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1
00:00:01,710 --> 00:00:05,088
IN A TROPICAL FOREST
IN NORTHERN COLOMBIA,
2
00:00:05,130 --> 00:00:08,216
ONE LITTLE MONKEY IS ALL ALONE.
3
00:00:11,261 --> 00:00:13,638
SHE’S EMBARKING ON
A DANGEROUS QUEST
4
00:00:13,680 --> 00:00:17,392
TO FIND A NEW FAMILY
AND A FUTURE MATE.
5
00:00:19,102 --> 00:00:21,771
THERE’S NO GUARANTEE
SHE’LL MAKE IT.
6
00:00:21,813 --> 00:00:27,068
SHE’S IN UNFAMILIAR TERRITORY
WITH PREDATORS ALL AROUND--
7
00:00:27,194 --> 00:00:29,905
NO ONE TO HELP HER FIND FOOD
8
00:00:29,947 --> 00:00:31,907
AND NO ONE TO WATCH HER BACK.
9
00:00:31,949 --> 00:00:35,035
[HOWLING]
10
00:00:35,077 --> 00:00:37,997
SHE’S HUNGRY, TIRED AND LOST.
11
00:00:40,165 --> 00:00:42,584
BUT WHEN FAMILIAR FACES APPEAR,
12
00:00:42,626 --> 00:00:44,795
SHE COULD STILL
SUFFER REJECTION.
13
00:00:44,836 --> 00:00:47,672
[SQUEALING]
14
00:00:47,714 --> 00:00:51,092
WITH NO HOPE OF SURVIVAL
ON HER OWN,
15
00:00:51,260 --> 00:00:54,930
COULD THIS BE THE END OF
THE LINE FOR YOUNG MONA?
16
00:00:55,681 --> 00:01:05,816
♪
17
00:01:05,816 --> 00:01:11,238
♪
18
00:01:15,993 --> 00:01:26,712
♪
19
00:01:26,753 --> 00:01:37,222
♪
20
00:01:37,264 --> 00:01:41,143
THIS IS MONA.
21
00:01:41,184 --> 00:01:44,187
AN ADOLESCENT
COTTON-TOP TAMARIN.
22
00:01:44,229 --> 00:01:46,022
AT JUST 9 INCHES TALL,
23
00:01:46,064 --> 00:01:51,069
THEY’RE AMONG THE SMALLEST
MONKEYS IN THE WORLD.
24
00:01:51,111 --> 00:01:55,782
THEY NORMALLY LIVE IN SMALL
GROUPS OF ABOUT FOUR OR MORE,
25
00:01:55,824 --> 00:01:58,160
MADE UP OF A BREEDING PAIR,
THEIR OFFSPRING,
26
00:01:58,285 --> 00:02:00,204
AND UNRELATED ADULTS.
27
00:02:03,332 --> 00:02:04,834
BUT MONA IS ON HER OWN.
28
00:02:04,875 --> 00:02:10,089
♪
29
00:02:10,130 --> 00:02:11,423
AT TWO YEARS OLD,
30
00:02:11,465 --> 00:02:16,095
SHE’S TAKEN HER FIRST BIG STEPS
TOWARDS ADULTHOOD.
31
00:02:16,136 --> 00:02:20,182
YESTERDAY SHE LEFT THE SECURITY
OF HER BIRTH FAMILY.
32
00:02:23,101 --> 00:02:24,894
BOTH MALE AND FEMALE COTTON-TOPS
33
00:02:24,936 --> 00:02:28,189
TYPICALLY MOVE INTO
NEIGHBORING GROUPS,
34
00:02:28,231 --> 00:02:30,191
WHERE THEY HELP RAISE
OTHERS’ YOUNG
35
00:02:30,233 --> 00:02:32,193
AND HOPE TO FIND A FUTURE MATE.
36
00:02:32,235 --> 00:02:38,199
♪
37
00:02:38,283 --> 00:02:41,203
BUT RIGHT NOW, MONA’S ALL ALONE
38
00:02:41,370 --> 00:02:43,831
IN AN UNFAMILIAR PART
OF THE FOREST.
39
00:02:43,872 --> 00:02:53,006
♪
40
00:02:53,048 --> 00:02:58,178
SHE’S A TINY, VULNERABLE MONKEY
IN A DANGEROUS WORLD.
41
00:02:58,220 --> 00:03:01,223
♪
42
00:03:01,348 --> 00:03:05,352
COTTON-TOPS ONLY LIVE
IN ONE PLACE ON EARTH:
43
00:03:05,394 --> 00:03:08,856
THE TROPICAL FORESTS
OF NORTHWESTERN COLOMBIA.
44
00:03:11,358 --> 00:03:13,235
BORDERED TO THE NORTH
BY THE CARIBBEAN,
45
00:03:13,402 --> 00:03:15,237
THESE FORESTS RISE
FROM SEA LEVEL
46
00:03:15,320 --> 00:03:19,282
TO COVER HILLS CLOSE
TO 5,000 FEET HIGH.
47
00:03:19,324 --> 00:03:22,702
UNFORTUNATELY,
IN THE PAST SIX DECADES
48
00:03:22,744 --> 00:03:25,956
MORE THAN THREE QUARTERS
OF THE COTTON-TOP’S HABITAT
49
00:03:25,997 --> 00:03:27,665
HAS BEEN WIPED OUT.
50
00:03:27,708 --> 00:03:32,129
♪
51
00:03:32,170 --> 00:03:36,257
DEFORESTATION FOR AGRICULTURE,
LOGGING AND URBAN DEVELOPMENT
52
00:03:36,466 --> 00:03:39,594
IS ONE OF THE BIGGEST THREATS
TO THESE MONKEYS.
53
00:03:42,264 --> 00:03:45,309
ANOTHER IS
THE ILLEGAL PET TRADE.
54
00:03:47,394 --> 00:03:52,274
BEING SMALL AND ADORABLE
MAKES THEM APPEALING TO HUMANS,
55
00:03:52,315 --> 00:03:54,400
BUT AT A HUGE COST.
56
00:03:56,194 --> 00:04:00,281
BY THE EARLY 1970s,
AS MANY AS 30,000 COTTON-TOPS
57
00:04:00,449 --> 00:04:03,118
HAD BEEN CAUGHT AND EXPORTED
FROM COLOMBIA.
58
00:04:03,160 --> 00:04:08,749
♪
59
00:04:08,790 --> 00:04:12,419
WHILE COTTON-TOPS ARE NOW
PROTECTED BY INTERNATIONAL LAW,
60
00:04:12,461 --> 00:04:15,464
THE ILLEGAL PET TRADE CONTINUES.
61
00:04:15,505 --> 00:04:22,762
♪
62
00:04:22,804 --> 00:04:24,264
[SQUEAK]
63
00:04:24,306 --> 00:04:27,309
TODAY COTTON-TOPS ARE ONE OF
THE MOST ENDANGERED PRIMATES
64
00:04:27,434 --> 00:04:29,436
ON THE PLANET,
65
00:04:29,478 --> 00:04:33,941
WITH ONLY AN ESTIMATED 2,000
ADULTS LEFT IN THE WILD.
66
00:04:36,651 --> 00:04:40,113
[THUNDER]
67
00:04:40,155 --> 00:04:43,200
MONA IS ONE OF THE LUCKY ONES.
68
00:04:43,241 --> 00:04:47,328
SHE LIVES IN A PROTECTED RESERVE
CALLED MONTES DE MARIA,
69
00:04:47,454 --> 00:04:49,915
WHICH COVERS ABOUT
28 SQUARE MILES.
70
00:04:52,626 --> 00:04:56,255
IT LIES JUST A FEW MILES
FROM THE CARIBBEAN COAST,
71
00:04:56,296 --> 00:05:00,133
AND THE OCEAN HAS A MAJOR
INFLUENCE ON THE CLIMATE HERE.
72
00:05:00,175 --> 00:05:01,343
[THUNDER]
73
00:05:01,551 --> 00:05:04,512
IT’S JUNE, THE START
OF THE RAINY SEASON.
74
00:05:07,098 --> 00:05:10,351
FOR THE NEXT FIVE MONTHS, WINDS
BLOWING IN FROM THE ATLANTIC
75
00:05:10,435 --> 00:05:13,355
WILL BRING WITH THEM
MOISTURE-LADEN CLOUDS
76
00:05:13,396 --> 00:05:17,317
AND ALMOST 80 INCHES OF RAIN.
