All language subtitles for Hanna - 02x01 - Safe.NTG.English.HI.C.orig.Addic7ed.com

- Synced and corrected by chamallow -
- www.addic7ed.com -

(BIRDS CHIRPING)

(WIND WHISTLING)

♪ ♪

♪ ♪

HANNA: If we're never going to leave,

then why are you training me?

ERIK: Because one day,

I may not be here to protect you,

and you'll have to cope on your own.

(PLANE FLYING OVERHEAD)

(DRONE BUZZING)

(PANTING)

♪ ♪

(WATER SPLASHES)

(MUFFLED BUZZING)

♪ ♪

(SIGHS)

WOMAN (OVER SPEAKER): All trainees,

please gather all your affairs

and collect at meeting point "G"

for immediate onward...

Where are we going? Why
do they keep moving us?

WOMAN: Further information
will be given in transit.

♪ ♪

♪ ♪

WOMAN (OVER SPEAKER): We are
approaching our destination.

All trainees should
prepare for disembarkation.

Welcome to the Meadows.

(INDISTINCT CHATTER)

(MARISSA EXHALES)

(EXHALES)

(FOOTSTEPS APPROACHING)

(KNOCK ON DOOR)

(DOOR OPENS)

MAN: Marissa.

- John.
- Ah.

Wasn't sure you'd recognize me.

It's been a while.

How's your leg? Getting better?

Uh, it's been better for two weeks.

Why are you here?

Well, I'm afraid there are a few issues

that need clearing up.

Around what happened
at the Utrax facility.

How do you even know about that?

I don't want to waste
too much of your time.

Shall we begin?

Mm-hmm.

WOMAN: Who is this?

MARISSA: This is Marissa Wiegler.

I'm at the Utrax facility.

Jerome Sawyer's dead. I'm wounded.

- Erik Heller shot me.
- (GUNSHOT)

I need assistance.

WOMAN: Where is Heller?

MARISSA: He's gone,

but he's badly injured.

He won't survive.

WOMAN: And the girl?

MARISSA: She, uh...

she got away.

So let me get this straight.

- Heller killed Jerome Sawyer.
- Mm-hmm.

He was escaping with
Hanna and the other girl.

I tried to stop them.

- And he shot you in the leg?
- Mm-hmm.

(GUNSHOT)

(CHUCKLES SOFTLY)

Why were you there?

Sawyer's report seems to suggest

that you shouldn't have been
on that operation at all.

Sawyer and I didn't see eye to eye

on how to address Erik's
reemergence from the forest.

Well, you were right about Heller.

He didn't make it.

The girls buried him
in a rural graveyard.

Next to the mother.
Sentimental reasons, I imagine.

We disposed of him

in a more strategic fashion.

Hmm.

Um, would you care to
come with me for a moment?

(DOOR OPENS)

(INDISTINCT CHATTER)

Where are we going?

It's right down here.

Won't take long.

Through this door.

I don't understand.

What's in there?

Don't worry, Marissa.

It's just me.

(INDISTINCT CHATTER)

So...

Let's go back to the beginning.

MAN: We have the results

of your ALC training tests.

- Congratulations.
- Thank you, sir.

So, you think you're ready?

Well, I'd rather not
sit at a training console

- for another year.
- That's good.

- So, we can put you straight on the NSA main floor.
- Mm-hmm.

You'd be assigned to a desk.

Comms and SIGINT analysis.

Phone calls.

Cryptographic decoding.

It's the usual process

for someone transitioning
from military intelligence

to an analysis-led arena.

Or?

There is another possibility.

It's in the field.

It's kind of unusual.

Classified project.

And we would only want you to do it

if you felt it was right
for you at this time.

Where is it?

Abroad.

That's a little vague, sir.

If you're interested,

I'd have to ask you to sign this

before I tell you anything more.

Welcome.

