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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:05,273 --> 00:01:08,694 -GOOD MORNING. 2 00:01:05,273 --> 00:01:08,694 YOU FOLKS CHECKING IN? 3 00:01:05,273 --> 00:01:08,694 -YES. WELLS. 4 00:01:08,736 --> 00:01:10,905 OF COURSE. CARLTON WELLS. 5 00:01:08,736 --> 00:01:10,905 WE'VE BEEN EXPECTING YOU. 6 00:01:10,946 --> 00:01:13,407 I'LL TAKE CARE OF YOUR LUGGAGE. 7 00:01:10,946 --> 00:01:13,407 YOU GUYS CHECK IN. 8 00:01:13,448 --> 00:01:15,659 I'LL HAVE IT UPSTAIRS FOR YOU 9 00:01:13,448 --> 00:01:15,659 BY THE TIME YOU GET UP THERE. 10 00:01:15,701 --> 00:01:18,704 OH, THAT'S THE SPIRIT. CHEERS. 11 00:01:18,746 --> 00:01:19,621 THANK YOU VERY MUCH. 12 00:01:19,663 --> 00:01:22,249 -VERY KIND. 13 00:01:19,663 --> 00:01:22,249 -THANK YOU. 14 00:01:53,280 --> 00:01:57,367 NO, NO, NO, THERE'S NOT ENOUGH 15 00:01:53,280 --> 00:01:57,367 CHRISTMAS DECORATIONS. 16 00:01:57,409 --> 00:02:00,370 -I WANT MORE. 17 00:01:57,409 --> 00:02:00,370 -CARLTON, WHAT ARE YOU 18 00:01:57,409 --> 00:02:00,370 TALKING ABOUT? 19 00:02:00,412 --> 00:02:02,539 THE HOTEL DID 20 00:02:00,412 --> 00:02:02,539 A BEAUTIFUL JOB. 21 00:02:03,791 --> 00:02:05,876 LOOK AT THIS TREE. 22 00:02:05,918 --> 00:02:08,003 IT'S GORGEOUS. 23 00:02:08,045 --> 00:02:13,675 YOU KNOW HOW I FEEL ABOUT 24 00:02:08,045 --> 00:02:13,675 CHRISTMAS. I WANT... MORE. 25 00:02:13,717 --> 00:02:15,970 YES. I KNOW. 26 00:02:16,011 --> 00:02:18,305 YOUR PARENTS NEVER LET YOU 27 00:02:16,011 --> 00:02:18,305 CELEBRATE CHRISTMAS GROWING UP, 28 00:02:18,346 --> 00:02:20,390 SO NOW YOU HAVE 29 00:02:18,346 --> 00:02:20,390 TO MAKE UP FOR LOST TIME. 30 00:02:20,432 --> 00:02:22,350 SWEETHEART... [SIGHS] 31 00:02:22,392 --> 00:02:25,813 PLEASE DON'T TRIVIALIZE 32 00:02:22,392 --> 00:02:25,813 MY CHILDHOOD, IT'S MY PAIN. 33 00:02:25,854 --> 00:02:27,188 NOW YOU MIGHT 34 00:02:25,854 --> 00:02:27,188 NOT UNDERSTAND IT, 35 00:02:27,230 --> 00:02:29,733 BUT YOU CAN, 36 00:02:27,230 --> 00:02:29,733 AT LEAST, RESPECT IT. 37 00:02:32,653 --> 00:02:34,279 COME ON. WE'VE GOT 38 00:02:32,653 --> 00:02:34,279 TO GET TO THE THEATRE. 39 00:02:34,321 --> 00:02:36,865 WE'VE GOT TIME. 40 00:02:34,321 --> 00:02:36,865 WHY ARE YOU IN SUCH A RUSH? 41 00:02:36,907 --> 00:02:41,328 CARLTON, IT'S A 45 MINUTE 42 00:02:36,907 --> 00:02:41,328 DRIVE FROM HERE, AND YOU'RE 43 00:02:36,907 --> 00:02:41,328 CREW IS WAITING FOR YOU. 44 00:02:41,369 --> 00:02:45,499 IF YOU WANT ME TO BE YOUR FIANCÉ 45 00:02:41,369 --> 00:02:45,499 AND BUSINESS MANAGER, 46 00:02:41,369 --> 00:02:45,499 YOU NEED TO LISTEN TO ME. 47 00:02:45,540 --> 00:02:48,836 YES, BUT I'M NOT THE ONE 48 00:02:45,540 --> 00:02:48,836 WHO WANTED TO TAKE 49 00:02:45,540 --> 00:02:48,836 THE SCENIC ROUTE TO THE HOTEL. 50 00:02:48,877 --> 00:02:51,046 OH, WELL YOU HAD 51 00:02:48,877 --> 00:02:51,046 TO STAY IN THE CITY. 52 00:02:51,088 --> 00:02:52,798 THERE ARE PLENTY 53 00:02:51,088 --> 00:02:52,798 OF NICE HOTELS IN PALO ALTO. 54 00:02:52,840 --> 00:02:56,259 I ONLY STAY IN 5-STAR HOTELS. 55 00:02:52,840 --> 00:02:56,259 NOW, YOU KNOW THAT. 56 00:02:59,178 --> 00:03:02,016 -LET'S GO. 57 00:02:59,178 --> 00:03:02,016 -OH. ALRIGHT. 58 00:03:02,057 --> 00:03:03,642 WE'RE COMING BACK. 59 00:03:05,310 --> 00:03:08,438 AH! LEAVING US SO SOON, 60 00:03:05,310 --> 00:03:08,438 MR. AND MRS. WELLS? 61 00:03:08,480 --> 00:03:11,358 [CHUCKLING] 62 00:03:08,480 --> 00:03:11,358 OH, WE'RE NOT MARRIED YET. 63 00:03:11,399 --> 00:03:13,360 WE'RE GOING TO WAIT 64 00:03:11,399 --> 00:03:13,360 UNTIL AFTER THE NEW YEAR. 65 00:03:18,448 --> 00:03:20,450 OR WHEN IT FITS 66 00:03:18,448 --> 00:03:20,450 IN HIS SCHEDULE. 67 00:03:20,492 --> 00:03:21,869 RIGHT. 68 00:03:21,910 --> 00:03:24,163 YOU GUYS HAVE 69 00:03:21,910 --> 00:03:24,163 A GOOD DAY NOW. 70 00:04:08,540 --> 00:04:12,002 OH NO, NO, NO, NO! 71 00:04:08,540 --> 00:04:12,002 MY NAME SHOULD BE BIGGER! 72 00:04:12,044 --> 00:04:14,963 WHAT? I THINK 73 00:04:12,044 --> 00:04:14,963 IT LOOKS GREAT. 74 00:04:15,005 --> 00:04:19,134 MAKE MY NAME AS BIG 75 00:04:15,005 --> 00:04:19,134 AS "THE NUTCRACKER." 76 00:04:20,177 --> 00:04:23,222 PEOPLE ARE COMING TO SEE 77 00:04:20,177 --> 00:04:23,222 MY RENDITION 78 00:04:23,263 --> 00:04:25,891 OF THIS CHRISTMAS CLASSIC. 79 00:04:25,933 --> 00:04:27,142 I'M THE DRAW. 80 00:04:27,184 --> 00:04:30,478 THE DRAW IS THE ROMANCE 81 00:04:27,184 --> 00:04:30,478 AND MAGIC OF THE STORY 82 00:04:30,520 --> 00:04:33,481 ESPECIALLY FOR YOUNG GIRLS. 83 00:04:33,523 --> 00:04:38,570 YES, BUT I'M THE ONE WHO'S 84 00:04:33,523 --> 00:04:38,570 BRINGING THE MAGIC TO LIFE. 85 00:04:38,612 --> 00:04:41,322 JUST LIKE HOW YOU BRING 86 00:04:38,612 --> 00:04:41,322 THE MAGIC INTO MY LIFE? 87 00:04:41,364 --> 00:04:44,118 [CLASSICAL MUSIC PLAYS] 88 00:04:41,364 --> 00:04:44,118 DARLING, EXACTLY. 89 00:04:44,159 --> 00:04:45,619 [KAYLA SIGHS] 90 00:04:45,660 --> 00:04:47,871 -WHERE ARE YOU GOING? 91 00:04:45,660 --> 00:04:47,871 I NEED YOU. 92 00:04:45,660 --> 00:04:47,871 -YOU DON'T NEED ME. 93 00:04:47,913 --> 00:04:49,873 YOU ARE PERFECTLY HAPPY 94 00:04:47,913 --> 00:04:49,873 TOOTING YOUR OWN HORN. 95 00:04:49,915 --> 00:04:53,085 [LAUGHS] OH, DARLING, 96 00:04:49,915 --> 00:04:53,085 ARE YOU JEALOUS? 97 00:04:53,127 --> 00:04:55,462 [SCOFFING LAUGH] 98 00:04:53,127 --> 00:04:55,462 OF COURSE NOT. 99 00:04:55,503 --> 00:04:57,672 IT'S JUST THAT 100 00:04:55,503 --> 00:04:57,672 YOU... YOU TREAT ME 101 00:04:57,714 --> 00:05:00,550 LIKE YOUR BUSINESS MANAGER 102 00:04:57,714 --> 00:05:00,550 RATHER THAN YOUR FIANCÉ. 103 00:05:00,592 --> 00:05:03,178 BUT YOU ARE 104 00:05:00,592 --> 00:05:03,178 MY BUSINESS MANAGER. 105 00:05:03,220 --> 00:05:06,098 LOOK, RIGHT NOW I NEED 106 00:05:03,220 --> 00:05:06,098 TO CONCENTRATE ON CARLTON WELLS. 107 00:05:06,140 --> 00:05:08,809 -NOW, YOU'LL SEE ABOUT 108 00:05:06,140 --> 00:05:08,809 THE MARQUIS BUSINESS? 109 00:05:06,140 --> 00:05:08,809 -YES. 110 00:05:08,850 --> 00:05:13,354 YES, I WILL, AND I WILL CONFIRM 111 00:05:08,850 --> 00:05:13,354 YOUR TELEVISION INTERVIEWS. 112 00:05:13,396 --> 00:05:16,566 YOU TAKE SUCH GOOD CARE OF ME, 113 00:05:13,396 --> 00:05:16,566 DARLING. IT'S WHY I LOVE YOU. 114 00:05:19,694 --> 00:05:23,406 I'M GOING TO MEET MY TEAM. 115 00:05:19,694 --> 00:05:23,406 SEE YOU IN A BIT. KISSES. 116 00:05:26,493 --> 00:05:27,619 LADIES! 117 00:05:27,661 --> 00:05:30,538 I THOUGHT WE WERE TEAM. 118 00:05:37,212 --> 00:05:39,214 [PEOPLE SING 119 00:05:37,212 --> 00:05:39,214 CHRISTMAS MUSIC] 120 00:05:39,256 --> 00:05:42,509 [BELL JINGLES] 121 00:06:03,864 --> 00:06:05,448 HO, HO, HO! 122 00:06:05,490 --> 00:06:09,244 MAKE A DONATION. 123 00:06:05,490 --> 00:06:09,244 MAKE A WISH. 124 00:06:11,163 --> 00:06:13,456 NO WISH? 125 00:06:13,498 --> 00:06:16,417 TRUE LOVE IS ALWAYS 126 00:06:13,498 --> 00:06:16,417 A WORTHY WISH. 127 00:06:16,459 --> 00:06:20,630 YEAH, WELL, I THOUGHT THAT WISH 128 00:06:16,459 --> 00:06:20,630 CAME TRUE 2 YEARS AGO, 129 00:06:20,672 --> 00:06:24,383 BUT... NOW I'M NOT SO SURE. 130 00:06:24,425 --> 00:06:26,678 WHEN I GOT TO THE HAPPILY EVER 131 00:06:24,425 --> 00:06:26,678 ENDING PART OF OUR STORY, 132 00:06:26,720 --> 00:06:29,556 THE RELATIONSHIP KINDA 133 00:06:26,720 --> 00:06:29,556 TURNED INTO A BUSINESS DEAL. 134 00:06:29,597 --> 00:06:33,560 WELL, YOU COULD WISH 135 00:06:29,597 --> 00:06:33,560 FOR THAT SPARK TO BE RENEWED? 136 00:06:33,601 --> 00:06:35,270 YEAH, THAT'S NOT 137 00:06:33,601 --> 00:06:35,270 A BAD IDEA, 138 00:06:35,312 --> 00:06:37,605 CONSIDERING I'M ABOUT 139 00:06:35,312 --> 00:06:37,605 TO GET MARRIED. 140 00:06:42,110 --> 00:06:46,031 I WISH THAT YOUNG GIRL 141 00:06:42,110 --> 00:06:46,031 OVER THERE HAS ALL 142 00:06:42,110 --> 00:06:46,031 OF HER DREAMS COME TRUE. 143 00:06:46,073 --> 00:06:48,242 [CHUCKLING] 144 00:06:46,073 --> 00:06:48,242 OH, NICE WISH. 145 00:06:48,283 --> 00:06:49,368 MERRY CHRISTMAS. 146 00:06:49,408 --> 00:06:52,329 -MERRY CHRISTMAS, SANTA. 147 00:06:49,408 --> 00:06:52,329 -HO, HO, HO! 148 00:06:52,371 --> 00:06:56,583 MERRY CHRISTMAS! 149 00:06:52,371 --> 00:06:56,583 HO, HO, HO! 150 00:07:27,447 --> 00:07:31,076 [BELLS JINGLE] 151 00:07:38,750 --> 00:07:42,003 KAYLA? KAYLA HANSEN? 152 00:07:42,045 --> 00:07:46,674 OH, IT IS YOU. OR SHOULD I SAY, 153 00:07:42,045 --> 00:07:46,674 MRS. CARLTON WELLS? 154 00:07:46,716 --> 00:07:48,468 HELLO, MRS. JOYNER. 155 00:07:48,509 --> 00:07:50,678 YOU'VE BEEN GONE 156 00:07:48,509 --> 00:07:50,678 SO LONG FROM PALO ALTO. 157 00:07:50,720 --> 00:07:52,264 WE WERE WONDERING 158 00:07:50,720 --> 00:07:52,264 WHEN YOU WOULD COME BACK. 159 00:07:52,306 --> 00:07:53,974 WE ARE SO EXCITED FOR YOU! 160 00:07:54,015 --> 00:07:57,769 YOU KNOW, I AM A HUGE FAN 161 00:07:54,015 --> 00:07:57,769 OF CARLTON WELLS. 162 00:07:57,811 --> 00:07:59,896 I HAVE SEEN EVERY ONE 163 00:07:57,811 --> 00:07:59,896 OF HIS PICTURES. 164 00:08:01,022 --> 00:08:03,108 WE COULD USE YOU 165 00:08:01,022 --> 00:08:03,108 IN THE ROTARY CLUB 166 00:08:03,150 --> 00:08:05,319 AND THE PTA COULD REALLY 167 00:08:03,150 --> 00:08:05,319 USE YOUR SMARTS. 168 00:08:05,360 --> 00:08:07,654 -YOU DON'T HAVE ANY CHILDREN, 169 00:08:05,360 --> 00:08:07,654 BUT IT DOESN'T MATTER. 170 00:08:05,360 --> 00:08:07,654 -OH, YEAH, THAT'S... GREAT. 171 00:08:07,695 --> 00:08:09,614 YOU KNOW WHAT SCHOOLS NEED. 172 00:08:09,656 --> 00:08:11,950 -SO I HAVE A QUESTION. 173 00:08:09,656 --> 00:08:11,950 -AND, YOU AND CARLTON 174 00:08:11,992 --> 00:08:14,828 SHOULD BECOME MEMBERS 175 00:08:11,992 --> 00:08:14,828 OF MY BRIDGE CLUB. 176 00:08:14,869 --> 00:08:15,954 OH, THAT'S GREAT. 177 00:08:15,996 --> 00:08:18,915 BUT THE THING THAT YOU 178 00:08:15,996 --> 00:08:18,915 COULD DO THE MOST 179 00:08:18,957 --> 00:08:22,752 IS GIVE THIS LITTLE FAN 180 00:08:22,794 --> 00:08:26,631 THE THRILL OF HER LIFE BY 181 00:08:22,794 --> 00:08:26,631 GETTING YOUR WONDERFUL HUSBAND-- 182 00:08:26,673 --> 00:08:28,591 I'M SORRY, BUT I REALLY 183 00:08:26,673 --> 00:08:28,591 HAVE TO GET GOING. 184 00:08:28,633 --> 00:08:32,346 TO GIVE AN AUTOGRAPH 185 00:08:28,633 --> 00:08:32,346 BECAUSE THIS PICTURE HERE, 186 00:08:28,633 --> 00:08:32,346 I WOULD HANG IT, 187 00:08:32,387 --> 00:08:34,681 I PROMISE I WOULD HANG IT 188 00:08:32,387 --> 00:08:34,681 IN A VERY PROMINENT, 189 00:08:34,722 --> 00:08:38,643 VERY, VERY NICE PLACE 190 00:08:34,722 --> 00:08:38,643 IN THE... STORE. 191 00:08:34,722 --> 00:08:38,643 [DOOR BELL JINGLES] 192 00:08:59,164 --> 00:09:01,249 WHAT DO YOU THINK? 193 00:09:01,291 --> 00:09:03,668 HOW DO THEY LOOK? 194 00:09:03,710 --> 00:09:05,420 IT'S NOT HOW THEY LOOK, 195 00:09:03,710 --> 00:09:05,420 IT'S HOW THEY TASTE. 196 00:09:05,462 --> 00:09:09,549 I AGREE, BUT FOOD 197 00:09:05,462 --> 00:09:09,549 IS ALL ABOUT PRESENTATION. 198 00:09:10,509 --> 00:09:12,719 I JUST CAN'T SEEM TO... 199 00:09:12,760 --> 00:09:16,014 FIGURE OUT WHAT I WANT 200 00:09:12,760 --> 00:09:16,014 THE NUTCRACKER DESSERTS 201 00:09:12,760 --> 00:09:16,014 TO LOOK LIKE. 202 00:09:16,056 --> 00:09:18,350 I READ THAT CARLTON'S FIANCÉ 203 00:09:16,056 --> 00:09:18,350 COLLECTS NUTCRACKERS. 204 00:09:22,854 --> 00:09:24,189 MMM. 205 00:09:24,231 --> 00:09:25,565 DO YOU KNOW HOW LONG 206 00:09:24,231 --> 00:09:25,565 THAT TOOK TO MAKE? 207 00:09:25,606 --> 00:09:27,901 -THIS IS NOT BAD. 208 00:09:25,606 --> 00:09:27,901 -HEY! 209 00:09:27,942 --> 00:09:29,444 I WONDER WHAT THE FEET 210 00:09:27,942 --> 00:09:29,444 TASTE LIKE. 211 00:09:29,486 --> 00:09:30,653 [LAUGHS] 212 00:09:29,486 --> 00:09:30,653 THAT'S ENOUGH. 213 00:09:30,695 --> 00:09:32,989 [LAUGHS] 214 00:09:30,695 --> 00:09:32,989 OKAY, WELL LOOK. 215 00:09:33,031 --> 00:09:35,742 FROM WHAT I HEAR, CARLTON WELLS 216 00:09:33,031 --> 00:09:35,742 IS EXTREMELY PARTICULAR. 217 00:09:35,783 --> 00:09:37,411 HE'S A BIG-TIME DIRECTOR, 218 00:09:35,783 --> 00:09:37,411 YOU KNOW? 219 00:09:37,452 --> 00:09:40,788 SO IF HE'S HAPPY WITH THE PARTY 220 00:09:37,452 --> 00:09:40,788 AND WITH YOU AS A CATERER, 221 00:09:40,830 --> 00:09:43,791 HIS PRAISE COULD BRING US 222 00:09:40,830 --> 00:09:43,791 A LOT MORE CATERING JOBS. 223 00:09:43,833 --> 00:09:45,377 EVERYTHING HAS TO BE PERFECT. 224 00:09:45,419 --> 00:09:46,711 THAT'S WHY I'M COUNTING 225 00:09:45,419 --> 00:09:46,711 ON YOU, KIM, 226 00:09:46,753 --> 00:09:49,381 MY TRUSTY ASSISTANT, 227 00:09:46,753 --> 00:09:49,381 AND FAVORITE COUSIN... 228 00:09:49,423 --> 00:09:50,631 AW. 229 00:09:50,673 --> 00:09:53,343 TO BE MY NUTCRACKER WHISPERER. 230 00:09:53,385 --> 00:09:55,636 PICK THE ONE THAT 231 00:09:53,385 --> 00:09:55,636 SPEAKS TO YOU. 232 00:09:58,473 --> 00:10:01,601 WELL THEY ALL 233 00:09:58,473 --> 00:10:01,601 TASTE GREAT, BUT... 234 00:10:01,642 --> 00:10:03,520 YOU KNOW, THEY DON'T 235 00:10:01,642 --> 00:10:03,520 REALLY LOOK LIKE NUTCRACKERS. 236 00:10:03,562 --> 00:10:05,688 HMM. 237 00:10:03,562 --> 00:10:05,688 [CELL PHONE RINGS] 238 00:10:05,730 --> 00:10:08,024 [CHUCKLES] ONE SEC. 239 00:10:09,067 --> 00:10:11,069 IT'S JOSHUA, 240 00:10:09,067 --> 00:10:11,069 FROM THE ANIMAL SHELTER. 241 00:10:11,111 --> 00:10:13,363 TELL ME YOU DIDN'T OFFER HIM 242 00:10:11,111 --> 00:10:13,363 ANY MORE DOG COOKIES. 243 00:10:13,405 --> 00:10:15,990 HOW DID YOU KNOW? [CHUCKLES] 244 00:10:16,032 --> 00:10:17,451 HEY, JOSHUA. 245 00:10:19,202 --> 00:10:21,996 YES, WE'LL BE BAKING 246 00:10:19,202 --> 00:10:21,996 COOKIES TOMORROW 247 00:10:22,038 --> 00:10:24,874 AND BRINGING THEM 248 00:10:22,038 --> 00:10:24,874 BY THE ANIMAL SHELTER. 249 00:10:24,916 --> 00:10:26,209 I LOOK FORWARD 250 00:10:24,916 --> 00:10:26,209 TO SEEING YOU TOO. 251 00:10:28,878 --> 00:10:29,921 WHAT? 252 00:10:29,963 --> 00:10:32,215 WE DON'T HAVE TIME 253 00:10:29,963 --> 00:10:32,215 TO MAKE DOG FOOD. 254 00:10:32,257 --> 00:10:35,427 I THOUGHT YOU LIKED DOGS. 255 00:10:35,469 --> 00:10:37,762 I GOTTA GO MEET JANA 256 00:10:35,469 --> 00:10:37,762 AT THE TAVERN. 