77
00:05:17,359 --> 00:05:19,361
COUPLED WITH WARM TEMPERATURES,
78
00:05:19,444 --> 00:05:23,239
THIS CAUSES PLANT LIFE
TO EXPLODE,
79
00:05:23,281 --> 00:05:27,160
FILLING MONA’S HOME WITH
A THICK UNDERSTORY OF SHRUBS
80
00:05:27,202 --> 00:05:32,374
AND TREES TOWERING MORE THAN
60 FEET ABOVE THE FOREST FLOOR.
81
00:05:32,415 --> 00:05:35,585
♪
82
00:05:35,627 --> 00:05:49,307
♪
83
00:05:49,349 --> 00:05:52,269
AGILE AND WEIGHING
JUST 15 OUNCES,
84
00:05:52,310 --> 00:05:53,436
MONA’S PERFECTLY ADAPTED
85
00:05:53,478 --> 00:05:56,982
TO NAVIGATE THIS
THREE-DIMENSIONAL MAZE.
86
00:05:58,692 --> 00:06:04,406
♪
87
00:06:04,447 --> 00:06:07,408
NO BRANCH IS TOO THICK...
88
00:06:07,450 --> 00:06:09,494
OR TOO THIN.
89
00:06:09,536 --> 00:06:15,125
SHE USES HER TAIL FOR BALANCE,
90
00:06:15,166 --> 00:06:20,129
AND LONG FINGERS, TOES
AND CLAW-LIKE NAILS GRIP ON.
91
00:06:24,259 --> 00:06:30,015
BUT BEING SO SMALL
DOES HAVE SOME DRAWBACKS.
92
00:06:30,056 --> 00:06:33,434
WITH A HEAD AND BODY
ONLY NINE INCHES LONG,
93
00:06:33,602 --> 00:06:35,437
GAPS BETWEEN TREES AND BRANCHES
94
00:06:35,645 --> 00:06:38,606
ARE OFTEN TOO BIG
TO STEP ACROSS...
95
00:06:38,648 --> 00:06:43,278
♪
96
00:06:43,320 --> 00:06:47,324
SO LEAPING IS OFTEN THE BEST WAY
TO TRAVEL THROUGH THE FOREST.
97
00:06:47,365 --> 00:06:50,410
♪
98
00:06:56,666 --> 00:07:02,463
MONA’S NOT THE ONLY COTTON-TOP
WHO LIVES IN THIS RESERVE.
99
00:07:02,547 --> 00:07:05,133
[CHIRPING]
100
00:07:05,175 --> 00:07:09,596
TWO MILES AWAY, A FAMILY
OF COTTON-TOPS IS WAKING UP.
101
00:07:09,638 --> 00:07:13,475
♪
102
00:07:13,642 --> 00:07:16,478
AT THE HEAD OF THE FAMILY
IS A BREEDING PAIR,
103
00:07:16,645 --> 00:07:20,357
BELLA AND CARLOS,
BOTH EIGHT YEARS OLD.
104
00:07:24,027 --> 00:07:27,656
SIX WEEKS AGO, TIMED WITH
THE FRUITFUL RAINY SEASON,
105
00:07:27,697 --> 00:07:30,491
BELLA GAVE BIRTH
TO NON-IDENTICAL TWINS,
106
00:07:30,700 --> 00:07:33,870
WHICH ARE COMMON
AMONG COTTON-TOPS.
107
00:07:33,912 --> 00:07:36,206
[CHIRPING]
108
00:07:36,247 --> 00:07:40,418
BOTH PARENTS SHARE THE LOAD--
BELLA SUCKLING THEM,
109
00:07:40,460 --> 00:07:42,003
AND CARLOS TAKING THE LEAD
110
00:07:42,045 --> 00:07:46,174
CARRYING THEM AROUND
THEIR TREETOP HOME.
111
00:07:46,216 --> 00:07:49,428
RAISING TWO BABIES AT ONCE
IS HARD WORK...
112
00:07:51,388 --> 00:07:56,685
BUT LUCKILY THESE PARENTS
HAVE A HELPING HAND--
113
00:07:56,726 --> 00:07:59,854
THEIR THREE-YEAR-OLD
ADULT SON, PABLO.
114
00:08:01,690 --> 00:08:03,525
IT’S NOT UNCOMMON
FOR COTTON-TOPS
115
00:08:03,608 --> 00:08:06,486
TO STAY WITH THEIR PARENTS
FOR A FEW YEARS
116
00:08:06,528 --> 00:08:09,698
AND HELP RAISE THEIR SIBLINGS.
117
00:08:09,739 --> 00:08:12,575
FOR PABLO,
IT’S VALUABLE PRACTICE
118
00:08:12,617 --> 00:08:16,454
FOR WHEN HE HAS A FAMILY
OF HIS OWN.
119
00:08:16,496 --> 00:08:17,664
HIS EXTRA EYES AND EARS
120
00:08:17,747 --> 00:08:22,335
ALSO HELP THE TROOP
STAY SAFE AND WELL-FED.
121
00:08:22,377 --> 00:08:26,298
THE ENTIRE FAMILY WORKS
AS A COOPERATIVE UNIT,
122
00:08:26,339 --> 00:08:30,093
BUT BELLA IS THE BOSS.
123
00:08:30,135 --> 00:08:33,555
SHE MAKES ALL
THE IMPORTANT DECISIONS,
124
00:08:33,596 --> 00:08:36,015
LIKE WHICH TREE TO SLEEP IN,
125
00:08:36,057 --> 00:08:39,644
WHERE THE FAMILY GOES EACH DAY,
AND WHAT TO FEED ON.
126
00:08:42,063 --> 00:08:43,606
AND SHE LETS THE REST
OF THE TROOP KNOW
127
00:08:43,648 --> 00:08:45,692
EXACTLY WHAT SHE’S THINKING
128
00:08:45,734 --> 00:08:50,572
WITH A CONSTANT STREAM OF
CHIRPS, WHISTLES AND TWITTERS.
129
00:08:50,655 --> 00:08:53,449
[WHISTLING]
130
00:08:53,491 --> 00:08:57,120
EVEN BY PRIMATE STANDARDS,
COTTON-TOP TAMARINS DISPLAY
131
00:08:57,162 --> 00:09:00,582
INCREDIBLY COMPLEX
COMMUNICATION.
132
00:09:00,623 --> 00:09:04,502
ADULTS PRODUCE NEARLY
40 DISTINCT SOUNDS,
133
00:09:04,544 --> 00:09:06,463
EACH WITH ITS OWN MEANING.
134
00:09:06,504 --> 00:09:07,588
[SQUEAKING]
135
00:09:07,756 --> 00:09:08,966
THERE ARE GREETINGS...
136
00:09:09,007 --> 00:09:10,509
[CHIRPING]
137
00:09:10,550 --> 00:09:11,593
AND WARNINGS.
138
00:09:11,801 --> 00:09:13,594
[SQUAWKING]
139
00:09:13,678 --> 00:09:16,598
THEY EVEN HAVE A CALL
TO IDENTIFY HUMANS.
140
00:09:16,639 --> 00:09:19,725
[CHIRPING]
141
00:09:19,768 --> 00:09:22,271
BUT IT’S NOT JUST
THEIR RICH VOCABULARY
142
00:09:22,312 --> 00:09:26,608
THAT MAKES THESE MONKEYS
GREAT COMMUNICATORS.
143
00:09:26,775 --> 00:09:28,443
BY COMBINING CALLS,
144
00:09:28,485 --> 00:09:31,613
COTTON-TOPS HAVE THEIR OWN
SOPHISTICATED LANGUAGE,
145
00:09:31,654 --> 00:09:36,492
ALLOWING THEM TO SEND COMPLEX
MESSAGES TO EACH OTHER.
146
00:09:36,534 --> 00:09:38,536
[CHIRPING]
147
00:09:38,578 --> 00:09:40,205
THIS COMES IN VERY HANDY,
148
00:09:40,246 --> 00:09:45,251
ESPECIALLY WITH THE MORNING
CHALLENGE: FINDING FOOD.
149
00:09:46,628 --> 00:09:48,255
THE FAMILY SPREADS OUT
AMONG THE TREES
150
00:09:48,296 --> 00:09:51,633
TO COVER MORE GROUND
IN THE SEARCH FOR BREAKFAST.
