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These are the user uploaded subtitles that are being translated: 1 00:00:01,710 --> 00:00:05,088 IN A TROPICAL FOREST IN NORTHERN COLOMBIA, 2 00:00:05,130 --> 00:00:08,216 ONE LITTLE MONKEY IS ALL ALONE. 3 00:00:11,261 --> 00:00:13,638 SHE’S EMBARKING ON A DANGEROUS QUEST 4 00:00:13,680 --> 00:00:17,392 TO FIND A NEW FAMILY AND A FUTURE MATE. 5 00:00:19,102 --> 00:00:21,771 THERE’S NO GUARANTEE SHE’LL MAKE IT. 6 00:00:21,813 --> 00:00:27,068 SHE’S IN UNFAMILIAR TERRITORY WITH PREDATORS ALL AROUND-- 7 00:00:27,194 --> 00:00:29,905 NO ONE TO HELP HER FIND FOOD 8 00:00:29,947 --> 00:00:31,907 AND NO ONE TO WATCH HER BACK. 9 00:00:31,949 --> 00:00:35,035 [HOWLING] 10 00:00:35,077 --> 00:00:37,997 SHE’S HUNGRY, TIRED AND LOST. 11 00:00:40,165 --> 00:00:42,584 BUT WHEN FAMILIAR FACES APPEAR, 12 00:00:42,626 --> 00:00:44,795 SHE COULD STILL SUFFER REJECTION. 13 00:00:44,836 --> 00:00:47,672 [SQUEALING] 14 00:00:47,714 --> 00:00:51,092 WITH NO HOPE OF SURVIVAL ON HER OWN, 15 00:00:51,260 --> 00:00:54,930 COULD THIS BE THE END OF THE LINE FOR YOUNG MONA? 16 00:00:55,681 --> 00:01:05,816 ♪ 17 00:01:05,816 --> 00:01:11,238 ♪ 18 00:01:15,993 --> 00:01:26,712 ♪ 19 00:01:26,753 --> 00:01:37,222 ♪ 20 00:01:37,264 --> 00:01:41,143 THIS IS MONA. 21 00:01:41,184 --> 00:01:44,187 AN ADOLESCENT COTTON-TOP TAMARIN. 22 00:01:44,229 --> 00:01:46,022 AT JUST 9 INCHES TALL, 23 00:01:46,064 --> 00:01:51,069 THEY’RE AMONG THE SMALLEST MONKEYS IN THE WORLD. 24 00:01:51,111 --> 00:01:55,782 THEY NORMALLY LIVE IN SMALL GROUPS OF ABOUT FOUR OR MORE, 25 00:01:55,824 --> 00:01:58,160 MADE UP OF A BREEDING PAIR, THEIR OFFSPRING, 26 00:01:58,285 --> 00:02:00,204 AND UNRELATED ADULTS. 27 00:02:03,332 --> 00:02:04,834 BUT MONA IS ON HER OWN. 28 00:02:04,875 --> 00:02:10,089 ♪ 29 00:02:10,130 --> 00:02:11,423 AT TWO YEARS OLD, 30 00:02:11,465 --> 00:02:16,095 SHE’S TAKEN HER FIRST BIG STEPS TOWARDS ADULTHOOD. 31 00:02:16,136 --> 00:02:20,182 YESTERDAY SHE LEFT THE SECURITY OF HER BIRTH FAMILY. 32 00:02:23,101 --> 00:02:24,894 BOTH MALE AND FEMALE COTTON-TOPS 33 00:02:24,936 --> 00:02:28,189 TYPICALLY MOVE INTO NEIGHBORING GROUPS, 34 00:02:28,231 --> 00:02:30,191 WHERE THEY HELP RAISE OTHERS’ YOUNG 35 00:02:30,233 --> 00:02:32,193 AND HOPE TO FIND A FUTURE MATE. 36 00:02:32,235 --> 00:02:38,199 ♪ 37 00:02:38,283 --> 00:02:41,203 BUT RIGHT NOW, MONA’S ALL ALONE 38 00:02:41,370 --> 00:02:43,831 IN AN UNFAMILIAR PART OF THE FOREST. 39 00:02:43,872 --> 00:02:53,006 ♪ 40 00:02:53,048 --> 00:02:58,178 SHE’S A TINY, VULNERABLE MONKEY IN A DANGEROUS WORLD. 41 00:02:58,220 --> 00:03:01,223 ♪ 42 00:03:01,348 --> 00:03:05,352 COTTON-TOPS ONLY LIVE IN ONE PLACE ON EARTH: 43 00:03:05,394 --> 00:03:08,856 THE TROPICAL FORESTS OF NORTHWESTERN COLOMBIA. 44 00:03:11,358 --> 00:03:13,235 BORDERED TO THE NORTH BY THE CARIBBEAN, 45 00:03:13,402 --> 00:03:15,237 THESE FORESTS RISE FROM SEA LEVEL 46 00:03:15,320 --> 00:03:19,282 TO COVER HILLS CLOSE TO 5,000 FEET HIGH. 47 00:03:19,324 --> 00:03:22,702 UNFORTUNATELY, IN THE PAST SIX DECADES 48 00:03:22,744 --> 00:03:25,956 MORE THAN THREE QUARTERS OF THE COTTON-TOP’S HABITAT 49 00:03:25,997 --> 00:03:27,665 HAS BEEN WIPED OUT. 50 00:03:27,708 --> 00:03:32,129 ♪ 51 00:03:32,170 --> 00:03:36,257 DEFORESTATION FOR AGRICULTURE, LOGGING AND URBAN DEVELOPMENT 52 00:03:36,466 --> 00:03:39,594 IS ONE OF THE BIGGEST THREATS TO THESE MONKEYS. 53 00:03:42,264 --> 00:03:45,309 ANOTHER IS THE ILLEGAL PET TRADE. 54 00:03:47,394 --> 00:03:52,274 BEING SMALL AND ADORABLE MAKES THEM APPEALING TO HUMANS, 55 00:03:52,315 --> 00:03:54,400 BUT AT A HUGE COST. 56 00:03:56,194 --> 00:04:00,281 BY THE EARLY 1970s, AS MANY AS 30,000 COTTON-TOPS 57 00:04:00,449 --> 00:04:03,118 HAD BEEN CAUGHT AND EXPORTED FROM COLOMBIA. 58 00:04:03,160 --> 00:04:08,749 ♪ 59 00:04:08,790 --> 00:04:12,419 WHILE COTTON-TOPS ARE NOW PROTECTED BY INTERNATIONAL LAW, 60 00:04:12,461 --> 00:04:15,464 THE ILLEGAL PET TRADE CONTINUES. 61 00:04:15,505 --> 00:04:22,762 ♪ 62 00:04:22,804 --> 00:04:24,264 [SQUEAK] 63 00:04:24,306 --> 00:04:27,309 TODAY COTTON-TOPS ARE ONE OF THE MOST ENDANGERED PRIMATES 64 00:04:27,434 --> 00:04:29,436 ON THE PLANET, 65 00:04:29,478 --> 00:04:33,941 WITH ONLY AN ESTIMATED 2,000 ADULTS LEFT IN THE WILD. 66 00:04:36,651 --> 00:04:40,113 [THUNDER] 67 00:04:40,155 --> 00:04:43,200 MONA IS ONE OF THE LUCKY ONES. 68 00:04:43,241 --> 00:04:47,328 SHE LIVES IN A PROTECTED RESERVE CALLED MONTES DE MARIA, 69 00:04:47,454 --> 00:04:49,915 WHICH COVERS ABOUT 28 SQUARE MILES. 70 00:04:52,626 --> 00:04:56,255 IT LIES JUST A FEW MILES FROM THE CARIBBEAN COAST, 71 00:04:56,296 --> 00:05:00,133 AND THE OCEAN HAS A MAJOR INFLUENCE ON THE CLIMATE HERE. 72 00:05:00,175 --> 00:05:01,343 [THUNDER] 73 00:05:01,551 --> 00:05:04,512 IT’S JUNE, THE START OF THE RAINY SEASON. 