- (GUNSHOTS)
- (DOG BARKING)

(BIRD SQUAWKING)

The deer went up there.

Let's go, let's go.

The dogs are on it.

ERIK: I wish we could stay here forever.

(HANNA CLICKING TONGUE)

I can feel your heartbeat.

(BOTH CHUCKLE)

You feel it?

What is that?

Nothing.

Did they give it to you?

They said it keeps us calm.

What are you doing?

(INHALES SHARPLY, EXHALES)

(GROANS)

(PANTING)

(EXHALES)

You don't need this anymore.

(CHUCKLES SOFTLY)

♪ ♪

(DOOR OPENS)

Welcome, everybody.

My name's Leo Garner.

Please take your seats.

So... let's make a start.

WOMAN: Hi, there.

My name's Joanne McCoy,
and I'm your group leader.

You're now entering the second
stage of your development.

You're gonna notice some changes

in the way we work here at the Meadows.

You're gonna have more freedom,

and you're gonna be able
to ask more questions of us.

Medication will be
reduced and rules relaxed

as we prepare you for the
next stage of your journey.

You'll shortly receive your
personalized character profile

that will tell you all you need to know

about your new identities.

Take time to read it.

It contains all you need
to know about yourself,

your family history, your schooling,

your place of birth, where you grew up,

your hobbies and interests,

your aspirations and your dreams.

CARMICHAEL: Operation Utrax.

Initiated in 2002, Darabani, Romania,

to explore in utero enhancement

of genetic makeup in
early-stage embryos.

Wolf DNA implanted into
a three-month-old fetus,

to affect bone density,

sensory sensibility

and reduced susceptibility to disease.

All with the intention of creating

a perfectly refined military tool.

Did you know about it all these years?

I thought I was keeping
it secret from you.

I was the one who recommended you.

You closed the operation in 2003

after Erik Heller's
unfortunate intervention.

- We reopened it in 2004.
- Without telling me.

CARMICHAEL: It was decided
a clean slate was necessary.

The DNA enhancements are now synthetic,

modeled on the same
material but now nonorganic.

And this time...

it worked.

Where are they?

They're in socialization training,

developing their new identities.

When socialization is complete,

they'll be transferred into the field.

They'll live in the real world,

normally, quietly.

And all we have to do is flip a switch,

and they'll do whatever we ask.

100% deniability.

I mean,

who's really gonna suspect
an 18-year-old freshman

in pigtails of state-sponsored murder?

And 100% reliable.

Or so we thought.

According to the gospel of Utrax,

Trainee 249 shouldn't have had

the ability to disobey
orders in the way she did.

We need to determine why that happened

and how to prevent it in the future.

To do that,

we need to bring her back.

That's why I'm here.

(KEYS CLACKING)

That's why I need your help.

("DIG" BY JOYEUR PLAYING)

♪ ♪

(FLIES BUZZING)

Hello?

♪ Came around into some trouble ♪

♪ Painted red on my hands ♪

♪ An artist's vision getting doubled ♪

♪ Tearing lovers in half ♪

♪ Pedal to the floor ♪

♪ I'm running to the thunder ♪

♪ You started a war in my name ♪

♪ Lines are in the sand
and I am crossing over ♪

♪ Set for the blast ♪

Come on. Let's go.

♪ A hole and we'll call it home ♪

♪ I wave my flag around ♪

♪ I put it in the ground ♪

♪ Deep in the dirt ♪

♪ I like the way it hurts ♪

♪ I wave my flag around ♪

♪ I put it in the ground ♪

♪ Feeding the animal ♪

♪ Keep feeding the animal ♪

♪ I put it in the ground ♪

♪ Dig me a hole ♪

♪ And we'll call it home ♪

♪ I wave my flag around ♪

♪ I put it in the ground. ♪

(BIRDS CHIRPING)

HANNA: Are you okay?

Hmm?

Why couldn't we stay in one
of those cabins we steal from?