257 00:10:37,804 --> 00:10:41,766 PLEASE DON'T EAT 258 00:10:37,804 --> 00:10:41,766 ANY MORE NUTCRACKERS. 259 00:10:41,808 --> 00:10:44,269 I'M NOT GOING TO EAT 260 00:10:41,808 --> 00:10:44,269 ANY MORE NUTCRACKERS. 261 00:10:44,311 --> 00:10:45,895 GET OUT OF HERE. 262 00:10:52,152 --> 00:10:54,988 MMM. 263 00:10:55,029 --> 00:10:58,741 BE... THERE... 264 00:10:55,029 --> 00:10:58,741 IN A... MOMENT... 265 00:10:55,029 --> 00:10:58,741 [ELEVATOR BELL DINGS] 266 00:11:04,372 --> 00:11:05,540 HI, DUSTIN. 267 00:11:05,582 --> 00:11:07,626 HELLO, MRS. BILLING. 268 00:11:18,595 --> 00:11:19,804 OH. 269 00:11:24,934 --> 00:11:25,977 HUH. 270 00:11:27,020 --> 00:11:28,855 WHO PUTS MISTLETOE 271 00:11:27,020 --> 00:11:28,855 IN AN ELEVATOR? 272 00:11:28,896 --> 00:11:30,689 I DO. 273 00:11:33,527 --> 00:11:36,404 [LOUD RUMBLING] 274 00:11:36,446 --> 00:11:38,906 [LOUD CLICK] 275 00:11:36,446 --> 00:11:38,906 OH! 276 00:11:38,948 --> 00:11:41,075 I THINK 277 00:11:38,948 --> 00:11:41,075 WE'RE STUCK TOGETHER. 278 00:11:41,117 --> 00:11:43,286 [BOTH CHUCKLE] 279 00:11:43,328 --> 00:11:46,456 YOU KNOW, I'VE HEARD RUMORS 280 00:11:43,328 --> 00:11:46,456 ABOUT THIS ELEVATOR. 281 00:11:46,498 --> 00:11:49,543 I HAVE HEARD NOTHING. 282 00:11:46,498 --> 00:11:49,543 NOT A-ZILCH. ZERO. 283 00:11:46,498 --> 00:11:49,543 [CHUCKLES] 284 00:11:49,584 --> 00:11:52,546 THEY SAY WHAT HAPPENS 285 00:11:49,584 --> 00:11:52,546 IN THIS ELEVATOR 286 00:11:52,587 --> 00:11:55,048 STAYS IN THIS ELEVATOR. 287 00:11:59,427 --> 00:12:01,429 [METALLIC CLATTERING] 288 00:12:01,471 --> 00:12:03,348 LOOKS LIKE 289 00:12:01,471 --> 00:12:03,348 WE'RE ON OUR WAY, MA'AM. 290 00:12:03,390 --> 00:12:06,142 OH, DOGGONE IT! 291 00:12:10,355 --> 00:12:14,025 THANKS FOR NOTHING, 292 00:12:10,355 --> 00:12:14,025 LOVER-BOY. 293 00:12:20,323 --> 00:12:22,075 [CHUCKLES] 294 00:12:23,159 --> 00:12:28,122 [CHRISTMAS MUSIC PLAYS] 295 00:12:45,390 --> 00:12:46,849 HI. 296 00:12:49,561 --> 00:12:52,813 DO YOU THINK YOU COULD... 297 00:12:49,561 --> 00:12:52,813 MAYBE IGNORE YOUR PHONE 298 00:12:52,855 --> 00:12:55,983 FOR 1 SECOND ANY PAY ATTENTION 299 00:12:52,855 --> 00:12:55,983 TO ME FOR ONCE? 300 00:12:58,986 --> 00:13:01,364 [SIGHS] 301 00:13:01,406 --> 00:13:05,702 BEFORE WE WERE ENGAGED, 302 00:13:01,406 --> 00:13:05,702 YOU USED TO... HOLD ME CLOSE, 303 00:13:05,744 --> 00:13:09,664 AND KISS ME AND TELL ME 304 00:13:05,744 --> 00:13:09,664 THAT YOU LOVED ME. 305 00:13:09,706 --> 00:13:13,585 NOW I CAN'T EVEN GET YOU 306 00:13:09,706 --> 00:13:13,585 TO PAY ATTENTION TO ME UNLESS 307 00:13:09,706 --> 00:13:13,585 YOU NEED ME FOR WORK. 308 00:13:16,963 --> 00:13:18,256 WHERE HAVE YOU BEEN? 309 00:13:19,924 --> 00:13:21,468 YOU... 310 00:13:21,509 --> 00:13:24,387 I HOPE WE DON'T HAVE TO SPEND 311 00:13:21,509 --> 00:13:24,387 TOO MUCH TIME WITH THEM. 312 00:13:24,429 --> 00:13:26,013 JADA-TODAY. 313 00:13:26,055 --> 00:13:27,557 HER NAME IS JANA, 314 00:13:27,599 --> 00:13:31,561 AND SHE IS HOSTING AN ENGAGEMENT 315 00:13:27,599 --> 00:13:31,561 PARTY FOR US AT HER EXPENSE. 316 00:13:31,603 --> 00:13:33,688 SHE'S A DEAR FRIEND OF MINE. 317 00:13:33,730 --> 00:13:38,693 I'M VERY CONCERNED ABOUT 318 00:13:33,730 --> 00:13:38,693 THIS WHOLE ENGAGEMENT PARTY. 319 00:13:38,735 --> 00:13:40,111 WHY? 320 00:13:40,153 --> 00:13:42,405 YOU HAVE NOTHING 321 00:13:40,153 --> 00:13:42,405 TO WORRY ABOUT. 322 00:13:42,447 --> 00:13:45,074 JANA IS THE BEST PARTY PLANNER 323 00:13:42,447 --> 00:13:45,074 IN THE SOUTH BAY. 324 00:13:45,116 --> 00:13:48,620 SHE'S NOT GOING 325 00:13:45,116 --> 00:13:48,620 TO BE SERVING CHEESE FROM A CAN. 326 00:13:48,662 --> 00:13:51,372 YOU KNOW, I ACTUALLY KIND 327 00:13:48,662 --> 00:13:51,372 OF LIKE THAT WHIZZY CHEESE. 328 00:13:52,332 --> 00:13:55,168 IT'S SO... WHIZZY. 329 00:13:56,753 --> 00:13:58,379 OKAY. 330 00:13:58,421 --> 00:14:00,507 LET'S GO. 331 00:14:22,654 --> 00:14:25,281 -HELLO. 332 00:14:22,654 --> 00:14:25,281 -[GASPS] HI! 333 00:14:25,323 --> 00:14:28,785 HEY, SO GOOD TO SEE YOU. 334 00:14:29,536 --> 00:14:30,995 [GROANS] 335 00:14:31,037 --> 00:14:33,456 SO, I'VE HAD 336 00:14:31,037 --> 00:14:33,456 AN INTERESTING DAY. 337 00:14:33,498 --> 00:14:35,667 WHAT? WHAT DOES THAT MEAN? 338 00:14:37,168 --> 00:14:40,338 THERE'S THIS SWEET OLD LADY 339 00:14:37,168 --> 00:14:40,338 IN MY BUILDING 340 00:14:40,380 --> 00:14:43,550 AND SOMEBODY HAD HUNG 341 00:14:40,380 --> 00:14:43,550 MISTLETOE IN THE ELEVATOR. 342 00:14:43,591 --> 00:14:44,718 ONE THING LED TO ANOTHER. 343 00:14:44,759 --> 00:14:46,969 NO WAY. THE ELEVATOR? 344 00:14:47,011 --> 00:14:50,515 LET'S JUST SAY GRANDMA 345 00:14:47,011 --> 00:14:50,515 WANTED TO GO DOWN WITH THE KISS. 346 00:14:50,557 --> 00:14:53,017 [CHUCKLING] 347 00:14:50,557 --> 00:14:53,017 OH MY GOODNESS. 348 00:14:53,059 --> 00:14:54,561 WHAT'S THE MATTER WITH ME? 349 00:14:54,602 --> 00:14:56,855 IT'S LIKE THE ONLY WOMEN WHO 350 00:14:54,602 --> 00:14:56,855 WANT ME COULD BE MY GRANDMOTHER. 351 00:14:56,896 --> 00:15:00,066 I KNOW. MAYBE YOU SHOULD 352 00:14:56,896 --> 00:15:00,066 MOVE INTO A RETIREMENT HOME. 353 00:15:00,107 --> 00:15:01,401 HA HA HA. 354 00:15:00,107 --> 00:15:01,401 [CHUCKLES] 355 00:15:01,442 --> 00:15:03,695 OH HONEY, 356 00:15:01,442 --> 00:15:03,695 DUSTIN, I AM KIDDING. 357 00:15:03,737 --> 00:15:05,946 YOU WILL FIND SOMEBODY. 358 00:15:05,988 --> 00:15:08,032 I DON'T WANT TO. 359 00:15:08,074 --> 00:15:09,826 AFTER MY LAST 360 00:15:08,074 --> 00:15:09,826 FAILED RELATIONSHIP, 361 00:15:09,868 --> 00:15:13,162 I THINK I'M JUST GOING 362 00:15:09,868 --> 00:15:13,162 TO FOCUS ON MY BUSINESS. 363 00:15:13,204 --> 00:15:16,374 A BUSINESS I HAVE, 364 00:15:13,204 --> 00:15:16,374 THANKS TO YOU AND ALL YOUR HELP. 365 00:15:16,416 --> 00:15:19,293 I REALLY APPRECIATE EVERYTHING 366 00:15:16,416 --> 00:15:19,293 YOU'VE DONE FOR ME, JANA. 367 00:15:19,335 --> 00:15:21,629 WELL, I DO HAVE 368 00:15:19,335 --> 00:15:21,629 MY MOTIVES. 369 00:15:21,671 --> 00:15:23,464 YOU ARE VERY GOOD 370 00:15:21,671 --> 00:15:23,464 AT WHAT YOU DO, 371 00:15:23,506 --> 00:15:26,926 AND YOU MAKE ME LOOK 372 00:15:23,506 --> 00:15:26,926 FABULOUS AT EVERY EVENT. 373 00:15:26,967 --> 00:15:29,136 OH, BY THE WAY, 374 00:15:26,967 --> 00:15:29,136 HOW IS THE NEW MENU COMING? 375 00:15:29,178 --> 00:15:31,931 I MEAN, ARE THERE 376 00:15:29,178 --> 00:15:31,931 ANY NEW RECIPES 377 00:15:29,178 --> 00:15:31,931 I SHOULD BE EXCITED ABOUT? 378 00:15:31,972 --> 00:15:34,601 JUST A FEW LAST MINUTE HOLIDAY 379 00:15:31,972 --> 00:15:34,601 THINGS WE'RE WORKING ON. 380 00:15:34,642 --> 00:15:36,060 I GUESS THIS, AH, 381 00:15:36,102 --> 00:15:38,229 THIS CARLTON WELLS GUY'S 382 00:15:36,102 --> 00:15:38,229 KIND OF A NUT FOR CHRISTMAS. 383 00:15:38,271 --> 00:15:40,607 YEAH, UH, YEAH, KIND OF. 384 00:15:40,648 --> 00:15:44,527 I READ ONLINE THAT HIS DAD 385 00:15:40,648 --> 00:15:44,527 WOULD NEVER LET HIM 386 00:15:40,648 --> 00:15:44,527 CELEBRATE CHRISTMAS 387 00:15:44,569 --> 00:15:47,321 SO NOW HE JUST 388 00:15:44,569 --> 00:15:47,321 GOES WAY OVERBOARD. [LAUGHS] 389 00:15:47,363 --> 00:15:49,156 OH, KIND OF 390 00:15:47,363 --> 00:15:49,156 A CHRISTMAS PSYCHOSIS. 391 00:15:49,198 --> 00:15:50,742 YEAH, SOMETHING 392 00:15:49,198 --> 00:15:50,742 LIKE THAT, YEAH. 393 00:15:50,784 --> 00:15:53,661 ANYWAY, CARLTON IS ACTUALLY 394 00:15:50,784 --> 00:15:53,661 ON HIS WAY HERE RIGHT NOW. 395 00:15:53,703 --> 00:15:55,496 I'M GOING TO HAVE A COCKTAIL 396 00:15:53,703 --> 00:15:55,496 WITH HIM AND HIS FIANCÉ 397 00:15:55,538 --> 00:15:57,498 SHE IS ONE 398 00:15:55,538 --> 00:15:57,498 OF MY OLDEST FRIENDS. 399 00:15:57,540 --> 00:15:59,918 WE USED TO WORK 400 00:15:57,540 --> 00:15:59,918 AT TREND TOGETHER. 401 00:15:59,959 --> 00:16:02,503 YOU SHOULD STAY 402 00:15:59,959 --> 00:16:02,503 AND HAVE A COCKTAIL WITH US. 403 00:16:02,545 --> 00:16:03,755 ACTUALLY, I CAN'T. 404 00:16:03,797 --> 00:16:06,048 I'M LOOKING AT SOME SPACES 405 00:16:03,797 --> 00:16:06,048 IN THE CITY. 406 00:16:06,090 --> 00:16:07,634 THINKING ABOUT OPENING 407 00:16:06,090 --> 00:16:07,634 MY OWN RESTAURANT. 408 00:16:07,675 --> 00:16:11,095 OH MY GOSH! THAT'S FANTASTIC, 409 00:16:07,675 --> 00:16:11,095 CONGRATULATIONS! 410 00:16:11,137 --> 00:16:13,640 JUST PLEASE 411 00:16:11,137 --> 00:16:13,640 DON'T STOP CATERING. 412 00:16:13,681 --> 00:16:15,224 -ALRIGHT, I'LL SEE YOU 413 00:16:13,681 --> 00:16:15,224 IN THE BUILDING. 414 00:16:13,681 --> 00:16:15,224 -OKAY. 415 00:16:15,266 --> 00:16:17,184 AND WATCH OUT 416 00:16:15,266 --> 00:16:17,184 FOR THE ELEVATOR. 417 00:16:17,226 --> 00:16:19,312 YOU NEVER KNOW WHEN SOME CREEPY 418 00:16:17,226 --> 00:16:19,312 GUYS ARE GOING TO HANG AROUND 419 00:16:17,226 --> 00:16:19,312 WANTING A KISS. 420 00:16:19,353 --> 00:16:21,314 YEAH, THANKS, I THINK I'LL 421 00:16:19,353 --> 00:16:21,314 TAKE THE STAIRS FROM NOW ON. 422 00:16:21,355 --> 00:16:23,775 GOOD IDEA. ALRIGHT. 423 00:16:21,355 --> 00:16:23,775 [CHUCKLES] 424 00:16:23,817 --> 00:16:26,360 BYE, SWEETHEART. 425 00:16:23,817 --> 00:16:26,360 SO FABULOUS TO SEE YOU AGAIN. 426 00:16:26,402 --> 00:16:29,280 -THANK YOU. OKAY. 427 00:16:26,402 --> 00:16:29,280 -TALK TO YOU SOON. BYE, HONEY. 428 00:16:43,336 --> 00:16:45,713 [LAUGHS] 429 00:16:45,755 --> 00:16:47,841 OH MY GOD, 430 00:16:45,755 --> 00:16:47,841 IT'S SO GOOD TO SEE YOU! 431 00:16:47,882 --> 00:16:49,467 YOU LOOK FANTASTIC! 432 00:16:47,882 --> 00:16:49,467 YOU HAVEN'T AGED A BIT. 433 00:16:49,509 --> 00:16:50,510 [BOTH LAUGH] 434 00:16:50,551 --> 00:16:53,220 JANA, THIS IS 435 00:16:50,551 --> 00:16:53,220 MY FIANCÉ CARLTON. 436 00:16:53,262 --> 00:16:55,139 CARLTON? 437 00:16:56,182 --> 00:16:57,767 JADA! 438 00:16:59,602 --> 00:17:02,438 SO GOOD TO FINALLY 439 00:16:59,602 --> 00:17:02,438 GET TO MEET YOU. 440 00:17:04,148 --> 00:17:08,068 THANK YOU SO MUCH FOR HOSTING 441 00:17:04,148 --> 00:17:08,068 A PARTY IN MY HONOR. 442 00:17:08,110 --> 00:17:11,322 OKAY, WELL, 443 00:17:08,110 --> 00:17:11,322 ACTUALLY IT'S JANA, OKAY? 444 00:17:11,364 --> 00:17:13,574 AND THE PARTY 445 00:17:11,364 --> 00:17:13,574 IS IN KAYLA'S HONOR, 446 00:17:13,616 --> 00:17:16,369 BECAUSE SHE WAS A MOST 447 00:17:13,616 --> 00:17:16,369 BELOVED EMPLOYEE AT TREND, 448 00:17:16,410 --> 00:17:19,831 AND A FANTASTIC WRITER 449 00:17:16,410 --> 00:17:19,831 AND CLASS VALEDICTORIAN, 450 00:17:19,873 --> 00:17:22,583 AND WE'RE JUST HAPPY TO HAVE 451 00:17:19,873 --> 00:17:22,583 HER IN TOWN, EVEN IF IT'S 452 00:17:19,873 --> 00:17:22,583 JUST FOR A SHORT WHILE. 453 00:17:22,625 --> 00:17:24,168 IF YOU'LL EXCUSE ME 454 00:17:22,625 --> 00:17:24,168 JUST ONE MOMENT? 455 00:17:24,210 --> 00:17:26,629 DARLING, WOULD YOU 456 00:17:24,210 --> 00:17:26,629 GET ME A GLASS OF WINE? 457 00:17:26,671 --> 00:17:29,215 -I... SURE. 458 00:17:26,671 --> 00:17:29,215 -THANK YOU SO VERY MUCH. 459 00:17:30,049 --> 00:17:32,092 HELLO, YES. 460 00:17:32,134 --> 00:17:35,972 [NO AUDIO] 461 00:17:38,599 --> 00:17:40,685 [BOTH CHUCKLE] 462 00:17:41,143 --> 00:17:43,855 OKAY. 463 00:17:43,897 --> 00:17:46,399 WELL, I WAS GOING 464 00:17:43,897 --> 00:17:46,399 TO ASK HOW THE HAPPY COUPLE IS, 465 00:17:46,440 --> 00:17:48,943 BUT IT SEEMS LIKE SOMETHING 466 00:17:46,440 --> 00:17:48,943 IS A LITTLE... AMISS? 467 00:17:48,985 --> 00:17:51,571 OH, WE'RE... WE'RE FINE. 468 00:17:51,612 --> 00:17:56,200 IT'S PROBABLY JUST THE PRESSURE 469 00:17:51,612 --> 00:17:56,200 OF THE ENGAGEMENT PARTY 470 00:17:51,612 --> 00:17:56,200 AND THE SHOW. 471 00:17:56,242 --> 00:17:58,995 BUT YOU'RE 472 00:17:56,242 --> 00:17:58,995 STILL IN LOVE, RIGHT? 473 00:17:59,037 --> 00:18:02,456 WHAT? OF COURSE I AM. 474 00:18:02,498 --> 00:18:05,919 THINGS ARE JUST... 475 00:18:02,498 --> 00:18:05,919 TENSE RIGHT NOW. 476 00:18:05,960 --> 00:18:09,630 WE DECIDED TO HOLD OFF 477 00:18:05,960 --> 00:18:09,630 ON THE WEDDING UNTIL 478 00:18:05,960 --> 00:18:09,630 AFTER THE NEW YEAR. 479 00:18:09,672 --> 00:18:11,925 HE'S TRYING TO FOCUS 480 00:18:09,672 --> 00:18:11,925 ON THE NUTCRACKER PERFORMANCE 481 00:18:11,966 --> 00:18:15,762 AND I AGREED TO HANDLE 482 00:18:11,966 --> 00:18:15,762 HIS BUSINESS AFFAIRS 483 00:18:11,966 --> 00:18:15,762 THROUGH THE HOLIDAYS. 484 00:18:15,803 --> 00:18:18,848 OH. WELL, SHOULD WE 485 00:18:15,803 --> 00:18:18,848 CANCEL THE PARTY? 486 00:18:18,890 --> 00:18:20,892 WHAT? NO, NO! 487 00:18:20,934 --> 00:18:23,352 THIS MEANS SO MUCH TO ME 488 00:18:20,934 --> 00:18:23,352 THAT YOU'RE DOING THIS FOR US. 489 00:18:23,394 --> 00:18:25,980 BESIDES, I WANT EVERYONE 490 00:18:23,394 --> 00:18:25,980 TO MEET CARLTON. 491 00:18:26,022 --> 00:18:30,026 WELL, THE ENTIRE TOWN IS DYING 492 00:18:26,022 --> 00:18:30,026 TO MEET HIM. THAT'S FOR SURE. 493 00:18:31,151 --> 00:18:32,570 OH, YOU JUST MISSED 494 00:18:31,151 --> 00:18:32,570 THE CATERER. 495 00:18:32,612 --> 00:18:36,532 HE IS A TOP NOTCH CHEF, 496 00:18:32,612 --> 00:18:36,532 AND A SWEETHEART OF A GUY. 497 00:18:36,574 --> 00:18:39,702 OKAY, SO WHY ARE YOU 498 00:18:36,574 --> 00:18:39,702 NOT DATING HIM? 499 00:18:39,744 --> 00:18:42,204 OH, NO, NO. 500 00:18:39,744 --> 00:18:42,204 HE'S LIKE MY BROTHER. 501 00:18:42,246 --> 00:18:45,291 I MEAN, I'VE KNOWN HIM 502 00:18:42,246 --> 00:18:45,291 SINCE I WAS 5 YEARS OLD. 503 00:18:45,332 --> 00:18:47,543 [KAYLA] OH. 504 00:18:47,585 --> 00:18:51,464 SWEETUMS, WE REALLY NEED 505 00:18:47,585 --> 00:18:51,464 TO GET BACK TO THE HOTEL. 506 00:18:51,505 --> 00:18:53,424 I NEED MY REST. 507 00:18:53,466 --> 00:18:56,135 OKAY. IT WAS SO GOOD 508 00:18:53,466 --> 00:18:56,135 TO SEE YOU, JANA. 509 00:18:56,176 --> 00:18:57,344 IT WAS SO GOOD 510 00:18:56,176 --> 00:18:57,344 TO SEE YOU TOO. 511 00:18:57,386 --> 00:19:00,222 -SEE YOU SOON. 512 00:18:57,386 --> 00:19:00,222 -BYE, JESSICA. 