74 00:05:07,098 --> 00:05:10,351 FOR THE NEXT FIVE MONTHS, WINDS BLOWING IN FROM THE ATLANTIC 75 00:05:10,435 --> 00:05:13,355 WILL BRING WITH THEM MOISTURE-LADEN CLOUDS 76 00:05:13,396 --> 00:05:17,317 AND ALMOST 80 INCHES OF RAIN. 77 00:05:17,359 --> 00:05:19,361 COUPLED WITH WARM TEMPERATURES, 78 00:05:19,444 --> 00:05:23,239 THIS CAUSES PLANT LIFE TO EXPLODE, 79 00:05:23,281 --> 00:05:27,160 FILLING MONA’S HOME WITH A THICK UNDERSTORY OF SHRUBS 80 00:05:27,202 --> 00:05:32,374 AND TREES TOWERING MORE THAN 60 FEET ABOVE THE FOREST FLOOR. 81 00:05:32,415 --> 00:05:35,585 ♪ 82 00:05:35,627 --> 00:05:49,307 ♪ 83 00:05:49,349 --> 00:05:52,269 AGILE AND WEIGHING JUST 15 OUNCES, 84 00:05:52,310 --> 00:05:53,436 MONA’S PERFECTLY ADAPTED 85 00:05:53,478 --> 00:05:56,982 TO NAVIGATE THIS THREE-DIMENSIONAL MAZE. 86 00:05:58,692 --> 00:06:04,406 ♪ 87 00:06:04,447 --> 00:06:07,408 NO BRANCH IS TOO THICK... 88 00:06:07,450 --> 00:06:09,494 OR TOO THIN. 89 00:06:09,536 --> 00:06:15,125 SHE USES HER TAIL FOR BALANCE, 90 00:06:15,166 --> 00:06:20,129 AND LONG FINGERS, TOES AND CLAW-LIKE NAILS GRIP ON. 91 00:06:24,259 --> 00:06:30,015 BUT BEING SO SMALL DOES HAVE SOME DRAWBACKS. 92 00:06:30,056 --> 00:06:33,434 WITH A HEAD AND BODY ONLY NINE INCHES LONG, 93 00:06:33,602 --> 00:06:35,437 GAPS BETWEEN TREES AND BRANCHES 94 00:06:35,645 --> 00:06:38,606 ARE OFTEN TOO BIG TO STEP ACROSS... 95 00:06:38,648 --> 00:06:43,278 ♪ 96 00:06:43,320 --> 00:06:47,324 SO LEAPING IS OFTEN THE BEST WAY TO TRAVEL THROUGH THE FOREST. 97 00:06:47,365 --> 00:06:50,410 ♪ 98 00:06:56,666 --> 00:07:02,463 MONA’S NOT THE ONLY COTTON-TOP WHO LIVES IN THIS RESERVE. 99 00:07:02,547 --> 00:07:05,133 [CHIRPING] 100 00:07:05,175 --> 00:07:09,596 TWO MILES AWAY, A FAMILY OF COTTON-TOPS IS WAKING UP. 101 00:07:09,638 --> 00:07:13,475 ♪ 102 00:07:13,642 --> 00:07:16,478 AT THE HEAD OF THE FAMILY IS A BREEDING PAIR, 103 00:07:16,645 --> 00:07:20,357 BELLA AND CARLOS, BOTH EIGHT YEARS OLD. 104 00:07:24,027 --> 00:07:27,656 SIX WEEKS AGO, TIMED WITH THE FRUITFUL RAINY SEASON, 105 00:07:27,697 --> 00:07:30,491 BELLA GAVE BIRTH TO NON-IDENTICAL TWINS, 106 00:07:30,700 --> 00:07:33,870 WHICH ARE COMMON AMONG COTTON-TOPS. 107 00:07:33,912 --> 00:07:36,206 [CHIRPING] 108 00:07:36,247 --> 00:07:40,418 BOTH PARENTS SHARE THE LOAD-- BELLA SUCKLING THEM, 109 00:07:40,460 --> 00:07:42,003 AND CARLOS TAKING THE LEAD 110 00:07:42,045 --> 00:07:46,174 CARRYING THEM AROUND THEIR TREETOP HOME. 111 00:07:46,216 --> 00:07:49,428 RAISING TWO BABIES AT ONCE IS HARD WORK... 112 00:07:51,388 --> 00:07:56,685 BUT LUCKILY THESE PARENTS HAVE A HELPING HAND-- 113 00:07:56,726 --> 00:07:59,854 THEIR THREE-YEAR-OLD ADULT SON, PABLO. 114 00:08:01,690 --> 00:08:03,525 IT’S NOT UNCOMMON FOR COTTON-TOPS 115 00:08:03,608 --> 00:08:06,486 TO STAY WITH THEIR PARENTS FOR A FEW YEARS 116 00:08:06,528 --> 00:08:09,698 AND HELP RAISE THEIR SIBLINGS. 117 00:08:09,739 --> 00:08:12,575 FOR PABLO, IT’S VALUABLE PRACTICE 118 00:08:12,617 --> 00:08:16,454 FOR WHEN HE HAS A FAMILY OF HIS OWN. 119 00:08:16,496 --> 00:08:17,664 HIS EXTRA EYES AND EARS 120 00:08:17,747 --> 00:08:22,335 ALSO HELP THE TROOP STAY SAFE AND WELL-FED. 121 00:08:22,377 --> 00:08:26,298 THE ENTIRE FAMILY WORKS AS A COOPERATIVE UNIT, 122 00:08:26,339 --> 00:08:30,093 BUT BELLA IS THE BOSS. 123 00:08:30,135 --> 00:08:33,555 SHE MAKES ALL THE IMPORTANT DECISIONS, 124 00:08:33,596 --> 00:08:36,015 LIKE WHICH TREE TO SLEEP IN, 125 00:08:36,057 --> 00:08:39,644 WHERE THE FAMILY GOES EACH DAY, AND WHAT TO FEED ON. 126 00:08:42,063 --> 00:08:43,606 AND SHE LETS THE REST OF THE TROOP KNOW 127 00:08:43,648 --> 00:08:45,692 EXACTLY WHAT SHE’S THINKING 128 00:08:45,734 --> 00:08:50,572 WITH A CONSTANT STREAM OF CHIRPS, WHISTLES AND TWITTERS. 129 00:08:50,655 --> 00:08:53,449 [WHISTLING] 130 00:08:53,491 --> 00:08:57,120 EVEN BY PRIMATE STANDARDS, COTTON-TOP TAMARINS DISPLAY 131 00:08:57,162 --> 00:09:00,582 INCREDIBLY COMPLEX COMMUNICATION. 132 00:09:00,623 --> 00:09:04,502 ADULTS PRODUCE NEARLY 40 DISTINCT SOUNDS, 133 00:09:04,544 --> 00:09:06,463 EACH WITH ITS OWN MEANING. 134 00:09:06,504 --> 00:09:07,588 [SQUEAKING] 135 00:09:07,756 --> 00:09:08,966 THERE ARE GREETINGS... 136 00:09:09,007 --> 00:09:10,509 [CHIRPING] 137 00:09:10,550 --> 00:09:11,593 AND WARNINGS. 138 00:09:11,801 --> 00:09:13,594 [SQUAWKING] 139 00:09:13,678 --> 00:09:16,598 THEY EVEN HAVE A CALL TO IDENTIFY HUMANS. 140 00:09:16,639 --> 00:09:19,725 [CHIRPING] 141 00:09:19,768 --> 00:09:22,271 BUT IT’S NOT JUST THEIR RICH VOCABULARY 142 00:09:22,312 --> 00:09:26,608 THAT MAKES THESE MONKEYS GREAT COMMUNICATORS. 143 00:09:26,775 --> 00:09:28,443 BY COMBINING CALLS, 144 00:09:28,485 --> 00:09:31,613 COTTON-TOPS HAVE THEIR OWN SOPHISTICATED LANGUAGE, 145 00:09:31,654 --> 00:09:36,492 ALLOWING THEM TO SEND COMPLEX MESSAGES TO EACH OTHER. 146 00:09:36,534 --> 00:09:38,536 [CHIRPING] 147 00:09:38,578 --> 00:09:40,205 THIS COMES IN VERY HANDY, 148 00:09:40,246 --> 00:09:45,251 ESPECIALLY WITH THE MORNING CHALLENGE: FINDING FOOD. 149 00:09:46,628 --> 00:09:48,255 THE FAMILY SPREADS OUT AMONG THE TREES 150 00:09:48,296 --> 00:09:51,633 TO COVER MORE GROUND IN THE SEARCH FOR BREAKFAST. 