151
00:09:51,800 --> 00:09:54,594
[CHIRPING]
152
00:09:54,636 --> 00:09:56,596
BELLA KEEPS IN TOUCH WITH CHIRPS
153
00:09:56,638 --> 00:09:59,641
TO LET THE FAMILY KNOW
WHERE SHE IS.
154
00:09:59,808 --> 00:10:01,351
[WHISTLING]
155
00:10:01,392 --> 00:10:05,354
A SPECIFIC WHISTLE LETS THEM
KNOW SHE’S LOOKING FOR FOOD.
156
00:10:05,396 --> 00:10:07,231
[WHISTLING]
157
00:10:07,273 --> 00:10:10,193
WITH SMALL BODIES
AND FAST METABOLISMS,
158
00:10:10,235 --> 00:10:13,739
THEY NEED LOTS OF HIGH-ENERGY
NUTRITION TO KEEP THEM GOING,
159
00:10:13,780 --> 00:10:17,534
SO THEY LOOK FOR FRUIT,
INSECTS, TREE SAP,
160
00:10:17,575 --> 00:10:20,078
OR EVEN FROGS
AND SMALL REPTILES.
161
00:10:20,120 --> 00:10:24,666
♪
162
00:10:24,707 --> 00:10:26,667
BELLA’S IN LUCK.
163
00:10:26,793 --> 00:10:29,629
RIPE BERRIES ARE THE PERFECT
SUGAR-RICH SNACK.
164
00:10:29,671 --> 00:10:33,383
[CHIRPING]
165
00:10:33,424 --> 00:10:35,676
IT’S TIME TO ALERT THE OTHERS.
166
00:10:35,718 --> 00:10:39,680
[CHIRPING]
167
00:10:39,848 --> 00:10:41,683
A DIFFERENT COMBINATION OF CALLS
168
00:10:41,766 --> 00:10:45,687
LETS THEM KNOW
SHE’S ON TO SOMETHING,
169
00:10:45,770 --> 00:10:47,689
AND THEY SHOULD COME
AND JOIN THE FEAST.
170
00:10:47,772 --> 00:10:52,485
[CHIRPING]
171
00:10:52,527 --> 00:10:55,697
GOOD NEWS TRAVELS FAST.
172
00:10:55,864 --> 00:10:58,450
[SQUEALING]
173
00:10:58,491 --> 00:11:03,162
[CHIRPING]
174
00:11:03,204 --> 00:11:05,164
THE TWINS MIGHT NOT
YET UNDERSTAND
175
00:11:05,206 --> 00:11:08,167
THEIR PARENTS’ EVERY CHIRP,
WHISTLE AND TRILL,
176
00:11:08,209 --> 00:11:10,712
BUT THE MORE THEY HEAR,
THE MORE THEY LEARN.
177
00:11:10,795 --> 00:11:18,720
[CHIRPING]
178
00:11:18,803 --> 00:11:27,395
♪
179
00:11:27,437 --> 00:11:35,487
♪
180
00:11:35,528 --> 00:11:39,240
IT’S TIME FOR MONA TO START
A FAMILY OF HER OWN.
181
00:11:41,826 --> 00:11:44,454
BUT HER OWN GROUP HAD
NO UNRELATED MALES
182
00:11:44,495 --> 00:11:46,247
FOR HER TO MATE WITH.
183
00:11:48,958 --> 00:11:50,835
NOW SHE’S ON A RISKY JOURNEY
184
00:11:50,877 --> 00:11:53,963
WHILE SHE SEARCHES FOR
ANOTHER FAMILY TO JOIN.
185
00:11:54,005 --> 00:11:59,469
♪
186
00:11:59,510 --> 00:12:03,764
IT WAS A DANGEROUS DECISION
TO EXILE HERSELF.
187
00:12:03,848 --> 00:12:06,768
BEING ALONE WITH NO ONE
HELPING TO KEEP WATCH,
188
00:12:06,851 --> 00:12:09,020
SHE’S INCREDIBLY VULNERABLE.
189
00:12:09,062 --> 00:12:10,397
♪
190
00:12:10,438 --> 00:12:12,774
AS SHE MAKES HER WAY
THROUGH THE FOREST,
191
00:12:12,941 --> 00:12:15,944
HER LONG WHISTLE TELLS OTHERS
THAT SHE’S ALONE
192
00:12:15,985 --> 00:12:18,613
AND SEARCHING FOR COMPANY.
193
00:12:18,655 --> 00:12:21,575
[WHISTLING]
194
00:12:21,616 --> 00:12:26,788
THIS MIGHT ATTRACT UNWANTED
ATTENTION FROM PREDATORS,
195
00:12:26,913 --> 00:12:29,165
BUT IT’S A RISK SHE MUST TAKE.
196
00:12:29,207 --> 00:12:31,793
[WHISTLING]
197
00:12:31,834 --> 00:12:33,794
SHE LISTENS FOR A RESPONSE.
198
00:12:33,836 --> 00:12:39,800
[GUTTURAL HOWLING]
199
00:12:39,884 --> 00:12:43,554
THIS CALL ISN’T WHAT
SHE WAS HOPING FOR.
200
00:12:43,596 --> 00:12:45,598
♪
201
00:12:45,640 --> 00:12:49,978
[HOWLING]
202
00:12:50,019 --> 00:12:52,813
IT’S A TROOP OF
RED HOWLER MONKEYS.
203
00:12:52,855 --> 00:12:56,776
[GRUNTING]
204
00:12:56,818 --> 00:12:59,529
MONA HAS ENTERED
THEIR TERRITORY.
205
00:12:59,570 --> 00:13:10,623
[HOWLING]
206
00:13:10,665 --> 00:13:13,668
THESE ARE THE LOUDEST ANIMALS
IN SOUTH AMERICA,
207
00:13:13,710 --> 00:13:17,839
THEIR VOICES CARRYING UP TO
THREE MILES ACROSS THE FOREST.
208
00:13:17,880 --> 00:13:21,550
[HOWLING]
209
00:13:21,592 --> 00:13:25,554
THEIR CALLS WARN OTHER TROOPS
OF THEIR PRESENCE.
210
00:13:25,596 --> 00:13:28,390
IT’S A WAY OF STAKING
THEIR CLAIM TO TERRITORY,
211
00:13:28,433 --> 00:13:32,187
WHILE AVOIDING VIOLENT CLASHES
WITH NEIGHBORING TROOPS.
212
00:13:37,317 --> 00:13:38,860
[GRUNTING]
213
00:13:38,943 --> 00:13:41,195
THEY NORMALLY CALL
AT DAWN AND DUSK...
214
00:13:41,237 --> 00:13:42,780
[GRUNTING]
215
00:13:42,822 --> 00:13:47,827
BUT THIS MORNING THEY’RE HOWLING
BECAUSE THERE’S DANGER BELOW.
216
00:13:47,869 --> 00:13:52,499
[HOWLING]
217
00:13:52,540 --> 00:13:56,377
A TEN-FOOT-LONG BOA CONSTRICTOR
SILENTLY GLIDES
218
00:13:56,419 --> 00:13:59,797
ACROSS THE FOREST FLOOR
LOOKING FOR BREAKFAST.
219
00:13:59,839 --> 00:14:02,884
[HOWLING]
220
00:14:03,051 --> 00:14:05,887
ALTHOUGH IT WOULD NORMALLY
FEED ON SMALLER MAMMALS,
221
00:14:05,928 --> 00:14:07,888
THE HOWLERS DON’T WANT
THIS PREDATOR
222
00:14:08,056 --> 00:14:10,392
ANYWHERE NEAR THEIR TERRITORY.
223
00:14:10,433 --> 00:14:13,895
[HOWLING]
224
00:14:14,062 --> 00:14:17,649
FOR TINY COTTON-TOP TAMARIN
LIKE MONA,
225
00:14:17,690 --> 00:14:22,904
AN ADULT BOA IS A MAJOR THREAT.
226
00:14:22,945 --> 00:14:25,698
IT COULD EASILY
SWALLOW HER WHOLE.
227
00:14:25,740 --> 00:14:31,537
[MONKEYS GRUNTING]
228
00:14:31,579 --> 00:14:34,916
THE HOWLER MONKEYS’ ALARM CALLS
ARE A REMINDER
229
00:14:34,957 --> 00:14:37,918
THAT ON HER OWN,
SHE’S VULNERABLE.
