF TALK. 1595 01:20:36,000 --> 01:20:37,601 YOU'RE TRYING TO PICK A FIGHT. 1596 01:20:37,667 --> 01:20:39,601 TRYING? BROTHER, THIS IS A FIGHT- 1597 01:20:39,667 --> 01:20:41,868 OUR FIRST AND LAST. 1598 01:20:41,934 --> 01:20:44,701 IF THAT'S THE WAY YOU FEEL, GO ON TO NEW YORK AND STAY THERE. 1599 01:20:44,767 --> 01:20:46,100 WELL, I WILL. 1600 01:20:46,167 --> 01:20:47,567 ALL RIGHT. 1601 01:20:49,067 --> 01:20:50,434 AND CONGRATULATIONS. 1602 01:20:50,501 --> 01:20:53,667 YOU'RE SLIDING OUT JUST WHEN THINGS ARE GETTING REALLY TOUGH. 1603 01:21:00,901 --> 01:21:02,067 Nan: HI, DADDY! 1604 01:21:02,133 --> 01:21:04,133 I GOT "EXCELLENT" IN READING TODAY. 1605 01:21:04,200 --> 01:21:05,601 GOOD. 1606 01:21:07,634 --> 01:21:10,067 WHAT'S THE MATTER, DADDY? YOU LOOK MAD. 1607 01:21:10,133 --> 01:21:12,167 YOU SURE DO- LIKE LAST SPRING 1608 01:21:12,234 --> 01:21:13,801 WHEN THE COYOTES RAIDED THE CHICKENS. 1609 01:21:13,868 --> 01:21:15,634 WHO ARE YOU MAD AT? 1610 01:21:15,701 --> 01:21:16,734 DADDY. 1611 01:21:16,801 --> 01:21:18,567 LOOK, KIDS, YOU'RE GOING TO FIND OUT ANYWAY. 1612 01:21:18,634 --> 01:21:20,300 I MIGHT AS WELL TELL YOU. KAY IS LEAVING. 1613 01:21:20,367 --> 01:21:21,567 LEAVING? 1614 01:21:21,634 --> 01:21:22,934 FOR WHERE? 1615 01:21:23,000 --> 01:21:24,200 SHE'S GOING BACK TO NEW YORK. 1616 01:21:24,267 --> 01:21:25,801 SHE'S COMING BACK, ISN'T SHE? 1617 01:21:25,868 --> 01:21:26,934 I DON'T KNOW. 1618 01:21:27,000 --> 01:21:28,467 DID SOMEBODY DO SOMETHING? 1619 01:21:28,534 --> 01:21:32,067 NO. THINGS JUST DIDN'T WORK OUT LIKE WE PLANNED, THAT'S ALL. 1620 01:21:32,133 --> 01:21:34,167 DOES SHE WANT TO LEAVE? 1621 01:21:34,234 --> 01:21:37,267 WHAT ARE YOU GOING TO DO WITHOUT HER, DADDY? 1622 01:21:37,334 --> 01:21:39,901 I'M GOING OVER TO TOM RIDDLEY'S. I'LL BE BACK. 1623 01:21:39,968 --> 01:21:41,567 ARE YOU GOING RODEOING AGAIN, DADDY? 1624 01:21:41,634 --> 01:21:42,601 YEAH. 1625 01:21:42,667 --> 01:21:44,734 BUT, DADDY... 1626 01:21:44,801 --> 01:21:48,601 GOLLY, MAYBE HE DOESN'T LOVE KAY ANYMORE. 1627 01:21:48,667 --> 01:21:51,601 HE SAID HE FELL IN LOVE WITH HER LIKE THAT. 1628 01:21:51,667 --> 01:21:54,367 MAYBE HE FELL OUT OF LOVE LIKE THAT, TOO. 1629 01:22:06,200 --> 01:22:07,234 HELLO, ANGELS. 1630 01:22:07,300 --> 01:22:08,767 OH, KAY, YOU CAN'T LEAVE. 1631 01:22:08,834 --> 01:22:10,567 YOU JUST CAN'T. WE LOVE YOU. 1632 01:22:10,634 --> 01:22:12,767 YOU BELONG HERE. 1633 01:22:14,501 --> 01:22:17,033 NO, BABIES, NO, I DON'T. THAT'S JUST IT. 1634 01:22:17,100 --> 01:22:19,701 I'M WHAT YOU CALL OUT OF MY ELEMENT. 1635 01:22:19,767 --> 01:22:20,968 WHAT DOES THAT MEAN? 1636 01:22:21,033 --> 01:22:24,000 WELL, IT'S KIND OF LIKE A FISH OUT OF WATER. 1637 01:22:24,067 --> 01:22:26,133 DID DADDY CALL YOU THAT? 1638 01:22:26,200 --> 01:22:27,400 NO. 1639 01:22:27,467 --> 01:22:33,067 NOW, LISTEN, I WANT YOU BOTH TO TRY AND UNDERSTAND. 1640 01:22:33,133 --> 01:22:36,734 SOMETIMES A THING THAT SEEMS TERRIBLE AT THE TIME 1641 01:22:36,801 --> 01:22:39,567 TURNS OUT TO BE THE BEST FOR EVERYBODY, 1642 01:22:39,634 --> 01:22:42,868 LIKE MEDICINE, BAD-TASTING MEDICINE. 