151 00:09:51,800 --> 00:09:54,594 [CHIRPING] 152 00:09:54,636 --> 00:09:56,596 BELLA KEEPS IN TOUCH WITH CHIRPS 153 00:09:56,638 --> 00:09:59,641 TO LET THE FAMILY KNOW WHERE SHE IS. 154 00:09:59,808 --> 00:10:01,351 [WHISTLING] 155 00:10:01,392 --> 00:10:05,354 A SPECIFIC WHISTLE LETS THEM KNOW SHE’S LOOKING FOR FOOD. 156 00:10:05,396 --> 00:10:07,231 [WHISTLING] 157 00:10:07,273 --> 00:10:10,193 WITH SMALL BODIES AND FAST METABOLISMS, 158 00:10:10,235 --> 00:10:13,739 THEY NEED LOTS OF HIGH-ENERGY NUTRITION TO KEEP THEM GOING, 159 00:10:13,780 --> 00:10:17,534 SO THEY LOOK FOR FRUIT, INSECTS, TREE SAP, 160 00:10:17,575 --> 00:10:20,078 OR EVEN FROGS AND SMALL REPTILES. 161 00:10:20,120 --> 00:10:24,666 ♪ 162 00:10:24,707 --> 00:10:26,667 BELLA’S IN LUCK. 163 00:10:26,793 --> 00:10:29,629 RIPE BERRIES ARE THE PERFECT SUGAR-RICH SNACK. 164 00:10:29,671 --> 00:10:33,383 [CHIRPING] 165 00:10:33,424 --> 00:10:35,676 IT’S TIME TO ALERT THE OTHERS. 166 00:10:35,718 --> 00:10:39,680 [CHIRPING] 167 00:10:39,848 --> 00:10:41,683 A DIFFERENT COMBINATION OF CALLS 168 00:10:41,766 --> 00:10:45,687 LETS THEM KNOW SHE’S ON TO SOMETHING, 169 00:10:45,770 --> 00:10:47,689 AND THEY SHOULD COME AND JOIN THE FEAST. 170 00:10:47,772 --> 00:10:52,485 [CHIRPING] 171 00:10:52,527 --> 00:10:55,697 GOOD NEWS TRAVELS FAST. 172 00:10:55,864 --> 00:10:58,450 [SQUEALING] 173 00:10:58,491 --> 00:11:03,162 [CHIRPING] 174 00:11:03,204 --> 00:11:05,164 THE TWINS MIGHT NOT YET UNDERSTAND 175 00:11:05,206 --> 00:11:08,167 THEIR PARENTS’ EVERY CHIRP, WHISTLE AND TRILL, 176 00:11:08,209 --> 00:11:10,712 BUT THE MORE THEY HEAR, THE MORE THEY LEARN. 177 00:11:10,795 --> 00:11:18,720 [CHIRPING] 178 00:11:18,803 --> 00:11:27,395 ♪ 179 00:11:27,437 --> 00:11:35,487 ♪ 180 00:11:35,528 --> 00:11:39,240 IT’S TIME FOR MONA TO START A FAMILY OF HER OWN. 181 00:11:41,826 --> 00:11:44,454 BUT HER OWN GROUP HAD NO UNRELATED MALES 182 00:11:44,495 --> 00:11:46,247 FOR HER TO MATE WITH. 183 00:11:48,958 --> 00:11:50,835 NOW SHE’S ON A RISKY JOURNEY 184 00:11:50,877 --> 00:11:53,963 WHILE SHE SEARCHES FOR ANOTHER FAMILY TO JOIN. 185 00:11:54,005 --> 00:11:59,469 ♪ 186 00:11:59,510 --> 00:12:03,764 IT WAS A DANGEROUS DECISION TO EXILE HERSELF. 187 00:12:03,848 --> 00:12:06,768 BEING ALONE WITH NO ONE HELPING TO KEEP WATCH, 188 00:12:06,851 --> 00:12:09,020 SHE’S INCREDIBLY VULNERABLE. 189 00:12:09,062 --> 00:12:10,397 ♪ 190 00:12:10,438 --> 00:12:12,774 AS SHE MAKES HER WAY THROUGH THE FOREST, 191 00:12:12,941 --> 00:12:15,944 HER LONG WHISTLE TELLS OTHERS THAT SHE’S ALONE 192 00:12:15,985 --> 00:12:18,613 AND SEARCHING FOR COMPANY. 193 00:12:18,655 --> 00:12:21,575 [WHISTLING] 194 00:12:21,616 --> 00:12:26,788 THIS MIGHT ATTRACT UNWANTED ATTENTION FROM PREDATORS, 195 00:12:26,913 --> 00:12:29,165 BUT IT’S A RISK SHE MUST TAKE. 196 00:12:29,207 --> 00:12:31,793 [WHISTLING] 197 00:12:31,834 --> 00:12:33,794 SHE LISTENS FOR A RESPONSE. 198 00:12:33,836 --> 00:12:39,800 [GUTTURAL HOWLING] 199 00:12:39,884 --> 00:12:43,554 THIS CALL ISN’T WHAT SHE WAS HOPING FOR. 200 00:12:43,596 --> 00:12:45,598 ♪ 201 00:12:45,640 --> 00:12:49,978 [HOWLING] 202 00:12:50,019 --> 00:12:52,813 IT’S A TROOP OF RED HOWLER MONKEYS. 203 00:12:52,855 --> 00:12:56,776 [GRUNTING] 204 00:12:56,818 --> 00:12:59,529 MONA HAS ENTERED THEIR TERRITORY. 205 00:12:59,570 --> 00:13:10,623 [HOWLING] 206 00:13:10,665 --> 00:13:13,668 THESE ARE THE LOUDEST ANIMALS IN SOUTH AMERICA, 207 00:13:13,710 --> 00:13:17,839 THEIR VOICES CARRYING UP TO THREE MILES ACROSS THE FOREST. 208 00:13:17,880 --> 00:13:21,550 [HOWLING] 209 00:13:21,592 --> 00:13:25,554 THEIR CALLS WARN OTHER TROOPS OF THEIR PRESENCE. 210 00:13:25,596 --> 00:13:28,390 IT’S A WAY OF STAKING THEIR CLAIM TO TERRITORY, 211 00:13:28,433 --> 00:13:32,187 WHILE AVOIDING VIOLENT CLASHES WITH NEIGHBORING TROOPS. 212 00:13:37,317 --> 00:13:38,860 [GRUNTING] 213 00:13:38,943 --> 00:13:41,195 THEY NORMALLY CALL AT DAWN AND DUSK... 214 00:13:41,237 --> 00:13:42,780 [GRUNTING] 215 00:13:42,822 --> 00:13:47,827 BUT THIS MORNING THEY’RE HOWLING BECAUSE THERE’S DANGER BELOW. 216 00:13:47,869 --> 00:13:52,499 [HOWLING] 217 00:13:52,540 --> 00:13:56,377 A TEN-FOOT-LONG BOA CONSTRICTOR SILENTLY GLIDES 218 00:13:56,419 --> 00:13:59,797 ACROSS THE FOREST FLOOR LOOKING FOR BREAKFAST. 219 00:13:59,839 --> 00:14:02,884 [HOWLING] 220 00:14:03,051 --> 00:14:05,887 ALTHOUGH IT WOULD NORMALLY FEED ON SMALLER MAMMALS, 221 00:14:05,928 --> 00:14:07,888 THE HOWLERS DON’T WANT THIS PREDATOR 222 00:14:08,056 --> 00:14:10,392 ANYWHERE NEAR THEIR TERRITORY. 223 00:14:10,433 --> 00:14:13,895 [HOWLING] 224 00:14:14,062 --> 00:14:17,649 FOR TINY COTTON-TOP TAMARIN LIKE MONA, 225 00:14:17,690 --> 00:14:22,904 AN ADULT BOA IS A MAJOR THREAT. 226 00:14:22,945 --> 00:14:25,698 IT COULD EASILY SWALLOW HER WHOLE. 227 00:14:25,740 --> 00:14:31,537 [MONKEYS GRUNTING] 228 00:14:31,579 --> 00:14:34,916 THE HOWLER MONKEYS’ ALARM CALLS ARE A REMINDER 229 00:14:34,957 --> 00:14:37,918 THAT ON HER OWN, SHE’S VULNERABLE. 