They're warmer.

It's too close to the
edge of the forest,

and people come and stay
in them all the time.

It's not safe.

(GRUNTS)

Mm.

Let's eat, huh?

LEO: All right, everyone.

Please sit down.

Okay.

So, the aim of these sessions, guys,

is to introduce you to the dangers

in the world outside,

dangers you will be fighting
on behalf of our government

and people everywhere.

Now, to be able to fight these dangers,

you'll need all the combat
and operational skills

you've been developing,

but you'll also need
to understand the world

and how it's come to be this way.

♪ ♪

♪ ♪

♪ What is it ♪

♪ That's so bright about her ♪

♪ Made me so full of light... ♪

♪ She's got the eyes of a child. ♪

(BIRDS CHIRPING)

♪ ♪

Terri.

My name's Leo Garner.

Hello.

Welcome to the Meadows.

Thank you.

(INDISTINCT CHATTER)

You see something we missed?

If they're in the forest,
you'll never find them.

It's thousands of miles,

and Hanna knows that
terrain better than anyone.

You found her last time.

Last time, she made a mistake

because she was
frustrated with her life.

She won't do that again.

Maybe you don't want us to find her.

What exactly do you mean by that?

Who took this photograph?

MARISSA: I did.

Holiday snaps.

Not like you.

I needed to prove to Sawyer
I had Hanna in my care.

Did you become attached to her?

No, I did not.

Perfectly natural to
have an affinity for her,

given the past, no child of your own.

I don't feel anything, John.

I'll let you know when I do.

I'd like to go.

You can't hold me here against my will.

You know that as well as I.

Okay.

Let me ask you something first.

Are you lying to me?

Did you really shoot Erik Heller

or did you go to Utrax to kill
Sawyer and save Hanna's life?

I think I know the answer.

So, here's the deal:

I stay quiet about what you
did and I leave Hanna alone,

but you give me Trainee 249.

(BIRDS CHIRPING, DOG
BARKING IN DISTANCE)

How did your mother die?

I told you. I don't
want to talk about it.

Was she killed by them?

(BLOWING)

Do you miss her?

I never knew her.

How can you miss
someone you've never met?

(INDISTINCT CHATTER)

- Hello. How are you today?
- I'm well, thank you.

That's five dollars.
With rice or baked potato?

(CHUCKLES SOFTLY)

TRAINEE 242: She looks so weird,

still in that old uniform.

Not everyone's done it.

I'm glad you did.

It makes me feel better.

What's the name they gave you?

Sandy.

I'm Jules.

Hi, Jules.

Hi, Sandy.

(CHUCKLES SOFTLY)

Where are you from, apparently?

Uh, I'm from Ohio.

A small town.

Bentleyville.

What's that like?

Beautiful.

There's lots of forest and rivers.

And you go fishing for pike and bass,

except in the summer, when it runs dry.

I'm from Oregon.

By the ocean.

I surf.

I have a boyfriend called Aaron.

He's hot.

Why is he hot?

No, it means, like,
he's really handsome.

Oh. (CHUCKLES)

Can I see him?

♪ ♪

SANDY: He looks nice.

He is.

And I have a brother,
but I don't like him.

It says he was mean
to me when I was young.

Put beetles in my shoes.

What a dumbass.

Yeah.

He is a dumbass.

I have a brother and a
sister, too, but she's sick.

It takes up a lot of
the family's attention.

What's wrong with her?

Muscular disease.

It may be psychological.

We don't know for sure.

That must be annoying.

No.

I love her.

MARISSA: I need to talk
to the other trainees.

The ones who were there.

CARMICHAEL: Hi, Sandy.

That's your name, isn't it?

- Yes.
- Hi. Uh, I know

we already spoke to you about
this at Wilberforce Air Base,

but I wanted to go through
one more time what happened,

with Agent Hawkins here.

About Trainee 249.

I've told you everything I know.