1643 01:22:42,934 --> 01:22:45,033 I DON'T MIND TAKING MEDICINE, KAY, 1644 01:22:45,100 --> 01:22:47,868 EVEN BAD-TASTING MEDICINE SOMETIMES. 1645 01:22:47,934 --> 01:22:51,100 ME, NEITHER. OH, KAY... 1646 01:22:51,167 --> 01:22:53,534 HI, KAY. 1647 01:22:53,601 --> 01:22:55,234 OH, HI, ORV. 1648 01:22:59,601 --> 01:23:01,534 WELL, WHAT'S THIS ALL ABOUT? 1649 01:23:01,601 --> 01:23:02,834 I'M LEAVING, ORV. 1650 01:23:02,901 --> 01:23:05,801 I KNOW. CHRIS TOLD ME TO TAKE YOU TO THE STATION, 1651 01:23:05,868 --> 01:23:09,234 BUT I AIN'T GONNA DO NO SUCH A THING. 1652 01:23:09,300 --> 01:23:11,667 I WANT YOU TO JUST PUT MY BAGS IN THE CAR. 1653 01:23:11,734 --> 01:23:13,734 NOW, KAY, YOU LISTEN TO ME. 1654 01:23:13,801 --> 01:23:17,000 YOU'RE ACTING JUST LIKE MY SECOND WIFE MARY BELLE- 1655 01:23:17,067 --> 01:23:18,467 I MEAN, ELLIE MAE. 1656 01:23:18,534 --> 01:23:20,133 SHE PULLED THE SAME STUNT. 1657 01:23:20,200 --> 01:23:22,334 EVERY TIME WE HAD A HASSLE, 1658 01:23:22,400 --> 01:23:24,234 SHE GOT TO PACKING. 1659 01:23:24,300 --> 01:23:26,801 WELL, SHE PULLED IT JUST ONCE TOO OFTEN, 1660 01:23:26,868 --> 01:23:28,367 AND I LET HER GO, 1661 01:23:28,434 --> 01:23:31,000 AND I AIN'T SEEN HIDE NOR HAIR OF HER SINCE. 1662 01:23:31,067 --> 01:23:33,400 AND THAT'S EXACTLY WHAT'S GOING TO HAPPEN TO YOU. 1663 01:23:33,467 --> 01:23:35,901 YOU JUST GET OUT OF THEM DUDS, AND- 1664 01:23:35,968 --> 01:23:37,734 THIS IS READY, AND SO IS THAT ONE THERE. 1665 01:23:37,801 --> 01:23:39,067 BUT, KAY, YOU'RE NOT- 1666 01:23:39,133 --> 01:23:40,434 I'M IN A HURRY. 1667 01:23:40,501 --> 01:23:44,334 OH, ALL RIGHT. 1668 01:23:54,667 --> 01:23:56,367 OH! 1669 01:24:15,734 --> 01:24:17,067 GET IN, BOY. 1670 01:24:17,133 --> 01:24:20,901 GET IN, PORGY. COME ON, BOY, GET IN-UP. 1671 01:24:30,501 --> 01:24:32,367 LET'S GO. 1672 01:24:40,133 --> 01:24:43,501 WELL, I GUESS I AIN'T NO BETTER A MATCHMAKER 1673 01:24:43,567 --> 01:24:45,567 THAN I WAS A HUSBAND. 1674 01:24:45,634 --> 01:24:47,901 I'D SAY IT'S A PHOTO FINISH. 1675 01:25:28,000 --> 01:25:32,501 * LA LA LA LA LA * 1676 01:25:32,567 --> 01:25:34,133 JED, LISTEN TO THIS. 1677 01:25:35,667 --> 01:25:38,701 JED? JED, LISTEN TO THIS. 1678 01:25:40,434 --> 01:25:46,434 * FUNNY WHAT A TUNE CAN DO TO YOU * 1679 01:25:46,501 --> 01:25:56,501 * UNDERNEATH THE WESTERN SKY * 1680 01:25:56,567 --> 01:25:57,400 BUCKAROO. 1681 01:25:57,467 --> 01:26:00,534 * SINGS A SAGEBRUSH... * 1682 01:26:00,601 --> 01:26:02,167 SAGEBRUSH AND BUCKAROOS AGAIN. 1683 01:26:02,234 --> 01:26:03,634 DID YOU WAKE ME UP FOR THAT? 1684 01:26:03,701 --> 01:26:05,133 LOOK, KAY, WE'RE SUPPOSED TO BE DOING 1685 01:26:05,200 --> 01:26:07,334 A SOPHISTICATED MUSICAL REEKING WITH MANHATTAN- 1686 01:26:07,400 --> 01:26:10,400 BROADWAY, HARLEM, THE MET, THE AUTOMAT, AND THE BMT. 1687 01:26:10,467 --> 01:26:12,434 I SUPPOSE THAT'S NEW STUFF. 