230 00:14:38,127 --> 00:14:39,962 SHE DESPERATELY NEEDS THE SECURITY 231 00:14:40,004 --> 00:14:44,091 OF A FAMILY OF HER OWN KIND, AND FAST. 232 00:14:44,967 --> 00:14:51,932 ♪ 233 00:14:52,100 --> 00:14:56,938 ARMY ANTS... AND THEY’RE ON THE MARCH. 234 00:14:57,021 --> 00:15:02,610 ♪ 235 00:15:02,652 --> 00:15:08,950 THEY WORK AS A TEAM, SCOURING THE UNDERGROWTH FOR THEIR PREY. 236 00:15:09,158 --> 00:15:11,744 WITH AN ARMY UP TO 200,000 STRONG 237 00:15:11,786 --> 00:15:13,955 ALL LOOKING FOR FOOD, 238 00:15:14,080 --> 00:15:15,582 IT’S THE LARGEST EATING MACHINE 239 00:15:15,623 --> 00:15:19,127 THAT SHARES THE COTTON-TOPS’ TERRITORY. 240 00:15:19,168 --> 00:15:21,962 THESE ANTS SPEND THEIR ENTIRE LIVES ON THE MOVE 241 00:15:22,130 --> 00:15:26,635 TO MAXIMIZE THEIR CHANCES OF CAPTURING PREY. 242 00:15:26,676 --> 00:15:29,971 INSTEAD OF BUILDING A NEST IN A SINGLE LOCATION, 243 00:15:30,179 --> 00:15:35,476 WORKER ANTS CREATE A MOBILE HOME CALLED A BIVOUAC. 244 00:15:35,518 --> 00:15:39,939 IT’S A SORT OF LIVING NEST THEY MAKE OUT OF THEIR OWN BODIES. 245 00:15:39,981 --> 00:15:41,733 IT’S A HIGHLY ORGANIZED STRUCTURE, 246 00:15:41,774 --> 00:15:44,694 PROTECTING THE QUEEN, HER EGGS, AND HER LARVAE. 247 00:15:47,029 --> 00:15:49,990 FROM HERE, THE REST OF THE WORKER ANTS 248 00:15:50,032 --> 00:15:51,951 LAUNCH THEIR DAILY HUNTING RAIDS 249 00:15:51,993 --> 00:15:54,037 IN SEARCH OF PROTEIN-RICH FOOD. 250 00:15:57,498 --> 00:16:00,001 THE ANTS MAY BE LESS THAN HALF AN INCH LONG, 251 00:16:00,168 --> 00:16:02,003 BUT AS PART OF A CARNIVOROUS WAVE 252 00:16:02,086 --> 00:16:06,132 UP TO 60 FEET ACROSS AND 300 FEET IN LENGTH, 253 00:16:06,174 --> 00:16:08,968 THEY CAN OVERCOME AND CONSUME ANIMALS 254 00:16:09,010 --> 00:16:11,221 HUNDREDS OF TIMES THEIR SIZE. 255 00:16:14,056 --> 00:16:18,602 ON THE FOREST FLOOR, THERE IS NO SAFE HAVEN. 256 00:16:19,937 --> 00:16:24,900 THIS SPIDER MAY BE MUCH LARGER THAN A SINGLE ANT, 257 00:16:24,942 --> 00:16:29,029 BUT IT HAS NO DEFENSE AGAINST THE OVERWHELMING SWARM. 258 00:16:29,197 --> 00:16:32,575 THE FEROCIOUS FEMALES ATTACK WITH THEIR MANDIBLES 259 00:16:32,617 --> 00:16:35,537 AND INJECT IT WITH A LETHAL COCKTAIL OF CHEMICALS 260 00:16:35,578 --> 00:16:37,914 THAT DISSOLVE THE SPIDER’S FLESH. 261 00:16:41,083 --> 00:16:46,130 THEY CAN OVERPOWER SCORPIONS, TARANTULAS AND EVEN LIZARDS. 262 00:16:47,089 --> 00:16:49,049 ON THIS DAY-LONG RAID ALONE, 263 00:16:49,091 --> 00:16:53,053 THEY COULD CAPTURE UP TO 30,000 INSECTS. 264 00:16:53,095 --> 00:16:55,180 ANYTHING BIGGER, LIKE A COTTON-TOP, 265 00:16:55,223 --> 00:16:58,059 COULD GET HUNDREDS OF PAINFUL BITES. 266 00:16:58,226 --> 00:17:01,062 [CHIRPING] 267 00:17:01,145 --> 00:17:03,939 SO THE FAMILY WATCHES FROM THE TREES, 268 00:17:03,981 --> 00:17:08,068 READY TO JUMP TO SAFETY IF THE ANTS START TO CLIMB. 269 00:17:08,194 --> 00:17:14,117 [CHIRPING] 270 00:17:20,665 --> 00:17:24,794 HALF A MILE AWAY, MONA IS STILL SEARCHING FOR FOOD. 271 00:17:29,006 --> 00:17:32,176 WITHOUT TROOP-MATES TO HELP HER SCOUR THE TREETOPS, 272 00:17:32,218 --> 00:17:37,098 SHE RESORTS TO EATING WHATEVER SHE CAN FIND ALONE. 273 00:17:37,139 --> 00:17:40,309 SHE SEARCHES FOR BUGS AMONG DEAD LEAVES. 274 00:17:45,189 --> 00:17:52,780 ♪ 275 00:17:52,822 --> 00:17:58,828 BY HERSELF, SHE NEEDS TO STAY ALERT AT ALL TIMES, 276 00:17:58,869 --> 00:18:00,871 EVEN WHILE SHE FEEDS. 277 00:18:00,913 --> 00:18:11,298 ♪ 278 00:18:11,340 --> 00:18:14,134 FOR A SOCIAL MONKEY LIKE A COTTON-TOP, 279 00:18:14,176 --> 00:18:17,304 SOLITUDE IS BOTH STRESSFUL AND EXHAUSTING. 280 00:18:24,270 --> 00:18:29,984 STILL HUNGRY, SHE KEEPS UP HER LONELY WHISTLE 281 00:18:30,026 --> 00:18:32,111 IN THE HOPE OF FINDING OTHERS. 282 00:18:32,153 --> 00:18:38,951 ♪ 283 00:18:38,993 --> 00:18:40,661 BUT SHE NEEDS TO FIND SHELTER 284 00:18:40,703 --> 00:18:43,080 WHERE SHE CAN REST FOR THE NIGHT. 285 00:18:43,122 --> 00:18:49,879 ♪ 286 00:18:49,920 --> 00:18:54,758 WHILE MONA SLEEPS IN THE TREES, ANOTHER FOREST CREATURE APPEARS. 287 00:18:55,843 --> 00:19:02,850 ♪ 288 00:19:02,892 --> 00:19:13,194 ♪ 289 00:19:13,319 --> 00:19:15,363 IT’S A RED-FOOTED TORTOISE. 290 00:19:18,157 --> 00:19:21,202 SHE’S GOT COMPANY. 291 00:19:21,410 --> 00:19:25,122 IT’S A YOUNGSTER, BUT NOT ONE OF HERS. 292 00:19:25,164 --> 00:19:30,211 UNLIKE MONKEYS, THESE REPTILES DON’T CARE FOR THEIR YOUNG. 293 00:19:30,336 --> 00:19:32,880 BUT THEY’RE NOT ANTI-SOCIAL, 294 00:19:32,922 --> 00:19:36,217 AND THE ADULT DOESN’T MIND THE SMALLER TORTOISE FOLLOWING HER 295 00:19:36,300 --> 00:19:39,220 AS SHE SEARCHES FOR FOOD, 296 00:19:39,261 --> 00:19:43,724 WHETHER IT BE FRUITS, LEAVES OR SHOOTS. 297 00:19:46,143 --> 00:19:50,189 THESE DOCILE CREATURES CAN LIVE FOR 30 YEARS OR MORE 298 00:19:50,231 --> 00:19:52,400 AND GROW UP TO 20 INCHES LONG. 299 00:19:55,820 --> 00:20:00,074 BUT WITH A TOP SPEED THAT BARELY HITS 100 YARDS PER HOUR, 300 00:20:00,116 --> 00:20:04,203 FINDING ENOUGH FOOD ON THE FOREST FLOOR CAN TAKE SOME TIME. 301 00:20:08,749 --> 00:20:12,211 A FRESH FLOWER IS A SNACK TO SAVOR. 