230
00:14:38,127 --> 00:14:39,962
SHE DESPERATELY NEEDS
THE SECURITY
231
00:14:40,004 --> 00:14:44,091
OF A FAMILY OF HER OWN KIND,
AND FAST.
232
00:14:44,967 --> 00:14:51,932
♪
233
00:14:52,100 --> 00:14:56,938
ARMY ANTS...
AND THEY’RE ON THE MARCH.
234
00:14:57,021 --> 00:15:02,610
♪
235
00:15:02,652 --> 00:15:08,950
THEY WORK AS A TEAM, SCOURING
THE UNDERGROWTH FOR THEIR PREY.
236
00:15:09,158 --> 00:15:11,744
WITH AN ARMY
UP TO 200,000 STRONG
237
00:15:11,786 --> 00:15:13,955
ALL LOOKING FOR FOOD,
238
00:15:14,080 --> 00:15:15,582
IT’S THE LARGEST EATING MACHINE
239
00:15:15,623 --> 00:15:19,127
THAT SHARES
THE COTTON-TOPS’ TERRITORY.
240
00:15:19,168 --> 00:15:21,962
THESE ANTS SPEND THEIR
ENTIRE LIVES ON THE MOVE
241
00:15:22,130 --> 00:15:26,635
TO MAXIMIZE THEIR CHANCES
OF CAPTURING PREY.
242
00:15:26,676 --> 00:15:29,971
INSTEAD OF BUILDING A NEST
IN A SINGLE LOCATION,
243
00:15:30,179 --> 00:15:35,476
WORKER ANTS CREATE A MOBILE HOME
CALLED A BIVOUAC.
244
00:15:35,518 --> 00:15:39,939
IT’S A SORT OF LIVING NEST THEY
MAKE OUT OF THEIR OWN BODIES.
245
00:15:39,981 --> 00:15:41,733
IT’S A HIGHLY ORGANIZED
STRUCTURE,
246
00:15:41,774 --> 00:15:44,694
PROTECTING THE QUEEN,
HER EGGS, AND HER LARVAE.
247
00:15:47,029 --> 00:15:49,990
FROM HERE, THE REST
OF THE WORKER ANTS
248
00:15:50,032 --> 00:15:51,951
LAUNCH THEIR DAILY HUNTING RAIDS
249
00:15:51,993 --> 00:15:54,037
IN SEARCH OF PROTEIN-RICH FOOD.
250
00:15:57,498 --> 00:16:00,001
THE ANTS MAY BE
LESS THAN HALF AN INCH LONG,
251
00:16:00,168 --> 00:16:02,003
BUT AS PART OF
A CARNIVOROUS WAVE
252
00:16:02,086 --> 00:16:06,132
UP TO 60 FEET ACROSS
AND 300 FEET IN LENGTH,
253
00:16:06,174 --> 00:16:08,968
THEY CAN OVERCOME
AND CONSUME ANIMALS
254
00:16:09,010 --> 00:16:11,221
HUNDREDS OF TIMES THEIR SIZE.
255
00:16:14,056 --> 00:16:18,602
ON THE FOREST FLOOR,
THERE IS NO SAFE HAVEN.
256
00:16:19,937 --> 00:16:24,900
THIS SPIDER MAY BE MUCH LARGER
THAN A SINGLE ANT,
257
00:16:24,942 --> 00:16:29,029
BUT IT HAS NO DEFENSE
AGAINST THE OVERWHELMING SWARM.
258
00:16:29,197 --> 00:16:32,575
THE FEROCIOUS FEMALES ATTACK
WITH THEIR MANDIBLES
259
00:16:32,617 --> 00:16:35,537
AND INJECT IT WITH A LETHAL
COCKTAIL OF CHEMICALS
260
00:16:35,578 --> 00:16:37,914
THAT DISSOLVE
THE SPIDER’S FLESH.
261
00:16:41,083 --> 00:16:46,130
THEY CAN OVERPOWER SCORPIONS,
TARANTULAS AND EVEN LIZARDS.
262
00:16:47,089 --> 00:16:49,049
ON THIS DAY-LONG RAID ALONE,
263
00:16:49,091 --> 00:16:53,053
THEY COULD CAPTURE
UP TO 30,000 INSECTS.
264
00:16:53,095 --> 00:16:55,180
ANYTHING BIGGER,
LIKE A COTTON-TOP,
265
00:16:55,223 --> 00:16:58,059
COULD GET HUNDREDS
OF PAINFUL BITES.
266
00:16:58,226 --> 00:17:01,062
[CHIRPING]
267
00:17:01,145 --> 00:17:03,939
SO THE FAMILY WATCHES
FROM THE TREES,
268
00:17:03,981 --> 00:17:08,068
READY TO JUMP TO SAFETY
IF THE ANTS START TO CLIMB.
269
00:17:08,194 --> 00:17:14,117
[CHIRPING]
270
00:17:20,665 --> 00:17:24,794
HALF A MILE AWAY, MONA IS STILL
SEARCHING FOR FOOD.
271
00:17:29,006 --> 00:17:32,176
WITHOUT TROOP-MATES TO HELP HER
SCOUR THE TREETOPS,
272
00:17:32,218 --> 00:17:37,098
SHE RESORTS TO EATING WHATEVER
SHE CAN FIND ALONE.
273
00:17:37,139 --> 00:17:40,309
SHE SEARCHES FOR BUGS
AMONG DEAD LEAVES.
274
00:17:45,189 --> 00:17:52,780
♪
275
00:17:52,822 --> 00:17:58,828
BY HERSELF, SHE NEEDS TO STAY
ALERT AT ALL TIMES,
276
00:17:58,869 --> 00:18:00,871
EVEN WHILE SHE FEEDS.
277
00:18:00,913 --> 00:18:11,298
♪
278
00:18:11,340 --> 00:18:14,134
FOR A SOCIAL MONKEY
LIKE A COTTON-TOP,
279
00:18:14,176 --> 00:18:17,304
SOLITUDE IS BOTH STRESSFUL
AND EXHAUSTING.
280
00:18:24,270 --> 00:18:29,984
STILL HUNGRY, SHE KEEPS UP
HER LONELY WHISTLE
281
00:18:30,026 --> 00:18:32,111
IN THE HOPE OF FINDING OTHERS.
282
00:18:32,153 --> 00:18:38,951
♪
283
00:18:38,993 --> 00:18:40,661
BUT SHE NEEDS TO FIND SHELTER
284
00:18:40,703 --> 00:18:43,080
WHERE SHE CAN REST
FOR THE NIGHT.
285
00:18:43,122 --> 00:18:49,879
♪
286
00:18:49,920 --> 00:18:54,758
WHILE MONA SLEEPS IN THE TREES,
ANOTHER FOREST CREATURE APPEARS.
287
00:18:55,843 --> 00:19:02,850
♪
288
00:19:02,892 --> 00:19:13,194
♪
289
00:19:13,319 --> 00:19:15,363
IT’S A RED-FOOTED TORTOISE.
290
00:19:18,157 --> 00:19:21,202
SHE’S GOT COMPANY.
291
00:19:21,410 --> 00:19:25,122
IT’S A YOUNGSTER,
BUT NOT ONE OF HERS.
292
00:19:25,164 --> 00:19:30,211
UNLIKE MONKEYS, THESE REPTILES
DON’T CARE FOR THEIR YOUNG.
293
00:19:30,336 --> 00:19:32,880
BUT THEY’RE NOT ANTI-SOCIAL,
294
00:19:32,922 --> 00:19:36,217
AND THE ADULT DOESN’T MIND THE
SMALLER TORTOISE FOLLOWING HER
295
00:19:36,300 --> 00:19:39,220
AS SHE SEARCHES FOR FOOD,
296
00:19:39,261 --> 00:19:43,724
WHETHER IT BE FRUITS,
LEAVES OR SHOOTS.
297
00:19:46,143 --> 00:19:50,189
THESE DOCILE CREATURES CAN LIVE
FOR 30 YEARS OR MORE
298
00:19:50,231 --> 00:19:52,400
AND GROW UP TO 20 INCHES LONG.
299
00:19:55,820 --> 00:20:00,074
BUT WITH A TOP SPEED THAT BARELY
HITS 100 YARDS PER HOUR,
300
00:20:00,116 --> 00:20:04,203
FINDING ENOUGH FOOD ON THE
FOREST FLOOR CAN TAKE SOME TIME.