513 00:19:00,264 --> 00:19:01,975 IT'S JANA. 514 00:19:02,016 --> 00:19:05,269 [CARLTON AND KAYLA CHATTER] 515 00:19:31,963 --> 00:19:34,924 HI, MRS. JOYNER. CAN YOU STAY 516 00:19:31,963 --> 00:19:34,924 OPEN JUST ONE MORE MINUTE? 517 00:19:34,966 --> 00:19:36,467 I NEED TO GET 518 00:19:34,966 --> 00:19:36,467 THE NUTCRACKER. 519 00:19:36,509 --> 00:19:41,221 MR. CASEY, I'VE ALREADY STAYED 520 00:19:36,509 --> 00:19:41,221 OPEN AN HOUR LATER THAN USUAL. 521 00:19:41,263 --> 00:19:43,057 YOU MUST COME BACK TOMORROW. 522 00:19:44,224 --> 00:19:45,643 BUT I... 523 00:20:07,581 --> 00:20:08,791 MORNING, MRS. JOYNER. 524 00:20:08,833 --> 00:20:11,293 OH, GOOD MORNING, MR. CASEY. 525 00:20:11,335 --> 00:20:14,714 YOU'RE HERE BRIGHT AND EARLY. 526 00:20:11,335 --> 00:20:14,714 WOULD YOU LIKE TO COME IN? 527 00:20:14,755 --> 00:20:17,884 PLEASE. THANK YOU. 528 00:20:37,862 --> 00:20:40,447 IT IS SO GOOD, DARLING, 529 00:20:37,862 --> 00:20:40,447 TO SEE YOU AGAIN. 530 00:20:40,489 --> 00:20:41,699 I'M SO GLAD YOU CAME BACK. 531 00:20:41,741 --> 00:20:43,868 THE NUTCRACKER 532 00:20:41,741 --> 00:20:43,868 THAT WAS IN THE WINDOW--? 533 00:20:43,910 --> 00:20:47,747 -OH, I'M SORRY, I SOLD IT. 534 00:20:43,910 --> 00:20:47,747 -DO YOU HAVE ANOTHER ONE? 535 00:20:47,788 --> 00:20:51,291 NO, IT WAS ONE OF A KIND. 536 00:20:47,788 --> 00:20:51,291 IT WAS VERY BEAUTIFUL. 537 00:20:51,333 --> 00:20:53,335 I SHOULD HAVE STOCK 538 00:20:51,333 --> 00:20:53,335 IN NUTCRACKERS. 539 00:20:53,377 --> 00:20:57,339 OR MAYBE I COULD GET CLOCKS 540 00:20:57,381 --> 00:21:00,384 AND LITTLE FIGURINES AND... 541 00:21:00,426 --> 00:21:02,762 KAYLA? KAYLA? KAYLA? 542 00:21:04,180 --> 00:21:06,265 [MRS. JOYNER] 543 00:21:04,180 --> 00:21:06,265 KAYLA! 544 00:21:06,306 --> 00:21:08,559 [PEOPLE SING CHRISTMAS SONG] 545 00:21:06,306 --> 00:21:08,559 YOU RAN OUT! 546 00:21:08,601 --> 00:21:11,979 I WAS NOT FINISHED, DARLING! 547 00:21:12,021 --> 00:21:14,774 KAYLA! 548 00:21:14,815 --> 00:21:17,193 KAYLA, YOU GO SO FAST? 549 00:21:14,815 --> 00:21:17,193 [CONTINUE SINGING] 550 00:21:17,235 --> 00:21:20,905 WAIT A SECOND, STOP! 551 00:21:28,204 --> 00:21:31,249 KAYLA! 552 00:21:28,204 --> 00:21:31,249 YOU ARE RUNNING SO FAST? 553 00:21:31,290 --> 00:21:32,625 I CAN'T KEEP UP. 554 00:21:32,666 --> 00:21:36,879 DARLING, CAN YOU HEAR ME? 555 00:21:32,666 --> 00:21:36,879 KAYLA! KAYLA! 556 00:21:46,097 --> 00:21:47,765 DARLING. 557 00:21:51,185 --> 00:21:52,228 OH, MY. 558 00:22:01,361 --> 00:22:02,362 [WHISPERS] HELP! 559 00:22:04,198 --> 00:22:05,866 OH! 560 00:22:09,495 --> 00:22:10,830 [GASPS] OH. 561 00:22:16,543 --> 00:22:18,712 OH, THE STORE. 562 00:22:22,175 --> 00:22:23,467 [GIGGLES] 563 00:22:24,510 --> 00:22:27,429 THANK YOU, BIG TIME. 564 00:22:27,471 --> 00:22:29,765 NO, THANK YOU. 565 00:22:29,807 --> 00:22:32,476 -RUNNING AWAY FROM MRS. JOYNER? 566 00:22:29,807 --> 00:22:32,476 -I AM, YEAH. 567 00:22:32,518 --> 00:22:34,312 HAPPY TO PLAY A PART 568 00:22:32,518 --> 00:22:34,312 IN YOUR ESCAPE. 569 00:22:34,352 --> 00:22:36,939 THAT WOMAN CAN BE RUTHLESS. 570 00:22:34,352 --> 00:22:36,939 [GIGGLES] 571 00:22:36,981 --> 00:22:39,192 YES, SHE CAN BE. 572 00:22:42,153 --> 00:22:46,157 OH, I DON'T... 573 00:22:42,153 --> 00:22:46,157 REALLY THINK I WAS PLAYING. 574 00:22:59,795 --> 00:23:00,963 WOW. 575 00:23:05,592 --> 00:23:06,844 I'M DUSTIN CASEY. 576 00:23:06,886 --> 00:23:09,305 KAYLA HANSEN. 577 00:23:09,347 --> 00:23:11,891 GUESS A HAND SHAKE SEEMS 578 00:23:09,347 --> 00:23:11,891 PRETTY IRRELEVANT AT THIS POINT? 579 00:23:11,932 --> 00:23:13,391 WE SORT OF SKIPPED 580 00:23:11,932 --> 00:23:13,391 THAT STEP. [GIGGLES] 581 00:23:13,433 --> 00:23:15,561 YEAH. 582 00:23:19,439 --> 00:23:21,525 [MRS. BILLING] 583 00:23:19,439 --> 00:23:21,525 SO WE'RE DONE, YEAH? 584 00:23:23,819 --> 00:23:25,487 [BOTH CHUCKLE] 585 00:23:25,529 --> 00:23:27,073 I SHOULD GO. 586 00:23:27,114 --> 00:23:29,242 LOOKS LIKE YOU'VE GOT 587 00:23:27,114 --> 00:23:29,242 SOME EXPLAINING TO DO. 588 00:23:29,283 --> 00:23:31,994 HMM. [CHUCKLES] 589 00:23:32,036 --> 00:23:34,205 THANK YOU, DUSTIN. 590 00:23:35,956 --> 00:23:37,499 HAPPY TO HELP. 591 00:23:43,547 --> 00:23:46,008 [SCOFFS] WHERE HAVE YOU 592 00:23:43,547 --> 00:23:46,008 BEEN HIDING HER? 593 00:23:58,771 --> 00:24:02,316 SO, HERE WE ARE AGAIN, 594 00:24:02,358 --> 00:24:05,069 UNDER THE MISTLETOE. 595 00:24:20,500 --> 00:24:23,087 OH, HEY, YOU'RE BACK. 596 00:24:24,213 --> 00:24:26,257 YOU OKAY? 597 00:24:26,299 --> 00:24:28,384 WHAT'S GOING ON? 598 00:24:29,135 --> 00:24:31,304 [SIGHS] 599 00:24:31,345 --> 00:24:32,930 WHAT'S UP? 600 00:24:33,722 --> 00:24:35,349 IT WORKS. 601 00:24:35,391 --> 00:24:38,685 -WHAT WORKS? 602 00:24:35,391 --> 00:24:38,685 -THE ELEVATOR. 603 00:24:38,727 --> 00:24:41,021 I KISSED SOMEONE 604 00:24:38,727 --> 00:24:41,021 IN THE ELEVATOR, 605 00:24:41,063 --> 00:24:42,273 AND SHE KISSED ME BACK. 606 00:24:42,315 --> 00:24:45,151 WELL, WAIT, IT WASN'T 607 00:24:42,315 --> 00:24:45,151 MRS. BILLING, I HOPE? 608 00:24:45,192 --> 00:24:47,778 NO, OF COURSE NOT. 609 00:24:45,192 --> 00:24:47,778 THIS WAS A REAL WOMEN. 610 00:24:47,820 --> 00:24:49,238 TELL ME EVERYTHING. 611 00:24:49,280 --> 00:24:51,365 SHE WAS BEAUTIFUL. 612 00:24:51,407 --> 00:24:54,452 I HAVE NEVER KISSED 613 00:24:51,407 --> 00:24:54,452 A GIRL LIKE THAT BEFORE. 614 00:24:54,492 --> 00:24:56,036 WELL, WHO IS SHE? 615 00:24:54,492 --> 00:24:56,036 DID YOU GET HER NUMBER? 616 00:24:57,330 --> 00:24:58,789 DUSTIN, YOU DIDN'T 617 00:24:57,330 --> 00:24:58,789 GET HER NUMBER? 618 00:24:58,831 --> 00:25:00,791 NOW IS NOT THE TIME 619 00:24:58,831 --> 00:25:00,791 FOR ME TO BE DISTRACTED. 620 00:25:00,833 --> 00:25:03,461 I NEED TO FOCUS ON WORK. 621 00:25:03,501 --> 00:25:07,340 SERIOUSLY FOCUS, I'M NOT IN 622 00:25:03,501 --> 00:25:07,340 THE RIGHT PLACE TO BE 623 00:25:03,501 --> 00:25:07,340 IN A RELATIONSHIP RIGHT NOW. 624 00:25:07,381 --> 00:25:09,425 DUSTIN, IF WHAT THEY SAY 625 00:25:07,381 --> 00:25:09,425 ABOUT THE ELEVATOR IS TRUE, 626 00:25:09,467 --> 00:25:12,178 IT PAIRED YOU TWO 627 00:25:09,467 --> 00:25:12,178 FOR A REASON. 628 00:25:12,219 --> 00:25:14,805 IT WAS A FUN MOMENT. 629 00:25:12,219 --> 00:25:14,805 THAT'S IT. 630 00:25:14,847 --> 00:25:16,390 I'VE CHRISTENED THE ELEVATOR. 631 00:25:16,432 --> 00:25:17,433 [BOTH CHUCKLE] 632 00:25:17,475 --> 00:25:19,393 I HOPE I'M NEXT. 633 00:25:22,229 --> 00:25:23,189 WAIT, WHAT'S IN THE BAG? 634 00:25:23,772 --> 00:25:25,523 AH. 635 00:25:26,317 --> 00:25:27,860 THIS IS... 636 00:25:30,946 --> 00:25:32,781 THE NUTCRACKER. 637 00:25:32,823 --> 00:25:36,952 DUSTIN, IF YOU CAN MAKE 638 00:25:32,823 --> 00:25:36,952 THE DESSERTS LOOK LIKE THIS, 639 00:25:32,823 --> 00:25:36,952 YOU'D BE A GENIUS. 640 00:25:36,994 --> 00:25:39,579 HMM. WELL, THEN WE'D 641 00:25:36,994 --> 00:25:39,579 BETTER GET TO WORK. 642 00:25:39,621 --> 00:25:41,332 YEAH. 643 00:25:42,124 --> 00:25:44,751 OH, BEFORE I FORGET, 644 00:25:44,793 --> 00:25:47,587 I STARTED WORKING ON THE MENUS, 645 00:25:47,629 --> 00:25:52,301 AND INCORPORATED LIKE 646 00:25:47,629 --> 00:25:52,301 A BROADWAY-HOLLYWOOD-CHRISTMAS 647 00:25:47,629 --> 00:25:52,301 DESIGN INTO ALL OF THEM. 648 00:25:52,968 --> 00:25:54,720 WHAT DO YOU THINK? 649 00:25:57,390 --> 00:26:00,184 HELLO? HELLO? 650 00:26:01,185 --> 00:26:02,644 DUSTIN? 651 00:26:04,438 --> 00:26:05,772 WHAT DO YOU THINK? 652 00:26:05,814 --> 00:26:07,149 Y-YEAH. 653 00:26:07,191 --> 00:26:10,069 UH, YEAH, YEAH, YEAH. 654 00:26:07,191 --> 00:26:10,069 I HEARD YOU. YEAH, LOOKS GOOD. 655 00:26:11,153 --> 00:26:13,322 MUST HAVE BEEN 656 00:26:11,153 --> 00:26:13,322 A HECK OF A KISS. 657 00:26:14,198 --> 00:26:15,741 HECK, YES. 658 00:26:46,480 --> 00:26:48,441 GOOD MORNING, KAYLA. 659 00:26:50,192 --> 00:26:52,570 -KAYLA? 660 00:26:50,192 --> 00:26:52,570 -JANA! 661 00:26:52,610 --> 00:26:54,488 -[LAUGHS] HI. 662 00:26:52,610 --> 00:26:54,488 -GOOD MORNING. 663 00:26:54,530 --> 00:26:58,367 WHERE WERE YOU JUST NOW, 664 00:26:54,530 --> 00:26:58,367 OR WOULD YOU RATHER 665 00:26:54,530 --> 00:26:58,367 NOT SHARE THE DETAILS? 666 00:26:58,409 --> 00:27:00,744 I WAS, UM... 667 00:27:00,786 --> 00:27:02,580 UH, NOWHERE SPECIAL. 668 00:27:02,620 --> 00:27:05,458 YEAH, RIGHT. 669 00:27:02,620 --> 00:27:05,458 OH MY GOODNESS. 670 00:27:05,499 --> 00:27:08,794 SO TELL ME, HOW ARE YOU? 671 00:27:05,499 --> 00:27:08,794 HOW'S YOUR FAMILY DOING? 672 00:27:08,835 --> 00:27:10,963 UH, MY FAMILY IS GREAT, 673 00:27:08,835 --> 00:27:10,963 THANK YOU VERY MUCH. 674 00:27:11,004 --> 00:27:12,881 MY PARENTS ARE IN SAUSALITO NOW. 675 00:27:12,923 --> 00:27:14,592 ACTUALLY, THEY JUST 676 00:27:12,923 --> 00:27:14,592 BOUGHT A NEW HOUSE. 677 00:27:14,632 --> 00:27:16,469 MUM'S GOING TO TRY GARDENING. 678 00:27:16,510 --> 00:27:18,929 SO, YEAH, MY MOM 679 00:27:16,510 --> 00:27:18,929 IN BIRKENSTOCKS IN A GARDEN, 680 00:27:18,971 --> 00:27:22,600 WHICH SHE'S NEVER DONE 681 00:27:18,971 --> 00:27:22,600 IN HER LIFE... [VOICE FADES] 682 00:27:30,357 --> 00:27:32,650 ...LIKE AN AUSTRALIAN 683 00:27:30,357 --> 00:27:32,650 SHEEP DOG, 684 00:27:30,357 --> 00:27:32,650 [CELL PHONE RINGS] 685 00:27:32,692 --> 00:27:35,695 BERNESE MOUNTAIN DOG, 686 00:27:32,692 --> 00:27:35,695 BECAUSE THEY'VE GOT ALL 687 00:27:32,692 --> 00:27:35,695 THE 3 DIFFERENT COLORS OF HAIR, 688 00:27:35,737 --> 00:27:38,407 AND IT'S... IT'S... KAYLA? 689 00:27:38,449 --> 00:27:40,033 [RINGING CONTINUES] 690 00:27:38,449 --> 00:27:40,033 KAYLA, HONEY, YOUR CELL PHONE. 691 00:27:40,075 --> 00:27:41,452 -OH, RIGHT, THANK YOU. 692 00:27:40,075 --> 00:27:41,452 -YOUR CELL PHONE. 693 00:27:43,579 --> 00:27:44,746 -UH... 694 00:27:43,579 --> 00:27:44,746 -IT'S CARLTON. 695 00:27:46,499 --> 00:27:48,792 HEY, HOW'S REHEARSAL GOING? 696 00:27:50,043 --> 00:27:52,921 I... YES, 697 00:27:50,043 --> 00:27:52,921 I HANDLED THE PRESS CALLS. 698 00:27:54,256 --> 00:27:55,466 YES, I'M WITH JANA. 699 00:27:58,927 --> 00:28:00,762 I WILL ASK HER. 700 00:28:01,305 --> 00:28:04,350 OKAY, BYE. 701 00:28:04,391 --> 00:28:07,894 CARLTON WOULD LIKE 702 00:28:04,391 --> 00:28:07,894 TO SEE THE LOCATION 703 00:28:04,391 --> 00:28:07,894 OF THE ENGAGEMENT PARTY, 704 00:28:07,936 --> 00:28:11,023 MEET THE CATERER 705 00:28:07,936 --> 00:28:11,023 AND REVIEW THE MENU. 706 00:28:11,064 --> 00:28:12,899 DOESN'T HE HAVE ANYTHING 707 00:28:11,064 --> 00:28:12,899 BETTER TO DO? 708 00:28:12,941 --> 00:28:15,861 [SNICKERS] 709 00:28:12,941 --> 00:28:15,861 HE'S A CONTROL FREAK. 710 00:28:16,778 --> 00:28:18,531 BUT YOU LOVE HIM? 711 00:28:20,449 --> 00:28:21,575 YES. 712 00:28:22,826 --> 00:28:24,286 OKAY. 713 00:28:31,293 --> 00:28:34,338 THE FLORIST HAS SAID 714 00:28:31,293 --> 00:28:34,338 THEY'RE ALL GOOD TO GO. 715 00:28:34,380 --> 00:28:35,631 PERFECT. 716 00:28:35,673 --> 00:28:37,424 I'LL GET THE NUTCRACKER OUT. 717 00:28:37,466 --> 00:28:40,427 UH, I'M HOPING HIS FIANCÉ 718 00:28:37,466 --> 00:28:40,427 WILL LOVE IT. 719 00:28:40,469 --> 00:28:41,803 [GIGGLES] 720 00:28:41,845 --> 00:28:43,305 -WE'RE GOING TO BE GOOD. 721 00:28:41,845 --> 00:28:43,305 -I THINK WE'RE ALL SET UP. 722 00:28:43,347 --> 00:28:45,140 -ALRIGHT. 723 00:28:43,347 --> 00:28:45,140 -GOOD. 724 00:28:45,182 --> 00:28:46,392 THIS IS WHY 725 00:28:45,182 --> 00:28:46,392 I KEEP YOU AROUND. 726 00:28:46,433 --> 00:28:48,477 OH, IS IT? 727 00:28:46,433 --> 00:28:48,477 THANK YOU SO MUCH. 728 00:28:48,519 --> 00:28:50,270 JANA'S RUNNING 729 00:28:48,519 --> 00:28:50,270 A FEW MINUTES LATE, 730 00:28:50,312 --> 00:28:52,314 AND CARLTON SHOULD 731 00:28:50,312 --> 00:28:52,314 BE HERE ANY MOMENT. 732 00:28:52,356 --> 00:28:54,483 OKAY, I'M GOING TO GO CHECK 733 00:28:52,356 --> 00:28:54,483 INTO THE OFFICE. YOU'RE GOOD? 734 00:28:54,525 --> 00:28:55,942 I'M GOOD. THANKS. 735 00:29:21,427 --> 00:29:22,511 KAYLA? 736 00:29:24,430 --> 00:29:28,808 I KNOW THAT JAN... 737 00:29:24,430 --> 00:29:28,808 JEANETTE? IS YOUR FRIEND. 738 00:29:28,850 --> 00:29:30,394 JANA. 739 00:29:30,810 --> 00:29:32,605 RIGHT. 740 00:29:32,646 --> 00:29:35,566 PLEASE... 741 00:29:32,646 --> 00:29:35,566 TRY TO TAKE THIS SERIOUSLY? 742 00:29:35,608 --> 00:29:37,735 THERE'S GOING TO BE A LOT 743 00:29:35,608 --> 00:29:37,735 OF PRESS AT THE PARTY. 744 00:29:37,776 --> 00:29:39,278 IT'S GOT TO BE TOP NOTCH. 745 00:29:39,319 --> 00:29:41,321 -PRESS? 746 00:29:39,319 --> 00:29:41,321 -OH YES, I... 747 00:29:42,531 --> 00:29:43,990 I MADE SOME PHONE CALLS. 748 00:29:44,032 --> 00:29:47,077 BUT I DON'T... I DON'T WANT 749 00:29:44,032 --> 00:29:47,077 PRESS AT OUR ENGAGEMENT PARTY. 750 00:29:47,119 --> 00:29:51,873 DARLING, YOU'VE GOT TO START 751 00:29:47,119 --> 00:29:51,873 GETTING USED TO THE PUBLIC LIFE. 752 00:29:51,915 --> 00:29:54,418 EVERY OPPORTUNITY 753 00:29:51,915 --> 00:29:54,418 IS A CHANCE AT PROMOTION, 754 00:29:54,460 --> 00:29:56,878 EVEN... OUR ENGAGEMENT PARTY. 755 00:29:56,920 --> 00:29:59,172 I THOUGHT THAT HAVING 756 00:29:56,920 --> 00:29:59,172 THE ENGAGEMENT PARTY 757 00:29:59,214 --> 00:30:01,425 IN MY HOME TOWN 758 00:29:59,214 --> 00:30:01,425 WOULD HELP GROUND US. 759 00:30:01,467 --> 00:30:04,052 I WAS NEVER MEANT 760 00:30:01,467 --> 00:30:04,052 TO BE GROUNDED, KAYLA. 761 00:30:04,094 --> 00:30:06,221 I'M DESTINED TO SOAR. 762 00:30:06,263 --> 00:30:07,681 [CHUCKLES] 763 00:30:07,723 --> 00:30:10,892 YOU CAN SOAR 764 00:30:07,723 --> 00:30:10,892 AND BE GROUNDED. 765 00:30:10,934 --> 00:30:14,438 YOU CAN SHOOT FOR THE STARS 766 00:30:10,934 --> 00:30:14,438 YET STILL APPRECIATE THE EARTH. 767 00:30:14,480 --> 00:30:17,941 I'M NOT SHOOTING 768 00:30:14,480 --> 00:30:17,941 FOR THE STARS. 769 00:30:18,484 --> 00:30:20,694 I AM A STAR. 770 00:30:20,736 --> 00:30:24,156 I'VE EARNED MY PLACE IN THE SKY. 771 00:30:24,197 --> 00:30:26,283 [CELL PHONE RINGS] 772 00:30:27,785 --> 00:30:29,745 THAT'S PAMELA. UH... 773 00:30:29,787 --> 00:30:31,330 THE SUGAR PLUM FAIRY. 