302 00:20:12,253 --> 00:20:18,217 ♪ 303 00:20:18,259 --> 00:20:20,928 BUT SOMETHING SPOOKS HER. 304 00:20:23,305 --> 00:20:26,266 PLAYING IT SAFE, BOTH TORTOISES TAKE COVER 305 00:20:26,308 --> 00:20:29,144 INSIDE THEIR HARD, KERATINOUS SHELLS. 306 00:20:30,438 --> 00:20:34,233 HUNTING IN THE BRANCHES ABOVE THEM IS A TAMANDUA: 307 00:20:34,275 --> 00:20:37,195 A 4-FOOT-LONG TREE-CLIMBING ANTEATER. 308 00:20:38,904 --> 00:20:42,449 BUT IT’S NOT INTERESTED IN THE TORTOISES. 309 00:20:42,491 --> 00:20:46,245 IT’S SEARCHING FOR ANTS OR TERMITES, 310 00:20:46,287 --> 00:20:47,955 USING ITS ELONGATED NOSE 311 00:20:47,997 --> 00:20:52,126 TO SNIFF OUT TELL-TALE CHEMICAL TRAILS IN THE DARKNESS. 312 00:20:52,168 --> 00:21:02,303 ♪ 313 00:21:02,428 --> 00:21:04,430 REASSURED, THE RED-FOOTED TORTOISES 314 00:21:04,472 --> 00:21:09,310 GET BACK TO BUSINESS... 315 00:21:09,477 --> 00:21:11,312 SLOWLY. 316 00:21:11,395 --> 00:21:19,445 ♪ 317 00:21:19,487 --> 00:21:23,282 IN ANOTHER PATCH OF UNDERGROWTH, 318 00:21:23,324 --> 00:21:24,450 FALLEN FRUIT IS SUSTAINING 319 00:21:24,492 --> 00:21:27,787 A VERY DIFFERENT FORAGER OF THE NIGHT. 320 00:21:32,124 --> 00:21:33,667 A MILLIPEDE. 321 00:21:35,961 --> 00:21:39,882 DESPITE ITS NAME, IT ONLY HAS A FEW HUNDRED FEET. 322 00:21:44,845 --> 00:21:48,265 BUT IT DOES HAVE AN ANCIENT LINEAGE. 323 00:21:48,307 --> 00:21:53,896 THESE ARTHROPODS FIRST APPEARED MORE THAN 400 MILLION YEARS AGO, 324 00:21:53,938 --> 00:21:57,358 MAKING THEM ONE OF THE OLDEST KNOWN ANIMALS ON LAND. 325 00:22:02,238 --> 00:22:04,323 IT’S GOT COMPANY. 326 00:22:04,365 --> 00:22:09,996 ♪ 327 00:22:10,037 --> 00:22:13,374 ANOTHER ARTHROPOD WITH AN ANCIENT HERITAGE. 328 00:22:13,457 --> 00:22:25,386 ♪ 329 00:22:25,427 --> 00:22:27,930 A BLUE LAND CRAB. 330 00:22:30,516 --> 00:22:33,519 IT LIVES OVER A MILE FROM THE SEA, 331 00:22:33,561 --> 00:22:36,981 BUT THANKS TO FREQUENT RAIN AND DAMP SOIL, 332 00:22:37,022 --> 00:22:39,399 IT’S ABLE TO SURVIVE HERE IN THE FOREST. 333 00:22:41,986 --> 00:22:46,532 IT’S A MALE, AND HE’S CLOSING IN ON HIS NEXT MEAL. 334 00:22:50,494 --> 00:22:55,290 THE BLUE CRAB IS AFTER THE FRUIT, NOT THE MILLIPEDE. 335 00:23:06,552 --> 00:23:09,430 UNLIKE HIS CARNIVOROUS MARINE COUSINS, 336 00:23:09,471 --> 00:23:11,431 THIS LAND CRAB IS AN HERBIVORE, 337 00:23:11,599 --> 00:23:15,311 FEASTING ON FRUIT, FLOWERS AND LEAVES. 338 00:23:17,313 --> 00:23:18,606 FEEDING TIME OVER, 339 00:23:18,647 --> 00:23:22,359 THE CRAB RETREATS TO HIS BURROW DEEP UNDERGROUND, 340 00:23:22,401 --> 00:23:26,363 WHERE HE CAN SHELTER FROM THE HEAT AS A NEW DAY DAWNS. 341 00:23:27,448 --> 00:23:33,162 [MONKEYS HOWLING] 342 00:23:33,203 --> 00:23:37,332 AS THE SUN RISES, THE COLOMBIAN FOREST COMES TO LIFE. 343 00:23:39,668 --> 00:23:41,587 THE DAY SHIFT BEGINS. 344 00:23:41,629 --> 00:23:53,516 [MONKEYS HOWLING] 345 00:23:53,557 --> 00:23:56,477 HOWLER MONKEYS FINISH THEIR DAWN CHORUS 346 00:23:56,560 --> 00:23:58,604 AND SET OUT IN SEARCH OF BREAKFAST. 347 00:24:01,565 --> 00:24:03,192 WEIGHING UP TO 16 POUNDS, 348 00:24:03,233 --> 00:24:07,487 THEY’RE 14 TIMES LARGER THAN THE COTTON-TOP TAMARINS. 349 00:24:09,114 --> 00:24:11,033 WHILE THEIR SMALLER, FASTER COUSINS 350 00:24:11,075 --> 00:24:15,371 RELY ON HIGH ENERGY FOODS SUCH AS INSECTS AND BERRIES, 351 00:24:15,412 --> 00:24:19,499 HOWLERS MAINLY EAT LEAVES, LIKE THOSE OF THE CECROPIA TREE. 352 00:24:24,088 --> 00:24:26,507 TO COMPENSATE FOR THEIR LOW-ENERGY DIET, 353 00:24:26,715 --> 00:24:29,509 THEY TAKE A RATHER RELAXED APPROACH TO LIFE, 354 00:24:29,677 --> 00:24:32,638 RESTING FOR UP TO 15 HOURS A DAY. 355 00:24:37,267 --> 00:24:41,313 ♪ 356 00:24:41,355 --> 00:24:45,317 THEIR PREHENSILE TAILS HELP THEM NAVIGATE THE TREETOPS. 357 00:24:45,359 --> 00:24:48,529 ♪ 358 00:24:48,654 --> 00:24:50,531 NAKED AND RIDGED ON THE UNDERSIDE, 359 00:24:50,739 --> 00:24:52,241 LIKE A FINGERPRINT, 360 00:24:52,282 --> 00:24:55,452 THEY PROVIDE A FINGER-LIKE GRIP ON BRANCHES... 361 00:24:55,494 --> 00:24:58,539 ♪ 362 00:24:58,580 --> 00:25:00,874 PERFECT FOR EXTRA BALANCE... 363 00:25:00,916 --> 00:25:05,421 ♪ 364 00:25:05,462 --> 00:25:07,255 OR FOR CLOSING A GAP... 365 00:25:07,297 --> 00:25:11,551 ♪ 366 00:25:11,760 --> 00:25:14,721 AND EVEN FOR THE OCCASIONAL ITCH. 367 00:25:14,763 --> 00:25:17,516 ♪ 368 00:25:17,558 --> 00:25:22,438 WHILE THE HOWLERS ARE WELL INTO THEIR BREAKFAST RUN, 369 00:25:22,479 --> 00:25:26,358 IN A NEIGHBORING TREE, ONE FAMILY IS SLEEPING LATE. 370 00:25:26,859 --> 00:25:31,572 ♪ 371 00:25:31,697 --> 00:25:32,740 BELLA AND CARLOS’S BROOD 372 00:25:32,781 --> 00:25:36,493 HAVE SPENT A COMFORTABLE NIGHT TOGETHER. 373 00:25:36,535 --> 00:25:40,581 IT’S AN HOUR AFTER DAWN BEFORE THEY FEEL THE NEED TO RISE. 374 00:25:40,664 --> 00:25:44,293 [CHIRPING] 375 00:25:44,334 --> 00:25:48,588 THEIR MORNING SLEEP-IN ISN’T OUT OF LAZINESS. 