Sandy, my name's Joan.

I'm really worried about Trainee 249.

She's missing the
opportunity to experience

what you're experiencing,

gaining a new life.

I'd like to bring her back
and offer her that chance.

But for that, I need your help, 'kay?

So, you were in the room next to her.

Is that right? The day she left.

She talked to me through the wall.

What'd she say?

She said someone was coming.

Then what?

I heard her talk to this
girl through the door.

The girl opened the doors somehow.

And then 249 went out.

She said we were free.

I didn't believe her.

And so then what happened?

Did she meet that girl alone?

I don't know.

There's no reason to lie, Sandy.

Not to me.

Did you go to the door and look?

What happened when you went to the door?

What did you see?

She showed her something.

On the screen.

What was it?

I don't know.

Yes, you do.

It was something from her past.

Her real past.

What did she show her?

She showed her who her
mother was, didn't she?

SANDY: I didn't tell

any of the other trainees, honestly.

Oh, that's okay. You're not in trouble.

- I don't want to leave the program.
- CARMICHAEL: It's okay.

You did everything we could have asked.

Okay? Thanks. You can go now.

♪ ♪

ERIK: Come on.

Faster.

Don't give up.

(GRUNTING)

(PANTING)

You okay?

Are we going to stay here forever?

It's safe here. Don't
you want to be safe?

- Course I do.
- Maybe you don't.

Maybe you want to go
back to that facility.

- That facility doesn't exist anymore.
- Then another facility.

Is that what you want?

No, of course not.

Where they put drugs under
your skin to keep you sleepy.

The same room every day.

The same food, the same exercises.

- No air, no going outside.
- All right, I get it.

No, you don't get it.
That thing in the sky,

it wasn't after me, it was after you.

I'm protecting you.

In the whole wide world,

this is the only place we are safe.

LEO: So there are 30 trainees.

They'll be writing e-mails
and communicating online

to a whole host of relatives and friends

as we build the backstory
for them and their families.

Now, these stories need to
stack up for universities.

Friends, lovers, uh,
anyone they might meet

and show them to.

You send mails, posts,

reply to their social media shout-outs.

You chat with them on
all the online platforms.

You can make requests for
visual support material

through the Gemini data archive,

which you can access
through your computer.

Any questions?

Okay, so you said there
are 30 different trainees.

- Yeah.
- Each with maybe ten

or... or 20 major correspondents

and a hundred occasional
social media contacts.

And they'll show them all to each other,

so each one has to be different.

It's fun, huh?

Food's available 24 hours a day.

Entertainment consoles,
TV, it's all yours.

But no contact with the trainees,

and from now on, no phone calls home.

Oh, I have a family who think
I'm working for an oil company.

They'll expect to hear from me.

I guess you were told this
was a Red Mark operation.

Well, it is.

(INDISTINCT CHATTER)

♪ ♪

I'm sorry.

You saved me, and I'm not grateful.

It's okay.

I just don't want to be alone anymore.

We're not alone. We have each other.

MARISSA: Now Clara knows,

she'll go looking for her mother.

She won't be able to resist it.

And that's how you'll get her.

CARMICHAEL: She's Egyptian.

Came to Romania as an illegal immigrant.

Met a Nigerian guy. She
got pregnant by accident.

She decided to give up the baby.

After she gave her baby
to Utrax, she disappeared.

There's no record of where she went.

Nothing online.

Samira Mahan may not
even be her real name.

So if Clara does search for her mother,

there's nothing for her to find.

Well, then I guess you better
make something up, John,

because she will go looking.

Stand by! Engage!

Whoa!

Engage!

Whoa! Engage!

Whoa!

♪ ♪

TERRI: "Hi, Sandy. Just posting to see

how you are finishing high school.

It's sunny here, and we
took Jodie out for a walk.

She took a few steps
herself, isn't that cool?

I'll get a photo for you soon.

Write when you can. Mom."