301
00:20:08,749 --> 00:20:12,211
A FRESH FLOWER IS
A SNACK TO SAVOR.
302
00:20:12,253 --> 00:20:18,217
♪
303
00:20:18,259 --> 00:20:20,928
BUT SOMETHING SPOOKS HER.
304
00:20:23,305 --> 00:20:26,266
PLAYING IT SAFE,
BOTH TORTOISES TAKE COVER
305
00:20:26,308 --> 00:20:29,144
INSIDE THEIR HARD,
KERATINOUS SHELLS.
306
00:20:30,438 --> 00:20:34,233
HUNTING IN THE BRANCHES
ABOVE THEM IS A TAMANDUA:
307
00:20:34,275 --> 00:20:37,195
A 4-FOOT-LONG
TREE-CLIMBING ANTEATER.
308
00:20:38,904 --> 00:20:42,449
BUT IT’S NOT INTERESTED
IN THE TORTOISES.
309
00:20:42,491 --> 00:20:46,245
IT’S SEARCHING
FOR ANTS OR TERMITES,
310
00:20:46,287 --> 00:20:47,955
USING ITS ELONGATED NOSE
311
00:20:47,997 --> 00:20:52,126
TO SNIFF OUT TELL-TALE CHEMICAL
TRAILS IN THE DARKNESS.
312
00:20:52,168 --> 00:21:02,303
♪
313
00:21:02,428 --> 00:21:04,430
REASSURED,
THE RED-FOOTED TORTOISES
314
00:21:04,472 --> 00:21:09,310
GET BACK TO BUSINESS...
315
00:21:09,477 --> 00:21:11,312
SLOWLY.
316
00:21:11,395 --> 00:21:19,445
♪
317
00:21:19,487 --> 00:21:23,282
IN ANOTHER PATCH OF UNDERGROWTH,
318
00:21:23,324 --> 00:21:24,450
FALLEN FRUIT IS SUSTAINING
319
00:21:24,492 --> 00:21:27,787
A VERY DIFFERENT FORAGER
OF THE NIGHT.
320
00:21:32,124 --> 00:21:33,667
A MILLIPEDE.
321
00:21:35,961 --> 00:21:39,882
DESPITE ITS NAME, IT ONLY HAS
A FEW HUNDRED FEET.
322
00:21:44,845 --> 00:21:48,265
BUT IT DOES HAVE
AN ANCIENT LINEAGE.
323
00:21:48,307 --> 00:21:53,896
THESE ARTHROPODS FIRST APPEARED
MORE THAN 400 MILLION YEARS AGO,
324
00:21:53,938 --> 00:21:57,358
MAKING THEM ONE OF THE OLDEST
KNOWN ANIMALS ON LAND.
325
00:22:02,238 --> 00:22:04,323
IT’S GOT COMPANY.
326
00:22:04,365 --> 00:22:09,996
♪
327
00:22:10,037 --> 00:22:13,374
ANOTHER ARTHROPOD WITH
AN ANCIENT HERITAGE.
328
00:22:13,457 --> 00:22:25,386
♪
329
00:22:25,427 --> 00:22:27,930
A BLUE LAND CRAB.
330
00:22:30,516 --> 00:22:33,519
IT LIVES OVER A MILE
FROM THE SEA,
331
00:22:33,561 --> 00:22:36,981
BUT THANKS TO FREQUENT RAIN
AND DAMP SOIL,
332
00:22:37,022 --> 00:22:39,399
IT’S ABLE TO SURVIVE
HERE IN THE FOREST.
333
00:22:41,986 --> 00:22:46,532
IT’S A MALE, AND HE’S
CLOSING IN ON HIS NEXT MEAL.
334
00:22:50,494 --> 00:22:55,290
THE BLUE CRAB IS AFTER
THE FRUIT, NOT THE MILLIPEDE.
335
00:23:06,552 --> 00:23:09,430
UNLIKE HIS CARNIVOROUS
MARINE COUSINS,
336
00:23:09,471 --> 00:23:11,431
THIS LAND CRAB IS AN HERBIVORE,
337
00:23:11,599 --> 00:23:15,311
FEASTING ON FRUIT,
FLOWERS AND LEAVES.
338
00:23:17,313 --> 00:23:18,606
FEEDING TIME OVER,
339
00:23:18,647 --> 00:23:22,359
THE CRAB RETREATS TO HIS BURROW
DEEP UNDERGROUND,
340
00:23:22,401 --> 00:23:26,363
WHERE HE CAN SHELTER FROM
THE HEAT AS A NEW DAY DAWNS.
341
00:23:27,448 --> 00:23:33,162
[MONKEYS HOWLING]
342
00:23:33,203 --> 00:23:37,332
AS THE SUN RISES, THE COLOMBIAN
FOREST COMES TO LIFE.
343
00:23:39,668 --> 00:23:41,587
THE DAY SHIFT BEGINS.
344
00:23:41,629 --> 00:23:53,516
[MONKEYS HOWLING]
345
00:23:53,557 --> 00:23:56,477
HOWLER MONKEYS FINISH
THEIR DAWN CHORUS
346
00:23:56,560 --> 00:23:58,604
AND SET OUT IN SEARCH
OF BREAKFAST.
347
00:24:01,565 --> 00:24:03,192
WEIGHING UP TO 16 POUNDS,
348
00:24:03,233 --> 00:24:07,487
THEY’RE 14 TIMES LARGER THAN
THE COTTON-TOP TAMARINS.
349
00:24:09,114 --> 00:24:11,033
WHILE THEIR SMALLER,
FASTER COUSINS
350
00:24:11,075 --> 00:24:15,371
RELY ON HIGH ENERGY FOODS
SUCH AS INSECTS AND BERRIES,
351
00:24:15,412 --> 00:24:19,499
HOWLERS MAINLY EAT LEAVES, LIKE
THOSE OF THE CECROPIA TREE.
352
00:24:24,088 --> 00:24:26,507
TO COMPENSATE FOR THEIR
LOW-ENERGY DIET,
353
00:24:26,715 --> 00:24:29,509
THEY TAKE A RATHER RELAXED
APPROACH TO LIFE,
354
00:24:29,677 --> 00:24:32,638
RESTING FOR UP TO
15 HOURS A DAY.
355
00:24:37,267 --> 00:24:41,313
♪
356
00:24:41,355 --> 00:24:45,317
THEIR PREHENSILE TAILS HELP THEM
NAVIGATE THE TREETOPS.
357
00:24:45,359 --> 00:24:48,529
♪
358
00:24:48,654 --> 00:24:50,531
NAKED AND RIDGED
ON THE UNDERSIDE,
359
00:24:50,739 --> 00:24:52,241
LIKE A FINGERPRINT,
360
00:24:52,282 --> 00:24:55,452
THEY PROVIDE A FINGER-LIKE GRIP
ON BRANCHES...
361
00:24:55,494 --> 00:24:58,539
♪
362
00:24:58,580 --> 00:25:00,874
PERFECT FOR EXTRA BALANCE...
363
00:25:00,916 --> 00:25:05,421
♪
364
00:25:05,462 --> 00:25:07,255
OR FOR CLOSING A GAP...
365
00:25:07,297 --> 00:25:11,551
♪
366
00:25:11,760 --> 00:25:14,721
AND EVEN FOR
THE OCCASIONAL ITCH.
367
00:25:14,763 --> 00:25:17,516
♪
368
00:25:17,558 --> 00:25:22,438
WHILE THE HOWLERS ARE
WELL INTO THEIR BREAKFAST RUN,
369
00:25:22,479 --> 00:25:26,358
IN A NEIGHBORING TREE,
ONE FAMILY IS SLEEPING LATE.
370
00:25:26,859 --> 00:25:31,572
♪
371
00:25:31,697 --> 00:25:32,740
BELLA AND CARLOS’S BROOD
372
00:25:32,781 --> 00:25:36,493
HAVE SPENT A COMFORTABLE
NIGHT TOGETHER.
373
00:25:36,535 --> 00:25:40,581
IT’S AN HOUR AFTER DAWN BEFORE
THEY FEEL THE NEED TO RISE.
374
00:25:40,664 --> 00:25:44,293
[CHIRPING]
375
00:25:44,334 --> 00:25:48,588
THEIR MORNING SLEEP-IN
ISN’T OUT OF LAZINESS.