376 00:25:48,714 --> 00:25:53,302 IT’S A STRATEGY TO AVOID THEIR DEADLY ENEMIES, 377 00:25:53,343 --> 00:25:56,972 AS MANY PREDATORS HUNT MAINLY AT DUSK AND DAWN. 378 00:25:57,014 --> 00:26:10,736 [CHIRPING] 379 00:26:10,778 --> 00:26:14,657 ♪ 380 00:26:14,698 --> 00:26:20,621 GROOMING IS ALWAYS A GOOD WAY TO START THE DAY. 381 00:26:20,662 --> 00:26:23,290 IT HELPS TO KEEP PARASITES AT BAY 382 00:26:23,332 --> 00:26:26,627 AND ALSO REINFORCES BONDS WITHIN THE TROOP. 383 00:26:26,710 --> 00:26:31,924 [CHIRPING] 384 00:26:36,178 --> 00:26:40,641 A SHARED PERFUME ALSO PROVIDES A SENSE OF COLLECTIVE IDENTITY. 385 00:26:40,682 --> 00:26:43,226 [CHIRPING] 386 00:26:43,268 --> 00:26:48,565 THEY MARK THEIR TERRITORY WITH SCENT FROM ANAL GLANDS 387 00:26:48,607 --> 00:26:51,652 AND URINE. 388 00:26:51,693 --> 00:26:54,571 THESE CHEMICAL MESSAGES REASSURE THE FAMILY 389 00:26:54,613 --> 00:26:57,491 THAT THIS IS THEIR TERRITORY 390 00:26:57,533 --> 00:26:58,659 AND LETS OTHER COTTON-TOPS KNOW 391 00:26:58,700 --> 00:27:01,870 THEY’VE ENTERED ANOTHER TROOP’S PATCH. 392 00:27:04,790 --> 00:27:07,418 AT 6 WEEKS OLD, THE TWINS ARE STARTING TO TAKE 393 00:27:07,459 --> 00:27:10,504 THEIR FIRST INDEPENDENT STEPS IN THE FOREST. 394 00:27:10,546 --> 00:27:17,344 ♪ 395 00:27:17,386 --> 00:27:18,929 THEY PLAY AND PRACTICE, 396 00:27:18,971 --> 00:27:22,641 CLIMBING UNDER THE WATCHFUL EYE OF THEIR OLDER BROTHER, PABLO. 397 00:27:22,683 --> 00:27:28,397 ♪ 398 00:27:28,438 --> 00:27:29,898 [WHISTLING] 399 00:27:29,940 --> 00:27:34,820 BELLA GATHERS UP THE TWINS WITH A "CLIMB ON BOARD" WHISTLE, 400 00:27:34,862 --> 00:27:38,074 AND THE FAMILY HEADS OFF IN SEARCH OF BREAKFAST. 401 00:27:38,115 --> 00:27:41,910 [CHIRPING] 402 00:27:41,952 --> 00:27:54,715 ♪ 403 00:27:54,756 --> 00:27:56,716 BARELY A HUNDRED YARDS AWAY, 404 00:27:56,884 --> 00:28:01,305 MONA WAKES FROM AN UNCOMFORTABLE NIGHT ON HER OWN. 405 00:28:04,725 --> 00:28:10,773 ♪ 406 00:28:10,814 --> 00:28:12,566 WITHOUT ANYONE TO GROOM HER, 407 00:28:12,608 --> 00:28:16,695 SHE HAS TO DEAL WITH LAST NIGHT’S INSECT BITES HERSELF. 408 00:28:27,164 --> 00:28:30,209 ♪ 409 00:28:30,250 --> 00:28:33,295 IN THE NEXT TREE SHE PICKS UP A SCENT. 410 00:28:33,337 --> 00:28:37,758 IT’S ONE OF CARLOS’S TERRITORIAL MARKERS. 411 00:28:37,883 --> 00:28:43,597 MONA MAY BE ABOUT TO FIND THE FAMILY SHE’S BEEN LOOKING FOR. 412 00:28:43,639 --> 00:28:47,393 SHE BEGINS A STREAM OF "LONELY" CALLS ONCE MORE, 413 00:28:47,434 --> 00:28:51,939 AS SHE FOLLOWS THE SCENT AND CONTINUES HER SEARCH. 414 00:28:51,980 --> 00:28:54,774 ♪ 415 00:28:54,942 --> 00:28:56,694 [SHRIEKING] 416 00:28:56,735 --> 00:29:05,827 ♪ 417 00:29:05,869 --> 00:29:07,579 ON THE FOREST FLOOR BELOW, 418 00:29:07,621 --> 00:29:12,000 AN INDUSTRIOUS CREATURE RUMMAGES THROUGH THE LEAF LITTER. 419 00:29:12,042 --> 00:29:20,759 ♪ 420 00:29:20,801 --> 00:29:29,810 ♪ 421 00:29:29,935 --> 00:29:31,770 IT’S A DUNG BEETLE. 422 00:29:34,022 --> 00:29:36,816 USING ITS FINELY TUNED SENSE OF SMELL, 423 00:29:36,858 --> 00:29:39,569 IT HOMES IN ON ITS BOUNTY. 424 00:29:43,031 --> 00:29:46,826 DUNG BEETLES ARE THE FOREST’S RECYCLERS. 425 00:29:46,868 --> 00:29:49,788 THEY THRIVE ON ALL DECAYING MATTER, 426 00:29:49,830 --> 00:29:51,832 AND MONKEYS’ WASTE PROVIDES THEM 427 00:29:51,957 --> 00:29:54,626 WITH ALL THE MOISTURE AND NUTRIENTS THEY NEED. 428 00:29:54,668 --> 00:29:59,590 ♪ 429 00:29:59,631 --> 00:30:00,924 WHAT THEY DON’T EAT IMMEDIATELY, 430 00:30:00,966 --> 00:30:04,011 THEY SHAPE INTO A BALL AND ROLL AWAY. 431 00:30:04,052 --> 00:30:07,681 ♪ 432 00:30:07,723 --> 00:30:09,558 IT’S A PORTABLE FOOD STORE, 433 00:30:09,599 --> 00:30:13,561 OR EVEN AN EDIBLE NEST IN WHICH THEY CAN LAY THEIR EGGS. 434 00:30:13,603 --> 00:30:16,856 ♪ 435 00:30:16,898 --> 00:30:18,691 MALES ARE PARTICULARLY STRONG 436 00:30:18,734 --> 00:30:22,196 AND CAN ROLL BALLS UP TO 10 TIMES THEIR WEIGHT. 437 00:30:24,906 --> 00:30:29,244 THIS ONE TRIES TO HIDE ITS PRECIOUS CARGO IN A FALLEN FIG. 438 00:30:29,286 --> 00:30:39,838 ♪ 439 00:30:39,880 --> 00:30:42,800 BUT IT MIGHT HAVE MISJUDGED THE FIT. 440 00:30:49,681 --> 00:30:51,683 ♪ 441 00:30:51,725 --> 00:30:55,187 MONA’S SEARCH THROUGH THE FOREST HAS TAKEN HER FAR FROM HOME. 442 00:30:55,228 --> 00:30:56,604 [CHIRPING] 443 00:30:56,646 --> 00:30:59,691 FINALLY HEARS THE SOUNDS SHE’S BEEN HOPING FOR. 444 00:30:59,733 --> 00:31:01,902 [CHIRPING] 445 00:31:02,027 --> 00:31:03,654 [BRANCHES RUSTLING] 446 00:31:03,695 --> 00:31:06,907 SHE CAN HEAR THE CONTACT CALLS OF A COTTON-TOP FAMILY. 447 00:31:07,032 --> 00:31:11,453 [CHIRPING] 448 00:31:11,495 --> 00:31:14,915 COMFORT, SECURITY, AND A FUTURE MATE 449 00:31:14,956 --> 00:31:17,208 COULD NOW JUST BE YARDS AWAY. 450 00:31:17,250 --> 00:31:20,336 ♪ 451 00:31:20,379 --> 00:31:30,723 [CHIRPING] 452 00:31:30,764 --> 00:31:32,933 THE FAMILY HAS SPOTTED HER, TOO. 453 00:31:32,974 --> 00:31:35,643 [CHIRPING] 454 00:31:35,685 --> 00:31:38,646 COTTON-TOP FAMILIES OFTEN ACCEPT OUTSIDERS, 455 00:31:38,688 --> 00:31:41,941 WHO REINFORCE THEIR STRENGTH IN NUMBERS, 456 00:31:42,067 --> 00:31:43,944 HELP WITH CHILD-REARING 457 00:31:44,069 --> 00:31:46,613 AND ENHANCE THEIR POTENTIAL GENE POOL. 458 00:31:49,282 --> 00:31:50,700 [CHIRPING] 459 00:31:50,742 --> 00:31:56,957 PABLO, THE YOUNG MALE, TWITTERS EXCITEDLY TO MONA. 460 00:31:56,998 --> 00:32:00,960 BUT MOTHER BELLA IS APPREHENSIVE. 