- ♪
♪
- (KEYS CLACKING)

SANDY: "Hi, Mom.

I'm having a great time
at the private school.

I'm glad I decided to move to New York,

even though I miss you all.

I needed the space from
Jodie to focus on my studies

so I can get into a good college.

Did I tell you I met a friend?

She's really nice. Her name is Jules.

I'll send you a photo of
her. She has really cool hair.

Don't worry, I won't copy her.

The weather is good
this fall. Very sunny.

And we're playing a lot of sports,

and I'm looking forward
to my music lessons.

Sometimes, of course, I get lonely.

I miss you and Dad, and I miss Jodie.

But not Brad, and you can tell him that.

And I miss Montana, of course.

Give him a stroke for me.

Tell him I'll walk him when I return,

after the semester ends.

Hugs and kisses. Sandy."

(DOG BARKING IN DISTANCE)

ERIK: Hanna?

Simona, you want chicken or lamb?

Chicken, I guess.

I'm going to be a
vegetarian when I grow up.

Like hell you are.

I am, too.

(DOG BARKING)

(BARKING CONTINUES)

ERIK: Hanna!

Clara?

(THUNDER RUMBLES)

(RAIN FALLING)

How did you get lost?

I was with my mother.
I went the wrong way.

You don't have a phone?

DAUGHTER: Are you American?

Are you on holiday?

Where are you staying?

My mother's name is Samira Mahan.

I need to find her.

With an "A."

Is this her?

(THUNDER RUMBLES)

♪ ♪

MOTHER: She's staying in
a hotel near Bucharest.

I can take you there, if you like.

♪ ♪

(SIGHS)

(WIND WHISTLING)

Have you been writing home?

A little bit. You?

Yeah, a lot. To my mom, especially.

She's lonely without me.

My dad's in Iraq again,
and my sister's not well.

- What?
- Nothing.

Just... you know it's not real, right?

Why do you say that?

Because it's not.

Well, maybe it can be.

What do you mean?

Well, if they want us
to live in the world,

then my family can't just
be writing letters, right?

At some point, I have to talk to them.

Maybe meet 'em.

How can you meet them?

They have faces.

(INDISTINCT RADIO CHATTER)

You don't... get it, do you?

They're just a story to tell people.

Nothing more.

Listen, you do what you want, okay.

You don't have to write to anyone.

That's not what I meant.

- Just leave me alone.
- Sandy...

You want me to message
her, tell her you're coming?

Yes, please.

What should I say?

Say her daughter wants to see her.

CARMICHAEL: You were right.

- She made contact.
- Where?

In a forest south of a
village called Ulitze.

She's heading to Bucharest
now with a Romanian family.

Thinks her mother's in the hotel.

We're arranging the RV.

- I need you there.
- MAN: Let's go.

- MAN 2: Locked and loaded, sir.
- And what about Hanna?

We're leaving Hanna
alone, just like you asked.

(VEHICLE APPROACHING)

(DRAWER CLOSES)

SOLDIER: Bravo Team on
me, going around back.

(INDISTINCT RADIO CHATTER)

Bravo Team in position.

- Nobody here, sir.
- All right.

Search the forest!

- Sir!
- Sir!

(SOLDIER SHOUTS IN DISTANCE)

Ten meters!

SANDY: "Hi, Mom. I'm still
happy here at high school.

I've been made captain
of the hockey team.

But I'm angry with that
friend I told you about.

People can be so cruel.

I really gave her my trust,

but she doesn't understand me at all.

I think it might be
because she doesn't have

such a close family.

Maybe she's jealous.

Maybe she doesn't have the
love in her life that I do."

(EXHALES)

(DEVICE BEEPS)

DAUGHTER: Hey, look, it's from your mom.

How long until we get there?

Two hours.

SOLDIER: Group Lima
headed north-northwest.

No eyeball.

I just saw something.