376
00:25:48,714 --> 00:25:53,302
IT’S A STRATEGY TO AVOID
THEIR DEADLY ENEMIES,
377
00:25:53,343 --> 00:25:56,972
AS MANY PREDATORS HUNT
MAINLY AT DUSK AND DAWN.
378
00:25:57,014 --> 00:26:10,736
[CHIRPING]
379
00:26:10,778 --> 00:26:14,657
♪
380
00:26:14,698 --> 00:26:20,621
GROOMING IS ALWAYS A GOOD WAY
TO START THE DAY.
381
00:26:20,662 --> 00:26:23,290
IT HELPS TO KEEP
PARASITES AT BAY
382
00:26:23,332 --> 00:26:26,627
AND ALSO REINFORCES BONDS
WITHIN THE TROOP.
383
00:26:26,710 --> 00:26:31,924
[CHIRPING]
384
00:26:36,178 --> 00:26:40,641
A SHARED PERFUME ALSO PROVIDES
A SENSE OF COLLECTIVE IDENTITY.
385
00:26:40,682 --> 00:26:43,226
[CHIRPING]
386
00:26:43,268 --> 00:26:48,565
THEY MARK THEIR TERRITORY
WITH SCENT FROM ANAL GLANDS
387
00:26:48,607 --> 00:26:51,652
AND URINE.
388
00:26:51,693 --> 00:26:54,571
THESE CHEMICAL MESSAGES
REASSURE THE FAMILY
389
00:26:54,613 --> 00:26:57,491
THAT THIS IS THEIR TERRITORY
390
00:26:57,533 --> 00:26:58,659
AND LETS OTHER COTTON-TOPS KNOW
391
00:26:58,700 --> 00:27:01,870
THEY’VE ENTERED
ANOTHER TROOP’S PATCH.
392
00:27:04,790 --> 00:27:07,418
AT 6 WEEKS OLD, THE TWINS
ARE STARTING TO TAKE
393
00:27:07,459 --> 00:27:10,504
THEIR FIRST INDEPENDENT STEPS
IN THE FOREST.
394
00:27:10,546 --> 00:27:17,344
♪
395
00:27:17,386 --> 00:27:18,929
THEY PLAY AND PRACTICE,
396
00:27:18,971 --> 00:27:22,641
CLIMBING UNDER THE WATCHFUL EYE
OF THEIR OLDER BROTHER, PABLO.
397
00:27:22,683 --> 00:27:28,397
♪
398
00:27:28,438 --> 00:27:29,898
[WHISTLING]
399
00:27:29,940 --> 00:27:34,820
BELLA GATHERS UP THE TWINS
WITH A "CLIMB ON BOARD" WHISTLE,
400
00:27:34,862 --> 00:27:38,074
AND THE FAMILY HEADS OFF
IN SEARCH OF BREAKFAST.
401
00:27:38,115 --> 00:27:41,910
[CHIRPING]
402
00:27:41,952 --> 00:27:54,715
♪
403
00:27:54,756 --> 00:27:56,716
BARELY A HUNDRED YARDS AWAY,
404
00:27:56,884 --> 00:28:01,305
MONA WAKES FROM AN UNCOMFORTABLE
NIGHT ON HER OWN.
405
00:28:04,725 --> 00:28:10,773
♪
406
00:28:10,814 --> 00:28:12,566
WITHOUT ANYONE TO GROOM HER,
407
00:28:12,608 --> 00:28:16,695
SHE HAS TO DEAL WITH LAST
NIGHT’S INSECT BITES HERSELF.
408
00:28:27,164 --> 00:28:30,209
♪
409
00:28:30,250 --> 00:28:33,295
IN THE NEXT TREE
SHE PICKS UP A SCENT.
410
00:28:33,337 --> 00:28:37,758
IT’S ONE OF CARLOS’S
TERRITORIAL MARKERS.
411
00:28:37,883 --> 00:28:43,597
MONA MAY BE ABOUT TO FIND THE
FAMILY SHE’S BEEN LOOKING FOR.
412
00:28:43,639 --> 00:28:47,393
SHE BEGINS A STREAM OF
"LONELY" CALLS ONCE MORE,
413
00:28:47,434 --> 00:28:51,939
AS SHE FOLLOWS THE SCENT
AND CONTINUES HER SEARCH.
414
00:28:51,980 --> 00:28:54,774
♪
415
00:28:54,942 --> 00:28:56,694
[SHRIEKING]
416
00:28:56,735 --> 00:29:05,827
♪
417
00:29:05,869 --> 00:29:07,579
ON THE FOREST FLOOR BELOW,
418
00:29:07,621 --> 00:29:12,000
AN INDUSTRIOUS CREATURE RUMMAGES
THROUGH THE LEAF LITTER.
419
00:29:12,042 --> 00:29:20,759
♪
420
00:29:20,801 --> 00:29:29,810
♪
421
00:29:29,935 --> 00:29:31,770
IT’S A DUNG BEETLE.
422
00:29:34,022 --> 00:29:36,816
USING ITS FINELY TUNED
SENSE OF SMELL,
423
00:29:36,858 --> 00:29:39,569
IT HOMES IN ON ITS BOUNTY.
424
00:29:43,031 --> 00:29:46,826
DUNG BEETLES ARE
THE FOREST’S RECYCLERS.
425
00:29:46,868 --> 00:29:49,788
THEY THRIVE ON
ALL DECAYING MATTER,
426
00:29:49,830 --> 00:29:51,832
AND MONKEYS’ WASTE PROVIDES THEM
427
00:29:51,957 --> 00:29:54,626
WITH ALL THE MOISTURE
AND NUTRIENTS THEY NEED.
428
00:29:54,668 --> 00:29:59,590
♪
429
00:29:59,631 --> 00:30:00,924
WHAT THEY DON’T EAT IMMEDIATELY,
430
00:30:00,966 --> 00:30:04,011
THEY SHAPE INTO A BALL
AND ROLL AWAY.
431
00:30:04,052 --> 00:30:07,681
♪
432
00:30:07,723 --> 00:30:09,558
IT’S A PORTABLE FOOD STORE,
433
00:30:09,599 --> 00:30:13,561
OR EVEN AN EDIBLE NEST IN WHICH
THEY CAN LAY THEIR EGGS.
434
00:30:13,603 --> 00:30:16,856
♪
435
00:30:16,898 --> 00:30:18,691
MALES ARE PARTICULARLY STRONG
436
00:30:18,734 --> 00:30:22,196
AND CAN ROLL BALLS
UP TO 10 TIMES THEIR WEIGHT.
437
00:30:24,906 --> 00:30:29,244
THIS ONE TRIES TO HIDE ITS
PRECIOUS CARGO IN A FALLEN FIG.
438
00:30:29,286 --> 00:30:39,838
♪
439
00:30:39,880 --> 00:30:42,800
BUT IT MIGHT HAVE
MISJUDGED THE FIT.
440
00:30:49,681 --> 00:30:51,683
♪
441
00:30:51,725 --> 00:30:55,187
MONA’S SEARCH THROUGH THE FOREST
HAS TAKEN HER FAR FROM HOME.
442
00:30:55,228 --> 00:30:56,604
[CHIRPING]
443
00:30:56,646 --> 00:30:59,691
FINALLY HEARS THE SOUNDS
SHE’S BEEN HOPING FOR.
444
00:30:59,733 --> 00:31:01,902
[CHIRPING]
445
00:31:02,027 --> 00:31:03,654
[BRANCHES RUSTLING]
446
00:31:03,695 --> 00:31:06,907
SHE CAN HEAR THE CONTACT CALLS
OF A COTTON-TOP FAMILY.
447
00:31:07,032 --> 00:31:11,453
[CHIRPING]
448
00:31:11,495 --> 00:31:14,915
COMFORT, SECURITY,
AND A FUTURE MATE
449
00:31:14,956 --> 00:31:17,208
COULD NOW JUST BE YARDS AWAY.
450
00:31:17,250 --> 00:31:20,336
♪
451
00:31:20,379 --> 00:31:30,723
[CHIRPING]
452
00:31:30,764 --> 00:31:32,933
THE FAMILY HAS SPOTTED HER, TOO.