461 00:32:01,044 --> 00:32:02,879 SHE’S THE ALPHA, 462 00:32:02,921 --> 00:32:05,674 AND ALLOWING ANOTHER FEMALE TO JOIN HER FAMILY 463 00:32:05,715 --> 00:32:08,968 COULD THREATEN HER BREEDING POSITION IN THE TROOP. 464 00:32:09,010 --> 00:32:17,936 [CHIRPING] 465 00:32:17,978 --> 00:32:21,982 MONA APPROACHES CAUTIOUSLY. 466 00:32:22,107 --> 00:32:25,027 BUT BELLA’S NOT HAPPY. 467 00:32:25,068 --> 00:32:26,987 SHE’S MADE IT CLEAR... 468 00:32:27,154 --> 00:32:36,997 [SCREECHING] 469 00:32:36,997 --> 00:32:43,045 [SCREECHING] 470 00:32:47,090 --> 00:32:49,968 THE NEWCOMER’S UNWELCOME. 471 00:32:50,010 --> 00:32:52,804 AND MONA BEATS A HASTY RETREAT. 472 00:32:52,846 --> 00:32:57,809 ♪ 473 00:32:57,851 --> 00:33:02,814 PABLO MIGHT WANT HER AROUND, BUT BELLA’S NOT HAVING IT. 474 00:33:02,856 --> 00:33:07,986 SHE’S THE BOSS, AND SHE DECIDES WHO’S IN AND WHO’S OUT. 475 00:33:09,488 --> 00:33:17,788 [HOWLING] 476 00:33:17,829 --> 00:33:21,041 THE HOWLERS’ CALLS ECHO THROUGH THE CANOPY ONCE MORE, 477 00:33:21,208 --> 00:33:25,045 BUT THIS TIME THEY’RE ANNOUNCING THE COMING RAIN. 478 00:33:25,170 --> 00:33:30,050 [THUNDER] 479 00:33:30,133 --> 00:33:32,052 IN THE 5-MONTH RAINY SEASON, 480 00:33:32,177 --> 00:33:34,888 RAIN FALLS ALMOST EVERY OTHER DAY. 481 00:33:43,104 --> 00:33:45,857 [THUNDER] 482 00:33:45,899 --> 00:33:49,736 IN THE HEAVIEST DOWNPOURS, MANY ANIMALS TAKE COVER. 483 00:33:52,155 --> 00:33:54,991 THE HOWLERS JUST HUNKER DOWN. 484 00:33:57,118 --> 00:33:58,328 BUT FOR LITTLE ONES, 485 00:33:58,370 --> 00:34:01,832 THERE’S ALWAYS SHELTER TO BE FOUND WITH MOM. 486 00:34:01,873 --> 00:34:09,089 ♪ 487 00:34:09,130 --> 00:34:15,136 [THUNDER] 488 00:34:21,309 --> 00:34:23,144 BELLA AND HER FAMILY HUDDLE TOGETHER 489 00:34:23,186 --> 00:34:25,313 FOR WARMTH AND SECURITY. 490 00:34:33,947 --> 00:34:39,119 NOT FAR OFF, MONA SEEKS SHELTER UNDER THE LEAVES, ALONE. 491 00:34:39,202 --> 00:34:42,831 HER TINY BODY IS WET AND COLD. 492 00:34:42,872 --> 00:34:44,123 ♪ 493 00:34:44,165 --> 00:34:46,876 SHE HAS A DECISION TO MAKE: 494 00:34:46,918 --> 00:34:51,131 KEEP TRYING TO WIN BELLA’S FAVOR AND JOIN THE FAMILY, 495 00:34:51,172 --> 00:34:53,174 OR HEAD OFF AGAIN INTO THE FOREST 496 00:34:53,216 --> 00:34:55,969 IN HOPES OF FINDING ANOTHER TROOP. 497 00:34:58,305 --> 00:35:01,266 EXHAUSTED, HUNGRY, AND DANGEROUSLY COLD, 498 00:35:01,308 --> 00:35:04,853 MONA IS IN REAL TROUBLE. 499 00:35:04,894 --> 00:35:09,357 ALONE LIKE THIS, SHE WON’T SURVIVE IN THE JUNGLE FOR LONG. 500 00:35:09,399 --> 00:35:13,987 ♪ 501 00:35:14,029 --> 00:35:19,660 DUNG BEETLES QUICKLY STRIP A HOWLER MONKEY SKULL, 502 00:35:19,701 --> 00:35:25,373 A FATE THAT COULD BE HERS IF SHE DOESN’T FIND A FAMILY SOON. 503 00:35:36,009 --> 00:35:39,179 FINDING SAFETY IN NUMBERS IS A COMMON STRATEGY 504 00:35:39,220 --> 00:35:42,849 FOR MANY ANIMALS, 505 00:35:42,891 --> 00:35:47,104 INCLUDING THESE PECULIAR-LOOKING NEIGHBORS OF THE COTTON-TOPS. 506 00:35:47,854 --> 00:35:50,231 [CLUCKING] 507 00:35:50,273 --> 00:35:52,192 THEY’RE BOATBILL HERONS, 508 00:35:52,275 --> 00:35:54,194 YEAR-ROUND RESIDENTS OF THE FOREST. 509 00:35:54,235 --> 00:35:57,321 [CLUCKING] 510 00:35:57,364 --> 00:35:59,992 NESTING IN A COLONY ABOVE A SEASONAL LAKE, 511 00:36:00,033 --> 00:36:06,039 THEY’VE CREATED A SAFE HAVEN IN WHICH TO BRING UP THEIR YOUNG. 512 00:36:06,081 --> 00:36:07,416 [CLUCKING] 513 00:36:07,457 --> 00:36:13,797 THE FEMALE SHARES PARENTING DUTIES WITH HER MATE, 514 00:36:13,838 --> 00:36:17,050 EACH TAKING TURNS TO INCUBATE THEIR BROOD. 515 00:36:20,261 --> 00:36:21,763 THEY TIME THEIR INCUBATION 516 00:36:21,805 --> 00:36:25,225 SO THE EGGS HATCH A FEW DAYS APART FROM ONE ANOTHER. 517 00:36:25,308 --> 00:36:27,352 IT’S A STRATEGY USED BY MANY BIRDS 518 00:36:27,394 --> 00:36:30,147 AND ALLOWS THEM TO MATCH THEIR BROOD SIZE 519 00:36:30,188 --> 00:36:32,232 TO THE AVAILABLE FOOD SUPPLY. 520 00:36:32,273 --> 00:36:41,240 [CLUCKING] 521 00:36:41,449 --> 00:36:45,119 EVENTUALLY THE PARENTS’ PATIENCE PAYS OFF. 522 00:36:45,161 --> 00:36:58,049 ♪ 523 00:36:58,091 --> 00:37:02,762 WITH TWO EGG-TEETH ON ITS BILL, THE CHICK BREAKS OPEN THE SHELL. 524 00:37:04,305 --> 00:37:09,185 [CHATTERING] 525 00:37:11,896 --> 00:37:15,024 ITS PARENTS WILL GUARD THIS HELPLESS NEW ARRIVAL. 526 00:37:15,066 --> 00:37:18,027 [CHATTERING] 527 00:37:18,069 --> 00:37:21,114 COME NIGHTFALL THEY WILL HEAD OUT IN THE DARKNESS 528 00:37:21,156 --> 00:37:24,076 TO HUNT IN THE POOL BELOW. 