774 00:30:31,371 --> 00:30:34,082 -I'VE GOT TO TAKE THIS. UM... 775 00:30:31,371 --> 00:30:34,082 -OKAY. 776 00:30:34,124 --> 00:30:35,083 SEE YOU INSIDE? 777 00:30:35,125 --> 00:30:36,209 YES. 778 00:30:37,544 --> 00:30:39,755 KISSES. 779 00:30:37,544 --> 00:30:39,755 [RINGING CONTINUES] 780 00:30:41,298 --> 00:30:42,382 HELLO? 781 00:30:55,437 --> 00:30:57,481 [GASPS] 782 00:30:58,231 --> 00:30:59,941 [CHUCKLES] 783 00:31:06,948 --> 00:31:07,949 KAYLA? 784 00:31:07,991 --> 00:31:09,743 [CHUCKLES] DUSTIN. 785 00:31:09,785 --> 00:31:11,911 -HI. 786 00:31:09,785 --> 00:31:11,911 -HI. 787 00:31:13,913 --> 00:31:17,083 I SPIED HIM IN 788 00:31:13,913 --> 00:31:17,083 A STORE WINDOW, YESTERDAY. 789 00:31:17,125 --> 00:31:18,585 -YOU DID? 790 00:31:17,125 --> 00:31:18,585 -YEAH. 791 00:31:18,627 --> 00:31:21,296 YEAH, I WENT BACK THIS MORNING 792 00:31:18,627 --> 00:31:21,296 TO BUY HIM, BUT HE WAS GONE. 793 00:31:22,172 --> 00:31:23,507 I BOUGHT HIM THIS MORNING. 794 00:31:24,924 --> 00:31:27,135 WAIT, WAS... 795 00:31:24,924 --> 00:31:27,135 WAS HE IN THE ELEVATOR? 796 00:31:27,177 --> 00:31:29,095 YEAH! THAT'S WHERE 797 00:31:27,177 --> 00:31:29,095 I WAS GOING FROM. 798 00:31:29,137 --> 00:31:30,806 ME TOO! 799 00:31:31,973 --> 00:31:34,017 WHAT'S THIS? 800 00:31:34,059 --> 00:31:36,269 IT'S SOME HISTORY 801 00:31:34,059 --> 00:31:36,269 ON THE NUTCRACKER, 802 00:31:36,311 --> 00:31:39,147 AND A LITTLE BIT OF INFORMATION 803 00:31:36,311 --> 00:31:39,147 ABOUT THE ARTIST. 804 00:31:39,189 --> 00:31:43,068 OH MY GOSH, 805 00:31:39,189 --> 00:31:43,068 THE ARTIST IS 80 YEARS OLD. 806 00:31:43,109 --> 00:31:46,572 HE MET THE LOVE OF HIS LIFE 807 00:31:43,109 --> 00:31:46,572 ON A TRIP TO AUSTRIA. 808 00:31:46,613 --> 00:31:50,367 ON THEIR VERY FIRST DATE, 809 00:31:46,613 --> 00:31:50,367 THEY WENT TO SEE THE NUTCRACKER. 810 00:31:51,785 --> 00:31:55,288 HE NEVER HAD A PASSION 811 00:31:51,785 --> 00:31:55,288 FOR ART UNTIL HE MET HER. 812 00:31:55,330 --> 00:31:57,875 THEY TRAVELLED, 813 00:31:55,330 --> 00:31:57,875 BUILT A HOME, 814 00:31:57,916 --> 00:32:00,377 A GARDEN AND A LIFE TOGETHER. 815 00:32:00,419 --> 00:32:02,504 ARE YOU SEEING 816 00:32:00,419 --> 00:32:02,504 WHAT I'M SEEING? 817 00:32:02,546 --> 00:32:03,797 THE CHEMISTRY? 818 00:32:03,839 --> 00:32:07,300 ...THEY'RE WRITERS, POETS, 819 00:32:03,839 --> 00:32:07,300 PAINTERS, SCULPTORS... 820 00:32:07,342 --> 00:32:09,052 THEY CREATE TOGETHER, 821 00:32:09,094 --> 00:32:11,179 INSPIRING EACH OTHER. 822 00:32:11,221 --> 00:32:14,974 THEY'VE BEEN TOGETHER 823 00:32:11,221 --> 00:32:14,974 FOR 58 YEARS. 824 00:32:16,727 --> 00:32:19,979 [CHUCKLES] I WOULD LOVE 825 00:32:16,727 --> 00:32:19,979 TO WRITE ABOUT THIS. 826 00:32:20,021 --> 00:32:23,859 YOU SHOULD. IS THAT WHAT YOU DO? 827 00:32:20,021 --> 00:32:23,859 YOU'RE A WRITER? 828 00:32:23,901 --> 00:32:28,071 MAINLY PRESS RELEASES, 829 00:32:23,901 --> 00:32:28,071 BUT YEAH, I WAS A WRITER. 830 00:32:28,113 --> 00:32:31,074 WRITING IS MY PASSION, 831 00:32:28,113 --> 00:32:31,074 BUT I'VE BEEN HAVING A HARD TIME 832 00:32:31,116 --> 00:32:35,036 FINDING SOMETHING TO WRITE 833 00:32:31,116 --> 00:32:35,036 THAT I FEEL PASSIONATE ABOUT. 834 00:32:35,078 --> 00:32:36,663 THERE YOU GO. 835 00:32:36,705 --> 00:32:38,373 THERE'S YOUR STORY. 836 00:32:39,750 --> 00:32:41,251 [CARLTON] DARLING. 837 00:32:47,299 --> 00:32:49,301 YOU'RE THE OTHER HALF 838 00:32:47,299 --> 00:32:49,301 OF THE ENGAGEMENT. 839 00:32:50,886 --> 00:32:53,722 CARLTON, I WOULD LIKE YOU 840 00:32:50,886 --> 00:32:53,722 TO MEET DUSTIN CASEY, 841 00:32:53,764 --> 00:32:56,015 THE CATERER, 842 00:32:53,764 --> 00:32:56,015 AND HIS ASSISTANT, KIM. 843 00:32:56,057 --> 00:32:57,601 -PLEASURE. 844 00:32:56,057 --> 00:32:57,601 -NICE TO MEET YOU. 845 00:32:57,643 --> 00:32:59,853 NICE TO MEET YOU. 846 00:32:59,895 --> 00:33:02,648 DUSTIN, HAVE YOU 847 00:32:59,895 --> 00:33:02,648 OFFICIALLY MET KAYLA? 848 00:33:02,689 --> 00:33:03,774 AH... 849 00:33:05,150 --> 00:33:07,402 -UH... KIND OF. 850 00:33:05,150 --> 00:33:07,402 -KIND OF. 851 00:33:07,444 --> 00:33:08,987 YEAH. 852 00:33:10,363 --> 00:33:13,742 KAYLA IS MY FIANCÉ. 853 00:33:13,784 --> 00:33:17,245 KAYLA USED TO WRITE FOR TREND, 854 00:33:13,784 --> 00:33:17,245 UNTIL SHE MOVED AWAY. 855 00:33:17,287 --> 00:33:19,038 TO BE WITH ME. 856 00:33:19,080 --> 00:33:21,625 I TRUST WE'RE ALL FINISHED 857 00:33:19,080 --> 00:33:21,625 WITH THE SMALL-TALK. 858 00:33:24,628 --> 00:33:27,589 DID YOU HAVE ANY QUESTIONS 859 00:33:24,628 --> 00:33:27,589 OR CONCERNS ABOUT THE FOOD? 860 00:33:27,631 --> 00:33:29,299 I'D LIKE TO SEE THE MENU. 861 00:33:30,175 --> 00:33:32,051 OH, OF COURSE. UM... 862 00:33:32,093 --> 00:33:34,304 HERE IS A LIST 863 00:33:32,093 --> 00:33:34,304 OF THE APPETIZERS, ENTREES, 864 00:33:34,346 --> 00:33:36,556 DESSERTS AND COCKTAILS. 865 00:33:40,393 --> 00:33:44,063 I TRUST YOU'LL BE EMPLOYING 866 00:33:40,393 --> 00:33:44,063 SEASONED BARTENDERS AND WAITERS? 867 00:33:44,105 --> 00:33:45,565 WE WILL. 868 00:33:46,274 --> 00:33:49,820 UGH! UGH! 869 00:33:51,530 --> 00:33:53,323 GET RID OF THAT... THING. 870 00:33:53,365 --> 00:33:54,867 -GET RID OF WHAT? 871 00:33:53,365 --> 00:33:54,867 -THAT NUTCRACKER. 872 00:33:54,908 --> 00:33:57,494 IT LOOKS NOTHING LIKE THE ONE 873 00:33:54,908 --> 00:33:57,494 WE'RE USING IN THE BALLET. 874 00:33:57,536 --> 00:34:01,414 KAYLA WILL TEXT YOU A PICTURE 875 00:33:57,536 --> 00:34:01,414 OF THE ONE WE ARE USING. 876 00:34:01,456 --> 00:34:03,000 OH, OF COURSE. 877 00:34:03,041 --> 00:34:04,793 WHATEVER YOU NEED, MR. WELLS. 878 00:34:04,835 --> 00:34:06,628 DARLING? 879 00:34:04,835 --> 00:34:06,628 WE'VE GOT TO GET GOING. 880 00:34:06,670 --> 00:34:10,089 I BELIEVE WE'VE GOT 881 00:34:06,670 --> 00:34:10,089 A MEETING AT 9PM AT THE HOTEL. 882 00:34:11,967 --> 00:34:14,302 [CHUCKLES] 883 00:34:11,967 --> 00:34:14,302 THANK YOU BOTH SO MUCH. 884 00:34:14,344 --> 00:34:17,263 I'M REALLY LOOKING FORWARD 885 00:34:14,344 --> 00:34:17,263 TO TASTING THE FOOD. 886 00:34:17,305 --> 00:34:19,725 -IT WAS NICE TO MEET YOU. 887 00:34:17,305 --> 00:34:19,725 -SEE YOU GUYS SOON. 888 00:34:19,766 --> 00:34:21,560 BYE. 889 00:34:25,355 --> 00:34:29,442 WELL, LOOKS LIKE I'M BACK 890 00:34:25,355 --> 00:34:29,442 TO BEING THE NUTCRACKER 891 00:34:25,355 --> 00:34:29,442 WHISPERER. 892 00:34:31,570 --> 00:34:34,031 IS THAT BAR OPEN? 893 00:34:34,072 --> 00:34:35,240 I THINK WE HAVE 894 00:34:34,072 --> 00:34:35,240 SOME WINE SAMPLES. 895 00:34:35,281 --> 00:34:36,241 GOOD. 896 00:34:36,282 --> 00:34:38,493 -I'LL POUR US SOME GLASSES. 897 00:34:36,282 --> 00:34:38,493 -YEAH. 898 00:34:44,750 --> 00:34:46,334 I SAW WHAT YOU WERE DOING. 899 00:34:46,376 --> 00:34:47,794 WHAT WAS I DOING? 900 00:34:47,836 --> 00:34:51,214 TRYING TO MAKE ME JEALOUS 901 00:34:47,836 --> 00:34:51,214 BY FLIRTING WITH THE CATERER. 902 00:34:51,256 --> 00:34:53,132 WHAT? 903 00:34:51,256 --> 00:34:53,132 HOW COULD YOU SAY THAT? 904 00:34:53,174 --> 00:34:55,134 IT WAS OBVIOUS, KAYLA! 905 00:34:55,176 --> 00:34:56,845 WELL, MAYBE IF YOU PAID 906 00:34:55,176 --> 00:34:56,845 ATTENTION TO ME 907 00:34:56,887 --> 00:34:59,472 I WOULDN'T BE SEARCHING 908 00:34:56,887 --> 00:34:59,472 FOR ATTENTION FROM OTHER MEN! 909 00:34:59,514 --> 00:35:02,100 HA! YOU ADMIT IT! 910 00:35:02,141 --> 00:35:03,727 ONLY THING THAT I ADMIT 911 00:35:03,769 --> 00:35:07,272 IS THAT THE CATERER IS A VERY 912 00:35:03,769 --> 00:35:07,272 NICE GUY AND YOU ARE A JERK! 913 00:35:07,313 --> 00:35:09,608 OH, WELL MAYBE YOU SHOULD GET 914 00:35:07,313 --> 00:35:09,608 ENGAGED TO HIM INSTEAD OF ME! 915 00:35:09,649 --> 00:35:12,318 OKAY, I HAVE HAD ENOUGH! 916 00:35:09,649 --> 00:35:12,318 YOU AND I ARE DONE. 917 00:35:13,403 --> 00:35:14,780 WHAT? 918 00:35:14,821 --> 00:35:16,531 WHAT, ARE YOU SERIOUS? 919 00:35:18,825 --> 00:35:20,535 ARE YOU SURE YOU'RE NOT 920 00:35:18,825 --> 00:35:20,535 JUST FLIRTING WITH HIM 921 00:35:20,577 --> 00:35:23,288 TO GET A REACTION OUT OF ME 922 00:35:20,577 --> 00:35:23,288 BECAUSE YOU'RE STILL 923 00:35:20,577 --> 00:35:23,288 IN LOVE WITH ME? 924 00:35:23,329 --> 00:35:25,582 CARLTON, 925 00:35:23,329 --> 00:35:25,582 I WILL ALWAYS LOVE YOU. 926 00:35:25,624 --> 00:35:27,500 BUT WE DON'T FIT. 927 00:35:27,542 --> 00:35:30,253 AND WE STOPPED TRYING TO FIT. 928 00:35:30,295 --> 00:35:33,423 OUR PIECES BELONG 929 00:35:30,295 --> 00:35:33,423 IN DIFFERENT PUZZLES. 930 00:35:35,300 --> 00:35:38,845 I'LL ALWAYS 931 00:35:35,300 --> 00:35:38,845 LOVE YOU TOO, KAYLA. 932 00:35:40,597 --> 00:35:41,932 OKAY, NOW YOU'RE 933 00:35:40,597 --> 00:35:41,932 CONFUSING ME. 934 00:35:41,974 --> 00:35:45,852 I-I CAN'T TALK TO YOU RIGHT NOW. 935 00:35:41,974 --> 00:35:45,852 I'M GOING. GOODBYE. 936 00:35:47,437 --> 00:35:49,564 OH, AND DON'T FORGET 937 00:35:47,437 --> 00:35:49,564 TO CALL YOUR TEAM. 938 00:35:49,606 --> 00:35:52,901 THEY'RE WAITING TO HEAR FROM YOU 939 00:35:49,606 --> 00:35:52,901 BEFORE THE END OF THE NIGHT. 940 00:35:52,943 --> 00:35:54,486 ALRIGHT. 941 00:36:18,051 --> 00:36:21,220 [KIM] SHE'S THE ONE YOU KISSED 942 00:36:18,051 --> 00:36:21,220 IN THE ELEVATOR, ISN'T SHE? 943 00:36:22,555 --> 00:36:24,016 DUSTIN? 944 00:36:24,474 --> 00:36:25,308 HUH? 945 00:36:25,350 --> 00:36:27,144 DID YOU HEAR WHAT I SAID? 946 00:36:27,185 --> 00:36:29,104 UH, HOW DO YOU FIGURE? 947 00:36:29,146 --> 00:36:33,108 BECAUSE YOU TWO LOOK LIKE 948 00:36:29,146 --> 00:36:33,108 TWO PEOPLE WHO JUST KISSED, 949 00:36:33,150 --> 00:36:35,485 AND WHO WANT TO KISS AGAIN? 950 00:36:35,527 --> 00:36:36,695 NOT GOING TO HAPPEN. 951 00:36:38,113 --> 00:36:39,781 SHE'S NOT REALLY WITH CARLTON. 952 00:36:41,908 --> 00:36:42,993 WHAT DO YOU MEAN? 953 00:36:43,035 --> 00:36:45,078 OH, THEY ARE SO OBVIOUSLY 954 00:36:43,035 --> 00:36:45,078 NOT IN LOVE. 955 00:36:45,120 --> 00:36:46,788 I MEAN, THEY'VE PROBABLY 956 00:36:45,120 --> 00:36:46,788 ALREADY BROKEN UP 957 00:36:46,830 --> 00:36:49,541 AND ARE JUST STAYING TOGETHER 958 00:36:46,830 --> 00:36:49,541 THROUGH THE NUTCRACKER 959 00:36:46,830 --> 00:36:49,541 PERFORMANCE. 960 00:36:49,582 --> 00:36:53,336 [CHUCKLES] THEN WHY ARE WE 961 00:36:49,582 --> 00:36:53,336 PLANNING AN ENGAGEMENT PARTY? 962 00:36:53,378 --> 00:36:57,256 BECAUSE THEY PROBABLY THINK 963 00:36:53,378 --> 00:36:57,256 THAT CANCELLING IT NOW 964 00:36:53,378 --> 00:36:57,256 WOULD AFFECT THE SHOW. 965 00:36:59,885 --> 00:37:02,137 SHE LIVES IN LOS ANGELES 966 00:36:59,885 --> 00:37:02,137 THOUGH, RIGHT? 967 00:37:02,179 --> 00:37:04,890 AND SHE'S ONLY HERE 968 00:37:02,179 --> 00:37:04,890 THROUGH THE PERFORMANCE? 969 00:37:04,931 --> 00:37:07,559 YEAH, BUT THEIR HOTEL'S 970 00:37:04,931 --> 00:37:07,559 NOT THAT FAR. 971 00:37:07,600 --> 00:37:10,269 YOU COULD JUST HOP ON A TRAIN 972 00:37:07,600 --> 00:37:10,269 AND BE THERE IN NO TIME. 973 00:37:10,311 --> 00:37:12,480 AND THEN YOU CAN 974 00:37:10,311 --> 00:37:12,480 SWEEP HER OFF HER FEET. 975 00:37:12,522 --> 00:37:14,566 -ABSOLUTELY NOT. 976 00:37:12,522 --> 00:37:14,566 -COME ON. 977 00:37:16,234 --> 00:37:19,738 I'M JUST FOCUSING ON WORK RIGHT 978 00:37:16,234 --> 00:37:19,738 NOW, THIS IS WHERE I NEED TO BE. 979 00:37:19,779 --> 00:37:22,323 I DON'T HAVE THE ENERGY 980 00:37:19,779 --> 00:37:22,323 TO ADD ANOTHER FAILED ATTEMPT 981 00:37:22,365 --> 00:37:24,784 TO MY SHORT LIST 982 00:37:22,365 --> 00:37:24,784 OF ROMANCES. 983 00:37:25,869 --> 00:37:28,496 LOVE JUST ISN'T MY THING. 984 00:37:28,538 --> 00:37:31,249 YOU'RE ON YOUR WAY 985 00:37:28,538 --> 00:37:31,249 TO BECOMING THE MALE VERSION 986 00:37:28,538 --> 00:37:31,249 OF A CRAZY CAT LADY. 987 00:37:32,500 --> 00:37:33,710 I'M MORE OF A DOG GUY. 988 00:37:36,629 --> 00:37:38,798 I'M HUNGRY. YOU GUYS 989 00:37:36,629 --> 00:37:38,798 WANT TO GET SOME DINNER? 990 00:37:38,840 --> 00:37:39,925 YES. 991 00:37:39,966 --> 00:37:42,594 YOU GUYS GO AHEAD. 992 00:37:39,966 --> 00:37:42,594 I'LL CLEAN UP HERE. 993 00:37:43,803 --> 00:37:45,555 -OKAY. 994 00:37:43,803 --> 00:37:45,555 -OKAY. 995 00:38:05,324 --> 00:38:08,161 [ANNOUNCER SPEAKS 996 00:38:05,324 --> 00:38:08,161 OVER LOUDSPEAKER] 997 00:38:43,613 --> 00:38:45,282 EVENING, SIR. 998 00:38:45,323 --> 00:38:46,950 EXCUSE ME, SIR? 999 00:38:48,160 --> 00:38:49,953 YEAH. 1000 00:38:49,995 --> 00:38:53,123 HI. I NEED TO DROP OFF 1001 00:38:49,995 --> 00:38:53,123 A PACKAGE FOR A GUEST, PLEASE. 1002 00:38:53,165 --> 00:38:54,582 I COULD CERTAINLY 1003 00:38:53,165 --> 00:38:54,582 HELP YOU WITH THAT. 1004 00:38:54,624 --> 00:38:57,460 IT'S FOR CARLTON WELLS' 1005 00:38:54,624 --> 00:38:57,460 FIANCÉ KAYLA. 1006 00:39:06,886 --> 00:39:08,763 SURE. 1007 00:39:08,805 --> 00:39:11,183 I'D BE HAPPY TO TAKE IT 1008 00:39:08,805 --> 00:39:11,183 RIGHT UP TO THE SUITE. 1009 00:39:11,224 --> 00:39:12,475 THANK YOU. 1010 00:39:15,603 --> 00:39:17,272 GOOD NIGHT. 1011 00:40:34,224 --> 00:40:36,768 [TAPPING ON KEYBOARD] 1012 00:40:37,977 --> 00:40:40,105 [STOPS TAPPING] 1013 00:40:42,357 --> 00:40:43,900 MORNING. 1014 00:40:46,319 --> 00:40:47,486 MORNING. 1015 00:40:49,406 --> 00:40:50,990 THAT... 1016 00:40:51,657 --> 00:40:52,742 NUTCRACKER. 1017 00:40:52,784 --> 00:40:56,288 DID... 1018 00:40:52,784 --> 00:40:56,288 JANA LEAVE THAT FOR YOU? 1019 00:40:57,997 --> 00:41:00,125 DID SHE? 1020 00:41:00,166 --> 00:41:02,710 NO, JANA DIDN'T 1021 00:41:00,166 --> 00:41:02,710 LEAVE IT FOR ME. 1022 00:41:02,752 --> 00:41:04,712 WELL, THEN WHO DID? 1023 00:41:07,299 --> 00:41:08,883 THE CATERER. 1024 00:41:08,925 --> 00:41:10,885 YES. OF COURSE HE DID. 1025 00:41:10,927 --> 00:41:14,931 [BREATHES DEEPLY] 1026 00:41:10,927 --> 00:41:14,931 NOW, WHY WOULD HE DO THAT? 1027 00:41:16,308 --> 00:41:17,809 HE KNEW I LIKED IT, 1028 00:41:17,850 --> 00:41:21,313 AND HE KNEW I WAS INTERESTED 1029 00:41:17,850 --> 00:41:21,313 IN WRITING ABOUT THE ARTIST. 