453
00:31:32,974 --> 00:31:35,643
[CHIRPING]
454
00:31:35,685 --> 00:31:38,646
COTTON-TOP FAMILIES
OFTEN ACCEPT OUTSIDERS,
455
00:31:38,688 --> 00:31:41,941
WHO REINFORCE THEIR
STRENGTH IN NUMBERS,
456
00:31:42,067 --> 00:31:43,944
HELP WITH CHILD-REARING
457
00:31:44,069 --> 00:31:46,613
AND ENHANCE THEIR
POTENTIAL GENE POOL.
458
00:31:49,282 --> 00:31:50,700
[CHIRPING]
459
00:31:50,742 --> 00:31:56,957
PABLO, THE YOUNG MALE,
TWITTERS EXCITEDLY TO MONA.
460
00:31:56,998 --> 00:32:00,960
BUT MOTHER BELLA
IS APPREHENSIVE.
461
00:32:01,044 --> 00:32:02,879
SHE’S THE ALPHA,
462
00:32:02,921 --> 00:32:05,674
AND ALLOWING ANOTHER FEMALE
TO JOIN HER FAMILY
463
00:32:05,715 --> 00:32:08,968
COULD THREATEN HER
BREEDING POSITION IN THE TROOP.
464
00:32:09,010 --> 00:32:17,936
[CHIRPING]
465
00:32:17,978 --> 00:32:21,982
MONA APPROACHES CAUTIOUSLY.
466
00:32:22,107 --> 00:32:25,027
BUT BELLA’S NOT HAPPY.
467
00:32:25,068 --> 00:32:26,987
SHE’S MADE IT CLEAR...
468
00:32:27,154 --> 00:32:36,997
[SCREECHING]
469
00:32:36,997 --> 00:32:43,045
[SCREECHING]
470
00:32:47,090 --> 00:32:49,968
THE NEWCOMER’S UNWELCOME.
471
00:32:50,010 --> 00:32:52,804
AND MONA BEATS A HASTY RETREAT.
472
00:32:52,846 --> 00:32:57,809
♪
473
00:32:57,851 --> 00:33:02,814
PABLO MIGHT WANT HER AROUND,
BUT BELLA’S NOT HAVING IT.
474
00:33:02,856 --> 00:33:07,986
SHE’S THE BOSS, AND SHE DECIDES
WHO’S IN AND WHO’S OUT.
475
00:33:09,488 --> 00:33:17,788
[HOWLING]
476
00:33:17,829 --> 00:33:21,041
THE HOWLERS’ CALLS ECHO THROUGH
THE CANOPY ONCE MORE,
477
00:33:21,208 --> 00:33:25,045
BUT THIS TIME THEY’RE ANNOUNCING
THE COMING RAIN.
478
00:33:25,170 --> 00:33:30,050
[THUNDER]
479
00:33:30,133 --> 00:33:32,052
IN THE 5-MONTH RAINY SEASON,
480
00:33:32,177 --> 00:33:34,888
RAIN FALLS ALMOST
EVERY OTHER DAY.
481
00:33:43,104 --> 00:33:45,857
[THUNDER]
482
00:33:45,899 --> 00:33:49,736
IN THE HEAVIEST DOWNPOURS,
MANY ANIMALS TAKE COVER.
483
00:33:52,155 --> 00:33:54,991
THE HOWLERS JUST HUNKER DOWN.
484
00:33:57,118 --> 00:33:58,328
BUT FOR LITTLE ONES,
485
00:33:58,370 --> 00:34:01,832
THERE’S ALWAYS SHELTER
TO BE FOUND WITH MOM.
486
00:34:01,873 --> 00:34:09,089
♪
487
00:34:09,130 --> 00:34:15,136
[THUNDER]
488
00:34:21,309 --> 00:34:23,144
BELLA AND HER FAMILY
HUDDLE TOGETHER
489
00:34:23,186 --> 00:34:25,313
FOR WARMTH AND SECURITY.
490
00:34:33,947 --> 00:34:39,119
NOT FAR OFF, MONA SEEKS SHELTER
UNDER THE LEAVES, ALONE.
491
00:34:39,202 --> 00:34:42,831
HER TINY BODY IS WET AND COLD.
492
00:34:42,872 --> 00:34:44,123
♪
493
00:34:44,165 --> 00:34:46,876
SHE HAS A DECISION TO MAKE:
494
00:34:46,918 --> 00:34:51,131
KEEP TRYING TO WIN BELLA’S FAVOR
AND JOIN THE FAMILY,
495
00:34:51,172 --> 00:34:53,174
OR HEAD OFF AGAIN
INTO THE FOREST
496
00:34:53,216 --> 00:34:55,969
IN HOPES OF FINDING
ANOTHER TROOP.
497
00:34:58,305 --> 00:35:01,266
EXHAUSTED, HUNGRY,
AND DANGEROUSLY COLD,
498
00:35:01,308 --> 00:35:04,853
MONA IS IN REAL TROUBLE.
499
00:35:04,894 --> 00:35:09,357
ALONE LIKE THIS, SHE WON’T
SURVIVE IN THE JUNGLE FOR LONG.
500
00:35:09,399 --> 00:35:13,987
♪
501
00:35:14,029 --> 00:35:19,660
DUNG BEETLES QUICKLY STRIP
A HOWLER MONKEY SKULL,
502
00:35:19,701 --> 00:35:25,373
A FATE THAT COULD BE HERS IF
SHE DOESN’T FIND A FAMILY SOON.
503
00:35:36,009 --> 00:35:39,179
FINDING SAFETY IN NUMBERS
IS A COMMON STRATEGY
504
00:35:39,220 --> 00:35:42,849
FOR MANY ANIMALS,
505
00:35:42,891 --> 00:35:47,104
INCLUDING THESE PECULIAR-LOOKING
NEIGHBORS OF THE COTTON-TOPS.
506
00:35:47,854 --> 00:35:50,231
[CLUCKING]
507
00:35:50,273 --> 00:35:52,192
THEY’RE BOATBILL HERONS,
508
00:35:52,275 --> 00:35:54,194
YEAR-ROUND RESIDENTS
OF THE FOREST.
509
00:35:54,235 --> 00:35:57,321
[CLUCKING]
510
00:35:57,364 --> 00:35:59,992
NESTING IN A COLONY
ABOVE A SEASONAL LAKE,
511
00:36:00,033 --> 00:36:06,039
THEY’VE CREATED A SAFE HAVEN IN
WHICH TO BRING UP THEIR YOUNG.
512
00:36:06,081 --> 00:36:07,416
[CLUCKING]
513
00:36:07,457 --> 00:36:13,797
THE FEMALE SHARES PARENTING
DUTIES WITH HER MATE,
514
00:36:13,838 --> 00:36:17,050
EACH TAKING TURNS TO INCUBATE
THEIR BROOD.
515
00:36:20,261 --> 00:36:21,763
THEY TIME THEIR INCUBATION
516
00:36:21,805 --> 00:36:25,225
SO THE EGGS HATCH A FEW DAYS
APART FROM ONE ANOTHER.
517
00:36:25,308 --> 00:36:27,352
IT’S A STRATEGY USED
BY MANY BIRDS
518
00:36:27,394 --> 00:36:30,147
AND ALLOWS THEM TO MATCH
THEIR BROOD SIZE
519
00:36:30,188 --> 00:36:32,232
TO THE AVAILABLE FOOD SUPPLY.
520
00:36:32,273 --> 00:36:41,240
[CLUCKING]
521
00:36:41,449 --> 00:36:45,119
EVENTUALLY THE PARENTS’
PATIENCE PAYS OFF.
522
00:36:45,161 --> 00:36:58,049
♪
523
00:36:58,091 --> 00:37:02,762
WITH TWO EGG-TEETH ON ITS BILL,
THE CHICK BREAKS OPEN THE SHELL.
524
00:37:04,305 --> 00:37:09,185
[CHATTERING]
525
00:37:11,896 --> 00:37:15,024
ITS PARENTS WILL GUARD
THIS HELPLESS NEW ARRIVAL.
526
00:37:15,066 --> 00:37:18,027
[CHATTERING]
527
00:37:18,069 --> 00:37:21,114
COME NIGHTFALL THEY WILL
HEAD OUT IN THE DARKNESS
528
00:37:21,156 --> 00:37:24,076
TO HUNT IN THE POOL BELOW.
529
00:37:24,117 --> 00:37:27,245
THEY WILL REGURGITATE
FISH, SHRIMP OR INSECTS
530
00:37:27,287 --> 00:37:29,539
FOR THEIR CHICK’S FIRST MEAL.