(SCREAMS)

Target contact! Fall back to the cabin!

Engage!

(LOW RUMBLING)

- Thank you.
- You want someone to come with you?

No, I'll be fine. Thank you.

(WAILS)

(BARKING)

(VEHICLE DEPARTING)

(DOORS WHOOSH OPEN)

(SOFT PIANO MUSIC PLAYING)

(INDISTINCT CHATTER)

Can I help you?

My mother is in Room 427.

You okay?

Uh, what's her name?

Samira Mahan.

- "Mahan."
- (KEYS CLACKING)

Okay. Would you like me to call her?

No, she knows I'm coming.

Okay, it's, uh, second
floor, over there.

♪ ♪

Mom? (SNIFFLES)

Mom, it's me.

(DOOR CLOSES)

Mom?

Sit down, Clara.

I need to talk to you.

Where's my mother?

I need to explain what's
happening. Please sit down.

Where is my mother?

She's not here.

Stay calm.

Let me tell you what happened.

Your mother chose to give
you up after you were born.

And then, I'm afraid, she died.

That's why you're with us.

And why we're so keen
to look after you now.

No.

It's okay.

It's not gonna be like it
was before, in the facility.

I want to show you what it's
going to be like from now on.

We're going to give you a new life.

Your name is Clemency.

You're 18, you're in school.

You live with a big family

in a beautiful house
in Oakland, California.

Your father is in local government.

Your mother, here, she's a teacher.

We can make all this happen for you.

And I promise we're gonna give you

- all the love you need.
- I don't want that.

I want her.

I know, but she's gone.

Don't run away from me.

Move in.

SOLDIER: Copy that.

Down! On the ground!

(GRUNTING, SHOUTS)

CLARA (CRYING): No! Let me go!

No! No! Let me go!

Let me go! No!

(DISTANT): Get off me!

Let me go!

(SIGHS)

(DOOR CLOSES)

You know there's still a place
for you with us if you want.

- You'd trust me with that?
- Well, not everyone can deal

with this kind of work.

You've shown you can.

You didn't leave Hanna
in the forest, did you?

I know you, John.

Just tell me the truth.

We found the cabin in the forest.

There was, uh, a fight of some kind.

A gas explosion in the cabin.

And Hanna?

She was inside.

Marissa, I assure you,

- we never had any intention...
- Just... just get out.

The offer remains open.

(DOOR OPENS)

(DOOR CLOSES)

(VEHICLE APPROACHING)

♪ ♪

(PANTING)

Why can't we go back to the forest?

It's too far. We'll go next weekend.

I hate that girl. She ruined everything.

HANNA: Where did you take her?

VIRTUAL TEACHER: Welcome, Sandy,
to your virtual piano lesson.

Let's start by hitting a key.

Try this one.

(INDISTINCT CHATTER)

♪ ♪

♪ ♪

♪ I hear you and I don't believe it ♪

♪ I don't want to go ♪

♪ Your-your human hate propaganda ♪

♪ I don't want to know ♪

♪ You won't lead me into your darkness ♪

♪ You won't have my soul ♪

♪ I won't be buying in to your hatred ♪

♪ I'm not running cold ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no ♪

♪ I'm not plastic, I am electric ♪

♪ I'm not gonna go ♪

♪ I won't fight for your destiny, no ♪

♪ I'm not gonna show ♪

♪ I won't turn my anger to children ♪

♪ Or those who are forced to run ♪

♪ I've my own mind, I'm not a minion ♪

♪ I'm not dumb or blind ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no ♪

♪ Oh, my God, I don't fear ♪

♪ Your made-up enemy ♪

♪ Oh, my Lord, you won't steer ♪

♪ I don't fear anything ♪

♪ No ♪

♪ No, no ♪

♪ No ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no, no, no, no ♪

♪ No, no, no, no, no. ♪

- Synced and corrected by chamallow -
- www.addic7ed.com -