1030 00:41:21,354 --> 00:41:24,065 WELL, I HOPE YOU'RE NOT 1031 00:41:21,354 --> 00:41:24,065 WORKING ON IT NOW. 1032 00:41:25,108 --> 00:41:26,818 WHY WOULD IT MATTER 1033 00:41:25,108 --> 00:41:26,818 IF I DID? 1034 00:41:26,859 --> 00:41:31,114 BECAUSE YOU'RE SUPPOSED 1035 00:41:26,859 --> 00:41:31,114 TO BE FOCUSING ON ME 1036 00:41:26,859 --> 00:41:31,114 AND MY PRESS, KAYLA. 1037 00:41:31,156 --> 00:41:33,532 CARLTON, I HAVE HANDLED 1038 00:41:31,156 --> 00:41:33,532 ALL OF YOUR PRESS. 1039 00:41:35,034 --> 00:41:38,163 I'VE ARRANGED FOR ALL 1040 00:41:35,034 --> 00:41:38,163 OF YOUR ARTICLES AND INTERVIEWS, 1041 00:41:38,204 --> 00:41:42,625 SO WHAT I DO DURING MY TIME 1042 00:41:38,204 --> 00:41:42,625 IS MY DECISION. 1043 00:41:42,667 --> 00:41:44,502 YOU KNOW, I'VE BEEN LOOKING 1044 00:41:42,667 --> 00:41:44,502 AT THIS CATERER'S WEBSITE. 1045 00:41:44,543 --> 00:41:46,545 IT'S ATROCIOUS. 1046 00:41:44,543 --> 00:41:46,545 I'M VERY CONCERNED. 1047 00:41:46,587 --> 00:41:48,840 YOU KNOW, HE'S ONLY BEEN 1048 00:41:46,587 --> 00:41:48,840 IN BUSINESS FOR A YEAR. 1049 00:41:48,881 --> 00:41:50,633 CARLTON, NONE OF THAT 1050 00:41:48,881 --> 00:41:50,633 MATTERS ANY MORE. 1051 00:41:50,675 --> 00:41:52,177 IT IS JUST A PARTY. 1052 00:41:52,218 --> 00:41:54,804 IT NO LONGER 1053 00:41:52,218 --> 00:41:54,804 HAS MEANING TO YOU OR ME. 1054 00:41:54,846 --> 00:41:57,807 IT HAS MEANING TO ME. YOU'RE 1055 00:41:54,846 --> 00:41:57,807 SUPPOSED TO BE SUPPORTING ME. 1056 00:41:57,849 --> 00:41:59,934 IT'S A VERY BIG DEAL 1057 00:41:57,849 --> 00:41:59,934 TO ME, KAYLA. 1058 00:41:59,976 --> 00:42:03,271 I HAVE DONE NOTHING 1059 00:41:59,976 --> 00:42:03,271 BUT SUPPORT YOU. 1060 00:42:03,313 --> 00:42:07,859 I AGREED TO THIS ARRANGEMENT 1061 00:42:03,313 --> 00:42:07,859 SOLELY IN SUPPORT OF YOU. 1062 00:42:09,944 --> 00:42:12,238 THE PARTY WILL BE FINE. 1063 00:42:12,989 --> 00:42:14,824 BESIDES... 1064 00:42:14,866 --> 00:42:17,827 NOBODY'S GOING 1065 00:42:14,866 --> 00:42:17,827 TO REMEMBER THE PARTY. 1066 00:42:17,869 --> 00:42:20,455 THEY'RE GOING TO REMEMBER 1067 00:42:17,869 --> 00:42:20,455 YOUR PERFORMANCE. 1068 00:42:21,122 --> 00:42:23,041 YES, YOU'RE RIGHT. 1069 00:42:23,082 --> 00:42:26,752 IT'S ABOUT ME 1070 00:42:23,082 --> 00:42:26,752 AND THE PERFORMANCE. 1071 00:42:26,794 --> 00:42:30,340 NOBODY'S GOING TO REMEMBER 1072 00:42:26,794 --> 00:42:30,340 THE PARTY OR THE BLOODY CATERER. 1073 00:42:36,304 --> 00:42:37,514 I'M OFF TO REHEARSAL. 1074 00:42:37,555 --> 00:42:39,682 I'VE ARRANGED A TOWN CAR 1075 00:42:37,555 --> 00:42:39,682 TO COME AND GET ME. 1076 00:42:39,724 --> 00:42:41,559 FEEL FREE 1077 00:42:39,724 --> 00:42:41,559 TO USE THE BLACK CAR 1078 00:42:41,600 --> 00:42:44,229 TO PICK UP SOMETHING NICE 1079 00:42:41,600 --> 00:42:44,229 FOR THE PARTY. 1080 00:42:44,270 --> 00:42:46,064 SPARE NO EXPENSE. 1081 00:42:55,532 --> 00:42:58,743 YESTERDAY, WHEN I CALLED YOU 1082 00:42:55,532 --> 00:42:58,743 OUT ABOUT BEING JEALOUS, 1083 00:42:59,785 --> 00:43:02,830 IT WAS ACTUALLY ME 1084 00:42:59,785 --> 00:43:02,830 WHO WAS JEALOUS. 1085 00:43:02,872 --> 00:43:07,877 I HAVEN'T SEEN YOU SMILE OR 1086 00:43:02,872 --> 00:43:07,877 BLUSH LIKE THAT IN A LONG TIME. 1087 00:43:07,919 --> 00:43:08,920 I MISSED IT. 1088 00:43:11,630 --> 00:43:12,590 I MISS US. 1089 00:43:16,010 --> 00:43:17,095 CIAO. 1090 00:44:00,679 --> 00:44:03,516 [DISTANT MACHINE SOUND] 1091 00:44:20,783 --> 00:44:23,369 [MACHINE HUMMING] 1092 00:44:31,919 --> 00:44:33,505 HEY. 1093 00:44:34,213 --> 00:44:37,383 DUSTIN. DUSTIN! 1094 00:44:38,884 --> 00:44:40,178 DUSTIN! 1095 00:44:40,219 --> 00:44:44,182 [CHUCKLING] HEY. 1096 00:44:40,219 --> 00:44:44,182 WHAT ARE YOU DOING HERE? 1097 00:44:45,766 --> 00:44:47,435 I NEED TO RETURN THIS. 1098 00:44:48,894 --> 00:44:51,105 -NO YOU DON'T. 1099 00:44:48,894 --> 00:44:51,105 -NO, I CAN'T KEEP IT. 1100 00:44:51,147 --> 00:44:55,610 IT WAS A SWEET GESTURE. 1101 00:44:51,147 --> 00:44:55,610 THANK YOU FOR THINKING OF ME. 1102 00:45:11,042 --> 00:45:12,043 KAYLA, WAIT! 1103 00:45:14,379 --> 00:45:15,380 KAYLA! 1104 00:45:20,092 --> 00:45:21,636 KAYLA, WAIT. 1105 00:45:26,974 --> 00:45:28,267 HEY. 1106 00:45:28,309 --> 00:45:31,229 -PLEASE... PLEASE TAKE IT. 1107 00:45:28,309 --> 00:45:31,229 -I... 1108 00:45:33,439 --> 00:45:36,484 [LOUD, METALLIC CLATTER] 1109 00:45:33,439 --> 00:45:36,484 OH, WHOA. 1110 00:45:37,318 --> 00:45:41,406 [LOUD THUD] 1111 00:45:37,318 --> 00:45:41,406 ELEVATOR. 1112 00:45:44,116 --> 00:45:46,118 THAT, UM... 1113 00:45:46,911 --> 00:45:48,204 WHAT HAPPENED WAS... 1114 00:45:48,246 --> 00:45:49,455 NICE. 1115 00:45:50,039 --> 00:45:52,124 YES. VERY NICE. 1116 00:45:52,166 --> 00:45:54,126 SUPER NICE. 1117 00:45:54,168 --> 00:45:57,213 BUT IT SHOULDN'T 1118 00:45:54,168 --> 00:45:57,213 HAVE HAPPENED. 1119 00:45:57,255 --> 00:45:59,756 THINGS ARE REALLY 1120 00:45:57,255 --> 00:45:59,756 COMPLICATED RIGHT NOW. 1121 00:45:59,798 --> 00:46:01,342 IT'S JUST 1122 00:45:59,798 --> 00:46:01,342 NOT THE RIGHT TIME. 1123 00:46:01,384 --> 00:46:03,760 -AT ALL. 1124 00:46:01,384 --> 00:46:03,760 -EXACTLY. 1125 00:46:03,802 --> 00:46:07,682 BUT... IT IS THE RIGHT TIME FOR 1126 00:46:03,802 --> 00:46:07,682 YOU TO WRITE ABOUT THAT ARTIST. 1127 00:46:09,058 --> 00:46:10,767 I WANT TO. 1128 00:46:10,809 --> 00:46:13,688 THEN TAKE THE NUTCRACKER 1129 00:46:10,809 --> 00:46:13,688 AND WRITE THE STORY. 1130 00:46:15,940 --> 00:46:18,943 NO ONE HAS EVER 1131 00:46:15,940 --> 00:46:18,943 DONE SOMETHING SO... 1132 00:46:18,984 --> 00:46:20,903 KIND AND GENEROUS 1133 00:46:18,984 --> 00:46:20,903 [CLATTERING] 1134 00:46:20,945 --> 00:46:23,197 AND... THOUGHTFUL 1135 00:46:23,239 --> 00:46:25,450 AS WHAT YOU DID 1136 00:46:23,239 --> 00:46:25,450 FOR ME LAST NIGHT, 1137 00:46:25,491 --> 00:46:26,909 BRINGING ME THE NUTCRACKER. 1138 00:46:28,160 --> 00:46:29,078 THANK YOU, DUSTIN. 1139 00:46:29,120 --> 00:46:31,080 I CAN'T WAIT 1140 00:46:29,120 --> 00:46:31,080 TO READ THE BOOK. 1141 00:46:31,122 --> 00:46:33,207 [CHUCKLES] 1142 00:46:31,122 --> 00:46:33,207 OH. BOOK, HUH? 1143 00:46:33,249 --> 00:46:36,461 THAT COUPLE'S BEEN TOGETHER 1144 00:46:33,249 --> 00:46:36,461 OVER 50 YEARS. 1145 00:46:36,502 --> 00:46:38,921 THAT'S WAY MORE MATERIAL 1146 00:46:36,502 --> 00:46:38,921 THAN JUST FOR AN ARTICLE. 1147 00:46:42,717 --> 00:46:45,553 -HEY YOU GUYS. 1148 00:46:42,717 --> 00:46:45,553 -HEY. 1149 00:46:45,595 --> 00:46:48,055 LOOKS LIKE YOU'RE GETTING 1150 00:46:45,595 --> 00:46:48,055 ANOTHER ROUND TRIP. 1151 00:46:48,097 --> 00:46:49,515 [CHUCKLES] 1152 00:46:49,557 --> 00:46:51,976 WELL, IT'S GOOD 1153 00:46:49,557 --> 00:46:51,976 TO SEE YOU AGAIN, KAYLA. 1154 00:46:52,017 --> 00:46:53,936 YOU TOO. 1155 00:46:52,017 --> 00:46:53,936 IT'S KIM, RIGHT? 1156 00:46:53,978 --> 00:46:58,524 YEAH. DUSTIN'S ASSISTANT 1157 00:46:53,978 --> 00:46:58,524 AND COUSIN. 1158 00:46:58,566 --> 00:47:01,611 HEY, YOU KNOW, MY COOKIE BAKING 1159 00:46:58,566 --> 00:47:01,611 BUDDY HAS JUST BAILED ON ME, 1160 00:47:01,653 --> 00:47:03,529 AND I COULD REALLY 1161 00:47:01,653 --> 00:47:03,529 USE SOME HELP. 1162 00:47:05,239 --> 00:47:08,117 -I'LL HELP. 1163 00:47:05,239 --> 00:47:08,117 -GREAT. 1164 00:47:08,159 --> 00:47:10,077 KAYLA, WOULD YOU BE WILLING 1165 00:47:08,159 --> 00:47:10,077 TO HELP US OUT, 1166 00:47:10,119 --> 00:47:12,871 BAKE SOME COOKIES FOR THE ANIMAL 1167 00:47:10,119 --> 00:47:12,871 SHELTER FUNDRAISING TABLE? 1168 00:47:14,081 --> 00:47:17,876 YOU KNOW WHAT? 1169 00:47:14,081 --> 00:47:17,876 I WOULD LOVE TO. WHY NOT? 1170 00:47:25,092 --> 00:47:27,261 [NO AUDIO] 1171 00:47:59,502 --> 00:48:00,753 [GIGGLING] 1172 00:48:00,795 --> 00:48:04,382 LOOK AT THESE COOKIES. 1173 00:48:00,795 --> 00:48:04,382 THEY LOOK SO HAPPY. 1174 00:48:04,423 --> 00:48:06,175 THEY WERE MADE WITH HAPPY. 1175 00:48:06,217 --> 00:48:08,177 THE REAL HAPPY 1176 00:48:06,217 --> 00:48:08,177 IS COMING UP. 1177 00:48:08,219 --> 00:48:10,012 SO WHAT'S THE HAPPY? 1178 00:48:11,514 --> 00:48:12,557 YOU'LL SEE. 1179 00:48:13,474 --> 00:48:16,811 OKAY. 1180 00:48:13,474 --> 00:48:16,811 [ALL CHUCKLE] 1181 00:48:16,853 --> 00:48:19,313 AND, 3, 2, 1, 1182 00:48:16,853 --> 00:48:19,313 [CLASSICAL MUSIC PLAYS] 1183 00:48:19,355 --> 00:48:21,399 COME ON, LADIES, HERE WE GO. 1184 00:48:21,440 --> 00:48:24,694 SQUAT, SQUAT, SQUAT. 1185 00:48:24,736 --> 00:48:26,903 AND EDGING FORWARD, 1186 00:48:24,736 --> 00:48:26,903 THANK YOU. 1187 00:48:26,945 --> 00:48:28,905 YES. YES. 1188 00:48:28,947 --> 00:48:31,158 MY TEACHING, 1189 00:48:28,947 --> 00:48:31,158 MY WHIPPING YOU INTO SHAPE. 1190 00:48:31,200 --> 00:48:34,412 LET'S GO, I DON'T HAVE 1191 00:48:31,200 --> 00:48:34,412 ALL DAY, LADIES. COME ON. 1192 00:48:34,453 --> 00:48:36,372 SQUAT. YES. EXCELLENT. 1193 00:48:36,414 --> 00:48:38,915 EXCELLENT. I LOVE IT. 1194 00:48:36,414 --> 00:48:38,915 I LOVE IT. 1195 00:48:38,957 --> 00:48:42,503 YOU'RE ALL GOING TO BE FAMOUS 1196 00:48:38,957 --> 00:48:42,503 AND IT'S GOING TO BE 1197 00:48:38,957 --> 00:48:42,503 BECAUSE OF ME. 1198 00:48:59,311 --> 00:49:01,689 I'M READY FOR YOU, MAESTRO. 1199 00:49:01,731 --> 00:49:04,609 WHAT IS IT, 1200 00:49:01,731 --> 00:49:04,609 MY SUGAR PLUM FAIRY? 1201 00:49:04,650 --> 00:49:05,984 IT'S NOT GOING WELL. 1202 00:49:06,026 --> 00:49:07,862 -THESE GIRLS. 1203 00:49:06,026 --> 00:49:07,862 -WHAT? 1204 00:49:07,904 --> 00:49:11,323 -THEY'RE SUB PAR. 1205 00:49:07,904 --> 00:49:11,323 -OH, DARLING. 1206 00:49:11,365 --> 00:49:13,659 -WHAT ARE WE GOING 1207 00:49:11,365 --> 00:49:13,659 TO DO ABOUT IT? 1208 00:49:11,365 --> 00:49:13,659 -HELP ME. 1209 00:49:13,701 --> 00:49:15,453 ABSOLUTELY. 1210 00:49:20,792 --> 00:49:23,210 THIS IS THE HAPPY 1211 00:49:20,792 --> 00:49:23,210 I WAS TALKING ABOUT. 1212 00:49:23,252 --> 00:49:25,838 THIS IS SERIOUSLY HAPPY. 1213 00:49:31,343 --> 00:49:32,762 HEY, JOSHUA. 1214 00:49:32,804 --> 00:49:34,096 HI. 1215 00:49:34,138 --> 00:49:36,515 KAYLA, THIS IS JOSHUA. 1216 00:49:34,138 --> 00:49:36,515 HE RUNS THE ANIMAL SHELTER. 1217 00:49:36,557 --> 00:49:38,183 -HI. YOU TOO. 1218 00:49:36,557 --> 00:49:38,183 -HI, NICE TO MEET YOU. 1219 00:49:38,225 --> 00:49:40,519 KAYLA HELPED US 1220 00:49:38,225 --> 00:49:40,519 BAKE THE COOKIES. 1221 00:49:40,561 --> 00:49:43,397 UH, YEAH, AND I PROBABLY ATE 1222 00:49:40,561 --> 00:49:43,397 MORE DOUGH THAN I SHOULD HAVE. 1223 00:49:43,439 --> 00:49:45,566 DUSTIN WAS VERY GENEROUS 1224 00:49:43,439 --> 00:49:45,566 IN SHARING. 1225 00:49:45,608 --> 00:49:47,735 WELL THAT'S THE WORD I WOULD USE 1226 00:49:45,608 --> 00:49:47,735 TO DESCRIBE HIM: "GENEROUS." 1227 00:49:47,777 --> 00:49:50,321 HE OFFERED TO DONATE ALL THE 1228 00:49:47,777 --> 00:49:50,321 COOKIES FOR THE CHARITY EVENT. 1229 00:49:50,362 --> 00:49:52,573 HE'S A GOOD GUY. 1230 00:49:54,533 --> 00:49:57,870 JOSHUA, I BAKED YOU 1231 00:49:54,533 --> 00:49:57,870 SOME SAMPLES. 1232 00:49:57,912 --> 00:50:00,790 OH, WOW. THANK YOU. 1233 00:50:03,334 --> 00:50:05,795 HEY, YOU KNOW WHAT? 1234 00:50:03,334 --> 00:50:05,795 I'VE GOT AN IDEA. 1235 00:50:05,837 --> 00:50:07,713 I WANT TO INTRODUCE YOU 1236 00:50:05,837 --> 00:50:07,713 TO SOMEONE. 1237 00:50:07,755 --> 00:50:08,756 THIS WAY. 1238 00:50:08,798 --> 00:50:12,134 [DISTANT DOGS BARKING] 1239 00:50:24,563 --> 00:50:28,860 WE GOT A LOT OF GREAT DOGS HERE, 1240 00:50:24,563 --> 00:50:28,860 BUT WE GOT SOMEONE FOR YOU 1241 00:50:24,563 --> 00:50:28,860 AT THE END, DUSTIN. 1242 00:50:28,901 --> 00:50:30,026 YEAH? 1243 00:50:30,068 --> 00:50:32,196 SOMEONE I WANT YOU TO MEET. 1244 00:50:41,622 --> 00:50:43,248 HERE WE ARE. 1245 00:50:45,376 --> 00:50:47,670 [KAYLA] AW. 1246 00:50:45,376 --> 00:50:47,670 [JOSHUA] MEET BARKLY. 1247 00:50:47,712 --> 00:50:50,673 OH, HI, BARKLY. 1248 00:50:50,715 --> 00:50:53,009 HI. COME SAY HELLO. 1249 00:50:53,049 --> 00:50:55,887 HEY, BUDDY. HEY. 1250 00:50:56,679 --> 00:50:57,972 WHO'S A GOOD GUY? 1251 00:50:58,014 --> 00:51:00,140 -LOOK HOW HANDSOME HE IS. 1252 00:50:58,014 --> 00:51:00,140 -BUDDY. 1253 00:51:00,182 --> 00:51:03,352 MMM? PLEASED TO MEET YOU. 1254 00:51:07,439 --> 00:51:09,191 SMILE. 1255 00:51:09,233 --> 00:51:10,985 [CAMERA SHUTTER CLICK 1256 00:51:09,233 --> 00:51:10,985 SOUND ON PHONE] 1257 00:51:11,027 --> 00:51:12,028 SOUL-MATES. 1258 00:51:12,068 --> 00:51:14,112 HE NEEDS A NEW HOME, DUSTIN. 1259 00:51:14,154 --> 00:51:17,992 [SIGHS] JUST MY PLACE, 1260 00:51:14,154 --> 00:51:17,992 MY BUILDING, MY LIFE, 1261 00:51:18,034 --> 00:51:19,744 IT'S NOT REALLY 1262 00:51:18,034 --> 00:51:19,744 DOG-FRIENDLY. 1263 00:51:34,090 --> 00:51:35,927 HEY, ANYONE 1264 00:51:34,090 --> 00:51:35,927 INTERESTED IN PIZZA? 1265 00:51:35,968 --> 00:51:39,137 MY TREAT, TO THANK YOU GUYS 1266 00:51:35,968 --> 00:51:39,137 FOR THE DONATIONS. 1267 00:51:39,847 --> 00:51:41,807 I COULD GO FOR PIZZA. 1268 00:51:41,849 --> 00:51:43,517 I'VE GOT A TON OF STUFF 1269 00:51:41,849 --> 00:51:43,517 TO TAKE CARE OF 1270 00:51:43,559 --> 00:51:45,143 -ACTUALLY. 1271 00:51:43,559 --> 00:51:45,143 -I SHOULD REALLY GET GOING TOO. 1272 00:51:45,185 --> 00:51:47,605 -BUT YOU TWO SHOULD GO, 1273 00:51:45,185 --> 00:51:47,605 FOR SURE. 1274 00:51:45,185 --> 00:51:47,605 -YEAH, HAVE FUN. 1275 00:51:48,397 --> 00:51:50,524 -YOU WANNA? 1276 00:51:48,397 --> 00:51:50,524 -YEAH. 1277 00:51:50,566 --> 00:51:53,945 OKAY, GREAT, I GOT A COUPLE 1278 00:51:50,566 --> 00:51:53,945 MORE DOORS TO CLOSE UP. 1279 00:51:50,566 --> 00:51:53,945 DO YOU WANT TO HELP ME? 1280 00:51:54,528 --> 00:51:56,280 SURE. 1281 00:51:56,321 --> 00:51:58,616 KAYLA, THANK YOU SO MUCH 1282 00:51:56,321 --> 00:51:58,616 FOR HELPING OUT TODAY. 1283 00:51:58,657 --> 00:52:01,577 OH, I REALLY ENJOYED IT. 1284 00:51:58,657 --> 00:52:01,577 THANK YOU. 1285 00:52:01,619 --> 00:52:04,455 -I'LL SEE YOU TOMORROW. 1286 00:52:01,619 --> 00:52:04,455 -OK. 1287 00:52:08,584 --> 00:52:10,669 THANK YOU 1288 00:52:08,584 --> 00:52:10,669 FOR INVITING ME TODAY. 