531
00:37:29,581 --> 00:37:38,131
♪
532
00:37:38,173 --> 00:37:43,053
AS THE CLOUDS CLEAR AND
THE SUN WARMS THE FOREST,
533
00:37:43,094 --> 00:37:46,389
THE COTTON-TOP TWINS
EXPLORE THEIR JUNGLE GYM.
534
00:37:49,267 --> 00:37:53,104
♪
535
00:37:53,146 --> 00:37:56,274
THEY STILL GET MOST OF THEIR
NUTRIENTS FROM BELLA’S MILK,
536
00:37:56,316 --> 00:37:59,277
BUT ARE STARTING TO SUPPLEMENT
THEIR DIET WITH SOLIDS.
537
00:38:00,487 --> 00:38:05,409
THIS MORNING THEY’RE
LOOKING FOR INSECTS.
538
00:38:05,450 --> 00:38:07,327
AT THEIR YOUNG AGE,
539
00:38:07,368 --> 00:38:10,496
CATCHING JUST ONE WOULD BE
A MAJOR VICTORY.
540
00:38:13,500 --> 00:38:16,920
BELLA AND CARLOS LOOK ON.
541
00:38:16,961 --> 00:38:20,298
THEY’VE DEMONSTRATED HOW TO
CATCH INSECTS MANY TIMES,
542
00:38:20,340 --> 00:38:23,093
BUT NOW IT’S
THEIR STUDENTS’ TURN.
543
00:38:26,471 --> 00:38:28,765
COULD THIS BE IT?
544
00:38:30,308 --> 00:38:31,726
NOT QUITE.
545
00:38:35,355 --> 00:38:36,857
ANOTHER TRY.
546
00:38:37,774 --> 00:38:39,067
GOT IT!
547
00:38:42,403 --> 00:38:45,364
THIS GRASSHOPPER
IS QUITE A HANDFUL!
548
00:38:45,406 --> 00:38:53,080
♪
549
00:38:56,417 --> 00:38:59,086
♪
550
00:38:59,128 --> 00:39:05,968
WHILE THE FAMILY’S ATTENTION
IS ON THE TWINS’ SUCCESS,
551
00:39:06,010 --> 00:39:09,388
BENEATH THEM DANGER
SLITHERS IN UNNOTICED.
552
00:39:09,472 --> 00:39:16,145
♪
553
00:39:16,187 --> 00:39:19,273
A BOA CONSTRICTOR ON THE HUNT.
554
00:39:21,484 --> 00:39:24,404
CAMOUFLAGED SCALES
HELP ITS 10-FOOT BODY
555
00:39:24,445 --> 00:39:27,198
DISAPPEAR INTO THE UNDERGROWTH.
556
00:39:28,616 --> 00:39:32,578
BUT IT DOESN’T JUST SEEK
ITS QUARRY ON THE GROUND.
557
00:39:36,291 --> 00:39:42,380
AT 60 POUNDS, THIS GIANT SNAKE
IS A SURPRISINGLY ADEPT CLIMBER.
558
00:39:51,973 --> 00:39:56,394
THICK MUSCLES GRIP TIGHTLY
TO THE TRUNK
559
00:39:56,436 --> 00:39:59,564
AS IT PUSHES ITSELF UP,
COIL BY COIL.
560
00:39:59,606 --> 00:40:08,448
♪
561
00:40:08,573 --> 00:40:11,451
LACKING BOTH FANGS AND VENOM,
562
00:40:11,492 --> 00:40:13,786
IT’S STILL A VERY
EFFECTIVE KILLER.
563
00:40:13,828 --> 00:40:18,458
♪
564
00:40:18,583 --> 00:40:22,796
SMALL, HOOKED TEETH GRAB
AND HOLD ON TO PREY...
565
00:40:25,632 --> 00:40:28,552
WHILE ITS POWERFUL BODY
WRAPS AROUND ITS VICTIM,
566
00:40:28,593 --> 00:40:31,805
SQUEEZING UNTIL IT SUFFOCATES.
567
00:40:34,474 --> 00:40:36,267
IT TASTES THE AIR,
568
00:40:36,309 --> 00:40:40,230
ITS TONGUE PROBING FOR
CHEMICAL CLUES FROM ITS PREY.
569
00:40:41,481 --> 00:40:45,485
RIGHT NOW, IT CAN TASTE
COTTON-TOP.
570
00:40:45,526 --> 00:40:51,907
♪
571
00:40:55,286 --> 00:40:59,874
MONA HAS DECIDED TO MAKE A FINAL
ATTEMPT TO JOIN BELLA’S FAMILY.
572
00:41:03,169 --> 00:41:04,629
[CHIRPING]
573
00:41:04,671 --> 00:41:09,509
SHE APPROACHES THE BRANCHES
WHERE THE TWINS ARE FEEDING,
574
00:41:09,550 --> 00:41:12,261
WHISTLING HER DESIRE
TO JOIN THEM.
575
00:41:12,303 --> 00:41:20,394
[WHISTLING]
576
00:41:20,436 --> 00:41:24,857
CREEPING CLOSER BELOW,
THE BOA APPROACHES SILENTLY.
577
00:41:24,899 --> 00:41:32,532
♪
578
00:41:32,573 --> 00:41:36,327
BUT MONA SPOTS IT.
579
00:41:36,369 --> 00:41:37,537
[SCREECHING]
580
00:41:37,578 --> 00:41:42,416
SHE CALLS OUT THE ALARM,
"DANGER FROM BELOW!"
581
00:41:42,458 --> 00:41:46,587
THE FAMILY SPRINGS INTO ACTION,
582
00:41:46,629 --> 00:41:49,382
BUT THEY DON’T RUN AWAY.
583
00:41:49,424 --> 00:41:53,553
THEY DIVE TOWARDS THE SNAKE,
AND MONA JOINS THEM.
584
00:41:55,763 --> 00:41:58,557
WITH A SHOW OF STRENGTH
AND SHRIEKING CALLS,
585
00:41:58,599 --> 00:42:01,560
THEY MOB THE BOA,
HOPING TO DRIVE IT AWAY.
586
00:42:01,602 --> 00:42:08,567
[SHRIEKING]
587
00:42:08,693 --> 00:42:12,238
WITH ITS COVER BLOWN,
THE SNAKE RETREATS.
588
00:42:16,242 --> 00:42:26,127
[CHIRPING]
589
00:42:26,169 --> 00:42:31,800
THE TWINS ARE SAFE, THANKS
TO THEIR NEW HEROINE, MONA.
590
00:42:34,677 --> 00:42:37,722
SHE CALLS GENTLY
AS BELLA APPROACHES,
591
00:42:37,764 --> 00:42:40,350
BUT IT’S NO LONGER
THE "LONELY" CALL.
592
00:42:40,391 --> 00:42:45,605
THIS IS A CONTACT CALL,
AN INVITATION TO GROOM.
593
00:42:45,730 --> 00:42:48,650
[CHIRPING]
594
00:42:48,691 --> 00:42:52,528
BELLA RESPONDS, ALLOWING
THE OUTSIDER TO GROOM HER;
595
00:42:52,570 --> 00:42:56,824
A CLEAR SIGN THAT SHE’S ACCEPTED
MONA INTO THE FAMILY.
596
00:42:58,117 --> 00:43:03,289
MONA’S DANGEROUS JOURNEY
IS FINALLY OVER.
597
00:43:03,331 --> 00:43:06,668
THE BRAVE, YOUNG FEMALE
HAS FOUND A NEW FAMILY.
598
00:43:10,421 --> 00:43:11,797
SHE WILL BOLSTER THEIR NUMBERS
599
00:43:11,839 --> 00:43:14,675
AND HELP PABLO
WITH BABYSITTING DUTIES.
600
00:43:16,803 --> 00:43:19,556
IN RETURN,
SHE’S FOUND THE SECURITY
601
00:43:19,597 --> 00:43:21,516
SHE DESPERATELY NEEDS...
602
00:43:24,685 --> 00:43:26,437
AND PERHAPS, IN PABLO,
603
00:43:26,479 --> 00:43:30,817
THE CHANCE TO ONE DAY START
A FAMILY OF HER OWN.
604
00:43:30,858 --> 00:43:36,947
♪
605
00:43:36,989 --> 00:43:47,917
♪
606
00:43:47,959 --> 00:43:58,803
♪
41303
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