1688 01:26:12,501 --> 01:26:13,968 IT'S YOUR STUFF, KAY! 1689 01:26:14,033 --> 01:26:16,701 THEY DON'T WANT WESTERN SKIES OVER WYOMING. 1690 01:26:16,767 --> 01:26:19,000 THEY WANT STORMY WEATHER OVER STATEN ISLAND. 1691 01:26:19,067 --> 01:26:20,501 WHERE IS IT- 1692 01:26:20,567 --> 01:26:23,734 THAT SOMETHING THAT WAS ALWAYS SUREFIRE FOR A MILLION COPIES? 1693 01:26:26,100 --> 01:26:27,868 I DON'T KNOW, JED. 1694 01:26:27,934 --> 01:26:30,367 MAYBE I LEFT IT SOMEWHERE AT THAT. 1695 01:26:30,434 --> 01:26:31,767 EVER SINCE YOU CAME BACK, 1696 01:26:31,834 --> 01:26:35,067 I'VE HEARD NOTHING BUT HOWLING COYOTES AND JINGLING SPURS. 1697 01:26:35,133 --> 01:26:36,901 I HEAR THEM IN MY SLEEP. I- 1698 01:26:38,434 --> 01:26:40,567 THINK I HEAR THEM NOW. 1699 01:26:40,634 --> 01:26:42,567 I THINK I DO, TOO. 1700 01:26:44,501 --> 01:26:46,000 IT'S EVEN GETTING PORGY. 1701 01:26:49,167 --> 01:26:51,801 JED, WE ARE HEARING THINGS. 1702 01:26:53,701 --> 01:26:55,868 KAY! KAY! 1703 01:26:55,934 --> 01:27:00,367 WHAT ARE YOU DOING? PUT ME DOWN. 1704 01:27:00,434 --> 01:27:02,734 WELL, I TOTED HIM TO YOU ONCE BEFORE, 1705 01:27:02,801 --> 01:27:04,601 BUT THIS IS THE LAST TIME I'M GOING TO DO IT. 1706 01:27:04,667 --> 01:27:06,767 PUT ME DOWN, ORV. HELLO, BUCKSHOT. 1707 01:27:06,834 --> 01:27:10,167 WELL, IF HE CAN'T COME HERE UNDER HIS OWN POWER, 1708 01:27:10,234 --> 01:27:12,334 MAYBE YOU'D BETTER JUST TOTE HIM OUT AGAIN. 1709 01:27:12,400 --> 01:27:14,367 NOW, WAIT A MINUTE, KAY. 1710 01:27:14,434 --> 01:27:16,501 WELL, GO AHEAD. SPEAK YOUR PIECE. 1711 01:27:16,567 --> 01:27:19,200 KAY... OH, PUT ME DOWN FIRST. 1712 01:27:21,100 --> 01:27:25,601 KAY, I'M SORRY I WAS SO STUBBORN ABOUT EVERYTHING, AND... 1713 01:27:25,667 --> 01:27:27,200 AND SHE'S GOT TO COME BACK... 1714 01:27:27,267 --> 01:27:28,834 'CAUSE YOU'RE JUST NO GOOD WITHOUT HER. 1715 01:27:28,901 --> 01:27:31,434 THAT'S A FACT, KAY. 1716 01:27:31,501 --> 01:27:34,534 EVER SINCE YOU LEFT, I HAVEN'T BEEN ABLE TO KEEP MY MIND ON ANYTHING. 1717 01:27:34,601 --> 01:27:36,234 OR HIS SEAT IN THE SADDLE, EITHER. 1718 01:27:36,300 --> 01:27:38,400 Nan: YEAH. DADDY'S BEEN BUCKED OFF EVERY BRONC 1719 01:27:38,467 --> 01:27:39,968 FROM PENDLETON TO MADISON SQUARE GARDEN. 1720 01:27:40,033 --> 01:27:41,367 THAT'S RIGHT. 1721 01:27:41,434 --> 01:27:44,000 THAT'S WHY I'M LIMPING. 1722 01:27:49,634 --> 01:27:52,033 I'VE BEEN HAVING THE SAME TROUBLE WITH MY MUSIC. 1723 01:27:52,100 --> 01:27:53,734 OH, CHRIS! 1724 01:27:53,801 --> 01:27:55,400 Tina and Nan: WHOOPEE! 1725 01:27:55,467 --> 01:27:57,000 BUT, KAY, YOU CAN'T WALK OUT ON ME. 1726 01:27:57,067 --> 01:27:58,767 YOU'VE GOT TO FINISH THAT SCORE. 1727 01:27:58,834 --> 01:28:00,534 HOW WOULD YOU LIKE A PUNCH IN THE NOSE? 1728 01:28:00,601 --> 01:28:03,100 OH, CHRIS, OH! 1729 01:28:09,868 --> 01:28:13,968 OH, ORV! DO YOU THINK YOU CAN TOTE ALL OF US? 1730 01:28:17,100 --> 01:28:20,033 JUST STAY BUNCHED UP, AND LET'S GO. 1731 01:28:20,100 --> 01:28:22,934 PORGY, YOU'RE GOING TO HAVE TO WALK.120484

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