1289 00:52:10,711 --> 00:52:15,382 THANK YOU FOR LETTING ME EAT 1290 00:52:10,711 --> 00:52:15,382 ALL OF THAT COOKIE DOUGH. 1291 00:52:15,424 --> 00:52:18,343 AND THANK YOU ESPECIALLY 1292 00:52:15,424 --> 00:52:18,343 FOR THE NUTCRACKER. 1293 00:52:18,385 --> 00:52:22,347 YOU ARE WELCOME, 1294 00:52:18,385 --> 00:52:22,347 YOU ARE SORT OF WELCOME, 1295 00:52:22,389 --> 00:52:24,224 AND YOU ARE MOST WELCOME. 1296 00:52:24,266 --> 00:52:26,518 [BOTH CHUCKLE] 1297 00:52:27,895 --> 00:52:30,564 YOU KNOW, I COULD SERIOUSLY 1298 00:52:27,895 --> 00:52:30,564 GO FOR SOME PIZZA. 1299 00:52:30,606 --> 00:52:32,232 -ME TOO. 1300 00:52:30,606 --> 00:52:32,232 -YEAH. 1301 00:52:32,274 --> 00:52:34,693 DO YOU WANT TO GO? 1302 00:52:32,274 --> 00:52:34,693 I'D LOVE TO. 1303 00:52:34,735 --> 00:52:37,905 [CELL PHONE BEEPS] 1304 00:52:45,287 --> 00:52:46,413 BUT...? 1305 00:52:48,582 --> 00:52:52,044 NO BUT. 1306 00:52:48,582 --> 00:52:52,044 LET'S GO HAVE SOME PIZZA. 1307 00:52:52,086 --> 00:52:54,170 COME ON. 1308 00:52:52,086 --> 00:52:54,170 [BOTH CHUCKLE] 1309 00:52:59,010 --> 00:53:01,095 [CELL PHONE BEEPS] 1310 00:53:01,137 --> 00:53:03,472 YOU KNOW, YOU'RE ALLOWED TO 1311 00:53:01,137 --> 00:53:03,472 CHECK YOUR MESSAGES IF YOU WANT. 1312 00:53:03,514 --> 00:53:06,182 IT'S LIKE THE 5TH ONE 1313 00:53:03,514 --> 00:53:06,182 YOU'VE GOTTEN. 1314 00:53:07,601 --> 00:53:09,770 I DON'T WANT 1315 00:53:07,601 --> 00:53:09,770 TO CHECK MY MESSAGES. 1316 00:53:09,812 --> 00:53:11,772 I DON'T WANT TO HAVE TO... 1317 00:53:11,814 --> 00:53:14,733 EXPLAIN WHY I DIDN'T GO 1318 00:53:11,814 --> 00:53:14,733 AND GET HIM SPECIFIC SOCKS 1319 00:53:14,775 --> 00:53:17,987 OR... OR CONTACT THE DENTIST 1320 00:53:14,775 --> 00:53:17,987 TO MAKE AN APPOINTMENT 1321 00:53:18,029 --> 00:53:19,613 -AFTER THE HOLIDAYS. 1322 00:53:18,029 --> 00:53:19,613 -HMM. 1323 00:53:21,406 --> 00:53:23,909 I'M SORRY, I DIDN'T MEAN 1324 00:53:21,406 --> 00:53:23,909 TO DUMP ALL OVER YOU. 1325 00:53:23,951 --> 00:53:27,163 [LAUGHS] NO, IF YOU WANT 1326 00:53:23,951 --> 00:53:27,163 TO SAY SOMETHING, YOU CAN. 1327 00:53:27,203 --> 00:53:29,247 I'M A GOOD LISTENER. 1328 00:53:29,289 --> 00:53:31,959 I'VE GOT 1329 00:53:29,289 --> 00:53:31,959 JUST NO RELATIONSHIP ADVICE, 1330 00:53:32,001 --> 00:53:34,712 BECAUSE ALL MY PAST ONES 1331 00:53:32,001 --> 00:53:34,712 HAVE FAILED, 1332 00:53:34,753 --> 00:53:38,049 BUT I CAN LISTEN. 1333 00:53:38,090 --> 00:53:41,593 WELL, YOU AND I HAVE 1334 00:53:38,090 --> 00:53:41,593 SOMETHING IN COMMON 1335 00:53:41,635 --> 00:53:43,721 BECAUSE THE RELATIONSHIP 1336 00:53:41,635 --> 00:53:43,721 THAT I'M IN, 1337 00:53:43,762 --> 00:53:49,225 OR I GUESS GETTING OUT OF, 1338 00:53:43,762 --> 00:53:49,225 HAS FAILED. 1339 00:53:50,102 --> 00:53:51,520 WHAT HAPPENED? 1340 00:53:53,271 --> 00:53:55,941 WE DON'T HAVE ENOUGH PIZZA 1341 00:53:53,271 --> 00:53:55,941 FOR THAT CONVERSATION. 1342 00:53:55,983 --> 00:53:58,527 BUT IF I WERE TO TWEET IT 1343 00:53:58,569 --> 00:54:01,697 IN 140 CHARACTERS OR LESS, 1344 00:54:01,739 --> 00:54:04,491 THE ROMANCE 1345 00:54:01,739 --> 00:54:04,491 WAS REPLACED WITH BUSINESS. 1346 00:54:07,285 --> 00:54:10,497 HE STARTED TREATING ME 1347 00:54:07,285 --> 00:54:10,497 MORE LIKE A PERSONAL MANAGER 1348 00:54:10,539 --> 00:54:12,624 AND LESS LIKE HIS GIRLFRIEND. 1349 00:54:12,666 --> 00:54:16,545 AND I LET HIM. I... 1350 00:54:12,666 --> 00:54:16,545 I HANDLED EVERYTHING FOR HIM. 1351 00:54:16,587 --> 00:54:19,381 HIS SCHEDULING, 1352 00:54:16,587 --> 00:54:19,381 HIS PRESS CONTACTS, 1353 00:54:19,423 --> 00:54:21,717 DESIGNING A WEBSITE. 1354 00:54:23,135 --> 00:54:26,597 YOU KNOW, I LOST MYSELF, 1355 00:54:26,638 --> 00:54:33,229 AND I LOST A LOVE THAT... 1356 00:54:26,638 --> 00:54:33,229 STARTED OUT SO REAL. 1357 00:54:33,269 --> 00:54:34,605 I DON'T KNOW. 1358 00:54:33,269 --> 00:54:34,605 MAYBE IF I JUST... 1359 00:54:34,646 --> 00:54:36,732 NO, DON'T DO THAT. 1360 00:54:36,774 --> 00:54:39,777 THAT QUESTIONING "SHOULD'VE, 1361 00:54:36,774 --> 00:54:39,777 WOULD'VE, COULD'VE" THING? 1362 00:54:39,818 --> 00:54:43,488 BECAUSE I'VE BEEN THERE, 1363 00:54:39,818 --> 00:54:43,488 AND YOU JUST GET STUCK 1364 00:54:39,818 --> 00:54:43,488 IN A LOOP. 1365 00:54:45,908 --> 00:54:49,120 THAT IS SOME PRETTY GOOD ADVICE 1366 00:54:45,908 --> 00:54:49,120 FOR A SELF-PROCLAIMED LISTENER. 1367 00:54:49,161 --> 00:54:51,413 [LAUGHS] 1368 00:54:51,455 --> 00:54:53,582 YOU KNOW, 1369 00:54:51,455 --> 00:54:53,582 I BET THE NUTCRACKER ARTIST, 1370 00:54:53,624 --> 00:54:55,459 AS LONG AS THAT GUY'S 1371 00:54:53,624 --> 00:54:55,459 BEEN MARRIED, 1372 00:54:55,500 --> 00:54:59,295 PROBABLY HAS SOME AMAZING 1373 00:54:55,500 --> 00:54:59,295 RELATIONSHIP ADVICE. 1374 00:54:59,337 --> 00:55:02,174 I BET YOU'RE RIGHT. 1375 00:55:02,216 --> 00:55:04,509 -YOU GOING 1376 00:55:02,216 --> 00:55:04,509 TO WRITE THE STORY? 1377 00:55:02,216 --> 00:55:04,509 -MM-HMM. 1378 00:55:05,761 --> 00:55:07,721 -TONIGHT. 1379 00:55:05,761 --> 00:55:07,721 -GOOD. 1380 00:55:08,555 --> 00:55:10,515 [CAR HORN HONKS] 1381 00:55:11,683 --> 00:55:13,309 MY CAB'S HERE. 1382 00:55:13,351 --> 00:55:15,311 YEAH, YOU SHOULD 1383 00:55:13,351 --> 00:55:15,311 PROBABLY GET GOING. 1384 00:55:15,353 --> 00:55:18,649 YEAH. I'M SURE 1385 00:55:15,353 --> 00:55:18,649 CARLTON IS FUMING. 1386 00:55:18,690 --> 00:55:21,401 WELL, THANKS FOR TODAY. 1387 00:55:21,443 --> 00:55:23,112 I HAD A LOT OF FUN WITH YOU. 1388 00:55:23,154 --> 00:55:25,614 ME TOO. 1389 00:55:23,154 --> 00:55:25,614 I REALLY ENJOYED IT. 1390 00:55:25,656 --> 00:55:27,407 I'LL SEE YOU TOMORROW 1391 00:55:25,656 --> 00:55:27,407 THOUGH, RIGHT? 1392 00:55:27,449 --> 00:55:30,368 OF COURSE. WE STILL HAVE 1393 00:55:27,449 --> 00:55:30,368 THE FUNDRAISER 1394 00:55:27,449 --> 00:55:30,368 TO WORK ON, RIGHT? 1395 00:55:30,410 --> 00:55:32,788 YES. 1396 00:55:34,748 --> 00:55:38,002 AH, CARLTON 1397 00:55:34,748 --> 00:55:38,002 DOESN'T EAT CARBS. 1398 00:55:38,043 --> 00:55:39,377 YEAH. GLADLY. 1399 00:55:39,419 --> 00:55:41,379 [BOTH CHUCKLE] 1400 00:55:41,421 --> 00:55:44,758 -GOODNIGHT. 1401 00:55:41,421 --> 00:55:44,758 -GOODNIGHT. 1402 00:55:54,268 --> 00:55:55,519 HOW WAS REHEARSAL? 1403 00:55:55,560 --> 00:55:59,273 STRESSFUL. WORRISOME. 1404 00:55:59,315 --> 00:56:00,691 WELL, THAT DOESN'T 1405 00:55:59,315 --> 00:56:00,691 SOUND GOOD. 1406 00:56:00,732 --> 00:56:03,735 IT WASN'T. YOU'RE TO BLAME. 1407 00:56:03,777 --> 00:56:05,029 HOW AM I TO BLAME? 1408 00:56:05,070 --> 00:56:07,990 I TEXTED YOU, REPEATEDLY. 1409 00:56:08,032 --> 00:56:10,284 I HAD A BUSY DAY. 1410 00:56:10,326 --> 00:56:12,161 I NEEDED YOU. 1411 00:56:12,203 --> 00:56:15,247 TO RUN YOUR ERRANDS. 1412 00:56:12,203 --> 00:56:15,247 TO TACKLE YOUR TO-DO LIST. 1413 00:56:15,289 --> 00:56:18,250 CARLTON, THOSE CHORES ARE 1414 00:56:15,289 --> 00:56:18,250 YOUR RESPONSIBILITY, NOT MINE. 1415 00:56:18,292 --> 00:56:21,670 I CAN'T CONCENTRATE 1416 00:56:18,292 --> 00:56:21,670 ON THE BALLET 1417 00:56:21,712 --> 00:56:24,380 WHILE I'M WORRIED 1418 00:56:21,712 --> 00:56:24,380 ABOUT YOU AND US. 1419 00:56:24,422 --> 00:56:25,883 THIS IS NOT FAIR OF YOU. 1420 00:56:25,924 --> 00:56:29,594 I NEED YOU DURING THIS CRUCIAL 1421 00:56:25,924 --> 00:56:29,594 TIME IN MY LIFE AND MY CAREER. 1422 00:56:29,636 --> 00:56:31,305 PLEASE, 1423 00:56:29,636 --> 00:56:31,305 DON'T GUILT-TRIP ME. 1424 00:56:31,347 --> 00:56:34,225 YOUR BEHAVIOR RIGHT NOW 1425 00:56:31,347 --> 00:56:34,225 IS WHAT'S NOT FAIR. 1426 00:56:37,686 --> 00:56:39,271 YOU HAVE NO IDEA, DO YOU? 1427 00:56:41,315 --> 00:56:45,027 HOW MUCH IT HURTS TO SEE YOU 1428 00:56:41,315 --> 00:56:45,027 GROW AWAY FROM ME 1429 00:56:41,315 --> 00:56:45,027 RIGHT IN FRONT OF MY EYES, 1430 00:56:46,070 --> 00:56:48,239 MAKING ME REGRET THIS... 1431 00:56:48,864 --> 00:56:51,200 STUPID SEPARATION. 1432 00:56:54,953 --> 00:56:57,039 I'M GOING OUT. 1433 00:56:54,953 --> 00:56:57,039 I NEED SOME AIR. 1434 00:57:03,503 --> 00:57:04,838 I LOVE YOU. 1435 00:57:20,562 --> 00:57:22,606 SO HE'S A BUTTON-PUSHER. 1436 00:57:22,647 --> 00:57:24,983 HE IS. 1437 00:57:25,025 --> 00:57:27,611 BUT THE WAY 1438 00:57:25,025 --> 00:57:27,611 HE SAID HE LOVED ME... 1439 00:57:28,695 --> 00:57:30,281 I DON'T KNOW. 1440 00:57:31,698 --> 00:57:34,159 MAYBE HE REALIZED THAT 1441 00:57:34,201 --> 00:57:37,495 WHAT WE HAD WHEN WE STARTED OUT 1442 00:57:34,201 --> 00:57:37,495 WAS PRETTY SPECIAL, 1443 00:57:37,537 --> 00:57:41,541 AND WE LOST IT 1444 00:57:37,537 --> 00:57:41,541 WHEN HE PRIORITIZED HIMSELF. 1445 00:57:41,583 --> 00:57:44,002 SO ARE YOU HAVING SECOND 1446 00:57:41,583 --> 00:57:44,002 THOUGHTS ABOUT THE SPLIT? 1447 00:57:45,337 --> 00:57:47,714 IT'S KINDA HARD NOT TO 1448 00:57:45,337 --> 00:57:47,714 IN THIS SITUATION. 1449 00:57:48,673 --> 00:57:53,178 HMM. WHAT ABOUT DUSTIN? 1450 00:57:53,220 --> 00:57:54,930 WHAT ABOUT HIM? 1451 00:57:54,972 --> 00:57:57,808 I SAW SOME SPARKS. 1452 00:57:57,849 --> 00:58:00,477 I THINK WE'VE ARRIVED 1453 00:57:57,849 --> 00:58:00,477 AT A GOOD PLACE. 1454 00:58:00,518 --> 00:58:02,771 THE FRIEND PLACE. 1455 00:58:02,813 --> 00:58:06,400 WELL, UH, HE IS A GOOD FRIEND 1456 00:58:02,813 --> 00:58:06,400 TO HAVE. 1457 00:58:06,442 --> 00:58:08,693 HE'S LOYAL, HE'S FAITHFUL, 1458 00:58:08,735 --> 00:58:11,655 HE'S FUN, HE IS HONEST, 1459 00:58:11,696 --> 00:58:15,284 HE DOESN'T MANIPULATE 1460 00:58:11,696 --> 00:58:15,284 AND PLAY GAMES, YOU KNOW? 1461 00:58:15,326 --> 00:58:18,912 AND HE ENCOURAGES 1462 00:58:15,326 --> 00:58:18,912 AND HE CARES. 1463 00:58:18,954 --> 00:58:23,459 HE'S GOT A LOT MORE TO OFFER 1464 00:58:18,954 --> 00:58:23,459 THAN JUST BEING THE STEADFAST 1465 00:58:18,954 --> 00:58:23,459 FRIEND, YOU KNOW? 1466 00:58:23,500 --> 00:58:26,837 BUT I'M SURE YOU FIGURED 1467 00:58:23,500 --> 00:58:26,837 THAT OUT DURING YOUR LITTLE 1468 00:58:23,500 --> 00:58:26,837 ELEVATOR KISS. 1469 00:58:26,878 --> 00:58:29,506 OKAY. 1470 00:58:29,547 --> 00:58:32,092 LOOK, MAGIC AND ROMANCE 1471 00:58:29,547 --> 00:58:32,092 IGNITE A RELATIONSHIP, 1472 00:58:32,134 --> 00:58:35,012 BUT IT'S THE FRIENDSHIP 1473 00:58:32,134 --> 00:58:35,012 THAT MAKES IT ENDURE. 1474 00:58:35,053 --> 00:58:36,805 YOU KNOW, 1475 00:58:35,053 --> 00:58:36,805 IT'S THE FRIENDSHIP 1476 00:58:36,847 --> 00:58:38,682 THAT TURNS 1477 00:58:36,847 --> 00:58:38,682 THAT HAPPILY EVER AFTER 1478 00:58:38,723 --> 00:58:41,977 INTO THE BEGINNING OF A LOVE 1479 00:58:38,723 --> 00:58:41,977 STORY, AND NOT THE ENDING. 1480 00:58:42,019 --> 00:58:45,772 THE BEGINNING 1481 00:58:42,019 --> 00:58:45,772 IS THE EXCITING PART. 1482 00:58:45,814 --> 00:58:48,484 BUT IT'S THE REST OF THE STORY 1483 00:58:45,814 --> 00:58:48,484 THAT'S THE TRUE PART. 1484 00:58:59,161 --> 00:59:00,704 ARE YOU ACTUALLY 1485 00:58:59,161 --> 00:59:00,704 GOING TO MARRY HER? 1486 00:59:00,745 --> 00:59:04,500 NO. WE CALLED OFF 1487 00:59:00,745 --> 00:59:04,500 THE ENGAGEMENT. 1488 00:59:04,541 --> 00:59:06,668 [GIRL] THANK GOD. I THOUGHT 1489 00:59:04,541 --> 00:59:06,668 YOU WERE LOSING YOUR MIND. 1490 00:59:06,710 --> 00:59:10,422 SHE'S A VERY SPECIAL GIRL, 1491 00:59:06,710 --> 00:59:10,422 ISN'T SHE? 1492 00:59:11,965 --> 00:59:13,633 PUPPIES ARE SPECIAL. 1493 00:59:13,675 --> 00:59:15,844 IS THAT WHAT 1494 00:59:13,675 --> 00:59:15,844 YOU'RE LOOKING FOR? 1495 00:59:15,886 --> 00:59:17,721 NO. 1496 00:59:17,762 --> 00:59:22,934 I WANT PASSION, 1497 00:59:17,762 --> 00:59:22,934 CLASS AND TALENT. 1498 00:59:24,061 --> 00:59:27,439 N... NOT HERE. 1499 00:59:27,481 --> 00:59:30,359 WHY? WHAT'S THE DIFFERENCE? 1500 00:59:30,401 --> 00:59:32,777 I DON'T WANT 1501 00:59:30,401 --> 00:59:32,777 TO HURT HER FEELINGS. 1502 00:59:40,744 --> 00:59:41,703 YOU ALRIGHT? 1503 00:59:42,787 --> 00:59:45,499 N... YEAH. UH... 1504 00:59:45,541 --> 00:59:47,251 I JUST THOUGHT THAT 1505 00:59:45,541 --> 00:59:47,251 I SAW SOMEONE THAT I KNEW. 1506 00:59:47,292 --> 00:59:49,044 OH. 1507 00:59:49,086 --> 00:59:50,712 ANYWAY. 1508 00:59:50,754 --> 00:59:54,132 A FRIENDSHIP, 1509 00:59:50,754 --> 00:59:54,132 THAT'S WHAT YOU WANT FIRST. 1510 01:00:00,305 --> 01:00:02,766 RIESLING AND MERLOT. 1511 01:00:02,807 --> 01:00:04,435 INSTEAD OF CHARDONNAY 1512 01:00:02,807 --> 01:00:04,435 AND PINOT NOIR? 1513 01:00:04,476 --> 01:00:06,019 -MM. 1514 01:00:04,476 --> 01:00:06,019 -OKAY. 1515 01:00:07,104 --> 01:00:09,398 I COME 1516 01:00:07,104 --> 01:00:09,398 BEARING CATERING GIFTS. 1517 01:00:09,440 --> 01:00:11,442 REALLY? 1518 01:00:11,483 --> 01:00:13,944 I MADE 200 FOR YOU TO HAND OUT 1519 01:00:11,483 --> 01:00:13,944 AT THE COMMUNITY EVENT, 1520 01:00:13,985 --> 01:00:17,739 AND I SENT EMAILS 1521 01:00:13,985 --> 01:00:17,739 TO A FEW OF MY PRESS CONTACTS 1522 01:00:17,781 --> 01:00:20,576 LETTING THEM KNOW THAT 1523 01:00:17,781 --> 01:00:20,576 YOU ARE CATERING THE PARTY. 1524 01:00:20,617 --> 01:00:25,080 OH MY GOSH. KAYLA, 1525 01:00:20,617 --> 01:00:25,080 THAT IS SO SWEET! THANK YOU. 1526 01:00:25,122 --> 01:00:26,582 WHEN DID YOU 1527 01:00:25,122 --> 01:00:26,582 DO ALL OF THIS? 1528 01:00:26,623 --> 01:00:28,041 LAST NIGHT. 1529 01:00:28,083 --> 01:00:30,419 I PICKED UP THE POST CARDS 1530 01:00:28,083 --> 01:00:30,419 ON MY WAY HERE THIS MORNING. 1531 01:00:30,461 --> 01:00:33,213 WHAT ABOUT 1532 01:00:30,461 --> 01:00:33,213 THE NUTCRACKER ARTIST? 1533 01:00:33,255 --> 01:00:34,423 DIDN'T YOU WORK ON THE STORY? 1534 01:00:34,465 --> 01:00:36,925 MM, NO, NOT YET. 1535 01:00:36,967 --> 01:00:40,262 WHAT DO WE OWE YOU FOR THE POST 1536 01:00:36,967 --> 01:00:40,262 CARDS AND FOR YOUR TIME? 1537 01:00:40,720 --> 01:00:42,055 NOTHING. 1538 01:00:42,097 --> 01:00:43,974 I DID THIS AS A THANK YOU 1539 01:00:42,097 --> 01:00:43,974 FOR ALL YOU'VE GIVEN ME. 1540 01:00:44,015 --> 01:00:46,726 BUT YOUR TIME IS VALUABLE, 1541 01:00:44,015 --> 01:00:46,726 AND I'D LIKE TO PAY YOU FOR IT. 1542 01:00:46,768 --> 01:00:49,020 NO, I DON'T 1543 01:00:46,768 --> 01:00:49,020 WANT YOUR MONEY. 