529 00:37:24,117 --> 00:37:27,245 THEY WILL REGURGITATE FISH, SHRIMP OR INSECTS 530 00:37:27,287 --> 00:37:29,539 FOR THEIR CHICK’S FIRST MEAL. 531 00:37:29,581 --> 00:37:38,131 ♪ 532 00:37:38,173 --> 00:37:43,053 AS THE CLOUDS CLEAR AND THE SUN WARMS THE FOREST, 533 00:37:43,094 --> 00:37:46,389 THE COTTON-TOP TWINS EXPLORE THEIR JUNGLE GYM. 534 00:37:49,267 --> 00:37:53,104 ♪ 535 00:37:53,146 --> 00:37:56,274 THEY STILL GET MOST OF THEIR NUTRIENTS FROM BELLA’S MILK, 536 00:37:56,316 --> 00:37:59,277 BUT ARE STARTING TO SUPPLEMENT THEIR DIET WITH SOLIDS. 537 00:38:00,487 --> 00:38:05,409 THIS MORNING THEY’RE LOOKING FOR INSECTS. 538 00:38:05,450 --> 00:38:07,327 AT THEIR YOUNG AGE, 539 00:38:07,368 --> 00:38:10,496 CATCHING JUST ONE WOULD BE A MAJOR VICTORY. 540 00:38:13,500 --> 00:38:16,920 BELLA AND CARLOS LOOK ON. 541 00:38:16,961 --> 00:38:20,298 THEY’VE DEMONSTRATED HOW TO CATCH INSECTS MANY TIMES, 542 00:38:20,340 --> 00:38:23,093 BUT NOW IT’S THEIR STUDENTS’ TURN. 543 00:38:26,471 --> 00:38:28,765 COULD THIS BE IT? 544 00:38:30,308 --> 00:38:31,726 NOT QUITE. 545 00:38:35,355 --> 00:38:36,857 ANOTHER TRY. 546 00:38:37,774 --> 00:38:39,067 GOT IT! 547 00:38:42,403 --> 00:38:45,364 THIS GRASSHOPPER IS QUITE A HANDFUL! 548 00:38:45,406 --> 00:38:53,080 ♪ 549 00:38:56,417 --> 00:38:59,086 ♪ 550 00:38:59,128 --> 00:39:05,968 WHILE THE FAMILY’S ATTENTION IS ON THE TWINS’ SUCCESS, 551 00:39:06,010 --> 00:39:09,388 BENEATH THEM DANGER SLITHERS IN UNNOTICED. 552 00:39:09,472 --> 00:39:16,145 ♪ 553 00:39:16,187 --> 00:39:19,273 A BOA CONSTRICTOR ON THE HUNT. 554 00:39:21,484 --> 00:39:24,404 CAMOUFLAGED SCALES HELP ITS 10-FOOT BODY 555 00:39:24,445 --> 00:39:27,198 DISAPPEAR INTO THE UNDERGROWTH. 556 00:39:28,616 --> 00:39:32,578 BUT IT DOESN’T JUST SEEK ITS QUARRY ON THE GROUND. 557 00:39:36,291 --> 00:39:42,380 AT 60 POUNDS, THIS GIANT SNAKE IS A SURPRISINGLY ADEPT CLIMBER. 558 00:39:51,973 --> 00:39:56,394 THICK MUSCLES GRIP TIGHTLY TO THE TRUNK 559 00:39:56,436 --> 00:39:59,564 AS IT PUSHES ITSELF UP, COIL BY COIL. 560 00:39:59,606 --> 00:40:08,448 ♪ 561 00:40:08,573 --> 00:40:11,451 LACKING BOTH FANGS AND VENOM, 562 00:40:11,492 --> 00:40:13,786 IT’S STILL A VERY EFFECTIVE KILLER. 563 00:40:13,828 --> 00:40:18,458 ♪ 564 00:40:18,583 --> 00:40:22,796 SMALL, HOOKED TEETH GRAB AND HOLD ON TO PREY... 565 00:40:25,632 --> 00:40:28,552 WHILE ITS POWERFUL BODY WRAPS AROUND ITS VICTIM, 566 00:40:28,593 --> 00:40:31,805 SQUEEZING UNTIL IT SUFFOCATES. 567 00:40:34,474 --> 00:40:36,267 IT TASTES THE AIR, 568 00:40:36,309 --> 00:40:40,230 ITS TONGUE PROBING FOR CHEMICAL CLUES FROM ITS PREY. 569 00:40:41,481 --> 00:40:45,485 RIGHT NOW, IT CAN TASTE COTTON-TOP. 570 00:40:45,526 --> 00:40:51,907 ♪ 571 00:40:55,286 --> 00:40:59,874 MONA HAS DECIDED TO MAKE A FINAL ATTEMPT TO JOIN BELLA’S FAMILY. 572 00:41:03,169 --> 00:41:04,629 [CHIRPING] 573 00:41:04,671 --> 00:41:09,509 SHE APPROACHES THE BRANCHES WHERE THE TWINS ARE FEEDING, 574 00:41:09,550 --> 00:41:12,261 WHISTLING HER DESIRE TO JOIN THEM. 575 00:41:12,303 --> 00:41:20,394 [WHISTLING] 576 00:41:20,436 --> 00:41:24,857 CREEPING CLOSER BELOW, THE BOA APPROACHES SILENTLY. 577 00:41:24,899 --> 00:41:32,532 ♪ 578 00:41:32,573 --> 00:41:36,327 BUT MONA SPOTS IT. 579 00:41:36,369 --> 00:41:37,537 [SCREECHING] 580 00:41:37,578 --> 00:41:42,416 SHE CALLS OUT THE ALARM, "DANGER FROM BELOW!" 581 00:41:42,458 --> 00:41:46,587 THE FAMILY SPRINGS INTO ACTION, 582 00:41:46,629 --> 00:41:49,382 BUT THEY DON’T RUN AWAY. 583 00:41:49,424 --> 00:41:53,553 THEY DIVE TOWARDS THE SNAKE, AND MONA JOINS THEM. 584 00:41:55,763 --> 00:41:58,557 WITH A SHOW OF STRENGTH AND SHRIEKING CALLS, 585 00:41:58,599 --> 00:42:01,560 THEY MOB THE BOA, HOPING TO DRIVE IT AWAY. 586 00:42:01,602 --> 00:42:08,567 [SHRIEKING] 587 00:42:08,693 --> 00:42:12,238 WITH ITS COVER BLOWN, THE SNAKE RETREATS. 588 00:42:16,242 --> 00:42:26,127 [CHIRPING] 589 00:42:26,169 --> 00:42:31,800 THE TWINS ARE SAFE, THANKS TO THEIR NEW HEROINE, MONA. 590 00:42:34,677 --> 00:42:37,722 SHE CALLS GENTLY AS BELLA APPROACHES, 591 00:42:37,764 --> 00:42:40,350 BUT IT’S NO LONGER THE "LONELY" CALL. 592 00:42:40,391 --> 00:42:45,605 THIS IS A CONTACT CALL, AN INVITATION TO GROOM. 593 00:42:45,730 --> 00:42:48,650 [CHIRPING] 594 00:42:48,691 --> 00:42:52,528 BELLA RESPONDS, ALLOWING THE OUTSIDER TO GROOM HER; 595 00:42:52,570 --> 00:42:56,824 A CLEAR SIGN THAT SHE’S ACCEPTED MONA INTO THE FAMILY. 596 00:42:58,117 --> 00:43:03,289 MONA’S DANGEROUS JOURNEY IS FINALLY OVER. 597 00:43:03,331 --> 00:43:06,668 THE BRAVE, YOUNG FEMALE HAS FOUND A NEW FAMILY. 598 00:43:10,421 --> 00:43:11,797 SHE WILL BOLSTER THEIR NUMBERS 599 00:43:11,839 --> 00:43:14,675 AND HELP PABLO WITH BABYSITTING DUTIES. 600 00:43:16,803 --> 00:43:19,556 IN RETURN, SHE’S FOUND THE SECURITY 601 00:43:19,597 --> 00:43:21,516 SHE DESPERATELY NEEDS... 602 00:43:24,685 --> 00:43:26,437 AND PERHAPS, IN PABLO, 603 00:43:26,479 --> 00:43:30,817 THE CHANCE TO ONE DAY START A FAMILY OF HER OWN. 604 00:43:30,858 --> 00:43:36,947 ♪ 605 00:43:36,989 --> 00:43:47,917 ♪ 606 00:43:47,959 --> 00:43:58,803 ♪ 41303

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