1544 01:00:49,062 --> 01:00:51,398 AND I DON'T WANT YOU 1545 01:00:49,062 --> 01:00:51,398 DOING FREE WORK. 1546 01:00:54,109 --> 01:00:55,235 DUSTIN. 1547 01:00:58,447 --> 01:01:01,283 I'M SORRY 1548 01:00:58,447 --> 01:01:01,283 IF I CROSSED A BOUNDARY. 1549 01:01:03,535 --> 01:01:05,787 NO, IT'S NOT 1550 01:01:03,535 --> 01:01:05,787 THAT YOU CROSSED A BOUNDARY. 1551 01:01:05,829 --> 01:01:07,831 IT'S THAT YOU SHOULD 1552 01:01:05,829 --> 01:01:07,831 HAVE SET A BOUNDARY. 1553 01:01:10,208 --> 01:01:13,920 OKAY. SORRY. 1554 01:01:10,208 --> 01:01:13,920 I'M GOING TO GO. 1555 01:01:13,962 --> 01:01:16,840 NO, WAIT, KAYLA! 1556 01:01:13,962 --> 01:01:16,840 WAIT. KAYLA! 1557 01:01:18,133 --> 01:01:20,636 DUSTIN, WHY WERE YOU 1558 01:01:18,133 --> 01:01:20,636 JUST A JERK TO HER? 1559 01:01:20,677 --> 01:01:23,847 -I WASN'T A JERK. 1560 01:01:20,677 --> 01:01:23,847 -YES YOU WERE. GO APOLOGIZE. 1561 01:01:23,888 --> 01:01:27,267 I... DON'T THINK I SHOULD. 1562 01:01:27,309 --> 01:01:30,479 SHE SPENT A LOT OF TIME 1563 01:01:27,309 --> 01:01:30,479 AND EFFORT MAKING THESE FOR US. 1564 01:01:30,521 --> 01:01:31,605 FOR YOU. 1565 01:01:31,647 --> 01:01:33,357 EXACTLY. 1566 01:01:33,398 --> 01:01:35,484 AND THAT'S TIME SHE SHOULD 1567 01:01:33,398 --> 01:01:35,484 HAVE SPENT DOING SOMETHING 1568 01:01:33,398 --> 01:01:35,484 FOR HERSELF, 1569 01:01:35,526 --> 01:01:37,319 NOT FOR SOMEONE ELSE. 1570 01:01:38,195 --> 01:01:39,737 DUSTIN... 1571 01:01:53,251 --> 01:01:55,879 [BELL JINGLING] 1572 01:02:12,604 --> 01:02:14,356 OH, HELLO AGAIN. 1573 01:02:14,398 --> 01:02:16,692 HI, SANTA. 1574 01:02:16,774 --> 01:02:19,777 YOU LOOK LIKE YOU COULD 1575 01:02:16,774 --> 01:02:19,777 USE A WISH COMING TRUE. 1576 01:02:21,029 --> 01:02:23,240 I WISH I KNEW 1577 01:02:21,029 --> 01:02:23,240 HOW TO SET BOUNDARIES. 1578 01:02:24,575 --> 01:02:28,412 DON'T JUST WISH IT, 1579 01:02:24,575 --> 01:02:28,412 MAKE THEM COME TRUE. 1580 01:02:32,123 --> 01:02:33,458 YOU KNOW WHAT? 1581 01:02:33,500 --> 01:02:35,919 YOU'RE RIGHT, AND YOU ARE 1582 01:02:33,500 --> 01:02:35,919 THE SECOND PERSON TODAY 1583 01:02:35,960 --> 01:02:37,629 WHO'S ENCOURAGED ME 1584 01:02:35,960 --> 01:02:37,629 TO DO JUST THAT. 1585 01:02:37,671 --> 01:02:39,715 [CHUCKLES] 1586 01:02:39,756 --> 01:02:44,177 MY WISH THEN, IS THAT YOU GET 1587 01:02:39,756 --> 01:02:44,177 A VERY GOOD CHRISTMAS PRESENT 1588 01:02:39,756 --> 01:02:44,177 THIS YEAR, SANTA CLAUS. 1589 01:02:44,219 --> 01:02:45,970 [LAUGHS] 1590 01:02:46,012 --> 01:02:50,225 YOUR JOYFUL SMILE IS 1591 01:02:46,012 --> 01:02:50,225 A VERY NICE CHRISTMAS PRESENT. 1592 01:02:58,275 --> 01:03:01,027 WILL YOU HURRY UP 1593 01:02:58,275 --> 01:03:01,027 AND APOLOGIZE TO HER ALREADY? 1594 01:03:01,069 --> 01:03:03,321 I DON'T KNOW WHAT TO SAY. 1595 01:03:03,363 --> 01:03:06,783 SAY YOU'RE SORRY 1596 01:03:03,363 --> 01:03:06,783 FOR BEING UNGRATEFUL. 1597 01:03:06,824 --> 01:03:09,119 I WAS GRATEFUL. 1598 01:03:06,824 --> 01:03:09,119 I AM GRATEFUL. 1599 01:03:09,160 --> 01:03:11,288 THE CARDS ARE WONDERFUL. 1600 01:03:11,913 --> 01:03:14,832 TELL HER, NOT ME. 1601 01:03:14,874 --> 01:03:17,294 SHE SHOULD HAVE BEEN 1602 01:03:14,874 --> 01:03:17,294 WORKING ON HER STORY. 1603 01:03:17,335 --> 01:03:19,087 HE TOOK ADVANTAGE 1604 01:03:17,335 --> 01:03:19,087 OF HER GENEROSITY 1605 01:03:19,129 --> 01:03:21,298 AND I DON'T WANT 1606 01:03:19,129 --> 01:03:21,298 TO BE LIKE THAT. 1607 01:03:22,257 --> 01:03:24,342 YOU HURT HER FEELINGS, 1608 01:03:22,257 --> 01:03:24,342 DUSTIN. 1609 01:03:25,218 --> 01:03:27,304 YOU GOTTA MAKE IT UP TO HER. 1610 01:03:34,436 --> 01:03:36,813 [CELL PHONE BEEPS] 1611 01:03:38,565 --> 01:03:40,567 [CHUCKLES] 1612 01:03:42,569 --> 01:03:44,279 YAY. 1613 01:03:44,321 --> 01:03:46,406 [CELL PHONE BEEPS] 1614 01:04:12,641 --> 01:04:14,934 THAT'S... 1615 01:04:14,976 --> 01:04:18,313 SERIOUSLY... COOL. 1616 01:04:44,548 --> 01:04:49,761 I BETTER GET 1617 01:04:44,548 --> 01:04:49,761 A SIGNED COPY OF YOUR BOOK. 1618 01:05:08,071 --> 01:05:11,074 THANK YOU. OK. 1619 01:05:11,115 --> 01:05:13,993 I'M REALLY GLAD 1620 01:05:11,115 --> 01:05:13,993 YOU CHANGED YOUR MIND, DUSTIN. 1621 01:05:14,035 --> 01:05:15,453 YEAH, ME TOO. 1622 01:05:15,495 --> 01:05:17,080 IT'S SO IMPORTANT TO UNITE 1623 01:05:15,495 --> 01:05:17,080 THESE DOGS WITH THEIR OWNERS 1624 01:05:17,121 --> 01:05:19,916 OR FIND THEM FOREVER HOMES. 1625 01:05:19,957 --> 01:05:22,377 WE GOT A LOT 1626 01:05:19,957 --> 01:05:22,377 OF REALLY NICE DOGS HERE. 1627 01:05:22,419 --> 01:05:25,714 WELL I'M GOING TO GIVE BARKLY 1628 01:05:22,419 --> 01:05:25,714 A VERY HAPPY HOME, I PROMISE. 1629 01:05:25,756 --> 01:05:28,049 WE'RE HAPPY TO HEAR THAT. 1630 01:05:31,428 --> 01:05:33,847 IT'S OKAY, BARKLY. 1631 01:05:35,265 --> 01:05:38,184 -CAN I OPEN IT UP? ALRIGHT. 1632 01:05:35,265 --> 01:05:38,184 -OF COURSE. 1633 01:05:38,226 --> 01:05:41,104 OH, HI, BARKLY. 1634 01:05:38,226 --> 01:05:41,104 HEY, BUDDY. 1635 01:05:41,145 --> 01:05:43,732 THERE HE IS. 1636 01:05:43,774 --> 01:05:46,735 AW. ARE YOU REALLY HAPPY? 1637 01:05:46,777 --> 01:05:48,820 DO YOU WANT 1638 01:05:46,777 --> 01:05:48,820 TO COME HOME WITH ME? 1639 01:05:48,862 --> 01:05:50,906 -DO YOU? 1640 01:05:48,862 --> 01:05:50,906 -HE'S HAPPY. 1641 01:05:50,947 --> 01:05:53,991 GOOD, I'M HAPPY TOO. 1642 01:05:50,947 --> 01:05:53,991 LET'S GO HOME. 1643 01:05:54,033 --> 01:05:56,160 ALRIGHT, COME ON. 1644 01:06:34,658 --> 01:06:39,036 [NO AUDIO] 1645 01:07:45,395 --> 01:07:48,189 [NO AUDIO] 1646 01:08:15,132 --> 01:08:18,094 -I THINK I'LL GO TRANSLATE. 1647 01:08:15,132 --> 01:08:18,094 -WHY AREN'T YOU ON? 1648 01:08:18,135 --> 01:08:19,637 WHY AREN'T YOU 1649 01:08:18,135 --> 01:08:19,637 ON TV ALREADY? 1650 01:08:19,679 --> 01:08:22,891 [LAUGHING] 1651 01:08:19,679 --> 01:08:22,891 YOU'RE MAKING FUN OF ME. 1652 01:08:22,933 --> 01:08:25,018 I WAS JUST... 1653 01:08:26,561 --> 01:08:29,272 [CELL PHONE RINGS] 1654 01:08:29,313 --> 01:08:31,107 YOU SHOULD GET THAT. 1655 01:08:31,148 --> 01:08:32,817 YEAH. 1656 01:08:38,155 --> 01:08:39,198 HI, CARLTON. 1657 01:08:39,532 --> 01:08:40,742 HELLO KAYLA, WHERE ARE YOU? 1658 01:08:41,284 --> 01:08:43,327 I'M AT THE TREE 1659 01:08:41,284 --> 01:08:43,327 FUNDRAISING EVENT. 1660 01:08:43,369 --> 01:08:45,705 I TEXTED YOU THE INFORMATION. 1661 01:08:46,497 --> 01:08:47,415 SOMETHING WRONG? 1662 01:08:47,457 --> 01:08:49,250 I NEED TO SEE YOU IMMEDIATELY 1663 01:08:50,418 --> 01:08:52,921 OKAY, I'M ON MY WAY. 1664 01:08:55,632 --> 01:08:57,050 IT WAS CARLTON. 1665 01:08:57,092 --> 01:08:58,927 YEAH. I HEARD. 1666 01:08:58,969 --> 01:09:01,512 HE SOUNDED WEIRD. I THINK 1667 01:08:58,969 --> 01:09:01,512 SOMETHING MIGHT HAVE HAPPENED. 1668 01:09:01,554 --> 01:09:03,556 IT SOUNDS IMPORTANT. 1669 01:09:01,554 --> 01:09:03,556 YOU SHOULD GO. 1670 01:09:05,767 --> 01:09:07,143 OKAY. 1671 01:09:08,394 --> 01:09:10,647 I HAD A REALLY 1672 01:09:08,394 --> 01:09:10,647 GOOD TIME WITH YOU TODAY. 1673 01:09:11,272 --> 01:09:12,482 ME TOO. 1674 01:09:34,629 --> 01:09:36,255 -BYE. 1675 01:09:34,629 --> 01:09:36,255 -BYE. 1676 01:10:15,003 --> 01:10:16,713 WHAT'S GOING ON? 1677 01:10:21,051 --> 01:10:23,386 I CAN'T STOP 1678 01:10:21,051 --> 01:10:23,386 THINKING ABOUT US. 1679 01:10:30,101 --> 01:10:31,561 CARLTON. 1680 01:10:31,602 --> 01:10:33,771 YOU NEED TO BE FOCUSING 1681 01:10:31,602 --> 01:10:33,771 ON THE BALLET. 1682 01:10:33,813 --> 01:10:35,398 I CAN'T. 1683 01:10:37,901 --> 01:10:39,235 YOU ARE... 1684 01:10:39,276 --> 01:10:41,196 MORE IMPORTANT TO ME. 1685 01:10:42,072 --> 01:10:43,031 I'M WHAT? 1686 01:10:43,073 --> 01:10:44,657 YOU... 1687 01:10:45,783 --> 01:10:48,203 ARE MORE IMPORTANT 1688 01:10:45,783 --> 01:10:48,203 TO ME, KAYLA. 1689 01:10:51,081 --> 01:10:53,041 I... 1690 01:10:53,083 --> 01:10:56,086 LOOK, I KNOW I NEED TO SHOULDER 1691 01:10:53,083 --> 01:10:56,086 MOST OF THE RESPONSIBILITY 1692 01:10:53,083 --> 01:10:56,086 OF WHAT WENT WRONG. 1693 01:10:56,127 --> 01:10:57,795 I'M... 1694 01:10:57,837 --> 01:11:01,424 TOUGH, I'M OPINIONATED, 1695 01:10:57,837 --> 01:11:01,424 I'M POMPOUS, 1696 01:10:57,837 --> 01:11:01,424 I'M A PERFECTIONIST, 1697 01:11:01,465 --> 01:11:03,509 I'VE LIVED MOST OF MY CAREER 1698 01:11:01,465 --> 01:11:03,509 FOR MYSELF, 1699 01:11:03,551 --> 01:11:07,222 BUT I DON'T WANT 1700 01:11:03,551 --> 01:11:07,222 TO DO THAT ANYMORE. I... 1701 01:11:08,514 --> 01:11:10,600 WANT OUR MAGIC BACK, 1702 01:11:10,641 --> 01:11:13,770 LIKE IT WAS IN THE BEGINNING, 1703 01:11:10,641 --> 01:11:13,770 ONCE UPON A TIME. 1704 01:11:16,022 --> 01:11:18,315 WILL YOU GIVE ME 1705 01:11:16,022 --> 01:11:18,315 A SECOND CHANCE? 1706 01:11:23,196 --> 01:11:25,156 IT'S NOT WHAT 1707 01:11:23,196 --> 01:11:25,156 YOU THINK IT IS. 1708 01:11:25,198 --> 01:11:26,699 THAT WOULD BE PRESUMPTUOUS. 1709 01:11:32,538 --> 01:11:34,624 THE COLORS OF CHRISTMAS. 1710 01:11:34,665 --> 01:11:37,168 TO REMIND YOU 1711 01:11:34,665 --> 01:11:37,168 OF OUR FRESH START... 1712 01:11:38,461 --> 01:11:41,297 IF YOU'LL HAVE ME, 1713 01:11:38,461 --> 01:11:41,297 OF COURSE. 1714 01:11:44,926 --> 01:11:46,719 SLEEP ON IT? 1715 01:11:53,226 --> 01:11:54,978 CAN YOU GIVE ME A MOMENT? 1716 01:11:55,019 --> 01:11:58,481 YES, OF COURSE, 1717 01:11:55,019 --> 01:11:58,481 DARLING, OF COURSE. 1718 01:12:23,589 --> 01:12:26,676 HO, HO, HO! 1719 01:12:23,589 --> 01:12:26,676 A PENNY FOR YOUR THOUGHTS. 1720 01:12:26,717 --> 01:12:29,553 -GOOD MORNING, SANTA. 1721 01:12:26,717 --> 01:12:29,553 -GOOD MORNING, SMILES. 1722 01:12:29,595 --> 01:12:32,348 OH... WHERE'S THE SMILE? 1723 01:12:34,142 --> 01:12:36,978 I NEED A WISH 1724 01:12:34,142 --> 01:12:36,978 ABOUT TRUE LOVE. 1725 01:12:37,020 --> 01:12:41,024 AH, THE ORIGINAL WISH 1726 01:12:37,020 --> 01:12:41,024 WE SPOKE OF. 1727 01:12:41,065 --> 01:12:45,862 ARE YOU NOW WISHING FOR THAT 1728 01:12:41,065 --> 01:12:45,862 ROMANTIC SPARK TO BE REIGNITED? 1729 01:12:48,405 --> 01:12:49,657 I'M NOT QUITE SURE. 1730 01:12:49,699 --> 01:12:53,203 [CHUCKLING] WELL, I'M SURE 1731 01:12:49,699 --> 01:12:53,203 YOU'LL FIGURE IT OUT. 1732 01:12:53,244 --> 01:12:54,954 -MERRY CHRISTMAS. HO, HO, HO. 1733 01:12:53,244 --> 01:12:54,954 -MERRY CHRISTMAS. 1734 01:12:54,996 --> 01:12:56,539 BYE-BYE. 1735 01:13:20,897 --> 01:13:22,648 COME IN. 1736 01:13:31,241 --> 01:13:32,658 ARE YOU OKAY? 1737 01:13:34,369 --> 01:13:35,370 NO. 1738 01:13:42,793 --> 01:13:45,462 CARLTON WANTS ANOTHER CHANCE. 1739 01:13:45,504 --> 01:13:47,631 HE WANTS TO MAKE IT 1740 01:13:45,504 --> 01:13:47,631 WORK BETWEEN US. 1741 01:13:49,675 --> 01:13:51,052 OH. 1742 01:13:53,679 --> 01:13:56,224 IT'S BEAUTIFUL, 1743 01:13:53,679 --> 01:13:56,224 BY THE WAY. 1744 01:13:56,266 --> 01:13:57,516 FROM CARLTON? 1745 01:13:58,268 --> 01:13:59,643 YEAH. 1746 01:14:03,106 --> 01:14:05,191 DUSTIN... 1747 01:14:05,233 --> 01:14:07,235 WELL, I WISH YOU 1748 01:14:05,233 --> 01:14:07,235 ALL THE BEST AND... 1749 01:14:07,277 --> 01:14:10,154 ALL THE HAPPINESS, 1750 01:14:07,277 --> 01:14:10,154 OKAY? I REALLY DO. 1751 01:14:12,656 --> 01:14:14,658 OKAY, THEN. 1752 01:14:14,700 --> 01:14:16,786 I GUESS THIS IS FOR THE BEST. 1753 01:14:18,288 --> 01:14:20,164 THANK YOU FOR EVERYTHING. 1754 01:14:21,332 --> 01:14:23,251 YEAH, I'M GRATEFUL TOO. 1755 01:14:23,293 --> 01:14:25,711 FOR ALL THE SPECIAL TIMES 1756 01:14:23,293 --> 01:14:25,711 THAT WE HAD. 1757 01:14:27,046 --> 01:14:29,090 THEY WERE PRETTY WONDERFUL. 1758 01:14:29,840 --> 01:14:31,592 YEAH, THEY WERE. 1759 01:14:43,771 --> 01:14:46,232 I SCREWED THAT UP, DIDN'T I? 1760 01:14:47,900 --> 01:14:50,320 SHE'S RIGHT, 1761 01:14:47,900 --> 01:14:50,320 THIS IS FOR THE BEST. 1762 01:14:55,992 --> 01:14:58,535 HERE WE ARE, LADIES, 1763 01:14:55,992 --> 01:14:58,535 AND LIFTING. 1764 01:14:58,577 --> 01:15:01,289 AND LIFTING, YES, EXACTLY. 1765 01:15:01,331 --> 01:15:02,498 LIFTING. 1766 01:15:02,539 --> 01:15:04,875 LIFT IT UP, 1767 01:15:02,539 --> 01:15:04,875 THROUGH THE ENTIRE JUMP. 1768 01:15:04,917 --> 01:15:06,419 STOP. STOP. 1769 01:15:06,461 --> 01:15:09,755 OKAY, UH, 1770 01:15:06,461 --> 01:15:09,755 IT'S GOING VERY WELL. 1771 01:15:11,466 --> 01:15:13,343 BECOME LIKE CONFETTI! 1772 01:15:30,276 --> 01:15:31,652 LET'S MAKE THIS WORK. 1773 01:15:32,569 --> 01:15:34,405 I LOVE YOU, DARLING. 1774 01:15:42,497 --> 01:15:44,832 [KIM] I'VE NEVER BEEN MIFFED 1775 01:15:42,497 --> 01:15:44,832 AT YOU BEFORE. 1776 01:15:46,125 --> 01:15:48,378 WE'VE HAD OUR STRESSFUL 1777 01:15:46,125 --> 01:15:48,378 WORK ENVIRONMENTS- 1778 01:15:48,419 --> 01:15:50,129 I MEAN, DIFFERENCES 1779 01:15:48,419 --> 01:15:50,129 OF OPINIONS, 1780 01:15:50,171 --> 01:15:52,756 YEAH, BUT I'VE NEVER BEEN 1781 01:15:50,171 --> 01:15:52,756 MIFFED AT YOU 1782 01:15:52,798 --> 01:15:55,926 OR DISAPPOINTED 1783 01:15:52,798 --> 01:15:55,926 IN YOU UNTIL NOW. 1784 01:15:55,968 --> 01:15:58,846 HOW COULD YOU LET HER 1785 01:15:55,968 --> 01:15:58,846 JUST WALK OUT OF YOUR LIFE? 1786 01:15:58,888 --> 01:16:02,141 SHE LEFT PRETTY QUICKLY 1787 01:15:58,888 --> 01:16:02,141 AND PRETTY WILLINGLY. 1788 01:16:02,183 --> 01:16:05,561 DUSTIN, YOU SHOULD 1789 01:16:02,183 --> 01:16:05,561 HAVE FOUGHT FOR HER! 1790 01:16:05,602 --> 01:16:08,647 STEPPED UP TO THE PLATE AND TOLD 1791 01:16:05,602 --> 01:16:08,647 HER HOW YOU REALLY FEEL! 1792 01:16:12,068 --> 01:16:14,570 WHERE ARE YOU GOING? 1793 01:16:14,611 --> 01:16:16,239 I DON'T KNOW. 1794 01:16:14,611 --> 01:16:16,239 I'M GOING TO GET YOU SOME CATS, 1795 01:16:16,280 --> 01:16:19,825 BECAUSE CLEARLY YOU'RE GOING 1796 01:16:16,280 --> 01:16:19,825 TO BE A CRAZY OLD CAT PERSON. 1797 01:16:21,994 --> 01:16:24,580 I WOULDN'T BE SURPRISED 1798 01:16:21,994 --> 01:16:24,580 IF YOU STARTED LAYING EGGS. 1799 01:16:26,999 --> 01:16:28,876 I'M NOT CHICKEN. 1800 01:16:31,003 --> 01:16:33,464 I'M NOT CHICKEN, 1801 01:16:31,003 --> 01:16:33,464 AM I, BOY? 1802 01:16:33,506 --> 01:16:35,925 [CARLTON] 1 AND 2 AND 3. 1803 01:16:33,506 --> 01:16:35,925 [CLASSICAL MUSIC PLAYS] 1804 01:16:35,966 --> 01:16:38,135 STOP, STOP, STOP! 1805 01:16:38,177 --> 01:16:40,012 THIS IS NOT WHAT I ASKED. 1806 01:16:38,177 --> 01:16:40,012 IT IS NOT. 1807 01:16:40,054 --> 01:16:43,766 I ASKED REPEATEDLY, PLEASE... 1808 01:16:48,312 --> 01:16:50,231 BACK WITH CARLTON? 1809 01:16:50,273 --> 01:16:52,358 -AND, 1, 2, 3... 1810 01:16:50,273 --> 01:16:52,358 -BACK WITH CARLTON. 1811 01:16:52,400 --> 01:16:55,778 I CAN TELL, STOP! IT'S NOT 1812 01:16:52,400 --> 01:16:55,778 WORKING. IT'S NOT WORKING! 1813 01:16:55,819 --> 01:17:00,074 YESTERDAY IT SEEMED 1814 01:16:55,819 --> 01:17:00,074 LIKE YOU AND DUSTIN 1815 01:16:55,819 --> 01:17:00,074 WERE REALLY CONNECTING. 1816 01:17:01,075 --> 01:17:03,286 YEAH, WELL, 1817 01:17:03,327 --> 01:17:05,204 THE WHOLE WORLD CAN CHANGE 1818 01:17:03,327 --> 01:17:05,204 IN A MOMENT, REALLY. 1819 01:17:05,246 --> 01:17:08,332 RUN OFF THE STAGE. 1820 01:17:05,246 --> 01:17:08,332 RUN OFF THE STAGE! 1821 01:17:08,374 --> 01:17:13,296 SO THEN HOW COME 1822 01:17:08,374 --> 01:17:13,296 IT DOESN'T LOOK LIKE 1823 01:17:08,374 --> 01:17:13,296 YOU'RE HAPPY WITH THE CHANGE? 1824 01:17:13,337 --> 01:17:15,256 NOW GO BACK ONTO THE STAGE. 1825 01:17:15,298 --> 01:17:17,925 IT'S BEEN 1826 01:17:15,298 --> 01:17:17,925 AN OVERWHELMING FEW DAYS. 1827 01:17:17,967 --> 01:17:19,427 I'M SURE THINGS 1828 01:17:17,967 --> 01:17:19,427 WILL GET BACK TO NORMAL 1829 01:17:19,469 --> 01:17:21,887 ONCE CARLTON AND I ARE BACK 1830 01:17:19,469 --> 01:17:21,887 IN LOS ANGELES. 1831 01:17:21,929 --> 01:17:24,557 -AND, 1, 2, 3... 1832 01:17:21,929 --> 01:17:24,557 -WE'RE LEAVING TONIGHT 1833 01:17:24,599 --> 01:17:27,017 AFTER THE FESTIVITIES. 1834 01:17:27,059 --> 01:17:28,144 I NEED TO GET BACK HOME. 1835 01:17:28,185 --> 01:17:31,814 OKAY, I SEE... 1836 01:17:28,185 --> 01:17:31,814 I SEE YOU ON MY SET. 1837 01:17:31,855 --> 01:17:34,858 PLEASE LEAVE MY SET, 1838 01:17:31,855 --> 01:17:34,858 THANK YOU. 1839 01:17:43,534 --> 01:17:46,287 [JAZZY MUSIC PLAYING] 1840 01:17:46,329 --> 01:17:49,081 -HEY, CAN YOU HAND THESE OUT? 1841 01:17:46,329 --> 01:17:49,081 THANK YOU. 1842 01:17:46,329 --> 01:17:49,081 -SURE. 1843 01:17:59,342 --> 01:18:00,801 HEY, KAYLA. 1844 01:18:00,843 --> 01:18:02,595 HI. 1845 01:18:04,639 --> 01:18:06,390 I LET HIM HAVE IT. 1846 01:18:06,432 --> 01:18:09,226 -FULL ROUND OF AMMUNITION. 1847 01:18:06,432 --> 01:18:09,226 -[SIGHS] KIM. 1848 01:18:09,268 --> 01:18:11,687 I CALLED HIM A CAT LADY, 1849 01:18:09,268 --> 01:18:11,687 AND A CHICKEN. 1850 01:18:11,728 --> 01:18:12,855 [CHUCKLES] KIM. 1851 01:18:12,896 --> 01:18:15,608 WHAT, IT'S TRUE! 1852 01:18:12,896 --> 01:18:15,608 YOU TWO BELONG TOGETHER. 1853 01:18:15,650 --> 01:18:17,734 -IT'S SO OBVIOUS. 1854 01:18:15,650 --> 01:18:17,734 -HI GUYS. 1855 01:18:17,776 --> 01:18:20,404 THINGS ARE THE WAY 1856 01:18:17,776 --> 01:18:20,404 THEY SHOULD BE. 1857 01:18:20,446 --> 01:18:21,572 OH YEAH? 1858 01:18:21,614 --> 01:18:23,824 THEN WHY DO YOU LOOK 1859 01:18:21,614 --> 01:18:23,824 SO MISERABLE? 1860 01:18:23,866 --> 01:18:24,992 HI. 1861 01:18:25,034 --> 01:18:27,370 AND WHY DOES DUSTIN 1862 01:18:25,034 --> 01:18:27,370 LOOK SO MISERABLE? 1863 01:18:27,411 --> 01:18:30,706 WAIT, IS... IS HE HERE? 1864 01:18:30,747 --> 01:18:33,750 NO, HE WAS TO SET UP, 1865 01:18:30,747 --> 01:18:33,750 BUT THEN HE LEFT 1866 01:18:33,792 --> 01:18:36,086 BECAUSE HE FELT IT MIGHT 1867 01:18:33,792 --> 01:18:36,086 BE UNCOMFORTABLE 1868 01:18:36,128 --> 01:18:37,754 FOR YOU IF HE WAS HERE. 1869 01:18:40,049 --> 01:18:41,175 IT IS WHAT IT IS. 1870 01:18:42,009 --> 01:18:43,802 BUT IT DOESN'T HAVE TO BE. 1871 01:18:43,844 --> 01:18:45,513 IF YOU JUST TOLD HIM 1872 01:18:43,844 --> 01:18:45,513 THAT YOU LOVED HIM, THEN-- 1873 01:18:45,555 --> 01:18:48,641 KIM, I AM 1874 01:18:45,555 --> 01:18:48,641 WITH CARLTON NOW, OKAY? 1875 01:18:48,683 --> 01:18:51,686 HE'S CHANGED, 1876 01:18:48,683 --> 01:18:51,686 AND HE'S TRYING, WHICH IS-- 1877 01:18:51,727 --> 01:18:53,688 WHICH IS MORE 1878 01:18:51,727 --> 01:18:53,688 THAN I CAN SAY FOR DUSTIN. 1879 01:18:55,147 --> 01:18:56,982 OH, GOOD EVENING, LOVE! 1880 01:18:57,024 --> 01:19:02,196 YOU LOOK 1881 01:18:57,024 --> 01:19:02,196 ABSOLUTELY GORGEOUS. OH! 1882 01:19:02,238 --> 01:19:05,032 [BREATHES DEEPLY] GET ME A GLASS 1883 01:19:02,238 --> 01:19:05,032 OF WINE, WOULD YOU, DARLING? 1884 01:19:05,074 --> 01:19:09,245 OH, AND YOU NEED TO CONTACT 1885 01:19:05,074 --> 01:19:09,245 THE ARTS EDITOR 1886 01:19:05,074 --> 01:19:09,245 AT THE DAILY NEWS. 1887 01:19:09,286 --> 01:19:13,123 THE ARTICLE ABOUT ME WAS BOTTOM 1888 01:19:09,286 --> 01:19:13,123 OF FRONT PAGE AND NOT TOP. 1889 01:19:13,165 --> 01:19:16,001 REALLY? 1890 01:19:13,165 --> 01:19:16,001 THIS IS OUR ENGAGEMENT PARTY 1891 01:19:16,043 --> 01:19:18,295 AND YOU ARE STILL 1892 01:19:16,043 --> 01:19:18,295 BOSSING ME AROUND? 1893 01:19:18,337 --> 01:19:20,797 OH, I'M SORRY, DARLING, 1894 01:19:18,337 --> 01:19:20,797 I SHOULDN'T HAVE DONE THAT. 1895 01:19:20,839 --> 01:19:23,718 IT'S JUST THAT EVERY MOMENT 1896 01:19:20,839 --> 01:19:23,718 IS CRITICAL. 1897 01:19:23,759 --> 01:19:25,094 WE'RE OPENING TOMORROW NIGHT. 1898 01:19:25,135 --> 01:19:27,471 I'M SO SORRY, SWEETUMS, 1899 01:19:27,513 --> 01:19:30,683 I JUST SEE SOMEONE OVER THERE 1900 01:19:27,513 --> 01:19:30,683 THAT I ABSOLUTELY 1901 01:19:27,513 --> 01:19:30,683 HAVE TO SPEAK TO. 1902 01:19:30,725 --> 01:19:33,018 EXCUSE ME. 1903 01:19:42,945 --> 01:19:44,821 [SIGHS] 1904 01:19:53,664 --> 01:19:55,541 I DIDN'T TELL YOU 1905 01:19:55,583 --> 01:19:58,586 BECAUSE I DIDN'T KNOW WHAT WAS 1906 01:19:55,583 --> 01:19:58,586 GOING ON BETWEEN THEM BUT... 1907 01:19:58,628 --> 01:20:01,130 I SAW THEM GETTING COZY 1908 01:19:58,628 --> 01:20:01,130 THE OTHER DAY AT THE HOTEL 1909 01:20:01,171 --> 01:20:03,633 WHEN WE WERE SITTING 1910 01:20:01,171 --> 01:20:03,633 AT THE BAR. 1911 01:20:03,674 --> 01:20:06,552 OH, YOU MEAN WHEN WE WERE 1912 01:20:03,674 --> 01:20:06,552 HAVING A CONVERSATION 1913 01:20:06,594 --> 01:20:09,597 ABOUT THE IMPORTANCE 1914 01:20:06,594 --> 01:20:09,597 OF FINDING A MAN 1915 01:20:09,639 --> 01:20:11,641 WHO IS YOUR FRIEND? 1916 01:20:11,682 --> 01:20:13,559 A MAN WHO RESPECTS YOU? 1917 01:20:13,601 --> 01:20:15,436 YEAH, PRETTY MUCH. 1918 01:20:19,273 --> 01:20:20,941 WHERE ARE YOU GOING? 1919 01:20:20,983 --> 01:20:22,943 TO GIVE CARLTON 1920 01:20:20,983 --> 01:20:22,943 A PIECE OF MY MIND. 1921 01:20:22,985 --> 01:20:24,987 ARE YOU SURE? 1922 01:20:25,028 --> 01:20:27,906 OH, I AM MORE SURE THAN ANYTHING 1923 01:20:25,028 --> 01:20:27,906 I HAVE EVER DONE BEFORE. 1924 01:20:34,538 --> 01:20:36,373 WE ARE OFFICIALLY DONE. 1925 01:20:36,415 --> 01:20:39,835 [CHUCKLING] 1926 01:20:36,415 --> 01:20:39,835 I BEG YOUR PARDON? 1927 01:20:39,876 --> 01:20:42,588 THE SPARK IS GONE, CARLTON. 1928 01:20:42,630 --> 01:20:45,800 LOOK, I KNOW YOU LOVE ME, 1929 01:20:42,630 --> 01:20:45,800 AND I WILL ALWAYS LOVE YOU, 1930 01:20:45,841 --> 01:20:48,218 BUT AS A COUPLE, 1931 01:20:45,841 --> 01:20:48,218 WE DO NOT WORK. 1932 01:20:48,260 --> 01:20:50,680 I THOUGHT YOU WANTED TO TRY. 1933 01:20:50,721 --> 01:20:54,266 [GASPS] I DID, AND WE HAVEN'T 1934 01:20:50,721 --> 01:20:54,266 EVEN GONE A FULL DAY 1935 01:20:54,308 --> 01:20:57,561 AND WE'RE ALREADY BACK 1936 01:20:54,308 --> 01:20:57,561 TO THE WAY THINGS WERE 1937 01:20:54,308 --> 01:20:57,561 THAT NEEDED TO BE CHANGED. 1938 01:21:00,606 --> 01:21:03,150 I NEED A LOVE THAT DEEPENS 1939 01:21:03,192 --> 01:21:06,445 AND GROWS EACH DAY WITH 1940 01:21:03,192 --> 01:21:06,445 A PARTNER WHO RESPECTS ME 1941 01:21:06,487 --> 01:21:10,157 AND INSPIRES ME 1942 01:21:06,487 --> 01:21:10,157 AS MUCH AS I'D INSPIRE HIM. 1943 01:21:11,826 --> 01:21:16,997 CARLTON, YOU ARE AN AMAZING 1944 01:21:11,826 --> 01:21:16,997 DIRECTOR AND CHOREOGRAPHER. 1945 01:21:17,039 --> 01:21:18,915 YOU ARE AN AMAZING PERSON, 1946 01:21:18,957 --> 01:21:22,294 AND THE BALLET YOU CHOREOGRAPHED 1947 01:21:18,957 --> 01:21:22,294 WILL BE AMAZING. 1948 01:21:25,130 --> 01:21:27,090 BUT I'M NOT 1949 01:21:25,130 --> 01:21:27,090 GOING TO BE THERE. 1950 01:21:31,595 --> 01:21:33,389 GO BE AMAZING. 1951 01:21:36,016 --> 01:21:39,687 I... HOPE YOU FIND 1952 01:21:36,016 --> 01:21:39,687 THAT LOVE. 1953 01:21:50,906 --> 01:21:53,158 HEY, WHERE ARE YOU 1954 01:21:50,906 --> 01:21:53,158 GOING NOW? 1955 01:21:54,368 --> 01:21:56,537 BACK TO LOS ANGELES. 1956 01:21:59,832 --> 01:22:01,083 SHOULD WE...? SHOULD WE...? 1957 01:22:01,124 --> 01:22:02,459 -YEAH, WE SHOULD. YEAH. 1958 01:22:01,124 --> 01:22:02,459 -YEAH. YEAH. 1959 01:22:02,501 --> 01:22:04,837 -KAYLA! 1960 01:22:02,501 --> 01:22:04,837 -KAYLA! 1961 01:22:22,312 --> 01:22:24,189 -WHERE ARE YOU HEADED? 1962 01:22:22,312 --> 01:22:24,189 -THE AIRPORT. 1963 01:22:24,231 --> 01:22:26,692 AH. CAN I GET YOU A CAB? 1964 01:22:27,568 --> 01:22:28,778 NO. 1965 01:22:29,570 --> 01:22:30,613 WAIT. 1966 01:22:31,781 --> 01:22:33,198 YOU'RE CHANGING 1967 01:22:31,781 --> 01:22:33,198 YOUR MIND, HUH? 1968 01:22:35,242 --> 01:22:37,870 YEAH. 1969 01:22:37,912 --> 01:22:41,290 WHAT, DO YOU HAVE A PROBLEM 1970 01:22:37,912 --> 01:22:41,290 WITH A STRONG WOMAN? 1971 01:22:41,331 --> 01:22:43,793 [CHUCKLES] NOPE. 1972 01:22:47,337 --> 01:22:49,924 COME ON, BOY. COME HERE. 1973 01:22:51,508 --> 01:22:54,177 YOU DON'T WANT TO LIVE WITH 1974 01:22:51,508 --> 01:22:54,177 A WHOLE BUNCH OF CATS, DO YOU? 1975 01:22:58,766 --> 01:23:00,601 I AM BEING A CHICKEN, 1976 01:22:58,766 --> 01:23:00,601 AREN'T I? 1977 01:23:04,354 --> 01:23:06,356 I SHOULD GO GET HER? 1978 01:23:07,942 --> 01:23:09,276 LET'S DO THIS. 1979 01:23:09,318 --> 01:23:11,153 COME ON. 1980 01:23:32,007 --> 01:23:34,009 [ELEVATOR BELL DINGS] 1981 01:23:43,727 --> 01:23:46,021 [CLATTERING] 1982 01:23:46,062 --> 01:23:47,731 OH NO. 1983 01:23:47,773 --> 01:23:51,067 WHY DO I ALWAYS FORGET 1984 01:23:47,773 --> 01:23:51,067 TO TAKE THE STAIRS? 1985 01:23:52,152 --> 01:23:53,988 [SIGHS] 1986 01:23:55,531 --> 01:23:57,908 THE DAMN ELEVATOR! 1987 01:24:39,575 --> 01:24:40,951 WHAT'S WRONG? 1988 01:24:40,993 --> 01:24:43,161 THE ELEVATOR'S STUCK 1989 01:24:40,993 --> 01:24:43,161 FOR GOOD THIS TIME. 1990 01:24:43,203 --> 01:24:45,789 IT HASN'T MOVED 1991 01:24:43,203 --> 01:24:45,789 IN 30 MINUTES. 1992 01:24:48,918 --> 01:24:50,293 THANKS A LOT, ELEVATOR. 1993 01:24:51,754 --> 01:24:55,925 YOU BROUGHT THE MOST 1994 01:24:51,754 --> 01:24:55,925 INCREDIBLE WOMAN INTO MY LIFE, 1995 01:24:55,966 --> 01:24:58,176 AND NOW YOU'RE STOPPING ME 1996 01:24:55,966 --> 01:24:58,176 FROM GETTING TO HER. 1997 01:24:59,762 --> 01:25:01,513 DUSTIN? 1998 01:25:03,348 --> 01:25:06,476 [DUSTIN] I AM A CHICKEN, OKAY, 1999 01:25:03,348 --> 01:25:06,476 IS THAT WHAT YOU WANT TO HEAR? 2000 01:25:06,518 --> 01:25:10,564 I PRACTICALLY ROLLED OUT THE RED 2001 01:25:06,518 --> 01:25:10,564 CARPET FOR KAYLA TO LEAVE ME. 2002 01:25:10,606 --> 01:25:15,277 AND NOW WHEN I WANT 2003 01:25:10,606 --> 01:25:15,277 TO GO GET HER, TO STOP HER 2004 01:25:10,606 --> 01:25:15,277 FROM LEAVING, TO... 2005 01:25:16,361 --> 01:25:19,531 TO TELL HER 2006 01:25:16,361 --> 01:25:19,531 HOW AMAZING SHE IS... 2007 01:25:19,573 --> 01:25:22,701 AND HOW I WANT 2008 01:25:19,573 --> 01:25:22,701 TO SPEND TIME WITH HER, 2009 01:25:22,743 --> 01:25:26,663 LOVING HER, 2010 01:25:22,743 --> 01:25:26,663 BEING HER BEST FRIEND, 2011 01:25:26,705 --> 01:25:29,374 HER PARTNER IN CRIME, 2012 01:25:29,416 --> 01:25:31,835 YOU'RE FOILING MY EFFORTS! 2013 01:25:33,545 --> 01:25:36,048 THANKS A LOT, ELEVATOR. 2014 01:25:36,090 --> 01:25:38,008 WHO'S KAYLA? 2015 01:25:39,635 --> 01:25:41,470 I'M KAYLA. 2016 01:25:43,806 --> 01:25:47,017 [ELEVATOR ENGINE STARTS] 2017 01:25:43,806 --> 01:25:47,017 [GASPS] 2018 01:25:47,059 --> 01:25:49,227 THANK YOU, ELEVATOR. 2019 01:25:53,189 --> 01:25:54,524 [ELEVATOR BELL DINGS] 2020 01:26:00,072 --> 01:26:03,867 THE, UH... 2021 01:26:00,072 --> 01:26:03,867 THE ELEVATOR INTERCOM WAS ON. 2022 01:26:03,909 --> 01:26:05,494 YOU ALL HEARD THAT? 2023 01:26:05,535 --> 01:26:08,330 MM-HM. 2024 01:26:08,371 --> 01:26:09,832 I HEARD IT. 2025 01:26:11,166 --> 01:26:13,043 THAT'S WHAT MATTERS. 2026 01:26:15,587 --> 01:26:17,714 [KAYLA CHUCKLES] 2027 01:26:27,057 --> 01:26:29,518 [ALL SHOUTING] 2028 01:26:47,494 --> 01:26:49,371 WHAT'S WRONG? 2029 01:26:50,831 --> 01:26:54,292 I AM SO HAPPY 2030 01:26:50,831 --> 01:26:54,292 TO HAVE MET YOU. 2031 01:26:54,334 --> 01:26:57,171 YOU'RE THE MOST AMAZING WOMAN 2032 01:26:54,334 --> 01:26:57,171 I'VE EVER MET. 2033 01:27:00,007 --> 01:27:03,510 AND I NEVER KNEW I COULD FALL 2034 01:27:00,007 --> 01:27:03,510 IN LOVE WITH MY BEST FRIEND. 2035 01:27:09,850 --> 01:27:11,101 KAYLA HANSEN... 2036 01:27:13,145 --> 01:27:15,647 YOU ARE SO INCREDIBLE. 2037 01:27:15,689 --> 01:27:18,358 YOU MAKE ME WANT 2038 01:27:15,689 --> 01:27:18,358 TO BE A BETTER MAN. 2039 01:27:18,400 --> 01:27:20,443 AND, A BETTER CHEF! 2040 01:27:22,154 --> 01:27:26,491 I WAS LOST BEFORE I MET YOU 2041 01:27:22,154 --> 01:27:26,491 BUT YOU'VE MADE ME WHOLE. 2042 01:27:27,743 --> 01:27:29,203 YOU'VE GIVEN MY LIFE MEANING. 2043 01:27:29,244 --> 01:27:32,998 AND, I WANT TO SPEND EVERY 2044 01:27:29,244 --> 01:27:32,998 SINGLE DAY OF MY LIFE WITH YOU. 2045 01:27:35,792 --> 01:27:37,044 KAYLA ANNE HANSEN, 2046 01:27:38,212 --> 01:27:40,714 -WILL YOU MARRY ME? 2047 01:27:38,212 --> 01:27:40,714 -YES! YES! 2048 01:27:40,756 --> 01:27:42,382 I WILL! 2049 01:27:42,424 --> 01:27:45,177 I WILL, 2050 01:27:42,424 --> 01:27:45,177 DUSTIN MICHAEL CASEY! 2051 01:27:50,306 --> 01:27:54,310 ♪ ♪ 113528

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